Skeletons


Skeletons

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Transcript


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This film contains some strong language.

0:00:030:00:10

MUSIC: "Polegnala e Pschenitza" by Le Mystere des Voix Bulgares

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Yeah, but you can't lump Rasputin in with the corrupt

0:01:020:01:05

and assassinated without taking his honesty into account.

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I mean, with Rasputin, there's no ambiguity, is there?

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He was morally transparent, unlike some of your other boys.

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You know, like your Kennedys, for instance, Jack and Bobby, yeah?

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I mean, they had these golden boy public images but actually,

0:01:170:01:20

Bay of Pigs, dodgy CIA operations,

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shagging Marilyn Monroe whilst espousing Catholic family values.

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I mean, there's a moral ambiguity there you just don't get with Rasputin.

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With him, what you see is what you get.

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If he wanted to get pissed and throw chicken drumsticks at the Romanovs, he done it.

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If he wanted to scrape up a nun, he done it,

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and made no apology for it, that's what I'm saying.

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-What, as opposed to, say, John Lennon?

-Exactly.

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Now, he was someone who was completely

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different in personal life than he was in public life.

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Like Gandhi, like Martin Luther King, all they lot.

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Why's that make Rasputin better?

0:01:510:01:53

Well, honesty, innit?

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Glasnost.

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What about Gordon of Khartoum? He got a spear in the neck.

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-Yeah, and he was a pederast.

-Who told you that?

0:02:020:02:04

Faulkner, him and Gabriel done the procedure

0:02:040:02:06

on that Chelsea Pensioner years ago, didn't they?

0:02:060:02:08

Yeah, well, I wouldn't believe everything Faulkner tells you.

0:02:080:02:12

-Have you seen his car?

-Yes. So what?

0:02:120:02:14

-He might just be from a rich family, like Jim Morrison.

-I'm saying nowt.

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He is.

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Right, come on, then. Eye of the tiger.

0:02:240:02:28

HE KNOCKS DOOR

0:02:320:02:34

And why have you decided to go through with this procedure today?

0:02:420:02:46

I think we just feel it's the right time, really.

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What, Friday, 11 o'clock, mid-March? What do you mean, "the right time"?

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Er...

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We're just about to get married.

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I see.

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Getting married...

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On behalf of Veridical, we'd like to offer you

0:03:050:03:08

our own sincerest congratulations on your forthcoming nuptials.

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Thank you.

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-Can I ask how you came to that decision?

-No, you can't!

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It's none of your business while they're getting married.

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Not getting married, I mean the decision to undergo the procedure.

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-Well, he just said that - because they're getting married.

-Yeah, I realise that...

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Well, let's get on with it, then.

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Because we do like to stress, you see, what an important step this is.

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-Yeah, thank you, mate, that's great.

-One that you need to be both be fully...

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All right, I tell you what, why don't you go upstairs, yeah,

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ID the target, take some readings,

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and I'll stay down here with these and wrap up the paperwork?

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Is that all right, mate? Thank you.

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Fine.

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-Right. Is English your first language?

-Yes.

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MACHINE BEEPS

0:04:170:04:19

'Sir, have you ever assisted

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'in any type of amputation or surgical procedure?'

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BEEPS RISE IN PITCH

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'And have you ever seen a bear?

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-'No.

-Are you sure about that?

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'I don't mean in captivity, I mean in the wild.'

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BEEPS CONTINUE TO RISE IN PITCH

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SUSTAINED HIGH PITCHED BEEP

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And if you could just pop the date down there as well, please.

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Now, can you confirm for me verbally that that is your fiance's signature?

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-Yes, it is.

-Yeah, but can you actually say it?

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Like, confirm it verbally for me that that is your fiance's signature?

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Erm... Yes, that is my fiance's signature.

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OK, and can you know verbally confirm for me

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that I haven't tampered with the signature in any way?

0:05:090:05:13

No, you've not.

0:05:130:05:15

Yeah, but can you say it, can you verbally confirm it?

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-No, you haven't tampered with the signature.

-Whose signature?

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-SHE LAUGHS

-My fiance's signature.

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That's it, but say the whole thing.

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Check it for us, will you?

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MACHINE BEEPS

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-Routine.

-Right. Let's do it.

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-If we must.

-What's up with you?

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Nowt, just tired.

0:05:400:05:43

Yeah, well, it's a respite week after today, innit?

0:05:430:05:45

I don't mean like that.

0:05:450:05:46

Don't make this any more difficult than it already is, mate.

0:05:460:05:49

Simple, this job.

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Stick to the rules, tell them everything, leave,

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and never come back.

0:05:530:05:55

Yeah. I know.

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These people don't know how lucky they are.

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-Ready?

-Ready.

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-Did you see the look on her face?

-No.

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-She were devastated?

-What about?

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Poncey coffee and egg sandwiches? Hardly last days of Pompeii, is it?

0:06:320:06:36

-Her should try doing this job.

-Yeah, but...

0:06:360:06:39

Oh, I don't know!

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Yeah, but Rasputin clearly had a fierce life force.

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I mean, that's how come it took them so long to kill him.

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They poisoned him, they beat him with sticks,

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they shot him three times and he still didn't go.

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In the end, they had to shove him under the ice

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and that took nine hours. I mean, that's not an ordinary bloke, is it?

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Yeah, but he were expecting an attempt on his life.

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He'd been taking low doses of strychnine to immunise himself.

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So what? They shot him!

0:07:230:07:24

You can't immunise yourself against being shot, can you?

0:07:240:07:27

You can't immunise yourself against being beaten with sticks.

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He might just have been rock hard. It don't make him magic.

0:07:430:07:48

Yeah, but I think the ability to control haemophilia

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using only the power of his mind,

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which suggests there is a bit going on than just being hard.

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I mean, Douglas Bader was hard,

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but he couldn't clot blood at will, could he?

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We've done ThetaHealing, we've done inner child work,

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-We've done flower essence therapy.

-Yup.

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Rebirthing, and advanced rebirthing - that was amazing.

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Past life regression - now that was amazing.

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I was a seamstress in Elizabethan London. I knew Shakespeare.

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MACHINE BEEPS

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CONTINUOUS HIGH PITCHED BEEP

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And if you could tick the box, please, Sir. Thank you.

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And could you just underline it there as well, please.

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And a full stop, please. Thank you.

0:08:400:08:41

And if you could just initial the full stop, just to show I haven't tampered with it in any way.

0:08:410:08:47

I hope it's benign.

0:08:490:08:51

You do realise they don't think we can really do this, don't you?

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Yeah, well, we'll see, eh?

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What is the ThetaHealing anyway?

0:08:580:09:01

Don't know. Quick way of separating hippies and their cash, I suppose.

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God almighty!

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Yeah. That'd be another way.

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TANGO MUSIC PLAYS

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-Right, go in for a POV on the woman, and I'll follow.

-Copy that.

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Right, you take her, I'll do him. Go, go!

0:10:360:10:39

-Why do I always have to be the maid?

-Just do it!

0:10:390:10:41

You looking for business, darling?

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Yeah, get in, love.

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Just up here, on the left.

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-What's it to be, then, sweetheart?

-Um...

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Well...

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HE SIGHS

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Oh, God!

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What?

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For some 14 months, Madam,

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you've been attending Latin dance classes at the town hall -

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mostly salsa, some tango, and the occasional cha-cha-cha.

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Your dance teacher is one Raoul Gimores, real name Graham Richardson.

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You're very fond of him, but you have no relationship outside the class.

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However, you've chosen to keep this activity a secret from your partner

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and friends as the gender politics of Latin dance are inconsistent

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with your chosen lifestyle.

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That's incredible! How...

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And you, Sir.

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Three times in the last year you've driven to the dock area

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of a nearby coastal town, where you've picked up prostitutes -

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-a different one each time.

-No.

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You paid each woman her normal rates,

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though no actual physical contact occurred.

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Instead, you talked to them -

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mostly reminiscences about your youth, fear of growing old,

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ill health - standard existential concerns for a man of your age -

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as well as your regret about

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-the decision you and your wife made to remain childless.

-Yeah...

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Ooh, sorry! Correction -

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the last of these encounters did in fact end with the

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woman in question administering hand relief in the front seat of your car.

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Look, you...

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-You're like Reg the fisherman, you is.

-Who's Reg the fisherman?

0:13:100:13:14

Reg the fisherman was from Mevagissey.

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My Uncle Jimmy used to work with him on the trawlers.

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He got seasick, he was a vegetarian and the smell of fish made him spook.

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In other words, he was totally unsuitable to be a fisherman.

0:13:220:13:25

-Why am I like him?

-Think about it.

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I just don't like leaving people like that.

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There should be summat we can offer...after.

0:13:310:13:35

Is you Mother Teresa? It's not our job to "offer" anything.

0:13:350:13:37

-We "offer" the information that's in there.

-We should take responsibility.

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It's not our job, mate.

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All right. Usual time in a week?

0:13:520:13:54

-Fine.

-Mate...

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-What you doing?

-Sorry.

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I were just...

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No monkey business.

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What? You want to worry about your own self, mate,

0:14:040:14:06

work on a bit of professional objectivity for starters.

0:14:060:14:08

Go down the pub or something. See people. Make sure you eat!

0:14:100:14:14

Yes, mother!

0:14:140:14:16

RADIO TUNES IN

0:14:560:14:58

FUZZY VOICES ON RADIO

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FLY BUZZES

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STONES RATTLE

0:15:330:15:35

CONTENTS OF BOAT RATTLE

0:16:010:16:04

RADIO TUNES IN

0:16:070:16:09

HEARTBEAT

0:16:140:16:17

Drop of the good stuff?

0:16:350:16:38

There you go.

0:16:420:16:44

Now, where were we? Oh, yes.

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Once upon a time,

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one stormy night,

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a little boy found himself wandering on a barren moor.

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He didn't know how he'd arrived there,

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only that he desperately needed to get himself into the warm and dry.

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And very soon too, he needed to find his house.

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He was very cold and scared, out on the dark night.

0:17:130:17:18

But, being a brave boy, he walked on.

0:17:190:17:23

Eventually, just when he was thinking he was so tired

0:17:250:17:29

that he couldn't go any further,

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the lost boy saw a light in front of him,

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and he finally found it.

0:17:350:17:37

Could this be home?

0:17:370:17:39

When he got closer, he saw it wasn't his house, it was a tiny cottage.

0:17:410:17:46

HE GASPS

0:17:540:17:55

Hello? Hello?

0:18:120:18:15

You up, mate?

0:18:170:18:20

You in there?

0:18:200:18:22

Davis!

0:18:230:18:24

Hello? You all right?

0:18:280:18:32

Davis!

0:18:320:18:34

-What are you doing here?

-What are you on about?

0:18:340:18:36

-We said a week.

-It's been a week.

0:18:410:18:44

Right, you just hang on there a minute. Give us a second.

0:18:460:18:50

Just got to get these things together.

0:18:500:18:53

You know what it's like.

0:18:530:18:54

Lose track of time, don't you? God... Right, let's go.

0:18:540:18:59

-Are you going to get changed?

-Yeah.

0:18:590:19:02

And we need to do the cleansing.

0:19:040:19:06

Yeah.

0:19:060:19:08

STONES RATTLE

0:19:080:19:09

CONTENTS OF BOAT RATTLE

0:19:330:19:35

-TELEVISION:

-'70.'

0:19:350:19:37

'90.'

0:19:400:19:41

You should turn that up. You'll strain your ears.

0:19:430:19:47

'24.'

0:19:470:19:48

BIRD CRIES

0:19:520:19:53

BIRDSONG

0:19:530:19:55

STONES RATTLE

0:20:030:20:05

I ain't shouting, you're shouting!

0:20:080:20:10

BENNETT!

0:20:110:20:13

You can't see your tie in that jumper.

0:20:150:20:18

Bennett, you've got Rasputin all wrong.

0:20:190:20:22

Sometimes there's this thing, you...

0:20:220:20:25

think it's having a laugh, and it is having a laugh.

0:20:250:20:28

WHITE NOISE FROM RADIO

0:20:300:20:33

I don't fucking believe this.

0:20:420:20:44

-You promised me, no more glow chasing.

-Oh, come on, I know what I'm doing with it!

0:20:460:20:50

That's what all the glow chasers say. That's what Williams said.

0:20:500:20:52

-He ended up going Bulgarian.

-I ain't going to go Bulgarian, am I?

0:20:520:20:56

-Don't worry about it.

-I DO worry about it.

0:20:560:20:58

You know the facts. We're not tourists.

0:20:580:21:01

Glow chasing causes a build-up of psychic detritus

0:21:010:21:04

and unchecked, contaminates extractions.

0:21:040:21:06

And, that's apart from the fact that it's dangerous.

0:21:060:21:09

It could just as easily be me who ends up getting hurt as you.

0:21:090:21:11

I ain't going to let that happen.

0:21:110:21:13

We've got the Colonel breathing down us necks.

0:21:130:21:16

I told you to go out and see people. It's not healthy.

0:21:160:21:20

Yeah, well pardon me for wanting a bit of time on me own

0:21:200:21:22

after four more weeks of other people's spunk and betrayal!

0:21:220:21:24

-Oh, come off it!

-Anyway, you want to worry about your own self.

0:21:240:21:27

-Can't believe your Uncle Malkie beat you at snooker. He's only got one arm.

-He had a new cue.

0:21:270:21:31

He's quite handy with that little block, isn't he? He's like Zorro.

0:21:310:21:34

-Shut up, that's not the issue.

-You shouldn't be missing a black like that at this level, mate.

0:21:340:21:38

Hey, hang on a second. I'll just pop up here. I'll be back in a second, yeah?

0:21:380:21:41

All right, mush?

0:22:080:22:10

Swap you.

0:22:140:22:16

HE EXHALES HEAVILY

0:22:290:22:31

-All right, Colonel?

-All right, young fella?

0:22:510:22:54

Yeah.

0:22:560:22:58

Let's have a look at you, then.

0:22:590:23:01

-Your glands are up.

-Are they?

-Yeah.

0:23:130:23:16

-Cough.

-HE COUGHS

0:23:220:23:24

Again.

0:23:280:23:29

HE COUGHS

0:23:290:23:31

-Everything all right with you two?

-Yeah.

0:23:330:23:36

Yes, boss.

0:23:380:23:39

I won't go into details,

0:23:410:23:43

but Faulkner and Gabriel are no longer operational,

0:23:430:23:46

which means I'm looking for a new A-team.

0:23:460:23:50

It's crunch time, boys.

0:23:500:23:52

I need to know you can think outside the box,

0:23:520:23:54

that you can use the procedure to its full potential.

0:23:540:23:57

That's how come the change of job.

0:23:570:24:00

Could be tricky - data required on an absent subject.

0:24:000:24:04

Going to need some lateral thinking.

0:24:040:24:06

But you get this, right?

0:24:060:24:08

Could be your ticket out of the domestic,

0:24:080:24:12

into the global stuff - politicians, aristos.

0:24:120:24:16

Got the Saxe-Coburgs lined up early next year. Imagine the filth!

0:24:160:24:21

Made them look like the Partridge Family, eh?

0:24:210:24:25

HE LAUGHS

0:24:250:24:27

Don't let me down. It's your chance to shine.

0:24:270:24:31

-Mr Bennett, give us a minute.

-All right, boss.

0:24:350:24:38

-Are you on a glow mission, boy?

-No, boss.

-You sure?

-Definitely.

0:24:420:24:46

No "you show me yours, I'll show you mine" behind the bike sheds?

0:24:470:24:50

No holiday snaps?

0:24:500:24:52

No bedtime stories?

0:24:530:24:55

Nothing like that, boss. Honest.

0:24:550:24:57

Stick out your tongue.

0:24:590:25:00

Out.

0:25:010:25:02

I want to believe you, I really do.

0:25:150:25:18

You're like a son to me, you beautiful little monkey man.

0:25:180:25:23

You remember what happened to Culkin?

0:25:250:25:28

'Course, boss, yeah.

0:25:280:25:29

I hated doing that but I'll do it if I have to, you know that.

0:25:290:25:33

I know.

0:25:330:25:34

OK. You up for this promotion?

0:25:370:25:40

Yeah, 'course I am, boss. Definitely.

0:25:400:25:43

-You've got to prove me right.

-Thanks, boss. I won't let you down.

0:25:440:25:48

RAILWAY WHISTLE SOUNDS

0:25:530:25:55

Look at all this - disappearance of Marcus Baron.

0:25:580:26:02

"Eight years ago, my husband disappeared without trace."

0:26:040:26:08

-That's a bit much, isn't it?

-Let's have a look at him.

0:26:090:26:12

It's a classic "I'm going out for a pint of milk job" this, isn't it?

0:26:150:26:18

He's probably in Torquay with Lord Lucan.

0:26:180:26:20

How are we supposed to find him?

0:26:200:26:23

What were the Colonel on about?

0:26:230:26:25

Snooker. He wanted a few tips on his cue action.

0:26:250:26:28

I were this close to telling him, mate. I've had enough.

0:26:290:26:33

-Oh, hello.

-Hello.

0:27:190:27:22

You're from Veridical?

0:27:220:27:23

Yeah, that's right. I'm Bennett, this is my colleague, Mr Davis.

0:27:230:27:29

You're very tall.

0:27:290:27:30

Yeah.

0:27:320:27:33

-So, you read the file?

-Of course.

0:27:330:27:37

He disappeared eight years ago. Pretty fed up of it now.

0:27:370:27:40

Quite like to find him, etc.

0:27:400:27:43

-OK?

-OK.

0:27:430:27:45

So, let's see who digs him up first. Yup.

0:27:450:27:49

Well, off you trot. House is down there. Come on, chop chop!

0:27:520:27:57

Go on now!

0:27:570:27:59

-Dig him up?

-Shh!

-What?!

0:28:050:28:07

Don't look right.

0:28:210:28:22

Yeah, this is it.

0:28:470:28:49

-You all right, mate?

-Come on.

0:28:510:28:54

MACHINE BEEPS

0:29:410:29:44

-This ain't working.

-It could be atmospherics.

0:29:510:29:55

You have to do it through triangulation.

0:29:550:29:57

It's quite a place this, though, innit?

0:30:020:30:04

-That was quick.

-I need you to sign the forms before we can go in.

0:30:170:30:20

Fine.

0:30:200:30:21

And there was another, sort of, younger maid, walking about earlier?

0:30:240:30:28

My daughter, Rebecca.

0:30:280:30:31

-Yeah, her too, if she's over 18.

-Fine.

0:30:310:30:34

-Do you really think you're going to find him like that?

-I don't know.

0:30:390:30:43

-But I cannot not look, can I? He was my husband.

-Was?

0:30:450:30:49

Look, missus, we can only work with the people here and now, yeah?

0:30:520:30:55

So if he's dead, or otherwise...not about, we're not going to be able to

0:30:550:31:00

get anything specific to him and no one else, do you see what I mean?

0:31:000:31:04

Er...whatever. Just give me a clue. Something.

0:31:040:31:08

So, Madam, if you sign there? Thank you. And the date there, please?

0:31:120:31:15

And initial in the box? Thank you.

0:31:150:31:18

That's brilliant. Thank you. And you as well, Miss?

0:31:180:31:22

If you could do the same, please?

0:31:220:31:23

Just print your name there, sign and date there, and initial in the box.

0:31:230:31:26

It's just a formality, Miss.

0:31:380:31:39

That's lovely, thank you.

0:31:460:31:47

Teenagers!

0:31:520:31:53

DOOR SLAMS

0:31:530:31:55

-How old is she?

-21.

0:31:550:31:57

-All right?

-You sorted up there?

0:32:010:32:04

No, the triangulation's failed.

0:32:040:32:05

-I'm going to have to go through the polygons.

-What? You're joking!

0:32:050:32:08

I've never had to do it before. Well, not in the field.

0:32:080:32:10

It's seven or eight hours' work, we're not going to get done today.

0:32:100:32:13

-No, no way.

-According to the sheet, there's a pub in the village does B&B.

0:32:130:32:17

-Right, I'll come upstairs and have a look.

-I've done it right!

0:32:170:32:19

I'm not saying you haven't, I just want to go upstairs and cast an eye if that's all right, your holiness?

0:32:190:32:24

-Sorry about this.

-What have you done?

-Nothing.

0:32:260:32:31

-So why did you say you're sorry?

-Er...

0:32:310:32:34

Oh, you were being kind.

0:32:340:32:36

Well...

0:32:360:32:37

Ah, that's nice.

0:32:370:32:39

The...photos and the map at the top of the stairs,

0:32:410:32:48

what's that?

0:32:480:32:50

I keep a record of where I've been.

0:32:500:32:51

I don't want to be digging in the same place twice, do I?

0:32:510:32:54

That'd be crazy, wouldn't it?

0:32:540:32:57

Digging, digging.

0:32:570:32:59

Right.

0:32:590:33:00

This is a beautiful house.

0:33:020:33:04

You think so?

0:33:050:33:07

Yeah, it's really something.

0:33:070:33:09

MACHINE BEEPS

0:33:120:33:15

-Are you all right?

-Yeah.

0:33:490:33:51

Well, we'll keep at it.

0:33:530:33:55

Yeah. So, do you need anything?

0:33:550:33:59

No, I'm fine.

0:33:590:34:01

You are very tall, aren't you?

0:34:020:34:05

-Yeah, I am.

-Yeah, right...

0:34:050:34:08

You know, I was thinking about the B&B...

0:34:080:34:12

MACHINE BEEPS

0:34:130:34:16

-Oh, you found it. Any preference?

-What?

0:34:160:34:20

Have you had a bang on the head or something?

0:34:240:34:25

There is no way I'm stopping here and eating coq au vin with Gloria Swanson and the Brady Bunch.

0:34:250:34:29

-We're going to stay in the pub.

-No we won't, we're stopping here.

-Why?

0:34:290:34:33

I'm getting nowhere fast with this lot.

0:34:330:34:35

I know, that's exactly why we should get out, have a few beers,

0:34:350:34:37

win a bit of money on the pool table, come back first in the morning.

0:34:370:34:40

No, it's a waste of time. We stay here and get at it straight away, first thing.

0:34:400:34:44

-You're going native again.

-No I'm not!

0:34:440:34:46

-Yes, you are! You're being unprofessional!

-YOU'RE being unprofessional!

0:34:460:34:49

-YOU'RE being unprofessional!

-YOU'RE being unprofessional!

0:34:490:34:52

-YOU'RE being unprofessional!

-Shut up!

0:34:520:34:54

Look, I'm in the chair on this one. I've made me decision.

0:34:540:34:57

We stop here, we get up early, we get it done, we get the hell out.

0:34:570:35:01

Well, there's no way I'm sitting having dinner with them!

0:35:010:35:04

DOOR SLAMS

0:35:050:35:07

Looks nice.

0:35:150:35:16

-What's your name, little fella?

-Jojo.

-Pleased to meet you, Jojo.

0:35:310:35:35

Thank you.

0:35:350:35:36

-How long are you staying for?

-Well...

-Just tonight.

0:35:370:35:40

-You can stay a bit longer if you like.

-What?

0:35:400:35:43

No, mate, we don't muck about.

0:35:430:35:45

Get the low-down, done and dusted first thing.

0:35:450:35:48

-Do you like football?

-I do, yeah.

0:35:550:35:57

-One day, I'm going to play for a team.

-Oh, right?

0:35:570:36:00

The strip is going to be the Celtic top, maybe, with green shorts

0:36:000:36:05

and the same pattern on the socks.

0:36:050:36:08

-Sounds like you've got it all planned out.

-Yeah.

0:36:080:36:11

What about your away kit?

0:36:110:36:14

I haven't thought about that yet,

0:36:140:36:15

but I think I've got the goalkeeping kit in.

0:36:150:36:18

It's blue top with black sleeves and a black bit going across the top.

0:36:180:36:23

Oh, right, OK.

0:36:230:36:25

What position do you play?

0:36:280:36:29

-Goalkeeper and defence.

-Goalkeeper and defence?

0:36:290:36:34

-I used to be a goalkeeper when I were at school.

-Were you any good?

0:36:340:36:38

Not really. Are you any good?

0:36:380:36:41

Yeah.

0:36:410:36:43

-Who do you support?

-Oldham Athletic.

-God's sake!

0:36:430:36:46

Who do you support?

0:36:520:36:54

Manchester United, Sheffield United and Wisbech Town.

0:36:540:36:58

Blimey, you've all the angles covered there!

0:36:580:37:02

-This is lovely.

-Right, I ain't hungry.

0:37:020:37:05

Sorry, I'm tired, I'm going to bed. Ta for...that.

0:37:050:37:08

-Sorry about that, he's...

-No, it's all right. Eat.

0:37:120:37:16

Is he your best friend?

0:37:180:37:20

Yeah.

0:37:220:37:23

Are you married? I mean, not to him, of course.

0:37:240:37:27

No, I'm not married.

0:37:290:37:31

Living with someone?

0:37:310:37:34

My mother.

0:37:340:37:35

I live with my mother too.

0:37:350:37:37

Yeah, I know you do.

0:37:390:37:42

VOICES ECHO FROM DOWNSTAIRS

0:37:490:37:51

STONES RATTLE

0:38:250:38:26

VOICES ECHO

0:38:300:38:32

..eventually, just as he was thinking he was so tired

0:38:320:38:35

that he couldn't move any further,

0:38:350:38:36

the lost boy saw a light in front of him.

0:38:360:38:40

Had he finally found it? Could this be home?

0:38:400:38:45

But when he got closer, he saw it wasn't his house,

0:38:450:38:48

it was a tiny cottage -

0:38:480:38:50

old, strange and spooky.

0:38:500:38:54

So, he gathered up all of his courage,

0:38:550:38:58

walked up to the rotten old door and knocked.

0:38:580:39:03

Oh, I don't believe this!

0:39:090:39:11

-Give me them here!

-What you doing? Get off!

-Give them to me!

0:39:110:39:14

-You're not having them!

-Yes I am!

0:39:140:39:16

-No, get off!

-Give them to me!

-Get off!

0:39:160:39:18

Right, that's it.

0:39:210:39:23

What are you talking about? I was asleep.

0:39:280:39:31

What?

0:39:330:39:34

I weren't glow chasing, Bennett.

0:39:360:39:39

You got it wrong, mate, its research.

0:39:390:39:41

Dead man's POV. Just the thing for this job, innit?

0:39:410:39:43

Bennett? Mate?

0:39:450:39:48

Good night.

0:39:480:39:49

You, stay here.

0:40:080:40:11

I'm going to see if I can crack this one on my own.

0:40:110:40:13

What? You can't do that. How are you going to audit?

0:40:130:40:16

-I'll get to where I can on me own. It's safer this way.

-No, it isn't.

0:40:160:40:20

I won't tell the Colonel as long as you don't interfere.

0:40:200:40:23

As soon as you do, I will.

0:40:230:40:25

I want this promotion

0:40:250:40:26

and I don't want you contaminating the place and buggering it up.

0:40:260:40:31

You need to take some time out,

0:40:310:40:33

think about whether you've still got the discipline for this.

0:40:330:40:36

Do you hear me?

0:40:380:40:40

Think about it!

0:40:540:40:56

The village with the train station, there's no church.

0:40:560:41:00

That means the town's got to be the nearest... Oh, SHIT!

0:41:000:41:03

-How did you miss this?

-Me?!

0:41:030:41:06

All right, I'm making the call.

0:41:060:41:08

No, listen, we can sort this.

0:41:080:41:10

Mate, don't tell him about the old, you know, research.

0:41:100:41:14

Hello, it's Bennett. Get me the Colonel.

0:41:190:41:22

Well, get him out of the flotation tank!

0:41:220:41:24

Hello, boss?

0:41:260:41:27

Yeah, the house is built on a corpse road. It looks like a cold channel.

0:41:270:41:30

Pretty sure.

0:41:330:41:34

Right. Will do, boss.

0:41:350:41:38

He's on his way.

0:41:440:41:46

-This is delicious.

-Good.

0:41:520:41:55

I told them to bring an epic breakfast. Would you call it epic?

0:41:560:42:01

Mmm! Pretty epic.

0:42:010:42:04

-How often do you make it to the village yourself?

-Me?

0:42:060:42:09

-I never go to the village.

-Why not?

0:42:090:42:12

What if he came back and I wasn't here?

0:42:120:42:14

-Bennett, I've had a thought.

-Not now.

-Do you want a kipper?

0:42:200:42:23

-They're really tasty, aren't they, Frank?

-Frank?!

0:42:230:42:26

Fuck me, you're the one who's going native

0:42:270:42:29

-and you're hanging me out to dry?

-That's enough!

0:42:290:42:32

I'll talk to you later.

0:42:320:42:34

-Really sorry about that.

-No, it's OK.

0:42:430:42:45

He's another loser.

0:42:490:42:51

He lost something, didn't he?

0:42:510:42:53

Takes one to know one, you see.

0:42:560:42:57

Good morning.

0:42:590:43:01

Sorry we're cluttering the place up a bit.

0:43:300:43:35

We're going to do our best to find out what happened to your dad,

0:43:400:43:44

if we can.

0:43:440:43:46

-Do you know why they called Tottenham Spurs?

-No, why?

0:44:450:44:50

To shorten it on the scoreboard.

0:44:500:44:53

-HE LAUGHS

-Yeah. Here you are.

0:44:530:44:55

Grr!

0:44:580:44:59

Thanks.

0:44:590:45:01

Wait here, mate. Mrs Baron?

0:45:030:45:06

Jane.

0:45:090:45:10

You don't have to do this if you don't want. It's all in hand.

0:45:120:45:17

Maybe you could take a day off, we'll see what we find

0:45:170:45:20

when the Colonel gets here.

0:45:200:45:21

STONES RATTLE

0:45:250:45:26

So, Lord Lucan lives on a corpse road, yeah?

0:45:360:45:40

-He knows the score, he knows I'll get us in.

-Yeah?

0:45:400:45:42

So he thinks, "I'll just sit on a cold channel

0:45:420:45:45

"and they can fish for it."

0:45:450:45:46

But he didn't bank on old Gabriel, did he?

0:45:460:45:49

'So what did you do then?'

0:45:490:45:52

Oh, yeah!

0:45:520:45:53

He's quite good, isn't he?

0:46:070:46:09

-Is he?

-Yeah, he's not bad.

0:46:110:46:14

How can you tell?

0:46:160:46:18

-Gabriel!

-Oh, God.

-Gabriel!

-Excuse me.

0:46:180:46:22

-No, it's OK, it's all right.

-Gabriel, Lord Lucan!

-What about them?

0:46:220:46:25

They had a corpse road on that job - a bypass, we can do it.

0:46:250:46:28

-No, I don't want you involved.

-Oh, come on, Frank,

0:46:280:46:31

none of us are perfectly professional all the time, are we?

0:46:310:46:33

Don't come all that with me. Having a bit of a natter and glow chasing are not the same thing,

0:46:330:46:37

-far from it.

-All right, all right. Look, I'm done with that.

0:46:370:46:41

Here you go. You can have them.

0:46:410:46:42

I'm not interested. I just want to do the job, please.

0:46:420:46:46

Have this and all, it's the trigger. The whole lot's printed on it.

0:46:460:46:50

I don't want it no more.

0:46:500:46:51

Look, mate, the corpse road's coming from over there, yeah?

0:46:510:46:53

All we need to do is nudge up 45 degrees or so,

0:46:530:46:55

-just round the other side of the house, yeah?

-Right.

0:46:550:46:58

It's a trench and mirror job. Get missus on the case, her's mad with digging, isn't her?

0:46:580:47:01

Stick a few flags in so they don't compromise the channel, do you see what I mean?

0:47:010:47:05

-It's a bit out there.

-So what?

0:47:050:47:08

-Don't flake out on me now. It'll work.

-It could.

0:47:080:47:11

It's your call, pilot. What do you reckon?

0:47:110:47:14

-How does the line look?

-I don't know. Fine, I think.

-Yeah?

0:47:180:47:22

-What are we doing?

-We're building a bypass.

-How do we do that?

0:47:220:47:26

I don't know. You'd have to ask him, I'm not a natural.

0:47:260:47:31

All right, then, love, I need you to dig all trench along this line,

0:47:310:47:34

so deep, yeah? Just enough so you know it's there.

0:47:340:47:36

Get in the house, get the windows open, all the ones that will.

0:47:360:47:39

Turn all the taps on, flush the place out. Let's go! Let's go!

0:47:390:47:42

Nice one little, um...Denzel.

0:47:450:47:48

What are you doing?

0:48:410:48:43

-What's going on?

-Don't worry, missus, we're professionals.

0:48:490:48:53

See, the traffic comes over the hill, yeah?

0:49:000:49:02

-Now, the house is the obvious way to proceed.

-The traffic?

-Yeah, that's right.

0:49:020:49:05

So, what happens now is the mirror's going to bounce it round that way and it'll come out the back.

0:49:050:49:09

-See what I mean?

-Traffic?

-Yes.

0:49:090:49:11

-What do you reckon?

-Looks the part.

0:49:110:49:13

-There's only one way to find out, I suppose.

-What traffic?

0:49:130:49:16

Can't believe this. It's routine, textbook.

0:49:200:49:24

There's your target, clean, easy, like we never had a problem.

0:49:240:49:28

-You are bloody good at this, mate.

-Let's do it, then.

0:49:280:49:31

The Colonel's coming.

0:49:310:49:32

-Exactly, that's why we should waste as little of his time as possible.

-He said to sit tight.

0:49:320:49:36

I know, but that's before we turned a difficult job into a routine one.

0:49:360:49:39

Hey, tell you what, go and get something personal of the husband,

0:49:390:49:42

so we can put it in the circuit, strengthen the signal.

0:49:420:49:45

Come on, mate, I'm back.

0:49:450:49:46

It should be in here somewhere.

0:49:510:49:54

Ah! There it is.

0:49:540:49:56

I bought it for him.

0:49:580:50:00

Didn't really wear it much, though.

0:50:010:50:04

-Thought it was too odd.

-That'll be fine.

0:50:040:50:07

He thought I was too odd too.

0:50:120:50:14

Are you all right?

0:50:200:50:21

No. But thank you for asking.

0:50:260:50:30

-Right then, mate, ready?

-Yeah.

0:50:520:50:54

MACHINE BEEPS

0:50:550:50:58

-All right?

-Normal.

0:50:580:51:00

Let's go.

0:51:040:51:05

There you are, mate.

0:52:070:52:09

'Have a look at this!'

0:52:090:52:12

Come on!

0:52:120:52:13

'Where are you?'

0:52:130:52:15

I've lost the map here, mate.

0:52:190:52:21

HE SCREAMS

0:52:240:52:27

SCREAMS CONTINUE

0:52:270:52:29

HE SHOUTS IN BULGARIAN

0:52:320:52:36

Stay with me! Stay here, don't go!

0:52:360:52:39

-Oh! Oh!

-Calm, calm...

0:52:390:52:42

HE CONTINUES TO SHOUT

0:52:420:52:44

Calm! Shh!

0:52:440:52:47

Shh, shh.

0:52:490:52:50

HE GROANS

0:52:560:52:57

You'll be all right, mate. Shh.

0:52:570:53:01

You'll be OK.

0:53:010:53:02

I told you to wait, mush.

0:53:150:53:17

-The problem had gone, he'd solved it himself.

-Shh-shh-shh!

0:53:170:53:20

You were the pilot. This is down to you.

0:53:270:53:30

We're looking after you, so don't worry.

0:53:440:53:46

Listen, we don't understand! Just stop it!

0:53:480:53:51

Please, quiet!

0:53:510:53:52

-Why don't you write it down? Yeah? Write it down.

-There's no point.

0:53:550:54:00

Please, let him have a say.

0:54:000:54:01

-I don't get this. What is this, Russian?

-Bulgarian.

0:54:230:54:27

Occupational hazard, missus.

0:54:270:54:28

Even if he could speak English, it'd be a load of old bollocks,

0:54:280:54:32

on account of the psychic detritus from the failed extraction.

0:54:320:54:36

-He's not even here half the time.

-So where is he?

0:54:360:54:39

That's classified.

0:54:410:54:42

-So what are you going to do?

-We're going to wait.

0:54:440:54:47

He might be free of it within 24 hours. If he's lucky.

0:54:480:54:51

What if he's not lucky?

0:54:510:54:53

HEADBOARD THUDS

0:54:560:54:58

Christ on a bike, mush. This is Thatcher-Mitterrand all over again.

0:55:000:55:05

It's a bloody nightmare.

0:55:050:55:07

I can't believe he took his goggles off.

0:55:070:55:09

What's been going on with him?

0:55:090:55:11

Nowt.

0:55:110:55:12

Nothing out of the ordinary?

0:55:120:55:15

No.

0:55:150:55:16

-What the bloody hell was that all about?

-Don't know.

0:55:280:55:31

-How long have you been with the agency?

-Seven years, boss.

0:55:320:55:36

Seven year? Listen, sunshine, you're one of us now, for better or worse.

0:55:360:55:42

There's no going back.

0:55:420:55:44

What, you think you're going to go and work in a bank,

0:55:440:55:46

have a wife and two and a half kids, eh?

0:55:460:55:49

-HE SCOFFS

-I don't see it somehow, do you?

0:55:490:55:52

No.

0:55:530:55:55

-No, I don't.

-No.

0:55:570:55:59

Sharpen up, Mr Bennett, no more mistakes.

0:55:590:56:01

Hey, it's all right, mate. Just save your energy.

0:56:350:56:39

Get you in rehab, soon as. Get you match fit.

0:56:390:56:43

Be in the pink in a week or two, won't you?

0:56:450:56:48

Well, might be a bit longer.

0:56:500:56:52

All right, then, let me think.

0:57:180:57:20

Once upon a time, she says, one stormy night,

0:57:200:57:25

a little boy found himself wandering on a barren moor.

0:57:250:57:29

He didn't know how he'd arrived there,

0:57:310:57:33

only that he desperately needed to get into the warm and dry, and very soon, too.

0:57:330:57:37

He needed to find his house.

0:57:370:57:38

He was very cold and scared, out on the dark night.

0:57:380:57:43

But being a brave boy, he walked on.

0:57:430:57:46

THE COLONEL SNORES

0:58:020:58:05

Do you hear me? Don't you dare move! I bloody well mean it and all!

0:58:490:58:53

I know it's far away from civilisation, so-called,

0:59:190:59:23

but that's what's so good about it, isn't it?

0:59:230:59:28

What?

0:59:280:59:30

So, what do you think?

0:59:310:59:33

Bennett?

0:59:340:59:36

Bennett?

0:59:410:59:42

-MAN'S ECHOING VOICE:

-..On stormy ground,

1:00:241:00:26

a little boy found himself wandering over a barren moor...

1:00:261:00:30

RACING HEARTBEAT

1:00:301:00:32

Didn't know how he'd arrived there, only that he desperately

1:00:321:00:35

needed to get himself in the warm and dry, and very soon, too.

1:00:351:00:39

He needed to find his house.

1:00:401:00:42

What the bloody hell are you doing here? Hello?

1:00:431:00:46

The little boy found himself wandering over a barren moor.

1:01:011:01:07

He didn't know how he'd arrived there, only that he desperately

1:01:071:01:10

needed to get himself into the warm and dry, and very soon, too.

1:01:101:01:14

He needed to find his house.

1:01:141:01:17

He was very cold and scared, out in the dark night.

1:01:171:01:21

-You're a bloody thief!

-..Being a brave boy...

1:01:211:01:26

So he gathered up all of his courage,

1:01:321:01:35

walked up to the rotten old door and knocked.

1:01:351:01:39

He waited. At last,

1:01:391:01:42

the door swung open to reveal...

1:01:421:01:45

..an old lady, back bent,

1:01:461:01:50

face wizened,

1:01:501:01:52

eyes clouded,

1:01:521:01:54

blind...

1:01:541:01:55

"Who's there?" she snapped, squinting into the wind.

1:01:551:02:00

The old lady gave him dry clothes,

1:02:001:02:02

sat him in front of the fire with a bowl of hot soup...

1:02:021:02:04

This is mine!

1:02:041:02:06

You get the fuck out!

1:02:061:02:07

-What's this?

-So you definitely think a sister would be better?

1:02:161:02:20

What's this, then? This is yours.

1:02:201:02:24

Listen to me, this is wrong.

1:02:241:02:26

We've strayed through the line, this can get really...

1:02:261:02:28

You could get lost in here and never find your way out.

1:02:281:02:31

I don't mind either way.

1:02:311:02:32

As long as the baby is as beautiful as me, we'll be happy, won't we?

1:02:321:02:36

It's him!

1:02:401:02:41

So that must be...

1:02:441:02:45

What?!

1:02:541:02:55

This is too dangerous.

1:02:571:02:59

We need to find a way out, and I want my rocks back, you thief!

1:02:591:03:02

Where ARE you?

1:03:041:03:07

Right, I'll come and find you, then.

1:03:091:03:11

SOUNDTRACK RUSHES BACKWARDS

1:03:111:03:16

Look at this! How did I miss this? It IS you!

1:03:281:03:31

Right, you wait here. Do you hear me? Don't you DARE move!

1:03:341:03:38

I bloody well mean it, an' all.

1:03:381:03:40

Oh, God.

1:04:321:04:33

HE SNORES GENTLY

1:04:331:04:36

Oh, God.

1:04:361:04:37

-Davis?

-Davis!

-Anything?

-No.

1:04:481:04:51

Where will she take him?

1:04:521:04:54

-She take HIM?

-That's what I said.

1:04:541:04:56

She must have nabbed him.

1:04:561:04:58

That's ridiculous.

1:04:581:05:00

I won't go easy on her, I can tell you that.

1:05:001:05:02

-She's a girl, Frank, she's just a girl.

-Just a normal girl, is she?

1:05:051:05:09

Oh, and Davis is Mr Reliable, is he?

1:05:091:05:11

Look at all this stuff, mush.

1:05:351:05:38

This is powerful, this.

1:05:381:05:40

-Did you not see this?

-No, boss.

1:05:431:05:46

Least of your problems around here.

1:05:461:05:50

-Get the gear.

-Are we going to extract here?

1:05:561:05:59

How are we going to do that, the girl's not here, you cretin! Keep up!

1:05:591:06:02

I'll have to take a few readings,

1:06:041:06:06

see quite how far round the U-bend we are.

1:06:061:06:08

Right.

1:06:101:06:12

-Where are we going?

-Where are you going? Jane!

1:06:261:06:30

I've got to find her.

1:06:301:06:32

-Where are you going to look?

-I have to do something.

1:06:321:06:35

Then look after this one!

1:06:351:06:38

We'll do what we can.

1:06:381:06:40

Davis is a good man.

1:06:401:06:42

If they're together, she'll be fine.

1:06:421:06:45

They'll be back.

1:06:451:06:47

-How long is it since you've spoken?

-It's been three years.

1:06:521:06:56

She was fine, she was a normal girl,

1:06:561:06:57

then she went to look at a university and she came back...

1:06:571:07:01

-like that.

-You should have told us.

1:07:011:07:04

-Find her, Frank.

-I'll try.

1:07:051:07:08

(Come back to the house.)

1:07:111:07:13

EQUIPMENT BUZZES

1:07:471:07:50

INTERMITTENT BUZZING

1:07:561:07:59

BUZZING STOPS

1:08:041:08:06

INTERMITTENT BUZZING STARTS AGAIN

1:08:171:08:21

I'm going to recalibrate.

1:08:291:08:31

BABY GRIZZLES

1:09:271:09:29

History.

1:09:311:09:32

History.

1:09:351:09:37

I'd have graduated by now.

1:09:371:09:39

I came for an interview.

1:09:421:09:44

-ECHOING:

-History.

1:10:091:10:11

(Dad?)

1:11:041:11:06

What the bloody hell...?

1:12:111:12:12

He's not dead!

1:12:121:12:14

I know what happened.

1:12:141:12:15

-I saw him, I don't know how...

-I don't believe this...

1:12:161:12:19

Maybe this is what Davis was going on about, the dead man's POV.

1:12:191:12:23

-But he's not dead!

-Davis was going on about the dead man's POV?

1:12:231:12:28

I knew it! That little rat must be on the glow, isn't he?

1:12:281:12:32

To think...I had you two fucking lined up to be in my A team!

1:12:331:12:37

I'm sorry! Boss...

1:12:371:12:40

I saw him.

1:12:401:12:41

-Look, we can tell her!

-Tell her what?

1:12:411:12:44

You drop one hint to her and you're burned, boy.

1:12:441:12:49

You remember Culkin.

1:12:491:12:51

I got it wrong.

1:12:561:12:58

Hello? One - two?

1:12:581:12:59

And you haven't spoke since then?

1:13:041:13:06

-Only to you.

-That's all well.

1:13:061:13:09

No, it's not. I just didn't know how to tell her.

1:13:101:13:16

I still don't.

1:13:161:13:17

Not a trace, I'm afraid...

1:13:191:13:21

So I'll disappear and we'll be out of your hair within the hour.

1:13:211:13:26

Sometimes these things happen.

1:13:261:13:28

Sometimes we just can't get where we need to be.

1:13:281:13:32

Sometimes I'm afraid people do just disappear and you don't get answers.

1:13:321:13:37

-And what about Rebecca?

-We'll find her, we've got to - she's with Davis.

1:13:371:13:41

-How?

-Isosceles tracking.

-But...

1:13:411:13:44

Why can't you just...?

1:13:441:13:46

No, it's a different...

1:13:461:13:48

It wouldn't work, trust me.

1:13:481:13:50

It's complicated.

1:13:501:13:51

DOOR OPENS

1:13:511:13:53

-You all right?

-Yeah.

1:13:531:13:55

OK, then.

1:13:581:14:00

-Are you going to say goodbye to Jojo before you leave?

-Course I will.

1:14:001:14:04

You've gone all Charlie Chaplin again.

1:14:161:14:19

Silent, I mean, not schmaltzy and unfunny.

1:14:221:14:25

You're that boy.

1:14:341:14:36

-No.

-Yes, you are.

1:14:361:14:37

-Looks, it ain't what you think.

-Why isn't it?

1:14:391:14:43

Because it's just...

1:14:431:14:45

-like a photograph.

-No, it's not.

1:14:451:14:47

I did it, you get to feel what the boy feels, it's ace.

1:14:491:14:52

Shut up about it.

1:14:521:14:53

-What about today, though?

-What about it?

1:15:031:15:06

Don't you go and see them today?

1:15:071:15:09

-They're gone.

-But I was with them.

1:15:091:15:12

-No...

-They told me a story.

-No, they're gone.

1:15:121:15:14

It's just what happens to people, isn't it?

1:15:231:15:26

-I see it every day - look at you lot.

-Don't understand.

1:15:261:15:30

Well...

1:15:301:15:32

It's always a version of the same story, isn't it?

1:15:321:15:36

People are there...

1:15:361:15:37

..and then they're not.

1:15:391:15:40

What am I going to tell my mum?

1:15:461:15:48

When're you coming back?

1:16:171:16:18

I don't know.

1:16:201:16:21

I hope it's soon.

1:16:231:16:25

Oh, no...

1:16:251:16:27

Jane... You can't.

1:16:301:16:32

It's OK, Frank.

1:16:321:16:34

I thought we might make a garden.

1:16:361:16:37

-What do you think?

-OK.

1:16:401:16:43

So where do you think we should put it?

1:16:491:16:52

-We could put it on that bit up there?

-That's a good idea.

1:16:521:16:56

Hello.

1:17:261:17:27

Hello, Mum.

1:17:311:17:32

Hello.

1:17:521:17:53

-Hello.

-Do you want to help with my garden?

1:17:551:17:58

OK.

1:17:591:18:00

-Mate, are you all right?

-Yeah.

1:18:091:18:11

What? Say that again.

1:18:111:18:13

-Yeah, I'm fine.

-Mate, you're back! How?

1:18:131:18:14

- I don't know, I just snapped out of it. - Where've you been, soldier?

1:18:141:18:17

-I know what happened.

-Yes, so do I.

-How do YOU know?

1:18:171:18:19

-I extracted over there, I saw...

-Hey, hey, hey!

1:18:191:18:21

Calm down, monkeys, all right?

1:18:211:18:23

- How did Mrs take it? - We didn't tell her!

1:18:231:18:27

It's not a reliable extraction.

1:18:271:18:28

- But I know where he is! - Snap out of it!

1:18:281:18:31

Not interested in your little daytrip!

1:18:311:18:33

We don't do 3-D stuff, you know that - our domain starts at four.

1:18:331:18:36

And since when are glow-chasing, lying

1:18:361:18:39

and maverick operations order of the day?

1:18:391:18:41

Faulkner's got early-onset Alzheimer's because of that kind of feckless fucking about.

1:18:411:18:46

Let's get out of here and maybe we can talk about how to try

1:18:471:18:50

and save your jobs, understand?

1:18:501:18:53

I said, "Do you understand?"

1:18:531:18:56

-Do you want to look after her?

-Eh?

1:18:561:18:58

You heard, do you want to look after her?

1:18:581:19:01

What the bloody hell are you talking about?

1:19:011:19:03

-Yeah.

-Right. Take her there.

1:19:041:19:07

She'll need looking after after she's been there.

1:19:071:19:10

-He's out of his mind, don't listen to him.

-Right, I will.

-Bennett!

1:19:101:19:13

- Leave him, boss. - Bennett, I'm talking to you!

1:19:131:19:16

Bennett, you take one more step and you'll regret it, sunshine!

1:19:161:19:20

I don't think I will.

1:19:201:19:22

Fine.

1:19:241:19:26

You were always a wet blanket, anyway. A fucking dilettante.

1:19:271:19:31

Say what you want, Boss.

1:19:331:19:34

You want no part of this, son - come on.

1:19:431:19:45

Oh, I think I'm stopping here an' all, Boss.

1:19:451:19:47

Don't be ridiculous.

1:19:471:19:48

- You'll still make the grade. - No, no!

1:19:481:19:52

Listen... You're A-team material.

1:19:521:19:55

You're a natural, Son, it's in your blood.

1:19:551:19:57

I don't want it, boss.

1:19:571:20:00

I ain't interested in politicians and powerbrokers.

1:20:001:20:03

Thatcher and Mitterrand was a domestic.

1:20:031:20:06

It's the oldest story in the book.

1:20:061:20:08

Look, they despise the likes of you and me out there in the real world.

1:20:081:20:13

You know that. You'll never fit in anywhere.

1:20:131:20:17

Come on...

1:20:181:20:19

No, I'm through, Boss. Boss, I'm through...

1:20:191:20:22

- Boss, get off me! - Come on!

1:20:221:20:24

-What are you doing?

-Enough!

1:20:241:20:26

Argh!

1:20:271:20:29

No!

1:20:301:20:32

You're done, Boss.

1:20:321:20:34

You know I can't let this go, don't you? You'll be getting a visit.

1:20:411:20:45

Like Culkin!

1:20:451:20:47

Yeah, but I ain't Culkin, Boss - it's me,

1:20:481:20:51

I don't think you want to do that to me.

1:20:511:20:54

It'll be out of my hands, won't it?

1:20:541:20:57

Well, not if you never found us.

1:20:571:20:58

Not if we was just gone.

1:21:001:21:02

I... I don't want you gone.

1:21:091:21:12

Sorry.

1:21:171:21:18

Take care, Boss - yeah?

1:21:221:21:24

Come on.

1:21:321:21:34

-Hi.

-All right?

1:21:521:21:54

-Let's have a go, then.

-Why?

-Because it's cool.

-Not now, eh?

1:22:061:22:11

-Oh, sorry - are you having a go?

-No. I'm just waiting for Bennett.

1:22:111:22:16

-Come on, then.

-Stop it.

-What are you waiting for?

-I said stop it.

1:22:221:22:25

Oh, for God's sake.

1:22:251:22:27

"Who's there?", she said, squinting into the wind.

1:22:271:22:30

The old lady gave him dry clothes, sat him in front of the fire...

1:22:301:22:33

-Pack it in!

-..and very soon, the boy was as warm as toast!

1:22:331:22:37

-I'm serious, that's enough.

-What's the problem?

1:22:371:22:40

-You shouldn't even BE here.

-You can't just play by yourself all the time.

1:22:421:22:46

There's a name for that, you know.

1:22:461:22:48

-I'd love to try on your mum's funky shoes.

-What?

-Let me be her.

1:22:481:22:52

-You be the boy.

-No!

1:22:521:22:53

Oh come on, it's BORING doing the same thing all the time.

1:22:531:22:56

-I'll be the boy, you be the dad.

-No!

-You be the mum, then. Kinky!

1:22:561:22:59

-Shut up, we can't do that.

-Why not?

-You KNOW why not, I told you.

1:22:591:23:04

They're not here, it's just a... loop, an imprint.

1:23:041:23:08

Oh, yeah... That's right.

1:23:081:23:10

So if you think about it, then a more honest view would be this.

1:23:121:23:15

Think you're clever?

1:23:201:23:22

I haven't got a friend in the world.

1:23:251:23:27

You've got Bennett, who's actually really cool, but you don't talk to him

1:23:271:23:30

because you'd rather sit in here with people who aren't really there.

1:23:301:23:33

That's stupid.

1:23:331:23:35

All right, fair enough. Point taken. Thanks very much.

1:23:371:23:41

And he says to the old lady, "Tell me a story". The old lady says...

1:23:471:23:52

-"Once upon a time..."

-And it just goes around again.

1:23:521:23:56

And again, and again!

1:23:561:23:58

And you're OK with that? That's enough to fill your heart, is it?

1:23:591:24:03

You're certainly making up for lost time on the talking front, ain't you?

1:24:031:24:06

-Oh, neat parry.

-I preferred you when you were...

-Yeah, yeah, yeah.

1:24:061:24:09

And he was very cold and scared in the darkness...

1:24:101:24:15

My dad's gone, too.

1:24:171:24:19

Yeah, he went because he was...

1:24:191:24:22

Whatever he was, I don't care.

1:24:221:24:23

It's not the end of everything, is it?

1:24:241:24:27

New things start, don't they?

1:24:271:24:29

All right, then. I'll leave you to it.

1:24:371:24:39

Bye-bye, lovely boy.

1:24:421:24:44

-See you, mate.

-Hang on.

1:24:471:24:49

And the old lady says, "Once upon a time..."

1:24:551:24:59

..He didn't know how he'd arrived there, but he knew he desperately

1:25:051:25:09

needed to get himself in the warm and dry, and very soon, too.

1:25:091:25:12

He needed to find his house.

1:25:131:25:16

He was very cold and scared out in the dark night.

1:25:181:25:23

But being a brave boy...

1:25:241:25:26

Bye, then.

1:25:261:25:28

He walked on.

1:25:281:25:30

See you, mate.

1:25:591:26:00

Come on, then. That's enough work.

1:28:341:28:36

-Do you reckon Lord Lucan looks loads like Freddie Mercury?

-What?

1:28:421:28:46

You must have noticed it - Lord Lucan looks just like Freddie Mercury.

1:28:461:28:49

I mean, they've got the same-shape face, same eyes, same moustache...

1:28:491:28:52

No, I think it's just the moustache, mate. You could put a Freddie Mercury moustache on the Queen,

1:28:521:28:56

it'd look like Freddie Mercury.

1:28:561:28:57

She wouldn't, she'd look like the Queen with a moustache on!

1:28:571:29:00

-All right, picture Lord Lucan in your mind, yeah?

-Yeah.

1:29:001:29:02

-Get him in your mind, right? Divide the screen in half...

-OK.

1:29:021:29:06

Put Freddie Mercury on the other side...

1:29:061:29:08

I'm still only getting the moustache, mate.

1:29:081:29:11

-All right, look in Lord Lucan's eyes...

-In his eyes?

-What do you see?

1:29:111:29:15

-Er, death?

-What, of a nanny?

-Yeah.

1:29:151:29:18

Yes, he topped her, didn't he? Done a runner.

1:29:181:29:21

Did you see that Lee Harvey Oswald plate in the back of the News of the world?

1:29:211:29:25

-Yeah, his face looks wicked in it.

-Yeah...

1:29:251:29:28

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