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This film contains strong language and adult humour. | 0:00:02 | 0:00:09 | |
ALARM BUZZES | 0:01:16 | 0:01:17 | |
SHE SNORES | 0:01:19 | 0:01:21 | |
SHE BREAKS WIND | 0:01:23 | 0:01:25 | |
SHE SIGHS IN RELIEF | 0:01:25 | 0:01:27 | |
ALARM CONTINUES TO BUZZ | 0:01:27 | 0:01:28 | |
SNORING CONTINUES | 0:01:28 | 0:01:30 | |
AGNES MUMBLES | 0:01:37 | 0:01:39 | |
You look completely different | 0:01:39 | 0:01:40 | |
out of your uniform. | 0:01:40 | 0:01:42 | |
Is... Is that loaded? SHE SNORES | 0:01:44 | 0:01:46 | |
ALARM CONTINUES BUZZING | 0:01:46 | 0:01:48 | |
SHE SIGHS SHRILLY | 0:01:50 | 0:01:52 | |
SNORING CONTINUES | 0:01:53 | 0:01:55 | |
Steady, son. Steady. | 0:02:02 | 0:02:04 | |
Don't push till I tell you. | 0:02:04 | 0:02:06 | |
Who? Oh... | 0:02:07 | 0:02:08 | |
SHE SNORES | 0:02:10 | 0:02:11 | |
MUSIC: Theme from "The Good, The Bad And The Ugly" | 0:02:13 | 0:02:17 | |
ALARM CONTINUES BUZZING | 0:02:19 | 0:02:21 | |
SNORING CONTINUES | 0:02:33 | 0:02:35 | |
Yes? Who is it? | 0:02:44 | 0:02:45 | |
Jesus, I'm late! | 0:02:48 | 0:02:50 | |
SHE GRUNTS | 0:02:50 | 0:02:52 | |
MUSIC: "She's A Lady" by Tom Jones | 0:02:52 | 0:02:54 | |
SHE CRIES OUT | 0:02:54 | 0:02:55 | |
Shit! Feck it. | 0:02:57 | 0:03:00 | |
Hello. I can't stop, I slept late. | 0:03:03 | 0:03:06 | |
Oh, for God's sake! | 0:03:06 | 0:03:09 | |
Jesus. Feck it. | 0:03:10 | 0:03:13 | |
Shit! | 0:03:14 | 0:03:16 | |
Feck it. Get in! | 0:03:19 | 0:03:21 | |
Oh, that's me now back on time. SHE CHUCKLES | 0:03:29 | 0:03:33 | |
Wait a minute. | 0:03:44 | 0:03:46 | |
This shouldn't be here. | 0:03:51 | 0:03:53 | |
That's better. | 0:03:55 | 0:03:56 | |
This is the movie! | 0:03:58 | 0:04:00 | |
-Winnie! -Hiya. | 0:04:03 | 0:04:06 | |
-Morning, Fat Annie. -Good morning, Agnes. | 0:04:06 | 0:04:09 | |
Do you think the carrots will be | 0:04:09 | 0:04:10 | |
as expensive today as they were yesterday? | 0:04:10 | 0:04:12 | |
If they are, I hope they're small ones, | 0:04:12 | 0:04:14 | |
cos the wholesaler can shove them up his arse. | 0:04:14 | 0:04:17 | |
BOTH LAUGH | 0:04:17 | 0:04:19 | |
Cathy starts her new job today. An office job. | 0:04:26 | 0:04:30 | |
Imagine being stuck in an office all day. | 0:04:30 | 0:04:31 | |
Not me, Annie. I'm an independent trader. Born to it and lovin' it. | 0:04:31 | 0:04:36 | |
Morning, Father Damien. | 0:04:39 | 0:04:41 | |
-Mornin'. -This is the life. | 0:04:41 | 0:04:42 | |
-Mornin'! -Ooh, thank you. | 0:04:44 | 0:04:47 | |
Come on, girls! | 0:04:49 | 0:04:50 | |
CHEERING | 0:05:01 | 0:05:02 | |
Good morning! | 0:05:13 | 0:05:15 | |
AGNES: Good morning, Dublin! | 0:06:48 | 0:06:50 | |
Get the finest of fruit and vegetables from all over the world right here! | 0:06:52 | 0:06:56 | |
The best of fruit! | 0:06:58 | 0:07:00 | |
The greenest of greens! | 0:07:00 | 0:07:02 | |
And the friendliest of service! | 0:07:04 | 0:07:06 | |
Tom, if you're not buying, fuck off. | 0:07:06 | 0:07:08 | |
There goes Perry Mason. | 0:07:10 | 0:07:12 | |
Yeah. He wouldn't get a prison guard out of prison. | 0:07:12 | 0:07:15 | |
BOTH LAUGH | 0:07:15 | 0:07:17 | |
-Morning, Agnes. -Hello, Jasper. What have you got for me? | 0:07:17 | 0:07:20 | |
That'll be the Revenue Office. | 0:07:20 | 0:07:21 | |
Just as well it's brown, so they won't see me wiping my arse with it. | 0:07:21 | 0:07:24 | |
SHE LAUGHS | 0:07:24 | 0:07:26 | |
Beautiful kumquats, Brussels sprouts and prickly pears! | 0:07:26 | 0:07:30 | |
How are you, love? Do you want to squeeze my prickly pears? | 0:07:30 | 0:07:32 | |
-Morning, Mammy. -Hello, Dermot son. | 0:07:35 | 0:07:37 | |
-Hello, Maria. -Hello, Mrs Brown. | 0:07:37 | 0:07:38 | |
And how's my lovely triplets today? | 0:07:38 | 0:07:40 | |
George has a touch of wind. | 0:07:40 | 0:07:42 | |
What's the matter? What's the matter? | 0:07:42 | 0:07:44 | |
Oh, that's Ringo. | 0:07:44 | 0:07:46 | |
Hey, you big lizard! | 0:07:46 | 0:07:48 | |
It's a frog, you blind bastard. Ribbit, ribbit! | 0:07:48 | 0:07:52 | |
No, Dermot, you're a gecko. | 0:07:52 | 0:07:54 | |
I've been saying "ribbit, ribbit" all week. | 0:07:54 | 0:07:56 | |
I'll be off. I have to meet Buster. | 0:07:56 | 0:07:58 | |
-How is Buster, love? -He's fine. | 0:07:58 | 0:08:02 | |
Are we "not guilty" again today, Buster? | 0:08:02 | 0:08:05 | |
We are. | 0:08:05 | 0:08:07 | |
So, Mr Cunningham, will you tell the court how many horses do you own? | 0:08:08 | 0:08:12 | |
Seven. But six now, since that bastard stole one. | 0:08:12 | 0:08:16 | |
Justice, I object. | 0:08:16 | 0:08:18 | |
He is pointing at my client. | 0:08:18 | 0:08:21 | |
That is prejudicial. | 0:08:21 | 0:08:23 | |
That, Mr Crews, is because your client is on trial here. | 0:08:23 | 0:08:27 | |
That's fair enough, I suppose, isn't it? | 0:08:27 | 0:08:29 | |
SCATTERED LAUGHTER | 0:08:29 | 0:08:31 | |
He's good, isn't he? | 0:08:31 | 0:08:33 | |
Morning, Ma. | 0:08:36 | 0:08:38 | |
Hello, Mark. Hello, Betty. | 0:08:38 | 0:08:40 | |
-Great news, Ma. -You're pregnant? | 0:08:40 | 0:08:42 | |
Oh, thank God. A brother for Bono. I'll start knitting. | 0:08:42 | 0:08:46 | |
It's not a brother for Bono. | 0:08:46 | 0:08:48 | |
A sister for Bono. I'll start knitting. | 0:08:48 | 0:08:50 | |
-I'm not pregnant. -Are you sure? | 0:08:50 | 0:08:53 | |
-It's a job, Ma. -For Bono? He's only six, love. | 0:08:53 | 0:08:57 | |
Mark's got a new carpentry contract. A big one. | 0:08:57 | 0:08:59 | |
Congratulations, love. | 0:08:59 | 0:09:01 | |
Poor Bono. Growing up an only child. | 0:09:02 | 0:09:04 | |
See you later, Ma. | 0:09:05 | 0:09:07 | |
Hello, Evelyn. | 0:09:09 | 0:09:11 | |
She's looking great. Hope she paid for that... | 0:09:11 | 0:09:13 | |
-Morning, Agnes. -My fuckin' foot! | 0:09:13 | 0:09:16 | |
Will you two feckin' talk to each other and don't be texting? | 0:09:16 | 0:09:19 | |
I see you, Laura, I see you. | 0:09:19 | 0:09:21 | |
Hello, Braden. Look at you. | 0:09:22 | 0:09:24 | |
He's getting hairy like his father. WOMAN LAUGHS | 0:09:24 | 0:09:26 | |
-A very good morning to you, Agnes. -Hello, Rab. | 0:09:26 | 0:09:29 | |
-Out last night doing a bit of reggae? -I am not from Jamaica. | 0:09:29 | 0:09:32 | |
# Lie down girl Let me push it up, push it up | 0:09:32 | 0:09:35 | |
Here, Rasta man, take the air out of that. | 0:09:36 | 0:09:39 | |
HE CLEARS HIS THROAT | 0:09:42 | 0:09:43 | |
Mr Cunningham... | 0:09:43 | 0:09:46 | |
is it true that you starve your animals? | 0:09:46 | 0:09:50 | |
Tom Crews, solicitor. C-R-E-W-S. | 0:09:50 | 0:09:54 | |
In fact, were you not found guilty of the mistreatment of your horses | 0:09:54 | 0:09:58 | |
on four occasions over the past 12 months? | 0:09:58 | 0:10:02 | |
Justice, if I may, | 0:10:02 | 0:10:04 | |
Mr Cunningham is not on trial here. | 0:10:04 | 0:10:06 | |
Go somewhere else, please, Mr Crews. | 0:10:06 | 0:10:09 | |
With, with, with the questions. | 0:10:09 | 0:10:11 | |
-Yeah, the... -HE CLEARS HIS THROAT | 0:10:11 | 0:10:13 | |
-He... -HE MUMBLES | 0:10:13 | 0:10:16 | |
-A horse. He... -Psst! | 0:10:17 | 0:10:21 | |
(Come.) | 0:10:21 | 0:10:23 | |
Do we have a question, Mr Crews? | 0:10:26 | 0:10:28 | |
Mr Cunningham, | 0:10:30 | 0:10:32 | |
what is the name of this horse that you allege my client stole? | 0:10:32 | 0:10:36 | |
I just called him "horsey". Like, "Come here, horsey, horsey". | 0:10:36 | 0:10:39 | |
No, not what you called it. The name-name of this horse. | 0:10:39 | 0:10:43 | |
I mean, it would be on the papers that you have for this horse. | 0:10:43 | 0:10:47 | |
I don't have papers. He didn't come with papers. | 0:10:49 | 0:10:52 | |
You have a photograph of this horse? | 0:10:52 | 0:10:55 | |
What the fuck would I be doing taking a photograph of a horse for? | 0:10:55 | 0:10:58 | |
LAUGHTER | 0:10:58 | 0:11:01 | |
Justice, without any evidence of the existence of this horse, | 0:11:01 | 0:11:05 | |
how can my client be accused of stealing it? | 0:11:05 | 0:11:09 | |
To all intents and purposes, this horse does not even exist. | 0:11:09 | 0:11:13 | |
I have a very busy day ahead of me. | 0:11:15 | 0:11:17 | |
I can't spend time on the theft of an invisible horse. | 0:11:17 | 0:11:21 | |
Case dismissed. | 0:11:21 | 0:11:23 | |
How can a one-pound box of chocolates put on five pounds? | 0:11:29 | 0:11:32 | |
It's beyond my apprehension. | 0:11:32 | 0:11:34 | |
Cathy's talking about getting me something nice for my birthday. | 0:11:35 | 0:11:38 | |
Really? What? | 0:11:38 | 0:11:40 | |
Tickets to go to Placido Dodominigo. | 0:11:40 | 0:11:42 | |
Oh, lovely. For a week or 10 days? | 0:11:42 | 0:11:44 | |
Speaking of birthdays, I don't know what to get my Sharon for hers next week. | 0:11:48 | 0:11:51 | |
-Get her a book. -No, she has one. | 0:11:51 | 0:11:54 | |
You know, Winnie, I live for these little chats of ours. | 0:11:58 | 0:12:00 | |
-Me, too, Agnes. -Here, come on. | 0:12:00 | 0:12:02 | |
Off with you. I have work to do. | 0:12:02 | 0:12:04 | |
OK. | 0:12:04 | 0:12:06 | |
Yes, love? | 0:12:06 | 0:12:07 | |
What's the difference between those apples for 50 cents | 0:12:07 | 0:12:09 | |
and those for apples for 75? | 0:12:09 | 0:12:11 | |
Well, these ones are low fat. They're called Granny Smith Lite. | 0:12:11 | 0:12:15 | |
I'll take two of the low fat 75 cent ones. | 0:12:15 | 0:12:18 | |
That's 1.50, love, please. | 0:12:20 | 0:12:21 | |
There you go. | 0:12:21 | 0:12:23 | |
Have a nice day. | 0:12:23 | 0:12:25 | |
You're a gas, Agnes. The low fat ones should be cheaper. | 0:12:25 | 0:12:28 | |
-Winnie, off with you. Go on, go. -Right. | 0:12:28 | 0:12:30 | |
Farm-fresh eggs! | 0:12:32 | 0:12:34 | |
So fresh the hen doesn't even know they're missing yet! | 0:12:34 | 0:12:37 | |
Are you all right there, Maggie? Can you manage, love? | 0:12:42 | 0:12:45 | |
That's 15 stalls in six months. | 0:12:48 | 0:12:50 | |
Bastards. | 0:12:53 | 0:12:55 | |
They won't be happy till they close us all down. | 0:12:55 | 0:12:57 | |
Then there won't be a Moore Street Market. | 0:12:57 | 0:13:00 | |
Well, they won't take me without a fight, Fat Annie. | 0:13:00 | 0:13:03 | |
Whoever they are. | 0:13:03 | 0:13:05 | |
Another one gone, Ivan. | 0:13:23 | 0:13:25 | |
HE LAUGHS | 0:13:25 | 0:13:27 | |
Now all we need are four more and we can start building. | 0:13:28 | 0:13:34 | |
And once we have started building, | 0:13:34 | 0:13:37 | |
all of the other stall holders will just shut up shop. | 0:13:37 | 0:13:40 | |
HE SPEAKS RUSSIAN | 0:13:41 | 0:13:47 | |
He says get building shopping centre or he will rip off your fucking head | 0:13:47 | 0:13:49 | |
and sheet down your neck. | 0:13:49 | 0:13:52 | |
-The working class can fuck my ass. -HE LAUGHS | 0:13:52 | 0:13:57 | |
-"Kiss my arse". -What? | 0:13:57 | 0:14:00 | |
The words are "kiss my arse". "Fuck my arse" is an entirely... | 0:14:00 | 0:14:04 | |
HE SPEAKS RUSSIAN | 0:14:04 | 0:14:06 | |
Calm down, Ivan. | 0:14:06 | 0:14:09 | |
Your money is safe. No need to worry. | 0:14:09 | 0:14:12 | |
We've started on planning permission already. | 0:14:12 | 0:14:15 | |
HE SPEAKS RUSSIAN | 0:14:15 | 0:14:17 | |
Now... | 0:14:19 | 0:14:21 | |
Let's see which stall will be the next one to go, shall we? | 0:14:21 | 0:14:25 | |
This one. | 0:14:27 | 0:14:29 | |
-Jesus. -Are you all right, Agnes? | 0:14:30 | 0:14:33 | |
I got a shiver, like somebody just walked over me grave. | 0:14:33 | 0:14:36 | |
Annie! | 0:14:41 | 0:14:43 | |
Keep an eye here, will you? I want to run this up to Cathy at her new job. | 0:14:43 | 0:14:47 | |
No bother, Agnes. | 0:14:47 | 0:14:48 | |
"To Cathy. Good luck in your new job. | 0:14:50 | 0:14:53 | |
"I believe in you. Mammy." | 0:14:53 | 0:14:54 | |
Settling in OK there, little lady? | 0:14:57 | 0:14:59 | |
Well, sort of, Mr Bullwhip. | 0:14:59 | 0:15:01 | |
Calm down. We don't stand on ceremony here, honey. | 0:15:01 | 0:15:04 | |
And it's Cathy. Not "honey" or "little lady". | 0:15:04 | 0:15:08 | |
Very good. | 0:15:08 | 0:15:09 | |
AGNES: Yoo-hoo! | 0:15:10 | 0:15:12 | |
I'm at the window. | 0:15:14 | 0:15:16 | |
-I'm still not sure of my role here. -I have fruit. | 0:15:16 | 0:15:19 | |
-Look, Cathy... -Bananas. | 0:15:19 | 0:15:21 | |
People buy something not because they need it... | 0:15:21 | 0:15:26 | |
AGNES COOS | 0:15:26 | 0:15:27 | |
...but because we, the advertising geniuses, | 0:15:27 | 0:15:30 | |
try to find a way to convince them that they want it. | 0:15:30 | 0:15:34 | |
-Do you? -You mean, "Do we", babe. | 0:15:34 | 0:15:37 | |
Who the fuck is he? | 0:15:37 | 0:15:39 | |
Right, well... | 0:15:41 | 0:15:42 | |
Settle in, sweetheart. | 0:15:45 | 0:15:46 | |
-Madam. -Fuckface. | 0:15:50 | 0:15:52 | |
I beg your pardon? | 0:15:52 | 0:15:54 | |
Nice... Nice place, I said. Good place. | 0:15:54 | 0:15:57 | |
Mammy! Get in here. | 0:15:59 | 0:16:01 | |
"Settle in, sweetheart." | 0:16:03 | 0:16:05 | |
I know. I heard. | 0:16:05 | 0:16:07 | |
You wouldn't have to put up with that shit if you worked for yourself. | 0:16:07 | 0:16:11 | |
I'm not taking over the stall! | 0:16:11 | 0:16:14 | |
I'm just saying, that's all I did... | 0:16:14 | 0:16:16 | |
I'm just... I... | 0:16:16 | 0:16:19 | |
I'm just saying! | 0:16:19 | 0:16:21 | |
Didn't hurt. | 0:16:21 | 0:16:22 | |
Come on, Winnie. While it's warm. | 0:16:27 | 0:16:29 | |
-Agnes... -What? | 0:16:35 | 0:16:36 | |
How come Father Damien always gives you more penance than he gives me? | 0:16:36 | 0:16:41 | |
Because I've a lot more sins. | 0:16:41 | 0:16:42 | |
No, you don't. | 0:16:42 | 0:16:44 | |
Oh, I do. | 0:16:44 | 0:16:46 | |
Bless me, Father, for I have sinned. | 0:16:58 | 0:17:00 | |
DOOR OPENS | 0:17:00 | 0:17:02 | |
-This box is already in use. -Winnie, get out. | 0:17:02 | 0:17:04 | |
Not until I've heard your sins. | 0:17:04 | 0:17:06 | |
Father, I'm much more sinful than her. | 0:17:06 | 0:17:08 | |
-What? -Will you get out, for Jesus' sake? | 0:17:08 | 0:17:12 | |
Mrs Brown, do not take the Lord's name in vain. | 0:17:12 | 0:17:15 | |
Sorry, Father, I'll add it on to my list in a minute. | 0:17:15 | 0:17:17 | |
-KNOCK AT DOOR -Mammy? | 0:17:17 | 0:17:19 | |
-Father, is that my Cathy? -I had impure thoughts, Father. | 0:17:19 | 0:17:22 | |
Shut up, Winnie. | 0:17:22 | 0:17:24 | |
Hello, Father Damien. | 0:17:24 | 0:17:26 | |
Hello, Cathy. | 0:17:26 | 0:17:28 | |
Look, if you need to talk... | 0:17:28 | 0:17:29 | |
-Mammy, what is this? -I can't see. | 0:17:29 | 0:17:32 | |
It's an envelope. | 0:17:33 | 0:17:35 | |
-I robbed a bank. -A bank? | 0:17:35 | 0:17:37 | |
You did not, Winnie. Shut up! | 0:17:37 | 0:17:39 | |
It's a letter from the tax office. "Final notice", it says. | 0:17:39 | 0:17:43 | |
Why haven't you done something about it? | 0:17:43 | 0:17:45 | |
I don't pay tax. I changed my name to Google. | 0:17:45 | 0:17:48 | |
Look, ladies, if you want to chat, why don't you go somewhere else? | 0:17:48 | 0:17:51 | |
Shush, Father. | 0:17:51 | 0:17:52 | |
That is a letter about my business, about my stall, | 0:17:52 | 0:17:55 | |
and you have made it perfectly clear... | 0:17:55 | 0:17:57 | |
It's a demand for a payment. | 0:17:57 | 0:17:59 | |
This is not the place. | 0:17:59 | 0:18:01 | |
Yes, it is. | 0:18:01 | 0:18:02 | |
Apparently, my grandmother owes them £96. | 0:18:02 | 0:18:05 | |
And, as the current owner of the business, I'm liable. | 0:18:05 | 0:18:08 | |
-I had sex with a farm animal. -What? | 0:18:08 | 0:18:10 | |
A goat. | 0:18:10 | 0:18:12 | |
No, you did not. | 0:18:12 | 0:18:14 | |
Not even a goat would give her a shag, Father. | 0:18:14 | 0:18:17 | |
That's it! That's it, ladies. Out! | 0:18:17 | 0:18:20 | |
Come on! Out now! | 0:18:20 | 0:18:21 | |
Give me penance. Come on, lay it on me. | 0:18:23 | 0:18:26 | |
Do your worst! | 0:18:26 | 0:18:28 | |
You better take this serious. | 0:18:30 | 0:18:32 | |
Fine. I'll go to the tax office in the morning. | 0:18:32 | 0:18:34 | |
Mrs McGoogan, are you licking my shoes? | 0:18:34 | 0:18:37 | |
£96. | 0:18:38 | 0:18:40 | |
Even with interest and penalties, it can't be that bad. | 0:18:40 | 0:18:43 | |
Are you feckin' mad? How much? | 0:18:44 | 0:18:46 | |
Four million euro. | 0:18:47 | 0:18:50 | |
Four million euro? | 0:18:50 | 0:18:53 | |
Ah, listen, love, there must be some mistake. | 0:18:53 | 0:18:56 | |
Jesus, now you've killed her. | 0:18:56 | 0:18:59 | |
How much?! | 0:18:59 | 0:19:00 | |
So, I've had quite a large tax bill. | 0:19:03 | 0:19:07 | |
Four million euro. | 0:19:07 | 0:19:09 | |
But you mustn't worry. | 0:19:09 | 0:19:10 | |
I'm not worrying. It's not my problem. | 0:19:26 | 0:19:28 | |
Your mammy's right. There's nothing to worry about. | 0:19:28 | 0:19:31 | |
The man in the Revenue Office said it was probably a mistake. | 0:19:31 | 0:19:35 | |
-When did he say that? -Just after you passed out. | 0:19:35 | 0:19:38 | |
-But why didn't you tell me? -Well, you were passed out. | 0:19:38 | 0:19:41 | |
For God's sake, sometimes you're as useless as a knitted condom. | 0:19:41 | 0:19:45 | |
-Well, he said he'd ring you. -AGNES SNORTS | 0:19:45 | 0:19:47 | |
PHONE RINGS | 0:19:47 | 0:19:49 | |
Wish me luck. | 0:19:50 | 0:19:52 | |
Hello? PHONE RINGS | 0:19:52 | 0:19:54 | |
Wish me luck. | 0:19:57 | 0:19:58 | |
Hello? How do you do? | 0:19:59 | 0:20:01 | |
Speaking. | 0:20:02 | 0:20:04 | |
(It's him.) It IS a mistake? | 0:20:04 | 0:20:07 | |
I only owe 3.8 million? | 0:20:08 | 0:20:11 | |
Well, that's a relief. | 0:20:13 | 0:20:14 | |
I won't have to sell the feckin' yacht, so. | 0:20:14 | 0:20:17 | |
I think you WILL have to sell the yacht. | 0:20:18 | 0:20:20 | |
-How long have you had a yacht? -How much is a yacht worth? | 0:20:20 | 0:20:23 | |
I don't have a feckin' yacht! | 0:20:23 | 0:20:25 | |
I know. You go on hunger strike. | 0:20:26 | 0:20:28 | |
Refuse to eat until they cancel the bill. | 0:20:28 | 0:20:30 | |
They'd have to cancel it in 20 minutes. I'm fuckin' starvin'. | 0:20:30 | 0:20:32 | |
-ALL CHUCKLE -I have a better idea. | 0:20:32 | 0:20:35 | |
I get the old unit together. We blow up the Revenue Office, | 0:20:35 | 0:20:39 | |
then we barricade ourselves in here, | 0:20:39 | 0:20:42 | |
prime the place with booby traps | 0:20:42 | 0:20:44 | |
and take out the first tax man that comes near. | 0:20:44 | 0:20:47 | |
HE BLOWS | 0:20:47 | 0:20:48 | |
They'll never take you alive. | 0:20:48 | 0:20:51 | |
Somebody get his feckin' tablets. | 0:20:54 | 0:20:56 | |
What we need is a lawyer, Mammy. | 0:20:57 | 0:20:59 | |
All right, but a cheap one. | 0:20:59 | 0:21:01 | |
Now, I can't make head nor tails of this. | 0:21:04 | 0:21:08 | |
According to this reference number, | 0:21:08 | 0:21:10 | |
you need a licence to import cobra snakes. | 0:21:10 | 0:21:13 | |
That's not a reference number. It's a date. | 0:21:13 | 0:21:16 | |
I said cheap. I didn't mean THIS fucking cheap. | 0:21:18 | 0:21:21 | |
Offer the tax people a euro a week. | 0:21:23 | 0:21:25 | |
Winnie, don't be ridiculous. | 0:21:25 | 0:21:27 | |
I'm not, Agnes. | 0:21:27 | 0:21:29 | |
They might not accept it, | 0:21:29 | 0:21:31 | |
but once you make an offer, the courts have to consider it. | 0:21:31 | 0:21:35 | |
She's right. | 0:21:35 | 0:21:36 | |
How do you know all this, Mrs McGoogan? | 0:21:36 | 0:21:39 | |
I worked in the Revenue Office. | 0:21:39 | 0:21:41 | |
You were a tax collector? | 0:21:42 | 0:21:44 | |
Cleaner. But I heard things. | 0:21:44 | 0:21:46 | |
If that's the case, it'll give us time to set up a fund. | 0:21:48 | 0:21:51 | |
-A fund? -"The Mrs Brown Defence Fund." | 0:21:51 | 0:21:54 | |
I'm liking this. Who'll be treasurer? | 0:21:54 | 0:21:57 | |
ALL: Not you. | 0:21:57 | 0:21:58 | |
Hello, Mrs Brown. | 0:22:09 | 0:22:11 | |
Hello. Can I help you? | 0:22:11 | 0:22:13 | |
Actually, it's me who's here to help you, madam. | 0:22:13 | 0:22:16 | |
I don't get it. | 0:22:17 | 0:22:18 | |
Why would you want to buy my mother's stall and licence? | 0:22:18 | 0:22:22 | |
My client is a well-known retailer. | 0:22:22 | 0:22:24 | |
Who, I'm sure you'll appreciate, | 0:22:24 | 0:22:26 | |
I'm not at liberty to reveal at this time. | 0:22:26 | 0:22:28 | |
And he sees this as an opportunity to invest in the community. | 0:22:28 | 0:22:32 | |
30,000 is a lot of money. | 0:22:33 | 0:22:35 | |
Over 200 years is a lot of heritage. | 0:22:35 | 0:22:37 | |
It was my great, great grandmother that started the stall. | 0:22:39 | 0:22:42 | |
It's been handed down to the eldest girl in the family ever since. | 0:22:42 | 0:22:46 | |
Since 1802. | 0:22:47 | 0:22:48 | |
The times they are a-changing. | 0:22:50 | 0:22:52 | |
-There's one problem. -And that is? | 0:22:52 | 0:22:55 | |
Show him the tax letter. | 0:22:55 | 0:22:56 | |
Not a problem. | 0:23:02 | 0:23:03 | |
It's now 3.8 million. | 0:23:03 | 0:23:06 | |
My client brings a lot of investment and employment to Ireland. | 0:23:06 | 0:23:10 | |
Once we agree the sale, we can make this go away. | 0:23:10 | 0:23:13 | |
-Really? Just like that? -Just like that. | 0:23:14 | 0:23:17 | |
Right, then. I'll leave that with you. | 0:23:19 | 0:23:21 | |
You have my card. | 0:23:21 | 0:23:24 | |
I'll see you out. | 0:23:24 | 0:23:26 | |
I'm sorry, Granny. | 0:23:39 | 0:23:41 | |
I've let you down. | 0:23:41 | 0:23:43 | |
There's my grandmother. | 0:23:45 | 0:23:47 | |
They were false teeth. | 0:23:49 | 0:23:51 | |
They were a wedding present. | 0:23:51 | 0:23:53 | |
-RAB: -Only If we are united can we save Moore Street Market. | 0:23:54 | 0:23:58 | |
So, does anyone have a question | 0:23:58 | 0:23:59 | |
for our political representative, Mr Irwin? | 0:23:59 | 0:24:02 | |
ALL CLAMOUR | 0:24:02 | 0:24:03 | |
Silence! | 0:24:03 | 0:24:06 | |
Now, look, I am here to assure you | 0:24:06 | 0:24:10 | |
that as long as I am the representative for this constituency, | 0:24:10 | 0:24:15 | |
Moore Street Market is here to stay! | 0:24:15 | 0:24:18 | |
ALL CHEER | 0:24:18 | 0:24:20 | |
And now, ladies and gentlemen, if you will excuse me, | 0:24:20 | 0:24:23 | |
I have some government business to attend to. | 0:24:23 | 0:24:25 | |
Very good. Thank you. | 0:24:25 | 0:24:27 | |
Lots of shite about nothing. Living the dream, what? | 0:24:29 | 0:24:33 | |
Living the dream. | 0:24:33 | 0:24:34 | |
Mrs Brown. You came. | 0:24:37 | 0:24:38 | |
I forgot this was even on. | 0:24:39 | 0:24:41 | |
We're just here for a drink, that's all. | 0:24:41 | 0:24:43 | |
But, Agnes, you are the most important of all the stallholders in Moore Street. | 0:24:43 | 0:24:46 | |
-Well... -Not for long. | 0:24:46 | 0:24:48 | |
-What? What does she mean? -Nothing, nothing. | 0:24:48 | 0:24:52 | |
-She's selling her stall. -Winnie, move. | 0:24:52 | 0:24:54 | |
-Can I have your attention, please? -WOMAN: -Show us your cock! | 0:25:00 | 0:25:02 | |
-Shh! -ALL LAUGH | 0:25:02 | 0:25:04 | |
I have an important announcement concerning Mrs Agnes Brown. | 0:25:04 | 0:25:08 | |
What's he feckin' saying? | 0:25:10 | 0:25:11 | |
They have won again. | 0:25:11 | 0:25:13 | |
Mrs Brown is selling her stall and leaving Moore Street. | 0:25:15 | 0:25:19 | |
ALL GASP | 0:25:19 | 0:25:20 | |
Shit, do something. | 0:25:26 | 0:25:28 | |
Stop it. | 0:25:32 | 0:25:34 | |
I'm thinking about it. I haven't made a decision yet. | 0:25:36 | 0:25:38 | |
Don't look at me like that! | 0:25:39 | 0:25:41 | |
It's nothing to do with Rab's imaginary "them". | 0:25:43 | 0:25:46 | |
I have a tax bill. I can't afford to pay it. That's it. | 0:25:46 | 0:25:49 | |
But we all love you, Mrs Brown. | 0:25:49 | 0:25:51 | |
If you cannot pay it, we will all chip in and help you pay it. | 0:25:51 | 0:25:55 | |
-We are family. -ALL: -Yes. | 0:25:55 | 0:25:57 | |
-WOMAN: -I've no fucking family in Jamaica. | 0:25:57 | 0:25:59 | |
-LAUGHTER -I'm not Jamaican. | 0:25:59 | 0:26:02 | |
Hands up those that will chip in to help Mrs Brown. | 0:26:02 | 0:26:05 | |
The tax bill's about four million euro. | 0:26:08 | 0:26:10 | |
There you are, Rab. Look, Mr Patel... I don't know, maybe you're right. | 0:26:14 | 0:26:18 | |
Maybe there is a "them", but it makes no difference. | 0:26:18 | 0:26:21 | |
Exactly. No difference. | 0:26:21 | 0:26:23 | |
Agnes doesn't care who it is. | 0:26:23 | 0:26:25 | |
She'll not leave Moore Street without a fight. | 0:26:25 | 0:26:27 | |
Exactly. CHEERING | 0:26:27 | 0:26:30 | |
No, wait, wait. Winnie, what the fuck are you... Winnie, get back here! | 0:26:30 | 0:26:34 | |
Did you think for one minute Agnes Brown would go without a fight? | 0:26:34 | 0:26:36 | |
-ALL: -No! | 0:26:36 | 0:26:38 | |
When they tried to double the price of the licence, who beat them down? | 0:26:38 | 0:26:41 | |
-ALL: -Agnes. | 0:26:41 | 0:26:42 | |
When the Corporation tried to reduce the stall space, who told them to... | 0:26:42 | 0:26:45 | |
-ALL: -Agnes! | 0:26:45 | 0:26:48 | |
Jesus Christ. | 0:26:48 | 0:26:49 | |
Oh, Winnie. What have you feckin' started? | 0:26:52 | 0:26:56 | |
-ALL SING: -# Oh, we're going to Jamaica | 0:26:56 | 0:26:58 | |
# Oh, back to the palm trees... # | 0:26:58 | 0:27:01 | |
THEY SPEAK RUSSIAN: | 0:27:13 | 0:27:16 | |
Rip off heads! | 0:27:21 | 0:27:23 | |
Not yet. | 0:27:46 | 0:27:47 | |
Mr Bogmonovitch doesn't like public meetings. | 0:27:54 | 0:27:56 | |
This Mrs Brown, she has a mouth on her. | 0:27:56 | 0:27:59 | |
I was there, remember? | 0:27:59 | 0:28:02 | |
Now I wouldn't be getting too worried | 0:28:02 | 0:28:04 | |
about a little local public meeting. | 0:28:04 | 0:28:07 | |
Mr Bogmonovitch says that we should rip off her head and sheet down her neck. | 0:28:07 | 0:28:10 | |
Well, yes, Gregor, if the need arises. | 0:28:10 | 0:28:14 | |
But, for now, let's keep the whole thing under the radar. | 0:28:14 | 0:28:18 | |
Let's keep this quiet, hmm? | 0:28:18 | 0:28:21 | |
Mummy, they're talking about Granny on the TV. | 0:28:39 | 0:28:42 | |
But what we know is Agnes Brown is a mother of six children | 0:28:45 | 0:28:48 | |
whom she reared alone. | 0:28:48 | 0:28:50 | |
Her only income is from her Moore Street stall, | 0:28:50 | 0:28:53 | |
which has been handed down from mother to daughter for generations | 0:28:53 | 0:28:56 | |
-and which, I believe, is now under threat. -Yes, Eamonn, | 0:28:56 | 0:29:00 | |
I'm here on Moore Street with Rab Patel, | 0:29:00 | 0:29:03 | |
a shop owner originally from Jamaica. | 0:29:03 | 0:29:05 | |
-HE MOUTHS -Tell me, Mr Patel, | 0:29:05 | 0:29:06 | |
what exactly is the threat facing this market? | 0:29:06 | 0:29:09 | |
This is not new. | 0:29:09 | 0:29:10 | |
There is someone trying to drive us all out of Moore Street Market. | 0:29:10 | 0:29:14 | |
A developer. And he knows who he is! | 0:29:14 | 0:29:17 | |
REPORTERS SHOUT QUESTIONS | 0:29:22 | 0:29:25 | |
OK, enough now. Move on. | 0:29:26 | 0:29:29 | |
REPORTERS SHOUT QUESTIONS | 0:29:29 | 0:29:32 | |
Seriously, go now. I have work to do. | 0:29:32 | 0:29:36 | |
REPORTERS SHOUT QUESTIONS | 0:29:36 | 0:29:38 | |
Hey! Fuck off! | 0:29:38 | 0:29:40 | |
Move it! Shoo! | 0:29:44 | 0:29:45 | |
Well, you've certainly made a splash. | 0:29:45 | 0:29:47 | |
I've no time for that shite, Annie. | 0:29:47 | 0:29:50 | |
Fresh fruit and vegetables! | 0:29:50 | 0:29:53 | |
As seen on TV! | 0:29:53 | 0:29:55 | |
Just the one, love? That'll be 75 cents. | 0:29:57 | 0:30:00 | |
HE SPEAKS RUSSIAN | 0:30:00 | 0:30:02 | |
75 fucking cent. | 0:30:04 | 0:30:06 | |
Now it's a smoothie. That's 2.50. | 0:30:11 | 0:30:13 | |
Hey! You sell your stall, you stupid bitch! | 0:30:13 | 0:30:17 | |
Excuse me a moment. | 0:30:17 | 0:30:18 | |
HE GROANS | 0:30:21 | 0:30:24 | |
Anything else, love? | 0:30:24 | 0:30:25 | |
-I'll be back. -Hasta la vista, Arnie. | 0:30:25 | 0:30:28 | |
And you'll want to bring more than the Blues Brothers. | 0:30:30 | 0:30:33 | |
You'll fucking need them. | 0:30:33 | 0:30:34 | |
Are you all right, Mammy? | 0:30:36 | 0:30:38 | |
Rab Patel is right. Something's going on, Dermot. | 0:30:38 | 0:30:40 | |
I've just been threatened by Russian thugs. | 0:30:40 | 0:30:42 | |
-Russian? -I think they'll be back. | 0:30:44 | 0:30:46 | |
Why? | 0:30:46 | 0:30:48 | |
Cos he said "I'll be back". | 0:30:48 | 0:30:50 | |
Hiya, Gloria. I'm looking for Buster Brady. Is he doing something here? | 0:30:54 | 0:30:58 | |
-That little shit. He's down the big hall. -Thank you. | 0:30:58 | 0:31:01 | |
You must use your senses. | 0:31:10 | 0:31:13 | |
Trust them. | 0:31:14 | 0:31:16 | |
They will tell you where the glass is. | 0:31:16 | 0:31:19 | |
You're like a cheetah in the dark, | 0:31:19 | 0:31:23 | |
but you'd know exactly where to place your foot. | 0:31:23 | 0:31:25 | |
You're invincible. | 0:31:26 | 0:31:28 | |
A human radar. | 0:31:28 | 0:31:30 | |
Hiya, Dermot. Here, I'll leave that with you. | 0:31:32 | 0:31:35 | |
What the hell are you doing? | 0:31:35 | 0:31:38 | |
Just helping Mr Wang. | 0:31:38 | 0:31:40 | |
HE GROANS | 0:31:40 | 0:31:42 | |
Ah, you dope. | 0:31:42 | 0:31:44 | |
-Medic! -MAN: -On my way. | 0:31:44 | 0:31:47 | |
Mr Wang hurt his leg, so I just said I'd help out. | 0:31:47 | 0:31:49 | |
Ninja? For the blind? | 0:31:51 | 0:31:54 | |
IN HIS CHINESE ACCENT: Hello, friend of Mr Buster. | 0:31:54 | 0:31:56 | |
You're very welcome to Mr Wang number one Ninja School for the Blind. | 0:31:56 | 0:32:02 | |
-He's not even Chinese! -HE GASPS | 0:32:02 | 0:32:04 | |
Hello, Mr Taliban! I'm from Sichuan Province. | 0:32:04 | 0:32:09 | |
He's from Finglas. | 0:32:09 | 0:32:11 | |
Everybody look at me and say "What you doing in my garden?" | 0:32:11 | 0:32:13 | |
I say "Ha, Chinese". They go... | 0:32:13 | 0:32:17 | |
THEY LAUGH | 0:32:17 | 0:32:19 | |
-Keep going. -IN NORMAL VOICE: I'm sorry. | 0:32:19 | 0:32:22 | |
Spit went past you. | 0:32:22 | 0:32:24 | |
SPEAKS IN HIS CHINESE ACCENT: You only see blind people. | 0:32:24 | 0:32:27 | |
You do not see that they see more than you see. | 0:32:27 | 0:32:30 | |
Please, show some respect. | 0:32:30 | 0:32:32 | |
HE GROANS | 0:32:32 | 0:32:34 | |
You blind fucker. I kill you! | 0:32:34 | 0:32:36 | |
Come on, let's get out of here. I need to talk to you. | 0:32:37 | 0:32:41 | |
Mammy has a problem and I think the Russians are involved. | 0:32:41 | 0:32:44 | |
The Russians? I'm not getting involved in that. | 0:32:44 | 0:32:46 | |
Marie is thinking about setting up a fund. | 0:32:46 | 0:32:49 | |
A fund? I'm in. | 0:32:49 | 0:32:51 | |
I kill you! You can't run, you can't hide! I kill you! | 0:32:51 | 0:32:55 | |
A quiz night. That should raise at least 200 Euro. | 0:32:59 | 0:33:02 | |
This lawyer and the barrister could cost up to 25,000. | 0:33:03 | 0:33:06 | |
I've a sponsor here who'll pay 5,000 Euro | 0:33:06 | 0:33:09 | |
if somebody agrees to swim across the Channel. | 0:33:09 | 0:33:11 | |
-No. -Wait, I'll do that. | 0:33:11 | 0:33:14 | |
-Really? -Oh, Maria, he's a great swimmer. | 0:33:14 | 0:33:17 | |
-Are you sure? -Yeah. Sure, how hard can it be? | 0:33:17 | 0:33:20 | |
We could make it really big. | 0:33:20 | 0:33:21 | |
It could be the launch of the whole thing. | 0:33:21 | 0:33:23 | |
Right, then, let's do it. This weekend. | 0:33:23 | 0:33:26 | |
What? Do you not need to train for a few weeks? | 0:33:26 | 0:33:29 | |
-Not at all. -A wonderful swimmer. | 0:33:29 | 0:33:32 | |
A dolphin. | 0:33:32 | 0:33:35 | |
HE CRIES | 0:33:35 | 0:33:37 | |
I thought she said the canal. | 0:33:38 | 0:33:41 | |
Shh. | 0:33:42 | 0:33:44 | |
Now, just do your best. Just go as far as you can. | 0:33:44 | 0:33:48 | |
You're very brave. | 0:33:48 | 0:33:50 | |
I have this, thank you, Barbara. | 0:33:50 | 0:33:52 | |
Fine. | 0:33:52 | 0:33:53 | |
-MARIA: -This is an injustice of mammoth proportions. | 0:33:53 | 0:33:56 | |
A widow being persecuted while the bankers and developer barons | 0:33:56 | 0:34:00 | |
ride roughshod over the law! | 0:34:00 | 0:34:02 | |
CHEERING | 0:34:02 | 0:34:03 | |
ALL: Five, four, three, two, one... | 0:34:10 | 0:34:14 | |
Go! | 0:34:18 | 0:34:21 | |
MUSIC: Theme from "Chariots Of Fire" | 0:34:21 | 0:34:24 | |
-HE SCREAMS -It's freezing! | 0:34:42 | 0:34:44 | |
-MARK: -Rory! Rory! | 0:34:47 | 0:34:50 | |
Barbara, towel. | 0:34:50 | 0:34:52 | |
Rory! | 0:34:52 | 0:34:54 | |
Rory! | 0:34:57 | 0:34:59 | |
-MARK: -Rory, come back! | 0:35:00 | 0:35:02 | |
OK, when we get in here, let me do the talking. | 0:35:05 | 0:35:08 | |
These Russians don't scare too easy, | 0:35:08 | 0:35:09 | |
-so let's try and sort this diplomatically. -OK. | 0:35:09 | 0:35:13 | |
And you know the drill. | 0:35:13 | 0:35:14 | |
If it looks like it's gonna kick off, what do we do? | 0:35:14 | 0:35:16 | |
-Run like fuck. -Exactly. | 0:35:16 | 0:35:17 | |
Excuse me. | 0:35:25 | 0:35:27 | |
We don't want any bad blood between us, | 0:35:34 | 0:35:37 | |
but one of you lot threatened my mother and I'm not having that. | 0:35:37 | 0:35:41 | |
HE SPEAKS RUSSIAN: | 0:35:41 | 0:35:44 | |
What the fuck? | 0:35:49 | 0:35:50 | |
I think he said everybody can be friends. | 0:35:50 | 0:35:53 | |
How do you know? | 0:35:53 | 0:35:55 | |
I used to have a Russian girlfriend. | 0:35:55 | 0:35:57 | |
Well, "girlfriend's" a bit strong. She gave me a discount. | 0:35:57 | 0:36:02 | |
Well, tell him that we want to be friends. | 0:36:02 | 0:36:04 | |
HE SPEAKS RUSSIAN: | 0:36:04 | 0:36:06 | |
THEY CHUCKLE | 0:36:21 | 0:36:23 | |
HE LAUGHS LOUDLY | 0:36:25 | 0:36:27 | |
Way to go, Buster. Well done. | 0:36:31 | 0:36:33 | |
I will not kill your mother because her name is Agnes. | 0:36:38 | 0:36:43 | |
It was my grandmother's name. | 0:36:46 | 0:36:48 | |
-He said... -I heard him. | 0:36:48 | 0:36:50 | |
-And what is your name? -Buster. | 0:36:51 | 0:36:53 | |
But all my friends call me Agnes. | 0:36:55 | 0:36:57 | |
HE SPEAKS RUSSIAN, BUSTER GIGGLES | 0:37:04 | 0:37:06 | |
HE CLEARS HIS THROAT | 0:37:06 | 0:37:08 | |
BUSTER GIGGLES | 0:37:09 | 0:37:12 | |
HE SPEAKS RUSSIAN | 0:37:12 | 0:37:14 | |
THEY LAUGH | 0:37:14 | 0:37:16 | |
HE SPEAKS RUSSIAN: | 0:37:21 | 0:37:23 | |
These are a serious bunch. | 0:37:36 | 0:37:38 | |
Maybe. But they don't have what we have. | 0:37:38 | 0:37:41 | |
Ninjas. | 0:37:43 | 0:37:45 | |
Shut up, Buster. | 0:37:45 | 0:37:46 | |
Give me that phone here. | 0:37:48 | 0:37:50 | |
HE SIGHS | 0:37:53 | 0:37:55 | |
Hello? | 0:38:02 | 0:38:04 | |
This is Red Dog. We need to get the unit together. | 0:38:04 | 0:38:08 | |
I have a little job. | 0:38:09 | 0:38:10 | |
-So, that's them? -Yeah. | 0:38:27 | 0:38:29 | |
Time we sent them a little message. | 0:38:30 | 0:38:33 | |
-A bomb? -Yeah. | 0:38:33 | 0:38:36 | |
Just enough to turn that coffee bar into a car park. | 0:38:36 | 0:38:39 | |
And who's making the device? | 0:38:39 | 0:38:41 | |
He should be here any minute. | 0:38:41 | 0:38:43 | |
CAR HORN HONKS | 0:38:43 | 0:38:45 | |
Here he is now, right on time. | 0:38:46 | 0:38:48 | |
He's priming the device. Then he'll drive it up to the target. | 0:38:57 | 0:39:01 | |
That looks likes "The Hammer" Murphy. | 0:39:02 | 0:39:05 | |
It is. The best in the business. | 0:39:05 | 0:39:09 | |
Ah... And I thought he had Parkinson's. | 0:39:09 | 0:39:12 | |
ALARM BELL RINGS | 0:39:14 | 0:39:17 | |
Oh, shit. Scatter. | 0:39:22 | 0:39:24 | |
Eileen, did you see somebody blew up the Parkinson's charity shop last night? | 0:39:33 | 0:39:37 | |
I did. Disgraceful. | 0:39:37 | 0:39:39 | |
Should be ashamed of themselves. | 0:39:39 | 0:39:41 | |
Agnes Brown. | 0:39:42 | 0:39:44 | |
-Philomena Nine Warts. -There you are. | 0:39:44 | 0:39:47 | |
I was looking for you everywhere. | 0:39:47 | 0:39:49 | |
Well, I wasn't feckin' hiding. | 0:39:49 | 0:39:51 | |
I wanted to tell you something. | 0:39:51 | 0:39:53 | |
This is all very dramatic. | 0:39:53 | 0:39:55 | |
I just didn't want to be discussing your private business in front of everybody. | 0:39:55 | 0:40:00 | |
CHATTER STOPS | 0:40:00 | 0:40:03 | |
My private business. | 0:40:03 | 0:40:05 | |
I was at the bingo last night and I was talking to the girls about your tax thing. | 0:40:06 | 0:40:12 | |
-My private tax thing? -Yeah. | 0:40:12 | 0:40:14 | |
Go on. | 0:40:14 | 0:40:15 | |
-The next thing, my granny... -Mary Moccasin. | 0:40:15 | 0:40:18 | |
She said she was in the Revenue Office paying her tax | 0:40:18 | 0:40:22 | |
the same day your granny was there | 0:40:22 | 0:40:24 | |
and she saw your granny paying the bill. | 0:40:24 | 0:40:28 | |
-So my granny paid it? -Yep. | 0:40:28 | 0:40:30 | |
-I'd love to talk to your granny. -No problem. | 0:40:30 | 0:40:33 | |
-MAN: -Droopy drawers. 44. | 0:40:34 | 0:40:37 | |
Two fat ladies, 88. | 0:40:37 | 0:40:40 | |
Hello, Mary. | 0:40:40 | 0:40:42 | |
Now Mary, can you tell us what you remember about that morning in the Revenue Office? | 0:40:44 | 0:40:49 | |
She's a bit deaf. | 0:40:49 | 0:40:51 | |
Oh, right. Sorry, right. | 0:40:51 | 0:40:54 | |
-LOUDLY: -Mary! Can you tell me... | 0:40:54 | 0:40:58 | |
Excuse me. She said "deaf", not "retarded". | 0:40:58 | 0:41:01 | |
Gran, can you tell the man | 0:41:01 | 0:41:05 | |
about the Revenue Office | 0:41:05 | 0:41:07 | |
with Mrs Brown's granny? | 0:41:07 | 0:41:10 | |
Um, yeah. Hmm-mmm. | 0:41:10 | 0:41:13 | |
That's fantastic. | 0:41:13 | 0:41:15 | |
Now can you get Mary down to the law library on Friday morning? | 0:41:15 | 0:41:18 | |
We'll get a sworn affidavit and submit it to the court. This is fantastic. | 0:41:18 | 0:41:23 | |
-Oh, the... Um... -What? | 0:41:23 | 0:41:25 | |
No, no, no... We'll need a barrister. | 0:41:25 | 0:41:28 | |
And I know just the man. | 0:41:28 | 0:41:30 | |
I was born and raised in a cottage on the banks of the Royal Canal. | 0:41:37 | 0:41:41 | |
Bluebell Cottage, it was called. | 0:41:41 | 0:41:43 | |
My father and mother lived there all their married life. | 0:41:43 | 0:41:46 | |
When my father died in 1999, | 0:41:46 | 0:41:48 | |
my mother, of course, was broken-hearted. | 0:41:48 | 0:41:51 | |
But that cottage had so much of my father in it, in every corner. | 0:41:51 | 0:41:55 | |
It kept her strong. | 0:41:55 | 0:41:58 | |
That's nice. | 0:41:58 | 0:42:00 | |
Can we get on to my case, please? | 0:42:00 | 0:42:02 | |
Agnes! Give the lad a chance. | 0:42:02 | 0:42:05 | |
Go on, son. | 0:42:05 | 0:42:07 | |
Well, in 1999 the PR Irwin Company | 0:42:07 | 0:42:10 | |
bought most of the canal bank cottages. | 0:42:10 | 0:42:13 | |
They wanted to build apartments, but my mother wouldn't sell. | 0:42:13 | 0:42:18 | |
Then, one day, she went out to buy some brake pads | 0:42:19 | 0:42:22 | |
for her Honda Gold Wing... | 0:42:22 | 0:42:23 | |
..and when she returned, the cottage had been levelled. | 0:42:25 | 0:42:29 | |
Everything that made up her 73 years of life, | 0:42:31 | 0:42:35 | |
all in one big pile of rubble. | 0:42:35 | 0:42:38 | |
Can they do that? | 0:42:38 | 0:42:39 | |
Oh, it was a mistake, they claimed. | 0:42:40 | 0:42:42 | |
The contractor had bulldozed the wrong house, they said. | 0:42:42 | 0:42:46 | |
The contractor was fined, my mother got quite a large sum in compensation, | 0:42:46 | 0:42:51 | |
but, within months, she was dead. | 0:42:51 | 0:42:53 | |
Died of a broken heart? | 0:42:54 | 0:42:56 | |
No, it was a paragliding accident. | 0:42:56 | 0:42:59 | |
Irwin is the local representative. I mean, it may not be him. | 0:43:01 | 0:43:04 | |
Oh, Irwin is behind this all right. | 0:43:04 | 0:43:07 | |
I checked the records out of curiosity. | 0:43:07 | 0:43:09 | |
He's up to his old tricks again. | 0:43:09 | 0:43:11 | |
The land around your market is owned by Harbour Master Investments. | 0:43:11 | 0:43:16 | |
And Harbour Master Investments is owned by... | 0:43:16 | 0:43:19 | |
PR Irwin. | 0:43:19 | 0:43:21 | |
No, another company. Tiny Tool Ltd. | 0:43:21 | 0:43:24 | |
Whose shares are in the name of... | 0:43:25 | 0:43:28 | |
PR Irwin. | 0:43:28 | 0:43:29 | |
-No. -Feck's sake! | 0:43:29 | 0:43:32 | |
..three shareholders who all ARE connected to... | 0:43:32 | 0:43:35 | |
-..PR Irwin. -Feck it! | 0:43:37 | 0:43:41 | |
So, if we beat the Revenue, we beat Irwin. | 0:43:41 | 0:43:44 | |
Are you on board, Mr Maydo Archer? | 0:43:46 | 0:43:48 | |
Mrs Brown, has Mr Crews here informed you about my condition? | 0:43:48 | 0:43:52 | |
Condition? What condition? | 0:43:52 | 0:43:55 | |
When under pressure, I am prone to bouts of Tourette's. | 0:43:55 | 0:43:58 | |
For fuck's sake. What the fuck is that? | 0:43:58 | 0:44:00 | |
Nothing that might bother you. I'm in. | 0:44:00 | 0:44:04 | |
SHE CHUCKLES | 0:44:04 | 0:44:06 | |
I've got myself a lovely barrister. | 0:44:13 | 0:44:15 | |
A very handsome-looking man. | 0:44:16 | 0:44:18 | |
-Well, you know, you're never too old. -Ha! | 0:44:19 | 0:44:21 | |
Now Mary, when we get in here, | 0:44:23 | 0:44:24 | |
all you have to do is sign an affidavit, | 0:44:24 | 0:44:27 | |
just to say that my granny paid her tax. | 0:44:27 | 0:44:30 | |
That way, my stall will be safe. | 0:44:30 | 0:44:32 | |
BUS HORN BLARES | 0:44:32 | 0:44:33 | |
CRASH! | 0:44:33 | 0:44:36 | |
Oh, for fuck's sake! | 0:44:36 | 0:44:38 | |
You'd think, in 102 years, she'd have learned to cross the fucking road. | 0:44:44 | 0:44:47 | |
And so we lay to rest our dearly departed, | 0:44:47 | 0:44:51 | |
Mary Moccasin, mother of seven... | 0:44:51 | 0:44:54 | |
Mother of sorrows, look at her. | 0:44:54 | 0:44:56 | |
PHILOMENA CRIES | 0:44:56 | 0:44:58 | |
Philomena, God love you, you must be devastated. | 0:44:58 | 0:45:01 | |
Not really. | 0:45:01 | 0:45:03 | |
What a pity. Now, we have to find that receipt. | 0:45:03 | 0:45:06 | |
Receipt? | 0:45:06 | 0:45:08 | |
Well, if your grandmother paid it, | 0:45:08 | 0:45:09 | |
they'll have a receipt in the Revenue Office. | 0:45:09 | 0:45:11 | |
-FATHER MCBRIDE: -..she sold second hand shoes and illegal fireworks from her stall. | 0:45:11 | 0:45:14 | |
Let us all take a silent moment now to recall... | 0:45:14 | 0:45:18 | |
Father, move it. Faster, faster! | 0:45:18 | 0:45:20 | |
-Lord hear us. -CROWD: Lord graciously hear us. | 0:45:20 | 0:45:22 | |
As it is now and shall it always be, world without end. | 0:45:22 | 0:45:25 | |
CROWD: Amen. | 0:45:25 | 0:45:26 | |
In the name of the Father, Son, the Holy Spirit. Amen. | 0:45:26 | 0:45:28 | |
Go, go, go, go, go. | 0:45:28 | 0:45:29 | |
-How do you do? -Hello? | 0:45:38 | 0:45:41 | |
Fuck. | 0:45:41 | 0:45:43 | |
Two chips, one small cod. | 0:45:46 | 0:45:47 | |
CREW LAUGHS | 0:45:47 | 0:45:50 | |
-Do you want salt and vinegar? -Yeah. | 0:45:50 | 0:45:52 | |
Salt and vinegar on one, please. | 0:45:52 | 0:45:54 | |
How do you do? | 0:46:04 | 0:46:05 | |
We're looking to get a receipt | 0:46:05 | 0:46:07 | |
and we were told we could get it here. | 0:46:07 | 0:46:08 | |
National Records Service. | 0:46:08 | 0:46:10 | |
Yes, so this is the National Records Service, then? | 0:46:10 | 0:46:12 | |
-No, you're through to the wrong building. -Oh. | 0:46:12 | 0:46:14 | |
-What's this, then? -Hello? | 0:46:14 | 0:46:17 | |
Hello. | 0:46:17 | 0:46:18 | |
National Records Service. | 0:46:18 | 0:46:20 | |
Excuse me. | 0:46:21 | 0:46:23 | |
Listen very carefully. Is this the National Records Service? | 0:46:23 | 0:46:28 | |
Yes, this is the National Record Service. | 0:46:28 | 0:46:30 | |
-Shall we get a receipt here, then? -Hold on, please. | 0:46:30 | 0:46:33 | |
-OK. -OK what? | 0:46:33 | 0:46:35 | |
-We're holding on. -For what? | 0:46:35 | 0:46:36 | |
You're going to show us where to get the receipt. | 0:46:36 | 0:46:38 | |
National Records Service. | 0:46:38 | 0:46:40 | |
Listen, fuckface, how do I see the actual receipts? | 0:46:40 | 0:46:44 | |
-Get your feckin' hands off me! GUARD: -On your way, ladies. | 0:46:44 | 0:46:47 | |
I have four sons. | 0:46:47 | 0:46:49 | |
Now what? | 0:46:49 | 0:46:51 | |
I don't know. We have to get in there. | 0:46:51 | 0:46:53 | |
Maybe if you disguise yourself. | 0:46:54 | 0:46:56 | |
-Disguise? -Yeah. | 0:46:56 | 0:46:58 | |
You could disguise yourself as a man. | 0:46:58 | 0:47:01 | |
No, Winnie, I'd never get away with it. | 0:47:04 | 0:47:05 | |
I know who'll get in there for us. | 0:47:05 | 0:47:07 | |
MUSIC: Theme from "The Pink Panther" | 0:47:07 | 0:47:10 | |
It's all up to you now, son. | 0:47:12 | 0:47:13 | |
DERMOT WHISTLES "THE PINK PANTHER" THEME | 0:47:18 | 0:47:22 | |
So, what's the plan, Dermot? | 0:47:26 | 0:47:29 | |
See that restricted area over there? | 0:47:29 | 0:47:31 | |
Over there? | 0:47:32 | 0:47:34 | |
Don't point! | 0:47:34 | 0:47:35 | |
Sorry, Dermot. | 0:47:36 | 0:47:38 | |
You walk over with me and when we get there, | 0:47:38 | 0:47:40 | |
you do something to distract the security guard. | 0:47:40 | 0:47:43 | |
-I'll slip past him. -You have it, Dermot. | 0:47:43 | 0:47:46 | |
HE CONTINUES TO WHISTLE | 0:47:47 | 0:47:49 | |
HE SCREAMS | 0:47:58 | 0:48:00 | |
Can I help you? | 0:48:17 | 0:48:19 | |
Yeah... No. I'm grand. | 0:48:20 | 0:48:23 | |
You said a distraction. | 0:48:31 | 0:48:33 | |
I know what I said. | 0:48:33 | 0:48:35 | |
Dermot, I'll get that receipt for your mammy. | 0:48:38 | 0:48:41 | |
I have a plan. Do you want to hear it? | 0:48:41 | 0:48:43 | |
Does it involve blind ninjas? | 0:48:45 | 0:48:47 | |
-Maybe. -Nope. | 0:48:48 | 0:48:50 | |
MR WANG: OK, come on. Hurry, hurry. | 0:49:07 | 0:49:09 | |
Oh, you squeezed my scrotum. Don't do that. | 0:49:09 | 0:49:11 | |
OK, follow me. Come on. Come on. | 0:49:11 | 0:49:13 | |
Come on, hurry. | 0:49:13 | 0:49:15 | |
-BUSTER: -OK, men, the camera and the spotlight | 0:49:15 | 0:49:18 | |
scans the area every 20 seconds. | 0:49:18 | 0:49:20 | |
Once it passes, we have to get to that door. | 0:49:20 | 0:49:23 | |
We scale the railings first | 0:49:23 | 0:49:24 | |
and then everybody wait for my "Go" before moving. | 0:49:24 | 0:49:27 | |
MR WANG: Excellent plan. OTHERS AGREE | 0:49:27 | 0:49:29 | |
OK? So the word is "Go". | 0:49:29 | 0:49:32 | |
HE GRUNTS | 0:49:32 | 0:49:34 | |
-What the fuck? -You said "Go"! | 0:49:34 | 0:49:36 | |
I think he's dead. I can't feel a pulse. | 0:49:36 | 0:49:38 | |
That's because you're holding his torch. | 0:49:38 | 0:49:40 | |
-Pick him up and put him in the van. -Right you are. | 0:49:42 | 0:49:44 | |
Right, we still have four. We can still make this a go. | 0:49:44 | 0:49:47 | |
NINJA GRUNTS | 0:49:48 | 0:49:51 | |
-What the FUCK?! -Stop saying it. | 0:49:51 | 0:49:53 | |
-Saying what? -"Go"? | 0:49:53 | 0:49:56 | |
TYRES SCREECH, SCREAMS | 0:49:56 | 0:49:59 | |
Oh, for fuck's sake. | 0:49:59 | 0:50:00 | |
-JOE DUFFY: -And you can call us on 0890-107-252. | 0:50:03 | 0:50:06 | |
Now, in the studio with me today, I have the wonderful Agnes Brown, | 0:50:06 | 0:50:10 | |
Moore Street trader and mother of six. | 0:50:10 | 0:50:12 | |
We've had many calls, Agnes, from people who are full of admiration | 0:50:14 | 0:50:17 | |
for you, not just as a market stallholder, | 0:50:17 | 0:50:21 | |
but as a mother. A super mother. | 0:50:21 | 0:50:24 | |
No, Joe, no, Joe, I'm just an ordinary, well, you know... | 0:50:24 | 0:50:28 | |
Now hang on. We've Melanie on line three. | 0:50:28 | 0:50:31 | |
Go ahead, Melanie. Talk to Joe. | 0:50:31 | 0:50:33 | |
-MELANIE: -Agnes Brown is also a super mother | 0:50:33 | 0:50:35 | |
to all of us who work at Moore Street Market. | 0:50:35 | 0:50:38 | |
Without her, we've no hope of keeping Moore Street alive. | 0:50:38 | 0:50:41 | |
She's our hero, Joe, | 0:50:41 | 0:50:42 | |
and a hero to bring up six children all alone. | 0:50:42 | 0:50:46 | |
She's right, Agnes. You ARE a hero. | 0:50:46 | 0:50:49 | |
Oh, Joe, look, no, I'm not... | 0:50:49 | 0:50:51 | |
Well, yes, it was difficult to, yes, it was, yeah. | 0:50:51 | 0:50:54 | |
Well, in those days, | 0:50:54 | 0:50:55 | |
women would have seen their children taken into care. | 0:50:55 | 0:50:58 | |
What do you mean? What? | 0:51:00 | 0:51:02 | |
I mean, I know they were different times, | 0:51:02 | 0:51:04 | |
but if a parent passed away, | 0:51:04 | 0:51:05 | |
their children would have been taken into care. | 0:51:05 | 0:51:08 | |
And yours were all babies, weren't they? | 0:51:08 | 0:51:11 | |
Cheer up, Agnes, that receipt will turn up. | 0:51:21 | 0:51:25 | |
SHE SCOFFS It's not that. | 0:51:25 | 0:51:27 | |
I... | 0:51:27 | 0:51:29 | |
SHE SIGHS | 0:51:29 | 0:51:31 | |
What? | 0:51:31 | 0:51:32 | |
Well, you see, when Redser died... | 0:51:34 | 0:51:36 | |
Well, I was living in London with Jacko then, | 0:51:36 | 0:51:38 | |
but I remember the telegram. | 0:51:38 | 0:51:39 | |
..I put the kids into care. | 0:51:42 | 0:51:43 | |
What? | 0:51:43 | 0:51:45 | |
They never mentioned it, so I presumed they'd forgotten. | 0:51:47 | 0:51:50 | |
But with all this talk about me being the best mother in the world, and... | 0:51:50 | 0:51:54 | |
..I couldn't cope. | 0:51:57 | 0:51:58 | |
Jesus, if they find out... | 0:52:01 | 0:52:03 | |
Stop it now. | 0:52:03 | 0:52:05 | |
Shush. There's no need for anyone to know. | 0:52:06 | 0:52:09 | |
Good morning, Mrs Brown. | 0:52:14 | 0:52:16 | |
Oh, Father Damien. How are you? | 0:52:16 | 0:52:18 | |
Grand, thanks. Sad about Mary, isn't it? | 0:52:18 | 0:52:21 | |
Yes, very, very sad, Father. Here, two euro, please. | 0:52:21 | 0:52:24 | |
Father, are you doing confessions today? | 0:52:26 | 0:52:28 | |
I'm heading there right now. | 0:52:28 | 0:52:30 | |
-I'll follow you over in about five minutes. -Grand. | 0:52:30 | 0:52:32 | |
Annie, I have to go on an errand. | 0:52:40 | 0:52:42 | |
Keep an eye on the stall for me, will you? | 0:52:42 | 0:52:44 | |
Do you need me to? | 0:52:44 | 0:52:45 | |
Cathy, what are you doing? | 0:52:53 | 0:52:55 | |
-I came down to see you. -Can you hang on a few minutes? | 0:52:55 | 0:52:58 | |
Sure. | 0:52:58 | 0:53:00 | |
Thanks, love. | 0:53:00 | 0:53:01 | |
-Are you there, Father? -I am. | 0:53:23 | 0:53:26 | |
Bless me, Father, for I have sinned. | 0:53:33 | 0:53:36 | |
Go ahead. | 0:53:36 | 0:53:38 | |
Father, everybody's talking about me in the newspaper, the radio, | 0:53:38 | 0:53:41 | |
as being the perfect mother. | 0:53:41 | 0:53:43 | |
But I'm not. | 0:53:45 | 0:53:48 | |
I've done a terrible thing. | 0:53:48 | 0:53:50 | |
Just a second, Mrs Brown. | 0:53:50 | 0:53:52 | |
What you've done, is it a sin? | 0:53:52 | 0:53:55 | |
What? | 0:53:55 | 0:53:57 | |
You don't have to tell me anything unless it's a sin. | 0:53:57 | 0:53:59 | |
Really think, now. | 0:54:02 | 0:54:03 | |
Well, I don't know if it's a sin, but I put my children into care | 0:54:05 | 0:54:10 | |
when they were babies, when my husband died. | 0:54:10 | 0:54:13 | |
I see. | 0:54:13 | 0:54:15 | |
Well, that's no harm and no sin, | 0:54:15 | 0:54:18 | |
so don't tell me any more. | 0:54:18 | 0:54:19 | |
There is one sinful bit about it. | 0:54:19 | 0:54:23 | |
I carried on collecting the children's allowance | 0:54:23 | 0:54:25 | |
while they were in care. | 0:54:25 | 0:54:26 | |
SHE WEEPS | 0:54:26 | 0:54:28 | |
Thank you very much, Father. I feel much better. | 0:54:39 | 0:54:42 | |
-IRMA BYKE: -This is day one of the court case | 0:54:50 | 0:54:52 | |
that the country is dubbing Molly Malone versus Big Business, | 0:54:52 | 0:54:54 | |
David versus Goliath. | 0:54:54 | 0:54:56 | |
Muhammad Ali versus anybody small who doesn't box. | 0:54:56 | 0:55:00 | |
This could be the shortest court battle on record, | 0:55:00 | 0:55:02 | |
as it seems that once the trader in question, | 0:55:02 | 0:55:04 | |
mother of six, Mrs Agnes Brown, | 0:55:04 | 0:55:06 | |
produces a receipt for the payment, it's case over. | 0:55:06 | 0:55:10 | |
Irma Byke at Dublin's courts. | 0:55:10 | 0:55:12 | |
BAILIFF: All rise for Justice Cannon. | 0:55:13 | 0:55:15 | |
-JUSTICE CANNON: -You may be seated. | 0:55:20 | 0:55:22 | |
Do we have all the parties here? | 0:55:24 | 0:55:26 | |
HE CLEARS HIS THROAT | 0:55:26 | 0:55:27 | |
Yes, I am the solicitor for the defendant, Tom Crews. | 0:55:27 | 0:55:30 | |
And, Justice, I am Senior Counsel. | 0:55:30 | 0:55:33 | |
-Let me guess. Tom Hanks? -LAUGHTER | 0:55:33 | 0:55:36 | |
-Mr Maydo Archer. -Mr Maydo Archer. | 0:55:36 | 0:55:39 | |
I have not seen you in a courtroom for a very long time. | 0:55:39 | 0:55:42 | |
-Indeed, Justice. -Do we still have that Tourette's thing? | 0:55:42 | 0:55:46 | |
Not nearly as much, Justice. | 0:55:46 | 0:55:47 | |
And I do not anticipate it affecting this case. | 0:55:47 | 0:55:50 | |
Ah, well, welcome back. Who have we here for the State? | 0:55:50 | 0:55:53 | |
Michael Gibney, solicitor, Justice. I... | 0:55:53 | 0:55:57 | |
..await Senior Counsel. | 0:55:57 | 0:55:59 | |
Here, Justice. | 0:56:01 | 0:56:03 | |
Wank, wank. | 0:56:03 | 0:56:05 | |
-JUSTICE CANNON: -What did you say, Mr Maydo Archer? | 0:56:05 | 0:56:06 | |
-He said "wank, wank". -Nothing, Justice. Just clearing my throat. | 0:56:06 | 0:56:10 | |
-A wank won't clear your throat, son. -Agnes, shut up, please. | 0:56:10 | 0:56:13 | |
-Good morning, Mrs Brown. -Morning. | 0:56:15 | 0:56:18 | |
I won't keep you very long. | 0:56:18 | 0:56:20 | |
Mrs Brown, can you show the court the receipt in question? | 0:56:20 | 0:56:25 | |
No. CROWD GASPS | 0:56:27 | 0:56:30 | |
The receipt is in the National Records. | 0:56:30 | 0:56:33 | |
But I was told by Philomena Nine Warts' granny, Mary Moccasin, | 0:56:33 | 0:56:36 | |
that she stood beside my grandmother when she paid it. | 0:56:36 | 0:56:40 | |
Well then, let's have Mrs Moccasin up here to tell us that. | 0:56:40 | 0:56:45 | |
She's dead. | 0:56:45 | 0:56:46 | |
How unfortunate. | 0:56:48 | 0:56:50 | |
Justice, with no receipt in existence and no witness, | 0:56:50 | 0:56:55 | |
well, I believe we're in a position for judgement. | 0:56:55 | 0:56:57 | |
Justice... | 0:56:57 | 0:56:59 | |
Mrs Brown is a well-regarded member of the community of traders in Moore Street. | 0:56:59 | 0:57:03 | |
MURMURS OF AGREEMENT | 0:57:03 | 0:57:04 | |
Her integrity as a stallholder and as a mother is beyond reproach. | 0:57:04 | 0:57:08 | |
MURMURS OF AGREEMENT | 0:57:08 | 0:57:10 | |
"Beyond reproach"? | 0:57:10 | 0:57:12 | |
Let's examine that, then, shall we? | 0:57:14 | 0:57:17 | |
You don't mind a little examination, Mrs Brown, do you? | 0:57:21 | 0:57:24 | |
Not as long as I can leave my clothes on. | 0:57:24 | 0:57:26 | |
LAUGHTER | 0:57:26 | 0:57:28 | |
Mrs Brown, this isn't the first time | 0:57:29 | 0:57:31 | |
that you have defrauded the State of money, is it? | 0:57:31 | 0:57:33 | |
CLAMOURING | 0:57:33 | 0:57:35 | |
Silence in court, please! | 0:57:35 | 0:57:37 | |
I beg your pardon. | 0:57:38 | 0:57:40 | |
I am referring to the weeks after your husband's death, | 0:57:41 | 0:57:44 | |
and the children's allowance you collected. | 0:57:44 | 0:57:47 | |
-CROWD GASPS -Justice... | 0:57:47 | 0:57:49 | |
This woman had just become a widow. | 0:57:49 | 0:57:51 | |
She had six children at home to feed. | 0:57:51 | 0:57:54 | |
Mrs Brown was only collecting what was rightfully hers. | 0:57:54 | 0:57:56 | |
SHOUTS OF AGREEMENT | 0:57:56 | 0:57:58 | |
-Silence, please! Silence! -GAVEL BANGS | 0:57:58 | 0:58:00 | |
Did you, Mrs Brown... | 0:58:01 | 0:58:04 | |
Did you have six children at home to feed? | 0:58:06 | 0:58:11 | |
Please answer the question, Mrs Brown. | 0:58:22 | 0:58:24 | |
Did you have six children at home to feed? | 0:58:25 | 0:58:30 | |
No. CROWD GASPS | 0:58:34 | 0:58:36 | |
That's correct. | 0:58:37 | 0:58:40 | |
Because, in fact, you had put your children into care! | 0:58:40 | 0:58:44 | |
CROWD GASPING | 0:58:44 | 0:58:45 | |
-JUSTICE CANNON: -Will you be quiet, please? | 0:58:45 | 0:58:48 | |
Isn't that correct? | 0:58:48 | 0:58:50 | |
Yes, I did. | 0:58:52 | 0:58:53 | |
I'm so sorry. CROWD MURMURS | 0:58:57 | 0:59:00 | |
-Order! Order! Order! -GAVEL BANGS | 0:59:00 | 0:59:02 | |
Justice, I presume you are ready to pass judgement on this. | 0:59:04 | 0:59:08 | |
Mr Maydo Archer? | 0:59:09 | 0:59:11 | |
Justice, at the preliminary, fuck, hearing, | 0:59:11 | 0:59:14 | |
you asked us to produce, shit... | 0:59:14 | 0:59:17 | |
Produce the receipt in two weeks, wanks. | 0:59:17 | 0:59:20 | |
Those two weeks end tomorrow. | 0:59:21 | 0:59:24 | |
Gobble, gobble, nice, nice, give it a rub. | 0:59:24 | 0:59:27 | |
Reconvene tomorrow morning at 10.30am. | 0:59:28 | 0:59:32 | |
What do you think of that? | 0:59:51 | 0:59:53 | |
-Think of what? -Forget it. | 0:59:54 | 0:59:56 | |
Right, lads, who wants to join me in a real ninja mission? | 0:59:57 | 1:00:00 | |
-ALL: -Yes! | 1:00:00 | 1:00:02 | |
-Yeah! -NINJAS GRUNT | 1:00:02 | 1:00:05 | |
Over here, lads. | 1:00:05 | 1:00:06 | |
-ECHOING: -It's too short. | 1:00:19 | 1:00:22 | |
Pull me up. | 1:00:24 | 1:00:25 | |
Guys, you've got to see this. | 1:00:30 | 1:00:33 | |
You gonna call the cops? | 1:00:34 | 1:00:36 | |
No, the Russians said to wait till they were leaving. | 1:00:36 | 1:00:39 | |
Nice one, lads. Oh, yeah, brilliant. | 1:00:40 | 1:00:42 | |
Oh, sorry. | 1:00:44 | 1:00:46 | |
-NINJA GRUNTS -Excuse me. | 1:00:46 | 1:00:48 | |
I hope you're recording this, man. | 1:00:49 | 1:00:50 | |
This would get a million hits before midnight. | 1:00:50 | 1:00:53 | |
That's it. | 1:00:53 | 1:00:55 | |
Right, lads, I'm down. | 1:00:56 | 1:00:58 | |
-How do we get down? -It's not that high. Just drop. | 1:00:58 | 1:01:01 | |
NINJA SCREAMS | 1:01:02 | 1:01:04 | |
NINJAS GRUNT | 1:01:04 | 1:01:06 | |
THEY LAUGH | 1:01:06 | 1:01:08 | |
You were all just babies | 1:01:21 | 1:01:23 | |
and it was only for a couple of weeks. | 1:01:23 | 1:01:25 | |
-I kinda remember. -DOOR OPENS | 1:01:25 | 1:01:28 | |
I just thought we were on a holiday. | 1:01:28 | 1:01:30 | |
-DOOR CLOSES -Has Mammy come home, then? | 1:01:30 | 1:01:32 | |
Then we need to get out there and find her. | 1:01:34 | 1:01:36 | |
Mark, I have her. Tell the others. | 1:02:17 | 1:02:21 | |
See you at home. | 1:02:21 | 1:02:22 | |
Everybody's looking for you. | 1:02:27 | 1:02:29 | |
Are they? | 1:02:29 | 1:02:31 | |
You'd wonder why. | 1:02:31 | 1:02:33 | |
Because they're worried. | 1:02:33 | 1:02:35 | |
We want you home safe. | 1:02:36 | 1:02:38 | |
I wanted all youse home safe. | 1:02:38 | 1:02:41 | |
I just couldn't cope. | 1:02:42 | 1:02:45 | |
Mammy, it was what it was. | 1:02:45 | 1:02:48 | |
Nobody blames you. | 1:02:48 | 1:02:49 | |
I do. | 1:02:52 | 1:02:54 | |
You know, they asked me... | 1:03:18 | 1:03:20 | |
The nuns. | 1:03:24 | 1:03:26 | |
They asked me if I could manage with any of youse. | 1:03:28 | 1:03:31 | |
I said, "Maybe two." | 1:03:32 | 1:03:34 | |
So they lined youse all up. | 1:03:37 | 1:03:39 | |
And she said, "Pick two." | 1:03:42 | 1:03:44 | |
I couldn't. | 1:03:49 | 1:03:50 | |
Sophie's choice. | 1:03:55 | 1:03:56 | |
Come on. | 1:04:01 | 1:04:03 | |
Let's get you home. | 1:04:03 | 1:04:05 | |
Who the fuck is Sophie? | 1:04:08 | 1:04:10 | |
OK, lads, now we're in, how do we find the receipt? | 1:04:13 | 1:04:16 | |
It will be in a box. | 1:04:16 | 1:04:18 | |
This is like walking in a maze. | 1:04:27 | 1:04:29 | |
If Mary Moccasin's receipt is 458, | 1:04:29 | 1:04:31 | |
then it has to be 459. | 1:04:31 | 1:04:33 | |
Hmm. HE GASPS | 1:04:33 | 1:04:35 | |
455. | 1:04:35 | 1:04:37 | |
456, 457, 458, 460. | 1:04:37 | 1:04:41 | |
It's missing. | 1:04:42 | 1:04:45 | |
LIGHTER CLICKS | 1:04:45 | 1:04:47 | |
-The Russians must have got here before us. -Russians, Dermot. | 1:04:57 | 1:04:59 | |
Hello, Dermot. Dermot, it's gone. | 1:04:59 | 1:05:01 | |
-There's no receipt here. -No receipt. 459 missing! | 1:05:01 | 1:05:06 | |
MR WANG: Ask him did Liverpool win. | 1:05:06 | 1:05:08 | |
Well, any news? | 1:05:13 | 1:05:16 | |
Still looking. They're still looking. | 1:05:16 | 1:05:18 | |
You know, just before my father die... | 1:05:25 | 1:05:28 | |
..he look into my eyes and he say to me... | 1:05:29 | 1:05:31 | |
HE CHOKES | 1:05:32 | 1:05:34 | |
What does it say? | 1:05:36 | 1:05:38 | |
What, Joe? | 1:05:38 | 1:05:40 | |
The card. Mrs Moccasin's card. | 1:05:40 | 1:05:42 | |
What does it say? Read it. | 1:05:42 | 1:05:44 | |
Moccasin, paid £34. | 1:05:44 | 1:05:47 | |
-Agent Betty Beacon. -Betty Beacon. | 1:05:47 | 1:05:50 | |
She was the first blind person employed by the Irish Civil Service Board. | 1:05:50 | 1:05:53 | |
Blind? | 1:05:53 | 1:05:55 | |
The government had to spend £500 on a Braille typewriter. | 1:05:55 | 1:05:58 | |
So? | 1:05:58 | 1:05:59 | |
The Russians might have got the regular typewritten receipt. | 1:05:59 | 1:06:02 | |
There must also be one in Braille, too. | 1:06:02 | 1:06:04 | |
We need to find the Braille section. | 1:06:06 | 1:06:08 | |
PHONE RINGS | 1:06:09 | 1:06:11 | |
Gregor, there's something going on down here. | 1:06:14 | 1:06:15 | |
What do you mean? | 1:06:15 | 1:06:17 | |
They've all gone mad down there. | 1:06:17 | 1:06:19 | |
Where are they now? | 1:06:19 | 1:06:21 | |
You're kidding me. | 1:06:24 | 1:06:26 | |
Braille? | 1:06:26 | 1:06:28 | |
It's Buster. | 1:06:37 | 1:06:40 | |
Hello, Buster. | 1:06:40 | 1:06:42 | |
We have it, Dermo'. We have it! | 1:06:42 | 1:06:43 | |
Buster, are you there? | 1:06:43 | 1:06:46 | |
Shush, everybody. | 1:06:46 | 1:06:48 | |
I think someone's coming. | 1:06:48 | 1:06:49 | |
POLICE RADIO CHATTER | 1:06:49 | 1:06:51 | |
Hey, you! | 1:06:54 | 1:06:55 | |
Oh, shit. Gotta go, Dermo'. | 1:06:55 | 1:06:58 | |
Coppers! Everybody hide! | 1:06:58 | 1:06:59 | |
JOE GROANS | 1:07:06 | 1:07:08 | |
Well? | 1:07:08 | 1:07:10 | |
I dunno. He was breaking up. | 1:07:10 | 1:07:11 | |
Right, let's get to the courts. | 1:07:23 | 1:07:25 | |
SHE SIGHS | 1:07:25 | 1:07:27 | |
I wanna go down to Moore Street first. | 1:07:27 | 1:07:29 | |
I owe them all an apology. | 1:07:30 | 1:07:32 | |
If they're even talking to me. | 1:07:33 | 1:07:36 | |
I gave them all hope. | 1:07:37 | 1:07:39 | |
"Good old Agnes." | 1:07:39 | 1:07:41 | |
And then I let them all down. | 1:07:44 | 1:07:47 | |
Want me to go with you? | 1:07:47 | 1:07:49 | |
No. | 1:07:49 | 1:07:50 | |
This I have to do myself. | 1:07:52 | 1:07:54 | |
Shit. | 1:08:22 | 1:08:24 | |
That's that, then. | 1:08:24 | 1:08:26 | |
# When I am down | 1:08:41 | 1:08:43 | |
# And, oh my soul, so weary | 1:08:44 | 1:08:47 | |
# When troubles come | 1:08:49 | 1:08:52 | |
# And my heart burdened be | 1:08:52 | 1:08:55 | |
# Then, I am still | 1:08:57 | 1:09:00 | |
# And wait here in the silence | 1:09:00 | 1:09:04 | |
# Until you come and sit a while with me... # | 1:09:05 | 1:09:13 | |
We believe in you, Agnes! | 1:09:13 | 1:09:15 | |
CHEERING | 1:09:29 | 1:09:31 | |
Right, let's face these fuckers. | 1:09:38 | 1:09:41 | |
Careful, your Tourette's is kicking in. | 1:09:41 | 1:09:43 | |
No, they're just fuckers. | 1:09:43 | 1:09:46 | |
# You raise me up... # | 1:09:46 | 1:09:49 | |
PHONE RINGS | 1:09:49 | 1:09:51 | |
Buster, where are you? | 1:09:54 | 1:09:56 | |
I'm in an air vent. | 1:09:56 | 1:09:58 | |
Hang on, hang on, hang on. | 1:09:59 | 1:10:01 | |
No, I'm still in an air vent. | 1:10:02 | 1:10:05 | |
INDISTINCT CONVERSATION | 1:10:06 | 1:10:08 | |
Mr Maydo Archer. | 1:10:20 | 1:10:21 | |
I don't care what you do, | 1:10:21 | 1:10:23 | |
but delay everything as long as you can. | 1:10:23 | 1:10:25 | |
-What is it, Dermot? -We have the receipt. | 1:10:25 | 1:10:27 | |
I just need time to get it here. | 1:10:27 | 1:10:29 | |
Oh, hold on, son. You're not going anywhere without me. | 1:10:29 | 1:10:31 | |
What am I supposed to do? | 1:10:31 | 1:10:32 | |
-BAILIFF: -All rise for Justice Cannon. | 1:10:32 | 1:10:34 | |
You stay here and keep saying "Wank, wank, gobble-gobble" till I get back. | 1:10:36 | 1:10:40 | |
Ah, Mr Buster. It no good. I can't go no further. | 1:10:43 | 1:10:47 | |
You must leave me. Save yourself. | 1:10:48 | 1:10:50 | |
OK. Good luck. | 1:10:53 | 1:10:55 | |
Uh, Justice, before I call the witness... | 1:10:56 | 1:11:00 | |
I'd like to recount a little of the history of traders in Dublin, | 1:11:00 | 1:11:03 | |
by way of context, if you see what I mean. | 1:11:03 | 1:11:07 | |
I don't see what you mean, but carry on. | 1:11:07 | 1:11:09 | |
We need to do this quick, Dermot. | 1:11:09 | 1:11:11 | |
Maydo Archer can only waffle for so long with his "blonk, blonk, blank, blank." | 1:11:11 | 1:11:15 | |
Buster, I have the plans. Listen very closely. | 1:11:15 | 1:11:18 | |
Yeah, I'm going straight on. | 1:11:18 | 1:11:19 | |
Turn left at the next junction and keep straight. | 1:11:21 | 1:11:23 | |
Keep going. Keep going. | 1:11:23 | 1:11:25 | |
-I can feel the air, Dermot. -That's it. | 1:11:25 | 1:11:27 | |
Hurry, move towards the air vent. | 1:11:27 | 1:11:29 | |
We need a screwdriver. | 1:11:30 | 1:11:31 | |
I keep it for the bingo. You never know. | 1:11:35 | 1:11:37 | |
SCREAMING | 1:11:42 | 1:11:44 | |
HE GRUNTS | 1:11:44 | 1:11:46 | |
Dermo'. | 1:11:48 | 1:11:50 | |
I have it. | 1:11:51 | 1:11:53 | |
-Brilliant! -I love you, Dermo'. | 1:11:53 | 1:11:55 | |
Not so fast. | 1:11:57 | 1:11:59 | |
I'll take that, thank you. | 1:12:01 | 1:12:03 | |
Oh, son, no, please. You don't want to hurt a poor defenceless old... | 1:12:03 | 1:12:08 | |
..woman! HE GRUNTS | 1:12:08 | 1:12:10 | |
SHE LAUGHS Come on, let's get out of here. | 1:12:10 | 1:12:12 | |
How are we gonna get to the courtroom? | 1:12:12 | 1:12:14 | |
-We could take Mr Wang's car. -Mr Wang! Mr Wang! | 1:12:14 | 1:12:17 | |
-MR WANG: -Don't leave me here! | 1:12:17 | 1:12:19 | |
Mr Wang, you're all right. We won't go anywhere without you. | 1:12:19 | 1:12:22 | |
Fuck him, leave him there. | 1:12:23 | 1:12:25 | |
SHOUTING IN RUSSIAN | 1:12:25 | 1:12:27 | |
-MR WANG: -Mr Buster, I stuck! | 1:12:27 | 1:12:29 | |
GROANING | 1:12:29 | 1:12:31 | |
AGNES: Buster, only you could call this a car. | 1:12:32 | 1:12:34 | |
Take your time. Oh... | 1:12:35 | 1:12:37 | |
That's nice. That's nice. | 1:12:37 | 1:12:39 | |
Hello. Oh! | 1:12:39 | 1:12:41 | |
SHOUTING IN RUSSIAN | 1:12:41 | 1:12:44 | |
Left, left! Right, right, right! | 1:12:44 | 1:12:47 | |
Right, right! Jesus, right. | 1:12:47 | 1:12:50 | |
Right, right, right. Left! Oh! | 1:12:50 | 1:12:53 | |
AGNES CHUCKLES Bye-bye. | 1:12:56 | 1:12:58 | |
It was in 841 AD | 1:13:00 | 1:13:02 | |
when the Vikings | 1:13:02 | 1:13:03 | |
first started trading in Dubh Linn, or "black pool", | 1:13:03 | 1:13:08 | |
from which, of course, Dublin gets its name. | 1:13:08 | 1:13:11 | |
Justice, context is one thing, but 841 AD, seriously? | 1:13:11 | 1:13:16 | |
At least he didn't begin "In the beginning, there was Heaven". | 1:13:16 | 1:13:20 | |
-LAUGHTER -Silence, please. | 1:13:20 | 1:13:23 | |
I shall allow you a little leeway, Mr Maydo Archer, but don't push me. | 1:13:23 | 1:13:27 | |
Well, of course, it was Hasculf Thorgillsson who is well remembered for... | 1:13:27 | 1:13:31 | |
SCREAMING Ice cream! | 1:13:33 | 1:13:36 | |
SHE CHUCKLES Balloons, balloons! | 1:13:36 | 1:13:39 | |
What... Jesus Christ almighty... | 1:13:39 | 1:13:42 | |
I feel a little bit of wee coming out. | 1:13:42 | 1:13:44 | |
SIREN WAILS Cops! | 1:13:46 | 1:13:49 | |
Left, left, for feck's sake! | 1:13:49 | 1:13:51 | |
Keep her going. Keep her going. | 1:13:51 | 1:13:53 | |
Go on, son, go on. We're in the clear. | 1:13:53 | 1:13:55 | |
Wait, Russians. Stop. Turn around, turn around. | 1:13:57 | 1:13:59 | |
Take it back. | 1:13:59 | 1:14:01 | |
Go, go! | 1:14:03 | 1:14:05 | |
Hold it! More cops. | 1:14:05 | 1:14:08 | |
-Now what do we do? -I dunno. | 1:14:15 | 1:14:18 | |
MUSIC: Theme from The A-Team | 1:14:18 | 1:14:21 | |
Where's that music coming from? | 1:14:21 | 1:14:23 | |
Granddad! | 1:14:27 | 1:14:29 | |
Come on, Granddad. | 1:14:29 | 1:14:30 | |
Oh... | 1:14:34 | 1:14:36 | |
Jump! | 1:14:45 | 1:14:47 | |
On three. Three! | 1:14:47 | 1:14:49 | |
Ah! Mammy, mammy, mammy... | 1:14:49 | 1:14:53 | |
I am a swan. | 1:14:57 | 1:14:59 | |
Timber! | 1:14:59 | 1:15:02 | |
Shit! Every man for himself! | 1:15:04 | 1:15:07 | |
..leading us to where we are today. | 1:15:13 | 1:15:17 | |
Thank you for that, Mr Maydo Archer. | 1:15:21 | 1:15:23 | |
Do we have anything judicial to present? | 1:15:23 | 1:15:27 | |
I... Indeed I do, Justice. | 1:15:28 | 1:15:31 | |
Perhaps I should call a witness? | 1:15:33 | 1:15:36 | |
Perhaps you should. | 1:15:36 | 1:15:37 | |
-Come on, Mammy. -Dermot, I think I have crabs. | 1:15:39 | 1:15:42 | |
-Move it, son. Move it. -Oh, God. | 1:15:44 | 1:15:46 | |
TYRES SCREECH | 1:15:49 | 1:15:51 | |
Shit! Russians! | 1:15:51 | 1:15:52 | |
-Russians, Russians! -Where? | 1:15:52 | 1:15:55 | |
Come on. | 1:15:55 | 1:15:57 | |
GUNS CLICK | 1:15:59 | 1:16:01 | |
-Now what? -HORN HONKS | 1:16:01 | 1:16:03 | |
-Get in here, boys! -No. Wait. | 1:16:04 | 1:16:07 | |
Buster, give me the receipt. We need to split up. | 1:16:07 | 1:16:09 | |
You get them to chase you out of town. | 1:16:09 | 1:16:10 | |
I'll get the receipt to the courts. Go! | 1:16:10 | 1:16:13 | |
Go, go, go. | 1:16:14 | 1:16:16 | |
I'm dry! | 1:16:28 | 1:16:30 | |
I love the movies. | 1:16:31 | 1:16:33 | |
HORN BLARES | 1:17:02 | 1:17:04 | |
I would like to call, uh, Mr Rory Brown. | 1:17:16 | 1:17:20 | |
I didn't do anything, Justice, I swear. | 1:17:26 | 1:17:28 | |
I think I'm going to be sick. | 1:17:30 | 1:17:32 | |
-Hold tight. -DERMOT RETCHES | 1:17:32 | 1:17:34 | |
Betty, you can just drop us at the bus stop. | 1:17:34 | 1:17:38 | |
Seriously, Betty. We don't mind taking a bus, do we, Buster? | 1:17:38 | 1:17:41 | |
Buster... Buster! | 1:17:41 | 1:17:43 | |
-Where is he? -Cops. | 1:17:46 | 1:17:48 | |
Russians. | 1:17:50 | 1:17:51 | |
Get back in the fucking car. | 1:18:00 | 1:18:02 | |
Receipt? | 1:18:09 | 1:18:11 | |
-Big Issue? -Receipt? | 1:18:11 | 1:18:12 | |
Cash only. | 1:18:12 | 1:18:14 | |
SHE GASPS | 1:18:18 | 1:18:20 | |
CLOTH RIPS | 1:18:23 | 1:18:25 | |
Shit! | 1:18:32 | 1:18:34 | |
And I said, "Oh, there's an awful smell off that." | 1:18:34 | 1:18:38 | |
And he said, "If you think that's bad..." | 1:18:39 | 1:18:41 | |
-Look what I have here in my hand! -Yeah. Or something like that. | 1:18:41 | 1:18:46 | |
Justice, I believe that the evidence we've been waiting for has arrived. | 1:18:46 | 1:18:49 | |
CHEERING | 1:18:49 | 1:18:51 | |
"20 euro each way Mia's Twin, | 1:18:56 | 1:19:00 | |
"at 5 to 1." | 1:19:00 | 1:19:02 | |
Mrs Brown, this is a betting slip. | 1:19:02 | 1:19:05 | |
CROWD GASPS | 1:19:05 | 1:19:07 | |
No. It can't be. | 1:19:07 | 1:19:10 | |
Oh, Nelly, spank my monkey, lick my love pump, fuck, fuck! | 1:19:10 | 1:19:14 | |
Call Mark. | 1:19:14 | 1:19:15 | |
Well done, Betty. Now how do we keep this chase going? | 1:19:23 | 1:19:27 | |
Piece of crap. | 1:19:27 | 1:19:29 | |
Buster gave my ma a betting slip. | 1:19:29 | 1:19:32 | |
Shit! Now we have to find Buster and get the receipt to the court. | 1:19:32 | 1:19:37 | |
Not by car. The cops have every road blocked. | 1:19:37 | 1:19:41 | |
Now what will we do? | 1:19:41 | 1:19:42 | |
-BUSTER: -Dermo'! -HORSE NEIGHS | 1:19:42 | 1:19:45 | |
Hi-ho, Silver! Away! | 1:19:45 | 1:19:48 | |
It's a horse! | 1:19:49 | 1:19:50 | |
Mrs Brown, will you please tell the court what you believe is going on here? | 1:19:53 | 1:19:57 | |
Justice, this is irrelevant. | 1:19:57 | 1:19:59 | |
There is no receipt, so the woman should simply sell the stall | 1:19:59 | 1:20:03 | |
for the 30,000 and let that be the end of it. | 1:20:03 | 1:20:06 | |
How do you know how much I was offered? | 1:20:07 | 1:20:09 | |
Mr Irwin, do we have a conflict of interest here? | 1:20:11 | 1:20:14 | |
Certainly not. | 1:20:14 | 1:20:15 | |
I was told by one of my researchers. | 1:20:15 | 1:20:18 | |
Whatever. | 1:20:18 | 1:20:20 | |
Anyway, that is not the point here. | 1:20:20 | 1:20:22 | |
Then we will hear what Mrs Brown has to say. | 1:20:23 | 1:20:26 | |
HORSE NEIGHS | 1:20:26 | 1:20:28 | |
Buster, would this be the horse you didn't steal? | 1:20:31 | 1:20:34 | |
-Maybe. -HE CHUCKLES | 1:20:34 | 1:20:36 | |
It's a tough life | 1:20:39 | 1:20:42 | |
standing at that stall, day in, day out. | 1:20:42 | 1:20:44 | |
Oh, it's beautiful on a sunny day. | 1:20:46 | 1:20:48 | |
The market is buzzing | 1:20:50 | 1:20:52 | |
and you stand there with a smile on your face, | 1:20:52 | 1:20:54 | |
and the sun beating down on your back. | 1:20:54 | 1:20:57 | |
But you try that in January, | 1:20:57 | 1:21:00 | |
when the wind is whipping around your f... | 1:21:00 | 1:21:02 | |
Legs. | 1:21:02 | 1:21:04 | |
And your hands are so cold, | 1:21:05 | 1:21:07 | |
you can't even make change. | 1:21:07 | 1:21:09 | |
And why do I do it? | 1:21:11 | 1:21:13 | |
Because my mother did it. | 1:21:15 | 1:21:16 | |
And her mother before her, and so on. | 1:21:16 | 1:21:19 | |
It's not just about the stall. | 1:21:22 | 1:21:24 | |
It's about being part of something bigger. | 1:21:27 | 1:21:29 | |
It... It's about... | 1:21:32 | 1:21:34 | |
Dublin. | 1:21:37 | 1:21:39 | |
It's about being a part of Dublin. | 1:21:42 | 1:21:45 | |
You won't find the real Dublin in the financial centre, | 1:21:48 | 1:21:51 | |
or the banks, or trendy nightclubs. | 1:21:51 | 1:21:54 | |
Or even here in this court. | 1:21:55 | 1:21:58 | |
The heart, | 1:21:58 | 1:22:00 | |
the pulse of real Dublin | 1:22:00 | 1:22:02 | |
is in Moore Street. | 1:22:02 | 1:22:04 | |
Look in the gallery here. | 1:22:07 | 1:22:09 | |
Immigrants from India, Nigeria, Pakistan, | 1:22:09 | 1:22:13 | |
Iraq, Jamaica... | 1:22:13 | 1:22:14 | |
I'm not fucking Jamaican! | 1:22:14 | 1:22:16 | |
They've all blended seamlessly into Dublin culture. | 1:22:18 | 1:22:21 | |
The new Dublin, they call it. | 1:22:22 | 1:22:24 | |
But there isn't any new Dublin. | 1:22:26 | 1:22:28 | |
Moore Street has always welcomed the needy, | 1:22:29 | 1:22:32 | |
the lonely, the lost of this city's people, | 1:22:32 | 1:22:36 | |
and did so with an open heart. | 1:22:36 | 1:22:38 | |
It doesn't matter who you are, | 1:22:40 | 1:22:42 | |
you will be welcomed in Moore Street. | 1:22:42 | 1:22:44 | |
It's something my mother is very proud of | 1:22:45 | 1:22:49 | |
and something I will be proud of | 1:22:49 | 1:22:52 | |
when it's my turn. | 1:22:52 | 1:22:55 | |
When I take over the family stall from my mother. | 1:22:55 | 1:22:57 | |
There are those who would clear it out, | 1:23:03 | 1:23:05 | |
put Moore Street away and morph this city into a faceless copy of any other city. | 1:23:05 | 1:23:10 | |
But they can't, | 1:23:12 | 1:23:14 | |
and they won't. | 1:23:14 | 1:23:17 | |
Because we won't let them. | 1:23:17 | 1:23:18 | |
We are Moore Street and we are going nowhere. | 1:23:22 | 1:23:26 | |
So, then, no more evidence, Mr Maydo Archer? | 1:23:40 | 1:23:45 | |
Um... | 1:23:45 | 1:23:47 | |
No, Justice. | 1:23:52 | 1:23:54 | |
SOFT MURMURING | 1:23:54 | 1:23:57 | |
-We're screwed. -No, we're not. Hold on, Dermo'. | 1:23:59 | 1:24:04 | |
MUSIC: Theme from "Black Beauty" | 1:24:04 | 1:24:06 | |
HORSE NEIGHS | 1:24:07 | 1:24:09 | |
Yeah! | 1:24:09 | 1:24:12 | |
No! | 1:24:12 | 1:24:13 | |
I knew I could do it. | 1:24:17 | 1:24:19 | |
You bastard! Don't ever try anything like that again. | 1:24:19 | 1:24:22 | |
-Please, not the stairs. -Hold on, Dermo. Come on, giddy up! | 1:24:22 | 1:24:24 | |
HORSE NEIGHS | 1:24:24 | 1:24:26 | |
We have it! | 1:24:28 | 1:24:29 | |
Hello, Buster. | 1:24:38 | 1:24:40 | |
Justice Dickie. | 1:24:40 | 1:24:42 | |
Back down the stairs on the right. | 1:24:42 | 1:24:45 | |
Thank you. | 1:24:45 | 1:24:47 | |
'Despite the assertion of Mrs Brown' | 1:24:47 | 1:24:50 | |
that this debt has been settled, | 1:24:50 | 1:24:53 | |
there is no evidence to prove this. | 1:24:53 | 1:24:56 | |
So then, in the matter of the Revenue Department versus Mrs Agnes Brown... | 1:24:57 | 1:25:02 | |
HORSE NEIGHS | 1:25:02 | 1:25:04 | |
BUSTER MIMICKS A FANFARE | 1:25:05 | 1:25:09 | |
-What is this? -It's the cavalry. | 1:25:09 | 1:25:11 | |
DERMOT CONTINUES FANFARE | 1:25:11 | 1:25:13 | |
Or clowns. | 1:25:15 | 1:25:17 | |
Justice, here's the receipt. | 1:25:17 | 1:25:19 | |
It's in Braille. | 1:25:21 | 1:25:23 | |
Is there anyone in court who reads Braille? | 1:25:23 | 1:25:25 | |
Don't fucking look at me. | 1:25:27 | 1:25:29 | |
I read Braille. | 1:25:29 | 1:25:31 | |
The court finds in favour of Mrs Brown. | 1:25:43 | 1:25:47 | |
CHEERING | 1:25:47 | 1:25:49 | |
You see, it all works out the way it's supposed to. | 1:26:24 | 1:26:27 | |
SHE LAUGHS | 1:26:27 | 1:26:29 | |
Lovely kumquats, Brussels sprouts and prickly pears! | 1:27:17 | 1:27:20 | |
How are you, love? You wanna feel my prickly pears? | 1:27:20 | 1:27:22 | |
SHE LAUGHS | 1:27:22 | 1:27:24 | |
Come back quick, I'll give you a gobble. | 1:27:24 | 1:27:26 | |
MAN LAUGHS | 1:27:26 | 1:27:28 | |
We won't use that last bit. We won't use that last bit. | 1:27:28 | 1:27:32 | |
Jesus, look, now you've killed her! | 1:27:32 | 1:27:34 | |
How much? | 1:27:34 | 1:27:37 | |
HE LAUGHS | 1:27:37 | 1:27:38 | |
Release me. | 1:27:41 | 1:27:43 | |
It was my great, great grandmother that started the stall. | 1:27:45 | 1:27:49 | |
And it's been handed down ever since to the eldest girl in the family. | 1:27:49 | 1:27:52 | |
Since 1802. | 1:27:56 | 1:27:57 | |
Somebody has a line and it's not me. | 1:28:02 | 1:28:04 | |
CREW LAUGHS | 1:28:04 | 1:28:06 | |
And...action. | 1:28:11 | 1:28:13 | |
How much? | 1:28:13 | 1:28:15 | |
Four... Fucking shitbags. | 1:28:16 | 1:28:19 | |
It's a lot to remember, take your time. | 1:28:19 | 1:28:21 | |
Whoa. | 1:28:28 | 1:28:30 | |
Hello, Buster. | 1:28:30 | 1:28:33 | |
Sorry. | 1:28:33 | 1:28:35 | |
-Goodbye, Buster. -LAUGHTER | 1:28:35 | 1:28:37 | |
Well, you've certainly made a splash. | 1:28:39 | 1:28:41 | |
I've no time for that shite, Annie. | 1:28:41 | 1:28:43 | |
Fresh fruit and vegetables! | 1:28:44 | 1:28:47 | |
As seen on TV. | 1:28:47 | 1:28:49 | |
SHE SIGHS | 1:28:51 | 1:28:53 | |
Look, now you've killed her. How much? | 1:28:58 | 1:29:02 | |
LAUGHTER | 1:29:04 | 1:29:06 | |
-Ladies and gentlemen, Ben Kellett. -Yeah! | 1:29:09 | 1:29:12 | |
Jesus Christ, if they find out. | 1:29:14 | 1:29:16 | |
Stop it now. | 1:29:16 | 1:29:18 | |
Shush, there's no need for anyone to find... To know. | 1:29:20 | 1:29:24 | |
-To find to know? -To find to know. | 1:29:24 | 1:29:25 | |
CREW LAUGH | 1:29:25 | 1:29:27 | |
Mammy, shut up. | 1:29:29 | 1:29:30 | |
I'm getting an itch around my anus. | 1:29:34 | 1:29:36 | |
You should see someone about that. | 1:29:36 | 1:29:38 | |
Would it be thrush? | 1:29:38 | 1:29:40 | |
Set and action. | 1:29:43 | 1:29:45 | |
How much? | 1:29:45 | 1:29:47 | |
LAUGHTER | 1:29:49 | 1:29:51 | |
Keep rolling, keep rolling. | 1:29:51 | 1:29:53 | |
-Why does she keep repeating herself? -It's the phone thing. | 1:29:53 | 1:29:56 | |
National Records Service. | 1:29:56 | 1:29:58 | |
Excuse me, fucker-face. | 1:29:58 | 1:30:00 | |
How do I get to see the actual receipts? | 1:30:00 | 1:30:03 | |
I landed right on my cock. | 1:30:10 | 1:30:11 | |
CREW LAUGH | 1:30:11 | 1:30:13 |