The Sapphires

Line	From	To
CHILD PANTS	0:00:41	0:00:44
GIGGLING	0:00:48	0:00:51
Hurry up, Kay!	0:01:01	0:01:02
# Whoa, thought it was a nightmare	0:01:11	0:01:15
# Lo, it's all so true... #	0:01:16	0:01:18
Slow down, cuz!	0:01:18	0:01:19
# ..They told me don't go walking slow	0:01:19	0:01:22
# The devil's on the loose...	0:01:22	0:01:24
-Come on, Kay! -I'm coming!	0:01:24	0:01:25
# ..Better run through the jungle	0:01:25	0:01:27
# Better run through the jungle	0:01:29	0:01:31
# Better run through the jungle	0:01:32	0:01:35
# Whoa, don't look back to see... #	0:01:36	0:01:37
Stop.	0:01:46	0:01:48
Me, me, me!	0:01:48	0:01:50
Ladies and gentlemen,	0:01:50	0:01:52
it gives me great pleasure to welcome to the stage this afternoon	0:01:52	0:01:57
four of Australia's deadliest entertainers.	0:01:57	0:02:01
The one, the only, the very talented...	0:02:02	0:02:07
Cummeragunja Songbirds!	0:02:07	0:02:09
CHEERING AND APPLAUSE	0:02:09	0:02:12
THEY SING IN THEIR NATIVE LANGUAGE	0:02:16	0:02:19
They never call me nigger, never put no dog on me.	0:03:07	0:03:10
I'm fighting to free him	0:03:10	0:03:11
and my mama ain't free in Louisville!	0:03:11	0:03:13
CHILDREN GIGGLE IN THE DISTANCE	0:03:37	0:03:41
Mm...	0:03:49	0:03:51
Mmm...	0:03:51	0:03:53
Kiss me.	0:03:53	0:03:54
Mm...	0:03:54	0:03:55
Oi! You having one of them dirty dreams again?	0:03:58	0:04:02
-Oh, nick off, will you? -I said get up, you lazy mongrel!	0:04:02	0:04:05
We've got a talent contest to win.	0:04:05	0:04:06
Jeez, I was having the best dream of my life	0:04:06	0:04:08
and you had to ruin the whole blasted thing.	0:04:08	0:04:10
-HOOVER WHIRS -Julie! What's wrong with you?	0:04:10	0:04:13
She's mad, like you.	0:04:13	0:04:14
Doesn't mean she has to suck my flaming face off.	0:04:14	0:04:16
I don't see how you're going to win any contest if I'm not there.	0:04:16	0:04:19
I told you, you can't come.	0:04:19	0:04:20
You're not old enough. They won't let you in.	0:04:20	0:04:22
They wouldn't know how old I was unless you told them!	0:04:22	0:04:24
Julie, you're not going! That's the end of it.	0:04:24	0:04:27
Hurry up, Dad. I need some hot water for the shower.	0:04:36	0:04:39
Well, you should have got up half an hour earlier, then.	0:04:39	0:04:41
We haven't got half an hour. We're going to miss the flamin' bus.	0:04:41	0:04:44
-Yeah, yeah. -Glorious day, Julie.	0:04:44	0:04:46
Oh, rack off, goat-face.	0:04:46	0:04:48
Aarrgghh!	0:04:51	0:04:55
Good job.	0:04:55	0:04:57
How could Jimmy not love that?	0:05:02	0:05:04
You're not the first girl that's ever been left at the altar.	0:05:04	0:05:08
What do you expect from a Middleton, anyway?	0:05:08	0:05:11
# Yellow bird	0:05:15	0:05:19
# Up high in banana tree	0:05:19	0:05:23
# Did your lady friend leave the nest again?	0:05:24	0:05:29
# That is very bad	0:05:29	0:05:32
# Makes me feel so sad	0:05:32	0:05:34
# You can fly away	0:05:34	0:05:36
# In the sky away	0:05:36	0:05:38
# You more lucky than me	0:05:38	0:05:42
# Yellow bird... #	0:05:43	0:05:46
What? If I'm not coming with you, I'm not singing with you.	0:05:46	0:05:48
# ..Up high in banana tree	0:05:48	0:05:52
# Yellow bird	0:05:52	0:05:55
# You sit all alone like me	0:05:55	0:06:00
# Better fly away	0:06:01	0:06:04
# In the sky away	0:06:04	0:06:06
# Picker coming soon	0:06:06	0:06:08
# Pick from night to noon	0:06:08	0:06:10
# Black and yellow you	0:06:10	0:06:13
# Like banana too	0:06:13	0:06:15
# They may pick you some day. #	0:06:15	0:06:19
Still not going.	0:06:21	0:06:22
See ya.	0:06:25	0:06:26
# There's a land that is fairer than day	0:06:27	0:06:32
# And by faith we can see it afar... #	0:06:33	0:06:37
Cooee! Hey, hey, hey!	0:06:38	0:06:39
-What's his problem? -It's cos we're black, stupid.	0:06:42	0:06:45
No. It's cos you're ugly.	0:06:46	0:06:48
Taxis always stop for me.	0:06:48	0:06:50
Now, now, girls.	0:06:51	0:06:53
# We shall meet on that beautiful shore	0:06:53	0:06:55
# In the sweet by and by	0:06:56	0:07:00
# We shall meet... #	0:07:01	0:07:03
Going into town?	0:07:04	0:07:07
Oh, here's trouble.	0:07:07	0:07:10
Wake up!	0:07:11	0:07:12
Get up, you drongo!	0:07:12	0:07:14
HE SNORES	0:07:14	0:07:17
-IRISH ACCENT: -Oh!	0:07:17	0:07:18
RADIO TURNS ON	0:07:18	0:07:20
Hey!	0:07:20	0:07:21
Get out of my life, you horrible little gobshites!	0:07:21	0:07:24
RADIO: # I'm a soul man	0:07:24	0:07:26
# I'm a soul man	0:07:27	0:07:29
# I'm a soul man	0:07:31	0:07:34
# Daddy-o	0:07:34	0:07:35
# That's what I got the hard way	0:07:35	0:07:38
# And I'll make it better each and every day... #	0:07:40	0:07:44
DOG BARKS	0:07:44	0:07:45
Mind me, dog.	0:07:45	0:07:46
Come on, Buster, come on.	0:07:46	0:07:48
Morning.	0:07:48	0:07:49
Well, thank you for turning up.	0:07:54	0:07:56
Oh, you are welcome, sweet tits.	0:07:56	0:07:59
You're on your last warning, boyo.	0:07:59	0:08:01
Oh, blow it out your flabby arse.	0:08:01	0:08:03
Er...	0:08:11	0:08:12
Hello.	0:08:12	0:08:14
Ladies and gentlemen, boys and girls, welcome.	0:08:14	0:08:16
My name is Dave Lovelace	0:08:16	0:08:19
and, as you can probably tell from my accent,	0:08:19	0:08:21
I am from Melbourne.	0:08:21	0:08:23
Pause for laughter...	0:08:25	0:08:27
You're getting the idea. I kind of start off slow	0:08:27	0:08:29
and then I...slowly peter out.	0:08:29	0:08:32
All right, let's get going here.	0:08:32	0:08:34
First up, we've got Noelene.	0:08:34	0:08:37
Where are you, Noelene, you skinny-arsed lily?	0:08:37	0:08:40
Oh, too kind. That's your music, is it, love?	0:08:40	0:08:43
Oh...	0:08:43	0:08:45
Noelene is going to play one of my personal favourites,	0:08:46	0:08:50
a song made famous by The Seekers.	0:08:50	0:08:52
It's called Morningtown Ride.	0:08:52	0:08:54
She's got her own guitar, so I'm just going to leave her to it.	0:08:54	0:08:56
And I'll be over here...	0:08:56	0:08:58
opening a vein!	0:08:58	0:09:00
# Train whistle blowing	0:09:00	0:09:04
# Makes a sleepy noise	0:09:04	0:09:07
# Underneath their blankets	0:09:07	0:09:10
# Go all the girls and boys	0:09:10	0:09:13
# Rocking, rolling, riding	0:09:13	0:09:16
# Out along the bay	0:09:16	0:09:19
# All bound for Morningtown	0:09:19	0:09:23
# Many miles away... #	0:09:23	0:09:24
Put that away, you halfwit! You're going to get us kicked out.	0:09:24	0:09:26
Look at 'em! This could be the last drink I ever get!	0:09:26	0:09:29
# ..Fireman rings the bell	0:09:29	0:09:32
# Sandman swings the lantern	0:09:32	0:09:35
# To show that all is well... #	0:09:35	0:09:37
# Can't afford to get bored, dear old Sadie	0:09:37	0:09:41
# Looks as though you'll always be a cleaning lady. #	0:09:41	0:09:45
APPLAUSE	0:09:47	0:09:49
Well done, Tommy.	0:09:51	0:09:52
I have to say, I think you've got a long career ahead of you.	0:09:52	0:09:55
Ironically, in cleaning!	0:09:55	0:09:57
OK, last up. Hello... We've got a couple of sisters,	0:09:57	0:10:00
who tell me that they're from down the road a bit,	0:10:00	0:10:04
in a place called Crommer-er-unge.	0:10:04	0:10:06
Crommer-arra-runge.	0:10:06	0:10:08
Com mer-range-er.	0:10:08	0:10:09
G'day, folks.	0:10:09	0:10:11
Thanks for the heartfelt applause.	0:10:12	0:10:15
You can find something else to do, we don't need you.	0:10:16	0:10:19
I'm Gail. This is Cynthia.	0:10:21	0:10:23
And...just so as you know,	0:10:23	0:10:26
you're all standing on black fella country.	0:10:26	0:10:29
We're the Cummeragunja Songbirds.	0:10:29	0:10:31
Here's a Merle Haggard tune.	0:10:32	0:10:35
Hope to God you like it.	0:10:35	0:10:36
# Today I started loving you again	0:10:46	0:10:52
# And I'm right back	0:10:54	0:10:57
# Where I've really always been	0:10:57	0:11:01
# I got over you just long enough	0:11:04	0:11:08
# To let my heartache mend	0:11:08	0:11:12
# And then today I started loving you again	0:11:13	0:11:19
# What a fool I was to think I could get by	0:11:22	0:11:28
# With only these few million tears I've cried	0:11:31	0:11:37
# I should have known	0:11:40	0:11:43
# The worst was yet to come	0:11:43	0:11:47
# And the crying time for me	0:11:50	0:11:53
# Had just begun	0:11:53	0:11:56
# Well, today I started loving you again	0:11:58	0:12:06
# And I'm right back where I've really always been	0:12:07	0:12:15
# I got over you just long enough	0:12:17	0:12:22
# To let my heartache mend	0:12:22	0:12:26
# And today I started loving you again	0:12:26	0:12:33
# Yes, and today I	0:12:34	0:12:37
# I started loving you	0:12:37	0:12:42
# Again. #	0:12:43	0:12:48
NO-ONE ELSE CLAPS	0:12:53	0:12:56
I thought I told you to stay home.	0:12:59	0:13:01
Who are you to tell me what to do, you drongo?	0:13:01	0:13:03
-I'm the one who's going to drag your big lip over your fat head! -Stop it!	0:13:03	0:13:06
-Erm... -Excuse me, mate. We're in the middle of something.	0:13:06	0:13:08
I just wanted... That wasn't terrible.	0:13:08	0:13:10
Do you sing anything other than that kind of country and western shite?	0:13:10	0:13:14
-Sorry, what's wrong with country and western, mate? -OK...	0:13:14	0:13:17
All right, folks. We got a winner for youse.	0:13:18	0:13:21
Taking home the ten bucks...	0:13:21	0:13:23
Come on up, bud.	0:13:23	0:13:24
..it's Noelene with Morningtown Ride.	0:13:24	0:13:27
-But I was great! -We were the best.	0:13:27	0:13:29
That's bullshit, Merle.	0:13:29	0:13:30
That's a sack of dick.	0:13:30	0:13:32
You're giving it to Noelene? She's allergic to music!	0:13:32	0:13:35
That's a fix!	0:13:35	0:13:37
Fix! Fix! Fix!	0:13:37	0:13:39
Fix! Fix!	0:13:39	0:13:42
Show's over, girls. Pack your swags and get back to the humpy.	0:13:42	0:13:45
You were marvellous.	0:13:46	0:13:47
Hey! Hey, Tammy Wynette. Did you forget something?	0:13:50	0:13:53
Thanks.	0:13:53	0:13:54
And we can get ourselves thrown out of a pub. Don't need your help.	0:13:54	0:13:57
Thought I told you Abos to get off my premises.	0:13:57	0:13:59
You were happy enough to have us sing in your crappy contest.	0:13:59	0:14:02
-Who said I was happy? -What's the story, anyhow?	0:14:02	0:14:04
-She your relative or something? -She's ugly enough.	0:14:04	0:14:07
And you can piss off out of it, too.	0:14:07	0:14:10
You were a shithouse MC, anyhow!	0:14:10	0:14:11
I'm better than you deserve. And a lot better than you pay.	0:14:11	0:14:14
Oh, I can find somebody else.	0:14:14	0:14:16
All right, Merle, let's not do anything hasty.	0:14:17	0:14:21
Come on. Remember?	0:14:21	0:14:23
I'm the man who made you feel like a girl of 50 again.	0:14:23	0:14:25
Are you going to make me fetch my rifle?	0:14:25	0:14:28
Hey, where are you going?	0:14:31	0:14:34
I've got something to show you.	0:14:34	0:14:36
-Oi, read this! -Will you just leave me alone? You've caused me enough trouble today.	0:14:36	0:14:40
-I don't know how to read. -Julie, what are you doing?	0:14:40	0:14:42
"Singers and dancers wanted	0:14:44	0:14:46
"to perform for the American troops in Vietnam."	0:14:46	0:14:49
And it says there's good conditions, too.	0:14:49	0:14:51
-I thought you didn't know how to read. -Where'd you get this?	0:14:51	0:14:53
Of course I know how to read, goatface!	0:14:53	0:14:55
-Then why are you showing me that? -You need a job, don't you?	0:14:55	0:14:58
We're offering you one. Playing for us in Vietnam.	0:14:58	0:15:00
Yeah, OK! Where's Vietnam?	0:15:00	0:15:02
Hey, Julie, the only place you're going is home on the bus.	0:15:02	0:15:05
You want to go and perform in Vietnam?	0:15:05	0:15:07
And what are you going to do? A corroboree?	0:15:07	0:15:09
Why not? We're the best girl group you'll ever see.	0:15:09	0:15:12
You're the best Aboriginal girl group I've ever...	0:15:12	0:15:14
You're the only Aboriginal girl group I've ever seen.	0:15:14	0:15:17
But trust me, girls, singing in Vietnam? It's not for you.	0:15:17	0:15:21
Who are you to say what we can and can't do?	0:15:21	0:15:23
You're right, I'm sorry.	0:15:23	0:15:25
The years have been unkind. I'm sure you'll do much better.	0:15:25	0:15:28
Good luck.	0:15:29	0:15:30
Comora...	0:15:30	0:15:31
Comoral...	0:15:31	0:15:33
Good luck, ladies.	0:15:34	0:15:35
THE ENGINE TURNS OVER AND DIES	0:15:35	0:15:38
No petrol, eh?	0:15:41	0:15:42
Hey, this is all right!	0:15:42	0:15:44
30 bucks a week!	0:15:44	0:15:46
OK. Let's...	0:15:49	0:15:51
Just for fun, let's say that you do go to Vietnam.	0:15:51	0:15:55
What would you sing?	0:15:55	0:15:56
Because this may have escaped your notice, but you're black.	0:15:56	0:15:59
And you're singing country and western music.	0:15:59	0:16:02
It's just wrong.	0:16:02	0:16:03
Well, what do you think we should sing?	0:16:03	0:16:06
90% of all recorded music is shite.	0:16:07	0:16:11
The other 10% is soul.	0:16:11	0:16:14
Soul music.	0:16:16	0:16:17
Otis Redding, Sam Cooke, that kind of stuff.	0:16:17	0:16:20
-We don't sing that type of stuff. -We like Charley Pride.	0:16:20	0:16:23
No, not country. Soul!	0:16:23	0:16:25
Not... # Ding-da-ding. #	0:16:25	0:16:27
Just... # Boom-ba boom-ba boom	0:16:27	0:16:28
# Give me some of that sweet soul music! #	0:16:28	0:16:31
Ladies and gentlemen, let me introduce you	0:16:31	0:16:33
to the godfather of soul...	0:16:33	0:16:35
Mr James Brown!	0:16:35	0:16:37
Oooh!	0:16:37	0:16:38
That kind of thing.	0:16:38	0:16:40
If you want to perform for the brothers in Vietnam,	0:16:40	0:16:42
you've got to give them soul.	0:16:42	0:16:43
-What would this duppy white fella know about soul music? -Hey!	0:16:43	0:16:47
I might be a little pale on the outside,	0:16:47	0:16:49
but my blood runs Negro, woman.	0:16:49	0:16:51
What, the bits that don't have whisky in them?	0:16:51	0:16:54
I'm not the one up there playing songs about cowboys.	0:16:54	0:16:57
I like cowboys.	0:16:57	0:16:58
What I saw...you could barely play at all.	0:16:58	0:17:00
Oooh...	0:17:02	0:17:04
Give me the number.	0:17:05	0:17:06
You'd better hold your ears,	0:17:06	0:17:08
because you're about to see this Black Panther roar!	0:17:08	0:17:11
# I was brought up on a side street	0:17:13	0:17:16
# I learned how to love... #	0:17:17	0:17:19
He's a bit silly in the head, I reckon, eh?	0:17:19	0:17:21
# I was educated from good stock	0:17:21	0:17:24
# When I start loving... #	0:17:24	0:17:26
Yeah, no, that sounds good.	0:17:26	0:17:27
# ..I can't stop	0:17:27	0:17:29
# I'm a soul man	0:17:29	0:17:31
# I'm a soul man... #	0:17:33	0:17:35
When Dave Lovelace calls, people listen.	0:17:35	0:17:38
And this "duppy" just got us an audition next week in Melbourne.	0:17:38	0:17:42
Us?	0:17:44	0:17:45
Without me, there's no you.	0:17:46	0:17:48
You're going to have to talk to Mum now, eh?	0:17:48	0:17:51
Happy to talk to Mum.	0:17:53	0:17:55
All right. Let's go steal some petrol.	0:17:55	0:17:58
# I'm talking about	0:18:03	0:18:05
# A soul man	0:18:05	0:18:06
# I'm a soul man	0:18:06	0:18:08
# Soul man	0:18:08	0:18:10
# Soul man... #	0:18:11	0:18:12
Don't you fellas ever read the newspapers?	0:18:12	0:18:15
Vietnam? There's a war in Vietnam!	0:18:15	0:18:18
It's true.	0:18:18	0:18:19
They're having some problems over there at the minute, but...	0:18:19	0:18:23
I'd imagine that the girls would be miles away from any of the fighting.	0:18:23	0:18:27
And there'd be armed guards, of course.	0:18:28	0:18:30
Marines, whose sole task it would be to watch over the girls.	0:18:30	0:18:36
-And who's watching over the Marines? -Mum, just listen to him.	0:18:36	0:18:38
He's got us an audition in Melbourne.	0:18:38	0:18:40
-Well, who is he? I don't know him! -He works at the pub in town.	0:18:40	0:18:43
-Not any more. -Julie's right.	0:18:43	0:18:46
I have managed to secure the girls an audition in Melbourne.	0:18:46	0:18:50
When someone with my musical pedigree calls and says,	0:18:50	0:18:53
"Hey, Lovelace here.	0:18:53	0:18:55
"Hey, Dave, how's it going?"	0:18:55	0:18:56
"Good."	0:18:56	0:18:57
We small talk cos we're comfortable with each other.	0:18:57	0:19:00
But then I say, "Hey, I've got a group."	0:19:00	0:19:02
"Bring them down, Dave. We want to see 'em."	0:19:02	0:19:04
-You're going to manage them, are ya? -And mould them.	0:19:05	0:19:08
And...shape them.	0:19:09	0:19:11
What about our jobs?	0:19:11	0:19:12
Our jobs are gammin.	0:19:12	0:19:14
OK, Gail, the two things to remember here...	0:19:14	0:19:17
There's the money.	0:19:18	0:19:19
And there's the Soul Man.	0:19:19	0:19:22
Nah. No way.	0:19:22	0:19:24
-If you think I'm going to let you girls gallivant around Melbourne, up to no good... -Mum.	0:19:24	0:19:28
Maybe he's right.	0:19:30	0:19:31
Maybe this is the chance of a lifetime.	0:19:31	0:19:34
What's wrong with your life now?	0:19:34	0:19:36
Being treated like dogs by the gubs in town every single day.	0:19:36	0:19:39
That's not the life I was born for.	0:19:39	0:19:41
-I'm destined for fame. -We can stay at Uncle Ed's.	0:19:41	0:19:43
Move over, Aretha!	0:19:43	0:19:45
Stand back, Wilson Pickett!	0:19:45	0:19:47
Pack your bags, Supremes!	0:19:47	0:19:49
Because there are some new cats in town.	0:19:49	0:19:51
And those cats go by the name of the Crunjuaberry Currants.	0:19:51	0:19:54
The Cunner...	0:19:54	0:19:56
Cummarendens.	0:19:56	0:19:57
The... We're going to have to think about your name.	0:20:00	0:20:02
Get up, you moron.	0:20:02	0:20:04
Mum...	0:20:04	0:20:05
I suppose Gail and Cynthia can go.	0:20:09	0:20:10
But Julie stays here. She's too young.	0:20:10	0:20:13
That's stupid! Everyone knows they're nothing without me.	0:20:13	0:20:16
-Julie, that's enough now. -You've got a child.	0:20:16	0:20:19
And you're no more than a child yourself.	0:20:19	0:20:21
I know I've got a child. That's why I want to make something of myself.	0:20:21	0:20:24
-Get out of my face, four-eyes! -No, hold on, hold on.	0:20:24	0:20:27
Julie's the key. Julie's the one with the voice.	0:20:27	0:20:30
-Yeah, I am. -You are not!	0:20:30	0:20:32
You should've asked Kay.	0:20:32	0:20:34
Who's Kay?	0:20:35	0:20:37
Kay's their cousin. She lives down in Melbourne somewhere,	0:20:37	0:20:40
-but I wouldn't know where. -I do.	0:20:40	0:20:43
What? Since when?	0:20:43	0:20:46
Long enough.	0:20:46	0:20:47
Kay and them girls used to sing together once upon a time.	0:20:48	0:20:51
Time that girl came back to us, anyway.	0:20:51	0:20:54
Dave...	0:20:54	0:20:55
Step into my office, will you?	0:20:57	0:20:59
Go on, then.	0:21:04	0:21:06
Yep.	0:21:07	0:21:09
So, Mr Soul Man...	0:21:18	0:21:20
-..you reckon you're the real thing, do you? -Probably not.	0:21:21	0:21:24
Your daughters are the real thing, though.	0:21:26	0:21:29
You a murderer?	0:21:29	0:21:30
No, sir.	0:21:31	0:21:32
I was an entertainments officer on a cruise ship.	0:21:33	0:21:36
Not any more, though.	0:21:36	0:21:39
No...	0:21:39	0:21:40
I had some problems.	0:21:41	0:21:43
You know, you can always tell where a fish has been	0:21:43	0:21:46
by cutting open its guts.	0:21:46	0:21:48
But you've got to have the right knife for it.	0:21:48	0:21:50
Always like to keep my blade really sharp.	0:21:51	0:21:54
I will lay down my life before I let any harm befall those girls.	0:21:57	0:22:01
You'd better.	0:22:01	0:22:02
Don't worry about Julie.	0:22:03	0:22:05
She's a prize catch, eh?	0:22:06	0:22:08
-Isn't she, though? -Mm.	0:22:08	0:22:10
And, ladies, this design fits...	0:22:19	0:22:21
just stacks beautifully in the fridge or the pantry.	0:22:21	0:22:24
-Coffee, anyone? -Yes, please.	0:22:24	0:22:26
It makes great lunchboxes and things like that.	0:22:26	0:22:29
Come on.	0:22:36	0:22:37
KNOCKING ON DOOR	0:22:45	0:22:46
Kay? Are you in there?	0:22:46	0:22:48
Who's that?	0:22:48	0:22:50
KNOCKING	0:22:50	0:22:52
Howdy!	0:22:57	0:22:59
Gail.	0:22:59	0:23:00
Cynthia.	0:23:01	0:23:03
You should have let me know.	0:23:04	0:23:06
What do you want?	0:23:08	0:23:10
If it's money, I can't.	0:23:10	0:23:12
-Kay? Are you all right? -Er, won't be a moment.	0:23:12	0:23:15
Are we coming in, or what?	0:23:15	0:23:17
It's not really convenient at the moment. I've guests.	0:23:17	0:23:20
Yeah.	0:23:20	0:23:22
We make you ashamed, do we?	0:23:22	0:23:24
Jeez, you haven't changed one bit, have you?	0:23:24	0:23:26
Still talking like some upper-class gub and we're your personal slaves.	0:23:26	0:23:30
-I don't know what you mean. -Gubba.	0:23:30	0:23:32
It means white person.	0:23:32	0:23:34
-I think you'd better go. -Kay?	0:23:34	0:23:35
Can I help you?	0:23:37	0:23:38
No.	0:23:39	0:23:40
-Kay, do you know these people? -I'll handle this.	0:23:40	0:23:43
Kay, we're going to Haysia.	0:23:43	0:23:46
-What? -Where?	0:23:46	0:23:47
Haysia!	0:23:47	0:23:48
-Thailand. -Vietnam, you twit.	0:23:48	0:23:50
Vietnam, then!	0:23:50	0:23:51
Well...don't get lost.	0:23:51	0:23:54
We need you, cuz.	0:23:55	0:23:56
We're going to be doing shows for the soldiers in Thai...	0:23:56	0:24:00
Vietnam.	0:24:00	0:24:01
Singing.	0:24:01	0:24:03
But it's got to be all three of us.	0:24:03	0:24:05
You're wasting your breath.	0:24:07	0:24:08
She's lost, that one.	0:24:08	0:24:10
Act your age, not your colour.	0:24:10	0:24:12
Oh, jeez! I don't know you two!	0:24:12	0:24:14
Youse mob better punch on or something,	0:24:14	0:24:16
but sort it out, whatever it is, cos this is my big break!	0:24:16	0:24:19
Cynthia!	0:24:19	0:24:21
Your friend's screeching for you.	0:24:21	0:24:24
KNOCKING ON DOOR	0:24:25	0:24:27
Kay!	0:24:27	0:24:29
We're staying at Uncle Ed's, Kay.	0:24:29	0:24:31
Is everything all right?	0:24:31	0:24:34
Welcome! Welcome all.	0:24:35	0:24:37
-Uncle! -Come on, then.	0:24:37	0:24:39
Here you are. Have some of that.	0:24:39	0:24:41
# You're sweeter than the honey that the bees make	0:24:41	0:24:44
# Soul sister... #	0:24:44	0:24:45
Dance, my beautiful nieces!	0:24:45	0:24:46
Shake those hips, use those legs. Look at these boys!	0:24:46	0:24:49
# ..Sweeter than the icing on the best cake	0:24:49	0:24:51
# Soul sister	0:24:51	0:24:53
# You're brown sugar	0:24:53	0:24:55
# I was in the dark but now I see... #	0:24:55	0:24:58
We need whisky! Whisky!	0:24:58	0:25:00
# I was always proud	0:25:02	0:25:04
# But now I'm sayin' it loud	0:25:04	0:25:06
# Keep on givin' it to me	0:25:06	0:25:08
# Love and affection to the bone... #	0:25:09	0:25:11
-Lovely place you've got here. -Isn't it great? -Yeah, love it.	0:25:11	0:25:14
# You're brown sugar	0:25:14	0:25:16
# Keep on sockin' it to me all night long	0:25:16	0:25:20
# Soul sister... #	0:25:20	0:25:21
Oh, I've done it again!	0:25:21	0:25:23
Drink! Drink, go on.	0:25:23	0:25:25
The mice are moving the dice!	0:25:28	0:25:30
I bet you can't do it again, snake eyes. Come on.	0:25:30	0:25:33
..For when we're trying to get all your different bits of food together for a dinner party,	0:25:33	0:25:38
cos you can just take the lid off, you pop some warm -	0:25:38	0:25:40
or probably boiling water is better - just in the bottom there.	0:25:40	0:25:43
And then you've got little ventilating holes.	0:25:43	0:25:45
Gail!	0:25:46	0:25:47
Gail, it's your mum!	0:25:47	0:25:50
I'm... I'm quite... Oh, here she is. Here she is.	0:25:50	0:25:53
Mum?	0:25:53	0:25:54
What's wrong?	0:25:55	0:25:57
That flamin' Julie's run off somewhere.	0:25:57	0:25:59
'What? Mum!'	0:25:59	0:26:00
What? What's up?	0:26:00	0:26:03
-Don't you "what's up" me. -'Mum, what did you say?'	0:26:03	0:26:05
You've let Julie run off to Melbourne, haven't you?	0:26:05	0:26:08
Ah, stop your rot.	0:26:08	0:26:09
'I taught her well.'	0:26:09	0:26:10
Mum? Will someone talk to me?	0:26:10	0:26:12
'Your dad and Nan helped Julie escape.	0:26:12	0:26:15
'Where's that James Brown fella?	0:26:15	0:26:17
'Gail? Where is he? Gail?'	0:26:17	0:26:20
You never told me that your uncle was Irish.	0:26:20	0:26:22
'Gail!'	0:26:22	0:26:23
We try to hide that.	0:26:23	0:26:25
BANGING ON DOOR	0:26:25	0:26:28
-Hello? -I'll get it.	0:26:28	0:26:30
Julie!	0:26:32	0:26:33
Hey, sis!	0:26:33	0:26:35
What's she doing here?	0:26:35	0:26:37
I'm here to sing.	0:26:44	0:26:46
Dad and Nan said I could come.	0:26:46	0:26:48
Did they now? They didn't tell me.	0:26:48	0:26:50
What do you want?	0:26:55	0:26:57
I'm coming to Vietnam.	0:26:57	0:26:59
Who says we want you?	0:26:59	0:27:00
Right, if you say no Julie and you say no Kay,	0:27:00	0:27:04
then there's no Cynthia.	0:27:04	0:27:06
And if there's no Cynthia, there's no show.	0:27:06	0:27:08
Bust you, then.	0:27:08	0:27:09
# Love and affection to the bone... #	0:27:11	0:27:14
TOGETHER: # Soul sister	0:27:17	0:27:20
# Brown sugar	0:27:21	0:27:22
# Keep on sockin' it to me all night long	0:27:24	0:27:27
# Soul sister	0:27:33	0:27:34
# Brown sugar	0:27:36	0:27:38
# Love and affection to the bone	0:27:41	0:27:43
# To the bone... #	0:27:43	0:27:45
ALL: # ..Soul sister	0:27:45	0:27:48
# Brown sugar... #	0:27:48	0:27:49
Well, that was interesting, wasn't it?	0:27:55	0:27:58
Where do we rehearse?	0:27:58	0:27:59
I thought those biscuits were for patients only, Bruce.	0:28:08	0:28:12
One, two, three...	0:28:12	0:28:13
ALL: # I bet you're wondering how I knew	0:28:13	0:28:16
# About your plans to make me blue... #	0:28:16	0:28:19
You've got this for the next three nights, OK?	0:28:19	0:28:21
# ..With some other girl that you knew before	0:28:21	0:28:24
# Between the two of us girls, you know I love you more	0:28:24	0:28:29
# It took me by surprise, I must say	0:28:29	0:28:33
# When I found out yesterday	0:28:33	0:28:36
# Don't you know, I heard it through the grapevine? #	0:28:36	0:28:41
All right. Er, good.	0:28:41	0:28:43
It was good. Yes, very good.	0:28:43	0:28:46
But, erm... How do I say this?	0:28:46	0:28:48
OK, next time you do it,	0:28:48	0:28:50
can you make it sound blacker?	0:28:50	0:28:54
Manage that, Kay?	0:28:54	0:28:56
All right. Let's go again.	0:28:56	0:28:58
Grapevine. This time, Julie, can you sing the lead, please?	0:28:58	0:29:01
What?	0:29:01	0:29:03
No, no, no.	0:29:03	0:29:05
I'm Gail.	0:29:05	0:29:06
-That's right. -Yeah, my name's Gail.	0:29:06	0:29:08
I sing lead. Julie and the girls do back-ups.	0:29:08	0:29:11
How do you feel about not singing lead?	0:29:12	0:29:14
How do you feel about getting knocked out by a woman?	0:29:14	0:29:17
Pretty embarrassed, I would imagine.	0:29:17	0:29:19
The thing is, Gail, I pick the songs and I pick who sings them.	0:29:20	0:29:24
Nobody tells me or my sisters what to sing or who sings lead.	0:29:24	0:29:28
Your voice isn't good enough to sing lead.	0:29:30	0:29:32
-You want to say that again? -Not really.	0:29:34	0:29:36
No.	0:29:36	0:29:37
Gail, you are a commanding presence...	0:29:39	0:29:42
on stage, as you are in life.	0:29:42	0:29:46
But you also have the weakest voice out of the four of you.	0:29:46	0:29:49
He's right, Gail.	0:29:52	0:29:53
You can hold a tune, but you can't hold your own in a solo.	0:29:53	0:29:57
Sometimes...	0:29:58	0:29:59
More than sometimes.	0:29:59	0:30:01
Anyone else? Cynthia?	0:30:02	0:30:04
Maybe you should just let those of us who can do it...do it.	0:30:05	0:30:08
Yeah, OK, then.	0:30:15	0:30:17
-Gail, that's very... -Shut up. I'm not finished.	0:30:18	0:30:20
I'm finished.	0:30:24	0:30:25
All right. Before we go again...	0:30:27	0:30:30
Girls, when I met you,	0:30:30	0:30:32
you were doing your whole country and western thing.	0:30:32	0:30:34
And that's fine - we all make mistakes.	0:30:34	0:30:37
But here's where we learn from that mistake.	0:30:37	0:30:39
Country and western music is about loss.	0:30:39	0:30:43
Soul music is also about loss.	0:30:43	0:30:46
But the difference is, in country and western music,	0:30:46	0:30:49
they've lost, they've given up	0:30:49	0:30:50
and they're just at home whining about it.	0:30:50	0:30:53
In soul music, they're struggling to get it back	0:30:53	0:30:56
and they haven't given up.	0:30:56	0:30:58
So every note that passes through your lips	0:30:58	0:31:00
should have the tone of a woman who's grasping and fighting	0:31:00	0:31:03
and desperate to retrieve what's been taken from her.	0:31:03	0:31:05
You understand?	0:31:05	0:31:06
Now, what it is that you're searching for, that's up to you.	0:31:06	0:31:10
I'm just here to get you there, you know?	0:31:12	0:31:16
# I'll take you there... #	0:31:17	0:31:19
There's a place called the Apollo Theatre.	0:31:21	0:31:24
It's where dreams are made, where legends are born.	0:31:24	0:31:28
# I'll take you there... #	0:31:31	0:31:33
I can see you girls singing in places like that.	0:31:33	0:31:36
There and in the Rainbow, in the Olympia,	0:31:36	0:31:39
the best rooms in the world.	0:31:39	0:31:41
GIRLS: # I'll take you there...	0:31:41	0:31:42
Because you've got it within you. You just need to let it out.	0:31:42	0:31:45
# I'll take you there... #	0:31:45	0:31:47
That's it! Let it out of you like a geyser coming out off the ground!	0:31:47	0:31:50
Like a volcano springing from the earth	0:31:50	0:31:53
and you just can't stop it.	0:31:53	0:31:55
# I'll take you there... #	0:31:55	0:31:56
Like a volcano pushing through the earth beneath you.	0:31:56	0:31:59
# I'll take you there... #	0:31:59	0:32:01
Until, finally, it's easy enough, like breathing in and breathing out.	0:32:01	0:32:04
# I'll take you there... #	0:32:04	0:32:05
And breathing in and breathing out.	0:32:05	0:32:07
# And breathin' in and breathin' out	0:32:07	0:32:10
# And breathing in	0:32:10	0:32:11
# Oh, mercy!	0:32:11	0:32:13
# Oh-oh, can I have some mercy now? #	0:32:14	0:32:18
Any questions?	0:32:24	0:32:25
One, two, three.	0:32:27	0:32:29
# Now, don't you ever	0:32:29	0:32:31
-# Be sad... # -One, two, three.	0:32:31	0:32:33
-# Lean on me... # -OK. Wrong arms, girls.	0:32:33	0:32:35
Wrong arms, Gail.	0:32:35	0:32:37
-Thank you. -Hey!	0:32:38	0:32:40
All right. Are we ready?	0:32:40	0:32:42
Let's get our dancing shoes on, ladies.	0:32:42	0:32:44
# Hold on... #	0:32:46	0:32:47
One, two, three!	0:32:50	0:32:52
One, two, three!	0:32:53	0:32:55
That's it, that's it.	0:32:55	0:32:56
Nailed it. Keep going!	0:32:56	0:32:59
That's it, girls. Come on, feel it. Feel it.	0:32:59	0:33:01
Mm! Yeah, check them! Look at that!	0:33:01	0:33:04
-Here you go, brother. -All right.	0:33:04	0:33:05
That's what we're aiming for, girls. Look at them sashay.	0:33:05	0:33:08
-Yeah, yeah. -That's going to be you, ladies.	0:33:08	0:33:11
That's it!	0:33:11	0:33:12
# I'm coming	0:33:12	0:33:13
# Hold on	0:33:13	0:33:15
# I'm coming... #	0:33:15	0:33:17
-All right, move it now. -# Hold on... #	0:33:17	0:33:19
And put your hands on those hips.	0:33:19	0:33:22
# Hold on, I'm coming... #	0:33:22	0:33:24
Come on, back it up, back it up.	0:33:24	0:33:27
# Reach out to me	0:33:27	0:33:29
# For satisfaction, yeah... #	0:33:29	0:33:31
-You see how it's working? -OK.	0:33:31	0:33:34
# Look	0:33:34	0:33:35
# Call my name now	0:33:35	0:33:38
# For quick reaction	0:33:39	0:33:41
# Yeah, yeah, yeah, yeah... #	0:33:41	0:33:44
You especially, I have my eye on.	0:33:53	0:33:55
There was some shit going down over there.	0:33:55	0:33:57
Nice, Julie, nice. OK, let's go again.	0:33:57	0:34:00
# Hold on	0:34:00	0:34:01
-# I'm coming... # -Whenever you're ready, girls.	0:34:01	0:34:03
# Hold on	0:34:03	0:34:05
# I'm coming	0:34:05	0:34:07
# Hold on... #	0:34:07	0:34:09
Women.	0:34:09	0:34:11
Oh, sorry, Cyn.	0:34:16	0:34:17
I was supposed to give you this as soon as I got to Melbourne.	0:34:17	0:34:20
Hey...	0:34:20	0:34:22
Oh, you look lovely.	0:34:22	0:34:24
-How's everything? -Did Jimmy give you this?	0:34:24	0:34:26
-Did he? -Who's Jimmy?	0:34:26	0:34:28
None of my business.	0:34:28	0:34:30
I've been thinking, Cyn.	0:34:35	0:34:37
No, don't. You'll hurt yourself.	0:34:37	0:34:39
You want to get married?	0:34:41	0:34:43
Who to?	0:34:43	0:34:44
To me.	0:34:44	0:34:45
What?!	0:34:45	0:34:47
Sorry. It was just a thought.	0:34:47	0:34:49
Hey, Cyn! Come back! I'm sorry!	0:34:49	0:34:52
You mob! You mob!	0:34:52	0:34:54
I'm getting married!	0:34:54	0:34:56
EVERYONE CHEERS	0:34:56	0:34:59
Oh, my God! I'm getting married!	0:34:59	0:35:02
Why?!	0:35:03	0:35:05
He's already broken my heart once!	0:35:05	0:35:08
I was going to wear Nan's wedding dress!	0:35:08	0:35:11
I was just getting over it!	0:35:11	0:35:13
Hey, hey, hey!	0:35:13	0:35:14
You're always just getting over him. Now snap out of it, blast ya.	0:35:14	0:35:17
-Will she be able to sing? -Cyn!	0:35:17	0:35:19
Don't let Jimmy Middleton ruin things for ya.	0:35:19	0:35:21
We're going to be famous. He should be the one crying over you.	0:35:21	0:35:24
Give her some of this.	0:35:24	0:35:25
I don't need that!	0:35:25	0:35:27
# When	0:35:42	0:35:45
# I	0:35:45	0:35:46
# When I	0:35:46	0:35:48
# Had you	0:35:48	0:35:50
# Had you	0:35:50	0:35:52
# I treated you bad	0:35:52	0:35:58
# And wrong, my dear	0:35:58	0:36:01
# And since	0:36:01	0:36:02
# Oooh	0:36:02	0:36:04
# Since you went away	0:36:04	0:36:09
# Don't you know I sit around	0:36:09	0:36:13
# With my head hanging down	0:36:13	0:36:18
# And I wonder	0:36:18	0:36:20
# Oooh	0:36:20	0:36:21
# Who's loving you?	0:36:21	0:36:25
# I	0:36:25	0:36:27
# I	0:36:27	0:36:28
# I	0:36:28	0:36:29
# I	0:36:29	0:36:31
# Oh, I	0:36:31	0:36:35
# Should have never	0:36:36	0:36:39
# Ever	0:36:39	0:36:42
# Ever made you cry	0:36:42	0:36:44
# And, boy, since	0:36:45	0:36:47
# Yeah, since you've been gone	0:36:47	0:36:52
# Oh, don't you know I sit around	0:36:52	0:36:57
# With my head hanging down	0:36:57	0:37:01
# And I wonder	0:37:01	0:37:03
# Oooh	0:37:03	0:37:05
# Who's	0:37:05	0:37:10
# Loving	0:37:10	0:37:14
# You?	0:37:14	0:37:20
# Who's loving you? #	0:37:20	0:37:25
And your name again?	0:37:30	0:37:32
Cummeragunja Songbirds.	0:37:32	0:37:33
Say what now?	0:37:35	0:37:36
Er, we're The Sapphires.	0:37:39	0:37:41
Sapphires?	0:37:44	0:37:46
We'll see you in Saigon.	0:37:49	0:37:51
# Na, na, na, na, na, na, na, na, na, na	0:37:56	0:38:00
# Got a certain little girl, She's on my mind	0:38:04	0:38:06
# No doubt about it... #	0:38:06	0:38:08
Bonjour, Saigon!	0:38:08	0:38:10
# Sometimes she's going to make me feel so bad	0:38:10	0:38:13
# Na, na, na, na, na, na	0:38:13	0:38:14
# Na, na, na, na	0:38:14	0:38:16
# Feel so bad... #	0:38:20	0:38:21
Myron Ritchie. Your promoter.	0:38:50	0:38:52
Welcome, Sapphires. Welcome to Saigon.	0:38:52	0:38:55
I'm trusting you'll regard the La Parisian as your home away from home	0:38:55	0:38:58
all the while you're here in Vietnam.	0:38:58	0:39:00
-Is this where we're staying? -Nothing but the best for our stars, baby.	0:39:00	0:39:03
OK, Myron, erm, are you the man we talk to about money,	0:39:03	0:39:07
because, erm, if we don't get the bucks, these stars don't shine.	0:39:07	0:39:10
-Gail... -Hey!	0:39:10	0:39:12
Myron. Dave Lovelace.	0:39:12	0:39:14
Great to meet you. I'm the manager of The Sapphires.	0:39:14	0:39:17
These girls are ball-busting good. This is going to be great.	0:39:17	0:39:19
Food and accommodation have all been taken care of, ma'am.	0:39:19	0:39:22
And you'll find you gals won't need much cash on the road.	0:39:22	0:39:24
But in the meantime, why don't you girls check in, have a look around,	0:39:24	0:39:28
while I talk turkey with Ringo Starr and big sister here.	0:39:28	0:39:32
Plenty to see.	0:39:32	0:39:34
-Ladies... -Plenty!	0:39:34	0:39:35
It goes without saying,	0:39:39	0:39:41
reports on The Sapphires have been excellent.	0:39:41	0:39:43
And I've got to tell you, I'm really looking forward	0:39:44	0:39:46
to seeing you sweethearts showcase your talent on stage tonight.	0:39:46	0:39:49
Tonight?	0:39:49	0:39:50
Well, listen up, honey.	0:39:50	0:39:51
I got 32 acts.	0:39:51	0:39:53
Five of them are soul sisters.	0:39:53	0:39:55
If you can't shake your moneymaker for the brothers tonight,	0:39:55	0:39:58
you're all on the first plane back to Austria tomorrow.	0:39:58	0:40:00
-Australia. -The first plane.	0:40:00	0:40:03
Fear not, brother Myron.	0:40:03	0:40:05
I know my girls can lay it down.	0:40:05	0:40:08
And, sister, the singing, it ain't the half of it.	0:40:10	0:40:13
The show...it better be right on.	0:40:13	0:40:16
If the pool's going to be on the roof, it's going to be up this way.	0:40:18	0:40:21
-Are you sure we're allowed up here? Isn't it just for the soldiers? -Yes, Julie.	0:40:21	0:40:25
I can smell where the good-looking men are from a mile away.	0:40:25	0:40:28
You're over Jimmy Middleton now?	0:40:28	0:40:30
Don't mention his name. He's had his go.	0:40:30	0:40:33
He's not getting a second serve of this coffee-coloured Koori.	0:40:33	0:40:36
He's in Cummeragunja. I'm in Saigon. I can do what I like!	0:40:38	0:40:41
Kay!	0:40:50	0:40:51
Need ya!	0:40:51	0:40:53
Kay!	0:40:53	0:40:54
Oh!	0:40:56	0:40:57
Sorry...	0:40:57	0:40:59
We're looking for the pool.	0:41:08	0:41:10
You'll find the pool thataways.	0:41:10	0:41:13
OK.	0:41:14	0:41:15
I work in a hospital.	0:41:17	0:41:19
Kay!	0:41:23	0:41:24
Gail...	0:41:51	0:41:52
Can I have a word?	0:41:52	0:41:54
Yeah, we're going to need to smarten up.	0:41:56	0:41:58
I've never seen so many black men in the one place.	0:42:03	0:42:06
Stand back, Jack.	0:42:08	0:42:10
This little black duck is going to go quack, quack, quack.	0:42:10	0:42:13
-Hello? -Hello.	0:42:15	0:42:16
Hello? Hello? Something like this.	0:42:16	0:42:18
You know, shiny?	0:42:18	0:42:19
Erm...class. We want class.	0:42:19	0:42:22
Class, yeah.	0:42:22	0:42:23
But with cleavage.	0:42:23	0:42:24
-Yes? -You want striptease?	0:42:26	0:42:28
Very sexy.	0:42:28	0:42:30
Yes, very sexy.	0:42:30	0:42:32
Yes?	0:42:32	0:42:33
Yes.	0:42:33	0:42:35
That's it.	0:42:35	0:42:36
What are you gawking at?	0:42:36	0:42:39
Chicken breasts.	0:42:41	0:42:43
Chicken...have breasts. Tasty breasts.	0:42:43	0:42:45
Now, we've got four real-life Aborigines from Australia	0:42:48	0:42:51
and they're going to be putting it down out there for you tonight.	0:42:51	0:42:54
So I want you to be polite.	0:42:54	0:42:56
Grab a drink off my beautiful ladies,	0:42:56	0:42:58
because we've got a big line-up for y'all tonight.	0:42:58	0:43:00
And remember, you're at the Cave, baby.	0:43:00	0:43:03
The best black bar in Saigon.	0:43:03	0:43:06
Yeah.	0:43:06	0:43:07
-Let's do it. Yeah? -Yeah. All right.	0:43:09	0:43:12
-All righty. -Yeah!	0:43:12	0:43:13
# I get lovin'	0:43:13	0:43:15
# Lovin'	0:43:15	0:43:16
# By the hundred	0:43:16	0:43:18
# And I get lovin'	0:43:19	0:43:20
# Lovin'	0:43:20	0:43:21
# By the pint	0:43:21	0:43:23
# Got me doin' the camel walk	0:43:24	0:43:26
# In my sleep	0:43:26	0:43:29
# Make me do the James Brown	0:43:30	0:43:31
# Every time I get on my feet	0:43:31	0:43:33
# Listen to me	0:43:34	0:43:36
# What a man, what a man, what a man	0:43:36	0:43:38
# What a mighty good man	0:43:38	0:43:39
# Say it again now	0:43:39	0:43:41
# What a man, what a man, what a man	0:43:41	0:43:43
# What a mighty, mighty good man	0:43:43	0:43:45
# Yes, he is	0:43:45	0:43:47
# A mighty, mighty good man	0:43:48	0:43:50
# Let me put it on your mind	0:43:51	0:43:53
# Let me put it on your mind	0:43:53	0:43:55
# He thrills me, kills me	0:43:56	0:43:59
# He's a lovin' kind	0:43:59	0:44:01
# Another ounce of his love	0:44:02	0:44:04
# And I think I'm going to slip	0:44:04	0:44:07
# Lose my grip	0:44:08	0:44:10
# And do back-over flips	0:44:10	0:44:12
# Listen now	0:44:12	0:44:13
# What a man, what a man, what a man	0:44:13	0:44:15
# What a mighty good man	0:44:15	0:44:17
# Say it again now	0:44:17	0:44:18
# What a man, what a man, what a man	0:44:18	0:44:20
# What a mighty, mighty good man	0:44:20	0:44:22
# What a man	0:44:24	0:44:26
# And deep inside I know it	0:44:26	0:44:28
# What a man	0:44:28	0:44:31
# And I'm not ashamed to show it	0:44:31	0:44:34
# What a man, what a man, what a man	0:44:34	0:44:36
# What a mighty good man	0:44:36	0:44:38
# Say it again now	0:44:38	0:44:39
# What a man, what a man, what a man	0:44:39	0:44:42
# What a mighty good man	0:44:42	0:44:43
# What a mighty, mighty good man	0:44:43	0:44:45
# What a man, what a man, what a man	0:44:45	0:44:47
# What a mighty, mighty good man	0:44:47	0:44:49
# Oooooh! #	0:44:51	0:44:57
CHEERING	0:45:00	0:45:03
Oh, my gosh! My gosh! We did it! We did it!	0:45:08	0:45:12
We've just got to remember to keep in step in the choruses, that's all.	0:45:12	0:45:15
Oh, my Lord, girl. That was out of sight!	0:45:15	0:45:17
Wow, thank you. You're too kind.	0:45:17	0:45:19
-Oi, he means me, cuz. -I was joking, all right?	0:45:19	0:45:22
Hey, hey, hey...	0:45:22	0:45:23
Baby girl. Ain't no fool around here buying you a drink?	0:45:23	0:45:26
Uh-uh, beautiful.	0:45:26	0:45:28
You offering?	0:45:28	0:45:29
You looking at your man.	0:45:29	0:45:30
6.00 in the morning, front of the hotel there.	0:45:32	0:45:34
The Sapphires hit the road and you tighten up the act out of town.	0:45:34	0:45:37
We're going to tour The Sapphires for three headline-busting weeks.	0:45:37	0:45:40
That's 27 shows in 23 days.	0:45:40	0:45:43
And then we play the big venues - Nha Trang and back here in Saigon.	0:45:43	0:45:47
-You dig? -Right on.	0:45:47	0:45:49
Hey, back up the truck, brother.	0:45:49	0:45:51
There are things we need to discuss, like a military escort.	0:45:51	0:45:53
You're four black women in a war zone, honey.	0:45:53	0:45:56
All you need to do is sing.	0:45:56	0:45:59
Myron, we don't pass wind without a military escort.	0:45:59	0:46:02
Come on, Dave. Do you think I'd be sending my stars out on the road	0:46:02	0:46:05
without the might of the US military to protect them?	0:46:05	0:46:07
What about a band?	0:46:07	0:46:08
You've been singing with them right there, sister.	0:46:08	0:46:11
Look, I'm leaving this up to you, white boy.	0:46:11	0:46:12
Don't screw this up on me.	0:46:12	0:46:14
I don't screw up, Myron.	0:46:18	0:46:20
Just go get the dresses.	0:46:24	0:46:25
You've got to look me in the eyes. It's bad luck.	0:46:28	0:46:31
Hey, sister. Remember me? On the rooftop?	0:46:34	0:46:36
It's Kay, right?	0:46:36	0:46:37
-Oooh! -Chill out, chill out.	0:46:37	0:46:39
Oh, shame. He's yours.	0:46:39	0:46:41
-So, you got plans for tonight? -Are you always this clumsy?	0:46:44	0:46:47
No, ma'am. Only around beauty.	0:46:47	0:46:49
Oh.	0:46:49	0:46:50
Better watch your step, then.	0:46:51	0:46:53
Hm. All right.	0:46:53	0:46:54
Name's Robby.	0:46:55	0:46:57
Goodnight, Robby.	0:46:58	0:47:00
Hey, it's all groovy, baby. You've work to do.	0:47:01	0:47:03
We'll save the pleasure of meeting for another time.	0:47:03	0:47:06
But, hey, don't you forget now. Whoo!	0:47:06	0:47:09
Oh, sorry. Chill out, chill out. Chill out. Chill out.	0:47:11	0:47:13
It's all groovy, baby.	0:47:15	0:47:16
They still working.	0:47:16	0:47:18
Seriously, now, honey. Never relax. Never assume.	0:47:21	0:47:24
That party girl there in the miniskirt could be Vietcong.	0:47:27	0:47:30
She could lob a hand grenade across the bar at any time.	0:47:31	0:47:34
Boom!	0:47:34	0:47:35
If you've got to do that,	0:47:38	0:47:39
can you do that somewhere else where we don't have to watch you?	0:47:39	0:47:42
Hey, sis, if you want something, you've got to go get it.	0:47:43	0:47:46
Yeah, well, can you get it somewhere else? I can hear you.	0:47:46	0:47:49
Where's Julie?	0:47:51	0:47:52
She went that way.	0:47:52	0:47:54
JULIE SOBS	0:48:03	0:48:06
There you are.	0:48:06	0:48:08
What are you doing out here?	0:48:08	0:48:10
I need to know where you are at all times.	0:48:10	0:48:12
I didn't know it was going to be like this.	0:48:12	0:48:14
Anyone could lob a hand grenade and start shooting at us.	0:48:14	0:48:17
There you are. What did I tell you? You shouldn't even be here.	0:48:17	0:48:19
Shouting at me isn't going to help.	0:48:19	0:48:21
Yeah, well, it's your stupid idea in the first place, isn't it?	0:48:21	0:48:24
Julie, darling.	0:48:24	0:48:25
Don't worry. Everything's going to be fine.	0:48:25	0:48:28
Can you not stick your nose in it?	0:48:28	0:48:30
Jesus Christ...!	0:48:30	0:48:32
Look, Gail, if I could think of a way to insult a black woman	0:48:33	0:48:35
without it coming across as racist...	0:48:35	0:48:37
Well, if you can't, it probably means you are.	0:48:37	0:48:39
Will you just shut up?	0:48:39	0:48:42
Look, you know what? That's it!	0:48:42	0:48:44
We're going to have this out, you and me.	0:48:44	0:48:46
-Come on, bud. Let's go. -Fine.	0:48:46	0:48:49
Here and now.	0:48:49	0:48:51
This shit... This has to stop.	0:48:51	0:48:53
You're going to have to start giving me the respect that I deserve.	0:48:53	0:48:56
Respect? What are you, the flaming mission manager?	0:48:56	0:48:59
Yes! I'm the manager.	0:48:59	0:49:01
I am the man who's going to manage you	0:49:01	0:49:03
better than you've ever been managed!	0:49:03	0:49:05
It would take a special man to manage me properly.	0:49:05	0:49:07
Well, you're looking at him!	0:49:07	0:49:09
Excuse me! Crying. Scared.	0:49:09	0:49:12
OK, Vietnam. I'm here!	0:49:12	0:49:14
SHE GIGGLES EXCITEDLY	0:49:14	0:49:17
# Yeah!	0:49:20	0:49:21
# Oooh, I bet you're wondering how I knew	0:49:22	0:49:27
# Baby, baby, baby, about your plans to make me blue	0:49:28	0:49:31
# Mmm, with some other girls you knew before	0:49:32	0:49:36
# Between the two of us girls... #	0:49:37	0:49:38
Please, welcome to the stage...	0:49:38	0:49:40
Good morning! Lieutenant John Jenson at your service, ma'am.	0:49:40	0:49:43
How are you?	0:49:43	0:49:44
# When I found out yesterday	0:49:44	0:49:47
# Don't you know that I heard it through the grapevine?	0:49:47	0:49:50
# Oh, I heard it through the grapevine	0:49:50	0:49:52
# Not much longer would you be mine	0:49:52	0:49:54
# Not much longer would you be mine	0:49:54	0:49:56
# Don't you know that I heard it through the grapevine?	0:49:56	0:49:58
# I heard it through the grapevine	0:49:58	0:50:00
# And I'm just about, just about, just about to lose my mind... #	0:50:00	0:50:04
Ma'am? Incoming radio message for you.	0:50:04	0:50:05
-For me? -Yeah.	0:50:05	0:50:07
'Woo!'	0:50:08	0:50:09
Say it again, now!	0:50:09	0:50:11
Hey!	0:50:11	0:50:12
Thank you.	0:50:14	0:50:16
# Half of what you see	0:50:17	0:50:20
# And none of what you hear	0:50:22	0:50:24
# Baby, I just can't help... #	0:50:24	0:50:26
These ladies have come a very, very long way to entertain you.	0:50:26	0:50:30
So, please, give a very, very warm welcome to The Sapphires!	0:50:30	0:50:34
CHEERING AND APPLAUSE	0:50:34	0:50:38
Oh, my God! Leeches! Get it off me!	0:50:39	0:50:41
# Don't you know that I heard it through the grapevine?	0:50:41	0:50:43
# I heard it through the grapevine	0:50:43	0:50:45
# Not much longer would you be mine	0:50:45	0:50:47
# Not much longer would you be mine.	0:50:47	0:50:48
# Don't you know that I heard it through the grapevine?	0:50:48	0:50:51
# Heard it through the grapevine	0:50:51	0:50:53
# And I'm about, just about, just about to lose my mind	0:50:53	0:50:57
# Oh, yes, I am	0:50:57	0:50:59
# Oh, yeah! #	0:51:04	0:51:08
CHEERING AND APPLAUSE	0:51:08	0:51:10
Move it! Let's go!	0:51:16	0:51:18
Hey, Duggie, that looks burnt to shit.	0:51:29	0:51:32
Hell no. This is what you call cooking Cajun-style.	0:51:32	0:51:35
Oh...	0:51:35	0:51:36
This here's my famed blackened catfish.	0:51:36	0:51:38
It's the speciality of the house.	0:51:38	0:51:40
Hot!	0:51:45	0:51:46
-And spicy. -Mm.	0:51:46	0:51:48
Dave, I'm telling you, ain't nothing surer with the ladies	0:51:48	0:51:50
than a man packing a home-baked spread of catfish	0:51:50	0:51:53
and a side order of soul.	0:51:53	0:51:55
You know, you can tell where a catfish has been	0:51:57	0:51:59
just by cutting open its guts.	0:51:59	0:52:00
Is that right?	0:52:00	0:52:02
Something like that.	0:52:02	0:52:04
First question. Are you attracted to the man or not?	0:52:07	0:52:09
A little. I wouldn't say he's my one and only.	0:52:09	0:52:12
That's what Stevie Kayne said to me and I ended up with Hartley.	0:52:14	0:52:16
Stevie Kayne's the father of your child?	0:52:16	0:52:19
Stevie with the glasses?	0:52:19	0:52:21
Well, if you ask me, this isn't the place to be encouraging romance.	0:52:21	0:52:24
We're here to work.	0:52:24	0:52:25
Speak for yourself, sister.	0:52:27	0:52:28
Mm-hm?	0:52:30	0:52:31
Shut up, shut up, shut up!	0:52:32	0:52:33
-G'day. -Hey.	0:52:33	0:52:35
-What's that? -Catfish.	0:52:36	0:52:37
It's, er...blackened catfish.	0:52:39	0:52:41
It's supposed to look like that.	0:52:43	0:52:44
-You want to try it? -No.	0:52:45	0:52:47
No? All right.	0:52:47	0:52:48
-More for me. -Mm-hm.	0:52:50	0:52:52
Those Hollywood folks there, they know how to pull a crowd.	0:52:57	0:53:00
-That's what I'm going to do, too. -Yeah?	0:53:00	0:53:03
# You better shout my love	0:53:05	0:53:08
# Oooh-oooh	0:53:08	0:53:10
# Thank you, baby... #	0:53:11	0:53:14
Now, what do we have here?	0:53:16	0:53:18
Oh...	0:53:18	0:53:19
That's, erm...	0:53:19	0:53:20
That's Jimmy's ring.	0:53:20	0:53:22
The boy's a damn fool.	0:53:22	0:53:24
God, you're beautiful.	0:53:34	0:53:35
# I want to tell the world, baby	0:53:37	0:53:40
# You better shout my love... #	0:53:40	0:53:43
Sir...	0:53:45	0:53:47
Delivery for you.	0:53:47	0:53:49
From Saigon.	0:53:49	0:53:50
Oh, I love you, man. I love you.	0:53:58	0:54:01
Yeah...	0:54:01	0:54:02
You're my favourite soldier.	0:54:02	0:54:03
-Yeah, thank you. -You're my favourite.	0:54:03	0:54:05
Thank... Thank you, sir.	0:54:05	0:54:06
Full house!	0:54:09	0:54:11
Shut up!	0:54:11	0:54:13
DRUNKENLY: # In Asia, once again	0:54:14	0:54:18
# Once again!	0:54:18	0:54:20
# In Asia, once again	0:54:20	0:54:22
# Once again... #	0:54:22	0:54:23
THEY SING ON INCOHERENTLY	0:54:23	0:54:28
Hang on, hang on.	0:54:30	0:54:31
Hey, Irish...	0:54:31	0:54:33
Hey, telephone man.	0:54:33	0:54:35
Oh, shit.	0:54:36	0:54:37
Dave, it's Myron. Hey, listen up, man.	0:54:37	0:54:39
-Oh, hey, Myron! -Word's out about The Sapphires.	0:54:39	0:54:41
Yeah, yeah, man. I'm good.	0:54:41	0:54:43
I got a gig headlining in Nha Trang.	0:54:43	0:54:45
-What? -But here's the thing, Dave.	0:54:45	0:54:47
-Yeah, the line's pretty bad. -No escort.	0:54:47	0:54:49
You're going to have to get there under your own steam.	0:54:49	0:54:52
-That's cool, Myron. -Do you hear what I'm saying?	0:54:52	0:54:54
-Good to hear from you, bro! -Dave? Dave? You hearing me? Dave!	0:54:54	0:54:57
Dave?	0:54:57	0:54:58
Shh...	0:54:59	0:55:01
No.	0:55:02	0:55:04
Stop it, stop it, stop it.	0:55:04	0:55:06
Dave Lovelace!	0:55:06	0:55:08
Get out here.	0:55:08	0:55:09
Take it for protection!	0:55:13	0:55:15
Hey, tell her... Tell her she's sweet.	0:55:15	0:55:17
-Shut up. -Looks like you're in trouble, man.	0:55:18	0:55:20
Hey, Gail. Sorry, I didn't hear you.	0:55:20	0:55:23
-How you doing? -You know we have an early start tomorrow.	0:55:23	0:55:25
Who are you, my wife?	0:55:25	0:55:27
You're on your last warning.	0:55:27	0:55:30
You're on your last warning. How about that?	0:55:31	0:55:33
I came here to apologise for giving you a hard time.	0:55:34	0:55:37
But now I'm not going to bother.	0:55:37	0:55:39
Your apology is rejected!	0:55:41	0:55:43
# If you need me	0:56:09	0:56:13
# I want you to call me	0:56:13	0:56:17
# Said if you need me	0:56:17	0:56:19
# All you gotta do is call	0:56:19	0:56:24
# If you want me	0:56:41	0:56:44
# Send for me	0:56:45	0:56:48
# I said if you want me, want me	0:56:48	0:56:52
# All you gotta do is send for me	0:56:52	0:56:56
# But don't wait too long	0:56:56	0:56:59
# Just to pick up your phone	0:56:59	0:57:03
# And I'll be home	0:57:03	0:57:07
# Where I belong. #	0:57:07	0:57:11
He's taking me out!	0:57:12	0:57:14
THE GIRLS SHRIEK	0:57:14	0:57:15
Taking you out? Is that what you flash ones call it?	0:57:15	0:57:19
No shame! She has no shame.	0:57:19	0:57:20
Honestly, Gail...	0:57:20	0:57:22
Don't stress about what you're going to wear.	0:57:22	0:57:24
You're not going to be wearing it long!	0:57:24	0:57:26
Going out with a black fella's not going to make you any blacker, Kay.	0:57:28	0:57:32
Oh, well, you never know.	0:57:32	0:57:34
You think you can walk away from your mob?	0:57:34	0:57:37
Live in the city for ten years making out you're a gubba	0:57:38	0:57:40
and then get up on stage and say you're a black fella	0:57:40	0:57:43
and that's all right?	0:57:43	0:57:44
Nah. It's not all right. Not with me.	0:57:45	0:57:48
Don't start me, Gail. I'm not going to do this now.	0:57:48	0:57:51
Oh, this poor little mission gin making the coconut shame, eh?	0:57:51	0:57:54
What did you call me?	0:57:54	0:57:57
Coconut?	0:57:57	0:57:58
Oh, sorry. Have I offended ya?	0:57:58	0:58:00
Don't go telling me what I am and what I'm not.	0:58:00	0:58:03
I didn't get a say in how things worked out for me.	0:58:03	0:58:07
So...you're black now?	0:58:07	0:58:09
Or you're white?	0:58:09	0:58:10
Well, you're black now you think there's money in it.	0:58:10	0:58:13
I know what I am.	0:58:13	0:58:15
-Yeah, but does Robby? -DOOR OPENS	0:58:15	0:58:18
Gail?	0:58:47	0:58:49
Gail?	0:58:50	0:58:51
What was that about?	0:58:56	0:58:58
Kay's mum.	0:59:03	0:59:04
It's her birthday.	0:59:05	0:59:06
So we're doing a show for her...	0:59:08	0:59:09
..and we're on top of a truck.	0:59:12	0:59:13
And two black cars pull in.	0:59:18	0:59:20
Government fellas.	0:59:20	0:59:21
Run!	0:59:23	0:59:25
Go, go!	0:59:26	0:59:28
Come on, now! Get the kids away!	0:59:28	0:59:30
Mum and Dad screaming at us.	0:59:31	0:59:33
"Kids, get across the river!"	0:59:34	0:59:36
I don't get it. What did they want?	0:59:38	0:59:40
The children.	0:59:40	0:59:41
It's my responsibility, Dave, to look after the little ones	0:59:43	0:59:46
because I'm the oldest.	0:59:46	0:59:48
Hurry up!	0:59:48	0:59:49
I'm not to let them out of my sight, especially not Kay.	0:59:49	0:59:52
Why Kay?	0:59:52	0:59:54
If you're fair like Kay,	0:59:54	0:59:56
them fellas reckon she could pass for white.	0:59:56	0:59:58
Leave them kids alone!	0:59:58	1:00:00
Take her from her family,	1:00:00	1:00:01
put her in an institution, teach her white ways.	1:00:01	1:00:03
Pretty soon, there'll be no black fellas left to worry about.	1:00:04	1:00:07
Kay...	1:00:08	1:00:09
And then, erm...Kay got sick.	1:00:09	1:00:11
I mean...real sick.	1:00:12	1:00:14
We're scared it's pneumonia, so we take her to town,	1:00:15	1:00:19
to hospital.	1:00:19	1:00:20
And...	1:00:22	1:00:23
And that's when we find out them government fellas have been back.	1:00:24	1:00:27
Where's Kay?	1:00:27	1:00:28
They've taken Kay from the hospital bed.	1:00:28	1:00:31
You've got to speak to me! Say something to me!	1:00:31	1:00:33
Where's my baby little girl?	1:00:33	1:00:35
Where's Kay gone?	1:00:35	1:00:37
Kay!	1:00:37	1:00:38
Where are you, baby girl?	1:00:38	1:00:41
Speak to me!	1:00:42	1:00:43
"Kay..."	1:00:43	1:00:44
Say something to me!	1:00:44	1:00:45
"Where are you, Kay?"	1:00:45	1:00:46
No, I won't stop!	1:00:46	1:00:48
"Where's my girl?"	1:00:48	1:00:50
Where's Kay gone?!	1:00:50	1:00:51
You know, we didn't see Kay until her mum died.	1:00:53	1:00:56
They let her come home for the funeral.	1:00:56	1:00:58
And all she could say in all that time...	1:00:58	1:01:01
If you people worked as much as you fished,	1:01:01	1:01:03
you'd be really rich, you know?	1:01:03	1:01:05
And I've never been able to forgive her.	1:01:05	1:01:07
Or myself.	1:01:07	1:01:09
We should dance.	1:01:20	1:01:22
What?	1:01:23	1:01:25
It's a good time to dance.	1:01:26	1:01:27
Er...nah.	1:01:27	1:01:29
Come on.	1:01:29	1:01:30
I'll show you how to shake your moom.	1:01:30	1:01:32
Yeah, no, I've seen you shake your moom. It's not pretty.	1:01:33	1:01:36
I'm going to teach you the Lovelace Lanky Leg Shuffle.	1:01:36	1:01:40
No. If I start dancing like you,	1:01:40	1:01:42
the brothers there might think I'm a gubba.	1:01:42	1:01:44
You're saying, because I'm white, I can't dance. Is that it?	1:01:44	1:01:46
-Yep. -Well, that's just racist.	1:01:46	1:01:49
You're a racist. You should know better.	1:01:49	1:01:52
Come on...	1:01:54	1:01:55
Just watch and learn. Don't be afraid.	1:01:56	1:01:59
It's all about the shoulders.	1:02:00	1:02:01
They don't belong to me. They belong to the music in my head.	1:02:01	1:02:05
-Nah. -Deadly.	1:02:09	1:02:11
When we use that word "deadly", it usually means something's good.	1:02:11	1:02:15
Oooh.	1:02:15	1:02:16
You know, Gail, there's a funny thing about you.	1:02:21	1:02:24
Everybody thinks that you're just this...	1:02:24	1:02:27
this mouth on legs.	1:02:27	1:02:28
This defensive, argumentative old witch.	1:02:30	1:02:33
Stick with me.	1:02:33	1:02:35
There's a reason that you're this...	1:02:35	1:02:37
..terrible mouth and it's very simple.	1:02:38	1:02:42
You're mama bear...	1:02:44	1:02:46
..and they're your little baby cubs.	1:02:48	1:02:50
You been drinking?	1:02:58	1:02:59
No.	1:03:01	1:03:02
Come on, then, you silver-tongued wannabe.	1:03:06	1:03:08
I'll dance with ya.	1:03:09	1:03:11
Let me lead.	1:03:16	1:03:18
For once.	1:03:18	1:03:19
# These arms of mine	1:03:26	1:03:31
# They are lonely	1:03:33	1:03:35
# Lonely and feeling blue	1:03:39	1:03:43
# These arms of mine	1:03:44	1:03:47
# They are yearning	1:03:48	1:03:51
# Yearning from wanting you... #	1:03:54	1:03:58
You know, anyone can walk into a door.	1:04:00	1:04:02
Just as long as you ain't on the run or anything.	1:04:03	1:04:06
-Haven't broken the law, have you? -Maybe.	1:04:06	1:04:09
I ain't going to tell nobody.	1:04:10	1:04:11
I'm pleased.	1:04:13	1:04:14
Man, I like you a whole lot, Kay.	1:04:17	1:04:19
Just so we're clear, Robby...	1:04:19	1:04:21
..I'm black.	1:04:22	1:04:24
I'm just...	1:04:24	1:04:25
..pale black.	1:04:26	1:04:28
Me, too.	1:04:28	1:04:30
Know how I feel?	1:04:34	1:04:35
I feel good.	1:04:36	1:04:38
Ow...!	1:04:42	1:04:44
You OK?	1:04:44	1:04:45
No, it hurts.	1:04:45	1:04:47
Do it again.	1:04:50	1:04:51
Just on this side.	1:04:51	1:04:53
# Oooh	1:04:57	1:04:59
# Mmmm	1:04:59	1:05:00
# I know a place, mmm	1:05:02	1:05:05
# Ain't nobody cryin'	1:05:07	1:05:09
# Ain't nobody worried	1:05:11	1:05:13
# Ain't no smilin' faces	1:05:15	1:05:18
# Lyin' to the races	1:05:20	1:05:22
# Help me	1:05:26	1:05:27
# Come on	1:05:27	1:05:28
# Come on, somebody, help me now	1:05:29	1:05:31
# Oh, help me, y'all	1:05:33	1:05:36
# I'll take you there	1:05:36	1:05:38
# Mmm	1:05:38	1:05:39
# Help me now	1:05:39	1:05:40
# I'll take you there	1:05:40	1:05:42
# I'll take you there	1:05:45	1:05:47
# Oh, mercy... #	1:05:47	1:05:50
Come on, sweet tits. We got to move.	1:05:50	1:05:51
So...this is goodbye.	1:05:56	1:05:59
-Huh? -Me and the guys will be leaving you folks today.	1:05:59	1:06:01
I just have to say it's been a real pleasure.	1:06:01	1:06:03
What? You're leaving us here? On our own?	1:06:03	1:06:05
-Not if I had my way, ma'am. -How do we get to our next gig?	1:06:05	1:06:08
I...	1:06:08	1:06:09
Sorry, ma'am. I thought you knew.	1:06:12	1:06:13
The military's approved the use of a vehicle for you.	1:06:13	1:06:16
In that?	1:06:18	1:06:20
What about the band?	1:06:20	1:06:21
Ma'am, I understand your band is being pulled out also.	1:06:21	1:06:24
Dave?	1:06:28	1:06:30
Myron, hi. Listen, it's Dave. What's happening, bro?	1:06:35	1:06:37
They've taken away our military escort and our backing band.	1:06:37	1:06:40
I can't accept that.	1:06:40	1:06:41
Dave, we've already talked about this.	1:06:41	1:06:44
Wait. When?	1:06:44	1:06:46
Last week on the phone.	1:06:46	1:06:48
-Don't screw this up on me! -Do you hear me?	1:06:48	1:06:51
Now, a colleague of mine, Lou McGary,	1:06:51	1:06:53
is touring from the States.	1:06:53	1:06:55
Some big names. He wants to hear Julie sing.	1:06:55	1:06:57
Man, I think we got us a star in the making here.	1:06:57	1:07:00
-What's so special about Julie? -Shh!	1:07:00	1:07:02
You need to get yourselves to Nha Trang.	1:07:02	1:07:04
I'm going to get Lou on a military flight.	1:07:04	1:07:06
We got to get Julie in front of this guy.	1:07:06	1:07:07
Myron, explain to me how we're going to gig without Hendo and the band.	1:07:07	1:07:11
-Where's Hendo and the band? -Shh!	1:07:11	1:07:12
Man, forget about them, man. They're out of the picture.	1:07:12	1:07:15
We got a ten-piece in Nha Trang that's nothing but class, baby.	1:07:15	1:07:18
No, wait, wait... Myron, wait!	1:07:18	1:07:20
If you want the breaks, you've got to make 'em, man.	1:07:20	1:07:23
And then you got to take 'em, baby!	1:07:23	1:07:24
Julie could put us on the map, Stateside.	1:07:24	1:07:26
You dig what I'm saying?	1:07:26	1:07:28
Now, you want to stand in the way of success?	1:07:28	1:07:30
Then you go right ahead.	1:07:30	1:07:31
No, Myron...	1:07:31	1:07:32
Myron?	1:07:34	1:07:35
My...?	1:07:36	1:07:38
-You don't remember, do ya? -I do. I...	1:07:38	1:07:40
Erm...	1:07:41	1:07:43
It's coming back to me. He said, er...	1:07:43	1:07:45
..something about, you know, Nha Trang and, erm...	1:07:46	1:07:50
What?	1:07:50	1:07:52
How smashed were you when you let Myron talk you into this?	1:07:52	1:07:55
I'm sorry.	1:07:58	1:08:00
Yeah. Sure.	1:08:00	1:08:02
Sir, you might find a use for this.	1:08:14	1:08:16
You'd better give that to me.	1:08:22	1:08:24
Bye, ladies.	1:08:36	1:08:37
Good luck!	1:08:38	1:08:40
Truly, Cyn. I can't see how he's a great loss.	1:08:57	1:09:01
All Hendo did was feed you booze and drugs and take advantage of ya.	1:09:01	1:09:04
Gail, there isn't a soldier in Vietnam	1:09:04	1:09:06
who isn't stoned out of his brain all the time.	1:09:06	1:09:09
Yeah, well, don't forget he had a wife.	1:09:09	1:09:11
-How do you know? -Cyn, there's always a wife.	1:09:11	1:09:14
Not always.	1:09:14	1:09:16
Dave, you're not married, are you?	1:09:17	1:09:20
What?	1:09:20	1:09:21
-Are you married? -What?	1:09:23	1:09:25
What? Are you married?	1:09:25	1:09:27
No.	1:09:28	1:09:29
Yes.	1:09:33	1:09:34
Oh, holy mother of God.	1:09:35	1:09:37
-Shit. -All right...	1:09:39	1:09:40
MAN SHOUTS IN VIETNAMESE	1:09:43	1:09:45
They want us to get out.	1:09:45	1:09:47
-Do you want the gun? -Shit, no! No.	1:09:47	1:09:49
-HE SHOUTS IN VIETNAMESE -OK, nice and easy.	1:09:49	1:09:52
All right...	1:09:56	1:09:58
We're not soldiers.	1:09:58	1:09:59
Entertainers. Come on.	1:10:01	1:10:03
Er, singers, you know?	1:10:03	1:10:05
Girls, sing something.	1:10:05	1:10:07
Anything.	1:10:08	1:10:10
# Sadie, the cleaning lady... #	1:10:13	1:10:16
THEY GASP	1:10:16	1:10:17
IN HER NATIVE LANGUAGE:	1:10:23	1:10:25
Go.	1:10:42	1:10:44
Girls! Come on, girls.	1:10:49	1:10:51
HE BARKS ORDERS IN VIETNAMESE	1:10:51	1:10:54
Where do I go?	1:10:56	1:10:58
Just drive.	1:10:58	1:11:00
Hey, Julie. Can you come here for a sec?	1:11:14	1:11:16
This is the guy I want you to meet. His name is Lou McGary, OK?	1:11:16	1:11:20
Hey, Lou. This is Julie McCrae.	1:11:20	1:11:23
Lou-Lou, miss. I have heard so much about you.	1:11:23	1:11:27
She's got some pipes on her, Lou.	1:11:27	1:11:29
-Wait till you hear this girl. -I bet she does.	1:11:29	1:11:31
Looks like I found me a star.	1:11:31	1:11:33
# One, two, three!	1:11:35	1:11:37
# One, two, three!	1:11:38	1:11:39
# You got to know how to pony	1:11:47	1:11:49
# Like Bony Maronie	1:11:50	1:11:52
# Mashed potato	1:11:53	1:11:54
# Do the alligator	1:11:55	1:11:57
# Put your hands on your hips	1:11:58	1:12:00
# And let your backbone slip	1:12:00	1:12:02
# Do the Watusi	1:12:03	1:12:05
# Like my little girl Lucy	1:12:06	1:12:07
# Na, na-na-na-na, na-na-na-na, na-na-na, na-na-na	1:12:11	1:12:15
# Na-na-na-na	1:12:15	1:12:17
# Na, na-na-na-na, na-na-na-na, na-na-na, na-na-na	1:12:19	1:12:23
# Na-na-na-na	1:12:23	1:12:25
# Yeow!	1:12:25	1:12:27
# I feel it	1:12:34	1:12:35
# Na, na-na-na-na, na-na-na-na, na-na-na, na-na-na	1:12:55	1:12:59
# Na-na-na-na	1:12:59	1:13:01
# Na, na-na-na-na, na-na-na-na, na-na-na, na-na-na	1:13:03	1:13:07
# Na-na-na-na... #	1:13:07	1:13:09
That's it, Cyn. No more.	1:13:09	1:13:11
What the heck was that all about?	1:13:11	1:13:12
She's right. You're making us look like crap.	1:13:12	1:13:14
What's your problem? They love me out there.	1:13:14	1:13:16
Maybe you should just pull it back a bit.	1:13:16	1:13:18
Now, let's get back on stage.	1:13:18	1:13:20
Nah.	1:13:20	1:13:21
Not with her.	1:13:21	1:13:22
You've been drinking, Cyn, and there's too much at stake tonight.	1:13:22	1:13:25
What are you doing? Sacking me?	1:13:27	1:13:29
-Dave? -I'll decide.	1:13:31	1:13:34
Well, I think we should all decide.	1:13:34	1:13:36
Cyn, we're doing it without ya.	1:13:37	1:13:41
Right... decision made.	1:13:42	1:13:44
Gail...!	1:13:47	1:13:48
I'll make you proud of me, bub.	1:13:53	1:13:55
Gail? Gail?	1:14:01	1:14:02
Hold on one sec.	1:14:02	1:14:04
I just wanted to say I...	1:14:04	1:14:06
I thought you dealt with that really well.	1:14:06	1:14:08
No, I mean it. You know, it was a tough call and...	1:14:08	1:14:12
you're obviously getting really good at this.	1:14:12	1:14:14
It's...	1:14:14	1:14:15
Gail, the whole marriage thing,	1:14:16	1:14:18
it's probably not as bad as it sounds.	1:14:18	1:14:20
I mean it.	1:14:20	1:14:21
Listen, there's me with, like, a house and a wife	1:14:21	1:14:26
and me not yet 21 and her no lover of the rock and roll	1:14:26	1:14:29
and I'm out on the rip.	1:14:29	1:14:31
It was an unholy alliance.	1:14:31	1:14:33
But I probably should have mentioned it.	1:14:34	1:14:37
Yeah, you should have.	1:14:37	1:14:39
Wait, wait, Gail, before you go.	1:14:39	1:14:41
I wanted to talk to you about something.	1:14:42	1:14:45
So I wrote it down.	1:14:46	1:14:48
No, er...the thing is, Gail...	1:14:49	1:14:53
..I was never good enough.	1:14:56	1:14:58
I was never good enough at music...	1:14:59	1:15:02
..and certainly not at life and that's a...	1:15:03	1:15:06
..that's a hard thing to take.	1:15:07	1:15:08
Because I didn't have a place	1:15:11	1:15:13
and then I met these crazy Aboriginal girls...	1:15:13	1:15:16
..and one amazing woman and I had a place...	1:15:18	1:15:21
and I liked it.	1:15:21	1:15:23
So...	1:15:25	1:15:26
..if I've ruined all of that, then I'm an idiot.	1:15:27	1:15:29
But you knew that already.	1:15:31	1:15:33
No, don't look at it now.	1:15:36	1:15:37
For the love of God. Just, er...	1:15:37	1:15:39
..read it when I'm not around.	1:15:41	1:15:43
I'm sorry.	1:15:47	1:15:49
I'm sorry.	1:15:50	1:15:52
FLARE EXPLODES	1:15:58	1:15:59
INCOMING BOMB WHISTLES	1:16:03	1:16:06
Get down!	1:16:08	1:16:10
-What's happening?! -We're under attack!	1:16:12	1:16:14
We're calling in the choppers.	1:16:15	1:16:17
-What? -We're going to get you out of here.	1:16:17	1:16:19
Let's go!	1:16:19	1:16:21
You three, with me. Get over there!	1:16:21	1:16:23
Go, go! Get to the chopper!	1:16:25	1:16:27
Keep moving! Keep moving!	1:16:29	1:16:31
Gail!	1:16:33	1:16:35
EXPLOSIONS AND GUNFIRE	1:16:35	1:16:38
Go! Move it, move it, move it!	1:16:47	1:16:49
Inside. Get in. Go!	1:16:52	1:16:54
Where's Julie and Kay?	1:16:55	1:16:57
OK, I've got to go get the girls.	1:16:57	1:16:59
Julie!	1:17:03	1:17:05
Kay!	1:17:05	1:17:06
RAPID GUNFIRE	1:17:06	1:17:08
Dave!	1:17:19	1:17:21
Dave!	1:17:22	1:17:24
HE CRIES OUT IN AGONY	1:17:27	1:17:30
-I need your help. -Shit!	1:17:30	1:17:31
Didn't you say you had medical experience? Here, hold this.	1:17:31	1:17:34
I clean a hospital. I don't think it counts.	1:17:34	1:17:36
Then you can clean up here.	1:17:36	1:17:38
Get your nigger hands off me!	1:17:39	1:17:41
Keep that black dog away from me.	1:17:45	1:17:47
Shhh...	1:18:12	1:18:14
"Now, I know it might seem a little odd that I write a letter...	1:18:38	1:18:44
"..but certain things are best said from a distance,	1:18:46	1:18:50
"especially when you're addressing a woman	1:18:50	1:18:51
"who thinks she's Cassius Clay.	1:18:51	1:18:54
"Gail, from the moment we got kicked out of that pub together,	1:18:55	1:18:59
"I knew you were someone I wanted in my life.	1:18:59	1:19:03
"Someone to fight the good fight with	1:19:03	1:19:06
"and often against.	1:19:06	1:19:08
"You just had something... and I knew it.	1:19:09	1:19:12
"Don't ask me how or why, because I couldn't tell you.	1:19:12	1:19:16
"All I know is...	1:19:16	1:19:18
"like the first time I heard Otis Redding sing These Arms Of Mine...	1:19:18	1:19:21
"..I knew life would never be the same again.	1:19:22	1:19:25
"And this is the effect that you've had on me, Gail.	1:19:28	1:19:30
"So, that being said...	1:19:30	1:19:33
"..it would be a great honour	1:19:36	1:19:38
"if you would allow me to become part of your family.	1:19:38	1:19:40
"I would be proud to call your sisters my sisters	1:19:42	1:19:46
"and your mother my mother...	1:19:46	1:19:49
"..and your family...my family."	1:19:50	1:19:53
Get to the point, blast it!	1:19:53	1:19:56
"I guess what I'm saying is, will you marry me?	1:19:56	1:19:59
"Once I've sorted my other little situation out,	1:20:00	1:20:04
"will you marry me, then?"	1:20:04	1:20:06
SHE SOBS	1:20:06	1:20:07
"There, I've said it.	1:20:07	1:20:09
"Well, I've written it.	1:20:09	1:20:10
"You don't have to answer straight away.	1:20:10	1:20:13
"I don't mind waiting until we get back home.	1:20:14	1:20:16
"Anyway...I love you."	1:20:18	1:20:21
'I have some very sad news for all of you	1:20:30	1:20:33
'and I think sad news for all of our fellow citizens...	1:20:33	1:20:37
'..and people who love peace all over the world.'	1:20:39	1:20:41
'And that is that Martin Luther King	1:20:42	1:20:44
'was shot and was killed tonight in Memphis.	1:20:44	1:20:47
'A single shot took the life of Dr King	1:20:49	1:20:51
'as he stood on the balcony of the Lorraine Motel in Memphis.	1:20:51	1:20:55
'Martin Luther King...'	1:20:56	1:20:58
Let me tell you how it is for a black Marine in Saigon tonight.	1:20:59	1:21:03
His home is burning and here he sits in hell	1:21:03	1:21:07
while his brothers and sisters are dying in the streets.	1:21:07	1:21:10
It's reasonable to assume that he might begin to question	1:21:12	1:21:14
what the hell he's fighting for.	1:21:14	1:21:16
These Marines...they need something.	1:21:17	1:21:20
They need what you can provide and they need it tonight.	1:21:22	1:21:25
I know you're hurting, but I need you to sing.	1:21:25	1:21:28
Gail...are we going to do this?	1:21:29	1:21:32
Excuse me, you want something?	1:21:34	1:21:36
Excuse me, sir, I have phone call for her.	1:21:36	1:21:38
Hello?	1:21:43	1:21:45
It's Mum.	1:21:47	1:21:49
Mum, how did you know where to find us?	1:21:50	1:21:53
That Dave fella fixed it all last week.	1:21:53	1:21:56
He's a deadly fella, that one.	1:21:56	1:21:58
You give him a big kiss for me.	1:21:58	1:22:00
Yeah.	1:22:01	1:22:02
Auntie Gerry?	1:22:04	1:22:06
It's me, Kay.	1:22:06	1:22:07
You're a good girl, bub.	1:22:08	1:22:10
Your mum would be so proud of ya.	1:22:10	1:22:12
Cyn...	1:22:12	1:22:14
I made the biggest mistake of my life, Cyn.	1:22:17	1:22:19
-Jimmy? -I want to fix it.	1:22:19	1:22:21
Well, you should've thought about that before, eh?	1:22:21	1:22:24
I've got fellas lining up to suck my ring off,	1:22:24	1:22:26
so put Mum back on the phone and leave me alone, blast ya!	1:22:26	1:22:29
You know what I want to hear.	1:22:36	1:22:38
THEY SING IN THEIR NATIVE LANGUAGE	1:22:39	1:22:43
-MARTIN LUTHER KING: -And I've looked over	1:22:48	1:22:50
and I've seen the promised land.	1:22:50	1:22:54
I may not get there with you,	1:22:56	1:22:58
but I want you to know tonight	1:22:58	1:23:01
that, we as a people,	1:23:01	1:23:03
will get to the promised land.	1:23:03	1:23:05
So I'm happy tonight. I'm not worried about anything.	1:23:06	1:23:10
I'm not fearing any man.	1:23:10	1:23:12
Mine eyes have seen the glory of the coming of the Lord.	1:23:12	1:23:16
# Oh-oh	1:23:22	1:23:24
# I wonder why	1:23:24	1:23:29
# Why do we live in hate?	1:23:33	1:23:36
# Stepping on our own without a warning	1:23:38	1:23:41
# And then turn and walk away	1:23:41	1:23:43
# When people make the world	1:23:43	1:23:48
# A better place for us to live in, yeah	1:23:48	1:23:51
# When people make this world	1:23:52	1:23:56
# A better place to live in	1:23:56	1:24:02
# Oooh	1:24:02	1:24:08
# Mmm	1:24:09	1:24:11
# Whoa, whoa	1:24:15	1:24:18
# Times life might bring you down	1:24:19	1:24:23
# To a shadow on this cold, black earth	1:24:23	1:24:27
# Cold black earth	1:24:27	1:24:28
# Even though, even though it hurts	1:24:28	1:24:30
# You must give yourself the right to go through another day	1:24:30	1:24:35
# Instead of worrying yourself sick	1:24:35	1:24:39
# Over things people say and do	1:24:40	1:24:42
# You should try to understand	1:24:43	1:24:48
# Life as you see fit	1:24:48	1:24:51
# And the world would be	1:24:52	1:24:56
# A better place	1:24:56	1:24:59
# And the world would be	1:25:01	1:25:04
# A better place	1:25:04	1:25:10
# Oooh	1:25:10	1:25:12
# Don't you know?	1:25:14	1:25:16
# People make this world	1:25:16	1:25:20
# A better place. #	1:25:21	1:25:25
All right?	1:26:00	1:26:02
All right.	1:26:02	1:26:03
I suppose we'll have to find a new piano player.	1:26:06	1:26:08
I don't much reckon you're going to find anyone	1:26:10	1:26:12
with such good dance moves.	1:26:12	1:26:13
What else have you got?	1:26:16	1:26:17
I'm very reliable.	1:26:20	1:26:21
Yeah, well...	1:26:22	1:26:24
we're a long way from home.	1:26:24	1:26:26
You'd better look after us.	1:26:27	1:26:29
All I want to do is look after you.	1:26:32	1:26:34
Come here a minute, then.	1:26:36	1:26:38
That's from Mum.	1:26:44	1:26:45
That's from me.	1:27:05	1:27:07
I liked your one the best.	1:27:12	1:27:14
Mum! Mum! They're here!	1:27:24	1:27:26
Dad!	1:27:31	1:27:32
Mum!	1:27:32	1:27:34
-Mum! -Ah, come here.	1:27:34	1:27:36
My girls!	1:27:37	1:27:39
Dad! Dad!	1:27:40	1:27:41
How you going, girls?	1:27:41	1:27:43
SHE SPEAKS IN NATIVE LANGUAGE	1:27:50	1:27:54
Welcome home, my daughter.	1:28:43	1:28:45
-Robby'll be here next week, eh? -Ah...!	1:29:03	1:29:05
Marriage, eh?	1:29:11	1:29:12
That's fine, I suppose.	1:29:14	1:29:15
But you're going to have to learn about ceremony and law.	1:29:17	1:29:20
You'll have to learn how to dodge spears and duck under boondies	1:29:20	1:29:22
and then we'll take you over there. Not there. There. Way over there.	1:29:22	1:29:25
-And you're going to be naked, too, right? -Dad, cut it out!	1:29:25	1:29:28
Nah, gammin!	1:29:28	1:29:29
Want to come shooting?	1:29:30	1:29:32
-I am pretty deadly. -You are.	1:29:39	1:29:42
-We don't have to live here, right? -No, we don't.	1:29:42	1:29:44
-We'll go into the city. -Sweet.	1:29:44	1:29:46
# Oooh	1:29:55	1:29:56
# Sugar pie, honey bunch	1:29:56	1:29:58
-# Sugar pie, honey bunch -# You know that I love you	1:29:58	1:30:01
# I love you	1:30:01	1:30:03
# I can't help myself	1:30:03	1:30:06
# I love you and nobody else	1:30:06	1:30:09
# In and out my life	1:30:10	1:30:12
# In and out my life	1:30:12	1:30:14
# You come and you go	1:30:14	1:30:15
# You come and you go	1:30:15	1:30:17
# Leaving just your picture behind	1:30:17	1:30:20
# And I kissed it a thousand times... #	1:30:20	1:30:23
Ladies and gentlemen, the Sapphires!	1:30:23	1:30:25
# ..When you snap your fingers or wink your eye	1:30:25	1:30:28
# I come a-running to you	1:30:28	1:30:31
# I'm tied to your apron strings	1:30:31	1:30:33
# I can't help myself	1:30:33	1:30:35
# And there's nothing that I can do	1:30:35	1:30:38
# Oooh...	1:30:38	1:30:40
# I can't help myself	1:30:45	1:30:49
# I love you and nobody else	1:30:49	1:30:53
# When I call your name	1:30:54	1:30:56
# Boy, it starts the flame	1:30:56	1:30:58
# Burning in my heart	1:30:58	1:31:00
# Tearing it all apart	1:31:00	1:31:01
# No matter how I try	1:31:01	1:31:03
# My love I cannot hide	1:31:03	1:31:05
# Sugar pie, honey bunch	1:31:05	1:31:07
# Sugar pie, honey bunch	1:31:07	1:31:08
# You know that I'm weak for you	1:31:08	1:31:10
# Weak for you	1:31:10	1:31:12
# I can't help myself	1:31:12	1:31:14
# I love you and nobody else	1:31:14	1:31:18
# Oooh	1:31:18	1:31:20
# Sugar pie, honey bunch	1:31:20	1:31:21
# Sugar pie, honey bunch	1:31:21	1:31:23
# I'll do anything you ask me to	1:31:23	1:31:25
# Ask me to	1:31:25	1:31:27
# I can't help myself	1:31:27	1:31:29
# I want you and nobody else	1:31:29	1:31:32
# Sugar pie, honey bunch	1:31:34	1:31:36
# Sugar pie, honey bunch	1:31:36	1:31:37
# You know that I love you	1:31:37	1:31:40
# I love you	1:31:40	1:31:41
# I can't help myself	1:31:41	1:31:43
# I love you and nobody else. #	1:31:43	1:31:47
# There's a land that is fairer than day	1:32:10	1:32:14
# And by faith, we can see it afar	1:32:15	1:32:18
# For the Father waits over the way	1:32:19	1:32:23
# To prepare us a dwelling place there	1:32:24	1:32:28
# In the sweet by and by	1:32:29	1:32:33
# We shall meet on that beautiful shore	1:32:34	1:32:37
# In the sweet by and by	1:32:38	1:32:42
# We shall meet on that beautiful shore	1:32:43	1:32:47
# In the sweet by and by	1:32:48	1:32:52
# We shall meet on that beautiful shore	1:32:53	1:32:57
# We shall meet on that beautiful shore. #	1:32:57	1:33:04
# Bang bang, heat it up Feel my cup filling up	1:33:09	1:33:12
# Double denim, zip it up	1:33:12	1:33:15
# I'm feeling, I'm feeling your love	1:33:15	1:33:18
# Oooh	1:33:18	1:33:20
# OK, bring my girls Time for pussycats to purr	1:33:20	1:33:24
# You'll just have to wait your turn	1:33:24	1:33:27
# Because we're running, we're running the world	1:33:27	1:33:31
# Whoa, whoa, oh	1:33:32	1:33:35
# Whoa, whoa, oh	1:33:35	1:33:38
# Gotcha, gotcha, gotcha by the collar and you're coming with me	1:33:38	1:33:41
# Whoa, whoa, oh	1:33:43	1:33:46
# Whoa, whoa, oh	1:33:46	1:33:49
# Gotcha, gotcha, gotcha in my pocket where I want you to be	1:33:49	1:33:52
# So you got all the cash and a big kick stash	1:34:06	1:34:09
# And your car's all waxed	1:34:09	1:34:11
# But it's all just an act	1:34:14	1:34:16
# Here we go	1:34:16	1:34:18
# High beams turned on We do the impossible	1:34:18	1:34:21
# Can you feel it in your soul?	1:34:21	1:34:25
# Are you feeling, feeling my love?	1:34:25	1:34:27
# Yeah!	1:34:27	1:34:30
# Whoa, whoa, oh	1:34:30	1:34:32
# Whoa, whoa, oh	1:34:32	1:34:35
# Gotcha, gotcha, gotcha by the collar and you're coming with me	1:34:35	1:34:38
# Whoa, whoa, oh	1:34:41	1:34:43
# Whoa, whoa, oh	1:34:43	1:34:46
# Gotcha, gotcha, gotcha in my pocket where I want you to be	1:34:46	1:34:50
# Come, you're being drawn to my door	1:34:52	1:34:57
# Come, you're banging feet to the floor	1:34:57	1:35:03
# The room is turning to gold	1:35:03	1:35:09
# Gold, gold, gold, gold	1:35:09	1:35:13
# Whoa, whoa, oh	1:35:13	1:35:17
# Whoa, whoa, oh	1:35:17	1:35:19
# Gotcha, gotcha, gotcha by the collar and you're coming with me	1:35:19	1:35:22
# Whoa, whoa, oh	1:35:25	1:35:28
# Whoa, whoa, oh	1:35:28	1:35:30
# Gotcha, gotcha, gotcha in my pocket where I want you to be	1:35:30	1:35:34
# Where I want you to be, yeah. #	1:35:35	1:35:38

The Sapphires

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