The Girl Can't Help It


The Girl Can't Help It

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Transcript


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ORCHESTRA WARMS UP

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Ladies and gentlemen.

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The motion picture you are about to see is a story of music.

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I play the role of Tom Miller - a small-time theatrical agent who'd been a...

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Well, you'll see.

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This picture was photographed in the grandeur of cinemascope, and...

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Pardon me.

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This motion picture was photographed in the grandeur of cinemascope,

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and in gorgeous, lifelike colour by Deluxe...

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..gorgeous, lifelike colour by Deluxe!

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Sometimes you wonder who's minding the store.

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Oh, yes. Our story is about music.

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Not the music of long ago, but the music that expresses the culture

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and the polite grace of the present day...

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HIS VOICE IS DROWNED OUT BY LOUD ROCK'N'ROLL MUSIC

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# As she walks by The men folks get 'n' goes

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# She can't help it The girl can't help it

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# As she winks an eye The bread starts turning to toast

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# She can't help it The girl can't help it

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# Yeah, she got a lot Of what they call the most

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# She can't help it The girl can't help it

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# The girl can't help it She was born to please

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# She can't help it The girl can't help it

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# Yeah, she's got A figure made to squeeze

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# Won't you kindly be aware

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# The girl can't help it The girl can't help it

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# As she walks by Men folks get 'n' goes

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# She can't help it The girl can't help it

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# As she winks an eye The bread starts turning to toast

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# She can't help it The girl can't help it

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# Yeah, she got a lot Of what they call the most

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# She can't help it The girl can't help it

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# The girl can't help it She was born to please

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# She can't help it The girl can't help it

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# And she's got A figure made to squeeze

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# She can't help it The girl can't help it

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# Won't you kindly be aware

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# The girl can't help it The girl can't help it

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# Because I'm hoping Honestly

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# That some day The answer will be

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# The girl can't help it Cos she's in love with me

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# She can't help it The girl can't help it. #

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THEY PLAY JAZZ

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Still cadging free drinks, huh? OK, Nick, put it on my tab.

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If I can find room. PHONE RINGS

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Hello? LOUD JAZZ

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Yeah, he's here. It's for you.

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Hello. Yes, this is Miller.

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Sorry, I can't talk now. I'm just closing a big deal on one of my acts.

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It's closed. I make fast deals.

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Tonight? No, I'm working on another big deal tonight.

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What's that address again?

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942...Park Avenue?

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Apartment 1502.

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I might make it after all.

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OK, 8.30.

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DOORBELL RINGS

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I'm Miller. I'm Mousey.

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WOMAN SINGING In there, he's expecting you.

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Who is?

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SINGING GETS LOUDER

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# I didn't have to wait all night

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# Till I began to see the light

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# Kate did a dance that was something new...

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Hey Miller! Grab yourself a chair.

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# ..Why all the boys are going wild

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# Over sister Katie's

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# Style

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# I...wish that I could shimmy like my sister Kate

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# She shivers like the jelly

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# On a plate HE LAUGHS

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# My man, he wanted to know last night

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# Why all the boys treat sister Kate so right

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# Every boy in our neighbourhood

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# Knows that she can shimmy And she shimmies good...

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Lay off the booze, Miller.

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# ..When I can shimmy like my sister Kate, uh-huh

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# Shimmy like my sister Kate. #

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APPLAUSE

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Put the other reel on, Mousey.

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I love old movies at home. Like TV, except no commercials.

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Glad you could come, Miller. Thanks, Mr...

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Murdock. You can forget the mister. My friends call me Marty.

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Fats Marty.

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Fats Marty? Ring a bell?

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Vaguely, I seem to remember the name. Vaguely. Vaguely I don't like it.

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My memory isn't the best. Drink?

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Oh, you were hoarding it. That's brandy.

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You're a scotch man. Didn't want you to make a mistake.

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I know everything about the people I do business with.

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Business ain't been so good lately? I won't waste time lying.

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I got no time to waste. Tom Miller, small-time agent.

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Once a touch of class, but dropping steadily. Owes maybe three G -

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office rent, apartment, big bar bills.

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Hey, you even had your Diners' Club card cancelled.

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You left out I owe the paper boy.

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I also left out you once had a nose for new talent - dug up some big canaries.

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But the booze got in your way.

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Couldn't hold on to the canaries, right?

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Right. Anything else I can tell you?

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Like MY drinking is MY business? Thanks for the autobiography.

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Integrity. I like that. Even when you can't afford it.

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Ha-ha-ha! Ha-ha-ha-ha!

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That makes it integrity.

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Hey.

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Hey, you got a point there.

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OK, cool off.

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You never mixed business with pleasure. Kept your hands off the lady clients.

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That I like.

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Si'down, Mr Miller. We're both a couple of has-beens...temporarily.

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Come on, si'down.

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All right, roll it, Mousey. Here's your drink.

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I collect old newreels I got personal interest in.

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NEWSREEL: 'Mayor of New York personally attacks illegal gambling.

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'Mayor hits jackpot.

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'Mayor bids bon voyage to slots. Now other poor fish can gamble.

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'Back at the municipal court, the king of the slot-machine syndicate,

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'Slim Murdock, goes into custody.'

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I was slim back in those days.

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'Gambling equipment from raid on Murdock's Long Island casino burns.

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'A tip by Legs Wheeler, 13 of Murdock's mob are killed. Murdock vows to wipe out Wheeler.'

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I got out of that one too. I had lawyers in those days.

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I jumped bail. That's how come I took my first trip to the Continent.

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I was kind of a talent scout myself.

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'Slim Murdock relaxes on Riviera.

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'While New York Crime Commission seeks his extradition,

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'Slim Murdock puts on weight making whoopie with European beauties.

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'Nice going, Fats!'

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"Fats"! That European coosine and no work put the lard on.

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Gave me a moniker I never could lose.

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I had me a time over there.

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Then I got lonely for my native land.

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You know, "Breathes there a man with soul so dead..." You know that one?

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My lawyer tells me the heat's off, so I come home.

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I find out my lawyer's disbarred.

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'Atlanta Penitentiary, future home of Fats Murdock, indicted on three counts of income tax evasion.'

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Now comes the sad part.

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'Fats arrives to start prison term on tips supplied by Legs Wheeler.

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'Once a big man, Fats will now be just another number.'

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Fats Marty. Of course.

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The top boy behind the slot machines.

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I should have remembered.

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Sorry, Fats.

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HE TRIES TO SPEAK

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It's all right, Tommy boy. It's all right.

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Nobody remembers Fats, no more, Tommy boy.

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But things used to be different.

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I'd drive down those streets and scare people silly. I was somebody.

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I used to get bullet-proof convertibles, ring-side tables,

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best box at the polo grounds, right next to the mayor's, you know?

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I know.

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Now I'm so dead, I don't even get a mention in a scandal magazine.

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You used to be a big man. You want to come back, don't you?

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I can't go back any further. So we're in business, right? Right.

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What business? Show business.

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I got a dame, see? Nice, sweet, innocent dame.

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But she's a nobody. How can I marry a nobody? You saw her.

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I was up there once. That's where you come in.

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You're gonna make her into a star. Then the dame and me, we're compatible.

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For openers, I pay all your bills, so you can concentrate on building the dame into a big canary.

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Only remember - hands off, like you got the rep for.

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You'll take me out of hock? 10 Gs now. Advance against your 10%.

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A drawn account for songs, special materials, special arrangements, etc, etc, etc.

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It's a deal? It's a deal.

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Signed, sealed and now...delivered!

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Hey, Mousey! Yeah, boss.

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Bring in my future star! Yeah, boss.

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Easy, Fats, you just can't take any girl and make her a star.

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You've done it before... Not me, Fats. The girls had talent.

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I've met guys like you. They think a dame has something special, but usually she's got nothing.

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I could lie to you, Fats. Take your 10 grand, go through the motions. I can't do it.

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Call it integrity, or some other dirty word, but I can't do it.

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The girl would know I wasn't interested.

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I won't embarrass her. I'll beat it before she shows.

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Huuuugh! ICE CLINKS IN GLASS

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Mr Miller...

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Miss Jerri Jordan. I made up the name myself. It'll look good in lights. You like it?

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Very much. Tommy boy, I'm putting her in your hands, figuratively speaking.

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You got six weeks to have her a star.

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The first thing... Six weeks! Easy, it takes time.

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Rome wasn't built in a day. She ain't Rome.

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What we're talking about is already built. Right?

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No argument.

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# Yo-our eyes they shine

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# Like stars

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# So bright

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# Brighter

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# Than the heavens

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# Above

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# Some folks may want the stars

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# For stars are always blue

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# But darling

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# Let them have the stars

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# Just take me back to you

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# Yo-ou made a mirror of iron tonight

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# You're my idea of love. #

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Beat it, dead beat.

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Scotch. Bottle of Scotch.

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NEXT SONG STARTS

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Huh!

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Hey! What d'you do, find uranium somewhere? Yep.

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In Rome, Nicky boy. In Rome.

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Cigars? Cigarettes? Hmmm.

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Cigars? Cigarettes? Ha-ha-ha-ha.

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Why not?

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We'll smoke 'em tomorrow, honey.

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Ooof! Huh!

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But tonight... they're playing our song.

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# Gonna find me a pretty mama

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# One that's gonna treat me right

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# Gonna find me a pretty mama

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# One that won't fuss and fight

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# Cos I ain't gonna cry no more

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# I ain't gonna cry no more

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# Well, you take you and your fella

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# And make just like the breeze

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# Yeah, you take you and your fella

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# And add that sauce to eat

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# Cos I ain't gonna cry no more

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# I ain't gonna cry no more. #

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Get your mornin' papers!

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Get your mornin' paper, ma'am? No thanks, honey.

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Can you tell me where I can find 341?

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Second block, ma'am. Thanks, sonny.

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HE WOLF-WHISTLES

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# She can't help it The girl can't help it

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# When she walks by The men folks get 'n' goes

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# Can't help it The girl can't help it

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# When she winks an eye Bread starts turning to toast

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# She can't help it The girl can't help it

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# Yeah, she got a lot of what they call the most

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# She can't help it The girl can't help it

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# The girl can't help it Cos she was born to please

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# She can't help it The girl can't help it

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# And she's got a figure made to squeeze

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# She can't help it The girl can't help it

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# Won't you kindly be aware

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# The girl can't help it The girl can't help it. #

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HE GROANS

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Hup!

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HE SIGHS

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DOOR SLAMS

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Good morning, Mr Miller. What are you doing here?

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What do you mean? You want my funeral in Fats' newsreels?

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But Mr Murdock sent me over.

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He sent you? So you can start working on me.

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Honey, this is no place to start.

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I've been in men's bedrooms before. I grew up with seven brothers and a father.

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Besides, you're half-dressed already.

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Don't come in here. I think you need this.

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What's in it?

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It'll make you feel better. Are you sure?

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I made them for my father. He drank a lot trying to forget my mother.

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I'm sorry, I... Sorry?

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I didn't know your mo... She isn't - that's why my father drank.

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How do you feel now, Mr Miller? Fine.

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Bottle that recipe, you'll make a fortune. Ha-ha! You oughtn't to be doing all this.

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I'm domestic. I hope you like egg souffle.

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Souffle? Mm-hmm. It's not exactly a breakfast, but it's eggs.

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I figured you took strong coffee.

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Good figuring.

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Except I wouldn't have figured you as...domestic.

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It's one of my favourite pastimes.

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What is? Cooking. OVEN DOOR SQUEAKS

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What are the others? Oh, keeping house. You know.

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Keeping everything neat.

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I noticed that. Mmm?

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Not HIS place, I mean my own place. You th...

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Oh, no, I mean MY OWN place.

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But I only get a chance to keep house on the maid's day off. How's your souffle?

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Bottle it. You got another fortune. I'm glad you like it.

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I like it but... I'm a little confused.

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Who isn't? You know, sometimes I think I'm mixed up.

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I mean, if you like keeping house, why a maid?

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Mr Murdock doesn't want me to work. He says I have to BE a career.

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Have to be? Most pretty girls WANT careers. Pretty!

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You should see me without make-up. I'll show you some time.

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Pretty is how good you apply your base. You don't want a career?

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I just wanna be a wife.

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Have kids.

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But everyone figures me for a sexpot.

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No-one thinks I'm equipped for motherhood.

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# Ready, set

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# Go man, go

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# I've got a girl that I love so

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# I'm ready

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# Ready, ready, set I'm ready

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# Ready, ready set I'm

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# Ready, ready, ready to Rock'n'roll

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# Going to the corner Pick up my sweetie pie

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# She's my rock'n'roll baby She's the apple of my eye

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# I'm ready

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# Ready, ready, set I'm ready

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# Ready, ready, set I'm

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# Ready, ready, ready to Rock'n'roll

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# All the flat top cats And the dungaree dogs

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# Are heading from the gym To the society ball

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# The dogs are really jumpin'...

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Mr Miller? Yes.

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Why must I keep my stole on in here?

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It's the first step in your build-up.

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You're building me up? I'll explain later.

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# ..Are heading from the gym To the society ball

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# The dogs are really jumpin' The cats are going wild

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# The music really seem Like it did the first time

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# I'm ready

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# Ready, ready, steady I'm ready

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# Ready, ready, steady

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# Ready, ready, ready to Rock'n'roll

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# Gonna kick off my shoes Roll up my faded jeans

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# Tell my rock'n'roll baby To get up on the stage

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# I step to the left I step to the right

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# Gonna rock and roll To the early, early night

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# I'm ready

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# Ready, ready, steady I'm ready

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# Ready, ready, steady

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# Ready, ready, ready to Rock'n'roll. #

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It depends on strategy.

0:22:370:22:40

If I told the owner I had a sensational performer, he has to figure I'm axe-grinding for my 10%.

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But if I DON'T try to sell him, he sees her, he flips,

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and he comes to me to check on her.

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I don't see anybody flipping or checking. You will.

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Take your stole off and go to the powder room. Powder room?

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Just visit a while.

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But walk by the reservation desk - that's where the owner hangs out.

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On your way.

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Seems awfully silly, Mr Miller.

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Operation Powder Room in operation. Yes, sir!

0:23:200:23:25

# Looking so pretty And this is what I say

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# She's got it

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# Ooh, baby, she's got it

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# I can't do without her

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# Big blue eyes Long black hair

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# Ample cheeks And she's no square

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# She's got it

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# Ooh, baby, she's got it

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# I can't do without her

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# Her ruby lips Shapely hips

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# She walk down the street And all the cats flips

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# She's got it

0:23:530:23:54

# Ooh, baby, she's got it

0:23:540:23:58

# I can't do without her

0:23:580:24:01

# She love to sing

0:24:010:24:02

# Hot-rod queen

0:24:020:24:03

# She's real gone in everything

0:24:030:24:05

# She's got it

0:24:050:24:07

# Ooh, baby, she's got it

0:24:070:24:11

# I can't do without her

0:24:110:24:12

# Aaaaa-ah.... #

0:24:120:24:14

It seems silly. I gave the powder room lady a quarter - what for?

0:24:210:24:25

Listen. Don't say anything except, "Ask my agent." "Ask my agent"?

0:24:250:24:31

No matter what anyone says, you say, "Ask my agent."

0:24:310:24:35

Hi, Tom, haven't seen you lately. How's Julie London?

0:24:350:24:39

Hiya, Lucas, like the show. I hope madame shares your opinion.

0:24:390:24:43

Ask my agent. The beautiful lady is a performer, hey?

0:24:430:24:47

Ask my agent.

0:24:470:24:50

What do you do? Er, sing, dance..?

0:24:500:24:54

Ask my agent. Oh, ha-ha-ha!

0:24:540:24:58

The lady's a comedienne, hey?

0:24:580:25:01

She's under wraps, Lucas. See you around. Come on, honey.

0:25:010:25:06

Hey, Tom - you sell her anywhere else, and you're barred from here.

0:25:060:25:10

You couldn't meet her price, Lucas.

0:25:100:25:14

She's got it all.

0:25:140:25:17

# I wanna kiss

0:25:180:25:20

# I wanna cling

0:25:200:25:21

# But baby there's a time and place for everything

0:25:210:25:22

# So please, please, cool it, baby

0:25:220:25:25

# Show the gang you ain't no square

0:25:250:25:27

# Cool it, baby

0:25:270:25:29

# We don't want those cats to stare

0:25:290:25:32

# Coolly do it, baby Make like a polar bear

0:25:320:25:35

# Oh, there's Sam with Sue Viv with Gus

0:25:360:25:38

# They all got stooby-dooby eyes on us

0:25:380:25:41

# So cool it, baby

0:25:410:25:42

# Oh, you know I need you so

0:25:420:25:45

# Cool it, baby

0:25:450:25:46

# Take it easy, take it slow

0:25:460:25:49

# Coolly do it, baby Make like an eskimo

0:25:490:25:52

# I love your eyes I love your lips

0:26:070:26:10

# They taste even better than potato chips

0:26:100:26:12

# Cool it, baby...

0:26:120:26:14

You want anything, miss? No thanks, just visiting.

0:26:160:26:20

# ..We'll go, go, go Till we're all in love again. #

0:26:240:26:31

# She's got sugar-dip kisses Sugar-dip kisses

0:26:390:26:43

# And cherry-dip charms Cherry-dip charms

0:26:430:26:45

# And I melt like butter Melt like butter

0:26:450:26:49

# In her honey-coat arms In her honey-coat arms

0:26:490:26:51

# She's a kick-flicking baby Oh, what a baby

0:26:510:26:55

# And I love her pies Love her pies

0:26:550:26:58

# But she's a cinnamon sinner

0:26:580:27:00

# Selling lollipop lies

0:27:000:27:03

# She's got sugar-dip trimmings Sugar-dip trimmings

0:27:030:27:07

# Sprinkled with lime Sprinkled with lime

0:27:070:27:10

# And her heart ever lovin' Heart ever lovin'

0:27:100:27:13

# Is cookin' all the time

0:27:130:27:16

# Well, she's a kick-flicking baby Oh, what a baby

0:27:160:27:19

# And I love her pies Love her pies

0:27:190:27:22

# But she's a cinnamon sinner

0:27:220:27:25

# Selling lollipop lies

0:27:250:27:28

# Who's gonna buy her lies today?

0:27:290:27:34

# Who's gonna be unwise today?

0:27:350:27:41

# Well, who's gonna need Who's gonna need

0:27:410:27:44

# Who's gonna need her sympathy?

0:27:440:27:47

# Who? Who? Who? Who?

0:27:470:27:49

# Who, but a fool like me?

0:27:490:27:52

# But she's my marsh-mallow mama Oh, what a mama

0:27:520:27:56

# With a jelly-roll heart Jelly-roll heart

0:27:560:27:59

# She's a sweet-toothed teaser

0:27:590:28:02

# Who, who Can really play her part

0:28:020:28:04

# But I think she's second sister

0:28:050:28:09

# Wearing a disguise

0:28:090:28:11

# For my cinnamon sinner

0:28:110:28:14

# Selling lollipop lies. #

0:28:140:28:19

If it isn't Miller, the demon agent. Where you been hiding? Around.

0:28:280:28:33

We were just leaving, Sam.

0:28:330:28:36

Come on, honey. You got to be up early to work on the new arrangement.

0:28:360:28:42

Arrangement? You sing, too?

0:28:420:28:44

Ask my agent.

0:28:440:28:47

I intend to.

0:28:480:28:51

You couldn't meet her price, Sam.

0:28:510:28:54

# Spread the word Spread the gospel

0:28:590:29:01

# Let the congregation know

0:29:010:29:03

# That a cornet was the downfall Of the walls of Jericho

0:29:030:29:08

# Spread the word

0:29:080:29:10

# Spread the gospel

0:29:100:29:13

# Speak the truth

0:29:130:29:15

# It will be heard

0:29:150:29:18

# Till the next revival meeting

0:29:180:29:22

# Spread the gospel Spread the word

0:29:220:29:27

# So he writ the manuscriptures

0:29:270:29:30

# Did the leader of the flock

0:29:300:29:32

# And his music is my saviour

0:29:320:29:35

# And his rhythm is my rock

0:29:350:29:37

# Spread the word

0:29:370:29:39

# Spread the gospel

0:29:390:29:42

# Speak the truth

0:29:420:29:44

# It will be heard

0:29:440:29:47

# Go among the disbelievers

0:29:470:29:51

# Spread the gospel Spread the word

0:29:510:29:56

# Angel Gabriel blows his trumpet...

0:29:560:29:59

Now? Now.

0:29:590:30:02

# ..Spread the word

0:30:060:30:08

# Spread the gospel

0:30:080:30:10

# Speak the truth

0:30:100:30:13

# It will be heard

0:30:130:30:15

# Till we get there with the faithful...

0:30:150:30:20

Pardon me, miss. I'm Joe Rodgers. I own this place. Can I be of any service?

0:30:220:30:28

I'm going to the powder room! Ooh, that was an ad lib.

0:30:280:30:32

Sorry, ask my agent. Bye bye.

0:30:320:30:36

# ..Speak the truth

0:30:390:30:41

# It will be heard

0:30:410:30:44

# Glory be And hallelujah

0:30:440:30:49

# Spread the gospel Spread the word. #

0:30:490:30:56

APPLAUSE

0:30:560:30:59

SLOW DANCE MUSIC

0:31:020:31:05

See how that strategy pans out?

0:31:110:31:14

The first time out, and already four owners are drooling over you.

0:31:140:31:19

Not now. The owner isn't at the desk.

0:31:200:31:23

This one's on me.

0:31:230:31:26

I never noticed before, but they put them too far from the tables.

0:31:480:31:53

No more walking. I promise. Hm.

0:31:530:31:57

Good night, Jerri. Good night, Mr Miller.

0:31:570:32:00

See you tomorrow. Mm-hmm.

0:32:000:32:03

Oh, Mr Miller...

0:32:030:32:05

Mmm? Why do you drink so much?

0:32:050:32:09

Just a habit, I suppose. A girl habit?

0:32:090:32:13

Girls? No! I haven't got a girl!

0:32:130:32:17

Mr Miller.

0:32:200:32:22

If it was Julie London...

0:32:220:32:25

she wasn't very bright.

0:32:250:32:28

RECORD CRACKLES

0:32:590:33:02

MUSIC BEGINS

0:33:060:33:09

# Now you say you're lonely

0:33:260:33:34

# You cry the long night through

0:33:340:33:39

# Well, you can cry me a river

0:33:390:33:43

# Cry me a river

0:33:450:33:47

# I cried a river

0:33:480:33:51

# Over you

0:33:510:33:55

# Now you say you're sorry

0:33:560:34:02

# For being so untrue

0:34:030:34:09

# Well, you can cry me a river

0:34:090:34:13

# Cry me a river

0:34:140:34:17

# I cried a river

0:34:180:34:21

# Over you

0:34:210:34:26

# You drove me

0:34:260:34:28

# Nearly drove me out of my head

0:34:280:34:32

# While you never shed

0:34:320:34:36

# A tear

0:34:360:34:39

# Remember, I remember

0:34:410:34:44

# All that you said

0:34:440:34:48

# Told me love was too plebian

0:34:480:34:51

# Told me you were through with me

0:34:510:34:55

# And now

0:34:550:34:58

# You say you love me

0:34:580:35:03

# Well, just to prove

0:35:030:35:06

# You do

0:35:060:35:09

# Come on and cry me a river

0:35:090:35:13

# Cry me a river

0:35:140:35:17

# I cried a river

0:35:180:35:21

# Over you

0:35:210:35:25

# I cried a river

0:35:320:35:35

# Over you

0:35:350:35:39

VOICE ECHOES: # I cried a river

0:35:390:35:42

# Over you

0:35:420:35:46

VOICE FADES: # I cried a river

0:35:460:35:49

# Over you

0:35:490:35:54

# I cried a river

0:35:540:35:56

# Over you... #

0:35:560:36:00

He picked her up at her place, 9.25. Cab to the Hi-Hat,

0:36:070:36:11

Late Place, Jungle Room, Sunrise Club, cab back, left her at the front door, 2.40.

0:36:110:36:18

Pub crawl, huh? I don't get it, and I don't like it.

0:36:180:36:22

Tell him to come to Long Island tomorrow.

0:36:220:36:25

Never mind. You better call Jerri. Why?

0:36:250:36:29

Something's wrong.

0:36:290:36:32

Every place, first thing.

0:36:320:36:35

Off to the powder room.

0:36:350:36:38

Poor kid.

0:36:390:36:41

What do you mean, "What does she do?" Listen, Rodgers, she sings.

0:36:490:36:54

She's got a great pair of lungs.

0:36:540:36:57

Come up with a deal and we'll talk.

0:36:590:37:02

KNOCK ON DOOR Come in.

0:37:020:37:04

Mr Miller, look!

0:37:040:37:07

Made it, huh?

0:37:070:37:10

Tom Miller pubbed it with a new find.

0:37:120:37:15

Her name is a secret but the rest of her isn't.

0:37:150:37:19

I saw her yesterday. She's something!

0:37:190:37:23

She's a girl, Barry. Just a girl.

0:37:230:37:25

If she's a girl, then I don't know what my sister is!

0:37:250:37:29

CAR HORN TOOTS OUTSIDE

0:37:320:37:35

You ready up there? I'm ready!

0:37:360:37:40

Oh, hi, how are you, sonny?

0:37:400:37:43

"Sonny". That's what makes juvenile delinquent.

0:37:430:37:47

Leave the papers here, Barry. Listen, Mr Miller.

0:37:490:37:53

Take me on for a client. That would impress her. I can sing, honest!

0:37:530:37:59

Sorry, Barry, I got my hands full.

0:37:590:38:02

There's gotta be an answer to that.

0:38:020:38:06

He has a place out here, too?

0:38:130:38:16

It used to be the casino. He likes it because of the memories.

0:38:160:38:20

The old ancestral home, huh? Mr Murdock wasn't born there.

0:38:200:38:24

But most of his best friends were killed there, you know, in police raids and everything.

0:38:240:38:31

Don't worry, Mr Murdock put new carpets in all over.

0:38:320:38:36

Well, how's this for a picnic?

0:38:450:38:49

Picnic? It's a surprise! I'll get the lunch.

0:38:490:38:53

Won't Fats be surprised? He's expecting us.

0:38:530:38:57

We have lots of time. You get the basket, I'll undress.

0:38:570:39:02

Undress? Wait a minute.

0:39:020:39:05

There are blankets in here, too.

0:39:190:39:22

Blankets? To sit on! Come on, bring the lunch.

0:39:220:39:27

If I have the strength.

0:39:310:39:33

My mother would say, "Be nice to Mr Murdock, Georgiana."

0:39:530:39:57

My father would say the same, so I'm nice to Mr Murdock.

0:39:570:40:02

Georgiana. I like that.

0:40:020:40:05

Now I'm a Jerri. You think a boy's name fits me?

0:40:050:40:09

Hardly.

0:40:100:40:12

I sure don't think it does. You like how I fry fried chicken?

0:40:120:40:16

Delicious.

0:40:160:40:19

Yesterday you wanted me to bottle everything.

0:40:190:40:24

OK, bottle it!

0:40:240:40:26

When did you first meet Fat... Mr Murdock?

0:40:270:40:32

I was just a kid. You know, young, but developed early.

0:40:320:40:36

Where did you meet him? In Atlanta, on visiting days.

0:40:360:40:41

At the penitentiary? Mm-hmm. I went there with my father.

0:40:410:40:46

You see, Mr Murdock and my father were former business associates.

0:40:460:40:51

I'm afraid it's just lemonade.

0:40:510:40:53

Not that frozen stuff. I squeezed fresh lemons early this morning.

0:40:530:40:58

Early, before you had your base on? I was a mess!

0:40:580:41:03

I don't believe it.

0:41:030:41:05

Then when did you and Murdock get together again?

0:41:050:41:09

He's finally got out of jail. Now I could visit my father for a change.

0:41:090:41:15

But I'd grown up. One night Mr Murdock looked at me funny and it happened. I see.

0:41:150:41:21

Oh, nothing like that.

0:41:210:41:24

Mr Murdock looked at me funny and said he was falling in love with me.

0:41:240:41:28

I said I was the first girl he'd made a pass at since he got out.

0:41:280:41:33

He said, no, he really did love me, and he was going to make me a somebody.

0:41:330:41:39

We better go now. I'm sorry, I talk so much.

0:41:390:41:43

It was very interesting, Georgiana. A love story always is. Love story? I owe him.

0:41:430:41:49

Owe him?

0:41:490:41:51

For my father. Like I told you, they were business associates.

0:41:510:41:57

If it wasn't for Mr Murdock, my father would have got life, not ten years.

0:41:570:42:02

SHOTS FIRE

0:42:110:42:13

What was that?!

0:42:130:42:15

It's just the exhaust from a fishing boat.

0:42:150:42:20

Don't be so nervous, Mr Miller!

0:42:200:42:23

If it's what I'm thinking...

0:42:230:42:26

GUN FIRES

0:42:370:42:39

You haven't lost the old pitchin' arm, boss.

0:42:390:42:43

- Ain't they supposed to be here? - Don't worry about Jerri.

0:42:430:42:48

She's always on the dot.

0:42:480:42:51

(She'd better be.)

0:42:510:42:53

Legs Wheeler tipped off the cops. It was a massacre.

0:42:540:42:58

Pittsburgh Phil got it right here, next to shot-gun Shortie.

0:42:580:43:03

Oh, yeah, Baby Face Ranaldi.

0:43:030:43:06

This is where he got blasted, right through the hat band.

0:43:060:43:10

That makes 13, don't it?

0:43:100:43:13

I stopped counting with Mugsy The Mugger. Oh, Mugsy.

0:43:130:43:17

Nice guy. Looked like a sieve. He got it right where you're sitting.

0:43:170:43:22

You need a refill. You know something, Tommy boy?

0:43:220:43:26

I could run guided tours through this joint! Ha-ha-ha!

0:43:260:43:31

It's kind of a educational, kind of historical kind of place.

0:43:330:43:38

It's not one of them "George Washington slept here" places.

0:43:380:43:42

But the guys that slept here really slept here, huh? Ha-ha-ha-ha!

0:43:420:43:46

Hey!

0:43:480:43:49

Jerri! Yes.

0:43:490:43:52

I told you before. No apron!

0:43:520:43:56

I was just fixing crepes suzette, Mr Murdock.

0:43:560:43:59

Well, stop fixing - they're fattening!

0:43:590:44:03

Dumb broad! All she thinks of is cooking.

0:44:030:44:07

How can you make a star with a waistline full of calories?

0:44:070:44:12

I'm not gonna make her a star, Fats.

0:44:120:44:15

You're not what?

0:44:150:44:17

I want out of the deal, Fats. Get yourself another agent.

0:44:170:44:22

I got myself an agent. Be reasonable, Fats.

0:44:220:44:26

She isn't interested in a career. You just said so yourself.

0:44:260:44:30

If a girl's gonna make it big in show business, she's got to be... vitally interested in it.

0:44:300:44:37

"Vitally", huh?

0:44:370:44:40

Hey, Mousey! Yeah, boss. Turn 'em loose!

0:44:400:44:44

At night, boss? You can't see!

0:44:440:44:47

Turn 'em loose!

0:44:470:44:50

It don't matter she ain't vitally interested.

0:44:550:44:59

Just make her into a star, like you did with, er... What's her name?

0:44:590:45:03

Julie London. You remember her, don't you?

0:45:030:45:08

You know me, vague on names. I'll help you.

0:45:080:45:12

Julie went for you. All the singing she wanted was lullabies.

0:45:120:45:16

But you were an eager agent, pushing her into a career she didn't want.

0:45:160:45:21

Personally, I think you made a mistake. She was a good-looking dame.

0:45:210:45:26

But she's a big record name now. So where's the "vitally interested"?

0:45:260:45:32

Shooting a little low, aren't you, Fats?

0:45:320:45:35

Just conversation. The point is, you did it with Julie.

0:45:350:45:40

I like the way you did it with Jerri, doing that night club crawl.

0:45:400:45:44

You're a real live wire, Miller.

0:45:440:45:49

Let 'em loose, Mousey!

0:45:490:45:51

GUN SHOTS

0:45:530:45:55

And you want to stay a live wire.

0:45:550:45:59

"CRY ME A RIVER" ON JUKE BOX

0:46:160:46:20

Turn that thing off, will you? What's up, don't you like that song?

0:46:270:46:32

No, I don't like it.

0:46:320:46:36

I'll tell you why.

0:46:380:46:40

Cos every time she sings it, I see her all over the place.

0:46:400:46:45

Most of my customers see little green men. I see HER.

0:46:450:46:49

Everywhere I look, I see her.

0:46:490:46:53

You wanna bet she's sitting on the stool right here?

0:46:550:46:59

Hiya, Julie.

0:46:590:47:01

MUSIC CONTINUES

0:47:010:47:05

Julie?

0:47:050:47:07

Julie!

0:47:100:47:13

She's gone.

0:47:140:47:17

Georgie. Georgie? But you said Julie, pal.

0:47:280:47:31

No. It's Georgie.

0:47:310:47:35

Georgiana.

0:47:360:47:39

# Be bop a lula She's my baby

0:48:110:48:14

# Be bop a lula I don't mean maybe

0:48:140:48:18

# Be bop a lula She-e-e's my baby doll

0:48:180:48:22

# My baby doll, my baby doll

0:48:220:48:25

# Well, she's the gal In the ripped blue jeans

0:48:250:48:30

# She's the queen of all the teens

0:48:300:48:33

# She's the woman that I know

0:48:330:48:37

# She's the woman that loves me so Say

0:48:370:48:40

# Be bop a lula She's my baby

0:48:400:48:44

# Be bop a lula I don't mean maybe

0:48:440:48:47

# Be bop a lula She-e-e's my baby doll

0:48:470:48:51

# My baby doll, my baby doll

0:48:510:48:53

# Let's rock...

0:48:530:48:54

We need a room.

0:49:040:49:06

Studio B, second floor, five bucks an hour.

0:49:080:49:13

# ..She's the woman with the flying feet

0:49:200:49:24

# She's the one that walks around the store

0:49:240:49:28

# She's the one that gets More, more, more, more

0:49:280:49:31

# Be bop a lula... #

0:49:310:49:33

Let's get to work. We got a lot to do.

0:49:330:49:36

You'll have no trouble with me, Mr Miller.

0:49:360:49:40

You vocalise, I'll find your range, then we can have arrangements made. Ready?

0:49:400:49:46

I'm ready. I'm ready, except...

0:49:460:49:49

Except what? Except...

0:49:490:49:53

What happened, Mr Miller? What do you mean?

0:49:530:49:56

You're so different today. We're here to work, Jerri.

0:49:560:50:00

It's Jerri, not Georgiana any more. What did you two talk about?

0:50:000:50:05

Nothing. Mostly about the mortuary he had in his living room.

0:50:050:50:10

I saw your face when he was shooting.

0:50:100:50:13

Nothing, Jerri! Call me Georgie, please.

0:50:130:50:17

I thought we were friends.

0:50:170:50:20

I had fun with you and I thought you were having fun with me, too.

0:50:200:50:25

I have no friends here except Mousey, and he's afraid of...

0:50:310:50:36

You're afraid of him, too. What did he say?

0:50:360:50:40

He didn't say. I did. I told him I wanted out. You're not interested in show business.

0:50:400:50:47

I didn't want to be part of making you anything you didn't want to be.

0:50:470:50:52

That was nice of you to think of me. Whatever it was, it didn't work. Ready?

0:50:520:50:57

He got tough, didn't he? Look, I don't want Fats to have to buy another carpet on account of me.

0:50:570:51:04

You're going to be Jerri Jordan, singer, darling of the juke boxes,

0:51:060:51:10

whether you want to be, or whether I want you to be.

0:51:100:51:14

Let's get to work.

0:51:140:51:17

All right, let's get to work, Mr Miller. Just try the scales.

0:51:190:51:24

HE PLAYS ARPEGGIOS Now try doh.

0:51:240:51:27

HE PLAYS NOTE ON PIANO

0:51:270:51:29

WAVERING AND OUT OF TUNE: # Do-o-o-o-o-o-o-o-o-h #

0:51:290:51:34

Try ray.

0:51:360:51:38

WAVERING: # Ra-a-a-a-a-a-a-a-ay #

0:51:380:51:43

Better try me.

0:51:440:51:47

OUT OF TUNE: # Me-e-e-e-e-e-e-e #

0:51:480:51:51

BULB SMASHES

0:51:510:51:54

HE SNIGGERS You can't sing!

0:52:000:52:03

I know. Have you ever heard anything so awful?!

0:52:030:52:07

Never. Never!

0:52:070:52:09

THEY LAUGH HYSTERICALLY Now he'll HAVE to let you go!

0:52:090:52:14

And you don't have to be in showbiz!

0:52:140:52:17

SHE SQUEALS WITH LAUGHTER

0:52:170:52:20

That's the straight of it. Jerri just can't sing.

0:52:240:52:28

Do you understand, Fats? She can't sing. She just doesn't have a voice.

0:52:280:52:35

I stink, Mr Murdock. You don't stink.

0:52:350:52:39

I do so. I'm telling you, I stink, stink, stink!

0:52:390:52:43

You don't stink! But something smells around here.

0:52:430:52:47

No voice, huh? Well, I don't see nothing wrong when she talks. Talk, Jerri!

0:52:470:52:53

Stink, stink, STINK, Mr Murdock.

0:52:530:52:57

What's wrong with that? She talks good.

0:52:570:53:00

Listen, Miller. She's gonna be a singer, like I want her to.

0:53:000:53:04

She'll be on every juke box I put a dime in, and I got lots o' dimes for putting in!

0:53:040:53:10

Speaking has nothing to do with her singing voice. I'm telling you, she can't sing.

0:53:100:53:16

Just listen.

0:53:160:53:19

Ready, Jerri. I'm ready, Mr Miller. Hold it.

0:53:200:53:24

Watch out for flying glass.

0:53:300:53:33

HE PLAYS NOTE Just sing the me. Yes, Mr Miller.

0:53:340:53:37

FALTERING: # Me-e-e-e-e-e-e-e #

0:53:370:53:41

Miss Jordan. Miss Jordan! Miss Jordan, hurry!

0:53:530:53:57

What's the matter, Hilda?

0:53:570:53:59

He's on the phone, he's yelling something awful. No!

0:53:590:54:03

Hello?

0:54:080:54:10

APPLAUSE FROM TELEVISION Where ya been? What's the matter?

0:54:100:54:14

Put it on channel two, that's the matter!

0:54:140:54:17

What does he want? I don't know.

0:54:200:54:23

It's on, Mr Murdock. Now you and Miller watch, watch it good, OK?

0:54:240:54:30

Watch it good, yes, Mr Murdock.

0:54:300:54:33

Don't hang up. I'll talk to you as soon as he finishes his next number.

0:54:330:54:38

We have to watch the television.

0:54:380:54:42

APPLAUSE He'll be back in just a moment. I've never let you down.

0:54:420:54:47

Who is it? I don't know!

0:54:470:54:51

'And now we pause...'

0:54:510:54:54

Fats. 'Yes.' It's me, Miller.

0:54:540:54:56

WATCH THE TELEVISION!

0:54:560:54:59

RECEIVER CLATTERS ON FLOOR

0:54:590:55:03

He's back again, Eddie Cochrane -

0:55:030:55:06

one of America's top rock'n'rollers. Eddie.

0:55:060:55:09

APPLAUSE

0:55:090:55:12

# Ooh, well, I've got a girl with a record machine

0:55:140:55:17

# When it comes to rockin' She's a queen

0:55:170:55:19

# We love to dance on a Saturday night

0:55:190:55:21

# All alone when I can hold her tight

0:55:210:55:24

# But she lives on the 20th floor up town

0:55:240:55:26

# The elevator's broken down

0:55:260:55:28

# So I walk one, two flight three flight, four

0:55:280:55:30

# Five, six, seven flight eight flight, more

0:55:300:55:33

# Up on the twelfth I'm starting to drag

0:55:330:55:35

# Fifteenth floor, I'm ready to sag

0:55:350:55:37

# Get to the top I'm too tired to rock

0:55:370:55:41

# Well, she call me up on the telephone

0:55:410:55:43

# Say, come on over, honey I'm all alone

0:55:430:55:46

# I said, Betty, you're mighty sweet

0:55:460:55:48

# But I'm in bed with a-aching feet

0:55:480:55:50

# This went on for a couple of days

0:55:500:55:52

# But I couldn't stay away

0:55:520:55:54

# So I walked one, two flight three flight, four

0:55:540:55:57

# Five, six, seven flight eight flight, more

0:55:570:55:59

# Up on the twelfth I'm a-ready to drag

0:55:590:56:01

# Fifteenth floor I'm a-starting to sag

0:56:010:56:03

# Get to the top I'm too tired to rock

0:56:030:56:07

# Well, they sent it to Chicago For repairs

0:56:070:56:10

# Till it's a-fixed I'm a-using the stairs

0:56:100:56:12

# Hope they hurry Before it's too late

0:56:120:56:14

# I love my baby too much to wait Haaa-ha!

0:56:140:56:16

# All this climbin' is a-getting me down

0:56:160:56:19

# They'll find my corpse draped over her rail

0:56:190:56:20

# But I climbed one, two flight three flight, four

0:56:200:56:23

# Five, six, seven flight eight flight, more

0:56:230:56:25

# Up on the twelfth I'm a-ready to drag

0:56:250:56:27

# Well, the fifteenth floor I'm a-starting to sag

0:56:270:56:29

# Get to the top

0:56:290:56:30

# I'm too tired to rock. #

0:56:300:56:33

APPLAUSE

0:56:330:56:35

Why does he want us to watch HIM?

0:56:360:56:40

I can give you the dialogue: "OK, so Jerri can't sing.

0:56:400:56:44

"Well, that guy ain't got a trained voice, either, and he's a star.

0:56:440:56:49

"Why? Because he has a new sound. So Jerri has a new sound.

0:56:490:56:54

"Go cut a record with her tomorrow." You're kidding, Mr Miller.

0:56:540:56:59

Am I? Listen.

0:57:010:57:04

Yes, Fats. 'OK. So Jerri can't sing.'

0:57:100:57:14

Well, that guy ain't got a trained voice, either, and he's a top record star.

0:57:140:57:20

'Why? Cos he's got a new sound.'

0:57:200:57:24

Jerri's got a new sound. You cut a record with her tomorrow.

0:57:240:57:27

OK, Fats.

0:57:300:57:32

Listen. You come over here first thing. I've got just the song I want Jerri to sing.

0:57:320:57:38

OK, Fats.

0:57:390:57:41

I had a lot of leesure when I was in the poky, so I wrote songs for the Christmas show.

0:57:420:57:48

Course, I ain't no Hammerstein, or Irving Berlin!

0:57:480:57:52

This here was the first one I wrote.

0:57:520:57:55

"No lights on the Christmas tree. They're using the electric chair tonight."

0:57:550:58:00

I used to get a lot of laughs with that one. Funny(!)

0:58:000:58:04

Here's another one. Kinda...sentimental.

0:58:040:58:08

"I'll get no good behaviour, baby If I keep thinking of you."

0:58:080:58:14

That's sweet. Hey, you noticed that, huh?

0:58:140:58:17

Hey, here. Here's the one for Jerri. You try this.

0:58:170:58:22

HE PLAYS PIANO INTRO

0:58:270:58:30

# Darlin', oh my darlin'

0:58:330:58:36

# In that prison cell I'd be

0:58:360:58:40

# Thinkin' of...the day that I'd get out

0:58:400:58:44

# And hold you close to me

0:58:440:58:47

# But

0:58:470:58:49

RAUCOUSLY: # What is it I always see?

0:58:490:58:52

# One rock, two rocks

0:58:530:58:55

# Three rocks, four rocks

0:58:550:58:58

# Rock pile dust is on my shoes

0:58:580:59:01

LABORIOUS MELODY: # One rock, two rocks

0:59:010:59:04

# Three rocks, four rocks

0:59:040:59:07

# I'm a guy just born to lose

0:59:070:59:10

# When I hear that siren blow

0:59:100:59:13

# I get those blues... #

0:59:140:59:17

OK, Mr Anthony, this is a take. BAND STARTS UP

0:59:240:59:28

# Darlin', oh my darlin'

0:59:330:59:35

# In that prison cell I'd be

0:59:350:59:38

# Thinkin' of the day that I'd get out

0:59:380:59:41

# And hold you close to me

0:59:410:59:45

# But what is it I always see?

0:59:450:59:48

CHORUS, BARBER-SHOP STYLE: # One rock, two rocks, three rocks, four rocks

0:59:490:59:55

# Rock pile dust is on my shoes

0:59:550:59:57

# I'm a guy just born to lose

0:59:571:00:00

# When I hear the siren blow

1:00:001:00:02

# Oooo-oo-eeeeee-oooo

1:00:021:00:04

# I get those blues

1:00:041:00:07

# Rock, rock, Rockin' round the rock pile

1:00:081:00:10

# Rock, rock Rockin' round the rock pile

1:00:101:00:16

# That siren's got me cryin'

1:00:161:00:18

# Two rocks

1:00:181:00:20

# Four rocks

1:00:201:00:21

# They make

1:00:211:00:23

# More rocks

1:00:231:00:24

# Shut my cell and lock me in

1:00:241:00:26

# Never let me out again

1:00:261:00:29

# When I hear the siren blow

1:00:291:00:31

# Oooo-eee-ii-ouuuuw

1:00:311:00:33

# I get those rock, rock

1:00:331:00:35

# Rock around the rock pile

1:00:351:00:39

# Blues

1:00:391:00:42

SHE CRUNCHES ON APPLE

1:00:471:00:50

I never knew singing could make you so hungry. Ha-ha-ha!

1:00:511:00:55

I'll take it to Wheeler Enterprises in Chicago.

1:00:551:00:58

I wish it was her day off - I'd have made much better sandwiches. Huh-huh!

1:00:581:01:05

Thanks. Hu-hmm! It's a large family.

1:01:071:01:11

I see how you got your cooking experience.

1:01:111:01:15

Mmmm? Oh, ha-ha!

1:01:151:01:18

And my father was...away when that picture was taken.

1:01:181:01:23

Oh, he was a big eater, too.

1:01:231:01:26

You know, Mr Miller. This'll be the first Thanksgiving I haven't been with my family.

1:01:261:01:33

Could my brothers eat?!

1:01:331:01:36

Especially after they started going with girls - it gives a man an appetite.

1:01:361:01:42

It depends.

1:01:461:01:49

I'd like a large family, wouldn't you, Mr Miller? I hope I have a large fam...

1:01:491:01:54

I mean, it's fun.

1:02:011:02:04

Maybe we could have Thanksgiving dinner together, Mr Miller. Maybe we can, Georgie.

1:02:051:02:11

Good night, Georgie.

1:02:211:02:25

Ooooh!

1:02:401:02:41

BUZZER SOUNDS Mr Miller!

1:02:431:02:46

Jerri!

1:03:011:03:03

BUZZER SOUNDS

1:03:071:03:10

Jerri!

1:03:101:03:13

HE HOLDS BUZZER DOWN

1:03:131:03:16

Jerri!

1:03:191:03:20

Who is it?

1:03:201:03:22

It's me, Fats. I'm taking a bath. Huh! Ow!

1:03:221:03:27

What? A hot bath. Be right there.

1:03:271:03:31

Remember. You stay in the hideout room until I get her out.

1:03:311:03:36

Pretty sneaky. It's like you don't trust her.

1:03:361:03:40

It's her AND him. She's a good cook, and I got a feelin' something's cookin'.

1:03:401:03:46

Hey, Mousey, remember the old days? We used to use this place for printing up money?

1:03:511:03:58

Money meant something in the old days, before taxes.

1:04:001:04:03

I'm sorry, I couldn't hear anything in the shower. It's all right.

1:04:101:04:14

Happy Thanksgiving.

1:04:141:04:17

Hey! You smell good! Ha-ha-ha. Thanks, Mr Murdock.

1:04:201:04:25

I'm buying you a turkey dinner, you'd like that? I'd...love it.

1:04:251:04:30

Get dressed up warm, I got the top down. Go on, honey. Be right back.

1:04:301:04:35

You bug her telephone and listen in if he calls.

1:04:451:04:49

Now, remember, quiet!

1:04:501:04:53

PLATE FALLS LOUDLY ON SHELF

1:04:541:04:57

TELEPHONE RINGS

1:05:061:05:09

Hello.

1:05:131:05:14

WOMAN'S VOICE: 'Miss Jerri Jordan?' Yes.

1:05:141:05:17

'Chicago calling. Go ahead, sir.'

1:05:171:05:20

Hello?

1:05:201:05:22

Georgie. How are you?

1:05:221:05:25

Fine now.

1:05:251:05:28

I thought you'd be back in time for Thanksgiving.

1:05:281:05:32

I didn't see Wheeler yet.

1:05:321:05:34

He controls most of the juke boxes in the country. I see him tomorrow.

1:05:341:05:39

I miss you, Mr Miller. It's been over a week.

1:05:391:05:44

I miss you too, Georgie.

1:05:441:05:47

'What'd you do today?'

1:05:481:05:51

Mr Murdock took me to dinner. How is Fats?

1:05:511:05:55

He's dying to hear the new record.

1:05:551:05:58

If I'm lucky, he'll hear it over all those juke boxes he has all those dimes to put in.

1:05:581:06:05

'I wish you were here.' 'I do too, Georgie.'

1:06:051:06:10

I'll fly back after I see the man.

1:06:101:06:13

'Good night, Georgie.' TEARFULLY: Good night, Mr Miller.

1:06:131:06:16

SOBBING COMES THROUGH BUGGING DEVICE

1:06:291:06:32

HE STARTS TO SOB

1:06:361:06:39

DOOR OPENS AND SHUTS AGAIN

1:06:471:06:51

Mousey!

1:06:511:06:52

Yeah, boss. Come here!

1:06:521:06:55

Well, how d'you make out? What do you think?

1:06:551:06:59

How many years I been doing this? So did Miller call?

1:06:591:07:04

Yeah, he called, from Chicago. Had a nice little talk.

1:07:041:07:08

"Nice little talk." I'll bet!

1:07:081:07:12

Set up the tape!

1:07:121:07:14

'Hello. Miss Jerri Jordan? Yes.

1:07:171:07:20

'Chicago calling. Go ahead, sir.

1:07:201:07:23

'Hello? How are you?

1:07:231:07:26

'Fine. I thought you'd be back by now.

1:07:261:07:30

'I didn't see Wheeler yet. He's the guy who controls most of the juke boxes in the country.

1:07:301:07:37

'I'll see him tomorrow, then I'll fly back afterwards.

1:07:371:07:41

'Well, good night. Good night, Mr Miller.'

1:07:411:07:46

That's it? That's all?!

1:07:491:07:52

You heard, didn't you? Yeah, I heard.

1:07:521:07:56

Something's wrong. I know I figured right.

1:07:561:08:01

Hey! Hey!

1:08:011:08:05

Could they have figured the joint was rigged?

1:08:051:08:09

How could they? You think I'm called Mousey because I make noises?

1:08:091:08:14

OK, OK. OK nothing, where do you come off?

1:08:141:08:17

That's a smear on my talents. All right.

1:08:171:08:20

How about the time I bugged the DA? All right.

1:08:201:08:23

The time I bugged the governor's mother-in-law?! OK! Stop bragging!

1:08:231:08:29

I don't get it.

1:08:291:08:31

Why was he so happy over the fact that she can't sing, huh?

1:08:311:08:36

Only one reason - cos he figured, if she didn't make it, I wouldn't marry her.

1:08:361:08:42

Then HE'd move in.

1:08:421:08:44

They...

1:08:441:08:46

They... They gotta be soft-talking each other!

1:08:471:08:51

You heard. Yeah.

1:08:511:08:55

Yeah, I heard!

1:08:551:08:58

I'm...

1:08:581:09:00

I'm going to bed. Yeah, boss.

1:09:011:09:05

DOOR SLAMS

1:09:061:09:08

That's the thing to do.

1:09:081:09:11

That's the thing to do...

1:09:111:09:14

..boss.

1:09:181:09:20

# Rockin' is our business

1:09:251:09:27

# And rockin' is what we do Oh, yeah

1:09:271:09:30

# Come on, everybody We want you to rock with us, too

1:09:301:09:33

# You tell' em Now we've got Don on sax

1:09:331:09:36

# Henry on drums

1:09:361:09:37

# Jimmy on bass

1:09:371:09:38

# Gene on piano

1:09:381:09:39

# Cliff and Clive to sing this jive

1:09:391:09:42

# Come on, everybody Get this joint alive

1:09:421:09:44

# Rockin' is our business

1:09:441:09:46

# And rockin' is what we do

1:09:461:09:49

# Rock Whaaa

1:09:491:09:50

# Rock, everybody

1:09:501:09:51

# Rock Whaaa

1:09:511:09:52

# Rock, everybody

1:09:521:09:54

# Rock Whaaa

1:09:541:09:55

# Rock, everybody

1:09:551:09:56

# Rock Whaaa

1:09:561:09:57

# Rock, everybody

1:09:571:09:58

# Rock Whaaa

1:09:581:09:59

# Rock, everybody

1:09:591:10:01

# Rock, rock Rock, rock

1:10:011:10:04

# When you go out in high hall

1:10:041:10:06

# Want the joint to rock

1:10:061:10:09

# All you do is give us a car

1:10:091:10:11

# We'll be jiving on the spot

1:10:111:10:13

# Rockin' is our business

1:10:131:10:15

# And rockin' is what we do

1:10:151:10:17

# Rock Haaa

1:10:171:10:19

# Rock, everybody

1:10:191:10:20

# Rock Haaa

1:10:201:10:21

# Rock, everybody

1:10:211:10:22

# Rock Haaa

1:10:221:10:23

# Rock, everybody

1:10:231:10:24

# Rock Haaa

1:10:241:10:25

# Rock, everybody

1:10:251:10:27

# Rock, rock

1:10:271:10:28

# Rock, everybody

1:10:281:10:29

# Rock, rock, rock, rock

1:10:291:10:32

# Rock, rock, rock, everybody

1:10:321:10:43

# Rock, rock, rock, rock

1:10:431:10:46

# Ro-o-o-o-o-o-ck

1:10:461:10:51

# Ya. #

1:10:511:10:52

I can assure you of another gold record.

1:10:541:10:57

Thanks, Mr Wheeler.

1:10:571:10:59

Mr Miller is here to see you. Miller?

1:10:591:11:02

Tom Miller - the agent who brought you Julie London. Fine. We could use another London.

1:11:021:11:10

JUKE BOX: # When you hear the siren blow

1:11:101:11:11

# Ooo-ii-eeeee-ah

1:11:111:11:14

# I get those rock, rock

1:11:141:11:16

# Rock around the rock pile

1:11:161:11:18

# Rock, rock

1:11:181:11:19

# Rock around the rock pile

1:11:191:11:20

# Blues. #

1:11:201:11:23

MUSIC STOPS

1:11:271:11:29

I'm a Ray Anthony fan. Fortunately I have him under personal contract.

1:11:291:11:35

By the way, what sort of gadget did Ray use for that weird siren sound?

1:11:371:11:42

Sort of a girl-type gadget.

1:11:421:11:45

A girl? Oh, she's your client?

1:11:451:11:49

Well, yes she is, Mr Wheeler.

1:11:491:11:52

I shouldn't have wasted your time, but I wanted to come to the top.

1:11:521:11:57

She's, er, excellent. Voice like that'll catch on. She'll be a star.

1:11:571:12:02

I definitely want to sign her to a long-term contract.

1:12:021:12:07

Mmmm. I like the song, also. Who wrote it?

1:12:071:12:11

The name's Murdock. He's got a cell full of 'em.

1:12:111:12:15

He has the...feel of what people want. Is he your client, too?

1:12:151:12:19

No, he handles himself. He's Fats Murdock... if your memory isn't vague.

1:12:191:12:25

My memory's anything but vague, Mr Miller.

1:12:251:12:29

You mean "Marty" Fats Murdock? Yes, the slot machine king of the old days.

1:12:291:12:36

Uh-huh.

1:12:361:12:38

'Yes, Mr Wheeler.' Send Laurence and Eugene in, please.

1:12:401:12:44

Would you like dinner, sir?

1:12:551:12:58

Georgia, I'm not that sick. I don't have to be in bed.

1:13:051:13:09

You haven't eaten. It will give you strength.

1:13:091:13:14

When I think of them throwing you out that doo...

1:13:141:13:18

Go away, Mr Murdock, Mr Miller's sick.

1:13:181:13:21

He's gonna be a lot sicker when I'm finished. On your feet!

1:13:211:13:25

Fats, listen. I just happened to drop in.

1:13:251:13:29

Just dropped in, with a pair of pyjamas under your arms? Leave him alone.

1:13:291:13:35

Take that apron off! I needed it to heat the bouillon! Shut up!

1:13:351:13:40

Don't you hit him and don't tear my pyjamas.

1:13:401:13:44

YOUR pyjamas? Do I look like I wear striped pyjamas?

1:13:441:13:49

YOUR pyjamas!

1:13:491:13:52

Just in case you get some late callers, huh?

1:13:521:13:56

They are not. You have a big, fat, dirty mind, Mr Murdock.

1:13:561:14:00

I have, huh? Dirty mind, dirty mind.

1:14:001:14:03

They're my brother's Christmas present. Don't give me that!

1:14:031:14:07

I'll show you, Mr Murdock.

1:14:071:14:10

Leave them. I've never seen her mad before. Maybe she'll kill him.

1:14:101:14:15

..for brother George. And this... for brother Gilbert. OK!

1:14:151:14:20

I believe you! ..for brother Gridley. OK!

1:14:221:14:26

For brother Gayman. OK! For brother Ambrose! OK.

1:14:271:14:32

And this...for my father. Now are you satisfied, Mr Murdock?!

1:14:341:14:39

OK on the pyjamas, but that don't explain him in your bed,

1:14:391:14:45

no matter whose pyjamas he's in there with!

1:14:451:14:49

OK, let me at him. Listen, you...

1:14:491:14:52

I was just giving him bouillon, you dumb dummy!

1:14:521:14:56

Don't you dumb, dumb, dummy me!

1:14:561:14:59

I was just giving him bouillon. Don't you know what bouillon is?

1:14:591:15:04

Aaaagh!

1:15:041:15:06

That's it, Fats.

1:15:081:15:11

Wheeler predicted Jerri'd be a star right off.

1:15:111:15:15

But when I told him you'd written the song, he introduced me to...

1:15:151:15:20

Lawrence and Eugene. Lawrence and Eugene?!

1:15:201:15:23

That's Larry the Fink and Edgewater Eugene.

1:15:231:15:27

Legs Wheeler still makes with the fancy words, huh? Fancy words with old-time action.

1:15:271:15:33

Legs had top slots in all the joints. I threw his out and moved mine in.

1:15:331:15:38

Hey! Does he still walk with a limp?

1:15:381:15:42

I didn't notice.

1:15:421:15:44

I winged him in the shinbone once. He was on crutches for months!

1:15:441:15:49

He's off crutches now. Fats, we're dead.

1:15:491:15:52

He controls the juke-box business, and that's that.

1:15:521:15:56

You give up too easy. I told you, he used to control the slots until I took over.

1:15:561:16:02

I did it before and I'll do it again!

1:16:021:16:05

You put my father's nightie on backwards!

1:16:051:16:09

Don't bother me. I'm thinking.

1:16:091:16:11

Don't stretch it. My father's not as FAT as you.

1:16:111:16:15

Clam up, will you?! I'm thinking!

1:16:151:16:18

Don't you yell at me any more, Mr Murdock.

1:16:181:16:21

OK.

1:16:241:16:27

So Legs Wheeler won't put Jerri's record on, huh?

1:16:271:16:31

No wonder. I stink!

1:16:311:16:34

All right, Mousey. We go!

1:16:341:16:36

Where to, boss? To war. A cold, hot war.

1:16:361:16:40

Order your wedding dress, baby.

1:16:401:16:43

It won't be long now. Come on!

1:16:431:16:46

Boss! Yeah?

1:16:531:16:55

Your hat! Come on.

1:16:551:16:57

What'll you have, gentlemen?

1:17:191:17:22

Who are you getting your music from?

1:17:301:17:33

Oh, that's a Wheeler Enterprises juke box, mister.

1:17:331:17:36

BOTH: Oh, yeah?

1:17:361:17:38

I take from Wheeler.

1:17:491:17:51

Who?

1:17:511:17:53

Whom?

1:17:531:17:55

I take from...Murdock.

1:17:551:17:58

Oh, yeah?

1:18:071:18:09

OH, YEAH?

1:18:151:18:18

# ..Blow Ooh-ii-eeeee-ah #

1:18:201:18:23

CRASHING

1:18:331:18:36

# When I hear the siren blow

1:18:361:18:38

# Ooo-ii-eeeee-ah

1:18:381:18:40

# I get those blues. #

1:18:401:18:44

Well, boss, I gotta hand it to you. You still got the old moxie.

1:18:441:18:48

Keep us out of the record business, will he? You did it. Made a star.

1:18:481:18:53

Yeah.

1:18:551:18:57

Yeah, I made a star.

1:18:581:19:01

That's what you wanted, wasn't it?

1:19:011:19:04

Yeah. That's what I wanted.

1:19:041:19:06

Now you got a somebody to marry. Clam up, will ya, Mousey?

1:19:111:19:16

Why are you getting sore? "Why are you getting sore?"

1:19:161:19:20

Why do you suppose I'm getting sore?!

1:19:201:19:23

I like music. And I'm marrying a dame with a stinking voice like that.

1:19:231:19:28

How many juke boxes did Mr Murdock remove?

1:19:301:19:33

Most of them around New York. Now he's making inroads in Boston, Baltimore...

1:19:331:19:39

Pittsburgh... That's far enough.

1:19:391:19:42

You proceed with our legal case. I know where I can find Mr Murdock.

1:19:421:19:47

# Here come Wednesday I'll be to myself

1:19:561:20:00

# My girl called Got to tell her that I'm out

1:20:001:20:05

# Cos Thursday is a hard-working day

1:20:061:20:09

# And Friday I get my pay

1:20:091:20:12

# Saturday morning Oh, Saturday morning

1:20:151:20:20

# All my tiredness They flown away

1:20:201:20:24

# On my morning

1:20:241:20:26

# In my heart

1:20:261:20:29

# I'm out on the stage and we play

1:20:291:20:32

# Sunday morning, my head is bad

1:20:331:20:37

# Oh it's worth it For the time that I've had

1:20:371:20:41

# But I've got to get my rest

1:20:421:20:46

# Cos money is a mess

1:20:461:20:49

# Saturday morning

1:20:511:20:53

# Oh, Saturday morning

1:20:531:20:56

# All my tiredness have gone away

1:20:561:21:00

# On my morning

1:21:001:21:03

# In my heart

1:21:031:21:05

# And I'm out on the stage and we play

1:21:051:21:08

# Sunday morning my head is bad

1:21:091:21:13

# But it's worth it For the time that I've had

1:21:131:21:17

# But I've got

1:21:171:21:20

# To get my rest

1:21:201:21:22

# Cos money is a mess. #

1:21:221:21:25

You got everything, boss? Wedding ring, licence?

1:21:301:21:34

Yeah. I got everything.

1:21:341:21:36

Have you, boss?

1:21:391:21:41

Why don't you give your honeymoon tickets to Miller, boss?

1:21:421:21:46

Wanna know something?

1:21:481:21:51

I loused you up with that tape recorder.

1:21:521:21:55

You WHAT?!

1:21:581:22:00

Yup.

1:22:001:22:02

Honest, Mousey? Did you?

1:22:041:22:07

Did you?

1:22:071:22:09

Don't kid me, now.

1:22:091:22:11

I soft talked, boss. Just like you figured.

1:22:111:22:15

I figured right, huh? They go for each other, don't they?

1:22:151:22:19

In a big way, boss. It's the real thing.

1:22:191:22:23

And now The Platters,

1:22:241:22:27

and their hit, You'll Never, Never Know.

1:22:271:22:30

KNOCK AT DOOR Who is it?

1:22:301:22:33

Tom Miller. Your former agent.

1:22:331:22:36

Come in.

1:22:361:22:38

Just came to say goodbye.

1:22:431:22:46

I should've brought a wedding present.

1:22:461:22:49

You did.

1:22:491:22:51

That's no way for a bride to act.

1:22:561:22:59

I thought brides acted that way.

1:22:591:23:01

Only with the groom.

1:23:011:23:04

DISTANT MUSIC: # You'll never, never know I care

1:23:041:23:08

# My love

1:23:101:23:11

# You'll never know the touch I bear

1:23:111:23:14

# You'll never know it

1:23:151:23:17

# For I won't show it Ah-ah

1:23:171:23:20

# Aaaah-aaaah Oh, no, you'll never, never know

1:23:201:23:24

# You'll never know

1:23:241:23:26

You'll never, never see me cry

1:23:261:23:29

# Wah-ohhhh

1:23:291:23:32

Not even when you're glancing by

1:23:321:23:35

# Aaahhh For I'm a-weakened When we're speaking

1:23:361:23:41

# Aaahhh Although you'll never, never know

1:23:411:23:45

# You'll never know

1:23:451:23:47

# No, no I know I won't reveal

1:23:471:23:51

# Wah-ohhhh

1:23:511:23:53

The way I really, truly feel

1:23:531:23:56

# Aaahh But if you guess it, I'll confess it

1:23:571:24:02

# Oh, darling, now's the time to glow

1:24:021:24:07

# Aaahhh Or else you'll never, never know

1:24:071:24:12

# You-oo-oo know

1:24:121:24:14

# Lord, how it is to me...

1:24:141:24:17

Sorry I can't stay, but I have a train on tap.

1:24:171:24:21

All the best, Georgie.

1:24:211:24:24

Can't stand to hear me sing again, huh?

1:24:241:24:27

You know it isn't that.

1:24:301:24:32

# ..You'll never know

1:24:321:24:34

No, no, I know I won't reveal

1:24:341:24:38

# Wah-ohhh

1:24:381:24:39

The way I really, truly feel

1:24:391:24:43

# Ahhh-ahhh But if you guess it

1:24:431:24:46

# Ahhh I'll confess it

1:24:461:24:49

# Oh, darling, now's the time to glow

1:24:491:24:54

# Ahhh Or else you'll never

1:24:541:24:57

# Ahhh No, you'll never

1:24:571:24:58

# Ahhh Oh, no, you'll never

1:24:581:25:02

# Ever

1:25:021:25:05

# Know

1:25:051:25:07

# You'll never know

1:25:071:25:10

# Oooh. #

1:25:101:25:13

Now here's Ray Anthony, his orchestra and Rock Around The Rock Pile.

1:25:221:25:28

LOUD CHEER AND WHISTLING

1:25:281:25:32

Thank you.

1:25:321:25:33

Here's the girl who turned our record into pure gold -

1:25:331:25:37

Miss Jerri Jordan.

1:25:371:25:40

APPLAUSE AND CHEERING You're on.

1:25:401:25:43

This one's for you, Tom.

1:25:431:25:46

If you don't mind, I'd like to make a change to the programme.

1:25:561:26:01

Some of you may know how it feels to lose somebody

1:26:011:26:05

who you're crazy about.

1:26:051:26:08

# Every time you kiss me

1:26:081:26:12

# I get warm inside

1:26:121:26:16

# Every time you hold me

1:26:201:26:23

# There's a storm inside

1:26:231:26:29

# Every time you're near

1:26:301:26:34

# I fight the fire in me

1:26:341:26:40

# You inspire in me

1:26:401:26:46

# Such desire in me

1:26:461:26:52

# Just when I get both feet

1:26:521:26:57

# On the ground again

1:26:571:27:04

# You appear and send me

1:27:051:27:10

# Skyward bound again

1:27:111:27:16

# Every time it happens

1:27:171:27:21

# It's oh, so sublime, yes

1:27:211:27:29

# Every time it happens

1:27:291:27:33

# And it happens

1:27:331:27:38

# Every time

1:27:381:27:46

# Every time. #

1:27:461:27:54

APPLAUSE

1:27:561:27:58

APPLAUSE AND WHISTLING

1:28:001:28:04

Hey, Miller!

1:28:131:28:15

I gotta talk to you.

1:28:151:28:17

First, I talk to you. I just kissed your future wife.

1:28:171:28:21

And I'm in love with her.

1:28:211:28:24

Go ahead and hit me. Treat her right, or...

1:28:241:28:27

Tommy boy! I'll be your best man!

1:28:271:28:30

You're through being best man, Fats.

1:28:301:28:33

My car awaits, Mr Murdock.

1:28:331:28:36

Fats - inside, quick!

1:28:451:28:47

I'll kill 'em!

1:28:471:28:50

On stage - you'll be safe there.

1:28:551:28:58

How am I gonna be safe out there?

1:29:011:29:04

Give me your hat and coat.

1:29:041:29:07

He won't bump you off in front of 1,000 witnesses.

1:29:071:29:11

Get it on, you big ham.

1:29:111:29:13

One of the reasons you came here tonight

1:29:181:29:21

was to hear Jerri Jordan and Ray Anthony's hit, right?

1:29:211:29:25

ALL: Yeah!

1:29:251:29:27

Now, so you won't be disappointed, here is Marty "Fats" Murdock, singing Rock Around The Rock Pile.

1:29:271:29:34

ALL: Yeah!

1:29:341:29:37

Go on - you're finally in the spotlight. A big hand for Fats!

1:29:371:29:42

Don't be afraid - I'm calling the cops.

1:29:451:29:49

Thank you.

1:29:501:29:51

# One rock, two rocks

1:29:531:29:56

# Three rocks, four rocks

1:29:561:29:58

# Rock pile dust is on my shoes

1:29:581:30:01

# I'm a guy just born to lose

1:30:011:30:04

# When I hear a siren blow

1:30:041:30:06

# Ooo-oooh

1:30:061:30:08

# I get those blues

1:30:081:30:11

# Big rocks, small rocks

1:30:121:30:15

# Short rocks, tall rocks

1:30:151:30:17

# Rock pile dust, get off my shoes

1:30:171:30:20

# Why must my news be all bad news?

1:30:201:30:22

# When I hear a siren blow Ooo-oooh

1:30:221:30:26

# I get those blues...

1:30:261:30:29

OK, Legs, the silencer's on. Wait till he stops prancing around.

1:30:481:30:52

# ..Rock, rock

1:30:551:30:57

# Rock around the rock pile

1:30:571:31:00

# Rock, rock Rock around the rock pile

1:31:001:31:02

# Rock, rock, Rock around the rock pile

1:31:021:31:06

# That siren's got me cryin'

1:31:061:31:08

# Two rocks, four rocks They make more rocks...#

1:31:081:31:12

Don't shoot! We'll sign him. That's talent up there, you jerk!

1:31:131:31:19

Since when did he start performing?

1:31:191:31:22

Since when did you start?

1:31:221:31:25

I always could sing.

1:31:251:31:27

I thought if I was real awful, I'd get out of...owing him.

1:31:271:31:32

APPLAUSE AND CHEERING

1:31:351:31:39

Darling?

1:31:481:31:50

# Darling, oh, my darling

1:31:501:31:53

# In that prison cell I'd be

1:31:531:31:56

# Thinking of the day that I'd get out

1:31:561:32:00

# And hold you close to me

1:32:001:32:04

# But what is it I always see?

1:32:041:32:07

# One rock, two rocks

1:32:071:32:11

# Three rocks, four rocks

1:32:111:32:14

# Rock pile dust is on my shoes... #

1:32:141:32:16

Well, that's the story, ladies and gentlemen.

1:32:181:32:22

A story about music and...

1:32:221:32:25

..love.

1:32:271:32:29

A story about music and love

1:32:291:32:32

and marriage.

1:32:321:32:34

And babysitters.

1:32:341:32:36

Sing for us, Uncle Fats. Sing, Uncle Fats.

1:32:361:32:40

Oh...

1:32:401:32:41

I don't know.

1:32:411:32:43

Ask my agent.

1:32:431:32:46

Let them buy your records.

1:32:461:32:49

So long, everybody.

1:32:491:32:51

Don't listen to him, folks.

1:33:001:33:02

I'll see you in the lobby. I'll sing anything you want.

1:33:021:33:07

I'm a Jim Dandy singer.

1:33:071:33:09

# The girl can't help it When she hears the siren blow

1:33:091:33:13

# Ooo-ii-eeeee-ah

1:33:131:33:17

# The girl can't help it. #

1:33:171:33:20

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