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ORCHESTRA WARMS UP | 0:00:16 | 0:00:18 | |
Ladies and gentlemen. | 0:00:20 | 0:00:24 | |
The motion picture you are about to see is a story of music. | 0:00:24 | 0:00:29 | |
I play the role of Tom Miller - a small-time theatrical agent who'd been a... | 0:00:29 | 0:00:35 | |
Well, you'll see. | 0:00:36 | 0:00:39 | |
This picture was photographed in the grandeur of cinemascope, and... | 0:00:39 | 0:00:44 | |
Pardon me. | 0:00:45 | 0:00:48 | |
This motion picture was photographed in the grandeur of cinemascope, | 0:00:57 | 0:01:03 | |
and in gorgeous, lifelike colour by Deluxe... | 0:01:03 | 0:01:07 | |
..gorgeous, lifelike colour by Deluxe! | 0:01:10 | 0:01:14 | |
Sometimes you wonder who's minding the store. | 0:01:23 | 0:01:27 | |
Oh, yes. Our story is about music. | 0:01:29 | 0:01:32 | |
Not the music of long ago, but the music that expresses the culture | 0:01:32 | 0:01:38 | |
and the polite grace of the present day... | 0:01:38 | 0:01:42 | |
HIS VOICE IS DROWNED OUT BY LOUD ROCK'N'ROLL MUSIC | 0:01:42 | 0:01:49 | |
# As she walks by The men folks get 'n' goes | 0:01:49 | 0:01:52 | |
# She can't help it The girl can't help it | 0:01:52 | 0:01:55 | |
# As she winks an eye The bread starts turning to toast | 0:01:55 | 0:01:57 | |
# She can't help it The girl can't help it | 0:01:57 | 0:01:59 | |
# Yeah, she got a lot Of what they call the most | 0:01:59 | 0:02:03 | |
# She can't help it The girl can't help it | 0:02:03 | 0:02:05 | |
# The girl can't help it She was born to please | 0:02:05 | 0:02:08 | |
# She can't help it The girl can't help it | 0:02:08 | 0:02:10 | |
# Yeah, she's got A figure made to squeeze | 0:02:10 | 0:02:13 | |
# Won't you kindly be aware | 0:02:15 | 0:02:17 | |
# The girl can't help it The girl can't help it | 0:02:17 | 0:02:21 | |
# As she walks by Men folks get 'n' goes | 0:02:25 | 0:02:28 | |
# She can't help it The girl can't help it | 0:02:28 | 0:02:31 | |
# As she winks an eye The bread starts turning to toast | 0:02:31 | 0:02:34 | |
# She can't help it The girl can't help it | 0:02:34 | 0:02:36 | |
# Yeah, she got a lot Of what they call the most | 0:02:36 | 0:02:39 | |
# She can't help it The girl can't help it | 0:02:39 | 0:02:41 | |
# The girl can't help it She was born to please | 0:02:41 | 0:02:44 | |
# She can't help it The girl can't help it | 0:02:44 | 0:02:46 | |
# And she's got A figure made to squeeze | 0:02:46 | 0:02:49 | |
# She can't help it The girl can't help it | 0:02:49 | 0:02:52 | |
# Won't you kindly be aware | 0:02:52 | 0:02:54 | |
# The girl can't help it The girl can't help it | 0:02:54 | 0:02:57 | |
# Because I'm hoping Honestly | 0:02:57 | 0:02:59 | |
# That some day The answer will be | 0:02:59 | 0:03:02 | |
# The girl can't help it Cos she's in love with me | 0:03:02 | 0:03:05 | |
# She can't help it The girl can't help it. # | 0:03:05 | 0:03:08 | |
THEY PLAY JAZZ | 0:03:12 | 0:03:16 | |
Still cadging free drinks, huh? OK, Nick, put it on my tab. | 0:03:23 | 0:03:28 | |
If I can find room. PHONE RINGS | 0:03:28 | 0:03:32 | |
Hello? LOUD JAZZ | 0:03:33 | 0:03:35 | |
Yeah, he's here. It's for you. | 0:03:35 | 0:03:39 | |
Hello. Yes, this is Miller. | 0:03:39 | 0:03:43 | |
Sorry, I can't talk now. I'm just closing a big deal on one of my acts. | 0:03:43 | 0:03:49 | |
It's closed. I make fast deals. | 0:03:52 | 0:03:56 | |
Tonight? No, I'm working on another big deal tonight. | 0:03:56 | 0:04:00 | |
What's that address again? | 0:04:00 | 0:04:03 | |
942...Park Avenue? | 0:04:03 | 0:04:06 | |
Apartment 1502. | 0:04:09 | 0:04:11 | |
I might make it after all. | 0:04:11 | 0:04:14 | |
OK, 8.30. | 0:04:14 | 0:04:16 | |
DOORBELL RINGS | 0:04:34 | 0:04:36 | |
I'm Miller. I'm Mousey. | 0:04:40 | 0:04:43 | |
WOMAN SINGING In there, he's expecting you. | 0:04:47 | 0:04:52 | |
Who is? | 0:04:53 | 0:04:56 | |
SINGING GETS LOUDER | 0:04:58 | 0:05:01 | |
# I didn't have to wait all night | 0:05:01 | 0:05:04 | |
# Till I began to see the light | 0:05:04 | 0:05:07 | |
# Kate did a dance that was something new... | 0:05:07 | 0:05:09 | |
Hey Miller! Grab yourself a chair. | 0:05:09 | 0:05:13 | |
# ..Why all the boys are going wild | 0:05:13 | 0:05:16 | |
# Over sister Katie's | 0:05:17 | 0:05:21 | |
# Style | 0:05:21 | 0:05:23 | |
# I...wish that I could shimmy like my sister Kate | 0:05:24 | 0:05:29 | |
# She shivers like the jelly | 0:05:29 | 0:05:30 | |
# On a plate HE LAUGHS | 0:05:30 | 0:05:33 | |
# My man, he wanted to know last night | 0:05:33 | 0:05:36 | |
# Why all the boys treat sister Kate so right | 0:05:36 | 0:05:39 | |
# Every boy in our neighbourhood | 0:05:39 | 0:05:43 | |
# Knows that she can shimmy And she shimmies good... | 0:05:43 | 0:05:47 | |
Lay off the booze, Miller. | 0:05:47 | 0:05:49 | |
# ..When I can shimmy like my sister Kate, uh-huh | 0:05:49 | 0:05:53 | |
# Shimmy like my sister Kate. # | 0:05:53 | 0:05:59 | |
APPLAUSE | 0:06:00 | 0:06:03 | |
Put the other reel on, Mousey. | 0:06:05 | 0:06:08 | |
I love old movies at home. Like TV, except no commercials. | 0:06:10 | 0:06:14 | |
Glad you could come, Miller. Thanks, Mr... | 0:06:14 | 0:06:17 | |
Murdock. You can forget the mister. My friends call me Marty. | 0:06:17 | 0:06:22 | |
Fats Marty. | 0:06:22 | 0:06:24 | |
Fats Marty? Ring a bell? | 0:06:24 | 0:06:27 | |
Vaguely, I seem to remember the name. Vaguely. Vaguely I don't like it. | 0:06:27 | 0:06:33 | |
My memory isn't the best. Drink? | 0:06:33 | 0:06:35 | |
Oh, you were hoarding it. That's brandy. | 0:06:35 | 0:06:38 | |
You're a scotch man. Didn't want you to make a mistake. | 0:06:38 | 0:06:42 | |
I know everything about the people I do business with. | 0:06:42 | 0:06:46 | |
Business ain't been so good lately? I won't waste time lying. | 0:06:46 | 0:06:51 | |
I got no time to waste. Tom Miller, small-time agent. | 0:06:51 | 0:06:55 | |
Once a touch of class, but dropping steadily. Owes maybe three G - | 0:06:55 | 0:07:00 | |
office rent, apartment, big bar bills. | 0:07:00 | 0:07:04 | |
Hey, you even had your Diners' Club card cancelled. | 0:07:04 | 0:07:09 | |
You left out I owe the paper boy. | 0:07:09 | 0:07:12 | |
I also left out you once had a nose for new talent - dug up some big canaries. | 0:07:12 | 0:07:18 | |
But the booze got in your way. | 0:07:18 | 0:07:21 | |
Couldn't hold on to the canaries, right? | 0:07:21 | 0:07:24 | |
Right. Anything else I can tell you? | 0:07:26 | 0:07:29 | |
Like MY drinking is MY business? Thanks for the autobiography. | 0:07:29 | 0:07:35 | |
Integrity. I like that. Even when you can't afford it. | 0:07:35 | 0:07:39 | |
Ha-ha-ha! Ha-ha-ha-ha! | 0:07:39 | 0:07:43 | |
That makes it integrity. | 0:07:43 | 0:07:45 | |
Hey. | 0:07:45 | 0:07:47 | |
Hey, you got a point there. | 0:07:47 | 0:07:51 | |
OK, cool off. | 0:07:51 | 0:07:53 | |
You never mixed business with pleasure. Kept your hands off the lady clients. | 0:07:53 | 0:07:59 | |
That I like. | 0:07:59 | 0:08:02 | |
Si'down, Mr Miller. We're both a couple of has-beens...temporarily. | 0:08:02 | 0:08:07 | |
Come on, si'down. | 0:08:07 | 0:08:10 | |
All right, roll it, Mousey. Here's your drink. | 0:08:10 | 0:08:13 | |
I collect old newreels I got personal interest in. | 0:08:13 | 0:08:18 | |
NEWSREEL: 'Mayor of New York personally attacks illegal gambling. | 0:08:20 | 0:08:23 | |
'Mayor hits jackpot. | 0:08:23 | 0:08:26 | |
'Mayor bids bon voyage to slots. Now other poor fish can gamble. | 0:08:26 | 0:08:31 | |
'Back at the municipal court, the king of the slot-machine syndicate, | 0:08:34 | 0:08:38 | |
'Slim Murdock, goes into custody.' | 0:08:38 | 0:08:40 | |
I was slim back in those days. | 0:08:40 | 0:08:43 | |
'Gambling equipment from raid on Murdock's Long Island casino burns. | 0:08:43 | 0:08:48 | |
'A tip by Legs Wheeler, 13 of Murdock's mob are killed. Murdock vows to wipe out Wheeler.' | 0:08:48 | 0:08:54 | |
I got out of that one too. I had lawyers in those days. | 0:08:54 | 0:08:59 | |
I jumped bail. That's how come I took my first trip to the Continent. | 0:08:59 | 0:09:04 | |
I was kind of a talent scout myself. | 0:09:04 | 0:09:07 | |
'Slim Murdock relaxes on Riviera. | 0:09:08 | 0:09:11 | |
'While New York Crime Commission seeks his extradition, | 0:09:16 | 0:09:20 | |
'Slim Murdock puts on weight making whoopie with European beauties. | 0:09:20 | 0:09:25 | |
'Nice going, Fats!' | 0:09:25 | 0:09:27 | |
"Fats"! That European coosine and no work put the lard on. | 0:09:27 | 0:09:32 | |
Gave me a moniker I never could lose. | 0:09:32 | 0:09:35 | |
I had me a time over there. | 0:09:35 | 0:09:38 | |
Then I got lonely for my native land. | 0:09:38 | 0:09:42 | |
You know, "Breathes there a man with soul so dead..." You know that one? | 0:09:42 | 0:09:48 | |
My lawyer tells me the heat's off, so I come home. | 0:09:48 | 0:09:52 | |
I find out my lawyer's disbarred. | 0:09:52 | 0:09:54 | |
'Atlanta Penitentiary, future home of Fats Murdock, indicted on three counts of income tax evasion.' | 0:09:54 | 0:10:02 | |
Now comes the sad part. | 0:10:02 | 0:10:05 | |
'Fats arrives to start prison term on tips supplied by Legs Wheeler. | 0:10:05 | 0:10:09 | |
'Once a big man, Fats will now be just another number.' | 0:10:09 | 0:10:14 | |
Fats Marty. Of course. | 0:10:23 | 0:10:27 | |
The top boy behind the slot machines. | 0:10:27 | 0:10:31 | |
I should have remembered. | 0:10:31 | 0:10:33 | |
Sorry, Fats. | 0:10:33 | 0:10:36 | |
HE TRIES TO SPEAK | 0:10:36 | 0:10:39 | |
It's all right, Tommy boy. It's all right. | 0:10:40 | 0:10:44 | |
Nobody remembers Fats, no more, Tommy boy. | 0:10:44 | 0:10:48 | |
But things used to be different. | 0:10:48 | 0:10:51 | |
I'd drive down those streets and scare people silly. I was somebody. | 0:10:51 | 0:10:56 | |
I used to get bullet-proof convertibles, ring-side tables, | 0:10:56 | 0:11:00 | |
best box at the polo grounds, right next to the mayor's, you know? | 0:11:00 | 0:11:05 | |
I know. | 0:11:05 | 0:11:08 | |
Now I'm so dead, I don't even get a mention in a scandal magazine. | 0:11:08 | 0:11:12 | |
You used to be a big man. You want to come back, don't you? | 0:11:12 | 0:11:18 | |
I can't go back any further. So we're in business, right? Right. | 0:11:18 | 0:11:22 | |
What business? Show business. | 0:11:22 | 0:11:25 | |
I got a dame, see? Nice, sweet, innocent dame. | 0:11:25 | 0:11:30 | |
But she's a nobody. How can I marry a nobody? You saw her. | 0:11:30 | 0:11:35 | |
I was up there once. That's where you come in. | 0:11:35 | 0:11:39 | |
You're gonna make her into a star. Then the dame and me, we're compatible. | 0:11:39 | 0:11:45 | |
For openers, I pay all your bills, so you can concentrate on building the dame into a big canary. | 0:11:45 | 0:11:52 | |
Only remember - hands off, like you got the rep for. | 0:11:52 | 0:11:56 | |
You'll take me out of hock? 10 Gs now. Advance against your 10%. | 0:11:56 | 0:12:01 | |
A drawn account for songs, special materials, special arrangements, etc, etc, etc. | 0:12:01 | 0:12:07 | |
It's a deal? It's a deal. | 0:12:07 | 0:12:10 | |
Signed, sealed and now...delivered! | 0:12:10 | 0:12:13 | |
Hey, Mousey! Yeah, boss. | 0:12:15 | 0:12:17 | |
Bring in my future star! Yeah, boss. | 0:12:17 | 0:12:20 | |
Easy, Fats, you just can't take any girl and make her a star. | 0:12:20 | 0:12:24 | |
You've done it before... Not me, Fats. The girls had talent. | 0:12:24 | 0:12:29 | |
I've met guys like you. They think a dame has something special, but usually she's got nothing. | 0:12:29 | 0:12:37 | |
I could lie to you, Fats. Take your 10 grand, go through the motions. I can't do it. | 0:12:37 | 0:12:43 | |
Call it integrity, or some other dirty word, but I can't do it. | 0:12:43 | 0:12:48 | |
The girl would know I wasn't interested. | 0:12:48 | 0:12:52 | |
I won't embarrass her. I'll beat it before she shows. | 0:12:52 | 0:12:56 | |
Huuuugh! ICE CLINKS IN GLASS | 0:12:56 | 0:12:58 | |
Mr Miller... | 0:13:01 | 0:13:03 | |
Miss Jerri Jordan. I made up the name myself. It'll look good in lights. You like it? | 0:13:03 | 0:13:09 | |
Very much. Tommy boy, I'm putting her in your hands, figuratively speaking. | 0:13:10 | 0:13:16 | |
You got six weeks to have her a star. | 0:13:16 | 0:13:19 | |
The first thing... Six weeks! Easy, it takes time. | 0:13:19 | 0:13:23 | |
Rome wasn't built in a day. She ain't Rome. | 0:13:23 | 0:13:27 | |
What we're talking about is already built. Right? | 0:13:27 | 0:13:31 | |
No argument. | 0:13:31 | 0:13:33 | |
# Yo-our eyes they shine | 0:13:33 | 0:13:37 | |
# Like stars | 0:13:37 | 0:13:39 | |
# So bright | 0:13:39 | 0:13:41 | |
# Brighter | 0:13:42 | 0:13:44 | |
# Than the heavens | 0:13:44 | 0:13:46 | |
# Above | 0:13:46 | 0:13:48 | |
# Some folks may want the stars | 0:13:51 | 0:13:55 | |
# For stars are always blue | 0:13:55 | 0:13:59 | |
# But darling | 0:13:59 | 0:14:01 | |
# Let them have the stars | 0:14:01 | 0:14:04 | |
# Just take me back to you | 0:14:04 | 0:14:07 | |
# Yo-ou made a mirror of iron tonight | 0:14:07 | 0:14:16 | |
# You're my idea of love. # | 0:14:16 | 0:14:23 | |
Beat it, dead beat. | 0:14:31 | 0:14:34 | |
Scotch. Bottle of Scotch. | 0:14:34 | 0:14:38 | |
NEXT SONG STARTS | 0:14:38 | 0:14:41 | |
Huh! | 0:14:42 | 0:14:44 | |
Hey! What d'you do, find uranium somewhere? Yep. | 0:14:44 | 0:14:48 | |
In Rome, Nicky boy. In Rome. | 0:14:48 | 0:14:52 | |
Cigars? Cigarettes? Hmmm. | 0:14:52 | 0:14:55 | |
Cigars? Cigarettes? Ha-ha-ha-ha. | 0:14:55 | 0:14:58 | |
Why not? | 0:14:58 | 0:15:01 | |
We'll smoke 'em tomorrow, honey. | 0:15:07 | 0:15:10 | |
Ooof! Huh! | 0:15:10 | 0:15:12 | |
But tonight... they're playing our song. | 0:15:12 | 0:15:16 | |
# Gonna find me a pretty mama | 0:15:31 | 0:15:33 | |
# One that's gonna treat me right | 0:15:33 | 0:15:35 | |
# Gonna find me a pretty mama | 0:15:35 | 0:15:37 | |
# One that won't fuss and fight | 0:15:37 | 0:15:39 | |
# Cos I ain't gonna cry no more | 0:15:39 | 0:15:42 | |
# I ain't gonna cry no more | 0:15:42 | 0:15:43 | |
# Well, you take you and your fella | 0:15:43 | 0:15:46 | |
# And make just like the breeze | 0:15:46 | 0:15:48 | |
# Yeah, you take you and your fella | 0:15:48 | 0:15:51 | |
# And add that sauce to eat | 0:15:51 | 0:15:52 | |
# Cos I ain't gonna cry no more | 0:15:52 | 0:15:55 | |
# I ain't gonna cry no more. # | 0:15:55 | 0:15:57 | |
Get your mornin' papers! | 0:16:07 | 0:16:11 | |
Get your mornin' paper, ma'am? No thanks, honey. | 0:16:11 | 0:16:16 | |
Can you tell me where I can find 341? | 0:16:16 | 0:16:18 | |
Second block, ma'am. Thanks, sonny. | 0:16:18 | 0:16:22 | |
HE WOLF-WHISTLES | 0:16:22 | 0:16:23 | |
# She can't help it The girl can't help it | 0:16:23 | 0:16:29 | |
# When she walks by The men folks get 'n' goes | 0:16:29 | 0:16:32 | |
# Can't help it The girl can't help it | 0:16:32 | 0:16:34 | |
# When she winks an eye Bread starts turning to toast | 0:16:34 | 0:16:37 | |
# She can't help it The girl can't help it | 0:16:37 | 0:16:39 | |
# Yeah, she got a lot of what they call the most | 0:16:39 | 0:16:42 | |
# She can't help it The girl can't help it | 0:16:42 | 0:16:44 | |
# The girl can't help it Cos she was born to please | 0:16:44 | 0:16:47 | |
# She can't help it The girl can't help it | 0:16:47 | 0:16:49 | |
# And she's got a figure made to squeeze | 0:16:49 | 0:16:52 | |
# She can't help it The girl can't help it | 0:16:52 | 0:16:54 | |
# Won't you kindly be aware | 0:16:54 | 0:16:57 | |
# The girl can't help it The girl can't help it. # | 0:16:57 | 0:17:00 | |
HE GROANS | 0:17:20 | 0:17:23 | |
Hup! | 0:17:24 | 0:17:26 | |
HE SIGHS | 0:17:41 | 0:17:43 | |
DOOR SLAMS | 0:17:52 | 0:17:54 | |
Good morning, Mr Miller. What are you doing here? | 0:17:58 | 0:18:02 | |
What do you mean? You want my funeral in Fats' newsreels? | 0:18:02 | 0:18:07 | |
But Mr Murdock sent me over. | 0:18:07 | 0:18:10 | |
He sent you? So you can start working on me. | 0:18:10 | 0:18:14 | |
Honey, this is no place to start. | 0:18:14 | 0:18:17 | |
I've been in men's bedrooms before. I grew up with seven brothers and a father. | 0:18:17 | 0:18:23 | |
Besides, you're half-dressed already. | 0:18:23 | 0:18:27 | |
Don't come in here. I think you need this. | 0:18:34 | 0:18:39 | |
What's in it? | 0:18:39 | 0:18:41 | |
It'll make you feel better. Are you sure? | 0:18:41 | 0:18:45 | |
I made them for my father. He drank a lot trying to forget my mother. | 0:18:45 | 0:18:50 | |
I'm sorry, I... Sorry? | 0:18:50 | 0:18:53 | |
I didn't know your mo... She isn't - that's why my father drank. | 0:18:53 | 0:18:58 | |
How do you feel now, Mr Miller? Fine. | 0:19:04 | 0:19:08 | |
Bottle that recipe, you'll make a fortune. Ha-ha! You oughtn't to be doing all this. | 0:19:08 | 0:19:15 | |
I'm domestic. I hope you like egg souffle. | 0:19:15 | 0:19:19 | |
Souffle? Mm-hmm. It's not exactly a breakfast, but it's eggs. | 0:19:19 | 0:19:24 | |
I figured you took strong coffee. | 0:19:24 | 0:19:27 | |
Good figuring. | 0:19:27 | 0:19:30 | |
Except I wouldn't have figured you as...domestic. | 0:19:30 | 0:19:34 | |
It's one of my favourite pastimes. | 0:19:34 | 0:19:37 | |
What is? Cooking. OVEN DOOR SQUEAKS | 0:19:38 | 0:19:42 | |
What are the others? Oh, keeping house. You know. | 0:19:44 | 0:19:49 | |
Keeping everything neat. | 0:19:49 | 0:19:52 | |
I noticed that. Mmm? | 0:19:52 | 0:19:55 | |
Not HIS place, I mean my own place. You th... | 0:19:55 | 0:20:00 | |
Oh, no, I mean MY OWN place. | 0:20:00 | 0:20:03 | |
But I only get a chance to keep house on the maid's day off. How's your souffle? | 0:20:03 | 0:20:09 | |
Bottle it. You got another fortune. I'm glad you like it. | 0:20:13 | 0:20:17 | |
I like it but... I'm a little confused. | 0:20:17 | 0:20:21 | |
Who isn't? You know, sometimes I think I'm mixed up. | 0:20:21 | 0:20:26 | |
I mean, if you like keeping house, why a maid? | 0:20:26 | 0:20:30 | |
Mr Murdock doesn't want me to work. He says I have to BE a career. | 0:20:30 | 0:20:35 | |
Have to be? Most pretty girls WANT careers. Pretty! | 0:20:35 | 0:20:41 | |
You should see me without make-up. I'll show you some time. | 0:20:41 | 0:20:45 | |
Pretty is how good you apply your base. You don't want a career? | 0:20:45 | 0:20:51 | |
I just wanna be a wife. | 0:20:51 | 0:20:54 | |
Have kids. | 0:20:54 | 0:20:56 | |
But everyone figures me for a sexpot. | 0:20:56 | 0:21:00 | |
No-one thinks I'm equipped for motherhood. | 0:21:00 | 0:21:04 | |
# Ready, set | 0:21:06 | 0:21:07 | |
# Go man, go | 0:21:07 | 0:21:08 | |
# I've got a girl that I love so | 0:21:08 | 0:21:11 | |
# I'm ready | 0:21:11 | 0:21:12 | |
# Ready, ready, set I'm ready | 0:21:12 | 0:21:16 | |
# Ready, ready set I'm | 0:21:16 | 0:21:17 | |
# Ready, ready, ready to Rock'n'roll | 0:21:17 | 0:21:20 | |
# Going to the corner Pick up my sweetie pie | 0:21:20 | 0:21:22 | |
# She's my rock'n'roll baby She's the apple of my eye | 0:21:22 | 0:21:24 | |
# I'm ready | 0:21:24 | 0:21:25 | |
# Ready, ready, set I'm ready | 0:21:25 | 0:21:30 | |
# Ready, ready, set I'm | 0:21:30 | 0:21:31 | |
# Ready, ready, ready to Rock'n'roll | 0:21:31 | 0:21:33 | |
# All the flat top cats And the dungaree dogs | 0:21:33 | 0:21:35 | |
# Are heading from the gym To the society ball | 0:21:35 | 0:21:38 | |
# The dogs are really jumpin'... | 0:21:38 | 0:21:39 | |
Mr Miller? Yes. | 0:21:39 | 0:21:42 | |
Why must I keep my stole on in here? | 0:21:42 | 0:21:46 | |
It's the first step in your build-up. | 0:21:46 | 0:21:49 | |
You're building me up? I'll explain later. | 0:21:49 | 0:21:53 | |
# ..Are heading from the gym To the society ball | 0:21:53 | 0:21:55 | |
# The dogs are really jumpin' The cats are going wild | 0:21:55 | 0:21:58 | |
# The music really seem Like it did the first time | 0:21:58 | 0:22:00 | |
# I'm ready | 0:22:00 | 0:22:01 | |
# Ready, ready, steady I'm ready | 0:22:01 | 0:22:05 | |
# Ready, ready, steady | 0:22:05 | 0:22:07 | |
# Ready, ready, ready to Rock'n'roll | 0:22:07 | 0:22:09 | |
# Gonna kick off my shoes Roll up my faded jeans | 0:22:09 | 0:22:11 | |
# Tell my rock'n'roll baby To get up on the stage | 0:22:11 | 0:22:13 | |
# I step to the left I step to the right | 0:22:13 | 0:22:15 | |
# Gonna rock and roll To the early, early night | 0:22:15 | 0:22:18 | |
# I'm ready | 0:22:18 | 0:22:19 | |
# Ready, ready, steady I'm ready | 0:22:19 | 0:22:23 | |
# Ready, ready, steady | 0:22:23 | 0:22:24 | |
# Ready, ready, ready to Rock'n'roll. # | 0:22:24 | 0:22:28 | |
It depends on strategy. | 0:22:37 | 0:22:40 | |
If I told the owner I had a sensational performer, he has to figure I'm axe-grinding for my 10%. | 0:22:40 | 0:22:47 | |
But if I DON'T try to sell him, he sees her, he flips, | 0:22:47 | 0:22:52 | |
and he comes to me to check on her. | 0:22:52 | 0:22:54 | |
I don't see anybody flipping or checking. You will. | 0:22:54 | 0:22:59 | |
Take your stole off and go to the powder room. Powder room? | 0:22:59 | 0:23:04 | |
Just visit a while. | 0:23:04 | 0:23:07 | |
But walk by the reservation desk - that's where the owner hangs out. | 0:23:07 | 0:23:12 | |
On your way. | 0:23:12 | 0:23:15 | |
Seems awfully silly, Mr Miller. | 0:23:15 | 0:23:18 | |
Operation Powder Room in operation. Yes, sir! | 0:23:20 | 0:23:25 | |
# Looking so pretty And this is what I say | 0:23:25 | 0:23:27 | |
# She's got it | 0:23:27 | 0:23:29 | |
# Ooh, baby, she's got it | 0:23:29 | 0:23:33 | |
# I can't do without her | 0:23:33 | 0:23:36 | |
# Big blue eyes Long black hair | 0:23:36 | 0:23:38 | |
# Ample cheeks And she's no square | 0:23:38 | 0:23:40 | |
# She's got it | 0:23:40 | 0:23:41 | |
# Ooh, baby, she's got it | 0:23:41 | 0:23:46 | |
# I can't do without her | 0:23:46 | 0:23:48 | |
# Her ruby lips Shapely hips | 0:23:48 | 0:23:51 | |
# She walk down the street And all the cats flips | 0:23:51 | 0:23:53 | |
# She's got it | 0:23:53 | 0:23:54 | |
# Ooh, baby, she's got it | 0:23:54 | 0:23:58 | |
# I can't do without her | 0:23:58 | 0:24:01 | |
# She love to sing | 0:24:01 | 0:24:02 | |
# Hot-rod queen | 0:24:02 | 0:24:03 | |
# She's real gone in everything | 0:24:03 | 0:24:05 | |
# She's got it | 0:24:05 | 0:24:07 | |
# Ooh, baby, she's got it | 0:24:07 | 0:24:11 | |
# I can't do without her | 0:24:11 | 0:24:12 | |
# Aaaaa-ah.... # | 0:24:12 | 0:24:14 | |
It seems silly. I gave the powder room lady a quarter - what for? | 0:24:21 | 0:24:25 | |
Listen. Don't say anything except, "Ask my agent." "Ask my agent"? | 0:24:25 | 0:24:31 | |
No matter what anyone says, you say, "Ask my agent." | 0:24:31 | 0:24:35 | |
Hi, Tom, haven't seen you lately. How's Julie London? | 0:24:35 | 0:24:39 | |
Hiya, Lucas, like the show. I hope madame shares your opinion. | 0:24:39 | 0:24:43 | |
Ask my agent. The beautiful lady is a performer, hey? | 0:24:43 | 0:24:47 | |
Ask my agent. | 0:24:47 | 0:24:50 | |
What do you do? Er, sing, dance..? | 0:24:50 | 0:24:54 | |
Ask my agent. Oh, ha-ha-ha! | 0:24:54 | 0:24:58 | |
The lady's a comedienne, hey? | 0:24:58 | 0:25:01 | |
She's under wraps, Lucas. See you around. Come on, honey. | 0:25:01 | 0:25:06 | |
Hey, Tom - you sell her anywhere else, and you're barred from here. | 0:25:06 | 0:25:10 | |
You couldn't meet her price, Lucas. | 0:25:10 | 0:25:14 | |
She's got it all. | 0:25:14 | 0:25:17 | |
# I wanna kiss | 0:25:18 | 0:25:20 | |
# I wanna cling | 0:25:20 | 0:25:21 | |
# But baby there's a time and place for everything | 0:25:21 | 0:25:22 | |
# So please, please, cool it, baby | 0:25:22 | 0:25:25 | |
# Show the gang you ain't no square | 0:25:25 | 0:25:27 | |
# Cool it, baby | 0:25:27 | 0:25:29 | |
# We don't want those cats to stare | 0:25:29 | 0:25:32 | |
# Coolly do it, baby Make like a polar bear | 0:25:32 | 0:25:35 | |
# Oh, there's Sam with Sue Viv with Gus | 0:25:36 | 0:25:38 | |
# They all got stooby-dooby eyes on us | 0:25:38 | 0:25:41 | |
# So cool it, baby | 0:25:41 | 0:25:42 | |
# Oh, you know I need you so | 0:25:42 | 0:25:45 | |
# Cool it, baby | 0:25:45 | 0:25:46 | |
# Take it easy, take it slow | 0:25:46 | 0:25:49 | |
# Coolly do it, baby Make like an eskimo | 0:25:49 | 0:25:52 | |
# I love your eyes I love your lips | 0:26:07 | 0:26:10 | |
# They taste even better than potato chips | 0:26:10 | 0:26:12 | |
# Cool it, baby... | 0:26:12 | 0:26:14 | |
You want anything, miss? No thanks, just visiting. | 0:26:16 | 0:26:20 | |
# ..We'll go, go, go Till we're all in love again. # | 0:26:24 | 0:26:31 | |
# She's got sugar-dip kisses Sugar-dip kisses | 0:26:39 | 0:26:43 | |
# And cherry-dip charms Cherry-dip charms | 0:26:43 | 0:26:45 | |
# And I melt like butter Melt like butter | 0:26:45 | 0:26:49 | |
# In her honey-coat arms In her honey-coat arms | 0:26:49 | 0:26:51 | |
# She's a kick-flicking baby Oh, what a baby | 0:26:51 | 0:26:55 | |
# And I love her pies Love her pies | 0:26:55 | 0:26:58 | |
# But she's a cinnamon sinner | 0:26:58 | 0:27:00 | |
# Selling lollipop lies | 0:27:00 | 0:27:03 | |
# She's got sugar-dip trimmings Sugar-dip trimmings | 0:27:03 | 0:27:07 | |
# Sprinkled with lime Sprinkled with lime | 0:27:07 | 0:27:10 | |
# And her heart ever lovin' Heart ever lovin' | 0:27:10 | 0:27:13 | |
# Is cookin' all the time | 0:27:13 | 0:27:16 | |
# Well, she's a kick-flicking baby Oh, what a baby | 0:27:16 | 0:27:19 | |
# And I love her pies Love her pies | 0:27:19 | 0:27:22 | |
# But she's a cinnamon sinner | 0:27:22 | 0:27:25 | |
# Selling lollipop lies | 0:27:25 | 0:27:28 | |
# Who's gonna buy her lies today? | 0:27:29 | 0:27:34 | |
# Who's gonna be unwise today? | 0:27:35 | 0:27:41 | |
# Well, who's gonna need Who's gonna need | 0:27:41 | 0:27:44 | |
# Who's gonna need her sympathy? | 0:27:44 | 0:27:47 | |
# Who? Who? Who? Who? | 0:27:47 | 0:27:49 | |
# Who, but a fool like me? | 0:27:49 | 0:27:52 | |
# But she's my marsh-mallow mama Oh, what a mama | 0:27:52 | 0:27:56 | |
# With a jelly-roll heart Jelly-roll heart | 0:27:56 | 0:27:59 | |
# She's a sweet-toothed teaser | 0:27:59 | 0:28:02 | |
# Who, who Can really play her part | 0:28:02 | 0:28:04 | |
# But I think she's second sister | 0:28:05 | 0:28:09 | |
# Wearing a disguise | 0:28:09 | 0:28:11 | |
# For my cinnamon sinner | 0:28:11 | 0:28:14 | |
# Selling lollipop lies. # | 0:28:14 | 0:28:19 | |
If it isn't Miller, the demon agent. Where you been hiding? Around. | 0:28:28 | 0:28:33 | |
We were just leaving, Sam. | 0:28:33 | 0:28:36 | |
Come on, honey. You got to be up early to work on the new arrangement. | 0:28:36 | 0:28:42 | |
Arrangement? You sing, too? | 0:28:42 | 0:28:44 | |
Ask my agent. | 0:28:44 | 0:28:47 | |
I intend to. | 0:28:48 | 0:28:51 | |
You couldn't meet her price, Sam. | 0:28:51 | 0:28:54 | |
# Spread the word Spread the gospel | 0:28:59 | 0:29:01 | |
# Let the congregation know | 0:29:01 | 0:29:03 | |
# That a cornet was the downfall Of the walls of Jericho | 0:29:03 | 0:29:08 | |
# Spread the word | 0:29:08 | 0:29:10 | |
# Spread the gospel | 0:29:10 | 0:29:13 | |
# Speak the truth | 0:29:13 | 0:29:15 | |
# It will be heard | 0:29:15 | 0:29:18 | |
# Till the next revival meeting | 0:29:18 | 0:29:22 | |
# Spread the gospel Spread the word | 0:29:22 | 0:29:27 | |
# So he writ the manuscriptures | 0:29:27 | 0:29:30 | |
# Did the leader of the flock | 0:29:30 | 0:29:32 | |
# And his music is my saviour | 0:29:32 | 0:29:35 | |
# And his rhythm is my rock | 0:29:35 | 0:29:37 | |
# Spread the word | 0:29:37 | 0:29:39 | |
# Spread the gospel | 0:29:39 | 0:29:42 | |
# Speak the truth | 0:29:42 | 0:29:44 | |
# It will be heard | 0:29:44 | 0:29:47 | |
# Go among the disbelievers | 0:29:47 | 0:29:51 | |
# Spread the gospel Spread the word | 0:29:51 | 0:29:56 | |
# Angel Gabriel blows his trumpet... | 0:29:56 | 0:29:59 | |
Now? Now. | 0:29:59 | 0:30:02 | |
# ..Spread the word | 0:30:06 | 0:30:08 | |
# Spread the gospel | 0:30:08 | 0:30:10 | |
# Speak the truth | 0:30:10 | 0:30:13 | |
# It will be heard | 0:30:13 | 0:30:15 | |
# Till we get there with the faithful... | 0:30:15 | 0:30:20 | |
Pardon me, miss. I'm Joe Rodgers. I own this place. Can I be of any service? | 0:30:22 | 0:30:28 | |
I'm going to the powder room! Ooh, that was an ad lib. | 0:30:28 | 0:30:32 | |
Sorry, ask my agent. Bye bye. | 0:30:32 | 0:30:36 | |
# ..Speak the truth | 0:30:39 | 0:30:41 | |
# It will be heard | 0:30:41 | 0:30:44 | |
# Glory be And hallelujah | 0:30:44 | 0:30:49 | |
# Spread the gospel Spread the word. # | 0:30:49 | 0:30:56 | |
APPLAUSE | 0:30:56 | 0:30:59 | |
SLOW DANCE MUSIC | 0:31:02 | 0:31:05 | |
See how that strategy pans out? | 0:31:11 | 0:31:14 | |
The first time out, and already four owners are drooling over you. | 0:31:14 | 0:31:19 | |
Not now. The owner isn't at the desk. | 0:31:20 | 0:31:23 | |
This one's on me. | 0:31:23 | 0:31:26 | |
I never noticed before, but they put them too far from the tables. | 0:31:48 | 0:31:53 | |
No more walking. I promise. Hm. | 0:31:53 | 0:31:57 | |
Good night, Jerri. Good night, Mr Miller. | 0:31:57 | 0:32:00 | |
See you tomorrow. Mm-hmm. | 0:32:00 | 0:32:03 | |
Oh, Mr Miller... | 0:32:03 | 0:32:05 | |
Mmm? Why do you drink so much? | 0:32:05 | 0:32:09 | |
Just a habit, I suppose. A girl habit? | 0:32:09 | 0:32:13 | |
Girls? No! I haven't got a girl! | 0:32:13 | 0:32:17 | |
Mr Miller. | 0:32:20 | 0:32:22 | |
If it was Julie London... | 0:32:22 | 0:32:25 | |
she wasn't very bright. | 0:32:25 | 0:32:28 | |
RECORD CRACKLES | 0:32:59 | 0:33:02 | |
MUSIC BEGINS | 0:33:06 | 0:33:09 | |
# Now you say you're lonely | 0:33:26 | 0:33:34 | |
# You cry the long night through | 0:33:34 | 0:33:39 | |
# Well, you can cry me a river | 0:33:39 | 0:33:43 | |
# Cry me a river | 0:33:45 | 0:33:47 | |
# I cried a river | 0:33:48 | 0:33:51 | |
# Over you | 0:33:51 | 0:33:55 | |
# Now you say you're sorry | 0:33:56 | 0:34:02 | |
# For being so untrue | 0:34:03 | 0:34:09 | |
# Well, you can cry me a river | 0:34:09 | 0:34:13 | |
# Cry me a river | 0:34:14 | 0:34:17 | |
# I cried a river | 0:34:18 | 0:34:21 | |
# Over you | 0:34:21 | 0:34:26 | |
# You drove me | 0:34:26 | 0:34:28 | |
# Nearly drove me out of my head | 0:34:28 | 0:34:32 | |
# While you never shed | 0:34:32 | 0:34:36 | |
# A tear | 0:34:36 | 0:34:39 | |
# Remember, I remember | 0:34:41 | 0:34:44 | |
# All that you said | 0:34:44 | 0:34:48 | |
# Told me love was too plebian | 0:34:48 | 0:34:51 | |
# Told me you were through with me | 0:34:51 | 0:34:55 | |
# And now | 0:34:55 | 0:34:58 | |
# You say you love me | 0:34:58 | 0:35:03 | |
# Well, just to prove | 0:35:03 | 0:35:06 | |
# You do | 0:35:06 | 0:35:09 | |
# Come on and cry me a river | 0:35:09 | 0:35:13 | |
# Cry me a river | 0:35:14 | 0:35:17 | |
# I cried a river | 0:35:18 | 0:35:21 | |
# Over you | 0:35:21 | 0:35:25 | |
# I cried a river | 0:35:32 | 0:35:35 | |
# Over you | 0:35:35 | 0:35:39 | |
VOICE ECHOES: # I cried a river | 0:35:39 | 0:35:42 | |
# Over you | 0:35:42 | 0:35:46 | |
VOICE FADES: # I cried a river | 0:35:46 | 0:35:49 | |
# Over you | 0:35:49 | 0:35:54 | |
# I cried a river | 0:35:54 | 0:35:56 | |
# Over you... # | 0:35:56 | 0:36:00 | |
He picked her up at her place, 9.25. Cab to the Hi-Hat, | 0:36:07 | 0:36:11 | |
Late Place, Jungle Room, Sunrise Club, cab back, left her at the front door, 2.40. | 0:36:11 | 0:36:18 | |
Pub crawl, huh? I don't get it, and I don't like it. | 0:36:18 | 0:36:22 | |
Tell him to come to Long Island tomorrow. | 0:36:22 | 0:36:25 | |
Never mind. You better call Jerri. Why? | 0:36:25 | 0:36:29 | |
Something's wrong. | 0:36:29 | 0:36:32 | |
Every place, first thing. | 0:36:32 | 0:36:35 | |
Off to the powder room. | 0:36:35 | 0:36:38 | |
Poor kid. | 0:36:39 | 0:36:41 | |
What do you mean, "What does she do?" Listen, Rodgers, she sings. | 0:36:49 | 0:36:54 | |
She's got a great pair of lungs. | 0:36:54 | 0:36:57 | |
Come up with a deal and we'll talk. | 0:36:59 | 0:37:02 | |
KNOCK ON DOOR Come in. | 0:37:02 | 0:37:04 | |
Mr Miller, look! | 0:37:04 | 0:37:07 | |
Made it, huh? | 0:37:07 | 0:37:10 | |
Tom Miller pubbed it with a new find. | 0:37:12 | 0:37:15 | |
Her name is a secret but the rest of her isn't. | 0:37:15 | 0:37:19 | |
I saw her yesterday. She's something! | 0:37:19 | 0:37:23 | |
She's a girl, Barry. Just a girl. | 0:37:23 | 0:37:25 | |
If she's a girl, then I don't know what my sister is! | 0:37:25 | 0:37:29 | |
CAR HORN TOOTS OUTSIDE | 0:37:32 | 0:37:35 | |
You ready up there? I'm ready! | 0:37:36 | 0:37:40 | |
Oh, hi, how are you, sonny? | 0:37:40 | 0:37:43 | |
"Sonny". That's what makes juvenile delinquent. | 0:37:43 | 0:37:47 | |
Leave the papers here, Barry. Listen, Mr Miller. | 0:37:49 | 0:37:53 | |
Take me on for a client. That would impress her. I can sing, honest! | 0:37:53 | 0:37:59 | |
Sorry, Barry, I got my hands full. | 0:37:59 | 0:38:02 | |
There's gotta be an answer to that. | 0:38:02 | 0:38:06 | |
He has a place out here, too? | 0:38:13 | 0:38:16 | |
It used to be the casino. He likes it because of the memories. | 0:38:16 | 0:38:20 | |
The old ancestral home, huh? Mr Murdock wasn't born there. | 0:38:20 | 0:38:24 | |
But most of his best friends were killed there, you know, in police raids and everything. | 0:38:24 | 0:38:31 | |
Don't worry, Mr Murdock put new carpets in all over. | 0:38:32 | 0:38:36 | |
Well, how's this for a picnic? | 0:38:45 | 0:38:49 | |
Picnic? It's a surprise! I'll get the lunch. | 0:38:49 | 0:38:53 | |
Won't Fats be surprised? He's expecting us. | 0:38:53 | 0:38:57 | |
We have lots of time. You get the basket, I'll undress. | 0:38:57 | 0:39:02 | |
Undress? Wait a minute. | 0:39:02 | 0:39:05 | |
There are blankets in here, too. | 0:39:19 | 0:39:22 | |
Blankets? To sit on! Come on, bring the lunch. | 0:39:22 | 0:39:27 | |
If I have the strength. | 0:39:31 | 0:39:33 | |
My mother would say, "Be nice to Mr Murdock, Georgiana." | 0:39:53 | 0:39:57 | |
My father would say the same, so I'm nice to Mr Murdock. | 0:39:57 | 0:40:02 | |
Georgiana. I like that. | 0:40:02 | 0:40:05 | |
Now I'm a Jerri. You think a boy's name fits me? | 0:40:05 | 0:40:09 | |
Hardly. | 0:40:10 | 0:40:12 | |
I sure don't think it does. You like how I fry fried chicken? | 0:40:12 | 0:40:16 | |
Delicious. | 0:40:16 | 0:40:19 | |
Yesterday you wanted me to bottle everything. | 0:40:19 | 0:40:24 | |
OK, bottle it! | 0:40:24 | 0:40:26 | |
When did you first meet Fat... Mr Murdock? | 0:40:27 | 0:40:32 | |
I was just a kid. You know, young, but developed early. | 0:40:32 | 0:40:36 | |
Where did you meet him? In Atlanta, on visiting days. | 0:40:36 | 0:40:41 | |
At the penitentiary? Mm-hmm. I went there with my father. | 0:40:41 | 0:40:46 | |
You see, Mr Murdock and my father were former business associates. | 0:40:46 | 0:40:51 | |
I'm afraid it's just lemonade. | 0:40:51 | 0:40:53 | |
Not that frozen stuff. I squeezed fresh lemons early this morning. | 0:40:53 | 0:40:58 | |
Early, before you had your base on? I was a mess! | 0:40:58 | 0:41:03 | |
I don't believe it. | 0:41:03 | 0:41:05 | |
Then when did you and Murdock get together again? | 0:41:05 | 0:41:09 | |
He's finally got out of jail. Now I could visit my father for a change. | 0:41:09 | 0:41:15 | |
But I'd grown up. One night Mr Murdock looked at me funny and it happened. I see. | 0:41:15 | 0:41:21 | |
Oh, nothing like that. | 0:41:21 | 0:41:24 | |
Mr Murdock looked at me funny and said he was falling in love with me. | 0:41:24 | 0:41:28 | |
I said I was the first girl he'd made a pass at since he got out. | 0:41:28 | 0:41:33 | |
He said, no, he really did love me, and he was going to make me a somebody. | 0:41:33 | 0:41:39 | |
We better go now. I'm sorry, I talk so much. | 0:41:39 | 0:41:43 | |
It was very interesting, Georgiana. A love story always is. Love story? I owe him. | 0:41:43 | 0:41:49 | |
Owe him? | 0:41:49 | 0:41:51 | |
For my father. Like I told you, they were business associates. | 0:41:51 | 0:41:57 | |
If it wasn't for Mr Murdock, my father would have got life, not ten years. | 0:41:57 | 0:42:02 | |
SHOTS FIRE | 0:42:11 | 0:42:13 | |
What was that?! | 0:42:13 | 0:42:15 | |
It's just the exhaust from a fishing boat. | 0:42:15 | 0:42:20 | |
Don't be so nervous, Mr Miller! | 0:42:20 | 0:42:23 | |
If it's what I'm thinking... | 0:42:23 | 0:42:26 | |
GUN FIRES | 0:42:37 | 0:42:39 | |
You haven't lost the old pitchin' arm, boss. | 0:42:39 | 0:42:43 | |
- Ain't they supposed to be here? - Don't worry about Jerri. | 0:42:43 | 0:42:48 | |
She's always on the dot. | 0:42:48 | 0:42:51 | |
(She'd better be.) | 0:42:51 | 0:42:53 | |
Legs Wheeler tipped off the cops. It was a massacre. | 0:42:54 | 0:42:58 | |
Pittsburgh Phil got it right here, next to shot-gun Shortie. | 0:42:58 | 0:43:03 | |
Oh, yeah, Baby Face Ranaldi. | 0:43:03 | 0:43:06 | |
This is where he got blasted, right through the hat band. | 0:43:06 | 0:43:10 | |
That makes 13, don't it? | 0:43:10 | 0:43:13 | |
I stopped counting with Mugsy The Mugger. Oh, Mugsy. | 0:43:13 | 0:43:17 | |
Nice guy. Looked like a sieve. He got it right where you're sitting. | 0:43:17 | 0:43:22 | |
You need a refill. You know something, Tommy boy? | 0:43:22 | 0:43:26 | |
I could run guided tours through this joint! Ha-ha-ha! | 0:43:26 | 0:43:31 | |
It's kind of a educational, kind of historical kind of place. | 0:43:33 | 0:43:38 | |
It's not one of them "George Washington slept here" places. | 0:43:38 | 0:43:42 | |
But the guys that slept here really slept here, huh? Ha-ha-ha-ha! | 0:43:42 | 0:43:46 | |
Hey! | 0:43:48 | 0:43:49 | |
Jerri! Yes. | 0:43:49 | 0:43:52 | |
I told you before. No apron! | 0:43:52 | 0:43:56 | |
I was just fixing crepes suzette, Mr Murdock. | 0:43:56 | 0:43:59 | |
Well, stop fixing - they're fattening! | 0:43:59 | 0:44:03 | |
Dumb broad! All she thinks of is cooking. | 0:44:03 | 0:44:07 | |
How can you make a star with a waistline full of calories? | 0:44:07 | 0:44:12 | |
I'm not gonna make her a star, Fats. | 0:44:12 | 0:44:15 | |
You're not what? | 0:44:15 | 0:44:17 | |
I want out of the deal, Fats. Get yourself another agent. | 0:44:17 | 0:44:22 | |
I got myself an agent. Be reasonable, Fats. | 0:44:22 | 0:44:26 | |
She isn't interested in a career. You just said so yourself. | 0:44:26 | 0:44:30 | |
If a girl's gonna make it big in show business, she's got to be... vitally interested in it. | 0:44:30 | 0:44:37 | |
"Vitally", huh? | 0:44:37 | 0:44:40 | |
Hey, Mousey! Yeah, boss. Turn 'em loose! | 0:44:40 | 0:44:44 | |
At night, boss? You can't see! | 0:44:44 | 0:44:47 | |
Turn 'em loose! | 0:44:47 | 0:44:50 | |
It don't matter she ain't vitally interested. | 0:44:55 | 0:44:59 | |
Just make her into a star, like you did with, er... What's her name? | 0:44:59 | 0:45:03 | |
Julie London. You remember her, don't you? | 0:45:03 | 0:45:08 | |
You know me, vague on names. I'll help you. | 0:45:08 | 0:45:12 | |
Julie went for you. All the singing she wanted was lullabies. | 0:45:12 | 0:45:16 | |
But you were an eager agent, pushing her into a career she didn't want. | 0:45:16 | 0:45:21 | |
Personally, I think you made a mistake. She was a good-looking dame. | 0:45:21 | 0:45:26 | |
But she's a big record name now. So where's the "vitally interested"? | 0:45:26 | 0:45:32 | |
Shooting a little low, aren't you, Fats? | 0:45:32 | 0:45:35 | |
Just conversation. The point is, you did it with Julie. | 0:45:35 | 0:45:40 | |
I like the way you did it with Jerri, doing that night club crawl. | 0:45:40 | 0:45:44 | |
You're a real live wire, Miller. | 0:45:44 | 0:45:49 | |
Let 'em loose, Mousey! | 0:45:49 | 0:45:51 | |
GUN SHOTS | 0:45:53 | 0:45:55 | |
And you want to stay a live wire. | 0:45:55 | 0:45:59 | |
"CRY ME A RIVER" ON JUKE BOX | 0:46:16 | 0:46:20 | |
Turn that thing off, will you? What's up, don't you like that song? | 0:46:27 | 0:46:32 | |
No, I don't like it. | 0:46:32 | 0:46:36 | |
I'll tell you why. | 0:46:38 | 0:46:40 | |
Cos every time she sings it, I see her all over the place. | 0:46:40 | 0:46:45 | |
Most of my customers see little green men. I see HER. | 0:46:45 | 0:46:49 | |
Everywhere I look, I see her. | 0:46:49 | 0:46:53 | |
You wanna bet she's sitting on the stool right here? | 0:46:55 | 0:46:59 | |
Hiya, Julie. | 0:46:59 | 0:47:01 | |
MUSIC CONTINUES | 0:47:01 | 0:47:05 | |
Julie? | 0:47:05 | 0:47:07 | |
Julie! | 0:47:10 | 0:47:13 | |
She's gone. | 0:47:14 | 0:47:17 | |
Georgie. Georgie? But you said Julie, pal. | 0:47:28 | 0:47:31 | |
No. It's Georgie. | 0:47:31 | 0:47:35 | |
Georgiana. | 0:47:36 | 0:47:39 | |
# Be bop a lula She's my baby | 0:48:11 | 0:48:14 | |
# Be bop a lula I don't mean maybe | 0:48:14 | 0:48:18 | |
# Be bop a lula She-e-e's my baby doll | 0:48:18 | 0:48:22 | |
# My baby doll, my baby doll | 0:48:22 | 0:48:25 | |
# Well, she's the gal In the ripped blue jeans | 0:48:25 | 0:48:30 | |
# She's the queen of all the teens | 0:48:30 | 0:48:33 | |
# She's the woman that I know | 0:48:33 | 0:48:37 | |
# She's the woman that loves me so Say | 0:48:37 | 0:48:40 | |
# Be bop a lula She's my baby | 0:48:40 | 0:48:44 | |
# Be bop a lula I don't mean maybe | 0:48:44 | 0:48:47 | |
# Be bop a lula She-e-e's my baby doll | 0:48:47 | 0:48:51 | |
# My baby doll, my baby doll | 0:48:51 | 0:48:53 | |
# Let's rock... | 0:48:53 | 0:48:54 | |
We need a room. | 0:49:04 | 0:49:06 | |
Studio B, second floor, five bucks an hour. | 0:49:08 | 0:49:13 | |
# ..She's the woman with the flying feet | 0:49:20 | 0:49:24 | |
# She's the one that walks around the store | 0:49:24 | 0:49:28 | |
# She's the one that gets More, more, more, more | 0:49:28 | 0:49:31 | |
# Be bop a lula... # | 0:49:31 | 0:49:33 | |
Let's get to work. We got a lot to do. | 0:49:33 | 0:49:36 | |
You'll have no trouble with me, Mr Miller. | 0:49:36 | 0:49:40 | |
You vocalise, I'll find your range, then we can have arrangements made. Ready? | 0:49:40 | 0:49:46 | |
I'm ready. I'm ready, except... | 0:49:46 | 0:49:49 | |
Except what? Except... | 0:49:49 | 0:49:53 | |
What happened, Mr Miller? What do you mean? | 0:49:53 | 0:49:56 | |
You're so different today. We're here to work, Jerri. | 0:49:56 | 0:50:00 | |
It's Jerri, not Georgiana any more. What did you two talk about? | 0:50:00 | 0:50:05 | |
Nothing. Mostly about the mortuary he had in his living room. | 0:50:05 | 0:50:10 | |
I saw your face when he was shooting. | 0:50:10 | 0:50:13 | |
Nothing, Jerri! Call me Georgie, please. | 0:50:13 | 0:50:17 | |
I thought we were friends. | 0:50:17 | 0:50:20 | |
I had fun with you and I thought you were having fun with me, too. | 0:50:20 | 0:50:25 | |
I have no friends here except Mousey, and he's afraid of... | 0:50:31 | 0:50:36 | |
You're afraid of him, too. What did he say? | 0:50:36 | 0:50:40 | |
He didn't say. I did. I told him I wanted out. You're not interested in show business. | 0:50:40 | 0:50:47 | |
I didn't want to be part of making you anything you didn't want to be. | 0:50:47 | 0:50:52 | |
That was nice of you to think of me. Whatever it was, it didn't work. Ready? | 0:50:52 | 0:50:57 | |
He got tough, didn't he? Look, I don't want Fats to have to buy another carpet on account of me. | 0:50:57 | 0:51:04 | |
You're going to be Jerri Jordan, singer, darling of the juke boxes, | 0:51:06 | 0:51:10 | |
whether you want to be, or whether I want you to be. | 0:51:10 | 0:51:14 | |
Let's get to work. | 0:51:14 | 0:51:17 | |
All right, let's get to work, Mr Miller. Just try the scales. | 0:51:19 | 0:51:24 | |
HE PLAYS ARPEGGIOS Now try doh. | 0:51:24 | 0:51:27 | |
HE PLAYS NOTE ON PIANO | 0:51:27 | 0:51:29 | |
WAVERING AND OUT OF TUNE: # Do-o-o-o-o-o-o-o-o-h # | 0:51:29 | 0:51:34 | |
Try ray. | 0:51:36 | 0:51:38 | |
WAVERING: # Ra-a-a-a-a-a-a-a-ay # | 0:51:38 | 0:51:43 | |
Better try me. | 0:51:44 | 0:51:47 | |
OUT OF TUNE: # Me-e-e-e-e-e-e-e # | 0:51:48 | 0:51:51 | |
BULB SMASHES | 0:51:51 | 0:51:54 | |
HE SNIGGERS You can't sing! | 0:52:00 | 0:52:03 | |
I know. Have you ever heard anything so awful?! | 0:52:03 | 0:52:07 | |
Never. Never! | 0:52:07 | 0:52:09 | |
THEY LAUGH HYSTERICALLY Now he'll HAVE to let you go! | 0:52:09 | 0:52:14 | |
And you don't have to be in showbiz! | 0:52:14 | 0:52:17 | |
SHE SQUEALS WITH LAUGHTER | 0:52:17 | 0:52:20 | |
That's the straight of it. Jerri just can't sing. | 0:52:24 | 0:52:28 | |
Do you understand, Fats? She can't sing. She just doesn't have a voice. | 0:52:28 | 0:52:35 | |
I stink, Mr Murdock. You don't stink. | 0:52:35 | 0:52:39 | |
I do so. I'm telling you, I stink, stink, stink! | 0:52:39 | 0:52:43 | |
You don't stink! But something smells around here. | 0:52:43 | 0:52:47 | |
No voice, huh? Well, I don't see nothing wrong when she talks. Talk, Jerri! | 0:52:47 | 0:52:53 | |
Stink, stink, STINK, Mr Murdock. | 0:52:53 | 0:52:57 | |
What's wrong with that? She talks good. | 0:52:57 | 0:53:00 | |
Listen, Miller. She's gonna be a singer, like I want her to. | 0:53:00 | 0:53:04 | |
She'll be on every juke box I put a dime in, and I got lots o' dimes for putting in! | 0:53:04 | 0:53:10 | |
Speaking has nothing to do with her singing voice. I'm telling you, she can't sing. | 0:53:10 | 0:53:16 | |
Just listen. | 0:53:16 | 0:53:19 | |
Ready, Jerri. I'm ready, Mr Miller. Hold it. | 0:53:20 | 0:53:24 | |
Watch out for flying glass. | 0:53:30 | 0:53:33 | |
HE PLAYS NOTE Just sing the me. Yes, Mr Miller. | 0:53:34 | 0:53:37 | |
FALTERING: # Me-e-e-e-e-e-e-e # | 0:53:37 | 0:53:41 | |
Miss Jordan. Miss Jordan! Miss Jordan, hurry! | 0:53:53 | 0:53:57 | |
What's the matter, Hilda? | 0:53:57 | 0:53:59 | |
He's on the phone, he's yelling something awful. No! | 0:53:59 | 0:54:03 | |
Hello? | 0:54:08 | 0:54:10 | |
APPLAUSE FROM TELEVISION Where ya been? What's the matter? | 0:54:10 | 0:54:14 | |
Put it on channel two, that's the matter! | 0:54:14 | 0:54:17 | |
What does he want? I don't know. | 0:54:20 | 0:54:23 | |
It's on, Mr Murdock. Now you and Miller watch, watch it good, OK? | 0:54:24 | 0:54:30 | |
Watch it good, yes, Mr Murdock. | 0:54:30 | 0:54:33 | |
Don't hang up. I'll talk to you as soon as he finishes his next number. | 0:54:33 | 0:54:38 | |
We have to watch the television. | 0:54:38 | 0:54:42 | |
APPLAUSE He'll be back in just a moment. I've never let you down. | 0:54:42 | 0:54:47 | |
Who is it? I don't know! | 0:54:47 | 0:54:51 | |
'And now we pause...' | 0:54:51 | 0:54:54 | |
Fats. 'Yes.' It's me, Miller. | 0:54:54 | 0:54:56 | |
WATCH THE TELEVISION! | 0:54:56 | 0:54:59 | |
RECEIVER CLATTERS ON FLOOR | 0:54:59 | 0:55:03 | |
He's back again, Eddie Cochrane - | 0:55:03 | 0:55:06 | |
one of America's top rock'n'rollers. Eddie. | 0:55:06 | 0:55:09 | |
APPLAUSE | 0:55:09 | 0:55:12 | |
# Ooh, well, I've got a girl with a record machine | 0:55:14 | 0:55:17 | |
# When it comes to rockin' She's a queen | 0:55:17 | 0:55:19 | |
# We love to dance on a Saturday night | 0:55:19 | 0:55:21 | |
# All alone when I can hold her tight | 0:55:21 | 0:55:24 | |
# But she lives on the 20th floor up town | 0:55:24 | 0:55:26 | |
# The elevator's broken down | 0:55:26 | 0:55:28 | |
# So I walk one, two flight three flight, four | 0:55:28 | 0:55:30 | |
# Five, six, seven flight eight flight, more | 0:55:30 | 0:55:33 | |
# Up on the twelfth I'm starting to drag | 0:55:33 | 0:55:35 | |
# Fifteenth floor, I'm ready to sag | 0:55:35 | 0:55:37 | |
# Get to the top I'm too tired to rock | 0:55:37 | 0:55:41 | |
# Well, she call me up on the telephone | 0:55:41 | 0:55:43 | |
# Say, come on over, honey I'm all alone | 0:55:43 | 0:55:46 | |
# I said, Betty, you're mighty sweet | 0:55:46 | 0:55:48 | |
# But I'm in bed with a-aching feet | 0:55:48 | 0:55:50 | |
# This went on for a couple of days | 0:55:50 | 0:55:52 | |
# But I couldn't stay away | 0:55:52 | 0:55:54 | |
# So I walked one, two flight three flight, four | 0:55:54 | 0:55:57 | |
# Five, six, seven flight eight flight, more | 0:55:57 | 0:55:59 | |
# Up on the twelfth I'm a-ready to drag | 0:55:59 | 0:56:01 | |
# Fifteenth floor I'm a-starting to sag | 0:56:01 | 0:56:03 | |
# Get to the top I'm too tired to rock | 0:56:03 | 0:56:07 | |
# Well, they sent it to Chicago For repairs | 0:56:07 | 0:56:10 | |
# Till it's a-fixed I'm a-using the stairs | 0:56:10 | 0:56:12 | |
# Hope they hurry Before it's too late | 0:56:12 | 0:56:14 | |
# I love my baby too much to wait Haaa-ha! | 0:56:14 | 0:56:16 | |
# All this climbin' is a-getting me down | 0:56:16 | 0:56:19 | |
# They'll find my corpse draped over her rail | 0:56:19 | 0:56:20 | |
# But I climbed one, two flight three flight, four | 0:56:20 | 0:56:23 | |
# Five, six, seven flight eight flight, more | 0:56:23 | 0:56:25 | |
# Up on the twelfth I'm a-ready to drag | 0:56:25 | 0:56:27 | |
# Well, the fifteenth floor I'm a-starting to sag | 0:56:27 | 0:56:29 | |
# Get to the top | 0:56:29 | 0:56:30 | |
# I'm too tired to rock. # | 0:56:30 | 0:56:33 | |
APPLAUSE | 0:56:33 | 0:56:35 | |
Why does he want us to watch HIM? | 0:56:36 | 0:56:40 | |
I can give you the dialogue: "OK, so Jerri can't sing. | 0:56:40 | 0:56:44 | |
"Well, that guy ain't got a trained voice, either, and he's a star. | 0:56:44 | 0:56:49 | |
"Why? Because he has a new sound. So Jerri has a new sound. | 0:56:49 | 0:56:54 | |
"Go cut a record with her tomorrow." You're kidding, Mr Miller. | 0:56:54 | 0:56:59 | |
Am I? Listen. | 0:57:01 | 0:57:04 | |
Yes, Fats. 'OK. So Jerri can't sing.' | 0:57:10 | 0:57:14 | |
Well, that guy ain't got a trained voice, either, and he's a top record star. | 0:57:14 | 0:57:20 | |
'Why? Cos he's got a new sound.' | 0:57:20 | 0:57:24 | |
Jerri's got a new sound. You cut a record with her tomorrow. | 0:57:24 | 0:57:27 | |
OK, Fats. | 0:57:30 | 0:57:32 | |
Listen. You come over here first thing. I've got just the song I want Jerri to sing. | 0:57:32 | 0:57:38 | |
OK, Fats. | 0:57:39 | 0:57:41 | |
I had a lot of leesure when I was in the poky, so I wrote songs for the Christmas show. | 0:57:42 | 0:57:48 | |
Course, I ain't no Hammerstein, or Irving Berlin! | 0:57:48 | 0:57:52 | |
This here was the first one I wrote. | 0:57:52 | 0:57:55 | |
"No lights on the Christmas tree. They're using the electric chair tonight." | 0:57:55 | 0:58:00 | |
I used to get a lot of laughs with that one. Funny(!) | 0:58:00 | 0:58:04 | |
Here's another one. Kinda...sentimental. | 0:58:04 | 0:58:08 | |
"I'll get no good behaviour, baby If I keep thinking of you." | 0:58:08 | 0:58:14 | |
That's sweet. Hey, you noticed that, huh? | 0:58:14 | 0:58:17 | |
Hey, here. Here's the one for Jerri. You try this. | 0:58:17 | 0:58:22 | |
HE PLAYS PIANO INTRO | 0:58:27 | 0:58:30 | |
# Darlin', oh my darlin' | 0:58:33 | 0:58:36 | |
# In that prison cell I'd be | 0:58:36 | 0:58:40 | |
# Thinkin' of...the day that I'd get out | 0:58:40 | 0:58:44 | |
# And hold you close to me | 0:58:44 | 0:58:47 | |
# But | 0:58:47 | 0:58:49 | |
RAUCOUSLY: # What is it I always see? | 0:58:49 | 0:58:52 | |
# One rock, two rocks | 0:58:53 | 0:58:55 | |
# Three rocks, four rocks | 0:58:55 | 0:58:58 | |
# Rock pile dust is on my shoes | 0:58:58 | 0:59:01 | |
LABORIOUS MELODY: # One rock, two rocks | 0:59:01 | 0:59:04 | |
# Three rocks, four rocks | 0:59:04 | 0:59:07 | |
# I'm a guy just born to lose | 0:59:07 | 0:59:10 | |
# When I hear that siren blow | 0:59:10 | 0:59:13 | |
# I get those blues... # | 0:59:14 | 0:59:17 | |
OK, Mr Anthony, this is a take. BAND STARTS UP | 0:59:24 | 0:59:28 | |
# Darlin', oh my darlin' | 0:59:33 | 0:59:35 | |
# In that prison cell I'd be | 0:59:35 | 0:59:38 | |
# Thinkin' of the day that I'd get out | 0:59:38 | 0:59:41 | |
# And hold you close to me | 0:59:41 | 0:59:45 | |
# But what is it I always see? | 0:59:45 | 0:59:48 | |
CHORUS, BARBER-SHOP STYLE: # One rock, two rocks, three rocks, four rocks | 0:59:49 | 0:59:55 | |
# Rock pile dust is on my shoes | 0:59:55 | 0:59:57 | |
# I'm a guy just born to lose | 0:59:57 | 1:00:00 | |
# When I hear the siren blow | 1:00:00 | 1:00:02 | |
# Oooo-oo-eeeeee-oooo | 1:00:02 | 1:00:04 | |
# I get those blues | 1:00:04 | 1:00:07 | |
# Rock, rock, Rockin' round the rock pile | 1:00:08 | 1:00:10 | |
# Rock, rock Rockin' round the rock pile | 1:00:10 | 1:00:16 | |
# That siren's got me cryin' | 1:00:16 | 1:00:18 | |
# Two rocks | 1:00:18 | 1:00:20 | |
# Four rocks | 1:00:20 | 1:00:21 | |
# They make | 1:00:21 | 1:00:23 | |
# More rocks | 1:00:23 | 1:00:24 | |
# Shut my cell and lock me in | 1:00:24 | 1:00:26 | |
# Never let me out again | 1:00:26 | 1:00:29 | |
# When I hear the siren blow | 1:00:29 | 1:00:31 | |
# Oooo-eee-ii-ouuuuw | 1:00:31 | 1:00:33 | |
# I get those rock, rock | 1:00:33 | 1:00:35 | |
# Rock around the rock pile | 1:00:35 | 1:00:39 | |
# Blues | 1:00:39 | 1:00:42 | |
SHE CRUNCHES ON APPLE | 1:00:47 | 1:00:50 | |
I never knew singing could make you so hungry. Ha-ha-ha! | 1:00:51 | 1:00:55 | |
I'll take it to Wheeler Enterprises in Chicago. | 1:00:55 | 1:00:58 | |
I wish it was her day off - I'd have made much better sandwiches. Huh-huh! | 1:00:58 | 1:01:05 | |
Thanks. Hu-hmm! It's a large family. | 1:01:07 | 1:01:11 | |
I see how you got your cooking experience. | 1:01:11 | 1:01:15 | |
Mmmm? Oh, ha-ha! | 1:01:15 | 1:01:18 | |
And my father was...away when that picture was taken. | 1:01:18 | 1:01:23 | |
Oh, he was a big eater, too. | 1:01:23 | 1:01:26 | |
You know, Mr Miller. This'll be the first Thanksgiving I haven't been with my family. | 1:01:26 | 1:01:33 | |
Could my brothers eat?! | 1:01:33 | 1:01:36 | |
Especially after they started going with girls - it gives a man an appetite. | 1:01:36 | 1:01:42 | |
It depends. | 1:01:46 | 1:01:49 | |
I'd like a large family, wouldn't you, Mr Miller? I hope I have a large fam... | 1:01:49 | 1:01:54 | |
I mean, it's fun. | 1:02:01 | 1:02:04 | |
Maybe we could have Thanksgiving dinner together, Mr Miller. Maybe we can, Georgie. | 1:02:05 | 1:02:11 | |
Good night, Georgie. | 1:02:21 | 1:02:25 | |
Ooooh! | 1:02:40 | 1:02:41 | |
BUZZER SOUNDS Mr Miller! | 1:02:43 | 1:02:46 | |
Jerri! | 1:03:01 | 1:03:03 | |
BUZZER SOUNDS | 1:03:07 | 1:03:10 | |
Jerri! | 1:03:10 | 1:03:13 | |
HE HOLDS BUZZER DOWN | 1:03:13 | 1:03:16 | |
Jerri! | 1:03:19 | 1:03:20 | |
Who is it? | 1:03:20 | 1:03:22 | |
It's me, Fats. I'm taking a bath. Huh! Ow! | 1:03:22 | 1:03:27 | |
What? A hot bath. Be right there. | 1:03:27 | 1:03:31 | |
Remember. You stay in the hideout room until I get her out. | 1:03:31 | 1:03:36 | |
Pretty sneaky. It's like you don't trust her. | 1:03:36 | 1:03:40 | |
It's her AND him. She's a good cook, and I got a feelin' something's cookin'. | 1:03:40 | 1:03:46 | |
Hey, Mousey, remember the old days? We used to use this place for printing up money? | 1:03:51 | 1:03:58 | |
Money meant something in the old days, before taxes. | 1:04:00 | 1:04:03 | |
I'm sorry, I couldn't hear anything in the shower. It's all right. | 1:04:10 | 1:04:14 | |
Happy Thanksgiving. | 1:04:14 | 1:04:17 | |
Hey! You smell good! Ha-ha-ha. Thanks, Mr Murdock. | 1:04:20 | 1:04:25 | |
I'm buying you a turkey dinner, you'd like that? I'd...love it. | 1:04:25 | 1:04:30 | |
Get dressed up warm, I got the top down. Go on, honey. Be right back. | 1:04:30 | 1:04:35 | |
You bug her telephone and listen in if he calls. | 1:04:45 | 1:04:49 | |
Now, remember, quiet! | 1:04:50 | 1:04:53 | |
PLATE FALLS LOUDLY ON SHELF | 1:04:54 | 1:04:57 | |
TELEPHONE RINGS | 1:05:06 | 1:05:09 | |
Hello. | 1:05:13 | 1:05:14 | |
WOMAN'S VOICE: 'Miss Jerri Jordan?' Yes. | 1:05:14 | 1:05:17 | |
'Chicago calling. Go ahead, sir.' | 1:05:17 | 1:05:20 | |
Hello? | 1:05:20 | 1:05:22 | |
Georgie. How are you? | 1:05:22 | 1:05:25 | |
Fine now. | 1:05:25 | 1:05:28 | |
I thought you'd be back in time for Thanksgiving. | 1:05:28 | 1:05:32 | |
I didn't see Wheeler yet. | 1:05:32 | 1:05:34 | |
He controls most of the juke boxes in the country. I see him tomorrow. | 1:05:34 | 1:05:39 | |
I miss you, Mr Miller. It's been over a week. | 1:05:39 | 1:05:44 | |
I miss you too, Georgie. | 1:05:44 | 1:05:47 | |
'What'd you do today?' | 1:05:48 | 1:05:51 | |
Mr Murdock took me to dinner. How is Fats? | 1:05:51 | 1:05:55 | |
He's dying to hear the new record. | 1:05:55 | 1:05:58 | |
If I'm lucky, he'll hear it over all those juke boxes he has all those dimes to put in. | 1:05:58 | 1:06:05 | |
'I wish you were here.' 'I do too, Georgie.' | 1:06:05 | 1:06:10 | |
I'll fly back after I see the man. | 1:06:10 | 1:06:13 | |
'Good night, Georgie.' TEARFULLY: Good night, Mr Miller. | 1:06:13 | 1:06:16 | |
SOBBING COMES THROUGH BUGGING DEVICE | 1:06:29 | 1:06:32 | |
HE STARTS TO SOB | 1:06:36 | 1:06:39 | |
DOOR OPENS AND SHUTS AGAIN | 1:06:47 | 1:06:51 | |
Mousey! | 1:06:51 | 1:06:52 | |
Yeah, boss. Come here! | 1:06:52 | 1:06:55 | |
Well, how d'you make out? What do you think? | 1:06:55 | 1:06:59 | |
How many years I been doing this? So did Miller call? | 1:06:59 | 1:07:04 | |
Yeah, he called, from Chicago. Had a nice little talk. | 1:07:04 | 1:07:08 | |
"Nice little talk." I'll bet! | 1:07:08 | 1:07:12 | |
Set up the tape! | 1:07:12 | 1:07:14 | |
'Hello. Miss Jerri Jordan? Yes. | 1:07:17 | 1:07:20 | |
'Chicago calling. Go ahead, sir. | 1:07:20 | 1:07:23 | |
'Hello? How are you? | 1:07:23 | 1:07:26 | |
'Fine. I thought you'd be back by now. | 1:07:26 | 1:07:30 | |
'I didn't see Wheeler yet. He's the guy who controls most of the juke boxes in the country. | 1:07:30 | 1:07:37 | |
'I'll see him tomorrow, then I'll fly back afterwards. | 1:07:37 | 1:07:41 | |
'Well, good night. Good night, Mr Miller.' | 1:07:41 | 1:07:46 | |
That's it? That's all?! | 1:07:49 | 1:07:52 | |
You heard, didn't you? Yeah, I heard. | 1:07:52 | 1:07:56 | |
Something's wrong. I know I figured right. | 1:07:56 | 1:08:01 | |
Hey! Hey! | 1:08:01 | 1:08:05 | |
Could they have figured the joint was rigged? | 1:08:05 | 1:08:09 | |
How could they? You think I'm called Mousey because I make noises? | 1:08:09 | 1:08:14 | |
OK, OK. OK nothing, where do you come off? | 1:08:14 | 1:08:17 | |
That's a smear on my talents. All right. | 1:08:17 | 1:08:20 | |
How about the time I bugged the DA? All right. | 1:08:20 | 1:08:23 | |
The time I bugged the governor's mother-in-law?! OK! Stop bragging! | 1:08:23 | 1:08:29 | |
I don't get it. | 1:08:29 | 1:08:31 | |
Why was he so happy over the fact that she can't sing, huh? | 1:08:31 | 1:08:36 | |
Only one reason - cos he figured, if she didn't make it, I wouldn't marry her. | 1:08:36 | 1:08:42 | |
Then HE'd move in. | 1:08:42 | 1:08:44 | |
They... | 1:08:44 | 1:08:46 | |
They... They gotta be soft-talking each other! | 1:08:47 | 1:08:51 | |
You heard. Yeah. | 1:08:51 | 1:08:55 | |
Yeah, I heard! | 1:08:55 | 1:08:58 | |
I'm... | 1:08:58 | 1:09:00 | |
I'm going to bed. Yeah, boss. | 1:09:01 | 1:09:05 | |
DOOR SLAMS | 1:09:06 | 1:09:08 | |
That's the thing to do. | 1:09:08 | 1:09:11 | |
That's the thing to do... | 1:09:11 | 1:09:14 | |
..boss. | 1:09:18 | 1:09:20 | |
# Rockin' is our business | 1:09:25 | 1:09:27 | |
# And rockin' is what we do Oh, yeah | 1:09:27 | 1:09:30 | |
# Come on, everybody We want you to rock with us, too | 1:09:30 | 1:09:33 | |
# You tell' em Now we've got Don on sax | 1:09:33 | 1:09:36 | |
# Henry on drums | 1:09:36 | 1:09:37 | |
# Jimmy on bass | 1:09:37 | 1:09:38 | |
# Gene on piano | 1:09:38 | 1:09:39 | |
# Cliff and Clive to sing this jive | 1:09:39 | 1:09:42 | |
# Come on, everybody Get this joint alive | 1:09:42 | 1:09:44 | |
# Rockin' is our business | 1:09:44 | 1:09:46 | |
# And rockin' is what we do | 1:09:46 | 1:09:49 | |
# Rock Whaaa | 1:09:49 | 1:09:50 | |
# Rock, everybody | 1:09:50 | 1:09:51 | |
# Rock Whaaa | 1:09:51 | 1:09:52 | |
# Rock, everybody | 1:09:52 | 1:09:54 | |
# Rock Whaaa | 1:09:54 | 1:09:55 | |
# Rock, everybody | 1:09:55 | 1:09:56 | |
# Rock Whaaa | 1:09:56 | 1:09:57 | |
# Rock, everybody | 1:09:57 | 1:09:58 | |
# Rock Whaaa | 1:09:58 | 1:09:59 | |
# Rock, everybody | 1:09:59 | 1:10:01 | |
# Rock, rock Rock, rock | 1:10:01 | 1:10:04 | |
# When you go out in high hall | 1:10:04 | 1:10:06 | |
# Want the joint to rock | 1:10:06 | 1:10:09 | |
# All you do is give us a car | 1:10:09 | 1:10:11 | |
# We'll be jiving on the spot | 1:10:11 | 1:10:13 | |
# Rockin' is our business | 1:10:13 | 1:10:15 | |
# And rockin' is what we do | 1:10:15 | 1:10:17 | |
# Rock Haaa | 1:10:17 | 1:10:19 | |
# Rock, everybody | 1:10:19 | 1:10:20 | |
# Rock Haaa | 1:10:20 | 1:10:21 | |
# Rock, everybody | 1:10:21 | 1:10:22 | |
# Rock Haaa | 1:10:22 | 1:10:23 | |
# Rock, everybody | 1:10:23 | 1:10:24 | |
# Rock Haaa | 1:10:24 | 1:10:25 | |
# Rock, everybody | 1:10:25 | 1:10:27 | |
# Rock, rock | 1:10:27 | 1:10:28 | |
# Rock, everybody | 1:10:28 | 1:10:29 | |
# Rock, rock, rock, rock | 1:10:29 | 1:10:32 | |
# Rock, rock, rock, everybody | 1:10:32 | 1:10:43 | |
# Rock, rock, rock, rock | 1:10:43 | 1:10:46 | |
# Ro-o-o-o-o-o-ck | 1:10:46 | 1:10:51 | |
# Ya. # | 1:10:51 | 1:10:52 | |
I can assure you of another gold record. | 1:10:54 | 1:10:57 | |
Thanks, Mr Wheeler. | 1:10:57 | 1:10:59 | |
Mr Miller is here to see you. Miller? | 1:10:59 | 1:11:02 | |
Tom Miller - the agent who brought you Julie London. Fine. We could use another London. | 1:11:02 | 1:11:10 | |
JUKE BOX: # When you hear the siren blow | 1:11:10 | 1:11:11 | |
# Ooo-ii-eeeee-ah | 1:11:11 | 1:11:14 | |
# I get those rock, rock | 1:11:14 | 1:11:16 | |
# Rock around the rock pile | 1:11:16 | 1:11:18 | |
# Rock, rock | 1:11:18 | 1:11:19 | |
# Rock around the rock pile | 1:11:19 | 1:11:20 | |
# Blues. # | 1:11:20 | 1:11:23 | |
MUSIC STOPS | 1:11:27 | 1:11:29 | |
I'm a Ray Anthony fan. Fortunately I have him under personal contract. | 1:11:29 | 1:11:35 | |
By the way, what sort of gadget did Ray use for that weird siren sound? | 1:11:37 | 1:11:42 | |
Sort of a girl-type gadget. | 1:11:42 | 1:11:45 | |
A girl? Oh, she's your client? | 1:11:45 | 1:11:49 | |
Well, yes she is, Mr Wheeler. | 1:11:49 | 1:11:52 | |
I shouldn't have wasted your time, but I wanted to come to the top. | 1:11:52 | 1:11:57 | |
She's, er, excellent. Voice like that'll catch on. She'll be a star. | 1:11:57 | 1:12:02 | |
I definitely want to sign her to a long-term contract. | 1:12:02 | 1:12:07 | |
Mmmm. I like the song, also. Who wrote it? | 1:12:07 | 1:12:11 | |
The name's Murdock. He's got a cell full of 'em. | 1:12:11 | 1:12:15 | |
He has the...feel of what people want. Is he your client, too? | 1:12:15 | 1:12:19 | |
No, he handles himself. He's Fats Murdock... if your memory isn't vague. | 1:12:19 | 1:12:25 | |
My memory's anything but vague, Mr Miller. | 1:12:25 | 1:12:29 | |
You mean "Marty" Fats Murdock? Yes, the slot machine king of the old days. | 1:12:29 | 1:12:36 | |
Uh-huh. | 1:12:36 | 1:12:38 | |
'Yes, Mr Wheeler.' Send Laurence and Eugene in, please. | 1:12:40 | 1:12:44 | |
Would you like dinner, sir? | 1:12:55 | 1:12:58 | |
Georgia, I'm not that sick. I don't have to be in bed. | 1:13:05 | 1:13:09 | |
You haven't eaten. It will give you strength. | 1:13:09 | 1:13:14 | |
When I think of them throwing you out that doo... | 1:13:14 | 1:13:18 | |
Go away, Mr Murdock, Mr Miller's sick. | 1:13:18 | 1:13:21 | |
He's gonna be a lot sicker when I'm finished. On your feet! | 1:13:21 | 1:13:25 | |
Fats, listen. I just happened to drop in. | 1:13:25 | 1:13:29 | |
Just dropped in, with a pair of pyjamas under your arms? Leave him alone. | 1:13:29 | 1:13:35 | |
Take that apron off! I needed it to heat the bouillon! Shut up! | 1:13:35 | 1:13:40 | |
Don't you hit him and don't tear my pyjamas. | 1:13:40 | 1:13:44 | |
YOUR pyjamas? Do I look like I wear striped pyjamas? | 1:13:44 | 1:13:49 | |
YOUR pyjamas! | 1:13:49 | 1:13:52 | |
Just in case you get some late callers, huh? | 1:13:52 | 1:13:56 | |
They are not. You have a big, fat, dirty mind, Mr Murdock. | 1:13:56 | 1:14:00 | |
I have, huh? Dirty mind, dirty mind. | 1:14:00 | 1:14:03 | |
They're my brother's Christmas present. Don't give me that! | 1:14:03 | 1:14:07 | |
I'll show you, Mr Murdock. | 1:14:07 | 1:14:10 | |
Leave them. I've never seen her mad before. Maybe she'll kill him. | 1:14:10 | 1:14:15 | |
..for brother George. And this... for brother Gilbert. OK! | 1:14:15 | 1:14:20 | |
I believe you! ..for brother Gridley. OK! | 1:14:22 | 1:14:26 | |
For brother Gayman. OK! For brother Ambrose! OK. | 1:14:27 | 1:14:32 | |
And this...for my father. Now are you satisfied, Mr Murdock?! | 1:14:34 | 1:14:39 | |
OK on the pyjamas, but that don't explain him in your bed, | 1:14:39 | 1:14:45 | |
no matter whose pyjamas he's in there with! | 1:14:45 | 1:14:49 | |
OK, let me at him. Listen, you... | 1:14:49 | 1:14:52 | |
I was just giving him bouillon, you dumb dummy! | 1:14:52 | 1:14:56 | |
Don't you dumb, dumb, dummy me! | 1:14:56 | 1:14:59 | |
I was just giving him bouillon. Don't you know what bouillon is? | 1:14:59 | 1:15:04 | |
Aaaagh! | 1:15:04 | 1:15:06 | |
That's it, Fats. | 1:15:08 | 1:15:11 | |
Wheeler predicted Jerri'd be a star right off. | 1:15:11 | 1:15:15 | |
But when I told him you'd written the song, he introduced me to... | 1:15:15 | 1:15:20 | |
Lawrence and Eugene. Lawrence and Eugene?! | 1:15:20 | 1:15:23 | |
That's Larry the Fink and Edgewater Eugene. | 1:15:23 | 1:15:27 | |
Legs Wheeler still makes with the fancy words, huh? Fancy words with old-time action. | 1:15:27 | 1:15:33 | |
Legs had top slots in all the joints. I threw his out and moved mine in. | 1:15:33 | 1:15:38 | |
Hey! Does he still walk with a limp? | 1:15:38 | 1:15:42 | |
I didn't notice. | 1:15:42 | 1:15:44 | |
I winged him in the shinbone once. He was on crutches for months! | 1:15:44 | 1:15:49 | |
He's off crutches now. Fats, we're dead. | 1:15:49 | 1:15:52 | |
He controls the juke-box business, and that's that. | 1:15:52 | 1:15:56 | |
You give up too easy. I told you, he used to control the slots until I took over. | 1:15:56 | 1:16:02 | |
I did it before and I'll do it again! | 1:16:02 | 1:16:05 | |
You put my father's nightie on backwards! | 1:16:05 | 1:16:09 | |
Don't bother me. I'm thinking. | 1:16:09 | 1:16:11 | |
Don't stretch it. My father's not as FAT as you. | 1:16:11 | 1:16:15 | |
Clam up, will you?! I'm thinking! | 1:16:15 | 1:16:18 | |
Don't you yell at me any more, Mr Murdock. | 1:16:18 | 1:16:21 | |
OK. | 1:16:24 | 1:16:27 | |
So Legs Wheeler won't put Jerri's record on, huh? | 1:16:27 | 1:16:31 | |
No wonder. I stink! | 1:16:31 | 1:16:34 | |
All right, Mousey. We go! | 1:16:34 | 1:16:36 | |
Where to, boss? To war. A cold, hot war. | 1:16:36 | 1:16:40 | |
Order your wedding dress, baby. | 1:16:40 | 1:16:43 | |
It won't be long now. Come on! | 1:16:43 | 1:16:46 | |
Boss! Yeah? | 1:16:53 | 1:16:55 | |
Your hat! Come on. | 1:16:55 | 1:16:57 | |
What'll you have, gentlemen? | 1:17:19 | 1:17:22 | |
Who are you getting your music from? | 1:17:30 | 1:17:33 | |
Oh, that's a Wheeler Enterprises juke box, mister. | 1:17:33 | 1:17:36 | |
BOTH: Oh, yeah? | 1:17:36 | 1:17:38 | |
I take from Wheeler. | 1:17:49 | 1:17:51 | |
Who? | 1:17:51 | 1:17:53 | |
Whom? | 1:17:53 | 1:17:55 | |
I take from...Murdock. | 1:17:55 | 1:17:58 | |
Oh, yeah? | 1:18:07 | 1:18:09 | |
OH, YEAH? | 1:18:15 | 1:18:18 | |
# ..Blow Ooh-ii-eeeee-ah # | 1:18:20 | 1:18:23 | |
CRASHING | 1:18:33 | 1:18:36 | |
# When I hear the siren blow | 1:18:36 | 1:18:38 | |
# Ooo-ii-eeeee-ah | 1:18:38 | 1:18:40 | |
# I get those blues. # | 1:18:40 | 1:18:44 | |
Well, boss, I gotta hand it to you. You still got the old moxie. | 1:18:44 | 1:18:48 | |
Keep us out of the record business, will he? You did it. Made a star. | 1:18:48 | 1:18:53 | |
Yeah. | 1:18:55 | 1:18:57 | |
Yeah, I made a star. | 1:18:58 | 1:19:01 | |
That's what you wanted, wasn't it? | 1:19:01 | 1:19:04 | |
Yeah. That's what I wanted. | 1:19:04 | 1:19:06 | |
Now you got a somebody to marry. Clam up, will ya, Mousey? | 1:19:11 | 1:19:16 | |
Why are you getting sore? "Why are you getting sore?" | 1:19:16 | 1:19:20 | |
Why do you suppose I'm getting sore?! | 1:19:20 | 1:19:23 | |
I like music. And I'm marrying a dame with a stinking voice like that. | 1:19:23 | 1:19:28 | |
How many juke boxes did Mr Murdock remove? | 1:19:30 | 1:19:33 | |
Most of them around New York. Now he's making inroads in Boston, Baltimore... | 1:19:33 | 1:19:39 | |
Pittsburgh... That's far enough. | 1:19:39 | 1:19:42 | |
You proceed with our legal case. I know where I can find Mr Murdock. | 1:19:42 | 1:19:47 | |
# Here come Wednesday I'll be to myself | 1:19:56 | 1:20:00 | |
# My girl called Got to tell her that I'm out | 1:20:00 | 1:20:05 | |
# Cos Thursday is a hard-working day | 1:20:06 | 1:20:09 | |
# And Friday I get my pay | 1:20:09 | 1:20:12 | |
# Saturday morning Oh, Saturday morning | 1:20:15 | 1:20:20 | |
# All my tiredness They flown away | 1:20:20 | 1:20:24 | |
# On my morning | 1:20:24 | 1:20:26 | |
# In my heart | 1:20:26 | 1:20:29 | |
# I'm out on the stage and we play | 1:20:29 | 1:20:32 | |
# Sunday morning, my head is bad | 1:20:33 | 1:20:37 | |
# Oh it's worth it For the time that I've had | 1:20:37 | 1:20:41 | |
# But I've got to get my rest | 1:20:42 | 1:20:46 | |
# Cos money is a mess | 1:20:46 | 1:20:49 | |
# Saturday morning | 1:20:51 | 1:20:53 | |
# Oh, Saturday morning | 1:20:53 | 1:20:56 | |
# All my tiredness have gone away | 1:20:56 | 1:21:00 | |
# On my morning | 1:21:00 | 1:21:03 | |
# In my heart | 1:21:03 | 1:21:05 | |
# And I'm out on the stage and we play | 1:21:05 | 1:21:08 | |
# Sunday morning my head is bad | 1:21:09 | 1:21:13 | |
# But it's worth it For the time that I've had | 1:21:13 | 1:21:17 | |
# But I've got | 1:21:17 | 1:21:20 | |
# To get my rest | 1:21:20 | 1:21:22 | |
# Cos money is a mess. # | 1:21:22 | 1:21:25 | |
You got everything, boss? Wedding ring, licence? | 1:21:30 | 1:21:34 | |
Yeah. I got everything. | 1:21:34 | 1:21:36 | |
Have you, boss? | 1:21:39 | 1:21:41 | |
Why don't you give your honeymoon tickets to Miller, boss? | 1:21:42 | 1:21:46 | |
Wanna know something? | 1:21:48 | 1:21:51 | |
I loused you up with that tape recorder. | 1:21:52 | 1:21:55 | |
You WHAT?! | 1:21:58 | 1:22:00 | |
Yup. | 1:22:00 | 1:22:02 | |
Honest, Mousey? Did you? | 1:22:04 | 1:22:07 | |
Did you? | 1:22:07 | 1:22:09 | |
Don't kid me, now. | 1:22:09 | 1:22:11 | |
I soft talked, boss. Just like you figured. | 1:22:11 | 1:22:15 | |
I figured right, huh? They go for each other, don't they? | 1:22:15 | 1:22:19 | |
In a big way, boss. It's the real thing. | 1:22:19 | 1:22:23 | |
And now The Platters, | 1:22:24 | 1:22:27 | |
and their hit, You'll Never, Never Know. | 1:22:27 | 1:22:30 | |
KNOCK AT DOOR Who is it? | 1:22:30 | 1:22:33 | |
Tom Miller. Your former agent. | 1:22:33 | 1:22:36 | |
Come in. | 1:22:36 | 1:22:38 | |
Just came to say goodbye. | 1:22:43 | 1:22:46 | |
I should've brought a wedding present. | 1:22:46 | 1:22:49 | |
You did. | 1:22:49 | 1:22:51 | |
That's no way for a bride to act. | 1:22:56 | 1:22:59 | |
I thought brides acted that way. | 1:22:59 | 1:23:01 | |
Only with the groom. | 1:23:01 | 1:23:04 | |
DISTANT MUSIC: # You'll never, never know I care | 1:23:04 | 1:23:08 | |
# My love | 1:23:10 | 1:23:11 | |
# You'll never know the touch I bear | 1:23:11 | 1:23:14 | |
# You'll never know it | 1:23:15 | 1:23:17 | |
# For I won't show it Ah-ah | 1:23:17 | 1:23:20 | |
# Aaaah-aaaah Oh, no, you'll never, never know | 1:23:20 | 1:23:24 | |
# You'll never know | 1:23:24 | 1:23:26 | |
You'll never, never see me cry | 1:23:26 | 1:23:29 | |
# Wah-ohhhh | 1:23:29 | 1:23:32 | |
Not even when you're glancing by | 1:23:32 | 1:23:35 | |
# Aaahhh For I'm a-weakened When we're speaking | 1:23:36 | 1:23:41 | |
# Aaahhh Although you'll never, never know | 1:23:41 | 1:23:45 | |
# You'll never know | 1:23:45 | 1:23:47 | |
# No, no I know I won't reveal | 1:23:47 | 1:23:51 | |
# Wah-ohhhh | 1:23:51 | 1:23:53 | |
The way I really, truly feel | 1:23:53 | 1:23:56 | |
# Aaahh But if you guess it, I'll confess it | 1:23:57 | 1:24:02 | |
# Oh, darling, now's the time to glow | 1:24:02 | 1:24:07 | |
# Aaahhh Or else you'll never, never know | 1:24:07 | 1:24:12 | |
# You-oo-oo know | 1:24:12 | 1:24:14 | |
# Lord, how it is to me... | 1:24:14 | 1:24:17 | |
Sorry I can't stay, but I have a train on tap. | 1:24:17 | 1:24:21 | |
All the best, Georgie. | 1:24:21 | 1:24:24 | |
Can't stand to hear me sing again, huh? | 1:24:24 | 1:24:27 | |
You know it isn't that. | 1:24:30 | 1:24:32 | |
# ..You'll never know | 1:24:32 | 1:24:34 | |
No, no, I know I won't reveal | 1:24:34 | 1:24:38 | |
# Wah-ohhh | 1:24:38 | 1:24:39 | |
The way I really, truly feel | 1:24:39 | 1:24:43 | |
# Ahhh-ahhh But if you guess it | 1:24:43 | 1:24:46 | |
# Ahhh I'll confess it | 1:24:46 | 1:24:49 | |
# Oh, darling, now's the time to glow | 1:24:49 | 1:24:54 | |
# Ahhh Or else you'll never | 1:24:54 | 1:24:57 | |
# Ahhh No, you'll never | 1:24:57 | 1:24:58 | |
# Ahhh Oh, no, you'll never | 1:24:58 | 1:25:02 | |
# Ever | 1:25:02 | 1:25:05 | |
# Know | 1:25:05 | 1:25:07 | |
# You'll never know | 1:25:07 | 1:25:10 | |
# Oooh. # | 1:25:10 | 1:25:13 | |
Now here's Ray Anthony, his orchestra and Rock Around The Rock Pile. | 1:25:22 | 1:25:28 | |
LOUD CHEER AND WHISTLING | 1:25:28 | 1:25:32 | |
Thank you. | 1:25:32 | 1:25:33 | |
Here's the girl who turned our record into pure gold - | 1:25:33 | 1:25:37 | |
Miss Jerri Jordan. | 1:25:37 | 1:25:40 | |
APPLAUSE AND CHEERING You're on. | 1:25:40 | 1:25:43 | |
This one's for you, Tom. | 1:25:43 | 1:25:46 | |
If you don't mind, I'd like to make a change to the programme. | 1:25:56 | 1:26:01 | |
Some of you may know how it feels to lose somebody | 1:26:01 | 1:26:05 | |
who you're crazy about. | 1:26:05 | 1:26:08 | |
# Every time you kiss me | 1:26:08 | 1:26:12 | |
# I get warm inside | 1:26:12 | 1:26:16 | |
# Every time you hold me | 1:26:20 | 1:26:23 | |
# There's a storm inside | 1:26:23 | 1:26:29 | |
# Every time you're near | 1:26:30 | 1:26:34 | |
# I fight the fire in me | 1:26:34 | 1:26:40 | |
# You inspire in me | 1:26:40 | 1:26:46 | |
# Such desire in me | 1:26:46 | 1:26:52 | |
# Just when I get both feet | 1:26:52 | 1:26:57 | |
# On the ground again | 1:26:57 | 1:27:04 | |
# You appear and send me | 1:27:05 | 1:27:10 | |
# Skyward bound again | 1:27:11 | 1:27:16 | |
# Every time it happens | 1:27:17 | 1:27:21 | |
# It's oh, so sublime, yes | 1:27:21 | 1:27:29 | |
# Every time it happens | 1:27:29 | 1:27:33 | |
# And it happens | 1:27:33 | 1:27:38 | |
# Every time | 1:27:38 | 1:27:46 | |
# Every time. # | 1:27:46 | 1:27:54 | |
APPLAUSE | 1:27:56 | 1:27:58 | |
APPLAUSE AND WHISTLING | 1:28:00 | 1:28:04 | |
Hey, Miller! | 1:28:13 | 1:28:15 | |
I gotta talk to you. | 1:28:15 | 1:28:17 | |
First, I talk to you. I just kissed your future wife. | 1:28:17 | 1:28:21 | |
And I'm in love with her. | 1:28:21 | 1:28:24 | |
Go ahead and hit me. Treat her right, or... | 1:28:24 | 1:28:27 | |
Tommy boy! I'll be your best man! | 1:28:27 | 1:28:30 | |
You're through being best man, Fats. | 1:28:30 | 1:28:33 | |
My car awaits, Mr Murdock. | 1:28:33 | 1:28:36 | |
Fats - inside, quick! | 1:28:45 | 1:28:47 | |
I'll kill 'em! | 1:28:47 | 1:28:50 | |
On stage - you'll be safe there. | 1:28:55 | 1:28:58 | |
How am I gonna be safe out there? | 1:29:01 | 1:29:04 | |
Give me your hat and coat. | 1:29:04 | 1:29:07 | |
He won't bump you off in front of 1,000 witnesses. | 1:29:07 | 1:29:11 | |
Get it on, you big ham. | 1:29:11 | 1:29:13 | |
One of the reasons you came here tonight | 1:29:18 | 1:29:21 | |
was to hear Jerri Jordan and Ray Anthony's hit, right? | 1:29:21 | 1:29:25 | |
ALL: Yeah! | 1:29:25 | 1:29:27 | |
Now, so you won't be disappointed, here is Marty "Fats" Murdock, singing Rock Around The Rock Pile. | 1:29:27 | 1:29:34 | |
ALL: Yeah! | 1:29:34 | 1:29:37 | |
Go on - you're finally in the spotlight. A big hand for Fats! | 1:29:37 | 1:29:42 | |
Don't be afraid - I'm calling the cops. | 1:29:45 | 1:29:49 | |
Thank you. | 1:29:50 | 1:29:51 | |
# One rock, two rocks | 1:29:53 | 1:29:56 | |
# Three rocks, four rocks | 1:29:56 | 1:29:58 | |
# Rock pile dust is on my shoes | 1:29:58 | 1:30:01 | |
# I'm a guy just born to lose | 1:30:01 | 1:30:04 | |
# When I hear a siren blow | 1:30:04 | 1:30:06 | |
# Ooo-oooh | 1:30:06 | 1:30:08 | |
# I get those blues | 1:30:08 | 1:30:11 | |
# Big rocks, small rocks | 1:30:12 | 1:30:15 | |
# Short rocks, tall rocks | 1:30:15 | 1:30:17 | |
# Rock pile dust, get off my shoes | 1:30:17 | 1:30:20 | |
# Why must my news be all bad news? | 1:30:20 | 1:30:22 | |
# When I hear a siren blow Ooo-oooh | 1:30:22 | 1:30:26 | |
# I get those blues... | 1:30:26 | 1:30:29 | |
OK, Legs, the silencer's on. Wait till he stops prancing around. | 1:30:48 | 1:30:52 | |
# ..Rock, rock | 1:30:55 | 1:30:57 | |
# Rock around the rock pile | 1:30:57 | 1:31:00 | |
# Rock, rock Rock around the rock pile | 1:31:00 | 1:31:02 | |
# Rock, rock, Rock around the rock pile | 1:31:02 | 1:31:06 | |
# That siren's got me cryin' | 1:31:06 | 1:31:08 | |
# Two rocks, four rocks They make more rocks...# | 1:31:08 | 1:31:12 | |
Don't shoot! We'll sign him. That's talent up there, you jerk! | 1:31:13 | 1:31:19 | |
Since when did he start performing? | 1:31:19 | 1:31:22 | |
Since when did you start? | 1:31:22 | 1:31:25 | |
I always could sing. | 1:31:25 | 1:31:27 | |
I thought if I was real awful, I'd get out of...owing him. | 1:31:27 | 1:31:32 | |
APPLAUSE AND CHEERING | 1:31:35 | 1:31:39 | |
Darling? | 1:31:48 | 1:31:50 | |
# Darling, oh, my darling | 1:31:50 | 1:31:53 | |
# In that prison cell I'd be | 1:31:53 | 1:31:56 | |
# Thinking of the day that I'd get out | 1:31:56 | 1:32:00 | |
# And hold you close to me | 1:32:00 | 1:32:04 | |
# But what is it I always see? | 1:32:04 | 1:32:07 | |
# One rock, two rocks | 1:32:07 | 1:32:11 | |
# Three rocks, four rocks | 1:32:11 | 1:32:14 | |
# Rock pile dust is on my shoes... # | 1:32:14 | 1:32:16 | |
Well, that's the story, ladies and gentlemen. | 1:32:18 | 1:32:22 | |
A story about music and... | 1:32:22 | 1:32:25 | |
..love. | 1:32:27 | 1:32:29 | |
A story about music and love | 1:32:29 | 1:32:32 | |
and marriage. | 1:32:32 | 1:32:34 | |
And babysitters. | 1:32:34 | 1:32:36 | |
Sing for us, Uncle Fats. Sing, Uncle Fats. | 1:32:36 | 1:32:40 | |
Oh... | 1:32:40 | 1:32:41 | |
I don't know. | 1:32:41 | 1:32:43 | |
Ask my agent. | 1:32:43 | 1:32:46 | |
Let them buy your records. | 1:32:46 | 1:32:49 | |
So long, everybody. | 1:32:49 | 1:32:51 | |
Don't listen to him, folks. | 1:33:00 | 1:33:02 | |
I'll see you in the lobby. I'll sing anything you want. | 1:33:02 | 1:33:07 | |
I'm a Jim Dandy singer. | 1:33:07 | 1:33:09 | |
# The girl can't help it When she hears the siren blow | 1:33:09 | 1:33:13 | |
# Ooo-ii-eeeee-ah | 1:33:13 | 1:33:17 | |
# The girl can't help it. # | 1:33:17 | 1:33:20 |