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MUSIC: Upside Down by Paloma Faith | 0:00:31 | 0:00:34 | |
# Angels watching over me with smiles upon their face... # | 0:00:42 | 0:00:45 | |
Evening. Hello. Thank you. | 0:00:45 | 0:00:47 | |
# ..Cos I have made it through this far | 0:00:47 | 0:00:49 | |
# In an unforgiving place | 0:00:49 | 0:00:52 | |
# It feels sometimes this hill's too steep | 0:00:52 | 0:00:54 | |
# For a girl like me to climb | 0:00:54 | 0:00:57 | |
# But I must knock | 0:00:57 | 0:00:58 | |
# Those thoughts right down | 0:00:58 | 0:01:00 | |
# I do it in my own time | 0:01:00 | 0:01:02 | |
# I don't care | 0:01:02 | 0:01:04 | |
# I'm halfway there | 0:01:04 | 0:01:06 | |
# Nowhere | 0:01:06 | 0:01:07 | |
# On a road that leads me straight | 0:01:07 | 0:01:10 | |
# To who knows where? | 0:01:10 | 0:01:12 | |
# I tell you what | 0:01:12 | 0:01:13 | |
# I tell you what | 0:01:13 | 0:01:15 | |
# What I have found | 0:01:15 | 0:01:16 | |
# What I have found | 0:01:16 | 0:01:17 | |
# That I'm no fool | 0:01:17 | 0:01:19 | |
# That I'm no fool | 0:01:19 | 0:01:20 | |
# I'm just upside down | 0:01:20 | 0:01:21 | |
# Just upside down | 0:01:21 | 0:01:23 | |
# Ain't got no cares | 0:01:23 | 0:01:24 | |
# Ain't got no cares | 0:01:24 | 0:01:25 | |
# I ain't got no rules | 0:01:25 | 0:01:26 | |
# Ain't got no rules | 0:01:26 | 0:01:28 | |
# I think I like | 0:01:28 | 0:01:29 | |
# I think I like | 0:01:29 | 0:01:30 | |
# Living upside down | 0:01:30 | 0:01:32 | |
# Living upside down | 0:01:32 | 0:01:34 | |
# Watching people scurry by | 0:01:34 | 0:01:37 | |
# Rushing to and fro | 0:01:37 | 0:01:39 | |
# Oh, this world is such a crazy place | 0:01:39 | 0:01:42 | |
# It's all about the go, go, go | 0:01:42 | 0:01:44 | |
# Sometimes life can taste so sweet | 0:01:44 | 0:01:47 | |
# When you slow it down | 0:01:47 | 0:01:50 | |
# You start to see the world a little differently | 0:01:50 | 0:01:52 | |
# When you turn it upside down | 0:01:52 | 0:01:54 | |
# I don't care | 0:01:54 | 0:01:56 | |
# I'm halfway there | 0:01:56 | 0:01:58 | |
# Nowhere | 0:01:58 | 0:01:59 | |
# And I'm just soaking up the magic in the air | 0:01:59 | 0:02:04 | |
# I tell you what | 0:02:04 | 0:02:06 | |
# I tell you what | 0:02:06 | 0:02:07 | |
# What I have found... # | 0:02:07 | 0:02:08 | |
Come on. CHUCKLES | 0:02:08 | 0:02:10 | |
# That I'm no fool | 0:02:10 | 0:02:11 | |
# That I'm no fool | 0:02:11 | 0:02:13 | |
# I'm just upside down | 0:02:13 | 0:02:14 | |
# Just upside down | 0:02:14 | 0:02:15 | |
# Ain't got no cares | 0:02:15 | 0:02:16 | |
# Ain't got no cares | 0:02:16 | 0:02:17 | |
# I ain't got no rules | 0:02:17 | 0:02:19 | |
# Ain't got no rules | 0:02:19 | 0:02:20 | |
# I think I like | 0:02:20 | 0:02:21 | |
# I think I like | 0:02:21 | 0:02:23 | |
# Living upside down | 0:02:23 | 0:02:24 | |
# Living upside down... # | 0:02:24 | 0:02:26 | |
Hi. | 0:02:27 | 0:02:28 | |
What? | 0:02:30 | 0:02:31 | |
Hello, Ryan. I'm Nancy. | 0:02:31 | 0:02:34 | |
What's this? Why... | 0:02:34 | 0:02:36 | |
Has it... What's your... | 0:02:36 | 0:02:39 | |
Hey... | 0:02:42 | 0:02:44 | |
It's too much, I think. | 0:02:44 | 0:02:46 | |
That's funny, look at that. | 0:02:47 | 0:02:49 | |
It's Ryan, right? Isn't it? It's Ryan... | 0:02:49 | 0:02:52 | |
I mean, not as in Ryan Wright. | 0:02:52 | 0:02:54 | |
Like, your name's not Ryan Wright. | 0:02:54 | 0:02:56 | |
Though you could be. You could be Mr Ryan Wright. | 0:02:56 | 0:02:59 | |
You could be Mr Right. CHUCKLES | 0:02:59 | 0:03:02 | |
Either way you're the right Ryan for me. | 0:03:02 | 0:03:05 | |
Oh, my God. | 0:03:05 | 0:03:07 | |
You can do this. | 0:03:07 | 0:03:08 | |
You just put yourself out there. | 0:03:09 | 0:03:11 | |
See what happens. | 0:03:11 | 0:03:14 | |
Just don't drink too much. | 0:03:14 | 0:03:16 | |
SCOFFS | 0:03:16 | 0:03:17 | |
Good. And you're going. | 0:03:19 | 0:03:21 | |
You're going. You're gone. | 0:03:21 | 0:03:23 | |
# ..I think I like | 0:03:23 | 0:03:24 | |
# I think I like | 0:03:24 | 0:03:26 | |
# Living upside down | 0:03:26 | 0:03:27 | |
# Living upside down. # | 0:03:27 | 0:03:29 | |
DOOR CLOSES | 0:03:29 | 0:03:30 | |
Fuck it. | 0:03:33 | 0:03:34 | |
JODIE FOSTER: There is a very, very nice beach. | 0:03:41 | 0:03:43 | |
Terns nest there. It's beautiful. | 0:03:43 | 0:03:46 | |
ANTHONY HOPKINS: Terns? | 0:03:46 | 0:03:48 | |
If I help you, Clarice, it will be "turns" with us, too. | 0:03:48 | 0:03:50 | |
Quid pro quo. I tell you things, you tell me things. | 0:03:50 | 0:03:53 | |
SHE MOUTHS ALONG Not about this case, though - about yourself. Quid pro quo. | 0:03:53 | 0:03:58 | |
Yes or no? | 0:03:58 | 0:04:00 | |
KNOCK AT DOOR Yes or no, Clarice? | 0:04:01 | 0:04:03 | |
Poor little Catherine is waiting... TV OFF | 0:04:03 | 0:04:06 | |
Hi. Hi. | 0:04:08 | 0:04:09 | |
Room service. Yes. Right this way. | 0:04:09 | 0:04:12 | |
Lovely. Yes. Great. | 0:04:14 | 0:04:17 | |
There, lovely. Hmm... | 0:04:17 | 0:04:18 | |
OK? So, tell me, Andrew... | 0:04:18 | 0:04:21 | |
Can I call you Andy? Of course, yeah. | 0:04:21 | 0:04:23 | |
How is the party going on downstairs? | 0:04:23 | 0:04:25 | |
Going pretty well, I think. Is it? | 0:04:25 | 0:04:26 | |
Yeah. Um, you know there's food down there? | 0:04:26 | 0:04:30 | |
Yeah, I know. I'm just not really | 0:04:30 | 0:04:31 | |
in the party mood tonight. PHONE RINGS | 0:04:31 | 0:04:34 | |
Do you have any ketchup, Andy, please? Hello? | 0:04:34 | 0:04:37 | |
Who's Andy? | 0:04:37 | 0:04:38 | |
A very nice young man who's just brought me dinner. | 0:04:38 | 0:04:40 | |
You're not at the party? | 0:04:40 | 0:04:42 | |
I'm not at THE party but I'm at A party. | 0:04:42 | 0:04:45 | |
Hannibal and Clarice are here. Not to mention Andy. | 0:04:45 | 0:04:48 | |
But he's just leaving. | 0:04:48 | 0:04:49 | |
No, all right. Put him on, please. | 0:04:49 | 0:04:51 | |
Andy. My sister would like to speak to you. | 0:04:51 | 0:04:54 | |
Sorry. Thank you. | 0:04:56 | 0:04:58 | |
CLEARS THROAT Hello? | 0:04:58 | 0:05:00 | |
Hi, hi, Andy. I'm Elaine. Listen. | 0:05:00 | 0:05:02 | |
There'll be a dress hanging up somewhere. Can you give it to her? | 0:05:02 | 0:05:06 | |
Ah, yeah. OK. | 0:05:06 | 0:05:08 | |
No, no, no. No, no, no, no, no... | 0:05:08 | 0:05:10 | |
No. No. Andy. | 0:05:10 | 0:05:12 | |
And tell her to put some make-up on. | 0:05:12 | 0:05:14 | |
She wants you to put some make-up on. OK. That's enough. | 0:05:14 | 0:05:16 | |
Andy, do you have a napkin or something, please? | 0:05:16 | 0:05:19 | |
Look, Elaine, I've been ambushed. Some setup with a guy | 0:05:19 | 0:05:23 | |
that Katie worked with. Well, excellent. This is good. | 0:05:23 | 0:05:27 | |
Come on! It's just all so organised and awkward and I can't bear it. | 0:05:27 | 0:05:30 | |
I know, but how the hell else are you going to meet someone? | 0:05:30 | 0:05:32 | |
Well, I've met Andy. | 0:05:32 | 0:05:35 | |
Oh, he's leaving. He didn't like that. | 0:05:35 | 0:05:37 | |
Could you put the "Do Not Disturb" sign on, please, Andy? | 0:05:37 | 0:05:39 | |
No, don't do it, Andy. Take her with you! | 0:05:39 | 0:05:41 | |
Ah, you're yelling. DOOR CLOSES | 0:05:41 | 0:05:43 | |
Look, you've gone all the way there. | 0:05:43 | 0:05:45 | |
Just put your dress on. Just pop down, show your face. | 0:05:45 | 0:05:48 | |
Stay, like, ten minutes. The party's themed, Elaine. | 0:05:48 | 0:05:51 | |
Oh, God, really? Get your notepad. | 0:05:51 | 0:05:54 | |
No, please. Come on, I'm too old for this shit. | 0:05:54 | 0:05:56 | |
You're 34, not 84. | 0:05:56 | 0:05:58 | |
SIGHS Come on, let's hear those mantras. | 0:06:00 | 0:06:03 | |
CLEARS THROAT | 0:06:03 | 0:06:05 | |
Put yourself out there. Good. | 0:06:06 | 0:06:08 | |
Take chances. OK, now a little less hollow and robotic. | 0:06:08 | 0:06:12 | |
Get stronger thighs. | 0:06:13 | 0:06:15 | |
CHATTER FROM PARTY | 0:06:17 | 0:06:19 | |
Be more deviant. | 0:06:21 | 0:06:23 | |
Learn French. Cook more. | 0:06:23 | 0:06:26 | |
Understand the Israeli-Palestinian conflict better. | 0:06:26 | 0:06:28 | |
Engage with... | 0:06:28 | 0:06:30 | |
LOUD MUSIC AND CHATTER | 0:06:30 | 0:06:32 | |
..life. | 0:06:34 | 0:06:36 | |
Finally! Nearly sent out a search party. | 0:06:37 | 0:06:40 | |
Call them off. | 0:06:40 | 0:06:41 | |
Here y'are, have a mojito. First one's free. OK, well... All right. | 0:06:41 | 0:06:45 | |
Paid for them all with my savings and now I have no savings. | 0:06:45 | 0:06:48 | |
CHUCKLES Aw. Happy engagement. | 0:06:48 | 0:06:50 | |
I got you, literally, a small present. | 0:06:50 | 0:06:52 | |
I am so touched that you thought of me when you raided the mini-bar. | 0:06:52 | 0:06:56 | |
SQUEALS | 0:06:56 | 0:06:57 | |
Wow. Here she is, here she is. | 0:06:57 | 0:06:59 | |
Oh, Nancy, you look amazing! | 0:06:59 | 0:07:02 | |
Cheers. He's gonna love her. Come on. | 0:07:02 | 0:07:04 | |
I need just a moment longer with my mojito and then I can jump in. | 0:07:04 | 0:07:08 | |
He hates Facebook. He loves yoga. | 0:07:08 | 0:07:10 | |
He's really creative... Oh, good, yeah. | 0:07:10 | 0:07:12 | |
He is perfect for you. I knew you'd say that. | 0:07:12 | 0:07:16 | |
Oh, come on. All right, all right. | 0:07:16 | 0:07:17 | |
We were set up and look at us now. | 0:07:17 | 0:07:20 | |
Dom, it is like your single years have been completely wiped from your memory. | 0:07:25 | 0:07:29 | |
I mean, do you remember that one girl who just cried? | 0:07:29 | 0:07:33 | |
She cried all the way through giving you a blow job. She was weeping. | 0:07:33 | 0:07:38 | |
MIMICS CHOKING AND WEEPING | 0:07:38 | 0:07:40 | |
CHUCKLES So sad. | 0:07:41 | 0:07:43 | |
And look at you now. | 0:07:45 | 0:07:47 | |
And look at you both. Yeah, really special. | 0:07:47 | 0:07:50 | |
Come on, Nance, give him a chance. Yeah, I will. Bring it on. | 0:07:50 | 0:07:54 | |
You know, like me, another sad single loser in their mid-30s, right? | 0:07:54 | 0:07:58 | |
No. I'm actually a sad single loser in my late 30s. | 0:07:58 | 0:08:01 | |
Hey! | 0:08:01 | 0:08:02 | |
ALL LAUGH AWKWARDLY | 0:08:02 | 0:08:03 | |
He was right there. | 0:08:03 | 0:08:05 | |
I was crying with happiness. | 0:08:07 | 0:08:09 | |
Oh, um... Sorry. | 0:08:10 | 0:08:12 | |
Ryan. 37. | 0:08:12 | 0:08:14 | |
Nancy. 34. | 0:08:14 | 0:08:16 | |
Sorry, my hand's a bit wet. It's not wee. | 0:08:16 | 0:08:18 | |
Right. It's mojito. | 0:08:18 | 0:08:20 | |
I mean, I didn't think it was wee. | 0:08:20 | 0:08:22 | |
Yeah, why would it be wee? | 0:08:22 | 0:08:23 | |
That would imply very poor personal hygiene. | 0:08:23 | 0:08:25 | |
I mean, I don't wipe with my hand. | 0:08:25 | 0:08:27 | |
I use toilet paper just like everyone else does. | 0:08:28 | 0:08:32 | |
Well, that's a relief. Hm. | 0:08:32 | 0:08:34 | |
So is wee in a way, if you think about it. | 0:08:34 | 0:08:38 | |
BOTH LAUGH AWKWARDLY | 0:08:39 | 0:08:41 | |
Hm... | 0:08:42 | 0:08:44 | |
Hm... | 0:08:46 | 0:08:48 | |
NANCY HUMS QUIETLY | 0:08:49 | 0:08:52 | |
Oh, how about another drink? Yeah, that would be great. Yeah. | 0:08:53 | 0:08:57 | |
Let me get these. Oh, no, it's fine. | 0:09:01 | 0:09:04 | |
No, it's all right. No, no, seriously. | 0:09:04 | 0:09:06 | |
OK, you can get them. You get them? | 0:09:06 | 0:09:08 | |
I'll get them, shall I? Great, cheers. Thank you. | 0:09:08 | 0:09:12 | |
Ah... Busted. | 0:09:15 | 0:09:18 | |
You've got a picture of your ex in the old wallet. | 0:09:18 | 0:09:20 | |
Oh, no, that's my sister. | 0:09:20 | 0:09:22 | |
Oh. She's very pretty. | 0:09:22 | 0:09:25 | |
I bet she gets all "ze boyz". | 0:09:25 | 0:09:28 | |
She's dead. | 0:09:28 | 0:09:30 | |
Wow. It's going so well. | 0:09:30 | 0:09:32 | |
No, Elaine, I've got pictures of my cats in my wallet | 0:09:54 | 0:09:57 | |
and they're alive and kicking | 0:09:57 | 0:09:58 | |
and I want people to ask me about them. | 0:09:58 | 0:10:00 | |
Well, it's good that you went. Why is it good? | 0:10:00 | 0:10:04 | |
It's just so excruciating and predictable, just as it always is. | 0:10:04 | 0:10:09 | |
I'm just gonna let my vagina hermetically seal up. | 0:10:09 | 0:10:13 | |
Yeah, well, that will really help. Never hurt Barbie. | 0:10:13 | 0:10:15 | |
MOUTH FULL: She's got a beach buggy and horses and a salon. | 0:10:15 | 0:10:19 | |
And a boyfriend. | 0:10:19 | 0:10:21 | |
Is she still with that guy? I mean, such a fake smile. | 0:10:21 | 0:10:24 | |
LAUGHS | 0:10:24 | 0:10:25 | |
How long are you gonna be? Get your arse over here pronto. | 0:10:25 | 0:10:28 | |
We have a lot of nibbles to put into a lot of bowls. | 0:10:28 | 0:10:31 | |
About two hours. | 0:10:31 | 0:10:33 | |
PA: Just a reminder to all passengers | 0:10:33 | 0:10:34 | |
that due to the weekend engineering work, | 0:10:34 | 0:10:36 | |
no trains are currently stopping at Clapham Junction. | 0:10:36 | 0:10:39 | |
About seven hours. What the fuck?! | 0:10:39 | 0:10:41 | |
I'm joking. Not funny. | 0:10:41 | 0:10:44 | |
I can't do this on my own. Hello. | 0:10:44 | 0:10:46 | |
And don't forget the chocolate mousse. | 0:10:46 | 0:10:48 | |
Mum's obsessed. And you've done your speech? | 0:10:48 | 0:10:50 | |
I've got a rough draft. | 0:10:50 | 0:10:51 | |
You haven't. You've done a lot of doodles and crossing out. | 0:10:51 | 0:10:54 | |
I mean, as if. Come on. | 0:10:54 | 0:10:56 | |
You know Dad loves it when you do a speech. | 0:10:56 | 0:10:58 | |
So it needs to be good and special. OK? | 0:10:58 | 0:11:01 | |
Fine. | 0:11:01 | 0:11:02 | |
Oh, and Nancy? Yeah? | 0:11:02 | 0:11:04 | |
Don't seal up just yet. It'll happen. I promise. | 0:11:04 | 0:11:08 | |
Yeah, yeah. Fuck off. | 0:11:08 | 0:11:10 | |
Oh. | 0:11:16 | 0:11:17 | |
Black... | 0:11:18 | 0:11:20 | |
pant... | 0:11:20 | 0:11:22 | |
..wash. | 0:11:23 | 0:11:24 | |
Sorry. | 0:11:28 | 0:11:30 | |
I couldn't help overhearing. | 0:11:30 | 0:11:33 | |
You should really think about reading this. | 0:11:33 | 0:11:36 | |
Right. Right, right, right, right. | 0:11:36 | 0:11:38 | |
Did it, then? Did it what? | 0:11:40 | 0:11:42 | |
Change your life. Oh, um... | 0:11:42 | 0:11:45 | |
Maybe. Yeah. But maybe not, as well? | 0:11:45 | 0:11:48 | |
Well, I like to give everything a go, because otherwise what's the point? | 0:11:48 | 0:11:52 | |
You've got to hope it's going to work, haven't you? Because what is life without hope? | 0:11:52 | 0:11:58 | |
Death. Death it is, then. | 0:11:58 | 0:12:00 | |
LAUGHS You see, you do need to read it. | 0:12:00 | 0:12:03 | |
I would lend you my copy but I need it for my date. | 0:12:03 | 0:12:06 | |
Why do you need a book for a date? It's how we're going to recognise each other. | 0:12:06 | 0:12:10 | |
Oh, it's a setup? They always work. | 0:12:10 | 0:12:13 | |
They often work if the matchmaker has done their homework. | 0:12:13 | 0:12:17 | |
All successful relationships are based on whether you're both outdoorsy types... | 0:12:17 | 0:12:20 | |
I think you should read it. Don't need to. | 0:12:20 | 0:12:22 | |
It was an international best-seller. So was The Da Vinci Code. | 0:12:22 | 0:12:24 | |
Another excellent book. Not an excellent book. | 0:12:24 | 0:12:27 | |
I think it's what you need. Why is everyone always telling me what I need? | 0:12:27 | 0:12:30 | |
Perhaps if they're always telling you, you should listen. | 0:12:30 | 0:12:32 | |
I think you need to shh. You need to shh your mouth. | 0:12:32 | 0:12:36 | |
You want me to shh? I do, yeah. It would be great. | 0:12:36 | 0:12:39 | |
I'm only suggest... It's time. | 0:12:39 | 0:12:41 | |
I think... I think we're done. | 0:12:41 | 0:12:43 | |
PA: Ladies and gentlemen, | 0:12:46 | 0:12:48 | |
we are now arriving at our final destination, London Waterloo. | 0:12:48 | 0:12:51 | |
Sorry. Excuse me. I say. | 0:13:13 | 0:13:17 | |
Ow. Shit. | 0:13:19 | 0:13:21 | |
NANCY GROANS | 0:13:34 | 0:13:37 | |
BARRIER BEEPS | 0:13:37 | 0:13:39 | |
What? BARRIER BEEPS | 0:13:39 | 0:13:41 | |
Cheers. | 0:13:46 | 0:13:47 | |
Where the fuck are you? Blimey, I'm not that late, am I? | 0:14:12 | 0:14:15 | |
Sorry, somebody threw themselves on the track again. | 0:14:15 | 0:14:17 | |
I don't blame them, there's so many delays. LAUGHS | 0:14:17 | 0:14:20 | |
Hey, what a great way for us to recognise each other. What a great idea. | 0:14:20 | 0:14:23 | |
Although I think it would have been hard to miss you underneath that huge clock. | 0:14:23 | 0:14:27 | |
Oh, no, no, no. I... | 0:14:27 | 0:14:28 | |
What do we do in terms of saying hello? I never know where to pitch it. | 0:14:28 | 0:14:31 | |
Is it a handshake? Is it a hug? Is it formal? | 0:14:31 | 0:14:33 | |
You know what, we're adults. Let's just go in... Too soon for that? | 0:14:33 | 0:14:36 | |
Hello, there. PHONE RINGS | 0:14:36 | 0:14:38 | |
Oh, my God, that's not your emergency exit phone call already? | 0:14:38 | 0:14:41 | |
I haven't had a chance to use any of my best lines yet. | 0:14:41 | 0:14:45 | |
That wasn't one of them, if you were worried. | 0:14:45 | 0:14:47 | |
Listen, I'll handle this, madam. | 0:14:47 | 0:14:48 | |
Hello, caller. Yes, we have met. | 0:14:48 | 0:14:51 | |
I am not a complete psychopath and we've really hit it off. | 0:14:51 | 0:14:54 | |
She will call you later with all the gory details. | 0:14:54 | 0:14:56 | |
So thank you for calling and goodbye. There, done. | 0:14:56 | 0:14:59 | |
All right! So, book, check. And clock, check. | 0:14:59 | 0:15:03 | |
And blind date. Check! | 0:15:03 | 0:15:06 | |
Usually in this situation, I would say something and you'd say something back. | 0:15:09 | 0:15:14 | |
And then we'd talk about what we're gonna do and exchange ideas. | 0:15:14 | 0:15:17 | |
You know, sort of "quid pro quo, Clarice." | 0:15:17 | 0:15:19 | |
HE LAUGHS | 0:15:21 | 0:15:22 | |
In hindsight, that wasn't the best impression to do on a first date | 0:15:22 | 0:15:26 | |
because it... it brings to mind... Anyway, I'm talking a lot | 0:15:26 | 0:15:30 | |
and I know you can sense it. So I'm gonna just keep going with it | 0:15:30 | 0:15:32 | |
and I'm gonna start the bidding | 0:15:32 | 0:15:34 | |
with a drink on London's fashionable South Bank. | 0:15:34 | 0:15:37 | |
So, as the book says, what are you waiting for? | 0:15:37 | 0:15:40 | |
I am waiting for you. | 0:15:44 | 0:15:48 | |
Good. Good. Yeah. | 0:15:48 | 0:15:50 | |
OK. Shall we...? After you, my lady. | 0:15:50 | 0:15:54 | |
I'm not a knight. SHE CHUCKLES | 0:15:54 | 0:15:56 | |
Yeah, let's do it. We'll go out this way... | 0:15:56 | 0:15:58 | |
What do you think? Good stuff for the first few hours? | 0:16:08 | 0:16:11 | |
Descending in quality as we do. | 0:16:11 | 0:16:13 | |
I'd go quality and quantity, Bert. It's a massive night. | 0:16:13 | 0:16:16 | |
You're right. We bloody deserve it. | 0:16:16 | 0:16:19 | |
Let's go mental. | 0:16:19 | 0:16:21 | |
Seriously, you do deserve it. I mean, I don't know how you've done it. | 0:16:21 | 0:16:25 | |
Not that I don't intend to go the whole distance myself, obviously. | 0:16:25 | 0:16:28 | |
I think the trick is, get through the first 30, 40 years, | 0:16:28 | 0:16:32 | |
then just kind of give up. From that point on, it's a breeze. | 0:16:32 | 0:16:35 | |
No, I mean it. How are we getting on? | 0:16:35 | 0:16:37 | |
We are nailing it. That's great. | 0:16:37 | 0:16:39 | |
You can put about half those lagers back, Adam. | 0:16:39 | 0:16:42 | |
What did Nancy say, what does she want to drink? | 0:16:42 | 0:16:44 | |
I'm not sure if she's... BERT: She wants vodka. | 0:16:44 | 0:16:46 | |
The only spirit she can out-drink me on. We'll see about that later. | 0:16:46 | 0:16:49 | |
No, we won't. | 0:16:49 | 0:16:51 | |
Guys, she didn't even answer the phone. Some man did. I think she's on a date. | 0:16:51 | 0:16:54 | |
The man from last night? I thought that didn't work out. | 0:16:54 | 0:16:57 | |
It didn't. It was a disaster. | 0:16:57 | 0:16:59 | |
He was in love with his sister. Who answered the phone, then? | 0:16:59 | 0:17:01 | |
Dad, I don't know. He said he wasn't a psychopath. | 0:17:01 | 0:17:04 | |
Well, that sounds encouraging. | 0:17:04 | 0:17:06 | |
We're having a party. She's on a date. I'm thinking she's gonna bring him. | 0:17:06 | 0:17:09 | |
Bert! If he's not a psychopath. | 0:17:09 | 0:17:11 | |
Did he sound like a wine drinker or more of a beer man? | 0:17:11 | 0:17:14 | |
Bert! | 0:17:14 | 0:17:15 | |
What? I'm just getting some more wine. Course you are. | 0:17:15 | 0:17:18 | |
The good host is prepared for all eventualities. | 0:17:18 | 0:17:20 | |
Come on, Pattersons, clock's ticking. | 0:17:20 | 0:17:22 | |
Fran, you walk straight past that offer. | 0:17:22 | 0:17:25 | |
So, what's going on? Is Nancy OK? | 0:17:25 | 0:17:29 | |
Yes. Yes, Mum, she's fine. She's just... | 0:17:29 | 0:17:32 | |
He's really looking forward to her speech. I know. | 0:17:32 | 0:17:34 | |
So she is coming? Yes, of course she's coming. | 0:17:34 | 0:17:38 | |
Look, do you want me to write a few words? You know, just in case. | 0:17:38 | 0:17:43 | |
Not really, darling, no. | 0:17:43 | 0:17:45 | |
Oh, God. That is horrible. | 0:17:45 | 0:17:48 | |
I'm sorry. | 0:17:48 | 0:17:49 | |
I'll give her a call, then. Yes, please do, darling. OK. | 0:17:49 | 0:17:53 | |
HE BREATHES DEEPLY | 0:18:07 | 0:18:10 | |
You OK? You seem a bit freaked out. Do I? | 0:18:10 | 0:18:12 | |
Yeah. PHONE RINGS | 0:18:12 | 0:18:13 | |
Gosh. Sorry, just a bit of a first-date no-no... | 0:18:13 | 0:18:16 | |
HIS PHONE RINGS Oh, my God, that's embarrassing. | 0:18:16 | 0:18:19 | |
Oh, it's Tom. Oh. | 0:18:19 | 0:18:21 | |
Hey, buddy. | 0:18:21 | 0:18:23 | |
Yeah, I'm here. I'm with Jessica. | 0:18:23 | 0:18:26 | |
Yeah, we're on the South Bank. | 0:18:26 | 0:18:28 | |
Yeah, d'you wanna speak to her? All right. | 0:18:28 | 0:18:31 | |
We will. | 0:18:33 | 0:18:34 | |
Yeah. OK, Tom. Yeah, I'm gonna hang up now. | 0:18:35 | 0:18:39 | |
Yeah, OK. Bye. Bye. | 0:18:39 | 0:18:41 | |
He thought we hadn't met up. As if. | 0:18:42 | 0:18:45 | |
Shall we switch these things off? Yeah. OK, cool. OK, good. | 0:18:45 | 0:18:49 | |
Right. So, Jessica. | 0:18:49 | 0:18:51 | |
So... | 0:18:51 | 0:18:53 | |
Tom says that you work in the City. I do, yeah. That's what I do. | 0:18:53 | 0:18:56 | |
Is that a stressful job? Ah, no. | 0:18:56 | 0:18:59 | |
"Lunch is for wimps." BOTH LAUGH | 0:18:59 | 0:19:01 | |
Sorry. | 0:19:01 | 0:19:02 | |
No, no, it's from Wall Street. Yeah. | 0:19:02 | 0:19:04 | |
"If you need a friend, get a dog." I love that movie. | 0:19:04 | 0:19:08 | |
You do? Yeah, it's one of my favourites. | 0:19:08 | 0:19:10 | |
And you are a...? I'm an online marketing manager. | 0:19:10 | 0:19:13 | |
I love online marketing managing. | 0:19:13 | 0:19:16 | |
What I really wanna do is paint. | 0:19:17 | 0:19:20 | |
I don't wanna be an online marketing manager forever | 0:19:20 | 0:19:22 | |
because, you know, the bots are taking over! | 0:19:22 | 0:19:25 | |
They're gonna be managing all the marketing in the future. | 0:19:25 | 0:19:29 | |
It's like "help". Exactly, yeah. Um... | 0:19:29 | 0:19:33 | |
I'm a bit nervous, to be honest. Really? | 0:19:33 | 0:19:35 | |
Yeah. A little bit. Just a little bit. I'm not used to all this sort of dating chat. | 0:19:35 | 0:19:40 | |
Although, you know, I had a few reservations about today, | 0:19:40 | 0:19:44 | |
but I just thought, "You know what, Jack? I trust Tom." | 0:19:44 | 0:19:47 | |
Jack. He's not gonna set me up with somebody who I've nothing in common with. | 0:19:47 | 0:19:52 | |
And he's a good friend, right? Who, Tom? | 0:19:52 | 0:19:54 | |
Yeah. Yeah, I'd take a bullet for him. | 0:19:54 | 0:19:56 | |
Yeah. So, shall we get a beer or something? | 0:19:56 | 0:19:59 | |
There's one of those pop-up bars. Sure, that'll be great. | 0:19:59 | 0:20:02 | |
They appear out of nowhere, then they're gone the next day. | 0:20:02 | 0:20:05 | |
You think, this can't be our favourite place because it'll be gone in the morning. | 0:20:05 | 0:20:08 | |
Can we get two Red Stripes? That'd be great. | 0:20:08 | 0:20:11 | |
So... So... | 0:20:11 | 0:20:13 | |
Where are you on the old, you know, the relationship... | 0:20:13 | 0:20:16 | |
the spectrum of relationships? | 0:20:16 | 0:20:18 | |
It's my mime for relationships. That's good. Right. | 0:20:18 | 0:20:22 | |
Well, I guess long-term-wise, it's... | 0:20:22 | 0:20:25 | |
It's been a while. | 0:20:25 | 0:20:27 | |
Since Pete, right? Since Pete. | 0:20:27 | 0:20:29 | |
Tom told me. Massive cock. | 0:20:29 | 0:20:31 | |
Really? Huge. | 0:20:31 | 0:20:32 | |
It wasn't that big... What he did to you. | 0:20:32 | 0:20:34 | |
..a deal. Unforgivable. | 0:20:34 | 0:20:35 | |
I know how it feels. I had it done to me, you know. | 0:20:35 | 0:20:37 | |
Affairs, eh? Who'd have 'em? Yeah... | 0:20:37 | 0:20:40 | |
They would. They would. | 0:20:40 | 0:20:41 | |
The other people would. | 0:20:41 | 0:20:43 | |
So where are you on the...spectrum? | 0:20:43 | 0:20:46 | |
On the spectrum? I think recently, I've had a few one-night stands. | 0:20:46 | 0:20:50 | |
You know, just girls I've met at work | 0:20:50 | 0:20:53 | |
and in bars and just, like, on the street. | 0:20:53 | 0:20:56 | |
But this is my first real date really since the D-word. | 0:20:58 | 0:21:03 | |
Dead sister? Sorry? | 0:21:03 | 0:21:05 | |
Just something I say before I drink. Dead sister. | 0:21:05 | 0:21:08 | |
Dead sister. | 0:21:08 | 0:21:09 | |
But I'm not gonna let a failed marriage put me off relationships for good. | 0:21:09 | 0:21:12 | |
Divorce. | 0:21:12 | 0:21:14 | |
You be thankful that you and Pete didn't get hitched. | 0:21:14 | 0:21:16 | |
It gets a lot more complicated when you have to figure out who gets the flat. | 0:21:16 | 0:21:20 | |
Winner. | 0:21:20 | 0:21:23 | |
I did. Yeah. | 0:21:23 | 0:21:25 | |
I got big home-improvement plans. I'm gonna do up our...my flat. | 0:21:25 | 0:21:29 | |
Paint the hallways, bleach the sheets. | 0:21:29 | 0:21:31 | |
Anyway, let's not talk about that. It's just bad juju. | 0:21:31 | 0:21:34 | |
And I'm so over it. Yeah, you really sound it. | 0:21:34 | 0:21:36 | |
It's in the past. What does it say in Six Billion People And You? | 0:21:36 | 0:21:40 | |
F... Fuck the past. Fuck the past, yeah. | 0:21:40 | 0:21:42 | |
If that book has taught me anything, it's taught me that. | 0:21:42 | 0:21:46 | |
So, Tom says you're a triathlete. | 0:21:46 | 0:21:48 | |
Hm-hmm. Do you have to train a lot for that? | 0:21:49 | 0:21:52 | |
Yeah, I've just got to regularly carb up. | 0:21:52 | 0:21:54 | |
Ah! Yeah, yeah. | 0:21:54 | 0:21:56 | |
Go on, then. I don't mind. I've actually worked out today... | 0:21:56 | 0:21:59 | |
I work out every day. I like to keep fit. I pump iron, sure. | 0:21:59 | 0:22:02 | |
Whoa! Whoa! | 0:22:04 | 0:22:05 | |
This is nice, isn't it? I don't envy any of my friends with kids. | 0:22:05 | 0:22:09 | |
Are they here now? Hell, no. | 0:22:09 | 0:22:11 | |
They're at home just lying in wait for the next nappy change. | 0:22:11 | 0:22:15 | |
Not that I don't want kids. | 0:22:15 | 0:22:16 | |
I'm 40. They're not all gonna be swimming in the right direction forever. | 0:22:16 | 0:22:19 | |
But just not right now. I should probably get a girlfriend first. | 0:22:19 | 0:22:23 | |
I definitely want kids. I'm just not freaking out about it yet. | 0:22:23 | 0:22:28 | |
I mean, why would you? You're 24. | 0:22:28 | 0:22:30 | |
D'you wanna get out of here? It is fucking freezing | 0:22:32 | 0:22:35 | |
and I know a really fun place just over the river. | 0:22:35 | 0:22:39 | |
We can get shots and maybe hang out a bit more if you feel like it. | 0:22:39 | 0:22:43 | |
Yeah, I'd love that. OK. | 0:22:43 | 0:22:46 | |
This is gonna be fun. Yeah. What is it? | 0:22:49 | 0:22:53 | |
It's like a cantina. | 0:22:53 | 0:22:55 | |
It's a bit cheesy but you can have slammers and... | 0:22:55 | 0:22:57 | |
Oh, wow. Arriba! | 0:23:01 | 0:23:03 | |
Hey, man. Hey, man. How's it going? | 0:23:04 | 0:23:06 | |
Are you a regular here? Well, define "regular". What is it? | 0:23:06 | 0:23:10 | |
Hi, Jack. Hey, Helen, how's it going? | 0:23:10 | 0:23:12 | |
Oh, so you... | 0:23:12 | 0:23:13 | |
Ah! Snap. | 0:23:13 | 0:23:14 | |
We're swapping, right? Swapping? | 0:23:14 | 0:23:16 | |
For the genius Six Billion ways to get to know you list that you suggested. | 0:23:16 | 0:23:20 | |
Is that your one? Mine's at the front. OK... | 0:23:20 | 0:23:22 | |
SHE CLEARS HER THROAT Hm... | 0:23:22 | 0:23:25 | |
Let's have a look, shall we? OK, then. | 0:23:25 | 0:23:27 | |
Shall I read yours first? "Put yourself out there." | 0:23:27 | 0:23:30 | |
"Take chances." | 0:23:32 | 0:23:33 | |
"Black pant wash." It's a band. | 0:23:34 | 0:23:38 | |
Are they new? Yeah, they're new. | 0:23:38 | 0:23:40 | |
They're... They're fresh. Very young. They're my favourite band. | 0:23:40 | 0:23:43 | |
Oh, yeah, of course. Yeah, they're very, er, funky. | 0:23:43 | 0:23:47 | |
"Get stronger thighs." | 0:23:47 | 0:23:49 | |
Hey, this is spooky. I also love spaghetti bolognese. | 0:23:49 | 0:23:52 | |
What are the chances of that? | 0:23:52 | 0:23:54 | |
Like none chances. I know. That's the lists done. | 0:23:54 | 0:23:57 | |
Yeah! And didn't they go well? | 0:23:57 | 0:23:59 | |
Really great. That was... | 0:23:59 | 0:24:01 | |
Look, let me get this. No, I should get it. | 0:24:01 | 0:24:03 | |
Please, let me. OK. I'll get the next ones. | 0:24:03 | 0:24:06 | |
Oh, my God. Who are they? Who, what? | 0:24:06 | 0:24:09 | |
These guys. Oh, this is Slash and Axl. | 0:24:09 | 0:24:13 | |
Oh. | 0:24:13 | 0:24:14 | |
Paradise Kitties. | 0:24:14 | 0:24:15 | |
I blew it, sorry. That was no good. Er... | 0:24:17 | 0:24:20 | |
Jack. I've got a confession to make and I'm just gonna... | 0:24:22 | 0:24:26 | |
So have I. ..come out with it. You have? | 0:24:26 | 0:24:28 | |
I have, yeah. Let me go first. I... OK. | 0:24:28 | 0:24:32 | |
I've never heard of Black Pant Wash. | 0:24:32 | 0:24:35 | |
I'm sorry. I wanna be honest with you, because honesty is very important... | 0:24:35 | 0:24:39 | |
Yes, I agree. | 0:24:39 | 0:24:40 | |
These lists are great and they're a brilliant ice-breaker, | 0:24:40 | 0:24:43 | |
but you don't really believe that just because we both like spag bol, | 0:24:43 | 0:24:47 | |
we're gonna wind up together forever, right? | 0:24:47 | 0:24:49 | |
Depends on the spag bol. Might be a really good spag bol. | 0:24:49 | 0:24:53 | |
But right now, whatever happens tonight, wherever we end up, | 0:24:53 | 0:24:57 | |
I'm having a really good time getting to know you. | 0:24:57 | 0:24:59 | |
And you're being really patient with me, so thank you for that. | 0:24:59 | 0:25:03 | |
And I don't know why I brought you here. | 0:25:03 | 0:25:05 | |
It was a stupid idea and I think we should... | 0:25:05 | 0:25:08 | |
Let's do something different. Let's go someplace else. | 0:25:08 | 0:25:11 | |
Tom said you liked bowling. I love bowling. | 0:25:11 | 0:25:14 | |
OK, so shall we have a couple more and then hit the lanes? | 0:25:14 | 0:25:17 | |
OK. | 0:25:21 | 0:25:22 | |
MUSIC: Shoot First by The Jim Jones Revue | 0:25:24 | 0:25:26 | |
# Well, you can live any way you want | 0:25:32 | 0:25:34 | |
# But you're sure gonna find out soon | 0:25:36 | 0:25:40 | |
# When profession ain't what you got | 0:25:40 | 0:25:42 | |
# Soon be singing another tune, hey! | 0:25:44 | 0:25:48 | |
# Shoot first | 0:25:51 | 0:25:53 | |
# Ask questions later | 0:25:55 | 0:25:57 | |
# Shoot first | 0:25:59 | 0:26:01 | |
# Ask questions later | 0:26:03 | 0:26:06 | |
# It don't matter who you are | 0:26:06 | 0:26:09 | |
# What you got or looking for | 0:26:09 | 0:26:11 | |
# You better get yourself out of the dark | 0:26:11 | 0:26:14 | |
# Shoot first | 0:26:14 | 0:26:16 | |
# Ask questions later. # | 0:26:18 | 0:26:20 | |
Who said blind dates don't work? Right? Am I right? Yeah. | 0:26:26 | 0:26:30 | |
I'm gonna go get us a drink. OK. | 0:26:30 | 0:26:32 | |
Nancy? Yeah? | 0:26:39 | 0:26:41 | |
It's Nancy Patterson. | 0:26:41 | 0:26:43 | |
Do we know each other? Sean. Sean Bellamy. | 0:26:43 | 0:26:46 | |
Class 5G, St Andrew's Comprehensive. '88 to '93. | 0:26:47 | 0:26:51 | |
I sat next to you in chemistry for five years. | 0:26:51 | 0:26:53 | |
I gave you that Valentine's card in Year 9. | 0:26:53 | 0:26:55 | |
You tore it up in front of everyone. | 0:26:55 | 0:26:56 | |
Your mum ran me over that time. Oh, God. Yes, I do remember. | 0:26:56 | 0:27:00 | |
HE LAUGHS Shh. | 0:27:00 | 0:27:01 | |
Erm, sorry about that. Oh, God, don't worry. | 0:27:01 | 0:27:03 | |
Glued it back together. It was only about 57 pieces. | 0:27:03 | 0:27:06 | |
I meant about the car. | 0:27:06 | 0:27:07 | |
But you were so... Fat. Yes. | 0:27:07 | 0:27:09 | |
Yeah. That was me, big fat Sean. | 0:27:09 | 0:27:12 | |
Lord of the Pies. Emperor Boom-Boom. | 0:27:12 | 0:27:13 | |
Now you're very... Yeah, I went on the 5:2 diet. | 0:27:13 | 0:27:16 | |
Five days on chocolate Nesquik. And two days strawberry Nesquik. | 0:27:16 | 0:27:19 | |
Oh, OK. I lost it all from here and from here. | 0:27:19 | 0:27:22 | |
But luckily not from here. | 0:27:22 | 0:27:25 | |
Could I just have two beers, please? Hell, yeah. | 0:27:25 | 0:27:28 | |
It's Nancy fucking Patterson. LAUGHS | 0:27:29 | 0:27:32 | |
Shush. | 0:27:32 | 0:27:33 | |
Wow! | 0:27:34 | 0:27:36 | |
Hey... Hey. | 0:27:38 | 0:27:40 | |
These are on me. OK. | 0:27:40 | 0:27:42 | |
So good to see you. | 0:27:42 | 0:27:44 | |
Thank you. | 0:27:44 | 0:27:45 | |
OK, cheers. | 0:27:47 | 0:27:49 | |
Ah. Flirting with the barman, I see. What? No. | 0:27:52 | 0:27:55 | |
Not at all, no. I was, like, "Whoa, competition." | 0:27:55 | 0:27:58 | |
No, I wasn't. I'm the least jealous person you'll meet. | 0:27:58 | 0:28:01 | |
Oh, God, me, too, yeah. | 0:28:01 | 0:28:02 | |
So, | 0:28:02 | 0:28:03 | |
let's ramp this up a bit. | 0:28:03 | 0:28:05 | |
Not that I'm competitive. | 0:28:05 | 0:28:07 | |
Nancy. | 0:28:08 | 0:28:10 | |
Brought you some nachos. On the house. | 0:28:10 | 0:28:12 | |
I've got a wheat allergy... No, you don't. | 0:28:12 | 0:28:14 | |
CHUCKLES | 0:28:14 | 0:28:15 | |
You remember this? | 0:28:15 | 0:28:18 | |
What is it? Where'd you get that? In my wallet. | 0:28:18 | 0:28:21 | |
Who took it? I did. | 0:28:21 | 0:28:23 | |
That's my bedroom. I don't remember you ever being in my bedroom. | 0:28:23 | 0:28:25 | |
I wasn't in your bedroom, silly. I was outside. In a tree. | 0:28:25 | 0:28:28 | |
Jessica, watch and weep. OK. | 0:28:28 | 0:28:31 | |
Why is he calling you Jessica? You're called Nancy. | 0:28:31 | 0:28:35 | |
You're Nancy Patterson. Sean, I'm in a bit of a situation here. | 0:28:35 | 0:28:38 | |
SNIFFS Oh, you still use Pantene Pro-V. | 0:28:38 | 0:28:40 | |
That guy is not my boyfriend. He's actually not even my date. | 0:28:40 | 0:28:43 | |
I sort of stole him from underneath the clock at Waterloo | 0:28:43 | 0:28:46 | |
and I'm pretending to be the girl he's supposed to be on a date with. | 0:28:46 | 0:28:49 | |
So it's a bit... I don't know. Kinky. | 0:28:49 | 0:28:51 | |
Hey, there. | 0:28:51 | 0:28:53 | |
How's it going? I'm Jack. And I am Sean. | 0:28:53 | 0:28:57 | |
He's Sean. There it is. | 0:28:57 | 0:28:58 | |
So you guys know each other? Not really, we just went to school together. | 0:28:58 | 0:29:02 | |
Yeah, we're old friends. We're old, old, old friends. | 0:29:02 | 0:29:05 | |
We used to have a bit of a thing going on. | 0:29:05 | 0:29:08 | |
Good for you. It was. | 0:29:08 | 0:29:10 | |
It really wasn't that good. | 0:29:10 | 0:29:12 | |
You never forget your first. | 0:29:12 | 0:29:13 | |
Lovely to see you after all these years. | 0:29:13 | 0:29:15 | |
We'll take it from here. Hang on, Jessica. | 0:29:15 | 0:29:18 | |
Hey. What are you doing? | 0:29:18 | 0:29:21 | |
It would appear that I finally have you over a barrel, Nancy Patterson. | 0:29:21 | 0:29:24 | |
Indeed, you are clearly not the girl you used to be once. | 0:29:24 | 0:29:28 | |
Cool and confident. Now, stealing other women's dates from under clocks. | 0:29:28 | 0:29:32 | |
You're working as a barman in a novelty bowling alley so... | 0:29:32 | 0:29:35 | |
Just as Mr Armstrong predicted. Who's that? | 0:29:35 | 0:29:37 | |
Our careers advisor at St Andrew's. Do you not remember anything? | 0:29:37 | 0:29:41 | |
No. Because I remember everything. Nancy! | 0:29:41 | 0:29:44 | |
Sean, I'm out bowling with a man who...might actually have some potential | 0:29:44 | 0:29:49 | |
and not in just that he's a really good bowler-type way. | 0:29:49 | 0:29:52 | |
So don't ruin it for me. All right? Just be cool. | 0:29:52 | 0:29:54 | |
OK, I will. Yeah? | 0:29:54 | 0:29:56 | |
Uh-huh. If you give me a blow job. You what? | 0:29:56 | 0:30:00 | |
Take it or leave it. Are you out of your fucking mind? | 0:30:00 | 0:30:03 | |
Come on, wouldn't hurt. Just a tiny little blow job. | 0:30:03 | 0:30:06 | |
SMACKS LIPS | 0:30:06 | 0:30:08 | |
And then I won't dismantle your web of deceit, Little Miss...Muffet. | 0:30:08 | 0:30:12 | |
Not gonna give you a blow job, so... Hand job? No. Pearl necklace? | 0:30:12 | 0:30:16 | |
Sean. Kiss? Please. Come on. Stop. Stop it. Stop it. | 0:30:16 | 0:30:18 | |
I just want to fulfil a lifelong ambition. | 0:30:18 | 0:30:20 | |
OK, OK. I'll do one kiss. OK? | 0:30:20 | 0:30:23 | |
With tongues? No tongues. | 0:30:23 | 0:30:25 | |
Oh! But in the toilets. Yeah, in the toilets. | 0:30:25 | 0:30:27 | |
And it has to be tonight. | 0:30:27 | 0:30:29 | |
Otherwise I won't find you again because you have no online presence. | 0:30:29 | 0:30:32 | |
Can I go now? Yes. | 0:30:32 | 0:30:33 | |
But I'll be watching you. I don't doubt that. | 0:30:33 | 0:30:36 | |
Oh, shit, shit, shit! | 0:30:38 | 0:30:41 | |
It's fine, they're fine. | 0:30:41 | 0:30:43 | |
Everyone'll just get drunk and shove them down. | 0:30:43 | 0:30:46 | |
They will. Yeah? | 0:30:46 | 0:30:48 | |
Look. | 0:30:48 | 0:30:49 | |
Ooh, blimey, they're hot. Any word from Nancy? | 0:30:49 | 0:30:52 | |
Not... Not exactly. | 0:30:52 | 0:30:54 | |
Oh, no. No, no. | 0:30:54 | 0:30:56 | |
But in her defence, she does have a very good reason for her tardiness. | 0:30:56 | 0:30:59 | |
And she's right, Fran. | 0:30:59 | 0:31:01 | |
And who knows, maybe today will end up being not just our anniversary. | 0:31:01 | 0:31:07 | |
Imagine that, Mum. | 0:31:07 | 0:31:09 | |
Oh, my God, who would you worry about then? | 0:31:09 | 0:31:11 | |
Oh, Bert, you've slobbed. | 0:31:11 | 0:31:13 | |
What? Where? Christ. What is this now? | 0:31:13 | 0:31:15 | |
It's hummus. | 0:31:15 | 0:31:17 | |
Take it off. Off, off, off. | 0:31:17 | 0:31:19 | |
DOORBELL RINGS Guests. | 0:31:21 | 0:31:23 | |
Go get 'em, parents. Bert, shift your arse. | 0:31:23 | 0:31:26 | |
I'm going! | 0:31:26 | 0:31:27 | |
FRAN: Marion, you made it! | 0:31:27 | 0:31:29 | |
I feel... I just feel like... I feel hustled. | 0:31:29 | 0:31:32 | |
Because I won? Are you not used to that? | 0:31:32 | 0:31:34 | |
I'm not really used to losing at bowling. | 0:31:34 | 0:31:38 | |
Oh, can't I keep them? | 0:31:38 | 0:31:40 | |
You honestly think it's the first time he's heard that? | 0:31:40 | 0:31:43 | |
They're cute. Well, maybe tonight. | 0:31:43 | 0:31:46 | |
Let's not forget this. Keep you nice and warm. | 0:31:46 | 0:31:48 | |
Are you saving that for later? What? | 0:31:51 | 0:31:53 | |
Got a bit of jalapeno in your teeth. | 0:31:53 | 0:31:56 | |
You've just got a little bit of spinach or something jammed in. | 0:31:56 | 0:31:59 | |
No, it's still there. It's... | 0:31:59 | 0:32:02 | |
Oh, my God. It's a good one. | 0:32:02 | 0:32:04 | |
OK. No, it's not, though, is it? | 0:32:04 | 0:32:06 | |
No, it's still wedged in. I'm just gonna nip to the ladies. | 0:32:06 | 0:32:09 | |
I'll just stay here and I'll think about what we can get up to next. | 0:32:09 | 0:32:14 | |
BOTH LAUGH | 0:32:14 | 0:32:16 | |
OK... | 0:32:16 | 0:32:18 | |
I'll just go in there and think about what we can get up to next. | 0:32:18 | 0:32:22 | |
OK. | 0:32:22 | 0:32:23 | |
Nice. | 0:32:39 | 0:32:40 | |
What do you want to get up to next? | 0:32:43 | 0:32:45 | |
Because I know what I wanna get up to next. | 0:32:45 | 0:32:48 | |
I saw you were about to leave so I took my break early. | 0:32:49 | 0:32:52 | |
Fucking hell, Sean! Leaving? I wasn't leav... | 0:32:52 | 0:32:55 | |
Er, bye. | 0:32:57 | 0:32:58 | |
Fine. I'll put my clothes back on and have a quick word with Jack about Jessica. | 0:32:58 | 0:33:02 | |
GROANS | 0:33:02 | 0:33:03 | |
So, | 0:33:05 | 0:33:06 | |
where do you wanna land those luscious lips? | 0:33:06 | 0:33:09 | |
BREATHES HEAVILY | 0:33:09 | 0:33:10 | |
INHALES, CLEARS THROAT | 0:33:10 | 0:33:13 | |
OK, we're gonna keep the door open. Now you're talking. | 0:33:13 | 0:33:16 | |
Right, let's just... | 0:33:16 | 0:33:18 | |
OK... | 0:33:19 | 0:33:21 | |
Sean... # Move closer | 0:33:21 | 0:33:24 | |
# Move your body real close... # I'd prefer you didn't sing that. | 0:33:25 | 0:33:28 | |
Will you hold my face? Why? | 0:33:28 | 0:33:29 | |
It'll make it more romantic. | 0:33:29 | 0:33:31 | |
I don't think this could be any more romantic. | 0:33:31 | 0:33:33 | |
HE WHINES | 0:33:33 | 0:33:34 | |
No, we said no tongues. We said no... Hey! | 0:33:34 | 0:33:36 | |
Jessica? | 0:33:36 | 0:33:38 | |
Oh, hey, man. Jack. | 0:33:38 | 0:33:39 | |
You'd been gone a while so I thought I'd come and find you. | 0:33:39 | 0:33:42 | |
What's happening here is definitely not what you think. I think I'm just gonna leave. | 0:33:42 | 0:33:45 | |
No, wait. Please, let me explain. Please, you don't have to. | 0:33:45 | 0:33:48 | |
I thought we had a connection but you still have something for Sean. | 0:33:48 | 0:33:51 | |
I'm gonna leave you to whatever fucking weird shit... | 0:33:51 | 0:33:53 | |
Jack, Jack, Jack. Just slide it on down to chills-ville. | 0:33:53 | 0:33:56 | |
Don't be so harsh on Nancy. | 0:33:56 | 0:33:59 | |
Who's Nancy? Why is he calling you Nancy? | 0:33:59 | 0:34:01 | |
Why? It was my other pet name for her. | 0:34:01 | 0:34:04 | |
After Nancy Reagan. Nancy Sinatra. | 0:34:04 | 0:34:07 | |
Sinatra. No, Nancy Reagan. | 0:34:07 | 0:34:08 | |
I'm gonna go. OK, wait, hang on. | 0:34:08 | 0:34:09 | |
Wait, Jack, let me just tell you the truth because... | 0:34:09 | 0:34:12 | |
now is as good a time as any just to confess. | 0:34:12 | 0:34:14 | |
Confess what? | 0:34:14 | 0:34:16 | |
The reason Sean called me Nancy was because I'm not called Jessica | 0:34:16 | 0:34:20 | |
and the reason I'm not called Jessica is because I'm not actually Jessica. | 0:34:20 | 0:34:24 | |
She's Nancy. She's Nancy Patterson. LAUGHS | 0:34:24 | 0:34:27 | |
Thank you, Sean. Can you put your clothes back on and leave? Please. | 0:34:27 | 0:34:31 | |
What about my kiss? Out. No. Jog on. Out! | 0:34:31 | 0:34:33 | |
Anyway, look, I was in here with him | 0:34:35 | 0:34:38 | |
because he said he wouldn't tell you who I really was if I kissed him. | 0:34:38 | 0:34:41 | |
The truth is, I'm not really your blind date. | 0:34:41 | 0:34:43 | |
You thought I was, what with the book, the clock and the quid pro quo. | 0:34:43 | 0:34:47 | |
So you're saying you're not the girl that I was supposed to meet earlier? | 0:34:47 | 0:34:51 | |
No. What?! | 0:34:51 | 0:34:52 | |
I know! It sounds a bit mad. But don't think of it as mad. | 0:34:52 | 0:34:55 | |
Think of it as impulsive. | 0:34:55 | 0:34:58 | |
What kind of person stands underneath a clock | 0:34:58 | 0:35:00 | |
waiting to steal someone's date? I wasn't waiting. | 0:35:00 | 0:35:02 | |
It's not stealing in the conventional sense of the word. | 0:35:02 | 0:35:05 | |
That girl gave me her book so that's why you thought I was her. | 0:35:05 | 0:35:07 | |
No, I thought you were her because you said you were. | 0:35:07 | 0:35:10 | |
Did I actually say that? | 0:35:10 | 0:35:12 | |
When were you thinking of telling me about this bizarre decision? | 0:35:12 | 0:35:15 | |
There wasn't actually a plan. I'm sure there wasn't a plan. | 0:35:15 | 0:35:18 | |
Because who would have a plan for that? Something so fucked up? | 0:35:18 | 0:35:21 | |
I think people have done worse things in the world. | 0:35:21 | 0:35:24 | |
I'm racking my brains. That girl wasn't even right for you. | 0:35:24 | 0:35:27 | |
We'll never know. I'll never meet her because you stole her. | 0:35:27 | 0:35:31 | |
I was merely trying to meet my mate in the modern world. | 0:35:31 | 0:35:34 | |
Who are you? I'm Nancy Patterson. Hello. | 0:35:34 | 0:35:38 | |
Are you even a triathlete? That's the next thing you ask? | 0:35:38 | 0:35:41 | |
And where's Jessica? I don't know. Probably gone home by now. | 0:35:41 | 0:35:44 | |
Past her bedtime. Are you even 24? | 0:35:44 | 0:35:46 | |
Aw. Add another ten. What? | 0:35:46 | 0:35:49 | |
Fuck you, Granddad. Not in six billion years. | 0:35:49 | 0:35:53 | |
OK, that was uncalled for. That was uncalled for? | 0:35:53 | 0:35:55 | |
Yeah. Do you know what's uncalled for? | 0:35:55 | 0:35:57 | |
Derailing my date. | 0:35:57 | 0:35:59 | |
OK. GIRLS LAUGH | 0:35:59 | 0:36:00 | |
Laugh it up, girls. I am your future. Just so you know. | 0:36:00 | 0:36:03 | |
34! 40! | 0:36:03 | 0:36:05 | |
I think you're overreacting a bit. Really? | 0:36:05 | 0:36:08 | |
Yeah, I do. How would you feel, Nancy, | 0:36:08 | 0:36:09 | |
if you'd been set up with someone who's supposed to be perfect for you | 0:36:09 | 0:36:12 | |
and some psycho pretends to be them instead? | 0:36:12 | 0:36:14 | |
Setups never work. Tom said we matched. | 0:36:14 | 0:36:17 | |
Please, she reads self-help books and The Da Vinci Code. | 0:36:17 | 0:36:20 | |
She works in the City. What does that even mean? | 0:36:20 | 0:36:23 | |
When people say that? | 0:36:23 | 0:36:24 | |
It means she is a high-flying 24-year-old businesswoman... | 0:36:24 | 0:36:27 | |
24. You love that word. It's your favourite word. | 0:36:27 | 0:36:30 | |
Isn't that just the classic response of the lonely 34-year-old woman | 0:36:30 | 0:36:33 | |
desperate for somewhere to put her eggs. | 0:36:33 | 0:36:35 | |
At least I'm nearly at my sexual peak. It's all downhill for you. | 0:36:35 | 0:36:37 | |
Knock knock, who's there? Viagra! | 0:36:37 | 0:36:40 | |
The bitter look really suits you. | 0:36:40 | 0:36:41 | |
It doesn't surprise me that Pete slept around. | 0:36:41 | 0:36:43 | |
Hang on a sec. Oh, oh, oh! There is no Pete! | 0:36:43 | 0:36:46 | |
And there is no wife because she left you. | 0:36:46 | 0:36:48 | |
Here's your theory. You think, "I'm so wounded and rejected." | 0:36:48 | 0:36:51 | |
"Please, help me, younger woman, who's nearly half my age." | 0:36:51 | 0:36:54 | |
This is coming from someone who had to steal someone else's date | 0:36:54 | 0:36:57 | |
to even get one. | 0:36:57 | 0:36:58 | |
At least I'm not walking around like I'm bloody catch of the century. | 0:36:58 | 0:37:01 | |
Look at me with my own flat and my online marketing management job. | 0:37:01 | 0:37:05 | |
But what I really want to do is paint. | 0:37:05 | 0:37:07 | |
I am gonna paint. OK? Sure you are. | 0:37:07 | 0:37:10 | |
Thank you very much, it was lovely not getting to know you | 0:37:10 | 0:37:12 | |
and congratulations on your massive pack of lies. | 0:37:12 | 0:37:15 | |
Where's my bag? That was all there was on the ticket. | 0:37:15 | 0:37:19 | |
Where's my bag? How should I know? | 0:37:19 | 0:37:21 | |
Why have I got your notepad? | 0:37:21 | 0:37:22 | |
Oh, f... Oh, my God, we've left my bag at the cantina. | 0:37:22 | 0:37:25 | |
Your bag, not mine. How many tequilas have you had? | 0:37:25 | 0:37:28 | |
My divorce papers are in there. Ooh, sexy. | 0:37:28 | 0:37:30 | |
I came from the lawyers, all right? Ooh, sexier. | 0:37:30 | 0:37:32 | |
Your divorce papers... and my notepad with my speech! | 0:37:32 | 0:37:36 | |
What speech? | 0:37:36 | 0:37:38 | |
It's my folks' 40th wedding anniversary tonight. | 0:37:38 | 0:37:41 | |
It just gets better. Not only do you steal somebody else's blind date, | 0:37:41 | 0:37:44 | |
you stand up your parents on one of the most important milestones of their life. | 0:37:44 | 0:37:48 | |
You really, really need to consider your motivations for doing things | 0:37:48 | 0:37:51 | |
and not doing things. | 0:37:51 | 0:37:53 | |
I'm gonna get my speech. Whatever. Taxi! | 0:37:53 | 0:37:55 | |
Hey, what are you doing? Calling a cab so I can go to the bar. | 0:37:55 | 0:37:59 | |
It's a ten-minute walk. No, it's not, it's 20 minutes. | 0:37:59 | 0:38:01 | |
It's ten minutes! You seem awfully confident, Nancy. | 0:38:01 | 0:38:04 | |
Because it's a fact, Jack. Oh, it's a fact? | 0:38:04 | 0:38:06 | |
Is it a fact? Like the fact that you're a triathlete. | 0:38:06 | 0:38:09 | |
Great. Here's a good idea. | 0:38:09 | 0:38:11 | |
Why don't you run, swim and cycle | 0:38:11 | 0:38:12 | |
to the bar and we'll see who gets there first? | 0:38:12 | 0:38:14 | |
What? You don't even know what a triathlon is. | 0:38:14 | 0:38:17 | |
Yes, I do. You do, do you? | 0:38:17 | 0:38:18 | |
Yeah. Well, ready, steady... | 0:38:18 | 0:38:20 | |
..go! | 0:38:22 | 0:38:24 | |
Get stronger thighs! | 0:38:27 | 0:38:30 | |
Come on, come on, come on! | 0:38:30 | 0:38:32 | |
CHUCKLES VICTORIOUSLY | 0:38:36 | 0:38:38 | |
Bye. Twat! Shit! | 0:38:38 | 0:38:41 | |
CHUCKLES | 0:38:42 | 0:38:43 | |
CAR HORN What? | 0:38:47 | 0:38:48 | |
No. | 0:38:52 | 0:38:53 | |
ROWDY CHATTER | 0:38:53 | 0:38:54 | |
Shit. | 0:38:54 | 0:38:56 | |
Excuse me. Why so many feathers? | 0:38:56 | 0:38:58 | |
Shit! | 0:39:03 | 0:39:04 | |
Hey. Sir. Kind person. | 0:39:08 | 0:39:11 | |
Come on, come on, come on. | 0:39:15 | 0:39:16 | |
Excuse me! Coming through. | 0:39:21 | 0:39:23 | |
Just go further up. It's on the left. | 0:39:23 | 0:39:25 | |
Mind your back! MAN SHOUTS | 0:39:26 | 0:39:27 | |
In your 40-year-old face! | 0:39:36 | 0:39:38 | |
I thought you weren't competitive. I thought you weren't competitive. | 0:39:38 | 0:39:41 | |
You all right? | 0:39:43 | 0:39:45 | |
It's a tactical puke. | 0:39:46 | 0:39:48 | |
It better be in there. Of course it will. | 0:39:48 | 0:39:50 | |
LOUD CHATTER AND MUSIC | 0:39:50 | 0:39:52 | |
Hey, you want some more tequila? BOTH: No! | 0:39:54 | 0:39:56 | |
Is his man-bag here? It's a satchel, OK. | 0:39:56 | 0:39:58 | |
I'm not used to carrying it. All right, I'll go check. | 0:39:58 | 0:40:02 | |
Where are you going? Toilet. | 0:40:02 | 0:40:04 | |
You gonna meet somebody? No, so you don't need to follow me in there. | 0:40:04 | 0:40:06 | |
I have no intention of doing that again. | 0:40:06 | 0:40:08 | |
Fuck! | 0:40:18 | 0:40:19 | |
COUGHS | 0:40:30 | 0:40:32 | |
LOUD CONVERSATION | 0:40:37 | 0:40:40 | |
PHONE VIBRATES | 0:40:45 | 0:40:46 | |
ANSWERPHONE: Hi, you've called Elaine. | 0:40:51 | 0:40:53 | |
Leave a message and I'll get back to you. Thanks. | 0:40:53 | 0:40:56 | |
Nice one, Nancy. | 0:41:12 | 0:41:14 | |
Really, really nice. | 0:41:14 | 0:41:16 | |
It's great stuff. | 0:41:19 | 0:41:20 | |
Hey, you know. New mantra. CHUCKLES | 0:41:24 | 0:41:28 | |
Stop being such a loser. | 0:41:28 | 0:41:31 | |
How about that? | 0:41:34 | 0:41:35 | |
Er... | 0:41:51 | 0:41:53 | |
MUTTERS | 0:42:06 | 0:42:08 | |
EXHALES HEAVILY | 0:42:11 | 0:42:12 | |
Yay. | 0:42:14 | 0:42:15 | |
Do you even like bowling? I love bowling. | 0:42:33 | 0:42:37 | |
Great. So you weren't faking it the whole night, then? | 0:42:37 | 0:42:40 | |
Bet you've said that line before. SCOFFS | 0:42:40 | 0:42:42 | |
Look... | 0:42:44 | 0:42:46 | |
Look, I realise this is not my finest hour. | 0:42:47 | 0:42:49 | |
Oh, you don't say? Yeah. I know. | 0:42:49 | 0:42:53 | |
In hindsight, agreeing to Sean's demands was not the best decision | 0:42:54 | 0:42:59 | |
that I've made all evening. | 0:42:59 | 0:43:00 | |
You could've just told me the truth. I know and I was going to, | 0:43:00 | 0:43:04 | |
I really was, but then... | 0:43:04 | 0:43:06 | |
.."Jessica" was doing so well. | 0:43:08 | 0:43:10 | |
CLEARS THROAT One man-bag. | 0:43:10 | 0:43:13 | |
Thank you. Cheers. | 0:43:13 | 0:43:15 | |
LAUGHS | 0:43:17 | 0:43:19 | |
What? Black Pant Wash. | 0:43:19 | 0:43:21 | |
Funky. | 0:43:24 | 0:43:25 | |
Idiot. | 0:43:29 | 0:43:30 | |
Idiot. | 0:43:31 | 0:43:33 | |
WOMAN: Jack? | 0:43:33 | 0:43:34 | |
What are you doing here? I thought we agreed. | 0:43:37 | 0:43:39 | |
What am I doing here? What are you doing here? | 0:43:39 | 0:43:41 | |
Hello, Jack. Fuck off, Ed. | 0:43:41 | 0:43:42 | |
I get this place between five and 10pm on a Saturday. | 0:43:42 | 0:43:45 | |
Sorry, I thought it was a Sunday. | 0:43:45 | 0:43:47 | |
I think we all know that you know that it's not on a Sunday. | 0:43:47 | 0:43:50 | |
Oh, how I miss that pissy little diary of yours. | 0:43:50 | 0:43:53 | |
Do you still put an "M" in it when it's moustache-dyeing week? | 0:43:53 | 0:43:56 | |
He didn't know. Hey, this is Nancy, by the way. My girlfriend. | 0:43:56 | 0:44:00 | |
Nancy, this is Hilary, my soon-to-be ex-wife, | 0:44:01 | 0:44:03 | |
and Ed, the man she left me for. | 0:44:03 | 0:44:05 | |
Come on, Jack. Yeah, come on, silly me. | 0:44:05 | 0:44:09 | |
You know what? We're all in the same bar with our new partners. | 0:44:09 | 0:44:12 | |
Let's have a drink together. We're adults, aren't we? | 0:44:12 | 0:44:15 | |
We're mature, stable adults. | 0:44:15 | 0:44:18 | |
Come on. Have you got a table? Yeah. | 0:44:18 | 0:44:20 | |
Is it "our" table? Not any more. | 0:44:20 | 0:44:23 | |
Good! Even better. Lead the way. | 0:44:23 | 0:44:25 | |
Oh, my God. What is happening? Just go with it, darling. | 0:44:25 | 0:44:29 | |
Just go with it, Edward. | 0:44:29 | 0:44:31 | |
Oh, my God. You knew they'd be here. | 0:44:32 | 0:44:33 | |
That's why you brought me here earlier. | 0:44:33 | 0:44:35 | |
That is why I brought "Jessica" here, OK? Then I came to my senses and we left. | 0:44:35 | 0:44:39 | |
But then you left my bag here... You left your bag. | 0:44:39 | 0:44:42 | |
And then you came out of the toilets looking like... Hmm... | 0:44:42 | 0:44:46 | |
I just thought people have done worse things in the world | 0:44:46 | 0:44:49 | |
and you are very good at pretending to be people that you're not. | 0:44:49 | 0:44:52 | |
And you owe me, Nancy. | 0:44:52 | 0:44:54 | |
Hm. | 0:44:55 | 0:44:56 | |
HILARY LAUGHS | 0:44:57 | 0:44:59 | |
SIGHS OK. | 0:45:01 | 0:45:03 | |
What exactly are you hoping to achieve? | 0:45:03 | 0:45:06 | |
I believe they call it "closure". | 0:45:07 | 0:45:09 | |
LOUD CONVERSATION | 0:45:12 | 0:45:14 | |
Missed a call from Nancy. She's not even gonna make it for the speeches. | 0:45:18 | 0:45:21 | |
What the fuck do you think she's doing? | 0:45:21 | 0:45:23 | |
What you always tell her to do. Yeah, but not the greatest night to pick. | 0:45:23 | 0:45:27 | |
But she's being spontaneous. | 0:45:27 | 0:45:29 | |
Be spontaneous when there's nothing else planned. | 0:45:29 | 0:45:32 | |
Don't you think this is a bit... | 0:45:32 | 0:45:34 | |
I'm gonna see what's happened before I pass judgement. | 0:45:34 | 0:45:36 | |
Are you? Well, good for you. | 0:45:36 | 0:45:38 | |
Jesus, when has she ever done anything like this before? | 0:45:38 | 0:45:41 | |
Well, never, but... Pardon, what was that? | 0:45:41 | 0:45:44 | |
Never. | 0:45:44 | 0:45:45 | |
She's out there, somewhere, doing you proud, meeting a man. | 0:45:45 | 0:45:48 | |
Having a lovely time. Just like when we first met. | 0:45:48 | 0:45:52 | |
We met in a pub. But it was a lovely romantic pub. | 0:45:52 | 0:45:55 | |
It was a Yates's Wine Lodge. | 0:45:56 | 0:45:58 | |
Do you remember the first thing you ever said to me? | 0:45:58 | 0:46:02 | |
"Vodka and tonic, please." And I said? | 0:46:02 | 0:46:05 | |
"Pint or a half?" | 0:46:06 | 0:46:08 | |
What is the worst-case scenario? | 0:46:11 | 0:46:13 | |
We never see her again. All right, second worst? | 0:46:13 | 0:46:16 | |
Aw. CHUCKLES | 0:46:24 | 0:46:26 | |
You hungry? No. | 0:46:29 | 0:46:30 | |
Little snackette? No, don't need it. | 0:46:30 | 0:46:32 | |
So... | 0:46:32 | 0:46:34 | |
..how long have you two been seeing each other? | 0:46:35 | 0:46:37 | |
Not long. Not long at all. | 0:46:37 | 0:46:39 | |
How did you meet? | 0:46:39 | 0:46:41 | |
At work. At a party. | 0:46:41 | 0:46:42 | |
At a work party. At a party that worked. | 0:46:42 | 0:46:44 | |
So you're in online marketing, too? | 0:46:44 | 0:46:46 | |
MIMICS CHILDISHLY | 0:46:46 | 0:46:48 | |
No. I am a... | 0:46:48 | 0:46:50 | |
..firewoman. I'm a firewoman. SCOFFS | 0:46:51 | 0:46:53 | |
There was a fire. At his work party. | 0:46:53 | 0:46:56 | |
And then in our pants. | 0:46:56 | 0:46:58 | |
So, Hilary, what is it that you... What do you do for a living? | 0:47:00 | 0:47:03 | |
I'm an account manager at a leading PR firm. | 0:47:03 | 0:47:05 | |
Mind-blowing. And you, Ed? | 0:47:05 | 0:47:07 | |
I'm a merchant banker. Interesting fact. | 0:47:07 | 0:47:09 | |
"Merchant banker" is cockney rhyming slang for "wanker". | 0:47:09 | 0:47:11 | |
Oh, for fuck's sake, Jack. | 0:47:11 | 0:47:13 | |
It's a fact. I'm just saying. I'm not lying. | 0:47:13 | 0:47:15 | |
It's been a year. It's OK, Hil. | 0:47:15 | 0:47:17 | |
It's not the first time I've heard that one. | 0:47:17 | 0:47:20 | |
First time I've ever heard it. I'm unaffected by it, so... | 0:47:20 | 0:47:22 | |
And it's been more than a year, actually, Hilary. It's been 368 days. | 0:47:22 | 0:47:27 | |
Not that I'm crossing it off on my wall calendar of pain and deceit. | 0:47:27 | 0:47:30 | |
I need a piss. | 0:47:30 | 0:47:33 | |
Oh, fuck! Shit. | 0:47:33 | 0:47:34 | |
Oh, shit. Hey... | 0:47:37 | 0:47:40 | |
Hey, don't worry, Baby Cakes. This was bound to happen sooner or later. | 0:47:40 | 0:47:45 | |
He does this. It's kind of blackmail. | 0:47:45 | 0:47:49 | |
He's a very emotional man. | 0:47:49 | 0:47:51 | |
We're gonna need more nibbles, please. So... | 0:47:53 | 0:47:57 | |
question. | 0:47:57 | 0:47:58 | |
You two had an affair? We fell in love. | 0:47:59 | 0:48:03 | |
Yeah, but you had an affair? | 0:48:03 | 0:48:05 | |
The marriage was over anyway. But you had an affair? | 0:48:05 | 0:48:08 | |
Yeah. I guess he is just an emotional man. | 0:48:11 | 0:48:14 | |
Look, I'm sorry, Hilary. | 0:48:16 | 0:48:17 | |
The truth is... I missed you, Big Nuts. | 0:48:17 | 0:48:20 | |
KISSES, LAUGHS | 0:48:20 | 0:48:21 | |
So what rating are you two rabbits on now? | 0:48:21 | 0:48:25 | |
Rating? Yeah, sexually speaking? | 0:48:25 | 0:48:28 | |
Because Jack and I, God, we're still in porno land really. | 0:48:28 | 0:48:31 | |
CHOKES Porno land? | 0:48:31 | 0:48:33 | |
Hm-hmm. Shall I explain? Please do. | 0:48:33 | 0:48:35 | |
OK. You know when a woman first starts sleeping with a man, | 0:48:35 | 0:48:38 | |
she acts like she's a porn star. | 0:48:38 | 0:48:39 | |
Am I right? Jack and I, anything goes. | 0:48:39 | 0:48:41 | |
Church of Lesbyterian, dinner beneath the bridge, guided tour of site B, | 0:48:41 | 0:48:45 | |
if you know where that is. He knows. | 0:48:45 | 0:48:46 | |
Remember when you said we should and I was like, "I'm not gonna do that." | 0:48:46 | 0:48:49 | |
You said, "Go on, try it." Did I? | 0:48:49 | 0:48:51 | |
And I was just thinking, "I'm actually quite scared," because I couldn't see. | 0:48:51 | 0:48:55 | |
Then, God, you flipped it. And all of a sudden... | 0:48:55 | 0:48:57 | |
God, I felt like, "Please don't stop." | 0:48:57 | 0:49:00 | |
"Jack, please don't stop. Don't stop, Jack. Do what you do, Jack." | 0:49:00 | 0:49:04 | |
"Thank you, Jack. I love your work, Jack." | 0:49:04 | 0:49:06 | |
And you lot are like, "Wow, our sex life is always gonna be like a porn film." | 0:49:06 | 0:49:10 | |
Six months in, the ladies, we drop it down to an 18, | 0:49:10 | 0:49:13 | |
and then a 15, maybe a quick 69 but only if we've just had a bath. | 0:49:13 | 0:49:17 | |
And then suddenly, whoa, we're a PG-13 wearing tartan pyjamas to bed | 0:49:17 | 0:49:22 | |
doing the goodnight rollover before you can say "missionary position". | 0:49:22 | 0:49:25 | |
That is a brilliant theory. | 0:49:27 | 0:49:29 | |
Thank you. But do you know what, Jack? I really feel | 0:49:29 | 0:49:33 | |
like we're gonna be in porno land for a lot longer than usual. | 0:49:33 | 0:49:36 | |
I have a theory, too. Yeah? What is it? | 0:49:38 | 0:49:40 | |
If you get a woman back to your place and you say you don't wanna have sex, | 0:49:40 | 0:49:44 | |
you just wanna take it slowly, I guarantee she will go down on you. | 0:49:44 | 0:49:49 | |
The Blow Job Paradox. Blow Job Paradox! | 0:49:49 | 0:49:52 | |
Yeah! "Use it, don't abuse it." If divorce papers were honest, | 0:49:52 | 0:49:55 | |
they wouldn't say "irreconcilable differences". | 0:49:55 | 0:49:58 | |
They'd say "not enough blow jobs". Not enough blow jobs! | 0:49:58 | 0:50:00 | |
Like, get down there, fix it. | 0:50:00 | 0:50:02 | |
Sorry to interrupt. Did you get a chance to sign those papers? | 0:50:02 | 0:50:06 | |
Yes, I did, actually, Hilary. In fact, coincidentally, I have them with me. | 0:50:08 | 0:50:13 | |
Although, stupid Jack, I signed them with a pen. | 0:50:13 | 0:50:16 | |
You'd probably prefer it if I did it with my own blood. | 0:50:16 | 0:50:19 | |
Hey, this is our song. We should dance. It's very special. Isn't that mad? | 0:50:21 | 0:50:26 | |
Don't fucking touch me. | 0:50:26 | 0:50:28 | |
Yay. What are you doing? | 0:50:28 | 0:50:30 | |
Stopping you from making a twat of yourself | 0:50:30 | 0:50:32 | |
by using the medium of dance. Hello. | 0:50:32 | 0:50:33 | |
I'm gonna slow-dance you into submission, OK? | 0:50:33 | 0:50:36 | |
You'll need to put your arms around my waist for it to work properly. Good. | 0:50:36 | 0:50:40 | |
I'm such a dick. You're not. You're not a dick. | 0:50:40 | 0:50:42 | |
It's always better to be the one that's dumped. | 0:50:42 | 0:50:45 | |
You never regret anything. She made the decision. | 0:50:45 | 0:50:48 | |
She's gotta live with that for the rest of her life. | 0:50:48 | 0:50:50 | |
It's not as simple as that, is it? But it will be. It just takes time. | 0:50:50 | 0:50:53 | |
Your hands are slipping down my arse. Sorry. Old habit. | 0:50:53 | 0:50:58 | |
Everybody knew they were doing it. Nobody told me. | 0:50:58 | 0:51:01 | |
It's rough. I'll admit it's rough. | 0:51:01 | 0:51:03 | |
I was really traditional about | 0:51:03 | 0:51:04 | |
the whole "don't sleep around when you're married" thing. | 0:51:04 | 0:51:07 | |
Hands-arse. That's right. | 0:51:07 | 0:51:09 | |
I bet you proposed on the top of a Tuscan hill. | 0:51:09 | 0:51:12 | |
Cephalonian, actually. | 0:51:12 | 0:51:13 | |
Spent a year planning your big day. | 0:51:13 | 0:51:15 | |
Yeah. Twenty grand, all in? Bit more. | 0:51:15 | 0:51:17 | |
Let's not forget about the ring. It was four grand. | 0:51:17 | 0:51:19 | |
And we had to get it resized because she got awfully thin. | 0:51:19 | 0:51:22 | |
You spent ?24,000 on a party and some jewellery? | 0:51:22 | 0:51:25 | |
It was a grand gesture. | 0:51:25 | 0:51:26 | |
What's the point of life if you're not up for stuff like that? | 0:51:26 | 0:51:29 | |
A grand gesture that amounted to nothing. Hands-arse. | 0:51:29 | 0:51:33 | |
God, you're such a fucking cynic. And you're such a fucking romantic. | 0:51:33 | 0:51:36 | |
MUSIC: "The Reflex" by Duran Duran | 0:51:36 | 0:51:38 | |
# ..fle-fle-fle-fle-flex... | 0:51:38 | 0:51:40 | |
You put so much emphasis on that one day and forget about the rest of your life. | 0:51:40 | 0:51:45 | |
What's wrong with having a big day? Look at your parents. | 0:51:45 | 0:51:48 | |
I bet they had a party and guests and a wishing tree. | 0:51:48 | 0:51:50 | |
Six guests. Local registry office. Drinks at the pub afterwards. | 0:51:50 | 0:51:54 | |
They decided it was more important | 0:51:54 | 0:51:55 | |
to concentrate on the promises they were making. | 0:51:55 | 0:51:58 | |
Don't you think that's what I wanted? | 0:51:58 | 0:52:00 | |
When you get married, you make a promise you can't keep, | 0:52:00 | 0:52:02 | |
but, by God, I was gonna try, and I'll never regret that. | 0:52:02 | 0:52:05 | |
Which is more than you can say, | 0:52:05 | 0:52:06 | |
sat up there on your single perch with all your judgements. | 0:52:06 | 0:52:09 | |
# Why-y-y-y-y don't you use it | 0:52:09 | 0:52:13 | |
# Try-y-y-y-y not to bruise it | 0:52:13 | 0:52:17 | |
# Buy-y-y-y-y time, don't lose it... # | 0:52:17 | 0:52:20 | |
They're not judgements, they're theories. | 0:52:20 | 0:52:22 | |
Very different things. Whatever. | 0:52:22 | 0:52:24 | |
# The reflex is an only child | 0:52:24 | 0:52:28 | |
# Just waiting by the park | 0:52:28 | 0:52:31 | |
# The reflex is in charge of finding | 0:52:31 | 0:52:35 | |
# Treasure in the dark | 0:52:35 | 0:52:38 | |
# And watching over lucky clover | 0:52:38 | 0:52:42 | |
# Isn't that bizarre? | 0:52:42 | 0:52:46 | |
# Every little thing the reflex does | 0:52:46 | 0:52:49 | |
# Leaves you answered with a question mark... # | 0:52:49 | 0:52:53 | |
You know your problem, Nancy? What? | 0:52:53 | 0:52:55 | |
You spend your entire time on the sidelines theorising about what works, | 0:52:55 | 0:52:58 | |
but never putting yourself out there. You never take chances. | 0:52:58 | 0:53:01 | |
I think my actions today could be considered quite "chancy". | 0:53:01 | 0:53:04 | |
Oh, really? Yeah. | 0:53:04 | 0:53:05 | |
You need to man up. I married that woman and she tore out my heart | 0:53:05 | 0:53:10 | |
but I'm still standing. I'm still putting myself out there. | 0:53:10 | 0:53:13 | |
And who are you to say that my marriage was doomed from the start? | 0:53:13 | 0:53:15 | |
Who are you to say that the girl I met tonight, | 0:53:15 | 0:53:17 | |
the girl I was supposed to meet tonight, wasn't the girl of my dreams? | 0:53:17 | 0:53:21 | |
You need to let me get on with my sad single-man life crisis | 0:53:21 | 0:53:24 | |
and keep your cynical wisecracks and theories to yourself. OK? | 0:53:24 | 0:53:28 | |
# Why-y-y-y W-w-why-y-y | 0:53:30 | 0:53:32 | |
# Why-y-y-y W-w-why-y-y-y... # | 0:53:33 | 0:53:36 | |
Hi. Sorry. I'm not looking. | 0:53:43 | 0:53:47 | |
Just...looking for Jack. | 0:53:47 | 0:53:50 | |
Jack, are you in here? TEARFUL: No. | 0:53:50 | 0:53:54 | |
Come on. | 0:53:54 | 0:53:55 | |
Just go to your party, Nancy, I'm fine. | 0:53:55 | 0:53:57 | |
You're fine? Yeah, I'm really fucking fine. | 0:53:57 | 0:54:01 | |
Occupied! | 0:54:02 | 0:54:03 | |
Sorry. You didn't lock. Didn't lock. | 0:54:03 | 0:54:06 | |
Hi. | 0:54:16 | 0:54:17 | |
I was hoping for the pants-and-socks look. | 0:54:17 | 0:54:19 | |
LAUGHS | 0:54:19 | 0:54:21 | |
Nice place you've got. It's really cosy. | 0:54:30 | 0:54:33 | |
Sorry. | 0:54:44 | 0:54:45 | |
I've had a bad relationship run over the past few years | 0:54:46 | 0:54:51 | |
and so it's made me not the most positive person. | 0:54:51 | 0:54:55 | |
I overanalyse and I... | 0:54:57 | 0:54:59 | |
..come up with elaborate theories and make monumentally bad decisions and... | 0:55:00 | 0:55:05 | |
I've gotta move on, you know, that's all. | 0:55:05 | 0:55:09 | |
She's out there, she's happy. | 0:55:09 | 0:55:11 | |
She's getting on with her life and I'm... | 0:55:11 | 0:55:13 | |
I'm just holding on. OK. | 0:55:14 | 0:55:16 | |
A - I wouldn't say "happy", exactly. | 0:55:18 | 0:55:22 | |
And secondly, I mean, you're not holding on to her. | 0:55:22 | 0:55:26 | |
You're holding on to a feeling | 0:55:26 | 0:55:28 | |
and that feeling will eventually pass. Promise. | 0:55:28 | 0:55:32 | |
I mean, look, maybe I was wrong. | 0:55:32 | 0:55:35 | |
Maybe dating 24-year-olds is exactly what you need right now. | 0:55:35 | 0:55:39 | |
You've changed your tune. Well, unlike... | 0:55:39 | 0:55:43 | |
the older lady, they do have less baggage. | 0:55:43 | 0:55:47 | |
I mean, shit, I'm way over my baggage allowance. | 0:55:48 | 0:55:51 | |
I'm four years single. Four fucking years. | 0:55:51 | 0:55:54 | |
Prior to that, I had six years with the supposed love of my life, | 0:55:55 | 0:56:00 | |
when, out of the blue, he ended it and then he... | 0:56:00 | 0:56:04 | |
He said he wanted to go to China to find himself. | 0:56:04 | 0:56:07 | |
Then he found himself shacked up in Shepherd's Bush | 0:56:07 | 0:56:09 | |
with some other girl six months later. | 0:56:09 | 0:56:11 | |
I'm over it, obviously, but I just... Yeah, you really sound it. | 0:56:11 | 0:56:14 | |
Apart from one thing. | 0:56:16 | 0:56:18 | |
One thing that, honestly, I'm not sure that I can ever get over. | 0:56:18 | 0:56:21 | |
What? | 0:56:21 | 0:56:23 | |
He... | 0:56:23 | 0:56:24 | |
He de-authorised me from his iTunes. | 0:56:25 | 0:56:28 | |
GASPS | 0:56:28 | 0:56:29 | |
What? That is unforgivable. | 0:56:29 | 0:56:32 | |
It is. It is, actually. | 0:56:32 | 0:56:35 | |
So, what do you really do for a living? | 0:56:36 | 0:56:40 | |
I'm a journalist. Yeah. | 0:56:40 | 0:56:42 | |
Slash wannabe literary polymath. | 0:56:42 | 0:56:45 | |
That figures. You got good theories. Oh, you like them now? | 0:56:45 | 0:56:49 | |
I wouldn't listen to me, though, | 0:56:49 | 0:56:51 | |
because I'm not exactly the poster child for the dating industry. | 0:56:51 | 0:56:54 | |
Really? I'm 40, divorced and crying in a toilet. | 0:56:54 | 0:56:57 | |
You're just... | 0:56:59 | 0:57:01 | |
You're an emotional jigsaw at the moment | 0:57:02 | 0:57:04 | |
but you're gonna piece yourself back together. | 0:57:04 | 0:57:07 | |
You know, start with the corners. Look for the blue bits. | 0:57:07 | 0:57:10 | |
And where do I find these "blue bits"? | 0:57:12 | 0:57:16 | |
MAN: Took me three years to get over my ex. | 0:57:21 | 0:57:24 | |
Jungian therapy. Two hours every day. Six weeks. | 0:57:24 | 0:57:29 | |
I burnt her clothes. Twice. | 0:57:29 | 0:57:32 | |
I'm not saying that her porn star theory is correct. | 0:57:32 | 0:57:34 | |
But you did blow job paradox me? | 0:57:34 | 0:57:36 | |
Hey. Where did you two get to? | 0:57:36 | 0:57:38 | |
Probably 69-ing in the toilets, no doubt. | 0:57:38 | 0:57:41 | |
Who's up for a shot? Come on, let's all do some shots. | 0:57:41 | 0:57:44 | |
I think I've had enough to drink. We're just gonna head off. | 0:57:44 | 0:57:47 | |
Nonsense. It's a seminal night so we should mark it somehow. | 0:57:47 | 0:57:50 | |
Four sambucas, please. | 0:57:50 | 0:57:51 | |
You look like you've been crying. | 0:57:51 | 0:57:54 | |
Actually, I was crying. With laughter. | 0:57:54 | 0:57:56 | |
Have you ever tried to do it in a cubicle that small? | 0:57:56 | 0:57:58 | |
I think I left my knickers in there. | 0:57:58 | 0:58:01 | |
She does not need to know the real reason for your tears. | 0:58:01 | 0:58:04 | |
Did you wanna leave your knickers in there? | 0:58:04 | 0:58:06 | |
Focus, Jack. | 0:58:06 | 0:58:07 | |
Repeat after me. | 0:58:09 | 0:58:11 | |
"After this shot I will be stronger, wiser and finally moving on." | 0:58:11 | 0:58:14 | |
After this shot I will be stronger, wiser and finally moving on. | 0:58:14 | 0:58:18 | |
Fuck the past. Fuck the past. | 0:58:18 | 0:58:20 | |
YELLS Sorry. | 0:58:23 | 0:58:26 | |
Oh, my God. Do something! | 0:58:26 | 0:58:28 | |
You're a fireman, put the fucking fire out! | 0:58:28 | 0:58:30 | |
Here. You take it. Jesus! | 0:58:30 | 0:58:32 | |
SCREAMS | 0:58:33 | 0:58:35 | |
JACK LAUGHS | 0:58:36 | 0:58:38 | |
NANCY AND JACK LAUGH | 0:58:38 | 0:58:41 | |
That is what I call closure. | 0:58:41 | 0:58:43 | |
I mean, that's the dictionary definition right there. | 0:58:43 | 0:58:45 | |
Denial, depression, acceptance. | 0:58:45 | 0:58:48 | |
Fire. Fire. | 0:58:48 | 0:58:50 | |
HE LAUGHS What? | 0:58:53 | 0:58:54 | |
All right, what is next? | 0:58:54 | 0:58:56 | |
OK, what's the time? It is ten o'clock. | 0:58:56 | 0:58:59 | |
Is it? Oh, shit. I should check in at home, really. | 0:58:59 | 0:59:02 | |
Yeah, I'd better... | 0:59:02 | 0:59:04 | |
PHONE CHIMES | 0:59:04 | 0:59:05 | |
PHONE CHIMES | 0:59:07 | 0:59:09 | |
So, I think I'd better finally head to my folks' anniversary party | 0:59:09 | 0:59:13 | |
but I was just... PHONE CHIMES | 0:59:13 | 0:59:14 | |
This is a crazy idea but I was just thinking, | 0:59:14 | 0:59:16 | |
would you want to join...? Sorry. | 0:59:16 | 0:59:18 | |
Just because it might be nice to not go alone for a change and if you... | 0:59:18 | 0:59:23 | |
Oh, my God, she has called and texted, like, a lot. | 0:59:23 | 0:59:27 | |
Who has? Jessica. | 0:59:27 | 0:59:29 | |
Jessica? She said she spoke to Tom and there's obviously been | 0:59:29 | 0:59:32 | |
some sort of misunderstanding and she still wants to meet up. | 0:59:32 | 0:59:35 | |
Even though you stood her up? What? Is she a loser? | 0:59:35 | 0:59:37 | |
Technically, you stood her up, actually. | 0:59:37 | 0:59:40 | |
She's young so she's not a total cynic like you. Us. Yet. | 0:59:40 | 0:59:44 | |
Your 24-year-old obsession, isn't it? | 0:59:44 | 0:59:46 | |
You said I should keep it simple. | 0:59:46 | 0:59:48 | |
When? Like, half an hour ago in the toilet. | 0:59:48 | 0:59:51 | |
So, what is your theory on this one? | 0:59:52 | 0:59:54 | |
My theory? Yeah, I wanna hear it. What's the... | 0:59:54 | 0:59:58 | |
Is it "boy meets girl" or "boy doesn't meet girl"? | 0:59:58 | 1:00:01 | |
CHUCKLES I mean... | 1:00:01 | 1:00:04 | |
Come on, this is when you tell me what to do | 1:00:04 | 1:00:06 | |
and then we argue and then... | 1:00:06 | 1:00:08 | |
You know, it's a bit of back and forth and then eventually... | 1:00:08 | 1:00:11 | |
Oh, wait. What for? | 1:00:11 | 1:00:14 | |
All night you've had all these theories and opinions | 1:00:14 | 1:00:17 | |
and suddenly you've got nothing to say? | 1:00:17 | 1:00:18 | |
What do you want? Do you want my permission or something? | 1:00:18 | 1:00:21 | |
No, not at all. OK, well, then I think you should meet Jessica. | 1:00:21 | 1:00:25 | |
Yeah, but that's not... What are you waiting for, right? | 1:00:25 | 1:00:28 | |
What am I...? Yeah. I don't know what I'm waiting for. | 1:00:28 | 1:00:32 | |
Fine, OK, I'll meet Jessica. | 1:00:32 | 1:00:33 | |
OK. Great. OK. | 1:00:33 | 1:00:35 | |
Are you meeting her here or... | 1:00:35 | 1:00:37 | |
Yeah. Yes, there it is. LAUGHS | 1:00:37 | 1:00:39 | |
OK. That's where the... | 1:00:39 | 1:00:41 | |
You can give her this back, then. | 1:00:41 | 1:00:43 | |
No, she bought another one. Course she did. | 1:00:43 | 1:00:46 | |
I haven't really read it, to be honest. Have you not? | 1:00:47 | 1:00:49 | |
Maybe we should have. | 1:00:49 | 1:00:50 | |
So, um... | 1:00:52 | 1:00:54 | |
Is that everything? Yeah. | 1:00:55 | 1:00:57 | |
So sorry for derailing your date. | 1:00:58 | 1:01:01 | |
I'm glad you did, because otherwise I'd have nothing to talk about on the next one. | 1:01:01 | 1:01:06 | |
It is a good anecdote. I'll probably use it in future myself. | 1:01:06 | 1:01:09 | |
So, well, look after yourself... | 1:01:09 | 1:01:11 | |
It's what I do best. OK, and... | 1:01:11 | 1:01:14 | |
Bye. Bye. | 1:01:14 | 1:01:15 | |
I'll Facebook you. Not on Facebook. | 1:01:24 | 1:01:27 | |
Idiot. Idiot. | 1:01:27 | 1:01:30 | |
Idiot. | 1:01:34 | 1:01:36 | |
Idiot. | 1:01:36 | 1:01:37 | |
What kind of nutter pretends to be someone else's blind date? | 1:02:24 | 1:02:28 | |
I know. It's... | 1:02:28 | 1:02:30 | |
Although it does prove what a publishing sensation Six Billion has been. | 1:02:30 | 1:02:33 | |
Yeah. | 1:02:33 | 1:02:34 | |
Let's just pretend the whole thing never happened and we shall start again. | 1:02:34 | 1:02:38 | |
Cheers. | 1:02:38 | 1:02:40 | |
Sorry, I'm ever so thirsty. I did a lot of walking today. | 1:02:46 | 1:02:50 | |
LAUGHS AWKWARDLY | 1:02:50 | 1:02:52 | |
So, Jessica, I hear you work in the City. | 1:02:52 | 1:02:54 | |
Correct. And I love it. "Lunch is for wimps." | 1:02:54 | 1:02:57 | |
It's from Wall Street. From the film. | 1:02:59 | 1:03:02 | |
"If you need a friend, get a dog." | 1:03:02 | 1:03:05 | |
Oh, is that the one with Leonardo DiCaprio? | 1:03:05 | 1:03:08 | |
Er, no. | 1:03:08 | 1:03:09 | |
Um, so listen, Tom told me that you are a triathlete. | 1:03:09 | 1:03:13 | |
LOUD CONVERSATION | 1:03:13 | 1:03:15 | |
Bert, are you ready? Yeah? | 1:03:19 | 1:03:21 | |
All right? Yep. | 1:03:21 | 1:03:23 | |
Attention! | 1:03:23 | 1:03:25 | |
FRENCH: Attention. | 1:03:25 | 1:03:27 | |
Attenzione. | 1:03:27 | 1:03:28 | |
Oi! Come on. | 1:03:28 | 1:03:29 | |
Adam, thank you. | 1:03:29 | 1:03:31 | |
Well, here we all are. | 1:03:33 | 1:03:35 | |
I had rather hoped that our youngest daughter, Nancy, | 1:03:35 | 1:03:39 | |
would have been here to do the speech. | 1:03:39 | 1:03:41 | |
But, er, she's been a little delayed. | 1:03:41 | 1:03:44 | |
So it falls to myself... | 1:03:46 | 1:03:50 | |
to find a few choice words. | 1:03:50 | 1:03:53 | |
CHEERING | 1:03:53 | 1:03:56 | |
But, I mean, seriously... | 1:03:56 | 1:03:59 | |
what's left for us to say to each other after 40 years? | 1:03:59 | 1:04:02 | |
"Take the fucking recycling out." | 1:04:02 | 1:04:05 | |
LAUGHTER | 1:04:05 | 1:04:06 | |
Still as foul-mouthed as the day I met her. | 1:04:06 | 1:04:10 | |
And still as beautiful. | 1:04:10 | 1:04:12 | |
ALL: Aw! | 1:04:12 | 1:04:13 | |
And although I doubt that we have another 40 years ahead of us... | 1:04:13 | 1:04:18 | |
Bloody hope not. LAUGHTER | 1:04:18 | 1:04:20 | |
..or we will ever agree... | 1:04:20 | 1:04:23 | |
that you can park on a double yellow line on a Sunday... | 1:04:23 | 1:04:26 | |
But you can, actually. FRAN: Whose side are you on? | 1:04:26 | 1:04:28 | |
..or she will ever fully trust me with the big weekly shop... | 1:04:28 | 1:04:32 | |
Not a hope in hell. | 1:04:32 | 1:04:34 | |
..but here's to spending... | 1:04:34 | 1:04:37 | |
..whatever years we have left together. | 1:04:38 | 1:04:42 | |
ALL: Aw. | 1:04:42 | 1:04:43 | |
Franny... | 1:04:43 | 1:04:44 | |
..I am an empty shell on the beach without you. | 1:04:45 | 1:04:49 | |
Oh, that's good. | 1:04:49 | 1:04:50 | |
I am a laundry disaster waiting to happen. | 1:04:50 | 1:04:54 | |
LAUGHTER | 1:04:54 | 1:04:57 | |
I am an old pear... | 1:04:57 | 1:04:59 | |
left to soften in the fruit bowl. | 1:04:59 | 1:05:04 | |
Oh, here she is. | 1:05:04 | 1:05:05 | |
CHEERING | 1:05:05 | 1:05:07 | |
Nancy! | 1:05:07 | 1:05:08 | |
So sorry I'm late. But I remembered the chocolate mousse. | 1:05:08 | 1:05:12 | |
CHEERING | 1:05:12 | 1:05:14 | |
WOMAN: Oh... | 1:05:15 | 1:05:17 | |
What is it, darling? What is it? What's up? | 1:05:17 | 1:05:20 | |
What's the matter? It's OK. | 1:05:20 | 1:05:22 | |
BERT: Oh... | 1:05:22 | 1:05:23 | |
Come on, tell us, what's the matter, darling? | 1:05:23 | 1:05:26 | |
I got a lot of big home-improvement plans. | 1:05:27 | 1:05:30 | |
Do up my flat. I'm gonna paint my hallway. | 1:05:30 | 1:05:32 | |
Yes, Tom said that you were a bit of an artiste. | 1:05:32 | 1:05:35 | |
Yeah, I, you know... I dabble. | 1:05:35 | 1:05:37 | |
No, I don't dabble. Who am I trying to kid? | 1:05:37 | 1:05:40 | |
I got an A in art at A level. | 1:05:42 | 1:05:43 | |
I don't remember what I got in my A levels. | 1:05:43 | 1:05:47 | |
I'm kidding you. I'm not that old. | 1:05:47 | 1:05:49 | |
I got two Bs and a C, so. | 1:05:49 | 1:05:51 | |
No, I didn't. I got two Cs and a B. | 1:05:51 | 1:05:54 | |
Anyway, I passed them all, so... | 1:05:54 | 1:05:56 | |
Well done. Thank you. | 1:05:56 | 1:05:59 | |
Anyway, I'm so glad that you're a fan of Six Billion People And You as well. | 1:05:59 | 1:06:04 | |
And I'm so sorry that I was late to meet you. | 1:06:04 | 1:06:06 | |
But, actually, the reason that I had to buy another copy | 1:06:06 | 1:06:08 | |
was because I left my copy for this woman on the train | 1:06:08 | 1:06:11 | |
and she so needed to read it. She was a very unhappy soul. | 1:06:11 | 1:06:16 | |
You know, one of those sort of "lost hope", "clock ticking" kind of women. | 1:06:16 | 1:06:20 | |
Anyway, shall we do the lists? Yes, the lists, the lists. | 1:06:21 | 1:06:25 | |
SHE CHUCKLES EXCITEDLY | 1:06:25 | 1:06:28 | |
I can't wait to see what your favourite food is. | 1:06:28 | 1:06:31 | |
Ready? | 1:06:39 | 1:06:40 | |
I am so sorry about this. | 1:06:43 | 1:06:45 | |
What are you talking about? This is amazing. | 1:06:45 | 1:06:47 | |
If I hadn't left her that book... It's like the most epic love story ever. | 1:06:47 | 1:06:51 | |
And it means that I was right and she was wrong. Taxi! | 1:06:51 | 1:06:54 | |
Where to? Shit, I have no idea. | 1:06:58 | 1:07:00 | |
Just call her. | 1:07:00 | 1:07:02 | |
I don't have her number. I have your number. | 1:07:02 | 1:07:04 | |
What's her name? Nancy. Nancy Patterson. | 1:07:04 | 1:07:06 | |
Look her up on Facebook. She's not on Facebook. | 1:07:06 | 1:07:08 | |
LAUGHS Don't be ridiculous. | 1:07:08 | 1:07:10 | |
Everyone's connected. You'll have some mutual friends or something. | 1:07:10 | 1:07:14 | |
You bloody genius. | 1:07:14 | 1:07:16 | |
Bloomsbury Bowling Lanes, please. | 1:07:16 | 1:07:18 | |
Good luck with the triathleting. Thank you, Jessica! | 1:07:18 | 1:07:21 | |
Sean... Is that my scarf? Where's Nancy? | 1:07:32 | 1:07:34 | |
That's what I need to talk to you about. I have to find her and I think she's at her parents'. | 1:07:34 | 1:07:38 | |
Do you know where they live? | 1:07:38 | 1:07:39 | |
I know the exact Google Map coordinates. | 1:07:40 | 1:07:43 | |
KEYS JANGLE | 1:07:45 | 1:07:47 | |
Holy... You know what, Sean? I'd be quite happy to take the train. | 1:07:52 | 1:07:57 | |
What's your plan? What's my plan? | 1:07:57 | 1:08:00 | |
To win her heart. | 1:08:00 | 1:08:02 | |
This isn't a power ballad. Well, it should be. | 1:08:02 | 1:08:04 | |
Grand romantic gestures. That's what it's all about. | 1:08:04 | 1:08:07 | |
Declarations. Heart on the line. Life-changing kind of stuff. | 1:08:07 | 1:08:11 | |
That's what I was going for back there in the toilets. | 1:08:11 | 1:08:14 | |
Actions, you know. More than words. | 1:08:14 | 1:08:18 | |
Jesus! | 1:08:18 | 1:08:20 | |
Taught myself to drive with just my left hand. | 1:08:24 | 1:08:28 | |
Pretty useful, I can tell you. | 1:08:28 | 1:08:30 | |
Are we here? Yep, we're here. | 1:08:41 | 1:08:43 | |
OK, OK, OK. Um... | 1:08:43 | 1:08:46 | |
Oh, what number is it? 74. | 1:08:46 | 1:08:50 | |
Go, go, go! Bon chance, mon amigo. | 1:08:50 | 1:08:53 | |
ENGINE REVS Whoo! | 1:08:53 | 1:08:54 | |
TYRES SCREECH, ENGINE PURRS | 1:08:54 | 1:08:56 | |
Idiot, idiot, idiot... | 1:08:57 | 1:08:59 | |
I should have just said... | 1:08:59 | 1:09:01 | |
MUMBLES: "Don't go, come with me to the party." | 1:09:01 | 1:09:03 | |
I can't hear her. | 1:09:03 | 1:09:04 | |
Go easy, Nancy, cos it is a partition wall. | 1:09:04 | 1:09:07 | |
Something about a party? This party? | 1:09:07 | 1:09:09 | |
And I was gonna bring him here and everything. | 1:09:09 | 1:09:12 | |
The man on the phone? | 1:09:12 | 1:09:13 | |
The strange man you were on a date with? | 1:09:13 | 1:09:15 | |
You should have. Didn't go well? | 1:09:15 | 1:09:17 | |
No, it did go really well. | 1:09:17 | 1:09:18 | |
ALL CHEER | 1:09:18 | 1:09:20 | |
Oh, no, it's not a good thing. Boo, boo. | 1:09:21 | 1:09:23 | |
Come on, my lovely, just tell us what happened. | 1:09:27 | 1:09:29 | |
OK. INHALES | 1:09:29 | 1:09:30 | |
DOORBELL RINGS | 1:09:30 | 1:09:31 | |
I'll get that. OK. So... | 1:09:31 | 1:09:34 | |
What are you doing here? Is Nancy here? | 1:09:38 | 1:09:40 | |
Are you the strip-o-gram? | 1:09:40 | 1:09:42 | |
What? No, I'm not. What are you...? | 1:09:42 | 1:09:44 | |
Nancy, I had to come and find you. How did you...? | 1:09:44 | 1:09:47 | |
I couldn't just leave it like that. Oh, my God. Nancy, is this... | 1:09:47 | 1:09:51 | |
Oh, that's marvellous. We've got a chair for you. | 1:09:51 | 1:09:53 | |
A chair? For me? Yeah. | 1:09:53 | 1:09:55 | |
Oh, that sounds lovely. Hello, nice to see you. | 1:09:55 | 1:09:58 | |
ALL GREET HIM | 1:09:58 | 1:10:00 | |
We've got a lot of people here. Oh, party time. Hello, everybody. | 1:10:00 | 1:10:03 | |
Hello, I'm Sean. Ooh, strawberries. Favourite! | 1:10:03 | 1:10:06 | |
I loves me strawberries. | 1:10:06 | 1:10:08 | |
No. | 1:10:08 | 1:10:09 | |
LOUD MUSIC, CHATTER | 1:10:09 | 1:10:11 | |
Everybody, everyone! | 1:10:13 | 1:10:15 | |
Everybody, everybody! | 1:10:15 | 1:10:16 | |
This is... It's Jack! | 1:10:16 | 1:10:18 | |
He's looking for... Who are you looking for again? | 1:10:18 | 1:10:21 | |
Nancy. Is this a 40th party? | 1:10:21 | 1:10:23 | |
Nancy! Nancy, are you here? | 1:10:23 | 1:10:26 | |
I'm Nancy. I'm Nancy. | 1:10:26 | 1:10:28 | |
ALL: I'm Nancy! | 1:10:28 | 1:10:32 | |
No, no, no, no, no, you're not. None of you are Nancy. | 1:10:32 | 1:10:35 | |
Nancy is 34, not 15 or whatever. | 1:10:35 | 1:10:37 | |
There's a girl being sick in the sink. This is terrible. | 1:10:37 | 1:10:40 | |
Come here, sweetheart. Let it all out. There you go. | 1:10:40 | 1:10:44 | |
Listen, Nancy is...she's got very cool hair and a lovely face and... | 1:10:44 | 1:10:49 | |
Come on, please. Nancy Patterson. | 1:10:49 | 1:10:51 | |
Anybody help me with Nancy Patterson? | 1:10:51 | 1:10:53 | |
PEOPLE SHOUT "NANCY" | 1:10:53 | 1:10:54 | |
Wait! Nancy Patterson? | 1:10:54 | 1:10:55 | |
Yes! She used to be my old baby-sitter. | 1:10:55 | 1:10:58 | |
Can you take me to her? Yes, I can. | 1:10:58 | 1:11:01 | |
CHEERING Yes! | 1:11:01 | 1:11:02 | |
Thank you! Thank you very much. | 1:11:02 | 1:11:04 | |
Oh, we're all going, are we? OK. | 1:11:04 | 1:11:07 | |
ALL CHANT "NANCY" | 1:11:07 | 1:11:09 | |
MUSIC: Here I Go Again by Whitesnake | 1:11:09 | 1:11:13 | |
# Cos here I go again on my own | 1:11:15 | 1:11:18 | |
# Going down the only road I've ever known | 1:11:19 | 1:11:23 | |
# Like a drifter, I was born to walk alone | 1:11:24 | 1:11:28 | |
# And I've made up my mind | 1:11:30 | 1:11:33 | |
# I ain't wasting no more time | 1:11:35 | 1:11:38 | |
# I'm just another heart in need of rescue | 1:11:40 | 1:11:43 | |
# Waiting on love's sweet charity | 1:11:46 | 1:11:48 | |
# And I'm gonna hold on for the rest of my days | 1:11:50 | 1:11:54 | |
# Cos I know what it means | 1:11:56 | 1:11:59 | |
# To walk along the lonely street of dreams | 1:12:00 | 1:12:04 | |
# And here I go again on my own | 1:12:05 | 1:12:09 | |
# Going down the only road I've ever known | 1:12:10 | 1:12:14 | |
# Like a drifter, I was born to walk alone | 1:12:15 | 1:12:19 | |
# And I've made up my mind | 1:12:21 | 1:12:24 | |
# I ain't wasting no more time | 1:12:26 | 1:12:29 | |
# But here I go again | 1:12:29 | 1:12:32 | |
# Here I go! # | 1:12:34 | 1:12:38 | |
CHATTER | 1:12:41 | 1:12:43 | |
Ladies and gentlemen, | 1:12:46 | 1:12:48 | |
your attention, please. | 1:12:48 | 1:12:51 | |
I'm just...just gonna say a few words. Uh... | 1:12:53 | 1:12:56 | |
Uh, I actually had something prepared but... | 1:12:57 | 1:13:01 | |
I lost it. It's kind of a long story... | 1:13:01 | 1:13:04 | |
Actually, do you know what? I'm just gonna tell you, | 1:13:04 | 1:13:06 | |
cos it's actually the reason I was so late | 1:13:06 | 1:13:08 | |
and the reason why this speech is gonna be so rubbish. | 1:13:08 | 1:13:10 | |
LAUGHTER | 1:13:10 | 1:13:12 | |
I met a man today. | 1:13:12 | 1:13:14 | |
Hello. No, not this man. | 1:13:14 | 1:13:17 | |
I was standing underneath the clock at Waterloo Station | 1:13:17 | 1:13:19 | |
when a man called Jack | 1:13:19 | 1:13:21 | |
mistook me for his blind date | 1:13:21 | 1:13:24 | |
and instead of just saying, | 1:13:24 | 1:13:26 | |
"Hey, you got the wrong girl," like a normal person, um... | 1:13:26 | 1:13:30 | |
..I thought it was a good idea to just pretend that I was his date. | 1:13:31 | 1:13:35 | |
GASPS: No, you didn't? | 1:13:35 | 1:13:37 | |
I did. I did. But, but... LAUGHTER | 1:13:37 | 1:13:40 | |
You know, we went out and, you know, for the first time in ages, | 1:13:40 | 1:13:45 | |
I put myself out there, and I took a chance, | 1:13:45 | 1:13:48 | |
and I even got stronger thighs. | 1:13:48 | 1:13:50 | |
Then Jack found out I wasn't who I said I was, | 1:13:50 | 1:13:54 | |
a 24-year-old triathlete by the way. | 1:13:54 | 1:13:56 | |
24? Yeah. | 1:13:56 | 1:13:58 | |
And so he went to go and meet his real blind date. | 1:13:58 | 1:14:01 | |
So blah, blah, blah, the end. | 1:14:01 | 1:14:03 | |
ALL GROAN | 1:14:03 | 1:14:04 | |
No, don't be sad. God, I'm not sad. | 1:14:10 | 1:14:13 | |
I'm a bit sad. SIGHS | 1:14:13 | 1:14:16 | |
Er, but I'm also quite proud of myself because I tried. | 1:14:16 | 1:14:19 | |
And, you know, no, it didn't work out, but... | 1:14:19 | 1:14:23 | |
I got a hint of what could be out there for me. | 1:14:24 | 1:14:27 | |
You know... | 1:14:27 | 1:14:29 | |
..a fun... | 1:14:30 | 1:14:31 | |
loving, crazy, contradictory, | 1:14:31 | 1:14:36 | |
long, happy life with someone. | 1:14:36 | 1:14:38 | |
Something that these two have had | 1:14:38 | 1:14:40 | |
since they first laid eyes on each other 40 years ago. | 1:14:40 | 1:14:44 | |
So, please... | 1:14:44 | 1:14:45 | |
..join me in toasting them and wishing them a very happy anniversary. | 1:14:47 | 1:14:52 | |
To my mum and dad. To Bert and Fran. | 1:14:53 | 1:14:56 | |
Mum and Dad. Bert and Fran. | 1:14:56 | 1:14:59 | |
Bert and Fran. | 1:14:59 | 1:15:00 | |
I liked that speech. I liked it a lot. | 1:15:10 | 1:15:12 | |
Cheers, Dad. | 1:15:12 | 1:15:13 | |
Much better than last year's. Yeah, that wasn't very... | 1:15:13 | 1:15:17 | |
Come here. | 1:15:17 | 1:15:18 | |
Stronger thighs. I'm so proud of you. | 1:15:18 | 1:15:22 | |
Cheers, Elaine. | 1:15:22 | 1:15:23 | |
Just keep on going, my darling. | 1:15:23 | 1:15:25 | |
You'll get there in the end. Thanks, Mummy. | 1:15:25 | 1:15:27 | |
So where's this Jack now? | 1:15:27 | 1:15:29 | |
BANGING AT WINDOW He's at the window. | 1:15:29 | 1:15:32 | |
ALL: Nancy! | 1:15:32 | 1:15:34 | |
Nancy, it's me. Nancy! Nanc... | 1:15:34 | 1:15:37 | |
I'm gonna... I'm coming in. | 1:15:37 | 1:15:38 | |
Sorry. Sorry. | 1:15:43 | 1:15:45 | |
Hey. | 1:15:45 | 1:15:47 | |
Nancy, I thought you might want your speech. | 1:15:47 | 1:15:50 | |
It's too late. I've... | 1:15:51 | 1:15:53 | |
No, do you want your speech, Nancy? Er... Yes. | 1:15:53 | 1:15:57 | |
OK, good. Just be quiet and let me give it to you, then. | 1:15:57 | 1:16:00 | |
Ladies and gentlemen, boys and girls... | 1:16:00 | 1:16:03 | |
ALL CHEER | 1:16:03 | 1:16:05 | |
..um, and friends and members of Nancy's family | 1:16:05 | 1:16:08 | |
who I've never met before in my life. This is... | 1:16:08 | 1:16:12 | |
I met a girl today, the wrong girl, | 1:16:12 | 1:16:16 | |
except she turned out to be the right girl. | 1:16:16 | 1:16:19 | |
And this girl, who took a chance on me | 1:16:19 | 1:16:21 | |
in the most bizarre and romantic way possible, | 1:16:21 | 1:16:24 | |
wanted me to take a chance on her, but, um... | 1:16:24 | 1:16:28 | |
I didn't, you know. I didn't. I blew it, | 1:16:28 | 1:16:31 | |
like a stupid 40-year-old, mid-life-crisis dickhead that I am. | 1:16:31 | 1:16:35 | |
Which is why I sought help from old beaus. | 1:16:36 | 1:16:40 | |
Yes, you... Not the most reliable of sources, really. Whatever. | 1:16:40 | 1:16:44 | |
But undeterred, I commandeered these brilliant young drunks, | 1:16:44 | 1:16:48 | |
because nothing was going to stop me from finding this girl | 1:16:48 | 1:16:51 | |
and telling her what I should have told her earlier on. | 1:16:51 | 1:16:54 | |
Nancy, I am so bloody glad you pretended to be my date today, | 1:16:55 | 1:17:00 | |
because, if you hadn't, | 1:17:00 | 1:17:02 | |
then I never would've heard any of your amazing sex theories | 1:17:02 | 1:17:06 | |
or...watched you trying to get jalapeno out of your teeth | 1:17:06 | 1:17:11 | |
or witnessed your very instinctive firewoman skills. | 1:17:11 | 1:17:15 | |
I would never have got to know that muddy, beautiful triathlete face | 1:17:15 | 1:17:21 | |
or witnessed that awesome, highly competitive arse | 1:17:21 | 1:17:24 | |
as you were about to get another strike. | 1:17:24 | 1:17:26 | |
In fact, if you hadn't have pretended to be my date today, | 1:17:26 | 1:17:30 | |
my day would have been utterly rubbish. | 1:17:30 | 1:17:32 | |
And so, quite possibly, | 1:17:36 | 1:17:38 | |
would have been the rest of my life. PEOPLE COO | 1:17:38 | 1:17:40 | |
Don't make those noises, I'm right on the edge. | 1:17:40 | 1:17:42 | |
Nancy, you said I was an emotional jigsaw | 1:17:44 | 1:17:46 | |
and that I should look for the blue bits. | 1:17:46 | 1:17:48 | |
I think you might be the blue bits, Nancy. | 1:17:49 | 1:17:52 | |
So what do you say? | 1:17:52 | 1:17:55 | |
Quid pro quo? | 1:17:55 | 1:17:56 | |
What does it say in Six Billion People And You? | 1:18:04 | 1:18:07 | |
Oh, yeah. Sorry. | 1:18:07 | 1:18:09 | |
BOTH: Fuck the past. | 1:18:11 | 1:18:13 | |
LAUGHTER ALL: Fuck the past! | 1:18:13 | 1:18:17 | |
Thank you. Excuse me. | 1:18:17 | 1:18:19 | |
CHEERING | 1:18:25 | 1:18:27 | |
Hands-arse. My hands aren't on your arse. | 1:18:32 | 1:18:34 | |
I know. | 1:18:34 | 1:18:36 | |
MUSIC: What Time Do You Call This? by Elbow | 1:18:38 | 1:18:40 | |
# Shrink with me Tower with me | 1:18:40 | 1:18:43 | |
# Wither with me Flower with me | 1:18:43 | 1:18:47 | |
# Endlessly follow me | 1:18:47 | 1:18:51 | |
# Chew me up and swallow me | 1:18:51 | 1:18:54 | |
# Stay at least for now with me | 1:18:54 | 1:18:58 | |
# Drink and dance and row with me | 1:18:58 | 1:19:02 | |
# Tell me when I go too far... # | 1:19:02 | 1:19:05 | |
I'll send you a photo, Sean. | 1:19:07 | 1:19:11 | |
Yes! | 1:19:11 | 1:19:12 | |
# ..Halt my ticker with those eyes... # SEAN: Bye! | 1:19:13 | 1:19:17 | |
# Weather every winter well | 1:19:17 | 1:19:20 | |
# Check my spelling, ring my bell | 1:19:20 | 1:19:24 | |
# Don't expect endless sex | 1:19:24 | 1:19:28 | |
# Check my spelling, wring my neck | 1:19:28 | 1:19:31 | |
# Separate me from my breath | 1:19:31 | 1:19:35 | |
# Kiss me nearly half to death... # | 1:19:35 | 1:19:39 | |
SNIFFS Mm! | 1:19:43 | 1:19:45 | |
# What time d'you call this? # | 1:19:45 | 1:19:48 | |
SEAN WHOOPS | 1:19:52 | 1:19:53 | |
# What time d'you call this? | 1:19:53 | 1:19:56 | |
# What time d'you call this? | 1:20:00 | 1:20:04 | |
# What time d'you call this? | 1:20:07 | 1:20:11 | |
# I've been craning bewildered | 1:20:13 | 1:20:16 | |
# All my days | 1:20:16 | 1:20:22 | |
# To now find your face | 1:20:23 | 1:20:29 | |
# Shining out of the crowd | 1:20:29 | 1:20:34 | |
# Love was just a word | 1:20:37 | 1:20:41 | |
# That friends didn't mention | 1:20:43 | 1:20:48 | |
# Cos love was just a joke | 1:20:52 | 1:20:56 | |
# Till it battered me senseless | 1:20:58 | 1:21:03 | |
# Oh, shrink with me Tower with me | 1:21:07 | 1:21:11 | |
# Wither with me Flower with me | 1:21:11 | 1:21:15 | |
# Endlessly follow me | 1:21:15 | 1:21:19 | |
# Chew me up and swallow me | 1:21:19 | 1:21:22 | |
# Stay at least for now with me | 1:21:22 | 1:21:26 | |
# Drink and dance and row with me | 1:21:26 | 1:21:30 | |
# Tell me when I go too far | 1:21:30 | 1:21:33 | |
# Stay precisely where you are | 1:21:33 | 1:21:37 | |
# Talk me out of all my lies... # | 1:21:37 | 1:21:41 | |
The latest of our Premier League commentaries for you this season, | 1:21:45 | 1:21:48 | |
the whole game in full here on 5 Live. | 1:21:48 | 1:21:50 | |
BUZZING | 1:21:50 | 1:21:51 | |
It's been a knockout day in the Premier League. | 1:21:51 | 1:21:54 | |
One of the most sensational Premier League games in history. | 1:21:54 | 1:21:57 | |
Absolutely vital goal! | 1:21:57 | 1:21:59 |