
Browse content similar to A Good Woman. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
When I was going through my wardrobe | 0:00:01 | 0:00:03 | |
I found an extra hairpin on the floor. | 0:00:03 | 0:00:06 | |
That's nothing. I found her hair in my bed! | 0:00:06 | 0:00:09 | |
# Just another tragedy of a down and out, I guess | 0:00:13 | 0:00:19 | |
# For I'm selling the thing that means everything | 0:00:20 | 0:00:24 | |
# To my life and my happiness...# | 0:00:24 | 0:00:29 | |
'Some women bring happiness wherever they go. | 0:00:33 | 0:00:36 | |
'Others, whenever they go. | 0:00:36 | 0:00:39 | |
'I do both. | 0:00:39 | 0:00:41 | |
'Husbands like to see me come. | 0:00:41 | 0:00:44 | |
'Wives prefer to see me go.' | 0:00:44 | 0:00:46 | |
There she is! That's her. | 0:00:46 | 0:00:48 | |
Whose husband didn't she sleep with? | 0:00:48 | 0:00:50 | |
Who's she with now? | 0:00:50 | 0:00:51 | |
Who knows? | 0:00:51 | 0:00:52 | |
She's older than I thought. | 0:00:52 | 0:00:53 | |
Shh! Look, look! Watch. | 0:00:53 | 0:00:55 | |
This'll teach her. | 0:00:57 | 0:00:58 | |
I'm sorry, Mrs Erlynne, but that account was closed - | 0:00:58 | 0:01:02 | |
by Mrs Fairchild. | 0:01:02 | 0:01:04 | |
I wish you'd told me before I ordered the Bordeaux. | 0:01:06 | 0:01:09 | |
What Bordeaux, Mrs Erlynne? | 0:01:11 | 0:01:12 | |
Joe, you're my kind of guy. | 0:01:12 | 0:01:15 | |
Is she behind me? | 0:01:17 | 0:01:18 | |
In the blue. | 0:01:18 | 0:01:20 | |
Charge it to Senator Kleghorn. | 0:01:20 | 0:01:22 | |
That's Mrs Kleghorn sitting next to Mrs Fairchild. | 0:01:22 | 0:01:25 | |
What a small world. | 0:01:25 | 0:01:26 | |
And Mrs Winters on her right. | 0:01:26 | 0:01:27 | |
Oh. And getting smaller. | 0:01:27 | 0:01:31 | |
You wanna go out the back? | 0:01:31 | 0:01:33 | |
No, no. If you go out the back... | 0:01:33 | 0:01:35 | |
You'll never come in the front, Joe. | 0:01:35 | 0:01:36 | |
A lady always leaves the way she came. | 0:01:38 | 0:01:40 | |
Just look at her. I thought my husband had more taste. | 0:01:45 | 0:01:48 | |
So sorry to hear you're leaving us, Mrs Erlynne. | 0:01:48 | 0:01:51 | |
I'm leaving you? | 0:01:51 | 0:01:53 | |
I'll prepare your bill. | 0:01:53 | 0:01:55 | |
# I ask you to make me an offer | 0:01:57 | 0:02:01 | |
# I don't know how much it will be | 0:02:01 | 0:02:05 | |
# It isn't a lot, but it's all I've got | 0:02:05 | 0:02:10 | |
# Who'll buy an old gold ring? | 0:02:10 | 0:02:14 | |
# It's known me as poor as a beggar | 0:02:14 | 0:02:18 | |
# And it's known me as rich as a king | 0:02:18 | 0:02:22 | |
# And it's known me in hell and in heaven as well | 0:02:22 | 0:02:27 | |
# Who'll buy an old gold ring?... # | 0:02:27 | 0:02:32 | |
'My sudden change in circumstance | 0:02:40 | 0:02:42 | |
'was not the only reason for my departure. | 0:02:42 | 0:02:45 | |
'The Italian coast in summer attracts the rich and famous. | 0:02:45 | 0:02:49 | |
'I'm infamous and poor. | 0:02:49 | 0:02:51 | |
'Close enough. | 0:02:51 | 0:02:53 | |
'One door closes, another opens. | 0:02:54 | 0:02:57 | |
'Sometimes that door is not the one you expect. | 0:02:57 | 0:03:01 | |
'I saw my chance and decided to take it.' | 0:03:03 | 0:03:06 | |
Meg, dear! Come along, come along. | 0:04:06 | 0:04:10 | |
Ah, Giuseppina. | 0:04:10 | 0:04:11 | |
THEY CONVERSE IN ITALIAN | 0:04:11 | 0:04:15 | |
It's the best glove shop in the city. | 0:04:15 | 0:04:17 | |
She'll give you a good discount. | 0:04:17 | 0:04:19 | |
But-but, Robert... | 0:04:19 | 0:04:20 | |
Yes, no, now you go along. | 0:04:20 | 0:04:21 | |
I'll find your husband. Don't worry. Go along. | 0:04:21 | 0:04:23 | |
This way, Madame. | 0:04:27 | 0:04:29 | |
These are pretty. | 0:04:37 | 0:04:38 | |
Your hand looks about right. | 0:04:50 | 0:04:52 | |
I beg your pardon? | 0:04:52 | 0:04:53 | |
My little sister. | 0:04:53 | 0:04:54 | |
She was adamant about details but neglected to tell me the size. | 0:04:54 | 0:04:56 | |
Would you mind? | 0:04:56 | 0:04:58 | |
Oh, no, of course not. | 0:04:58 | 0:05:00 | |
It's always a little snug the first time. | 0:05:00 | 0:05:03 | |
Maybe you should take off your ring? | 0:05:03 | 0:05:05 | |
It's my wedding ring. I never take it off. | 0:05:05 | 0:05:07 | |
The other hand, then. | 0:05:07 | 0:05:08 | |
Ahem. | 0:05:12 | 0:05:15 | |
No need to button it. You can see it fits perfectly. | 0:05:17 | 0:05:19 | |
< Lord Darlington, you depraved man! | 0:05:19 | 0:05:22 | |
What have you been up to? | 0:05:22 | 0:05:23 | |
Ignore him, Meg, dear. He's a great sinner | 0:05:23 | 0:05:27 | |
but an excellent bridge partner | 0:05:27 | 0:05:29 | |
or I would never tolerate him. | 0:05:29 | 0:05:31 | |
Do you know each other? | 0:05:31 | 0:05:33 | |
The year I spent in London. | 0:05:33 | 0:05:34 | |
Margaret, I told you about John. | 0:05:34 | 0:05:35 | |
You've, uh-you've met? | 0:05:35 | 0:05:36 | |
No, not really. It's nice to meet you. | 0:05:36 | 0:05:39 | |
It's a pleasure, Mrs Windemere. | 0:05:39 | 0:05:40 | |
Your wife was helping me select gloves for my mother. | 0:05:40 | 0:05:42 | |
Your sister, you said. | 0:05:42 | 0:05:44 | |
Either one. | 0:05:44 | 0:05:45 | |
We should have dinner. Where are you staying? | 0:05:46 | 0:05:48 | |
The grand, but we're trying to find a villa. | 0:05:48 | 0:05:50 | |
So late in the season? I warned you... | 0:05:50 | 0:05:53 | |
I know one that's come available. | 0:05:53 | 0:05:55 | |
Isn't it an election year in the Wild West? | 0:06:15 | 0:06:18 | |
Who says I'm running? | 0:06:18 | 0:06:19 | |
It's perfect! It's beautiful! | 0:06:19 | 0:06:21 | |
Did I mention the ghosts? | 0:06:21 | 0:06:23 | |
It's everything I imagined. | 0:06:23 | 0:06:25 | |
I feel like a princess in a fairy tale. | 0:06:25 | 0:06:26 | |
You are a princess. | 0:06:26 | 0:06:28 | |
That's cos I married the prince. | 0:06:28 | 0:06:30 | |
I have her completely fooled, poor girl. | 0:06:30 | 0:06:32 | |
If I could fool a woman as pretty as your wife | 0:06:32 | 0:06:35 | |
I wouldn't be a bachelor. | 0:06:35 | 0:06:36 | |
Now you've made her blush. | 0:06:36 | 0:06:38 | |
Don't be silly. Come and see the paintings. | 0:06:38 | 0:06:41 | |
Come on. | 0:07:05 | 0:07:06 | |
Lady Plymdale? | 0:07:21 | 0:07:23 | |
Oh, is she the one with the big... | 0:07:23 | 0:07:25 | |
Feet. Enormous feet. | 0:07:25 | 0:07:28 | |
Poor old Plymdale. | 0:07:28 | 0:07:30 | |
- Ace, queen, king, jack. - No honours. | 0:07:30 | 0:07:32 | |
No, no, no. John's yacht, John's rules. | 0:07:32 | 0:07:34 | |
Have it. Thank you. | 0:07:34 | 0:07:36 | |
Huge feet. Pontoons. | 0:07:36 | 0:07:38 | |
If desire had an antidote, it would be those pontoons of hers. | 0:07:38 | 0:07:41 | |
I grow ill thinking of them. | 0:07:41 | 0:07:43 | |
How many times have you been divorced, Tuppy? | 0:07:43 | 0:07:45 | |
Three, four? I've simply lost count. | 0:07:45 | 0:07:48 | |
- That's bigamy. - Bigamy's having one wife too many. | 0:07:48 | 0:07:50 | |
So's monogamy! | 0:07:50 | 0:07:52 | |
One should always have a proper basis for marriage. | 0:07:52 | 0:07:54 | |
A mutual... | 0:07:54 | 0:07:55 | |
- ..misunderstanding? - Exactly. | 0:07:55 | 0:07:57 | |
A man can't be happy with one woman. | 0:07:57 | 0:07:59 | |
A man can be happy with any woman a long as he doesn't love her. | 0:07:59 | 0:08:02 | |
For a man who's never thought of getting married, | 0:08:02 | 0:08:03 | |
you seem to know an awful lot about it. | 0:08:03 | 0:08:05 | |
I thought very seriously of marrying. | 0:08:05 | 0:08:07 | |
That's why I'm still single. | 0:08:07 | 0:08:08 | |
Hear, hear! | 0:08:08 | 0:08:09 | |
I just haven't met the right woman, that's all. | 0:08:09 | 0:08:11 | |
Look at Cecil, still with Edna. | 0:08:11 | 0:08:13 | |
One keeps one's eyes wide open before the wedding | 0:08:13 | 0:08:16 | |
and half-shut after. That's all there is to it. | 0:08:16 | 0:08:19 | |
Exactly. | 0:08:19 | 0:08:20 | |
John? | 0:08:22 | 0:08:23 | |
I fancy raising the stakes. | 0:08:28 | 0:08:30 | |
Oh! Lucky blighter! | 0:08:30 | 0:08:33 | |
You don't look as if you're enjoying yourself. | 0:08:42 | 0:08:45 | |
Oh, I am. It's a very nice party. | 0:08:45 | 0:08:47 | |
Can I get you a drink? | 0:08:47 | 0:08:48 | |
No, thank you, I don't drink. | 0:08:48 | 0:08:50 | |
You don't drink? | 0:08:50 | 0:08:51 | |
Do I seem like a prig? | 0:08:51 | 0:08:52 | |
No, of course not. | 0:08:52 | 0:08:54 | |
It's the way I was raised. | 0:08:54 | 0:08:55 | |
In a convent? | 0:08:55 | 0:08:57 | |
By my aunt Julia, my father's sister. | 0:08:58 | 0:09:02 | |
My mother died when I was very little. | 0:09:02 | 0:09:05 | |
It's the only picture I have of her. | 0:09:07 | 0:09:09 | |
My father never remarried. | 0:09:09 | 0:09:12 | |
She's every bit as beautiful as her daughter. | 0:09:12 | 0:09:16 | |
Have I offended you? | 0:09:16 | 0:09:18 | |
I meant it as a compliment. | 0:09:18 | 0:09:20 | |
You pay me too many compliments, Lord Darlington. | 0:09:20 | 0:09:22 | |
I'll stop at once. | 0:09:22 | 0:09:23 | |
Thank you. | 0:09:23 | 0:09:25 | |
Just so you know, I meant every one of them. | 0:09:25 | 0:09:27 | |
You pretend to be bad, but you're not, really. | 0:09:28 | 0:09:32 | |
There is no good or bad. | 0:09:32 | 0:09:34 | |
People are either charming or tedious. | 0:09:34 | 0:09:35 | |
If I've been the latter, I sincerely apologise. | 0:09:35 | 0:09:37 | |
I'd like us to become friends. | 0:09:37 | 0:09:39 | |
We already are, aren't we? | 0:09:39 | 0:09:40 | |
Well, not if you keep flattering mew | 0:09:40 | 0:09:42 | |
and paying me silly compliments. | 0:09:42 | 0:09:44 | |
Define silly. | 0:09:44 | 0:09:46 | |
I want your word. | 0:09:46 | 0:09:48 | |
I find the best way to keep my word is never to give it. | 0:09:48 | 0:09:51 | |
MEN CONVERSE IN ITALIAN | 0:10:00 | 0:10:04 | |
HE SHOUTS IN ITALIAN | 0:10:08 | 0:10:12 | |
Buongiorno! | 0:10:12 | 0:10:15 | |
Look, it has to be something really special. | 0:10:28 | 0:10:30 | |
My wife's birthday? | 0:10:32 | 0:10:33 | |
HE RESPONDS IN ITALIAN | 0:10:33 | 0:10:37 | |
What do you think? | 0:10:52 | 0:10:53 | |
The sapphire matches your eyes. | 0:10:54 | 0:10:56 | |
It's for my wife. | 0:10:58 | 0:11:00 | |
A man should never buy his wife jewellery. | 0:11:00 | 0:11:03 | |
And why is that? | 0:11:03 | 0:11:04 | |
It makes her wonder what he bought his mistress. | 0:11:04 | 0:11:07 | |
My wife has nothing to wonder about. | 0:11:07 | 0:11:10 | |
She's a lucky woman. | 0:11:10 | 0:11:13 | |
If I were your wife, this is what I'd want. | 0:11:13 | 0:11:17 | |
A fan? | 0:11:17 | 0:11:19 | |
Not for stirring the air, for stirring the heart. | 0:11:19 | 0:11:22 | |
For centuries, an erotic language | 0:11:22 | 0:11:24 | |
between men and women. | 0:11:24 | 0:11:27 | |
If a woman placed it on her breast like this, | 0:11:29 | 0:11:32 | |
it meant, "I love you." | 0:11:32 | 0:11:34 | |
"When can I see you?" | 0:11:34 | 0:11:37 | |
"Wait for me." | 0:11:37 | 0:11:38 | |
"You may kiss me." | 0:11:40 | 0:11:41 | |
"We're being watched." | 0:11:43 | 0:11:46 | |
I'm sold. | 0:11:51 | 0:11:52 | |
Quanto? | 0:11:59 | 0:12:01 | |
No, non la vendita. Not for sale. | 0:12:01 | 0:12:04 | |
HE SPEAKS IN ITALIAN | 0:12:06 | 0:12:10 | |
My mama... | 0:12:10 | 0:12:11 | |
Real gold. | 0:12:15 | 0:12:17 | |
If you give him everything | 0:12:18 | 0:12:19 | |
who's going to buy me an espresso? | 0:12:19 | 0:12:21 | |
Oh, my back! | 0:12:27 | 0:12:29 | |
DOGS YAP | 0:12:29 | 0:12:31 | |
And Americans everywhere. | 0:12:31 | 0:12:34 | |
You'd never know there was a depression in that country. | 0:12:34 | 0:12:38 | |
SHE ORDERS IN ITALIAN | 0:12:38 | 0:12:41 | |
They don't shop. They pillage! | 0:12:42 | 0:12:44 | |
And they speak loudly. | 0:12:45 | 0:12:47 | |
Could the entire nation be hard-of-hearing? | 0:12:47 | 0:12:50 | |
Something in the diet, perhaps? | 0:12:50 | 0:12:51 | |
But we have American friends, mama. | 0:12:51 | 0:12:53 | |
Well, they don't need to know what we say about them, dear. | 0:12:53 | 0:12:56 | |
If everyone knew what everyone said of each other | 0:12:56 | 0:12:59 | |
there wouldn't be four friends in the world. | 0:12:59 | 0:13:01 | |
I like America. | 0:13:01 | 0:13:03 | |
Name me another society that's come from barbarism | 0:13:03 | 0:13:05 | |
to decadence without bothering to create a civilization in between. | 0:13:05 | 0:13:08 | |
A tribute to American efficiency. | 0:13:08 | 0:13:10 | |
There's Mr Windemere. | 0:13:10 | 0:13:12 | |
Ooh, he must join us, then. | 0:13:12 | 0:13:14 | |
Hoo-oooh! | 0:13:14 | 0:13:15 | |
He can't see you, mama. | 0:13:15 | 0:13:17 | |
Who's that with him? | 0:13:17 | 0:13:19 | |
Looks like his wife. | 0:13:19 | 0:13:20 | |
No, I don't think it is. | 0:13:20 | 0:13:23 | |
I can't see now. They're getting into the car. | 0:13:24 | 0:13:29 | |
It must be the wife if she's getting into the car. | 0:13:29 | 0:13:31 | |
It wasn't her. | 0:13:31 | 0:13:32 | |
Then I must know who it is! | 0:13:32 | 0:13:35 | |
I think we should mind our own business. | 0:13:35 | 0:13:37 | |
My own business bores me. | 0:13:37 | 0:13:39 | |
I much prefer other people's. | 0:13:39 | 0:13:42 | |
Poor little Meg, she's so sweet. | 0:13:42 | 0:13:45 | |
And the girl has no mother. | 0:13:45 | 0:13:47 | |
I want to take her to my breast. | 0:13:47 | 0:13:48 | |
I had a similar thought. | 0:13:48 | 0:13:49 | |
I don't suppose Mr Windemere would be pleased to hear it. | 0:13:50 | 0:13:53 | |
Marital bliss is a great burden | 0:13:53 | 0:13:55 | |
to place on two people, Tuppy. | 0:13:55 | 0:13:57 | |
Sometimes a third person is needed to lighten the load. | 0:13:57 | 0:13:59 | |
It would seem Mr Windemere agrees with you. | 0:13:59 | 0:14:03 | |
CHURCH BELLS TOLLS | 0:14:08 | 0:14:10 | |
BELL TOLLS AGAIN | 0:14:19 | 0:14:22 | |
I can guess what you were doing. | 0:14:36 | 0:14:38 | |
Shopping for my birthday present? | 0:14:38 | 0:14:41 | |
I was right. | 0:14:47 | 0:14:48 | |
What did you get? | 0:14:48 | 0:14:50 | |
Not a thing. You're too old for presents. | 0:14:50 | 0:14:53 | |
A hint? | 0:14:53 | 0:14:54 | |
A tiny speck of a hint? | 0:14:54 | 0:14:56 | |
You have to wait and see. | 0:14:56 | 0:14:58 | |
Perfume? | 0:14:59 | 0:15:00 | |
Stop it! | 0:15:00 | 0:15:02 | |
A book of poems? | 0:15:02 | 0:15:03 | |
Um, a dress? | 0:15:03 | 0:15:05 | |
A crocodile handbag like the one the Contessa has | 0:15:05 | 0:15:08 | |
with the little claws hanging off the bottom. | 0:15:08 | 0:15:10 | |
No more guessing. | 0:15:12 | 0:15:14 | |
Robert? | 0:15:14 | 0:15:15 | |
Mm-hmm? | 0:15:15 | 0:15:16 | |
Promise we won't end up like those | 0:15:16 | 0:15:17 | |
old married couples sitting opposite each other | 0:15:17 | 0:15:19 | |
at dinner twiddling our forks with nothing to say. | 0:15:19 | 0:15:21 | |
You, with nothing to say? | 0:15:21 | 0:15:23 | |
I promise. | 0:15:26 | 0:15:28 | |
We'll always tell each other the truth? | 0:15:28 | 0:15:30 | |
Except around birthdays. | 0:15:30 | 0:15:32 | |
Ooh! You're feisty. What have you been reading? | 0:15:39 | 0:15:43 | |
What do you mean? | 0:15:43 | 0:15:45 | |
No, it's nice. | 0:15:45 | 0:15:47 | |
Turn out the lights. | 0:15:47 | 0:15:49 | |
But I like to see you. | 0:15:49 | 0:15:50 | |
Please? | 0:15:50 | 0:15:52 | |
< I'll take them all. | 0:16:11 | 0:16:13 | |
Excuse me. | 0:16:15 | 0:16:16 | |
< Yes, I bought a suit. | 0:16:16 | 0:16:17 | |
< It's being altered for Margaret Windemere. | 0:16:17 | 0:16:20 | |
< Ah, Mrs Windemere! | 0:16:20 | 0:16:21 | |
< One moment, please. | 0:16:21 | 0:16:22 | |
< Thank you. | 0:16:22 | 0:16:23 | |
Forgive me. | 0:16:29 | 0:16:30 | |
You're American, aren't you? | 0:16:30 | 0:16:33 | |
I'm from New York. Mrs Erlynne. | 0:16:33 | 0:16:35 | |
Rhode Island. Mrs Windemere. | 0:16:35 | 0:16:37 | |
I need an opinion from home. | 0:16:39 | 0:16:41 | |
Now, be honest. | 0:16:41 | 0:16:42 | |
Would you wear it? | 0:16:46 | 0:16:47 | |
Well, it doesn't leave much to the imagination, does it? | 0:16:52 | 0:16:56 | |
That depends on the imagination. | 0:16:56 | 0:16:58 | |
Some men have more than others. | 0:16:58 | 0:17:00 | |
I suppose it's certainly immodest. | 0:17:01 | 0:17:04 | |
Do you think it's vulgar? | 0:17:04 | 0:17:06 | |
Some people might. | 0:17:09 | 0:17:10 | |
Is your husband with you? | 0:17:10 | 0:17:12 | |
I'd love a man's opinion. | 0:17:12 | 0:17:14 | |
I can tell you, he's very conservative. | 0:17:14 | 0:17:17 | |
A woman doesn't always know her own husband. | 0:17:17 | 0:17:20 | |
Oh, I know Robert. We've been married over a year. | 0:17:20 | 0:17:21 | |
A year? Practically forever. | 0:17:21 | 0:17:25 | |
Here it is, signora. > | 0:17:25 | 0:17:27 | |
Oh, thank you. | 0:17:28 | 0:17:29 | |
Thank you very much. Come back again to see us. | 0:17:29 | 0:17:31 | |
Yes. | 0:17:31 | 0:17:33 | |
Good-bye. | 0:17:33 | 0:17:34 | |
You're not taking the hat? | 0:17:34 | 0:17:36 | |
The colour looks perfect on you. | 0:17:36 | 0:17:37 | |
Don't you like it? | 0:17:37 | 0:17:39 | |
No, I have nowhere to wear it. | 0:17:39 | 0:17:40 | |
It's not exactly church on Sunday. | 0:17:40 | 0:17:42 | |
Why not? | 0:17:42 | 0:17:43 | |
Can you imagine what people would say? | 0:17:43 | 0:17:46 | |
If we're always guided by other people's thoughts | 0:17:46 | 0:17:48 | |
what's the point of having our own? | 0:17:48 | 0:17:50 | |
It was nice meeting you, Mrs Erwin. | 0:17:52 | 0:17:53 | |
Erlynne. | 0:17:53 | 0:17:54 | |
Erlynne! | 0:17:54 | 0:17:56 | |
She was staying in a pensione. | 0:18:12 | 0:18:14 | |
Now she's in a villa a few minutes from the club! | 0:18:14 | 0:18:17 | |
Shush! | 0:18:17 | 0:18:18 | |
He's there! | 0:18:19 | 0:18:20 | |
I can't help seeing him. | 0:18:26 | 0:18:28 | |
He comes and goes all hours of the day. | 0:18:32 | 0:18:35 | |
Of course, in public, she's always with other men. | 0:18:36 | 0:18:39 | |
She wears nothing but the latest fashions. | 0:18:42 | 0:18:45 | |
Somebody must be giving her a very generous allowance. | 0:18:45 | 0:18:49 | |
And she'll have her hand in Tuppy's pocket next | 0:18:50 | 0:18:54 | |
if he doesn't wake up. | 0:18:54 | 0:18:56 | |
She's nothing better than a common prostitute! | 0:18:56 | 0:18:58 | |
Shush! | 0:18:58 | 0:19:00 | |
And Mrs Windemere has no idea? | 0:19:00 | 0:19:04 | |
None at all. | 0:19:04 | 0:19:06 | |
Oh, terribly sorry. | 0:19:16 | 0:19:17 | |
She must be on the terrace. | 0:19:17 | 0:19:19 | |
I didn't mean to frighten you. | 0:19:37 | 0:19:39 | |
Yes, you did. | 0:19:39 | 0:19:40 | |
Yes, I did. What's that? | 0:19:40 | 0:19:42 | |
I'm making a menu for my birthday party. | 0:19:42 | 0:19:44 | |
What's Italian for lobster? | 0:19:44 | 0:19:48 | |
Aragosta. | 0:19:48 | 0:19:49 | |
Aragosta. | 0:19:51 | 0:19:52 | |
Very good. | 0:19:52 | 0:19:54 | |
Now you've made me hungry. Leave it. | 0:19:54 | 0:19:55 | |
Come on, everyone's lunching at the club. | 0:19:55 | 0:19:58 | |
OK, I'll get Robert. | 0:19:58 | 0:20:01 | |
TELEPHONE RINGS | 0:20:03 | 0:20:06 | |
Yes? | 0:20:10 | 0:20:12 | |
I thought you agreed not to call me at home. | 0:20:15 | 0:20:17 | |
How can I seduce you if you always bring your husband? | 0:20:17 | 0:20:21 | |
Too slow! | 0:20:21 | 0:20:22 | |
All right. | 0:20:25 | 0:20:27 | |
Yes, yes, I'll be there. | 0:20:28 | 0:20:30 | |
In an hour. | 0:20:30 | 0:20:31 | |
Robert! > | 0:20:31 | 0:20:32 | |
OK, in an hour. Bye. | 0:20:32 | 0:20:33 | |
Robert, we're going to lunch. | 0:20:33 | 0:20:35 | |
Can't. Sorry. | 0:20:35 | 0:20:37 | |
You're working. | 0:20:39 | 0:20:40 | |
Money never sleeps. | 0:20:40 | 0:20:41 | |
Bugger! | 0:20:42 | 0:20:44 | |
All paying jobs absorb and degrade the mind. | 0:20:44 | 0:20:49 | |
You've never had a paying job. | 0:20:49 | 0:20:50 | |
I rest my case. | 0:20:50 | 0:20:52 | |
Cultivated leisure is man's true calling. | 0:20:52 | 0:20:54 | |
I'm going to have to send some telegrams in town. | 0:20:54 | 0:20:56 | |
I'll wait for you. | 0:20:56 | 0:20:57 | |
I'll be all afternoon. | 0:20:57 | 0:20:59 | |
I don't want you to waste the day. | 0:20:59 | 0:21:01 | |
Do you mind, John? | 0:21:02 | 0:21:04 | |
Do I mind? | 0:21:04 | 0:21:05 | |
No, of course not. | 0:21:05 | 0:21:07 | |
Now, if you have to escort that woman to the opera | 0:21:16 | 0:21:19 | |
please don't sit with us. | 0:21:19 | 0:21:20 | |
Think of Alessandra. | 0:21:20 | 0:21:21 | |
Mrs Erlynne has her own seats. | 0:21:21 | 0:21:23 | |
And who do you think pays for her seats? | 0:21:23 | 0:21:25 | |
Her uncle just died. | 0:21:25 | 0:21:26 | |
She's come into some money. | 0:21:26 | 0:21:27 | |
And Mr Windemere's visits? | 0:21:27 | 0:21:30 | |
He's managing her investments, of course. | 0:21:30 | 0:21:32 | |
You're so fond of gossip | 0:21:32 | 0:21:34 | |
you don't give the truth a chance to put its pants on. | 0:21:34 | 0:21:36 | |
It's not the truth that's going without pants, Tuppy. | 0:21:36 | 0:21:40 | |
Would you mind not smoking? | 0:21:40 | 0:21:42 | |
It makes me feel so romantic. | 0:21:42 | 0:21:45 | |
Anything too stupid to be said is sung. | 0:21:45 | 0:21:49 | |
How is that romantic? | 0:21:49 | 0:21:50 | |
And the women are all so fleshy. | 0:21:50 | 0:21:54 | |
Excuse me, that's my foot. | 0:21:54 | 0:21:56 | |
Right over here? | 0:21:56 | 0:21:58 | |
(What did I tell you?) | 0:21:58 | 0:22:01 | |
HE CHASTISES THE BOY IN ITALIAN | 0:22:12 | 0:22:14 | |
Fried anchovies and clams in a bag. Delicious. | 0:22:15 | 0:22:17 | |
Careful, it's hot. | 0:22:22 | 0:22:23 | |
You told Robert we were going to the club. | 0:22:23 | 0:22:25 | |
I have a very poor sense of direction. | 0:22:25 | 0:22:27 | |
You have a very poor sense of decorum. | 0:22:27 | 0:22:29 | |
I never use that word. I'm not sure what it means. | 0:22:29 | 0:22:31 | |
At the club, we'd be with other people. | 0:22:31 | 0:22:33 | |
You're right. | 0:22:33 | 0:22:34 | |
Here we are, in the sunshine | 0:22:34 | 0:22:36 | |
eating fish literally just off the boat | 0:22:36 | 0:22:38 | |
when we could be squashed between Lord Tubby | 0:22:38 | 0:22:40 | |
and Cecil the scintillating - | 0:22:40 | 0:22:42 | |
listening to one or the other gripe about his digestion. | 0:22:42 | 0:22:45 | |
While the Contessa, in a counter-medley | 0:22:45 | 0:22:47 | |
wails that Alessandra cares more for the mating habits | 0:22:47 | 0:22:50 | |
of the blue-bellied finch than those of her own species. | 0:22:50 | 0:22:52 | |
And the widow Plymdale bats her eyes longingly | 0:22:52 | 0:22:55 | |
at every passing pair of trou. | 0:22:55 | 0:22:57 | |
All of which, mind you, is time well spent in my book. | 0:22:57 | 0:23:00 | |
So, yes, I take your point. I can't argue. | 0:23:00 | 0:23:02 | |
At the club, we'd be with other people. | 0:23:02 | 0:23:03 | |
Afraid we'll be seen? | 0:23:06 | 0:23:08 | |
Set the chins wagging? | 0:23:08 | 0:23:11 | |
Do you know what I find worse than being talked about? | 0:23:11 | 0:23:14 | |
Not being talked about at all. | 0:23:14 | 0:23:18 | |
Mrs Erlynne will see you upstairs. | 0:23:58 | 0:24:01 | |
In her bedroom. | 0:24:05 | 0:24:06 | |
Thank you. | 0:24:06 | 0:24:08 | |
I won't be long. | 0:24:08 | 0:24:10 | |
I won't be long! | 0:24:10 | 0:24:11 | |
This is expensive. | 0:24:24 | 0:24:26 | |
Nothing but the best for you. | 0:24:26 | 0:24:27 | |
I know. I paid for it. | 0:24:27 | 0:24:29 | |
Well, there is that. | 0:24:29 | 0:24:30 | |
Should we be drinking this early in the day? | 0:24:30 | 0:24:33 | |
Well, somewhere in the world it's very late. | 0:24:33 | 0:24:36 | |
I don't want you thinking I make a habit of this. | 0:24:36 | 0:24:38 | |
Is that why you look so guilty? | 0:24:38 | 0:24:40 | |
I don't like lying to her. | 0:24:40 | 0:24:42 | |
I should go. | 0:24:42 | 0:24:44 | |
She's only gone to lunch. | 0:24:44 | 0:24:45 | |
This is all the cash I have right now. | 0:24:47 | 0:24:50 | |
I'll set you up with an account. | 0:24:50 | 0:24:52 | |
You can draw on it directly. | 0:24:52 | 0:24:55 | |
I met Meg. | 0:24:55 | 0:24:57 | |
It was by chance. | 0:24:57 | 0:24:59 | |
It's all right. She had no idea who I was. | 0:24:59 | 0:25:03 | |
You spoke to her? | 0:25:03 | 0:25:04 | |
Mm-hmm. For a minute. | 0:25:04 | 0:25:06 | |
She's very pretty. | 0:25:06 | 0:25:09 | |
How did you two meet? | 0:25:09 | 0:25:11 | |
Was it love at first sight? | 0:25:11 | 0:25:12 | |
I have to go. | 0:25:12 | 0:25:14 | |
I'm curious. | 0:25:14 | 0:25:15 | |
It's only natural. | 0:25:15 | 0:25:17 | |
There's no point to these questions. | 0:25:17 | 0:25:20 | |
Do you love her? | 0:25:20 | 0:25:21 | |
Very much. | 0:25:21 | 0:25:22 | |
I'd rather cut off my arm than see Meg hurt. | 0:25:24 | 0:25:26 | |
Are you protecting her or your reputation? | 0:25:26 | 0:25:29 | |
You don't know me at all. | 0:25:29 | 0:25:31 | |
Did he work on your wedding night? | 0:25:36 | 0:25:37 | |
No! No. | 0:25:37 | 0:25:39 | |
He's... | 0:25:39 | 0:25:40 | |
He's very conscientious | 0:25:40 | 0:25:42 | |
and I respect him for it. | 0:25:42 | 0:25:43 | |
Suppose it wasn't work. | 0:25:43 | 0:25:45 | |
Suppose he had a mistress. | 0:25:45 | 0:25:46 | |
Well, I couldn't respect that. | 0:25:46 | 0:25:48 | |
Once a wife's been betrayed | 0:25:48 | 0:25:50 | |
she has the freedom to do likewise. | 0:25:50 | 0:25:52 | |
No, that would make her as bad as her husband, wouldn't it? | 0:25:52 | 0:25:54 | |
Modern marriage thrives on mutual deception. | 0:25:54 | 0:25:57 | |
Robert and I are completely honest with each other. | 0:25:57 | 0:25:59 | |
You should make him your model. | 0:25:59 | 0:26:00 | |
I intend to | 0:26:00 | 0:26:02 | |
from this moment on. | 0:26:02 | 0:26:03 | |
Don't you like it? | 0:26:05 | 0:26:07 | |
Oh, I'm saving it for Robert. | 0:26:08 | 0:26:10 | |
He loves figs. | 0:26:10 | 0:26:12 | |
Share mine, then. | 0:26:12 | 0:26:13 | |
Can we go to the telegraph office? | 0:26:16 | 0:26:18 | |
Um, he probably hasn't eaten. | 0:26:18 | 0:26:20 | |
Alberto? | 0:26:24 | 0:26:26 | |
Fabrizio? | 0:26:26 | 0:26:28 | |
What's his name? | 0:26:28 | 0:26:30 | |
Mario? | 0:26:30 | 0:26:32 | |
Barman. | 0:26:32 | 0:26:34 | |
Whisky. | 0:26:34 | 0:26:36 | |
And another thing | 0:26:36 | 0:26:37 | |
your Mrs Erlynne has no principles at all. | 0:26:37 | 0:26:39 | |
Oh, I like people more than principles. | 0:26:39 | 0:26:41 | |
And people without principles even better. | 0:26:41 | 0:26:44 | |
But Lord Augustus, she only wants you for your money. | 0:26:44 | 0:26:47 | |
Now, why shouldn't she? | 0:26:47 | 0:26:49 | |
It's my best asset. | 0:26:49 | 0:26:50 | |
Oldish, fattish, | 0:26:50 | 0:26:52 | |
absolutely no brain, | 0:26:52 | 0:26:53 | |
heaps and heaps of banknotes. | 0:26:53 | 0:26:55 | |
No need to put yourself down, Tuppy. | 0:26:55 | 0:26:56 | |
Your friends can always do that. | 0:26:56 | 0:26:58 | |
Hear, hear. | 0:26:58 | 0:26:59 | |
Down by the marina, strolling along, | 0:27:01 | 0:27:03 | |
pretty as you please, | 0:27:03 | 0:27:05 | |
guess who I saw with Lord Darlington? | 0:27:05 | 0:27:08 | |
They haven't seen him today. | 0:27:15 | 0:27:17 | |
CHURCH BELL TOLLS | 0:27:17 | 0:27:19 | |
Do you know where my husband is? | 0:27:38 | 0:27:40 | |
I thought he left after you, signora. | 0:27:40 | 0:27:42 | |
Robert? | 0:27:46 | 0:27:47 | |
Hey. How was lunch? | 0:28:08 | 0:28:10 | |
We went to the telegraph office. | 0:28:10 | 0:28:12 | |
Where were you? | 0:28:12 | 0:28:13 | |
Well, we... | 0:28:13 | 0:28:15 | |
We must have just missed each other. | 0:28:15 | 0:28:17 | |
APPLAUSE | 0:28:35 | 0:28:37 | |
Now I see uncle. | 0:28:48 | 0:28:50 | |
He's with the American woman. | 0:28:50 | 0:28:52 | |
Too much rouge and not enough clothing. | 0:28:53 | 0:28:56 | |
She's appealing to the worst in the poor man. | 0:28:56 | 0:28:58 | |
It's what women do best. | 0:28:58 | 0:29:00 | |
I heard she left New York without paying her hotel bill. | 0:29:00 | 0:29:03 | |
Quite a scandal. | 0:29:03 | 0:29:05 | |
Who, someone you know? | 0:29:05 | 0:29:07 | |
Someone you don't want to know. | 0:29:07 | 0:29:09 | |
No. Steer clear. | 0:29:09 | 0:29:10 | |
She's the one with Lord Augustus. | 0:29:10 | 0:29:13 | |
You've met Mrs Erlynne, haven't you? | 0:29:13 | 0:29:15 | |
No. | 0:29:15 | 0:29:16 | |
But I've seen you. | 0:29:16 | 0:29:18 | |
Oww! | 0:29:18 | 0:29:20 | |
-Ooh, was that -your -foot? | 0:29:20 | 0:29:21 | |
Wherever do you find shoes to fit? | 0:29:21 | 0:29:24 | |
My feet are in perfect proportion to the rest of me. | 0:29:24 | 0:29:27 | |
Oh, yes, of course. | 0:29:27 | 0:29:29 | |
Though I admit they have a habit | 0:29:29 | 0:29:30 | |
of finding themselves in peculiar places. | 0:29:30 | 0:29:32 | |
Those people are staring right at us. | 0:29:32 | 0:29:35 | |
Who? | 0:29:35 | 0:29:36 | |
Oh, don't worry about them. | 0:29:39 | 0:29:41 | |
It's my brother's wife and her friend Lady Plymdale. | 0:29:41 | 0:29:44 | |
Lord Plymdale passed on last year. | 0:29:44 | 0:29:46 | |
Liver, I think. | 0:29:46 | 0:29:47 | |
Poor woman. | 0:29:47 | 0:29:49 | |
Oh, yes. Very sad. | 0:29:49 | 0:29:50 | |
Her hair turned quite gold with grief. | 0:29:50 | 0:29:53 | |
Erlynne, that's right. | 0:29:55 | 0:29:56 | |
Yeah, she-she came into some money. | 0:29:56 | 0:29:58 | |
I made an investment for her. | 0:29:58 | 0:30:00 | |
An inheritance, I suppose. | 0:30:00 | 0:30:02 | |
Yes. | 0:30:02 | 0:30:03 | |
Ah, the woman in the shop. | 0:30:03 | 0:30:04 | |
I told you, remember? The dress. | 0:30:04 | 0:30:06 | |
No back and almost no front. | 0:30:06 | 0:30:09 | |
You could see everything. It was indecent. | 0:30:09 | 0:30:11 | |
You're just not used to Italian fashions, that's all. | 0:30:11 | 0:30:13 | |
Oh, no, I'm sure your wife is on the mark, Mr Windemere. | 0:30:13 | 0:30:16 | |
Mrs Erlynne is a notorious jezebel. | 0:30:16 | 0:30:18 | |
That's a slanderous statement. | 0:30:18 | 0:30:20 | |
If you can't back it up, I wouldn't repeat it. | 0:30:20 | 0:30:22 | |
Robert always gives everybody the benefit of the doubt. | 0:30:22 | 0:30:25 | |
I'm sorry. I-I just don't like gossip. | 0:30:25 | 0:30:26 | |
Gossip's all right. | 0:30:26 | 0:30:28 | |
It's the moralizing that's in poor taste. | 0:30:28 | 0:30:30 | |
She's got her eye on me, if you know what I mean. | 0:30:31 | 0:30:35 | |
So I wouldn't worry about what they say about you. | 0:30:35 | 0:30:36 | |
It's all cats in a bag. | 0:30:36 | 0:30:38 | |
Why? What do they say about me? | 0:30:38 | 0:30:40 | |
That I'm a wanton woman? | 0:30:40 | 0:30:42 | |
Brazen... | 0:30:42 | 0:30:44 | |
with a past. | 0:30:44 | 0:30:45 | |
A brazen woman. Oh, dear. | 0:30:45 | 0:30:47 | |
Well, you're very brazen yourself | 0:30:47 | 0:30:49 | |
to be seen in my company. | 0:30:49 | 0:30:50 | |
Well, I've got a bit of a past myself, you know. | 0:30:50 | 0:30:52 | |
Married and divorced twice. | 0:30:52 | 0:30:53 | |
Well, every experience is of value. | 0:30:53 | 0:30:56 | |
And whatever you say about marriage | 0:30:56 | 0:30:57 | |
it certainly is an experience. | 0:30:57 | 0:30:59 | |
People call something an experience | 0:30:59 | 0:31:01 | |
they usually mean it was a mistake. | 0:31:01 | 0:31:02 | |
I couldn't agree more. | 0:31:02 | 0:31:04 | |
We've all got a couple of skeletons in the closet. | 0:31:04 | 0:31:07 | |
If they're going to rattle, they may as well dance. | 0:31:07 | 0:31:09 | |
You're absolutely right. | 0:31:09 | 0:31:11 | |
Mmm. Whenever anyone agrees with me | 0:31:11 | 0:31:14 | |
I'm sure I must be wrong. | 0:31:14 | 0:31:15 | |
Oh, you like to be the odd man out, do you? | 0:31:15 | 0:31:17 | |
Well, I'll never understand women. | 0:31:17 | 0:31:20 | |
Women don't want to be understood. | 0:31:20 | 0:31:21 | |
They want to be loved. | 0:31:21 | 0:31:23 | |
You're dead wrong on that. | 0:31:23 | 0:31:25 | |
You're very understanding. | 0:31:25 | 0:31:27 | |
That girl in lilac, do you know her? | 0:31:29 | 0:31:31 | |
Um, oh, yes, yes. | 0:31:31 | 0:31:33 | |
It's Robert's wife. | 0:31:33 | 0:31:35 | |
Um, newlyweds. All lovey-dovey. Very charming. | 0:31:35 | 0:31:37 | |
Really? | 0:31:37 | 0:31:39 | |
Well, I wish she'd stop staring at me. | 0:31:39 | 0:31:41 | |
She isn't at all. | 0:31:44 | 0:31:45 | |
Those women must be giving her an earful. | 0:31:45 | 0:31:47 | |
You mustn't mind. | 0:31:47 | 0:31:49 | |
I don't as a rule. | 0:31:49 | 0:31:51 | |
Look, it's terribly stuffy in here. | 0:31:53 | 0:31:55 | |
I can hardly breathe. | 0:31:55 | 0:31:57 | |
Shall we go? Would you mind? | 0:31:57 | 0:31:59 | |
I can't think of anything I'd mind less. | 0:31:59 | 0:32:01 | |
Good. | 0:32:01 | 0:32:03 | |
I can't believe it. | 0:32:05 | 0:32:07 | |
She's got him. | 0:32:07 | 0:32:09 | |
Poor Tuppy. | 0:32:10 | 0:32:12 | |
Shall I get a taxi? | 0:32:23 | 0:32:25 | |
Could we walk? | 0:32:27 | 0:32:28 | |
Why not. | 0:32:28 | 0:32:30 | |
Beautiful city. | 0:32:32 | 0:32:33 | |
The Romans call it the land of the sirens | 0:32:33 | 0:32:35 | |
from Homer's Odyssey. | 0:32:35 | 0:32:36 | |
Is that so? Mmm. | 0:32:36 | 0:32:38 | |
Aren't you clever? | 0:32:38 | 0:32:39 | |
I read it somewhere. | 0:32:39 | 0:32:40 | |
Oh, I like a good read myself. | 0:32:40 | 0:32:42 | |
But nothing too laborious. | 0:32:42 | 0:32:44 | |
I don't want to tamper with natural ignorance. | 0:32:44 | 0:32:45 | |
It's the key to happiness. | 0:32:45 | 0:32:47 | |
Do you really think so? | 0:32:47 | 0:32:48 | |
Oh, absolutely. Good health, it's important | 0:32:48 | 0:32:51 | |
but ignorance is the key. | 0:32:51 | 0:32:52 | |
Too much knowledge, and you're doomed. | 0:32:52 | 0:32:54 | |
Well, here we are. | 0:33:04 | 0:33:05 | |
Aren't you going to invite me in for a nightcap? | 0:33:06 | 0:33:09 | |
The sirens were said | 0:33:11 | 0:33:12 | |
to be half woman, half monster. | 0:33:12 | 0:33:14 | |
They lured the sailors with their songs. | 0:33:14 | 0:33:18 | |
The ships crashed on the rocks, and the men all drowned. | 0:33:18 | 0:33:22 | |
Oh, let's go in. | 0:33:22 | 0:33:23 | |
You can tell me more about it. | 0:33:23 | 0:33:26 | |
Poor Lady Plymdale. | 0:33:36 | 0:33:37 | |
I think she really likes Tuppy. | 0:33:37 | 0:33:39 | |
Where do you suppose they went? | 0:33:39 | 0:33:41 | |
Who? | 0:33:41 | 0:33:42 | |
Tuppy and Mrs Erlynne. | 0:33:42 | 0:33:44 | |
Probably back to her apartment. | 0:33:44 | 0:33:46 | |
Probably. | 0:33:46 | 0:33:48 | |
Do you think he'll invite her to my party? | 0:33:48 | 0:33:51 | |
I'll make sure he doesn't. | 0:33:51 | 0:33:53 | |
Well, don't be mean about it. | 0:33:54 | 0:33:56 | |
Of course not. | 0:33:56 | 0:33:58 | |
It's just... | 0:33:58 | 0:33:59 | |
I don't want anyone to be uncomfortable, you know? | 0:33:59 | 0:34:01 | |
Someone like that, it makes things awkward. | 0:34:01 | 0:34:03 | |
Yes. | 0:34:03 | 0:34:05 | |
You can say it's a small party - | 0:34:05 | 0:34:06 | |
private, just friends. No investors. | 0:34:06 | 0:34:08 | |
All right! | 0:34:08 | 0:34:10 | |
Hey, it's not just girl gossip. | 0:34:10 | 0:34:12 | |
John Darlington knows all about it. | 0:34:12 | 0:34:15 | |
He said her friend is a married man. | 0:34:19 | 0:34:21 | |
It's disgusting. | 0:34:21 | 0:34:23 | |
You know what? People like to hear themselves talk. | 0:34:23 | 0:34:26 | |
Why do you insist on defending her? | 0:34:28 | 0:34:31 | |
I'm not defending her. | 0:34:31 | 0:34:32 | |
Yes, you are. | 0:34:32 | 0:34:33 | |
Let's drop it. | 0:34:33 | 0:34:35 | |
It's just... | 0:34:37 | 0:34:39 | |
Well, should you be helping her invest? | 0:34:39 | 0:34:41 | |
I mean, everyone knows how she came into the money. | 0:34:41 | 0:34:43 | |
It just doesn't look right. | 0:34:43 | 0:34:44 | |
New topic. | 0:34:44 | 0:34:46 | |
Close your eyes. | 0:34:47 | 0:34:49 | |
Robert... | 0:34:49 | 0:34:50 | |
Close your eyes. | 0:34:50 | 0:34:52 | |
It's after midnight. | 0:34:59 | 0:35:01 | |
Happy birthday. | 0:35:01 | 0:35:03 | |
It's beautiful. | 0:35:18 | 0:35:20 | |
Do you like it? | 0:35:20 | 0:35:22 | |
Robert... | 0:35:22 | 0:35:23 | |
Thank you. | 0:35:23 | 0:35:24 | |
I love you. | 0:35:26 | 0:35:27 | |
I love you, too. | 0:35:27 | 0:35:29 | |
Oh, my. | 0:35:38 | 0:35:40 | |
Grazie. | 0:35:42 | 0:35:44 | |
Prego. | 0:35:44 | 0:35:46 | |
You like it? | 0:35:53 | 0:35:55 | |
Food is the rock on which we build. | 0:35:56 | 0:36:00 | |
No love is pure and simple as the love of food. | 0:36:02 | 0:36:05 | |
Love is rarely pure, Lord Augustus, and never simple. | 0:36:05 | 0:36:09 | |
I don't think you've been in love, Mrs Erlynne. | 0:36:09 | 0:36:11 | |
You may presume to call me Stella | 0:36:11 | 0:36:13 | |
but don't presume to know my heart. | 0:36:13 | 0:36:15 | |
For your information, I'm always in love. | 0:36:15 | 0:36:17 | |
Good. | 0:36:18 | 0:36:19 | |
Excellent attitude. | 0:36:19 | 0:36:21 | |
And you're beautiful. | 0:36:21 | 0:36:22 | |
Smart, too. | 0:36:22 | 0:36:24 | |
Smarter than me, I expect | 0:36:24 | 0:36:26 | |
but that's not saying much, I'm afraid. | 0:36:26 | 0:36:28 | |
No, I think I'll do very well to marry you. | 0:36:28 | 0:36:30 | |
How very practical. | 0:36:31 | 0:36:33 | |
Oh, I've begun too many romances out of sentiment. | 0:36:33 | 0:36:36 | |
They always end in settlement. | 0:36:36 | 0:36:38 | |
I could listen to you all night, Lord Augustus. | 0:36:38 | 0:36:41 | |
Tuppy, please. | 0:36:41 | 0:36:42 | |
You'll think about my offer? | 0:36:44 | 0:36:46 | |
Men don't marry women like me. | 0:36:48 | 0:36:50 | |
There aren't any women like you. | 0:36:52 | 0:36:53 | |
At least, not among the women that I've met | 0:36:53 | 0:36:55 | |
and you can imagine I've met my share. | 0:36:55 | 0:36:57 | |
I was married. | 0:36:57 | 0:36:59 | |
I didn't take to it. | 0:36:59 | 0:37:00 | |
People change. | 0:37:00 | 0:37:01 | |
You might feel differently. | 0:37:01 | 0:37:03 | |
When I think of it, I think of a room | 0:37:05 | 0:37:07 | |
where you can't open a window. | 0:37:07 | 0:37:09 | |
Where there is no window. | 0:37:10 | 0:37:12 | |
Every day you wake up, and the room is smaller. | 0:37:14 | 0:37:16 | |
You don't notice, not at first. | 0:37:18 | 0:37:20 | |
It happens slowly. | 0:37:20 | 0:37:22 | |
In inches. | 0:37:22 | 0:37:24 | |
Then one morning, you open your eyes | 0:37:24 | 0:37:28 | |
and the room's so small | 0:37:28 | 0:37:30 | |
you... | 0:37:30 | 0:37:32 | |
You can't move. | 0:37:32 | 0:37:34 | |
You can't take a breath. | 0:37:34 | 0:37:36 | |
You have to get out. | 0:37:38 | 0:37:40 | |
You can't think of anything else | 0:37:41 | 0:37:43 | |
or anyone else. | 0:37:43 | 0:37:46 | |
You married the wrong man, that's all. | 0:37:46 | 0:37:48 | |
He married the wrong woman. | 0:37:52 | 0:37:54 | |
It's late. | 0:37:56 | 0:37:57 | |
It's time for bed. | 0:37:57 | 0:37:59 | |
Sleep. | 0:38:01 | 0:38:02 | |
"...perchance to dream." | 0:38:02 | 0:38:04 | |
That's the Bard, you know. | 0:38:04 | 0:38:05 | |
I'm a bit of a reader myself. | 0:38:05 | 0:38:07 | |
So you said. Good night, Tuppy. | 0:38:07 | 0:38:09 | |
I hate the taste of tobacco. | 0:38:13 | 0:38:15 | |
Oh. | 0:38:15 | 0:38:16 | |
Well, that's it then. | 0:38:18 | 0:38:20 | |
I quit. On the spot. | 0:38:27 | 0:38:30 | |
What else can I tell you? | 0:38:33 | 0:38:35 | |
I'm a very rich man, you know. | 0:38:37 | 0:38:39 | |
You're a very nice man. | 0:38:39 | 0:38:42 | |
Go to bed. | 0:38:42 | 0:38:43 | |
You know, I'm glad I quit. | 0:38:48 | 0:38:50 | |
Filthy habit, really. | 0:38:53 | 0:38:54 | |
Good night. | 0:38:59 | 0:39:00 | |
Is there gonna be a lion tamer | 0:39:33 | 0:39:35 | |
or is it just the usual clowns? | 0:39:35 | 0:39:36 | |
Robert was afraid it might rain. | 0:39:36 | 0:39:38 | |
I really just wanted a few people for dinner | 0:39:38 | 0:39:40 | |
but he said, "You only turn 21 once." | 0:39:40 | 0:39:42 | |
I know plenty of very respectable women | 0:39:42 | 0:39:44 | |
who, of their own accord, turn 35 year after year. | 0:39:44 | 0:39:46 | |
I'm sure you can be 21 as many times. | 0:39:46 | 0:39:48 | |
I think it's silly to lie about your age. | 0:39:48 | 0:39:50 | |
You have no redeeming vices. | 0:39:50 | 0:39:51 | |
I hope not. | 0:39:51 | 0:39:53 | |
Happy birthday. | 0:39:53 | 0:39:55 | |
The invitation said no gifts. | 0:39:57 | 0:39:58 | |
That's why I brought it now. | 0:39:58 | 0:40:00 | |
It's too expensive. | 0:40:04 | 0:40:06 | |
Ih... I know you don't mean anything by it | 0:40:06 | 0:40:08 | |
but it just wouldn't look right. | 0:40:08 | 0:40:09 | |
Gold looks right with everything. | 0:40:09 | 0:40:10 | |
Just wear it. No one has to know. | 0:40:10 | 0:40:13 | |
Well, I'd know. | 0:40:13 | 0:40:15 | |
I do mean something by it. | 0:40:15 | 0:40:16 | |
Please. | 0:40:16 | 0:40:17 | |
It's a gift of friendship, Maggie. | 0:40:17 | 0:40:18 | |
Please. Now, you'll hurt me deeply if you refuse. | 0:40:18 | 0:40:21 | |
Now look what you've made me do. | 0:40:21 | 0:40:23 | |
A little sincerity can be a very dangerous thing. | 0:40:23 | 0:40:25 | |
Any more of it could be fatal. | 0:40:25 | 0:40:27 | |
Now just take the damn thing | 0:40:27 | 0:40:28 | |
before I die and ruin your terrace. | 0:40:28 | 0:40:30 | |
It's very pretty. Thank you. | 0:40:32 | 0:40:34 | |
Where's Robert? | 0:40:38 | 0:40:39 | |
Off sending another telegram? | 0:40:39 | 0:40:41 | |
Signora, the florist is waiting for his money. | 0:40:42 | 0:40:45 | |
He'll have to get it from Mr Windemere. | 0:40:45 | 0:40:46 | |
I'm sorry. Can he come back later? | 0:40:46 | 0:40:48 | |
Doesn't Robert keep a chequebook in his office? | 0:40:48 | 0:40:50 | |
Can you sign on the account? | 0:40:50 | 0:40:51 | |
Ah, yes, of course. | 0:40:51 | 0:40:52 | |
Uh, tell him to wait. | 0:40:52 | 0:40:54 | |
I'll see you tonight. | 0:40:54 | 0:40:55 | |
People don't always behave the way we expect. | 0:40:55 | 0:40:57 | |
In fact, it's really just the opposite. | 0:40:57 | 0:40:58 | |
The truth is I don't want to see you hurt. | 0:40:58 | 0:41:00 | |
What are you talking about? | 0:41:00 | 0:41:02 | |
You may need a friend one of these days. | 0:41:02 | 0:41:04 | |
When you do, I'm here. | 0:41:04 | 0:41:06 | |
Will you remember that? | 0:41:06 | 0:41:08 | |
Yes, of course. | 0:41:08 | 0:41:09 | |
I came as quickly as I could. | 0:42:47 | 0:42:49 | |
We're all so distressed over it. | 0:42:49 | 0:42:52 | |
But you mustn't take it personally. | 0:42:54 | 0:42:57 | |
Mrs Erlynne is one of those women | 0:42:57 | 0:42:59 | |
that attract men like a bee to a flame. | 0:42:59 | 0:43:03 | |
Eh? | 0:43:03 | 0:43:04 | |
A moth. | 0:43:04 | 0:43:06 | |
Bee to a moth. Mmm. | 0:43:06 | 0:43:08 | |
There must be some other explanation. | 0:43:11 | 0:43:13 | |
I have an idea. | 0:43:20 | 0:43:21 | |
Shall we go for a walk? | 0:43:21 | 0:43:23 | |
Hmm? | 0:43:23 | 0:43:25 | |
Tesoro, when there's marriage without love | 0:43:31 | 0:43:34 | |
there'll be love without marriage. | 0:43:34 | 0:43:36 | |
No, but Robert and I married for love. | 0:43:36 | 0:43:38 | |
You married for love, of course. And so did I. | 0:43:38 | 0:43:40 | |
But before the year was over | 0:43:40 | 0:43:42 | |
Benito was lifting all kinds of petticoats. | 0:43:42 | 0:43:45 | |
I had to dismiss my best maid. | 0:43:45 | 0:43:47 | |
Oh, no, no. | 0:43:47 | 0:43:48 | |
I remember. | 0:43:48 | 0:43:49 | |
I passed her on to my cousin. | 0:43:49 | 0:43:51 | |
Oh, her husband was so short-sighted, I thought. | 0:43:51 | 0:43:54 | |
But he navigated by scent, it seems. | 0:43:55 | 0:43:58 | |
So unfortunate. | 0:43:58 | 0:44:00 | |
Believe me, darling. | 0:44:01 | 0:44:03 | |
It happens to us all. | 0:44:03 | 0:44:04 | |
Undying love is like the ghost in your villa. | 0:44:04 | 0:44:07 | |
Everybody talks about it, but try and find one person | 0:44:07 | 0:44:10 | |
who has seen it. | 0:44:10 | 0:44:11 | |
Come on. Come on. | 0:44:11 | 0:44:13 | |
May I ask you a favour? | 0:44:15 | 0:44:17 | |
Anything at all. | 0:44:17 | 0:44:18 | |
About, uh, Mrs Erlynne. | 0:44:18 | 0:44:20 | |
Ah... | 0:44:20 | 0:44:21 | |
Very clever woman. | 0:44:21 | 0:44:23 | |
She threw me out last night. | 0:44:23 | 0:44:25 | |
Knows what a fool I am. | 0:44:25 | 0:44:26 | |
Knows it as well as I do myself. | 0:44:26 | 0:44:29 | |
She's meeting me here for tea, though. | 0:44:29 | 0:44:31 | |
It's a great thing, I tell you | 0:44:35 | 0:44:36 | |
to come across a woman who thoroughly understands me. | 0:44:36 | 0:44:38 | |
Would you mind, uh, not bringing her to our party tonight? | 0:44:38 | 0:44:41 | |
That's the favour? | 0:44:42 | 0:44:43 | |
Well, Meg feels it might make things awkward. | 0:44:43 | 0:44:46 | |
So it's true, then. | 0:44:46 | 0:44:48 | |
I didn't believe it. | 0:44:48 | 0:44:49 | |
I-I don't believe it now. You don't seem the type | 0:44:49 | 0:44:52 | |
though I will say Mrs Erlynne's damn fascinating. | 0:44:52 | 0:44:54 | |
Hard to resist. But... | 0:44:54 | 0:44:56 | |
you're not serious, are you? | 0:44:56 | 0:44:58 | |
I warn you, you'll have to fight me for her. | 0:44:58 | 0:45:02 | |
And I'm a man in love. | 0:45:02 | 0:45:04 | |
What are you talking about? | 0:45:04 | 0:45:06 | |
This way, Mrs Erlynne. | 0:45:08 | 0:45:09 | |
- Grazie. - Prego. | 0:45:09 | 0:45:11 | |
Come with me. | 0:45:18 | 0:45:19 | |
Where are you taking me? | 0:45:19 | 0:45:21 | |
Let go of my arm. | 0:45:21 | 0:45:22 | |
I have to talk to you. | 0:45:22 | 0:45:23 | |
I'm meeting Lord Augustus. | 0:45:23 | 0:45:25 | |
You must leave Amalfi at once. | 0:45:25 | 0:45:26 | |
Leave? | 0:45:26 | 0:45:28 | |
And go where? | 0:45:28 | 0:45:29 | |
You've paid my rent here for the season. | 0:45:29 | 0:45:31 | |
I'll pay it somewhere else. | 0:45:31 | 0:45:32 | |
I want you on the first plane out tomorrow. | 0:45:32 | 0:45:34 | |
- I don't understand. - People are talking! | 0:45:34 | 0:45:35 | |
About us. | 0:45:35 | 0:45:37 | |
I don't see the humour. | 0:45:39 | 0:45:40 | |
Bury a real secret | 0:45:40 | 0:45:41 | |
and a false one a pops up in its place? | 0:45:41 | 0:45:44 | |
There's a certain irony, you have to admit. | 0:45:44 | 0:45:46 | |
I'm not ready to leave. | 0:45:48 | 0:45:50 | |
I'm enjoying myself here. | 0:45:50 | 0:45:51 | |
I'm begging you. | 0:45:51 | 0:45:53 | |
Think of Meg. | 0:45:53 | 0:45:55 | |
If she knew that you were her mother. | 0:45:55 | 0:45:57 | |
It would destroy her. | 0:45:59 | 0:46:00 | |
Meg, or the magnificent Windemeres? | 0:46:00 | 0:46:03 | |
Family scandal is unhealthy for aspiring politicians. | 0:46:03 | 0:46:06 | |
I'm not the only pragmatist in this room. | 0:46:06 | 0:46:08 | |
Pragmatist? | 0:46:08 | 0:46:10 | |
20 years | 0:46:10 | 0:46:12 | |
and not a word. | 0:46:12 | 0:46:14 | |
You turn up when she marries a man with money. | 0:46:14 | 0:46:15 | |
You call that pragmatism? I can think of other words. | 0:46:15 | 0:46:18 | |
Are you trying to hurt my feelings? | 0:46:18 | 0:46:20 | |
Do you have any? | 0:46:20 | 0:46:21 | |
That can't be purchased, I mean. | 0:46:21 | 0:46:24 | |
How much | 0:46:24 | 0:46:25 | |
to get you on the first flight out? | 0:46:25 | 0:46:28 | |
I feel every time he's kissed me, it's filthy. | 0:46:32 | 0:46:35 | |
A lie every minute we've been together. | 0:46:35 | 0:46:37 | |
How could he? | 0:46:40 | 0:46:42 | |
Every man is born truthful, and every man dies a liar. | 0:46:42 | 0:46:45 | |
Now, whatever you do, you mustn't make a scene. | 0:46:45 | 0:46:48 | |
It's too unpleasant, and you waste energy. | 0:46:48 | 0:46:51 | |
No, of course not. I wouldn't. | 0:46:51 | 0:46:55 | |
Crying is the refuge of plain women. | 0:46:55 | 0:46:58 | |
Pretty women go shopping. | 0:46:58 | 0:47:00 | |
Be on that plane. | 0:47:12 | 0:47:14 | |
I'll send the cash. | 0:47:14 | 0:47:15 | |
Did I hear you correctly? | 0:47:24 | 0:47:27 | |
That Meg Windemere is your daughter? | 0:47:27 | 0:47:31 | |
My daughter? | 0:47:31 | 0:47:32 | |
Robert's wife? | 0:47:32 | 0:47:34 | |
Yes. | 0:47:34 | 0:47:35 | |
How dare you. | 0:47:35 | 0:47:37 | |
She must be 20 at least. | 0:47:37 | 0:47:39 | |
Her mother? | 0:47:39 | 0:47:41 | |
Do I look as old as all that? | 0:47:41 | 0:47:43 | |
No, no, no. | 0:47:43 | 0:47:45 | |
Of course not. | 0:47:45 | 0:47:46 | |
I, um... | 0:47:46 | 0:47:48 | |
I must've nodded off. | 0:47:48 | 0:47:50 | |
You were dozing. | 0:47:50 | 0:47:52 | |
Go back to sleep. | 0:47:52 | 0:47:54 | |
Come on. | 0:48:04 | 0:48:06 | |
Oh, no. No business tonight. | 0:48:25 | 0:48:27 | |
We can talk another day. | 0:48:27 | 0:48:28 | |
- Hey, good to see you. - Lovely party. | 0:48:28 | 0:48:30 | |
More champagne. | 0:48:30 | 0:48:31 | |
Welcome. Have a great party. | 0:48:31 | 0:48:33 | |
Hey, Hubert. | 0:48:35 | 0:48:37 | |
Good evening, Mr Dumby. | 0:49:04 | 0:49:05 | |
Oh, good evening, Mrs Stutfield. | 0:49:05 | 0:49:07 | |
Last party of the season, I suppose. | 0:49:07 | 0:49:10 | |
It's been a delightful season, hasn't it? | 0:49:10 | 0:49:11 | |
Oh, yes! Quite delightful. | 0:49:11 | 0:49:13 | |
Good evening, Lady Plymdale. | 0:49:13 | 0:49:15 | |
Well, here it is, the last party of the season. | 0:49:15 | 0:49:18 | |
Oh, I suppose so. | 0:49:18 | 0:49:19 | |
It's been a very dull season, though, hasn't it? | 0:49:19 | 0:49:21 | |
Oh, yes, dreadfully dull. | 0:49:21 | 0:49:23 | |
Evening, Cecil. | 0:49:23 | 0:49:24 | |
Hello, Dumby. | 0:49:24 | 0:49:26 | |
I suppose this will be the last party of the season. | 0:49:26 | 0:49:28 | |
Oh, surely not. | 0:49:28 | 0:49:29 | |
Probably two more at least. | 0:49:29 | 0:49:30 | |
Oh, I say, Darlington, I had the oddest dream today. | 0:49:30 | 0:49:33 | |
A bit of it has just come back to me. | 0:49:33 | 0:49:35 | |
So what are we drinking? | 0:49:35 | 0:49:36 | |
Where's the birthday girl? | 0:49:36 | 0:49:38 | |
Transforming herself. | 0:49:38 | 0:49:39 | |
Sausages and women. | 0:49:39 | 0:49:40 | |
If you want to enjoy the experience | 0:49:40 | 0:49:42 | |
never watch the preparation of either. | 0:49:42 | 0:49:44 | |
JAZZ MUSIC COVERS PLEASANTRIES | 0:50:22 | 0:50:27 | |
CHATTER DIES AWAY | 0:50:49 | 0:50:51 | |
Is that new? | 0:50:56 | 0:50:57 | |
Just out of the box. Do you like it? | 0:50:57 | 0:50:59 | |
You might be a little cold. I'll get you a wrap. | 0:50:59 | 0:51:01 | |
And spoil the lines? Didn't your friend | 0:51:01 | 0:51:02 | |
teach you anything about Italian fashion? | 0:51:02 | 0:51:04 | |
My friend? | 0:51:04 | 0:51:05 | |
I saw the cheques. Don't even. | 0:51:05 | 0:51:07 | |
Ah, Lady Plymdale. | 0:51:07 | 0:51:09 | |
So good of you to come. | 0:51:09 | 0:51:10 | |
Do you want another glass of champagne? | 0:51:10 | 0:51:12 | |
I'd love some. | 0:51:12 | 0:51:13 | |
Let's get us both some. | 0:51:13 | 0:51:15 | |
Why don't you ask me how I am? | 0:51:15 | 0:51:17 | |
I like people to ask me how I am. | 0:51:17 | 0:51:19 | |
It shows a widespread interest in my health | 0:51:19 | 0:51:21 | |
and you can't imagine how comforting that is. | 0:51:21 | 0:51:24 | |
Lovely party, eh? | 0:51:25 | 0:51:26 | |
How are you, Cecil? | 0:51:26 | 0:51:28 | |
Oh, not well at all. | 0:51:28 | 0:51:29 | |
I-I'd like Alessandra to meet Mr Hopper from Australia. | 0:51:29 | 0:51:33 | |
Would you introduce her? | 0:51:33 | 0:51:34 | |
I-would you just excuse me for one moment? | 0:51:34 | 0:51:36 | |
Go with Mr Windemere. | 0:51:36 | 0:51:38 | |
Thank you. | 0:51:38 | 0:51:39 | |
She's my last, you know. | 0:51:39 | 0:51:41 | |
I will miss her. | 0:51:41 | 0:51:42 | |
But it's best to get them out of the nest | 0:51:42 | 0:51:44 | |
before they turn on you. | 0:51:44 | 0:51:47 | |
Girls begin by loving their mothers | 0:51:47 | 0:51:48 | |
but as they grow, they judge us. | 0:51:48 | 0:51:50 | |
Rarely do they forgive us. | 0:51:50 | 0:51:52 | |
Oh, poor fool. | 0:51:55 | 0:51:57 | |
He'll never learn. | 0:51:57 | 0:51:59 | |
Which fool? Don't make me choose. | 0:51:59 | 0:52:01 | |
Tuppy. | 0:52:01 | 0:52:02 | |
He's brought Mrs Erlynne. | 0:52:02 | 0:52:04 | |
All the women will snub her. You wait and see. | 0:52:04 | 0:52:06 | |
She may have better luck with the men. | 0:52:06 | 0:52:09 | |
It is because of men that women distrust other women. | 0:52:09 | 0:52:12 | |
Women don't trust women. Men don't trust women. | 0:52:12 | 0:52:15 | |
No one trusts women. | 0:52:15 | 0:52:17 | |
It's what binds the Hindu and the Catholic. | 0:52:17 | 0:52:20 | |
I know I promised, but I must tell you | 0:52:30 | 0:52:33 | |
how beautiful you look tonight. | 0:52:33 | 0:52:35 | |
Well, if you must, you must. | 0:52:35 | 0:52:37 | |
Ah, I beg your pardon. | 0:52:38 | 0:52:40 | |
I was looking for someone else. | 0:52:40 | 0:52:41 | |
-Well, you found -me. | 0:52:41 | 0:52:43 | |
Mrs Erlynne. | 0:52:43 | 0:52:45 | |
May I call you Stella? | 0:52:45 | 0:52:47 | |
Lord Augustus is getting me champagne. | 0:52:47 | 0:52:49 | |
You and I can trade favours. | 0:52:49 | 0:52:51 | |
Tempting, but no. | 0:52:52 | 0:52:54 | |
And I'd rather he didn't see us | 0:52:54 | 0:52:56 | |
standing out here under the moonlight. | 0:52:56 | 0:52:57 | |
He might misunderstand. | 0:52:57 | 0:52:59 | |
Hear me out. | 0:52:59 | 0:53:00 | |
Windemere's fortune exceeds Tuppy's. | 0:53:00 | 0:53:02 | |
Why change horses now? | 0:53:02 | 0:53:03 | |
You can have what you want, and Meg's free. | 0:53:03 | 0:53:06 | |
Free? | 0:53:06 | 0:53:07 | |
She hasn't the courage to leave him. | 0:53:07 | 0:53:09 | |
But if it's clear to her that he's with you... | 0:53:09 | 0:53:12 | |
He's not. | 0:53:12 | 0:53:13 | |
You've been buying idle gossip, Lord Darlington. | 0:53:15 | 0:53:18 | |
You should get a refund. | 0:53:18 | 0:53:20 | |
Excuse me. | 0:53:20 | 0:53:22 | |
I-I had to invite her, Dumby. | 0:53:22 | 0:53:24 | |
The point is she's a changed woman, transformed. | 0:53:24 | 0:53:26 | |
You can see it in her eyes. | 0:53:26 | 0:53:28 | |
Do you think she'd look at you if you were poor? | 0:53:28 | 0:53:29 | |
Do you think I'd look at her if she were ugly? | 0:53:29 | 0:53:32 | |
Fair's fair, exchange rates and so forth. | 0:53:32 | 0:53:34 | |
Well, I know she's had her this and her that | 0:53:34 | 0:53:36 | |
but if a man can tolerate his own past | 0:53:36 | 0:53:39 | |
why not a past in his wife? | 0:53:39 | 0:53:41 | |
At any rate, it's wipe the slate. | 0:53:41 | 0:53:43 | |
Clean start. | 0:53:43 | 0:53:44 | |
She and I, we... | 0:53:44 | 0:53:46 | |
We understand each other. | 0:53:46 | 0:53:48 | |
And you know what they say, every saint has a past. | 0:53:48 | 0:53:50 | |
Every sinner has a future. | 0:53:50 | 0:53:53 | |
And... | 0:53:53 | 0:53:55 | |
HE CLEARS HIS THROAT | 0:53:55 | 0:53:57 | |
I'm going to ask her to marry me if she'll have me. | 0:53:57 | 0:54:00 | |
You know, you know why they call it an altar, Tuppy? | 0:54:00 | 0:54:04 | |
It's where they make human sacrifices. | 0:54:04 | 0:54:07 | |
I had a dream about Mrs Erlynne today. | 0:54:08 | 0:54:10 | |
Yes, well... | 0:54:10 | 0:54:12 | |
You couldn't help it, I suppose. | 0:54:12 | 0:54:13 | |
She, uh-she is quite the woman. | 0:54:13 | 0:54:17 | |
But, um, in the future | 0:54:18 | 0:54:20 | |
please try to dream of someone else. | 0:54:20 | 0:54:23 | |
Well... | 0:54:23 | 0:54:25 | |
Don't you think you've had enough? | 0:54:45 | 0:54:47 | |
Lovely party. | 0:55:01 | 0:55:03 | |
Thanks for coming. | 0:55:03 | 0:55:05 | |
Meg? | 0:55:08 | 0:55:10 | |
I have to change. | 0:55:10 | 0:55:11 | |
Did you see her? | 0:55:11 | 0:55:13 | |
Don't. | 0:55:13 | 0:55:14 | |
You're lovely. | 0:55:14 | 0:55:15 | |
It's ridiculous on a woman her age. | 0:55:15 | 0:55:18 | |
Why didn't you tell me? | 0:55:18 | 0:55:20 | |
You said you were my friend. | 0:55:21 | 0:55:24 | |
Men and women can't be friends. | 0:55:24 | 0:55:26 | |
Meg. | 0:55:30 | 0:55:31 | |
No. | 0:55:31 | 0:55:32 | |
Can you stay with him? | 0:55:51 | 0:55:54 | |
Can you... | 0:55:54 | 0:55:56 | |
Can you get into bed with him tonight? | 0:55:56 | 0:55:58 | |
Tomorrow night, nights after that? | 0:55:58 | 0:56:00 | |
You said yourself, there's no forgiving a man | 0:56:02 | 0:56:03 | |
who betrays his wife. | 0:56:03 | 0:56:05 | |
And what will you choose, false degrading marriage | 0:56:05 | 0:56:07 | |
or your own true self, free of compromise. | 0:56:07 | 0:56:09 | |
I've loved you from the beginning. | 0:56:09 | 0:56:10 | |
It's the truth. | 0:56:10 | 0:56:12 | |
Moment you held out your hand to me in the glove shop. | 0:56:12 | 0:56:13 | |
I thought, "there she is." | 0:56:13 | 0:56:15 | |
And then, suppose I'd walked by without stopping? | 0:56:15 | 0:56:19 | |
Just the thought of it. | 0:56:19 | 0:56:21 | |
I've never loved anyone until now. | 0:56:21 | 0:56:23 | |
Stop. | 0:56:23 | 0:56:24 | |
John! | 0:56:35 | 0:56:36 | |
Sorry, I didn't mean to startle you. | 0:56:37 | 0:56:39 | |
I'm looking for Meg. | 0:56:39 | 0:56:40 | |
If you see her, it's important. | 0:56:40 | 0:56:42 | |
Have you had a row? | 0:56:42 | 0:56:44 | |
A misunderstanding. | 0:56:46 | 0:56:48 | |
Try the bar. | 0:56:48 | 0:56:50 | |
Tuppy's given up smokes for her. | 0:56:57 | 0:56:59 | |
Women. | 0:56:59 | 0:57:00 | |
Women inspire us to great things. | 0:57:00 | 0:57:03 | |
Then somehow prevent us from doing any of them. | 0:57:03 | 0:57:05 | |
Look at him, he's proposing to her. | 0:57:05 | 0:57:07 | |
If she says yes, it'll be his third time up the aisle. | 0:57:07 | 0:57:09 | |
Hope trumps experience, Dumby. | 0:57:09 | 0:57:11 | |
It's god's joke on the human race. | 0:57:11 | 0:57:14 | |
He's quite convinced she's changed her spots. | 0:57:14 | 0:57:17 | |
Care to make it interesting? | 0:57:17 | 0:57:20 | |
I told you I was serious. | 0:57:20 | 0:57:22 | |
Hasn't anyone warned you against me? | 0:57:23 | 0:57:26 | |
Oh, yes. Everyone. | 0:57:26 | 0:57:29 | |
Put it away. | 0:57:29 | 0:57:30 | |
Now, you don't have to love me right away. | 0:57:30 | 0:57:33 | |
Think of the money. | 0:57:33 | 0:57:35 | |
Suppose I marry you and in a year your investments go sour. | 0:57:35 | 0:57:39 | |
I'll be stuck with a pauper. | 0:57:39 | 0:57:41 | |
On the other hand, I could drop dead | 0:57:41 | 0:57:42 | |
on the golf course next Tuesday | 0:57:42 | 0:57:44 | |
and you'd be left very well-appointed. | 0:57:44 | 0:57:46 | |
Life's a gamble, Stella. | 0:57:46 | 0:57:48 | |
I don't know what to say. | 0:57:49 | 0:57:51 | |
People say too much as it is. | 0:57:52 | 0:57:54 | |
Mrs Windemere and Mrs Erlynne. | 0:58:15 | 0:58:18 | |
Look like mother and daughter, don't they? | 0:58:18 | 0:58:20 | |
They're wearing the same dress. | 0:58:20 | 0:58:22 | |
Well, that'll be it. | 0:58:22 | 0:58:26 | |
Come away with me. | 0:58:30 | 0:58:32 | |
We could set sail tonight. | 0:58:32 | 0:58:34 | |
Please. | 0:58:37 | 0:58:39 | |
Is this your idea of a joke? | 0:58:45 | 0:58:48 | |
I need to speak to you. | 0:58:48 | 0:58:49 | |
It's about Darlington. | 0:58:49 | 0:58:50 | |
Follow me. | 0:58:50 | 0:58:52 | |
He's in love with Meg. | 0:58:57 | 0:58:59 | |
I know we said cash, so I'm raising the amount. | 0:58:59 | 0:59:01 | |
I want you to leave now. | 0:59:01 | 0:59:02 | |
I'd be more concerned if I were you. | 0:59:02 | 0:59:05 | |
You're not me. | 0:59:05 | 0:59:06 | |
And Darlington's not the problem. | 0:59:06 | 0:59:08 | |
The problem is I've been lying to my wife | 0:59:08 | 0:59:09 | |
and I'm not very good at it. | 0:59:09 | 0:59:10 | |
I can add up the rumours and show her a big fat zero. | 0:59:10 | 0:59:14 | |
I'm Tuppy's girl. Case closed. | 0:59:14 | 0:59:16 | |
I'll do my own explaining. Just get out. | 0:59:16 | 0:59:19 | |
I'd like to say good-bye to her. | 0:59:20 | 0:59:22 | |
You said good-bye to her 20 years ago. | 0:59:22 | 0:59:25 | |
No second chances. | 0:59:25 | 0:59:26 | |
I'll leave first. | 0:59:32 | 0:59:35 | |
We shouldn't walk out together. | 0:59:35 | 0:59:37 | |
You're the expert. | 0:59:37 | 0:59:38 | |
Count to 100. | 0:59:40 | 0:59:41 | |
Mrs Windemere? | 1:00:36 | 1:00:37 | |
'Dear Robert... | 1:01:08 | 1:01:09 | |
'I thought our marriage was perfect. | 1:01:09 | 1:01:13 | |
'I thought we would always be together. | 1:01:14 | 1:01:17 | |
'If you love Mrs Erlynne, you should be with her. | 1:01:17 | 1:01:21 | |
'I feel so foolish. | 1:01:21 | 1:01:23 | |
'Everyone knew but me.' | 1:01:23 | 1:01:26 | |
Meg? | 1:01:44 | 1:01:45 | |
Meg. | 1:01:47 | 1:01:48 | |
Meg, let me in. I want to talk to you. | 1:01:52 | 1:01:55 | |
Please, open the door. | 1:01:56 | 1:01:58 | |
There is nothing between me and Stella Erlynne. | 1:01:59 | 1:02:03 | |
How can you think it? | 1:02:03 | 1:02:05 | |
She's old, for God's sake. | 1:02:05 | 1:02:06 | |
She dyes her hair. | 1:02:06 | 1:02:07 | |
She...paints her face like an Indian. | 1:02:07 | 1:02:11 | |
She's a cold, selfish woman. | 1:02:11 | 1:02:14 | |
Not at all attractive once you know her. | 1:02:14 | 1:02:16 | |
Look, she was going to damage someone. | 1:02:17 | 1:02:21 | |
A person who'd never done her any harm. | 1:02:21 | 1:02:24 | |
She came here with a secret... | 1:02:24 | 1:02:26 | |
that would have broken your heart. | 1:02:26 | 1:02:28 | |
Look, I wanted to tell you. | 1:02:28 | 1:02:30 | |
I just didn't know how. | 1:02:30 | 1:02:32 | |
Look, I was trying to protect you. | 1:02:32 | 1:02:34 | |
You have to believe me. | 1:02:34 | 1:02:36 | |
She asked me for money, and I gave it to her. | 1:02:36 | 1:02:40 | |
I'm not proud of being blackmailed... | 1:02:40 | 1:02:41 | |
And I didn't know what else to do. | 1:02:41 | 1:02:43 | |
I should have told you at the start. | 1:02:43 | 1:02:45 | |
I'm not lying to you now. | 1:02:47 | 1:02:49 | |
I... | 1:02:49 | 1:02:50 | |
I love you. | 1:02:50 | 1:02:52 | |
And there's no other woman in my heart... | 1:02:52 | 1:02:56 | |
Or in my bed. | 1:02:56 | 1:02:58 | |
Meg, please open the door. | 1:02:59 | 1:03:03 | |
I... We've both had too much champagne. | 1:03:07 | 1:03:11 | |
We can talk in the morning. | 1:03:11 | 1:03:13 | |
Thank you for coming. | 1:03:32 | 1:03:34 | |
- Good night. - Lovely party. Good night. | 1:03:34 | 1:03:36 | |
I'll see you at the club. | 1:03:36 | 1:03:38 | |
There's the girl. | 1:03:39 | 1:03:40 | |
I thought you'd fallen in with... | 1:03:40 | 1:03:41 | |
Take Windemere to the club. | 1:03:41 | 1:03:43 | |
Keep him out late, all night if you can. | 1:03:43 | 1:03:45 | |
Get him drunk if you have to. | 1:03:45 | 1:03:46 | |
Just don't let him come home. | 1:03:46 | 1:03:48 | |
Why? | 1:03:48 | 1:03:49 | |
What? What? | 1:03:50 | 1:03:51 | |
I like you, I do. | 1:03:51 | 1:03:55 | |
But if this is going to work between us... | 1:03:55 | 1:03:57 | |
You can't do that. | 1:03:57 | 1:03:58 | |
What? Do what? | 1:03:58 | 1:03:59 | |
Where? What? Why? | 1:03:59 | 1:04:01 | |
I can't always explain myself to myself... | 1:04:01 | 1:04:04 | |
Let alone anyone else. | 1:04:04 | 1:04:05 | |
Well, good for you. | 1:04:05 | 1:04:06 | |
Takes the pressure off. | 1:04:06 | 1:04:08 | |
Nine times out of 10, men don't give two pins about why. | 1:04:08 | 1:04:10 | |
They just feel obliged to take an interest. | 1:04:10 | 1:04:13 | |
So, I'll do exactly as you wish... | 1:04:13 | 1:04:16 | |
And I'll feel as if we're married already. | 1:04:16 | 1:04:18 | |
Oh, can you get yourself home all right? | 1:04:18 | 1:04:20 | |
Why, Tuppy... | 1:04:20 | 1:04:24 | |
You're the first man who's ever asked me that. | 1:04:24 | 1:04:26 | |
I don't need to be the first, Stella. | 1:04:26 | 1:04:30 | |
Just the last. | 1:04:30 | 1:04:31 | |
DOOR OPENS | 1:05:11 | 1:05:14 | |
There's a taxi waiting at the end of the dock. | 1:05:28 | 1:05:31 | |
My husband sent you. | 1:05:31 | 1:05:33 | |
Your husband thinks you're in bed... | 1:05:33 | 1:05:35 | |
sleeping off a litre of Perrier Jouet. | 1:05:35 | 1:05:39 | |
Let's go. | 1:05:39 | 1:05:40 | |
He gave me money, that's all. | 1:05:41 | 1:05:43 | |
I'm an old friend of the family, and I had him over a barrel. | 1:05:43 | 1:05:46 | |
Do you think I'm stupid? | 1:05:46 | 1:05:47 | |
Married to a man you love... | 1:05:47 | 1:05:48 | |
And running off in the middle of the night | 1:05:48 | 1:05:50 | |
with an international playboy? | 1:05:50 | 1:05:51 | |
Do I think you're stupid? | 1:05:51 | 1:05:52 | |
This is none of your business. | 1:05:52 | 1:05:54 | |
You think just because hems are higher and woman can vote | 1:05:54 | 1:05:56 | |
anything has really changed for us? | 1:05:56 | 1:05:58 | |
Friends will stop calling. | 1:05:58 | 1:06:01 | |
He'll be invited into homes you're not. | 1:06:01 | 1:06:03 | |
You manage. | 1:06:03 | 1:06:04 | |
Don't compare yourself. | 1:06:06 | 1:06:07 | |
It takes practice and skill to live without regret. | 1:06:07 | 1:06:10 | |
A marriage takes your whole heart. | 1:06:12 | 1:06:15 | |
Selfish people can't pull it off... | 1:06:15 | 1:06:17 | |
But you are not that. | 1:06:17 | 1:06:19 | |
You can succeed where the rest of us fail. | 1:06:19 | 1:06:22 | |
Why should I believe you? | 1:06:22 | 1:06:24 | |
Don't believe me, believe him. | 1:06:24 | 1:06:26 | |
He's been faithful to you, I'll swear it on my life. | 1:06:26 | 1:06:29 | |
He told you to lie. | 1:06:29 | 1:06:31 | |
He doesn't even know you're here. | 1:06:32 | 1:06:34 | |
He never has to know. | 1:06:38 | 1:06:40 | |
You want me to lie on top of a lie? | 1:06:41 | 1:06:43 | |
Everything's spoiled between us. I can't. | 1:06:43 | 1:06:45 | |
- What's happened to you? - Let go of me! | 1:06:46 | 1:06:47 | |
Who taught you to be so unforgiving? | 1:06:47 | 1:06:49 | |
You made a mistake, don't make it worse. | 1:06:49 | 1:06:51 | |
You're hurting me! | 1:06:51 | 1:06:51 | |
You shut your eyes to everything that isn't perfect. | 1:06:51 | 1:06:53 | |
You're just asking to fall into a hole. | 1:06:53 | 1:06:56 | |
Fine. | 1:07:01 | 1:07:03 | |
Go ahead. | 1:07:04 | 1:07:06 | |
Step over love to pick up pride and guilt. | 1:07:06 | 1:07:10 | |
What will that trade be worth in a year? | 1:07:10 | 1:07:12 | |
In 20? | 1:07:12 | 1:07:15 | |
THEY LAUGH | 1:07:15 | 1:07:18 | |
I've been throwing buns in that club... | 1:07:28 | 1:07:31 | |
Big boat, Darlington. | 1:07:31 | 1:07:32 | |
Does it really have to be so big? | 1:07:32 | 1:07:33 | |
You know what they say about men with big boats. | 1:07:33 | 1:07:35 | |
Yes. | 1:07:35 | 1:07:36 | |
I should be getting home. | 1:07:36 | 1:07:37 | |
You'll take a cigar, surely? | 1:07:37 | 1:07:38 | |
I thought you'd quit for the love of a good woman. | 1:07:38 | 1:07:41 | |
Good woman isn't exactly the moniker... | 1:07:41 | 1:07:43 | |
I'd choose for Mrs Erlynne. | 1:07:43 | 1:07:45 | |
You make her out to be the devil's handmaiden. | 1:07:45 | 1:07:46 | |
She's nothing of the sort. | 1:07:46 | 1:07:48 | |
Dumby and I are just concerned | 1:07:48 | 1:07:49 | |
for your future, aren't we, Dumby? | 1:07:49 | 1:07:51 | |
Devilish women are a bother, and good ones are a bore. | 1:07:51 | 1:07:55 | |
That's the only difference. | 1:07:55 | 1:07:57 | |
Mrs Erlynne is neither a bother nor a bore. | 1:07:57 | 1:07:59 | |
Well, you change your habits, but I doubt she'll change hers. | 1:07:59 | 1:08:02 | |
I've bet Dumby 50 quid. | 1:08:02 | 1:08:05 | |
Now, now, enough of this. | 1:08:05 | 1:08:07 | |
I won't hear any more words said against her. | 1:08:07 | 1:08:09 | |
She's everything I've ever wanted in a woman. | 1:08:09 | 1:08:11 | |
My dear Tuppy, in this world there are only two tragedies. | 1:08:11 | 1:08:16 | |
One is not getting what one wants... | 1:08:16 | 1:08:18 | |
The other is getting it. | 1:08:18 | 1:08:19 | |
The last is much the worst. | 1:08:19 | 1:08:21 | |
The last is a real tragedy. | 1:08:21 | 1:08:24 | |
Marriage - it has its pains, ask Edna. | 1:08:24 | 1:08:28 | |
Celibacy has no pleasures. | 1:08:30 | 1:08:33 | |
What would you know about celibacy? | 1:08:33 | 1:08:35 | |
I can learn. | 1:08:35 | 1:08:36 | |
If it will prove my love. | 1:08:36 | 1:08:37 | |
A woman who needs proof? | 1:08:37 | 1:08:38 | |
Before she'll leave her husband. | 1:08:38 | 1:08:40 | |
John, you are a cad. | 1:08:40 | 1:08:42 | |
We're all in the gutter. | 1:08:42 | 1:08:45 | |
But some of us are looking at the stars. | 1:08:45 | 1:08:47 | |
# What men call gallantry | 1:08:47 | 1:08:48 | |
# And God's adultery is far more common | 1:08:48 | 1:08:52 | |
# Where the climate's sultry... # | 1:08:52 | 1:08:56 | |
That's the one I bought Meg. | 1:08:57 | 1:08:59 | |
For her birthday. | 1:09:01 | 1:09:03 | |
You sure? | 1:09:03 | 1:09:05 | |
She must have left it last week when you came for lunch. | 1:09:05 | 1:09:07 | |
She was carrying it tonight. | 1:09:07 | 1:09:10 | |
One fan looks very much like another. | 1:09:10 | 1:09:12 | |
John? | 1:09:12 | 1:09:13 | |
I... I have no idea. | 1:09:13 | 1:09:17 | |
Meg's not... Not here, is she? | 1:09:17 | 1:09:19 | |
No, of course not. | 1:09:19 | 1:09:21 | |
What's that? | 1:09:24 | 1:09:25 | |
I didn't hear anything. | 1:09:25 | 1:09:26 | |
She's downstairs. | 1:09:26 | 1:09:27 | |
Listen, Robert, calm down. | 1:09:27 | 1:09:29 | |
You've had too much... | 1:09:29 | 1:09:31 | |
Don't make an ass of yourself. | 1:09:31 | 1:09:32 | |
Bloody hell. | 1:09:32 | 1:09:33 | |
Too late. | 1:09:33 | 1:09:34 | |
Bloody hell. | 1:09:34 | 1:09:35 | |
We better put some ice on that. It's going to swell. | 1:09:35 | 1:09:38 | |
I thought it was mine. | 1:09:45 | 1:09:46 | |
I must have picked up Mrs Windemere's by mistake. | 1:09:46 | 1:09:50 | |
Tuppy, I swear, I had no idea. | 1:10:02 | 1:10:03 | |
You owe Cecil 50 quid. Sorry. | 1:10:14 | 1:10:16 | |
Seems I'm the ass, Windemere. Not you. | 1:10:22 | 1:10:24 | |
I spent the night on John's boat. | 1:11:32 | 1:11:34 | |
I had too much to drink. | 1:11:38 | 1:11:40 | |
Can I ask you to forgive me? | 1:11:40 | 1:11:42 | |
I did something very stupid last night. | 1:11:44 | 1:11:48 | |
I... | 1:11:48 | 1:11:49 | |
You're not in my league. I made a complete ass of myself. | 1:11:51 | 1:11:55 | |
Ruined it for poor Tuppy. Better now than later, I guess. | 1:11:55 | 1:11:59 | |
Tuppy? | 1:11:59 | 1:12:00 | |
His engagement to Mrs Erlynne is off. | 1:12:00 | 1:12:03 | |
What are you talking about? | 1:12:06 | 1:12:08 | |
Last night on John's yacht... | 1:12:08 | 1:12:08 | |
Mrs Erlynne was waiting in his bedroom. | 1:12:08 | 1:12:10 | |
Look, I was drunk. I thought... | 1:12:12 | 1:12:14 | |
I saw your fan. I thought that... | 1:12:14 | 1:12:16 | |
Oh, I didn't think. It was her. | 1:12:16 | 1:12:19 | |
She said she took it by mistake. | 1:12:19 | 1:12:21 | |
No, that's not true. | 1:12:21 | 1:12:23 | |
Oh, of course not. | 1:12:23 | 1:12:24 | |
Better count the spoons. | 1:12:24 | 1:12:26 | |
You were right not to want her here. | 1:12:26 | 1:12:28 | |
I'd have expected more from John, though. | 1:12:28 | 1:12:30 | |
Tuppy's his friend. | 1:12:30 | 1:12:31 | |
She didn't take my fan. I left it on... | 1:12:32 | 1:12:35 | |
KNOCK AT DOOR | 1:12:35 | 1:12:37 | |
There's a telephone call from America. | 1:12:37 | 1:12:40 | |
It's your father, Mr Windemere. | 1:12:40 | 1:12:42 | |
Not now. | 1:12:42 | 1:12:43 | |
No, no, I'll take it. He'll worry. | 1:12:43 | 1:12:47 | |
I love you. | 1:12:53 | 1:12:54 | |
I love you. | 1:12:54 | 1:12:55 | |
And a woman brought this. She's waiting downstairs. | 1:13:00 | 1:13:03 | |
Thank you. | 1:13:09 | 1:13:10 | |
What are you doing here? | 1:13:38 | 1:13:40 | |
We had an agreement. | 1:13:40 | 1:13:42 | |
I came to return the fan. | 1:13:42 | 1:13:44 | |
How is your wife feeling this morning? | 1:13:44 | 1:13:47 | |
You don't get within ten feet of my wife. | 1:13:47 | 1:13:50 | |
I only asked how she was. | 1:13:50 | 1:13:52 | |
If you're here to tell her who you are... | 1:13:52 | 1:13:54 | |
It's better coming from me. | 1:13:54 | 1:13:57 | |
It's my secret, not yours. | 1:13:57 | 1:14:01 | |
You've kept it very well. 20 years is a long time. | 1:14:01 | 1:14:06 | |
It doesn't seem to have been too much of a strain. | 1:14:06 | 1:14:11 | |
You see a little girl the right age... | 1:14:11 | 1:14:15 | |
You push the thought aside, close the door. | 1:14:15 | 1:14:19 | |
Only at three o'clock, that in-between hour... | 1:14:19 | 1:14:22 | |
Too late to do anything, too early for dinner... | 1:14:22 | 1:14:26 | |
Doors come flying open. | 1:14:26 | 1:14:30 | |
I don't believe you feel anything for her. | 1:14:30 | 1:14:32 | |
You care about yourself, no one else. | 1:14:32 | 1:14:35 | |
< Robert. | 1:14:37 | 1:14:38 | |
Robert, your father needs to talk to you. He says it's import... | 1:14:38 | 1:14:42 | |
Mrs Erlynne came to return your fan. | 1:14:42 | 1:14:45 | |
She was just leaving. | 1:14:45 | 1:14:48 | |
No, don't leave. I need to speak with you. | 1:14:49 | 1:14:51 | |
But she'll miss her plane. | 1:14:51 | 1:14:52 | |
Just a few minutes. | 1:14:52 | 1:14:53 | |
Robert, your father is waiting on the phone. He said it was important. | 1:14:57 | 1:15:00 | |
Robert? | 1:15:02 | 1:15:04 | |
It would be a great mistake... to miss your plane. | 1:15:04 | 1:15:08 | |
I came to make sure you got home safely. | 1:15:20 | 1:15:23 | |
Oh, no, you can't leave yet. You're my only witness that nothing happened. | 1:15:23 | 1:15:25 | |
Your witness? | 1:15:25 | 1:15:27 | |
I'm gonna tell him the truth. | 1:15:27 | 1:15:30 | |
What you did is your mistake. Your sack of bricks. | 1:15:32 | 1:15:36 | |
You carry it. You don't confess and hand it off to someone who loves you. | 1:15:36 | 1:15:40 | |
But everybody thinks you were having... | 1:15:40 | 1:15:42 | |
They'll think it anyway. It doesn't matter. | 1:15:42 | 1:15:43 | |
That's not true. It does matter. It matters to Tuppy. | 1:15:43 | 1:15:46 | |
I can't be responsible for ruining that. | 1:15:46 | 1:15:48 | |
You want to spoil the one good thing I've ever done? | 1:15:48 | 1:15:51 | |
It's only right to tell him the truth. | 1:15:53 | 1:15:55 | |
You love each other. That's your truth. | 1:15:55 | 1:15:59 | |
Why are you giving up your chance at marriage to save mine? It doesn't make any sense. | 1:15:59 | 1:16:03 | |
I'll tell you the truth. But first promise you're not going | 1:16:03 | 1:16:07 | |
to make some grand confession. | 1:16:07 | 1:16:08 | |
Swear it on whatever you hold sacred. | 1:16:08 | 1:16:11 | |
I swear on my mother. | 1:16:16 | 1:16:18 | |
Pardon? | 1:16:22 | 1:16:24 | |
She's my guardian angel. | 1:16:24 | 1:16:26 | |
My whole life I've wanted to be like her. | 1:16:26 | 1:16:28 | |
I'm sure she wouldn't hold you to such a standard. | 1:16:31 | 1:16:34 | |
She'd be so ashamed of me now. | 1:16:36 | 1:16:38 | |
We all straddle the abyss, Mrs Windemere. | 1:16:40 | 1:16:43 | |
If we never look down, how can we know who we are? | 1:16:43 | 1:16:48 | |
A mother could never be ashamed of a daughter... | 1:16:48 | 1:16:51 | |
who didn't fall in. | 1:16:51 | 1:16:52 | |
I hope you're right. | 1:16:55 | 1:16:58 | |
I've never been more certain of anything. | 1:16:58 | 1:17:01 | |
I swear then. | 1:17:04 | 1:17:07 | |
What is it you wanted to tell me? | 1:17:08 | 1:17:10 | |
Nothing. | 1:17:13 | 1:17:14 | |
I'll miss my plane. | 1:17:15 | 1:17:18 | |
Good-bye, Mrs Windemere. | 1:17:19 | 1:17:22 | |
I hope we meet again. | 1:17:22 | 1:17:24 | |
So do I. | 1:17:25 | 1:17:27 | |
Mrs Erlynne! > | 1:17:43 | 1:17:44 | |
You didn't tell her? | 1:17:46 | 1:17:48 | |
No. | 1:17:48 | 1:17:50 | |
Why not? | 1:17:50 | 1:17:52 | |
She has a mother. | 1:17:54 | 1:17:56 | |
A photograph in a locket. | 1:17:56 | 1:17:59 | |
It's a fairy tale. | 1:17:59 | 1:18:00 | |
A kind, caring mother who loves and watches over her. | 1:18:01 | 1:18:07 | |
I'm not gonna take that away. | 1:18:07 | 1:18:10 | |
And neither should you. | 1:18:10 | 1:18:13 | |
For one night, I thought you were in love with another woman. | 1:19:25 | 1:19:28 | |
For one minute, I thought you were in love with another man. | 1:19:28 | 1:19:31 | |
She was right. | 1:19:36 | 1:19:37 | |
Who? | 1:19:37 | 1:19:39 | |
Mrs Erlynne. | 1:19:39 | 1:19:40 | |
She said, "We can't shut our eyes | 1:19:40 | 1:19:42 | |
"to everything that isn't perfect... | 1:19:42 | 1:19:43 | |
"otherwise we might fall into a huge abyss." | 1:19:43 | 1:19:47 | |
We almost fell. | 1:19:47 | 1:19:49 | |
She's a smart woman. | 1:19:49 | 1:19:51 | |
She's a good woman. | 1:19:52 | 1:19:54 | |
Better than I thought. | 1:19:55 | 1:19:57 | |
She insisted. | 1:20:32 | 1:20:34 | |
Who? | 1:20:38 | 1:20:39 | |
Meg. | 1:20:39 | 1:20:41 | |
Something to remember her by. | 1:20:41 | 1:20:42 | |
And she explained everything. | 1:20:43 | 1:20:46 | |
Everything? | 1:20:46 | 1:20:47 | |
Oh, yes, of course. The flat tyre, the dog. | 1:20:47 | 1:20:50 | |
The Brazilian taxi driver with a pregnant daughter who lost her purse. | 1:20:50 | 1:20:54 | |
And the only thing I can say in my defence is... | 1:20:54 | 1:20:58 | |
that I have no defence. | 1:20:58 | 1:21:00 | |
I jumped to conclusions and thought the worst. | 1:21:00 | 1:21:04 | |
Where is this old crate going to? | 1:21:05 | 1:21:07 | |
Don't know. | 1:21:09 | 1:21:12 | |
Will you marry me when we get there? | 1:21:12 | 1:21:14 | |
A man gets the wife he deserves. | 1:21:15 | 1:21:18 | |
Well, I've been a very, very bad man. | 1:21:20 | 1:21:23 | |
PROPELLER WHIRRS | 1:21:26 | 1:21:28 | |
You know, John, love's a battleground. | 1:22:32 | 1:22:35 | |
It was only a flesh wound! | 1:22:35 | 1:22:38 | |
Men advance, women resist. | 1:22:38 | 1:22:40 | |
We retreat, and they block our escape. | 1:22:40 | 1:22:44 | |
We can't win. | 1:22:44 | 1:22:46 | |
The sexes will never understand each other. | 1:22:46 | 1:22:48 | |
Only because they take such pains to deceive each other. | 1:22:48 | 1:22:51 | |
Oh, hello, Dumby. | 1:22:51 | 1:22:53 | |
Are you awake? | 1:22:53 | 1:22:55 | |
Am I winning? | 1:22:55 | 1:22:57 |