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|---|---|---|---|
I'm looking for Mr Keith Morgan. Have you seen him? | 0:01:24 | 0:01:28 | |
We haven't seen anything but Morgan since Monday. This way, sir. | 0:01:28 | 0:01:32 | |
Hello, Keith, I hope I'm not troubling you. | 0:01:50 | 0:01:53 | |
Why, Professor, you sound a little bitter. | 0:01:53 | 0:01:57 | |
-We have very little time. Come on, you have to hurry. -Sit down, Peter. | 0:01:57 | 0:02:02 | |
Ah, ah, ah! Can't sit there! That's her chair. | 0:02:02 | 0:02:06 | |
D'you know what time it is? We have to catch a train for Old Sharon. | 0:02:06 | 0:02:11 | |
-Ah, don't you worry. -This is the... Excuse me. | 0:02:11 | 0:02:15 | |
This is the last time I nursemaid you when you come to New York on one of these frolics. | 0:02:15 | 0:02:21 | |
-I'm not gonna budge till the girl I'm in love with agrees to marry me. -Well, it's... Excuse me. | 0:02:21 | 0:02:28 | |
I've sat here for four nights and I'll sit here 40 more. | 0:02:28 | 0:02:32 | |
Oh, Pete, she's the most beautiful, exciting... | 0:02:32 | 0:02:37 | |
-What? You aren't serious? -I am! | 0:02:37 | 0:02:40 | |
-You haven't any monopoly on seriousness. -Now, Keith... | 0:02:40 | 0:02:45 | |
The 4am train leaves at 4am and I'm going to be on it and so are you. | 0:02:45 | 0:02:50 | |
Waiter, get this man his cheque. I'm going to get his hat. | 0:02:50 | 0:02:55 | |
That's Old Sharon 242. | 0:03:10 | 0:03:13 | |
And I want... And reverse the charges. | 0:03:13 | 0:03:17 | |
I want to speak to Mr Peter Morgan, senior. | 0:03:17 | 0:03:20 | |
If you don't find him there, try the university. | 0:03:20 | 0:03:24 | |
-He's president. -Then what's Roosevelt doing? | 0:03:24 | 0:03:28 | |
# You'd never dream to look at me | 0:03:33 | 0:03:37 | |
Hello? | 0:03:35 | 0:03:37 | |
-# My life is stuffed with tragedy -Hello? Dad! Dad? | 0:03:37 | 0:03:40 | |
-Shh! There's a number going on! -Dad? Hello. I've found him. | 0:03:40 | 0:03:45 | |
-If you shout any louder, you won't need that phone! -What? | 0:03:45 | 0:03:49 | |
I'm in a night club, Dad. Now, don't get excited. I'm leaving soon. | 0:03:49 | 0:03:54 | |
What? ..No, it's a girl this time. | 0:03:54 | 0:03:59 | |
-How's the mother doing? -She's fine. What?! | 0:03:59 | 0:04:03 | |
All right, goodbye now. | 0:04:03 | 0:04:05 | |
# ..is a lovely memory | 0:04:05 | 0:04:09 | |
# Oh, I'm forgotten and I'm all alone | 0:04:12 | 0:04:15 | |
# But when you dance with someone else | 0:04:15 | 0:04:19 | |
# And try romance with someone else | 0:04:19 | 0:04:23 | |
# You'll be reminded of me | 0:04:23 | 0:04:27 | |
# And when you look in somebody's eyes | 0:04:27 | 0:04:31 | |
# The way you look into mine | 0:04:31 | 0:04:35 | |
# The memory of those little white lies | 0:04:35 | 0:04:39 | |
# Will haunt you all of the time | 0:04:39 | 0:04:43 | |
# So you've forgotten all the thrills we knew | 0:04:43 | 0:04:47 | |
# But wait, the day will come to you | 0:04:47 | 0:04:51 | |
# And when your heart is broke in two | 0:04:51 | 0:04:56 | |
# You'll be reminded of me | 0:04:56 | 0:04:58 | |
# If you should ever think of New York after dark | 0:05:00 | 0:05:03 | |
# And remember how we rode the hurdy-gurdy in the park | 0:05:03 | 0:05:07 | |
# And later, as we stroll along, you kissed my trembling hand | 0:05:07 | 0:05:11 | |
# And on my finger slipped an 18-carat cigar band | 0:05:11 | 0:05:16 | |
# You'll be reminded of me | 0:05:16 | 0:05:18 | |
# And when you look in somebody's eyes | 0:05:20 | 0:05:24 | |
# The way you look into mine | 0:05:24 | 0:05:29 | |
# The memory of those little white lies | 0:05:29 | 0:05:34 | |
# Will haunt you all of the time | 0:05:34 | 0:05:40 | |
# Go on forgetting all the thrills we ever knew | 0:05:40 | 0:05:45 | |
# But wait-a, | 0:05:45 | 0:05:46 | |
# The day-a | 0:05:46 | 0:05:47 | |
# Will-a come-a to you-a | 0:05:47 | 0:05:49 | |
# And when-a | 0:05:49 | 0:05:51 | |
# Your heart-a | 0:05:51 | 0:05:52 | |
# Is a-broken in two | 0:05:52 | 0:05:54 | |
# You'll be reminded of me | 0:05:54 | 0:05:56 | |
# And I'll be laughing | 0:05:56 | 0:05:58 | |
# You'll be reminded of me. # | 0:05:58 | 0:06:02 | |
APPLAUSE | 0:06:02 | 0:06:05 | |
Charlie... | 0:06:14 | 0:06:15 | |
Tell the fella at my table I've gone. I wanna put one over on him. | 0:06:17 | 0:06:21 | |
Let me know when he leaves. | 0:06:21 | 0:06:24 | |
Oh... | 0:06:30 | 0:06:31 | |
Hello. | 0:06:31 | 0:06:33 | |
How do you do. | 0:06:33 | 0:06:35 | |
-Where's Keith? -I wish I knew. | 0:06:38 | 0:06:40 | |
Oh, you're, er... | 0:06:44 | 0:06:46 | |
Oh... | 0:06:46 | 0:06:48 | |
-What's the matter? -Nothing. | 0:06:48 | 0:06:51 | |
-Say, what were you trying to do - break me up? -When you were singing? | 0:06:53 | 0:06:57 | |
-I fell over a cooler over there. I'm exceedingly sorry. -Don't be. | 0:06:57 | 0:07:02 | |
-Some drunk does it every night. I don't mean you're drunk. -I'm sorry? | 0:07:02 | 0:07:07 | |
-I said I don't mean that I think you're tight. -I'm not intoxicated. | 0:07:09 | 0:07:14 | |
-No kidding. -No. No. I'm just, er... | 0:07:14 | 0:07:18 | |
Just... | 0:07:18 | 0:07:20 | |
The only way I can explain it... | 0:07:20 | 0:07:23 | |
-We had one of the first automobiles in Old Sharon. -You live there too? | 0:07:24 | 0:07:29 | |
Oh, yes, yes. And one morning, my father was driving along and he didn't see me in the street. | 0:07:29 | 0:07:37 | |
And he ran over me. | 0:07:37 | 0:07:39 | |
It wasn't serious but it was quite a blow. | 0:07:40 | 0:07:44 | |
Well, yeah. | 0:07:44 | 0:07:46 | |
Well, that's just the way I feel right now. | 0:07:48 | 0:07:51 | |
We say it a bit different. We say we feel like we've been hit by a truck. | 0:07:53 | 0:07:59 | |
It's the same idea. | 0:08:00 | 0:08:02 | |
Yeah. | 0:08:02 | 0:08:05 | |
-Have a cigarette? -No, thanks. | 0:08:07 | 0:08:10 | |
-Something to drink? -No, I never use it. | 0:08:13 | 0:08:16 | |
-Something to eat? -Yes, I would like something to eat. -Oh... -Not in here. | 0:08:20 | 0:08:26 | |
The food's terrible. | 0:08:26 | 0:08:29 | |
Well, then, we... I mean we...you... | 0:08:29 | 0:08:33 | |
-Do you want to take me out? -I do! Very much! -How 'bout it? -All right. | 0:08:33 | 0:08:38 | |
-And we might see some of New York. -All right. | 0:08:43 | 0:08:47 | |
Good night, Charlie. I'm going to see New York. | 0:08:47 | 0:08:50 | |
-Has he gone? -Yes, he's gone, but... -Boy, did I give him the runaround! | 0:08:58 | 0:09:03 | |
Boy, did we get rid of him! | 0:09:06 | 0:09:09 | |
-Hey, where's Francie? -Francie went with him. -Oh, boy...! | 0:09:09 | 0:09:14 | |
-Huh? -He's showing her New York. | 0:09:14 | 0:09:17 | |
Oh, boy! | 0:09:18 | 0:09:19 | |
-It's so quiet too. -What? | 0:09:20 | 0:09:23 | |
-I said it's so quiet! -What did you say?! | 0:09:23 | 0:09:27 | |
The only sound at night is just the wind and the trees. | 0:09:27 | 0:09:32 | |
-What did you say?! -I said it's so quiet in Old Sharon! | 0:09:32 | 0:09:36 | |
Oh, I'd like that! | 0:09:36 | 0:09:39 | |
Did you ever stop to think how important the universe is? | 0:09:39 | 0:09:44 | |
No, I don't believe I have. | 0:09:44 | 0:09:47 | |
Well, we worry about industry and business... | 0:09:47 | 0:09:52 | |
Few people realise that school is responsible for our civilisation. | 0:09:53 | 0:09:59 | |
Say, what are you? | 0:09:59 | 0:10:02 | |
-Well, I'm a professor. -Oh. | 0:10:02 | 0:10:05 | |
Well, not quite. Associate professor. | 0:10:05 | 0:10:08 | |
So when I see that university, it gives me quite a thrill because... | 0:10:08 | 0:10:14 | |
Because what? | 0:10:15 | 0:10:18 | |
Well, I'd like to tell you but you'd just think I'm bragging. | 0:10:18 | 0:10:23 | |
Well, no, I like people who think they're good. | 0:10:23 | 0:10:27 | |
-My grandfather was president of Old Sharon university. -Good night! | 0:10:27 | 0:10:32 | |
My father's president now. And some day, I'm going to be. | 0:10:32 | 0:10:36 | |
I assure you, I've never talked this much before. | 0:10:44 | 0:10:48 | |
But... | 0:10:48 | 0:10:50 | |
I...I just realised... I'm trying to make an impression. | 0:10:50 | 0:10:54 | |
Well, you could let me say something. I'd like to make an impression too. | 0:10:55 | 0:11:00 | |
-You don't have to say anything. -No? | 0:11:00 | 0:11:03 | |
No. You speak for yourself, and very eloquently too. | 0:11:03 | 0:11:07 | |
Besides, wasn't I at the cafe tonight? | 0:11:08 | 0:11:12 | |
-Did you like my dance? -You were singing when I came in. | 0:11:12 | 0:11:16 | |
-You didn't see my dance? When I wear the little thing with sequins? -No. | 0:11:16 | 0:11:21 | |
Oh, I'm sorry. That's the best number I do. I want you to see it. | 0:11:21 | 0:11:26 | |
-Why? -It's a great number. -Is that so? -Terrific. | 0:11:26 | 0:11:30 | |
-So, you're good! -Yeah, I'm good. -Now who's bragging? | 0:11:30 | 0:11:34 | |
You got me. | 0:11:37 | 0:11:39 | |
I've missed the train. | 0:11:53 | 0:11:55 | |
-That's too bad. -Oh, it's all right. | 0:11:57 | 0:12:00 | |
Goodbye. | 0:12:07 | 0:12:08 | |
Goodbye? Why? | 0:12:09 | 0:12:11 | |
I live here. | 0:12:11 | 0:12:14 | |
Oh... | 0:12:14 | 0:12:15 | |
Goodbye. | 0:12:21 | 0:12:22 | |
Er... Do you... | 0:12:23 | 0:12:25 | |
-Do you think things out carefully? -Things? What things? | 0:12:26 | 0:12:31 | |
-Just things. -You mean small things or important things? | 0:12:31 | 0:12:36 | |
Er...everything. | 0:12:36 | 0:12:39 | |
Well, if it's small things, I never do. | 0:12:39 | 0:12:42 | |
But important things, I never do either. | 0:12:42 | 0:12:46 | |
Oh... I think you ought to think them out, don't you? | 0:12:46 | 0:12:50 | |
Because small things develop into very important things. | 0:12:50 | 0:12:54 | |
Yes, but you just think things out and... | 0:12:54 | 0:12:58 | |
they happen anyhow. | 0:12:58 | 0:13:00 | |
Well... What, you mean there's some things you just can't control? | 0:13:00 | 0:13:06 | |
I don't think you can control anything. | 0:13:06 | 0:13:09 | |
TELEPHONE RINGS | 0:13:33 | 0:13:37 | |
-Hello. -'Good morning.' | 0:13:40 | 0:13:42 | |
Well...good morning. | 0:13:43 | 0:13:46 | |
-If you aren't doing anything, would you have breakfast with me? -Sure. | 0:13:48 | 0:13:53 | |
-Where are you? -'At the drugstore.' -Give me 15 minutes. -Make it five. | 0:13:53 | 0:13:58 | |
All right, five. Goodbye. | 0:13:58 | 0:14:00 | |
Good morning. We're having a little special today. A toothbrush free with a bottle of mouthwash. | 0:14:10 | 0:14:17 | |
Just taste this. No iron, no tin, no irritants, no... | 0:14:17 | 0:14:21 | |
-Brown hair, blue eyes, about 6' 1" tall. -In shoes or stockinged feet? | 0:14:33 | 0:14:37 | |
-Stockinged feet. -I haven't seen him. | 0:14:37 | 0:14:40 | |
Beg your pardon, sir. | 0:14:43 | 0:14:45 | |
Never mind, I've found him. | 0:14:45 | 0:14:47 | |
Now, that's all right. Keith, Keith, wake up now. | 0:14:47 | 0:14:52 | |
-May I have the tickets? -Oh, I... | 0:14:54 | 0:14:57 | |
Keith, may I use your drawing room? I'll buy you a berth. | 0:14:57 | 0:15:01 | |
-Sorry, there's no more space. -I'll sleep here. -Drawing room A, car 71. | 0:15:01 | 0:15:06 | |
Would you, er...? | 0:15:07 | 0:15:09 | |
Keith, I... | 0:15:09 | 0:15:11 | |
Listen... | 0:15:11 | 0:15:13 | |
The most wonderful thing's happened. | 0:15:13 | 0:15:16 | |
-Some would say it's a miracle... -Don't you care what people say. | 0:15:16 | 0:15:21 | |
But there's nothing particularly miraculous about it! It's chemistry. | 0:15:21 | 0:15:26 | |
Anodes attract cathodes... | 0:15:26 | 0:15:29 | |
Don't tell me - you're in love. | 0:15:29 | 0:15:32 | |
No. No. I'm married. | 0:15:32 | 0:15:35 | |
-Married a cathode? That's a funny name. -Her name's Francie. | 0:15:35 | 0:15:40 | |
Oh, Francie? That's a very pretty name. Francie. | 0:15:40 | 0:15:44 | |
-That's my girl! -Wait a minute, boss! Take it easy. | 0:15:45 | 0:15:49 | |
Hey! What are you trying to do, lose me? | 0:15:49 | 0:15:52 | |
Oh, no. | 0:15:54 | 0:15:56 | |
-I'm never gonna lose you. -You better not. | 0:15:57 | 0:16:00 | |
It only took a day to happen but I'm in love with you for always. | 0:16:00 | 0:16:05 | |
-Think you can stand it? -Well, I'll try. | 0:16:05 | 0:16:09 | |
You...er... You can move in. | 0:16:13 | 0:16:15 | |
What did Keith say? | 0:16:18 | 0:16:20 | |
-He was a little startled. -I bet. | 0:16:20 | 0:16:23 | |
Oh, do you mind, er...he and I... Well, do you mind if we go in alone? | 0:16:23 | 0:16:28 | |
-She has claustrophobia... -Yes. | 0:16:28 | 0:16:31 | |
Now I know I've heard everything. | 0:16:31 | 0:16:34 | |
-I've never been married before and... -Frightened? -Frightened? No. I'm never gonna be frightened again. | 0:16:34 | 0:16:42 | |
Now you're my wall to lean against. | 0:16:42 | 0:16:45 | |
Well, I've always tried to be a strong man in a conservative way. | 0:16:45 | 0:16:49 | |
Well, my strong and conservative man, carry me across our first threshold. | 0:16:49 | 0:16:55 | |
Oh, no, Francie. | 0:16:55 | 0:16:57 | |
No, that's... People did that... That's old... | 0:16:57 | 0:17:01 | |
Beg your pardon... | 0:17:30 | 0:17:32 | |
That's all right. I know how it is. | 0:17:32 | 0:17:35 | |
-Well, how is it? -Can't a man make a mistake? | 0:17:35 | 0:17:39 | |
-He could knock! -Isn't this Drawing Room A, car 71? | 0:17:39 | 0:17:43 | |
-Yes, this is Drawing Room A, car 71. Here's our ticket. -But you see... | 0:17:43 | 0:17:48 | |
-What are you gonna do about this? Throw them out! -They're going. | 0:17:48 | 0:17:53 | |
-We'd rather stay, if you... -Then the conductor will throw you out... | 0:17:53 | 0:17:58 | |
No. This is our drawing room and I won't budge. | 0:17:58 | 0:18:02 | |
Good! I was wondering what we'd do all night. | 0:18:02 | 0:18:06 | |
Every time I take a trip with you, something happens. | 0:18:06 | 0:18:10 | |
And when I don't, something happens. I know what I'm married to. | 0:18:10 | 0:18:15 | |
You haven't fooled me, not one minute. But I don't care! | 0:18:15 | 0:18:19 | |
Look, dear. Why can't you keep quiet. | 0:18:19 | 0:18:25 | |
Before I pin your big ears back! | 0:18:23 | 0:18:25 | |
-You heard him! You're witnesses! -I wish you had a mother to go back to. -I wish I had another husband! | 0:18:25 | 0:18:31 | |
I'll get you one at the next station. | 0:18:31 | 0:18:33 | |
-You're gonna be a nasty old man. -There's room in the observation car. | 0:18:33 | 0:18:39 | |
-I guess she got frightened. -Frightened of what? | 0:18:39 | 0:18:43 | |
Another peep out of you and you'll sleep in the observation car. | 0:18:43 | 0:18:47 | |
Francie, you'd better hurry! | 0:20:03 | 0:20:06 | |
Peter, what is a professor's wife meant to do? I forgot to ask. | 0:20:06 | 0:20:11 | |
Oh, mostly just keep the professor happy, that's all. Ready? | 0:20:11 | 0:20:16 | |
You're gonna like Old Sharon. You're gonna like my family too. | 0:20:17 | 0:20:22 | |
-And they'll love you. -I hope so. | 0:20:22 | 0:20:25 | |
Never having had one of my own, I have an illusion about one. | 0:20:25 | 0:20:29 | |
-Good moring. -Keith! -Francie! What are you...? Oh, yes, I married you. | 0:20:29 | 0:20:33 | |
-Ah, ah, she married me! -Oh, that's all right, then we're cousins. | 0:20:33 | 0:20:38 | |
-You can use that drawing room now if you want. -Don't get fresh. | 0:20:38 | 0:20:43 | |
-The old man looks calm considering you're married. -I haven't told him. | 0:20:46 | 0:20:51 | |
-Oh, you haven't told him. -No. -Save me two seats on the 50-yard line. | 0:20:51 | 0:20:56 | |
I'm gonna tell him. I'm old enough to know what I'm doing. | 0:20:56 | 0:21:00 | |
It isn't as if I ran off and got married. I thought it out carefully. | 0:21:00 | 0:21:05 | |
-If he has anything to say, he can say it to my face. -Maybe I'd better wait till you straighten things out. | 0:21:05 | 0:21:12 | |
-Come to my place... -No! No. -Then you could tell them. | 0:21:12 | 0:21:16 | |
-I'll come over later. -I don't like that... -Don't you think I ought to? | 0:21:16 | 0:21:22 | |
-Maybe. -Come along, cousin Francis. | 0:21:23 | 0:21:26 | |
OK. Oh, Francie, come here. | 0:21:26 | 0:21:29 | |
-Goodbye. -Goodbye. | 0:21:30 | 0:21:32 | |
Goodbye? I'll be seeing you in a minute! | 0:21:32 | 0:21:35 | |
We'll be at my cosy apartment. Call us some time. | 0:21:35 | 0:21:39 | |
Keith, is your phone connected? | 0:21:39 | 0:21:42 | |
Hi, uncle. | 0:21:43 | 0:21:44 | |
Who is that blonde thing with Keith? | 0:21:44 | 0:21:46 | |
There he is. Hello, darling. How are you? | 0:21:48 | 0:21:52 | |
-Who's that? -Helen. His fiancee. -He's a bigamist! | 0:21:52 | 0:21:56 | |
In the second degree. The old man whipped her up - blue blood, a thoroughbred. | 0:21:56 | 0:22:02 | |
No, I gotta see. I can't have my husband engaged to just anybody. | 0:22:02 | 0:22:06 | |
-I didn't know you were... Hello, Dad... -Don't tell me, I can see. | 0:22:06 | 0:22:11 | |
Every time I send someone to do something for me, nothing happens. | 0:22:11 | 0:22:16 | |
-I sent you to New York to get Keith. -I brought him... -Yes, but not that blonde too. | 0:22:16 | 0:22:22 | |
-Isn't that the girl you spoke to me about on the phone? -Yes, that's the girl. She's a very nice girl, Dad. | 0:22:22 | 0:22:29 | |
When you were 12, I informed you and you still don't know one woman from another. We won't discuss it now. | 0:22:29 | 0:22:36 | |
-Take Helen home. -Yes, but... -I have a meeting at the university. -Dad... | 0:22:36 | 0:22:41 | |
Come on, Peter. It isn't your fault. | 0:22:41 | 0:22:44 | |
-I wonder if it's inherited or acquired. -What do you mean? | 0:22:44 | 0:22:48 | |
He's allergic to blondes. He sees one and breaks out in a rash. | 0:22:48 | 0:22:53 | |
-The only cure is to send him back to the African bush. -I trust him. | 0:22:53 | 0:22:58 | |
Oh, I just want to thank you for everything. I had a wonderful time. | 0:22:58 | 0:23:02 | |
-It makes me break out in goose flesh. Did you ever break out? -Not lately. | 0:23:02 | 0:23:08 | |
I'll always think of you as my cousin. | 0:23:08 | 0:23:11 | |
Thank you, again. | 0:23:12 | 0:23:14 | |
Directly home, sir? | 0:23:19 | 0:23:21 | |
Yes... | 0:23:21 | 0:23:23 | |
Here, wipe your mouth before Joseph kisses you. | 0:23:23 | 0:23:27 | |
Goodbye. | 0:23:30 | 0:23:31 | |
Ada, get some fluffy drapes for the windows out of the cedar chest. | 0:23:37 | 0:23:42 | |
Get the bedspread for that bed, get something put here. I want it to look very feminine. Very feminine. | 0:23:42 | 0:23:49 | |
PHONE RINGS | 0:23:49 | 0:23:51 | |
Hello. ..Oh, hel-lo. | 0:23:51 | 0:23:54 | |
Hello, Francie? Are you all right? What's Keith doing? | 0:23:54 | 0:23:58 | |
He's gone out... No, here he is now. | 0:23:58 | 0:24:01 | |
Oh! | 0:24:02 | 0:24:04 | |
Oh-h! | 0:24:04 | 0:24:06 | |
Oh, Keith, you're wonderful! | 0:24:06 | 0:24:09 | |
'O-h-h!' | 0:24:09 | 0:24:11 | |
Oh, you're a darling! Mmm! | 0:24:11 | 0:24:15 | |
'Mmmm!' | 0:24:15 | 0:24:16 | |
-'Hey!' -Oh! Oh, hello. | 0:24:18 | 0:24:21 | |
-What's going on? -Keith just bought a cake. | 0:24:21 | 0:24:24 | |
-What's all that noise? -It's a wedding cake. Listen. | 0:24:24 | 0:24:28 | |
DING-A-LING | 0:24:28 | 0:24:30 | |
Oh. Well, don't cut it before I get over. | 0:24:30 | 0:24:34 | |
No, we won't. Say, have you told your mother and father? | 0:24:34 | 0:24:39 | |
No, not yet but they'll take a reasonable attitude. | 0:24:39 | 0:24:43 | |
Really, Mrs Jones, your baby's no trouble, she can stay as long as... | 0:24:43 | 0:24:48 | |
Look, darling, couldn't you send Keith off on an errand for you? | 0:24:48 | 0:24:54 | |
Don't listen. | 0:24:54 | 0:24:56 | |
Come here. | 0:24:56 | 0:24:58 | |
SHE KISSES DOWN THE PHONE | 0:24:58 | 0:25:01 | |
Come on. I'll blow closer. | 0:25:01 | 0:25:04 | |
SHE KISSES FERVENTLY | 0:25:04 | 0:25:07 | |
Oh, just a minute, Keith. | 0:25:07 | 0:25:09 | |
-Dad... -Finish your conversation. | 0:25:09 | 0:25:12 | |
SQUELCHY KISSES FROM PHONE | 0:25:12 | 0:25:16 | |
I had. | 0:25:17 | 0:25:20 | |
-He hung up. -Helen probably popped in. | 0:25:20 | 0:25:23 | |
I wouldn't worry about it. Much. | 0:25:23 | 0:25:26 | |
The student council meets this afternoon. | 0:25:26 | 0:25:29 | |
As a member of the advisory committee, you'll be there. | 0:25:29 | 0:25:33 | |
Furthermore, we're having spring difficulties between male and female students a little early. | 0:25:33 | 0:25:39 | |
Fraternising in the lockers. | 0:25:39 | 0:25:42 | |
-Then there's the Prom. -I want to tell you about that girl. -I'll give no more thought to your involvement. | 0:25:42 | 0:25:49 | |
-I'll take care of Keith my own way. -You don't understand. | 0:25:49 | 0:25:53 | |
-The subject is closed. -The subject is NOT closed. | 0:25:53 | 0:25:57 | |
-This is so distasteful. -At the risk of being a bore, I will talk about it. -I insist you respect my wishes! | 0:25:57 | 0:26:03 | |
THEY SHOUT ABOVE ONE ANOTHER | 0:26:03 | 0:26:07 | |
Your voices! | 0:26:07 | 0:26:09 | |
-I refuse to treated... -Don't shout! | 0:26:09 | 0:26:12 | |
Shouting is the effort of a limited mind. | 0:26:12 | 0:26:16 | |
-Oh, Mother. -See what you've done. | 0:26:16 | 0:26:19 | |
Get the smelling salts. You know your mother can't stand excitement. | 0:26:19 | 0:26:24 | |
-I'll go. Get the smelling salts. -I thought so. | 0:26:24 | 0:26:28 | |
Here. | 0:26:29 | 0:26:31 | |
-Oh, Mother, I'm so sorry. -Oh, I'm all right, dear. | 0:26:31 | 0:26:35 | |
-Sooner or later, I'll... -Haven't you done enough? I'm all right. | 0:26:35 | 0:26:40 | |
PHONE RINGS | 0:26:47 | 0:26:50 | |
Hello... Hey! Hello? | 0:26:50 | 0:26:52 | |
Hello, Francie? I haven't quite got this sorted out but I have an idea. | 0:26:52 | 0:26:57 | |
I want you to get dressed up and get Keith to take you to the Prom. My folks will be there. | 0:26:57 | 0:27:02 | |
-He wants you to take me to the Prom. -Why bore her on her first night? | 0:27:02 | 0:27:08 | |
Keith, listen, I want her to be there to meet them when I tell them. | 0:27:08 | 0:27:13 | |
That way it'll be much easier with all the music and the atmosphere. | 0:27:13 | 0:27:18 | |
-I'll meet you in the locker room. -You stay outta the locker room! | 0:27:18 | 0:27:23 | |
Just a moment, Mr Morgan. | 0:27:26 | 0:27:29 | |
-That's all right. Who's the young lady? -She's my guest. | 0:27:29 | 0:27:34 | |
Mr Morgan, you know this is a closed affair - students and faculty only. | 0:27:34 | 0:27:39 | |
She is a student. Miss Francie Brent. | 0:27:39 | 0:27:41 | |
Yes, a student. She's a student in my class. | 0:27:41 | 0:27:45 | |
Botany. Class 40. | 0:27:45 | 0:27:48 | |
-What'll happen if they find out? You'll get in trouble. -I don't mind. | 0:27:52 | 0:27:57 | |
Don't worry. Everything will be explained tonight. | 0:27:57 | 0:28:01 | |
-Will I like them? Will they like me? -Nothing like you happened to us before. -That's what I'm afraid of. | 0:28:01 | 0:28:08 | |
-Darling... -Francie. | 0:28:08 | 0:28:10 | |
Francie, sit down here. Take your coat off. | 0:28:12 | 0:28:15 | |
Mother and Dad will come that way. | 0:28:15 | 0:28:18 | |
-Where did you get to? -Hello, Helen. | 0:28:21 | 0:28:24 | |
Helen, this is... I'd like you to meet... | 0:28:24 | 0:28:27 | |
-Miss Francie Brent. -Yes. | 0:28:27 | 0:28:30 | |
She's with us now. She's in my class. | 0:28:30 | 0:28:34 | |
-Post-graduate. -How do you do. | 0:28:34 | 0:28:36 | |
-I recognise your goose flesh. -Yes, it's nice to stand out in a crowd. | 0:28:36 | 0:28:42 | |
Your platonic friendships are becoming irksome. Come, sweet. | 0:28:43 | 0:28:48 | |
Er... | 0:28:48 | 0:28:50 | |
-I... I'll be right back. Excuse me, Keith. -While you drown her. | 0:28:50 | 0:28:55 | |
-"Come, sweet"! Who does she think she is? Why, I'll... -Not now. | 0:28:55 | 0:28:59 | |
Hello, Mr Morgan. | 0:29:01 | 0:29:03 | |
-Mrs Morgan. -Good evening, Uncle Peter, Aunt Martha. -Good evening. | 0:29:03 | 0:29:08 | |
-I made a fine impression! I'd better go home. -It could have been worse. -I might have hit him. -Come on. | 0:29:08 | 0:29:15 | |
Wait. How do I look? Where's Peter? | 0:29:15 | 0:29:18 | |
-I think I'd better go fix my face. -The little girls' room's over there. | 0:29:18 | 0:29:23 | |
All right. I'll be back. | 0:29:23 | 0:29:27 | |
-Oh, Helen, excuse me, I want to speak to Dad. -No. -No? No, what? | 0:29:27 | 0:29:32 | |
-No, I won't excuse you. -Why not? | 0:29:32 | 0:29:35 | |
Because it's my dance. And I don't want you to behave like your father. | 0:29:35 | 0:29:39 | |
-Dad's all right! -Louder, I didn't hear you. -He's still all right! | 0:29:39 | 0:29:44 | |
Excuse me. | 0:29:44 | 0:29:46 | |
It was her fault. | 0:29:46 | 0:29:49 | |
Oh, what lovely sheer hose! Where do you get them? | 0:30:02 | 0:30:07 | |
Livingstone's, Fifth Avenue. | 0:30:07 | 0:30:09 | |
They have only the best and I think it pays, don't you? Naturally. | 0:30:09 | 0:30:14 | |
To buy the best, I mean. | 0:30:14 | 0:30:17 | |
I wish we could get them here. | 0:30:17 | 0:30:19 | |
Send away for them. I do when I go south for winter. | 0:30:19 | 0:30:24 | |
- Have you a cigarette? - Hm? | 0:30:24 | 0:30:27 | |
- May I have a cigarette? - Oh...a cigarette? | 0:30:29 | 0:30:33 | |
Oh, yes, I have a cigarette. | 0:30:33 | 0:30:36 | |
Oh, I couldn't take your last one. | 0:30:38 | 0:30:41 | |
Go ahead. I can take 'em or leave 'em. | 0:30:41 | 0:30:44 | |
How's that? | 0:30:48 | 0:30:50 | |
Thank you. | 0:30:52 | 0:30:54 | |
Now, about those hose - I wouldn't send away for them, if I were you. | 0:31:00 | 0:31:04 | |
You can buy them any place for 50 cents cheaper. Really? | 0:31:04 | 0:31:08 | |
Just because they come from Fifth Avenue, you have to pay 25% more. | 0:31:08 | 0:31:13 | |
And besides, they run. | 0:31:13 | 0:31:16 | |
We haven't met before. No. | 0:31:16 | 0:31:19 | |
Are you going to be with us? I am. | 0:31:19 | 0:31:22 | |
You're a new student? That's right. | 0:31:22 | 0:31:25 | |
-Mrs Morgan. -Yes. -Mr Morgan says to tell you he's waiting. -Thank you. | 0:31:25 | 0:31:30 | |
-And Mrs Morgan...you better snuff out that snipe! -Oh, of course! | 0:31:31 | 0:31:35 | |
Thank you. Good night, my dear. | 0:31:36 | 0:31:40 | |
I hope you're going to like us. I was gonna say the same thing. | 0:31:42 | 0:31:47 | |
If my husband wouldn't let me smoke, I'd get me a husband that would. | 0:31:47 | 0:31:51 | |
Depends on which you enjoy the most. | 0:31:51 | 0:31:54 | |
SHE MUMBLES TO HERSELF | 0:31:54 | 0:31:58 | |
-I met Peter's mother. -Did you say who you were? -No. But I think she's wonderful! | 0:32:04 | 0:32:10 | |
She was my favourite aunt before she got married. Let's find Peter. | 0:32:10 | 0:32:14 | |
And hurry, cos I got the shakes. | 0:32:14 | 0:32:17 | |
Huh! | 0:32:17 | 0:32:18 | |
If she gets any closer, she'll be behind him! | 0:32:21 | 0:32:24 | |
-What do you think you're doing? -Don't you know? I'm mad about you! | 0:32:31 | 0:32:36 | |
Darling, give me your neck to bite into. Round the jugular! Raargh! | 0:32:36 | 0:32:41 | |
I don't mean to be prudish, but the way you were holding that girl! | 0:32:42 | 0:32:47 | |
Well, now, she was holding me! | 0:32:47 | 0:32:50 | |
Would I be too boring if I suggested you break off your engagement? | 0:32:50 | 0:32:55 | |
The engagement's broken. She doesn't know. But I want to take one thing at a time. | 0:32:55 | 0:33:02 | |
-Did you get your ring back? -I never gave her a ring! -Don't shout! | 0:33:02 | 0:33:06 | |
-We're quarrelling, and no-one knows we're married. -You won't tell them! | 0:33:06 | 0:33:12 | |
If we want to quarrel, why shouldn't we? | 0:33:12 | 0:33:14 | |
-It's one of the nice things about being married. -Certainly. -Certainly. | 0:33:14 | 0:33:20 | |
Right, sit here. I'm gonna tell 'em! | 0:33:20 | 0:33:22 | |
Oh... | 0:33:27 | 0:33:28 | |
-Oh, I'm sorry. -Then why don't you tell 'em! | 0:33:28 | 0:33:32 | |
I... I just didn't mean to upset you. | 0:33:32 | 0:33:36 | |
I'm not upset about that. It's just... | 0:33:36 | 0:33:40 | |
I got the shakes. I know I'm gonna make a mess outta things. | 0:33:40 | 0:33:44 | |
My mascara's running. | 0:33:44 | 0:33:46 | |
Why, darling, you are shaking. There's nothing to be afraid of. They're just my mother and father. | 0:33:46 | 0:33:53 | |
-Then why are you shaking? -Huh? | 0:33:53 | 0:33:56 | |
Sympathetic action. Hold your breath and count to ten. | 0:33:56 | 0:34:00 | |
One, two, three, four, five, six, seven... It's no use. | 0:34:00 | 0:34:04 | |
All right. Now. | 0:34:09 | 0:34:11 | |
Go get 'em! | 0:34:11 | 0:34:14 | |
Hold your head up a little higher. | 0:34:15 | 0:34:17 | |
There. There. Now, don't move. | 0:34:17 | 0:34:20 | |
I'll be right back. | 0:34:20 | 0:34:23 | |
I wouldn't try that in a high wind. You might take off. | 0:34:28 | 0:34:31 | |
Keith, get Mother and bring her here. I'll get Dad. | 0:34:31 | 0:34:35 | |
I wonder if you could stand me saying I dislike you intensely. | 0:34:38 | 0:34:43 | |
-I want to go away. -Not before I tell you Peter and I are to be married. | 0:34:43 | 0:34:49 | |
-Is that so? -Not that knowing that would make any difference. -Well, no. | 0:34:49 | 0:34:54 | |
Peter needs protection against a certain type of woman. | 0:34:54 | 0:34:59 | |
-I could work on that. -Will you mind your own business or must I give you a piece of my mind? | 0:34:59 | 0:35:05 | |
I couldn't take the last piece. | 0:35:05 | 0:35:07 | |
Why did you do that? I'll only have to hit you back. | 0:35:10 | 0:35:14 | |
You contemptible little blonde! How dare you? Who do you think you are? | 0:35:14 | 0:35:18 | |
There, and there's plenty more! I won't keep still, I won't, I won't! | 0:35:18 | 0:35:23 | |
Shhh! | 0:35:23 | 0:35:25 | |
-Shhh! -How dare you? You can't do that! I won't keep still. I won't! | 0:35:26 | 0:35:31 | |
You can't do that! Stop "shushing" me! I don't care who hears me! | 0:35:33 | 0:35:38 | |
Ow! Ooh! | 0:35:40 | 0:35:42 | |
Right. Put 'em up. | 0:35:55 | 0:35:57 | |
So, you wanna talk to the old man? | 0:35:57 | 0:36:00 | |
Strong and healthy and yet he has to come to the old man. | 0:36:00 | 0:36:04 | |
Chip off the old block. Well, what is it, son? Is he too big for you? | 0:36:04 | 0:36:09 | |
-Well, he can't lick both of us, can he? -Excuse me. | 0:36:09 | 0:36:13 | |
Now, don't tell me - you've got something up your sleeve. I can tell. | 0:36:13 | 0:36:18 | |
-Out with it. Gimme up the truth. -It's a surprise. | 0:36:18 | 0:36:22 | |
-I've sent for Mother. I want you both here. -It'd better be good. | 0:36:22 | 0:36:27 | |
Dad, this is good. | 0:36:27 | 0:36:29 | |
Ah, ha, ha... | 0:36:46 | 0:36:49 | |
It... It's good, Peter. | 0:37:02 | 0:37:05 | |
Er... | 0:37:07 | 0:37:09 | |
Don't you think it's a little too rough? | 0:37:14 | 0:37:17 | |
Rough? | 0:37:17 | 0:37:19 | |
Now, wait a minute! | 0:37:27 | 0:37:29 | |
Francie, wait! | 0:37:29 | 0:37:31 | |
-Let me at her! -Easy... -Let me at her! -Let me at her! | 0:37:31 | 0:37:35 | |
Take it easy. | 0:37:39 | 0:37:41 | |
So, Helen fouled you with a pin? | 0:38:11 | 0:38:14 | |
Yes, and behind my back. | 0:38:14 | 0:38:17 | |
-If that fight had only gone another round! -I've made a mess of things. | 0:38:18 | 0:38:23 | |
Don't be silly. Helen was a mess before you got to her. | 0:38:23 | 0:38:27 | |
What happens if they find out I'm not a student? Will you lose your job? | 0:38:29 | 0:38:34 | |
We'll worry about that tomorrow. | 0:38:34 | 0:38:38 | |
In the meantime, we'll just worry about tonight. | 0:38:38 | 0:38:42 | |
Make yourself comfortable, Francie. | 0:38:44 | 0:38:46 | |
Anything you can't find, you'll have to do without. | 0:38:46 | 0:38:51 | |
I'll kiss your husband goodnight for you. | 0:38:53 | 0:38:57 | |
-Is Peter in his room? -Yes, he is, I guess. | 0:39:04 | 0:39:08 | |
-Are you the guest he was expecting? -Yes, sure. -You could have fooled me. | 0:39:08 | 0:39:13 | |
-Wanna make something of it? -I know you don't want to be disturbed. | 0:39:27 | 0:39:32 | |
But you forgot something. Move over. | 0:39:32 | 0:39:36 | |
Bless you, my children. | 0:39:44 | 0:39:47 | |
"What about that girl?" | 0:39:54 | 0:39:57 | |
"In regard to that young woman..." | 0:39:57 | 0:39:59 | |
"What about that girl?" "In regard to that young woman." | 0:39:59 | 0:40:04 | |
-What about that girl? -I lose. I bet you'd say it the other way. | 0:40:04 | 0:40:08 | |
I'm not in a playful mood. I resent your beating around the bush. I always get to the point immediately. | 0:40:08 | 0:40:14 | |
I accept that as a tradition of the Morgans. | 0:40:14 | 0:40:17 | |
-But I bet you lose a lot of fun. -I want to discuss that girl. | 0:40:17 | 0:40:22 | |
Uncle, that girl happens to be... a very good friend of mine. | 0:40:22 | 0:40:26 | |
I won't stand it. Bringing her home. Get her out of town. | 0:40:26 | 0:40:30 | |
I can't. She's here because... She heard Old Sharon gave a great course in Botany. | 0:40:30 | 0:40:35 | |
Keith Morgan, I've watched you go to perdition in your dipsomaniacal way at least twice during this semester | 0:40:35 | 0:40:42 | |
and I've made no issue of it. And I'll overlook this. | 0:40:42 | 0:40:46 | |
But if that girl makes one more mistake like last night, it'll go hard with everyone. Now, get out. | 0:40:46 | 0:40:53 | |
A hotshot he'd have been in the French Revolution! | 0:40:58 | 0:41:02 | |
-How did he treat you? -Like I taught you to fight. Here's your card. You duck into Papa's classroom. | 0:41:06 | 0:41:12 | |
This is your first day. Be good and make Mother proud. | 0:41:12 | 0:41:16 | |
I'll be home as soon as Papa learns me all about the flowers. | 0:41:16 | 0:41:20 | |
THEY WOLF WHISTLE | 0:41:29 | 0:41:32 | |
-Don't you see it? -No. | 0:41:36 | 0:41:38 | |
Right on the centre. Don't you see the tentacles? | 0:41:38 | 0:41:42 | |
Just a minute. | 0:41:42 | 0:41:44 | |
Now, this is the lowest form of plant life. | 0:41:44 | 0:41:48 | |
-See? -Hello. | 0:41:48 | 0:41:50 | |
Hello. They're perfect as far as they go. | 0:41:50 | 0:41:53 | |
-Now if we take... -I love you. | 0:41:53 | 0:41:56 | |
-You were about to take something. -Well, leave it. | 0:42:00 | 0:42:05 | |
-Are you Professor Morgan? -Yes. -I'm supposed to report to you. | 0:42:05 | 0:42:09 | |
-I'll take her to her place. -Never mind. I'll take her myself. | 0:42:09 | 0:42:14 | |
-I have a lot to catch up. Can you help? -Yes, dear. | 0:42:16 | 0:42:20 | |
WOLF WHISTLES | 0:42:21 | 0:42:24 | |
We're studying the lowest form of vegetable life. | 0:42:24 | 0:42:29 | |
Take a drop of water and put it on the slide. | 0:42:29 | 0:42:33 | |
This water's from the gutter of a roof - it's been standing some time. | 0:42:33 | 0:42:38 | |
-I didn't know you were this wonderful. -Um... | 0:42:38 | 0:42:41 | |
Er... Now you use these to get the focus. | 0:42:45 | 0:42:49 | |
And you'll notice a sort of a green colouring... | 0:42:49 | 0:42:52 | |
..a green colouring. That is a multitude of small green bodies. | 0:42:55 | 0:43:00 | |
See? | 0:43:00 | 0:43:01 | |
I want you to examine that very carefully. If you run into difficulty, just ask. | 0:43:01 | 0:43:08 | |
-Hurry back, dear. -All right, darling. | 0:43:08 | 0:43:10 | |
BELL RINGS | 0:43:14 | 0:43:18 | |
All right. Any questions about tomorrow's quiz, see Mr Culpepper. | 0:43:18 | 0:43:23 | |
Hey, Morgan, that new student - probably not a thing up here except blonde hair. | 0:43:23 | 0:43:30 | |
Now, wait a minute! You take it easy. | 0:43:30 | 0:43:34 | |
I just don't like to have new students maligned. She hasn't had the benefit of earlier lectures. | 0:43:34 | 0:43:40 | |
I'm sorry about that. I'll bring her up to date. | 0:43:40 | 0:43:44 | |
Won't you sit down? | 0:43:46 | 0:43:49 | |
And I'll try and explain some of these things to you. | 0:43:49 | 0:43:54 | |
Botany is the romance of life. | 0:43:54 | 0:43:57 | |
Before you're through, you'll never want to walk on a blade of grass. | 0:43:57 | 0:44:02 | |
-Is that so? -Well, yeah, honey, plants are just like us. | 0:44:02 | 0:44:07 | |
At first, they're playfully young. | 0:44:07 | 0:44:10 | |
Then they grow up and become more serious. If you know what I mean? | 0:44:10 | 0:44:16 | |
Culpepper, run down the hall and get tomorrow's slides. | 0:44:16 | 0:44:20 | |
Yes, sir. | 0:44:20 | 0:44:22 | |
Excuse me. | 0:44:22 | 0:44:25 | |
I'll be back. | 0:44:27 | 0:44:29 | |
-Darling, I've been so anxious to talk to you. -Can't we ever be alone? | 0:44:35 | 0:44:39 | |
Here! | 0:44:39 | 0:44:42 | |
-Are you all right? How do you feel? Did Helen hurt you? -Not much. I was so frightened, I just ran. | 0:44:42 | 0:44:48 | |
-Keith could hardly catch me. And I was lonesome. -I worried all night. | 0:44:48 | 0:44:53 | |
For a man of Dad's intelligence, he was pretty primitive about it. I just let him sleep it off. | 0:44:53 | 0:45:00 | |
-I ruined everything. -Try not to worry too much. | 0:45:00 | 0:45:04 | |
It's enough to drive you crazy, but remember - bad beginning, good finish. | 0:45:04 | 0:45:09 | |
-I must be due a load of happiness. -No, "we" must. | 0:45:09 | 0:45:13 | |
-Keith said... -Keith? Well, now, look now... | 0:45:13 | 0:45:17 | |
We've imposed on him long enough. | 0:45:17 | 0:45:20 | |
I want you to leave Keith's apartment and find one for us. | 0:45:20 | 0:45:24 | |
You see... | 0:45:24 | 0:45:26 | |
Well, we're having a quiz tomorrow and a lot of visiting professors | 0:45:26 | 0:45:31 | |
-and you don't know anything about botany. Or do you? -If it's anything like us, I do. | 0:45:31 | 0:45:36 | |
No. | 0:45:36 | 0:45:38 | |
No, it's...a little different. | 0:45:38 | 0:45:40 | |
I thought I could come round and give you the questions and answers. | 0:45:40 | 0:45:46 | |
Good. | 0:45:46 | 0:45:49 | |
All right. | 0:45:50 | 0:45:52 | |
You go over to the Martha Gregory Apartments. It's nice and quiet... | 0:45:52 | 0:45:57 | |
It'll be better for our lesson. | 0:45:57 | 0:46:00 | |
All right, teacher. | 0:46:00 | 0:46:02 | |
Thank you, teacher. | 0:46:04 | 0:46:06 | |
WOLF WHISTES | 0:46:08 | 0:46:11 | |
Don't expect any consideration for your late entrance into the class. You'll have to work twice as hard. | 0:46:11 | 0:46:18 | |
All right, teacher. | 0:46:18 | 0:46:20 | |
Cute, isn't he? | 0:46:23 | 0:46:25 | |
HE WHISTLES | 0:46:25 | 0:46:29 | |
There you are, deary. I've given you another quilt. | 0:46:38 | 0:46:42 | |
Our young ladies are always complaining about chilly nights. | 0:46:42 | 0:46:46 | |
If you want anything else, just call. Thank you. | 0:46:49 | 0:46:54 | |
There's Walter again! Always falling down - just like him! | 0:46:56 | 0:47:01 | |
Walter?! | 0:47:00 | 0:47:01 | |
Walter was my husband. | 0:47:03 | 0:47:06 | |
But you never could depend on him. | 0:47:06 | 0:47:09 | |
-Where do you think you're going? -Francie French's apartment. | 0:47:11 | 0:47:15 | |
-This hotel is for ladies exclusively. -I know... | 0:47:15 | 0:47:20 | |
-Yes, if you would... -I'm her botany professor and... -Read! | 0:47:20 | 0:47:25 | |
-But... -NO exceptions. | 0:47:25 | 0:47:29 | |
-"No gentlemen allowed..." -Botany professor, huh?! | 0:47:29 | 0:47:32 | |
-Come on! -People think of the silliest excuses. -Call her. | 0:47:32 | 0:47:36 | |
Tell her I'm here. | 0:47:36 | 0:47:39 | |
Will you sit down, please? | 0:47:41 | 0:47:44 | |
CLANG! | 0:48:11 | 0:48:13 | |
-All aboard! -Shhh! | 0:48:14 | 0:48:17 | |
TWIT-TWOO! | 0:48:26 | 0:48:27 | |
Alone at last! | 0:48:36 | 0:48:39 | |
Professor, we don't mind you using the front seat. Just settle down! | 0:48:48 | 0:48:53 | |
ENGINE ROARS | 0:48:55 | 0:48:58 | |
ENGINE OFF | 0:49:20 | 0:49:22 | |
EVERYONE YELLS | 0:49:22 | 0:49:26 | |
Anybody would think I'm not your husband, including me! | 0:49:28 | 0:49:32 | |
If ever a girl felt unmarried, I do. Can't you tell your father? | 0:49:32 | 0:49:37 | |
-We'll tell him now. He's making a speech at the university. -I'll wait outside. | 0:49:37 | 0:49:43 | |
"And all for what? For nothing. For applause. | 0:49:44 | 0:49:49 | |
"What is applause to him or he to applause that he should weep for it?" | 0:49:49 | 0:49:54 | |
-Why aren't you at the faculty? -Dad, sit down. | 0:49:54 | 0:49:58 | |
Mr Noble is endowing a new library. We should honour him with our presence. | 0:49:58 | 0:50:04 | |
This is more important than Noble. | 0:50:04 | 0:50:07 | |
Your problems are secondary. | 0:50:07 | 0:50:09 | |
You know that girl you think is Keith's girl? | 0:50:09 | 0:50:13 | |
Now, wait a minute! Wait a minute! | 0:50:13 | 0:50:16 | |
-She's my wife! -Now, our president. > | 0:50:16 | 0:50:20 | |
POLITE APPLAUSE | 0:50:20 | 0:50:24 | |
We are gathered here this evening... | 0:50:27 | 0:50:30 | |
..to pay homage to a man... | 0:50:33 | 0:50:36 | |
..who has this day... | 0:50:37 | 0:50:39 | |
WHISPERS | 0:50:41 | 0:50:45 | |
I'll have to ask you to excuse me for a few moments. | 0:50:45 | 0:50:49 | |
-What was it you said? -I said that girl is my wife. | 0:51:00 | 0:51:04 | |
And, Dad, she's the finest wife that any man could have. | 0:51:08 | 0:51:12 | |
-Peter, are you mad? -I think so and I hope it's permanent. | 0:51:12 | 0:51:15 | |
-I won't allow you to toss your life away. -Let me do as I wish. | 0:51:15 | 0:51:20 | |
-It's a courtesy you'd... -You're confusing courtesy and licence. | 0:51:20 | 0:51:26 | |
Your career here might lead to the presidency of this university. | 0:51:26 | 0:51:30 | |
I say, "might". Father, are you all right? | 0:51:30 | 0:51:34 | |
What happened? I'm all right. It's this boy. | 0:51:34 | 0:51:38 | |
-I was so frightened... -I'm glad you're here. | 0:51:38 | 0:51:43 | |
-Quiet. You know she has a weak heart. -I've been quiet long enough! | 0:51:43 | 0:51:47 | |
-Get some water. -Mother, I'm sorry. | 0:51:47 | 0:51:49 | |
-I... I didn't... -Can you get some water? | 0:51:49 | 0:51:54 | |
Are you all right, dear? Fine. | 0:51:57 | 0:51:59 | |
Give that to me! | 0:51:59 | 0:52:02 | |
-You'll kill your mother! -Dad... -Don't say anything to her. -But... | 0:52:02 | 0:52:07 | |
If you don't care about her welfare, I do! | 0:52:07 | 0:52:11 | |
I'm sorry about your mother, Peter. Really I am. | 0:52:13 | 0:52:17 | |
-But why should -I -be a shock?! -You wouldn't be. | 0:52:19 | 0:52:23 | |
It's just that Dad was afraid that | 0:52:23 | 0:52:26 | |
on top of her breaking down over his muffing that acceptance speech of his, she... | 0:52:26 | 0:52:32 | |
Well, I don't know. | 0:52:32 | 0:52:35 | |
Gosh, and Mr Noble - I hope he's not offended. | 0:52:35 | 0:52:39 | |
I'd hate to see the university lose that endowment over ME. | 0:52:39 | 0:52:44 | |
-Over ME, you mean. -You didn't have anything to do with it. | 0:52:44 | 0:52:48 | |
What's that? | 0:52:59 | 0:53:00 | |
Goodbye. | 0:53:00 | 0:53:02 | |
Oh, but, Francie...! | 0:53:02 | 0:53:04 | |
-Francie, would you please listen...! -Look, you! | 0:53:08 | 0:53:11 | |
What?! | 0:53:12 | 0:53:14 | |
Remember our house rules. | 0:53:14 | 0:53:17 | |
Don't start anything rough. And I wear glasses. | 0:53:17 | 0:53:20 | |
They're being fixed right now, but it's illegal to hit a man in glasses. | 0:53:20 | 0:53:26 | |
SLAM! | 0:53:29 | 0:53:31 | |
Hello. Can you reserve a compartment on the 1.00am New York train? And can someone come up for my bags? | 0:53:33 | 0:53:41 | |
Francie, I know you oughta be angry with me and leave. | 0:53:51 | 0:53:56 | |
But please don't go. | 0:53:56 | 0:53:58 | |
I'm not angry. | 0:53:58 | 0:54:00 | |
Well, you oughta be! I know that if you were me and I were you, I'd be angry and leave you! | 0:54:00 | 0:54:07 | |
-But don't leave me. -Oh, darling, please don't. | 0:54:08 | 0:54:12 | |
It's too difficult. Now, go on back down... | 0:54:12 | 0:54:16 | |
If you don't stop, I'll go out there and yell that I have a right to be here! | 0:54:16 | 0:54:22 | |
-Let's talk this over. -No, no - I can talk much more lucidly from here, with you over there. | 0:54:22 | 0:54:29 | |
I'll say no to everything you say about leaving! | 0:54:29 | 0:54:33 | |
-I've made up my mind. -What about OUR minds? -I told you to stay over there! | 0:54:33 | 0:54:40 | |
One ticket to New York. | 0:54:40 | 0:54:42 | |
Well...well...couldn't I just... | 0:54:46 | 0:54:49 | |
couldn't I just sit down and watch you while you leave? | 0:54:49 | 0:54:54 | |
I promise I...won't say anything or argue. | 0:54:54 | 0:54:58 | |
I'll just sit. | 0:54:59 | 0:55:01 | |
All right. | 0:55:01 | 0:55:03 | |
Kiss me goodbye! | 0:55:47 | 0:55:49 | |
Yeah. | 0:55:53 | 0:55:55 | |
Goodbye, darling. | 0:55:55 | 0:55:57 | |
-Goodbye, darling. -Goodbye. | 0:56:03 | 0:56:05 | |
Oh, Walter! Oh, there it goes again. | 0:56:22 | 0:56:25 | |
-Who's Walter? -The maid calls it Walter - like her husband, it falls down unexpectedly. | 0:56:25 | 0:56:32 | |
Wait a minute, I'll... | 0:56:33 | 0:56:35 | |
..I'll help you. | 0:56:36 | 0:56:38 | |
-Once I just opened that drawer and it fell down. -Comes down easy, huh? | 0:56:42 | 0:56:47 | |
Well...I'd better hurry. | 0:56:50 | 0:56:53 | |
If I don't, I'll miss my train. | 0:56:54 | 0:56:57 | |
You'll be careful going down the fire escape, won't you? | 0:57:00 | 0:57:05 | |
Oh, that... | 0:57:05 | 0:57:07 | |
Course, there was a policeman there when I came up, but I can take a chance. | 0:57:07 | 0:57:13 | |
-But he might think you're a burglar and shoot you! -Sure. It's all right. | 0:57:13 | 0:57:19 | |
Think maybe I'd better stay here till he goes. | 0:57:20 | 0:57:24 | |
Well, I have a few minutes to kill. I'll stay here too. | 0:57:26 | 0:57:31 | |
-Yes, there's no sense waiting at that station. -No, you're right. | 0:57:31 | 0:57:36 | |
Usually hotels send up a maid to see you haven't stolen the towels... | 0:57:40 | 0:57:46 | |
And if she found you here and it got round you were in a woman's room... | 0:57:48 | 0:57:53 | |
-Without a woman... -Yes. They'd never believe you. -No. | 0:57:53 | 0:57:57 | |
Are you all packed? Do you think you have everything? | 0:58:00 | 0:58:04 | |
I'm quite sure. | 0:58:04 | 0:58:06 | |
I always forget things when I go to hotels. | 0:58:06 | 0:58:10 | |
Leave them in drawers. | 0:58:10 | 0:58:12 | |
HE FUMBLES THROUGH THE DRAWERS | 0:58:12 | 0:58:18 | |
CRASH! | 0:58:16 | 0:58:18 | |
Nothing in there. | 0:58:19 | 0:58:21 | |
I left some books in the desk drawer. Do you mind returning them for me? | 0:58:21 | 0:58:26 | |
May I keep one by? The university has so many, they wouldn't miss just one. | 0:58:29 | 0:58:35 | |
-Sure. -Would you autograph it for me? | 0:58:35 | 0:58:38 | |
-I'm not the author! -But you're much better! | 0:58:38 | 0:58:41 | |
There's ink in the kitchen. | 0:58:41 | 0:58:44 | |
Close the drawer. | 0:58:46 | 0:58:48 | |
"Francie, darling, I love you. Never read beyond this page." | 0:59:14 | 0:59:18 | |
Darling, don't let me go! | 0:59:18 | 0:59:21 | |
Oh, that makes sense. | 0:59:21 | 0:59:24 | |
Who's there? | 0:59:29 | 0:59:30 | |
The clerk. Your train leaves in 15 minutes. | 0:59:30 | 0:59:34 | |
She's not going! You can return the tickets! | 0:59:34 | 0:59:37 | |
Who's that? | 0:59:38 | 0:59:40 | |
-Return the tickets! -Ssh! Hush! | 0:59:40 | 0:59:43 | |
-Do I have to go now? -Yes, darling. Goodbye, sweet. See you tomorrow. | 0:59:43 | 0:59:48 | |
Open up. This is against the rules. | 0:59:48 | 0:59:51 | |
Will you open the door? Where is he? | 0:59:53 | 0:59:56 | |
DEEP VOICE: What "he"? What do you mean, "he"? | 0:59:56 | 1:00:00 | |
What's the matter? I have a cold and it makes me very hoarse. | 1:00:00 | 1:00:05 | |
O-O-O-OH! | 1:00:05 | 1:00:07 | |
You take some hot tea, lemon and molasses, honey and butter, | 1:00:07 | 1:00:13 | |
put them together... And it spells mother. | 1:00:13 | 1:00:15 | |
TOOTS HORN | 1:00:25 | 1:00:28 | |
-Good evening. -Were Miss Brent a lady, she'd show you to the ladder. | 1:00:34 | 1:00:39 | |
I was giving her some homework. | 1:00:39 | 1:00:42 | |
Night. | 1:00:46 | 1:00:47 | |
Oh...I left the car over here. | 1:00:50 | 1:00:53 | |
-How's Mrs Morgan? -Fine. -I'm going to read to her. -That's very kind. | 1:00:56 | 1:01:01 | |
The doctor says she must have rest and quiet. | 1:01:01 | 1:01:04 | |
SLAM! I said quiet! | 1:01:04 | 1:01:07 | |
I didn't say nothin'! | 1:01:07 | 1:01:09 | |
SLAM! Did I? | 1:01:11 | 1:01:13 | |
PHONE RINGS | 1:01:15 | 1:01:18 | |
Hello? | 1:01:19 | 1:01:20 | |
-Hello, Francie. -Oh, hello, darling! | 1:01:20 | 1:01:24 | |
-Hey, you're late! -Where are you? -Just beginning class. | 1:01:24 | 1:01:28 | |
I'll be over just as soon as I get up, take my bath, eat breakfast and tell you how much I love you. | 1:01:28 | 1:01:36 | |
Ow! | 1:01:36 | 1:01:37 | |
Walter's lumpy. | 1:01:37 | 1:01:40 | |
Well, do you love me?! | 1:01:40 | 1:01:42 | |
Hmm? Ye...yes! | 1:01:42 | 1:01:44 | |
-Yes, what? -I do! | 1:01:44 | 1:01:47 | |
-You do what? -Love you, but there's people here. | 1:01:47 | 1:01:51 | |
Well, who do you love? Come on, tell me! | 1:01:53 | 1:01:56 | |
Er... | 1:01:56 | 1:01:58 | |
If you'll submit a sample... | 1:01:58 | 1:02:01 | |
er... | 1:02:01 | 1:02:02 | |
I would love to make a test of it for you. Get it? | 1:02:02 | 1:02:07 | |
I got it! | 1:02:07 | 1:02:09 | |
"..The piety that blossoms into character, making it august and lovely. ..These attributes..." | 1:02:12 | 1:02:20 | |
Helen? | 1:02:21 | 1:02:22 | |
-Oh, Mrs Morgan. -What's the matter? -That girl we thought was Keith's - well, she's not, she's Peter's! | 1:02:22 | 1:02:30 | |
Probably nothing. A silly flirtation. | 1:02:30 | 1:02:33 | |
Is leaving a woman's apartment in the dead of night a flirtation? | 1:02:33 | 1:02:38 | |
Gossip. Pay no attention to what you hear. | 1:02:38 | 1:02:42 | |
I saw him sneaking out this morning with my own eyes! | 1:02:42 | 1:02:46 | |
There's only one way to handle a woman like that. I'm getting up! | 1:02:49 | 1:02:55 | |
Hello! | 1:03:08 | 1:03:10 | |
May I come in? Why, yes, please do. | 1:03:10 | 1:03:14 | |
Won't you sit down? May I remain standing? | 1:03:18 | 1:03:21 | |
That's fine, Mrs Morgan. | 1:03:21 | 1:03:24 | |
You knowing who I am simplifies what I have to say to you. | 1:03:24 | 1:03:28 | |
Young lady, I know all about you and Peter. | 1:03:29 | 1:03:33 | |
Mother... | 1:03:34 | 1:03:36 | |
I'm so glad you know. We didn't know how to tell you we were married. | 1:03:36 | 1:03:41 | |
Now it all seems so simple! | 1:03:41 | 1:03:44 | |
I was so worried I might lose him! | 1:03:44 | 1:03:47 | |
It sounds silly, but I took one look at him, and I said, "That's the guy." | 1:03:47 | 1:03:53 | |
Well, it's the first I've heard! I think I will take that chair. | 1:03:53 | 1:03:59 | |
Oh, you...you mean they didn't tell you? | 1:03:59 | 1:04:03 | |
I'd never have done this to you! Your heart... | 1:04:03 | 1:04:06 | |
Want some water? How do you feel? | 1:04:06 | 1:04:09 | |
You know... | 1:04:09 | 1:04:11 | |
..I think I'm going to feel fine. | 1:04:13 | 1:04:16 | |
Oh dear, I intended to start so differently! | 1:04:16 | 1:04:19 | |
I wanted to ask you what Peter likes, and, mainly, how to make him happy. | 1:04:19 | 1:04:25 | |
I think you'll manage that. | 1:04:25 | 1:04:27 | |
May I have a cigarette? | 1:04:27 | 1:04:30 | |
Your heart! Oh, nonsense! | 1:04:34 | 1:04:37 | |
You have heart trouble. Oh, well... | 1:04:37 | 1:04:40 | |
Maybe I do have heart trouble... when it's convenient. | 1:04:40 | 1:04:45 | |
Whenever my husband raises his voice, oh, my dear... | 1:04:46 | 1:04:50 | |
it saves so much wear and tear and you avoid listening to boring details about the university. | 1:04:50 | 1:04:58 | |
They bring you your meals in bed and it's quiet and love... It's lovely! | 1:04:58 | 1:05:03 | |
I've spent the best years of my marriage in bed with heart trouble! | 1:05:03 | 1:05:08 | |
Morning, Francie... | 1:05:08 | 1:05:10 | |
Oh, Aunt Martha! I...just came to drive Miss Brent to school. | 1:05:10 | 1:05:16 | |
Mrs Morgan knows about the marriage. | 1:05:16 | 1:05:19 | |
How do you feel, Auntie? | 1:05:19 | 1:05:22 | |
Better than that. I don't wish to be nosey, but what did you do before you married Peter? | 1:05:22 | 1:05:29 | |
You never heard of Francie Brent, the darling of Broadway?! Huh! Auntie, do you know the Big Apple? | 1:05:29 | 1:05:37 | |
Well, it's a fruit, but I don't know which one. | 1:05:37 | 1:05:41 | |
-Come on, Francie, we'll give her a chunk. -Oh. -Get into this thing. | 1:05:41 | 1:05:47 | |
One, two, three. Come on, Francie, get in it! | 1:05:47 | 1:05:50 | |
One, two, three - swing out! | 1:05:50 | 1:05:53 | |
-Swing low. -What can I do with him? | 1:05:53 | 1:05:56 | |
Swing high! | 1:05:56 | 1:05:58 | |
And a stomp! | 1:05:59 | 1:06:01 | |
Young man, I want to see Miss Francie Brent. | 1:06:01 | 1:06:05 | |
307. But girls should meet boyfriends down here. | 1:06:05 | 1:06:08 | |
I'm president of the university. Well, why aren't you in school? | 1:06:08 | 1:06:14 | |
I'm playing hooky! Oh, for shame! | 1:06:14 | 1:06:17 | |
And across. on, two, three, turn! | 1:06:17 | 1:06:19 | |
TURNS UP MUSIC | 1:06:19 | 1:06:21 | |
Come on. Get into it! Come on, Mrs Morgan. | 1:06:23 | 1:06:27 | |
-Praise Allah! Praise Allah! -Don't you want to do the Big Apple? | 1:06:27 | 1:06:31 | |
-Oh, no, I couldn't! Oh, please. -Come on... | 1:06:31 | 1:06:35 | |
-I've never done anything like this... -Oh, come on! | 1:06:35 | 1:06:39 | |
< FAINT MUSIC AND SINGING | 1:06:39 | 1:06:43 | |
One, two, very good! | 1:06:45 | 1:06:48 | |
Really do it. One, two, | 1:06:48 | 1:06:50 | |
Three, four. One, two, three, four | 1:06:50 | 1:06:54 | |
One, two, drop the apple! | 1:06:54 | 1:06:57 | |
-Lower! -You're killing me. | 1:06:59 | 1:07:01 | |
One, two. | 1:07:01 | 1:07:04 | |
Suzie Q! | 1:07:04 | 1:07:06 | |
Goin' to town. One, two. | 1:07:06 | 1:07:09 | |
Three, four. | 1:07:09 | 1:07:11 | |
Jump, two, three, four. Jump, two, three, four. | 1:07:11 | 1:07:16 | |
A-one, a-two, a-three, a-four. | 1:07:16 | 1:07:20 | |
Praise Allah! Praise Allah. | 1:07:20 | 1:07:23 | |
-Shine, shine! -Do what you wanna! | 1:07:23 | 1:07:26 | |
Come on, Eddie. Strut your stuff. Don't you stop till you've had enough. | 1:07:26 | 1:07:32 | |
-MOTHER: How'm I doing? -One, two, stomp on down! | 1:07:32 | 1:07:37 | |
Doh! | 1:07:48 | 1:07:49 | |
Doh! | 1:07:51 | 1:07:52 | |
Don't stop now. | 1:07:52 | 1:07:55 | |
Praise Allah! Praise Allah! Praise Allah! | 1:07:55 | 1:07:59 | |
MUSIC OFF | 1:07:59 | 1:08:02 | |
Praise... | 1:08:02 | 1:08:04 | |
- Have you quite finished? - It's for my heart. | 1:08:14 | 1:08:19 | |
My heart. | 1:08:22 | 1:08:24 | |
One surprise after another. | 1:08:27 | 1:08:29 | |
We were celebrating Mother knowing about Peter and me. | 1:08:29 | 1:08:34 | |
"Mother"? Very domestic. | 1:08:34 | 1:08:37 | |
You'd better sit down, dear. | 1:08:37 | 1:08:39 | |
You look like a practical lady. Please, dear. | 1:08:42 | 1:08:45 | |
I know you don't approve of me. Do you expect me to? | 1:08:45 | 1:08:49 | |
You know nothing about me. Peter met you in a dancehall. | 1:08:49 | 1:08:53 | |
Before he had a chance to catch his breath, you hooked him. | 1:08:53 | 1:08:58 | |
I hooked him for that very desirable and very underpaid job of his | 1:08:58 | 1:09:03 | |
or his social condition. Is that what you mean? | 1:09:03 | 1:09:08 | |
The solution to a situation like this is quiet divorce. | 1:09:08 | 1:09:12 | |
You're not grading papers or dismissing classes. He's my husband. | 1:09:14 | 1:09:20 | |
If you insist on being unreasonable, I must ask Peter for his resignation. | 1:09:20 | 1:09:25 | |
You can't do that! Come, dear. I must be off. | 1:09:25 | 1:09:30 | |
SHE WHISTLES "Come on. Come on! | 1:09:30 | 1:09:34 | |
"Come here. Go there." | 1:09:34 | 1:09:36 | |
Thirty years I've had of it and all for Old Sharon. | 1:09:36 | 1:09:41 | |
All for the alma mater. You laugh when you want to cry. | 1:09:42 | 1:09:46 | |
If you want to laugh, don't laugh too loudly. | 1:09:46 | 1:09:50 | |
Don't wear a red dress, even though you love red. Red's too conspicuous. | 1:09:50 | 1:09:55 | |
Our alma mater. Alma mater... | 1:09:55 | 1:09:58 | |
Your sons and daughters are true blue and we love you through and through. | 1:09:58 | 1:10:04 | |
Even though you break my son's heart, I'm still supposed to love you through and through. | 1:10:04 | 1:10:11 | |
Well, you can have your alma mater. | 1:10:13 | 1:10:16 | |
But here's one of her daughters who won't love her any more! | 1:10:16 | 1:10:21 | |
Coming, my dear? Coming?! I'm going! | 1:10:21 | 1:10:25 | |
And I'm going too, Mr Morgan. Thank you. | 1:10:32 | 1:10:37 | |
Lepto - delicate, spor - seed, angi, means case or vessel. | 1:10:37 | 1:10:42 | |
Leptosporangi - a seedcase formed from a single delicate cell. | 1:10:42 | 1:10:47 | |
-Is it clearer now? -Yes, Professor. | 1:10:47 | 1:10:49 | |
But in the reproduction of ferns, which matures first - the male or female? | 1:10:49 | 1:10:55 | |
-Keith, what are you doing here? -Drowning your sorrows. | 1:11:01 | 1:11:04 | |
Would you get out and go home? | 1:11:04 | 1:11:07 | |
Dad's showing Mr Noble around. He'll be here any minute. | 1:11:07 | 1:11:11 | |
-Professor? -Yes? Repeat the question, please. | 1:11:11 | 1:11:15 | |
In the reproduction of the fern...? | 1:11:15 | 1:11:17 | |
What's the idea? It's the first time you've done this. | 1:11:17 | 1:11:21 | |
-It's the first time your wife's ever left you. -What did you say? | 1:11:21 | 1:11:27 | |
I said, in the reproduction... | 1:11:27 | 1:11:29 | |
Your wife's leaving on the four o'clock train. | 1:11:29 | 1:11:32 | |
-Culpepper, take the class! -What will I do? -Talk! | 1:11:33 | 1:11:38 | |
-Francie! Francie! -Tell her I'll see her in New York. -Keith told me... | 1:11:43 | 1:11:48 | |
But listen, you can't do this. | 1:11:48 | 1:11:50 | |
No, darling, I'm leaving. There's nothing you can do. | 1:11:50 | 1:11:54 | |
No, darling, listen... | 1:11:54 | 1:11:57 | |
All right. Catch the four o'clock train. | 1:12:00 | 1:12:04 | |
If I don't have it all straightened out by four, catch it. | 1:12:04 | 1:12:08 | |
But I'll have it straightened out before four! I'm won't say goodbye! | 1:12:08 | 1:12:14 | |
I love you, darling. Goodbye. | 1:12:14 | 1:12:17 | |
Don't toss it all away on a girl who'll blacken the name of Morgan. | 1:12:20 | 1:12:26 | |
As if I couldn't blacken my own name! | 1:12:26 | 1:12:30 | |
Hey, don't break that! | 1:12:32 | 1:12:35 | |
Before I get through, he'll think Francie's too good for me. | 1:12:35 | 1:12:39 | |
A quarter litre there. Well, it's as good a name-blackener as any. | 1:12:45 | 1:12:51 | |
Take it easy! | 1:12:51 | 1:12:54 | |
Merciful saints preserve us! Today, you are a man! | 1:13:05 | 1:13:09 | |
-HOARSELY: -I don't feel a thing! | 1:13:12 | 1:13:14 | |
Not a thing. Do you have any more? | 1:13:14 | 1:13:17 | |
-I'll get some. -No, I don't have time. | 1:13:17 | 1:13:21 | |
Shhh! | 1:13:22 | 1:13:24 | |
I'll make it myself. | 1:13:24 | 1:13:27 | |
Hold that! | 1:13:32 | 1:13:34 | |
I've saved this one for last. It's my son's class. | 1:13:50 | 1:13:55 | |
Even if it was somebody else's son, it would still be the best class. | 1:13:55 | 1:14:00 | |
I bet you tipped the boy off we were coming. Come in, gentlemen. | 1:14:00 | 1:14:06 | |
You know, moments of ecstasy and... moments of depression. | 1:14:06 | 1:14:11 | |
-Go ahead, Mr Culpepper. -Yes, sir. | 1:14:12 | 1:14:16 | |
Do me a little favour. | 1:14:16 | 1:14:18 | |
Divorce Francie so she can marry me. | 1:14:18 | 1:14:21 | |
What do you say? | 1:14:21 | 1:14:23 | |
I told Francie that if she divorced you...I'd marry her. | 1:14:23 | 1:14:28 | |
What do you say? | 1:14:30 | 1:14:31 | |
-In the contemplation... -BREAKING GLASS > | 1:14:31 | 1:14:35 | |
-In the contemplation of plant... -CRASHING AND BANGING > | 1:14:37 | 1:14:43 | |
..Jack and the beanstalk. After all, the bean isn't the enemy of man. | 1:14:43 | 1:14:49 | |
Or is it? | 1:14:49 | 1:14:51 | |
I'll take the class. Thank you. | 1:14:57 | 1:15:00 | |
Open discussion. Any questions? | 1:15:03 | 1:15:07 | |
I know I have! | 1:15:09 | 1:15:11 | |
I know Cuttledepfeffer has, haven't you? | 1:15:11 | 1:15:15 | |
Well, speak up, man! Speak up! | 1:15:15 | 1:15:18 | |
Well, yes I have. But I don't believe I'd be able to make myself clear. | 1:15:18 | 1:15:25 | |
You come from Texas, don't you? | 1:15:27 | 1:15:30 | |
Yes, I do! Bless her! | 1:15:30 | 1:15:33 | |
Texas... Bless her. | 1:15:33 | 1:15:35 | |
YIIIIIIP-PEEEEE! | 1:15:35 | 1:15:39 | |
A chip off... A chip off the old block! | 1:15:42 | 1:15:46 | |
Excuse me, Peter. Class is dismissed. | 1:15:46 | 1:15:49 | |
PETER WHISTLES | 1:15:49 | 1:15:52 | |
Peter isn't feeling very well. He never felt better in his life! | 1:15:52 | 1:15:57 | |
Oh, don't take this too seriously. | 1:15:58 | 1:16:01 | |
There's nothing like a liberal education! You get your library! Yippee! | 1:16:01 | 1:16:08 | |
Peter, what are you trying to do? | 1:16:08 | 1:16:12 | |
Sir, I am a blaggard! How am I doing? | 1:16:12 | 1:16:15 | |
In front of your class! What explanation can we make? | 1:16:15 | 1:16:20 | |
Well, sir, I figure that if I could do a pretty good job | 1:16:20 | 1:16:24 | |
of blackening the Morgan name, she'd fit right in. | 1:16:24 | 1:16:28 | |
-So that's it! -THAT is it! | 1:16:28 | 1:16:30 | |
-You don't know what's good for you. -Well, one of us must be wrong. | 1:16:30 | 1:16:35 | |
While you are a member of my faculty, you must do as I say! | 1:16:35 | 1:16:40 | |
-Then consider me no longer a member of the faculty. -Now, Peter... | 1:16:43 | 1:16:48 | |
Surprised! Surprised! | 1:16:48 | 1:16:50 | |
Surprised that any Morgan would put anything above the university! | 1:16:50 | 1:16:56 | |
Dad, listen to me. I love it here. | 1:16:56 | 1:16:59 | |
There's nothing in this whole world that I would be than a professor | 1:16:59 | 1:17:05 | |
EXCEPT a good husband to my wife. | 1:17:05 | 1:17:09 | |
Now, you may not understand that. | 1:17:09 | 1:17:11 | |
If you don't understand, I feel sorry for you. | 1:17:11 | 1:17:15 | |
But I refuse to sacrifice my wife's happiness for this university, as much as I love it. | 1:17:15 | 1:17:23 | |
All aboard! > | 1:17:23 | 1:17:26 | |
Oooh! I've got five minutes to get to the station. | 1:17:35 | 1:17:39 | |
-I won't let you go... -I have no time to talk. | 1:17:39 | 1:17:43 | |
Are you all right, Peter? | 1:17:45 | 1:17:48 | |
Take it easy. Take it easy. | 1:17:48 | 1:17:51 | |
You've just had one too many. | 1:17:51 | 1:17:53 | |
TRAIN WHISTLE BLOWS | 1:17:57 | 1:18:01 | |
SHE SOBS | 1:18:23 | 1:18:25 | |
KNOCK AT DOOR | 1:18:25 | 1:18:29 | |
Come in. | 1:18:31 | 1:18:33 | |
A nice cold ham sandwich. | 1:18:35 | 1:18:38 | |
The kitchen was about to close. A minute later and that ham would be in the ice box. | 1:18:38 | 1:18:44 | |
Is everything all right? | 1:18:52 | 1:18:55 | |
Very nice... Thank you. | 1:18:57 | 1:19:01 | |
KNOCK AT DOOR | 1:19:10 | 1:19:13 | |
Come in. | 1:19:14 | 1:19:17 | |
Here you is, ma'am. A nice cold ham sandwich. I just caught the cook. | 1:19:17 | 1:19:23 | |
I said, "There's a lady who craves ham." | 1:19:23 | 1:19:26 | |
Would you prefer wholewheat bread? | 1:19:30 | 1:19:33 | |
Oh, no... No, this is really very nice. | 1:19:33 | 1:19:37 | |
I know how you feel, lady. | 1:19:41 | 1:19:44 | |
Here's your mustard. | 1:20:05 | 1:20:08 | |
Oh, I don't want it now! | 1:20:08 | 1:20:11 | |
I can't eat anything! | 1:20:13 | 1:20:16 | |
I reckon I couldn't eat nothing either. | 1:20:16 | 1:20:19 | |
Oh, would you get me some cigarettes, please? | 1:20:22 | 1:20:26 | |
I'm sorry, lady, but the bar is closed. | 1:20:26 | 1:20:30 | |
SHE SOBS | 1:20:30 | 1:20:33 | |
But I'll get you some if I have to steal them! | 1:20:33 | 1:20:37 | |
Mister, would you give me a cigarette, please? | 1:20:46 | 1:20:50 | |
Oh, porter. | 1:20:51 | 1:20:54 | |
SOBBING: Will you please get me a pack of cigarettes, too? | 1:20:55 | 1:21:01 | |
I borrowed the last one the gentleman had. | 1:21:01 | 1:21:05 | |
For the lady next door - she seems to be awfully low. | 1:21:05 | 1:21:09 | |
But you look like you're lower, so take it. | 1:21:09 | 1:21:13 | |
Oh, no. I couldn't take the last... | 1:21:13 | 1:21:16 | |
Well... | 1:21:16 | 1:21:18 | |
HE SOBS: That's awfully sweet of you. | 1:21:26 | 1:21:30 | |
I got the last cigarette a gentleman had. But the lady next door is awfully low | 1:21:43 | 1:21:49 | |
and she takes one end and sends you the other end. | 1:21:49 | 1:21:54 | |
Oh, Mother! | 1:21:57 | 1:21:59 | |
BRIGHTLY: Hello, Mother. | 1:22:08 | 1:22:10 | |
Why, Francie! | 1:22:10 | 1:22:12 | |
Oh, my dear. Sit down. | 1:22:12 | 1:22:15 | |
I've just left my husband. | 1:22:17 | 1:22:20 | |
Me too. I've just left mine. | 1:22:20 | 1:22:22 | |
Oh, so glad to see you. I was so hungry! | 1:22:22 | 1:22:27 | |
Have part of my sandwich. | 1:22:27 | 1:22:29 | |
Oh, how lovely. | 1:22:29 | 1:22:32 | |
All of this for me? I'm as hungry as a wolf. | 1:22:32 | 1:22:36 | |
Me too! I guess it must be this freedom. | 1:22:37 | 1:22:41 | |
I...I feel so free... | 1:22:41 | 1:22:44 | |
Yes, that's how I feel. Free! | 1:22:47 | 1:22:50 | |
New York will be so much fun! So many gay places. | 1:22:50 | 1:22:55 | |
We can go where we want to... ..and do what we want to. | 1:22:55 | 1:23:00 | |
Wear what we want without husbands... | 1:23:00 | 1:23:03 | |
..to watch out after us... | 1:23:03 | 1:23:05 | |
..and to bother us. | 1:23:05 | 1:23:08 | |
- You know you don't feel good. - I know I don't. | 1:23:08 | 1:23:12 | |
Oh, it's all my fault. I came along and caused all this trouble. | 1:23:12 | 1:23:18 | |
Your mustard, ma'am. | 1:23:18 | 1:23:21 | |
It doesn't matter about Peter and me. I hardly knew him! | 1:23:22 | 1:23:27 | |
Would you make up our berths? | 1:23:39 | 1:23:42 | |
Good night, dear. | 1:23:44 | 1:23:47 | |
Pardon me! | 1:23:53 | 1:23:55 | |
What is it? We hit a car. | 1:23:55 | 1:23:58 | |
Was anybody hurt? Nobody in it. | 1:23:58 | 1:24:02 | |
Good night. Good night. | 1:24:05 | 1:24:07 | |
There must be a less expensive way of stopping a train than wrecking your car! | 1:24:08 | 1:24:15 | |
-The next time your wife leaves you, you work it out! -That car is valued at 200! | 1:24:15 | 1:24:22 | |
My wife is valued at more and I'm not gonna trade her in! | 1:24:22 | 1:24:26 | |
-I'm looking for a young girl. A blonde... -Left her husband? -Yeah! -Compartment B. | 1:24:26 | 1:24:32 | |
Porter. a lady... Compartment C. | 1:24:32 | 1:24:36 | |
Who is it? Open the door! | 1:24:39 | 1:24:42 | |
Mother, open this door! I've come to take you home. | 1:24:44 | 1:24:48 | |
This nonsense must stop. | 1:24:48 | 1:24:51 | |
Quiet, please. | 1:24:53 | 1:24:55 | |
A big shot in the French Revolution! | 1:24:55 | 1:24:58 | |
Dad, you have a decision to make. | 1:24:58 | 1:25:01 | |
-What do you suggest? -What do you want most - your high horse or your wife? | 1:25:01 | 1:25:08 | |
Go away! | 1:25:14 | 1:25:16 | |
Oh, oh, I was in that wreck. | 1:25:22 | 1:25:25 | |
The train struck me. Oh, my heart. | 1:25:25 | 1:25:28 | |
Oh, my heart! Oh! Why didn't you tell me? | 1:25:28 | 1:25:32 | |
My poor dear! | 1:25:36 | 1:25:38 | |
Oh, darling! How did you get here? | 1:25:46 | 1:25:50 | |
-A honeymoon without a husband is silly, isn't it? -Uh-huh. | 1:25:55 | 1:26:00 | |
Look out! | 1:26:01 | 1:26:03 | |
Subtitles by BBC Subtitling - 1997 | 1:26:17 | 1:26:21 |