
Browse content similar to Skeletons. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
This film contains some strong language. | 0:00:03 | 0:00:10 | |
MUSIC: "Polegnala e Pschenitza" by Le Mystere des Voix Bulgares | 0:00:10 | 0:00:13 | |
Yeah, but you can't lump Rasputin in with the corrupt | 0:01:02 | 0:01:05 | |
and assassinated without taking his honesty into account. | 0:01:05 | 0:01:08 | |
I mean, with Rasputin, there's no ambiguity, is there? | 0:01:08 | 0:01:11 | |
He was morally transparent, unlike some of your other boys. | 0:01:11 | 0:01:14 | |
You know, like your Kennedys, for instance, Jack and Bobby, yeah? | 0:01:14 | 0:01:17 | |
I mean, they had these golden boy public images but actually, | 0:01:17 | 0:01:20 | |
Bay of Pigs, dodgy CIA operations, | 0:01:20 | 0:01:22 | |
shagging Marilyn Monroe whilst espousing Catholic family values. | 0:01:22 | 0:01:27 | |
I mean, there's a moral ambiguity there you just don't get with Rasputin. | 0:01:27 | 0:01:30 | |
With him, what you see is what you get. | 0:01:30 | 0:01:31 | |
If he wanted to get pissed and throw chicken drumsticks at the Romanovs, he done it. | 0:01:31 | 0:01:35 | |
If he wanted to scrape up a nun, he done it, | 0:01:35 | 0:01:37 | |
and made no apology for it, that's what I'm saying. | 0:01:37 | 0:01:40 | |
-What, as opposed to, say, John Lennon? -Exactly. | 0:01:40 | 0:01:44 | |
Now, he was someone who was completely | 0:01:44 | 0:01:46 | |
different in personal life than he was in public life. | 0:01:46 | 0:01:49 | |
Like Gandhi, like Martin Luther King, all they lot. | 0:01:49 | 0:01:51 | |
Why's that make Rasputin better? | 0:01:51 | 0:01:53 | |
Well, honesty, innit? | 0:01:53 | 0:01:55 | |
Glasnost. | 0:01:55 | 0:01:57 | |
What about Gordon of Khartoum? He got a spear in the neck. | 0:01:58 | 0:02:02 | |
-Yeah, and he was a pederast. -Who told you that? | 0:02:02 | 0:02:04 | |
Faulkner, him and Gabriel done the procedure | 0:02:04 | 0:02:06 | |
on that Chelsea Pensioner years ago, didn't they? | 0:02:06 | 0:02:08 | |
Yeah, well, I wouldn't believe everything Faulkner tells you. | 0:02:08 | 0:02:12 | |
-Have you seen his car? -Yes. So what? | 0:02:12 | 0:02:14 | |
-He might just be from a rich family, like Jim Morrison. -I'm saying nowt. | 0:02:14 | 0:02:18 | |
He is. | 0:02:18 | 0:02:19 | |
Right, come on, then. Eye of the tiger. | 0:02:24 | 0:02:28 | |
HE KNOCKS DOOR | 0:02:32 | 0:02:34 | |
And why have you decided to go through with this procedure today? | 0:02:42 | 0:02:46 | |
I think we just feel it's the right time, really. | 0:02:46 | 0:02:49 | |
What, Friday, 11 o'clock, mid-March? What do you mean, "the right time"? | 0:02:49 | 0:02:53 | |
Er... | 0:02:53 | 0:02:55 | |
We're just about to get married. | 0:02:55 | 0:02:58 | |
I see. | 0:02:58 | 0:02:59 | |
Getting married... | 0:03:00 | 0:03:04 | |
On behalf of Veridical, we'd like to offer you | 0:03:05 | 0:03:08 | |
our own sincerest congratulations on your forthcoming nuptials. | 0:03:08 | 0:03:11 | |
Thank you. | 0:03:11 | 0:03:13 | |
-Can I ask how you came to that decision? -No, you can't! | 0:03:16 | 0:03:18 | |
It's none of your business while they're getting married. | 0:03:18 | 0:03:21 | |
Not getting married, I mean the decision to undergo the procedure. | 0:03:21 | 0:03:24 | |
-Well, he just said that - because they're getting married. -Yeah, I realise that... | 0:03:24 | 0:03:28 | |
Well, let's get on with it, then. | 0:03:28 | 0:03:30 | |
Because we do like to stress, you see, what an important step this is. | 0:03:30 | 0:03:33 | |
-Yeah, thank you, mate, that's great. -One that you need to be both be fully... | 0:03:33 | 0:03:37 | |
All right, I tell you what, why don't you go upstairs, yeah, | 0:03:37 | 0:03:39 | |
ID the target, take some readings, | 0:03:39 | 0:03:41 | |
and I'll stay down here with these and wrap up the paperwork? | 0:03:41 | 0:03:43 | |
Is that all right, mate? Thank you. | 0:03:43 | 0:03:45 | |
Fine. | 0:03:56 | 0:03:58 | |
-Right. Is English your first language? -Yes. | 0:04:13 | 0:04:17 | |
MACHINE BEEPS | 0:04:17 | 0:04:19 | |
'Sir, have you ever assisted | 0:04:19 | 0:04:21 | |
'in any type of amputation or surgical procedure?' | 0:04:21 | 0:04:24 | |
BEEPS RISE IN PITCH | 0:04:24 | 0:04:26 | |
'And have you ever seen a bear? | 0:04:26 | 0:04:28 | |
-'No. -Are you sure about that? | 0:04:28 | 0:04:30 | |
'I don't mean in captivity, I mean in the wild.' | 0:04:30 | 0:04:32 | |
BEEPS CONTINUE TO RISE IN PITCH | 0:04:34 | 0:04:37 | |
SUSTAINED HIGH PITCHED BEEP | 0:04:39 | 0:04:44 | |
And if you could just pop the date down there as well, please. | 0:04:45 | 0:04:49 | |
Now, can you confirm for me verbally that that is your fiance's signature? | 0:04:51 | 0:04:56 | |
-Yes, it is. -Yeah, but can you actually say it? | 0:04:56 | 0:04:59 | |
Like, confirm it verbally for me that that is your fiance's signature? | 0:04:59 | 0:05:02 | |
Erm... Yes, that is my fiance's signature. | 0:05:04 | 0:05:06 | |
OK, and can you know verbally confirm for me | 0:05:06 | 0:05:09 | |
that I haven't tampered with the signature in any way? | 0:05:09 | 0:05:13 | |
No, you've not. | 0:05:13 | 0:05:15 | |
Yeah, but can you say it, can you verbally confirm it? | 0:05:15 | 0:05:19 | |
-No, you haven't tampered with the signature. -Whose signature? | 0:05:19 | 0:05:23 | |
-SHE LAUGHS -My fiance's signature. | 0:05:25 | 0:05:27 | |
That's it, but say the whole thing. | 0:05:27 | 0:05:30 | |
Check it for us, will you? | 0:05:30 | 0:05:32 | |
MACHINE BEEPS | 0:05:32 | 0:05:33 | |
-Routine. -Right. Let's do it. | 0:05:33 | 0:05:37 | |
-If we must. -What's up with you? | 0:05:38 | 0:05:40 | |
Nowt, just tired. | 0:05:40 | 0:05:43 | |
Yeah, well, it's a respite week after today, innit? | 0:05:43 | 0:05:45 | |
I don't mean like that. | 0:05:45 | 0:05:46 | |
Don't make this any more difficult than it already is, mate. | 0:05:46 | 0:05:49 | |
Simple, this job. | 0:05:49 | 0:05:51 | |
Stick to the rules, tell them everything, leave, | 0:05:51 | 0:05:53 | |
and never come back. | 0:05:53 | 0:05:55 | |
Yeah. I know. | 0:05:55 | 0:05:57 | |
These people don't know how lucky they are. | 0:06:00 | 0:06:02 | |
-Ready? -Ready. | 0:06:02 | 0:06:04 | |
-Did you see the look on her face? -No. | 0:06:25 | 0:06:29 | |
-She were devastated? -What about? | 0:06:29 | 0:06:32 | |
Poncey coffee and egg sandwiches? Hardly last days of Pompeii, is it? | 0:06:32 | 0:06:36 | |
-Her should try doing this job. -Yeah, but... | 0:06:36 | 0:06:39 | |
Oh, I don't know! | 0:06:40 | 0:06:41 | |
Yeah, but Rasputin clearly had a fierce life force. | 0:07:02 | 0:07:05 | |
I mean, that's how come it took them so long to kill him. | 0:07:05 | 0:07:08 | |
They poisoned him, they beat him with sticks, | 0:07:08 | 0:07:10 | |
they shot him three times and he still didn't go. | 0:07:10 | 0:07:12 | |
In the end, they had to shove him under the ice | 0:07:12 | 0:07:14 | |
and that took nine hours. I mean, that's not an ordinary bloke, is it? | 0:07:14 | 0:07:17 | |
Yeah, but he were expecting an attempt on his life. | 0:07:17 | 0:07:20 | |
He'd been taking low doses of strychnine to immunise himself. | 0:07:20 | 0:07:23 | |
So what? They shot him! | 0:07:23 | 0:07:24 | |
You can't immunise yourself against being shot, can you? | 0:07:24 | 0:07:27 | |
You can't immunise yourself against being beaten with sticks. | 0:07:27 | 0:07:30 | |
He might just have been rock hard. It don't make him magic. | 0:07:43 | 0:07:48 | |
Yeah, but I think the ability to control haemophilia | 0:07:48 | 0:07:50 | |
using only the power of his mind, | 0:07:50 | 0:07:51 | |
which suggests there is a bit going on than just being hard. | 0:07:51 | 0:07:54 | |
I mean, Douglas Bader was hard, | 0:07:54 | 0:07:56 | |
but he couldn't clot blood at will, could he? | 0:07:56 | 0:07:59 | |
We've done ThetaHealing, we've done inner child work, | 0:07:59 | 0:08:05 | |
-We've done flower essence therapy. -Yup. | 0:08:05 | 0:08:07 | |
Rebirthing, and advanced rebirthing - that was amazing. | 0:08:07 | 0:08:11 | |
Past life regression - now that was amazing. | 0:08:11 | 0:08:15 | |
I was a seamstress in Elizabethan London. I knew Shakespeare. | 0:08:15 | 0:08:19 | |
MACHINE BEEPS | 0:08:22 | 0:08:25 | |
CONTINUOUS HIGH PITCHED BEEP | 0:08:27 | 0:08:30 | |
And if you could tick the box, please, Sir. Thank you. | 0:08:35 | 0:08:37 | |
And could you just underline it there as well, please. | 0:08:37 | 0:08:40 | |
And a full stop, please. Thank you. | 0:08:40 | 0:08:41 | |
And if you could just initial the full stop, just to show I haven't tampered with it in any way. | 0:08:41 | 0:08:47 | |
I hope it's benign. | 0:08:49 | 0:08:51 | |
You do realise they don't think we can really do this, don't you? | 0:08:51 | 0:08:55 | |
Yeah, well, we'll see, eh? | 0:08:55 | 0:08:58 | |
What is the ThetaHealing anyway? | 0:08:58 | 0:09:01 | |
Don't know. Quick way of separating hippies and their cash, I suppose. | 0:09:01 | 0:09:06 | |
God almighty! | 0:09:06 | 0:09:08 | |
Yeah. That'd be another way. | 0:09:08 | 0:09:13 | |
TANGO MUSIC PLAYS | 0:09:30 | 0:09:33 | |
-Right, go in for a POV on the woman, and I'll follow. -Copy that. | 0:09:52 | 0:09:56 | |
Right, you take her, I'll do him. Go, go! | 0:10:36 | 0:10:39 | |
-Why do I always have to be the maid? -Just do it! | 0:10:39 | 0:10:41 | |
You looking for business, darling? | 0:10:43 | 0:10:45 | |
Yeah, get in, love. | 0:10:45 | 0:10:48 | |
Just up here, on the left. | 0:10:53 | 0:10:55 | |
-What's it to be, then, sweetheart? -Um... | 0:11:08 | 0:11:12 | |
Well... | 0:11:14 | 0:11:16 | |
HE SIGHS | 0:11:16 | 0:11:17 | |
Oh, God! | 0:11:19 | 0:11:20 | |
What? | 0:11:26 | 0:11:28 | |
For some 14 months, Madam, | 0:11:29 | 0:11:31 | |
you've been attending Latin dance classes at the town hall - | 0:11:31 | 0:11:35 | |
mostly salsa, some tango, and the occasional cha-cha-cha. | 0:11:35 | 0:11:39 | |
Your dance teacher is one Raoul Gimores, real name Graham Richardson. | 0:11:39 | 0:11:45 | |
You're very fond of him, but you have no relationship outside the class. | 0:11:45 | 0:11:49 | |
However, you've chosen to keep this activity a secret from your partner | 0:11:49 | 0:11:53 | |
and friends as the gender politics of Latin dance are inconsistent | 0:11:53 | 0:11:57 | |
with your chosen lifestyle. | 0:11:57 | 0:12:00 | |
That's incredible! How... | 0:12:00 | 0:12:02 | |
And you, Sir. | 0:12:02 | 0:12:04 | |
Three times in the last year you've driven to the dock area | 0:12:04 | 0:12:07 | |
of a nearby coastal town, where you've picked up prostitutes - | 0:12:07 | 0:12:11 | |
-a different one each time. -No. | 0:12:11 | 0:12:13 | |
You paid each woman her normal rates, | 0:12:13 | 0:12:16 | |
though no actual physical contact occurred. | 0:12:16 | 0:12:19 | |
Instead, you talked to them - | 0:12:19 | 0:12:21 | |
mostly reminiscences about your youth, fear of growing old, | 0:12:21 | 0:12:25 | |
ill health - standard existential concerns for a man of your age - | 0:12:25 | 0:12:29 | |
as well as your regret about | 0:12:29 | 0:12:30 | |
-the decision you and your wife made to remain childless. -Yeah... | 0:12:30 | 0:12:34 | |
Ooh, sorry! Correction - | 0:12:36 | 0:12:37 | |
the last of these encounters did in fact end with the | 0:12:37 | 0:12:40 | |
woman in question administering hand relief in the front seat of your car. | 0:12:40 | 0:12:44 | |
Look, you... | 0:12:49 | 0:12:50 | |
-You're like Reg the fisherman, you is. -Who's Reg the fisherman? | 0:13:10 | 0:13:14 | |
Reg the fisherman was from Mevagissey. | 0:13:14 | 0:13:16 | |
My Uncle Jimmy used to work with him on the trawlers. | 0:13:16 | 0:13:19 | |
He got seasick, he was a vegetarian and the smell of fish made him spook. | 0:13:19 | 0:13:22 | |
In other words, he was totally unsuitable to be a fisherman. | 0:13:22 | 0:13:25 | |
-Why am I like him? -Think about it. | 0:13:25 | 0:13:27 | |
I just don't like leaving people like that. | 0:13:29 | 0:13:31 | |
There should be summat we can offer...after. | 0:13:31 | 0:13:35 | |
Is you Mother Teresa? It's not our job to "offer" anything. | 0:13:35 | 0:13:37 | |
-We "offer" the information that's in there. -We should take responsibility. | 0:13:37 | 0:13:42 | |
It's not our job, mate. | 0:13:42 | 0:13:43 | |
All right. Usual time in a week? | 0:13:52 | 0:13:54 | |
-Fine. -Mate... | 0:13:54 | 0:13:56 | |
-What you doing? -Sorry. | 0:13:56 | 0:13:59 | |
I were just... | 0:14:00 | 0:14:02 | |
No monkey business. | 0:14:02 | 0:14:04 | |
What? You want to worry about your own self, mate, | 0:14:04 | 0:14:06 | |
work on a bit of professional objectivity for starters. | 0:14:06 | 0:14:08 | |
Go down the pub or something. See people. Make sure you eat! | 0:14:10 | 0:14:14 | |
Yes, mother! | 0:14:14 | 0:14:16 | |
RADIO TUNES IN | 0:14:56 | 0:14:58 | |
FUZZY VOICES ON RADIO | 0:15:00 | 0:15:02 | |
FLY BUZZES | 0:15:29 | 0:15:31 | |
STONES RATTLE | 0:15:33 | 0:15:35 | |
CONTENTS OF BOAT RATTLE | 0:16:01 | 0:16:04 | |
RADIO TUNES IN | 0:16:07 | 0:16:09 | |
HEARTBEAT | 0:16:14 | 0:16:17 | |
Drop of the good stuff? | 0:16:35 | 0:16:38 | |
There you go. | 0:16:42 | 0:16:44 | |
Now, where were we? Oh, yes. | 0:16:44 | 0:16:48 | |
Once upon a time, | 0:16:48 | 0:16:50 | |
one stormy night, | 0:16:50 | 0:16:53 | |
a little boy found himself wandering on a barren moor. | 0:16:53 | 0:16:58 | |
He didn't know how he'd arrived there, | 0:17:00 | 0:17:02 | |
only that he desperately needed to get himself into the warm and dry. | 0:17:02 | 0:17:06 | |
And very soon too, he needed to find his house. | 0:17:07 | 0:17:11 | |
He was very cold and scared, out on the dark night. | 0:17:13 | 0:17:18 | |
But, being a brave boy, he walked on. | 0:17:19 | 0:17:23 | |
Eventually, just when he was thinking he was so tired | 0:17:25 | 0:17:29 | |
that he couldn't go any further, | 0:17:29 | 0:17:31 | |
the lost boy saw a light in front of him, | 0:17:31 | 0:17:35 | |
and he finally found it. | 0:17:35 | 0:17:37 | |
Could this be home? | 0:17:37 | 0:17:39 | |
When he got closer, he saw it wasn't his house, it was a tiny cottage. | 0:17:41 | 0:17:46 | |
HE GASPS | 0:17:54 | 0:17:55 | |
Hello? Hello? | 0:18:12 | 0:18:15 | |
You up, mate? | 0:18:17 | 0:18:20 | |
You in there? | 0:18:20 | 0:18:22 | |
Davis! | 0:18:23 | 0:18:24 | |
Hello? You all right? | 0:18:28 | 0:18:32 | |
Davis! | 0:18:32 | 0:18:34 | |
-What are you doing here? -What are you on about? | 0:18:34 | 0:18:36 | |
-We said a week. -It's been a week. | 0:18:41 | 0:18:44 | |
Right, you just hang on there a minute. Give us a second. | 0:18:46 | 0:18:50 | |
Just got to get these things together. | 0:18:50 | 0:18:53 | |
You know what it's like. | 0:18:53 | 0:18:54 | |
Lose track of time, don't you? God... Right, let's go. | 0:18:54 | 0:18:59 | |
-Are you going to get changed? -Yeah. | 0:18:59 | 0:19:02 | |
And we need to do the cleansing. | 0:19:04 | 0:19:06 | |
Yeah. | 0:19:06 | 0:19:08 | |
STONES RATTLE | 0:19:08 | 0:19:09 | |
CONTENTS OF BOAT RATTLE | 0:19:33 | 0:19:35 | |
-TELEVISION: -'70.' | 0:19:35 | 0:19:37 | |
'90.' | 0:19:40 | 0:19:41 | |
You should turn that up. You'll strain your ears. | 0:19:43 | 0:19:47 | |
'24.' | 0:19:47 | 0:19:48 | |
BIRD CRIES | 0:19:52 | 0:19:53 | |
BIRDSONG | 0:19:53 | 0:19:55 | |
STONES RATTLE | 0:20:03 | 0:20:05 | |
I ain't shouting, you're shouting! | 0:20:08 | 0:20:10 | |
BENNETT! | 0:20:11 | 0:20:13 | |
You can't see your tie in that jumper. | 0:20:15 | 0:20:18 | |
Bennett, you've got Rasputin all wrong. | 0:20:19 | 0:20:22 | |
Sometimes there's this thing, you... | 0:20:22 | 0:20:25 | |
think it's having a laugh, and it is having a laugh. | 0:20:25 | 0:20:28 | |
WHITE NOISE FROM RADIO | 0:20:30 | 0:20:33 | |
I don't fucking believe this. | 0:20:42 | 0:20:44 | |
-You promised me, no more glow chasing. -Oh, come on, I know what I'm doing with it! | 0:20:46 | 0:20:50 | |
That's what all the glow chasers say. That's what Williams said. | 0:20:50 | 0:20:52 | |
-He ended up going Bulgarian. -I ain't going to go Bulgarian, am I? | 0:20:52 | 0:20:56 | |
-Don't worry about it. -I DO worry about it. | 0:20:56 | 0:20:58 | |
You know the facts. We're not tourists. | 0:20:58 | 0:21:01 | |
Glow chasing causes a build-up of psychic detritus | 0:21:01 | 0:21:04 | |
and unchecked, contaminates extractions. | 0:21:04 | 0:21:06 | |
And, that's apart from the fact that it's dangerous. | 0:21:06 | 0:21:09 | |
It could just as easily be me who ends up getting hurt as you. | 0:21:09 | 0:21:11 | |
I ain't going to let that happen. | 0:21:11 | 0:21:13 | |
We've got the Colonel breathing down us necks. | 0:21:13 | 0:21:16 | |
I told you to go out and see people. It's not healthy. | 0:21:16 | 0:21:20 | |
Yeah, well pardon me for wanting a bit of time on me own | 0:21:20 | 0:21:22 | |
after four more weeks of other people's spunk and betrayal! | 0:21:22 | 0:21:24 | |
-Oh, come off it! -Anyway, you want to worry about your own self. | 0:21:24 | 0:21:27 | |
-Can't believe your Uncle Malkie beat you at snooker. He's only got one arm. -He had a new cue. | 0:21:27 | 0:21:31 | |
He's quite handy with that little block, isn't he? He's like Zorro. | 0:21:31 | 0:21:34 | |
-Shut up, that's not the issue. -You shouldn't be missing a black like that at this level, mate. | 0:21:34 | 0:21:38 | |
Hey, hang on a second. I'll just pop up here. I'll be back in a second, yeah? | 0:21:38 | 0:21:41 | |
All right, mush? | 0:22:08 | 0:22:10 | |
Swap you. | 0:22:14 | 0:22:16 | |
HE EXHALES HEAVILY | 0:22:29 | 0:22:31 | |
-All right, Colonel? -All right, young fella? | 0:22:51 | 0:22:54 | |
Yeah. | 0:22:56 | 0:22:58 | |
Let's have a look at you, then. | 0:22:59 | 0:23:01 | |
-Your glands are up. -Are they? -Yeah. | 0:23:13 | 0:23:16 | |
-Cough. -HE COUGHS | 0:23:22 | 0:23:24 | |
Again. | 0:23:28 | 0:23:29 | |
HE COUGHS | 0:23:29 | 0:23:31 | |
-Everything all right with you two? -Yeah. | 0:23:33 | 0:23:36 | |
Yes, boss. | 0:23:38 | 0:23:39 | |
I won't go into details, | 0:23:41 | 0:23:43 | |
but Faulkner and Gabriel are no longer operational, | 0:23:43 | 0:23:46 | |
which means I'm looking for a new A-team. | 0:23:46 | 0:23:50 | |
It's crunch time, boys. | 0:23:50 | 0:23:52 | |
I need to know you can think outside the box, | 0:23:52 | 0:23:54 | |
that you can use the procedure to its full potential. | 0:23:54 | 0:23:57 | |
That's how come the change of job. | 0:23:57 | 0:24:00 | |
Could be tricky - data required on an absent subject. | 0:24:00 | 0:24:04 | |
Going to need some lateral thinking. | 0:24:04 | 0:24:06 | |
But you get this, right? | 0:24:06 | 0:24:08 | |
Could be your ticket out of the domestic, | 0:24:08 | 0:24:12 | |
into the global stuff - politicians, aristos. | 0:24:12 | 0:24:16 | |
Got the Saxe-Coburgs lined up early next year. Imagine the filth! | 0:24:16 | 0:24:21 | |
Made them look like the Partridge Family, eh? | 0:24:21 | 0:24:25 | |
HE LAUGHS | 0:24:25 | 0:24:27 | |
Don't let me down. It's your chance to shine. | 0:24:27 | 0:24:31 | |
-Mr Bennett, give us a minute. -All right, boss. | 0:24:35 | 0:24:38 | |
-Are you on a glow mission, boy? -No, boss. -You sure? -Definitely. | 0:24:42 | 0:24:46 | |
No "you show me yours, I'll show you mine" behind the bike sheds? | 0:24:47 | 0:24:50 | |
No holiday snaps? | 0:24:50 | 0:24:52 | |
No bedtime stories? | 0:24:53 | 0:24:55 | |
Nothing like that, boss. Honest. | 0:24:55 | 0:24:57 | |
Stick out your tongue. | 0:24:59 | 0:25:00 | |
Out. | 0:25:01 | 0:25:02 | |
I want to believe you, I really do. | 0:25:15 | 0:25:18 | |
You're like a son to me, you beautiful little monkey man. | 0:25:18 | 0:25:23 | |
You remember what happened to Culkin? | 0:25:25 | 0:25:28 | |
'Course, boss, yeah. | 0:25:28 | 0:25:29 | |
I hated doing that but I'll do it if I have to, you know that. | 0:25:29 | 0:25:33 | |
I know. | 0:25:33 | 0:25:34 | |
OK. You up for this promotion? | 0:25:37 | 0:25:40 | |
Yeah, 'course I am, boss. Definitely. | 0:25:40 | 0:25:43 | |
-You've got to prove me right. -Thanks, boss. I won't let you down. | 0:25:44 | 0:25:48 | |
RAILWAY WHISTLE SOUNDS | 0:25:53 | 0:25:55 | |
Look at all this - disappearance of Marcus Baron. | 0:25:58 | 0:26:02 | |
"Eight years ago, my husband disappeared without trace." | 0:26:04 | 0:26:08 | |
-That's a bit much, isn't it? -Let's have a look at him. | 0:26:09 | 0:26:12 | |
It's a classic "I'm going out for a pint of milk job" this, isn't it? | 0:26:15 | 0:26:18 | |
He's probably in Torquay with Lord Lucan. | 0:26:18 | 0:26:20 | |
How are we supposed to find him? | 0:26:20 | 0:26:23 | |
What were the Colonel on about? | 0:26:23 | 0:26:25 | |
Snooker. He wanted a few tips on his cue action. | 0:26:25 | 0:26:28 | |
I were this close to telling him, mate. I've had enough. | 0:26:29 | 0:26:33 | |
-Oh, hello. -Hello. | 0:27:19 | 0:27:22 | |
You're from Veridical? | 0:27:22 | 0:27:23 | |
Yeah, that's right. I'm Bennett, this is my colleague, Mr Davis. | 0:27:23 | 0:27:29 | |
You're very tall. | 0:27:29 | 0:27:30 | |
Yeah. | 0:27:32 | 0:27:33 | |
-So, you read the file? -Of course. | 0:27:33 | 0:27:37 | |
He disappeared eight years ago. Pretty fed up of it now. | 0:27:37 | 0:27:40 | |
Quite like to find him, etc. | 0:27:40 | 0:27:43 | |
-OK? -OK. | 0:27:43 | 0:27:45 | |
So, let's see who digs him up first. Yup. | 0:27:45 | 0:27:49 | |
Well, off you trot. House is down there. Come on, chop chop! | 0:27:52 | 0:27:57 | |
Go on now! | 0:27:57 | 0:27:59 | |
-Dig him up? -Shh! -What?! | 0:28:05 | 0:28:07 | |
Don't look right. | 0:28:21 | 0:28:22 | |
Yeah, this is it. | 0:28:47 | 0:28:49 | |
-You all right, mate? -Come on. | 0:28:51 | 0:28:54 | |
MACHINE BEEPS | 0:29:41 | 0:29:44 | |
-This ain't working. -It could be atmospherics. | 0:29:51 | 0:29:55 | |
You have to do it through triangulation. | 0:29:55 | 0:29:57 | |
It's quite a place this, though, innit? | 0:30:02 | 0:30:04 | |
-That was quick. -I need you to sign the forms before we can go in. | 0:30:17 | 0:30:20 | |
Fine. | 0:30:20 | 0:30:21 | |
And there was another, sort of, younger maid, walking about earlier? | 0:30:24 | 0:30:28 | |
My daughter, Rebecca. | 0:30:28 | 0:30:31 | |
-Yeah, her too, if she's over 18. -Fine. | 0:30:31 | 0:30:34 | |
-Do you really think you're going to find him like that? -I don't know. | 0:30:39 | 0:30:43 | |
-But I cannot not look, can I? He was my husband. -Was? | 0:30:45 | 0:30:49 | |
Look, missus, we can only work with the people here and now, yeah? | 0:30:52 | 0:30:55 | |
So if he's dead, or otherwise...not about, we're not going to be able to | 0:30:55 | 0:31:00 | |
get anything specific to him and no one else, do you see what I mean? | 0:31:00 | 0:31:04 | |
Er...whatever. Just give me a clue. Something. | 0:31:04 | 0:31:08 | |
So, Madam, if you sign there? Thank you. And the date there, please? | 0:31:12 | 0:31:15 | |
And initial in the box? Thank you. | 0:31:15 | 0:31:18 | |
That's brilliant. Thank you. And you as well, Miss? | 0:31:18 | 0:31:22 | |
If you could do the same, please? | 0:31:22 | 0:31:23 | |
Just print your name there, sign and date there, and initial in the box. | 0:31:23 | 0:31:26 | |
It's just a formality, Miss. | 0:31:38 | 0:31:39 | |
That's lovely, thank you. | 0:31:46 | 0:31:47 | |
Teenagers! | 0:31:52 | 0:31:53 | |
DOOR SLAMS | 0:31:53 | 0:31:55 | |
-How old is she? -21. | 0:31:55 | 0:31:57 | |
-All right? -You sorted up there? | 0:32:01 | 0:32:04 | |
No, the triangulation's failed. | 0:32:04 | 0:32:05 | |
-I'm going to have to go through the polygons. -What? You're joking! | 0:32:05 | 0:32:08 | |
I've never had to do it before. Well, not in the field. | 0:32:08 | 0:32:10 | |
It's seven or eight hours' work, we're not going to get done today. | 0:32:10 | 0:32:13 | |
-No, no way. -According to the sheet, there's a pub in the village does B&B. | 0:32:13 | 0:32:17 | |
-Right, I'll come upstairs and have a look. -I've done it right! | 0:32:17 | 0:32:19 | |
I'm not saying you haven't, I just want to go upstairs and cast an eye if that's all right, your holiness? | 0:32:19 | 0:32:24 | |
-Sorry about this. -What have you done? -Nothing. | 0:32:26 | 0:32:31 | |
-So why did you say you're sorry? -Er... | 0:32:31 | 0:32:34 | |
Oh, you were being kind. | 0:32:34 | 0:32:36 | |
Well... | 0:32:36 | 0:32:37 | |
Ah, that's nice. | 0:32:37 | 0:32:39 | |
The...photos and the map at the top of the stairs, | 0:32:41 | 0:32:48 | |
what's that? | 0:32:48 | 0:32:50 | |
I keep a record of where I've been. | 0:32:50 | 0:32:51 | |
I don't want to be digging in the same place twice, do I? | 0:32:51 | 0:32:54 | |
That'd be crazy, wouldn't it? | 0:32:54 | 0:32:57 | |
Digging, digging. | 0:32:57 | 0:32:59 | |
Right. | 0:32:59 | 0:33:00 | |
This is a beautiful house. | 0:33:02 | 0:33:04 | |
You think so? | 0:33:05 | 0:33:07 | |
Yeah, it's really something. | 0:33:07 | 0:33:09 | |
MACHINE BEEPS | 0:33:12 | 0:33:15 | |
-Are you all right? -Yeah. | 0:33:49 | 0:33:51 | |
Well, we'll keep at it. | 0:33:53 | 0:33:55 | |
Yeah. So, do you need anything? | 0:33:55 | 0:33:59 | |
No, I'm fine. | 0:33:59 | 0:34:01 | |
You are very tall, aren't you? | 0:34:02 | 0:34:05 | |
-Yeah, I am. -Yeah, right... | 0:34:05 | 0:34:08 | |
You know, I was thinking about the B&B... | 0:34:08 | 0:34:12 | |
MACHINE BEEPS | 0:34:13 | 0:34:16 | |
-Oh, you found it. Any preference? -What? | 0:34:16 | 0:34:20 | |
Have you had a bang on the head or something? | 0:34:24 | 0:34:25 | |
There is no way I'm stopping here and eating coq au vin with Gloria Swanson and the Brady Bunch. | 0:34:25 | 0:34:29 | |
-We're going to stay in the pub. -No we won't, we're stopping here. -Why? | 0:34:29 | 0:34:33 | |
I'm getting nowhere fast with this lot. | 0:34:33 | 0:34:35 | |
I know, that's exactly why we should get out, have a few beers, | 0:34:35 | 0:34:37 | |
win a bit of money on the pool table, come back first in the morning. | 0:34:37 | 0:34:40 | |
No, it's a waste of time. We stay here and get at it straight away, first thing. | 0:34:40 | 0:34:44 | |
-You're going native again. -No I'm not! | 0:34:44 | 0:34:46 | |
-Yes, you are! You're being unprofessional! -YOU'RE being unprofessional! | 0:34:46 | 0:34:49 | |
-YOU'RE being unprofessional! -YOU'RE being unprofessional! | 0:34:49 | 0:34:52 | |
-YOU'RE being unprofessional! -Shut up! | 0:34:52 | 0:34:54 | |
Look, I'm in the chair on this one. I've made me decision. | 0:34:54 | 0:34:57 | |
We stop here, we get up early, we get it done, we get the hell out. | 0:34:57 | 0:35:01 | |
Well, there's no way I'm sitting having dinner with them! | 0:35:01 | 0:35:04 | |
DOOR SLAMS | 0:35:05 | 0:35:07 | |
Looks nice. | 0:35:15 | 0:35:16 | |
-What's your name, little fella? -Jojo. -Pleased to meet you, Jojo. | 0:35:31 | 0:35:35 | |
Thank you. | 0:35:35 | 0:35:36 | |
-How long are you staying for? -Well... -Just tonight. | 0:35:37 | 0:35:40 | |
-You can stay a bit longer if you like. -What? | 0:35:40 | 0:35:43 | |
No, mate, we don't muck about. | 0:35:43 | 0:35:45 | |
Get the low-down, done and dusted first thing. | 0:35:45 | 0:35:48 | |
-Do you like football? -I do, yeah. | 0:35:55 | 0:35:57 | |
-One day, I'm going to play for a team. -Oh, right? | 0:35:57 | 0:36:00 | |
The strip is going to be the Celtic top, maybe, with green shorts | 0:36:00 | 0:36:05 | |
and the same pattern on the socks. | 0:36:05 | 0:36:08 | |
-Sounds like you've got it all planned out. -Yeah. | 0:36:08 | 0:36:11 | |
What about your away kit? | 0:36:11 | 0:36:14 | |
I haven't thought about that yet, | 0:36:14 | 0:36:15 | |
but I think I've got the goalkeeping kit in. | 0:36:15 | 0:36:18 | |
It's blue top with black sleeves and a black bit going across the top. | 0:36:18 | 0:36:23 | |
Oh, right, OK. | 0:36:23 | 0:36:25 | |
What position do you play? | 0:36:28 | 0:36:29 | |
-Goalkeeper and defence. -Goalkeeper and defence? | 0:36:29 | 0:36:34 | |
-I used to be a goalkeeper when I were at school. -Were you any good? | 0:36:34 | 0:36:38 | |
Not really. Are you any good? | 0:36:38 | 0:36:41 | |
Yeah. | 0:36:41 | 0:36:43 | |
-Who do you support? -Oldham Athletic. -God's sake! | 0:36:43 | 0:36:46 | |
Who do you support? | 0:36:52 | 0:36:54 | |
Manchester United, Sheffield United and Wisbech Town. | 0:36:54 | 0:36:58 | |
Blimey, you've all the angles covered there! | 0:36:58 | 0:37:02 | |
-This is lovely. -Right, I ain't hungry. | 0:37:02 | 0:37:05 | |
Sorry, I'm tired, I'm going to bed. Ta for...that. | 0:37:05 | 0:37:08 | |
-Sorry about that, he's... -No, it's all right. Eat. | 0:37:12 | 0:37:16 | |
Is he your best friend? | 0:37:18 | 0:37:20 | |
Yeah. | 0:37:22 | 0:37:23 | |
Are you married? I mean, not to him, of course. | 0:37:24 | 0:37:27 | |
No, I'm not married. | 0:37:29 | 0:37:31 | |
Living with someone? | 0:37:31 | 0:37:34 | |
My mother. | 0:37:34 | 0:37:35 | |
I live with my mother too. | 0:37:35 | 0:37:37 | |
Yeah, I know you do. | 0:37:39 | 0:37:42 | |
VOICES ECHO FROM DOWNSTAIRS | 0:37:49 | 0:37:51 | |
STONES RATTLE | 0:38:25 | 0:38:26 | |
VOICES ECHO | 0:38:30 | 0:38:32 | |
..eventually, just as he was thinking he was so tired | 0:38:32 | 0:38:35 | |
that he couldn't move any further, | 0:38:35 | 0:38:36 | |
the lost boy saw a light in front of him. | 0:38:36 | 0:38:40 | |
Had he finally found it? Could this be home? | 0:38:40 | 0:38:45 | |
But when he got closer, he saw it wasn't his house, | 0:38:45 | 0:38:48 | |
it was a tiny cottage - | 0:38:48 | 0:38:50 | |
old, strange and spooky. | 0:38:50 | 0:38:54 | |
So, he gathered up all of his courage, | 0:38:55 | 0:38:58 | |
walked up to the rotten old door and knocked. | 0:38:58 | 0:39:03 | |
Oh, I don't believe this! | 0:39:09 | 0:39:11 | |
-Give me them here! -What you doing? Get off! -Give them to me! | 0:39:11 | 0:39:14 | |
-You're not having them! -Yes I am! | 0:39:14 | 0:39:16 | |
-No, get off! -Give them to me! -Get off! | 0:39:16 | 0:39:18 | |
Right, that's it. | 0:39:21 | 0:39:23 | |
What are you talking about? I was asleep. | 0:39:28 | 0:39:31 | |
What? | 0:39:33 | 0:39:34 | |
I weren't glow chasing, Bennett. | 0:39:36 | 0:39:39 | |
You got it wrong, mate, its research. | 0:39:39 | 0:39:41 | |
Dead man's POV. Just the thing for this job, innit? | 0:39:41 | 0:39:43 | |
Bennett? Mate? | 0:39:45 | 0:39:48 | |
Good night. | 0:39:48 | 0:39:49 | |
You, stay here. | 0:40:08 | 0:40:11 | |
I'm going to see if I can crack this one on my own. | 0:40:11 | 0:40:13 | |
What? You can't do that. How are you going to audit? | 0:40:13 | 0:40:16 | |
-I'll get to where I can on me own. It's safer this way. -No, it isn't. | 0:40:16 | 0:40:20 | |
I won't tell the Colonel as long as you don't interfere. | 0:40:20 | 0:40:23 | |
As soon as you do, I will. | 0:40:23 | 0:40:25 | |
I want this promotion | 0:40:25 | 0:40:26 | |
and I don't want you contaminating the place and buggering it up. | 0:40:26 | 0:40:31 | |
You need to take some time out, | 0:40:31 | 0:40:33 | |
think about whether you've still got the discipline for this. | 0:40:33 | 0:40:36 | |
Do you hear me? | 0:40:38 | 0:40:40 | |
Think about it! | 0:40:54 | 0:40:56 | |
The village with the train station, there's no church. | 0:40:56 | 0:41:00 | |
That means the town's got to be the nearest... Oh, SHIT! | 0:41:00 | 0:41:03 | |
-How did you miss this? -Me?! | 0:41:03 | 0:41:06 | |
All right, I'm making the call. | 0:41:06 | 0:41:08 | |
No, listen, we can sort this. | 0:41:08 | 0:41:10 | |
Mate, don't tell him about the old, you know, research. | 0:41:10 | 0:41:14 | |
Hello, it's Bennett. Get me the Colonel. | 0:41:19 | 0:41:22 | |
Well, get him out of the flotation tank! | 0:41:22 | 0:41:24 | |
Hello, boss? | 0:41:26 | 0:41:27 | |
Yeah, the house is built on a corpse road. It looks like a cold channel. | 0:41:27 | 0:41:30 | |
Pretty sure. | 0:41:33 | 0:41:34 | |
Right. Will do, boss. | 0:41:35 | 0:41:38 | |
He's on his way. | 0:41:44 | 0:41:46 | |
-This is delicious. -Good. | 0:41:52 | 0:41:55 | |
I told them to bring an epic breakfast. Would you call it epic? | 0:41:56 | 0:42:01 | |
Mmm! Pretty epic. | 0:42:01 | 0:42:04 | |
-How often do you make it to the village yourself? -Me? | 0:42:06 | 0:42:09 | |
-I never go to the village. -Why not? | 0:42:09 | 0:42:12 | |
What if he came back and I wasn't here? | 0:42:12 | 0:42:14 | |
-Bennett, I've had a thought. -Not now. -Do you want a kipper? | 0:42:20 | 0:42:23 | |
-They're really tasty, aren't they, Frank? -Frank?! | 0:42:23 | 0:42:26 | |
Fuck me, you're the one who's going native | 0:42:27 | 0:42:29 | |
-and you're hanging me out to dry? -That's enough! | 0:42:29 | 0:42:32 | |
I'll talk to you later. | 0:42:32 | 0:42:34 | |
-Really sorry about that. -No, it's OK. | 0:42:43 | 0:42:45 | |
He's another loser. | 0:42:49 | 0:42:51 | |
He lost something, didn't he? | 0:42:51 | 0:42:53 | |
Takes one to know one, you see. | 0:42:56 | 0:42:57 | |
Good morning. | 0:42:59 | 0:43:01 | |
Sorry we're cluttering the place up a bit. | 0:43:30 | 0:43:35 | |
We're going to do our best to find out what happened to your dad, | 0:43:40 | 0:43:44 | |
if we can. | 0:43:44 | 0:43:46 | |
-Do you know why they called Tottenham Spurs? -No, why? | 0:44:45 | 0:44:50 | |
To shorten it on the scoreboard. | 0:44:50 | 0:44:53 | |
-HE LAUGHS -Yeah. Here you are. | 0:44:53 | 0:44:55 | |
Grr! | 0:44:58 | 0:44:59 | |
Thanks. | 0:44:59 | 0:45:01 | |
Wait here, mate. Mrs Baron? | 0:45:03 | 0:45:06 | |
Jane. | 0:45:09 | 0:45:10 | |
You don't have to do this if you don't want. It's all in hand. | 0:45:12 | 0:45:17 | |
Maybe you could take a day off, we'll see what we find | 0:45:17 | 0:45:20 | |
when the Colonel gets here. | 0:45:20 | 0:45:21 | |
STONES RATTLE | 0:45:25 | 0:45:26 | |
So, Lord Lucan lives on a corpse road, yeah? | 0:45:36 | 0:45:40 | |
-He knows the score, he knows I'll get us in. -Yeah? | 0:45:40 | 0:45:42 | |
So he thinks, "I'll just sit on a cold channel | 0:45:42 | 0:45:45 | |
"and they can fish for it." | 0:45:45 | 0:45:46 | |
But he didn't bank on old Gabriel, did he? | 0:45:46 | 0:45:49 | |
'So what did you do then?' | 0:45:49 | 0:45:52 | |
Oh, yeah! | 0:45:52 | 0:45:53 | |
He's quite good, isn't he? | 0:46:07 | 0:46:09 | |
-Is he? -Yeah, he's not bad. | 0:46:11 | 0:46:14 | |
How can you tell? | 0:46:16 | 0:46:18 | |
-Gabriel! -Oh, God. -Gabriel! -Excuse me. | 0:46:18 | 0:46:22 | |
-No, it's OK, it's all right. -Gabriel, Lord Lucan! -What about them? | 0:46:22 | 0:46:25 | |
They had a corpse road on that job - a bypass, we can do it. | 0:46:25 | 0:46:28 | |
-No, I don't want you involved. -Oh, come on, Frank, | 0:46:28 | 0:46:31 | |
none of us are perfectly professional all the time, are we? | 0:46:31 | 0:46:33 | |
Don't come all that with me. Having a bit of a natter and glow chasing are not the same thing, | 0:46:33 | 0:46:37 | |
-far from it. -All right, all right. Look, I'm done with that. | 0:46:37 | 0:46:41 | |
Here you go. You can have them. | 0:46:41 | 0:46:42 | |
I'm not interested. I just want to do the job, please. | 0:46:42 | 0:46:46 | |
Have this and all, it's the trigger. The whole lot's printed on it. | 0:46:46 | 0:46:50 | |
I don't want it no more. | 0:46:50 | 0:46:51 | |
Look, mate, the corpse road's coming from over there, yeah? | 0:46:51 | 0:46:53 | |
All we need to do is nudge up 45 degrees or so, | 0:46:53 | 0:46:55 | |
-just round the other side of the house, yeah? -Right. | 0:46:55 | 0:46:58 | |
It's a trench and mirror job. Get missus on the case, her's mad with digging, isn't her? | 0:46:58 | 0:47:01 | |
Stick a few flags in so they don't compromise the channel, do you see what I mean? | 0:47:01 | 0:47:05 | |
-It's a bit out there. -So what? | 0:47:05 | 0:47:08 | |
-Don't flake out on me now. It'll work. -It could. | 0:47:08 | 0:47:11 | |
It's your call, pilot. What do you reckon? | 0:47:11 | 0:47:14 | |
-How does the line look? -I don't know. Fine, I think. -Yeah? | 0:47:18 | 0:47:22 | |
-What are we doing? -We're building a bypass. -How do we do that? | 0:47:22 | 0:47:26 | |
I don't know. You'd have to ask him, I'm not a natural. | 0:47:26 | 0:47:31 | |
All right, then, love, I need you to dig all trench along this line, | 0:47:31 | 0:47:34 | |
so deep, yeah? Just enough so you know it's there. | 0:47:34 | 0:47:36 | |
Get in the house, get the windows open, all the ones that will. | 0:47:36 | 0:47:39 | |
Turn all the taps on, flush the place out. Let's go! Let's go! | 0:47:39 | 0:47:42 | |
Nice one little, um...Denzel. | 0:47:45 | 0:47:48 | |
What are you doing? | 0:48:41 | 0:48:43 | |
-What's going on? -Don't worry, missus, we're professionals. | 0:48:49 | 0:48:53 | |
See, the traffic comes over the hill, yeah? | 0:49:00 | 0:49:02 | |
-Now, the house is the obvious way to proceed. -The traffic? -Yeah, that's right. | 0:49:02 | 0:49:05 | |
So, what happens now is the mirror's going to bounce it round that way and it'll come out the back. | 0:49:05 | 0:49:09 | |
-See what I mean? -Traffic? -Yes. | 0:49:09 | 0:49:11 | |
-What do you reckon? -Looks the part. | 0:49:11 | 0:49:13 | |
-There's only one way to find out, I suppose. -What traffic? | 0:49:13 | 0:49:16 | |
Can't believe this. It's routine, textbook. | 0:49:20 | 0:49:24 | |
There's your target, clean, easy, like we never had a problem. | 0:49:24 | 0:49:28 | |
-You are bloody good at this, mate. -Let's do it, then. | 0:49:28 | 0:49:31 | |
The Colonel's coming. | 0:49:31 | 0:49:32 | |
-Exactly, that's why we should waste as little of his time as possible. -He said to sit tight. | 0:49:32 | 0:49:36 | |
I know, but that's before we turned a difficult job into a routine one. | 0:49:36 | 0:49:39 | |
Hey, tell you what, go and get something personal of the husband, | 0:49:39 | 0:49:42 | |
so we can put it in the circuit, strengthen the signal. | 0:49:42 | 0:49:45 | |
Come on, mate, I'm back. | 0:49:45 | 0:49:46 | |
It should be in here somewhere. | 0:49:51 | 0:49:54 | |
Ah! There it is. | 0:49:54 | 0:49:56 | |
I bought it for him. | 0:49:58 | 0:50:00 | |
Didn't really wear it much, though. | 0:50:01 | 0:50:04 | |
-Thought it was too odd. -That'll be fine. | 0:50:04 | 0:50:07 | |
He thought I was too odd too. | 0:50:12 | 0:50:14 | |
Are you all right? | 0:50:20 | 0:50:21 | |
No. But thank you for asking. | 0:50:26 | 0:50:30 | |
-Right then, mate, ready? -Yeah. | 0:50:52 | 0:50:54 | |
MACHINE BEEPS | 0:50:55 | 0:50:58 | |
-All right? -Normal. | 0:50:58 | 0:51:00 | |
Let's go. | 0:51:04 | 0:51:05 | |
There you are, mate. | 0:52:07 | 0:52:09 | |
'Have a look at this!' | 0:52:09 | 0:52:12 | |
Come on! | 0:52:12 | 0:52:13 | |
'Where are you?' | 0:52:13 | 0:52:15 | |
I've lost the map here, mate. | 0:52:19 | 0:52:21 | |
HE SCREAMS | 0:52:24 | 0:52:27 | |
SCREAMS CONTINUE | 0:52:27 | 0:52:29 | |
HE SHOUTS IN BULGARIAN | 0:52:32 | 0:52:36 | |
Stay with me! Stay here, don't go! | 0:52:36 | 0:52:39 | |
-Oh! Oh! -Calm, calm... | 0:52:39 | 0:52:42 | |
HE CONTINUES TO SHOUT | 0:52:42 | 0:52:44 | |
Calm! Shh! | 0:52:44 | 0:52:47 | |
Shh, shh. | 0:52:49 | 0:52:50 | |
HE GROANS | 0:52:56 | 0:52:57 | |
You'll be all right, mate. Shh. | 0:52:57 | 0:53:01 | |
You'll be OK. | 0:53:01 | 0:53:02 | |
I told you to wait, mush. | 0:53:15 | 0:53:17 | |
-The problem had gone, he'd solved it himself. -Shh-shh-shh! | 0:53:17 | 0:53:20 | |
You were the pilot. This is down to you. | 0:53:27 | 0:53:30 | |
We're looking after you, so don't worry. | 0:53:44 | 0:53:46 | |
Listen, we don't understand! Just stop it! | 0:53:48 | 0:53:51 | |
Please, quiet! | 0:53:51 | 0:53:52 | |
-Why don't you write it down? Yeah? Write it down. -There's no point. | 0:53:55 | 0:54:00 | |
Please, let him have a say. | 0:54:00 | 0:54:01 | |
-I don't get this. What is this, Russian? -Bulgarian. | 0:54:23 | 0:54:27 | |
Occupational hazard, missus. | 0:54:27 | 0:54:28 | |
Even if he could speak English, it'd be a load of old bollocks, | 0:54:28 | 0:54:32 | |
on account of the psychic detritus from the failed extraction. | 0:54:32 | 0:54:36 | |
-He's not even here half the time. -So where is he? | 0:54:36 | 0:54:39 | |
That's classified. | 0:54:41 | 0:54:42 | |
-So what are you going to do? -We're going to wait. | 0:54:44 | 0:54:47 | |
He might be free of it within 24 hours. If he's lucky. | 0:54:48 | 0:54:51 | |
What if he's not lucky? | 0:54:51 | 0:54:53 | |
HEADBOARD THUDS | 0:54:56 | 0:54:58 | |
Christ on a bike, mush. This is Thatcher-Mitterrand all over again. | 0:55:00 | 0:55:05 | |
It's a bloody nightmare. | 0:55:05 | 0:55:07 | |
I can't believe he took his goggles off. | 0:55:07 | 0:55:09 | |
What's been going on with him? | 0:55:09 | 0:55:11 | |
Nowt. | 0:55:11 | 0:55:12 | |
Nothing out of the ordinary? | 0:55:12 | 0:55:15 | |
No. | 0:55:15 | 0:55:16 | |
-What the bloody hell was that all about? -Don't know. | 0:55:28 | 0:55:31 | |
-How long have you been with the agency? -Seven years, boss. | 0:55:32 | 0:55:36 | |
Seven year? Listen, sunshine, you're one of us now, for better or worse. | 0:55:36 | 0:55:42 | |
There's no going back. | 0:55:42 | 0:55:44 | |
What, you think you're going to go and work in a bank, | 0:55:44 | 0:55:46 | |
have a wife and two and a half kids, eh? | 0:55:46 | 0:55:49 | |
-HE SCOFFS -I don't see it somehow, do you? | 0:55:49 | 0:55:52 | |
No. | 0:55:53 | 0:55:55 | |
-No, I don't. -No. | 0:55:57 | 0:55:59 | |
Sharpen up, Mr Bennett, no more mistakes. | 0:55:59 | 0:56:01 | |
Hey, it's all right, mate. Just save your energy. | 0:56:35 | 0:56:39 | |
Get you in rehab, soon as. Get you match fit. | 0:56:39 | 0:56:43 | |
Be in the pink in a week or two, won't you? | 0:56:45 | 0:56:48 | |
Well, might be a bit longer. | 0:56:50 | 0:56:52 | |
All right, then, let me think. | 0:57:18 | 0:57:20 | |
Once upon a time, she says, one stormy night, | 0:57:20 | 0:57:25 | |
a little boy found himself wandering on a barren moor. | 0:57:25 | 0:57:29 | |
He didn't know how he'd arrived there, | 0:57:31 | 0:57:33 | |
only that he desperately needed to get into the warm and dry, and very soon, too. | 0:57:33 | 0:57:37 | |
He needed to find his house. | 0:57:37 | 0:57:38 | |
He was very cold and scared, out on the dark night. | 0:57:38 | 0:57:43 | |
But being a brave boy, he walked on. | 0:57:43 | 0:57:46 | |
THE COLONEL SNORES | 0:58:02 | 0:58:05 | |
Do you hear me? Don't you dare move! I bloody well mean it and all! | 0:58:49 | 0:58:53 | |
I know it's far away from civilisation, so-called, | 0:59:19 | 0:59:23 | |
but that's what's so good about it, isn't it? | 0:59:23 | 0:59:28 | |
What? | 0:59:28 | 0:59:30 | |
So, what do you think? | 0:59:31 | 0:59:33 | |
Bennett? | 0:59:34 | 0:59:36 | |
Bennett? | 0:59:41 | 0:59:42 | |
-MAN'S ECHOING VOICE: -..On stormy ground, | 1:00:24 | 1:00:26 | |
a little boy found himself wandering over a barren moor... | 1:00:26 | 1:00:30 | |
RACING HEARTBEAT | 1:00:30 | 1:00:32 | |
Didn't know how he'd arrived there, only that he desperately | 1:00:32 | 1:00:35 | |
needed to get himself in the warm and dry, and very soon, too. | 1:00:35 | 1:00:39 | |
He needed to find his house. | 1:00:40 | 1:00:42 | |
What the bloody hell are you doing here? Hello? | 1:00:43 | 1:00:46 | |
The little boy found himself wandering over a barren moor. | 1:01:01 | 1:01:07 | |
He didn't know how he'd arrived there, only that he desperately | 1:01:07 | 1:01:10 | |
needed to get himself into the warm and dry, and very soon, too. | 1:01:10 | 1:01:14 | |
He needed to find his house. | 1:01:14 | 1:01:17 | |
He was very cold and scared, out in the dark night. | 1:01:17 | 1:01:21 | |
-You're a bloody thief! -..Being a brave boy... | 1:01:21 | 1:01:26 | |
So he gathered up all of his courage, | 1:01:32 | 1:01:35 | |
walked up to the rotten old door and knocked. | 1:01:35 | 1:01:39 | |
He waited. At last, | 1:01:39 | 1:01:42 | |
the door swung open to reveal... | 1:01:42 | 1:01:45 | |
..an old lady, back bent, | 1:01:46 | 1:01:50 | |
face wizened, | 1:01:50 | 1:01:52 | |
eyes clouded, | 1:01:52 | 1:01:54 | |
blind... | 1:01:54 | 1:01:55 | |
"Who's there?" she snapped, squinting into the wind. | 1:01:55 | 1:02:00 | |
The old lady gave him dry clothes, | 1:02:00 | 1:02:02 | |
sat him in front of the fire with a bowl of hot soup... | 1:02:02 | 1:02:04 | |
This is mine! | 1:02:04 | 1:02:06 | |
You get the fuck out! | 1:02:06 | 1:02:07 | |
-What's this? -So you definitely think a sister would be better? | 1:02:16 | 1:02:20 | |
What's this, then? This is yours. | 1:02:20 | 1:02:24 | |
Listen to me, this is wrong. | 1:02:24 | 1:02:26 | |
We've strayed through the line, this can get really... | 1:02:26 | 1:02:28 | |
You could get lost in here and never find your way out. | 1:02:28 | 1:02:31 | |
I don't mind either way. | 1:02:31 | 1:02:32 | |
As long as the baby is as beautiful as me, we'll be happy, won't we? | 1:02:32 | 1:02:36 | |
It's him! | 1:02:40 | 1:02:41 | |
So that must be... | 1:02:44 | 1:02:45 | |
What?! | 1:02:54 | 1:02:55 | |
This is too dangerous. | 1:02:57 | 1:02:59 | |
We need to find a way out, and I want my rocks back, you thief! | 1:02:59 | 1:03:02 | |
Where ARE you? | 1:03:04 | 1:03:07 | |
Right, I'll come and find you, then. | 1:03:09 | 1:03:11 | |
SOUNDTRACK RUSHES BACKWARDS | 1:03:11 | 1:03:16 | |
Look at this! How did I miss this? It IS you! | 1:03:28 | 1:03:31 | |
Right, you wait here. Do you hear me? Don't you DARE move! | 1:03:34 | 1:03:38 | |
I bloody well mean it, an' all. | 1:03:38 | 1:03:40 | |
Oh, God. | 1:04:32 | 1:04:33 | |
HE SNORES GENTLY | 1:04:33 | 1:04:36 | |
Oh, God. | 1:04:36 | 1:04:37 | |
-Davis? -Davis! -Anything? -No. | 1:04:48 | 1:04:51 | |
Where will she take him? | 1:04:52 | 1:04:54 | |
-She take HIM? -That's what I said. | 1:04:54 | 1:04:56 | |
She must have nabbed him. | 1:04:56 | 1:04:58 | |
That's ridiculous. | 1:04:58 | 1:05:00 | |
I won't go easy on her, I can tell you that. | 1:05:00 | 1:05:02 | |
-She's a girl, Frank, she's just a girl. -Just a normal girl, is she? | 1:05:05 | 1:05:09 | |
Oh, and Davis is Mr Reliable, is he? | 1:05:09 | 1:05:11 | |
Look at all this stuff, mush. | 1:05:35 | 1:05:38 | |
This is powerful, this. | 1:05:38 | 1:05:40 | |
-Did you not see this? -No, boss. | 1:05:43 | 1:05:46 | |
Least of your problems around here. | 1:05:46 | 1:05:50 | |
-Get the gear. -Are we going to extract here? | 1:05:56 | 1:05:59 | |
How are we going to do that, the girl's not here, you cretin! Keep up! | 1:05:59 | 1:06:02 | |
I'll have to take a few readings, | 1:06:04 | 1:06:06 | |
see quite how far round the U-bend we are. | 1:06:06 | 1:06:08 | |
Right. | 1:06:10 | 1:06:12 | |
-Where are we going? -Where are you going? Jane! | 1:06:26 | 1:06:30 | |
I've got to find her. | 1:06:30 | 1:06:32 | |
-Where are you going to look? -I have to do something. | 1:06:32 | 1:06:35 | |
Then look after this one! | 1:06:35 | 1:06:38 | |
We'll do what we can. | 1:06:38 | 1:06:40 | |
Davis is a good man. | 1:06:40 | 1:06:42 | |
If they're together, she'll be fine. | 1:06:42 | 1:06:45 | |
They'll be back. | 1:06:45 | 1:06:47 | |
-How long is it since you've spoken? -It's been three years. | 1:06:52 | 1:06:56 | |
She was fine, she was a normal girl, | 1:06:56 | 1:06:57 | |
then she went to look at a university and she came back... | 1:06:57 | 1:07:01 | |
-like that. -You should have told us. | 1:07:01 | 1:07:04 | |
-Find her, Frank. -I'll try. | 1:07:05 | 1:07:08 | |
(Come back to the house.) | 1:07:11 | 1:07:13 | |
EQUIPMENT BUZZES | 1:07:47 | 1:07:50 | |
INTERMITTENT BUZZING | 1:07:56 | 1:07:59 | |
BUZZING STOPS | 1:08:04 | 1:08:06 | |
INTERMITTENT BUZZING STARTS AGAIN | 1:08:17 | 1:08:21 | |
I'm going to recalibrate. | 1:08:29 | 1:08:31 | |
BABY GRIZZLES | 1:09:27 | 1:09:29 | |
History. | 1:09:31 | 1:09:32 | |
History. | 1:09:35 | 1:09:37 | |
I'd have graduated by now. | 1:09:37 | 1:09:39 | |
I came for an interview. | 1:09:42 | 1:09:44 | |
-ECHOING: -History. | 1:10:09 | 1:10:11 | |
(Dad?) | 1:11:04 | 1:11:06 | |
What the bloody hell...? | 1:12:11 | 1:12:12 | |
He's not dead! | 1:12:12 | 1:12:14 | |
I know what happened. | 1:12:14 | 1:12:15 | |
-I saw him, I don't know how... -I don't believe this... | 1:12:16 | 1:12:19 | |
Maybe this is what Davis was going on about, the dead man's POV. | 1:12:19 | 1:12:23 | |
-But he's not dead! -Davis was going on about the dead man's POV? | 1:12:23 | 1:12:28 | |
I knew it! That little rat must be on the glow, isn't he? | 1:12:28 | 1:12:32 | |
To think...I had you two fucking lined up to be in my A team! | 1:12:33 | 1:12:37 | |
I'm sorry! Boss... | 1:12:37 | 1:12:40 | |
I saw him. | 1:12:40 | 1:12:41 | |
-Look, we can tell her! -Tell her what? | 1:12:41 | 1:12:44 | |
You drop one hint to her and you're burned, boy. | 1:12:44 | 1:12:49 | |
You remember Culkin. | 1:12:49 | 1:12:51 | |
I got it wrong. | 1:12:56 | 1:12:58 | |
Hello? One - two? | 1:12:58 | 1:12:59 | |
And you haven't spoke since then? | 1:13:04 | 1:13:06 | |
-Only to you. -That's all well. | 1:13:06 | 1:13:09 | |
No, it's not. I just didn't know how to tell her. | 1:13:10 | 1:13:16 | |
I still don't. | 1:13:16 | 1:13:17 | |
Not a trace, I'm afraid... | 1:13:19 | 1:13:21 | |
So I'll disappear and we'll be out of your hair within the hour. | 1:13:21 | 1:13:26 | |
Sometimes these things happen. | 1:13:26 | 1:13:28 | |
Sometimes we just can't get where we need to be. | 1:13:28 | 1:13:32 | |
Sometimes I'm afraid people do just disappear and you don't get answers. | 1:13:32 | 1:13:37 | |
-And what about Rebecca? -We'll find her, we've got to - she's with Davis. | 1:13:37 | 1:13:41 | |
-How? -Isosceles tracking. -But... | 1:13:41 | 1:13:44 | |
Why can't you just...? | 1:13:44 | 1:13:46 | |
No, it's a different... | 1:13:46 | 1:13:48 | |
It wouldn't work, trust me. | 1:13:48 | 1:13:50 | |
It's complicated. | 1:13:50 | 1:13:51 | |
DOOR OPENS | 1:13:51 | 1:13:53 | |
-You all right? -Yeah. | 1:13:53 | 1:13:55 | |
OK, then. | 1:13:58 | 1:14:00 | |
-Are you going to say goodbye to Jojo before you leave? -Course I will. | 1:14:00 | 1:14:04 | |
You've gone all Charlie Chaplin again. | 1:14:16 | 1:14:19 | |
Silent, I mean, not schmaltzy and unfunny. | 1:14:22 | 1:14:25 | |
You're that boy. | 1:14:34 | 1:14:36 | |
-No. -Yes, you are. | 1:14:36 | 1:14:37 | |
-Looks, it ain't what you think. -Why isn't it? | 1:14:39 | 1:14:43 | |
Because it's just... | 1:14:43 | 1:14:45 | |
-like a photograph. -No, it's not. | 1:14:45 | 1:14:47 | |
I did it, you get to feel what the boy feels, it's ace. | 1:14:49 | 1:14:52 | |
Shut up about it. | 1:14:52 | 1:14:53 | |
-What about today, though? -What about it? | 1:15:03 | 1:15:06 | |
Don't you go and see them today? | 1:15:07 | 1:15:09 | |
-They're gone. -But I was with them. | 1:15:09 | 1:15:12 | |
-No... -They told me a story. -No, they're gone. | 1:15:12 | 1:15:14 | |
It's just what happens to people, isn't it? | 1:15:23 | 1:15:26 | |
-I see it every day - look at you lot. -Don't understand. | 1:15:26 | 1:15:30 | |
Well... | 1:15:30 | 1:15:32 | |
It's always a version of the same story, isn't it? | 1:15:32 | 1:15:36 | |
People are there... | 1:15:36 | 1:15:37 | |
..and then they're not. | 1:15:39 | 1:15:40 | |
What am I going to tell my mum? | 1:15:46 | 1:15:48 | |
When're you coming back? | 1:16:17 | 1:16:18 | |
I don't know. | 1:16:20 | 1:16:21 | |
I hope it's soon. | 1:16:23 | 1:16:25 | |
Oh, no... | 1:16:25 | 1:16:27 | |
Jane... You can't. | 1:16:30 | 1:16:32 | |
It's OK, Frank. | 1:16:32 | 1:16:34 | |
I thought we might make a garden. | 1:16:36 | 1:16:37 | |
-What do you think? -OK. | 1:16:40 | 1:16:43 | |
So where do you think we should put it? | 1:16:49 | 1:16:52 | |
-We could put it on that bit up there? -That's a good idea. | 1:16:52 | 1:16:56 | |
Hello. | 1:17:26 | 1:17:27 | |
Hello, Mum. | 1:17:31 | 1:17:32 | |
Hello. | 1:17:52 | 1:17:53 | |
-Hello. -Do you want to help with my garden? | 1:17:55 | 1:17:58 | |
OK. | 1:17:59 | 1:18:00 | |
-Mate, are you all right? -Yeah. | 1:18:09 | 1:18:11 | |
What? Say that again. | 1:18:11 | 1:18:13 | |
-Yeah, I'm fine. -Mate, you're back! How? | 1:18:13 | 1:18:14 | |
- I don't know, I just snapped out of it. - Where've you been, soldier? | 1:18:14 | 1:18:17 | |
-I know what happened. -Yes, so do I. -How do YOU know? | 1:18:17 | 1:18:19 | |
-I extracted over there, I saw... -Hey, hey, hey! | 1:18:19 | 1:18:21 | |
Calm down, monkeys, all right? | 1:18:21 | 1:18:23 | |
- How did Mrs take it? - We didn't tell her! | 1:18:23 | 1:18:27 | |
It's not a reliable extraction. | 1:18:27 | 1:18:28 | |
- But I know where he is! - Snap out of it! | 1:18:28 | 1:18:31 | |
Not interested in your little daytrip! | 1:18:31 | 1:18:33 | |
We don't do 3-D stuff, you know that - our domain starts at four. | 1:18:33 | 1:18:36 | |
And since when are glow-chasing, lying | 1:18:36 | 1:18:39 | |
and maverick operations order of the day? | 1:18:39 | 1:18:41 | |
Faulkner's got early-onset Alzheimer's because of that kind of feckless fucking about. | 1:18:41 | 1:18:46 | |
Let's get out of here and maybe we can talk about how to try | 1:18:47 | 1:18:50 | |
and save your jobs, understand? | 1:18:50 | 1:18:53 | |
I said, "Do you understand?" | 1:18:53 | 1:18:56 | |
-Do you want to look after her? -Eh? | 1:18:56 | 1:18:58 | |
You heard, do you want to look after her? | 1:18:58 | 1:19:01 | |
What the bloody hell are you talking about? | 1:19:01 | 1:19:03 | |
-Yeah. -Right. Take her there. | 1:19:04 | 1:19:07 | |
She'll need looking after after she's been there. | 1:19:07 | 1:19:10 | |
-He's out of his mind, don't listen to him. -Right, I will. -Bennett! | 1:19:10 | 1:19:13 | |
- Leave him, boss. - Bennett, I'm talking to you! | 1:19:13 | 1:19:16 | |
Bennett, you take one more step and you'll regret it, sunshine! | 1:19:16 | 1:19:20 | |
I don't think I will. | 1:19:20 | 1:19:22 | |
Fine. | 1:19:24 | 1:19:26 | |
You were always a wet blanket, anyway. A fucking dilettante. | 1:19:27 | 1:19:31 | |
Say what you want, Boss. | 1:19:33 | 1:19:34 | |
You want no part of this, son - come on. | 1:19:43 | 1:19:45 | |
Oh, I think I'm stopping here an' all, Boss. | 1:19:45 | 1:19:47 | |
Don't be ridiculous. | 1:19:47 | 1:19:48 | |
- You'll still make the grade. - No, no! | 1:19:48 | 1:19:52 | |
Listen... You're A-team material. | 1:19:52 | 1:19:55 | |
You're a natural, Son, it's in your blood. | 1:19:55 | 1:19:57 | |
I don't want it, boss. | 1:19:57 | 1:20:00 | |
I ain't interested in politicians and powerbrokers. | 1:20:00 | 1:20:03 | |
Thatcher and Mitterrand was a domestic. | 1:20:03 | 1:20:06 | |
It's the oldest story in the book. | 1:20:06 | 1:20:08 | |
Look, they despise the likes of you and me out there in the real world. | 1:20:08 | 1:20:13 | |
You know that. You'll never fit in anywhere. | 1:20:13 | 1:20:17 | |
Come on... | 1:20:18 | 1:20:19 | |
No, I'm through, Boss. Boss, I'm through... | 1:20:19 | 1:20:22 | |
- Boss, get off me! - Come on! | 1:20:22 | 1:20:24 | |
-What are you doing? -Enough! | 1:20:24 | 1:20:26 | |
Argh! | 1:20:27 | 1:20:29 | |
No! | 1:20:30 | 1:20:32 | |
You're done, Boss. | 1:20:32 | 1:20:34 | |
You know I can't let this go, don't you? You'll be getting a visit. | 1:20:41 | 1:20:45 | |
Like Culkin! | 1:20:45 | 1:20:47 | |
Yeah, but I ain't Culkin, Boss - it's me, | 1:20:48 | 1:20:51 | |
I don't think you want to do that to me. | 1:20:51 | 1:20:54 | |
It'll be out of my hands, won't it? | 1:20:54 | 1:20:57 | |
Well, not if you never found us. | 1:20:57 | 1:20:58 | |
Not if we was just gone. | 1:21:00 | 1:21:02 | |
I... I don't want you gone. | 1:21:09 | 1:21:12 | |
Sorry. | 1:21:17 | 1:21:18 | |
Take care, Boss - yeah? | 1:21:22 | 1:21:24 | |
Come on. | 1:21:32 | 1:21:34 | |
-Hi. -All right? | 1:21:52 | 1:21:54 | |
-Let's have a go, then. -Why? -Because it's cool. -Not now, eh? | 1:22:06 | 1:22:11 | |
-Oh, sorry - are you having a go? -No. I'm just waiting for Bennett. | 1:22:11 | 1:22:16 | |
-Come on, then. -Stop it. -What are you waiting for? -I said stop it. | 1:22:22 | 1:22:25 | |
Oh, for God's sake. | 1:22:25 | 1:22:27 | |
"Who's there?", she said, squinting into the wind. | 1:22:27 | 1:22:30 | |
The old lady gave him dry clothes, sat him in front of the fire... | 1:22:30 | 1:22:33 | |
-Pack it in! -..and very soon, the boy was as warm as toast! | 1:22:33 | 1:22:37 | |
-I'm serious, that's enough. -What's the problem? | 1:22:37 | 1:22:40 | |
-You shouldn't even BE here. -You can't just play by yourself all the time. | 1:22:42 | 1:22:46 | |
There's a name for that, you know. | 1:22:46 | 1:22:48 | |
-I'd love to try on your mum's funky shoes. -What? -Let me be her. | 1:22:48 | 1:22:52 | |
-You be the boy. -No! | 1:22:52 | 1:22:53 | |
Oh come on, it's BORING doing the same thing all the time. | 1:22:53 | 1:22:56 | |
-I'll be the boy, you be the dad. -No! -You be the mum, then. Kinky! | 1:22:56 | 1:22:59 | |
-Shut up, we can't do that. -Why not? -You KNOW why not, I told you. | 1:22:59 | 1:23:04 | |
They're not here, it's just a... loop, an imprint. | 1:23:04 | 1:23:08 | |
Oh, yeah... That's right. | 1:23:08 | 1:23:10 | |
So if you think about it, then a more honest view would be this. | 1:23:12 | 1:23:15 | |
Think you're clever? | 1:23:20 | 1:23:22 | |
I haven't got a friend in the world. | 1:23:25 | 1:23:27 | |
You've got Bennett, who's actually really cool, but you don't talk to him | 1:23:27 | 1:23:30 | |
because you'd rather sit in here with people who aren't really there. | 1:23:30 | 1:23:33 | |
That's stupid. | 1:23:33 | 1:23:35 | |
All right, fair enough. Point taken. Thanks very much. | 1:23:37 | 1:23:41 | |
And he says to the old lady, "Tell me a story". The old lady says... | 1:23:47 | 1:23:52 | |
-"Once upon a time..." -And it just goes around again. | 1:23:52 | 1:23:56 | |
And again, and again! | 1:23:56 | 1:23:58 | |
And you're OK with that? That's enough to fill your heart, is it? | 1:23:59 | 1:24:03 | |
You're certainly making up for lost time on the talking front, ain't you? | 1:24:03 | 1:24:06 | |
-Oh, neat parry. -I preferred you when you were... -Yeah, yeah, yeah. | 1:24:06 | 1:24:09 | |
And he was very cold and scared in the darkness... | 1:24:10 | 1:24:15 | |
My dad's gone, too. | 1:24:17 | 1:24:19 | |
Yeah, he went because he was... | 1:24:19 | 1:24:22 | |
Whatever he was, I don't care. | 1:24:22 | 1:24:23 | |
It's not the end of everything, is it? | 1:24:24 | 1:24:27 | |
New things start, don't they? | 1:24:27 | 1:24:29 | |
All right, then. I'll leave you to it. | 1:24:37 | 1:24:39 | |
Bye-bye, lovely boy. | 1:24:42 | 1:24:44 | |
-See you, mate. -Hang on. | 1:24:47 | 1:24:49 | |
And the old lady says, "Once upon a time..." | 1:24:55 | 1:24:59 | |
..He didn't know how he'd arrived there, but he knew he desperately | 1:25:05 | 1:25:09 | |
needed to get himself in the warm and dry, and very soon, too. | 1:25:09 | 1:25:12 | |
He needed to find his house. | 1:25:13 | 1:25:16 | |
He was very cold and scared out in the dark night. | 1:25:18 | 1:25:23 | |
But being a brave boy... | 1:25:24 | 1:25:26 | |
Bye, then. | 1:25:26 | 1:25:28 | |
He walked on. | 1:25:28 | 1:25:30 | |
See you, mate. | 1:25:59 | 1:26:00 | |
Come on, then. That's enough work. | 1:28:34 | 1:28:36 | |
-Do you reckon Lord Lucan looks loads like Freddie Mercury? -What? | 1:28:42 | 1:28:46 | |
You must have noticed it - Lord Lucan looks just like Freddie Mercury. | 1:28:46 | 1:28:49 | |
I mean, they've got the same-shape face, same eyes, same moustache... | 1:28:49 | 1:28:52 | |
No, I think it's just the moustache, mate. You could put a Freddie Mercury moustache on the Queen, | 1:28:52 | 1:28:56 | |
it'd look like Freddie Mercury. | 1:28:56 | 1:28:57 | |
She wouldn't, she'd look like the Queen with a moustache on! | 1:28:57 | 1:29:00 | |
-All right, picture Lord Lucan in your mind, yeah? -Yeah. | 1:29:00 | 1:29:02 | |
-Get him in your mind, right? Divide the screen in half... -OK. | 1:29:02 | 1:29:06 | |
Put Freddie Mercury on the other side... | 1:29:06 | 1:29:08 | |
I'm still only getting the moustache, mate. | 1:29:08 | 1:29:11 | |
-All right, look in Lord Lucan's eyes... -In his eyes? -What do you see? | 1:29:11 | 1:29:15 | |
-Er, death? -What, of a nanny? -Yeah. | 1:29:15 | 1:29:18 | |
Yes, he topped her, didn't he? Done a runner. | 1:29:18 | 1:29:21 | |
Did you see that Lee Harvey Oswald plate in the back of the News of the world? | 1:29:21 | 1:29:25 | |
-Yeah, his face looks wicked in it. -Yeah... | 1:29:25 | 1:29:28 | |
Subtitles by Red Bee Media Ltd | 1:31:10 | 1:31:12 |