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This film contains very strong language | 0:00:11 | 0:00:16 | |
There were three little pigs and they made a house out of twigs | 0:01:21 | 0:01:26 | |
and the wolf came... | 0:01:26 | 0:01:28 | |
SHE MOUTHS | 0:01:28 | 0:01:31 | |
-He blows it down? -Yeah, but what happens in the middle? | 0:01:32 | 0:01:35 | |
I keep wanting to do this little piggy went to market, | 0:01:35 | 0:01:38 | |
-but that's with the toes. -BABY FUSSES | 0:01:38 | 0:01:40 | |
And the wolf keeps blowing the house in. | 0:01:40 | 0:01:43 | |
And the... And the pigs keep making different houses. | 0:01:43 | 0:01:48 | |
And... No, no, no, no. | 0:01:48 | 0:01:51 | |
BABY CRIES | 0:01:51 | 0:01:54 | |
-What the fuck do we do? -I don't know. | 0:01:54 | 0:01:57 | |
OK, who's ready to eat? | 0:01:57 | 0:02:00 | |
Who's ready to eat? | 0:02:00 | 0:02:02 | |
Ah! I love how she stretches, it's just like we do. | 0:02:02 | 0:02:06 | |
It's so funny. It never occurred to me that stretching is innate. | 0:02:06 | 0:02:09 | |
-You want to see it? -Yeah. | 0:02:09 | 0:02:11 | |
OK, it got infected with staph, but it's not the bad staph. | 0:02:11 | 0:02:16 | |
-What is it? -Guess. You can come closer, it's not bad staph. | 0:02:16 | 0:02:19 | |
-I still don't want the baby touching it. -I can't tell. | 0:02:19 | 0:02:23 | |
-It's Willow's sonogram. -Oh, yeah! | 0:02:23 | 0:02:27 | |
I did it for Marina. I was just so fucking proud of her. | 0:02:27 | 0:02:29 | |
Why it's for me, I still don't understand. | 0:02:29 | 0:02:31 | |
-You know, she didn't even get the epidural. -It's a motherfucker. | 0:02:31 | 0:02:35 | |
It's a ring of fucking fire, | 0:02:35 | 0:02:37 | |
but it was the most beautiful experience of my life. | 0:02:37 | 0:02:40 | |
I fell in love immediately. | 0:02:40 | 0:02:41 | |
A love I've never felt. | 0:02:41 | 0:02:43 | |
Don't take that the wrong way, Marina. | 0:02:43 | 0:02:44 | |
No, I know exactly what you mean. It's pure. | 0:02:44 | 0:02:47 | |
-Aw... -Oh, you guys should do it! -Yeah. | 0:02:47 | 0:02:49 | |
You would make such good parents. I'm sorry. I know you... | 0:02:49 | 0:02:51 | |
No, no, it's fine. We, uh, you know, we... | 0:02:51 | 0:02:53 | |
It's just such a game changer. | 0:02:53 | 0:02:55 | |
-When I saw her, I thought, "I know you." -It's true, I recognised her immediately. | 0:02:55 | 0:02:58 | |
And because I'd read to her in the womb, she knew my voice immediately. | 0:02:58 | 0:03:01 | |
-I read Stephen King's The Tommyknockers. -It's like in one moment, everything is different. | 0:03:01 | 0:03:05 | |
-It's like all the stuff before... -It's a gift. -Fine, you know, we're figuring it out. | 0:03:05 | 0:03:10 | |
-I mean, we're just animals. -But now, OK, real life. You know? | 0:03:10 | 0:03:13 | |
I can't remember Goldilocks either any more. | 0:03:15 | 0:03:17 | |
The porridge part, but not what happens. | 0:03:17 | 0:03:19 | |
-She gets eaten, right? -Does she? | 0:03:19 | 0:03:21 | |
There's, like, an oven that's too hot. | 0:03:21 | 0:03:24 | |
You don't want kids, right? | 0:03:24 | 0:03:26 | |
Because I don't. | 0:03:26 | 0:03:28 | |
I'm sorry, I feel so guilty for saying that. | 0:03:28 | 0:03:30 | |
I mean, I did. If we'd had the magic, sexy version | 0:03:30 | 0:03:34 | |
and one day suddenly had a baby. | 0:03:34 | 0:03:35 | |
But all those drugs and shots and miscarriages. | 0:03:35 | 0:03:38 | |
I don't want to do it again and it not to work. | 0:03:38 | 0:03:40 | |
I know. And I like our life as it is. | 0:03:40 | 0:03:43 | |
Yeah. I mean, if we wanted to take off to Paris tomorrow, we could. | 0:03:43 | 0:03:46 | |
Yeah, I mean, I think we might have a hard time | 0:03:46 | 0:03:48 | |
finding an affordable fare on such short notice, but, yeah. | 0:03:48 | 0:03:50 | |
No, I know, and I couldn't leave work. | 0:03:50 | 0:03:52 | |
If we're going to do it, we should plan it at least a month in advance. | 0:03:52 | 0:03:55 | |
-A month is still in the realm of spontaneity. -No, I know. | 0:03:55 | 0:03:58 | |
I mean, the time we spent in Rome, what was that? | 0:03:58 | 0:04:01 | |
-2006. -It wasn't 2006. -Yeah, it was. | 0:04:01 | 0:04:04 | |
Cos I was working with my dad on his dance film. | 0:04:04 | 0:04:06 | |
Rome was eight years ago already? | 0:04:06 | 0:04:09 | |
-Shit. -Yeah. I looked at the pictures recently. | 0:04:09 | 0:04:13 | |
We were two younger people standing at the Trevi Fountain. | 0:04:13 | 0:04:15 | |
-We look similar. -We look younger. | 0:04:15 | 0:04:18 | |
I tried to get you to go to Mexico last summer. | 0:04:18 | 0:04:21 | |
I needed to finish my documentary. | 0:04:21 | 0:04:22 | |
But you didn't finish it. | 0:04:22 | 0:04:25 | |
Well, maybe the point is we have the freedom. | 0:04:25 | 0:04:27 | |
What we do with it isn't that important. | 0:04:27 | 0:04:29 | |
Marina said they haven't had sex in nearly a year. | 0:04:29 | 0:04:34 | |
Fletcher was too weirded out by the pregnancy. | 0:04:34 | 0:04:36 | |
God. | 0:04:36 | 0:04:38 | |
Delivery? | 0:04:38 | 0:04:40 | |
What is that, a 75 watt? | 0:04:55 | 0:04:57 | |
I can't see, it's too bright. | 0:04:59 | 0:05:02 | |
It's too high a wattage. | 0:05:02 | 0:05:04 | |
I'll change it tomorrow. | 0:05:04 | 0:05:07 | |
'There was a poll conducted in 1987 | 0:05:07 | 0:05:09 | |
'in which people were given a series of phrases | 0:05:09 | 0:05:11 | |
'and asked which ones could be found in the US Constitution. | 0:05:11 | 0:05:15 | |
'One of the phrases that got the highest percentage of votes was, | 0:05:15 | 0:05:19 | |
' "From each according to his ability | 0:05:19 | 0:05:22 | |
' "to each according to his need." ' | 0:05:22 | 0:05:24 | |
Let me see the continuity. | 0:05:24 | 0:05:26 | |
'..is not in the US Constitution, but is the famous communist credo | 0:05:26 | 0:05:29 | |
'popularized by Karl Marx.' | 0:05:29 | 0:05:31 | |
Why do they type this stuff so small? | 0:05:31 | 0:05:33 | |
I think that's 12 point. That's normal. | 0:05:33 | 0:05:35 | |
It's not 12, it's at most...eight? | 0:05:35 | 0:05:39 | |
'Hello?' | 0:05:39 | 0:05:40 | |
We have to cut away from Ira here because he gets a phone call. | 0:05:40 | 0:05:43 | |
'Sweetie, this happens every fucking day.' | 0:05:43 | 0:05:45 | |
OK, cut to me asking the question about hermeneutics. | 0:05:45 | 0:05:48 | |
We could, but...you look like this. | 0:05:48 | 0:05:51 | |
Why is Paul Ricoeur's idea | 0:05:51 | 0:05:53 | |
of the hermeneutics of suspicion so important? | 0:05:53 | 0:05:55 | |
It's from eight years ago. | 0:05:55 | 0:05:57 | |
And the previous shot of you asking any relevant questions is this. | 0:05:57 | 0:06:02 | |
'So, then, what did Mills mean by the concept of military...?' | 0:06:02 | 0:06:05 | |
God, that was eight years ago? | 0:06:05 | 0:06:07 | |
It's been ten. | 0:06:07 | 0:06:09 | |
Are my eyes getting hollows? | 0:06:09 | 0:06:11 | |
I don't know. | 0:06:11 | 0:06:13 | |
Well, we're getting there. | 0:06:14 | 0:06:16 | |
When I get the rest of the grant money, we'll reshoot me | 0:06:16 | 0:06:19 | |
asking the questions along with the trip to Istanbul. | 0:06:19 | 0:06:22 | |
Look, Josh, I hate to bring this up, | 0:06:22 | 0:06:26 | |
but I'm going to need a little money soon. | 0:06:26 | 0:06:29 | |
No, I know, you've been patient. | 0:06:29 | 0:06:30 | |
I'm just waiting for the rest of the last grant money. | 0:06:30 | 0:06:34 | |
But soon? | 0:06:34 | 0:06:36 | |
Yeah, I'll get you. | 0:06:36 | 0:06:38 | |
"Documentary is about someone else. | 0:06:39 | 0:06:41 | |
"Fiction is about me." | 0:06:41 | 0:06:44 | |
This is a quote from Jean Luc Godard. | 0:06:44 | 0:06:47 | |
Now, what do we think about this? | 0:06:47 | 0:06:49 | |
Can a documentary be personal? | 0:06:49 | 0:06:52 | |
Documentaries, I want to say to you today, | 0:06:52 | 0:06:55 | |
can and should be about me. | 0:06:55 | 0:06:59 | |
"Me" meaning all of us. | 0:06:59 | 0:07:01 | |
Lights. | 0:07:01 | 0:07:03 | |
Frank, could you just hit that switch? | 0:07:04 | 0:07:07 | |
Now, this is an image from... | 0:07:07 | 0:07:10 | |
Well, shit. | 0:07:12 | 0:07:13 | |
This should be an image of seal hunting from Nanook Of The North. | 0:07:17 | 0:07:21 | |
-Sorry. -Mmm? | 0:07:22 | 0:07:25 | |
-About what? -Hey. Beautiful class. | 0:07:25 | 0:07:28 | |
Oh, thanks. I don't know why the PowerPoint didn't work, but... | 0:07:28 | 0:07:32 | |
I loved what you said about hyper reality. | 0:07:32 | 0:07:34 | |
-Thanks. -I'm Jamie. This is my wife, Darby. | 0:07:34 | 0:07:38 | |
-Josh Srebnick. -Nice to meet you. | 0:07:38 | 0:07:40 | |
-It was interesting. -Thanks. | 0:07:40 | 0:07:42 | |
I'm not sure why that PowerPoint didn't work. | 0:07:42 | 0:07:45 | |
How did you get in here? | 0:07:45 | 0:07:47 | |
Well, we're auditing your class. | 0:07:47 | 0:07:49 | |
It's a continuing education class, | 0:07:49 | 0:07:51 | |
you can't audit a continuing education class. | 0:07:51 | 0:07:55 | |
I'm a fan. And, hey, I really loved your film, Power Elite. | 0:07:55 | 0:07:59 | |
You've seen it? Hey, thanks. | 0:07:59 | 0:08:02 | |
It's everything I aspire to, and you make it look so easy. | 0:08:02 | 0:08:04 | |
Uh, do you make documentaries? | 0:08:04 | 0:08:06 | |
I shoot stuff, you know, with friends, yeah. | 0:08:06 | 0:08:08 | |
-But nothing like what you're doing. -He's always shooting. | 0:08:08 | 0:08:11 | |
Don't take this the wrong way, but how did you see Power Elite? | 0:08:11 | 0:08:14 | |
I found a VHS on eBay. I paid, like, 60 bucks for it. | 0:08:14 | 0:08:17 | |
You know what was great? | 0:08:17 | 0:08:18 | |
Was that scene with the dogs around the garbage. How did you stage that? | 0:08:18 | 0:08:21 | |
Oh. Erm...those dogs were just there | 0:08:21 | 0:08:24 | |
and I said, "Hey, shoot those dogs." | 0:08:24 | 0:08:28 | |
And we did. | 0:08:28 | 0:08:29 | |
-Beautiful. -I've been working on this other one for about eight years now, | 0:08:29 | 0:08:34 | |
-but I think I'm zeroing in on it. -I'd love to see it. | 0:08:34 | 0:08:38 | |
You want to come get a bite with us? | 0:08:38 | 0:08:39 | |
Oh, I'm meeting my wife around the corner at this Chinese place. | 0:08:39 | 0:08:42 | |
My wife and I are going to the same goddamn place! | 0:08:42 | 0:08:46 | |
I've learned along the way you can discover more | 0:08:46 | 0:08:48 | |
-by not knowing all the answers, by allowing yourself to be surprised by what you encounter. -Yeah, yeah. | 0:08:48 | 0:08:53 | |
And sometimes that means waiting years for something to happen. | 0:08:53 | 0:08:56 | |
How did you start out? Like, who influenced you? | 0:08:56 | 0:08:58 | |
Ah, well, I steal from everyone - | 0:08:58 | 0:09:00 | |
Wiseman, Maysles, Pennebaker. | 0:09:00 | 0:09:03 | |
My first job out of graduate school was working for Leslie Breitbart. | 0:09:03 | 0:09:06 | |
-Jeez Louise. -That's also, incidentally, how I met Cornelia. | 0:09:06 | 0:09:09 | |
-He's her dad. -What? | 0:09:09 | 0:09:11 | |
This is before they hated each other. | 0:09:11 | 0:09:13 | |
We don't hate each other. | 0:09:13 | 0:09:15 | |
-Cornelia also produces her dad's films. -He's amazing. | 0:09:15 | 0:09:17 | |
He's a giant. He's a guy I'd love to meet. | 0:09:17 | 0:09:19 | |
Do you also produce Josh's films? | 0:09:19 | 0:09:21 | |
No, Josh likes to work alone. | 0:09:21 | 0:09:23 | |
Josh, what's your new film about? | 0:09:23 | 0:09:25 | |
Well, I'm trying to solve the problem | 0:09:25 | 0:09:27 | |
that Eisenstein never solved, | 0:09:27 | 0:09:29 | |
that is, how to make a film that is both materialist | 0:09:29 | 0:09:31 | |
and intellectual at the same time. | 0:09:31 | 0:09:34 | |
Uh, it's about the distinctly American relationship | 0:09:34 | 0:09:36 | |
between biography and history, | 0:09:36 | 0:09:38 | |
theory and method, | 0:09:38 | 0:09:40 | |
and how that relates to power and class in our country, | 0:09:40 | 0:09:43 | |
particularly the political, military and economic elite. | 0:09:43 | 0:09:46 | |
-It's really about America. -Eisenstein's astonishing. | 0:09:46 | 0:09:49 | |
-I just watched Strike. -Ah! | 0:09:49 | 0:09:51 | |
I'm obsessed with Europe in the '20s, see? The interwar period, ex patriots, that sort of thing. | 0:09:51 | 0:09:55 | |
I keep trying to get Jamie to do something with before and afters. All humans love before and afters. | 0:09:55 | 0:09:59 | |
Any TV show with before and afters will succeed. | 0:09:59 | 0:10:02 | |
Before you said that. After you said that. | 0:10:02 | 0:10:05 | |
-Fuck you. -Oh. | 0:10:05 | 0:10:07 | |
THEY CHUCKLE | 0:10:07 | 0:10:09 | |
What do you do, Darby? | 0:10:09 | 0:10:11 | |
-Darby makes ice cream. -Yeah, I make ice cream. | 0:10:11 | 0:10:14 | |
I brought some of it to the Whole Foods near us. They're pumped. | 0:10:14 | 0:10:17 | |
It's Jamie's idea to sell it, I just do it because I like it. | 0:10:17 | 0:10:20 | |
And you guys are married? That's so nice and old-fashioned. | 0:10:20 | 0:10:23 | |
Yeah, we said our vows in an empty water tower in Harlem. | 0:10:23 | 0:10:25 | |
-There was a mariachi band and a Slip 'N Slide. -Wow! -Oh! | 0:10:25 | 0:10:29 | |
-It was beautiful. Some rituals exist for a reason. -Jamie wanted a big wedding. | 0:10:29 | 0:10:32 | |
We did it at City Hall. | 0:10:32 | 0:10:34 | |
Isaac and Benny are walking the tracks. | 0:10:34 | 0:10:36 | |
Oh, have you done this? | 0:10:36 | 0:10:37 | |
We walked through the subway tunnels of the D line last week. | 0:10:37 | 0:10:40 | |
-No, no, we haven't. -They're at a bar on Essex. | 0:10:40 | 0:10:42 | |
-Do you want to come? -Oh! Do we? | 0:10:42 | 0:10:45 | |
Uh... | 0:10:47 | 0:10:50 | |
it's already past our bedtime. | 0:10:50 | 0:10:52 | |
Yeah, we're usually in bed by 11. | 0:10:52 | 0:10:55 | |
-Let me get it. -Thanks. -Yeah, thanks. | 0:10:55 | 0:10:58 | |
No, yeah, I'll get it. | 0:10:58 | 0:11:01 | |
If you've got any time, and I know you're super busy, | 0:11:01 | 0:11:04 | |
I'd love to show you what I'm working on. | 0:11:04 | 0:11:05 | |
Come by our place this weekend. I have my fall flavours. | 0:11:05 | 0:11:08 | |
They don't make this film any more. | 0:11:08 | 0:11:10 | |
I bought 400 packs before they discontinued it. | 0:11:10 | 0:11:13 | |
Let's go, worm! | 0:11:15 | 0:11:17 | |
Jamie's always moving. | 0:11:17 | 0:11:19 | |
I can't leap as fast as that kid. | 0:11:19 | 0:11:21 | |
I don't move as quickly. | 0:11:21 | 0:11:23 | |
You should see him on Rollerblades. | 0:11:23 | 0:11:25 | |
'I like how engaged' | 0:11:28 | 0:11:30 | |
they are in everything. | 0:11:30 | 0:11:31 | |
They're all making things and they're so excited for each other. | 0:11:31 | 0:11:35 | |
It's selfless. And they're so respectful of us. | 0:11:35 | 0:11:38 | |
I mean, compared to when we go out with Marina and Fletcher, | 0:11:38 | 0:11:40 | |
I feel like we're all just talking about ourselves. | 0:11:40 | 0:11:43 | |
-They asked questions. -They didn't ask me any questions. | 0:11:43 | 0:11:45 | |
When I was their age, I never would have come up to me like that and invited me out. | 0:11:45 | 0:11:49 | |
I would have been too scared. They're really not nervous. | 0:11:49 | 0:11:52 | |
I just wish you hadn't told him I work with my dad. | 0:11:52 | 0:11:55 | |
-Why? -I don't know, he seems ambitious. | 0:11:55 | 0:11:59 | |
No. I don't think he thinks that way. | 0:11:59 | 0:12:01 | |
-It's about process. -How has he even seen anything of yours? | 0:12:01 | 0:12:04 | |
eBay. I love his shoes. | 0:12:04 | 0:12:06 | |
I have some wing tips here somewhere. | 0:12:06 | 0:12:08 | |
I stopped wearing them when I got shin splints. | 0:12:08 | 0:12:10 | |
It was almost like he was studying you. | 0:12:10 | 0:12:12 | |
Can we go to their place this weekend? | 0:12:12 | 0:12:15 | |
We never see our real friends. | 0:12:15 | 0:12:16 | |
Why do you suddenly want to hang out with a couple of 25 year olds? | 0:12:16 | 0:12:20 | |
We were just 25. I mean, we weren't, but, you know... | 0:12:20 | 0:12:22 | |
It'll be fun. | 0:12:22 | 0:12:24 | |
Erm, it would probably be Richard Dreyfuss. | 0:12:24 | 0:12:26 | |
He's friends with my parents. | 0:12:26 | 0:12:28 | |
Uh, a member of Parliament. | 0:12:28 | 0:12:29 | |
Erm... | 0:12:29 | 0:12:31 | |
Probably Shia LaBeouf. | 0:12:31 | 0:12:33 | |
'This girl who wrote on that show, Medium.' | 0:12:34 | 0:12:36 | |
-'Doug Liman. -Bill Clinton. | 0:12:36 | 0:12:38 | |
'But I think it's probably his office. | 0:12:38 | 0:12:40 | |
'It's ringing. | 0:12:40 | 0:12:42 | |
'Yeah, it's his office. | 0:12:42 | 0:12:44 | |
'Robert Downey Sr.' | 0:12:44 | 0:12:46 | |
-It's really funny. -I like Robert Downey...Sr. | 0:12:48 | 0:12:51 | |
That's the latest anyway. | 0:12:51 | 0:12:52 | |
I'm also doing people describing scenes from movies that they like, but haven't seen in a while. | 0:12:52 | 0:12:56 | |
Darby's going to do Rosemary's Baby, see? | 0:12:56 | 0:12:59 | |
What have you done to its eyes? | 0:12:59 | 0:13:01 | |
He has his father's eyes. | 0:13:01 | 0:13:03 | |
Joshy, come with me to the playroom. | 0:13:03 | 0:13:06 | |
-I want a kitten! -That's Good Cop. This is Bad Cop. | 0:13:06 | 0:13:09 | |
I love these kittens. | 0:13:09 | 0:13:10 | |
I hope they don't grow up to be assholes, because that can happen. | 0:13:10 | 0:13:14 | |
Wow! Oh, my God. | 0:13:14 | 0:13:18 | |
This is just like my record collection. | 0:13:18 | 0:13:20 | |
-Except mine are CDs. -CDs? | 0:13:20 | 0:13:23 | |
It took me years to discover this stuff. | 0:13:23 | 0:13:25 | |
-I need to buy a new desk. -You should come with me to the lumber yard. | 0:13:29 | 0:13:33 | |
-We'll make one. -A whole desk? | 0:13:33 | 0:13:36 | |
It's much cheaper than buying one, see? And more fun. | 0:13:36 | 0:13:38 | |
Darby, can I borrow your bike? | 0:13:38 | 0:13:41 | |
-I'm going to the deli for some goldfish. -OK. | 0:13:41 | 0:13:44 | |
Tipper, did you feed Nico? | 0:13:44 | 0:13:47 | |
I forgot. | 0:13:47 | 0:13:48 | |
That's our roommate, Tipper. | 0:13:51 | 0:13:53 | |
Ding a ling a ling! Chow time! | 0:13:53 | 0:13:56 | |
Nico's a chicken?! | 0:13:56 | 0:13:58 | |
I have to say I really admire how you guys are so in the moment | 0:13:59 | 0:14:03 | |
and just enjoying doing and making things. | 0:14:03 | 0:14:06 | |
-It's inspiring. -Thanks, Joshy. | 0:14:06 | 0:14:09 | |
People our age are so success and results oriented, | 0:14:09 | 0:14:12 | |
they've forgotten about process. | 0:14:12 | 0:14:14 | |
Josh, are you success oriented? | 0:14:14 | 0:14:16 | |
-Totally. -No. | 0:14:16 | 0:14:18 | |
CLATTERING | 0:14:18 | 0:14:20 | |
I feel like there are people who don't drop things as much as I do. | 0:14:20 | 0:14:24 | |
-I don't keep things you're... -She's a mess and an ugly eater. | 0:14:24 | 0:14:27 | |
-I say that with love. -Fuck you. | 0:14:27 | 0:14:29 | |
It's an avocado and almond milk sorbet. | 0:14:29 | 0:14:32 | |
Benny designed the container. | 0:14:32 | 0:14:33 | |
It tastes like that candy that they sometimes make into pigs or little fruits. | 0:14:33 | 0:14:37 | |
Yeah, it's, erm... | 0:14:37 | 0:14:38 | |
Shit, I know that. | 0:14:38 | 0:14:40 | |
I keep wanting to say baklava, but that's a Greek dessert. | 0:14:40 | 0:14:43 | |
The almond tasting pigs and fruits are made of... | 0:14:43 | 0:14:46 | |
-I'll look it up. -No, that's too easy. -Let's try to remember it. | 0:14:49 | 0:14:52 | |
-Can I now? -No. | 0:14:58 | 0:15:01 | |
Let's just not know what it is. | 0:15:01 | 0:15:02 | |
Over here. Let's go! | 0:15:46 | 0:15:48 | |
BEEPING | 0:15:50 | 0:15:52 | |
CHICKEN CLUCKS | 0:15:59 | 0:16:00 | |
JAMIE READS TEXT MESSAGE ALOUD | 0:16:02 | 0:16:05 | |
End transmission. | 0:16:07 | 0:16:09 | |
We have news. | 0:16:09 | 0:16:11 | |
I decided, with Marina going back to work, | 0:16:11 | 0:16:13 | |
I'm going to take a leave of absence from the firm | 0:16:13 | 0:16:15 | |
-and take care of Willow. -BOTH: Oh! | 0:16:15 | 0:16:18 | |
-Cool. How long? -Indefinite. | 0:16:18 | 0:16:20 | |
It's such a load off and I'm making enough, so... | 0:16:20 | 0:16:23 | |
Hey, it's really just my ego at stake. | 0:16:23 | 0:16:25 | |
-Time to rewatch Mr -Mom. I already Netflixed it. I got some laughs. | 0:16:25 | 0:16:28 | |
We're the boring couple with a baby. | 0:16:28 | 0:16:30 | |
What have you guys been doing? Tell us something fun. | 0:16:30 | 0:16:32 | |
Oh, we met this interesting couple, Jamie and Darby. | 0:16:32 | 0:16:35 | |
He's a young documentarian and she makes ice cream. | 0:16:35 | 0:16:38 | |
I don't know what to make of them, honestly. | 0:16:38 | 0:16:40 | |
-I like her. -They make everything. | 0:16:40 | 0:16:43 | |
It's infectious. For about 12 hours, I thought I could build my own desk. | 0:16:43 | 0:16:46 | |
There's something about being around them that energises you, you know? | 0:16:46 | 0:16:49 | |
-How old are they? -25, 26. -26, 27. | 0:16:49 | 0:16:53 | |
-They're children! -Yeah, nine years ago, they couldn't vote. | 0:16:53 | 0:16:55 | |
-But they're married. -Why? -You should see this guy's record collection. | 0:16:55 | 0:16:59 | |
It's Jay Z, it's Thin Lizzy, it's Mozart. His taste is democratic. | 0:16:59 | 0:17:01 | |
It's The Goonies and it's Citizen Kane | 0:17:01 | 0:17:04 | |
they don't distinguish between high and low, it's wonderful. | 0:17:04 | 0:17:06 | |
-When did The Goonies become a good movie? -Well, you should hear this guy talk about it. | 0:17:06 | 0:17:10 | |
And it's like their apartment is full of everything we once threw out, | 0:17:10 | 0:17:13 | |
-but it looks so good the way they have it. -Who directed The Goonies? I'll look it up. | 0:17:13 | 0:17:17 | |
Why is it that when one person picks up their phone, | 0:17:20 | 0:17:22 | |
-everybody else has to? -I have a quick thing. -I'm not on my phone. | 0:17:22 | 0:17:24 | |
-The baby. -Richard Donner. -Each of us is so certain | 0:17:24 | 0:17:26 | |
-that we've got the most important thing to do right now. -I know, it's so rude. | 0:17:26 | 0:17:30 | |
Not any more. It used to be, but now it's accepted. It's like showing your ankles in the 1800s. | 0:17:30 | 0:17:34 | |
-Oh. -The almond tasting pigs and fruits are made of... | 0:17:34 | 0:17:37 | |
BOTH: Marzipan! THEY LAUGH | 0:17:37 | 0:17:39 | |
Ugh! | 0:17:39 | 0:17:41 | |
I thought I'd... | 0:17:41 | 0:17:43 | |
You guys want to hit this street beach with us? | 0:17:43 | 0:17:45 | |
I don't know what you're saying. | 0:17:45 | 0:17:46 | |
It's something Jamie and Darby are doing. | 0:17:46 | 0:17:48 | |
Since when do you guys do two things in one night? | 0:17:48 | 0:17:50 | |
-You never go anywhere. -We go anywhere. | 0:17:50 | 0:17:52 | |
We have to get back for the sitter. Scratch that, we want to get back. | 0:17:52 | 0:17:55 | |
-I hate being away from her. -The sitter? -Yeah. It's true. | 0:17:55 | 0:17:59 | |
-We've lost you to the baby. -You guys have to come see her again. | 0:17:59 | 0:18:01 | |
-You should, really. We're always home. -She's already a different person. | 0:18:01 | 0:18:05 | |
-Any time, come by. We're always home. -Yeah. -All right. -OK. | 0:18:05 | 0:18:07 | |
We have lost them to the baby. | 0:18:07 | 0:18:10 | |
We go anywhere, right? | 0:18:10 | 0:18:12 | |
We never go anywhere. | 0:18:12 | 0:18:14 | |
High kick contest! | 0:18:16 | 0:18:18 | |
HIP-HOP MUSIC BLASTS | 0:18:18 | 0:18:22 | |
Whoa! | 0:18:32 | 0:18:33 | |
-What's the rumpus, Srebnicks? -You came! | 0:18:35 | 0:18:38 | |
Have you tried this? Someone at some college figured out | 0:18:38 | 0:18:41 | |
that if you put Jolly Ranchers in vodka for 24 hours, it's awesome. | 0:18:41 | 0:18:46 | |
-Can I run an idea by you? -Sure, what? | 0:18:46 | 0:18:48 | |
-It's a project I want to shoot. -OK. | 0:18:48 | 0:18:51 | |
I've never done Facebook, it's not my thing, see? | 0:18:51 | 0:18:53 | |
Oh, really? Yeah, I was against it at first, | 0:18:53 | 0:18:55 | |
but it's actually quite a useful tool. | 0:18:55 | 0:18:58 | |
I mean, it makes me feel like I'm really connected. | 0:18:58 | 0:19:00 | |
And there's pictures... | 0:19:00 | 0:19:02 | |
-Ow! What the shit? Watch it! -MAN: -I love you! | 0:19:02 | 0:19:04 | |
-Oh! All right. -It's lame, yeah. | 0:19:04 | 0:19:06 | |
That's why I'm doing this new thing with it. | 0:19:06 | 0:19:08 | |
I'm going to start a profile and wait for people to contact me. | 0:19:08 | 0:19:11 | |
Well, that part's normal, that's Facebook. | 0:19:11 | 0:19:13 | |
And whoever the first person is from my childhood, | 0:19:13 | 0:19:15 | |
someone I'm no longer in touch with, | 0:19:15 | 0:19:17 | |
who contacts me, instead of responding to them on Facebook, see, | 0:19:17 | 0:19:20 | |
I'm going to go find them in person...with my camera. | 0:19:20 | 0:19:23 | |
-OK. -Like, make Facebook real. | 0:19:23 | 0:19:26 | |
It's like you want to talk to me? Let's talk. | 0:19:26 | 0:19:27 | |
-Kind of just like real life? -Exactly. | 0:19:27 | 0:19:31 | |
-Well, real was there before Facebook. -Right. | 0:19:31 | 0:19:33 | |
Sounds interesting. | 0:19:34 | 0:19:36 | |
-I'm not sure it's enough. -What do you mean? | 0:19:36 | 0:19:38 | |
Think about what you want to say. I mean, what are you hoping to find? | 0:19:38 | 0:19:41 | |
Well, I'll know when I get there. | 0:19:41 | 0:19:43 | |
You said we should be open to surprises, right? | 0:19:43 | 0:19:45 | |
It's a nice beginning. | 0:19:45 | 0:19:46 | |
But it might not be a full enough meal yet, you know? Keep digging. | 0:19:46 | 0:19:49 | |
'When I criticise quantitative analysis,' | 0:19:50 | 0:19:53 | |
it's not because statistics don't tell us anything. | 0:19:53 | 0:19:56 | |
On the contrary, I'd say they are often very revealing. | 0:19:56 | 0:19:59 | |
In fact, they can often be most revealing when... | 0:19:59 | 0:20:02 | |
-I've got to go to the gents. -Wait, the mic! -DOG BARKS | 0:20:03 | 0:20:07 | |
URINE SPLASHES | 0:20:14 | 0:20:16 | |
-I guess he's just doing that. -Yeah... | 0:20:16 | 0:20:18 | |
Hey, Josh, how's that grant money doing? | 0:20:18 | 0:20:21 | |
I'm expecting an e-mail any day now confirming... | 0:20:21 | 0:20:23 | |
No, thanks, but the rest of the grant money is coming? | 0:20:23 | 0:20:26 | |
Yes. Assuming they get funded for the next calendar year. | 0:20:26 | 0:20:29 | |
-Did you feed the dog? -I'm about to, sweetie. | 0:20:29 | 0:20:31 | |
-What does that mean? -I don't know. | 0:20:31 | 0:20:32 | |
One of the donors left his wife and... I don't know. | 0:20:32 | 0:20:35 | |
-But they're confirming the funding. -Why'd he leave his wife? | 0:20:35 | 0:20:37 | |
-DOG BARKS -I don't know. | 0:20:39 | 0:20:42 | |
Hey, Fox! | 0:20:49 | 0:20:51 | |
Hey, Foxy Fox! | 0:20:51 | 0:20:53 | |
I was just going to call you to see if you wanted to get lunch. | 0:20:53 | 0:20:55 | |
-Oh, how sweet. -Uh, this is Pepper and Elise. This is Cornelia. | 0:20:55 | 0:20:59 | |
-Hi. -Nice to meet you. -We're going to a music class. | 0:20:59 | 0:21:01 | |
It's really just for the mothers, they don't do anything yet. | 0:21:01 | 0:21:04 | |
-Do you want to come? -Oh, maybe. | 0:21:04 | 0:21:05 | |
Ah! Come on, then! | 0:21:05 | 0:21:07 | |
-How old are your kids? -Mine? I... I don't have any kids. | 0:21:07 | 0:21:11 | |
Oh, you're going to... You're just coming to hang out? | 0:21:11 | 0:21:14 | |
-Cool. -It's adorable. | 0:21:14 | 0:21:15 | |
If you didn't know better, you'd think they're having seizures. | 0:21:15 | 0:21:18 | |
Hello, hello. Let's get our hello hands high in the sky. | 0:21:20 | 0:21:23 | |
And let's wave hello to each and every one of our friends | 0:21:23 | 0:21:26 | |
-on this train with us today. -Hi! | 0:21:26 | 0:21:28 | |
That's right. It's time to get this party started! | 0:21:28 | 0:21:32 | |
# All aboard Pick your destination | 0:21:33 | 0:21:38 | |
# All aboard Come on, here we go. # | 0:21:38 | 0:21:42 | |
Now, everybody, say, "Choo-choo!" | 0:21:42 | 0:21:45 | |
-ALL: -Choo-choo! -That's right. | 0:21:45 | 0:21:46 | |
-Choo-choo! -Together. Choo-choo! | 0:21:46 | 0:21:49 | |
# All aboard Here at the station BABIES CRY | 0:21:49 | 0:21:54 | |
# All aboard We want to say hello | 0:21:54 | 0:22:00 | |
INAUDIBLE SPEECH | 0:22:00 | 0:22:04 | |
# All aboard... # | 0:22:05 | 0:22:08 | |
Holy shit! | 0:22:08 | 0:22:10 | |
Now, everybody, say, "Choo-choo!" | 0:22:10 | 0:22:12 | |
-ALL: -Choo-choo! -Say, "Choo-choo!" | 0:22:12 | 0:22:15 | |
I mean, I love her, she's a great mom, | 0:22:15 | 0:22:17 | |
but I always felt like if I had a baby, | 0:22:17 | 0:22:19 | |
the baby would just fold into my life. | 0:22:19 | 0:22:21 | |
I mean, if you spend all your time at baby classes, you become a baby. | 0:22:21 | 0:22:25 | |
It's like the mothers are infantilised, you know? | 0:22:25 | 0:22:27 | |
I know, just, like, have a baby. | 0:22:27 | 0:22:28 | |
You're cool, you know, cool people who have a house | 0:22:28 | 0:22:31 | |
and, I don't know, just have a baby. | 0:22:31 | 0:22:33 | |
You're going to Mexican food and there's a baby on the floor. | 0:22:33 | 0:22:35 | |
I know. That's how I grew up. | 0:22:35 | 0:22:37 | |
I want a baby. Maybe I'll just have a baby right now. | 0:22:37 | 0:22:39 | |
You should. You can. | 0:22:39 | 0:22:41 | |
I like kids who don't speak English. | 0:22:41 | 0:22:43 | |
When are you going to have babies? | 0:22:43 | 0:22:45 | |
A couple of times I got pregnant, but it didn't happen. | 0:22:45 | 0:22:48 | |
-I'm sorry. -The longest only went eight weeks. | 0:22:48 | 0:22:51 | |
-After 35, it's a shit show. -I'm sorry. You don't have to tell me. | 0:22:51 | 0:22:54 | |
No, it's OK. It's what happened. I like telling you. | 0:22:54 | 0:22:57 | |
I like how you give Josh a hard time. | 0:22:57 | 0:23:00 | |
-I don't think I give him a hard time. -It reminds me of my mom. | 0:23:00 | 0:23:03 | |
-How she was with your dad? -No, with my brother. | 0:23:03 | 0:23:06 | |
God, she'd yell at him, but then iron all his weird racing T-shirts. | 0:23:06 | 0:23:09 | |
I mother Jamie. Ugh. | 0:23:09 | 0:23:12 | |
-Sorry, I stink. -It's OK. -Here we go, here we go. | 0:23:12 | 0:23:15 | |
What kind of class is this again? Hip-hop. | 0:23:15 | 0:23:18 | |
# First off, fuck your bitch And the clique you claim | 0:23:18 | 0:23:20 | |
# Westside when we ride Come equipped with game | 0:23:20 | 0:23:22 | |
# You claim to be a player But I fucked your wife | 0:23:22 | 0:23:25 | |
# We bust on Bad Boys Niggas fuck for life | 0:23:25 | 0:23:27 | |
# Plus Puffy tryin' to see me Weak hearts I rip | 0:23:27 | 0:23:30 | |
# Biggie Smalls and Junior M.A.F.I.A Some mark ass-bitches... # | 0:23:30 | 0:23:34 | |
I like that one. | 0:23:35 | 0:23:37 | |
SONG CONTINUES | 0:23:37 | 0:23:42 | |
TRAIN IN DISTANCE | 0:23:47 | 0:23:51 | |
No, it's between these and these. | 0:24:15 | 0:24:18 | |
MUSIC DROWNS SPEECH | 0:24:18 | 0:24:23 | |
Whoo! Ow! | 0:24:34 | 0:24:36 | |
Ah! | 0:24:36 | 0:24:38 | |
Hey, Jamie! | 0:24:40 | 0:24:42 | |
Jamie! | 0:24:42 | 0:24:43 | |
Well, it's just a strained muscle. | 0:24:45 | 0:24:47 | |
But the more concerning thing here is your arthritis. | 0:24:47 | 0:24:51 | |
-Arthritis? -Yes. You have arthritis in your knee. | 0:24:51 | 0:24:54 | |
Is, uh, arthritis a catch-all | 0:24:55 | 0:24:58 | |
for some kind of injury to the... | 0:24:58 | 0:25:00 | |
No, arthritis is a degradation of the joints. | 0:25:00 | 0:25:03 | |
Yeah, I know what traditional arthritis is. | 0:25:03 | 0:25:05 | |
-But... -I'm not sure what you mean by "traditional," | 0:25:05 | 0:25:09 | |
-but this is arthritis. -Arthritis arthritis? | 0:25:09 | 0:25:12 | |
Yes. I usually just say it once. | 0:25:12 | 0:25:15 | |
-At my age? -You're what, 42? | 0:25:15 | 0:25:18 | |
44. Well, it happens at 42 and it happens at 44. | 0:25:18 | 0:25:24 | |
I'm going to get you a prescription for paracetamol. | 0:25:24 | 0:25:27 | |
We'll start there and see how it progresses, OK? | 0:25:27 | 0:25:30 | |
Have you had your eyes checked recently? | 0:25:30 | 0:25:33 | |
I have genetically great eyes. | 0:25:33 | 0:25:36 | |
You're growing up. | 0:25:36 | 0:25:38 | |
It's weird, you know? I'm at that age where things you think | 0:25:38 | 0:25:41 | |
are only going to happen when you get older are actually happening. | 0:25:41 | 0:25:43 | |
If I'm going to be totally honest with myself, I don't think I'm ever going to die. | 0:25:43 | 0:25:46 | |
-I know that's crazy. -It's crazy. -I think I'm pathologically happy. | 0:25:46 | 0:25:49 | |
I mean, Cornelia and I, for a while, | 0:25:49 | 0:25:51 | |
the fact that we got married was so amazing. | 0:25:51 | 0:25:53 | |
I mean, we were married! | 0:25:53 | 0:25:54 | |
Now we're just... | 0:25:54 | 0:25:57 | |
married, you know? Do you ever feel that? | 0:25:57 | 0:25:59 | |
Best decision I ever made. | 0:25:59 | 0:26:01 | |
-I really like this place. -Oh, hey! | 0:26:01 | 0:26:03 | |
-I got my first response on Facebook. -Yeah? -This guy, Kent Arlington. | 0:26:03 | 0:26:07 | |
I haven't seen him since high school in Santa Cruz. | 0:26:07 | 0:26:09 | |
Did you flesh it out more, the idea? | 0:26:09 | 0:26:11 | |
A little, yeah. He's living in Poughkeepsie. | 0:26:11 | 0:26:13 | |
Tipper and I are going to ride the old zip there and find him. | 0:26:13 | 0:26:15 | |
-Mmm. Shit. -What? | 0:26:15 | 0:26:17 | |
My father-in-law. What is he doing here? | 0:26:17 | 0:26:21 | |
-Where? -How are you? | 0:26:21 | 0:26:23 | |
Good, Leslie, you? | 0:26:23 | 0:26:25 | |
Good. Gearing up for my memorial. | 0:26:25 | 0:26:27 | |
Leslie is having a tribute at Lincoln Centre next month. | 0:26:27 | 0:26:30 | |
What are you doing here? How do you even know about this place? | 0:26:30 | 0:26:32 | |
Are you kidding? I've been coming here for pizza since it opened. | 0:26:32 | 0:26:35 | |
-This is Jamie, my friend. -I'm sure you hear this all the time, | 0:26:35 | 0:26:38 | |
but both Wedding and Arlo Takes A Bath changed my life. | 0:26:38 | 0:26:41 | |
-It made me want to tell stories in the non-fiction mode. -Oh, thank you. | 0:26:41 | 0:26:45 | |
No, thank you for your films. | 0:26:45 | 0:26:47 | |
-How's my daughter? -How does she seem to you? | 0:26:47 | 0:26:49 | |
-Seems well. -So, why are you asking me? | 0:26:49 | 0:26:52 | |
Cornelia tells me you're looking for finishing money. | 0:26:52 | 0:26:55 | |
Maybe. It depends on the grant. If this guy leaves his wife or not. | 0:26:55 | 0:26:58 | |
I met a guy, hedge fund or something, he's interested in putting money into docs. | 0:26:58 | 0:27:01 | |
-I can arrange a meeting if you want. -I think I'm OK. | 0:27:01 | 0:27:03 | |
Don't be proud, Josh. I'll call you with his number tomorrow. | 0:27:03 | 0:27:06 | |
-OK. -Nice to have met you. -Same. | 0:27:06 | 0:27:08 | |
Jeez Louise, working with him must've been astonishing. | 0:27:15 | 0:27:19 | |
It's complicated. I felt I was seen as his protege, | 0:27:19 | 0:27:21 | |
and I married his daughter. I needed to establish my own voice. | 0:27:21 | 0:27:24 | |
I think he thought I rejected him or that I was arrogant. | 0:27:24 | 0:27:28 | |
-I don't know. Maybe I was. -But you'll take that meeting? | 0:27:28 | 0:27:30 | |
-Probably not. -You have to, Yosh. | 0:27:30 | 0:27:33 | |
I mean, money's money, right? | 0:27:33 | 0:27:34 | |
Yeah, but I never pitch. | 0:27:34 | 0:27:36 | |
I just don't think in sound bites. | 0:27:36 | 0:27:37 | |
I understand we're a culture of sound bites, but... | 0:27:37 | 0:27:40 | |
I'll help you, you know, make it sound beautiful. | 0:27:40 | 0:27:42 | |
It is beautiful, but beautiful to some suit. | 0:27:42 | 0:27:45 | |
-Maybe. -You can totally say no to this, but would you have any interest in co-directing with me? | 0:27:48 | 0:27:52 | |
Oh! | 0:27:52 | 0:27:53 | |
No, it's your thing. | 0:27:55 | 0:27:56 | |
Isn't it? Yeah, it should be your thing. | 0:27:56 | 0:27:58 | |
-I totally get it, yeah. -Yeah, it should be your thing. | 0:27:58 | 0:28:00 | |
-I got this. -Cool. | 0:28:04 | 0:28:06 | |
Shall we go? | 0:28:08 | 0:28:10 | |
Uh, you go ahead, I got to take a leak. | 0:28:10 | 0:28:12 | |
This was fun. Thanks. | 0:28:16 | 0:28:18 | |
SPEECH INAUDIBLE | 0:28:30 | 0:28:32 | |
HIP-HOP MUSIC BLASTS | 0:28:32 | 0:28:35 | |
He just asked me to co-direct like it was nothing. | 0:28:35 | 0:28:37 | |
I've been trained to hoard credit. | 0:28:37 | 0:28:39 | |
-These kids are so generous. -Yeah, I know. | 0:28:39 | 0:28:42 | |
Yeah. What do you mean, "you know"? Which part? | 0:28:42 | 0:28:46 | |
About credit. My dad always said that about you. | 0:28:46 | 0:28:49 | |
You don't collaborate well. | 0:28:49 | 0:28:50 | |
He "always" said that? What's "always"? | 0:28:50 | 0:28:52 | |
I don't know, twice. Remember that time I wanted to do that thing | 0:28:52 | 0:28:56 | |
about the public school in The Bronx? | 0:28:56 | 0:28:58 | |
And you were really excited about it | 0:28:58 | 0:28:59 | |
until I suggested we do it together and then you... | 0:28:59 | 0:29:02 | |
-Then you just kind of dropped it. -Well, maybe we should have done it. | 0:29:02 | 0:29:06 | |
-We still could. -The time's passed. | 0:29:06 | 0:29:09 | |
Sorry about that. | 0:29:09 | 0:29:10 | |
I want to be better about that stuff. | 0:29:10 | 0:29:12 | |
Thanks. | 0:29:12 | 0:29:14 | |
PHONE RINGS | 0:29:14 | 0:29:18 | |
What is that, a hoedown? | 0:29:18 | 0:29:20 | |
Hip-hop. | 0:29:20 | 0:29:22 | |
-Hey, Fox! -Fox, do you guys want to come to the Connecticut house this weekend? -Hey, honey... | 0:29:22 | 0:29:27 | |
-Connecticut? This weekend? -No, we have the ayahuasca. | 0:29:27 | 0:29:29 | |
-Where's the cardboard sleeve for this Wilco CD? -What's on it? | 0:29:29 | 0:29:33 | |
The same image that's on the CD. | 0:29:33 | 0:29:34 | |
Why do you need it? The CD is right there. | 0:29:34 | 0:29:36 | |
I don't know. It makes it special. | 0:29:36 | 0:29:38 | |
It'll be us and Pepper and her husband, Reade, | 0:29:38 | 0:29:41 | |
and Elise and Dwight. | 0:29:41 | 0:29:43 | |
And then Willow, Oscar and Peter, who they're calling Nemo. | 0:29:43 | 0:29:46 | |
That's a lot of people. | 0:29:46 | 0:29:47 | |
Well, the last three are infants. | 0:29:47 | 0:29:49 | |
Yeah, I know. It's just we've got this ayahuasca ceremony this weekend | 0:29:49 | 0:29:52 | |
with Jamie and Darby. | 0:29:52 | 0:29:53 | |
What's an ayahuasca ceremony? | 0:29:53 | 0:29:55 | |
I guess there's a shaman and you have to wear white clothes | 0:29:55 | 0:29:58 | |
and you drink this sludgy liquid that is made from a Peruvian root | 0:29:58 | 0:30:02 | |
and you hallucinate and vomit up your demons. | 0:30:02 | 0:30:05 | |
OK. Well, we're just having a cookout and maybe playing charades. | 0:30:05 | 0:30:09 | |
Yeah, no, it sounds great. It's just bad timing. | 0:30:09 | 0:30:12 | |
-Yeah, OK. -OK, bye, Fox. | 0:30:12 | 0:30:15 | |
Bye, Fox. | 0:30:15 | 0:30:16 | |
HIP-HOP MUSIC BLARES | 0:30:19 | 0:30:24 | |
HE CHANTS | 0:30:29 | 0:30:33 | |
Supposedly, everyone sees Egyptian imagery. | 0:30:42 | 0:30:45 | |
-Oh, yeah? -I want to clear some father issues. | 0:30:45 | 0:30:49 | |
-You? -Oh, uh... | 0:30:49 | 0:30:51 | |
I don't know. | 0:30:51 | 0:30:53 | |
It's good to have a focus. | 0:30:53 | 0:30:55 | |
# Broken hearts and broken wings | 0:30:55 | 0:30:59 | |
# Sing the song... # | 0:30:59 | 0:31:00 | |
Fear of death? | 0:31:00 | 0:31:02 | |
You know, linear time not being such a big deal. | 0:31:03 | 0:31:06 | |
Mmm. | 0:31:06 | 0:31:07 | |
What's the bucket for? | 0:31:07 | 0:31:09 | |
-Puking. -Sh! | 0:31:09 | 0:31:10 | |
Sing the song you are here to sing. | 0:31:15 | 0:31:18 | |
Welcome to the light. | 0:31:20 | 0:31:22 | |
Breathe in light, breathe out darkness. | 0:31:22 | 0:31:25 | |
Breathe in love. | 0:31:29 | 0:31:31 | |
This is our 20s. | 0:31:31 | 0:31:33 | |
(I'm 43.) | 0:31:33 | 0:31:35 | |
Breathe out fear. | 0:31:35 | 0:31:36 | |
Breathe in truth, breathe out ignorance. | 0:31:39 | 0:31:42 | |
Welcome to the work. | 0:31:48 | 0:31:50 | |
This shaman is kind of a d-bag. | 0:31:52 | 0:31:54 | |
We're purging dark energies past pain. | 0:31:54 | 0:31:57 | |
SHE LOUDLY VOMITS | 0:31:58 | 0:32:02 | |
-That's my bucket. -I'm puking out your shit! | 0:32:04 | 0:32:07 | |
Ah! | 0:32:17 | 0:32:19 | |
Honey, I feel it. | 0:32:41 | 0:32:43 | |
Oh, my God, I see a fucking pyramid. | 0:32:43 | 0:32:48 | |
And a sphinx. | 0:32:48 | 0:32:50 | |
It's true, you see Egyptian shit. | 0:32:50 | 0:32:53 | |
Honey, what are you seeing? | 0:32:53 | 0:32:55 | |
I'm in a deli in Bensonhurst. | 0:32:55 | 0:32:57 | |
I don't believe in any state-supported art. | 0:32:57 | 0:32:59 | |
I think you need to just do it yourself. | 0:32:59 | 0:33:01 | |
The serpent, Apep, is speaking to me. | 0:33:04 | 0:33:08 | |
He's... He's saying, "Go to the cattle of Ra." | 0:33:08 | 0:33:13 | |
The Celestial Cow is waiting. | 0:33:15 | 0:33:18 | |
I voted for Romney. | 0:33:18 | 0:33:20 | |
Watch the carpet. | 0:33:24 | 0:33:26 | |
I was falling asleep today on the L train | 0:33:26 | 0:33:29 | |
and you know how your brain gets in these loops? | 0:33:29 | 0:33:32 | |
I couldn't remember the shape of a pineapple. | 0:33:32 | 0:33:36 | |
Are they like pears? | 0:33:36 | 0:33:39 | |
No, they're like footballs with the ends cut off. | 0:33:39 | 0:33:42 | |
It's hard to call to mind the shapes of things. | 0:33:42 | 0:33:44 | |
Do you find that? | 0:33:44 | 0:33:46 | |
-It's not dangerous? -No, I mean, I can... | 0:33:51 | 0:33:53 | |
I can take the medicine and I can still have my boat. | 0:33:53 | 0:33:55 | |
I ran a half marathon on the medicine one time. | 0:33:55 | 0:33:58 | |
-How big is your boat? -It's 42 feet. | 0:33:58 | 0:34:01 | |
I want to do that. | 0:34:01 | 0:34:03 | |
I feel like you were born 1,000 years ago. | 0:34:03 | 0:34:05 | |
BANGING | 0:34:05 | 0:34:07 | |
Maybe don't flirt with the shaman. | 0:34:10 | 0:34:13 | |
He was telling me about his boat. | 0:34:13 | 0:34:15 | |
What? | 0:34:16 | 0:34:18 | |
I wish you'd look at me the way you look at Jamie and Darby. | 0:34:18 | 0:34:22 | |
-I look at you that way. -No, you don't. You used to. | 0:34:22 | 0:34:24 | |
When we first met, you were like you are with them, | 0:34:24 | 0:34:27 | |
you wooed me with romantic e-mails. | 0:34:27 | 0:34:29 | |
It wouldn't make sense for me to send you e-mails now. | 0:34:31 | 0:34:34 | |
We're in the same room all the time. | 0:34:34 | 0:34:36 | |
I just wish I could feel that energy from you once in a while. | 0:34:36 | 0:34:40 | |
Josh, I'm sorry. | 0:34:49 | 0:34:51 | |
You taste different. | 0:34:56 | 0:34:58 | |
-Josh? -It's me. -Jamie? | 0:34:58 | 0:35:01 | |
Shit. I thought you were Josh. | 0:35:01 | 0:35:03 | |
I'm so fucked up. | 0:35:05 | 0:35:07 | |
I, uh... I'm really sorry. | 0:35:10 | 0:35:13 | |
-It's OK, worm. -Uh... | 0:35:13 | 0:35:15 | |
Let's never do that again. | 0:35:34 | 0:35:36 | |
It stopped working. | 0:35:45 | 0:35:47 | |
Cornelia? | 0:35:47 | 0:35:48 | |
Mine stopped working any more. | 0:35:50 | 0:35:52 | |
Nothing is happening. | 0:35:54 | 0:35:56 | |
How you doing, Yosh? | 0:35:58 | 0:36:00 | |
-Is yours working? Mine isn't working. -Mine's working. | 0:36:02 | 0:36:05 | |
What if I don't find anything out? | 0:36:08 | 0:36:10 | |
Just roll with it. You're going to be fine, see. | 0:36:10 | 0:36:12 | |
Thanks, Jamie. | 0:36:14 | 0:36:16 | |
You're so kind. And so generous. | 0:36:16 | 0:36:19 | |
I'm so proud and selfish. | 0:36:20 | 0:36:22 | |
I want to be generous like you. | 0:36:24 | 0:36:27 | |
I want to help you with your film. | 0:36:27 | 0:36:29 | |
I'll come to Poughkeepsie and help you film the guy. | 0:36:29 | 0:36:32 | |
And I don't want credit or anything, just to help out. | 0:36:32 | 0:36:35 | |
Thanks, Joshy, that's beautiful. | 0:36:35 | 0:36:37 | |
Before we met, the only two feelings I had left were... | 0:36:37 | 0:36:41 | |
wistful and disdainful. | 0:36:41 | 0:36:45 | |
And being around you, | 0:36:47 | 0:36:49 | |
I see what's possible again. | 0:36:49 | 0:36:51 | |
-Is that corny? -It's goddamn corny, Joshy. | 0:36:54 | 0:36:58 | |
Yeah, I guess it is. | 0:36:58 | 0:37:00 | |
I'm a cornball. | 0:37:00 | 0:37:02 | |
HE VOMITS | 0:37:02 | 0:37:05 | |
-Thanks. -No problem, Jussle. | 0:37:08 | 0:37:10 | |
It's still tonight for us, but it's tomorrow for everyone else. | 0:37:18 | 0:37:23 | |
Let's have kids. | 0:37:23 | 0:37:24 | |
Or a kid. Something. | 0:37:24 | 0:37:28 | |
Did the Celestial Cow tell you this? | 0:37:28 | 0:37:30 | |
Yes. | 0:37:30 | 0:37:31 | |
But that doesn't make it any less true. | 0:37:31 | 0:37:34 | |
All these people have babies, what's the big deal? | 0:37:34 | 0:37:38 | |
I thought we'd decided. | 0:37:38 | 0:37:40 | |
I don't want this to be every time you take a hallucinogen, | 0:37:40 | 0:37:42 | |
you want to have a baby. | 0:37:42 | 0:37:44 | |
Not every time. | 0:37:44 | 0:37:46 | |
We missed our chance. I missed my chance. | 0:37:48 | 0:37:50 | |
I'm fine with that. | 0:37:52 | 0:37:54 | |
Is that the shaman's Vespa? | 0:37:58 | 0:38:00 | |
# You're playing Nintendo. | 0:38:03 | 0:38:05 | |
# That's not what I'm doing That's not what I'm doing | 0:38:05 | 0:38:09 | |
# You're surfing the web | 0:38:09 | 0:38:10 | |
# That's not what I'm doing That's not what I'm doing | 0:38:10 | 0:38:14 | |
# You're crying your eyes out | 0:38:14 | 0:38:16 | |
# That's not what I'm doing That's not what I'm doing | 0:38:16 | 0:38:19 | |
BOTH: # I'm making a sandwich! # | 0:38:19 | 0:38:22 | |
-Fun. -Nice. -Connecticut has the best thrifting. | 0:38:22 | 0:38:25 | |
He'll drop us off before they do their filming. | 0:38:25 | 0:38:27 | |
Tipper and I started a band called Cookie O'Puss. | 0:38:27 | 0:38:29 | |
Have you seen that on YouTube? | 0:38:29 | 0:38:31 | |
-Yeah, that was a commercial when I was a kid. -It's fucking hilarious. | 0:38:31 | 0:38:34 | |
I know, we used to always do the voice. | 0:38:34 | 0:38:36 | |
-My name is Cookie O'Puss! -My name is Cookie O'Puss! | 0:38:36 | 0:38:39 | |
It's the name of our band. | 0:38:39 | 0:38:40 | |
My name is Cookie O'Puss! | 0:38:43 | 0:38:45 | |
Fudgie the Whale? | 0:38:50 | 0:38:52 | |
-All right, you ready? -Yeah. | 0:38:52 | 0:38:54 | |
He was this, kind of, beautiful combination | 0:38:54 | 0:38:56 | |
of jock and brain, and he could sing. | 0:38:56 | 0:38:59 | |
He was in the a cappella group called the Night Owls. | 0:38:59 | 0:39:01 | |
I mean, kind of the perfect guy. | 0:39:01 | 0:39:03 | |
DOORBELL RINGS | 0:39:12 | 0:39:13 | |
Hey, I called. My name's Jamie, I'm a friend of Kent's. | 0:39:17 | 0:39:20 | |
-Kent isn't here. -Oh. | 0:39:20 | 0:39:22 | |
Will he be back soon? | 0:39:24 | 0:39:26 | |
-What's...? -We went to school together. | 0:39:27 | 0:39:29 | |
It's been a while, but he contacted me recently on Facebook. | 0:39:29 | 0:39:33 | |
It would mean a lot to me if I could see him. | 0:39:33 | 0:39:36 | |
I don't bite. | 0:39:39 | 0:39:41 | |
Erm... | 0:39:42 | 0:39:44 | |
'I told my sister I had an accident. | 0:40:09 | 0:40:12 | |
'But that's not true.' | 0:40:12 | 0:40:14 | |
I've been unhappy. | 0:40:14 | 0:40:16 | |
I did it to myself. | 0:40:16 | 0:40:18 | |
I cut my wrists. | 0:40:19 | 0:40:20 | |
You were the guy. | 0:40:20 | 0:40:23 | |
You know, you were beautiful. | 0:40:23 | 0:40:24 | |
I mean, you dated Jenny Pepperdine! | 0:40:24 | 0:40:27 | |
You know, I bought a necklace like the one you used to wear. | 0:40:27 | 0:40:30 | |
-Of puka shells? -Yeah. | 0:40:30 | 0:40:32 | |
You know, I was going through a tough time in high school. | 0:40:35 | 0:40:37 | |
My mom was really sick with ovarian cancer. | 0:40:37 | 0:40:41 | |
I was pretty promiscuous, but I couldn't love anyone. | 0:40:44 | 0:40:47 | |
I had body issues. | 0:40:47 | 0:40:48 | |
You had written a poem for English, | 0:40:50 | 0:40:52 | |
I mean, you were this athlete, and you wrote this beautiful poem. | 0:40:52 | 0:40:55 | |
-Do you know what poem I'm talking about? -Uh... | 0:40:55 | 0:40:58 | |
-I wrote a lot of poems. -It was a line. | 0:40:58 | 0:41:00 | |
Very simple, but effective, "I want to be unbridgeable." | 0:41:02 | 0:41:05 | |
You know, that one line got me through my mother's illness. | 0:41:10 | 0:41:13 | |
Yeah? | 0:41:16 | 0:41:18 | |
I don't know why I stopped writing poetry. | 0:41:19 | 0:41:22 | |
I stopped doing a lot of things. | 0:41:24 | 0:41:27 | |
Why do we stop doing things? | 0:41:27 | 0:41:28 | |
Life happens, I guess, huh? | 0:41:30 | 0:41:31 | |
Life has other plans. | 0:41:31 | 0:41:33 | |
Yeah. | 0:41:33 | 0:41:34 | |
Life is what happens when you're making other plans. | 0:41:34 | 0:41:37 | |
Who is he? | 0:41:37 | 0:41:39 | |
He was soulfulish, you know. | 0:41:54 | 0:41:56 | |
Sister, that's an understatement. | 0:41:56 | 0:41:58 | |
You can tell he's been to some dark places. | 0:41:58 | 0:42:00 | |
We went to some dark places, too. | 0:42:00 | 0:42:02 | |
I bought a dress. Cornelia didn't buy a corset. | 0:42:02 | 0:42:04 | |
-Mmm, this burger is incredible. -Holy shit. | 0:42:04 | 0:42:07 | |
-What's wrong? -No, nothing. I just googled Kent. Did you Google him? | 0:42:07 | 0:42:11 | |
-No, I wanted it to be fresh. -This is... | 0:42:11 | 0:42:13 | |
There's a picture, it's the same guy. | 0:42:13 | 0:42:15 | |
-He was in Afghanistan. -Really? -Yeah. | 0:42:15 | 0:42:18 | |
He... This article says he was part of a massacre in Wanat. | 0:42:18 | 0:42:21 | |
They opened fire on a bus full of civilians. | 0:42:21 | 0:42:24 | |
He then spoke out about it publicly. | 0:42:24 | 0:42:26 | |
And then refused to fight. | 0:42:26 | 0:42:28 | |
He was jailed briefly, then returned to battle, | 0:42:28 | 0:42:30 | |
-was injured and given the Purple Heart. -You're kidding? | 0:42:30 | 0:42:33 | |
It says two men in his unit have killed themselves. | 0:42:35 | 0:42:37 | |
Tipper. Could you do it again, what you did? | 0:42:37 | 0:42:40 | |
-Which part? -The phone, the discovery, everything. | 0:42:40 | 0:42:43 | |
Oh, erm... | 0:42:43 | 0:42:44 | |
It's the same guy. | 0:42:50 | 0:42:52 | |
Is that how I said it? What did I say? | 0:42:52 | 0:42:54 | |
Uh... | 0:42:54 | 0:42:55 | |
It's the same guy! | 0:42:55 | 0:42:58 | |
Holy shit! | 0:42:58 | 0:42:59 | |
Jamie, look at this. | 0:42:59 | 0:43:00 | |
It says two men in his unit have killed themselves. | 0:43:03 | 0:43:05 | |
-We have to go back. -Yeah? -We have to get him talking about this. | 0:43:05 | 0:43:08 | |
This is the movie! | 0:43:08 | 0:43:09 | |
Now it's not just some stupid Facebook thing. | 0:43:09 | 0:43:12 | |
Not that that wasn't a good idea, too. | 0:43:12 | 0:43:14 | |
But, and I hate this expression, but you stepped in shit! | 0:43:14 | 0:43:17 | |
-Cornelia! -What? | 0:43:17 | 0:43:19 | |
Thank God I've got you, Joshy! We did what you said. | 0:43:19 | 0:43:22 | |
We didn't know the answers, we discovered them. | 0:43:22 | 0:43:24 | |
Oh, I should get a good book on Afghanistan. | 0:43:24 | 0:43:26 | |
And war in general. I really know so little about it. | 0:43:26 | 0:43:29 | |
You know who you should talk to? | 0:43:29 | 0:43:30 | |
Ira Mandelstam, the guy who's in my film. | 0:43:30 | 0:43:33 | |
He could tell you a lot about war and the politics of war. | 0:43:33 | 0:43:36 | |
-That's your guy, though, Joshy. I can't take your guy. -I don't care. I want to share him with you. | 0:43:36 | 0:43:40 | |
Jeez Louise, that would be fucking beautiful. | 0:43:40 | 0:43:42 | |
You know, if you want help, I could help or produce this for you. | 0:43:42 | 0:43:46 | |
-My dad's between things right now. -Oh, my God. Are you kidding me? | 0:43:46 | 0:43:50 | |
I would be so pumped. | 0:43:50 | 0:43:51 | |
Thank you. Thank you. | 0:43:51 | 0:43:55 | |
Thank you! | 0:43:55 | 0:43:57 | |
He's been cooped up with a baby at home, | 0:44:01 | 0:44:03 | |
and Marina loves these soup dumplings. | 0:44:03 | 0:44:05 | |
This will be a great surprise. | 0:44:05 | 0:44:07 | |
I haven't spoken to Fletcher in a while. I think he's exhausted. | 0:44:07 | 0:44:09 | |
We'll probably be waking them up. | 0:44:09 | 0:44:11 | |
LIFT DINGS | 0:44:19 | 0:44:21 | |
MUFFLED HEAVY BEAT OF MUSIC | 0:44:24 | 0:44:25 | |
Cornelia, Josh. | 0:44:38 | 0:44:39 | |
Gaby! Mike. | 0:44:39 | 0:44:41 | |
-You look amazing! -Oh, thank you. So do you. | 0:44:41 | 0:44:43 | |
-Hi. -Oh, fucking shit. | 0:44:45 | 0:44:47 | |
Are you guys, erm, having a thing? | 0:44:51 | 0:44:54 | |
Yeah, we... God, this is embarrassing. | 0:44:54 | 0:44:57 | |
Is it a baby thing? | 0:44:57 | 0:44:58 | |
No, actually, Willow's at my mother's. | 0:44:58 | 0:45:01 | |
-Oh. -We weren't invited. | 0:45:01 | 0:45:04 | |
-Well, we didn't think... -Oh, God, I don't know what to say. | 0:45:04 | 0:45:07 | |
-Hey, girlie girl. -Hey! | 0:45:07 | 0:45:09 | |
-Oh, you look fine! -Thank you. | 0:45:09 | 0:45:12 | |
-Hey, Cornelia, how are you? -Hey, Grace. -Hi. Come inside, there's a full bar. | 0:45:12 | 0:45:17 | |
-What's going on? -I'm sorry. We didn't think you'd want to come. | 0:45:17 | 0:45:20 | |
-Why? -Well, for one thing, these are people our own age. | 0:45:20 | 0:45:23 | |
-Oh, come on! -Well, maybe you have a titseeka ceremony or something. | 0:45:23 | 0:45:26 | |
Ayahuasca! It was therapeutic. | 0:45:26 | 0:45:27 | |
I learned some shit. I think Cornelia did, too. | 0:45:27 | 0:45:30 | |
Yeah, I did, too. Learn some shit. | 0:45:30 | 0:45:32 | |
Yeah, you guys were whacked out on Peruvian mescaline, of course you'll learn some shit. | 0:45:32 | 0:45:35 | |
-I went under during a colonoscopy last week, I learned some shit. -Don't patronise us, man. | 0:45:35 | 0:45:39 | |
Listen, we don't know how else to say this, | 0:45:39 | 0:45:41 | |
-but we're worried about you guys. -Yeah, you know... | 0:45:41 | 0:45:44 | |
I mean, I respect the fact that you don't want to have kids. | 0:45:44 | 0:45:46 | |
Don't make this about the baby cult, OK, Marina? | 0:45:46 | 0:45:48 | |
I don't appreciate that kind of superior attitude. | 0:45:48 | 0:45:50 | |
-It's really ugly. -That's not what I'm saying. I can't help it if I want you to have kids. | 0:45:50 | 0:45:54 | |
We think you guys would really benefit from it, that's all. | 0:45:54 | 0:45:56 | |
You don't realise how inappropriate it is to say it the way you say it. | 0:45:56 | 0:45:59 | |
Not everybody wants a baby! | 0:45:59 | 0:46:00 | |
Not everyone can have one all the time. | 0:46:00 | 0:46:03 | |
-Hi, sexy lady! -Elise, come in! | 0:46:03 | 0:46:06 | |
Bruce! Come in. Thank you. | 0:46:06 | 0:46:08 | |
-Hey, you've lost weight. -Yeah. It's my suit. | 0:46:08 | 0:46:10 | |
Since we've had the baby, I feel you pulling away, Cornelia. I just do. | 0:46:10 | 0:46:13 | |
-What's with the hat? -What? -I went to a fucking baby music class with you! | 0:46:13 | 0:46:16 | |
You look like assholes we went to high school with, | 0:46:16 | 0:46:18 | |
-who'd cruise by prom but not go in. -Do you know how humiliating that is? | 0:46:18 | 0:46:21 | |
-We're old men, Josh. -Speak for yourself. -Why is that humiliating? This is my life now. | 0:46:21 | 0:46:25 | |
-You're an old man with a hat. -It can be very isolating and lonely when you have a kid. -Yeah, I can tell. | 0:46:25 | 0:46:29 | |
-Let's go, Josh. -Stay. | 0:46:29 | 0:46:31 | |
-You're here. Come in. -There's no way we're coming in. | 0:46:31 | 0:46:34 | |
CLASSICAL MUSIC PLAYS | 0:46:34 | 0:46:37 | |
The idea of the war on terrorism can be understood | 0:46:48 | 0:46:52 | |
in terms of a new idea of war. | 0:46:52 | 0:46:55 | |
"Infinite justice," they called it at first. | 0:46:55 | 0:46:57 | |
In which the rules of domestic and international law | 0:46:57 | 0:47:01 | |
could forever be suspended. | 0:47:01 | 0:47:03 | |
I say permanent and forever because there is no way | 0:47:03 | 0:47:06 | |
to ever fully eradicate terrorism. | 0:47:06 | 0:47:10 | |
So, the first step in the war on terrorism | 0:47:10 | 0:47:13 | |
is to declare war on... | 0:47:13 | 0:47:15 | |
-Can I talk to you for a second? -What? | 0:47:21 | 0:47:25 | |
-Can I say something I'm ashamed of? -Yeah. -It's not generous. | 0:47:25 | 0:47:28 | |
-And I probably don't really mean it. -OK. Go. | 0:47:28 | 0:47:30 | |
-And I think Jamie's great. -Just say it! | 0:47:30 | 0:47:32 | |
I can't fucking believe his idiotic Facebook idea paid off! | 0:47:32 | 0:47:35 | |
It's so fucking stupid! | 0:47:35 | 0:47:37 | |
And my thing is a mess. It's a total fucking mess. | 0:47:37 | 0:47:41 | |
I'm sorry. I feel bad saying that. | 0:47:41 | 0:47:44 | |
But I also hate the fact that he's calling his band Cookie O'Puss. | 0:47:44 | 0:47:48 | |
What's wrong with that? | 0:47:48 | 0:47:49 | |
It's just some funny old kitschy thing to him he saw on YouTube. | 0:47:49 | 0:47:53 | |
But that was my commercial. I actually experienced it. You know? | 0:47:53 | 0:47:57 | |
I don't know it from Cookie Puss. | 0:47:57 | 0:47:58 | |
Really? It was for Carvel. | 0:47:58 | 0:48:01 | |
Cookie Puss was the original, | 0:48:01 | 0:48:02 | |
then they did an ice cream cake for Saint Patrick's Day | 0:48:02 | 0:48:04 | |
and it was this floating, green Irish cake that said, | 0:48:04 | 0:48:07 | |
"My name is Cookie O'Puss." | 0:48:07 | 0:48:09 | |
I'm being ridiculous. | 0:48:11 | 0:48:13 | |
I probably don't mean any of it. | 0:48:13 | 0:48:15 | |
My dad likes to say, "The more, the more." | 0:48:15 | 0:48:19 | |
That's because your dad has everything. And then he gets more. | 0:48:19 | 0:48:22 | |
He's right. There's enough to go around for everyone. | 0:48:22 | 0:48:25 | |
Joshy! You gotta pitch. Let's go get you some hedge fund cash. | 0:48:25 | 0:48:29 | |
Good luck. | 0:48:29 | 0:48:31 | |
Remember, ask him questions. You're interviewing him. | 0:48:32 | 0:48:35 | |
-He'd be goddamn lucky to invest in your film. -OK. -Talk about shit he understands, see? | 0:48:35 | 0:48:39 | |
Short and to the point. | 0:48:39 | 0:48:40 | |
Ride on the street, man! | 0:48:40 | 0:48:43 | |
Psych him up. Talk about war, talk about power, race. | 0:48:43 | 0:48:46 | |
-Uh-huh. -Make it relevant to him. | 0:48:46 | 0:48:48 | |
-Right. -Be yourself, everyone else is taken. | 0:48:48 | 0:48:51 | |
Ira was beautiful today. | 0:48:51 | 0:48:53 | |
We're going to have a screening of the cut footage | 0:48:53 | 0:48:55 | |
at the apartment on Friday. | 0:48:55 | 0:48:56 | |
You cut it already? You just shot it two days ago. | 0:48:56 | 0:48:59 | |
I know. I was up all night. | 0:48:59 | 0:49:00 | |
It'll be OK, Joshy. Don't you fret. | 0:49:00 | 0:49:03 | |
Hey, well, maybe take a day or two, make sure you like it. | 0:49:03 | 0:49:06 | |
Or I could take ten years. | 0:49:06 | 0:49:09 | |
I'm fucking with you, Joshy. | 0:49:09 | 0:49:10 | |
Your thing is going to be totally brilliant. | 0:49:10 | 0:49:13 | |
# Rising up | 0:49:13 | 0:49:16 | |
# Back on the street... # | 0:49:16 | 0:49:18 | |
I remember when this song was just considered bad. | 0:49:18 | 0:49:21 | |
But it's working. | 0:49:21 | 0:49:22 | |
Remember, he's lucky to have this opportunity. | 0:49:22 | 0:49:25 | |
You're friggin' Josh Srebnick. | 0:49:25 | 0:49:27 | |
My name sounds so much better when you say it! | 0:49:27 | 0:49:30 | |
# ..of the tiger... # | 0:49:30 | 0:49:32 | |
Whoo! | 0:49:32 | 0:49:33 | |
-Did you see Mad Men? -No. | 0:49:37 | 0:49:40 | |
It's really apple juice. | 0:49:40 | 0:49:42 | |
-Nah, it's whisky. -Hmm. -No, it's not. | 0:49:42 | 0:49:45 | |
It is. | 0:49:45 | 0:49:48 | |
So, tell me about your project. | 0:49:48 | 0:49:49 | |
Well, maybe a good way to start is by asking you a question. | 0:49:51 | 0:49:54 | |
Hey, they were all raped when I got there. | 0:49:54 | 0:49:57 | |
This is my second in 20 minutes. Shoot. | 0:49:57 | 0:50:01 | |
Do you know the percentage | 0:50:01 | 0:50:02 | |
of African American adult males currently in jail? | 0:50:02 | 0:50:04 | |
-I don't. -Take a guess. | 0:50:04 | 0:50:07 | |
Like 60%? | 0:50:07 | 0:50:09 | |
Jesus, no. | 0:50:09 | 0:50:10 | |
It's over 9%. | 0:50:10 | 0:50:12 | |
That's nearly one in ten African American adult males, | 0:50:12 | 0:50:15 | |
nearly a million and a half. | 0:50:15 | 0:50:17 | |
A million and a half is a lot. | 0:50:17 | 0:50:18 | |
It's insane, but people don't realise this. | 0:50:18 | 0:50:21 | |
-They think because we have a black president... -So this is about prison. | 0:50:21 | 0:50:24 | |
-Like a black Shawshank. But real. -No, not... No. | 0:50:24 | 0:50:28 | |
There's a section, an entr'acte, really, | 0:50:28 | 0:50:30 | |
about the function of race in the prison industrial complex, | 0:50:30 | 0:50:33 | |
but the film is really about how power works in America. | 0:50:33 | 0:50:36 | |
-Do you know the historian Ira Mandelstam? -Yeah. -Really? -No. | 0:50:36 | 0:50:41 | |
Well, we have over 100 hours of interviews with him. | 0:50:41 | 0:50:44 | |
-The movie's 100 hours? -No, we'll cut it. | 0:50:44 | 0:50:48 | |
Now, this guy, he's... He isn't particularly charismatic, | 0:50:48 | 0:50:51 | |
he's kind of antisocial, maybe Asperger's, | 0:50:51 | 0:50:54 | |
but not interesting Asperger's. | 0:50:54 | 0:50:56 | |
He's kind of boring, even. But he's a charismatic thinker. | 0:50:56 | 0:50:59 | |
How do you show what he thinks? Cartoons? | 0:50:59 | 0:51:01 | |
No, not cartoons. He says it. | 0:51:01 | 0:51:04 | |
-But he's boring. -Well, yes. But, as with many boring things, | 0:51:04 | 0:51:07 | |
the longer you watch it, it takes on a different dimension. | 0:51:07 | 0:51:10 | |
-PHONE BUZZES -It's really a very simple idea. | 0:51:10 | 0:51:12 | |
The three sections correspond with the three nodes | 0:51:12 | 0:51:15 | |
of what Mills called the power elite. | 0:51:15 | 0:51:17 | |
The political, military and economic. | 0:51:17 | 0:51:19 | |
But, and this is key, each part has to interconnect... | 0:51:19 | 0:51:22 | |
-PHONE BEEPS -..to show how none of the three nodes functions without the other. | 0:51:22 | 0:51:25 | |
It's a linear film, of course, but I imagine it as kind of a hypertext. | 0:51:25 | 0:51:29 | |
So, what's it about? | 0:51:33 | 0:51:35 | |
To be clear, the film is really about the working class, | 0:51:35 | 0:51:38 | |
and I can't speak on behalf of the working class. | 0:51:38 | 0:51:40 | |
I can't make their film, of course. | 0:51:40 | 0:51:42 | |
But they have to be felt as the impossible subject of the text. | 0:51:42 | 0:51:46 | |
If that makes sense. | 0:51:46 | 0:51:47 | |
-PHONE BEEPS -But it isn't even really about the power structure | 0:51:47 | 0:51:50 | |
but about what it means to make a film about it. | 0:51:50 | 0:51:52 | |
-PHONE BUZZES -It's about the very possibility of making this film. | 0:51:52 | 0:51:55 | |
It's really about America. | 0:51:55 | 0:51:57 | |
Oh, hi. Just been working on my speech for my memorial. | 0:52:11 | 0:52:15 | |
-What's on your mind, son? -Could you watch what I have? | 0:52:15 | 0:52:18 | |
I think I'm at the point where I need a new set of eyes. | 0:52:18 | 0:52:20 | |
Well, working on the same project for ten years will do that to you. | 0:52:20 | 0:52:24 | |
Yeah. | 0:52:24 | 0:52:26 | |
And the military created the internet | 0:52:26 | 0:52:31 | |
as part of an overall strategy. | 0:52:31 | 0:52:34 | |
I'm not just talking about Google collaborating with the NSA, | 0:52:34 | 0:52:38 | |
I'm talking about far deeper. | 0:52:38 | 0:52:40 | |
Oh! | 0:53:07 | 0:53:09 | |
I'm going to put a kettle on. You want some tea? | 0:53:09 | 0:53:12 | |
OK. | 0:53:12 | 0:53:14 | |
-Well, you've got a lot of good material there. -Uh-huh. | 0:53:14 | 0:53:17 | |
-Need some time to process it. -Mmm-hmm. | 0:53:17 | 0:53:20 | |
Do you need the stuff about Turkish politics? | 0:53:20 | 0:53:23 | |
Yes, because it connects to what he's saying about the shift in power | 0:53:23 | 0:53:26 | |
in the contemporary global economy. | 0:53:26 | 0:53:28 | |
All right. But it feels like a detour. | 0:53:28 | 0:53:30 | |
What about the lengthy history of the Triangle Shirtwaist factory fire? You need that? | 0:53:30 | 0:53:34 | |
The interview with Tillie Kupferschmidst's great great niece? | 0:53:34 | 0:53:37 | |
That's the emotional centre of the movie. I mean, that's where things come together. | 0:53:37 | 0:53:41 | |
Without that, I don't... I... I mean, why make the film? | 0:53:41 | 0:53:44 | |
-Yeah, but it's too long. -Oh, it has to be long. | 0:53:44 | 0:53:47 | |
The point is it makes you uncomfortable. | 0:53:47 | 0:53:49 | |
I wasn't uncomfortable, I was bored. | 0:53:49 | 0:53:50 | |
Well, maybe the boredom is your defence from the discomfort. | 0:53:50 | 0:53:55 | |
You just showed me a six-and-a-half-hour film | 0:53:55 | 0:53:57 | |
that feels like it's seven hours too long. I'm just trying to be helpful. | 0:53:57 | 0:54:00 | |
-I think I need to shoot more interviews. -Don't shoot any more! You have enough. | 0:54:00 | 0:54:04 | |
Yeah, I just don't think you're getting it, | 0:54:04 | 0:54:06 | |
or maybe there's something about me | 0:54:06 | 0:54:07 | |
or what you saw that's clouding your judgment. | 0:54:07 | 0:54:09 | |
-I'm telling you how I really feel. -I don't think so. I think you're being deliberately critical. | 0:54:09 | 0:54:13 | |
-KETTLE WHISTLES -Josh, I'm trying to help you. -Bullshit! | 0:54:13 | 0:54:16 | |
Is this because Cornelia and I didn't have children? | 0:54:16 | 0:54:18 | |
-Come on, Josh. -We tried. There were miscarriages. | 0:54:18 | 0:54:22 | |
I had to give her a shot in her ass every day for three months. | 0:54:22 | 0:54:25 | |
It was a huge fucking needle. | 0:54:25 | 0:54:27 | |
She didn't tell me that. I didn't know you guys wanted kids. | 0:54:27 | 0:54:31 | |
We didn't want to hope for what we probably couldn't have. | 0:54:31 | 0:54:35 | |
This was a mistake. | 0:54:35 | 0:54:37 | |
Sorry you feel that way. | 0:54:37 | 0:54:38 | |
I know you think I didn't reach my potential. | 0:54:40 | 0:54:44 | |
No, son, I don't think you did. | 0:54:44 | 0:54:46 | |
Your first film was wonderful and entertaining. | 0:54:46 | 0:54:48 | |
We could see ourselves in it. | 0:54:48 | 0:54:50 | |
This one feels ungenerous, it's like you took your ball and went home. | 0:54:50 | 0:54:53 | |
You know what? I'm sorry I didn't become you. | 0:54:53 | 0:54:56 | |
-I don't want you to become me. -Yeah, right. | 0:54:56 | 0:54:58 | |
I'll see you at Thanksgiving. | 0:54:58 | 0:55:00 | |
Yeah, I'm not going to eat another fucking fried turkey, FYI. | 0:55:00 | 0:55:02 | |
Then bring your own! | 0:55:02 | 0:55:04 | |
INAUDIBLE | 0:56:00 | 0:56:01 | |
-Yoshy! There's my other half. -You invited Breitbart? | 0:56:11 | 0:56:13 | |
Yeah, he called me after you introduced us. | 0:56:13 | 0:56:16 | |
-He called you? -Yeah. And at our dinner I invited him to tonight. | 0:56:16 | 0:56:18 | |
When did you have dinner? | 0:56:18 | 0:56:20 | |
After he called me, he suggested we get dinner. | 0:56:20 | 0:56:22 | |
-Uh-huh. Where'd you go? -This really incredible joint, erm, on the Upper West Side. | 0:56:22 | 0:56:25 | |
-Jackson Hole. -Yeah! How'd you know? -That's where he goes. -Great burgers. | 0:56:25 | 0:56:28 | |
-Have you been there? -Yes, I've been there with him a million times. | 0:56:28 | 0:56:31 | |
-Have you tried the Bison Burger? -Of course. -He dug the footage. | 0:56:31 | 0:56:35 | |
Is something wrong? | 0:56:36 | 0:56:37 | |
I guess I wish you'd asked me before you just went to him. | 0:56:37 | 0:56:41 | |
Hey, I'm sorry, I called him actually just to ask him a question | 0:56:41 | 0:56:44 | |
about how he shot something, and we got to talking, see? | 0:56:44 | 0:56:46 | |
-And he asked me what I was working on. -So, you called him? -What? | 0:56:46 | 0:56:49 | |
-You said he called you. -Well, he called me back, yeah. | 0:56:49 | 0:56:52 | |
Does Cornelia know? | 0:56:52 | 0:56:53 | |
Very cool! Very cool! | 0:56:53 | 0:56:56 | |
-I'm proud to be a part of it. -Dave, you know Josh. -Nice to meet you. | 0:56:58 | 0:57:01 | |
Seriously, dude, this movie is killah! | 0:57:01 | 0:57:04 | |
We're going to Afghanistan, we're going to Afghanistan. | 0:57:04 | 0:57:08 | |
Afghanistan, Afghanistan. Mmm. Mmm. Mmm. | 0:57:08 | 0:57:11 | |
-You're going to Afghanistan? -To interview soldiers in Kent's unit. | 0:57:11 | 0:57:14 | |
We've got a butt-load of work to do before we go. | 0:57:14 | 0:57:16 | |
-I'm going to need help. -We're going to Afghanistan! | 0:57:16 | 0:57:20 | |
Come on! | 0:57:20 | 0:57:21 | |
Erm...if you have any other editing work, | 0:57:22 | 0:57:25 | |
my guy, Tim, is great and could use some cash. | 0:57:25 | 0:57:27 | |
-That would be beautiful. -Yo, come with me. | 0:57:27 | 0:57:29 | |
I want you to meet Diane, she's a reporter from The Times. | 0:57:29 | 0:57:31 | |
I'll text you his info. | 0:57:31 | 0:57:34 | |
-Do you forget that I exist? -No, I don't forget you exist. | 0:57:34 | 0:57:36 | |
I asked you for a beer like a half hour ago. | 0:57:36 | 0:57:38 | |
-Why don't you just give me a minute, OK? -You're such an asshole. | 0:57:38 | 0:57:42 | |
INAUDIBLE CONVERSATION | 0:57:44 | 0:57:45 | |
I've been looking for you. | 0:57:55 | 0:57:57 | |
You're smoking? | 0:57:57 | 0:57:59 | |
What's going on? What is...? This is like a fucking bad dream. | 0:57:59 | 0:58:02 | |
Everyone here is doing weird shit. | 0:58:02 | 0:58:04 | |
Where's my high school algebra teacher, Mr Morelli, | 0:58:04 | 0:58:07 | |
riding a fucking turtle? | 0:58:07 | 0:58:08 | |
I had no idea Dad was coming. I saw him when I got here. | 0:58:08 | 0:58:11 | |
Are you sure? Are you sure you're not just saying that? | 0:58:11 | 0:58:14 | |
Yes, Josh. Why would I lie to you? | 0:58:14 | 0:58:16 | |
Do you think that Jamie came to my class | 0:58:16 | 0:58:18 | |
because he knew that I was married to you? | 0:58:18 | 0:58:20 | |
That this was all so he could meet your dad? | 0:58:20 | 0:58:22 | |
Josh, you know, the world isn't a conspiracy against you. | 0:58:22 | 0:58:25 | |
-You know, fuck you. -Fuck you. Don't talk to me like that. | 0:58:25 | 0:58:28 | |
I'm saying "fuck you" the way Jamie and Darby say it where it's not a real "fuck you," | 0:58:28 | 0:58:32 | |
-it's a semi-playful "fuck you." -We're not Jamie and Darby. | 0:58:32 | 0:58:34 | |
We don't talk to each other that way. | 0:58:34 | 0:58:35 | |
-If you say "fuck you" to me, it feels like a real "fuck you." -It is real. | 0:58:35 | 0:58:38 | |
Fuck you. And not semi-playfully, either. | 0:58:38 | 0:58:41 | |
Fuck you. Total, real, cutting-to-the-core fuck you. | 0:58:41 | 0:58:44 | |
Darby? Are you OK? | 0:58:58 | 0:59:01 | |
Shit's bad. | 0:59:02 | 0:59:05 | |
You want to get some goat? | 0:59:05 | 0:59:07 | |
Crushes fade. Things lose their lustre, you know? | 0:59:07 | 0:59:10 | |
Maybe I'm just down on relationships right now. | 0:59:10 | 0:59:13 | |
-What about Jamie? -Jamie's in love with Jamie. | 0:59:13 | 0:59:16 | |
But you guys seemed great. | 0:59:16 | 0:59:19 | |
You know how no-one will ever pick up just a male hitchhiker, | 0:59:19 | 0:59:22 | |
but if it's a couple, you might pull over? | 0:59:22 | 0:59:25 | |
Well, I'm the girl so you'll pull over and pick up Jamie. | 0:59:25 | 0:59:29 | |
Doing ayahuasca, I realised... | 0:59:29 | 0:59:33 | |
I never forgave my mom for dying, | 0:59:33 | 0:59:36 | |
and until I do, | 0:59:36 | 0:59:38 | |
I'll never have a decent relationship with a guy. | 0:59:38 | 0:59:41 | |
-When did she die? -When I was in high school. | 0:59:41 | 0:59:44 | |
-She had ovarian cancer. -I'm sorry. | 0:59:44 | 0:59:47 | |
Isn't that also how Jamie's mom died? | 0:59:49 | 0:59:52 | |
He talked about it in the film. | 0:59:52 | 0:59:55 | |
Why'd you let Jamie use your scholar? | 0:59:55 | 0:59:57 | |
I was trying out being generous. | 1:00:00 | 1:00:03 | |
He'd do the same for me. That's how you guys are. | 1:00:03 | 1:00:06 | |
Oh, Josh... | 1:00:06 | 1:00:08 | |
you're such a man-fox. | 1:00:08 | 1:00:11 | |
Man-fox? | 1:00:11 | 1:00:13 | |
I wish it didn't need the "man" qualifier. | 1:00:13 | 1:00:16 | |
Because you're like a hot dad. | 1:00:16 | 1:00:18 | |
Without children. | 1:00:19 | 1:00:21 | |
We shouldn't. | 1:00:27 | 1:00:28 | |
-This is the part where I say, "I was a bet." -What? | 1:00:31 | 1:00:35 | |
You know those romantic comedies when the girl's a bet? | 1:00:35 | 1:00:38 | |
Yeah. Just because they did, doesn't mean we have to. | 1:00:38 | 1:00:41 | |
What? What do you mean? | 1:00:41 | 1:00:44 | |
She never told you? | 1:00:44 | 1:00:45 | |
Jamie and Cornelia made out at the ayahuasca. | 1:00:45 | 1:00:48 | |
It was in the papyrus reeds behind the pyramids. | 1:00:48 | 1:00:50 | |
I'm sorry, I stole one of Tipper's Adderalls. | 1:00:52 | 1:00:55 | |
-Do you want to go dancing? -Yeah. | 1:00:55 | 1:00:58 | |
I'm not going home tonight. | 1:00:58 | 1:01:01 | |
POP MUSIC BLARES | 1:01:01 | 1:01:05 | |
Thanks for meeting me so early. | 1:01:17 | 1:01:19 | |
We've got a butt-load to do. | 1:01:19 | 1:01:20 | |
Dave needs a budget for Afghanistan. | 1:01:20 | 1:01:23 | |
I'm almost finished with it. | 1:01:23 | 1:01:24 | |
I've been reading a lot about Afghanistan. It's crazy. | 1:01:24 | 1:01:26 | |
You know no-one has ever been able to successfully occupy Afghanistan? | 1:01:26 | 1:01:29 | |
-I've heard that. -But I think we've got something now. | 1:01:29 | 1:01:32 | |
With your help, it can really be something. | 1:01:32 | 1:01:34 | |
Leslie's notes were beautiful. | 1:01:34 | 1:01:36 | |
He's smart that way. | 1:01:36 | 1:01:38 | |
And really chill to kick it with. | 1:01:38 | 1:01:40 | |
I'm sorry, I... | 1:01:44 | 1:01:45 | |
Josh and I had a fight last night, and he didn't come home. | 1:01:47 | 1:01:51 | |
Hey. | 1:01:51 | 1:01:52 | |
Hey, hey. | 1:01:54 | 1:01:56 | |
It's going to be OK. | 1:01:59 | 1:02:01 | |
Joshy will come back. | 1:02:01 | 1:02:03 | |
Thank you. | 1:02:03 | 1:02:05 | |
Ugh! I'm sorry I'm like this. | 1:02:05 | 1:02:07 | |
Hey, no worries. | 1:02:07 | 1:02:09 | |
I was thinking, | 1:02:10 | 1:02:12 | |
maybe you and your dad would want to work on my thing together? | 1:02:12 | 1:02:15 | |
He seems to want to get involved. | 1:02:15 | 1:02:17 | |
It might be kind of great, right? | 1:02:17 | 1:02:19 | |
I mean, you're producing, but he could bless it, essentially. | 1:02:19 | 1:02:23 | |
Bless it? Like a sneeze? | 1:02:23 | 1:02:26 | |
No. I was thinking more like the Pope. | 1:02:26 | 1:02:29 | |
He doesn't really do that kind of thing. | 1:02:29 | 1:02:31 | |
Well, I think if you asked him, he might. | 1:02:31 | 1:02:33 | |
Did you ever see Power Elite? | 1:02:35 | 1:02:37 | |
What's that? | 1:02:37 | 1:02:39 | |
Josh's movie! Goddamn, yes. | 1:02:39 | 1:02:41 | |
I told him that. I loved that scene with the dogs. | 1:02:41 | 1:02:44 | |
When you went to Josh's class, | 1:02:44 | 1:02:46 | |
you knew Josh and I were married, didn't you? | 1:02:46 | 1:02:48 | |
And that Leslie was my dad. | 1:02:48 | 1:02:50 | |
Hey, I admire lots of people. I want lots of things. | 1:02:51 | 1:02:54 | |
You know what I mean. We all want stuff. | 1:02:54 | 1:02:56 | |
It doesn't mean we're douchebags. | 1:02:56 | 1:02:58 | |
You're a hip chick. | 1:02:58 | 1:03:00 | |
You kissed me, you're married to my friend, but I get it. | 1:03:00 | 1:03:02 | |
-I thought you were Josh. -The first time. | 1:03:02 | 1:03:05 | |
You know, but, out of context, if other people heard about it, | 1:03:07 | 1:03:12 | |
it might be misconstrued. | 1:03:12 | 1:03:14 | |
Where were you last night? | 1:03:23 | 1:03:25 | |
I was dancing with Darby at an after-hours gay club. | 1:03:25 | 1:03:27 | |
-Is this some kind of a private meeting? -Did you follow me here? | 1:03:27 | 1:03:30 | |
I follow him on Twitter! We can't lie like we used to lie any more! | 1:03:30 | 1:03:33 | |
Everything's reported. Nothing's private. | 1:03:33 | 1:03:35 | |
-There's nothing going on. -Don't lie to me. You kissed him. | 1:03:35 | 1:03:37 | |
-I know all about it. -I thought he was you, Joshy. | 1:03:37 | 1:03:40 | |
Don't call me Joshy! You don't call me Joshy. | 1:03:40 | 1:03:43 | |
-Sorry. -It's all a pose! | 1:03:43 | 1:03:45 | |
It's like he once saw a sincere person | 1:03:45 | 1:03:47 | |
and has been imitating him ever since! | 1:03:47 | 1:03:49 | |
-And you're falling for it. -I didn't even like them! | 1:03:49 | 1:03:52 | |
You convinced me how awesome they were. | 1:03:52 | 1:03:54 | |
They're entitled little brats. | 1:03:54 | 1:03:56 | |
And don't you see? It's all a plan. | 1:03:56 | 1:03:58 | |
He's trying to destroy me. | 1:03:58 | 1:04:00 | |
Go back inside! You know what? You and your father can have him. | 1:04:00 | 1:04:04 | |
You always wanted a more successful me, so go for it. | 1:04:04 | 1:04:06 | |
-What is wrong with you? -I didn't know when we got married | 1:04:06 | 1:04:09 | |
that you'd want to play kissy face with 25 year olds. | 1:04:09 | 1:04:11 | |
I didn't know that, either! | 1:04:11 | 1:04:13 | |
And I didn't know that you'd never finish your movie. | 1:04:13 | 1:04:15 | |
I'm going to finish it! I just need to get it right. | 1:04:15 | 1:04:17 | |
It's obsession. It's fear. I don't know what it is. It's... | 1:04:17 | 1:04:21 | |
-Please... -What the...? -..will you go back inside?! | 1:04:21 | 1:04:23 | |
It's not really about making anything. | 1:04:23 | 1:04:26 | |
At least Jamie makes something. | 1:04:26 | 1:04:27 | |
Do not compare what I do with him. | 1:04:27 | 1:04:30 | |
Why not? When you felt a part of it, you loved it. | 1:04:30 | 1:04:33 | |
And you use your movie as an excuse not to do anything. | 1:04:33 | 1:04:36 | |
We don't go on vacations, we don't make decisions, | 1:04:36 | 1:04:39 | |
-we don't have kids. -I want a kid. | 1:04:39 | 1:04:41 | |
But you want it now that it's impossible. | 1:04:41 | 1:04:43 | |
-It's not impossible! -No, it's over. It's done. | 1:04:43 | 1:04:46 | |
I'm not putting myself through that any more. This is closed. | 1:04:46 | 1:04:50 | |
Marina's at a work dinner. | 1:05:03 | 1:05:06 | |
-They're both top sheets, but...you know. -Thanks. | 1:05:06 | 1:05:10 | |
Ah, you might wake up when I come through for Willow's 2am feeding. | 1:05:10 | 1:05:13 | |
And the 5am feeding. And then all the other times she wakes up. | 1:05:13 | 1:05:17 | |
-That's OK. How is she? -Cool baby. | 1:05:17 | 1:05:20 | |
But, to be honest... | 1:05:20 | 1:05:22 | |
..it's a little hard for me to relate to an infant. | 1:05:24 | 1:05:26 | |
It seems kind of cool, though. | 1:05:26 | 1:05:28 | |
It's like the pregnancy, it's its own thing. | 1:05:28 | 1:05:31 | |
You get so used to it. | 1:05:31 | 1:05:32 | |
After a while, I just felt like, | 1:05:32 | 1:05:34 | |
we did this, we don't actually need the baby. | 1:05:34 | 1:05:37 | |
I'm sorry if I've appeared crazy or... | 1:05:38 | 1:05:41 | |
I don't know. | 1:05:41 | 1:05:43 | |
I'm sorry we didn't invite you to the party. | 1:05:43 | 1:05:46 | |
I think I've been jealous of you guys having a kid. | 1:05:46 | 1:05:48 | |
You know...before you have a kid, everyone tells you, | 1:05:49 | 1:05:54 | |
"It's the best thing you'll ever do." | 1:05:54 | 1:05:56 | |
And as soon as you get the baby back from the hospital, | 1:05:56 | 1:05:58 | |
those same people are like, "Don't worry, it gets better." | 1:05:58 | 1:06:01 | |
I'm like, "What the fuck was all that before?" | 1:06:01 | 1:06:03 | |
But having Willow must've changed your whole perspective on life. | 1:06:03 | 1:06:08 | |
Not as much as I'd hoped it would. | 1:06:08 | 1:06:11 | |
I... I love my baby, | 1:06:11 | 1:06:12 | |
but I'm still the most important person in my life. | 1:06:12 | 1:06:15 | |
Hey, did I tell you I have a herniated disk? | 1:06:18 | 1:06:21 | |
L5 or some shit. I'm getting an epidural on Monday. | 1:06:21 | 1:06:24 | |
I have arthritis in my knees. | 1:06:24 | 1:06:25 | |
HE LAUGHS | 1:06:25 | 1:06:27 | |
What the fuck is happening to us? | 1:06:27 | 1:06:29 | |
-Hey. -Hi. | 1:06:38 | 1:06:42 | |
Hey, man. | 1:06:42 | 1:06:43 | |
I'm sorry about not paying you. | 1:06:44 | 1:06:47 | |
Yeah. | 1:06:47 | 1:06:48 | |
I mean, I hoped the money would come in, and it didn't. | 1:06:48 | 1:06:52 | |
I kind of fudged that. | 1:06:53 | 1:06:54 | |
I just can't work for nothing, you know? | 1:06:54 | 1:06:57 | |
But thanks for hooking me up with Jamie. | 1:06:58 | 1:07:00 | |
-I've been freelancing a bit for him. -Mmm-hmm. | 1:07:00 | 1:07:03 | |
If you're not too busy there, | 1:07:03 | 1:07:05 | |
I wanted to hire you back for a couple of weeks. | 1:07:05 | 1:07:07 | |
-I can pay you. -Did the grant money come in? | 1:07:07 | 1:07:10 | |
No. | 1:07:10 | 1:07:11 | |
I sold all my CDs. | 1:07:11 | 1:07:13 | |
And some other things. | 1:07:14 | 1:07:16 | |
Leslie suggested we cut the bit about Turkish politics. | 1:07:16 | 1:07:19 | |
-But I told him it was crucial. -I think it's a good idea. | 1:07:19 | 1:07:22 | |
-Yeah? -Yeah. We got to cut something. | 1:07:22 | 1:07:25 | |
OK, let's give it a try. | 1:07:26 | 1:07:29 | |
I've been unhappy... | 1:07:29 | 1:07:31 | |
Oh, this is Jamie's footage. | 1:07:31 | 1:07:33 | |
Some stuff I was working on. | 1:07:33 | 1:07:35 | |
-Wait. -What? | 1:07:35 | 1:07:37 | |
-Hold on that image of Kent. -OK. | 1:07:37 | 1:07:39 | |
Blow it up. | 1:07:42 | 1:07:43 | |
I can't do that on this machine. | 1:07:43 | 1:07:45 | |
-Really? -No. | 1:07:45 | 1:07:47 | |
That's Darby's ice cream. | 1:07:48 | 1:07:50 | |
It looks like mint of some kind. | 1:07:50 | 1:07:53 | |
It's avocado. Darby was there before we were. | 1:07:53 | 1:07:56 | |
'I got my first response on Facebook. Kent Arlington. | 1:07:56 | 1:07:58 | |
'I haven't seen him since high school in Santa Cruz.' | 1:07:58 | 1:08:00 | |
You said we should be open to surprises, right? | 1:08:00 | 1:08:02 | |
-I just googled Kent. Did you google him? He was in Afghanistan. -Really? | 1:08:02 | 1:08:05 | |
-My mom was really sick with ovarian cancer. -'When I was in high school.' | 1:08:05 | 1:08:08 | |
-She had ovarian cancer. -Isn't that also how...? | 1:08:08 | 1:08:10 | |
Thank God I've got you! We did what you said. We didn't know the answers. We discovered them. | 1:08:10 | 1:08:14 | |
Don't you see? | 1:08:14 | 1:08:15 | |
She brought Kent the ice cream. | 1:08:15 | 1:08:17 | |
I know Jamie's your friend, but... | 1:08:18 | 1:08:21 | |
..to be honest, he's kind of a prick. | 1:08:22 | 1:08:24 | |
# I'm playing Nintendo | 1:08:27 | 1:08:29 | |
# That's not what I'm doing That's not what I'm doing | 1:08:29 | 1:08:32 | |
# I'm crying my eyes out | 1:08:32 | 1:08:35 | |
# That's not what I'm doing That's not what I'm doing | 1:08:35 | 1:08:38 | |
# That's not what I'm fucking doing | 1:08:38 | 1:08:40 | |
# I am fucking exposing your shit, motherfucker! # | 1:08:40 | 1:08:44 | |
Hey. Is Kent here? | 1:08:50 | 1:08:53 | |
CHILD SCREAMS | 1:08:55 | 1:08:57 | |
-Is everything OK? -My son turns nine today. | 1:08:57 | 1:09:00 | |
Oh. Happy birthday. | 1:09:00 | 1:09:03 | |
-You're so intense. -I'm focusing. | 1:09:25 | 1:09:28 | |
There. | 1:09:31 | 1:09:32 | |
Thank you. | 1:09:35 | 1:09:36 | |
You know, looking back on my career, | 1:09:36 | 1:09:38 | |
I wonder, how did I accomplish so much? | 1:09:38 | 1:09:40 | |
If I'm honest with myself, it sometimes took being a selfish prick | 1:09:40 | 1:09:44 | |
at the expense of you and your mother. | 1:09:44 | 1:09:46 | |
Of course, I don't say that - I say talent, work, luck. | 1:09:46 | 1:09:50 | |
Your husband doesn't realise what it takes, he... | 1:09:50 | 1:09:53 | |
He still believes the speeches. | 1:09:53 | 1:09:55 | |
You know, when I first started dating him, he reminded me so much of you. | 1:09:55 | 1:09:58 | |
He wants what I have, but he's not merciless enough to get it. | 1:09:58 | 1:10:02 | |
I learned magic from a dude, Alvin, over in Afghanistan. | 1:10:06 | 1:10:09 | |
-He was shredded by a land mine. -Oh, that's terrible. | 1:10:09 | 1:10:12 | |
I'm more old-fashioned in my approach. | 1:10:12 | 1:10:14 | |
I don't lock myself up in a box or anything, | 1:10:14 | 1:10:16 | |
it's mostly cards and balls. | 1:10:16 | 1:10:18 | |
I learned from watching videos on YouTube. | 1:10:18 | 1:10:20 | |
It keeps me from going out of my head. | 1:10:20 | 1:10:22 | |
Yeah, we need distractions. For me, it's the internet. | 1:10:22 | 1:10:26 | |
I'm trying to go on less, you know? | 1:10:26 | 1:10:28 | |
You know, it's like how many times can I check The Huffington Post? | 1:10:28 | 1:10:30 | |
How did you fucking do that? | 1:10:30 | 1:10:32 | |
-Louis! -Sorry! | 1:10:32 | 1:10:34 | |
So, what made you contact Jamie on Facebook? | 1:10:34 | 1:10:37 | |
What do you mean? | 1:10:37 | 1:10:38 | |
What made you reach out to him? | 1:10:38 | 1:10:40 | |
-I didn't. He contacted me. Here, you got something. -Oh... | 1:10:40 | 1:10:43 | |
Other side. | 1:10:43 | 1:10:45 | |
I had no idea who he was. | 1:10:45 | 1:10:47 | |
-Really? -Yeah. He said that he lived with Darby. | 1:10:47 | 1:10:50 | |
-You remember Darby? -Yeah, Darby's been a friend for years. | 1:10:50 | 1:10:54 | |
We'd Skype sometimes when I was in Kandahar. | 1:10:54 | 1:10:57 | |
The reception was really shitty, though, it'd freeze up all the time. | 1:10:57 | 1:11:00 | |
Did she, uh, know about...? | 1:11:00 | 1:11:02 | |
That you were in the hospital? | 1:11:03 | 1:11:05 | |
-Who are you again? -I'm Jamie's cameraman. | 1:11:05 | 1:11:08 | |
And why are you asking me this stuff? | 1:11:08 | 1:11:10 | |
-I'm, uh, fact-checking the movie. -Uh-huh. | 1:11:10 | 1:11:14 | |
-Hey! Bring that back, you fuckers! -Kent! | 1:11:15 | 1:11:17 | |
What did you think when Jamie started talking | 1:11:17 | 1:11:19 | |
about Darby's childhood as if it was his own? | 1:11:19 | 1:11:22 | |
He said that he was playing a part. | 1:11:22 | 1:11:24 | |
He said that when? | 1:11:26 | 1:11:28 | |
He called me a week or so before you guys came up and filmed me. | 1:11:28 | 1:11:32 | |
Can you, uh...? Can you say that again? | 1:11:32 | 1:11:34 | |
ANSWER MACHINE BEEPS | 1:11:37 | 1:11:38 | |
Josh, it's me, again. I just... | 1:11:38 | 1:11:40 | |
I... I'm so sorry. | 1:11:41 | 1:11:44 | |
I hope you come to my dad's thing. He'd like it and I'd like it. | 1:11:44 | 1:11:49 | |
And I'm so sorry for all the things we said and... | 1:11:49 | 1:11:55 | |
Can you come? Can you call me back, please? | 1:11:55 | 1:11:58 | |
Where are you, Josh? | 1:11:58 | 1:12:00 | |
DOOR BUZZES | 1:12:03 | 1:12:06 | |
KNOCKING ON DOOR | 1:12:06 | 1:12:09 | |
-I've got to talk to Jamie. -He's not here. | 1:12:09 | 1:12:12 | |
-You going somewhere? -Tampa. | 1:12:14 | 1:12:16 | |
If I stay here any longer, I'll Girl, Interrupt. | 1:12:16 | 1:12:18 | |
-I was just with Kent. -Oh, Kent. | 1:12:18 | 1:12:22 | |
-I love Kent. -I saw your ice cream in Jamie's video. | 1:12:23 | 1:12:27 | |
Well played, sir. | 1:12:30 | 1:12:31 | |
He let me think I was the one who found out about Kent in Afghanistan. | 1:12:31 | 1:12:35 | |
-Why? -Jamie doesn't want to disappoint you. | 1:12:35 | 1:12:38 | |
None of us want to disappoint you. You're such a purist. | 1:12:38 | 1:12:41 | |
Jamie would never have made the movie without Afghanistan. | 1:12:41 | 1:12:43 | |
When I told him about Kent and the massacre, | 1:12:43 | 1:12:46 | |
he thought it would make a good movie. | 1:12:46 | 1:12:48 | |
He just had to figure out how to tell it. | 1:12:48 | 1:12:49 | |
-But why not tell it honestly? -It's more entertaining this way. | 1:12:49 | 1:12:53 | |
And now it has a before and after, which, as you know, Americans love. | 1:12:53 | 1:12:57 | |
People have to know. He can't get away with this. | 1:12:57 | 1:12:59 | |
Jamie does whatever he wants. | 1:12:59 | 1:13:01 | |
This goes against everything he said he admired in me. | 1:13:01 | 1:13:04 | |
The whole principle of making a doc. | 1:13:04 | 1:13:06 | |
Darby, you don't understand, this is fraud. It's a big deal. | 1:13:06 | 1:13:10 | |
People are jailed for this kind of thing. | 1:13:10 | 1:13:12 | |
I don't like to meddle with people. | 1:13:12 | 1:13:14 | |
-If they're going to change, they'll change. -Where is he? | 1:13:14 | 1:13:18 | |
He's at your father-in-law's tribute. | 1:13:18 | 1:13:20 | |
Oh, shit! That was now! | 1:13:20 | 1:13:23 | |
And I returned the rental car. I'm a mess. | 1:13:23 | 1:13:26 | |
I can give you a jacket, and you can take Jamie's Rollerblades. | 1:13:26 | 1:13:29 | |
Thanks. | 1:13:29 | 1:13:31 | |
You know, me and Jamie always wondered, | 1:13:31 | 1:13:33 | |
how are we going to get old? | 1:13:33 | 1:13:35 | |
And the answer is... | 1:13:35 | 1:13:36 | |
..just like everyone else. | 1:13:37 | 1:13:39 | |
'What is your name?' | 1:13:48 | 1:13:50 | |
-Jamie Massey. -Jamie Massey, OK. Jamie Massey, everyone, Jamie Massey. | 1:13:50 | 1:13:54 | |
Jeez Louise. I've never been to a rat-fuck like this! | 1:14:12 | 1:14:15 | |
-Did you see Patti Smith? -Where? | 1:14:15 | 1:14:17 | |
This is my bathtub! | 1:14:35 | 1:14:37 | |
APPLAUSE | 1:14:45 | 1:14:49 | |
Can I get a Shirley Temple? | 1:14:52 | 1:14:54 | |
-Erm... -What're you doing, dude? | 1:14:54 | 1:14:57 | |
-Can I stand here for a second? -No. | 1:14:57 | 1:14:59 | |
-What can I get you, sir? -Shirley Temple. | 1:14:59 | 1:15:01 | |
No problem. Right this way. | 1:15:01 | 1:15:03 | |
Looking, listening. | 1:15:10 | 1:15:13 | |
These are simple enough acts, are they not? | 1:15:13 | 1:15:16 | |
We don't need any instruction on how to use our eyes and ears. | 1:15:16 | 1:15:19 | |
Or we don't think we do until we see a Leslie Breitbart film. | 1:15:19 | 1:15:23 | |
Yosh? | 1:15:33 | 1:15:35 | |
You OK? | 1:15:35 | 1:15:37 | |
My friend, Leslie Breitbart. | 1:15:37 | 1:15:39 | |
APPLAUSE | 1:15:39 | 1:15:42 | |
I've been thinking of tonight as my memorial for so long, | 1:15:46 | 1:15:48 | |
I had completely forgotten that I... | 1:15:48 | 1:15:51 | |
actually had to be alive for it. | 1:15:51 | 1:15:53 | |
LAUGHTER | 1:15:53 | 1:15:54 | |
Is that my jacket? | 1:15:54 | 1:15:56 | |
Are those my blades? | 1:15:57 | 1:16:00 | |
Are they? Who knows? | 1:16:00 | 1:16:02 | |
Maybe they're Darby's. Darby's, yours, mine. | 1:16:02 | 1:16:06 | |
-Cookie O'Puss. -Where have you been? Everyone's asking about you. | 1:16:07 | 1:16:10 | |
I was in Poughkeepsie. | 1:16:10 | 1:16:12 | |
OK. | 1:16:13 | 1:16:15 | |
It seems like you made a whole lot of stuff up. | 1:16:15 | 1:16:17 | |
'Now, people have criticised me' | 1:16:17 | 1:16:19 | |
and some of my colleagues, | 1:16:19 | 1:16:20 | |
saying that we were pretending to be objective | 1:16:20 | 1:16:23 | |
when there is no objectivity. | 1:16:23 | 1:16:26 | |
OK, we were trying to capture truth. | 1:16:26 | 1:16:28 | |
But the truth of experience... | 1:16:28 | 1:16:32 | |
I don't want to miss his speech. | 1:16:32 | 1:16:34 | |
You know, it's your responsibility to be honest. | 1:16:34 | 1:16:37 | |
People are going to believe it. | 1:16:37 | 1:16:39 | |
I didn't do anything nobody else does. | 1:16:39 | 1:16:40 | |
"I didn't do anything nobody else..." | 1:16:40 | 1:16:42 | |
You reveal everything and nothing. | 1:16:42 | 1:16:45 | |
You said you wanted to be a real documentarian. | 1:16:45 | 1:16:47 | |
I do. | 1:16:47 | 1:16:48 | |
I thought you were about process. | 1:16:48 | 1:16:50 | |
Process and ice cream. | 1:16:50 | 1:16:53 | |
But you really will do anything to be successful. | 1:16:53 | 1:16:56 | |
Success isn't my thing, Josh, it's yours. | 1:16:56 | 1:16:58 | |
Yeah, you're right, it is my thing. | 1:16:58 | 1:17:00 | |
I've got a fucked-up relationship with success. | 1:17:00 | 1:17:02 | |
I want it and I don't have it. | 1:17:02 | 1:17:04 | |
But what you have scares the shit out of me. | 1:17:04 | 1:17:06 | |
What we were trying to say as film-makers | 1:17:06 | 1:17:08 | |
is that what we were filming was more interesting than we were. | 1:17:08 | 1:17:13 | |
We weren't trying to be objective. | 1:17:13 | 1:17:15 | |
You're not uncomfortable at all. | 1:17:15 | 1:17:18 | |
Why should I be uncomfortable? | 1:17:18 | 1:17:19 | |
See, that I just find weird. | 1:17:19 | 1:17:21 | |
You're the only one who is weird about this. | 1:17:21 | 1:17:23 | |
I asked you to co-direct. | 1:17:23 | 1:17:24 | |
Yeah, because you knew I'd say, "No." | 1:17:24 | 1:17:26 | |
'We were trying to be open,' | 1:17:26 | 1:17:28 | |
and to learn from the people we were filming. | 1:17:28 | 1:17:31 | |
Jeez, Joshy, everyone does this kind of thing. | 1:17:31 | 1:17:34 | |
I don't. I don't do something like this. | 1:17:34 | 1:17:37 | |
I'm trying to make movies to figure out the truth. | 1:17:37 | 1:17:39 | |
-Really? -Yes! | 1:17:39 | 1:17:41 | |
We saw truth not through telling you what we thought, | 1:17:41 | 1:17:44 | |
but through a different ethical approach to film-making... | 1:17:44 | 1:17:49 | |
that allowed the world to reveal itself to us. | 1:17:49 | 1:17:52 | |
I do know that documentaries are over. | 1:17:52 | 1:17:55 | |
Are you kidding? It's what everyone is doing. | 1:17:55 | 1:17:56 | |
HIS documentaries are over. | 1:17:56 | 1:17:58 | |
What you're doing is something else. | 1:17:58 | 1:18:00 | |
If everyone is filming everything, what's a documentary any more? | 1:18:00 | 1:18:03 | |
It has no meaning, it's just some shit you recorded! | 1:18:03 | 1:18:06 | |
Is that old man talk? Maybe it is. | 1:18:06 | 1:18:09 | |
You kids have been told you can do anything. | 1:18:11 | 1:18:13 | |
You think everything is out there for you to have. It's not. | 1:18:15 | 1:18:18 | |
Nobody owns anything. | 1:18:18 | 1:18:19 | |
If I hear a song I like, or a story, it's mine. | 1:18:19 | 1:18:22 | |
It's mine to use. It's everybody's. | 1:18:22 | 1:18:23 | |
No, it isn't! That's not sharing, Jamie, that's stealing. | 1:18:23 | 1:18:26 | |
-That's old-man talk. -I am an old man! | 1:18:26 | 1:18:29 | |
I can't let Cornelia and Leslie walk down this road with you. | 1:18:32 | 1:18:35 | |
I want you to go in there and tell them what you've done. | 1:18:35 | 1:18:37 | |
If you won't do it, I'll do it for you. | 1:18:39 | 1:18:41 | |
OK. | 1:18:45 | 1:18:47 | |
What else can I tell you? | 1:18:47 | 1:18:50 | |
After all these years, I still don't have all the answers, | 1:18:50 | 1:18:53 | |
and for the sake of documentary cinema, | 1:18:53 | 1:18:57 | |
I intend to leave it that way. Thank you so much for this tribute. | 1:18:57 | 1:19:00 | |
APPLAUSE | 1:19:00 | 1:19:02 | |
You know, it's just the way... | 1:19:07 | 1:19:08 | |
-Josh! -Sorry I'm late, Leslie. | 1:19:08 | 1:19:10 | |
I caught your speech from the lobby, though, | 1:19:10 | 1:19:12 | |
-and it was really inspiring, spot on. -Are you OK, son? | 1:19:12 | 1:19:15 | |
Do you want to sit down? | 1:19:15 | 1:19:16 | |
Jamie has something he wants to tell all of you. | 1:19:16 | 1:19:18 | |
Go ahead. | 1:19:18 | 1:19:20 | |
Not all of the stuff in my movie happened exactly as I said it did. | 1:19:20 | 1:19:22 | |
-I played around with some of the timeline. -OK. | 1:19:22 | 1:19:26 | |
-Yeah. -Yeah, and... | 1:19:26 | 1:19:28 | |
And what? | 1:19:28 | 1:19:31 | |
You did a lot more than that. Come on. | 1:19:31 | 1:19:33 | |
He didn't even know Kent. Darby did. | 1:19:33 | 1:19:36 | |
Darby's mother died of ovarian cancer. | 1:19:36 | 1:19:38 | |
Jamie's mom is probably alive and kicking in Idaho. | 1:19:38 | 1:19:41 | |
Josh, this is kind of my night. | 1:19:41 | 1:19:43 | |
-You just need to hear this. -That's basically it. | 1:19:43 | 1:19:45 | |
That's not basically it! | 1:19:45 | 1:19:46 | |
You knew that Kent had tried to kill himself. | 1:19:46 | 1:19:48 | |
-Right. -Say it! -Josh, let him speak. | 1:19:48 | 1:19:51 | |
The gist is the same. | 1:19:51 | 1:19:52 | |
I authored a bit of how I came to it. | 1:19:52 | 1:19:55 | |
I mean, I'm not that good a writer. | 1:19:55 | 1:19:57 | |
If I made it all up, I'd be the best writer in Hollywood | 1:19:57 | 1:20:00 | |
and...and Kent would be Marlon Brando. | 1:20:00 | 1:20:01 | |
-I never said it was amazing, I just said it was faked. -Some of the timeline was adjusted... | 1:20:01 | 1:20:05 | |
Would you stop with the timeline crap? Jamie knew that Kent had tried to kill himself. | 1:20:05 | 1:20:09 | |
That he'd been in Afghanistan. We didn't just stumble upon it, | 1:20:09 | 1:20:11 | |
it was rigged. | 1:20:11 | 1:20:12 | |
Jamie invented the whole Facebook thing | 1:20:12 | 1:20:14 | |
-because he knew it would play better. -Kent wasn't in Afghanistan? | 1:20:14 | 1:20:17 | |
-No, Kent WAS in Afghanistan. -So, what's the problem? -It's... | 1:20:17 | 1:20:21 | |
It's the way... The way that he said that he found him is not true. | 1:20:21 | 1:20:24 | |
Kent served our country, you're being offensive. | 1:20:24 | 1:20:26 | |
Is what Josh is saying true? | 1:20:26 | 1:20:28 | |
Well, I did know, but I don't think it really matters, though, | 1:20:28 | 1:20:31 | |
the movie's not about that. | 1:20:31 | 1:20:32 | |
Of course it matters. Leslie, explain. | 1:20:32 | 1:20:35 | |
I don't know that it totally matters in this case. | 1:20:35 | 1:20:37 | |
-What? -I don't care. -I didn't expect you to care! | 1:20:37 | 1:20:40 | |
Leslie, are you kidding me? You don't care? | 1:20:40 | 1:20:42 | |
You just gave a speech about authenticity! | 1:20:42 | 1:20:45 | |
The movie works on so many levels, | 1:20:45 | 1:20:47 | |
the happenstance of it, to be honest with you, | 1:20:47 | 1:20:49 | |
is the least interesting part. | 1:20:49 | 1:20:51 | |
I can't believe it! | 1:20:51 | 1:20:52 | |
This movie isn't worth the... | 1:20:52 | 1:20:54 | |
RAM it's stored on! | 1:20:54 | 1:20:55 | |
He's a con artist, Leslie! | 1:20:55 | 1:20:58 | |
Your generation of sit-ins and protesters and...pack rats | 1:20:58 | 1:21:02 | |
would be horrified by this demon! | 1:21:02 | 1:21:04 | |
Josh, you're hysterical. | 1:21:04 | 1:21:06 | |
I'm not hysterical! I'm... | 1:21:06 | 1:21:07 | |
-CLATTERING AND SMASHING -Shit, I'm sorry. I'm sorry. | 1:21:07 | 1:21:10 | |
Cornelia? | 1:21:12 | 1:21:14 | |
I don't know. | 1:21:14 | 1:21:15 | |
I think he's an asshole, but the movie's pretty good. | 1:21:16 | 1:21:20 | |
And I'm sorry I think that. | 1:21:20 | 1:21:22 | |
This is so frustrating! This... | 1:21:22 | 1:21:25 | |
I'm going to get no satisfaction here, am I? | 1:21:25 | 1:21:27 | |
This guy's just going to win, no matter what. | 1:21:27 | 1:21:29 | |
This is not how the world works. | 1:21:29 | 1:21:31 | |
Why does it have to be one thing or another? Things change. | 1:21:31 | 1:21:35 | |
Different things matter now. | 1:21:35 | 1:21:36 | |
OK, forget ethics, then. What about me? | 1:21:36 | 1:21:40 | |
You played me. | 1:21:40 | 1:21:41 | |
But you acted in it. | 1:21:41 | 1:21:42 | |
Only because I thought it was real. | 1:21:42 | 1:21:44 | |
I loved you. | 1:21:49 | 1:21:51 | |
I really like you, too. We're friends. | 1:21:53 | 1:21:55 | |
I really believed it. | 1:21:57 | 1:21:58 | |
I was a bet. | 1:22:03 | 1:22:04 | |
-Are you OK, son? -I'm not crying. I'm not. | 1:22:07 | 1:22:11 | |
Are you filming this? | 1:22:16 | 1:22:17 | |
Josh, your sleeve is on fire! | 1:22:17 | 1:22:19 | |
Ah! | 1:22:20 | 1:22:21 | |
I took your note, by the way. | 1:22:34 | 1:22:36 | |
I cut the stuff about Turkish politics. | 1:22:36 | 1:22:38 | |
You were right, I don't need it. | 1:22:38 | 1:22:40 | |
Glad to hear that, son. | 1:22:40 | 1:22:42 | |
It doesn't matter that it was faked | 1:22:50 | 1:22:52 | |
because the movie isn't about Afghanistan or Kent, | 1:22:52 | 1:22:56 | |
or anyone, it's all about Jamie. | 1:22:56 | 1:22:59 | |
In my head, when I was blading over, I swept in and exposed everything. | 1:22:59 | 1:23:04 | |
I was such a hero. | 1:23:04 | 1:23:06 | |
Thanks. | 1:23:09 | 1:23:10 | |
I wanted so badly... | 1:23:14 | 1:23:17 | |
I wanted to be admired. | 1:23:20 | 1:23:22 | |
-I wanted a protege. -I know. | 1:23:24 | 1:23:26 | |
He looked at me like I was a real grown-up person. | 1:23:26 | 1:23:31 | |
For the first time in my life, | 1:23:31 | 1:23:32 | |
I've stopped thinking of myself as a child imitating an adult. | 1:23:32 | 1:23:37 | |
You feel that way, too? | 1:23:37 | 1:23:39 | |
I'm 44, and there are things I will never do. | 1:23:40 | 1:23:44 | |
Things I won't have. | 1:23:45 | 1:23:47 | |
What's the opposite of "the world is your oyster"? | 1:23:50 | 1:23:52 | |
I wish we could just go back and meet each other all over again. | 1:23:54 | 1:23:58 | |
I'd present myself differently, | 1:24:00 | 1:24:03 | |
so I didn't get your hopes up. | 1:24:03 | 1:24:04 | |
I think it's hard for me to have something great every day... | 1:24:08 | 1:24:11 | |
..and to acknowledge it. | 1:24:13 | 1:24:14 | |
I have something great every day. | 1:24:19 | 1:24:21 | |
If we were different people, | 1:24:26 | 1:24:28 | |
I'd ask you to... | 1:24:28 | 1:24:30 | |
renew our vows. | 1:24:30 | 1:24:31 | |
I think it's nice to renew vows. | 1:24:33 | 1:24:35 | |
Maybe we are different people. | 1:24:37 | 1:24:40 | |
-Call when you get there! -We will, Fox. | 1:25:07 | 1:25:09 | |
You're going to be such great parents. | 1:25:09 | 1:25:11 | |
Hey, the guy's waving at us. We gotta go, Marina! | 1:25:11 | 1:25:13 | |
-They've changed the rules. -Bye, Willow! -We'll be back in a week. | 1:25:13 | 1:25:17 | |
Fox, I'm going to cry. | 1:25:17 | 1:25:18 | |
The cop's coming! Marina, we gotta go. | 1:25:18 | 1:25:20 | |
Send pictures of the little man. We love you guys. | 1:25:20 | 1:25:23 | |
-All right, bye. -Love you, Fletcher! | 1:25:23 | 1:25:24 | |
I love you, too, but I'm not getting arrested for you! Marina! | 1:25:24 | 1:25:28 | |
Oh, thanks. | 1:25:32 | 1:25:35 | |
You really need ten? | 1:25:35 | 1:25:36 | |
It's four hours to Port-au-Prince. | 1:25:36 | 1:25:38 | |
-I can't believe it. -Me neither. | 1:25:43 | 1:25:46 | |
Look who it is! | 1:25:56 | 1:25:57 | |
'Are you a hipster? | 1:26:02 | 1:26:04 | |
'Well, I'm of a certain age, and I wear tight jeans.' | 1:26:04 | 1:26:06 | |
It's out there. The evil is unleashed. | 1:26:06 | 1:26:10 | |
No, you were right, he's not evil. | 1:26:11 | 1:26:14 | |
He's just young. | 1:26:16 | 1:26:18 | |
Mmm. | 1:26:21 | 1:26:23 | |
PHONE DIALS | 1:26:55 | 1:26:57 | |
HE JABBERS | 1:26:59 | 1:27:02 | |
# Golden years, gold, whop whop whop | 1:27:10 | 1:27:15 | |
# Golden years, gold, whop whop whop | 1:27:17 | 1:27:21 | |
# Golden years, gold, whop whop whop | 1:27:23 | 1:27:27 | |
# Don't let me hear you say Life's taking you nowhere, angel | 1:27:27 | 1:27:32 | |
# Come get up my baby | 1:27:32 | 1:27:35 | |
# Look at that sky Life's begun | 1:27:35 | 1:27:37 | |
# Nights are warm and the days are young | 1:27:37 | 1:27:42 | |
# Come get up my baby | 1:27:42 | 1:27:44 | |
# There's my baby Lost that's all | 1:27:44 | 1:27:46 | |
# Once I'm begging you Save her little soul | 1:27:46 | 1:27:50 | |
# Gold whop whop whop | 1:27:50 | 1:27:52 | |
# Come get up my baby | 1:27:54 | 1:27:57 | |
# Last night they loved you | 1:27:57 | 1:27:58 | |
# Opening doors and pulling some strings, angel | 1:27:58 | 1:28:03 | |
# Come get up my baby | 1:28:03 | 1:28:04 | |
# In walked luck and you looked in time | 1:28:04 | 1:28:06 | |
# Never look back walk tall, act fine | 1:28:06 | 1:28:10 | |
# Come get up my baby | 1:28:10 | 1:28:13 | |
# I'll stick with you, baby for a thousand years | 1:28:13 | 1:28:16 | |
# Nothing's gonna touch you in these golden years | 1:28:16 | 1:28:21 | |
# Gold | 1:28:23 | 1:28:24 | |
# Golden years, gold whop whop whop | 1:28:24 | 1:28:28 | |
# Come get up my baby | 1:28:30 | 1:28:32 | |
# Some of these days And it won't be long | 1:28:32 | 1:28:34 | |
# Gonna drive back down where you once belonged | 1:28:34 | 1:28:36 | |
# In the back of a dream car 20 foot long | 1:28:36 | 1:28:38 | |
# Don't cry, my sweet Don't break my heart | 1:28:38 | 1:28:40 | |
# Doing all right But you gotta get smart | 1:28:40 | 1:28:42 | |
# Wish upon, wish upon day upon day, | 1:28:42 | 1:28:44 | |
# I believe, oh, lord I believe all the way | 1:28:44 | 1:28:47 | |
# Come get up my baby | 1:28:47 | 1:28:49 | |
# Run for the shadows Run for the shadows | 1:28:49 | 1:28:52 | |
# Run for the shadows in these golden years | 1:28:52 | 1:28:56 | |
# There's my baby, lost that's all | 1:28:56 | 1:28:58 | |
# Once I'm begging you save her little soul | 1:28:58 | 1:29:01 | |
# Golden years, gold whop whop whop | 1:29:01 | 1:29:04 | |
# Come get up my baby | 1:29:07 | 1:29:09 | |
# Don't let me hear you say life's taking you nowhere, angel | 1:29:09 | 1:29:15 | |
#Come get up my baby Run for the shadows | 1:29:15 | 1:29:18 | |
# Run for the shadows | 1:29:18 | 1:29:21 | |
# Run for the shadows in these golden years | 1:29:21 | 1:29:25 | |
# I'll stick with you, baby for a thousand years | 1:29:25 | 1:29:29 | |
# Nothing's gonna touch you in these golden years | 1:29:29 | 1:29:32 | |
# Gold | 1:29:35 | 1:29:37 | |
# Golden years, gold whop whop whop | 0:00:00 | 0:00:00 | |
# Golden years, gold whop whop whop. # | 1:29:42 | 1:29:46 |