
Browse content similar to Youth in Revolt. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
This programme contains strong language and adult humour | 0:00:02 | 0:00:09 | |
(PANTING / GRUNTS) | 0:00:11 | 0:00:14 | |
(PAGE BEING TURNED) | 0:00:14 | 0:00:16 | |
(PANTING INCREASES / GRUNTS) | 0:00:17 | 0:00:19 | |
(VIGOROUS MOVEMENT) | 0:00:19 | 0:00:22 | |
(OBJECTS RATTLE) | 0:00:23 | 0:00:25 | |
(PANTING CEASES / RATTLING STOPS) | 0:00:25 | 0:00:27 | |
(DEEP SIGH) | 0:00:27 | 0:00:28 | |
'My name is Nick. | 0:00:46 | 0:00:48 | |
'My last name - which I loathe - is Twisp, which would be a nice name | 0:00:48 | 0:00:52 | |
'if I planned on becoming an evil nurse in a mental institution. | 0:00:52 | 0:00:56 | |
'I am a voracious reader of classic prose, | 0:00:56 | 0:00:58 | |
'an aspiring novelist, | 0:00:58 | 0:01:00 | |
'and feel the world would be a better place if every radio station | 0:01:00 | 0:01:05 | |
'played Sinatra's My One And Only Love hourly. | 0:01:05 | 0:01:07 | |
'Needless to say, I'm still a virgin. | 0:01:07 | 0:01:10 | |
'I live in Oakland with my charming mother. | 0:01:12 | 0:01:14 | |
-(THROWS DOWN PAN) -Estelle...! | 0:01:14 | 0:01:16 | |
'Her latest boyfriend, Jerry, is a long-haul truck driver and a liar. | 0:01:16 | 0:01:20 | |
If a woman answered the phone, it was probably just the maid. | 0:01:20 | 0:01:23 | |
-'He's a real prize. -(GRUNTS) Gonna bite you! | 0:01:23 | 0:01:27 | |
No. | 0:01:27 | 0:01:28 | |
(KNOCK ON DOOR) | 0:01:28 | 0:01:29 | |
-Hi, Nick. -Hi. -Three more for you. -Thanks, Mr Ferguson. | 0:01:30 | 0:01:34 | |
'Our neighbour Mr Ferguson likes to bring us mail from our mailbox. | 0:01:34 | 0:01:38 | |
'A former activist with a bleeding heart and too much time on his hands. | 0:01:38 | 0:01:42 | |
'He's always getting arrested for staging protests | 0:01:42 | 0:01:45 | |
'and harbouring illegal aliens in his basement. | 0:01:45 | 0:01:47 | |
'He's a good man, but very strange. | 0:01:47 | 0:01:49 | |
Oh, so, muy bueno, si. | 0:01:49 | 0:01:52 | |
'My dad is currently between jobs. | 0:01:52 | 0:01:54 | |
'He'd love not to have to work at all, but as he often reminds me - | 0:01:54 | 0:01:58 | |
he has crippling child-support payments.' | 0:01:58 | 0:02:00 | |
Dad, when can I get an allowance? I'm tired of not having a cellphone. | 0:02:00 | 0:02:03 | |
If you want an allowance, talk to your mom. | 0:02:03 | 0:02:06 | |
-'Lacey is Dad's girlfriend.' -Baby, I cooked for you! | 0:02:06 | 0:02:10 | |
-Aw, you made me a snack...! -Come here, you...! | 0:02:10 | 0:02:13 | |
'She's 25 and a budding cosmetologist.' | 0:02:13 | 0:02:16 | |
Does my baby like it? | 0:02:17 | 0:02:19 | |
'It's amazing and incredibly irritating to me | 0:02:19 | 0:02:21 | |
how much action everyone around me seems to be getting. | 0:02:21 | 0:02:25 | |
'With one exception. | 0:02:25 | 0:02:27 | |
My sister saw Millie holding hands with some college guy. | 0:02:27 | 0:02:30 | |
'My best friend Lefty's had a crush on Millie Filbert since third grade. | 0:02:30 | 0:02:35 | |
'Only Lefty is more miserable than I am.' | 0:02:35 | 0:02:37 | |
I've been taping my dick to my right leg at night with duct tape. | 0:02:37 | 0:02:41 | |
I think of Millie in her green summery dress | 0:02:41 | 0:02:44 | |
-and I get hard, so it pushes against the tape... -I see. | 0:02:44 | 0:02:47 | |
-Counter-rotational tension on the shaft. -Right. -Nice. | 0:02:47 | 0:02:50 | |
'In case you haven't heard, | 0:02:50 | 0:02:52 | |
'Lefty's erect member takes a dramatic turn east midway up.' | 0:02:52 | 0:02:55 | |
-Or? -You might wanna get it fixed before you ask Millie out. | 0:02:55 | 0:02:59 | |
Very true. What if I shove it up the wrong hole? | 0:02:59 | 0:03:03 | |
What if we go out and she doesn't like me? | 0:03:03 | 0:03:06 | |
We get to know each other and she hates me? | 0:03:06 | 0:03:09 | |
We get married and have a kid that's no good at anything, has no talents? | 0:03:09 | 0:03:13 | |
-(SIGHS) -I wonder if it's worth it. | 0:03:13 | 0:03:17 | |
Either way, you probably wanna get your dick straightened out. | 0:03:17 | 0:03:20 | |
(KNOCK ON DOOR) | 0:03:20 | 0:03:21 | |
-Is Jerry here? -He just went out. | 0:03:24 | 0:03:26 | |
That hunk-of-shit Chevy he sold us made it 17 miles before it blew up. | 0:03:26 | 0:03:30 | |
-We found evidence of a banana in the transmission. -So he owes us 900 | 0:03:30 | 0:03:34 | |
I'm quite certain he spent that 900 on his new Lincoln. | 0:03:34 | 0:03:38 | |
Maybe you better come back and speak with him directly. | 0:03:38 | 0:03:41 | |
He seems pretty stubborn, you might need to get physical. | 0:03:41 | 0:03:45 | |
That can be arranged. | 0:03:45 | 0:03:46 | |
'After living in Oakland for 16 years | 0:03:46 | 0:03:48 | |
I've noticed it's filled with women who have zero interest in me.' | 0:03:48 | 0:03:52 | |
Hey, Karen. | 0:03:52 | 0:03:54 | |
-Nick. -Oh, right. | 0:03:54 | 0:03:56 | |
Physics? | 0:03:56 | 0:03:58 | |
American History. Close. | 0:03:58 | 0:04:01 | |
What is that? | 0:04:01 | 0:04:02 | |
La Strada. It's a Fellini movie. | 0:04:02 | 0:04:05 | |
So random! | 0:04:05 | 0:04:06 | |
Yeah. They were all outta Miss Congeniality 2: Armed and Fabulous, so I went for a random. | 0:04:06 | 0:04:12 | |
-(GUY BLOWS RASPBERRY) -Ew, Chad! Fuck you. -Fuck you, you love it. | 0:04:12 | 0:04:16 | |
Hey, does that movie come with tampons for your pussy? | 0:04:16 | 0:04:19 | |
You know, Chad, I'll be upset if it doesn't. | 0:04:19 | 0:04:22 | |
(KAREN LAUGHS WILDLY) | 0:04:22 | 0:04:24 | |
'In the movies, the good guy gets the girl. | 0:04:24 | 0:04:27 | |
'In real life, it's usually the prick.' | 0:04:27 | 0:04:29 | |
NICK! GET OUT HERE! | 0:04:29 | 0:04:30 | |
Nick! | 0:04:31 | 0:04:33 | |
Nick! | 0:04:33 | 0:04:34 | |
Nick, do you know anything about this? | 0:04:36 | 0:04:38 | |
Oh, yeah. Those sailors came by. They want their money back. | 0:04:38 | 0:04:42 | |
Apparently, there's some sort of banana in the transmission. | 0:04:42 | 0:04:45 | |
-You tell 'em I was coming back? -Now, why would I do that? -(SPITS) | 0:04:48 | 0:04:53 | |
Jerry, what are you gonna do? | 0:04:53 | 0:04:55 | |
-Go get the Lincoln washed. -You're leaving?! | 0:04:55 | 0:04:58 | |
What happens when that sailor comes back? | 0:04:58 | 0:05:01 | |
'So to escape ill-tempered sailors we're going to Clear Lake | 0:05:01 | 0:05:05 | |
'to stay in a cabin owned by a friend of Jerry's. | 0:05:05 | 0:05:08 | |
'Since I have no life, I figure I have nothing to lose.' | 0:05:08 | 0:05:12 | |
We're goin' on vacation! | 0:05:15 | 0:05:17 | |
(FUN BOY 3 AND BANANARAMA: It Ain't What You Do) | 0:05:24 | 0:05:27 | |
# It ain't what you do It's the way that you do it | 0:05:27 | 0:05:29 | |
# It ain't what you do It's the way that you do it | 0:05:29 | 0:05:32 | |
# It ain't what you do It's the way that you do it | 0:05:32 | 0:05:34 | |
# And that's what gets results | 0:05:34 | 0:05:37 | |
# It ain't what you do It's the time that you do it | 0:05:37 | 0:05:39 | |
# It ain't what you do It's the time that you do it | 0:05:39 | 0:05:42 | |
# It ain't what you do It's the time that you do it | 0:05:42 | 0:05:45 | |
# And that's what gets results | 0:05:45 | 0:05:47 | |
# You can try hard | 0:05:47 | 0:05:48 | |
# Don't mean a thing | 0:05:48 | 0:05:50 | |
# Take it easy | 0:05:51 | 0:05:53 | |
# Then your jive will swing | 0:05:55 | 0:05:57 | |
# It ain't what you do It's the place that you do it | 0:05:57 | 0:06:00 | |
# It ain't what you do It's the place that you do it | 0:06:00 | 0:06:02 | |
# It ain't what you do It's the place that you do it | 0:06:02 | 0:06:05 | |
# And that's what gets results | 0:06:05 | 0:06:07 | |
# Do do do do do... | 0:06:07 | 0:06:09 | |
# I thought I was smart but I soon found out | 0:06:23 | 0:06:25 | |
# I didn't know what life was all about | 0:06:25 | 0:06:28 | |
# But then I learnt I must confess | 0:06:28 | 0:06:31 | |
# That life is like a game of chess | 0:06:31 | 0:06:33 | |
# It ain't what you do It's the way that you do it | 0:06:33 | 0:06:36 | |
# It ain't what you do It's the time that you do it | 0:06:36 | 0:06:38 | |
# It ain't what you do It's the place that you do it | 0:06:38 | 0:06:41 | |
# And that's what gets results | 0:06:41 | 0:06:43 | |
# You can try hard | 0:06:43 | 0:06:45 | |
# Don't mean a thing | 0:06:45 | 0:06:47 | |
# Take it easy | 0:06:48 | 0:06:50 | |
# Then your jive will swing... (SONG FADES) | 0:06:51 | 0:06:53 | |
Jerry...?! | 0:07:01 | 0:07:03 | |
I thought you said it was a cabin. | 0:07:03 | 0:07:05 | |
Come on, Estelle. It's real cute on the inside. | 0:07:07 | 0:07:10 | |
(FLY BUZZES) | 0:07:12 | 0:07:15 | |
(JERRY SLURPS) | 0:07:15 | 0:07:16 | |
(..slurp... slurp... slurp... slurp...) | 0:07:19 | 0:07:22 | |
(Burp!) | 0:07:25 | 0:07:26 | |
I say we let the kid do the dishes | 0:07:27 | 0:07:30 | |
and you and I retire to the master bedroom. | 0:07:30 | 0:07:33 | |
(Burp!) | 0:07:36 | 0:07:38 | |
(ZIPPER BEING LOWERED) | 0:07:38 | 0:07:39 | |
Mum, do you think it's puppy love thing with Jerry, | 0:07:39 | 0:07:42 | |
or can I look forward to having him around for years to come? | 0:07:42 | 0:07:46 | |
Nick, how many men would be interested in a woman who is 48, | 0:07:46 | 0:07:50 | |
has a kid, no money, and stretch marks? | 0:07:50 | 0:07:52 | |
I think you're selling yourself short, Mom. | 0:07:52 | 0:07:55 | |
What about the stretch-mark fetishist? | 0:07:55 | 0:07:58 | |
Oh, watch your smart mouth! | 0:07:58 | 0:08:00 | |
So you're gonna do the dishes, OK, hon? | 0:08:04 | 0:08:07 | |
Gerald and I will be in back, playing Scrabble. | 0:08:07 | 0:08:10 | |
Your robe's open. | 0:08:42 | 0:08:44 | |
(SWELL OF ORCHESTRAL STRINGS) | 0:08:53 | 0:08:56 | |
-So, are you and your family staying near here? -We live down the block. | 0:09:13 | 0:09:16 | |
Oh, spitting distance. So to speak. | 0:09:16 | 0:09:19 | |
Hi, Stuck-up. | 0:09:21 | 0:09:23 | |
Hi. | 0:09:23 | 0:09:24 | |
Honey, this is Sheeni Saunders. | 0:09:24 | 0:09:25 | |
She stopped by to introduce herself. Isn't that neighbourly? | 0:09:25 | 0:09:29 | |
Yes. Yes. | 0:09:29 | 0:09:30 | |
She's on her way to the store, so I volunteered you to help with bags. | 0:09:30 | 0:09:35 | |
Sounds fun. | 0:09:35 | 0:09:37 | |
Your family's arrival excited considerable interest among the residents. | 0:09:39 | 0:09:43 | |
-Your father's beer cooler on... -Oh, he's not my father. | 0:09:44 | 0:09:48 | |
Jerry's my mother's consort. He and I have no blood links of any kind. | 0:09:48 | 0:09:53 | |
Well, that seems to be worth something. | 0:09:53 | 0:09:56 | |
'Yesterday the most exciting thing in my life was the thought of Jerry | 0:10:00 | 0:10:04 | |
'being beaten senseless by three angry sailors. | 0:10:04 | 0:10:07 | |
'Now I'm spending time with a beautiful, interesting girl, | 0:10:07 | 0:10:10 | |
'and I have no idea how it happened.' | 0:10:10 | 0:10:13 | |
Here we are. | 0:10:13 | 0:10:15 | |
-Wow, a second floor. -Yes. | 0:10:15 | 0:10:17 | |
Father bought it so we could look down on the world. | 0:10:17 | 0:10:20 | |
-What does your father do? -He's a lawyer. -Oh. | 0:10:20 | 0:10:24 | |
Wow, this is really nice. | 0:10:24 | 0:10:26 | |
-Where are your parents? -They're at church. | 0:10:36 | 0:10:38 | |
Would you like a tour? | 0:10:39 | 0:10:42 | |
Sure. | 0:10:42 | 0:10:44 | |
Kitchen. | 0:10:44 | 0:10:45 | |
This is Mother's Farfisa organ. | 0:10:45 | 0:10:48 | |
-Father added this extension so he could fit these 64 pipes in. -Wow. | 0:10:50 | 0:10:54 | |
Dining room. | 0:10:57 | 0:10:59 | |
Here's a family portrait. | 0:11:00 | 0:11:02 | |
And this is my room. | 0:11:07 | 0:11:09 | |
Didn't you just love Breathless? | 0:11:20 | 0:11:22 | |
Jean-Paul was completely gripping. | 0:11:22 | 0:11:24 | |
If you like French people, I suppose. Yeah. | 0:11:24 | 0:11:27 | |
I can see it. | 0:11:27 | 0:11:29 | |
I think my favourite film was Tokyo Story. | 0:11:29 | 0:11:31 | |
I just think Mizoguchi is a great director. | 0:11:31 | 0:11:33 | |
It's a great film. | 0:11:33 | 0:11:35 | |
But wasn't that by Ozu? | 0:11:35 | 0:11:37 | |
Who can say? | 0:11:41 | 0:11:43 | |
There's nothing quite as good as vinyl. | 0:11:46 | 0:11:49 | |
Yeah, it's very textural. | 0:11:49 | 0:11:51 | |
-Do you like Frank Sinatra? -I do. | 0:11:54 | 0:11:56 | |
But my all-time favourite is Serge Gainsbourg. | 0:11:58 | 0:12:02 | |
-So you really like the French, don't you? -I wanna live in France. | 0:12:05 | 0:12:09 | |
I wanna live all over the world. | 0:12:09 | 0:12:11 | |
I know there's so much more than this out there. | 0:12:11 | 0:12:14 | |
My parents are religious fanatics. | 0:12:17 | 0:12:19 | |
They're exhausting. | 0:12:21 | 0:12:23 | |
-Bye. -Bye. | 0:12:32 | 0:12:33 | |
Hey, Sheeni? | 0:12:40 | 0:12:42 | |
Do you think you'd like to join me at the beach tomorrow after breakfast? | 0:12:42 | 0:12:46 | |
I'd love to. | 0:12:46 | 0:12:47 | |
-Yes? -Hello, Mr Saunders. I'm Nick. I'm here to see Sheeni. | 0:13:03 | 0:13:07 | |
I understand you've invited her to the beach. | 0:13:09 | 0:13:12 | |
-That's right. -Uh-huh. | 0:13:12 | 0:13:13 | |
Well, I trust, sir, | 0:13:13 | 0:13:15 | |
you are aware that you have entered into an oral contract | 0:13:15 | 0:13:19 | |
to perform in loco parentis - i.e. to ensure the safety and welfare | 0:13:19 | 0:13:24 | |
of the aforementioned minor female. | 0:13:24 | 0:13:26 | |
-Ready? -Very ready. | 0:13:29 | 0:13:32 | |
-Bye, Father. -Goodbye, Mr Saunders. | 0:13:33 | 0:13:36 | |
-(MEEKLY) -Vaya con Dios. | 0:13:36 | 0:13:39 | |
Would you mind applying this to my exposed areas? | 0:13:39 | 0:13:42 | |
Sure. | 0:13:43 | 0:13:44 | |
Hm. You get turned on easily. | 0:14:13 | 0:14:16 | |
Don't stop, Nick. It's only natural. | 0:14:18 | 0:14:22 | |
Girls are fortunate in that it doesn't show. | 0:14:22 | 0:14:25 | |
For all the world knows, my vagina could be moist with desire as we speak. | 0:14:25 | 0:14:30 | |
Is it? | 0:14:30 | 0:14:31 | |
Should we do my front now? | 0:14:35 | 0:14:37 | |
OK. | 0:14:37 | 0:14:38 | |
I'm up for it. | 0:14:39 | 0:14:41 | |
Thank you. | 0:14:59 | 0:15:01 | |
What's your last name? | 0:15:13 | 0:15:14 | |
Dillinger? | 0:15:14 | 0:15:16 | |
Twisp. | 0:15:23 | 0:15:24 | |
'Sheeni Saunders. | 0:15:32 | 0:15:33 | |
'She's complicated, mischievous... | 0:15:33 | 0:15:36 | |
'and at this point I'd be willing to give up everything in my life to be with her. | 0:15:36 | 0:15:42 | |
Nick, you're very nice, but I should tell you, I have a boyfriend. | 0:15:42 | 0:15:47 | |
Oh, I see. | 0:15:47 | 0:15:49 | |
His name is Trent. | 0:15:49 | 0:15:51 | |
We've been together for a while, actually. | 0:15:51 | 0:15:53 | |
What's he like? | 0:15:55 | 0:15:57 | |
He's 17, 6ft 2in, | 0:15:57 | 0:15:59 | |
fluent in French, | 0:15:59 | 0:16:01 | |
plays the piano, is a champion swimmer, | 0:16:01 | 0:16:04 | |
and writes futurist, percussive poetry. | 0:16:04 | 0:16:08 | |
I'm not familiar with futurist, percussive poems. | 0:16:08 | 0:16:11 | |
I could recite one of Trent's, if you'd like. | 0:16:11 | 0:16:14 | |
Please do. | 0:16:14 | 0:16:16 | |
Ram dam 12 | 0:16:17 | 0:16:19 | |
Sizzle mop | 0:16:19 | 0:16:21 | |
Crunch down | 0:16:21 | 0:16:22 | |
Safety net | 0:16:22 | 0:16:24 | |
Hot hot hot | 0:16:24 | 0:16:26 | |
Void | 0:16:26 | 0:16:27 | |
Well, that certainly sounds like a poem. Jeez, he sounds great. | 0:16:31 | 0:16:35 | |
Well, y'know, I also have a sweetheart for the moment, so... | 0:16:35 | 0:16:38 | |
Really? What's her name? | 0:16:38 | 0:16:41 | |
Her name is Martha Singwall. She's 16. | 0:16:41 | 0:16:44 | |
She's got toasted almond hair. | 0:16:44 | 0:16:47 | |
She's only just recently returned from Nice | 0:16:47 | 0:16:48 | |
where she's been conducting sociological research | 0:16:48 | 0:16:51 | |
on the assimilation problems of Italian immigrants, workers, | 0:16:51 | 0:16:56 | |
down there. | 0:16:56 | 0:16:58 | |
She's also a professional model. Specialises in lingerie. | 0:16:58 | 0:17:01 | |
She likes me quite a bit. She tells me that she loves my hair. | 0:17:01 | 0:17:05 | |
-She sounds wonderful. -Yes. I think you'd like her, Sheeni. | 0:17:06 | 0:17:09 | |
Trent sounds great, too, aside from being...freakishly tall. | 0:17:09 | 0:17:13 | |
He certainly does seem to have a knack for | 0:17:13 | 0:17:16 | |
smashing ungraceful words together and...deeming it a poem. | 0:17:16 | 0:17:20 | |
Well, thanks for a lovely day, Nick. | 0:17:21 | 0:17:24 | |
Don't mention it. | 0:17:24 | 0:17:26 | |
'I think of this radiant girl being swept away | 0:17:27 | 0:17:29 | |
'by some handsome, pretentious poet and it crushes me. | 0:17:29 | 0:17:32 | |
'She could never like me. | 0:17:32 | 0:17:34 | |
'Unless I decided to radically change every detail of my personality | 0:17:34 | 0:17:38 | |
'I am going to die a virgin.' | 0:17:38 | 0:17:40 | |
(DOOR CHIME PLAYS HYMN) | 0:17:41 | 0:17:45 | |
Nick? | 0:17:51 | 0:17:52 | |
Sheeni, nice to see you. I was out walking and remembered you lived here | 0:17:52 | 0:17:56 | |
I'm sorry I got upset about Trent. It was immature of me. | 0:17:56 | 0:17:59 | |
I'm not normally like that. | 0:17:59 | 0:18:01 | |
He sounds great. I'd love to hear more of his neat poetry. | 0:18:01 | 0:18:04 | |
Say, do you wanna go to the beach? Or get breakfast? | 0:18:04 | 0:18:06 | |
Actually, I'm going on a hike. | 0:18:06 | 0:18:08 | |
I'd ask you to come, but you've no boots, provisions, maps or compass. | 0:18:08 | 0:18:13 | |
Fine. I do my hiking freeform. | 0:18:13 | 0:18:14 | |
Like John Muir I enter the wilderness with nothing more than my journal | 0:18:14 | 0:18:18 | |
and a child-like sense of wonder. | 0:18:18 | 0:18:19 | |
What the hell... This is a private journal! | 0:18:47 | 0:18:49 | |
Trent is not an "affected twit". | 0:18:49 | 0:18:54 | |
Sheeni, how would you like it if I read your journal? | 0:18:54 | 0:18:57 | |
Go ahead. | 0:18:57 | 0:18:58 | |
It's written in a shorthand of my own devising. | 0:19:07 | 0:19:10 | |
A necessity for a girl with Christian parents. | 0:19:10 | 0:19:12 | |
-What does this say? -Wouldn't you like to know! | 0:19:12 | 0:19:15 | |
That last passage would be of particular interest to you. | 0:19:15 | 0:19:18 | |
I doubt that. | 0:19:18 | 0:19:19 | |
I have no interest in reading about Trent's beautiful shoulders. | 0:19:19 | 0:19:23 | |
I haven't made love with Trent, if that's what you wanna know. | 0:19:27 | 0:19:30 | |
I've only made love once and it was less than erotic. | 0:19:30 | 0:19:34 | |
But I hear it gets better with practise. | 0:19:37 | 0:19:39 | |
You're a virgin. I can tell. | 0:19:42 | 0:19:44 | |
Kiss me, you weenie. | 0:19:50 | 0:19:52 | |
-Sheeni, I think I love you. -Of course, you do. | 0:20:15 | 0:20:18 | |
Or your hormones certainly do. | 0:20:18 | 0:20:20 | |
-Sheeni! -Yes, Mother. I'm just here with Nick. | 0:20:22 | 0:20:26 | |
Let's see this young heathen. | 0:20:26 | 0:20:29 | |
-Hello, Mrs Saunders. Nice to meet you. -I doubt that very much. | 0:20:29 | 0:20:33 | |
-See you tomorrow, Nick. -OK. Goodbye, Sheeni. Goodbye, Mrs Saunders. | 0:20:33 | 0:20:36 | |
-Look into your soul, young man. Before it's too late. -I will. | 0:20:36 | 0:20:40 | |
'Jerry found a trailer he wants to buy and insisted we check it out. | 0:20:45 | 0:20:49 | |
'I told Sheeni I would write a book about her. | 0:20:49 | 0:20:52 | |
'She said it was a terrible idea. | 0:20:52 | 0:20:55 | |
Jerry, all the closets are full of mouse doodies. | 0:21:00 | 0:21:03 | |
-I might take 950. -Nine hundred. -9-10. -We're in business. | 0:21:04 | 0:21:08 | |
(SHEENI SQUEALS WITH DELIGHT) | 0:21:08 | 0:21:10 | |
Oh, come here. Come here, come here...! | 0:21:10 | 0:21:13 | |
Aw...! | 0:21:13 | 0:21:14 | |
-Nicky, look, isn't he cute? -He's adorable. | 0:21:16 | 0:21:19 | |
How much? | 0:21:20 | 0:21:22 | |
Ten dollars. | 0:21:22 | 0:21:24 | |
All I have is a Subway card with four stickers. | 0:21:32 | 0:21:36 | |
Sold! | 0:21:36 | 0:21:38 | |
Thank you, Nicky. | 0:21:38 | 0:21:40 | |
-I think I'm going to name him Albert -Mm-hm. | 0:21:46 | 0:21:49 | |
-After Albert Camus. -Oh. | 0:21:49 | 0:21:51 | |
'That night was my first indisputable make-out session with a girl. | 0:22:07 | 0:22:11 | |
'After grappling in the warm darkness with Sheeni, | 0:22:11 | 0:22:14 | |
I found a note in my back pocket. | 0:22:14 | 0:22:16 | |
'I thought she had been caressing my ass. | 0:22:16 | 0:22:19 | |
"Dear Nick. Please excuse me for reading your journal. | 0:22:21 | 0:22:24 | |
"I have found that people who can resist temptation | 0:22:24 | 0:22:27 | |
"invariably lead depressingly stunted lives. | 0:22:27 | 0:22:30 | |
"Naturally, I was charmed by what you wrote about me. | 0:22:30 | 0:22:33 | |
"Your contemplation of suicide and your invention of Martha | 0:22:33 | 0:22:37 | |
"cannot help but evoke a strong emotional response in my breast. | 0:22:37 | 0:22:41 | |
"We are both young. Let's just live, and what happens will happen. | 0:22:41 | 0:22:46 | |
"Yours affectionately, Sheeni." | 0:22:46 | 0:22:49 | |
(DOOR OPENS) | 0:22:49 | 0:22:50 | |
I have to leave today. | 0:22:58 | 0:23:00 | |
Jerry threw his back out last night in bed with my mother, | 0:23:00 | 0:23:04 | |
so he has to be reunited with his painkillers back in Oakland. | 0:23:04 | 0:23:09 | |
We're leaving in an hour. | 0:23:09 | 0:23:11 | |
So this'll be goodbye. | 0:23:13 | 0:23:15 | |
-Goodbye. -You don't have to act so brave, Sheeni. | 0:23:17 | 0:23:20 | |
-I wouldn't judge you if you started to cry. -No, Nicky. | 0:23:20 | 0:23:23 | |
It's Albert. He snuck out of my room last night. | 0:23:23 | 0:23:27 | |
When I woke up, he had shredded the family Bible. | 0:23:27 | 0:23:30 | |
My parents took it as a sign of evil. | 0:23:30 | 0:23:33 | |
-Now I have to find someone who'll take him. -Well, I'll take him. | 0:23:33 | 0:23:36 | |
-You will? -Sure! | 0:23:36 | 0:23:38 | |
I'll have to hide him from my mother, she can't stand dogs, | 0:23:38 | 0:23:41 | |
but it's a risk I'm willing to take. | 0:23:41 | 0:23:44 | |
He's our love child. | 0:23:44 | 0:23:46 | |
Sheeni, I can't stand the thought of you falling in love with some | 0:23:47 | 0:23:50 | |
egotistical poet while I'm gone. | 0:23:50 | 0:23:52 | |
I've had a great time with you. | 0:23:53 | 0:23:55 | |
It was a really lovely summer fling. | 0:23:55 | 0:23:58 | |
But I can't put my whole life on hold. | 0:23:58 | 0:24:01 | |
You don't even live here. | 0:24:02 | 0:24:04 | |
We could run away together. Escape our families. | 0:24:04 | 0:24:07 | |
Live like outlaws together. | 0:24:07 | 0:24:09 | |
No offence, Nicky, but it's not exactly in your constitution. | 0:24:09 | 0:24:12 | |
What if my dad could get a job here in Ukiah and I come live with him? | 0:24:12 | 0:24:16 | |
My mother depends on the child-support money | 0:24:16 | 0:24:19 | |
but maybe I could get kicked out. | 0:24:19 | 0:24:21 | |
That's a lot of what-ifs. | 0:24:21 | 0:24:23 | |
Do you think you could help me find some job opportunities for my dad? | 0:24:23 | 0:24:27 | |
-It's possible. -We can do this, Sheeni. This can happen. | 0:24:27 | 0:24:32 | |
Well, look at you taking control of the situation. | 0:24:32 | 0:24:36 | |
I'll do whatever I have to do. | 0:24:36 | 0:24:38 | |
I've never had anything in my life that I wanted to fight for so much. | 0:24:38 | 0:24:43 | |
Then we'll have to figure out a way for you to be kicked out. | 0:24:43 | 0:24:46 | |
You have to be bad, Nicky. | 0:24:46 | 0:24:49 | |
Be very, very bad. | 0:24:49 | 0:24:51 | |
'I've a tall mountain to climb with many treacherous glaciers to cross. | 0:24:53 | 0:24:57 | |
'But finally I have an entry visa to the paradise beyond.' | 0:24:57 | 0:25:00 | |
I won't let him outta my sight. | 0:25:02 | 0:25:04 | |
Where's the Nova? | 0:25:30 | 0:25:32 | |
See that, babe? They took it back. | 0:25:32 | 0:25:35 | |
Sailors are all talk, all the time. | 0:25:35 | 0:25:38 | |
-(Jerry...!) -Shit on a goddamn dick! | 0:25:44 | 0:25:47 | |
I have spent 15 years trying to get this house to look perfect! | 0:25:47 | 0:25:52 | |
Oh, God! Nick, get a pan! It's dripping on my new shag! | 0:25:52 | 0:25:56 | |
I'll get a pan. | 0:25:56 | 0:25:57 | |
You should've given that man his money back. | 0:25:57 | 0:26:00 | |
Holy shit. There's still water in the windshield thing. | 0:26:02 | 0:26:05 | |
But how'd they even get it in here? | 0:26:05 | 0:26:08 | |
Looks like they took it apart piece by piece, then reassembled it. | 0:26:08 | 0:26:14 | |
It would take an army of mechanics to do that! | 0:26:14 | 0:26:18 | |
(SIGHS) Or a Navy. | 0:26:18 | 0:26:20 | |
Or a Navy, baby. | 0:26:20 | 0:26:22 | |
(ASHLEE SIMPSON MUSIC BLARES NEARBY) | 0:26:22 | 0:26:26 | |
(ALBERT) Woof! | 0:26:33 | 0:26:35 | |
I told my parents about my sister going all the way with Carlo. | 0:26:35 | 0:26:38 | |
Now she's playing that damn Ashlee Simpson album over and over. | 0:26:38 | 0:26:41 | |
-My life is a living hell, Nick. It is a living hell. -Damn. | 0:26:41 | 0:26:45 | |
I have something to cheer you up, my friend. His name is Albert. | 0:26:45 | 0:26:49 | |
I don't know why you have a dog. You hate dogs. | 0:26:49 | 0:26:53 | |
This is more than a dog. | 0:26:53 | 0:26:54 | |
This is my only tangible link to the love of my life. | 0:26:54 | 0:26:58 | |
You met a girl? | 0:26:58 | 0:26:59 | |
She isn't just a girl, Lefty. | 0:26:59 | 0:27:01 | |
She's a comely angel, | 0:27:01 | 0:27:03 | |
sent to teach me about all that is good in the world. | 0:27:03 | 0:27:06 | |
Is she prettier than Millie Filbert? | 0:27:06 | 0:27:09 | |
Lefty, after seeing Sheeni you would look at Millie | 0:27:09 | 0:27:12 | |
and you would see no more than a slatternly wench | 0:27:12 | 0:27:15 | |
trying to muddy your perception of what a pretty girl should be. | 0:27:15 | 0:27:20 | |
How do I know you're not making this girl up? | 0:27:20 | 0:27:23 | |
Oh, wow. | 0:27:27 | 0:27:28 | |
Your life has really changed since I last saw you, Nick. | 0:27:28 | 0:27:31 | |
How are things going with Millie? | 0:27:31 | 0:27:33 | |
Oh, um, I got this book - Lovemaking For Advanced Gourmets. | 0:27:33 | 0:27:38 | |
I'm lookin' up some tips so I can really blow her mind. | 0:27:38 | 0:27:41 | |
For instance, one in here... | 0:27:41 | 0:27:43 | |
You're supposed to stick your pinkie inside of a girl's bumhole. | 0:27:43 | 0:27:46 | |
-Liar. -Read it and weep. I have it marked right there. | 0:27:46 | 0:27:50 | |
I think Sheeni might find this pinkie technique less than romantic. | 0:27:53 | 0:27:57 | |
Lefty, could I borrow this? | 0:27:57 | 0:27:58 | |
-Might be some things I should know. -Yeah, it's fine. | 0:27:58 | 0:28:01 | |
(PHONE RINGS) | 0:28:01 | 0:28:05 | |
Hello? | 0:28:06 | 0:28:08 | |
'Hi, Nicky.' | 0:28:08 | 0:28:09 | |
Have you any misdeeds to report? | 0:28:09 | 0:28:12 | |
'I'm working on it.' | 0:28:12 | 0:28:14 | |
-'Nicky...' -You sound concerned. | 0:28:14 | 0:28:16 | |
'If you don't take the initiative,' | 0:28:16 | 0:28:18 | |
how will you feel when I marry Francois? | 0:28:18 | 0:28:21 | |
-Who's Francois? -My future French husband. | 0:28:21 | 0:28:24 | |
-Huh. -'Well, I mean, I can't wait for you forever.' | 0:28:24 | 0:28:28 | |
Nick, how is my darling Albert? | 0:28:30 | 0:28:32 | |
'Albert is great.' | 0:28:32 | 0:28:35 | |
We've been going on these bonding jogs twice daily, which he loves. | 0:28:35 | 0:28:38 | |
I've been enjoying them too. Getting me into great physical shape. | 0:28:38 | 0:28:41 | |
'That's wonderful, darling.' | 0:28:41 | 0:28:43 | |
'My one and only love needs me to be bad. | 0:28:44 | 0:28:47 | |
'To overcome the inhibitions that compel me to be law-abiding | 0:28:47 | 0:28:52 | |
#polite to my elders and excessively nice, | 0:28:52 | 0:28:54 | |
'I have decided to create a supplementary persona | 0:28:54 | 0:28:57 | |
'named Francois Dillinger. | 0:28:57 | 0:28:59 | |
'Bold, | 0:29:00 | 0:29:01 | |
'contemptuous of authority | 0:29:01 | 0:29:04 | |
'and irresistible to women. | 0:29:04 | 0:29:06 | |
'Francois is just the type of aggressive sociopath | 0:29:06 | 0:29:08 | |
'who can wage and win, a war of nerves.' | 0:29:08 | 0:29:13 | |
-(ESTELLE SCREAMS) -NO! | 0:29:13 | 0:29:15 | |
Are...you sure? | 0:29:15 | 0:29:18 | |
Better give your mother a hug, son. | 0:29:20 | 0:29:24 | |
'Turns out Jerry had a heart attack in a Dallas bar and took it badly. | 0:29:25 | 0:29:30 | |
'He died.' | 0:29:30 | 0:29:31 | |
When will the body arrive? | 0:29:31 | 0:29:33 | |
I'm afraid it's already been shipped, ma'am. | 0:29:34 | 0:29:37 | |
To his wife. | 0:29:37 | 0:29:39 | |
His wife?! (SOBS) | 0:29:39 | 0:29:40 | |
Yes, ma'am. His wife. | 0:29:41 | 0:29:43 | |
It's also my duty to inform you she wishes to claim the Lincoln, | 0:29:45 | 0:29:48 | |
which he registered to this address. | 0:29:48 | 0:29:50 | |
(SOBS) | 0:29:50 | 0:29:52 | |
It's OK... It's gonna be OK. | 0:29:59 | 0:30:00 | |
There, there...! | 0:30:00 | 0:30:02 | |
You're OK. | 0:30:02 | 0:30:04 | |
Those are my records! What are you doing? | 0:30:16 | 0:30:19 | |
You won't get this girl by listening to records and jerking off. | 0:30:19 | 0:30:22 | |
That wasn't my entire plan. | 0:30:23 | 0:30:25 | |
What is your plan, shithead? | 0:30:25 | 0:30:27 | |
Slouching around while Trent boy has her on his lap? | 0:30:27 | 0:30:30 | |
I don't need you right now. I need to think. | 0:30:30 | 0:30:33 | |
Well, I'm not leaving till you sink your filthy dick in this tomato. | 0:30:33 | 0:30:37 | |
Not until you get what you want. | 0:30:37 | 0:30:40 | |
It's time to rebel, Nick. | 0:30:40 | 0:30:43 | |
It's time to be bad. | 0:30:43 | 0:30:45 | |
It's not a good day for it. Mom's had devastating news. | 0:30:45 | 0:30:49 | |
That's perfect. | 0:30:49 | 0:30:51 | |
She's vulnerable. | 0:30:51 | 0:30:53 | |
She's fragile. | 0:30:53 | 0:30:55 | |
Now, what does she value more than anything? | 0:30:55 | 0:30:58 | |
She values her things. | 0:30:58 | 0:31:01 | |
'With the guidance of Francois I quickly transformed myself | 0:31:09 | 0:31:11 | |
'into a textbook juvenile delinquent. | 0:31:11 | 0:31:13 | |
'Sheeni has also held up her end of the bargain | 0:31:15 | 0:31:17 | |
'by finding Dad work at a trade magazine called Progressive Plywood. | 0:31:17 | 0:31:21 | |
'She pretended to be a head-hunter and pitched him the job. | 0:31:21 | 0:31:24 | |
'She said it took some convincing on her part.' | 0:31:24 | 0:31:26 | |
-Sounds cool, but I dunno much about wood. -That's not what I heard. | 0:31:26 | 0:31:31 | |
'To my chagrin, the magazine is owned by Trent Preston's father.' | 0:31:31 | 0:31:34 | |
-Lemme go first, this is heavy. -'Sheeni said she'd no option.' | 0:31:34 | 0:31:37 | |
Nice house. | 0:31:37 | 0:31:38 | |
Oh, thank you. | 0:31:46 | 0:31:48 | |
Oh, thanks. That's it, over there. | 0:31:50 | 0:31:53 | |
Oh, Nicky. | 0:31:55 | 0:31:56 | |
Morning, everyone. | 0:31:56 | 0:31:57 | |
Isn't it nice of Officer Westcott to drop by so early and have breakfast with us? | 0:31:57 | 0:32:03 | |
Oh. Sure was. That was nice. | 0:32:03 | 0:32:06 | |
Oh, your father called. He got a job in Ukiah. | 0:32:06 | 0:32:09 | |
Wow, that's good for him. Good. | 0:32:09 | 0:32:12 | |
Do you think it might be a good idea if I move in with him and Lacey for a bit? | 0:32:14 | 0:32:18 | |
Nick, you know as well as I do that won't work. | 0:32:18 | 0:32:20 | |
I depend on that child-support money to eat. | 0:32:20 | 0:32:23 | |
Shouldn't you depend on child-support money to support your child? | 0:32:23 | 0:32:27 | |
Hey...! Be nice to your mom, kid. She's grievin'. | 0:32:27 | 0:32:31 | |
-(IN SHOWER) -When do I take this conditioner off? | 0:32:36 | 0:32:39 | |
Leave it on three minutes. | 0:32:39 | 0:32:41 | |
(LAUGHTER / SQUEALS) | 0:32:44 | 0:32:47 | |
Shit. Those fuckers are taking a shower together. | 0:32:47 | 0:32:51 | |
How repulsive. | 0:32:51 | 0:32:53 | |
-OW! OW! OW! OW! -Shit! Shit! | 0:32:58 | 0:33:00 | |
-Turn it off! -Fuck! | 0:33:00 | 0:33:02 | |
What was all that racket last night? | 0:33:13 | 0:33:16 | |
Nicky, I'm sorry if we disturbed you. | 0:33:21 | 0:33:23 | |
You know, this is my home too. | 0:33:23 | 0:33:26 | |
Suddenly some stranger is staying over and I'm not even consulted. | 0:33:26 | 0:33:30 | |
What's with you, kid? Just mind your own damn business. | 0:33:30 | 0:33:35 | |
You mind your business. He's my son. | 0:33:35 | 0:33:37 | |
Nicky, you're right. | 0:33:39 | 0:33:40 | |
I should've said Officer Westcott would be spending the evening. | 0:33:40 | 0:33:44 | |
I'm sorry. | 0:33:44 | 0:33:46 | |
I thought there were laws in the city against illicit cohabitation. | 0:33:46 | 0:33:50 | |
Or are they just another policeman's joke? | 0:33:50 | 0:33:52 | |
Kid, you're asking for trouble. Just don't. Just don't. | 0:33:52 | 0:33:57 | |
Or what are you gonna do? | 0:33:57 | 0:33:59 | |
Shoot me with your gun? | 0:33:59 | 0:34:01 | |
All right... Lance! OK, OK, OK... | 0:34:01 | 0:34:04 | |
You just SHUT your mouth, right now. Right now. | 0:34:04 | 0:34:07 | |
Thanks for breakfast. (CLATTER) | 0:34:08 | 0:34:10 | |
Where are you going? | 0:34:10 | 0:34:12 | |
(OPENS CAR DOOR) | 0:34:18 | 0:34:19 | |
(LIQUID SLOSHES) | 0:34:22 | 0:34:24 | |
What are those for? | 0:34:24 | 0:34:25 | |
You and I are gonna find a nice quiet parking lot | 0:34:25 | 0:34:28 | |
and set this baby on fire. | 0:34:28 | 0:34:30 | |
I thought we were gonna wreck it. | 0:34:30 | 0:34:31 | |
Use your head. | 0:34:31 | 0:34:33 | |
No sense getting killed for a girl. | 0:34:33 | 0:34:36 | |
(SLOSHING LIQUID) | 0:34:36 | 0:34:38 | |
(TYRES SCREECH / TOOTING) | 0:34:41 | 0:34:43 | |
Sure you know what you're doing?! | 0:34:43 | 0:34:45 | |
Relax, kid. I wrote the book. | 0:34:45 | 0:34:47 | |
OK, pull over, pull over! | 0:34:47 | 0:34:50 | |
We have to pull over. | 0:34:50 | 0:34:51 | |
Pull over. Now. | 0:34:51 | 0:34:54 | |
OK. | 0:34:54 | 0:34:55 | |
We need to consider our actions and what the consequences will be. | 0:34:55 | 0:34:59 | |
Listen, asshole. | 0:34:59 | 0:35:01 | |
You've made the decisions for 16 years, and look at you. | 0:35:01 | 0:35:04 | |
I'm here to rescue you from yourself. | 0:35:04 | 0:35:07 | |
So be quiet, and let me blow some shit up. | 0:35:07 | 0:35:09 | |
OK, one request, as this is my life. | 0:35:09 | 0:35:12 | |
Can we keep it to the minimum amount of destruction possible? | 0:35:12 | 0:35:16 | |
Yeah. Perfect. OK. | 0:35:16 | 0:35:18 | |
Absolute minimum. That's good. | 0:35:18 | 0:35:20 | |
I like that. | 0:35:20 | 0:35:22 | |
(TOOTING) | 0:35:49 | 0:35:51 | |
Oh. | 0:36:20 | 0:36:21 | |
(SCREAMING) | 0:36:21 | 0:36:23 | |
(TV) '..no deaths or major injuries were reported, | 0:37:22 | 0:37:25 | |
'although some fire-fighters...' | 0:37:25 | 0:37:29 | |
Hi, guys. How was dinner? | 0:37:29 | 0:37:30 | |
Just keep your lips sewn, fucker! | 0:37:30 | 0:37:32 | |
You stole your mother's car and trailer and set a 5 million fire?! | 0:37:32 | 0:37:36 | |
I won't stand for such allegations! | 0:37:36 | 0:37:38 | |
Nicky, they have a description of the arsonist. | 0:37:38 | 0:37:41 | |
"White teenage male, approximately 5'9", 135lb, dirty blond hair, | 0:37:41 | 0:37:46 | |
seen pulling a trailer with God's Perfect Asshole painted on it. | 0:37:46 | 0:37:52 | |
That could be anyone. | 0:37:52 | 0:37:55 | |
My only son is going to prison - what am I gonna do?! | 0:37:55 | 0:37:57 | |
No, no, no, no, no...! | 0:37:57 | 0:38:00 | |
Shhh...! It's gonna be OK. | 0:38:00 | 0:38:03 | |
You know what? I'll tell you what. | 0:38:03 | 0:38:05 | |
I'll just say that Nick reported the car stolen before the fire. | 0:38:05 | 0:38:09 | |
-It'll get him off the hook. OK? -(ESTELLE SIGHS) | 0:38:09 | 0:38:12 | |
But I could take some serious, serious heat for this. | 0:38:12 | 0:38:16 | |
Oh, Lance, you are so wonderful. | 0:38:16 | 0:38:18 | |
-What can I ever do to repay you? -I'll think of something...! | 0:38:18 | 0:38:23 | |
Oh, but, you know what, baby? | 0:38:23 | 0:38:25 | |
I don't think he should be here when the detectives come around. Right? | 0:38:25 | 0:38:31 | |
So, um, the best thing to do is to send him away for a while. | 0:38:31 | 0:38:36 | |
Let him go make his father's life miserable for a change! | 0:38:39 | 0:38:42 | |
-But I like it here. -You're goin', buster! | 0:38:42 | 0:38:45 | |
-'Hello?' -Your son just burned down Berkeley. Come and get the brat! | 0:38:47 | 0:38:51 | |
-'Estelle?' -Start packing your bags. | 0:38:51 | 0:38:53 | |
Oh, no, no...! | 0:38:53 | 0:38:55 | |
Aren't you going to punish him? | 0:38:55 | 0:38:57 | |
I'd say he deserves a good hiding. | 0:38:57 | 0:39:00 | |
He's just too much for me any more. Can you do it, hon? | 0:39:00 | 0:39:04 | |
Yeah, I could help you out. | 0:39:04 | 0:39:06 | |
'I stepped away for a few minutes. | 0:39:12 | 0:39:14 | |
'Francois volunteered to take the thrashing. | 0:39:14 | 0:39:17 | |
'A painful sacrifice for the woman I love.' | 0:39:17 | 0:39:20 | |
You through, big man? | 0:39:20 | 0:39:22 | |
'So off we go to beautiful Ukiah. | 0:39:27 | 0:39:30 | |
'Where soon I'll be in the warm embrace | 0:39:30 | 0:39:32 | |
'of the mother of my future, gifted children.' | 0:39:32 | 0:39:34 | |
-Hello? -'Sheeni, it's Nick.' | 0:39:43 | 0:39:45 | |
-'Hi, darling. Where are you?' -'I'm here. I'm in Ukiah.' | 0:39:47 | 0:39:50 | |
'I'm living with my dad. My mother kicked me out.' | 0:39:50 | 0:39:53 | |
How did you do it? | 0:39:53 | 0:39:54 | |
I stole my mother's car and burned down half of Berkeley. | 0:39:54 | 0:39:57 | |
'She HAD to send me away.' | 0:39:57 | 0:39:59 | |
-'Nicky, that's incredible.' -'I did it for you, Sheeni.' | 0:39:59 | 0:40:02 | |
I did it so we could be together. | 0:40:02 | 0:40:04 | |
I bet you didn't think I had it in me, did you? | 0:40:04 | 0:40:07 | |
That is so romantic, Nicky. I don't know what to say. | 0:40:07 | 0:40:10 | |
It'll be like we planned. You, me and Albert - we'll all be together. | 0:40:10 | 0:40:14 | |
Hello, Mr Saunders. Is Sheeni available, please? | 0:40:14 | 0:40:16 | |
She most certainly is not. | 0:40:16 | 0:40:18 | |
We know about what you did in Berkeley, young man. | 0:40:18 | 0:40:21 | |
You are lucky I don't strangle you right here in Christ's eyes. | 0:40:21 | 0:40:26 | |
You're the devil and that's a hell-beast. | 0:40:26 | 0:40:28 | |
You're lucky we don't call the police to arrest you right now. | 0:40:28 | 0:40:31 | |
-You're not gonna let me see Sheeni? -Sheeni's leaving. We're sending her away. | 0:40:31 | 0:40:35 | |
-What? -To boarding school. Where she'll be safe! | 0:40:35 | 0:40:39 | |
She's had a lot of bad influences here, you being the worst. | 0:40:39 | 0:40:42 | |
But I'm in love with Sheeni. I can't live without her. | 0:40:42 | 0:40:45 | |
-Live or die - we have no preference. -Stay out of our family life. | 0:40:45 | 0:40:50 | |
'Later Sheeni called to say she'd turned disaster into an opportunity. | 0:40:53 | 0:40:57 | |
'She convinced her parents to send her to a French prep school | 0:40:57 | 0:41:01 | |
'200 miles away in Santa Cruz. | 0:41:01 | 0:41:03 | |
'She says she's wanted to go to it since she was a little girl, | 0:41:03 | 0:41:07 | |
'and that going there will improve her chances of a school in Paris. | 0:41:07 | 0:41:11 | |
'Things are bad.' | 0:41:11 | 0:41:13 | |
How can I eat with this dog staring at me? | 0:41:13 | 0:41:15 | |
-He likes you, George. -Well, the feeling's not mutual. | 0:41:15 | 0:41:18 | |
Nick, since you won't be getting an allowance, | 0:41:20 | 0:41:22 | |
-you better think about getting a part-time job. -OK. | 0:41:22 | 0:41:25 | |
There's an opening at my office. | 0:41:25 | 0:41:27 | |
-Typing and filing after school. -Isn't that what that boy Trent does? | 0:41:27 | 0:41:31 | |
Trent went away to some French- speaking prep school in Santa Cruz? | 0:41:31 | 0:41:36 | |
-(ENGLISH ACCENT) -Hello. | 0:41:47 | 0:41:48 | |
-You're new here, right? -Yeah. -I'm Vijay Joshi. Nice to meet you. | 0:41:48 | 0:41:53 | |
Nick Twisp. Pleasure to meet you. | 0:41:53 | 0:41:55 | |
-So, have you made many friends in Ukiah yet, Nick? -Not really. | 0:42:00 | 0:42:04 | |
I moved here for my girlfriend, | 0:42:04 | 0:42:06 | |
-now she's at a French school in Santa Cruz. -Sheeni Saunders? | 0:42:06 | 0:42:09 | |
-Yeah. Did you know her? -We were locker neighbours. | 0:42:09 | 0:42:13 | |
So you are her new fellow? | 0:42:13 | 0:42:15 | |
Yeah. | 0:42:15 | 0:42:17 | |
I'm surprised. | 0:42:17 | 0:42:18 | |
Why's that? | 0:42:18 | 0:42:20 | |
It's just that to replace the magnificent Trent Preston | 0:42:20 | 0:42:23 | |
one expects at least a minor deity. | 0:42:23 | 0:42:26 | |
Anyhow, it's good to know us shorter fellows still appeal to the ladies. | 0:42:26 | 0:42:31 | |
Right. I believe I'm of average height for my age, Vijay. | 0:42:31 | 0:42:34 | |
Do tell Sheeni I say hello. | 0:42:34 | 0:42:36 | |
How fortunate to attend L'Ecole des Arts. I've always wanted to go. | 0:42:36 | 0:42:40 | |
-Do you speak French? -Yes, fluently. | 0:42:40 | 0:42:42 | |
She says English is forbidden on campus. | 0:42:42 | 0:42:45 | |
Even if you are haemorrhaging from an accidental limb amputation. | 0:42:45 | 0:42:49 | |
Her roommate from New York, Taggarty has already slept with 17 guys, | 0:42:50 | 0:42:54 | |
and hopes to make 50 before college. I really must meet this girl. | 0:42:54 | 0:42:58 | |
-Keep going. -Trent has taken up windsurfing | 0:42:58 | 0:43:01 | |
and become target number one among all the girls in her class. | 0:43:03 | 0:43:06 | |
She's trying not to be jealous | 0:43:06 | 0:43:08 | |
but sometimes has twinges of distress. | 0:43:08 | 0:43:10 | |
She says Trent's presence on campus came as a shock to her | 0:43:10 | 0:43:14 | |
and that it is merely a coincidence they transferred to the same school. | 0:43:14 | 0:43:18 | |
Yeah. Somehow I can't feature that. | 0:43:18 | 0:43:20 | |
Trent has expressed an interest in mending the relationship | 0:43:20 | 0:43:23 | |
and getting on like adults. I think, all in all, she's happy | 0:43:23 | 0:43:27 | |
and will grow in this rich intellectual environment. | 0:43:27 | 0:43:29 | |
-I don't like the sound of this. -No. | 0:43:29 | 0:43:32 | |
-Her roommate sounds like a bad influence. -Certainly uninhibited. | 0:43:32 | 0:43:35 | |
I wonder if she likes intelligent boys. | 0:43:35 | 0:43:38 | |
That Trent Preston will mindfuck her into thinking she's too good for me. | 0:43:38 | 0:43:41 | |
And, then, probably fuck her in more literal ways. | 0:43:41 | 0:43:45 | |
I've gotta go there and find out what's going on. | 0:43:45 | 0:43:48 | |
-Perhaps I could accompany you and meet this magnificent Taggarty. -OK. | 0:43:48 | 0:43:52 | |
-How will we get there? -We could use my grandmother's car. | 0:43:52 | 0:43:55 | |
Will she let us have it? | 0:43:55 | 0:43:57 | |
She's currently on life-support, permission is not a salient issue. | 0:43:57 | 0:44:00 | |
Vijay, that's great! | 0:44:00 | 0:44:02 | |
(JACQUES DUTRONC: Les Cactus) | 0:44:04 | 0:44:06 | |
Excuse me. Do you guys know a Sheeni Saunders? | 0:44:41 | 0:44:44 | |
Very helpful. | 0:44:47 | 0:44:49 | |
Excuse me, do you know Sheeni Saunders? | 0:44:52 | 0:44:54 | |
(SPEAKS FRENCH) Are you fucking kidding me?! | 0:44:54 | 0:44:56 | |
-Do you see her? -Afraid not. | 0:44:57 | 0:44:59 | |
-Do you guys know a Sheeni Saunders? -Quoi? -Sheeni Saunders? | 0:45:01 | 0:45:03 | |
-Do you speak English? -Non. -Do you speak English? | 0:45:03 | 0:45:05 | |
-Je ne comprends pas du tout. -You don't speak English? Liar. | 0:45:05 | 0:45:09 | |
Bullshit. Speak English to me. Nobody speaks English? | 0:45:09 | 0:45:12 | |
This is America. (PUPIL SPEAKS FRENCH) You fucking kidding me?! | 0:45:12 | 0:45:15 | |
Nick?! | 0:45:15 | 0:45:17 | |
Sheeni. | 0:45:17 | 0:45:18 | |
-Albert! -(Woof! Woof!) | 0:45:18 | 0:45:21 | |
Hello...! | 0:45:21 | 0:45:22 | |
Hi. | 0:45:22 | 0:45:24 | |
-(SHEENI) -I can't believe you came all this way. And with Albert. | 0:45:28 | 0:45:33 | |
I had to see you, Sheeni. | 0:45:33 | 0:45:35 | |
-I can't stop thinking about you. -That's sweet. | 0:45:35 | 0:45:38 | |
-And Albert won't stop talking about you. -Aw...! | 0:45:39 | 0:45:42 | |
(SPEAKS FRENCH) | 0:45:42 | 0:45:44 | |
You two boys shouldn't sleep in your car tonight. It might not be safe. | 0:46:09 | 0:46:13 | |
-We could sneak you in after lights-out. -Sounds great. -I'm in. | 0:46:13 | 0:46:17 | |
There's your competition. | 0:46:26 | 0:46:29 | |
(DOOR OPENS) | 0:46:29 | 0:46:31 | |
(MATCH BEING STRUCK) | 0:47:40 | 0:47:42 | |
You think that Trent fellow would sleep on the floor? | 0:47:44 | 0:47:49 | |
-Hey. -Hey. | 0:48:00 | 0:48:02 | |
I'm sorry, sweetie. Not with other people in the room. | 0:48:07 | 0:48:11 | |
OK. | 0:48:16 | 0:48:17 | |
-Good night. -'Night. | 0:48:23 | 0:48:25 | |
(RETCHING) | 0:48:38 | 0:48:40 | |
(TOILET FLUSHES) | 0:48:46 | 0:48:49 | |
Who are you? | 0:48:55 | 0:48:57 | |
I'm Sheeni's friend Nick. I'm sorry to have disturbed you. | 0:48:57 | 0:49:00 | |
It's OK. You don't have to go. | 0:49:00 | 0:49:03 | |
So are you Sheeni's boyfriend or something? | 0:49:04 | 0:49:08 | |
Yeah. | 0:49:08 | 0:49:10 | |
-And you're spending the night? -Mm-hm. | 0:49:10 | 0:49:12 | |
-Where's Taggarty? -She's sleeping. | 0:49:12 | 0:49:15 | |
-A friend and I are camping out on the floor. -I get it. | 0:49:15 | 0:49:18 | |
-A slumber party. -(WEAKLY) Yeah... | 0:49:18 | 0:49:22 | |
I'm Bernice. | 0:49:22 | 0:49:23 | |
Bernice Lynch. Not that you asked. | 0:49:23 | 0:49:26 | |
Bernice Lynch, that's a very pretty name. | 0:49:26 | 0:49:30 | |
I think that my friend Trent Preston might have mentioned you. | 0:49:30 | 0:49:33 | |
Yeah, Bernice Lynch... But he said you were frumpy and unpresentable. | 0:49:33 | 0:49:38 | |
But now I've met you, I see Trent is a lying bastard. | 0:49:38 | 0:49:41 | |
Maybe I should stop being his friend | 0:49:41 | 0:49:43 | |
if he goes round calling you trashy-looking. Who would do that? | 0:49:43 | 0:49:47 | |
But he's been very touchy since he started doing steroids. | 0:49:47 | 0:49:51 | |
-Trent does steroids? -He does a LOT of steroids. | 0:49:51 | 0:49:54 | |
Says it's to ensure he becomes the best windsurfer. | 0:49:54 | 0:49:57 | |
He figures since he can't write poetry and has to plagiarise... | 0:49:57 | 0:49:59 | |
You mean...all his poetry is stolen? | 0:49:59 | 0:50:02 | |
Course! It's all classic Bobby Frost. Every word. | 0:50:02 | 0:50:06 | |
Trent and Sheeni can go to hell. | 0:50:06 | 0:50:09 | |
(RHYTHMIC CREAKING) | 0:50:14 | 0:50:17 | |
(DOOR HINGES CREAK) | 0:50:17 | 0:50:19 | |
(RHYTHMIC CREAKING CONTINUES) | 0:50:22 | 0:50:25 | |
-Hey. -Hi. | 0:50:35 | 0:50:37 | |
Hey, it's a bit cold on the floor. | 0:50:39 | 0:50:42 | |
-Is it? -Yeah. Do you think maybe I could cuddle next to you? | 0:50:42 | 0:50:48 | |
The whole night? | 0:50:50 | 0:50:52 | |
Yeah. | 0:50:53 | 0:50:55 | |
Yeah, I guess that'd be OK. | 0:50:57 | 0:51:00 | |
Or we could do more than just cuddle. | 0:51:00 | 0:51:03 | |
Nick...! | 0:51:03 | 0:51:05 | |
Ooh, I love when you say my name. | 0:51:05 | 0:51:08 | |
Now why don't you pull down these blankets | 0:51:08 | 0:51:10 | |
-and show what you're hiding? -Is that what you want me to do? | 0:51:10 | 0:51:14 | |
Say yes. | 0:51:14 | 0:51:16 | |
That is exactly what I want you to do. | 0:51:16 | 0:51:18 | |
And then I wanna tickle your belly button. | 0:51:18 | 0:51:21 | |
From the inside. | 0:51:21 | 0:51:24 | |
Nick, you're being so BAD...! | 0:51:24 | 0:51:27 | |
Not half as bad as the nasty things I wanna do right now with my tongue. | 0:51:27 | 0:51:32 | |
I'll wrap your legs around my head and wear you like the crown you are. | 0:51:32 | 0:51:36 | |
(VIGOROUS CREAKING ABOVE) If that's OK with you. | 0:51:36 | 0:51:40 | |
-My God, what's gotten into you? -I dunno, but let's go with it. | 0:51:47 | 0:51:51 | |
Qu'est-ce qui se passe ici? OH! | 0:51:53 | 0:51:56 | |
Petit cochon! Petit cochon! | 0:51:56 | 0:51:59 | |
(ALL SHOUT IN FRENCH) | 0:51:59 | 0:52:01 | |
-Nous allons partir maintenant, madame. -Viens ici! Viens ici! | 0:52:03 | 0:52:06 | |
(ALL SHOUT IN FRENCH EXCEPT NICK, ALBERT BARKS) | 0:52:09 | 0:52:13 | |
Nick! | 0:52:16 | 0:52:17 | |
Nick! You have to take Albert! | 0:52:17 | 0:52:19 | |
(SHOUTING CONTINUES) | 0:52:19 | 0:52:21 | |
C'est pas fini! C'est pas fini! | 0:52:29 | 0:52:31 | |
Attends! | 0:52:33 | 0:52:36 | |
Revenez! | 0:52:37 | 0:52:39 | |
(ENGINE STARTS) | 0:52:40 | 0:52:42 | |
Je n'oublierai pas ton visage! | 0:52:42 | 0:52:44 | |
God, we were so close. Fuck! | 0:52:46 | 0:52:48 | |
How was it, Vijay? | 0:52:49 | 0:52:50 | |
It was magnificent. | 0:52:50 | 0:52:52 | |
I fear it could be terribly addicting. | 0:52:52 | 0:52:54 | |
This night has ignited in me a lust of disturbing insatiability! | 0:52:54 | 0:52:58 | |
Yeah, well, congratulations. | 0:52:58 | 0:52:59 | |
Fuck. Fuck. Fuck. (THUMPS DASHBOARD) | 0:52:59 | 0:53:01 | |
Fuck. Fuck. | 0:53:01 | 0:53:03 | |
(ENGINE IS NOT RUNNING) Fuck. | 0:53:03 | 0:53:05 | |
Fuck, man... Fuck. | 0:53:06 | 0:53:08 | |
Fuck. | 0:53:12 | 0:53:13 | |
(RINGING TONE) | 0:53:15 | 0:53:16 | |
-(MAN) -'Hello?' | 0:53:16 | 0:53:18 | |
Mr Ferguson, it's Nick. | 0:53:18 | 0:53:20 | |
'Oh, Nick boy. How are you, son?' | 0:53:20 | 0:53:22 | |
Not so good, Mr Ferguson. | 0:53:22 | 0:53:24 | |
I'm attempting to smuggle a young illegal immigrant | 0:53:24 | 0:53:26 | |
who's fleeing political oppression on the subcontinent to Ukiah, | 0:53:26 | 0:53:30 | |
but we've become stranded and face not reaching the sanctuary at all. | 0:53:30 | 0:53:34 | |
'Oh, dear. The poor lad.' | 0:53:34 | 0:53:36 | |
Yeah, it's breaking my heart. He's got the saddest look on his face. | 0:53:36 | 0:53:40 | |
Those poor girls. | 0:53:42 | 0:53:44 | |
They'll likely notify their parents, perhaps even expel them. | 0:53:44 | 0:53:47 | |
Expel them? | 0:53:49 | 0:53:50 | |
Oh, my God, you're right. | 0:53:50 | 0:53:52 | |
They'll be expelled. | 0:53:52 | 0:53:54 | |
Sheeni, will have to come back to Ukiah. | 0:53:54 | 0:53:57 | |
Bernice, you sweet angel of the lavatory! | 0:53:58 | 0:54:01 | |
(CAR APPROACHES) Come on. | 0:54:01 | 0:54:03 | |
Mr Ferguson. | 0:54:06 | 0:54:08 | |
Good heavens! You boys must be freezing! | 0:54:10 | 0:54:14 | |
And this must be the little soldier. | 0:54:15 | 0:54:18 | |
Welcome! | 0:54:21 | 0:54:23 | |
What's happened to your clothes, son? | 0:54:25 | 0:54:27 | |
-(SUBCONTINENTAL ACCENT) -INS took them. | 0:54:29 | 0:54:32 | |
Damn them! | 0:54:32 | 0:54:34 | |
When I was arriving by the customs, sir. It was so terrible. | 0:54:34 | 0:54:38 | |
They told me I was even lucky to keep my knickers. | 0:54:38 | 0:54:41 | |
Well, that nightmare is over. | 0:54:42 | 0:54:45 | |
And why don't you have any clothes on, Nick? | 0:54:45 | 0:54:50 | |
Solidarity. | 0:54:50 | 0:54:52 | |
-Thanks for getting us, Mr Ferguson. -Ahh..! | 0:54:56 | 0:55:00 | |
-So this safe house is in Ukiah? -That's right. | 0:55:00 | 0:55:03 | |
-And you're certain they'll take care of him? -Oh, yeah. | 0:55:03 | 0:55:06 | |
They'll treat him as if he were their own. | 0:55:06 | 0:55:09 | |
'After we dropped Vijay off, I asked Mr Ferguson to spend the night. | 0:55:13 | 0:55:17 | |
'It'd be a chance for Dad to reciprocate | 0:55:17 | 0:55:19 | |
'for all the nights he spent on Mr Ferguson's couch | 0:55:19 | 0:55:22 | |
'before he and Mom finally tossed in the towel. | 0:55:22 | 0:55:24 | |
'Mr Ferguson agreed not to tell Dad about the refugee. | 0:55:24 | 0:55:28 | |
'He understands you may have to lie for a greater cause.' | 0:55:28 | 0:55:31 | |
(MUFFLED SHOUTING WITHIN) | 0:55:31 | 0:55:33 | |
-..SEXIST DRUNK! -Hey, honey, it doesn't bother me | 0:55:33 | 0:55:36 | |
if YOU wanna sleep alone. | 0:55:36 | 0:55:37 | |
Does it bother you being a boring, selfish lover? | 0:55:37 | 0:55:41 | |
Hey, I ran into Mr Ferguson downtown. OK if he spends the night? | 0:55:43 | 0:55:47 | |
What the hell are you doing in your underwear? | 0:55:47 | 0:55:50 | |
Hi, Nick. | 0:55:53 | 0:55:55 | |
Want a hit? | 0:55:59 | 0:56:01 | |
Sorry, do I know you? | 0:56:01 | 0:56:03 | |
-(INHALES DEEPLY) -I'm Paul. | 0:56:03 | 0:56:05 | |
Sheeni's older brother. | 0:56:05 | 0:56:08 | |
Come on in. | 0:56:08 | 0:56:10 | |
-How'd you know it was me, Paul? -We met. | 0:56:28 | 0:56:31 | |
No, we haven't. | 0:56:33 | 0:56:35 | |
In a previous life. | 0:56:35 | 0:56:36 | |
Oh. | 0:56:36 | 0:56:37 | |
Nice fire. | 0:56:40 | 0:56:42 | |
Did Sheeni tell you that was me? | 0:56:42 | 0:56:45 | |
She didn't have to. | 0:56:45 | 0:56:48 | |
Why? Was I an arsonist in a previous life? | 0:56:48 | 0:56:51 | |
No. | 0:56:51 | 0:56:52 | |
But Sheeni was. | 0:56:52 | 0:56:54 | |
That's very good. | 0:57:07 | 0:57:09 | |
So, I spoke with Taggarty on the phone this morning. | 0:57:09 | 0:57:12 | |
She's requested a wallet-sized photograph for her wall. | 0:57:12 | 0:57:15 | |
-Did they get expelled? -No. | 0:57:15 | 0:57:17 | |
Taggarty was able to convince the matron it was all innocent. | 0:57:17 | 0:57:20 | |
Innocent? Are you kidding me?! | 0:57:20 | 0:57:22 | |
I could've cut the sexual intercourse in that room with a knife! | 0:57:22 | 0:57:26 | |
'Francois feels a man can only take so much, | 0:57:28 | 0:57:31 | |
'before dignity demands he rise up against an absurd, unjust universe. | 0:57:31 | 0:57:35 | |
'I'm going to need a partner in crime. | 0:57:35 | 0:57:38 | |
'Dear Bernice, it was nice meeting you this weekend in the bathroom. | 0:57:39 | 0:57:43 | |
'I hope your stomach has settled. | 0:57:43 | 0:57:45 | |
'I know you informed the matron of our presence | 0:57:45 | 0:57:48 | |
'but I want you to know I hold no grudge. | 0:57:48 | 0:57:50 | |
'You were upset from hearing what Trent has been saying about you, | 0:57:50 | 0:57:53 | |
'and probably weren't yourself. | 0:57:53 | 0:57:55 | |
'I think Trent needs to be taught a lesson for calling you a fat cow | 0:57:55 | 0:58:00 | |
'and an ugly whore. | 0:58:00 | 0:58:01 | |
'I suggest you take revenge by getting Sheeni kicked out of school. | 0:58:01 | 0:58:05 | |
'Everyone knows it would crush Trent if she were sent away. | 0:58:05 | 0:58:09 | |
'How to get her kicked out of school, you may ask? | 0:58:09 | 0:58:12 | |
'I have included a number of sleeping pills with this note. | 0:58:12 | 0:58:15 | |
'Introduce one into her breakfast beverage each morning. | 0:58:15 | 0:58:19 | |
'She may be intelligent and beautiful but she won't pass her courses | 0:58:19 | 0:58:22 | |
'if she is falling asleep in class. | 0:58:22 | 0:58:25 | |
'Since meeting you, I realise my interest in Sheeni | 0:58:25 | 0:58:28 | |
'was merely an adolescent infatuation. | 0:58:28 | 0:58:31 | |
'You seem like a much more genuine person. | 0:58:31 | 0:58:33 | |
'By the way, do you suppose there is any truth to the rumours | 0:58:33 | 0:58:37 | |
'that Trent lost his virginity to his first cousin? | 0:58:37 | 0:58:39 | |
'Maybe you could ask around and see if anyone else heard that. | 0:58:39 | 0:58:43 | |
'Be strong, Bernice. Take courage. | 0:58:43 | 0:58:46 | |
'Affectionately yours, Nick Twisp.' | 0:58:47 | 0:58:49 | |
(HELPLESS GIGGLING) | 0:58:56 | 0:58:59 | |
Hi, folks. | 0:58:59 | 0:59:00 | |
Hi, Nick. | 0:59:00 | 0:59:03 | |
I didn't realise you two knew each other. | 0:59:03 | 0:59:06 | |
We met the other day and got to talking | 0:59:06 | 0:59:09 | |
and realised we both knew you. Isn't life funny? Paul, don't you think? | 0:59:09 | 0:59:15 | |
-(PAUL) -Only slightly. | 0:59:15 | 0:59:17 | |
We saved you some mushrooms, Nick. It's gonna change your life. | 0:59:18 | 0:59:22 | |
They're pretty powerful, so only take two. | 0:59:22 | 0:59:25 | |
Have fun. | 1:00:06 | 1:00:07 | |
(EMITS LONG SINGLE NOTE) | 1:00:09 | 1:00:12 | |
(LITTLE WINGS) # In your eye | 1:00:18 | 1:00:22 | |
# In your eye I will spy | 1:00:22 | 1:00:27 | |
# In your head | 1:00:32 | 1:00:36 | |
# In your ear, I will whisper | 1:00:36 | 1:00:43 | |
# Whisper | 1:00:43 | 1:00:46 | |
# I will not be your prisoner | 1:00:47 | 1:00:51 | |
# I will not be your prisoner | 1:00:51 | 1:00:54 | |
# In your eye | 1:00:56 | 1:00:58 | |
# In your sky | 1:01:00 | 1:01:02 | |
# In your ear | 1:01:03 | 1:01:06 | |
# In your head | 1:01:06 | 1:01:10 | |
# I will dream in... | 1:01:10 | 1:01:14 | |
# Love... | 1:01:14 | 1:01:16 | |
# Love... # | 1:01:16 | 1:01:17 | |
(MUSIC SUDDENLY DIES AWAY) | 1:01:17 | 1:01:19 | |
(SINGLE NOTE ON HORN CONTINUES) | 1:01:21 | 1:01:25 | |
Lacey! | 1:01:32 | 1:01:34 | |
What in fuck are you people doing?! | 1:01:34 | 1:01:36 | |
Nick, what the fuck is going on? | 1:01:37 | 1:01:40 | |
OK, George. Just calm down now. | 1:01:40 | 1:01:42 | |
-Who the...? -Calm down before the neighbours call the sheriff. | 1:01:42 | 1:01:46 | |
OK, Lacey, c'mon. | 1:01:48 | 1:01:50 | |
-OK, you all right? You can get up. -Get your hands off me, you fuck! | 1:01:54 | 1:01:58 | |
-Easy, George. -Fuck! | 1:01:58 | 1:02:00 | |
Fuck! | 1:02:02 | 1:02:04 | |
I apologise. | 1:02:04 | 1:02:06 | |
Bye, guys. | 1:02:11 | 1:02:13 | |
Bye, Nicky. | 1:02:15 | 1:02:17 | |
Hey, Nick, y'know, Sheeni's coming home for Thanksgiving dinner. | 1:02:17 | 1:02:20 | |
You should be there. | 1:02:20 | 1:02:22 | |
But, Paul, your parents despise me. | 1:02:22 | 1:02:24 | |
Dinner's at two. Hope you like turkey. | 1:02:24 | 1:02:28 | |
I love it. | 1:02:28 | 1:02:29 | |
(PHONE RINGS) | 1:02:38 | 1:02:40 | |
-Hello? -'Nick.' | 1:02:42 | 1:02:44 | |
-Hi, Mom. What's up? -'Hi, honey. How are you?' -Fine, Mom. | 1:02:44 | 1:02:46 | |
-Lance and I are through. -'Oh.' | 1:02:46 | 1:02:48 | |
He was being very rude to me. | 1:02:48 | 1:02:51 | |
At my age, I don't have to stand for that. | 1:02:51 | 1:02:54 | |
That's good to hear, Mom. | 1:02:54 | 1:02:55 | |
Maybe you should try and be single for a while. | 1:02:55 | 1:02:58 | |
Romances don't seem to be your calling in life. | 1:02:58 | 1:03:01 | |
Nicky, when Lance stormed out he said he was through covering for you | 1:03:01 | 1:03:05 | |
'The police know you set that fire, and he told them where you are.' | 1:03:05 | 1:03:10 | |
Nicky, they're coming to arrest you. | 1:03:10 | 1:03:13 | |
OK, Mom. Thanks for calling. Happy Thanksgiving. | 1:03:15 | 1:03:17 | |
You're still going over there?! We need to get out town. | 1:03:24 | 1:03:28 | |
What about Sheeni? | 1:03:28 | 1:03:29 | |
Think. Is this bitch worth going to jail for? | 1:03:30 | 1:03:34 | |
-Oh, hi, Nick. -Hi, Paul. -Right on time. Come on in. | 1:03:54 | 1:03:58 | |
-I brought maple bars for dessert. -Fantastic. | 1:03:58 | 1:04:00 | |
-They're really good. -They smell good. | 1:04:00 | 1:04:02 | |
Hello. | 1:04:02 | 1:04:03 | |
-Happy Thanksgiving, Nicky. -Oh, hey, Lacey. | 1:04:03 | 1:04:07 | |
-I brought some maple bars. -Thank you! I'll set them out. | 1:04:07 | 1:04:10 | |
Mr and Mrs Saunders, you remember Nick, don't you? | 1:04:10 | 1:04:13 | |
Hi. | 1:04:16 | 1:04:18 | |
-Paul served them an appetiser earlier. -Stuffed mushrooms. | 1:04:19 | 1:04:26 | |
Oh. | 1:04:29 | 1:04:30 | |
Hey. | 1:04:33 | 1:04:34 | |
-Nick. -Sheeni. | 1:04:35 | 1:04:37 | |
What's wrong? What's wrong? | 1:04:39 | 1:04:41 | |
What? | 1:04:43 | 1:04:45 | |
I was expelled. | 1:04:45 | 1:04:47 | |
What? Why? | 1:04:49 | 1:04:51 | |
For falling asleep in class. | 1:04:53 | 1:04:56 | |
For my grades. | 1:04:56 | 1:04:58 | |
I'm stuck back here with my parents in this horrible trailer. | 1:04:58 | 1:05:01 | |
My brother's lost his mind. He's drugged everyone. | 1:05:01 | 1:05:05 | |
-Let's get out of here. -What? | 1:05:07 | 1:05:09 | |
Let's run away together. | 1:05:11 | 1:05:13 | |
The police are after me. They know that I started the fire. | 1:05:14 | 1:05:18 | |
But we could be outlaws together, just like we planned. | 1:05:18 | 1:05:22 | |
-I have to think. -< -Sheeni! Dinner's ready! | 1:05:23 | 1:05:27 | |
Everything's really delicious. | 1:05:33 | 1:05:35 | |
Paul prepared the entire meal. | 1:05:35 | 1:05:37 | |
He just loves all the traditional Thanksgiving foods. | 1:05:37 | 1:05:41 | |
I hope it's the first of many such occasions for myself. | 1:05:48 | 1:05:51 | |
(KNOCK ON DOOR) | 1:05:53 | 1:05:55 | |
-I'll get it. -(MOTHER, WEAKLY) -Is someone here? | 1:05:55 | 1:05:58 | |
-Trent! -Happy Thanksgiving, sweetie. | 1:06:03 | 1:06:05 | |
-What are you doing here? -Can I come in? -Of course. | 1:06:05 | 1:06:09 | |
Hello, everyone. | 1:06:10 | 1:06:12 | |
Trent, this is Lacey, Paul's friend. | 1:06:14 | 1:06:16 | |
-Yes, we've met before at my father's office. -Yes! | 1:06:16 | 1:06:20 | |
-You're looking wonderful, Lacey! -Thank you! | 1:06:20 | 1:06:22 | |
-Happy Thanksgiving! -You too. -It's great to see you. -And this is Nick. | 1:06:22 | 1:06:28 | |
Hello, Nick. | 1:06:31 | 1:06:32 | |
Hello, Trent. | 1:06:32 | 1:06:34 | |
-Have a seat, Trent. -I'm sorry, Sheeni, but I can't. | 1:06:34 | 1:06:37 | |
In fact, I have a bit of bad news. | 1:06:37 | 1:06:40 | |
-What is it? -I searched the room of Bernice Lynch from top to bottom. | 1:06:40 | 1:06:45 | |
Did you obtain proper authorisation from the school officials? | 1:06:45 | 1:06:49 | |
No, Nick. I acted on my own initiative. | 1:06:49 | 1:06:52 | |
I was curious as to why a girl as sweet as Bernice | 1:06:52 | 1:06:55 | |
would colour me in such an unflattering light. | 1:06:55 | 1:06:58 | |
In Bernice's closet, I found...this letter. | 1:06:58 | 1:07:02 | |
(PLAYS DRAMATIC CHORD CHANGE) | 1:07:02 | 1:07:03 | |
In the letter, the writer expresses a strong affection for Bernice... | 1:07:05 | 1:07:09 | |
and instructs her in a programme of sedating Sheeni | 1:07:09 | 1:07:12 | |
with drugs that he himself supplied. | 1:07:12 | 1:07:15 | |
Nicky, you didn't. You could've killed me! | 1:07:15 | 1:07:18 | |
-Oh, Nicky...! -Bad break, Nick. | 1:07:18 | 1:07:20 | |
-Who died? -No one yet, Mrs Saunders. | 1:07:20 | 1:07:23 | |
-Arrest him! -I can't arrest him. | 1:07:23 | 1:07:26 | |
But I have called the Santa Cruz police and they're on their way. | 1:07:26 | 1:07:30 | |
Well, I'll be leaving. | 1:07:31 | 1:07:33 | |
Please continue without me. | 1:07:33 | 1:07:35 | |
Nick. | 1:07:42 | 1:07:43 | |
I would advise you to stay here, and face the consequences like a man. | 1:07:43 | 1:07:48 | |
Well, thank you for that unsolicited counsel, Trent. | 1:07:50 | 1:07:53 | |
And please do drop dead. | 1:07:53 | 1:07:55 | |
Goodbye, Sheeni. | 1:08:00 | 1:08:02 | |
(MRS SAUNDERS PLAYS OMINOUS CHORDS) | 1:08:04 | 1:08:07 | |
(SIRENS APPROACHING) | 1:08:38 | 1:08:40 | |
(FRUIT BATS) # Baby, remember on the bus | 1:08:43 | 1:08:47 | |
# And my hand was on your knee | 1:08:47 | 1:08:50 | |
# When you love somebody It's hard to think about anything | 1:08:50 | 1:08:56 | |
# But to breathe | 1:08:56 | 1:08:58 | |
# Baby, I am the cub who is washed out in the flood | 1:08:59 | 1:09:05 | |
# When you love somebody and bite your tongue | 1:09:05 | 1:09:09 | |
# All you get is a mouthful of blood | 1:09:09 | 1:09:13 | |
# OK... | 1:09:13 | 1:09:14 | |
# When you love somebody | 1:09:36 | 1:09:38 | |
# It's hard to think about anything but to breathe | 1:09:38 | 1:09:43 | |
Dad! Dad, help me. We need to get outta here! | 1:09:45 | 1:09:47 | |
-We need to leave. -Nick, where've you been? The cops are looking for you. | 1:09:47 | 1:09:52 | |
-They found my illegal satellite dish... -Dad! We need to go. | 1:09:52 | 1:09:57 | |
-I need you to put me up in a motel. Or something. -Are you fucking crazy? | 1:09:57 | 1:10:00 | |
-Do you expect me to let you get away with all this? -I'm calling the cops. | 1:10:00 | 1:10:05 | |
Dad, are you gonna send your only son to prison?! | 1:10:05 | 1:10:08 | |
Hey, I don't need a lecture from a fucking arsonist! | 1:10:08 | 1:10:11 | |
At least gimme the car so I can get outta here. | 1:10:11 | 1:10:14 | |
If you think I'd give you my car you got another think coming! | 1:10:14 | 1:10:18 | |
-Dad! -You're not a little kid any more! | 1:10:19 | 1:10:22 | |
-You gotta face the music, Nick. -Dad... | 1:10:24 | 1:10:26 | |
(RATTLE OF KEYS) | 1:10:32 | 1:10:34 | |
Nick! | 1:10:37 | 1:10:38 | |
Open this door! Nick! I'm warning you, don't you do this! | 1:10:41 | 1:10:45 | |
Nick! | 1:10:46 | 1:10:48 | |
Open this door! You open this... | 1:10:48 | 1:10:50 | |
Nick, get back here! | 1:10:53 | 1:10:54 | |
You stop this car right now, I'm warning you! YOU'RE IN TROUBLE! | 1:10:54 | 1:10:58 | |
We're stopping to admire the scenery? | 1:11:22 | 1:11:25 | |
I don't want to leave without Sheeni. | 1:11:25 | 1:11:27 | |
Cut the shit. | 1:11:27 | 1:11:27 | |
Maybe I can live as a woman. Change my name to Carlotta. | 1:11:27 | 1:11:30 | |
Just start the fucking car. | 1:11:30 | 1:11:32 | |
I can't leave with her hating me. | 1:11:32 | 1:11:34 | |
I have to go back and tell her that everything I did was for her. | 1:11:34 | 1:11:38 | |
Let me paint you a little picture. | 1:11:38 | 1:11:40 | |
You go back, they bust you, you go to jail. | 1:11:40 | 1:11:44 | |
Sheeni goes on with her life. Fuck Sheeni. | 1:11:44 | 1:11:47 | |
(LOCKING BEEPS) | 1:11:52 | 1:11:53 | |
All right. I'm gonna help you get back to your lady. | 1:12:01 | 1:12:05 | |
But you better get laid this time. | 1:12:05 | 1:12:08 | |
Cos if you go to jail a virgin, I won't be sticking around. | 1:12:08 | 1:12:13 | |
Now give me 25 cents, Carlotta. | 1:12:13 | 1:12:15 | |
-Officer Lance Westcott, please. -'One moment.' | 1:12:28 | 1:12:30 | |
'Officer Westcott.' | 1:12:33 | 1:12:35 | |
Hey, asshole. It's me. | 1:12:35 | 1:12:36 | |
'Nick...! You little shit! You know you're going to jail, right?' | 1:12:36 | 1:12:40 | |
I'm calling to make it easy. | 1:12:40 | 1:12:42 | |
Hazel Park - one hour. Round up your doughnut-dipping friends, | 1:12:42 | 1:12:45 | |
I'm turning myself in. Fuck you. | 1:12:45 | 1:12:47 | |
Holy shit, you've lost your mind. | 1:12:48 | 1:12:50 | |
Wait. | 1:12:54 | 1:12:55 | |
(TOOTS HORN) | 1:13:56 | 1:13:57 | |
(HORN BLASTS HEARD IN DISTANCE) | 1:13:57 | 1:14:00 | |
(NEWS ON TV) | 1:15:02 | 1:15:07 | |
(TV) 'Repeating our top story - In Oakland a police source identified | 1:15:12 | 1:15:15 | |
'Nicholas Twisp as a suspect in last September's massive fire | 1:15:15 | 1:15:18 | |
'in downtown Berkeley. | 1:15:18 | 1:15:20 | |
'We have an exclusive interview with one of Twisp's former classmates. | 1:15:20 | 1:15:24 | |
'I just hope that society isn't too severe in judging Nicholas. | 1:15:24 | 1:15:27 | |
'So often my generation is portrayed as a juvenile and wasteful group. | 1:15:27 | 1:15:32 | |
'He needs help. And he's better off in the hands of the authorities. | 1:15:32 | 1:15:36 | |
'Twisp is 5'9", 135lb, | 1:15:36 | 1:15:39 | |
'with brown eyes, dirty-blond hair and a pale complexion.' | 1:15:39 | 1:15:42 | |
'He was last seen in the vicinity of Ukiah.' | 1:15:42 | 1:15:44 | |
-(DOOR CHIMES) -Who's that? | 1:15:44 | 1:15:46 | |
(GIRL-ISH VOICE) Hello, Mrs Saunders. I'm Carlotta. | 1:15:48 | 1:15:51 | |
-Sheeni's friend from school. -Oh. Hello there. | 1:15:51 | 1:15:53 | |
I've come to memorise hymns with Sheeni for this Sunday's services. | 1:15:53 | 1:15:57 | |
-Sheeni's coming to church?! -That's my understanding, yeah. | 1:15:57 | 1:16:01 | |
-Oh, well, please... do come in! -Thank you. Thank you. | 1:16:01 | 1:16:06 | |
Sheeni? Your friend Carlotta's here! | 1:16:07 | 1:16:11 | |
Phil, this is Carlotta. She says Sheeni's coming to church on Sunday. | 1:16:11 | 1:16:16 | |
-Well, nice to meet you, young lady. -Nice to meet you, Mr Saunders. | 1:16:16 | 1:16:21 | |
Hello, Sheeni. | 1:16:21 | 1:16:23 | |
Hello, Carlotta. | 1:16:24 | 1:16:26 | |
May I come up? | 1:16:28 | 1:16:29 | |
You got me expelled. | 1:16:37 | 1:16:39 | |
I'm sorry, Sheeni. | 1:16:40 | 1:16:41 | |
Do you realise what life is like for me here? Do you have any idea? | 1:16:41 | 1:16:46 | |
Sheeni, I've been alone my whole life. | 1:16:46 | 1:16:49 | |
I do know what it's like. | 1:16:49 | 1:16:51 | |
I'd burn down Berkeley for you. | 1:16:54 | 1:16:57 | |
I destroyed both of my parents' cars. | 1:16:57 | 1:16:59 | |
I've lied and manipulated and had you sedated. | 1:17:01 | 1:17:04 | |
I did all that so that...we wouldn't have to be alone any more. | 1:17:05 | 1:17:10 | |
You're him, aren't you? | 1:17:18 | 1:17:21 | |
I'm him? | 1:17:21 | 1:17:22 | |
You're my Francois. | 1:17:22 | 1:17:24 | |
You're the one I've been looking for. | 1:17:24 | 1:17:27 | |
Sheeni, I want what you want. | 1:17:33 | 1:17:36 | |
I wanna live all over the world and have adventures. | 1:17:36 | 1:17:40 | |
But I'm not Francois. | 1:17:41 | 1:17:44 | |
I'm the guy who saw you and fell in love with you | 1:17:45 | 1:17:49 | |
and would do anything for you. | 1:17:49 | 1:17:51 | |
That's who I am. | 1:17:51 | 1:17:53 | |
I don't wanna give you this, but I don't have anything else to discard. | 1:18:17 | 1:18:22 | |
Oh, thank you very much and here's your change. | 1:18:26 | 1:18:29 | |
Always shop at Tesco. | 1:18:29 | 1:18:31 | |
It's a wonder that humankind has constructed any kind of civilization | 1:19:13 | 1:19:17 | |
with this monumental distraction at hand. | 1:19:17 | 1:19:20 | |
(KNOCK ON DOOR) | 1:19:22 | 1:19:24 | |
Trent! | 1:19:25 | 1:19:27 | |
-What are you doing here? -I brought the police. | 1:19:27 | 1:19:30 | |
I wasn't fooled for a second when I saw that ugly girl at your door. | 1:19:30 | 1:19:34 | |
-You were lurking outside my house? -Of course. | 1:19:34 | 1:19:37 | |
Protecting you. | 1:19:37 | 1:19:39 | |
Trent, you're a very nice person | 1:19:39 | 1:19:41 | |
but I just don't have those feelings for you. | 1:19:41 | 1:19:44 | |
-You're going to jail. -Trent, I don't wanna hurt you, | 1:19:45 | 1:19:48 | |
so if you and your adorable sweater would step away from... | 1:19:48 | 1:19:52 | |
Come here you little shit! You son of a bitch! | 1:19:59 | 1:20:01 | |
Get off of me! | 1:20:01 | 1:20:02 | |
This is the arsonist! | 1:20:04 | 1:20:06 | |
All right. | 1:20:06 | 1:20:08 | |
Just relax. It's over. | 1:20:08 | 1:20:11 | |
I might be away for a long time, darling. | 1:20:13 | 1:20:16 | |
You're 16. You're going to juvenile detention. | 1:20:16 | 1:20:18 | |
-You'll be out in three months. -So you'll wait for me? | 1:20:18 | 1:20:22 | |
Where the hell else am I gonna go? | 1:20:23 | 1:20:26 | |
# JO STAFFORD: My Romance | 1:20:36 | 1:20:38 | |
'Well, I'm headed for a stint in juvenile detention. | 1:20:52 | 1:20:54 | |
'I am at least comforted by the fact that I'm not going in a virgin. | 1:20:54 | 1:20:59 | |
'And at lunch, when hardened offenders gather to swap tales of teenage rebellion, | 1:20:59 | 1:21:04 | |
'I bet they'll find mine hard to top. | 1:21:04 | 1:21:06 | |
'Sheeni says she'll wait for me, | 1:21:11 | 1:21:13 | |
'and that when I'm released, we'll finally be together and free. | 1:21:13 | 1:21:17 | |
'And I believe her. | 1:21:17 | 1:21:19 | |
'I can feel in my heart that Sheeni is in love with me. | 1:21:22 | 1:21:25 | |
'Not with some fantasy lover in a French romantic novel, | 1:21:25 | 1:21:28 | |
'but with me, Nick Twisp. | 1:21:28 | 1:21:31 | |
'It's funny... After all that, | 1:21:32 | 1:21:35 | |
'Nick Twisp was enough.' | 1:21:35 | 1:21:37 | |
(BEULAH) # I know he knocks you off your feet | 1:21:46 | 1:21:50 | |
# You're so bitter, you think he's sweet | 1:21:50 | 1:21:53 | |
# Well, he's wrong for you I swear | 1:21:53 | 1:21:55 | |
# Did you forget to read the script? | 1:21:59 | 1:22:03 | |
# There was never a role for him | 1:22:03 | 1:22:06 | |
# It was always you and me | 1:22:06 | 1:22:08 | |
# Just me | 1:22:09 | 1:22:11 | |
# Popular mechanics for broken hearts | 1:22:13 | 1:22:18 | |
# Could help me now | 1:22:18 | 1:22:21 | |
# I know you never felt romance | 1:22:23 | 1:22:26 | |
# And we always lack suspense | 1:22:26 | 1:22:30 | |
# I can edit those parts out | 1:22:30 | 1:22:34 | |
# I never made you feel complete | 1:22:36 | 1:22:40 | |
# I would fall down beneath your feet | 1:22:40 | 1:22:43 | |
# I would never bring you down so down | 1:22:43 | 1:22:47 | |
# Popular mechanics for broken hearts could help me now | 1:22:49 | 1:22:58 | |
# Just because he loves you too | 1:22:59 | 1:23:02 | |
# He would never take a bullet for you | 1:23:02 | 1:23:05 | |
# Don't believe a word he says | 1:23:05 | 1:23:08 | |
# He would never cut his heart out for you | 1:23:08 | 1:23:12 | |
# I heard he wrote you a song But so what | 1:23:12 | 1:23:15 | |
# Some guy wrote 69 | 1:23:15 | 1:23:19 | |
# And one just ain't enough | 1:23:19 | 1:23:22 | |
# And there is no sense in you tryin' | 1:23:22 | 1:23:26 | |
# I know Cos I been trying all the time | 1:23:26 | 1:23:30 | |
# To find | 1:23:30 | 1:23:32 | |
# Something that would make you mine | 1:23:32 | 1:23:35 | |
# But all I'll ever find, my love | 1:23:35 | 1:23:38 | |
# Are cliches that don't rhyme...# | 1:23:38 | 1:23:41 | |
Subtitles by Red Bee Media Ltd | 1:23:42 | 1:23:44 |