
Browse content similar to Jules Verne's Rocket to the Moon. Check below for episodes and series from the same categories and more!
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MILITARY BAND PLAYS FANFARE | 0:02:01 | 0:02:04 | |
The Queen. God bless her. | 0:02:38 | 0:02:41 | |
Queen Victoria, the symbol of her age - | 0:02:42 | 0:02:46 | |
an age of progress, beauty and virtue. | 0:02:46 | 0:02:50 | |
An age when science blossomed like a magic flower | 0:02:50 | 0:02:54 | |
and all mankind fell beneath its spell. | 0:02:54 | 0:02:57 | |
To this generation, all things seemed possible. | 0:02:58 | 0:03:01 | |
The scientist and the engineer were personally encouraged by royalty | 0:03:01 | 0:03:06 | |
and at the forefront of every experiment were the nobility - | 0:03:06 | 0:03:09 | |
men like His Grace, the Duke of Barset. | 0:03:09 | 0:03:12 | |
-VICTORIA: -And it is men like our beloved cousin the Duke of Barset | 0:03:12 | 0:03:16 | |
who have done so much to encourage the advancement of science, | 0:03:16 | 0:03:20 | |
thereby enriching the daily life of our subjects | 0:03:20 | 0:03:24 | |
throughout the Empire. | 0:03:24 | 0:03:26 | |
And so, before pulling this main switch, | 0:03:26 | 0:03:29 | |
we would like to congratulate him | 0:03:29 | 0:03:32 | |
on becoming the first man to illuminate his house | 0:03:32 | 0:03:37 | |
completely by electricity. | 0:03:37 | 0:03:40 | |
BELLS CLANG | 0:03:55 | 0:03:58 | |
Fired by enthusiasm, | 0:04:09 | 0:04:11 | |
the Victorians probed ever deeper into the mysteries of science, | 0:04:11 | 0:04:14 | |
and thereby achieved miracles of engineering. | 0:04:14 | 0:04:17 | |
The Trent Suspension Bridge - | 0:04:17 | 0:04:20 | |
crowning glory in the career of that great civil engineer, | 0:04:20 | 0:04:23 | |
Sir Charles Dillworthy. | 0:04:23 | 0:04:25 | |
-VICTORIA: -And so, it gives us the greatest pleasure | 0:04:25 | 0:04:29 | |
to open this new suspension bridge - | 0:04:29 | 0:04:35 | |
the tenth to be designed and constructed | 0:04:35 | 0:04:39 | |
by Sir Charles Dillworthy. | 0:04:39 | 0:04:42 | |
MILITARY BAND PLAYS FANFARE | 0:04:52 | 0:04:55 | |
HORSES WHINNY | 0:05:10 | 0:05:13 | |
An age of experiment, of trial and error. | 0:05:21 | 0:05:24 | |
And at this hour of trial, | 0:05:24 | 0:05:26 | |
Sir Charles Dillworthy realised his error - | 0:05:26 | 0:05:29 | |
his business partner, Captain Sir Harry Washington-Smythe. | 0:05:29 | 0:05:34 | |
Public works contractor, financial genius, sportsman. | 0:05:34 | 0:05:39 | |
How exactly does it work? | 0:05:40 | 0:05:41 | |
It's quite simple, Captain, really - | 0:05:41 | 0:05:44 | |
electromagnetic bars on each pocket, | 0:05:44 | 0:05:46 | |
you merely switch on with your selector switch here | 0:05:46 | 0:05:49 | |
which pocket you want and you play. | 0:05:49 | 0:05:51 | |
Not with those, Captain. | 0:05:54 | 0:05:55 | |
Centres of sold steel. | 0:06:03 | 0:06:05 | |
Ah-ha... | 0:06:06 | 0:06:08 | |
By Jove, Grundle - it's an absolute corker! | 0:06:14 | 0:06:18 | |
I mean, one can't possibly lose. | 0:06:18 | 0:06:20 | |
And the patent is yours, Captain, for the trifling sum of 50 guineas. | 0:06:20 | 0:06:24 | |
My dear fellow, you will have my personal cheque. | 0:06:24 | 0:06:28 | |
In that case, I shall offer it to the Marquis of Angleby. | 0:06:28 | 0:06:30 | |
Grundle - I tell you what, how about my solid gold watch? | 0:06:30 | 0:06:36 | |
Done. | 0:06:41 | 0:06:42 | |
'Not all the applications of science | 0:06:45 | 0:06:47 | |
'brought such obvious rewards to mankind. | 0:06:47 | 0:06:49 | |
'Applied to less peaceful ends, it resulted in the development | 0:06:49 | 0:06:54 | |
'of new and ever more terrible weapons of war. | 0:06:54 | 0:06:57 | |
'Professor Siegfried von Bulow - explosives expert to the Kaiser.' | 0:07:01 | 0:07:05 | |
Your Imperial Majesty, | 0:07:06 | 0:07:08 | |
I would like to demonstrate for you now...the cannon helmet! | 0:07:08 | 0:07:13 | |
With the aid of this helmet, | 0:07:24 | 0:07:26 | |
every infantryman is converted into a piece of mobile artillery. | 0:07:26 | 0:07:31 | |
WHISTLING NOISE | 0:08:09 | 0:08:11 | |
HE COUGHS | 0:08:19 | 0:08:21 | |
'Thanks to science, | 0:08:31 | 0:08:32 | |
'man's vision of the future was clear and optimistic. | 0:08:32 | 0:08:35 | |
'And nowhere was optimism more apparent than America. | 0:08:35 | 0:08:38 | |
'The New York office of the great Phineas T Barnum - | 0:08:38 | 0:08:41 | |
'great showman, great optimist.' | 0:08:41 | 0:08:44 | |
Congratulations, gentlemen - by joining me in me in this venture, | 0:08:44 | 0:08:47 | |
you've ensured, for each and every one of us, a brilliant future. | 0:08:47 | 0:08:51 | |
We are deeply indebted to you, Mr Barnum. | 0:08:51 | 0:08:53 | |
Oh, no, no, no - don't thank me. | 0:08:53 | 0:08:56 | |
I want you to share with me in the benefits | 0:08:56 | 0:08:58 | |
of this great new enterprise. | 0:08:58 | 0:09:00 | |
And it will be truly great, my friends - | 0:09:00 | 0:09:03 | |
not just an American show, | 0:09:03 | 0:09:05 | |
not merely the greatest attraction in the civilised world, | 0:09:05 | 0:09:08 | |
but a truly terrestrial attraction. | 0:09:08 | 0:09:10 | |
The greatest show on Earth! | 0:09:10 | 0:09:11 | |
Mr Barnum... | 0:09:11 | 0:09:12 | |
CLICKETY-CLACKING | 0:09:12 | 0:09:15 | |
What in the name of tarnation is that contraption? | 0:09:15 | 0:09:19 | |
That, sir, is a teleprinter, | 0:09:19 | 0:09:20 | |
connected directly with my manager's office in Philadelphia. | 0:09:20 | 0:09:23 | |
By means of that machine, | 0:09:23 | 0:09:24 | |
he will keep us informed of our progress. | 0:09:24 | 0:09:26 | |
Entire...show... | 0:09:29 | 0:09:32 | |
..burned...to the ground. Stop. | 0:09:34 | 0:09:38 | |
Fear...you are... | 0:09:38 | 0:09:41 | |
..completely...ruined. Stop. | 0:09:42 | 0:09:45 | |
Advise you...leave the country immediately. Stop. | 0:09:47 | 0:09:53 | |
Hey! Stop! | 0:09:53 | 0:09:55 | |
FOOTSTEPS AND YELLING | 0:09:58 | 0:10:01 | |
Well, General... | 0:10:15 | 0:10:16 | |
In about 15 minutes, we'll meet the Liverpool Packet. | 0:10:18 | 0:10:21 | |
No sign of it yet, Barnum. | 0:10:24 | 0:10:26 | |
Say, what do we do when we get to England? | 0:10:26 | 0:10:29 | |
-Make a fortune. -Oh. How? | 0:10:29 | 0:10:32 | |
Well, that minor detail we'll take care of when we get there. | 0:10:32 | 0:10:35 | |
CHARLES CLEARS THROAT | 0:10:51 | 0:10:53 | |
Ah, Charles - how nice to see you again. | 0:10:54 | 0:10:56 | |
Yes, Barset. | 0:10:56 | 0:10:58 | |
Usual crowd of fools and charlatans, I see. | 0:10:58 | 0:11:02 | |
-Good evening, Your Grace. -Evening, Your Grace. | 0:11:02 | 0:11:05 | |
Good evening. | 0:11:05 | 0:11:06 | |
-You heard about my bridge, I suppose. -Oh, yes, yes. | 0:11:10 | 0:11:14 | |
May I offer you my deepest sympathy. A terrible catastrophe. | 0:11:14 | 0:11:17 | |
I was victimised, Barset. Victimised. | 0:11:17 | 0:11:20 | |
Dishonest contractors, inferior materials... | 0:11:20 | 0:11:23 | |
I was betrayed by the company, Barset. Betrayed! | 0:11:23 | 0:11:25 | |
Yes, yes. Terrible. | 0:11:25 | 0:11:27 | |
Oh... | 0:11:27 | 0:11:28 | |
I'm delighted to meet you, sir. I'm Barset, president of the Society. | 0:11:33 | 0:11:38 | |
Barnum - Phineas T Barnum. | 0:11:38 | 0:11:40 | |
Barnum? Not the great Barnum? | 0:11:40 | 0:11:44 | |
At your service, sir. | 0:11:44 | 0:11:45 | |
LAUGHING: Oh, yes, yes! Of course, wonderful. | 0:11:45 | 0:11:48 | |
And this must by Little Tom Thumb. | 0:11:48 | 0:11:51 | |
GENERAL Tom Thumb. | 0:11:51 | 0:11:53 | |
I do beg your pardon. Yes, of course. | 0:11:53 | 0:11:57 | |
I had no idea you were in England. | 0:11:57 | 0:11:59 | |
We just arrived today, slipped in without any fuss, you know? | 0:11:59 | 0:12:03 | |
-Well, it's jolly nice to see you at our lecture. -Lecture? -Yes. | 0:12:03 | 0:12:07 | |
We shall be starting any moment now. Do come this way. | 0:12:07 | 0:12:11 | |
Gentlemen, I think we really must be going in. | 0:12:11 | 0:12:14 | |
And so, with this new explosive substance, | 0:12:14 | 0:12:18 | |
which I call Bulovite - do you understand? BULOVITE. | 0:12:18 | 0:12:23 | |
It is possible that an object could be fired | 0:12:23 | 0:12:26 | |
which would escape completely from the gravitational pull of the Earth | 0:12:26 | 0:12:30 | |
and travel through the upper reaches of the atmosphere. | 0:12:30 | 0:12:34 | |
I continue. | 0:12:34 | 0:12:36 | |
Uh... | 0:12:37 | 0:12:38 | |
LOUD SNORING | 0:12:38 | 0:12:39 | |
Huh? | 0:12:39 | 0:12:41 | |
TOM SNORES | 0:12:44 | 0:12:46 | |
This explosive will revolutionise cannonry as we know it today. | 0:12:49 | 0:12:53 | |
A projectile fired beyond the Earth's atmosphere | 0:12:54 | 0:12:59 | |
would have a range which is infinite. | 0:12:59 | 0:13:03 | |
In fact... | 0:13:03 | 0:13:05 | |
..such a projectile could reach the Moon. | 0:13:06 | 0:13:10 | |
AUDIENCE LAUGHS | 0:13:10 | 0:13:12 | |
How would you fire such a projectile, Professor? | 0:13:12 | 0:13:15 | |
From a cannon. | 0:13:15 | 0:13:16 | |
LAUGHTER CONTINUES | 0:13:16 | 0:13:18 | |
You would have to construct an enormous cannon. | 0:13:18 | 0:13:20 | |
LAUGHTER GROWS LOUDER | 0:13:20 | 0:13:24 | |
Please - please, gentlemen. | 0:13:25 | 0:13:27 | |
Professor von Bulow is our guest. | 0:13:27 | 0:13:30 | |
Professor, in your opinion, | 0:13:30 | 0:13:32 | |
could such a projectile carry a human being? | 0:13:32 | 0:13:35 | |
Could a man travel in it? | 0:13:35 | 0:13:36 | |
Yes - if he was a small man. | 0:13:36 | 0:13:40 | |
Naturally, sir. | 0:13:41 | 0:13:43 | |
And of course, | 0:13:43 | 0:13:44 | |
providing the human body could survive such a trip. | 0:13:44 | 0:13:47 | |
Well, sir, speaking as a physician, | 0:13:47 | 0:13:50 | |
I can assure you that the human system | 0:13:50 | 0:13:52 | |
is quite incapable of surviving at such a velocity. | 0:13:52 | 0:13:55 | |
DILLWORTHY: Nonsense! | 0:13:55 | 0:13:56 | |
Are you questioning my medical judgment, sir? | 0:13:56 | 0:13:59 | |
Yes, indeed I am, sir - | 0:13:59 | 0:14:01 | |
when we engineers first constructed a railway, it was you physicians | 0:14:01 | 0:14:04 | |
who said no-one could travel at 20mph and survive. | 0:14:04 | 0:14:07 | |
And judging by the railways you construct, sir, they were right! | 0:14:07 | 0:14:10 | |
That's an attack on my reputation. That's a personal attack. | 0:14:10 | 0:14:13 | |
Let me tell you, for what it's worth, | 0:14:13 | 0:14:14 | |
people are a darn side safer on my railway | 0:14:14 | 0:14:16 | |
than they are in your surgery. | 0:14:16 | 0:14:18 | |
You can stuff that up your stethoscope! | 0:14:18 | 0:14:19 | |
-ASSEMBLY JEER -Did you hear what that man said?! | 0:14:19 | 0:14:22 | |
I've never been so insulted in all... | 0:14:22 | 0:14:24 | |
Order! Gentlemen, please, order. | 0:14:24 | 0:14:27 | |
Please! | 0:14:29 | 0:14:30 | |
HE WHISTLES | 0:14:32 | 0:14:34 | |
Please, gentlemen, please. | 0:14:34 | 0:14:36 | |
Let us not get overheated, I beg of you. | 0:14:36 | 0:14:38 | |
(Who is this fellow?) | 0:14:38 | 0:14:39 | |
He's not a member, is he? | 0:14:39 | 0:14:41 | |
Gentlemen, may I introduce to you Mr Phineas T Barnum. | 0:14:41 | 0:14:46 | |
CHATTERING AND MURMURING | 0:14:48 | 0:14:50 | |
Gentlemen, gentlemen, | 0:14:50 | 0:14:53 | |
when I received an invitation to this meeting, | 0:14:53 | 0:14:56 | |
I thought perhaps at first there had been some mistake. | 0:14:56 | 0:15:00 | |
But now I discern the hand of Providence | 0:15:00 | 0:15:03 | |
has sent me here this evening. | 0:15:03 | 0:15:06 | |
The professor here has mentioned | 0:15:06 | 0:15:08 | |
the possibility of a journey to the Moon, | 0:15:08 | 0:15:12 | |
a voyage to another planet. | 0:15:12 | 0:15:14 | |
Think upon this, gentlemen... | 0:15:16 | 0:15:18 | |
..perhaps one of us here in this very room | 0:15:20 | 0:15:23 | |
may be the first man to set foot upon the Moon. | 0:15:23 | 0:15:26 | |
Now, who will join me on a committee | 0:15:27 | 0:15:30 | |
to instigate this magnificent adventure? | 0:15:30 | 0:15:33 | |
I'll join you, Mr Barnum. Yes, indeed I will. | 0:15:33 | 0:15:36 | |
Yes, and so will I. | 0:15:36 | 0:15:37 | |
Naturally, I will join that committee. | 0:15:37 | 0:15:41 | |
BOTH: We will! | 0:15:42 | 0:15:43 | |
Thank you, gentlemen. | 0:15:43 | 0:15:45 | |
This meeting will go down in history - | 0:15:45 | 0:15:48 | |
a meeting at which it was first decided | 0:15:48 | 0:15:51 | |
to send a living human being to the Moon! | 0:15:51 | 0:15:53 | |
CHEERING AND APPLAUSE | 0:15:53 | 0:15:55 | |
Hurray! Hurray! | 0:16:00 | 0:16:03 | |
Read all about it! Barnum sensation! | 0:16:03 | 0:16:06 | |
Barnum sensation... | 0:16:09 | 0:16:10 | |
Barnum proposes trip to the Moon! | 0:16:14 | 0:16:16 | |
"Sir Charles Dillworthy and the Duke of Barset | 0:16:18 | 0:16:21 | |
"also joined the committee, and there is great speculation | 0:16:21 | 0:16:25 | |
"as to who will be the first person to be sent to the Moon." | 0:16:25 | 0:16:28 | |
I wonder what Mr Gladstone is doing. | 0:16:31 | 0:16:33 | |
Your Imperial Highness, von Bulow is going to the Moon. | 0:16:37 | 0:16:40 | |
Good! | 0:16:40 | 0:16:41 | |
Gaylord? | 0:16:51 | 0:16:52 | |
Gaylord, you must not got to the Moon. | 0:16:53 | 0:16:56 | |
Gaylord? | 0:16:58 | 0:16:59 | |
But Gaylord, you mustn't go up to the Moon | 0:17:06 | 0:17:08 | |
just because of me. | 0:17:08 | 0:17:10 | |
I am not going up to the Moon, | 0:17:10 | 0:17:11 | |
I am merely going over the Channel to England. | 0:17:11 | 0:17:14 | |
Oh. And what about me? | 0:17:14 | 0:17:16 | |
You - that's all you ever think about, isn't it? You. | 0:17:16 | 0:17:19 | |
Well, what about science? Progress? What about me? | 0:17:19 | 0:17:23 | |
Five years I've been working on the plans, | 0:17:23 | 0:17:25 | |
and now over in England, | 0:17:25 | 0:17:26 | |
they're starting to make one without me. | 0:17:26 | 0:17:28 | |
But they're not going to get away with it - no, sir. | 0:17:28 | 0:17:30 | |
The first ship landing on the Moon | 0:17:30 | 0:17:32 | |
is going to be designed by Gaylord Sullivan. | 0:17:32 | 0:17:34 | |
Oh, Gaylord, I do love you. | 0:17:34 | 0:17:37 | |
Then why are you marrying him? | 0:17:37 | 0:17:39 | |
But I love him too. | 0:17:39 | 0:17:41 | |
You can't love both of us. | 0:17:41 | 0:17:43 | |
It just...it just isn't decent. | 0:17:44 | 0:17:47 | |
But I do! This way is best by far, Gaylord. | 0:17:47 | 0:17:50 | |
You see? He is the richest, so I marry him, | 0:17:50 | 0:17:53 | |
but I see you in the afternoons. | 0:17:53 | 0:17:55 | |
It's better than marrying you and seeing him in the afternoons. | 0:17:55 | 0:17:58 | |
Why, Madelaine, I've never heard such a suggestion! | 0:17:58 | 0:18:01 | |
You've got to make up your mind - it's either him or me. | 0:18:03 | 0:18:06 | |
Oh... | 0:18:06 | 0:18:07 | |
Eh? Madelaine! | 0:18:09 | 0:18:11 | |
HORSES' HOOVES APPROACH | 0:18:11 | 0:18:13 | |
-It is him! -Yes, but who are they? | 0:18:14 | 0:18:17 | |
Oh, they're the guard of honour from the wedding. | 0:18:17 | 0:18:19 | |
Make up your mind quickly. I'm not hanging around to argue | 0:18:19 | 0:18:21 | |
Oh, I come with you. | 0:18:21 | 0:18:23 | |
Oh! | 0:18:23 | 0:18:24 | |
Quick! | 0:18:31 | 0:18:32 | |
GUN CLICKS | 0:18:35 | 0:18:36 | |
Imbecile - you did not load it. | 0:18:38 | 0:18:39 | |
But Monsieur, I did not know it was that kind of a wedding. | 0:18:39 | 0:18:43 | |
Gaylord! | 0:18:50 | 0:18:52 | |
It is me she loves - bring her back! | 0:18:52 | 0:18:54 | |
I'm sorry, Henri - I can't. | 0:18:54 | 0:18:58 | |
I've got to go to England. | 0:18:58 | 0:19:00 | |
Never! Marcel? | 0:19:00 | 0:19:01 | |
Henri! Henri, don't shoot. I love you. | 0:19:04 | 0:19:08 | |
Is it true? | 0:19:09 | 0:19:11 | |
You really love me? | 0:19:11 | 0:19:12 | |
I will always love you, Henri. Always. | 0:19:12 | 0:19:15 | |
Oh...Madelaine... | 0:19:17 | 0:19:19 | |
This is enquiring about rights to mineral deposits on the Moon. | 0:19:32 | 0:19:36 | |
File that under "Prospective Investors." | 0:19:36 | 0:19:39 | |
How do we find out if there's minerals up there? | 0:19:42 | 0:19:44 | |
The man who goes up will have to bring back samples. | 0:19:45 | 0:19:48 | |
Barnum, I've opened over 2,000 letters | 0:19:49 | 0:19:52 | |
and I ain't found one yet from a man who wants to go there. | 0:19:52 | 0:19:54 | |
General, I'm sure there's such a man somewhere - | 0:19:54 | 0:19:58 | |
a man of courage, devotion, loyalty. | 0:19:58 | 0:20:01 | |
Possibly...a military man. | 0:20:01 | 0:20:04 | |
Well, like you always say, there's one born every minute. | 0:20:04 | 0:20:08 | |
Yes. Well, we don't have to worry about that yet a while. | 0:20:08 | 0:20:12 | |
I'm off to Barset House. First meeting of the committee. | 0:20:12 | 0:20:16 | |
-Good day, General. -Good day. | 0:20:16 | 0:20:19 | |
HE KNOCKS AT THE DOOR | 0:20:42 | 0:20:44 | |
-Good morning, Mr Barnum. -Good morning, Your Grace. | 0:20:56 | 0:20:59 | |
The others are here. Let's go into the Committee Room. | 0:20:59 | 0:21:02 | |
Anna, this is Mr Barnum. | 0:21:02 | 0:21:05 | |
Miss Anna Lindstrom, my daughter's companion. | 0:21:05 | 0:21:08 | |
-How do you do? -Charmed. | 0:21:08 | 0:21:09 | |
SOMETHING THUDS | 0:21:09 | 0:21:11 | |
Sorry, Daddy. | 0:21:18 | 0:21:19 | |
This is Mr Barnum, my dear. | 0:21:20 | 0:21:22 | |
My daughter, Lady Electra. | 0:21:22 | 0:21:24 | |
Hello, Mr Barnum. | 0:21:26 | 0:21:27 | |
We're making a lift, Daddy. | 0:21:27 | 0:21:29 | |
Good. | 0:21:29 | 0:21:30 | |
I shan't need the pickaxe now, Anna. I've managed without it. | 0:21:30 | 0:21:34 | |
-Right. -Both of them are very keen on engineering, you know. | 0:21:34 | 0:21:38 | |
-I encourage them. It keeps them out of mischief. -Yes... | 0:21:38 | 0:21:40 | |
Hop on, Anna. | 0:21:42 | 0:21:43 | |
I'll just check... | 0:21:46 | 0:21:48 | |
Ready, Anna? | 0:21:51 | 0:21:52 | |
MACHINE WHIRRS | 0:21:52 | 0:21:55 | |
Now, gentlemen, as I see it, | 0:21:58 | 0:22:00 | |
our immediate task is divided into three sections - | 0:22:00 | 0:22:03 | |
first, the construction of the cannon. | 0:22:03 | 0:22:05 | |
Oh, in my head, it is already constructed. | 0:22:05 | 0:22:08 | |
Splendid, Professor. | 0:22:08 | 0:22:09 | |
And secondly, the construction of the projectile. | 0:22:09 | 0:22:12 | |
-You can leave that to me, Mr Barnum. -Very good, very good. | 0:22:12 | 0:22:15 | |
Third and lastly, raising money for the project. | 0:22:15 | 0:22:18 | |
Ah, yes. That could well be the most difficult part of it. | 0:22:18 | 0:22:20 | |
THEY CHAT AMONGST THEMSELVES | 0:22:20 | 0:22:22 | |
Gentlemen, gentlemen, | 0:22:22 | 0:22:25 | |
this committee will furnish me with an estimated cost of this project, | 0:22:25 | 0:22:28 | |
I will raise the money. | 0:22:28 | 0:22:30 | |
However, however, I will need an assistant to act as Treasurer. | 0:22:32 | 0:22:35 | |
-Yes, and I know just the chap. -Splendid. Who is he? | 0:22:35 | 0:22:38 | |
My brother-in-law - Captain Sir Harry Washington-Smythe. | 0:22:38 | 0:22:41 | |
No! | 0:22:41 | 0:22:42 | |
Beg your pardon. Very silly of me. | 0:22:47 | 0:22:50 | |
This Smythe, he is of course a completely reliable man? | 0:22:52 | 0:22:56 | |
Absolutely first-rate. He's a gentleman. | 0:22:56 | 0:22:58 | |
-That thing work, Grundle? -Of course it will. | 0:23:00 | 0:23:03 | |
I knows my trade, you know. I learned it out in the colonies. | 0:23:03 | 0:23:06 | |
Yes, we know. | 0:23:06 | 0:23:08 | |
You laid the first cable from Botany Bay to Van Diemen's Land. | 0:23:08 | 0:23:11 | |
-How does it work? -Quite simple, really, you know. | 0:23:11 | 0:23:13 | |
This machine is connected to the main telegraph light. | 0:23:14 | 0:23:18 | |
Now, every time a message comes through to the telegraph office, | 0:23:18 | 0:23:23 | |
you reads it first. | 0:23:23 | 0:23:26 | |
That way, you gets advance information on the stocks and shares. | 0:23:26 | 0:23:30 | |
Well, I suppose if the Stock Exchange use the telegraph, | 0:23:30 | 0:23:33 | |
we shall have to do the same thing, | 0:23:33 | 0:23:34 | |
although it won't me half as much fun as intercepting carrier pigeons. | 0:23:34 | 0:23:39 | |
Here - one coming through now. | 0:23:40 | 0:23:42 | |
"Captain Sir Harry Washington-Smythe, | 0:23:44 | 0:23:47 | |
"14 Enterprise Buildings, London, WC1." | 0:23:47 | 0:23:51 | |
That's me! What does it say? | 0:23:51 | 0:23:53 | |
"Come to Barset House immediately | 0:23:53 | 0:23:55 | |
"regarding position of Treasurer to Moonship Subscription Fund. | 0:23:55 | 0:24:01 | |
"Signed, Barset." | 0:24:01 | 0:24:03 | |
What's a moonship? | 0:24:03 | 0:24:05 | |
I don't know what a moonship is, | 0:24:05 | 0:24:06 | |
but I know what a subscription fund is - money. | 0:24:06 | 0:24:08 | |
Come on. | 0:24:08 | 0:24:10 | |
ENGINE CHUGS | 0:24:14 | 0:24:16 | |
-Who on earth is that? -Miss Anna, from the look of her. | 0:24:40 | 0:24:42 | |
From the look of her what? | 0:24:42 | 0:24:44 | |
From the look of her, I think I better go and help her. | 0:24:44 | 0:24:46 | |
Why must we always meet like this, in secret? | 0:24:57 | 0:25:01 | |
And as Mr Barnum will agree, I'm sure, | 0:25:04 | 0:25:07 | |
we mustn't leave the money idle. | 0:25:07 | 0:25:09 | |
As it comes in, I will invest it - | 0:25:09 | 0:25:10 | |
on behalf of the committee, of course. | 0:25:10 | 0:25:12 | |
I know some excellent companies. | 0:25:12 | 0:25:14 | |
Good. Good. | 0:25:14 | 0:25:16 | |
Well, gentlemen, | 0:25:16 | 0:25:17 | |
do we all agree that Captain Smythe shall act as Treasurer? | 0:25:17 | 0:25:21 | |
QUEEN VICTORIA: 'It gives us the greatest pleasure | 0:25:28 | 0:25:31 | |
'to open this new suspension bridge.' | 0:25:31 | 0:25:35 | |
RUMBLING / CRASHING | 0:25:35 | 0:25:38 | |
Thank you, Sir Charles. | 0:25:43 | 0:25:45 | |
Well, fine, fine. | 0:25:45 | 0:25:46 | |
Now that's settled, Captain, will you sit here? | 0:25:46 | 0:25:49 | |
I'll sit next to Sir Charles, if I may. | 0:25:49 | 0:25:51 | |
I've always been a great admirer of his works. | 0:25:51 | 0:25:53 | |
And now, gentlemen, | 0:25:55 | 0:25:56 | |
I think Professor von Bulow should speak. | 0:25:56 | 0:25:59 | |
Huh? Ja... | 0:25:59 | 0:26:00 | |
Gentlemen... | 0:26:07 | 0:26:08 | |
By this experiment, we see some of the problems | 0:26:09 | 0:26:12 | |
which could trump us. | 0:26:12 | 0:26:14 | |
Bulovite. | 0:26:19 | 0:26:21 | |
Open the window, please. | 0:26:49 | 0:26:51 | |
Watch closely. | 0:27:08 | 0:27:09 | |
THEY COUGH | 0:27:15 | 0:27:17 | |
Ay, ay, ay, ay... | 0:27:25 | 0:27:27 | |
You see, gentlemen, the problem of recoil. | 0:27:33 | 0:27:37 | |
Yes - amazing, Professor, amazing. | 0:27:37 | 0:27:39 | |
That's only part of our problem. | 0:27:39 | 0:27:41 | |
To fire a projectile beyond the pull of the Earth's gravitation, | 0:27:43 | 0:27:47 | |
it would be necessary to construct a cannon | 0:27:47 | 0:27:49 | |
with a barrel measuring 573 feet. | 0:27:49 | 0:27:54 | |
By using Bulovite, however, | 0:27:54 | 0:27:56 | |
I can reduce this length to 310 feet. | 0:27:56 | 0:28:00 | |
The real problem is that it is not possible | 0:28:00 | 0:28:04 | |
to construct a cannon of this size. | 0:28:04 | 0:28:07 | |
The only answer, therefore, is... | 0:28:07 | 0:28:08 | |
No...ah... | 0:28:10 | 0:28:12 | |
The only answer, therefore, is... | 0:28:13 | 0:28:15 | |
..to drill a hole into the side of a mountain... | 0:28:18 | 0:28:22 | |
..and use this for our cannon. Understand? | 0:28:25 | 0:28:30 | |
Then our first task is to find a mountain. | 0:28:30 | 0:28:33 | |
Well, as a matter of fact, let me help you there. We own one. | 0:28:33 | 0:28:36 | |
-Uh...do we, Harry? -Of course we do, Willie. Caerflwyti. | 0:28:36 | 0:28:40 | |
Oh, yes, of course - the estate in Wales. | 0:28:40 | 0:28:43 | |
Yes. I'd forgotten about that place. | 0:28:43 | 0:28:45 | |
Oh, look - it's Uncle Harry's new gas carriage. | 0:28:46 | 0:28:49 | |
Beautiful... | 0:28:53 | 0:28:54 | |
Miss Anna? | 0:28:57 | 0:28:58 | |
Yes? | 0:29:00 | 0:29:01 | |
Pass me the spanner. | 0:29:01 | 0:29:02 | |
Here. | 0:29:02 | 0:29:03 | |
Dillworthy? | 0:29:20 | 0:29:21 | |
Dillworthy, come back! | 0:29:30 | 0:29:31 | |
Get away from me, Smythe! | 0:29:31 | 0:29:33 | |
Dillworthy, I want a word with you. | 0:29:33 | 0:29:35 | |
It's the voice of the tempter - get away from me! | 0:29:35 | 0:29:37 | |
But Dillers, old chap... | 0:29:37 | 0:29:39 | |
Thou shalt not tempt me, Smythe! | 0:29:39 | 0:29:41 | |
The voice of the tempter has been heard in the land. | 0:29:45 | 0:29:47 | |
The way you're shouting, at sea as well. | 0:29:47 | 0:29:50 | |
No, Smythe, I won't do it - whatever it is, I will not do it. | 0:29:50 | 0:29:54 | |
But I merely wish to offer you a lift back to town | 0:29:54 | 0:29:56 | |
on my new gas carriage. | 0:29:56 | 0:29:58 | |
On your new gas carriage? | 0:29:59 | 0:30:01 | |
Oh... | 0:30:01 | 0:30:02 | |
No, there will be more to it than that. I know you. | 0:30:02 | 0:30:05 | |
Well, I did think we might have a chat on the way back | 0:30:05 | 0:30:07 | |
about this moonship thing, eh? | 0:30:07 | 0:30:08 | |
No, Smythe, no. | 0:30:08 | 0:30:10 | |
I mean, look what happened on the Trent Bridge. | 0:30:10 | 0:30:13 | |
It collapsed - in front of Her Majesty! | 0:30:13 | 0:30:15 | |
The humiliation of it...and it was all your fault. | 0:30:15 | 0:30:17 | |
You supplied the materials. | 0:30:17 | 0:30:19 | |
Well, you took the profit and now you're complaining. | 0:30:19 | 0:30:21 | |
Not very sporting. | 0:30:21 | 0:30:22 | |
I know, but it was me who had to face the enquiry. | 0:30:22 | 0:30:25 | |
You know, Dillers, there could be £5,000 in this for you. | 0:30:27 | 0:30:31 | |
Stop tormenting me, Smythe. Get thee behind me, Satan. | 0:30:31 | 0:30:34 | |
It could be even seven. | 0:30:34 | 0:30:36 | |
Oh, the flesh is weak...but every man has his price. | 0:30:36 | 0:30:40 | |
All right - what is your price? | 0:30:40 | 0:30:41 | |
Ten. | 0:30:41 | 0:30:43 | |
Right. £10,000 today, my company gets the contract for the moonship. | 0:30:43 | 0:30:47 | |
THUDDING | 0:30:47 | 0:30:48 | |
Oh, blast! | 0:30:48 | 0:30:50 | |
What's the matter with the darn thing? | 0:30:53 | 0:30:55 | |
Run out of gas. | 0:30:55 | 0:30:57 | |
Give us a push, will you? | 0:30:57 | 0:30:58 | |
Come on... | 0:31:01 | 0:31:02 | |
There we are. | 0:31:06 | 0:31:07 | |
That's it. | 0:31:11 | 0:31:12 | |
Right, that'll do. | 0:31:18 | 0:31:20 | |
Now, Dillers, chin up and fix this on, will you? | 0:31:21 | 0:31:24 | |
Steady, steady... | 0:31:30 | 0:31:32 | |
Mind the paintwork. | 0:31:35 | 0:31:36 | |
Right, turn it on. | 0:31:45 | 0:31:47 | |
You know, the whole principle of this vehicle is dishonest. | 0:31:55 | 0:31:59 | |
It relies on stolen gas. | 0:31:59 | 0:32:01 | |
That isn't the point. | 0:32:01 | 0:32:03 | |
It's very economical to run. | 0:32:03 | 0:32:06 | |
The committee has acquired this mountain | 0:32:11 | 0:32:13 | |
from His Grace, the Duke of Barset. | 0:32:13 | 0:32:15 | |
The greatest geologist in England | 0:32:15 | 0:32:17 | |
has pronounced it suitable for our purpose, | 0:32:17 | 0:32:20 | |
and so, gentlemen, it is from this spot | 0:32:20 | 0:32:24 | |
Man will journey forth to his conquest of the Moon! | 0:32:24 | 0:32:30 | |
I think we should be going down now. They're ready to start blasting. | 0:32:30 | 0:32:33 | |
-Madelaine, darling? -Mm? -I don't know where we are. | 0:32:53 | 0:32:57 | |
Why don't we go down and ask somebody? | 0:32:57 | 0:32:59 | |
Because then we wouldn't have enough gas to get up again. | 0:32:59 | 0:33:02 | |
I should have stayed with Henri. He would've looked after me. | 0:33:03 | 0:33:07 | |
He's just a big, rich, stupid fool - he knows nothing. | 0:33:08 | 0:33:12 | |
At least he knows where he is. | 0:33:12 | 0:33:14 | |
But he doesn't know where you are. | 0:33:16 | 0:33:18 | |
-Oh, Madelaine - I wish we were on the ground. -Oh! | 0:33:22 | 0:33:25 | |
GAS HISSES | 0:33:30 | 0:33:33 | |
-What are you doing?! -Going to the ground, my darling. | 0:33:33 | 0:33:36 | |
You've let too much out. | 0:33:37 | 0:33:39 | |
Grundle has placed the charges of Bulovite all round the top | 0:33:42 | 0:33:45 | |
and now we shall discharge them with electricity. | 0:33:45 | 0:33:49 | |
You see, the idea, gentlemen, | 0:33:50 | 0:33:52 | |
is to remove the top of the mountain, | 0:33:52 | 0:33:54 | |
leaving a flat surface into which we will dig our shaft. | 0:33:54 | 0:33:58 | |
-Is this the electric detonator, Professor? -Oh, no, no, no. | 0:33:58 | 0:34:02 | |
That's my electromagnetic speaking trumpet. | 0:34:02 | 0:34:05 | |
HIS SPEECH IS DISTORTED | 0:34:08 | 0:34:11 | |
Hello - he's off again. | 0:34:16 | 0:34:17 | |
SPEECH IS DISTORTED | 0:34:23 | 0:34:25 | |
What's he saying? | 0:34:29 | 0:34:31 | |
I don't know. He can't be using it properly. | 0:34:31 | 0:34:34 | |
Oh...! | 0:34:49 | 0:34:50 | |
Oh... | 0:34:53 | 0:34:54 | |
Oh! | 0:35:07 | 0:35:09 | |
Gaylord! | 0:35:09 | 0:35:11 | |
Gaylord, take care! | 0:35:15 | 0:35:16 | |
Gaylord, help! Help! | 0:35:22 | 0:35:25 | |
Gaylord? | 0:35:25 | 0:35:26 | |
Gaylord! | 0:35:28 | 0:35:29 | |
Guv'nor, all charges laid. | 0:35:33 | 0:35:35 | |
Grand, grand - you heard my instructions all right? | 0:35:35 | 0:35:37 | |
Oh, yes, yes - every word. | 0:35:37 | 0:35:40 | |
And now, gentlemen, I shall remove the top of the mountain. | 0:35:41 | 0:35:46 | |
Hey there! Help! | 0:36:06 | 0:36:08 | |
Help! | 0:36:08 | 0:36:09 | |
-Hey there! -Stop! | 0:36:15 | 0:36:17 | |
Thank Heavens it didn't work. | 0:36:17 | 0:36:19 | |
But it should have worked! | 0:36:19 | 0:36:20 | |
HE GRUMBLES ANGRILY | 0:36:20 | 0:36:22 | |
BOOM! | 0:36:22 | 0:36:24 | |
EXPLOSION DIES AWAY | 0:36:47 | 0:36:49 | |
-Are you all right? -Thank you. Thank you, Barnum. | 0:37:14 | 0:37:17 | |
Oh... | 0:37:18 | 0:37:20 | |
What...? | 0:37:20 | 0:37:21 | |
MUSIC: "Wedding March" by Richard Wagner | 0:37:39 | 0:37:44 | |
Yes? Oh... | 0:38:32 | 0:38:35 | |
-Please, can you help me? -Is the bridegroom with you? | 0:38:35 | 0:38:38 | |
No, I'm all alone in a foreign country. | 0:38:38 | 0:38:40 | |
-Foreign, but not unfriendly. Do come in. -Oh, thank you. | 0:38:40 | 0:38:45 | |
Why, it's absolutely incredible! | 0:38:50 | 0:38:52 | |
You must have been working on these plans for years. | 0:38:52 | 0:38:54 | |
It's all I've ever dreamed about. | 0:38:54 | 0:38:57 | |
But how on earth did you get here, boy? | 0:38:57 | 0:38:59 | |
We came by balloon. | 0:38:59 | 0:39:01 | |
The balloon - Madelaine. | 0:39:01 | 0:39:03 | |
I forgot. | 0:39:03 | 0:39:04 | |
MADELAINE: Yes? | 0:39:18 | 0:39:19 | |
You'll find some clothes in there. They belong to Lady Electra. | 0:39:19 | 0:39:22 | |
-< My niece, you know. -Oh, thank you. | 0:39:22 | 0:39:25 | |
What can we do to find Gaylord? > | 0:39:28 | 0:39:30 | |
Hm? What? Oh... | 0:39:30 | 0:39:32 | |
Don't worry - I'll get my man to organise a search party. | 0:39:33 | 0:39:37 | |
Oh, thank you. You're being very kind. | 0:39:37 | 0:39:40 | |
Perkins? Perkins, I want you to come in here. | 0:39:45 | 0:39:49 | |
-IN A WEST COUNTRY ACCENT: -"Coming, sir." | 0:39:50 | 0:39:53 | |
Ah, there you are, Perkins. | 0:40:00 | 0:40:02 | |
"Yes, sir. Here I be, sir." | 0:40:02 | 0:40:05 | |
Perkins, there's a young French lady in the next room | 0:40:05 | 0:40:08 | |
whose fiance is lost in the hills. | 0:40:08 | 0:40:10 | |
I want you to organise a search party | 0:40:10 | 0:40:12 | |
and go and look for him. | 0:40:12 | 0:40:14 | |
"Yes, sir. It be getting dark, sir. | 0:40:14 | 0:40:17 | |
"Maybe the young lady, if she wants to come along, will have to hurry." | 0:40:17 | 0:40:20 | |
Careful, Perkins. | 0:40:22 | 0:40:24 | |
No, that won't be necessary, she'll stay here with me. | 0:40:24 | 0:40:27 | |
She'll be perfectly safe here with me. | 0:40:27 | 0:40:30 | |
"That she will, sir - | 0:40:30 | 0:40:31 | |
"you being the finest and most honourable gentleman | 0:40:31 | 0:40:34 | |
"that ever did draw breath." | 0:40:34 | 0:40:36 | |
Well, thank you, Perkins. | 0:40:36 | 0:40:37 | |
Well, off you go, take my horse - no time to lose. | 0:40:37 | 0:40:40 | |
"Aye aye, sir." | 0:40:41 | 0:40:43 | |
Sent my man off. | 0:41:07 | 0:41:08 | |
Care for a spot of supper? | 0:41:09 | 0:41:10 | |
Oh, thank you. I'm just coming. | 0:41:10 | 0:41:13 | |
Oh, dear. The door is jammed. | 0:41:20 | 0:41:22 | |
DOOR RATTLES | 0:41:22 | 0:41:24 | |
Oh. Really? | 0:41:24 | 0:41:25 | |
Well, don't worry, I'll come and help you through the window. | 0:41:25 | 0:41:28 | |
Champagne? | 0:42:01 | 0:42:02 | |
There's no sign of her. | 0:42:12 | 0:42:13 | |
The Duke's hunting lodge - perhaps she's in there. | 0:42:13 | 0:42:16 | |
MADELAINE SCREAMS | 0:42:19 | 0:42:21 | |
GLASS SMASHES | 0:42:21 | 0:42:24 | |
Madelaine! | 0:42:35 | 0:42:36 | |
Gentlemen of the committee, | 0:43:02 | 0:43:03 | |
it gives me much pleasure to show you, for the first time, | 0:43:03 | 0:43:06 | |
a scale model...of my moonship. | 0:43:06 | 0:43:10 | |
Barset, will you kindly assist me, please? | 0:43:18 | 0:43:20 | |
Well? | 0:43:34 | 0:43:35 | |
Well...it certainly is a handsome thing. | 0:43:36 | 0:43:40 | |
You see, I don't know very much about engineering... | 0:43:40 | 0:43:42 | |
Oh, indeed you don't, Mr Barnum. | 0:43:42 | 0:43:44 | |
Yes, well, Sir Charles, as you know, I'm only an amateur engineer. | 0:43:44 | 0:43:47 | |
Yes, I do know, Barset - extremely amateur. | 0:43:47 | 0:43:50 | |
Yes, but it occurs to me | 0:43:50 | 0:43:51 | |
that if this is to be fired from a cannon... | 0:43:51 | 0:43:53 | |
Yes, Barset? | 0:43:53 | 0:43:54 | |
..well, it seems to me | 0:43:54 | 0:43:56 | |
these projections might prevent the air-tight fit in the cannon. | 0:43:56 | 0:43:59 | |
Are there any more questions? | 0:44:04 | 0:44:06 | |
Yes, I have a question I'd like to ask. | 0:44:08 | 0:44:10 | |
Look, Mr Barnum, I can assure you | 0:44:10 | 0:44:12 | |
that this projectile will take a man to the Moon in perfect safety. | 0:44:12 | 0:44:16 | |
Exactly, sir, but how does it bring him back? | 0:44:16 | 0:44:20 | |
I was told to design a projectile to convey a man to the Moon. | 0:44:21 | 0:44:25 | |
Nothing was said about bringing him back. | 0:44:25 | 0:44:28 | |
But he might not like it up there. | 0:44:28 | 0:44:30 | |
Then he'll just have to lump it, won't he? | 0:44:30 | 0:44:31 | |
I mean, the obvious answer | 0:44:31 | 0:44:33 | |
is to find someone who doesn't want to come back. | 0:44:33 | 0:44:35 | |
Well, I can assure you, sir, | 0:44:35 | 0:44:37 | |
that General Tom Thumb will insist on coming back. | 0:44:37 | 0:44:40 | |
Well, then we'll just have to find someone else. | 0:44:40 | 0:44:43 | |
Some fellow out of the workhouse - | 0:44:43 | 0:44:44 | |
some baccy and a couple of shillings, he'd jump at the chance. | 0:44:44 | 0:44:47 | |
Oh, no, no, no - you can't send a man up there to his doom. | 0:44:47 | 0:44:50 | |
Barnum, the public would never permit it. | 0:44:51 | 0:44:54 | |
Even if he is a pauper. | 0:44:54 | 0:44:56 | |
I take it, Sir Charles, you haven't examined this young man's design. | 0:44:56 | 0:45:00 | |
No, I have not, | 0:45:00 | 0:45:02 | |
and I have no intention of doing so, either. | 0:45:02 | 0:45:04 | |
I'll tell you this, it's either mine or nothing. | 0:45:04 | 0:45:07 | |
You can get in touch with me when you've made up your minds. | 0:45:07 | 0:45:10 | |
Oh, dear... | 0:45:13 | 0:45:14 | |
Gentlemen, gentlemen. | 0:45:14 | 0:45:16 | |
Let us not be too despondent. | 0:45:16 | 0:45:18 | |
Gaylord, would you be good enough to show the gentlemen your proposal? | 0:45:18 | 0:45:22 | |
Why, yes. | 0:45:22 | 0:45:24 | |
You see, it was my idea to place rockets in the nose, | 0:45:24 | 0:45:26 | |
so that when it landed on the Moon in this position, | 0:45:26 | 0:45:29 | |
reverse rockets would propel it back to Earth. | 0:45:29 | 0:45:32 | |
-LAUGHING: -Rockets! Yes, of course, that's the logical answer. | 0:45:32 | 0:45:35 | |
You idiots! | 0:45:35 | 0:45:37 | |
This croaker never designed a moonship - he's a charlatan! | 0:45:37 | 0:45:41 | |
Even so, Sir Charles, | 0:45:41 | 0:45:42 | |
we are prepared to commission a design from him, | 0:45:42 | 0:45:45 | |
and I'm afraid that your services will be no longer required. | 0:45:45 | 0:45:49 | |
Oh...they won't, won't they? | 0:45:49 | 0:45:51 | |
Well, you'll see - you'll be begging for me to come back, begging. | 0:45:51 | 0:45:54 | |
You'll see, all of you! | 0:45:54 | 0:45:56 | |
And he's not pinching my design, either. | 0:45:58 | 0:46:00 | |
Hello, Dillers, old man. Anything wrong? | 0:46:19 | 0:46:21 | |
Why weren't you there, Smythe? | 0:46:23 | 0:46:24 | |
Why weren't you at the committee meeting? | 0:46:24 | 0:46:26 | |
I had to fight them all on my own. No support from anyone. | 0:46:26 | 0:46:29 | |
-Did anything go wrong? -Everything! | 0:46:29 | 0:46:33 | |
They pushed me off and commissioned that dumb Yank. | 0:46:33 | 0:46:36 | |
Well...I need to talk to Willie about this - | 0:46:36 | 0:46:40 | |
get that Yank, as you say, "pushed off" | 0:46:40 | 0:46:43 | |
and you put back on again. | 0:46:43 | 0:46:44 | |
I mean, it's the only patriotic thing to do. | 0:46:44 | 0:46:46 | |
Besides, it's absolutely vital | 0:46:46 | 0:46:48 | |
we get the contract for that moonship - vital. | 0:46:48 | 0:46:50 | |
We have followed with great interest | 0:46:50 | 0:46:53 | |
the progress of your moonship, Mr Barnum. | 0:46:53 | 0:46:56 | |
We understand that the subscription fund has now reached over £1 million. | 0:46:56 | 0:47:00 | |
Have decided who will journey in it? | 0:47:02 | 0:47:04 | |
Well, Ma'am, we're not releasing the news until later. | 0:47:06 | 0:47:09 | |
But we wish to know now. | 0:47:11 | 0:47:12 | |
-It will be General Tom Thumb, Ma'am. -Splendid. | 0:47:16 | 0:47:20 | |
We will send him a message | 0:47:20 | 0:47:22 | |
wishing him Godspeed and a safe voyage. | 0:47:22 | 0:47:25 | |
He'll appreciate that, Ma'am. | 0:47:25 | 0:47:26 | |
We have also requested our War Office to give Professor von Bulow | 0:47:26 | 0:47:31 | |
every assistance with his experiments. | 0:47:31 | 0:47:34 | |
Right. Come on, gentlemen. On your feet. | 0:48:05 | 0:48:07 | |
On your feet, all of you. | 0:48:07 | 0:48:09 | |
Come on, Mr Hawkins, | 0:48:11 | 0:48:12 | |
you can have a nice lie down when you get to the mess. | 0:48:12 | 0:48:14 | |
On your feet! | 0:48:14 | 0:48:15 | |
Class, attention! | 0:48:20 | 0:48:23 | |
Class, on the right, dress. | 0:48:23 | 0:48:25 | |
Class, eyes front. | 0:48:31 | 0:48:33 | |
Class, number - one, two, three, four, five. | 0:48:35 | 0:48:38 | |
Hello - one gentlemen absent. | 0:48:39 | 0:48:42 | |
Carruthers - anybody seen Mr Carruthers? | 0:48:43 | 0:48:46 | |
Come on, Mr Carruthers, sir - at the double. | 0:48:54 | 0:48:57 | |
We're waiting for you. | 0:48:57 | 0:48:58 | |
I was blown up, Sergeant. | 0:49:02 | 0:49:04 | |
Yes. But you've come down again, haven't you? | 0:49:04 | 0:49:07 | |
-Yes, Sergeant. -Then get fell in. | 0:49:07 | 0:49:09 | |
Remember, sir, you're an officer and a gentleman. | 0:49:18 | 0:49:21 | |
When a common gunner gets blown up, he might hang about up there. | 0:49:21 | 0:49:24 | |
But an officer hurries down to get properly fell in. | 0:49:24 | 0:49:26 | |
Ready to continue, sir. | 0:49:34 | 0:49:36 | |
Now we'll try it in the gun and see what happens. | 0:49:40 | 0:49:43 | |
Only this time, we shall double the charge. | 0:49:43 | 0:49:46 | |
A double charge, sir. Yes, sir. I understand, sir. | 0:49:46 | 0:49:48 | |
Double charge, sir? | 0:49:52 | 0:49:53 | |
That's what I said, yes. | 0:49:53 | 0:49:55 | |
These experiments are of vital importance to the moonship. | 0:49:55 | 0:49:59 | |
Double charge... | 0:50:01 | 0:50:02 | |
-Your pass, sir? -I'm looking for Professor von Bulow. | 0:50:04 | 0:50:07 | |
Oh, him, sir. | 0:50:07 | 0:50:08 | |
Yes, he's over on the north range with a class of officer cadets, | 0:50:08 | 0:50:11 | |
just the other side of that red flag. | 0:50:11 | 0:50:12 | |
Ah, thank you. | 0:50:12 | 0:50:14 | |
Ram home. | 0:50:21 | 0:50:22 | |
Hup! | 0:50:28 | 0:50:29 | |
And now for the Bulovite! | 0:50:30 | 0:50:32 | |
Mr Flood, Mr Hawkins. | 0:50:34 | 0:50:35 | |
SERGEANT YELLS | 0:51:04 | 0:51:05 | |
Sir. | 0:51:07 | 0:51:08 | |
Right - one gentleman to volunteer to ram it home. | 0:51:43 | 0:51:45 | |
Mr Carruthers? | 0:51:50 | 0:51:51 | |
But I did it last time, Sergeant. | 0:51:52 | 0:51:54 | |
Yes. Well, you've got the experience, so to speak, haven't you? | 0:51:54 | 0:51:57 | |
Come on, now. | 0:51:57 | 0:51:59 | |
SQUEAKING | 0:52:26 | 0:52:28 | |
SQUEAKING CONTINUES | 0:52:35 | 0:52:36 | |
What next, sir? | 0:53:00 | 0:53:01 | |
I don't know - we've never got this far before. | 0:53:01 | 0:53:05 | |
-I'll re-examine my notes. -Might I suggest the projectile, sir? | 0:53:07 | 0:53:11 | |
The projectile - of course. Yes, that's right, that's right. | 0:53:11 | 0:53:14 | |
-Yes... -Load ball. | 0:53:14 | 0:53:16 | |
Gun loaded, sir. | 0:53:37 | 0:53:38 | |
Good. Good, good. | 0:53:40 | 0:53:42 | |
Now, all we need is a slow fuse. | 0:53:42 | 0:53:44 | |
BARNUM HUMS "POP GOES THE WEASEL" | 0:53:44 | 0:53:47 | |
-All present? -Yes, Sergeant. | 0:54:11 | 0:54:13 | |
-Shall I touch her off, sir? -Huh? | 0:54:14 | 0:54:16 | |
Oh, yes, yes, yes. | 0:54:18 | 0:54:19 | |
FUSE CRACKLES | 0:54:22 | 0:54:23 | |
I'd hate to be close to that lot when it goes off. | 0:54:23 | 0:54:26 | |
Professor? Professor von Bulow? | 0:54:48 | 0:54:51 | |
Hey! | 0:54:52 | 0:54:54 | |
-Did you hear something, sir? -Not yet. | 0:54:54 | 0:54:57 | |
But in 20 seconds, | 0:54:57 | 0:54:59 | |
you will hear the most beautiful sound in the world. | 0:54:59 | 0:55:02 | |
Professor von Bulow, you there? | 0:55:05 | 0:55:08 | |
Ja? | 0:55:10 | 0:55:11 | |
Curses! The blasted thing is on fire. | 0:55:15 | 0:55:17 | |
-What do you want me to do with this? -Put it out, sir! Put it out! | 0:55:19 | 0:55:23 | |
Excellent fuse you are using. | 0:55:38 | 0:55:40 | |
One can't put it out. | 0:55:40 | 0:55:42 | |
Hey! This damn thing is dangerous. | 0:56:28 | 0:56:31 | |
What do you want, Barnum? You're holding up my experiment. | 0:56:31 | 0:56:35 | |
Professor, the committee is becoming a little bit agitated now. | 0:56:35 | 0:56:40 | |
You must give us precise details | 0:56:40 | 0:56:42 | |
for the digging of that cannon shaft. | 0:56:42 | 0:56:44 | |
Yes, I know, I know. | 0:56:44 | 0:56:45 | |
Fit another fuse, please. | 0:56:45 | 0:56:47 | |
Right. At the double. | 0:56:47 | 0:56:50 | |
We have driven in the subsidiary shaft, | 0:56:54 | 0:56:57 | |
and we can't start working on the cannon shaft | 0:56:57 | 0:57:00 | |
until you give us the precise, uh...diameter. | 0:57:00 | 0:57:04 | |
Yes, I know, but that depends on my experiments. | 0:57:04 | 0:57:07 | |
However, I shall be finished here in one week. Come on, watch this... | 0:57:07 | 0:57:11 | |
No, no, Professor. I must report to the committee. | 0:57:11 | 0:57:15 | |
Come on, hurry up! It's empty. | 0:57:24 | 0:57:26 | |
BARNUM LAUGHS HYSTERICALLY | 0:57:37 | 0:57:39 | |
Magnificent! | 0:58:06 | 0:58:07 | |
Oh, there you are, Barnum. | 0:58:11 | 0:58:13 | |
Here - read that telegram, Barnum. | 0:58:13 | 0:58:17 | |
Go on, read it. | 0:58:17 | 0:58:18 | |
Why, it's from Her Majesty, Queen Victoria. | 0:58:21 | 0:58:23 | |
She wishes you every good fortune on your trip to the Moon. | 0:58:25 | 0:58:28 | |
But General, this is wonderful! | 0:58:28 | 0:58:31 | |
Her Majesty has chosen you to travel in the moonship. | 0:58:31 | 0:58:34 | |
And of course, Barnum, you wouldn't know anything about it. | 0:58:34 | 0:58:37 | |
Well, General, I'll have to admit | 0:58:37 | 0:58:39 | |
that I had a slight inkling that they might choose you. | 0:58:39 | 0:58:42 | |
But this is obviously what they call a high-level decision. | 0:58:42 | 0:58:46 | |
Well, I'm making a low-level decision. I ain't going! | 0:58:46 | 0:58:49 | |
You see, Willie, I think it's a bad thing | 0:58:53 | 0:58:55 | |
you should reject Dillworthy's design in favour of this American - | 0:58:55 | 0:58:59 | |
if he is an American. | 0:58:59 | 0:59:00 | |
I mean, for all we know, he may be a spy or something. | 0:59:02 | 0:59:04 | |
It's your shot, Harry. | 0:59:06 | 0:59:07 | |
I see, Harry, you've potted my ball again. | 0:59:18 | 0:59:20 | |
That's four times in four strokes. | 0:59:20 | 0:59:23 | |
Everybody has their special shot. Perhaps this is mine. | 0:59:23 | 0:59:26 | |
Not against the rules, you know. | 0:59:26 | 0:59:29 | |
Besides, you would insist upon having a five-guinea wager on the game. | 0:59:29 | 0:59:33 | |
I didn't - you did. | 0:59:33 | 0:59:35 | |
-Did I, really? -Yes. | 0:59:36 | 0:59:38 | |
Jolly sporting - you're very good, you know. | 0:59:38 | 0:59:40 | |
Yes - well, next time you do pot my ball, | 0:59:41 | 0:59:43 | |
maybe I should be most annoyed. | 0:59:43 | 0:59:45 | |
Your shot. | 0:59:52 | 0:59:53 | |
Willie, about Dillworthy... | 0:59:58 | 1:00:00 | |
Not now, Harry. | 1:00:00 | 1:00:02 | |
I'm playing a shot. Good gracious... | 1:00:02 | 1:00:04 | |
There's something very peculiar about this table, Harry. | 1:00:17 | 1:00:20 | |
What on earth...? | 1:00:20 | 1:00:21 | |
-Harry! -Hm? | 1:00:45 | 1:00:47 | |
-This table's magnetic! -Well...how extraordinary. | 1:00:47 | 1:00:51 | |
I mean, what on earth could have caused it? | 1:00:51 | 1:00:53 | |
A deliberate device to cheat. | 1:01:00 | 1:01:02 | |
Harry, you have perverted the discoveries of science | 1:01:02 | 1:01:06 | |
to your foul and filthy ends. | 1:01:06 | 1:01:07 | |
If you had a spark of decency, | 1:01:07 | 1:01:09 | |
you would go straight down to the gun room! | 1:01:09 | 1:01:12 | |
The gun room, Willie? | 1:01:12 | 1:01:13 | |
You would lock the door. | 1:01:15 | 1:01:17 | |
There would be the sound of a shot. | 1:01:17 | 1:01:19 | |
A housemaid would scream, | 1:01:19 | 1:01:21 | |
and you...you, Harry, will have paid for your despicable action | 1:01:21 | 1:01:26 | |
in the only way left open for a gentleman. | 1:01:26 | 1:01:29 | |
I see. I like the bit about the housemaid screaming. | 1:01:29 | 1:01:33 | |
You're a cad, sir! A cad and a bounder. | 1:01:33 | 1:01:36 | |
And you are no longer welcome in my house. | 1:01:36 | 1:01:39 | |
Furthermore, I shall recommend that your moonship accounts | 1:01:45 | 1:01:49 | |
be audited immediately. | 1:01:49 | 1:01:52 | |
You're perfectly welcome, Willie. | 1:01:52 | 1:01:54 | |
You won't find anything there. | 1:01:55 | 1:01:58 | |
Die, dirty rotten spy! | 1:02:23 | 1:02:25 | |
-Who was he calling a dirty spy? -I think it was me. | 1:02:35 | 1:02:40 | |
Oh. Good. | 1:02:40 | 1:02:42 | |
Madelaine, darling. | 1:03:10 | 1:03:12 | |
They've approved the plans and we start work building it tomorrow. | 1:03:12 | 1:03:15 | |
Oh, good! And when you finish, we go back to Paris. | 1:03:15 | 1:03:19 | |
But you promised to stay here with me until I finish. | 1:03:19 | 1:03:22 | |
-But of course, my darling. I love you. -And I love you. | 1:03:22 | 1:03:27 | |
But I also love Henri. Poor Henri. He misses me so. | 1:03:27 | 1:03:31 | |
He says he's not going to eat anything | 1:03:31 | 1:03:34 | |
till I come back come back to Paris. | 1:03:34 | 1:03:35 | |
Ha...he'll be as skinny as a beanpole by then. | 1:03:35 | 1:03:38 | |
How long to do you stay here, Gaylord? | 1:03:38 | 1:03:41 | |
Oh...I'd say about 18 months. | 1:03:41 | 1:03:44 | |
18 months?! Oh, you beast! | 1:03:44 | 1:03:46 | |
HE LAUGHS | 1:03:46 | 1:03:49 | |
SEAGULLS CAW | 1:03:49 | 1:03:52 | |
Charge fired, sir. | 1:04:18 | 1:04:20 | |
Thank you, Sergeant. | 1:04:22 | 1:04:23 | |
That will be all. | 1:04:23 | 1:04:25 | |
My experiments are complete. | 1:04:25 | 1:04:28 | |
Now we know the correct amount of Bulovite to use. | 1:04:28 | 1:04:32 | |
Thank heavens for that, sir. | 1:04:32 | 1:04:34 | |
Stretcher bearers? | 1:04:36 | 1:04:37 | |
File...! | 1:04:51 | 1:04:53 | |
Even if General Tom Thumb doesn't go, it won't affect the design. | 1:04:57 | 1:05:01 | |
I've allowed for plenty of room inside. | 1:05:01 | 1:05:04 | |
How about the deliveries of steel plates? | 1:05:04 | 1:05:07 | |
-Just a moment... -Barnum! | 1:05:07 | 1:05:08 | |
I've just received the auditor's report. | 1:05:08 | 1:05:10 | |
Captain Smythe has embezzled over £100,000. | 1:05:10 | 1:05:13 | |
What?! How in the world can a thing like that happen? | 1:05:13 | 1:05:17 | |
It's very complicated. Grundle did explain it to me. | 1:05:19 | 1:05:22 | |
They tell me it's quite legal - they can't touch him. | 1:05:22 | 1:05:27 | |
CHATTER AND LAUGHTER | 1:05:27 | 1:05:29 | |
Over here... | 1:05:29 | 1:05:31 | |
Yes, and we'll make more - we've just started. | 1:05:33 | 1:05:36 | |
There we are. | 1:05:36 | 1:05:38 | |
So this is how you invested the moonship fund, did you? | 1:05:43 | 1:05:47 | |
Get your hands off me! How dare you! | 1:05:49 | 1:05:51 | |
You'll regret this, Willie. | 1:05:51 | 1:05:52 | |
I promise you that you'll regret this. | 1:05:52 | 1:05:54 | |
Get off! | 1:05:56 | 1:05:57 | |
Hey! You're a traitor - a rotten, stinking traitor! | 1:05:59 | 1:06:02 | |
May I ask what you mean by that remark? | 1:06:04 | 1:06:06 | |
You know damn well what I mean. | 1:06:06 | 1:06:08 | |
Barnum had bribed you to put the American flag on the Moon. | 1:06:08 | 1:06:11 | |
-You're a traitor. -You liar! | 1:06:11 | 1:06:14 | |
Strike me again and every patriotic Englishman here | 1:06:14 | 1:06:17 | |
will string you up to the nearest lamppost. | 1:06:17 | 1:06:19 | |
He's right enough there. | 1:06:19 | 1:06:20 | |
We'd string him up as soon as look at him. | 1:06:20 | 1:06:21 | |
Furthermore, Willie, I'll wager you any money you like | 1:06:24 | 1:06:27 | |
you'll never even get that moonship off the ground. | 1:06:27 | 1:06:29 | |
I will not demean myself by wagering with you. | 1:06:29 | 1:06:31 | |
But I will. What odds are you giving? | 1:06:31 | 1:06:34 | |
50-1, Willie. 50-1. | 1:06:34 | 1:06:35 | |
-Done! 200 guineas on it. -I'll have 500! | 1:06:35 | 1:06:39 | |
-You can't back out of it now. -I have no intention of backing out. | 1:06:39 | 1:06:41 | |
Let's do this thing properly. | 1:06:41 | 1:06:43 | |
Gaylord will be surprised. | 1:06:47 | 1:06:48 | |
Gaylord - Gaylord, look who is here. | 1:06:54 | 1:06:57 | |
Gaylord, my old friend. How splendid to see you again. | 1:06:58 | 1:07:02 | |
And, uh...how is your great moonship going? | 1:07:02 | 1:07:05 | |
Henri, what are you doing here? | 1:07:05 | 1:07:08 | |
I've come to take Madelaine back to Paris with me. | 1:07:08 | 1:07:10 | |
We are to be married. | 1:07:10 | 1:07:13 | |
Yes, but she's promised to stay until I finish the moonship. | 1:07:13 | 1:07:16 | |
Oh, it is true. I promised. | 1:07:16 | 1:07:19 | |
Monsieur Barnum, how long will it be? | 1:07:21 | 1:07:24 | |
Well, we're held up a little bit for money right now. | 1:07:24 | 1:07:27 | |
We need another £100,000. | 1:07:27 | 1:07:29 | |
Oh, that is no problem. Henri is the richest man in France. | 1:07:29 | 1:07:33 | |
He owns three banks. | 1:07:33 | 1:07:34 | |
Four. | 1:07:34 | 1:07:36 | |
He will lend you the money. | 1:07:36 | 1:07:38 | |
Well, I'm afraid it's not quite that simple, my dear. | 1:07:38 | 1:07:42 | |
However, it is a marvellous opportunity | 1:07:42 | 1:07:45 | |
for a private investor. | 1:07:45 | 1:07:46 | |
Say no more. | 1:07:46 | 1:07:47 | |
I will let you have it. | 1:07:48 | 1:07:50 | |
Well, by George, this is splendid. | 1:07:50 | 1:07:52 | |
We'll get together in the morning and draw up the conditions. | 1:07:55 | 1:07:57 | |
-There is only one condition. -And what is that, sir? | 1:07:57 | 1:08:00 | |
He must go up in it. | 1:08:03 | 1:08:05 | |
Oh, Gaylord... | 1:08:05 | 1:08:06 | |
Good evening, Smythe. | 1:08:16 | 1:08:18 | |
-I hear you're taking bets, Smythe. -Yes. £3,400 at 50-1. | 1:08:25 | 1:08:32 | |
Over £150,000? | 1:08:32 | 1:08:34 | |
I say - is that altogether wise? | 1:08:34 | 1:08:37 | |
No. | 1:08:37 | 1:08:38 | |
Therefore, Dillers, I need your expert assistance. | 1:08:40 | 1:08:43 | |
-Oh? -I want you to ensure | 1:08:43 | 1:08:45 | |
that that moonship never leaves the Earth. | 1:08:45 | 1:08:47 | |
Never...leaves the Earth? | 1:08:47 | 1:08:49 | |
HE CHUCKLES | 1:08:51 | 1:08:53 | |
I say - what a splendid idea! | 1:08:53 | 1:08:57 | |
-When can you do it? -Oh...I mean... | 1:08:58 | 1:09:02 | |
There's no point in doing it yet. Someone mind find out. | 1:09:02 | 1:09:04 | |
No - the time to do it is when the ship is constructed | 1:09:04 | 1:09:08 | |
and on view to the public. | 1:09:08 | 1:09:11 | |
HE LAUGHS UNCONTROLLABLY | 1:09:11 | 1:09:14 | |
-Never leaves the Earth... -Champagne? -You devil! | 1:09:14 | 1:09:17 | |
BRASS BAND PLAYS JAUNTY TUNE | 1:09:17 | 1:09:21 | |
And how long will you have the moonship on display in London? | 1:09:39 | 1:09:44 | |
That depends on the firing lead of the rocket, | 1:09:44 | 1:09:46 | |
which is being determined by the Astronomer Royal... | 1:09:46 | 1:09:48 | |
Oh, yes... | 1:09:48 | 1:09:50 | |
..and the number of people who are willing to pay to come and see it. | 1:09:50 | 1:09:53 | |
How many do you estimate? | 1:09:53 | 1:09:56 | |
Oh, I would say around two million, at five shillings a head. | 1:09:56 | 1:10:01 | |
Half a million pounds, then. | 1:10:01 | 1:10:02 | |
-Not bad. -Yes. | 1:10:04 | 1:10:05 | |
Come and I'll show you around. | 1:10:07 | 1:10:08 | |
-Morning, Mr Barnum. -Good morning. -Mademoiselle... | 1:10:08 | 1:10:11 | |
Shall we? | 1:10:13 | 1:10:14 | |
There it is, Dillers. | 1:10:40 | 1:10:41 | |
Can't do anything about it yet, Smythe. Too many people about. | 1:10:43 | 1:10:47 | |
We'll have to wait until it's dark. | 1:10:47 | 1:10:50 | |
Yes, of course. | 1:10:53 | 1:10:55 | |
I suppose we'll have to stroll about and enjoy the beauties of nature. | 1:10:55 | 1:10:59 | |
And what are these handles for? | 1:11:03 | 1:11:05 | |
-Well, that is the bed. -The bed? | 1:11:05 | 1:11:07 | |
Mm-hm. | 1:11:07 | 1:11:08 | |
Oh... | 1:11:11 | 1:11:12 | |
HENRI CHUCKLES | 1:11:13 | 1:11:15 | |
And, uh...why do you have a carpet on the ceiling? | 1:11:19 | 1:11:21 | |
Because on the way down, sir, that will be the floor. | 1:11:23 | 1:11:27 | |
What is the purpose of this aspidistra? | 1:11:27 | 1:11:30 | |
To see if the atmosphere can support plant life. | 1:11:30 | 1:11:33 | |
-And the canary? -Bird life. | 1:11:34 | 1:11:36 | |
This is of course, primarily, a scientific exploration, | 1:11:36 | 1:11:40 | |
but mind you, gentlemen, there may be creatures on the moon - | 1:11:40 | 1:11:44 | |
strange creatures beyond our wildest imagination, | 1:11:44 | 1:11:48 | |
which the public will be most anxious to see on exhibition. | 1:11:48 | 1:11:52 | |
Chloroform. | 1:11:55 | 1:11:57 | |
And these switches control the rocket. | 1:12:01 | 1:12:03 | |
I fire the rocket to bring me back to Earth. | 1:12:03 | 1:12:06 | |
Oh, Gaylord - you are so brave. | 1:12:06 | 1:12:10 | |
To think you're going to go up there all by yourself. | 1:12:10 | 1:12:13 | |
Henri! | 1:12:26 | 1:12:28 | |
What are you doing here? | 1:12:28 | 1:12:29 | |
I've come to take Madelaine back for our wedding. | 1:12:32 | 1:12:35 | |
Oh, no - I don't go to the Moon for months. And she promised... | 1:12:35 | 1:12:38 | |
..that she would stay until the moonship was completed. | 1:12:38 | 1:12:40 | |
And now, it is completed. | 1:12:40 | 1:12:42 | |
Oh - it is true, Gaylord. | 1:12:42 | 1:12:45 | |
Oh, Madelaine, darling. Have dinner with me tonight. | 1:12:45 | 1:12:48 | |
It may be our last time together...on Earth. | 1:12:48 | 1:12:52 | |
Of course I will, Gaylord. | 1:12:52 | 1:12:54 | |
Oh, Bertram - I'm so glad the moonship is finished. | 1:12:56 | 1:12:59 | |
Now you can stop working so hard and spend some time with me. | 1:12:59 | 1:13:04 | |
-Miss Anna. -Yes, Bertram? | 1:13:04 | 1:13:07 | |
-There's something I'd like to ask you. -Yes, Bertram? | 1:13:07 | 1:13:11 | |
Would you come behind the bushes with me? | 1:13:12 | 1:13:14 | |
Oh, Bertram! | 1:13:14 | 1:13:16 | |
SHE GIGGLES | 1:13:16 | 1:13:18 | |
Come on... | 1:13:25 | 1:13:26 | |
Miss Anna. | 1:13:31 | 1:13:32 | |
Miss Anna, I knows how you feels about me, | 1:13:32 | 1:13:36 | |
and well...dare I...that is, may I... | 1:13:36 | 1:13:39 | |
Oh, Miss Anna - marry me. Marry me and come and live with me. | 1:13:39 | 1:13:42 | |
Let me take you away from all of this. | 1:13:42 | 1:13:44 | |
Oh, Bertram, I'm so fond of you, but...we can never marry. | 1:13:44 | 1:13:50 | |
Is it because of the differences in our social position? | 1:13:52 | 1:13:55 | |
No, Bertram. | 1:13:55 | 1:13:57 | |
I know... | 1:14:00 | 1:14:01 | |
It's because of the colonies. | 1:14:03 | 1:14:07 | |
ANNA CONTINUES TO SOB | 1:14:14 | 1:14:17 | |
Mademoiselle... | 1:14:21 | 1:14:22 | |
What is the matter? Is there anything I can do? | 1:14:25 | 1:14:28 | |
Oh...love is so cruel! | 1:14:28 | 1:14:31 | |
There, there... | 1:14:35 | 1:14:37 | |
There, now, come. Come. | 1:14:37 | 1:14:42 | |
Sir Perceval? | 1:14:51 | 1:14:53 | |
Tell me, on what date can we fire the moonship? | 1:14:53 | 1:14:57 | |
Well, the whole thing is governed, you see, | 1:14:57 | 1:14:59 | |
by the position of the moon shaft. | 1:14:59 | 1:15:02 | |
Yes...yes, let me see now... | 1:15:02 | 1:15:05 | |
Oh, yes, yes. This is it. | 1:15:05 | 1:15:07 | |
You must fire the projectile on October the 20th | 1:15:07 | 1:15:12 | |
at 11 minutes to 4 o'clock in the afternoon. | 1:15:12 | 1:15:16 | |
-But that's next Sunday. -So it is, yes. | 1:15:19 | 1:15:23 | |
No, no. That's much too soon. What's the next date? | 1:15:23 | 1:15:27 | |
The next date...yes... | 1:15:27 | 1:15:29 | |
-January the 14th. -Next year? | 1:15:29 | 1:15:33 | |
Oh, dear, no. Not next year. | 1:15:33 | 1:15:36 | |
January the 14th, 1968. | 1:15:36 | 1:15:40 | |
But Sir Perceval, there must be some mistake. | 1:15:43 | 1:15:46 | |
Oh, no, no. There's no mistake. No mistake. | 1:15:46 | 1:15:49 | |
It's the position of the moon... | 1:15:49 | 1:15:51 | |
..of the moon shaft, you see. | 1:15:52 | 1:15:53 | |
The Moon only comes over it once in every 100 years or so. | 1:15:53 | 1:15:58 | |
But...next Sunday... | 1:16:01 | 1:16:03 | |
Two million visitors at five shillings a head. | 1:16:05 | 1:16:09 | |
Yes. Yes... | 1:16:09 | 1:16:12 | |
All clear. Come on, Dillers. | 1:16:16 | 1:16:17 | |
-Give me that science journal. -Huh? -Science journal. | 1:16:23 | 1:16:25 | |
Taxidermy equipment? | 1:16:30 | 1:16:32 | |
-Chloroform? What do they want chloroform for? -No idea. | 1:16:35 | 1:16:38 | |
Now, according to this, the equipment is kept behind here, | 1:16:38 | 1:16:41 | |
and this is the living quarters, | 1:16:41 | 1:16:44 | |
and the control room must be...up here. | 1:16:44 | 1:16:49 | |
Come on. | 1:16:49 | 1:16:50 | |
Equipment... | 1:17:01 | 1:17:02 | |
-Can't switch it on. -What are you looking for? | 1:17:04 | 1:17:06 | |
The rocket firing equipment. | 1:17:06 | 1:17:08 | |
DILLWORTHY MUTTERS | 1:17:08 | 1:17:10 | |
-Is that it? -Yes. Well done, Smythe, well done. | 1:17:10 | 1:17:13 | |
-What will that do? -I'll tell you. | 1:17:17 | 1:17:19 | |
When the moonship's fired, | 1:17:19 | 1:17:20 | |
the rockets will fire at the same time. | 1:17:20 | 1:17:22 | |
Now, the two pressures will equalise each other | 1:17:22 | 1:17:24 | |
and squash the whole thing flat, like a sixpenny piece. | 1:17:24 | 1:17:27 | |
Unless, of course, it explodes. | 1:17:27 | 1:17:29 | |
THEY LAUGH | 1:17:29 | 1:17:31 | |
Now... | 1:17:31 | 1:17:33 | |
SOMETHING RATTLES BELOW THEM | 1:17:33 | 1:17:35 | |
-It's Madelaine. -Eh? | 1:17:36 | 1:17:38 | |
How nice to see you again, my dear. | 1:17:41 | 1:17:43 | |
I heard what you said. You're going to murder Gaylord. | 1:17:43 | 1:17:46 | |
You murderers! Murderers! | 1:17:46 | 1:17:48 | |
No, no - we were only joking, weren't we? | 1:17:48 | 1:17:50 | |
No, you were not. You're going to blow it up. | 1:17:50 | 1:17:53 | |
You want to kill him! | 1:17:53 | 1:17:54 | |
No, no, no. You must have misunderstood. | 1:17:54 | 1:17:57 | |
-Don't touch me! -My dear girl... -You murderer! | 1:17:57 | 1:18:01 | |
My dear girl, I can assure you | 1:18:01 | 1:18:02 | |
that I have no intention whatsoever of harming you. | 1:18:02 | 1:18:05 | |
But I have... | 1:18:06 | 1:18:07 | |
What is this place, Smythe? | 1:18:16 | 1:18:17 | |
Run by an old friend of mine. | 1:18:17 | 1:18:19 | |
Now, you understand, I will not allow this girl to be harmed in any way. | 1:18:21 | 1:18:25 | |
-Oh, shut up. -Well, I mean it. | 1:18:25 | 1:18:28 | |
GIRLS YELL AND RAUCOUS MUSIC PLAYS | 1:18:28 | 1:18:30 | |
Sounds like a party. | 1:18:35 | 1:18:37 | |
Wait for us down there. | 1:18:38 | 1:18:40 | |
DOORBELL RINGS | 1:18:44 | 1:18:46 | |
MUSIC STOPS AND GIRLS START SINGING | 1:18:46 | 1:18:48 | |
# All things bright and beautiful... # | 1:18:48 | 1:18:51 | |
I don't like the look of this place. I don't like the look of it at all. | 1:18:51 | 1:18:55 | |
Oh, my... | 1:18:57 | 1:19:00 | |
Oh, ho-ho! It's Captain Smythe. | 1:19:00 | 1:19:04 | |
Hmm... | 1:19:04 | 1:19:06 | |
All right, girls. | 1:19:07 | 1:19:10 | |
We thought it might be one of the governors. | 1:19:10 | 1:19:12 | |
-Uh...Sir Charles Dillworthy. -Evening. | 1:19:12 | 1:19:15 | |
Pick her up, sir. Bring her into the warm. | 1:19:15 | 1:19:19 | |
What poor creature of the night have you brought us, Captain? | 1:19:22 | 1:19:25 | |
What poor lamb who has strayed so far from the flock? | 1:19:25 | 1:19:29 | |
We found her in the gutter, unconscious. | 1:19:29 | 1:19:31 | |
-We fear she might have been drinking. -Drinking? Dreadful. | 1:19:31 | 1:19:35 | |
Put her down - gently. | 1:19:35 | 1:19:37 | |
GIRLS WHISPER | 1:19:37 | 1:19:39 | |
We feel that we may have saved her from a fate worse than... | 1:19:44 | 1:19:47 | |
-Worse than death? -So I'm told. | 1:19:47 | 1:19:50 | |
Oh, it is, Smythe. It is, undoubtedly. | 1:19:50 | 1:19:53 | |
How the blazes would you know, Dillworthy? | 1:19:53 | 1:19:56 | |
I trust that she'll be quite safe here? | 1:19:57 | 1:20:00 | |
Oh, absolutely safe. | 1:20:00 | 1:20:02 | |
We feel she may well attempt to escape back to... | 1:20:02 | 1:20:05 | |
..the life from which you saved her. | 1:20:05 | 1:20:07 | |
Exactly. I therefore look to you to... | 1:20:07 | 1:20:09 | |
-..forestall such a wicked and ungrateful act. -Precisely. | 1:20:09 | 1:20:13 | |
Very well, gentlemen. | 1:20:17 | 1:20:19 | |
If there's no alternative, I will agree. | 1:20:19 | 1:20:22 | |
Good. Good! | 1:20:22 | 1:20:25 | |
Tomorrow, we will transport the moonship to Wales, | 1:20:25 | 1:20:28 | |
and on Sunday, we will send it on its way. | 1:20:28 | 1:20:31 | |
CROWDS CHEER LOUDLY | 1:20:31 | 1:20:33 | |
Good luck, Mr Barnum. Good luck to the moonship. | 1:21:21 | 1:21:24 | |
Thank you very much. | 1:21:24 | 1:21:26 | |
What's the matter, young man? Worried about going up? | 1:21:30 | 1:21:33 | |
It's not just that. | 1:21:33 | 1:21:35 | |
It's Madelaine - to think that she would go away with Henri now, | 1:21:35 | 1:21:38 | |
without saying goodbye. | 1:21:38 | 1:21:40 | |
MACHINES CLATTER | 1:22:13 | 1:22:16 | |
Hey, come look! Look! | 1:22:17 | 1:22:19 | |
Oh, the moonship is coming! The moonship is coming! | 1:22:21 | 1:22:25 | |
HE LAUGHS HEARTILY | 1:22:25 | 1:22:27 | |
HORN BLOWS | 1:22:32 | 1:22:35 | |
Gather round. Three cheers - hip, hip... | 1:22:40 | 1:22:43 | |
ALL: Hooray! | 1:22:43 | 1:22:44 | |
Hip, hip... | 1:22:44 | 1:22:45 | |
ALL: Hooray! | 1:22:45 | 1:22:46 | |
Hip, hip... | 1:22:46 | 1:22:47 | |
ALL: Hooray! | 1:22:47 | 1:22:49 | |
Ya-hoo! | 1:23:49 | 1:23:50 | |
CHEERING AND YELLING | 1:23:50 | 1:23:53 | |
LAUGHTER AND CHATTER | 1:23:57 | 1:24:00 | |
Thank you. | 1:24:06 | 1:24:07 | |
Well, here's to Sunday and a successful launching. | 1:24:08 | 1:24:11 | |
I hear there's a whisper | 1:24:11 | 1:24:13 | |
Her Majesty may decorate you tomorrow, before you go. | 1:24:13 | 1:24:16 | |
I'm deeply honoured. | 1:24:16 | 1:24:18 | |
But why doesn't she give it to me on my return? | 1:24:19 | 1:24:22 | |
Isn't that the usual thing? | 1:24:22 | 1:24:24 | |
Um... | 1:24:24 | 1:24:25 | |
Course, I'm not normally a drinking man, you understand - | 1:24:27 | 1:24:30 | |
oh, thank you very much indeed - | 1:24:30 | 1:24:31 | |
but it does help one to drown one's sorrows. | 1:24:31 | 1:24:33 | |
I've never told anybody about this before, you realise that? | 1:24:35 | 1:24:38 | |
You mean you were actually transported to the colonies | 1:24:38 | 1:24:40 | |
as a convict? | 1:24:40 | 1:24:41 | |
-Mm. -But how jolly exciting. | 1:24:41 | 1:24:44 | |
-What did you do? -15 years. | 1:24:45 | 1:24:48 | |
No, I mean why were you sent there? | 1:24:48 | 1:24:51 | |
I stole a sticky bun. | 1:24:51 | 1:24:54 | |
You see, I was starving, so I nicked this here sticky bun. | 1:24:54 | 1:24:57 | |
Oh, Grundle... | 1:24:57 | 1:24:59 | |
-15 years for a sticky bun. -Oh, Grundle, what beastly hard luck. | 1:25:00 | 1:25:04 | |
Held my career back something shocking, it did. | 1:25:04 | 1:25:07 | |
But even worse, it's been a barrier between me and the one what I loves. | 1:25:08 | 1:25:13 | |
Oh, Grundle. | 1:25:13 | 1:25:14 | |
-Have you told her of your feelings? -It's no good, m'lady. | 1:25:15 | 1:25:18 | |
I aspires too highly. Our social differences is too great. | 1:25:20 | 1:25:26 | |
Oh, Grundle. Dear Grundle... | 1:25:26 | 1:25:30 | |
Of course, marriage is out of the question, | 1:25:30 | 1:25:33 | |
but true love knows no social barriers. | 1:25:33 | 1:25:35 | |
Providing, of course...one is discreet. | 1:25:37 | 1:25:41 | |
SHE GIGGLES | 1:25:42 | 1:25:44 | |
Here - it's Miss Anna. With that Henri fella. | 1:25:53 | 1:25:59 | |
Mademoiselle Anna has consented to be my wife. | 1:25:59 | 1:26:02 | |
Your wife?! | 1:26:02 | 1:26:03 | |
Are you some kind of a bluebeard? | 1:26:03 | 1:26:05 | |
What have you done with Madelaine? | 1:26:05 | 1:26:06 | |
What have YOU done with her? | 1:26:06 | 1:26:08 | |
I have not seen her for nearly a week. | 1:26:08 | 1:26:10 | |
-LAUGHING: -Well, she cannot keep doing this to me. | 1:26:12 | 1:26:15 | |
I am marrying Miss Anna. | 1:26:15 | 1:26:17 | |
You can keep your Madelaine. | 1:26:17 | 1:26:19 | |
-Then where is Madelaine? -How should I know? | 1:26:20 | 1:26:24 | |
Look - one of the bars is loose. | 1:26:43 | 1:26:45 | |
We can escape. You could be free. | 1:26:48 | 1:26:50 | |
What? Free to work in a rotten pickle factory | 1:26:50 | 1:26:53 | |
at half a crown a week? | 1:26:53 | 1:26:54 | |
No, thank you. | 1:26:54 | 1:26:56 | |
Look, duck, you'll settle down when you've been here for a bit. | 1:26:56 | 1:27:00 | |
Now then, girls, time for our nightcap. | 1:27:00 | 1:27:03 | |
Tea, coffee, cocoa or hot milk. | 1:27:03 | 1:27:05 | |
Ain't you got no gin, Matron? | 1:27:07 | 1:27:09 | |
Not for the junior girls, dear - only for the seniors. | 1:27:09 | 1:27:12 | |
Oh, now, Madelaine - | 1:27:14 | 1:27:15 | |
we're not still sulking for the outside world, are we? | 1:27:15 | 1:27:18 | |
Why can't I make you understand? | 1:27:18 | 1:27:21 | |
While I'm prisoner here, they are trying to murder Gaylord. | 1:27:21 | 1:27:24 | |
He will be killed the moment they fire the moonship. | 1:27:24 | 1:27:26 | |
But you're not a prisoner, dear. | 1:27:26 | 1:27:29 | |
Then why have you got bars on the windows? | 1:27:29 | 1:27:31 | |
Oh, ho-ho. They're not to keep us in. | 1:27:31 | 1:27:34 | |
They're to keep the gentlemen out. | 1:27:34 | 1:27:36 | |
Oh! | 1:28:33 | 1:28:34 | |
If you make me come back, I'll tell. | 1:28:41 | 1:28:43 | |
Goodnight, Jack. | 1:28:49 | 1:28:50 | |
Now, try jumping up and down, old chap. | 1:28:56 | 1:28:58 | |
Ha! Comfortable? | 1:29:05 | 1:29:08 | |
Splendid, old chap. Take off that moon hat. | 1:29:08 | 1:29:10 | |
By the way, when you get to the Moon, don't jump too vigorously. | 1:29:10 | 1:29:14 | |
You could fly off the surface. | 1:29:14 | 1:29:16 | |
Now, let's try out the launching bed. | 1:29:16 | 1:29:19 | |
There we are. | 1:29:19 | 1:29:20 | |
Yes - jolly good. Now, lower the weights. | 1:29:25 | 1:29:29 | |
Can you move? | 1:29:46 | 1:29:47 | |
Oh, no. | 1:29:48 | 1:29:50 | |
Splendid. Splendid. | 1:29:50 | 1:29:51 | |
Now, tell me, Your Grace, what's all this about? | 1:29:51 | 1:29:54 | |
Just a little invention of mine | 1:29:54 | 1:29:57 | |
to make him secure during the launching. | 1:29:57 | 1:30:00 | |
How does he get out from under there with all these heavy weights around? | 1:30:00 | 1:30:04 | |
It's quite simple - when the moonship leaves the Earth's gravity | 1:30:04 | 1:30:07 | |
and the whole thing becomes weightless, | 1:30:07 | 1:30:09 | |
it just floats up off him. | 1:30:09 | 1:30:11 | |
It's quite simple. Can you reach the launching lever? | 1:30:11 | 1:30:15 | |
Oh, yes. | 1:30:15 | 1:30:17 | |
-How much further, Smythe? -Not far now. | 1:30:19 | 1:30:22 | |
Caerflwyti is just ahead. | 1:30:22 | 1:30:23 | |
I don't know why we had to come here in the first place. | 1:30:28 | 1:30:30 | |
You only want to see the lad killed. You're a ghoul, Smythe - a ghoul. | 1:30:30 | 1:30:34 | |
Not entirely. | 1:30:34 | 1:30:35 | |
I merely want you to go inside the moonship and make quite certain | 1:30:35 | 1:30:38 | |
they haven't discovered any of your clever little readjustments. | 1:30:38 | 1:30:42 | |
Oh. | 1:30:42 | 1:30:43 | |
Psst! Mr Barnum? | 1:30:44 | 1:30:46 | |
I'm Colonel Scuttling of Scotland Yard. | 1:30:54 | 1:30:56 | |
-(May I have a word with you?) -Why, certainly, sir. | 1:30:59 | 1:31:01 | |
-What is it? -Shh! | 1:31:01 | 1:31:02 | |
(Not here.) | 1:31:02 | 1:31:03 | |
Mr Barnum, we have received information | 1:31:13 | 1:31:15 | |
that there may be an agent of the tsar in the vicinity. | 1:31:15 | 1:31:18 | |
Now, we believe that this agent may try to sabotage the moonship. | 1:31:18 | 1:31:21 | |
Great thunder and buffalos. What can we do? | 1:31:21 | 1:31:24 | |
I have mounted patrols scouring the countryside. | 1:31:24 | 1:31:27 | |
-Have your fellows keep a strict guard on the ship. -Certainly, Colonel. | 1:31:27 | 1:31:31 | |
-It's the police, Smythe! -What? -The police. -What about them? | 1:31:54 | 1:31:57 | |
Well, you're exceeding the speed limit | 1:31:57 | 1:31:59 | |
-for a mechanically propelled vehicle. -Oh, am I? | 1:31:59 | 1:32:01 | |
-You're doing nine miles an hour. -Am I really? | 1:32:01 | 1:32:04 | |
-Will you STOP? -Oh... | 1:32:04 | 1:32:07 | |
They're closing in on us, Smythe. | 1:32:07 | 1:32:09 | |
Right, Smythe - four miles an hour, if you please. | 1:32:17 | 1:32:21 | |
-Just a minute, sir. -Yes? | 1:32:31 | 1:32:32 | |
We're looking for an agent of the tsar. | 1:32:32 | 1:32:34 | |
Have you seen any suspicious persons? | 1:32:34 | 1:32:36 | |
-What does he look like? -Foreign-looking. | 1:32:36 | 1:32:38 | |
Dressed in black with a tall hat. | 1:32:38 | 1:32:39 | |
Who are you? | 1:32:42 | 1:32:43 | |
I am Sir Charles Dillworthy - British and proud of it. | 1:32:43 | 1:32:46 | |
-Sorry, sir. -The damn sauce! | 1:32:46 | 1:32:48 | |
Come on. | 1:32:54 | 1:32:55 | |
TRAIN ENGINE RUMBLES | 1:32:58 | 1:33:00 | |
Hey! Why are we stopped? We're late already. | 1:33:09 | 1:33:12 | |
The Royal train's stopped at the station ahead. | 1:33:12 | 1:33:14 | |
We have to wait for it to pull out. | 1:33:14 | 1:33:17 | |
-Is this Caerflwyti? -Yes. | 1:33:17 | 1:33:19 | |
Hey! You can't do that, miss! | 1:33:21 | 1:33:22 | |
Hey! | 1:33:22 | 1:33:24 | |
CAR ENGINE SPLUTTERS | 1:33:32 | 1:33:35 | |
Put...put the block under the back wheel. | 1:33:39 | 1:33:41 | |
-Run out of gas. -No gas lamps anywhere, Smythe. | 1:33:48 | 1:33:52 | |
We're stuck. | 1:33:52 | 1:33:54 | |
We're jolly well not. | 1:33:54 | 1:33:56 | |
# We must always trust the stranger | 1:33:59 | 1:34:04 | |
# We must help him on his way... # | 1:34:04 | 1:34:09 | |
SOMEONE KNOCKS AT THE DOOR | 1:34:09 | 1:34:11 | |
Gas company, sir. Checking the pressure. | 1:34:17 | 1:34:20 | |
On a Sunday? | 1:34:20 | 1:34:22 | |
I don't want to alarm the family, sir, | 1:34:23 | 1:34:25 | |
but we've had a lot of explosions. | 1:34:25 | 1:34:27 | |
-Oh, Heaven preserve us! Do come in. -Thank you, sir. | 1:34:27 | 1:34:31 | |
How do you do? | 1:34:35 | 1:34:36 | |
Thank you. | 1:34:38 | 1:34:39 | |
-How long will it take? -Oh, just a jiffy. | 1:34:45 | 1:34:48 | |
Hup! | 1:34:50 | 1:34:51 | |
Oh, the humiliation... | 1:34:51 | 1:34:53 | |
Well, do carry on. | 1:34:57 | 1:34:59 | |
# We must always trust the stranger | 1:35:04 | 1:35:08 | |
# We must help him on his way | 1:35:08 | 1:35:13 | |
# We must always try to give a helping hand | 1:35:13 | 1:35:18 | |
# A helping hand | 1:35:18 | 1:35:21 | |
# We must shelter him from danger | 1:35:21 | 1:35:25 | |
# And our trust, he will repay | 1:35:25 | 1:35:29 | |
# And the spirit of love he'll understand | 1:35:29 | 1:35:37 | |
# He'll understand | 1:35:37 | 1:35:40 | |
# If you see a fellow traveller on the wayside | 1:35:40 | 1:35:46 | |
# You must give him all the help and love you can | 1:35:46 | 1:35:51 | |
# The love you can... # | 1:35:51 | 1:35:53 | |
KNOCKING | 1:35:53 | 1:35:54 | |
# You must never have a moment's hesitation | 1:35:54 | 1:35:59 | |
# Or your best attempts to be... # | 1:35:59 | 1:36:02 | |
Oh, please, can you help me? I must get to the moonship. | 1:36:02 | 1:36:06 | |
They're trying to blow it up. | 1:36:06 | 1:36:07 | |
-The moonship? Heaven preserve us! Come in. -Thank you. | 1:36:07 | 1:36:11 | |
Stop, stop! | 1:36:11 | 1:36:13 | |
This young woman says they're trying to blow up the moonship. | 1:36:13 | 1:36:17 | |
Oh, she does, does she? | 1:36:17 | 1:36:19 | |
Oh! | 1:36:19 | 1:36:20 | |
-Lift it! -What do you mean, "lift it?" | 1:36:24 | 1:36:26 | |
Ah... | 1:36:26 | 1:36:28 | |
It's that Madelaine. She's escaped. Come on! | 1:36:42 | 1:36:44 | |
Get in. | 1:36:46 | 1:36:47 | |
-We're towing something, Smythe. -Hm? Oh, shut up! | 1:37:01 | 1:37:05 | |
Can't you go any faster? | 1:37:34 | 1:37:35 | |
ENGINE CLANKS AND WATER GURGLES | 1:38:35 | 1:38:38 | |
Come on! Faster, you sluggard! | 1:38:44 | 1:38:47 | |
Dillworthy? Dillworthy... | 1:38:52 | 1:38:55 | |
Oh! | 1:38:55 | 1:38:57 | |
Oh...I'm sorry, Smythe. | 1:39:13 | 1:39:16 | |
I lost my temper, I deeply apologise. | 1:39:16 | 1:39:18 | |
Yes - you'll have to watch that temper of yours, | 1:39:18 | 1:39:20 | |
it'll get you into trouble one of these days. | 1:39:20 | 1:39:22 | |
We're in trouble now. We've lost her. | 1:39:22 | 1:39:24 | |
We're done for, Smythe, we're done for! | 1:39:24 | 1:39:27 | |
No, we are not. Come on. | 1:39:27 | 1:39:29 | |
CHATTER AND LAUGHTER | 1:39:35 | 1:39:38 | |
-I'm looking for Barnum. -Where is he? -There he is, over there. | 1:39:42 | 1:39:47 | |
Ah - Barnum? | 1:39:47 | 1:39:49 | |
Her Majesty's on time. She'll be here in five minutes. | 1:39:51 | 1:39:54 | |
Well, I wish von Bulow was on time. He's still preparing the charge. | 1:39:54 | 1:39:58 | |
491. | 1:40:02 | 1:40:05 | |
Oh - there's one barrel short. | 1:40:09 | 1:40:11 | |
I shouldn't think one barrel would make much difference with that lot. | 1:40:15 | 1:40:18 | |
How do we detonate it, Sarge? | 1:40:22 | 1:40:24 | |
We don't detonate it, lad. | 1:40:24 | 1:40:26 | |
The moonship is dropped from the top of the shaft up there. | 1:40:26 | 1:40:29 | |
It lands on the Bulovite down here, | 1:40:29 | 1:40:31 | |
causing an explosion which launches it up again. | 1:40:31 | 1:40:34 | |
Hurry up with that last barrel. | 1:40:34 | 1:40:36 | |
Oh...! | 1:40:47 | 1:40:48 | |
Argh! | 1:40:57 | 1:40:58 | |
SERGEANT LAUGHS | 1:41:24 | 1:41:26 | |
Stretcher bearers! | 1:41:33 | 1:41:35 | |
-I will not have this girl harmed, Smythe. -This won't harm her. | 1:41:56 | 1:42:00 | |
It'll just stun her a bit. | 1:42:00 | 1:42:01 | |
Come on, Dillworthy - help me with this rock. | 1:42:05 | 1:42:08 | |
Oh, all right. | 1:42:08 | 1:42:09 | |
-Smythe! -What? | 1:42:11 | 1:42:12 | |
You'll never stun that lot, Smythe. | 1:42:17 | 1:42:19 | |
She's told them, Smythe. We're finished, we're finished! | 1:42:36 | 1:42:40 | |
We're not - come on! | 1:42:40 | 1:42:41 | |
MARCHING BAND PLAYS TUNE | 1:42:45 | 1:42:48 | |
As the first person to attempt an astronautical voyage | 1:43:11 | 1:43:16 | |
from the Earth to the Moon, | 1:43:16 | 1:43:18 | |
we award you this decoration and wish you bon voyage. | 1:43:18 | 1:43:24 | |
Oh - and a safe return. | 1:43:27 | 1:43:29 | |
Atchoo! | 1:43:30 | 1:43:32 | |
The moonship will be launched in six minutes' time. | 1:43:34 | 1:43:38 | |
Six minutes. | 1:43:38 | 1:43:40 | |
Tell Colonel Scuttling we've found the agent of the tsar! | 1:43:43 | 1:43:46 | |
You're mad - you're mad! | 1:43:49 | 1:43:51 | |
I'm French! Francais! | 1:43:51 | 1:43:53 | |
And to you, Professor von Bulow... | 1:44:04 | 1:44:07 | |
Oh, it's not...not me, Ma'am. It's him. | 1:44:07 | 1:44:11 | |
Oh, dear. | 1:44:17 | 1:44:18 | |
Oh, dear - are you unwell too? | 1:44:29 | 1:44:31 | |
As well as can be expected, Ma'am, | 1:44:31 | 1:44:33 | |
after serving you for 15 years in the colonies. | 1:44:33 | 1:44:37 | |
I thought you looked like an old soldier. | 1:44:37 | 1:44:39 | |
The moonship will be launched in four minutes' time. | 1:44:56 | 1:45:01 | |
Four minutes. | 1:45:01 | 1:45:02 | |
This was the young lady, Colonel. | 1:45:04 | 1:45:06 | |
You must let me go. He will be killed, I tell you. | 1:45:06 | 1:45:10 | |
Do you admit that you are an agent of the tsar? | 1:45:10 | 1:45:12 | |
No, of course not. | 1:45:12 | 1:45:13 | |
-Bring the young lady a chair, Sergeant. -Yes, sir. | 1:45:16 | 1:45:18 | |
This may take some time. | 1:45:18 | 1:45:21 | |
DRUMS BEAT | 1:45:21 | 1:45:24 | |
The moonship will be launched in two minutes' time. | 1:45:54 | 1:45:58 | |
Two minutes. | 1:45:58 | 1:45:59 | |
-Good luck, my boy. -Thank you very much, sir. | 1:46:02 | 1:46:04 | |
I usually have quite a lot to say, but upon this occasion, | 1:46:04 | 1:46:08 | |
I can only think of one thing, young man. | 1:46:08 | 1:46:10 | |
-Good luck. -Thank you very much, sir. | 1:46:11 | 1:46:14 | |
WELL WISHERS CALL OUT | 1:46:14 | 1:46:16 | |
Atchoo! | 1:46:40 | 1:46:42 | |
So, you claim to be French, eh? Very well... | 1:46:42 | 1:46:47 | |
Ou est la plume de ma tante? | 1:46:48 | 1:46:51 | |
-Eh? -Ah-ha! | 1:46:51 | 1:46:52 | |
You don't understand me, do you? | 1:46:52 | 1:46:54 | |
I don't understand any of you. You're all mad! | 1:46:54 | 1:46:57 | |
The moonship will be launched in one minute's time. | 1:46:59 | 1:47:02 | |
She couldn't have told them. | 1:47:02 | 1:47:04 | |
30 seconds to go. | 1:47:13 | 1:47:16 | |
Argh! | 1:47:16 | 1:47:17 | |
Atchoo! Atchoo! | 1:47:19 | 1:47:23 | |
It's all right! | 1:47:31 | 1:47:32 | |
20 seconds... | 1:47:32 | 1:47:34 | |
I heard them say it will blow up when he pulls the lever. | 1:47:34 | 1:47:36 | |
Please...please... | 1:47:36 | 1:47:37 | |
15 seconds... | 1:47:37 | 1:47:39 | |
Let's go! | 1:47:39 | 1:47:41 | |
10 seconds. | 1:47:46 | 1:47:48 | |
Nine. | 1:47:48 | 1:47:49 | |
Eight. | 1:47:49 | 1:47:51 | |
Seven. | 1:47:51 | 1:47:52 | |
Six. | 1:47:52 | 1:47:53 | |
Five. | 1:47:53 | 1:47:55 | |
Four. | 1:47:55 | 1:47:57 | |
Three. | 1:47:57 | 1:47:58 | |
Two. | 1:47:58 | 1:47:59 | |
One second... | 1:47:59 | 1:48:01 | |
CROWD MURMURS | 1:48:08 | 1:48:11 | |
FOOTSTEPS APPROACH | 1:48:20 | 1:48:22 | |
What's happening? Has something gone wrong? | 1:48:31 | 1:48:34 | |
-Who are you? -An agent of the tsar. | 1:48:34 | 1:48:38 | |
Oh, I forgot - I'm not supposed to tell. | 1:48:38 | 1:48:41 | |
-Chloroform - it must have leaked. -Thank heavens. | 1:49:13 | 1:49:16 | |
Come, boys. Get him out. | 1:49:19 | 1:49:21 | |
Something's wrong. They're bringing him out. | 1:49:23 | 1:49:25 | |
Do you know something? We've won, Smythe. | 1:49:29 | 1:49:32 | |
We've won! He's unconscious. | 1:49:32 | 1:49:35 | |
They'll never get it off the ground now. | 1:49:35 | 1:49:38 | |
He might recover. Come on. | 1:49:38 | 1:49:40 | |
Put him down. I said, put him down! | 1:49:41 | 1:49:44 | |
That's right - put him down. | 1:49:44 | 1:49:46 | |
We must revive him. | 1:49:48 | 1:49:50 | |
No, he can't go up. It's been sabotaged! | 1:49:50 | 1:49:53 | |
There may yet be time to fix it. Come here. | 1:49:53 | 1:49:56 | |
That's their precious moonship finished. | 1:50:34 | 1:50:37 | |
Yes. It'll never go up if he knows he can't get back. | 1:50:37 | 1:50:40 | |
BOOM! | 1:50:45 | 1:50:47 | |
Great balls of fire - it's dropped! | 1:50:51 | 1:50:53 | |
Smythe! What have you done? | 1:50:56 | 1:50:58 | |
HE SHRIEKS | 1:50:59 | 1:51:01 | |
Down, everybody! | 1:51:01 | 1:51:02 | |
Down, everybody, quickly! Your Majesty! | 1:51:04 | 1:51:08 | |
We have succeeded! Magnificent! | 1:51:16 | 1:51:19 | |
Gone. Not a soul on board. | 1:51:26 | 1:51:28 | |
10 million dollars, wasted. | 1:51:30 | 1:51:32 | |
Coal, Barnum, coal! | 1:51:56 | 1:51:58 | |
-I'm rich! -We're rich. | 1:51:58 | 1:52:01 | |
You sold the rights to the committee. We're rich! | 1:52:01 | 1:52:05 | |
You're right. We're rich! | 1:52:05 | 1:52:07 | |
We'll have enough money to build another moonship. | 1:52:07 | 1:52:09 | |
HE LAUGHS | 1:52:09 | 1:52:11 | |
I blame you for this, Dillworthy. | 1:52:25 | 1:52:27 | |
Because of your stupid bungling, | 1:52:27 | 1:52:28 | |
we're doomed to spend the rest of our days | 1:52:28 | 1:52:31 | |
with these filthy moon-men. | 1:52:31 | 1:52:32 | |
I tell you, we're not on the moon. | 1:52:32 | 1:52:35 | |
We're in Russia. Probably Siberia. | 1:52:35 | 1:52:37 | |
Nonsense! We are on the moon. | 1:52:37 | 1:52:39 | |
I tell you, we're not. | 1:52:39 | 1:52:40 | |
Everybody happy? | 1:52:47 | 1:52:50 | |
Everybody sing! | 1:52:50 | 1:52:51 | |
WHIP CRACKS | 1:52:51 | 1:52:52 | |
# Yo-hee-ho | 1:52:52 | 1:52:56 | |
# Yo-hee-ho... # | 1:52:56 | 1:53:01 | |
There you are, Smythe. | 1:53:01 | 1:53:03 | |
If we're on the moon, why are they singing Russian songs? | 1:53:03 | 1:53:06 | |
It simply means, Dillworthy, that the Russians got here first. | 1:53:06 | 1:53:10 | |
# Yo-hee-ho... # | 1:53:13 | 1:53:15 | |
-Dillworthy. -What? -Dillworthy, I have an idea. | 1:53:15 | 1:53:19 | |
No, Smythe. I won't listen. | 1:53:19 | 1:53:22 | |
I'll tell you something - you'll get shot here. | 1:53:22 | 1:53:25 | |
Seriously shot. | 1:53:25 | 1:53:26 | |
But Dillers, old man... | 1:53:26 | 1:53:27 | |
Subtitles by Red Bee Media Ltd | 1:54:00 | 1:54:03 |