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This film contains some strong language | 0:00:02 | 0:00:09 | |
MUSIC: "The Fool On The Hill" by The Beatles | 0:00:52 | 0:00:55 | |
Poor Jacobson. | 0:03:29 | 0:03:31 | |
He took his stapler? How pitiful is that? | 0:03:32 | 0:03:35 | |
Still, you got to hand it to him... He went for it. | 0:03:35 | 0:03:38 | |
That was his big mistake. | 0:03:38 | 0:03:39 | |
Always stay in the middle of the pack. | 0:03:39 | 0:03:41 | |
It's the frontrunners who fall off the cliff. | 0:03:41 | 0:03:43 | |
At least Jacobson made it up on the seventh floor. | 0:03:43 | 0:03:47 | |
It smells like cabbage on this floor! | 0:03:47 | 0:03:49 | |
That's the smell of dead dreams. | 0:03:49 | 0:03:51 | |
I go to the clubs at night and people are like, | 0:03:51 | 0:03:53 | |
"Hey, who's wearing the coleslaw?" | 0:03:53 | 0:03:56 | |
Do you know how hard it is to get laid when you smell like coleslaw? | 0:03:56 | 0:03:59 | |
Not hard, but still. | 0:03:59 | 0:04:02 | |
He had a pretty sweet office. | 0:04:02 | 0:04:04 | |
I wonder who's going to get it? | 0:04:04 | 0:04:05 | |
You wonder who's going to get his office? | 0:04:05 | 0:04:07 | |
Jesus, Josh, why don't you show a little class? | 0:04:07 | 0:04:10 | |
The guy just got fired. | 0:04:10 | 0:04:11 | |
-I'm going to get that office. -You'd better, Tim. | 0:04:16 | 0:04:18 | |
You need that job. With that car you're driving and that apartment? | 0:04:18 | 0:04:22 | |
You're overextended. | 0:04:22 | 0:04:23 | |
These opportunities don't come along all the time. | 0:04:23 | 0:04:26 | |
Right now, the window's open and if you hesitate, bam! | 0:04:26 | 0:04:29 | |
You're going to be my assistant. Assistant to an assistant. | 0:04:29 | 0:04:33 | |
You can't go lower. It's a shitty job, Tim. | 0:04:33 | 0:04:36 | |
Do you think Julie's going to marry you then? | 0:04:36 | 0:04:38 | |
SHE CHUCKLES | 0:04:38 | 0:04:40 | |
Don't mess this up. | 0:04:40 | 0:04:43 | |
-Good pep talk. -All right. Go, team! | 0:04:43 | 0:04:47 | |
The whole reason we bought the plant was to shut the factory, | 0:05:06 | 0:05:09 | |
shed the workforce and sell the equipment. | 0:05:09 | 0:05:12 | |
But now, it's all contaminated with low-level radiation. | 0:05:12 | 0:05:15 | |
Nobody wants to touch it. | 0:05:15 | 0:05:16 | |
Americans are so uptight about radiation. | 0:05:16 | 0:05:20 | |
They are. But the Russians are a little less particular | 0:05:20 | 0:05:23 | |
about this sort of thing. | 0:05:23 | 0:05:24 | |
I like it. Get two bids. Drive up the price. | 0:05:24 | 0:05:27 | |
-OK? -That makes sense. -On a different note, you'll notice | 0:05:27 | 0:05:29 | |
that our colleague, Doug Jacobson, has been relieved of his duties. | 0:05:29 | 0:05:33 | |
Mr Jacobson led us right to the edge, playing around in the currency markets. | 0:05:33 | 0:05:38 | |
As a consequence, tomorrow morning, I want ten ideas | 0:05:38 | 0:05:41 | |
to make up for his mistakes. | 0:05:41 | 0:05:43 | |
-What are you doing? -I have an idea. | 0:05:46 | 0:05:50 | |
An analyst... | 0:05:50 | 0:05:52 | |
has an idea. OK, then. | 0:05:52 | 0:05:54 | |
-GROANING -Nice knowing you, buddy. | 0:05:54 | 0:05:56 | |
Sixth floor, stepping up. Nice! | 0:05:56 | 0:05:58 | |
CHUCKLING | 0:05:58 | 0:06:00 | |
-Whoa! -It's all right. It's dead. | 0:06:02 | 0:06:04 | |
It's manufactured by Mueller Armaments, from Zurich, Switzerland. | 0:06:04 | 0:06:08 | |
It's a company that made a fortune during World War I. | 0:06:08 | 0:06:11 | |
Now they're sitting on a bunch of bombs | 0:06:11 | 0:06:12 | |
that even the worst armies in the world don't want. | 0:06:12 | 0:06:14 | |
All right, so we cannibalise the company. | 0:06:14 | 0:06:16 | |
Who's going to buy the pieces? | 0:06:16 | 0:06:18 | |
Oh, no, we're not going to strip this one down. | 0:06:18 | 0:06:20 | |
Wow. Novelty lamps. Great idea. | 0:06:25 | 0:06:28 | |
We could literally make hundreds of dollars. Hundreds. | 0:06:28 | 0:06:31 | |
Who cares about lamps? | 0:06:31 | 0:06:34 | |
Martin Mueller does. | 0:06:34 | 0:06:36 | |
When Martin isn't busy running his family's business into the ground, | 0:06:37 | 0:06:40 | |
he's either yachting or buying art for his castle. | 0:06:40 | 0:06:44 | |
The business is going under, but his personal fortune is vast. | 0:06:44 | 0:06:47 | |
Nearly half a billion. | 0:06:47 | 0:06:49 | |
I heard he was in town, so I sent a prototype over to his hotel. | 0:06:49 | 0:06:54 | |
He loved the lamps. | 0:06:55 | 0:06:57 | |
He wants to sit down. | 0:06:57 | 0:06:59 | |
The lamps are really just a way to get our foot in the door. | 0:06:59 | 0:07:02 | |
We're going to lose money on them. | 0:07:02 | 0:07:03 | |
But we'll make millions managing his personal portfolio. | 0:07:03 | 0:07:07 | |
Mueller keeps his business. We've got a brand-new client. | 0:07:07 | 0:07:10 | |
-Everybody wins. -Everybody wins. That's a new one. | 0:07:10 | 0:07:15 | |
Caldwell, you want to lake the lead on this? | 0:07:15 | 0:07:17 | |
-Absolutely. -I'll ride shotgun. | 0:07:17 | 0:07:18 | |
-Actually, I was hoping I could take the lead. -Oh... | 0:07:18 | 0:07:21 | |
Uh, let me think...No. | 0:07:23 | 0:07:25 | |
INDISTINCT CHATTER | 0:07:31 | 0:07:33 | |
You should've quit while you were ahead, buddy. | 0:07:33 | 0:07:35 | |
You know what they say, tallest tree gets chopped down first. | 0:07:36 | 0:07:39 | |
-That went well. -Mr Conrad? | 0:07:39 | 0:07:42 | |
Have you got a second? | 0:07:44 | 0:07:46 | |
Come in! | 0:07:54 | 0:07:55 | |
You can just set your bombs by the door. | 0:07:56 | 0:07:59 | |
You put on quite a show in there. Sit down. | 0:08:01 | 0:08:05 | |
Oh, that looks good on him, right? | 0:08:11 | 0:08:13 | |
Yep. Better than it did on Jacobson. You're going to need a nicer watch. | 0:08:13 | 0:08:17 | |
Nicer watch, nicer suit. | 0:08:17 | 0:08:19 | |
Hey, to the ballsiest guy on the sixth floor, huh? | 0:08:19 | 0:08:21 | |
Not going to be on the sixth floor for long. | 0:08:21 | 0:08:23 | |
Does that mean this is my new office? | 0:08:25 | 0:08:27 | |
Not yet. No, I want to get to know you a little better. | 0:08:27 | 0:08:31 | |
I host a dinner once a month. | 0:08:31 | 0:08:34 | |
-Next one's on Saturday. -Great, OK. | 0:08:34 | 0:08:37 | |
And it's top-secret. You can't tell anyone. | 0:08:37 | 0:08:39 | |
What are we talking about here? Orgy? | 0:08:39 | 0:08:42 | |
Is it a human sacrifice of some kind? | 0:08:42 | 0:08:45 | |
We're...collectors. | 0:08:45 | 0:08:48 | |
I'll let the guys fill you in. | 0:08:51 | 0:08:52 | |
Some people collect vintage automobiles. | 0:08:54 | 0:08:57 | |
Some people collect fine wines. Fender collects people. | 0:08:57 | 0:09:01 | |
-People? -Yeah. | 0:09:01 | 0:09:02 | |
Each of us finds a remarkable person | 0:09:02 | 0:09:04 | |
and invites them to dinner at Fender's. | 0:09:04 | 0:09:06 | |
We call it the Dinner For Winners. | 0:09:06 | 0:09:08 | |
Here's the guy that I invited last year. | 0:09:08 | 0:09:11 | |
There you go. Look at that. | 0:09:11 | 0:09:13 | |
The guy designed that suit. Real-life Iron Man. | 0:09:13 | 0:09:17 | |
-He took first prize. -He's an idiot. | 0:09:20 | 0:09:23 | |
You got it. | 0:09:23 | 0:09:24 | |
You invite idiots to dinner and make fun of them? | 0:09:25 | 0:09:28 | |
Mm-hmm. | 0:09:28 | 0:09:31 | |
That's...messed up. | 0:09:31 | 0:09:32 | |
-I know, right? -It's completely messed up. | 0:09:32 | 0:09:35 | |
At the end of the night, Fender picks the best one, gives him a trophy | 0:09:35 | 0:09:38 | |
and we release him out in the wild, none the wiser. | 0:09:38 | 0:09:40 | |
Yeah. No harm, no foul. Hey, you're going to do great. | 0:09:40 | 0:09:44 | |
Just have a little subtlety when you pick your guy. | 0:09:44 | 0:09:46 | |
Fender's a connoisseur. | 0:09:46 | 0:09:48 | |
Yeah. Hey, and no mimes. It's a cliche. | 0:09:48 | 0:09:51 | |
Jacobson brought a mime. | 0:09:51 | 0:09:52 | |
Exactly. And you don't see his shit here any more, do you? | 0:09:52 | 0:09:54 | |
THEY MOUTH | 0:10:09 | 0:10:12 | |
-Hey. -Hey! | 0:10:18 | 0:10:20 | |
Congratulations. | 0:10:20 | 0:10:21 | |
So how did it go? What happened today? | 0:10:21 | 0:10:23 | |
Oh, I'll tell you later. Look at this crowd! | 0:10:23 | 0:10:25 | |
I know, it's amazing. We actually sold every painting. | 0:10:25 | 0:10:28 | |
That's incredible! Oh, my God! | 0:10:28 | 0:10:30 | |
Except that I did another one of my name-fiasco thingies. | 0:10:30 | 0:10:34 | |
Oh, God, what happened? | 0:10:34 | 0:10:36 | |
The director of the San Francisco MoMA is here. | 0:10:36 | 0:10:38 | |
His name is Steve Doche. | 0:10:38 | 0:10:41 | |
And I thought that it was pronounced "douche". | 0:10:41 | 0:10:45 | |
God. It's like the Ron Fuchs episode all over again. | 0:10:45 | 0:10:48 | |
It actually kind of loosened things up. | 0:10:48 | 0:10:50 | |
And, uh, he's giving Kieran a solo show, and he wants me to curate it. | 0:10:50 | 0:10:55 | |
Oh, my God! | 0:10:55 | 0:10:57 | |
You know, that is so like you! You call a guy a douche | 0:10:57 | 0:11:00 | |
and get your first museum show out of it. | 0:11:00 | 0:11:02 | |
You're amazing. I love you so much. | 0:11:02 | 0:11:05 | |
You're stunning and you're smart and you're just awful with pronunciation. | 0:11:05 | 0:11:08 | |
-Hey! -I'm not Fuching around here. | 0:11:08 | 0:11:11 | |
Marry me. | 0:11:11 | 0:11:13 | |
I love you. | 0:11:16 | 0:11:18 | |
I want to spend the rest of my life with you. | 0:11:18 | 0:11:20 | |
But remember when you asked me before, | 0:11:21 | 0:11:23 | |
and I said this is a big step, | 0:11:23 | 0:11:26 | |
maybe we should just wait a little bit? | 0:11:26 | 0:11:28 | |
Yeah? | 0:11:28 | 0:11:30 | |
-That was two days ago. -I know. I know. | 0:11:30 | 0:11:33 | |
I just need a little bit of time. | 0:11:33 | 0:11:36 | |
All right. I'll ask you in two hours. | 0:11:36 | 0:11:39 | |
Let's go. | 0:11:39 | 0:11:41 | |
Wow, it's packed. | 0:11:41 | 0:11:44 | |
So, where's the artiste? | 0:11:44 | 0:11:45 | |
I always try and create some tension in my work. | 0:11:45 | 0:11:48 | |
Once a reviewer said of a certain piece of mine, | 0:11:48 | 0:11:51 | |
they said, "I think that's disgusting." | 0:11:51 | 0:11:53 | |
I said, "Good! I want it to disgust you." | 0:11:53 | 0:11:56 | |
Sometimes I'll be working on a piece and I'll think, "No, this is bullshit." | 0:11:56 | 0:12:00 | |
So I will literally rub bull excrement on the piece as a meta...metaphor. | 0:12:00 | 0:12:05 | |
Excuse me. I'm so sorry. | 0:12:05 | 0:12:08 | |
Julie. | 0:12:08 | 0:12:09 | |
-Ah, la voila - la reine de la soiree! -Ah, tu es trop mignon! | 0:12:09 | 0:12:14 | |
Kieran, you remember Tim? | 0:12:14 | 0:12:15 | |
-The stockbroker. -No. No. | 0:12:17 | 0:12:19 | |
I, uh, I work for a private equity firm | 0:12:19 | 0:12:22 | |
that specialises in distressed assets. | 0:12:22 | 0:12:24 | |
So kind of a stockbroker. | 0:12:24 | 0:12:25 | |
Almost nothing like a stockbroker. | 0:12:27 | 0:12:28 | |
Do you mind if I just call you stockbroker? | 0:12:28 | 0:12:30 | |
That's the way I remember people. You're stockbroker Tim. | 0:12:30 | 0:12:33 | |
Hey, so what do you think? | 0:12:35 | 0:12:38 | |
Oh! Really...tremendous work. | 0:12:38 | 0:12:40 | |
They're so big. And you're in all of them. | 0:12:40 | 0:12:43 | |
Come with me, Tim. | 0:12:44 | 0:12:45 | |
-Enjoy. -Mm-hmm. | 0:12:46 | 0:12:49 | |
I have a little ranch...I say little. It's absolutely massive | 0:12:49 | 0:12:51 | |
if you actually measure it... outside of town, | 0:12:51 | 0:12:53 | |
where I go to disappear, get away from this bullshit. | 0:12:53 | 0:12:55 | |
One of my zebras was in labour. It was a messy business. | 0:12:57 | 0:13:00 | |
The foal was in breech. At about the 22nd hour, | 0:13:00 | 0:13:03 | |
I just said, "Stuff it." | 0:13:03 | 0:13:04 | |
And I just thrust my hand in, turned the little guy around. | 0:13:04 | 0:13:08 | |
-Wow. -Do you have any idea what it's like, | 0:13:08 | 0:13:10 | |
Tim, to be up to your elbow... in a zebra's vagina? | 0:13:10 | 0:13:15 | |
And feel life? New life, fresh life. | 0:13:15 | 0:13:19 | |
No, I don't. | 0:13:21 | 0:13:23 | |
You should try it, Tim. It's magical. | 0:13:23 | 0:13:25 | |
Yeah, I'm OK. | 0:13:25 | 0:13:26 | |
She let me keep the afterbirth to create this piece. | 0:13:26 | 0:13:29 | |
Oh, wow, that's disgusting. I don't think I get it, Kieran. | 0:13:29 | 0:13:33 | |
Poppycock. You've been stockbroking too long, Tim. | 0:13:33 | 0:13:37 | |
Oh, wow. | 0:13:37 | 0:13:39 | |
What does it make you think of? | 0:13:40 | 0:13:43 | |
I guess it kind of makes me, um... | 0:13:43 | 0:13:46 | |
think of your penis. | 0:13:46 | 0:13:47 | |
Then you get it. | 0:13:48 | 0:13:50 | |
Julie gets it. | 0:13:52 | 0:13:53 | |
Hi, I need you to talk to a buyer. This way. | 0:13:55 | 0:13:58 | |
See you in a bit. | 0:13:59 | 0:14:00 | |
JULIE LAUGHS | 0:14:02 | 0:14:03 | |
Do you know what it's like | 0:14:03 | 0:14:04 | |
to have your entire head inside its anus? | 0:14:04 | 0:14:08 | |
Julie? Poppycock. | 0:14:08 | 0:14:11 | |
OK, so you're just completely immune to his animal magnetism? | 0:14:11 | 0:14:16 | |
He looks good in a pair of hooves. What can I say? | 0:14:16 | 0:14:19 | |
So, you going to tell me what happened today? | 0:14:20 | 0:14:23 | |
I think I might've gotten that promotion. | 0:14:23 | 0:14:24 | |
Really? Oh, my God, that's amazing. | 0:14:24 | 0:14:28 | |
-Well... -When? When do you start? | 0:14:28 | 0:14:29 | |
All right, well, it's not official yet. It's not official. | 0:14:29 | 0:14:31 | |
-There's this dinner. -Good. When is it? | 0:14:31 | 0:14:34 | |
-It's, uh, Saturday. -OK. We can do that. | 0:14:34 | 0:14:37 | |
No, it's not really a girlfriend-type thing. | 0:14:37 | 0:14:40 | |
It's really the guys from the office. | 0:14:40 | 0:14:42 | |
-And we have to bring a person. -What do you mean, "a person?" | 0:14:42 | 0:14:45 | |
A...person with a skill or a talent of some kind. | 0:14:45 | 0:14:50 | |
Are you talking about strippers, here? cos I'm not... | 0:14:50 | 0:14:53 | |
Oh, no, no. Nothing like that. No. | 0:14:53 | 0:14:55 | |
We have to, uh, bring an idiot to dinner to make fun of them. | 0:14:55 | 0:14:59 | |
-OK, that is messed up. -I know, | 0:15:01 | 0:15:05 | |
-I know. -So you told them you're not going. | 0:15:05 | 0:15:08 | |
Oh, yeah. No, absolutely. | 0:15:08 | 0:15:11 | |
Tell Fender that I can't make the dinner. | 0:15:11 | 0:15:13 | |
Tell him that my back thing is acting up | 0:15:13 | 0:15:15 | |
and I have to stay in bed for a few days. | 0:15:15 | 0:15:17 | |
Why don't I just tell him you're having your period? | 0:15:17 | 0:15:19 | |
'Tim, I can't stay on this floor any more.' | 0:15:19 | 0:15:22 | |
These people are pathetic! | 0:15:22 | 0:15:25 | |
Happy Birthday, Carol. | 0:15:25 | 0:15:27 | |
'Why can't you just suck it up,' | 0:15:27 | 0:15:28 | |
make fun of some idiots and stop thinking about yourself for once? | 0:15:28 | 0:15:32 | |
Susana, I know this is painful for you, | 0:15:32 | 0:15:34 | |
but sometimes in life you have to do the right thing. | 0:15:34 | 0:15:36 | |
Just lie. It's not that hard. I'm texting a lie right now! | 0:15:36 | 0:15:40 | |
Oh! | 0:15:40 | 0:15:42 | |
HORN HONKS | 0:15:44 | 0:15:46 | |
Jesus Christ! | 0:15:46 | 0:15:47 | |
Are you OK? | 0:15:49 | 0:15:51 | |
Yeah, I'm OK. | 0:15:51 | 0:15:54 | |
-Is that a Porsche? -Yeah. | 0:15:54 | 0:15:56 | |
Oh, wow. I have been hit by a Datsun before. | 0:15:56 | 0:16:00 | |
-Never a Porsche. -Oh, man... | 0:16:00 | 0:16:02 | |
-Barry Speck. -Tim Conrad. | 0:16:02 | 0:16:06 | |
Are you sure you're OK? I didn't see you. What were you doing? | 0:16:06 | 0:16:09 | |
Oh, well, I saw this little guy in the street and was trying to save him. | 0:16:09 | 0:16:13 | |
-Uh, I think it's dead. -Yes, that's why he couldn't run away. | 0:16:13 | 0:16:17 | |
A couple more seconds, you would've squished him. | 0:16:17 | 0:16:18 | |
Nice pelt, though. | 0:16:18 | 0:16:19 | |
-Ready? -PHONE CAMERA CLICKS | 0:16:20 | 0:16:23 | |
Uh, I hope those aren't for your lawyer. | 0:16:23 | 0:16:26 | |
No. I would rather not have lawyers get involved. | 0:16:26 | 0:16:29 | |
All right, I get it. | 0:16:29 | 0:16:31 | |
You said you were fine, but... | 0:16:31 | 0:16:34 | |
what would it take to keep the lawyers out? | 0:16:34 | 0:16:36 | |
Five. | 0:16:39 | 0:16:40 | |
-Oh. -Five dollars. | 0:16:41 | 0:16:44 | |
I don't... What do you mean? | 0:16:44 | 0:16:45 | |
-Ten dollars. -Seriously, what? Come on. | 0:16:45 | 0:16:49 | |
How much do you want? | 0:16:49 | 0:16:50 | |
-100 dollars. -I don't want anything. | 0:16:52 | 0:16:55 | |
-500 dollars. -I don't...it's OK. | 0:16:55 | 0:16:57 | |
-All right... -As long as you're OK, then... | 0:16:57 | 0:16:59 | |
10,000! | 0:17:01 | 0:17:03 | |
OK, I'll take 10,000 dollars. | 0:17:04 | 0:17:07 | |
I don't have 10,000. | 0:17:12 | 0:17:15 | |
You know what? Don't worry about it. | 0:17:15 | 0:17:17 | |
-Really? -Yeah. | 0:17:19 | 0:17:21 | |
As long as you're OK. | 0:17:21 | 0:17:22 | |
-Oh, you're a good person. -Nah, it's all right. | 0:17:22 | 0:17:24 | |
-Oh... -Get out of the road! | 0:17:24 | 0:17:26 | |
-You are. You're a good person. -Thank you. | 0:17:26 | 0:17:28 | |
No, you are. You're a really nice person. | 0:17:28 | 0:17:30 | |
All right, well, as long as you're OK, | 0:17:30 | 0:17:31 | |
-that's OK. -Thanks. Thank you. | 0:17:31 | 0:17:33 | |
Yeah. You take care. | 0:17:33 | 0:17:35 | |
I won't forget this. | 0:17:36 | 0:17:38 | |
-Oh, you dropped your... -Oh, yeah. That's my latest series. | 0:17:38 | 0:17:42 | |
I know. Mouseterpieces. Get it? | 0:17:42 | 0:17:47 | |
-That's the Mona Lisa. -That's the Mouse-a-Lisa. | 0:17:47 | 0:17:50 | |
-Mouse-a-Lisa... -There they are. | 0:17:50 | 0:17:53 | |
Found her on the 405. From here down, she was a mess, | 0:17:53 | 0:17:56 | |
but the head - perfect. | 0:17:56 | 0:17:59 | |
Oh, that's Cubism, Not as easy as it looks. | 0:17:59 | 0:18:02 | |
Well, it doesn't look easy. | 0:18:02 | 0:18:05 | |
I like her. I love the tail. | 0:18:05 | 0:18:07 | |
GASPING | 0:18:07 | 0:18:08 | |
-Check that out. You like them? -I'm speechless. | 0:18:08 | 0:18:13 | |
Mm. So is he. | 0:18:13 | 0:18:14 | |
Cos he's screaming. | 0:18:15 | 0:18:18 | |
I was stopping by the store today to get some pelt wax and spine wire. | 0:18:18 | 0:18:21 | |
You know, wanted to fill the guys in on what I've been up to. | 0:18:21 | 0:18:24 | |
Oh, hey, you know what? I have some in the flesh. Want to see 'em? | 0:18:24 | 0:18:28 | |
Where did they...? Oh! Come here! | 0:18:28 | 0:18:30 | |
Come here! | 0:18:30 | 0:18:31 | |
Hold on, hold on, hold on. Don't look! | 0:18:33 | 0:18:36 | |
OK. | 0:18:36 | 0:18:38 | |
-All right. -Can I look? | 0:18:38 | 0:18:40 | |
Hold on, hold on, hold on... | 0:18:40 | 0:18:42 | |
Go ahead. | 0:18:43 | 0:18:45 | |
Wow. Incredible. | 0:18:49 | 0:18:51 | |
Does that guy look sort of familiar? | 0:18:53 | 0:18:56 | |
I'll give you a hint. He wrote the Bible. | 0:18:56 | 0:18:58 | |
-Is it Jesus? -Yes! | 0:19:00 | 0:19:01 | |
-You know your stuff! -Amazing. | 0:19:01 | 0:19:04 | |
Yeah. Well, it's a hobby. I like to think that... | 0:19:04 | 0:19:07 | |
I'm sort of giving them a second chance, you know? | 0:19:07 | 0:19:10 | |
In the words of John Lennon, | 0:19:10 | 0:19:11 | |
"You may say I'm a dreamer, but I'm not." | 0:19:11 | 0:19:15 | |
"The only one." | 0:19:16 | 0:19:17 | |
The only what? | 0:19:17 | 0:19:19 | |
No, that's the lyric. | 0:19:19 | 0:19:21 | |
"You may say I'm a dreamer, but I'm not the only one." | 0:19:21 | 0:19:23 | |
Oh... OK, Tim. | 0:19:23 | 0:19:26 | |
You know, Barry, this was a very strange way to meet, | 0:19:28 | 0:19:30 | |
but I think everything happens for a reason. | 0:19:30 | 0:19:32 | |
Whoa, whoa. Did you make that up? | 0:19:32 | 0:19:35 | |
-Yeah. -Wow. | 0:19:35 | 0:19:36 | |
"Everything happens for a reason." I like that. | 0:19:36 | 0:19:41 | |
Thanks. Anyway, tomorrow night, I'm having dinner with some friends. | 0:19:41 | 0:19:44 | |
Are you? That's incredible. Congratulations. | 0:19:44 | 0:19:48 | |
I was wondering, would you like to join us? | 0:19:48 | 0:19:51 | |
-You shitting me? -No. | 0:19:51 | 0:19:54 | |
Say that your girlfriend thinks meat is murder, | 0:19:54 | 0:19:56 | |
and she convinces you to become a vegetarian. | 0:19:56 | 0:19:58 | |
Then one day, you're grilling up a veggie burger, when all of a sudden, | 0:19:58 | 0:20:02 | |
a chicken comes up, plucks itself, covers itself in barbecue sauce | 0:20:02 | 0:20:06 | |
and flings itself on the grill. | 0:20:06 | 0:20:08 | |
That's God sending a message, right? | 0:20:08 | 0:20:10 | |
Yeah, that chicken wants to die. | 0:20:10 | 0:20:12 | |
No. God wants us to move to the seventh floor. | 0:20:12 | 0:20:16 | |
And he sent his only son to tell me. | 0:20:16 | 0:20:19 | |
Come with me, my children, to the seventh floor. | 0:20:19 | 0:20:22 | |
HE MIMICS CHORAL SINGING | 0:20:22 | 0:20:25 | |
Tim! I'd like you to meet Mr and Mrs Mueller. | 0:20:26 | 0:20:30 | |
Of course! What a pleasure it is to meet you. | 0:20:31 | 0:20:34 | |
-THICK ACCENT: -Mr Conrad! You sent the lamp to my hotel. | 0:20:34 | 0:20:36 | |
-That's...yeah! -I wished to meet you in person. | 0:20:36 | 0:20:38 | |
Yes, Tim was really helpful when we came up with the idea for the lamps. | 0:20:38 | 0:20:41 | |
And we'd been discussing personal investment as well. | 0:20:41 | 0:20:43 | |
That's a conversation I'm very much looking forward to getting back to. | 0:20:43 | 0:20:46 | |
-Well, I'm glad we could do this. -Yeah. | 0:20:46 | 0:20:48 | |
Congratulations on your new Matisse. | 0:20:50 | 0:20:52 | |
-It's beautiful. -Oh! | 0:20:52 | 0:20:55 | |
My wife is a true collector. It was quite a bidding war. | 0:20:55 | 0:20:59 | |
Well, to the victor go the spoils. | 0:20:59 | 0:21:02 | |
You know my family crest. Our motto continues to inspire. | 0:21:02 | 0:21:06 | |
-Ad Victorem Spolias. -Fantastic. | 0:21:06 | 0:21:10 | |
-Well, shall we? -Ah. | 0:21:12 | 0:21:14 | |
Join us. | 0:21:16 | 0:21:18 | |
So you follow the art world, Mr Conrad? | 0:21:23 | 0:21:26 | |
I try to. My girlfriend runs the Cronin Gallery downtown. | 0:21:26 | 0:21:30 | |
I would love to meet her. We must have brunch tomorrow. | 0:21:30 | 0:21:33 | |
They can speak about beauty. We can speak about business. | 0:21:33 | 0:21:36 | |
Sounds perfect. | 0:21:36 | 0:21:38 | |
I'll have my assistant make the arrangements. | 0:21:38 | 0:21:41 | |
Auf Wiedersehen. | 0:21:41 | 0:21:42 | |
OK, what the hell just happened? This guy's supposed to be my client. | 0:21:50 | 0:21:52 | |
-You're still just an analyst... -No, no, this is better. | 0:21:52 | 0:21:55 | |
I didn't know it was going to be a double date. | 0:21:55 | 0:21:57 | |
Tim's the only one here who isn't divorced or dating a hooker. | 0:21:57 | 0:22:00 | |
Wh...? | 0:22:00 | 0:22:02 | |
This guy wants to invest 100 million, | 0:22:02 | 0:22:04 | |
don't mess it up. We need this. | 0:22:04 | 0:22:07 | |
Well, the sixth floor steps up. | 0:22:09 | 0:22:12 | |
-Excuse me. -Yeah. | 0:22:13 | 0:22:14 | |
Hey, rooting for you, buddy. | 0:22:14 | 0:22:16 | |
Good luck. | 0:22:16 | 0:22:18 | |
My girlfriend's not a hooker. | 0:22:20 | 0:22:22 | |
She tried to give me a BJ. | 0:22:22 | 0:22:23 | |
If she didn't ask for money, then she's not a hooker, is she? | 0:22:23 | 0:22:26 | |
She asked me for money. It wasn't that expensive, either. | 0:22:26 | 0:22:29 | |
I still had a ton of singles left over from your sister's birthday party. | 0:22:29 | 0:22:32 | |
Hey, is Cinnamon a family name? | 0:22:32 | 0:22:35 | |
-Oh, hey, honey. -Hey! | 0:22:41 | 0:22:42 | |
Glad you're still here. Look, don't make plans tomorrow morning. | 0:22:42 | 0:22:46 | |
Why? | 0:22:46 | 0:22:47 | |
How'd you like to have brunch with a fascinating Swiss couple? | 0:22:49 | 0:22:52 | |
-OK. -She's an art collector | 0:22:52 | 0:22:54 | |
and he's got a lot of money. | 0:22:54 | 0:22:56 | |
-I need you. This is huge. -Oh, it's huge? | 0:22:56 | 0:22:59 | |
-Mmm. -Really huge. | 0:22:59 | 0:23:01 | |
-What's this? -Huh? | 0:23:01 | 0:23:03 | |
What is this? | 0:23:07 | 0:23:08 | |
Oh, uh, that's a... | 0:23:09 | 0:23:12 | |
it's a mouse dressed like Jesus. | 0:23:12 | 0:23:14 | |
Mm-hmm. | 0:23:14 | 0:23:16 | |
This guy that I ran into today, he makes them. | 0:23:16 | 0:23:18 | |
He's amazing. He's some kind of artisan. | 0:23:18 | 0:23:21 | |
Really? Are you doing that dinner? | 0:23:21 | 0:23:25 | |
No. | 0:23:25 | 0:23:27 | |
What? Hey, come on. | 0:23:29 | 0:23:31 | |
No, not when you're lying to me. | 0:23:31 | 0:23:32 | |
-Julie, Fender invited me. -So? | 0:23:32 | 0:23:35 | |
Fender, as in Fender Financial? | 0:23:35 | 0:23:38 | |
The you I know would have just said no. | 0:23:38 | 0:23:41 | |
The me that you know did say no. | 0:23:41 | 0:23:44 | |
But the me you don't know had to say yes. | 0:23:44 | 0:23:46 | |
-The you I don't know? -Yes. | 0:23:46 | 0:23:49 | |
Look, there's you and the me that you know. | 0:23:49 | 0:23:51 | |
And we love each other and we have a wonderful life. | 0:23:51 | 0:23:54 | |
But then there's the me that you don't know. | 0:23:54 | 0:23:56 | |
The me you don't know has to do things sometimes so that you | 0:23:56 | 0:23:59 | |
and the me that you know can live in this nice apartment, | 0:23:59 | 0:24:02 | |
and eat at nice restaurants and go to Cabo for Christmas. | 0:24:02 | 0:24:04 | |
-He takes care of us. -You know what? | 0:24:04 | 0:24:06 | |
There should not be any you I don't know. | 0:24:06 | 0:24:08 | |
But there is. You might not like him. | 0:24:08 | 0:24:10 | |
I don't like him. I hate him! But we need him. | 0:24:10 | 0:24:13 | |
-It's like the CIA. -The CIA? | 0:24:13 | 0:24:15 | |
Mm-hmm. The CIA does some pretty funky, nasty stuff in the shadows, | 0:24:15 | 0:24:19 | |
but I, for one, am glad they're there. | 0:24:19 | 0:24:21 | |
The CIA doesn't invite people to dinner | 0:24:21 | 0:24:23 | |
-to make fun of them. -No. The CIA kills people. | 0:24:23 | 0:24:27 | |
And I'm getting raked over the coals because of a little dinner. | 0:24:27 | 0:24:30 | |
Can I just ask you something? | 0:24:30 | 0:24:31 | |
Is there any you I don't know who isn't completely full of shit? | 0:24:31 | 0:24:35 | |
I'd love to talk to him right now. | 0:24:35 | 0:24:38 | |
Julie, come on. Julie! | 0:24:39 | 0:24:41 | |
SHE SCOFFS AND MUTTERS | 0:24:41 | 0:24:43 | |
Julie! | 0:24:43 | 0:24:44 | |
Julie, where are you going? | 0:24:44 | 0:24:46 | |
I...I have to go meet Kieran and talk about San Francisco. | 0:24:46 | 0:24:49 | |
Julie, please come out of the elevator. | 0:24:49 | 0:24:50 | |
All right? I'm sorry. I'm sorry. | 0:24:50 | 0:24:52 | |
I'll call him and tell him that the dinner's off. | 0:24:52 | 0:24:54 | |
-I want to believe you. -You can believe me. | 0:24:54 | 0:24:56 | |
I'll never see that guy in my life. | 0:24:56 | 0:24:59 | |
I promise. | 0:24:59 | 0:25:01 | |
Oh, my... Let's talk later. | 0:25:01 | 0:25:04 | |
-In a few hours. -What? | 0:25:04 | 0:25:05 | |
I think we need to cool off. | 0:25:05 | 0:25:06 | |
-Gosh, I hate when that happens. -We'll talk in a bit, OK? | 0:25:06 | 0:25:08 | |
Just give ourselves a moment... Ah! | 0:25:08 | 0:25:11 | |
I feel like I'm in The Shining. | 0:25:11 | 0:25:12 | |
Ow! | 0:25:14 | 0:25:15 | |
You are welcome. | 0:25:17 | 0:25:19 | |
Oh, God. My back, my back, my back. | 0:25:19 | 0:25:21 | |
Is it your back? | 0:25:21 | 0:25:24 | |
What the hell are you doing here? | 0:25:24 | 0:25:25 | |
Well, I went to the address you gave me. | 0:25:25 | 0:25:26 | |
Nobody was there. | 0:25:26 | 0:25:28 | |
Are we having this dinner or not? | 0:25:28 | 0:25:30 | |
Ow... OK, just...slow. | 0:25:31 | 0:25:34 | |
Shh... | 0:25:34 | 0:25:36 | |
All right. | 0:25:36 | 0:25:37 | |
HE EXHALES | 0:25:39 | 0:25:40 | |
-What are you doing? -I'm applying heat. | 0:25:40 | 0:25:43 | |
Barry, please stop doing that. | 0:25:43 | 0:25:45 | |
-Whoa, whoa, whoa! -I'm going to fix your back. | 0:25:48 | 0:25:50 | |
-Barry, stop! -I am a trained taxidermist. | 0:25:50 | 0:25:52 | |
-And I am alive. -Wow. You are tight. | 0:25:52 | 0:25:56 | |
-Oh, God! -OK... | 0:25:56 | 0:25:58 | |
CRACKING NOISES Aaargh! | 0:25:58 | 0:25:59 | |
Wow, look at that face! | 0:25:59 | 0:26:00 | |
-Stop it! -OK, all right. | 0:26:00 | 0:26:02 | |
I hope this doesn't mess up dinner. | 0:26:04 | 0:26:05 | |
We're not having dinner tonight. | 0:26:05 | 0:26:07 | |
-It's tomorrow. -I don't think so, Tim. | 0:26:07 | 0:26:10 | |
Barry, I made the plans. | 0:26:10 | 0:26:12 | |
I know when it is. | 0:26:12 | 0:26:14 | |
-I'm pretty sure it's tonight. -It's not tonight. | 0:26:15 | 0:26:17 | |
OK. All right. I guess one of us got confused. | 0:26:17 | 0:26:20 | |
KEYPAD BEEPING | 0:26:20 | 0:26:22 | |
MOBILE PHONE RINGS | 0:26:22 | 0:26:25 | |
Great. She left her phone here. | 0:26:25 | 0:26:28 | |
You know what they say, everything happens for a reason. | 0:26:28 | 0:26:31 | |
-You said that. -You know what, Barry? | 0:26:32 | 0:26:35 | |
I am really, really looking forward to our dinner tomorrow night. | 0:26:35 | 0:26:39 | |
But right now, I'd appreciate it if you just left. | 0:26:39 | 0:26:43 | |
And the reason is...? | 0:26:43 | 0:26:47 | |
Because I got in a fight with my girlfriend, | 0:26:47 | 0:26:48 | |
and because I'd like to be here alone when she comes back, OK? | 0:26:48 | 0:26:53 | |
What if she doesn't come back? | 0:26:53 | 0:26:55 | |
She's coming back. | 0:26:55 | 0:26:57 | |
Hey, we are going to get through this together. | 0:27:01 | 0:27:03 | |
I think I know someone who might make you feel better. | 0:27:03 | 0:27:06 | |
Remember this guy from the street? This is you. | 0:27:09 | 0:27:13 | |
Barry, that was a dead mouse in the road | 0:27:14 | 0:27:16 | |
a couple of hours ago. Please get it away from my face. | 0:27:16 | 0:27:18 | |
It's like looking in a mirror, isn't it? | 0:27:18 | 0:27:20 | |
You feel better? | 0:27:20 | 0:27:21 | |
-It's amazing. -Are you cheered up? | 0:27:21 | 0:27:24 | |
Barry, I have a back brace in my bedroom. | 0:27:24 | 0:27:27 | |
If you could just help me get off this couch... | 0:27:27 | 0:27:30 | |
-Sure. -I want to do this | 0:27:30 | 0:27:32 | |
very slowly and carefully. | 0:27:32 | 0:27:34 | |
-Mm-hmm. -On the count of... | 0:27:34 | 0:27:36 | |
three! HE SCREAMS | 0:27:36 | 0:27:38 | |
-All you. -All right. | 0:27:41 | 0:27:43 | |
Now, I... If I could just... | 0:27:50 | 0:27:52 | |
You can do it. You got it! | 0:27:55 | 0:27:56 | |
Oh, yeah! | 0:27:56 | 0:27:58 | |
Yeah, Tim! | 0:27:58 | 0:27:59 | |
-You got this! I'll help! -No, no, no! I have it. | 0:27:59 | 0:28:02 | |
-All right. -I'm good. | 0:28:02 | 0:28:04 | |
Tim, you look good! | 0:28:06 | 0:28:08 | |
COMPUTER BEEPS | 0:28:09 | 0:28:12 | |
What are you doing? | 0:29:12 | 0:29:13 | |
-What are you doing? -Computer. | 0:29:16 | 0:29:17 | |
Oh, my God! You gave her my address?! | 0:29:19 | 0:29:21 | |
She's very concerned about you. | 0:29:21 | 0:29:24 | |
Barry, this woman is a nightmare. | 0:29:24 | 0:29:26 | |
She's been stalking me for three years! | 0:29:26 | 0:29:29 | |
I slept with her one night, biggest mistake of my life. | 0:29:29 | 0:29:32 | |
It was before I even met Julie. | 0:29:32 | 0:29:34 | |
-Why did you do that? -Because it was New Year's | 0:29:34 | 0:29:36 | |
and I was drunk and she was wearing these fishnet stockings. | 0:29:36 | 0:29:39 | |
You want me to tell her not to come? | 0:29:39 | 0:29:41 | |
Go. Go. | 0:29:43 | 0:29:46 | |
Come to dinner tomorrow and that's it. Let's go. Move! | 0:29:46 | 0:29:48 | |
Come on! Go, go! | 0:29:48 | 0:29:50 | |
Oh, my God, what have you done? | 0:29:51 | 0:29:53 | |
I'm going to make it up to you. | 0:29:53 | 0:29:55 | |
HE GASPS | 0:30:15 | 0:30:17 | |
OK! | 0:30:24 | 0:30:25 | |
OK! | 0:30:25 | 0:30:26 | |
Oh, well, well, well. | 0:30:26 | 0:30:28 | |
If it isn't Little Miss Panty Bottom. | 0:30:28 | 0:30:31 | |
-I'm sorry, who are you? -I am a friend of Tim's. | 0:30:31 | 0:30:33 | |
-Yeah, I don't know you. -Oh, you don't? | 0:30:33 | 0:30:36 | |
So you know everything about Tim? | 0:30:36 | 0:30:37 | |
You are the world's greatest expert on all things Tim? | 0:30:37 | 0:30:42 | |
Did Tim invite you to a dinner tomorrow night? | 0:30:42 | 0:30:44 | |
According to him, it is tomorrow night, yes. | 0:30:44 | 0:30:46 | |
Right. You want my advice? | 0:30:46 | 0:30:50 | |
-Don't go. -OK, may I give you some advice, too? | 0:30:50 | 0:30:53 | |
Do not wear fishnets on New Year's Eve. | 0:30:53 | 0:30:56 | |
It's too cold. When the wind blows, you gotta go with the hose. | 0:30:56 | 0:31:00 | |
You know what? I really need to... | 0:31:00 | 0:31:02 | |
Now, Darla, Darla, come on... | 0:31:02 | 0:31:04 | |
-Darla? -Yes. He told me all about you. | 0:31:04 | 0:31:06 | |
Really? What did Tim tell you about me? | 0:31:06 | 0:31:09 | |
-QUIETLY: -Told me about the sex. | 0:31:10 | 0:31:12 | |
The sex? | 0:31:13 | 0:31:14 | |
The dirty, dirty sex. | 0:31:15 | 0:31:16 | |
But he lives with a woman named Julie | 0:31:16 | 0:31:19 | |
and if she comes home and finds you, that, that... | 0:31:19 | 0:31:21 | |
You can imagine how she would feel. | 0:31:21 | 0:31:23 | |
Yeah, I imagine she'd be pretty pissed off. | 0:31:23 | 0:31:26 | |
I gotta nip this in the bud. You gotta move along. | 0:31:26 | 0:31:29 | |
You tell your friend, Tim, he can, uh... | 0:31:29 | 0:31:31 | |
You tell him he can kiss my ass. | 0:31:31 | 0:31:32 | |
Oh, don't have to. We have a picture. | 0:31:32 | 0:31:35 | |
KNOCKS AT DOOR | 0:31:35 | 0:31:36 | |
Problem solved. I intercepted your stalker in the hallway. | 0:31:37 | 0:31:42 | |
-Darla showed up? -Mm-hmm. | 0:31:42 | 0:31:44 | |
-And you got her to leave? -Oh, I don't think | 0:31:44 | 0:31:46 | |
you're ever going to see her again. | 0:31:46 | 0:31:49 | |
Wow! Who is that? | 0:31:50 | 0:31:53 | |
Kieran Vollard. He's an artist. | 0:31:53 | 0:31:56 | |
Very attractive man. He can fit a whole octopus in his mouth. | 0:31:56 | 0:31:59 | |
Sort of an animal magnetism about him. | 0:31:59 | 0:32:02 | |
That's what Julie says. | 0:32:02 | 0:32:03 | |
"For Julie. Thanks for everything. Kieran." | 0:32:04 | 0:32:07 | |
Everything? | 0:32:08 | 0:32:10 | |
Yeah, she curated his show. | 0:32:10 | 0:32:12 | |
Hmm... Bet that's not all she curated. | 0:32:12 | 0:32:15 | |
I don't know what that means, Barry. | 0:32:15 | 0:32:17 | |
Well, I don't know what curated means. | 0:32:17 | 0:32:19 | |
Where is she? | 0:32:19 | 0:32:21 | |
Working. | 0:32:23 | 0:32:25 | |
Probably with Kieran. | 0:32:25 | 0:32:27 | |
Where? In his bed? | 0:32:27 | 0:32:30 | |
I seriously doubt they're working in his bed. | 0:32:30 | 0:32:34 | |
Well, if they're not working, why are they in his bed? | 0:32:34 | 0:32:36 | |
Oh, Tim, you need to call Kieran's house and see if she's there. | 0:32:36 | 0:32:40 | |
I'm not doing that. | 0:32:40 | 0:32:41 | |
It's the only way you're going to know for sure. | 0:32:41 | 0:32:43 | |
-I'm not calling. -I'm telling you... | 0:32:43 | 0:32:44 | |
No, I'm not going to call Kieran and say I don't know where Julie is. | 0:32:44 | 0:32:48 | |
-Do it. Do it. -No. No. | 0:32:48 | 0:32:50 | |
-All right, I will. -What reason could you possibly have | 0:32:50 | 0:32:52 | |
-for calling him? -I want to make a movie about his life. | 0:32:52 | 0:32:56 | |
I want to make a documentary. I gain his confidence | 0:32:56 | 0:32:58 | |
and then he starts feeling more relaxed about talking to me. | 0:32:58 | 0:33:01 | |
He's really opening up to me. | 0:33:01 | 0:33:03 | |
We're talking about his sex life and then... | 0:33:03 | 0:33:05 | |
Julie's name pops up and we've got it on tape! | 0:33:05 | 0:33:09 | |
Yeah. He's been curated! | 0:33:09 | 0:33:11 | |
Well, that sounds like a bulletproof plan. | 0:33:11 | 0:33:14 | |
What's his number? | 0:33:14 | 0:33:16 | |
-1-1-1...1-1... -Hold on. | 0:33:16 | 0:33:19 | |
OK. Go. | 0:33:19 | 0:33:21 | |
-1-1-1... -Mm-hmm. Got that. | 0:33:21 | 0:33:23 | |
-..1-1... -Mm-hmm. | 0:33:23 | 0:33:24 | |
-..1-1. -OK. | 0:33:24 | 0:33:26 | |
RAPID BEEPING | 0:33:31 | 0:33:32 | |
He must've changed his number. I'm just getting a weird sound. | 0:33:32 | 0:33:34 | |
Uh... Oh, well. We tried. | 0:33:34 | 0:33:37 | |
There he is. Kieran Vollard. I got him. | 0:33:38 | 0:33:40 | |
Don't! Don't! BEEPING | 0:33:40 | 0:33:43 | |
-I'm serious. Don't call him. -It's ringing. | 0:33:43 | 0:33:46 | |
Hang up the phone. | 0:33:46 | 0:33:47 | |
Hang up the phone! | 0:33:47 | 0:33:48 | |
I'm going to do an accent. | 0:33:48 | 0:33:50 | |
Don't do an accent. Hang up the phone. | 0:33:50 | 0:33:52 | |
'Hello?' | 0:33:52 | 0:33:54 | |
-BAD BRITISH ACCENT: -Hello! How are you? | 0:33:54 | 0:33:56 | |
This is Nigel! | 0:33:56 | 0:33:59 | |
I'm a documentary film-maker | 0:33:59 | 0:34:01 | |
-from London, England. -Hang up! | 0:34:01 | 0:34:03 | |
May I speak to Kieran Vollard, please? | 0:34:03 | 0:34:06 | |
'This is Kieran.' | 0:34:06 | 0:34:07 | |
Ah, Kieran. | 0:34:07 | 0:34:08 | |
I want to make a documentary about your life. | 0:34:08 | 0:34:12 | |
WOMAN GIGGLES | 0:34:12 | 0:34:13 | |
'Start the water, I'll be right in. | 0:34:13 | 0:34:15 | |
'Yeah, I could do an interview.' | 0:34:15 | 0:34:16 | |
Smashing! Champagne wishes and caviar dreams! | 0:34:16 | 0:34:20 | |
I will have my man-servant contact you with the details. | 0:34:20 | 0:34:23 | |
That sounded like Julie's laugh. | 0:34:23 | 0:34:26 | |
She might've been there! | 0:34:26 | 0:34:28 | |
-I'm going over there. -No, Tim! | 0:34:28 | 0:34:30 | |
-Ow! -You can't drive in this condition. | 0:34:30 | 0:34:33 | |
GRINDING NOISES Clutch! | 0:34:34 | 0:34:35 | |
Oh, God, use the clu... | 0:34:35 | 0:34:37 | |
You can't just shift. You need to use the clutch, Barry. | 0:34:37 | 0:34:40 | |
Oh, God. | 0:34:40 | 0:34:41 | |
OK, hold on. I'll get it. | 0:34:44 | 0:34:47 | |
No, no, no, no... | 0:34:52 | 0:34:53 | |
OK. I got it. | 0:34:53 | 0:34:54 | |
Oh... | 0:34:55 | 0:34:58 | |
She's gotta be in there. | 0:35:02 | 0:35:03 | |
Just need to get her attention. | 0:35:04 | 0:35:06 | |
HOOTS AND RATTLES KEYS | 0:35:06 | 0:35:09 | |
-Those were my car keys, weren't they? -Uh-huh. | 0:35:11 | 0:35:14 | |
TIM GROANS | 0:35:19 | 0:35:21 | |
TIM MOANS Oh, God. | 0:35:23 | 0:35:26 | |
Here we go. Let's do this thing. | 0:35:31 | 0:35:33 | |
Barry! Barry, just... | 0:35:33 | 0:35:35 | |
Just get the keys and come back! | 0:35:35 | 0:35:37 | |
PHONE RINGS Barry! | 0:35:37 | 0:35:39 | |
HE MOUTHS | 0:35:39 | 0:35:41 | |
PHONE RINGS | 0:35:41 | 0:35:43 | |
I am inside the apartment. | 0:35:44 | 0:35:45 | |
I know. I want you out of the apartment. | 0:35:45 | 0:35:47 | |
Get the keys and let's get out of here! | 0:35:47 | 0:35:48 | |
Oh, Tim, I wish you could see this place! it's amazing! | 0:35:48 | 0:35:51 | |
I thought you had a great apartment...this... | 0:35:51 | 0:35:53 | |
this, my friend... Oh, my God! | 0:35:53 | 0:35:57 | |
He's friends with Morgan Freeman. | 0:36:00 | 0:36:02 | |
Please get the hell out of there. | 0:36:02 | 0:36:04 | |
He's coming! | 0:36:08 | 0:36:10 | |
KIERAN PLAYS BONGOS | 0:36:26 | 0:36:29 | |
HE GRUNTS | 0:36:35 | 0:36:37 | |
-Cat got the Tim mouse! -Forget about the mouse! Come on! | 0:36:48 | 0:36:51 | |
Get the keys and get out of there! | 0:36:52 | 0:36:54 | |
Forget the mouse! HE BABBLES NONSENSE SOUNDS | 0:36:54 | 0:36:57 | |
CAT MEOWS | 0:36:57 | 0:36:58 | |
HE MIMICS MEOWING | 0:36:58 | 0:37:00 | |
-MEOWING VOICE: -Thank you. | 0:37:06 | 0:37:07 | |
Hey, he's OK. | 0:37:07 | 0:37:09 | |
Hide! Hide! | 0:37:09 | 0:37:11 | |
Kieran, I'm ready. | 0:37:26 | 0:37:28 | |
J'arrive, ma cherie. | 0:37:28 | 0:37:31 | |
Barry! | 0:37:31 | 0:37:33 | |
Barry. | 0:37:33 | 0:37:35 | |
HE GASPS | 0:37:35 | 0:37:36 | |
Julie's here. | 0:37:38 | 0:37:39 | |
HE GROANS | 0:37:43 | 0:37:44 | |
-KIERAN: -Oh, yes... | 0:37:44 | 0:37:45 | |
JUNGLE NOISES | 0:37:45 | 0:37:46 | |
Sounds like they're having intercourse. | 0:37:46 | 0:37:48 | |
JUNGLE BIRDS CAW | 0:37:48 | 0:37:50 | |
Oh, fantastic. | 0:37:50 | 0:37:52 | |
WOMAN MIMICS BIRD CAW | 0:37:52 | 0:37:54 | |
CAMERA CLICKS | 0:37:54 | 0:37:56 | |
I'm having trouble describing what I'm looking at. | 0:37:56 | 0:37:58 | |
Fly, fly... | 0:37:58 | 0:38:01 | |
Yes! Primordial... | 0:38:03 | 0:38:06 | |
Hello. | 0:38:13 | 0:38:14 | |
-Who are you? -Um... | 0:38:16 | 0:38:18 | |
Monique, Christina, this is Tim. | 0:38:18 | 0:38:21 | |
He's a stockbroker, or something like that. | 0:38:21 | 0:38:23 | |
-Tim, can I help you? -No, no, no. Sorry, I... | 0:38:23 | 0:38:27 | |
-BAD BRITISH ACCENT: -I'm Nigel Nigel! | 0:38:27 | 0:38:28 | |
-I'm here doing a documentary! -You can stop that now, Barry. | 0:38:28 | 0:38:32 | |
My name's not Barry! So, what have you done with Julie? | 0:38:32 | 0:38:36 | |
Tim...has Julie left you? | 0:38:36 | 0:38:40 | |
Oh, Tim. I was always very attracted to Julie and I still am. | 0:38:40 | 0:38:44 | |
You must be broken. She's a wonderful creature. | 0:38:44 | 0:38:47 | |
Stop... | 0:38:47 | 0:38:48 | |
I have to say, though, Tim, I'm not surprised. | 0:38:48 | 0:38:50 | |
Really? | 0:38:50 | 0:38:51 | |
There's not a lot of monogamy in the animal kingdom. | 0:38:51 | 0:38:53 | |
Not many animals mate for life. Penguins do. | 0:38:53 | 0:38:56 | |
I've spent a lot of time with penguins, and they're really cool. | 0:38:56 | 0:38:59 | |
And maybe you're a penguin, Tim, but Julie's not a penguin. | 0:38:59 | 0:39:02 | |
She's a lioness. Don't try to mate a lioness with a penguin. | 0:39:02 | 0:39:06 | |
Ever. Have you ever seen a mammal and a bird mate? | 0:39:06 | 0:39:11 | |
I've never even heard of that. | 0:39:11 | 0:39:13 | |
Is that right? You going to try and tame her? | 0:39:13 | 0:39:16 | |
Cos I don't think you're her type. | 0:39:16 | 0:39:18 | |
Maybe. But I have something. | 0:39:18 | 0:39:21 | |
Something that women respond to. | 0:39:21 | 0:39:24 | |
That's true. Julie and I have been saying that. | 0:39:24 | 0:39:27 | |
-Tim doesn't get it. -He's right. | 0:39:27 | 0:39:29 | |
Listen to your friend. | 0:39:29 | 0:39:31 | |
Am I going to make love with Christina and Monique tonight? | 0:39:31 | 0:39:34 | |
Hell, yes! Guilty. You caught me out. Yeah. | 0:39:34 | 0:39:37 | |
But only because it's part of my process. | 0:39:37 | 0:39:39 | |
Your "process?" | 0:39:39 | 0:39:41 | |
There are two things in this world. | 0:39:41 | 0:39:43 | |
Wonderful, visceral, sexy sex... | 0:39:43 | 0:39:48 | |
and death. | 0:39:48 | 0:39:50 | |
Horrible, boring death. | 0:39:52 | 0:39:54 | |
Now, I'm going to go off and have some sex with these girls. | 0:39:55 | 0:39:57 | |
Before I die. | 0:39:57 | 0:39:59 | |
-Go ahead. -If you guys want to join, that's cool. | 0:39:59 | 0:40:03 | |
But don't look at me in the eye. It puts me off. | 0:40:03 | 0:40:05 | |
-What? -OK, you're not into it. That's cool. | 0:40:05 | 0:40:08 | |
Good to see ya, Tim. Thanks for visiting. Great to meet you. | 0:40:08 | 0:40:11 | |
I want to grow a beard. | 0:40:15 | 0:40:16 | |
I know you're set on a documentary, but hear me out... | 0:40:19 | 0:40:21 | |
Charlize Theron plays Julie. Kieran plays himself. | 0:40:21 | 0:40:25 | |
I don't know. It is something to think about. | 0:40:25 | 0:40:27 | |
Three, two, one... | 0:40:27 | 0:40:28 | |
CRACK! Ow! | 0:40:28 | 0:40:30 | |
-Oh, my God. -Mm-hmm. | 0:40:32 | 0:40:33 | |
Oh, my God! How did you do that? | 0:40:33 | 0:40:36 | |
A human back and a rodent back are eerily similar. | 0:40:38 | 0:40:41 | |
-Thank you. -You're welcome. | 0:40:42 | 0:40:44 | |
Now, go. | 0:40:44 | 0:40:46 | |
-What about dinner? -It's tomorrow, Barry. | 0:40:46 | 0:40:49 | |
Tomorrow. | 0:40:49 | 0:40:50 | |
That's interesting. | 0:40:51 | 0:40:53 | |
You say you're over Darla and yet you have a picture of her in your apartment. | 0:40:53 | 0:40:56 | |
How does Julie feel about that? | 0:40:56 | 0:40:58 | |
That is Julie. | 0:41:01 | 0:41:02 | |
Hmm? | 0:41:03 | 0:41:05 | |
Barry, is that the woman you talked to in the hallway? | 0:41:06 | 0:41:09 | |
Hmm... | 0:41:11 | 0:41:12 | |
-HE MUTTERS -Well... | 0:41:12 | 0:41:14 | |
She has the same face. | 0:41:16 | 0:41:18 | |
DOORBELL RINGS | 0:41:18 | 0:41:21 | |
I'll get the door. | 0:41:21 | 0:41:23 | |
Where's Tim? | 0:41:25 | 0:41:27 | |
-Oh, God. -Well, well. | 0:41:29 | 0:41:32 | |
You blew it with Julie. | 0:41:34 | 0:41:36 | |
Just like you blew it with me. | 0:41:36 | 0:41:38 | |
Poor little Timmy. | 0:41:38 | 0:41:40 | |
-HE MOUTHS -You missed your chance. | 0:41:40 | 0:41:42 | |
And you'll never have me again. | 0:41:42 | 0:41:44 | |
-Let's go. -Oh! You're hurting me. | 0:41:44 | 0:41:47 | |
-I'm not. Oh, stop it. -Please, stop hurting me. | 0:41:47 | 0:41:51 | |
-I'm not even touching you. -Why do we keep doing this? | 0:41:51 | 0:41:55 | |
Huh? You know, some day, I'm really going to leave you. | 0:41:55 | 0:41:58 | |
Ugh... | 0:42:02 | 0:42:04 | |
All right, go, go! Get out of my house, right now! | 0:42:04 | 0:42:07 | |
Ow! Ah! Ow! | 0:42:07 | 0:42:09 | |
-You're very cruel, Tim. -Oh! | 0:42:09 | 0:42:11 | |
-Hello. -Who's your friend? | 0:42:11 | 0:42:14 | |
Barry, his name's Barry. | 0:42:14 | 0:42:15 | |
Want to watch while I screw Barry's brains out? | 0:42:17 | 0:42:19 | |
I can honestly say no to that one. | 0:42:19 | 0:42:22 | |
Oh, really? | 0:42:22 | 0:42:23 | |
So, do you guys want to get pizza? | 0:42:24 | 0:42:25 | |
Want to lick cheese off my naked body? | 0:42:28 | 0:42:30 | |
-PHONE RINGING -Oh, I'm sure Tim has plates. | 0:42:30 | 0:42:32 | |
-Hello? JULIE: -'Hey, who's Darla? | 0:42:32 | 0:42:34 | |
'I just met your friend earlier. | 0:42:34 | 0:42:36 | |
'He told me some pretty interesting things | 0:42:36 | 0:42:37 | |
-'about this woman.' -What did he say? | 0:42:37 | 0:42:39 | |
'Oh, I don't know. He spoke about...' | 0:42:39 | 0:42:41 | |
Oh, wow, you're like a friendly dog. | 0:42:41 | 0:42:43 | |
-'..talked about sex...' -What? | 0:42:43 | 0:42:46 | |
What exactly did he say? | 0:42:46 | 0:42:47 | |
'Can you just tell me? Are you cheating on me? | 0:42:47 | 0:42:49 | |
'It's not a difficult question to answer! | 0:42:49 | 0:42:51 | |
-'Hello? Are you cheating on me?' -She put it in her pants. | 0:42:51 | 0:42:55 | |
'Tim! I don't know why it's so hard for you to answer..' | 0:42:55 | 0:42:57 | |
Julie! You're crazy to think that I'm cheating on you! | 0:42:57 | 0:42:59 | |
That's insane! Where are you? Where are you? | 0:42:59 | 0:43:02 | |
-Julie! -Oh, I think I hung up. | 0:43:02 | 0:43:04 | |
You have no right! Ow! | 0:43:05 | 0:43:07 | |
No right? Huh? Barry, we're going to be a while. | 0:43:07 | 0:43:09 | |
-You're a crazy person. -All right, I'll be here. | 0:43:09 | 0:43:11 | |
Hey, Tim? Tim? | 0:43:11 | 0:43:15 | |
-Tim? -Oh, God... | 0:43:15 | 0:43:17 | |
Tim? Timmy Tim? | 0:43:17 | 0:43:20 | |
What do you say? Should we drive him crazy, huh? | 0:43:20 | 0:43:23 | |
OK! | 0:43:23 | 0:43:25 | |
I'm a naughty little schoolgirl! | 0:43:25 | 0:43:28 | |
You look a little old to be a schoolgirl. | 0:43:28 | 0:43:30 | |
I need to be punished! | 0:43:30 | 0:43:32 | |
Hey, Naomi, how you doing? It's Tim. | 0:43:32 | 0:43:34 | |
I'm wondering if you've heard from Julie. | 0:43:34 | 0:43:36 | |
Don't you want to be my schoolteacher? | 0:43:36 | 0:43:39 | |
I'm really not qualified. I work for the IRS. | 0:43:39 | 0:43:41 | |
-No, no, no... -Not tonight. | 0:43:41 | 0:43:43 | |
-No, all the time. I work... -OK, OK. | 0:43:43 | 0:43:45 | |
You work for the IRS and I have been very... | 0:43:45 | 0:43:50 | |
very bad. | 0:43:50 | 0:43:52 | |
Have you heard from Julie, by any chance? | 0:43:52 | 0:43:54 | |
-No? -I need to be spanked! Now! | 0:43:54 | 0:43:58 | |
Well, that's really not the way it works. | 0:43:58 | 0:44:00 | |
You probably just have to pay the difference, plus interest. | 0:44:00 | 0:44:03 | |
OK, I... | 0:44:03 | 0:44:04 | |
-I need you to spank me real hard. -I'm looking for Julie. | 0:44:04 | 0:44:07 | |
Spank me hard, Barry! | 0:44:07 | 0:44:09 | |
-Barry! -Uh, no, no. That's the TV. | 0:44:09 | 0:44:11 | |
Ow! | 0:44:11 | 0:44:13 | |
Ow! | 0:44:13 | 0:44:14 | |
Oh, yeah! Oh, Barry! | 0:44:14 | 0:44:17 | |
Ooh, yeah! Oh, Barry! | 0:44:17 | 0:44:19 | |
Oh, Barry! | 0:44:24 | 0:44:26 | |
If she gets in touch with you, please tell her to call me. | 0:44:26 | 0:44:29 | |
It's an emergency. | 0:44:29 | 0:44:30 | |
You're like some crazy animal all over... | 0:44:30 | 0:44:33 | |
I want to be a penguin! | 0:44:33 | 0:44:34 | |
-I like to eat penguins. -Hope you don't catch me. | 0:44:34 | 0:44:36 | |
Penguins are very slow. | 0:44:36 | 0:44:38 | |
Except I'm Turbo Penguin! | 0:44:38 | 0:44:39 | |
Come here. Come on. | 0:44:41 | 0:44:42 | |
-I'm going to catch you. -You can't get me. | 0:44:42 | 0:44:44 | |
Did you hurt your knee? | 0:44:44 | 0:44:46 | |
Barry, that's funny, You are a bad little penguin. | 0:44:46 | 0:44:50 | |
Don't get me! | 0:44:52 | 0:44:54 | |
Come here! | 0:44:54 | 0:44:55 | |
Oh! | 0:44:55 | 0:44:58 | |
-Ooh... -BARRY LAUGHS | 0:44:58 | 0:45:00 | |
Oh! Ooh... | 0:45:02 | 0:45:04 | |
-You're going to die. -No, I'm not. | 0:45:04 | 0:45:08 | |
HE MIMICS PENGUIN QUACK | 0:45:09 | 0:45:12 | |
GLASS SHATTERS Oh, God. | 0:45:12 | 0:45:14 | |
-God! -Uh-oh. | 0:45:23 | 0:45:25 | |
Barry? | 0:45:33 | 0:45:35 | |
Tim? Call me! OK? | 0:45:35 | 0:45:38 | |
This was so much fun! I love you! | 0:45:38 | 0:45:42 | |
For ever! | 0:45:42 | 0:45:43 | |
-And ever... -DOOR CLOSES | 0:45:43 | 0:45:47 | |
Barry! | 0:45:53 | 0:45:55 | |
Barry. | 0:45:55 | 0:45:57 | |
Works every time. | 0:46:01 | 0:46:04 | |
If you are attacked, you should always play dead. | 0:46:04 | 0:46:07 | |
People don't want to punch something that's dead. | 0:46:07 | 0:46:10 | |
-It's instinctual. -She's gone? | 0:46:10 | 0:46:11 | |
Yes, she is. | 0:46:11 | 0:46:13 | |
-Oh, my God. -Yeah, we had a little bit of a ruckus. | 0:46:13 | 0:46:16 | |
Oh, my God! | 0:46:16 | 0:46:18 | |
-MESSAGE ALERT BEEPS -That your phone? | 0:46:18 | 0:46:19 | |
Julie's. | 0:46:19 | 0:46:20 | |
Kieran. | 0:46:26 | 0:46:28 | |
Hey, listen, when you get up there, | 0:46:28 | 0:46:30 | |
let the horse into the pasture. | 0:46:30 | 0:46:31 | |
She loves to run around in the grass. | 0:46:31 | 0:46:33 | |
Grab a bottle of wine, make yourself a fire, | 0:46:33 | 0:46:36 | |
stay as long as you want. This is going to be good for you. | 0:46:36 | 0:46:38 | |
-She's going to his ranch. -Oh, my God. | 0:46:38 | 0:46:41 | |
-That's code. -What? | 0:46:43 | 0:46:44 | |
It's code, Tim. You should watch Law & Order. | 0:46:44 | 0:46:48 | |
Horse is heroin. | 0:46:48 | 0:46:50 | |
Grass...marijuana. | 0:46:51 | 0:46:54 | |
The horse likes to run around on the grass. | 0:46:54 | 0:46:57 | |
The heroin likes to run around on the marijuana. | 0:46:57 | 0:47:00 | |
Wine. Alcohol. | 0:47:00 | 0:47:04 | |
Like beer. Or wine. | 0:47:04 | 0:47:05 | |
Oh, man, they are planning one hell of a party. | 0:47:07 | 0:47:09 | |
It's going to be wild up there. | 0:47:09 | 0:47:11 | |
I think that you need to get out of my house in the next...30 seconds, | 0:47:11 | 0:47:15 | |
before I beat you to death with the chair that you're sitting in. | 0:47:15 | 0:47:18 | |
-What? -You have to go. I want you to go. | 0:47:18 | 0:47:21 | |
Who's going to help you with Julie? | 0:47:21 | 0:47:23 | |
Who's going to help me with Julie? You didn't really just say that, did you? | 0:47:23 | 0:47:27 | |
Because of you, Julie thinks I'm having an affair | 0:47:27 | 0:47:29 | |
and she's on her way to Kieran's ranch! Whatever you do, | 0:47:29 | 0:47:31 | |
-don't help me with Julie! -Whoa! Whoa! | 0:47:31 | 0:47:33 | |
We should go there and we should explain the whole mix-up. | 0:47:33 | 0:47:35 | |
I don't know where it is. It's unlisted! He goes there to disappear! | 0:47:35 | 0:47:38 | |
Please, please, I'm begging you! Go, leave, go! | 0:47:38 | 0:47:42 | |
I'm sorry. | 0:47:42 | 0:47:43 | |
I'm sorry, Tim. | 0:47:46 | 0:47:48 | |
Wait. Tim, Tim! | 0:47:51 | 0:47:55 | |
I work at the Canoga Processing Centre. | 0:47:55 | 0:47:59 | |
It's only the second-largest IRS processing centre on the West Coast. | 0:47:59 | 0:48:03 | |
And you're telling me this now because...? | 0:48:03 | 0:48:05 | |
If Kieran has a ranch, we can find the address from his tax return. | 0:48:05 | 0:48:09 | |
And if he's up there sleeping with Julie, that's not business-related. | 0:48:09 | 0:48:14 | |
He can't deduct that. | 0:48:14 | 0:48:15 | |
You can get me his tax returns? | 0:48:16 | 0:48:18 | |
No. | 0:48:18 | 0:48:19 | |
But I know somebody who can. | 0:48:19 | 0:48:22 | |
There it is. The mother ship. | 0:48:22 | 0:48:24 | |
-It looks deserted. -No, no, no. | 0:48:24 | 0:48:26 | |
He's in there. My boss never sleeps. | 0:48:26 | 0:48:29 | |
Be careful around this guy. | 0:48:29 | 0:48:31 | |
-He can tell what you're thinking. -What are you talking about? | 0:48:31 | 0:48:34 | |
Don't look him in the eye. Don't think any embarrassing thoughts. | 0:48:34 | 0:48:37 | |
Just keep your mind blank. | 0:48:37 | 0:48:40 | |
Therman? I'd like you to meet a friend of mine, Tim Conrad. | 0:48:44 | 0:48:48 | |
Uh... Hi. | 0:48:48 | 0:48:49 | |
I could use some help and Barry says you're just the man for the job. | 0:48:51 | 0:48:55 | |
Have a seat. | 0:48:55 | 0:48:57 | |
I did an audit on a Steven Conrad two years ago. | 0:48:57 | 0:49:00 | |
Any relation? | 0:49:00 | 0:49:02 | |
-Where does he live? -Bayside State Prison. | 0:49:02 | 0:49:05 | |
-He's doing seven years. -Oh. | 0:49:05 | 0:49:07 | |
Are you hiding something, Mr Conrad? | 0:49:07 | 0:49:10 | |
What is it that you do for a living? | 0:49:10 | 0:49:12 | |
Don't ask. He makes money. | 0:49:12 | 0:49:14 | |
Nobody knows where it comes from, though. | 0:49:14 | 0:49:17 | |
Shall we take a look at his return, Barry? | 0:49:17 | 0:49:18 | |
Mm. | 0:49:18 | 0:49:20 | |
Guys, I think we're getting a little off track here. | 0:49:21 | 0:49:24 | |
-I'm in a bit of a rush. -That's him. | 0:49:24 | 0:49:26 | |
Gu... Bar... Guys, I don't have much time, so... | 0:49:26 | 0:49:31 | |
Mr Conrad... | 0:49:32 | 0:49:34 | |
..men lie to me a thousand times a day. | 0:49:36 | 0:49:40 | |
And my job...is to find the truth. | 0:49:41 | 0:49:45 | |
-Right, Barry? -Mm. | 0:49:45 | 0:49:47 | |
I've studied the human mind. | 0:49:47 | 0:49:49 | |
I've learned how to read it and ultimately control it. | 0:49:49 | 0:49:53 | |
This is fascinating, I can't wait to read it. | 0:49:53 | 0:49:55 | |
It's 14.99 on my website, | 0:49:55 | 0:49:57 | |
-OK. -Plus shipping and handling. | 0:49:57 | 0:50:00 | |
Even if I buy it here? | 0:50:00 | 0:50:01 | |
It's shipped from somewhere else, isn't it? | 0:50:01 | 0:50:03 | |
And I've been handling it. | 0:50:03 | 0:50:05 | |
Uh, could you just tell Therman why we're here? | 0:50:07 | 0:50:09 | |
We are looking for an address of a non-deductible vacation property. | 0:50:09 | 0:50:13 | |
You're looking for someone or some thing. | 0:50:14 | 0:50:16 | |
That's exactly right. Tim is looking for his girlfriend. | 0:50:18 | 0:50:23 | |
She ran off with an artist. They are probably sleeping together. | 0:50:23 | 0:50:26 | |
-Oh, God... -Your girlfriend has left you. | 0:50:26 | 0:50:28 | |
-Tim, he can see right through you. -You also just told him that. | 0:50:28 | 0:50:32 | |
Are you still sceptical, Mr Conrad? | 0:50:32 | 0:50:35 | |
Watch this. Barry... | 0:50:35 | 0:50:38 | |
What is he doing? | 0:50:39 | 0:50:41 | |
He's making me do something. What is he making me do? | 0:50:41 | 0:50:45 | |
You're not doing anything, Barry. | 0:50:45 | 0:50:47 | |
That's right, Barry. You're not doing anything. | 0:50:47 | 0:50:49 | |
I'm not doing anything. | 0:50:49 | 0:50:52 | |
I'm paralysed. Oh, God. | 0:50:52 | 0:50:55 | |
God can't hear you, Barry. | 0:50:55 | 0:50:57 | |
-Tim? -Tim can't hear you, Barry. | 0:50:57 | 0:50:59 | |
-No, actually, I can hear him. -Oh! My body's a prison. | 0:50:59 | 0:51:03 | |
Oh! This is so painful. | 0:51:03 | 0:51:07 | |
I can't move, Tim. | 0:51:07 | 0:51:10 | |
Tim, help me. Help me, Tim. | 0:51:10 | 0:51:14 | |
All right, you know what, Barry? Just move. You can do it. Just move. | 0:51:14 | 0:51:16 | |
HE GRUNTS | 0:51:16 | 0:51:18 | |
I release you. | 0:51:21 | 0:51:22 | |
Wow. OK, I will never take movement for granted ever again. | 0:51:23 | 0:51:29 | |
Well, I was wrong. Apparently, his brain really is your puppet. | 0:51:29 | 0:51:33 | |
I need an address. | 0:51:33 | 0:51:35 | |
-Can you help me, please? -Perhaps. For a price. | 0:51:35 | 0:51:39 | |
-How much? -I just need to hear Barry say, | 0:51:39 | 0:51:42 | |
"You can eat my pudding." | 0:51:42 | 0:51:44 | |
Uh-uh. No. | 0:51:44 | 0:51:47 | |
Barry, I can make you say it. | 0:51:47 | 0:51:51 | |
But with your own free will, say, "You can eat my pudding." | 0:51:51 | 0:51:56 | |
I'm not going to say it. | 0:51:56 | 0:51:58 | |
Barry, I'm going to eat it, anyway! | 0:51:58 | 0:52:00 | |
But I want you to say, "You can eat my pudding!" | 0:52:00 | 0:52:04 | |
Barry, I will give you a thousand dollars if you say it, right now. | 0:52:05 | 0:52:09 | |
A thousand dollars? | 0:52:09 | 0:52:10 | |
Barry, your friend is a high roller. | 0:52:10 | 0:52:13 | |
-You are hiding something. -Wait a minute. No, wait... | 0:52:13 | 0:52:17 | |
Um, uh... Can we just stick to the issue at hand? | 0:52:17 | 0:52:19 | |
Oh...you almost had me. | 0:52:19 | 0:52:21 | |
But you cannot declare offshore investment losses | 0:52:21 | 0:52:24 | |
against future capital gains. Any child knows that. | 0:52:24 | 0:52:28 | |
I'll have to ask my accountant about that. | 0:52:28 | 0:52:31 | |
WHEEZING LAUGHTER | 0:52:33 | 0:52:36 | |
Uh... | 0:52:36 | 0:52:38 | |
WHEEZING LAUGHTER CONTINUES | 0:52:38 | 0:52:40 | |
LAUGHTER STOPS ABRUPTLY | 0:52:46 | 0:52:49 | |
Mr Conrad... | 0:52:50 | 0:52:52 | |
you, my friend, are being audited. | 0:52:52 | 0:52:54 | |
No, no, no. No, no. | 0:52:54 | 0:52:56 | |
Call the 800 number. | 0:52:56 | 0:52:58 | |
I release you. | 0:53:00 | 0:53:01 | |
Hey, Tim? | 0:53:04 | 0:53:06 | |
I guess you just have to remember what the wise man once said... | 0:53:08 | 0:53:11 | |
.."Everything happens for a reason." | 0:53:13 | 0:53:15 | |
-You know who said that? -Shut up, Barry. | 0:53:16 | 0:53:19 | |
-You did. You're the wise man. -Don't talk. | 0:53:20 | 0:53:22 | |
Don't say a word. Don't move your lips. | 0:53:22 | 0:53:24 | |
Oh, my God. It's Martha. | 0:53:27 | 0:53:30 | |
It's my ex-wife. | 0:53:30 | 0:53:32 | |
MARTHA GIGGLES | 0:53:34 | 0:53:36 | |
There's my magic man. | 0:53:39 | 0:53:41 | |
SHE GIGGLES | 0:53:46 | 0:53:48 | |
-Look at you. -Get in the car, Pudding. -OK. | 0:53:52 | 0:53:54 | |
ENGINE STARTS, MARTHA GIGGLES | 0:54:01 | 0:54:04 | |
I used to call her Pudding. | 0:54:04 | 0:54:06 | |
Look, why don't we just each go home, we'll get some sleep, | 0:54:08 | 0:54:11 | |
and I'll see you tomorrow at the dinner. | 0:54:11 | 0:54:13 | |
OK. Oh... | 0:54:13 | 0:54:15 | |
I think I left my bus pass at your apartment. | 0:54:17 | 0:54:19 | |
-I'll drive you home. -OK. | 0:54:19 | 0:54:21 | |
Oh! I left my keys at your apartment, too. | 0:54:21 | 0:54:25 | |
That's OK. You know what? I'll just sleep here. I have a cubicle. | 0:54:26 | 0:54:30 | |
-I can pull two chairs together. -It's all right. | 0:54:30 | 0:54:32 | |
-Get in the car. -I can fashion them into a bed. | 0:54:32 | 0:54:34 | |
They... Well, they sort of roll apart in the middle, so... | 0:54:34 | 0:54:37 | |
-Barry, Barry... -..you sag. | 0:54:37 | 0:54:38 | |
-You can stay with me. -Don't worry about me. | 0:54:38 | 0:54:40 | |
-I insist. -Really? | 0:54:40 | 0:54:43 | |
-Yeah. -I won't cramp your style? | 0:54:43 | 0:54:45 | |
-It's already cramped. -OK. | 0:54:45 | 0:54:48 | |
Wow. | 0:54:57 | 0:54:58 | |
-What are you doing? -You're going to propose to her? | 0:54:58 | 0:55:02 | |
I have, a few times. | 0:55:02 | 0:55:04 | |
-Why do you carry this around? -In case she changes her mind. | 0:55:04 | 0:55:06 | |
-Please don't go through my pockets. -OK. | 0:55:06 | 0:55:09 | |
Hey, Tim? | 0:55:13 | 0:55:15 | |
The first night alone is always the hardest. | 0:55:15 | 0:55:18 | |
I can sleep in there with you if you want. | 0:55:18 | 0:55:20 | |
No, thank you. | 0:55:20 | 0:55:21 | |
Hey, just don't think about the fact you can't sleep. | 0:55:21 | 0:55:24 | |
Because then you're sunk. Then you just start thinking, "Wow, what's going on?" | 0:55:24 | 0:55:27 | |
Your mind starts reeling. | 0:55:27 | 0:55:28 | |
"Where's Julie? Oh, she's with Kieran." | 0:55:28 | 0:55:31 | |
"Is he a better lover than I am? Yes, he is." | 0:55:31 | 0:55:34 | |
Don't think about that. | 0:55:34 | 0:55:35 | |
Get those thoughts out of your head. | 0:55:35 | 0:55:38 | |
-Why are you putting on aftershave? -Oh, force of habit. | 0:55:38 | 0:55:42 | |
When I was married, I used to stay up late working on my mice, | 0:55:43 | 0:55:46 | |
and Martha hated the smell of formaldehyde. | 0:55:46 | 0:55:48 | |
You can smell them both, Barry. | 0:55:49 | 0:55:51 | |
Two layers of bad smell. | 0:55:51 | 0:55:55 | |
That's exactly what Martha used to say. | 0:55:55 | 0:55:58 | |
Goodnight. | 0:56:00 | 0:56:01 | |
-WHISPERS: -Tim? | 0:56:09 | 0:56:10 | |
-Tim? -What, Barry? | 0:56:15 | 0:56:18 | |
I can't sleep. I'm too excited about dinner. | 0:56:18 | 0:56:19 | |
-Oh, God! -What are you going to wear? | 0:56:19 | 0:56:22 | |
Should I rent a tux? Or is that too formal? | 0:56:22 | 0:56:24 | |
Here's the thing - | 0:56:24 | 0:56:25 | |
It's always better to be overdressed than under dressed, right? | 0:56:25 | 0:56:28 | |
BARRY LAUGHS | 0:56:28 | 0:56:30 | |
Thanks, Tim! That's great! | 0:56:34 | 0:56:38 | |
-YELLS: -Oh, he ate it! He's eating paper! | 0:56:38 | 0:56:42 | |
No... | 0:56:43 | 0:56:44 | |
LOUD LAUGHTER CONTINUES | 0:56:47 | 0:56:51 | |
CLOCK TICKS LOUDLY | 0:56:55 | 0:56:57 | |
I'll be back in a few hours. | 0:57:47 | 0:57:49 | |
Don't play with the stove. | 0:57:49 | 0:57:51 | |
Don't do anything with electricity. | 0:57:51 | 0:57:54 | |
Do you understand? | 0:57:55 | 0:57:56 | |
Sometimes I think you think I'm an idiot. | 0:57:56 | 0:57:59 | |
Just stay in the chair. Promise me. | 0:57:59 | 0:58:01 | |
I will. I will stay in the chair. Why is this brunch so important? | 0:58:01 | 0:58:05 | |
Because the future of my career depends on it. | 0:58:05 | 0:58:07 | |
It's a very important potential client. | 0:58:07 | 0:58:09 | |
I can help. | 0:58:09 | 0:58:10 | |
You want to help me? Stay in the chair. | 0:58:10 | 0:58:12 | |
OK. | 0:58:12 | 0:58:13 | |
I'll pick you up for dinner. All right? | 0:58:13 | 0:58:16 | |
-You going to stay in that chair? -Yes. | 0:58:18 | 0:58:20 | |
That's it. | 0:58:20 | 0:58:21 | |
PHONE RINGS | 0:58:23 | 0:58:25 | |
Hello? | 0:58:30 | 0:58:31 | |
'You got everything you need for brunch?' | 0:58:31 | 0:58:33 | |
-Uh-huh. -OK, you got me working Saturday, | 0:58:33 | 0:58:36 | |
so I'm billing you overtime for this. | 0:58:36 | 0:58:39 | |
You're going to Madison Restaurant, 10am. | 0:58:39 | 0:58:42 | |
Don't be late. They're Swiss. | 0:58:42 | 0:58:44 | |
'And make sure Julie's there. | 0:58:44 | 0:58:46 | |
-'They're dying to meet her.' -OK, Julie'll be there. | 0:58:46 | 0:58:49 | |
Tim? | 0:58:50 | 0:58:51 | |
Tim! | 0:58:51 | 0:58:53 | |
Tim? | 0:58:54 | 0:58:56 | |
Tim? Tim! | 0:59:07 | 0:59:10 | |
Tim! | 0:59:10 | 0:59:12 | |
Hi, Tim? We switched phones. | 0:59:12 | 0:59:14 | |
I need to talk to you. Julie has to go to that brunch! OK. | 0:59:14 | 0:59:18 | |
Oh! | 0:59:20 | 0:59:21 | |
Hi, Tim, me again. I just realised you can't get my messages. | 0:59:23 | 0:59:27 | |
My password is P-A-S-S-W-O-R-D. | 0:59:27 | 0:59:30 | |
OK. | 0:59:30 | 0:59:32 | |
Oh, God! | 0:59:33 | 0:59:36 | |
You can't get that message, either! Why am I...?! | 0:59:36 | 0:59:38 | |
-This way, sir. -Thank you. | 0:59:44 | 0:59:46 | |
We feared that some disaster had befallen you. | 0:59:47 | 0:59:49 | |
-I'm so sorry I'm late. -And where is...? | 0:59:49 | 0:59:52 | |
Julie sends her regrets. She dropped a box on her foot | 0:59:52 | 0:59:56 | |
and broke a distal phalange. | 0:59:56 | 0:59:59 | |
Please wish her a swift recovery. | 0:59:59 | 1:00:01 | |
I had hoped for another woman to lend some poetry. | 1:00:01 | 1:00:03 | |
I understood from my husband | 1:00:03 | 1:00:05 | |
I would not have to suffer another business conversation. | 1:00:05 | 1:00:08 | |
What was it Baudelaire said? | 1:00:08 | 1:00:10 | |
"Misunderstanding makes the world go round." | 1:00:10 | 1:00:13 | |
I see we will have poetry after all. | 1:00:13 | 1:00:15 | |
It is rare to find an American businessman with a sense of culture. | 1:00:15 | 1:00:18 | |
Mm. | 1:00:18 | 1:00:20 | |
RINGTONE PLAYS: "Escape" by Rupert Holmes | 1:00:20 | 1:00:22 | |
Tim! It's me again! Barry! Disregard all previous messages! | 1:00:30 | 1:00:34 | |
I figured it out! Help is on the way! Bye! | 1:00:34 | 1:00:38 | |
Obviously, many of the strategies are complex. | 1:00:39 | 1:00:42 | |
-I imagine you have several questions. -I am a simple man, Mr Conrad. | 1:00:42 | 1:00:46 | |
My father left me with very little, except for all of his money. | 1:00:46 | 1:00:50 | |
The world is full of people who want to separate me from it. | 1:00:50 | 1:00:53 | |
Why should I trust you with 100 million? | 1:00:53 | 1:00:57 | |
A very fair question. | 1:00:57 | 1:00:59 | |
Now, you're obviously very civilised people. | 1:00:59 | 1:01:03 | |
But unfortunately, the world of finance is a brutal place. | 1:01:03 | 1:01:06 | |
The good hunters win. The bad hunters lose. | 1:01:06 | 1:01:11 | |
I am a very good hunter. | 1:01:11 | 1:01:13 | |
You are refreshingly honest, Mr Conrad. | 1:01:13 | 1:01:16 | |
I try to be. I hope we can do business together. | 1:01:16 | 1:01:19 | |
A call for you, sir. | 1:01:21 | 1:01:22 | |
I'm so sorry. Excuse me. Hello? | 1:01:25 | 1:01:27 | |
'I got your back, Tim. Can you hear me?' | 1:01:27 | 1:01:28 | |
-Hello? -'Hello!' | 1:01:28 | 1:01:30 | |
-Hello? Hello? Hello? -Hello. Hello. | 1:01:30 | 1:01:33 | |
Hello. My name is Tim's brother, Barry, and this is Julie. | 1:01:33 | 1:01:39 | |
Tim, look. I brought Julie. | 1:01:39 | 1:01:41 | |
Hi, my love. Oh, I have missed you so. | 1:01:41 | 1:01:45 | |
Um, you... | 1:01:47 | 1:01:49 | |
You know... Your phalange. You shouldn't be here. | 1:01:49 | 1:01:52 | |
Nonsense, She is the picture of health. | 1:01:52 | 1:01:55 | |
Please, sit. Sit. Sit. | 1:01:55 | 1:01:57 | |
Thank you. | 1:02:01 | 1:02:02 | |
-Birgit Mueller. -Such a pleasure. | 1:02:05 | 1:02:07 | |
-Martin Mueller, delighted. -Such a pleasure. | 1:02:07 | 1:02:10 | |
And I am Barry. Delightful. | 1:02:10 | 1:02:13 | |
I am so pleased you could join us. I always say you do not know a man | 1:02:15 | 1:02:18 | |
until you meet his partner in love. | 1:02:18 | 1:02:21 | |
I couldn't agree more. I would love to go over some of these main points. | 1:02:21 | 1:02:25 | |
-YELLS: -Where are you from?! -We are from Switzerland. | 1:02:25 | 1:02:29 | |
-We're going to focus on business. -Switzerland! I love Switzerland. | 1:02:29 | 1:02:33 | |
It is one of my favourite countries. | 1:02:33 | 1:02:34 | |
I love your army knives, with the toothpicks. | 1:02:34 | 1:02:38 | |
And your cheese. Does the cheese come out of the cow with the holes? | 1:02:38 | 1:02:42 | |
Our countries are not enemies. They are friends. | 1:02:44 | 1:02:48 | |
-We are friends. -You have been to Switzerland? | 1:02:48 | 1:02:51 | |
No, but I have a friend who drives a Volvo. | 1:02:51 | 1:02:54 | |
And I speak a little of your language. | 1:02:54 | 1:02:56 | |
HE SPEAKS GIBBERISH | 1:02:56 | 1:02:58 | |
That's my brother. Always joking. | 1:03:01 | 1:03:04 | |
Oh! It's a jokey joke, ja? | 1:03:04 | 1:03:07 | |
Uh, you know, we should, uh, continue this conversation back in my office. | 1:03:12 | 1:03:17 | |
But I have not received my salmon. | 1:03:17 | 1:03:20 | |
Or my green salad. | 1:03:20 | 1:03:22 | |
So... | 1:03:27 | 1:03:28 | |
do you and Julie have wedding bells in your future? | 1:03:28 | 1:03:32 | |
That's kind of a sore topic. He keeps asking her, but she keeps saying no. | 1:03:32 | 1:03:37 | |
Ask me again. | 1:03:37 | 1:03:39 | |
No, it's not the right time. | 1:03:39 | 1:03:42 | |
If a woman asks you to propose, it is the right time. | 1:03:42 | 1:03:45 | |
Really, I can't. | 1:03:45 | 1:03:47 | |
-Why not? -Do it. Do it! | 1:03:47 | 1:03:49 | |
-I don't have a ring. -Yeah, you do. | 1:03:49 | 1:03:51 | |
-No, I don't. -Yeah, you do, it's in your pocket. | 1:03:51 | 1:03:54 | |
-Come on, you know you have it. -Barry... | 1:03:54 | 1:03:57 | |
-Told ya. -Ah. | 1:03:57 | 1:04:00 | |
You are a hunter, Mr Conrad. | 1:04:00 | 1:04:02 | |
There is nothing more honourable than for a man | 1:04:02 | 1:04:04 | |
to join himself to his lady love. | 1:04:04 | 1:04:07 | |
Join yourself to her, in the name of love. | 1:04:07 | 1:04:11 | |
-MIMICS ACCENT: -Join yourself in the name of love. | 1:04:11 | 1:04:13 | |
You must kneel, Mr Conrad. She is a princess. | 1:04:15 | 1:04:19 | |
Thank you. | 1:04:19 | 1:04:21 | |
GLASS RINGS | 1:04:28 | 1:04:30 | |
Something's happening! | 1:04:30 | 1:04:32 | |
-Julie... -Call me Darla. | 1:04:33 | 1:04:35 | |
-Oh, I don't want to call you Darla. -Julie's just a nickname. | 1:04:35 | 1:04:38 | |
-I want it to be real. -Look into her eyes. | 1:04:38 | 1:04:42 | |
Look, look. | 1:04:42 | 1:04:44 | |
There is your home. There is your future. | 1:04:45 | 1:04:49 | |
I love you, Tim. | 1:04:51 | 1:04:52 | |
Do it, do it, do it. | 1:04:52 | 1:04:55 | |
Do it...! | 1:04:55 | 1:04:57 | |
-Julie. -Darla. | 1:04:57 | 1:04:59 | |
Darla. Will you marry me? | 1:04:59 | 1:05:02 | |
-Yes. Yes! -Yay. | 1:05:02 | 1:05:06 | |
APPLAUSE We did it. | 1:05:06 | 1:05:08 | |
-Julie. -But I thought this was Julie. | 1:05:18 | 1:05:21 | |
-Nope. I'm Julie. -They are both Julie. | 1:05:21 | 1:05:23 | |
Julie and Julie. | 1:05:23 | 1:05:25 | |
Susana thought you were going to lose your promotion | 1:05:25 | 1:05:27 | |
if I didn't show up today. | 1:05:27 | 1:05:29 | |
Look at you. You had a... replacement all lined up. | 1:05:29 | 1:05:32 | |
-DARLA: -Yeah. -No, no, no. | 1:05:32 | 1:05:34 | |
-This is a huge misunderstanding. -Let me explain. | 1:05:34 | 1:05:36 | |
This is Darla. She's a naughty schoolgirl who cheats on her taxes. | 1:05:36 | 1:05:40 | |
I didn't know whether you were going to come today, | 1:05:40 | 1:05:42 | |
so I brought Darla to keep things running smoothly. | 1:05:42 | 1:05:45 | |
Very important potential client. | 1:05:45 | 1:05:47 | |
That clears that up. Yeah. Thank you. | 1:05:47 | 1:05:49 | |
Darling, you're embarrassing yourself. It's over. | 1:05:49 | 1:05:53 | |
She's really quite a catch, Tim. Congratulations. | 1:05:53 | 1:05:56 | |
-No! Julie... -Nice to have met you. | 1:05:56 | 1:05:59 | |
-He's very crafty. -Julie! Julie! | 1:05:59 | 1:06:01 | |
I'm so sorry. I hope we can continue this at a later date, | 1:06:01 | 1:06:04 | |
-but, actually, I love her. DARLA: -Wait, Tim? | 1:06:04 | 1:06:07 | |
-Julie! -Tim? | 1:06:07 | 1:06:10 | |
Julie! Julie, look... | 1:06:10 | 1:06:13 | |
Wait, wait. I know that looked awkward, but you've got to trust me. | 1:06:13 | 1:06:15 | |
-Trust you? -Yes. I trust you. | 1:06:15 | 1:06:18 | |
I know you spent the night at Kieran's ranch. I know nothing happened. | 1:06:18 | 1:06:21 | |
Right? | 1:06:21 | 1:06:23 | |
I didn't go to Kieran's ranch last night. | 1:06:23 | 1:06:25 | |
-I'm going now. -No! Don't go! Don't go! | 1:06:25 | 1:06:27 | |
Tim, I have to go. It's my job. | 1:06:27 | 1:06:29 | |
We're going to San Francisco this weekend to set up for the show. | 1:06:29 | 1:06:32 | |
He wants me to be part of his artistic process. | 1:06:32 | 1:06:34 | |
His artistic process... That means sex, Julie. | 1:06:34 | 1:06:38 | |
He told me last night when I broke into his house! | 1:06:38 | 1:06:40 | |
-You broke into his house? -Hmm? | 1:06:41 | 1:06:44 | |
My God. I guess there really is a you I don't know. | 1:06:46 | 1:06:48 | |
It's too bad. I was so in love with the other one. | 1:06:50 | 1:06:52 | |
-Hop in. -Move. | 1:07:00 | 1:07:02 | |
OK. | 1:07:02 | 1:07:03 | |
Ah! | 1:07:07 | 1:07:08 | |
Tim, Tim. | 1:07:09 | 1:07:11 | |
Ow! | 1:07:13 | 1:07:14 | |
Oh, wow. | 1:07:20 | 1:07:22 | |
Ah! | 1:07:28 | 1:07:29 | |
Play dead! | 1:07:29 | 1:07:31 | |
I don't think you're a very nice person, Tim. | 1:07:35 | 1:07:37 | |
Just stay out of my life. And I'm keeping the ring. | 1:07:37 | 1:07:41 | |
I think that was really good for her. | 1:07:50 | 1:07:52 | |
Aah! | 1:07:54 | 1:07:56 | |
See? It works. | 1:08:00 | 1:08:01 | |
I can't help but think this is partially my fault. | 1:08:07 | 1:08:09 | |
Really?! Well, it is your fault! It's 100% your fault! | 1:08:09 | 1:08:13 | |
I'm sorry. | 1:08:16 | 1:08:17 | |
HE DIALS NUMBER | 1:08:20 | 1:08:22 | |
Hello, Therman. You win. | 1:08:26 | 1:08:30 | |
You can eat my pudding. | 1:08:30 | 1:08:32 | |
31 Light Hill Drive. OK, Therman. | 1:08:33 | 1:08:36 | |
CAR RATTLES | 1:08:38 | 1:08:39 | |
I don't even know who he is any more. | 1:08:45 | 1:08:47 | |
It's like I'm having a bad dream. I mean, am I crazy? | 1:08:47 | 1:08:51 | |
Am I completely delusional here? | 1:08:51 | 1:08:53 | |
I don't even know what's going on any more. | 1:08:53 | 1:08:55 | |
I'm sorry. I shouldn't be unloading this. | 1:08:58 | 1:08:59 | |
I want to photograph you, right now. | 1:08:59 | 1:09:02 | |
Um... | 1:09:03 | 1:09:04 | |
I don't think it's the best time right now, really. | 1:09:04 | 1:09:07 | |
It's exactly the best time. I've never seen you like this. | 1:09:09 | 1:09:12 | |
You're so raw, so wonderfully visible, so beautiful. | 1:09:12 | 1:09:16 | |
This is weird, Kieran. I don't think we should... | 1:09:17 | 1:09:19 | |
Not doing this would be weird. | 1:09:19 | 1:09:21 | |
Keep talking. Tell me about Tim. | 1:09:21 | 1:09:23 | |
I don't know. I mean, I just... | 1:09:23 | 1:09:26 | |
I just always thought that there was this decent... | 1:09:28 | 1:09:31 | |
basic person underneath it all. | 1:09:31 | 1:09:33 | |
You'd think that you would know someone after two years. | 1:09:33 | 1:09:36 | |
But no. That's bad. | 1:09:36 | 1:09:39 | |
He's such a smooth talker. | 1:09:42 | 1:09:43 | |
So convincing. | 1:09:43 | 1:09:45 | |
I don't even know if anything he's ever said to me is true. | 1:09:45 | 1:09:47 | |
-These pictures are going to be amazing. -Kieran, you've lost your mind! | 1:09:47 | 1:09:51 | |
-This is crazy. -No. Don't fight it, it's art. | 1:09:51 | 1:09:53 | |
I don't want to take pictures. Can we just stop it? | 1:09:53 | 1:09:55 | |
What are you doing here? | 1:09:55 | 1:09:58 | |
Julie, there's something I need to tell you. | 1:09:58 | 1:10:00 | |
-Kieran has gonorrhoea. -No, I don't. | 1:10:00 | 1:10:03 | |
-You might. -I don't. | 1:10:03 | 1:10:05 | |
-Well, she does, she has gonorrhoea. -What? | 1:10:05 | 1:10:07 | |
-Don't sleep with her. -She doesn't. | 1:10:07 | 1:10:08 | |
-Are you sure? -Yes. | 1:10:08 | 1:10:10 | |
Because you can get it from riding the bus. | 1:10:10 | 1:10:12 | |
-No, you can't. -Yes, you can, Tim. | 1:10:12 | 1:10:14 | |
-That's how my wife got it. -Barry, no-one here has gonorrhoea. | 1:10:14 | 1:10:18 | |
I do. | 1:10:19 | 1:10:21 | |
I have gonorrhoea. | 1:10:23 | 1:10:25 | |
I got gonorrhoea from my wife, who got it from a bus seat. | 1:10:27 | 1:10:31 | |
And no-one should sleep with me. | 1:10:31 | 1:10:33 | |
OK. | 1:10:38 | 1:10:39 | |
Could I speak with Julie... alone, please? | 1:10:39 | 1:10:42 | |
Tim, you have to tell her what's in your heart | 1:10:47 | 1:10:50 | |
-and be honest with her. -Yeah, I... | 1:10:50 | 1:10:52 | |
That's what I did with Martha and that did not work. | 1:10:52 | 1:10:54 | |
-But I think this'll work for you. OK. -Thank you. All right. | 1:10:54 | 1:11:00 | |
Have you ever just spent five months | 1:11:08 | 1:11:10 | |
living with a herd of goats, as one of them? | 1:11:10 | 1:11:13 | |
-No? -No. | 1:11:14 | 1:11:16 | |
That surprises me. | 1:11:16 | 1:11:17 | |
The thing about a goat is, it never denies itself what it's hungry for. | 1:11:18 | 1:11:22 | |
A goat will eat anything. | 1:11:22 | 1:11:24 | |
A goat could probably eat a bike. | 1:11:24 | 1:11:26 | |
A goal could eat itself, if it was driven to it. | 1:11:29 | 1:11:32 | |
I'm just a goat... | 1:11:35 | 1:11:38 | |
who's halfway through eating itself. | 1:11:38 | 1:11:40 | |
Just to be clear, what exactly are we talking about? | 1:11:47 | 1:11:50 | |
Everything. | 1:11:50 | 1:11:52 | |
I had no idea. It happened one night three years ago, before we met. | 1:11:54 | 1:11:58 | |
I haven't seen her since. | 1:11:58 | 1:11:59 | |
So she just popped back up into your life, like that? | 1:11:59 | 1:12:03 | |
She tried to get in touch with me and Barry intercepted the message. | 1:12:03 | 1:12:06 | |
-So it's all Barry's fault? -Barry is...he's a sweet guy, | 1:12:06 | 1:12:11 | |
but he is a tornado of destruction. | 1:12:11 | 1:12:14 | |
The only friends he has are dead mice, | 1:12:14 | 1:12:16 | |
and that's cos they're the only ones that can't get away from him. | 1:12:16 | 1:12:19 | |
You know what else mice can't do? | 1:12:23 | 1:12:25 | |
They can't lie. | 1:12:25 | 1:12:27 | |
Barry. Barry! | 1:12:29 | 1:12:31 | |
I'm going to go to San Francisco tonight. | 1:12:33 | 1:12:35 | |
And, uh...I'll come by to pack, around eight. | 1:12:35 | 1:12:38 | |
I think it's better if you're not there. | 1:12:38 | 1:12:41 | |
I never really knew what Martha thought of me | 1:13:08 | 1:13:11 | |
until I heard her talking behind my back. | 1:13:11 | 1:13:14 | |
You were lying to me the whole time. You didn't like me. | 1:13:17 | 1:13:20 | |
"How do I get ahead in business? | 1:13:22 | 1:13:23 | |
"How do I get ahead? Oh, I know... | 1:13:23 | 1:13:27 | |
"I'll find a great taxidermist and hit him with my car. | 1:13:27 | 1:13:30 | |
"And then I'll invite him to dinner. That'll do it." | 1:13:30 | 1:13:34 | |
Well, somebody forgot to tell you there is no "me" in "mean." | 1:13:35 | 1:13:39 | |
Well... | 1:13:40 | 1:13:42 | |
there is a bit of a happy ending. | 1:13:42 | 1:13:45 | |
cos the mean guy finally got what he deserved. | 1:13:45 | 1:13:48 | |
World's smallest violin and it's playing just for you. | 1:13:54 | 1:13:57 | |
-Sorry. -What? | 1:14:00 | 1:14:03 | |
-I'm sorry. -Oh, OK. Whatever. | 1:14:04 | 1:14:07 | |
PHONE RINGING | 1:16:05 | 1:16:07 | |
-Hello? -'Tim!' | 1:16:09 | 1:16:10 | |
I heard you had an interesting brunch this morning. | 1:16:10 | 1:16:13 | |
Sir, I can explain. | 1:16:13 | 1:16:14 | |
You might want to explain it to Mr Mueller. | 1:16:14 | 1:16:18 | |
You should have told me Barry was your fool. | 1:16:20 | 1:16:22 | |
'We have the same game in Switzerland.' | 1:16:22 | 1:16:25 | |
Dinner Fur Unterschlagen. | 1:16:25 | 1:16:27 | |
'I am very much looking forward | 1:16:27 | 1:16:29 | |
'to seeing the two of you this evening, Mr Conrad.' | 1:16:29 | 1:16:31 | |
Where are you? Dinner's about to start. | 1:16:34 | 1:16:35 | |
There's been a complication. | 1:16:36 | 1:16:38 | |
'Tim, for Christ's sake, we're running on fumes. | 1:16:38 | 1:16:41 | |
'If we don't make this deal tonight, there is no Fender Financial.' | 1:16:41 | 1:16:43 | |
So, hurry up, We gotta land Mueller tonight. | 1:16:43 | 1:16:46 | |
My guy's a lock. You know what I'm saying? Mueller's going to love him. | 1:16:54 | 1:16:57 | |
Now, he might be a little late. | 1:16:57 | 1:16:59 | |
He's on his way, but... Tim! | 1:16:59 | 1:17:00 | |
Sir, I've run into a little bit of a problem. | 1:17:02 | 1:17:04 | |
Never mind that. You know, ever since I invited you to this thing, | 1:17:04 | 1:17:06 | |
Caldwell's been telling me I made a mistake. | 1:17:06 | 1:17:09 | |
He says you're not cut out for it. | 1:17:09 | 1:17:11 | |
Really? Caldwell is full of shit. | 1:17:11 | 1:17:14 | |
Mueller told me your guy was good. I had no idea he was this good. | 1:17:14 | 1:17:19 | |
Well, I try to look at the bright side. | 1:17:19 | 1:17:21 | |
I guess you could say I'm an eternal optometrist. | 1:17:21 | 1:17:23 | |
When life gives you lemons, you make lemonade. | 1:17:23 | 1:17:25 | |
Unless you don't have any water or sugar. | 1:17:25 | 1:17:27 | |
And then, then you just eat the lemons. | 1:17:27 | 1:17:29 | |
The rind will give you diarrhoea. So, mama mia, papa pia, | 1:17:29 | 1:17:33 | |
baby got the diarr... Hey, Tim! | 1:17:33 | 1:17:35 | |
Ah, Mr Conrad! You have been missing all the fun. | 1:17:35 | 1:17:40 | |
Barry...you're here. | 1:17:40 | 1:17:42 | |
Yes, and I have been telling Sir Lancelot | 1:17:42 | 1:17:44 | |
that you deserve a promotion. | 1:17:44 | 1:17:46 | |
And he's been making a pretty persuasive case, Tim. | 1:17:46 | 1:17:49 | |
Tim, I'd like to introduce my friend, Lewis, | 1:17:49 | 1:17:52 | |
-and his wife, Diane. -Your wife? | 1:17:52 | 1:17:55 | |
For now. | 1:17:55 | 1:17:56 | |
-Honey, please. -"Honey, please." | 1:17:57 | 1:18:00 | |
You're so pathetic! | 1:18:00 | 1:18:02 | |
My God, it's raining men. I don't know who's more gorgeous. | 1:18:02 | 1:18:06 | |
-BARRY LAUGHS -Well, beauty's only skin deep. | 1:18:06 | 1:18:08 | |
Unless there's something wrong with your bone structure. And then, | 1:18:08 | 1:18:11 | |
you could have flawless skin and still be very ugly. | 1:18:11 | 1:18:14 | |
Because your bones are just...gross. | 1:18:14 | 1:18:18 | |
Lewis, Diane, there's someone I'd like you to meet. | 1:18:18 | 1:18:20 | |
I think you're drunk. | 1:18:20 | 1:18:21 | |
-Not drunk enough to do you. -HE CHUCKLES | 1:18:21 | 1:18:24 | |
Tim, when you said this was a dinner for extraordinary people, | 1:18:24 | 1:18:27 | |
I had no idea. Look at that. | 1:18:27 | 1:18:29 | |
Are you hungry? He hasn't eaten a lot today. | 1:18:29 | 1:18:33 | |
Come on. | 1:18:33 | 1:18:34 | |
-Yes? -Ugh. | 1:18:37 | 1:18:38 | |
OK...her. You know what she does? | 1:18:38 | 1:18:41 | |
She communicates with dead pets. | 1:18:41 | 1:18:43 | |
Lorenzo's mother... wants to talk to him. | 1:18:43 | 1:18:47 | |
SHE MIMICS BIRD CALLS | 1:18:47 | 1:18:48 | |
Right? Nice? | 1:18:48 | 1:18:50 | |
OK, that guy? Right there? 2002 National Beard Champion. | 1:18:50 | 1:18:54 | |
I'm telling you, these people are amazing. | 1:18:54 | 1:18:56 | |
-I am so not in their league. -Barry, what are you...? | 1:18:56 | 1:18:59 | |
Why are you here? Because that's what friends do. | 1:18:59 | 1:19:03 | |
I know, I know. You chose some words carelessly. | 1:19:03 | 1:19:07 | |
I know you are in a dark place, but I also know | 1:19:07 | 1:19:09 | |
that you need to show your boss that you are friends with a winner. | 1:19:09 | 1:19:13 | |
In my book, you're a winner, too. | 1:19:13 | 1:19:15 | |
BELL DINGS | 1:19:15 | 1:19:16 | |
Ladies and gentlemen! Dinner is served. | 1:19:16 | 1:19:19 | |
APPLAUSE | 1:19:24 | 1:19:25 | |
The eyes are but two of the five senses. | 1:19:25 | 1:19:28 | |
Remove them and the others become incredibly sensitive. | 1:19:28 | 1:19:33 | |
But some people still ask, | 1:19:33 | 1:19:35 | |
"How can a blind man compete at the Olympic Games as fencer?" | 1:19:35 | 1:19:39 | |
I will show you how. | 1:19:39 | 1:19:40 | |
Oh! NERVOUS MURMURING | 1:19:41 | 1:19:43 | |
APPLAUSE Absolutely tremendous! | 1:19:43 | 1:19:47 | |
-All right! -Are you enjoying this? | 1:19:47 | 1:19:49 | |
Yes. Such a pleasure to laugh at the misfortune of others. | 1:19:49 | 1:19:54 | |
Are they cute when they're small, | 1:19:54 | 1:19:56 | |
or are they pretty much horrible the whole time? | 1:19:56 | 1:19:58 | |
-Are you looking down my dress? -No. | 1:20:00 | 1:20:03 | |
-Why not? -I don't know. | 1:20:03 | 1:20:06 | |
-Tim, were you? -No. | 1:20:06 | 1:20:08 | |
-Please don't embarrass me. -I'm not doing... Oh, God. | 1:20:08 | 1:20:11 | |
CLAPPING Here you go, sir. | 1:20:11 | 1:20:14 | |
Here you are, ma'am. Bon appetit. | 1:20:14 | 1:20:17 | |
SHE GASPS | 1:20:20 | 1:20:22 | |
I am receiving a message from the other side! | 1:20:24 | 1:20:27 | |
SHE GASPS | 1:20:28 | 1:20:30 | |
I'm trapped. | 1:20:30 | 1:20:32 | |
Where are they taking me? | 1:20:32 | 1:20:34 | |
She's talking to the lobster. | 1:20:34 | 1:20:37 | |
The water, it... | 1:20:37 | 1:20:39 | |
boils! | 1:20:39 | 1:20:41 | |
SHE SHRIEKS | 1:20:41 | 1:20:42 | |
SHE SCREAMS | 1:20:51 | 1:20:54 | |
HE CHUCKLES That might win. That might win. | 1:20:54 | 1:20:56 | |
-SHE GASPS -Whoo! | 1:20:57 | 1:21:00 | |
Ah, fuck it. I don't care. | 1:21:04 | 1:21:07 | |
So, Tim... I understand your guest has an interesting hobby. | 1:21:07 | 1:21:11 | |
I guess I'm up. Wish me luck. | 1:21:11 | 1:21:15 | |
This is something that I call the Tower of Dreamers. | 1:21:20 | 1:21:23 | |
A thousand years ago, the only people on Earth were monkeys. | 1:21:34 | 1:21:37 | |
And they said, "We'll never walk erectus. | 1:21:37 | 1:21:42 | |
"We'll never use tools. We'll never talk." | 1:21:42 | 1:21:45 | |
And then one monkey said, "Oh, yeah? Well, I'm talking right now." | 1:21:45 | 1:21:50 | |
That monkey...was a dreamer. | 1:21:50 | 1:21:53 | |
-Mice dressed as monkeys. -Yes... | 1:21:53 | 1:21:56 | |
-Good. -Oh, my God. | 1:21:56 | 1:21:58 | |
Fast-forward 500 years. | 1:22:01 | 1:22:03 | |
The Wright Brothers decide to make themselves a flying machine. | 1:22:06 | 1:22:09 | |
"You fools! You idiots! | 1:22:09 | 1:22:12 | |
"What's your problem?" everyone shouted. | 1:22:12 | 1:22:15 | |
"That will never work, because plywood weighs more than air!" | 1:22:15 | 1:22:19 | |
To which the Wright Brothers responded, | 1:22:19 | 1:22:22 | |
"No, it doesn't." | 1:22:22 | 1:22:23 | |
The Wright Brothers were dreamers. | 1:22:24 | 1:22:27 | |
The Earl of Sandwich | 1:22:29 | 1:22:32 | |
and Sir Francis Bacon. | 1:22:32 | 1:22:34 | |
Had it not been for them, the BLT would merely be lettuce and tomato. | 1:22:34 | 1:22:40 | |
They were dreamers. And sandwich makers. | 1:22:42 | 1:22:45 | |
-Ja. -It's not over yet. | 1:22:45 | 1:22:48 | |
Vincent van Gogh. | 1:22:50 | 1:22:52 | |
Everyone told him, "You only have one ear. | 1:22:52 | 1:22:56 | |
"You cannot be a great artist." | 1:22:56 | 1:22:59 | |
And you know what he said? "I can't hear you." | 1:22:59 | 1:23:03 | |
Vincent van Gogh was a dreamer. | 1:23:03 | 1:23:04 | |
CHUCKLING | 1:23:04 | 1:23:07 | |
-I love to paint. -Oh, really? | 1:23:07 | 1:23:08 | |
-I love to paint. -Oh, wow. Are you any good? | 1:23:08 | 1:23:10 | |
-I don't know. -Of course not. | 1:23:10 | 1:23:13 | |
Louis Pasteur turned cheese into medicine. | 1:23:15 | 1:23:18 | |
SHE GASPS | 1:23:23 | 1:23:24 | |
Benjamin Franklin. | 1:23:28 | 1:23:30 | |
People said, "You can't fly a kite in a rainstorm." | 1:23:30 | 1:23:34 | |
And Ben Franklin said, "Yes, you can... | 1:23:34 | 1:23:38 | |
"if you have an electric kite." | 1:23:38 | 1:23:40 | |
BUZZING | 1:23:40 | 1:23:42 | |
Little detail with the kite. That's good, ja? | 1:23:44 | 1:23:46 | |
A man who broke more bones... | 1:23:46 | 1:23:50 | |
than any man in history... | 1:23:50 | 1:23:52 | |
-..Evel Knievel. -ENGINE REVS | 1:23:55 | 1:23:58 | |
-CHUCKLING -It's fantastic. | 1:24:01 | 1:24:04 | |
Well played, rookie. Well played. | 1:24:04 | 1:24:06 | |
And who might this handsome young lad be? | 1:24:06 | 1:24:11 | |
Tim Conrad. | 1:24:11 | 1:24:12 | |
He believes that someday he will marry the girl of his dreams, | 1:24:13 | 1:24:18 | |
even though every time he asks, she says no. | 1:24:18 | 1:24:21 | |
And even though, as we speak, she is probably having sex | 1:24:21 | 1:24:25 | |
with a handsome artist. | 1:24:25 | 1:24:28 | |
Tim Conrad...is a dreamer. | 1:24:28 | 1:24:30 | |
So dare to dream. Dream your wildest dreams. | 1:24:38 | 1:24:41 | |
You can climb the highest mountain. | 1:24:41 | 1:24:44 | |
You can drown in a teacup, if you find a big enough teacup. | 1:24:44 | 1:24:49 | |
And if somebody tells you that you can't do something, | 1:24:49 | 1:24:52 | |
you say, "Yes, I can. | 1:24:52 | 1:24:55 | |
"Cos I'm doing it right now!" | 1:24:55 | 1:24:59 | |
Bravo! | 1:25:03 | 1:25:05 | |
Bravo, sir! | 1:25:05 | 1:25:07 | |
You must come to Switzerland. You'll be the toast of Zurich! | 1:25:11 | 1:25:13 | |
I can't understand your accent! | 1:25:13 | 1:25:17 | |
LAUGHTER | 1:25:17 | 1:25:19 | |
Caldwell. This guy's taking it. | 1:25:19 | 1:25:23 | |
The night is young. BELL RINGS | 1:25:23 | 1:25:26 | |
Gentlemen, ladies, I'd like to introduce you to Mr Therman Murch, | 1:25:26 | 1:25:30 | |
IRS auditor and master of mind control. | 1:25:30 | 1:25:34 | |
Therman? | 1:25:34 | 1:25:35 | |
Sorry for my tardiness. | 1:25:40 | 1:25:42 | |
Mr Murch came by the office last night. | 1:25:42 | 1:25:45 | |
Shame to hear about that audit, Tim. | 1:25:45 | 1:25:46 | |
Anything I can do to help, I'm here for you. | 1:25:46 | 1:25:49 | |
Barry, what are you doing here? | 1:25:50 | 1:25:52 | |
Mm, well... | 1:25:52 | 1:25:53 | |
You two know each other? Yes. We work together. | 1:25:53 | 1:25:57 | |
I'm going to have to get the address of that office. | 1:25:58 | 1:26:00 | |
Therman was telling me about | 1:26:00 | 1:26:03 | |
some of his techniques for mind control, and I gotta say, | 1:26:03 | 1:26:05 | |
I was pretty blown away. | 1:26:05 | 1:26:07 | |
-Wow. -Ah. | 1:26:07 | 1:26:08 | |
Yes. The brain has pressure points, just like any other muscle. | 1:26:08 | 1:26:13 | |
Apply those pressure points, | 1:26:13 | 1:26:15 | |
and the brain will obey your every command. | 1:26:15 | 1:26:19 | |
Allow me to demonstrate. | 1:26:19 | 1:26:22 | |
Barry. | 1:26:22 | 1:26:23 | |
-Barry. -BARRY SNORTS | 1:26:26 | 1:26:29 | |
Look into my eyes, Barry. | 1:26:29 | 1:26:32 | |
Barry! | 1:26:32 | 1:26:35 | |
Where is your wife, Barry? | 1:26:35 | 1:26:37 | |
Tell us. Where is she? | 1:26:39 | 1:26:41 | |
Come on, Barry, tell us. | 1:26:41 | 1:26:44 | |
-Your house? -Ye-e-e-es. | 1:26:44 | 1:26:49 | |
Let me just get this straight, Barry. Your wife left you for... him? | 1:26:55 | 1:27:00 | |
She has extraordinary taste in men. | 1:27:02 | 1:27:05 | |
HE MOUTHS | 1:27:05 | 1:27:07 | |
And tell us, Barry... why did your wife leave you? | 1:27:08 | 1:27:13 | |
BARRY WHIMPERS | 1:27:17 | 1:27:18 | |
-Spit it out of your mouth. -No. | 1:27:18 | 1:27:22 | |
-Say it! -No. | 1:27:22 | 1:27:23 | |
Say it, boy! | 1:27:23 | 1:27:25 | |
-I lost her clitoris. -STIFLED LAUGHTER | 1:27:28 | 1:27:32 | |
-That's right. -You "lost" her clitoris? | 1:27:32 | 1:27:37 | |
She got mad because I couldn't find it. | 1:27:37 | 1:27:39 | |
Well, you know. | 1:27:39 | 1:27:41 | |
I said, "It's probably in your purse," | 1:27:41 | 1:27:42 | |
because nine times out of ten when she loses something, | 1:27:42 | 1:27:45 | |
that's where they end up. | 1:27:45 | 1:27:46 | |
Barry, do you even know what that is? | 1:27:46 | 1:27:49 | |
I don't know what half the stuff in her purse is. | 1:27:49 | 1:27:51 | |
Well, don't worry, Barry. I found it. | 1:27:51 | 1:27:54 | |
It was in her purse. | 1:27:54 | 1:27:57 | |
It was in her naughty purse. | 1:27:57 | 1:27:59 | |
Wow... I mean, thank God somebody found it, right? | 1:27:59 | 1:28:03 | |
I thought I found it under the couch, | 1:28:04 | 1:28:08 | |
Turns out it was just an old piece of chewing gum. | 1:28:08 | 1:28:11 | |
BARRY MOANS | 1:28:16 | 1:28:18 | |
HE GASPS | 1:28:24 | 1:28:25 | |
I release you! | 1:28:27 | 1:28:28 | |
BARRY GROANS | 1:28:28 | 1:28:29 | |
Ladies and gentlemen, mind control. | 1:28:31 | 1:28:34 | |
APPLAUSE Bravo. | 1:28:34 | 1:28:36 | |
Bravo! Bravo! | 1:28:36 | 1:28:39 | |
Touche, Caldwell. | 1:28:41 | 1:28:43 | |
That was sweet. | 1:28:43 | 1:28:44 | |
Barry, you're better than him. Martha may not see it, but I do. | 1:28:48 | 1:28:52 | |
Thanks. Thank you, Tim. You're a good friend. | 1:28:52 | 1:28:56 | |
-No, I'm not. -Yeah, you are. | 1:28:56 | 1:28:58 | |
I'm not. Barry, this... Aw, man, this... | 1:28:58 | 1:29:03 | |
This dinner isn't what you think it is. | 1:29:03 | 1:29:05 | |
What? | 1:29:07 | 1:29:09 | |
We invited all of you here to make fun of you. | 1:29:09 | 1:29:11 | |
So you invite a bunch of incredibly talented people to dinner | 1:29:13 | 1:29:16 | |
and make fun of them? | 1:29:16 | 1:29:18 | |
No. It's a dinner for idiots. | 1:29:18 | 1:29:21 | |
Well, you'd better go find some idiots. | 1:29:23 | 1:29:26 | |
We do. | 1:29:26 | 1:29:27 | |
I'm sorry. Really, I'm so sorry. | 1:29:28 | 1:29:33 | |
If it's any consolation, Therman will probably win first prize. | 1:29:35 | 1:29:39 | |
He'll have that, too. | 1:29:43 | 1:29:44 | |
And he'll be able to lord it over me for the rest of my life. | 1:29:44 | 1:29:48 | |
Barry, first prize is the biggest idiot. | 1:29:48 | 1:29:51 | |
I know. That guy beats me at everything. He just... | 1:29:51 | 1:29:56 | |
I don't know, what's the use? He has mind control, I don't. | 1:29:56 | 1:30:00 | |
Barry, look at me. | 1:30:03 | 1:30:04 | |
Therman has mind control, but you... | 1:30:07 | 1:30:10 | |
-you have brain control. -Brain control? | 1:30:10 | 1:30:14 | |
-Mm-hm. -What...? | 1:30:14 | 1:30:16 | |
-You didn't know you had brain control? -No. | 1:30:16 | 1:30:18 | |
I knew it the second I met you. | 1:30:18 | 1:30:20 | |
You crawled in my brain and you stayed there. | 1:30:20 | 1:30:22 | |
-I did? -You did. | 1:30:22 | 1:30:24 | |
And I can't get rid of you, no matter how hard I try. | 1:30:24 | 1:30:26 | |
You burrowed your way into my brain, through my ear, like an earwig! | 1:30:26 | 1:30:30 | |
-I didn't mean to. -It's like you set up camp | 1:30:30 | 1:30:33 | |
-and I can't get you out of my head! -I'm an earwig? | 1:30:33 | 1:30:36 | |
It's like teeth and spikes and... | 1:30:36 | 1:30:39 | |
you're spilling out millions of earwig eggs all in my brain! | 1:30:39 | 1:30:44 | |
-I can't do anything about it! -Oh, my God! | 1:30:44 | 1:30:47 | |
Brain control beats mind control any day of the week! | 1:30:47 | 1:30:49 | |
Because the brain tells the mind what to do! | 1:30:49 | 1:30:51 | |
You can beat this guy. You can beat this guy, Barry. | 1:30:51 | 1:30:56 | |
Barry, you can beat Therman. | 1:30:56 | 1:30:59 | |
"You may say I'm a dreamer... | 1:30:59 | 1:31:01 | |
"But I'm not the only one." | 1:31:03 | 1:31:06 | |
I'm going to go lay eggs in his brain. | 1:31:13 | 1:31:15 | |
DOOR OPENS | 1:31:17 | 1:31:18 | |
-Back for more, Barry? -Yes! I am, Therman. | 1:31:19 | 1:31:24 | |
Only this time, I brought my secret weapon...my brain. | 1:31:24 | 1:31:27 | |
-What are you talking about? -He's talking about brain control. | 1:31:30 | 1:31:34 | |
-HE CHUCKLES -Brain control? | 1:31:34 | 1:31:38 | |
There ain't no such thing as brain control. | 1:31:38 | 1:31:41 | |
There is mind control. Brain control is ridiculous. | 1:31:41 | 1:31:44 | |
That's ridiculous. | 1:31:44 | 1:31:46 | |
Yes, it's ridiculous. | 1:31:47 | 1:31:48 | |
-That's ridiculous. -Barry. | 1:31:48 | 1:31:51 | |
Barry. | 1:31:51 | 1:31:53 | |
-Barry. -(Barry.) | 1:31:53 | 1:31:55 | |
-HIGH-PITCHED: -Barry. -MIMICS: -Barry. | 1:31:55 | 1:31:57 | |
-LOW-PITCHED: -Barry. -MIMICS: -Barry. | 1:31:57 | 1:31:59 | |
-What are you doing? -Oh, my God. | 1:31:59 | 1:32:02 | |
-It works. -How are you doing that? | 1:32:02 | 1:32:05 | |
I am making you say everything that I say. | 1:32:05 | 1:32:08 | |
Yeah, but I'm saying it first. | 1:32:08 | 1:32:09 | |
-Are you? -Yes! | 1:32:09 | 1:32:11 | |
Really? | 1:32:11 | 1:32:12 | |
I am very, very powerful. | 1:32:14 | 1:32:16 | |
-Oh, my gosh. -Wah-wah-wah! | 1:32:17 | 1:32:21 | |
THEY MIMIC WEAPONS | 1:32:25 | 1:32:28 | |
Oh! | 1:32:28 | 1:32:30 | |
MOCK FIGHT CONTINUES | 1:32:30 | 1:32:32 | |
-Oh, thank you, -You're welcome. | 1:32:37 | 1:32:38 | |
Oh, no! | 1:32:41 | 1:32:42 | |
Oooh! | 1:32:45 | 1:32:46 | |
MOCK FIGHT CONTINUES | 1:32:49 | 1:32:51 | |
ALL LAUGHING Best dinner ever. | 1:32:53 | 1:32:57 | |
You have no secrets from me. | 1:32:57 | 1:33:00 | |
Au contrary. You have no secrets from me, Therman. | 1:33:00 | 1:33:03 | |
I know that after sex, you like to curl up in the faecal position. | 1:33:03 | 1:33:07 | |
You cry like a little baby. | 1:33:09 | 1:33:12 | |
-Martha told you. -No, she did not. | 1:33:12 | 1:33:14 | |
I know that you take a Magic Marker and you draw a face on your penis. | 1:33:14 | 1:33:19 | |
Is that against the law? I don't think so. | 1:33:19 | 1:33:22 | |
And you put a little hat on it and you call it Sammy. | 1:33:22 | 1:33:25 | |
Nobody is supposed to know that. | 1:33:25 | 1:33:28 | |
-And you sing to it. -You keep your mouth shut! | 1:33:28 | 1:33:30 | |
HE MIMICS CHOIR SINGING | 1:33:30 | 1:33:34 | |
That's... That's not 100% true. | 1:33:36 | 1:33:39 | |
I know everything! I have laid eggs inside of your brain. | 1:33:39 | 1:33:44 | |
Get them out of my head! | 1:33:44 | 1:33:46 | |
You are no longer in control of me! I control you! | 1:33:46 | 1:33:49 | |
And you are under my power. | 1:33:49 | 1:33:52 | |
(I know everything, Therman.) | 1:33:52 | 1:33:54 | |
-And I release you. -HE GASPS | 1:33:55 | 1:33:57 | |
LAUGHTER, APPLAUSE | 1:33:57 | 1:34:00 | |
Barry! Barry! | 1:34:02 | 1:34:05 | |
Yeah! | 1:34:05 | 1:34:07 | |
I hope that you have all kept your receipts, | 1:34:07 | 1:34:10 | |
because you will all be audited. | 1:34:10 | 1:34:12 | |
SNORTING, LAUGHTER CONTINUES | 1:34:12 | 1:34:14 | |
He slept with Martha at my house! | 1:34:15 | 1:34:19 | |
I was under the bed the whole time. What an idiot! | 1:34:19 | 1:34:22 | |
Right? I know! | 1:34:24 | 1:34:27 | |
We have a little tradition here at this dinner. | 1:34:27 | 1:34:30 | |
We give an award to the evening's most extraordinary person. | 1:34:30 | 1:34:34 | |
And tonight's winner is the most extraordinary person | 1:34:34 | 1:34:37 | |
I have ever met. Our winner - | 1:34:37 | 1:34:40 | |
Barry! | 1:34:40 | 1:34:41 | |
APPLAUSE Yeah! | 1:34:41 | 1:34:44 | |
Wow. Wow! | 1:34:45 | 1:34:48 | |
-We did it! -Congratulations. | 1:34:49 | 1:34:51 | |
Thank you. | 1:34:51 | 1:34:53 | |
I look forward to working with you, Mr Conrad. | 1:34:53 | 1:34:55 | |
Tim, Tim, you did it. Your guy is amazing. | 1:34:55 | 1:34:59 | |
Mueller loves him. | 1:34:59 | 1:35:02 | |
He is amazing. | 1:35:02 | 1:35:03 | |
-I thought you did such a great job. -You're the winner? | 1:35:03 | 1:35:05 | |
-I am, yeah! -Whatever. | 1:35:05 | 1:35:07 | |
And he deserves a hell of a lot better than this. | 1:35:08 | 1:35:11 | |
-They all do. -What do you mean, exactly? | 1:35:11 | 1:35:15 | |
Any one of you would throw me under the bus for a bigger bonus. | 1:35:15 | 1:35:19 | |
And Barry would throw himself in front of a car to save a mouse... | 1:35:19 | 1:35:23 | |
even though it was already dead. | 1:35:23 | 1:35:25 | |
I have been trying to play on your team. | 1:35:26 | 1:35:29 | |
Barry doesn't deserve that trophy. I do. | 1:35:29 | 1:35:32 | |
Hold on a second. Tim, I won this trophy, fair and square. | 1:35:32 | 1:35:35 | |
Barry, you don't want that trophy. | 1:35:35 | 1:35:37 | |
-I've never won a trophy before. -Yeah, I know, but... | 1:35:37 | 1:35:39 | |
-You know what? Keep the trophy. -OK. | 1:35:39 | 1:35:41 | |
I'm sorry. What's going on here? | 1:35:41 | 1:35:42 | |
Well, these people invited us here to make fun of us. | 1:35:42 | 1:35:46 | |
This is a contest for the biggest idiot. | 1:35:46 | 1:35:49 | |
Which I nailed! | 1:35:49 | 1:35:50 | |
Wait, wait, wait... You told him? | 1:35:52 | 1:35:54 | |
I did. | 1:35:54 | 1:35:56 | |
It seems this contest was fixed. | 1:35:56 | 1:35:58 | |
I thought you conducted yourselves honourably. | 1:35:58 | 1:36:01 | |
No, we do. We do. | 1:36:01 | 1:36:03 | |
We do. Tim had a very bright future here, | 1:36:03 | 1:36:07 | |
but for some reason, he's chosen to throw his lot in with the losers. | 1:36:07 | 1:36:10 | |
Scusi. I think I must not have heard correctly. Did he call us losers? | 1:36:10 | 1:36:15 | |
He did. | 1:36:15 | 1:36:16 | |
You insult my honour at great risk. I will be leaving. | 1:36:16 | 1:36:20 | |
Count yourself lucky I have spared your life. | 1:36:20 | 1:36:23 | |
Yeah! | 1:36:23 | 1:36:24 | |
-Marco! -Oh, God. | 1:36:29 | 1:36:31 | |
So it is a fight you want, is it? | 1:36:31 | 1:36:33 | |
Well, you shall have your fight. | 1:36:33 | 1:36:34 | |
But on my terms. | 1:36:34 | 1:36:37 | |
In a world of complete darkness, the sighted are blind... | 1:36:41 | 1:36:46 | |
but the blind can see. | 1:36:46 | 1:36:48 | |
Oh, God. | 1:36:51 | 1:36:53 | |
Welcome...to my world. | 1:36:53 | 1:36:56 | |
I am invisible. Where am I? | 1:36:57 | 1:37:00 | |
-He's good. -I am a shadow... | 1:37:00 | 1:37:03 | |
with a big knife! ALL GASP | 1:37:03 | 1:37:05 | |
Simmer down! | 1:37:05 | 1:37:07 | |
I can smell your fear! | 1:37:07 | 1:37:10 | |
I think he's going to kill someone. | 1:37:10 | 1:37:12 | |
Hey, no! Not the boys! | 1:37:14 | 1:37:16 | |
This has become a fiasco! | 1:37:16 | 1:37:18 | |
Wait a second, the Swedish guy who thinks he's a German! | 1:37:18 | 1:37:20 | |
He's an idiot, too! Mueller! Whoo! | 1:37:20 | 1:37:23 | |
This is what you've been up to all along! | 1:37:23 | 1:37:25 | |
-No! No! -You brought me here | 1:37:25 | 1:37:27 | |
-to make fun with me! -No... | 1:37:27 | 1:37:28 | |
I can assure you. I am no Unterschlagen! | 1:37:28 | 1:37:30 | |
YELLING, SQUAWKING | 1:37:30 | 1:37:34 | |
SQUAWKING No, no! Lorenzo, no! | 1:37:34 | 1:37:37 | |
-Somebody, grab that bird! -I got it... | 1:37:37 | 1:37:40 | |
No, no, no! | 1:37:42 | 1:37:43 | |
It is my wife's favourite finger! Please get it back now! | 1:37:43 | 1:37:46 | |
-Williams, get the bird! -Somebody kill the bird! | 1:37:46 | 1:37:49 | |
-They're going to kill my bird! -It's not his time! | 1:37:49 | 1:37:51 | |
-It's over there! -Don't hurt him! | 1:37:51 | 1:37:53 | |
-Get the bird! -Parry right, thrust left! | 1:37:53 | 1:37:55 | |
You want the bird? You have to kill me first! | 1:37:55 | 1:37:57 | |
Fight like a blind man! Kick him in the business centre! | 1:37:57 | 1:38:00 | |
Ready? | 1:38:00 | 1:38:01 | |
-Oh! -There's a fire! | 1:38:04 | 1:38:05 | |
-Oh, come on! -Grab the vulture! | 1:38:05 | 1:38:09 | |
Somebody, just let the bird out! Please! Just let him out! | 1:38:09 | 1:38:12 | |
Wait, I have an idea. | 1:38:12 | 1:38:13 | |
Let Lorenzo out! | 1:38:13 | 1:38:15 | |
You, stop! Don't move or I'm going to kill you. | 1:38:15 | 1:38:18 | |
Allow me. | 1:38:19 | 1:38:20 | |
LORENZO SQUAWKS | 1:38:25 | 1:38:27 | |
-Nice! -LAUGHTER | 1:38:29 | 1:38:32 | |
Want to? | 1:38:34 | 1:38:35 | |
Great dinner! Let's go get Julie! | 1:38:36 | 1:38:39 | |
SIRENS WAILING IN DISTANCE Mein Finger! | 1:38:39 | 1:38:41 | |
MAN WAILING Don't you die on me! | 1:38:44 | 1:38:47 | |
DOOR OPENING Julie! | 1:38:50 | 1:38:52 | |
-Julie? -Julie? | 1:38:52 | 1:38:55 | |
Julie? | 1:38:55 | 1:38:57 | |
Tim. | 1:38:57 | 1:38:58 | |
There's a way to read that that's actually positive. | 1:39:07 | 1:39:10 | |
How? How is that positive, Barry? | 1:39:10 | 1:39:13 | |
"Tim, have a ni..." | 1:39:14 | 1:39:16 | |
"Hey, Tim, ha..." | 1:39:16 | 1:39:18 | |
-CLEARS THROAT -"Have a nice life." | 1:39:18 | 1:39:20 | |
-This is my fault, isn't it? -It's not. It's my fault. | 1:39:21 | 1:39:27 | |
I'm the reason this happened, not you. | 1:39:27 | 1:39:31 | |
I messed up. You want to hear something pathetic? | 1:39:31 | 1:39:34 | |
God, yeah. | 1:39:36 | 1:39:37 | |
You know why I wanted that promotion? | 1:39:37 | 1:39:39 | |
So that Julie would think that I was good enough for her. | 1:39:39 | 1:39:43 | |
I'm so stupid. I couldn't believe that someone so amazing | 1:39:43 | 1:39:47 | |
would want anything to do with me. I tried to impress her... | 1:39:47 | 1:39:49 | |
with stuff she doesn't care about, I don't care about. | 1:39:49 | 1:39:52 | |
You know what I care about? Her. | 1:39:53 | 1:39:56 | |
And what else? | 1:39:57 | 1:39:59 | |
Waking up next to her every day, seeing her every day. | 1:39:59 | 1:40:02 | |
And more things? | 1:40:02 | 1:40:04 | |
She's the greatest thing in my life and I blew it. God, I'm an idiot. | 1:40:04 | 1:40:08 | |
What are you doing? | 1:40:12 | 1:40:13 | |
Did you know I was listening? | 1:40:21 | 1:40:23 | |
-No. -I did. I did. | 1:40:23 | 1:40:26 | |
I... I thought you'd gone. | 1:40:29 | 1:40:32 | |
I left my phone. | 1:40:32 | 1:40:35 | |
Julie... I'm... | 1:40:36 | 1:40:39 | |
-KNOCKING AT DOOR -Julie? | 1:40:39 | 1:40:41 | |
We should hurry if we're going to catch that plane. | 1:40:42 | 1:40:44 | |
-Kieran... -Julie, I will handle this. | 1:40:46 | 1:40:50 | |
Kieran... since the dawn of ancient times, | 1:40:52 | 1:40:56 | |
men and women have striven to find the perfect mate. | 1:40:56 | 1:40:59 | |
And once in a while, a couple will meet | 1:40:59 | 1:41:02 | |
and spark a passion that is so powerful, | 1:41:02 | 1:41:05 | |
a thousand armies could not pull them apart. | 1:41:05 | 1:41:09 | |
That is what you have with Julie. | 1:41:09 | 1:41:12 | |
But Tim got there first. | 1:41:12 | 1:41:13 | |
And if Julie leaves, it will kill him. | 1:41:13 | 1:41:16 | |
People can die of broken hearts. | 1:41:17 | 1:41:20 | |
I know. It almost happened to me. | 1:41:20 | 1:41:23 | |
And because of that... you may see Julie no more. | 1:41:23 | 1:41:29 | |
You may talk to Julie no more. | 1:41:29 | 1:41:32 | |
You may look upon Julie's face... no more. | 1:41:32 | 1:41:37 | |
OK, but we work together, so... | 1:41:37 | 1:41:40 | |
What part of "no more" do you not understand? | 1:41:40 | 1:41:42 | |
We had a talk, Kieran and I, | 1:41:42 | 1:41:44 | |
and he understands it's purely professional. | 1:41:44 | 1:41:46 | |
-There is professional no more. -He's right, Julie. | 1:41:46 | 1:41:51 | |
If we start this fire... we'll burn this world to ashes. | 1:41:52 | 1:41:57 | |
What are you talking about? | 1:41:57 | 1:41:59 | |
"If you start this fire..." | 1:41:59 | 1:42:01 | |
-Burn it to ashes. -"...burn this world to ashes." | 1:42:03 | 1:42:06 | |
-There goes my museum show. -Welcome to my world. | 1:42:07 | 1:42:11 | |
-Yeah. -Julie... | 1:42:11 | 1:42:15 | |
I love you. I don't care if we get married. | 1:42:15 | 1:42:17 | |
I'll stop asking. | 1:42:17 | 1:42:18 | |
Don't stop asking. | 1:42:20 | 1:42:22 | |
You are a wise man, my friend. | 1:42:36 | 1:42:38 | |
As are you. | 1:42:38 | 1:42:40 | |
Au revoir, Julie. Au revoir, Tim. | 1:42:49 | 1:42:52 | |
Au revoir, Kieran. | 1:42:52 | 1:42:54 | |
Be kind to your birds and your goats. | 1:42:56 | 1:42:59 | |
MUSIC: "The Fool On The Hill" by The Beatles | 1:42:59 | 1:43:02 | |
We're going to be so happy together! | 1:43:12 | 1:43:15 | |
I guess things really do happen for a reason. | 1:43:22 | 1:43:26 | |
Tim lost his job, but the two of us remain best friends. | 1:43:26 | 1:43:28 | |
-And once a month, I invite him to a gathering -I -host. | 1:43:28 | 1:43:33 | |
It's called The Breakfast of Champions. | 1:43:33 | 1:43:36 | |
Kieran and I became friends. | 1:43:37 | 1:43:40 | |
He asked me to collaborate with him and we showed our work all over the world, | 1:43:40 | 1:43:44 | |
including South Africa. | 1:43:44 | 1:43:46 | |
And guess who came to see us? | 1:43:46 | 1:43:48 | |
Morgan Freeman. | 1:43:48 | 1:43:50 | |
Tim went on to help Martin Mueller convert his munitions factory | 1:43:53 | 1:43:56 | |
into the Martin Mueller Museum of Modern Art... | 1:43:56 | 1:43:59 | |
or "mmm-ah". | 1:43:59 | 1:44:01 | |
Kieran and I collaborated on a sculpture for the opening. | 1:44:03 | 1:44:06 | |
I met up with Darla again. Boy, does she like role-playing. | 1:44:11 | 1:44:15 | |
She had me play detective and she left all of these clues. | 1:44:15 | 1:44:19 | |
And you know what? I found it. | 1:44:19 | 1:44:22 | |
Therman wrote a new book, | 1:44:25 | 1:44:27 | |
and it is very popular in some circles. | 1:44:27 | 1:44:30 | |
I guess it's true what they say - | 1:44:31 | 1:44:33 | |
"A mind is a terrible thing." | 1:44:33 | 1:44:35 | |
Oh, yeah, as for Tim and Julie... Well, Julie finally said yes. | 1:44:40 | 1:44:44 | |
They went to Paris for the honeymoon. | 1:44:44 | 1:44:46 | |
I waited around to surprise them, but it never felt like the right time. | 1:44:46 | 1:44:50 | |
Anyway, I can tell you this. | 1:44:52 | 1:44:54 | |
They both got curated... | 1:44:54 | 1:44:57 | |
several times. | 1:44:57 | 1:44:58 | |
MUSIC: "Dear Laughing Doubters" by Sondre Lerche | 1:44:58 | 1:45:00 | |
Oh, yeah... Fender's company went out of business. | 1:45:55 | 1:45:59 | |
Forbes Magazine named him Wall Street's biggest loser! | 1:45:59 | 1:46:03 | |
Way to go, Fender(!) | 1:46:03 | 1:46:06 | |
HE LAUGHS | 1:46:06 | 1:46:07 |