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This programme contains very strong language. | 0:00:02 | 0:00:09 | |
FOOTSTEPS SQUELCHING THROUGH MUD | 0:00:11 | 0:00:13 | |
-What time is it? -2.40am. In the morning. | 0:00:22 | 0:00:27 | |
On Thursday June 27th. | 0:00:27 | 0:00:29 | |
I've brought toothpaste instead of porn! | 0:00:29 | 0:00:33 | |
What's that all about? Got what?! | 0:00:33 | 0:00:36 | |
High-energy drink and earplugs. | 0:00:36 | 0:00:38 | |
-Earplugs for sleeping... -Oh, right. -..and high-energy drinks for not sleeping! | 0:00:38 | 0:00:43 | |
How we doing? | 0:00:46 | 0:00:47 | |
How are we going to fit? Am I sitting on you? | 0:00:47 | 0:00:50 | |
Oh, you wish! | 0:00:50 | 0:00:53 | |
And did those feet in ancient time | 0:00:55 | 0:00:58 | |
walk upon England's mountain green? | 0:00:58 | 0:01:01 | |
And was the holy lamb of God | 0:01:01 | 0:01:03 | |
on England's pleasant pastures seen? | 0:01:03 | 0:01:06 | |
And did the countenance divine | 0:01:06 | 0:01:09 | |
shine forth upon these clouded hills? | 0:01:09 | 0:01:12 | |
And was Jerusalem builded here | 0:01:12 | 0:01:16 | |
among these dark satanic mills? | 0:01:16 | 0:01:18 | |
# Tell me you love me | 0:01:20 | 0:01:23 | |
# It's all right... # | 0:01:23 | 0:01:26 | |
CROWD: Ohh... | 0:01:26 | 0:01:29 | |
Glastonbury. | 0:01:31 | 0:01:32 | |
Epicentre of the spirits of Albion. | 0:01:34 | 0:01:38 | |
Resting place of the Holy Grail. | 0:01:38 | 0:01:40 | |
Burial site of King Arthur, | 0:01:40 | 0:01:42 | |
the reconciler of Celt and Saxon. | 0:01:42 | 0:01:44 | |
Convergence of the power lines of the mind. | 0:01:44 | 0:01:47 | |
Jerusalem. | 0:01:49 | 0:01:51 | |
Yeah, but it's not real, is it? | 0:01:51 | 0:01:53 | |
It can't be real...can it? | 0:01:53 | 0:01:55 | |
Give it to me, Glastonbury! | 0:01:55 | 0:01:58 | |
We want it hardcore. Bring it on! Come o-o-o-o-on! | 0:01:58 | 0:02:02 | |
From prehistoric times, when it was truly an island | 0:02:02 | 0:02:06 | |
in the floods and marshes surrounding it, | 0:02:06 | 0:02:08 | |
Glastonbury has been a place of refuge or pilgrimage | 0:02:08 | 0:02:11 | |
for saints, mystics and holy men. | 0:02:11 | 0:02:14 | |
Many of them settled there as hermits, finally adding their bones | 0:02:14 | 0:02:18 | |
to the collection of sacred relics. | 0:02:18 | 0:02:21 | |
Glastonbury is built on a legend, the most remarkable in Christendom. | 0:02:21 | 0:02:25 | |
According to the sacred histories of England, | 0:02:25 | 0:02:28 | |
it was shortly after the Crucifixion | 0:02:28 | 0:02:31 | |
that Saint Joseph of Arimathea first appeared in Glastonbury. | 0:02:31 | 0:02:35 | |
He had been to England before, | 0:02:35 | 0:02:37 | |
to Cornwall during his days as a tin trader, | 0:02:37 | 0:02:40 | |
and it's claimed in West Country folklore that, on one occasion, | 0:02:40 | 0:02:45 | |
he brought with him his nephew, Jesus Christ. | 0:02:45 | 0:02:48 | |
There are even legends which state | 0:02:48 | 0:02:50 | |
that Jesus himself visited Glastonbury. | 0:02:50 | 0:02:54 | |
ALL: Hey! | 0:02:54 | 0:02:56 | |
We're off to Glastonbury! | 0:02:56 | 0:02:58 | |
# Stop that train | 0:03:03 | 0:03:05 | |
# I wanna get on | 0:03:05 | 0:03:08 | |
# My baby, she's leaving me now | 0:03:08 | 0:03:12 | |
# Stop that train | 0:03:15 | 0:03:17 | |
# I wanna get on | 0:03:17 | 0:03:19 | |
# My baby, she's leaving me now... # | 0:03:19 | 0:03:23 | |
He hasn't got a ticket. | 0:03:23 | 0:03:27 | |
It's no problem, I'm just gonna jump over. | 0:03:27 | 0:03:30 | |
THEY LAUGH | 0:03:30 | 0:03:31 | |
# ..Sha la la la la la la la la la la la | 0:03:31 | 0:03:35 | |
# Ooh, yeah | 0:03:35 | 0:03:37 | |
# Sha la la la la la la la la la la la... | 0:03:37 | 0:03:41 | |
# Sha la la la la la la la la la la la... # | 0:03:42 | 0:03:46 | |
-There it is over there. See? -It's not that far, is it? | 0:03:46 | 0:03:50 | |
Can you follow the blue Transit? | 0:04:03 | 0:04:05 | |
# ..Stop that train I wanna get on... # | 0:04:05 | 0:04:07 | |
GIRL SINGS | 0:04:14 | 0:04:17 | |
INTRO TO: "All Tomorrow's Parties" | 0:04:27 | 0:04:31 | |
# And what costume shall the poor girl wear | 0:04:39 | 0:04:43 | |
# To all tomorrow's parties? | 0:04:48 | 0:04:52 | |
# A hand-me-down dress from who knows where | 0:04:55 | 0:05:00 | |
# To all tomorrow's parties | 0:05:03 | 0:05:09 | |
# And where will she go What shall she do | 0:05:11 | 0:05:17 | |
# When midnight comes around? | 0:05:17 | 0:05:22 | |
# She'll turn once more to Sunday's clown | 0:05:24 | 0:05:29 | |
# And cry behind the door... # | 0:05:32 | 0:05:37 | |
What do you do in your daily life? | 0:05:54 | 0:05:57 | |
I work for an insurance company! | 0:05:57 | 0:05:59 | |
-So you come here to do what that's different from that? -Er, be me. | 0:05:59 | 0:06:03 | |
Be really me. Cos my job's a bit mundane, desk bound, not real. | 0:06:03 | 0:06:08 | |
Sunglasses. Very important. Mobile phone. Very important. | 0:06:11 | 0:06:15 | |
Camera. Very important. | 0:06:15 | 0:06:17 | |
A little bit of something to keep me going. That's all. | 0:06:17 | 0:06:20 | |
Luxury. | 0:06:20 | 0:06:21 | |
Do you tend to get lucky at Glastonbury? | 0:06:21 | 0:06:24 | |
No. I avoid it, actually at Glastonbury, | 0:06:24 | 0:06:27 | |
because there's more interesting things to be doing. | 0:06:27 | 0:06:30 | |
It's windy, isn't it? | 0:06:35 | 0:06:37 | |
It is very windy. | 0:06:37 | 0:06:38 | |
COWS MOO | 0:06:40 | 0:06:42 | |
CHEERING AND APPLAUSE | 0:06:44 | 0:06:47 | |
Go on then, I'll make you famous. | 0:06:50 | 0:06:53 | |
GROUP SINGS | 0:07:15 | 0:07:20 | |
SHE ULULATES | 0:07:38 | 0:07:39 | |
APPLAUSE | 0:08:20 | 0:08:22 | |
It's a huge job, actually, getting a... | 0:08:24 | 0:08:27 | |
-How are you getting on? -Good show. -How are you getting on? -All right. | 0:08:27 | 0:08:31 | |
Have you been before? | 0:08:31 | 0:08:33 | |
-Of course we have. This is my tenth time. -Oh, well done. | 0:08:33 | 0:08:36 | |
-What about you, have you been before? -Yeah, I've been around a few years. -All right, innit? | 0:08:36 | 0:08:40 | |
-It's a bit overrated, innit? -Quite a lot of hippies. | 0:08:40 | 0:08:43 | |
Overrated, yeah - that's probably true! | 0:08:43 | 0:08:45 | |
-We're lovely Essex boys and... -We're normal. | 0:08:45 | 0:08:48 | |
We're going back to Woodstock days. | 0:08:48 | 0:08:50 | |
We're going for that feeling. | 0:08:50 | 0:08:53 | |
Everyone - the love feeling, sugar. | 0:08:53 | 0:08:56 | |
In the days before supermarkets, when they used to deliver bread, | 0:08:56 | 0:09:00 | |
this baker lady came and said, "Have you seen those funny people?" | 0:09:00 | 0:09:04 | |
I said, "What's wrong with them?" She said, "They call them hippies." | 0:09:04 | 0:09:07 | |
I said, "Really? What do they look like?" | 0:09:07 | 0:09:10 | |
THEY SING | 0:09:10 | 0:09:14 | |
We've heard so much about the place, because the vibes and the land around here... | 0:09:16 | 0:09:21 | |
are very nice and peaceful. | 0:09:21 | 0:09:23 | |
-The what? -The vibes. The vibrations from the ground. | 0:09:23 | 0:09:25 | |
I went to the blues festival at the showground in 1970, | 0:09:25 | 0:09:31 | |
I didn't see a fence anywhere. | 0:09:31 | 0:09:33 | |
So I fell in love with the whole idea of it. | 0:09:33 | 0:09:36 | |
All these lovely people, lovely music, lovely weather, lovely fields... Can't go wrong. | 0:09:36 | 0:09:41 | |
T-REX: # Wear a tall hat like a druid in the old days | 0:09:41 | 0:09:44 | |
# Wear a tall hat and a tattooed gown | 0:09:44 | 0:09:48 | |
# Ride a white swan like the people of the Beltane | 0:09:48 | 0:09:51 | |
# Wear your hair long, babe you can't go wrong... # | 0:09:51 | 0:09:54 | |
-You look very comfortable on your superloo. Can I join you? -Certainly. | 0:09:58 | 0:10:02 | |
Ah, that's better. | 0:10:02 | 0:10:03 | |
It seems, I think, to many people slightly incongruous | 0:10:03 | 0:10:08 | |
to site a festival here in the heart of a very quiet peaceful countryside. | 0:10:08 | 0:10:11 | |
It's a super place for it, | 0:10:11 | 0:10:13 | |
it's absolutely ideal. It's a kind of euphoria down here, | 0:10:13 | 0:10:16 | |
it's away from the awful realities of life. It's a nice place. | 0:10:16 | 0:10:20 | |
The Vale of Avalon and Glastonbury and all the mystique surrounding it. It's a nice place for it. | 0:10:20 | 0:10:26 | |
You make it sound very romantic, but surely hard cash is really the... | 0:10:26 | 0:10:30 | |
-the object of the exercise. -Well, the farm is such a dead loss, | 0:10:30 | 0:10:34 | |
we've got to look to other ways of making money. | 0:10:34 | 0:10:36 | |
What is the one thing that's worrying you more than anything else at this moment? | 0:10:53 | 0:10:58 | |
How many I'm going to get here. | 0:11:00 | 0:11:02 | |
And how many gatecrashers I'm gonna get. | 0:11:02 | 0:11:04 | |
CROWD CHEERS | 0:11:04 | 0:11:07 | |
My mate's band was not cut, he pulled it off his hand. | 0:11:11 | 0:11:14 | |
-It's stretched. -He pulled it off his hand! | 0:11:14 | 0:11:16 | |
# Take a little walk to the edge of town | 0:11:22 | 0:11:26 | |
# And go across the tracks | 0:11:26 | 0:11:28 | |
# Where the viaduct looms like a bird of doom | 0:11:30 | 0:11:34 | |
# As it shifts and cracks | 0:11:34 | 0:11:38 | |
# Where secrets lie in the border fires | 0:11:38 | 0:11:44 | |
# In the humming wires | 0:11:44 | 0:11:45 | |
# Hey, man, you know you're never coming back | 0:11:45 | 0:11:49 | |
# Past the bridge and the gulley | 0:11:49 | 0:11:51 | |
# By the river, at the stacks | 0:11:51 | 0:11:53 | |
# On a gathering storm comes a tall handsome man | 0:11:55 | 0:12:00 | |
# In a dusty black coat with a red right hand | 0:12:00 | 0:12:04 | |
# You'll see him in your head On the TV screen... # | 0:12:31 | 0:12:35 | |
This is not funny, you know, this is not the time to be taking wedding photos! | 0:12:35 | 0:12:40 | |
# ..He's a ghost, he's a god He's a man, he's a guru | 0:12:40 | 0:12:46 | |
# You're one microscopic cog in his catastrophic plan | 0:12:48 | 0:12:53 | |
# Designed and directed by his red right hand... # | 0:12:53 | 0:12:57 | |
Everybody go home, the wedding's off! | 0:12:57 | 0:13:00 | |
CHEERING AND APPLAUSE Thank you. | 0:13:07 | 0:13:10 | |
COWS MOO | 0:13:10 | 0:13:12 | |
It was a success musically. | 0:13:14 | 0:13:15 | |
It was super. It was a lovely day. But it was a loss financially. | 0:13:15 | 0:13:18 | |
-I lost a bit of money. -Would you do it again? | 0:13:18 | 0:13:21 | |
I don't know. I haven't got courage enough at the moment. | 0:13:21 | 0:13:25 | |
I think it's great. Shouldn't end. Never end. | 0:13:25 | 0:13:27 | |
-You want it to go on for ever? -Yeah. For a million years. | 0:13:27 | 0:13:30 | |
PEOPLE BLEAT | 0:13:30 | 0:13:34 | |
I wasn't really the best of farmers, to be honest. | 0:13:34 | 0:13:37 | |
He was always keen on music. As a family, we were always keen on music. | 0:13:37 | 0:13:41 | |
We used to sing around the piano. Mostly hymns. | 0:13:41 | 0:13:44 | |
That was our entertainment. | 0:13:44 | 0:13:46 | |
Yeah. There is a nonconformist tradition in the West Country that we're the centre of. | 0:13:46 | 0:13:52 | |
I've got a lot of uncles that were Methodist ministers and things. | 0:13:52 | 0:13:58 | |
And my father was a preacher. | 0:13:58 | 0:14:00 | |
PA: 'Please do not piss in the ditches.' | 0:14:00 | 0:14:04 | |
'Or in the hedges.' | 0:14:04 | 0:14:06 | |
'It might be all right for one person to do it, | 0:14:06 | 0:14:09 | |
'but when you've got thousands of people, | 0:14:09 | 0:14:12 | |
'it all gets into the drainage and pollutes the water courses around Glastonbury. | 0:14:12 | 0:14:18 | |
'And it's one of the conditions of getting a licence next year | 0:14:18 | 0:14:23 | |
'that we sort it out. | 0:14:23 | 0:14:25 | |
'So if you could all, please, use the toilet facilities provided, | 0:14:25 | 0:14:29 | |
'then there'll be a Glastonbury next year!' | 0:14:29 | 0:14:32 | |
COCK CROWS | 0:14:46 | 0:14:48 | |
The newcomers that actually came to the village said, "What are the Eavises like?" | 0:14:48 | 0:14:53 | |
"They're very, very clever, but they've got no respect for the law." | 0:14:53 | 0:14:57 | |
THEY LAUGH | 0:14:57 | 0:14:58 | |
That was extraordinary. I was looking at my licensing record. | 0:15:02 | 0:15:05 | |
THEY CONTINUE LAUGHING | 0:15:05 | 0:15:08 | |
We were weaned on all that rather left-wing, sort of liberal stuff | 0:15:08 | 0:15:13 | |
about war and about people's liberty. | 0:15:13 | 0:15:16 | |
That's all part of the Methodist background that I've had. | 0:15:16 | 0:15:19 | |
PEOPLE LAUGH | 0:15:19 | 0:15:21 | |
When I saw people protesting about the Vietnam war, | 0:15:26 | 0:15:29 | |
and what with the music and Woodstock as well, | 0:15:29 | 0:15:32 | |
it all suited me absolutely perfectly. | 0:15:32 | 0:15:34 | |
But the second festival was the Pyramid Festival in '71, | 0:15:34 | 0:15:38 | |
and it was a free festival. | 0:15:38 | 0:15:40 | |
The hippies did that one on their own. | 0:15:40 | 0:15:42 | |
-It was a chap called Andrew Kerr. -You see, we can't tell | 0:15:42 | 0:15:46 | |
what good will come out of it | 0:15:46 | 0:15:49 | |
until we've tried. | 0:15:49 | 0:15:51 | |
Andrew worked for Randolph Churchill | 0:15:56 | 0:15:59 | |
and Arabella, Winston Churchill's granddaughter, turned up as well. | 0:15:59 | 0:16:03 | |
She was 21 and she had recently come into some money, | 0:16:03 | 0:16:06 | |
so between them they made it happen, basically. | 0:16:06 | 0:16:10 | |
LYRICS INDISTINCT | 0:16:14 | 0:16:20 | |
And it was all to do with falling in love, | 0:16:55 | 0:16:59 | |
and you know, loving life, and all that sort of thing, | 0:16:59 | 0:17:02 | |
and children and... | 0:17:02 | 0:17:05 | |
There was all love attached to it, a lot of feeling about it. | 0:17:08 | 0:17:11 | |
It's romantic and it's beautiful and... | 0:17:11 | 0:17:16 | |
Though to the hippies, | 0:17:17 | 0:17:19 | |
the Glastonbury Fair has been a time of peace and happiness to everyone, | 0:17:19 | 0:17:23 | |
there have been certain aspects of it | 0:17:23 | 0:17:25 | |
that have disturbed what they call, "the straight society." | 0:17:25 | 0:17:28 | |
That's just about everyone but themselves. | 0:17:28 | 0:17:31 | |
Aspects such as the free lovemaking, | 0:17:31 | 0:17:33 | |
the fertility rites, the naked dancing, | 0:17:33 | 0:17:35 | |
and, most of all, | 0:17:35 | 0:17:37 | |
the drug taking. Somerset County Police drug squad | 0:17:37 | 0:17:40 | |
have been mingling with the hippies at the Festival. | 0:17:40 | 0:17:43 | |
Others have been watching what's going on through binoculars. | 0:17:43 | 0:17:46 | |
At times, it was a bit scary, cos they're all on drugs and things. | 0:17:49 | 0:17:53 | |
And it was very acidy in those days, a lot of acid around. | 0:17:53 | 0:17:57 | |
I really enjoyed the whole festival concept, | 0:18:01 | 0:18:04 | |
the politics of it, the mood of it and everything. | 0:18:04 | 0:18:07 | |
But the drugs didn't really enter into it for me, | 0:18:07 | 0:18:10 | |
because, in a funny kind of way, we were quite puritanical. | 0:18:10 | 0:18:14 | |
We don't drink much and we get more pleasure from working than you do from partying. | 0:18:14 | 0:18:20 | |
# This is what it's all about | 0:18:24 | 0:18:27 | |
# Take me in and eat me out | 0:18:28 | 0:18:31 | |
# Pins and needles in my arms | 0:18:31 | 0:18:34 | |
# Lucky eyes and lucky charms | 0:18:34 | 0:18:38 | |
# Fearless, fearless, oh | 0:18:38 | 0:18:42 | |
# And I know that's why you love me | 0:18:42 | 0:18:45 | |
# Fearless, fearless, come on | 0:18:45 | 0:18:50 | |
# And I know that's why you love me | 0:18:50 | 0:18:52 | |
# Fearless, fearless, whoa | 0:18:52 | 0:18:55 | |
# And I know that's why you love me, chica | 0:18:57 | 0:19:01 | |
# And I know that's why you love me, chica | 0:19:01 | 0:19:03 | |
# Oh, that's why you love me, chica | 0:19:03 | 0:19:08 | |
# Oh... | 0:19:08 | 0:19:10 | |
# Oh, fearless. # | 0:19:20 | 0:19:23 | |
CHEERING | 0:19:31 | 0:19:33 | |
Please remove yourselves from those steps. Listen, | 0:19:39 | 0:19:44 | |
I was born in Glastonbury. | 0:19:44 | 0:19:46 | |
It means a lot to me. | 0:19:46 | 0:19:48 | |
You... You're just abusing all the things that Glastonians stand for. | 0:19:48 | 0:19:53 | |
I came to Glastonbury because it's a spiritual centre. | 0:20:02 | 0:20:05 | |
Because Christ came here as a child. | 0:20:05 | 0:20:08 | |
Because the Holy Grail is buried here. | 0:20:08 | 0:20:11 | |
-And because...it's Glastonbury. -I feel that it's a perfect disgrace. | 0:20:11 | 0:20:15 | |
I object to the filth and flies that have been left about our hedgerows. | 0:20:15 | 0:20:19 | |
A number of them do - and I mean do - smell to high heaven. | 0:20:19 | 0:20:23 | |
It's not just a slight question of BO, it's really evil smelling in some cases. | 0:20:23 | 0:20:29 | |
Somebody has to make a stand against these very dirty, very unwashed people. | 0:20:29 | 0:20:34 | |
I'm not saying they're all dirty and all unwashed. | 0:20:34 | 0:20:37 | |
But they do give a lot of offence. | 0:20:37 | 0:20:39 | |
People have come here for various reasons for many, many centuries. | 0:20:39 | 0:20:44 | |
I do get concerned that a minority group like this, | 0:20:44 | 0:20:48 | |
which would really like to make their home here, | 0:20:48 | 0:20:52 | |
being hounded by a section of the community out of the town. | 0:20:52 | 0:20:55 | |
Will you be going to the festival? | 0:20:55 | 0:20:58 | |
I don't know yet. I might. | 0:20:58 | 0:21:00 | |
Yeah, I'm going with a Tommy gun. | 0:21:00 | 0:21:01 | |
Why is that? | 0:21:01 | 0:21:03 | |
Ha! | 0:21:03 | 0:21:05 | |
How do you feel about the festival? | 0:21:05 | 0:21:07 | |
No comment. | 0:21:07 | 0:21:09 | |
# You have never been in love | 0:21:16 | 0:21:20 | |
# Until you've seen the stars | 0:21:20 | 0:21:25 | |
# Reflect in the reservoirs | 0:21:25 | 0:21:29 | |
# And you have never been in love | 0:21:30 | 0:21:34 | |
# Until you've seen the dawn rise | 0:21:36 | 0:21:39 | |
# Behind the home for the blind We are... | 0:21:39 | 0:21:44 | |
# The pretty, petty thieves | 0:21:44 | 0:21:50 | |
# And you're standing on our street | 0:21:52 | 0:21:57 | |
# Where Hector was the first of the gang | 0:21:57 | 0:22:00 | |
# With a gun in his hand | 0:22:00 | 0:22:03 | |
# And the first to do time | 0:22:03 | 0:22:04 | |
# The first of the gang to die... # | 0:22:04 | 0:22:07 | |
They're too small. | 0:22:07 | 0:22:09 | |
# ..Oh, my | 0:22:09 | 0:22:11 | |
# Hector was the first of the gang | 0:22:11 | 0:22:14 | |
# With a gun in his hand | 0:22:14 | 0:22:16 | |
# And the first to do time | 0:22:16 | 0:22:18 | |
# The first of the gang to die | 0:22:18 | 0:22:21 | |
# Oh, my | 0:22:22 | 0:22:24 | |
# You have never been in love | 0:22:27 | 0:22:31 | |
# Until you've seen the sunlight thrown | 0:22:33 | 0:22:36 | |
# Over smashed human bone... # | 0:22:36 | 0:22:40 | |
Let there be peace to the East. | 0:22:40 | 0:22:42 | |
CROWD: Peace to the East. | 0:22:42 | 0:22:44 | |
Let there be peace to the South. | 0:22:44 | 0:22:46 | |
CROWD: Let there be peace to the South... | 0:22:46 | 0:22:49 | |
Let there be peace to the West. | 0:22:49 | 0:22:51 | |
CROWD: Let there be peace to the West. | 0:22:51 | 0:22:53 | |
-It's so weird...! -THEY GIGGLE | 0:22:53 | 0:22:55 | |
We'll get back to you at a later date. | 0:22:59 | 0:23:01 | |
At Glastonbury, we have the tepee field. | 0:23:24 | 0:23:26 | |
It enables people to realise perhaps that what makes people happy in life | 0:23:26 | 0:23:32 | |
isn't the level of material consumption that they can enjoy, | 0:23:32 | 0:23:36 | |
but actually, a closeness to nature and a wealth of human relationships around them. | 0:23:36 | 0:23:41 | |
The ethos that goes with tepee living is really the... | 0:23:43 | 0:23:47 | |
North American Indian ethos that you live lightly on the earth. | 0:23:47 | 0:23:51 | |
What Gandhi said, "There's enough for everyone's need, but not for everyone's greed." | 0:23:51 | 0:23:55 | |
I don't think it's a hard lifestyle. | 0:24:01 | 0:24:04 | |
It's not as hard as going to work at a job you don't like | 0:24:04 | 0:24:08 | |
for 40 years to pay a mortgage on a house. | 0:24:08 | 0:24:10 | |
It involves hard work every day if you're going to keep it together. | 0:24:12 | 0:24:17 | |
Nothing is as simple as flicking a switch and... | 0:24:19 | 0:24:22 | |
you've got instant energy and power. | 0:24:22 | 0:24:24 | |
But that's the problem with our society | 0:24:24 | 0:24:27 | |
and it's overhunger for energy that's driving the world into climate change and running out of resources. | 0:24:27 | 0:24:34 | |
Living in a tepee, you're very much more in touch with nature | 0:24:36 | 0:24:40 | |
all the way around. | 0:24:40 | 0:24:42 | |
At least you're aware of it. | 0:24:50 | 0:24:51 | |
You're not shut off from it inside a box, | 0:24:51 | 0:24:54 | |
looking at a box in the corner of a box. | 0:24:54 | 0:24:56 | |
Here we all are, but we know that there are other beings, you know, | 0:25:06 | 0:25:10 | |
in helicopters, police, etc, etc, who don't share | 0:25:10 | 0:25:14 | |
our sense that we just want to be with one another | 0:25:14 | 0:25:17 | |
and just evolve in a slowly feedback system. | 0:25:17 | 0:25:20 | |
So, I think that the festival is actually an interface between... | 0:25:20 | 0:25:25 | |
a loving vibe and a resentful one. | 0:25:25 | 0:25:29 | |
Hey? What, the watchtowers? | 0:25:29 | 0:25:31 | |
This is basically, the Glastonbury fence. | 0:25:31 | 0:25:35 | |
More security down here. | 0:25:37 | 0:25:39 | |
SHE LAUGHS | 0:25:39 | 0:25:41 | |
My God, there's another watchtower there! | 0:25:41 | 0:25:44 | |
UPBEAT MUSIC | 0:25:44 | 0:25:48 | |
# Revolutionary soldiers gather round | 0:26:06 | 0:26:10 | |
# North, south, east, west over London town | 0:26:10 | 0:26:13 | |
# Revolutionary soldiers hear the sound | 0:26:13 | 0:26:17 | |
# This is how we get down, yo! This is how we get down, yo! | 0:26:17 | 0:26:20 | |
# Back to the beat, back to the beat Back to the beat... # | 0:26:20 | 0:26:23 | |
PA: Glastonbury, this is your tune, specifically | 0:26:29 | 0:26:31 | |
and directly dedicated to everybody here and all those who are not. | 0:26:31 | 0:26:37 | |
This is for the people who still wanna live by the sword... | 0:26:39 | 0:26:42 | |
..and who don't realise that fighting only brings more fighting. | 0:26:44 | 0:26:48 | |
If you want peace, there's only one way to get it. | 0:26:51 | 0:26:56 | |
# We got... # CROWD: One! | 0:26:56 | 0:26:58 | |
The real deal, Hindus, Jews, Christians, Muslims. | 0:27:02 | 0:27:07 | |
Everyone! | 0:27:07 | 0:27:09 | |
Everyone! # We got... # | 0:27:09 | 0:27:11 | |
CROWD: One! | 0:27:11 | 0:27:12 | |
From the back to the front! Everyone! | 0:27:21 | 0:27:24 | |
# We got... # CROWD: One! | 0:27:24 | 0:27:26 | |
# We got... # CROWD: One! | 0:27:38 | 0:27:40 | |
# We got... # CROWD: One! | 0:27:52 | 0:27:54 | |
# We got... # CROWD: One! | 0:28:06 | 0:28:09 | |
CHEERING AND APPLAUSE | 0:28:09 | 0:28:14 | |
If I live to be a million years old and do a million more gigs, I'll never forget that! | 0:28:19 | 0:28:23 | |
That was brilliant! CHEERING | 0:28:23 | 0:28:26 | |
THEY CHATTER | 0:28:26 | 0:28:31 | |
And you let us know when you're coming, | 0:28:38 | 0:28:40 | |
and we will arrange then an escort | 0:28:40 | 0:28:43 | |
for you to come in from Shepton Mallett. We'll pick you up | 0:28:43 | 0:28:47 | |
and bring you straight in to the site. | 0:28:47 | 0:28:49 | |
It tends to be a bit muddy. Have you got any boots with you? | 0:28:49 | 0:28:53 | |
LAUGHING: You do! | 0:28:54 | 0:28:55 | |
Then see you later on tonight. | 0:28:55 | 0:28:57 | |
And it will be beautiful, I promise you. | 0:28:57 | 0:29:00 | |
..OK. God bless, sleep well. Bye. | 0:29:00 | 0:29:04 | |
-What did he say? -What? -What did he say? | 0:29:04 | 0:29:07 | |
That wasn't him, it was Melanie. | 0:29:07 | 0:29:10 | |
# Well, there's a chance | 0:29:11 | 0:29:15 | |
# Peace will come | 0:29:15 | 0:29:18 | |
# In your life | 0:29:18 | 0:29:21 | |
# Please buy one | 0:29:21 | 0:29:25 | |
# There's a chance | 0:29:25 | 0:29:27 | |
# Peace will come in your life Please buy one | 0:29:27 | 0:29:33 | |
# There's a chance peace will come | 0:29:33 | 0:29:36 | |
# In your life, please buy one | 0:29:36 | 0:29:39 | |
# There's a chance peace will come in your life | 0:29:39 | 0:29:45 | |
# Please buy one! The-ere's a chance peace will come | 0:29:45 | 0:29:50 | |
# In your life, please buy one! The-ere's a chance | 0:29:50 | 0:29:56 | |
# Peace will come in your life Please buy one! | 0:29:56 | 0:30:00 | |
# The-ere's a chance | 0:30:02 | 0:30:03 | |
# Peace will come in your life | 0:30:03 | 0:30:07 | |
# Please buy one... # | 0:30:07 | 0:30:13 | |
CHEERING AND APPLAUSE | 0:30:19 | 0:30:22 | |
-There's 50 guys up there... -You can hear them. | 0:30:23 | 0:30:27 | |
Tooled up with ladders. If they want to come and beat me up, they'd have done it by now. | 0:30:27 | 0:30:32 | |
Control... Over. | 0:30:32 | 0:30:35 | |
It's the same group. They're going along the fence line. | 0:30:35 | 0:30:38 | |
They're trying the fence line, looking for weak spots. | 0:30:38 | 0:30:42 | |
# I'm the trouble starter Fuckin' instigator | 0:31:11 | 0:31:13 | |
# I'm the fear addicted Danger illustrated | 0:31:17 | 0:31:20 | |
# I'm a firestarter Twisted firestarter | 0:31:23 | 0:31:27 | |
# Twisted | 0:31:28 | 0:31:29 | |
# Twisted | 0:31:29 | 0:31:31 | |
# You're the firestarter Twisted firestarter | 0:31:31 | 0:31:35 | |
# I'm the firestarter Twisted firestarter | 0:31:37 | 0:31:41 | |
# Ye-eah! # | 0:31:44 | 0:31:46 | |
CHEERING AND APPLAUSE | 0:31:46 | 0:31:50 | |
Yeah, I don't care, grab a fuckin' flare! | 0:31:50 | 0:31:54 | |
-Wicked Babylon! -Wicked Babylon! | 0:31:54 | 0:31:56 | |
"Recycled, tree friendly." What does that mean? | 0:31:56 | 0:32:01 | |
CANCAN MUSIC | 0:32:01 | 0:32:07 | |
I'm looking for David Singers! | 0:32:07 | 0:32:09 | |
CHEERING | 0:32:09 | 0:32:13 | |
# Pressure now, oh, pressure | 0:32:23 | 0:32:26 | |
# Pressure coming down on you... | 0:32:26 | 0:32:28 | |
# It is you, everybody say | 0:32:41 | 0:32:44 | |
# Oh, ye-e-eah | 0:32:44 | 0:32:48 | |
# It is you, you, you, you, you | 0:32:48 | 0:32:51 | |
# Oh, ye-e-eah | 0:32:51 | 0:32:54 | |
# It is you, oh-oh-oh-oh Oh, ye-e-eah | 0:32:54 | 0:33:00 | |
# Under pressure. Pressure | 0:33:00 | 0:33:03 | |
# Pressure. Pressure | 0:33:03 | 0:33:04 | |
# Pressure coming down on you | 0:33:04 | 0:33:07 | |
# Under pressure, oh, pressure | 0:33:07 | 0:33:10 | |
# Ah, pressure coming down on you... # | 0:33:10 | 0:33:13 | |
-I'll get it. -It's him. | 0:33:20 | 0:33:24 | |
-Get off the site now! -If you'd asked nicely... | 0:33:24 | 0:33:27 | |
I'm telling you, I ain't fuckin' asking you! | 0:33:27 | 0:33:29 | |
You do not come on the site, all right...? | 0:33:29 | 0:33:34 | |
DANCE MUSIC PLAYS | 0:33:43 | 0:33:48 | |
SIRENS WAIL | 0:34:21 | 0:34:24 | |
GIGGLING | 0:34:32 | 0:34:35 | |
Are we going to give each other bunk-ups over? | 0:34:35 | 0:34:37 | |
I'd need to be fuckin' 17 foot tall to get a bunk-up from there, mate. | 0:34:37 | 0:34:41 | |
We need scaffold, ladder, or someone's gonna fuckin' break in and... | 0:34:41 | 0:34:45 | |
We're in the right area if we hear it happen. | 0:34:45 | 0:34:47 | |
Honey, we'd have to find a machete to get through all this lot. | 0:34:47 | 0:34:50 | |
For all those people out there, this is the way NOT to get into Glastonbury! | 0:34:50 | 0:34:55 | |
# I see your autosuggestion psychology | 0:35:00 | 0:35:05 | |
# Elimination policy | 0:35:05 | 0:35:09 | |
# A military industrial | 0:35:09 | 0:35:10 | |
# Illusion of democracy | 0:35:12 | 0:35:14 | |
# Swastika eyes | 0:35:14 | 0:35:17 | |
# Swastika eyes | 0:35:17 | 0:35:19 | |
# Swastika eyes | 0:35:21 | 0:35:24 | |
# Swastika eyes | 0:35:27 | 0:35:29 | |
# Swastika eyes | 0:35:31 | 0:35:33 | |
# Swastika eyes! # | 0:35:35 | 0:35:37 | |
Have I done anything to deserve that? What have I done to deserve what you've done to me? | 0:35:40 | 0:35:44 | |
-..Why? What you gonna do?! -Oi, shut it! | 0:35:44 | 0:35:49 | |
Right? Fuckin' shut it! | 0:35:49 | 0:35:51 | |
One, two, three! | 0:36:01 | 0:36:02 | |
CHEERING AND APPLAUSE | 0:36:32 | 0:36:35 | |
The war against terrorism is a pretext for an international police state. | 0:36:35 | 0:36:41 | |
-Is anything gonna happen when I get out? -No, we'll just escort you | 0:36:45 | 0:36:49 | |
-to the gate, then you can make your way home. -Nothing violent'll happen? -Not while it's on film, mate. | 0:36:49 | 0:36:55 | |
-No? -No. -OK. -We don't do things like that, mate. | 0:36:55 | 0:36:59 | |
OK, well, we'll have this on film then, shall we? | 0:37:00 | 0:37:03 | |
DANCE MUSIC PLAYS | 0:37:03 | 0:37:07 | |
# A-a-all | 0:37:38 | 0:37:42 | |
# Together now | 0:37:42 | 0:37:46 | |
# A-a-all | 0:37:48 | 0:37:52 | |
# Together... # | 0:37:52 | 0:37:53 | |
LAUGHTER | 0:37:58 | 0:38:01 | |
-What are you looking for? -Apparently, there's some cider lurking around out here. | 0:38:07 | 0:38:13 | |
-Cider? -Yeah, I can't find it. | 0:38:13 | 0:38:16 | |
Oi, are you in the same place as you were earlier? | 0:38:36 | 0:38:40 | |
Anarchy's the word, I think. | 0:38:58 | 0:39:00 | |
It's got a bad press, but I'm suggesting anarchy works well here, | 0:39:00 | 0:39:04 | |
because people actually learn the ground rules. | 0:39:04 | 0:39:07 | |
You don't have the constraints that they normally get | 0:39:07 | 0:39:10 | |
that fire them up. And they share stuff. So, it brings the best out of people. That's the point. | 0:39:10 | 0:39:16 | |
It's very early in the morning... | 0:39:16 | 0:39:19 | |
..and the dinosaurs are gone. | 0:39:21 | 0:39:23 | |
How do you think they escaped you? | 0:39:25 | 0:39:27 | |
-LAUGHING: -It wouldn't have been hard! | 0:39:27 | 0:39:31 | |
8.56 on Saturday. | 0:39:31 | 0:39:34 | |
That's Mr Wilde. Let's take a wander to the girls' tent. | 0:39:34 | 0:39:40 | |
Look, ahh, they're all sleeping. | 0:39:40 | 0:39:44 | |
Yep, he's off, he's off again. | 0:39:44 | 0:39:47 | |
There he goes. | 0:39:47 | 0:39:49 | |
There he goes. | 0:39:49 | 0:39:51 | |
LAUGHTER | 0:39:51 | 0:39:53 | |
Oh, he is actually falling asleep! | 0:39:53 | 0:39:55 | |
He's found his sleeping spot! | 0:39:56 | 0:40:00 | |
# As far as I can see there's only one explanation | 0:40:00 | 0:40:03 | |
# George Bush is an Islamic fundamentalist, obviously | 0:40:03 | 0:40:09 | |
# These days on the street | 0:40:17 | 0:40:19 | |
# You hear all kinds of conspiracy theories cos no-one knows | 0:40:19 | 0:40:22 | |
# What the fuck's going on We're all looking for explanations | 0:40:22 | 0:40:25 | |
# The most interesting one I heard | 0:40:25 | 0:40:27 | |
# Was that the West was controlled by genuine democracies that represent | 0:40:27 | 0:40:31 | |
# The will of their populations... # | 0:40:31 | 0:40:34 | |
LAUGHTER | 0:40:41 | 0:40:43 | |
Right, this is a prayer for all the drinkers. | 0:40:43 | 0:40:45 | |
I shall start it and you shall repeat. Here we go... | 0:40:45 | 0:40:48 | |
-Harp lager. -Harp lager. | 0:40:48 | 0:40:50 | |
-Till 'alf eleven. -Till 'alf eleven. | 0:40:50 | 0:40:53 | |
-Ale 'eads be thy name. -Ale 'eads be thy name. | 0:40:53 | 0:40:57 | |
-Thy ring-pull can. -Thy ring-pull can. | 0:40:57 | 0:40:59 | |
-Nice, we'll be drunk. -Nice, we'll be drunk... | 0:40:59 | 0:41:02 | |
-With burps, passing wind... -With burps, passing wind. | 0:41:02 | 0:41:06 | |
-..Give us this day, our scaly breath. -Give us this day, our scaly breath. | 0:41:07 | 0:41:11 | |
-And forgive us our dropped glasses. -And forgive us our dropped glasses. | 0:41:11 | 0:41:14 | |
-As we forgive them. -As we forgive them. | 0:41:14 | 0:41:16 | |
-Who toss glasses against us. -Who toss glasses against us. | 0:41:16 | 0:41:19 | |
Lead us not to attempt Asian takeaways. | 0:41:19 | 0:41:22 | |
Lead us not to attempt Asian takeaways. | 0:41:22 | 0:41:24 | |
-But deliver us from seafood. -But deliver us from seafood. | 0:41:24 | 0:41:27 | |
-For opening time is for drinking. -For opening time is for drinking. | 0:41:27 | 0:41:31 | |
-Till all hours of the morning. -Till all hours of the morning. | 0:41:31 | 0:41:34 | |
-Same again. -Same again. | 0:41:34 | 0:41:36 | |
CHIMING | 0:41:36 | 0:41:41 | |
# We are at one with the infinite sun | 0:42:00 | 0:42:04 | |
# Forever, forever, fore-ever. # | 0:42:04 | 0:42:08 | |
-Radio 1 killed Glastonbury! -Did you see them? | 0:42:16 | 0:42:20 | |
-Did you see them do it? -Our real breakthrough | 0:42:20 | 0:42:22 | |
was when Maggie Thatcher came to power in 1979, | 0:42:22 | 0:42:25 | |
because there was a huge backlash to Thatcherism. The only opportunity people had to express themselves | 0:42:25 | 0:42:31 | |
was here. So, they came here in thousands. | 0:42:31 | 0:42:34 | |
And we went, "Maggie out!" You know, "Maggie, out, out, out! Maggie out!" | 0:42:34 | 0:42:38 | |
When little Emily was a baby, she said, "Are we gonna go on a Maggie out today?" | 0:42:38 | 0:42:43 | |
You know, she thought that that was a way of enjoying yourself. | 0:42:43 | 0:42:47 | |
-So... -HE LAUGHS | 0:42:47 | 0:42:49 | |
But we were anti-Polaris and anti-cruise at the time. | 0:42:49 | 0:42:52 | |
So, I put her on my back | 0:42:52 | 0:42:53 | |
-and we'd go marching. -# How does it feel | 0:42:53 | 0:42:58 | |
# To treat me like you do? | 0:42:58 | 0:43:00 | |
# When you've laid your hands upon me | 0:43:02 | 0:43:05 | |
# And told me who you are | 0:43:05 | 0:43:07 | |
# I thought I was mistaken... # | 0:43:09 | 0:43:12 | |
-PA: -I remember, one of the first times I came, | 0:43:12 | 0:43:15 | |
the image that came to my mind | 0:43:15 | 0:43:17 | |
was that this was like one of the huge mediaeval armies | 0:43:17 | 0:43:23 | |
in the Crusades, with its tents all over the fields. | 0:43:23 | 0:43:29 | |
-Each time, the thing gets bigger! -CHEERING AND APPLAUSE | 0:43:29 | 0:43:35 | |
The growth that we have seen in this country | 0:43:35 | 0:43:38 | |
in the last five years is the growth | 0:43:38 | 0:43:42 | |
in the arms' industries, | 0:43:42 | 0:43:44 | |
in telephone tapping, in heavy policing, | 0:43:44 | 0:43:47 | |
in security services, | 0:43:47 | 0:43:50 | |
in new measures controlling the democratic rights of our people. | 0:43:50 | 0:43:54 | |
CHEERING AND APPLAUSE | 0:43:54 | 0:43:57 | |
There is now a time... | 0:43:57 | 0:44:01 | |
for a just self-respect to be built again amongst our people. | 0:44:01 | 0:44:07 | |
This has not only been a nation of moneymakers and imperialists, | 0:44:07 | 0:44:13 | |
it's been a nation of inventors, of writers, | 0:44:13 | 0:44:16 | |
a nation of theatre and musicians, | 0:44:16 | 0:44:19 | |
an alternative nation. And it is this alternative nation | 0:44:19 | 0:44:23 | |
which I can see in front of me now. | 0:44:23 | 0:44:25 | |
CHEERING AND APPLAUSE | 0:44:25 | 0:44:30 | |
You see, sometimes, Glastonbury, | 0:44:31 | 0:44:34 | |
we've got to fight for an end to racism, | 0:44:34 | 0:44:38 | |
sexism, homophobia, | 0:44:38 | 0:44:40 | |
global poverty. We've got to fight sometime, people... | 0:44:40 | 0:44:44 | |
We gotta fight sometime. | 0:44:47 | 0:44:49 | |
# Mao Tse Tung said... # | 0:45:06 | 0:45:08 | |
Antonio Gramsci is here. | 0:45:08 | 0:45:10 | |
# ..Mao Tse Tung said... # | 0:45:10 | 0:45:12 | |
Leon Trotsky's here. | 0:45:12 | 0:45:14 | |
# ..Mao Tse Tung said... # | 0:45:14 | 0:45:16 | |
Franz Ferdinand's here. | 0:45:16 | 0:45:18 | |
# ..Change must come through the barrel of a gun | 0:45:18 | 0:45:23 | |
-# Fidel Castro says... # -Che Guevara's here. | 0:45:23 | 0:45:26 | |
# Noam Chomsky said... | 0:45:26 | 0:45:31 | |
# Woody Guthrie said... | 0:45:31 | 0:45:33 | |
# Change must come | 0:45:33 | 0:45:34 | |
# Change must come through the barrel of a gun | 0:45:34 | 0:45:39 | |
# Mao Tse Tung said... | 0:45:39 | 0:45:41 | |
# Change must come | 0:45:41 | 0:45:43 | |
# Mao Tse Tung said... | 0:45:43 | 0:45:45 | |
# Change must come... # | 0:45:45 | 0:45:47 | |
Bad protesting background, we've always moaned about everything. | 0:45:47 | 0:45:50 | |
And here we are, moaning like mad now. | 0:45:50 | 0:45:54 | |
I mean, Greenpeace, you know, Oxfam, WaterAid, | 0:45:54 | 0:45:58 | |
and all the left stuff. We've got a Left Field stage. | 0:45:58 | 0:46:01 | |
We had Billy Bragg whingeing on all last night. | 0:46:01 | 0:46:03 | |
# ..Axis of evil by putting smart bombs | 0:46:03 | 0:46:06 | |
# In the hands of dumb people... # CHEERING | 0:46:06 | 0:46:10 | |
And we've got Wedgie Benn this afternoon. | 0:46:10 | 0:46:13 | |
If there is anybody here from New Labour, | 0:46:13 | 0:46:17 | |
your money will be refunded if you leave quietly... | 0:46:17 | 0:46:21 | |
CHEERING | 0:46:21 | 0:46:24 | |
Is that music out there or in my head? | 0:47:12 | 0:47:14 | |
In the old hippy days, | 0:47:19 | 0:47:21 | |
it was all love and peace, flower power and bells and things, | 0:47:21 | 0:47:25 | |
and mystics and cosmics. But now, it's more politically orientated | 0:47:25 | 0:47:29 | |
as it's CND. It hasn't changed a lot. The hippies have had their hair cut | 0:47:29 | 0:47:33 | |
and they've got kids now, who are here and in the play area. It's the same sort of people, | 0:47:33 | 0:47:37 | |
but they've tidied themselves up a bit, I think. | 0:47:37 | 0:47:41 | |
# You bum right here and you bounce over there, sponji reggae. Eh! | 0:47:48 | 0:47:55 | |
# Bum right here and you bounce over there, sponji reggae | 0:47:55 | 0:47:59 | |
# I say you punch right here and you punch over there, sponji reggae... # | 0:48:00 | 0:48:05 | |
Peace. Freedom. Conservative Party literature... | 0:48:05 | 0:48:09 | |
of an anarchist nature. | 0:48:09 | 0:48:11 | |
How do you get to the Falkland Islands? | 0:48:12 | 0:48:14 | |
# ..Some say I am nuts, zooky crazy! | 0:48:14 | 0:48:18 | |
# Want I to leave the music alone | 0:48:19 | 0:48:24 | |
# They say, go and look work I and I are lazy... # | 0:48:24 | 0:48:29 | |
I think the numbers came before we were ready for them, really, | 0:48:29 | 0:48:33 | |
because it was growing so quickly. | 0:48:33 | 0:48:35 | |
In 1981, it was nice, with about 20,000 people. | 0:48:35 | 0:48:38 | |
But it was virtually doubling every time we did it. And of course, the council criticised me, | 0:48:38 | 0:48:43 | |
and then took me to court every year and I was prosecuted. It was the cat and mouse thing throughout the '80s. | 0:48:43 | 0:48:48 | |
Me versus the council. | 0:48:48 | 0:48:51 | |
It's a breach of his conditions for his music licence. Capacity crowd of 35,000, | 0:48:51 | 0:48:57 | |
he's well over that, so in my opinion, we wouldn't be doing our duty | 0:48:57 | 0:49:01 | |
if we didn't prosecute him for that offence. | 0:49:01 | 0:49:03 | |
We're very pleased that it's so successful. But, er... | 0:49:03 | 0:49:07 | |
You can't really criticise us for doing something well. | 0:49:07 | 0:49:10 | |
I can't see how we're ever going to stop it. I mean, | 0:49:12 | 0:49:16 | |
if we refuse to give an entertainments' licence, | 0:49:16 | 0:49:19 | |
they can still come along and sit down. Providing they don't have any licence. He can have 100,000, | 0:49:19 | 0:49:24 | |
and in no way could we do anything about it. | 0:49:24 | 0:49:26 | |
MONGOLIAN THROAT SINGING | 0:50:04 | 0:50:09 | |
The guy with the wee beard - Michael Eavis is punk, | 0:50:09 | 0:50:11 | |
because he went like that... "I'm gonnae organise something | 0:50:11 | 0:50:15 | |
"that somebody doesnae want me to organise." | 0:50:15 | 0:50:18 | |
Inner city! | 0:50:44 | 0:50:46 | |
CHEERING | 0:50:47 | 0:50:50 | |
The police don't come on site but they're very helpful off site | 0:51:10 | 0:51:14 | |
with traffic and things, but we never have them on site. | 0:51:14 | 0:51:17 | |
If people are having a good time, you haven't got any fences much, | 0:51:17 | 0:51:20 | |
people do what they want to do. | 0:51:20 | 0:51:22 | |
They're free to rove around, and that's why we don't get the problems. | 0:51:22 | 0:51:26 | |
People are being strip-searched. | 0:51:26 | 0:51:29 | |
We're complaining about police harassment, in a peaceful way. | 0:51:29 | 0:51:32 | |
There's one Festival organiser who's been stopped 16 times in his car. | 0:51:32 | 0:51:37 | |
-It's got beyond a joke. -It will be the first time they've been able to get off this bloody site | 0:51:37 | 0:51:43 | |
without first visiting the police station. | 0:51:43 | 0:51:46 | |
We've been getting hassle off the police just coming in and out to get supplies. | 0:51:46 | 0:51:50 | |
People are being busted for no reason. This Sus law is really bad. | 0:51:50 | 0:51:53 | |
It's blacks who are usually picked on, but now they're picking on whites as well and we don't like it. | 0:51:53 | 0:51:58 | |
Ooooh! Ha-ha-ha-ha-ha-ha! | 0:51:58 | 0:52:03 | |
Ooh-ha-ha! Ooh-ha-ha-ha! Ooh! | 0:52:03 | 0:52:06 | |
SQUAWK! SQUAWK! SQUAWK! | 0:52:11 | 0:52:13 | |
-Oh, it's teeming today. -SQUAWK! | 0:52:13 | 0:52:16 | |
-CHEERING -Bloody hell! | 0:52:35 | 0:52:39 | |
120 people yesterday. | 0:52:41 | 0:52:44 | |
That's what we caught in two hours last night. | 0:52:44 | 0:52:48 | |
It's better if you use a thick line, cos some of them are 200 pounds. | 0:52:48 | 0:52:52 | |
You keep your eye out. | 0:52:52 | 0:52:53 | |
-Put your cap down over the corner of your eye, look dead sly-eyed. -This is all we've done for four days! | 0:52:53 | 0:52:59 | |
Eh! | 0:52:59 | 0:53:01 | |
He's only literally nearly cut me finger off! | 0:53:01 | 0:53:05 | |
Yeah, I thought I might be able to get some drugs. | 0:53:05 | 0:53:08 | |
The funny thing is, this event would not have succeeded if I'd been on drugs. | 0:53:08 | 0:53:12 | |
I really haven't got any sympathy with drug-taking at all. | 0:53:14 | 0:53:17 | |
I spent the last hour going round with our own drugs squad, | 0:53:17 | 0:53:21 | |
taking down signs, confiscating... I've got a boot full of stuff. | 0:53:21 | 0:53:25 | |
And we're doing that all the time. | 0:53:25 | 0:53:28 | |
I could get put away for the drugs I've got in the boot of my car. | 0:53:28 | 0:53:32 | |
But I'm going to, obviously, dispose of it! | 0:53:32 | 0:53:35 | |
HE LAUGHS | 0:53:35 | 0:53:37 | |
How do you feel about the fact that so many people who come to the festival do take drugs? | 0:53:37 | 0:53:41 | |
I don't know whether they do or not. I'm sure there are a lot of people... | 0:53:41 | 0:53:45 | |
..that do still, I suppose. Do you think so? | 0:53:47 | 0:53:49 | |
She was over there with it though. | 0:53:49 | 0:53:51 | |
She went over that way with it. | 0:53:51 | 0:53:54 | |
# So you wanna be a rock superstar And live large | 0:54:16 | 0:54:18 | |
# A big house, five cars The rent charged... # | 0:54:18 | 0:54:21 | |
For you, sir, this one's for you. | 0:54:21 | 0:54:26 | |
# ..So you wanna be a rock superstar in the biz | 0:54:26 | 0:54:29 | |
# Take shit from people who don't know what it is | 0:54:29 | 0:54:31 | |
# I wish it was all fun and games | 0:54:31 | 0:54:33 | |
# But the price of fame is high. And some can't pay the way. Feel trapped | 0:54:33 | 0:54:36 | |
# What you rappin' about? Tell me what happened when you lost clout | 0:54:36 | 0:54:40 | |
# The route you took started collapsing. No fans. No fame | 0:54:40 | 0:54:43 | |
# No respect. No change... Everybody shits on your name | 0:54:43 | 0:54:46 | |
# Wanna be a rock superstar? And live large | 0:54:46 | 0:54:49 | |
# A big house. Five cars The rent charged | 0:54:49 | 0:54:51 | |
# Comin' up in the world Don't trust nobody | 0:54:51 | 0:54:54 | |
# Got to look over your shoulder Wanna be a rock superstar? | 0:54:54 | 0:54:57 | |
# And live large. A big house Five cars. The rent charged | 0:54:57 | 0:55:02 | |
# Comin' up in the world Don't trust nobody | 0:55:02 | 0:55:04 | |
# Got to look over your shoulder constantly. You ever have big dreams? | 0:55:04 | 0:55:08 | |
# Of making big green? Big shot, heavy hitter on the mainstream... # | 0:55:08 | 0:55:12 | |
Tea's up! | 0:55:12 | 0:55:13 | |
-Nice cup of tea, dear? -Thank you. | 0:55:14 | 0:55:16 | |
NEIGHING | 0:55:16 | 0:55:20 | |
Come on in. | 0:55:20 | 0:55:21 | |
CHILD MUMBLES | 0:55:24 | 0:55:29 | |
Is this going to be called Worthyhenge? | 0:55:44 | 0:55:46 | |
No, it's not a henge at all, it's a stone circle. | 0:55:46 | 0:55:49 | |
-Right. -Stonehenge has got bits on the top. | 0:55:49 | 0:55:53 | |
Stonehenge was a spiritual centre | 0:56:01 | 0:56:03 | |
and it was a political claim of, "This is the people's land." | 0:56:03 | 0:56:07 | |
Bought and left for the people hundreds of years ago, | 0:56:07 | 0:56:10 | |
let alone built by the people thousands of years ago. | 0:56:10 | 0:56:14 | |
During the years when Stonehenge and Glastonbury were running at the same time, | 0:56:16 | 0:56:21 | |
there was a kind of rivalry between the two. | 0:56:21 | 0:56:23 | |
The poorer people, the riffraff, the ones with the dogs, big trucks and so on tended to go to Stonehenge, | 0:56:23 | 0:56:29 | |
which was free. And in a way, that worked very well for Michael. | 0:56:29 | 0:56:32 | |
CHEERING | 0:56:48 | 0:56:53 | |
There was a big change in 1980. | 0:56:53 | 0:56:55 | |
The travellers were having a very hard time in society. | 0:56:57 | 0:57:00 | |
There were lots more of them, because there were lots more homeless and jobless people. | 0:57:00 | 0:57:06 | |
It was the sensible ones who chose to live in the back of a truck, | 0:57:06 | 0:57:10 | |
rather than living in a cardboard box under a bridge in London. | 0:57:10 | 0:57:14 | |
The whole counter-culture was seen by the Thatcherites | 0:57:15 | 0:57:19 | |
as part of Maggie's enemy within. | 0:57:19 | 0:57:21 | |
Just like the miners, just like the peace movement, | 0:57:21 | 0:57:24 | |
and there was a lot of overlap. | 0:57:24 | 0:57:27 | |
# I said I see no joy I see only sorrow | 0:57:27 | 0:57:29 | |
# I see no chance of your bright new tomorrow | 0:57:29 | 0:57:32 | |
# So, stand down, Margaret Stand down please | 0:57:32 | 0:57:35 | |
# Stand down, Margaret... # | 0:57:35 | 0:57:37 | |
In '82, a convoy from Stonehenge went off to Greenham Common. | 0:57:37 | 0:57:43 | |
# ..You tell me how can it work in this all-white law? | 0:57:43 | 0:57:46 | |
# What a short sharp lesson What a third world war | 0:57:46 | 0:57:49 | |
# Oh, stand down, Margaret Stand down, please | 0:57:49 | 0:57:52 | |
# Stand down, Margaret... # | 0:57:52 | 0:57:54 | |
There was a few hundred yards of fencing that got knocked down. | 0:57:54 | 0:57:57 | |
The authorities didn't like that. | 0:57:57 | 0:57:59 | |
And it was those same people | 0:57:59 | 0:58:01 | |
who provided the nucleus of the convoy | 0:58:01 | 0:58:04 | |
that was duffed over by the police at Stonehenge beanfield in 1985. | 0:58:04 | 0:58:08 | |
-SCREAMING -My kid's in here! | 0:58:10 | 0:58:13 | |
VIA LOUDSPEAKER: You have no escape! | 0:58:13 | 0:58:16 | |
SHOUTING | 0:58:16 | 0:58:18 | |
-Agh! Get off me! -Go away! Go away! | 0:58:18 | 0:58:24 | |
Now you stay there, boy! | 0:58:29 | 0:58:31 | |
WOMAN SCREAMS On the deck, on the deck! | 0:58:33 | 0:58:36 | |
On the deck! | 0:58:36 | 0:58:37 | |
SHE SCREAMS | 0:58:37 | 0:58:39 | |
-NO! -Don't argue! | 0:58:39 | 0:58:41 | |
They smashed my windows, they hit me on the head with truncheons! | 0:58:47 | 0:58:51 | |
They hit me when I was on the floor! | 0:58:51 | 0:58:53 | |
See what they're doing to us?! | 0:58:53 | 0:58:55 | |
When we had to leave Stonehenge, we didn't have anywhere to go. | 0:58:59 | 0:59:03 | |
We managed to get down as far as Glastonbury, | 0:59:03 | 0:59:06 | |
and we had such trouble with the police and the authorities | 0:59:06 | 0:59:09 | |
that we ended up opening a gate at the top corner of Michael's | 0:59:09 | 0:59:12 | |
and going and seeing him and saying, "We're really in a difficult situation here, | 0:59:12 | 0:59:17 | |
"is it all right if we stay for a few days?" | 0:59:17 | 0:59:19 | |
And bless him, he said, "Yes, OK, you can stay." So... | 0:59:19 | 0:59:23 | |
in ways that people wouldn't know about, | 0:59:23 | 0:59:26 | |
he's shown his heart and given, you know? | 0:59:26 | 0:59:31 | |
And he needn't have done at all. | 0:59:31 | 0:59:33 | |
I gave them space and we gave them food and we gave them blankets and things. | 0:59:33 | 0:59:39 | |
It was like a refugee status for those people, really. | 0:59:39 | 0:59:42 | |
The council said we had to get rid of all of the adults | 0:59:43 | 0:59:46 | |
that were not women and children. So we had to stage an exodus | 0:59:46 | 0:59:50 | |
for all these blokes to actually leave the site. | 0:59:50 | 0:59:53 | |
Bye! | 0:59:53 | 0:59:55 | |
They went down to the Somerset coast | 0:59:55 | 0:59:57 | |
and they all came back in small little groups, so that they thought they'd gone, | 0:59:57 | 1:00:01 | |
-but they all came back again. -CHEERING | 1:00:01 | 1:00:04 | |
They were the fathers of the children, | 1:00:04 | 1:00:06 | |
so they had to be together, basically. | 1:00:06 | 1:00:08 | |
We were playing all sorts of games with the authorities | 1:00:08 | 1:00:11 | |
to make the festival succeed. | 1:00:11 | 1:00:13 | |
MUSIC: Intro to "Laura" by Scissor Sisters | 1:00:13 | 1:00:20 | |
# Laura, can't you give me some time | 1:00:40 | 1:00:43 | |
# I've got to give myself one more chance | 1:00:43 | 1:00:49 | |
# To be the man that I know I am | 1:00:49 | 1:00:53 | |
# To be the man that I know I am | 1:00:54 | 1:00:58 | |
# Won't you just tell Cincinnati | 1:01:00 | 1:01:03 | |
# I'm gonna need your love | 1:01:03 | 1:01:06 | |
# Don't you give me your love | 1:01:06 | 1:01:09 | |
# Don't you give me your... Ch'mon. Ch'mon | 1:01:09 | 1:01:13 | |
# Where is your love? | 1:01:15 | 1:01:17 | |
# Don't you give me your love | 1:01:17 | 1:01:20 | |
# Don't you give me your... Ch'mon, ch'mon | 1:01:20 | 1:01:25 | |
# Where is your love? | 1:01:25 | 1:01:27 | |
# Don't you give me your love | 1:01:27 | 1:01:30 | |
# Don't you give me your... # | 1:01:30 | 1:01:33 | |
INSTRUMENTAL | 1:01:33 | 1:01:35 | |
-Is your name Brian? -It's not Brian, mate, no. It's not Brian! | 1:01:45 | 1:01:50 | |
We want to party! | 1:01:50 | 1:01:52 | |
Really. We want to be. We don't want to have to justify who, what we are, | 1:01:52 | 1:01:57 | |
just to please everybody else and say the nice thing | 1:01:57 | 1:01:59 | |
and suck up to people's egos because your face fits, | 1:01:59 | 1:02:02 | |
we don't want none of that. | 1:02:02 | 1:02:04 | |
We want equality, freedom, we want to be what we are. | 1:02:04 | 1:02:07 | |
End of story. | 1:02:07 | 1:02:09 | |
"Mutate or die." | 1:02:10 | 1:02:12 | |
Yeah. | 1:02:12 | 1:02:14 | |
-# ..This is my integration... # -It's 20 years | 1:02:18 | 1:02:22 | |
since we first came to Glastonbury. We thought, "If we can't go to Stonehenge, we can build it | 1:02:22 | 1:02:27 | |
-"somewhere else." So, we built Stonehenge out of old cars. -# ..Just to feel your... | 1:02:27 | 1:02:31 | |
# Vibration | 1:02:31 | 1:02:33 | |
# Gonna have a soul shakedown party... # | 1:02:33 | 1:02:37 | |
Michael had allowed all the travellers in the back door, but he knew what he was doing. | 1:02:37 | 1:02:42 | |
# ..Ah, ooh-ooh-ooh Doing the outside dance | 1:02:42 | 1:02:46 | |
# The way you love me | 1:02:48 | 1:02:49 | |
# It's all right... # | 1:02:51 | 1:02:52 | |
We had this mad drumming marathon on the Saturday night - the solstice night. | 1:02:52 | 1:02:56 | |
Thousands of people came and drummed right through the night, into the dawn, | 1:02:56 | 1:03:02 | |
like a mad zombie beat that wouldn't be stopped. | 1:03:02 | 1:03:05 | |
HEAVY DRUMMING AND CHEERING | 1:03:05 | 1:03:09 | |
It gave all us travelling people a pride in ourselves that we were doing | 1:03:19 | 1:03:23 | |
the most lively thing in the Festival. | 1:03:23 | 1:03:25 | |
Woo! Eavis! Eavis! Eavis! | 1:03:25 | 1:03:29 | |
COWS MOO | 1:03:31 | 1:03:37 | |
Morning. | 1:03:43 | 1:03:44 | |
-This is our finale, isn't it? -You're really, really bad news. -You say we're bad news, we're good news, | 1:03:53 | 1:03:59 | |
-we had good reports... -You're so fuckin' unreliable! All the work I've been doing for you. | 1:03:59 | 1:04:04 | |
You invited yourselves here, I gave you 19 tickets to come on, | 1:04:04 | 1:04:08 | |
-I said we'd look after you... -We gave you the best show you've had for years. -..We'd look after you... | 1:04:08 | 1:04:13 | |
-We gave you the only show that isn't... -..We fed you for six weeks in real style, | 1:04:13 | 1:04:17 | |
-we looked after you and offered you £500 as well. -I don't care. | 1:04:17 | 1:04:20 | |
All we want is our money and a tenner in our pockets each for the work that we've put in. | 1:04:20 | 1:04:25 | |
We spent more than we're getting now just getting here. | 1:04:25 | 1:04:28 | |
-I don't know what you expected... -We expected not to be out of pocket. | 1:04:28 | 1:04:32 | |
I've been running this show for 17 years and I've been fair and reasonable in all that time. | 1:04:32 | 1:04:36 | |
If I hadn't, I wouldn't be here now. I'd have been cut to pieces by now. | 1:04:36 | 1:04:40 | |
Would I have survived for 17 years if I'd been a cunt? | 1:04:40 | 1:04:43 | |
-Then why... -Depends what your margin is. -Ridiculous! | 1:04:43 | 1:04:46 | |
Depends what your margin is. | 1:04:46 | 1:04:48 | |
At the end of the day, Michael's a farmer, and farmers can be notoriously tight, you know? | 1:04:48 | 1:04:53 | |
We thought that he should have paid us a bit better and he thought that he'd paid us enough. | 1:04:53 | 1:04:58 | |
But we didn't have any guns, did we? | 1:04:58 | 1:05:00 | |
-I was sure you had that toy gun, plastic gun. -No. | 1:05:00 | 1:05:04 | |
-Where did I get that from? -I don't know. -Maybe it was someone else. | 1:05:04 | 1:05:09 | |
I'm not ashamed of anything I do. | 1:05:09 | 1:05:12 | |
I mean, it's just so petty, it really is. | 1:05:12 | 1:05:15 | |
When you've made a million pounds, or half a million pounds, | 1:05:15 | 1:05:18 | |
to give us £500 is what I call petty. | 1:05:18 | 1:05:20 | |
-Right. -And that concludes the Neatoids at Glastonbury. | 1:05:20 | 1:05:25 | |
-LAUGHING: -£10 each! | 1:05:25 | 1:05:28 | |
-All's well that ends well, really. -Yeah... | 1:05:28 | 1:05:33 | |
Here you are, lads, here's your tenners! | 1:05:33 | 1:05:35 | |
Here we go, come on, get it down you! | 1:05:35 | 1:05:37 | |
-You've all worked hard! -Cheers, mate. | 1:05:37 | 1:05:42 | |
A tenner each. One for that baby, there we are. | 1:05:42 | 1:05:45 | |
-I've paid you real money this time. -HE LAUGHS | 1:05:47 | 1:05:51 | |
There's our fuel, there's our debts, let's go. Let's go. | 1:05:51 | 1:05:55 | |
Oh, your tenner! Very sorry. | 1:05:55 | 1:05:59 | |
Bye, Joe. | 1:06:01 | 1:06:03 | |
CHEERING | 1:06:14 | 1:06:18 | |
LYRICS INDISTINCT | 1:06:23 | 1:06:28 | |
Here I am... Fuckin' lovin' it! | 1:07:07 | 1:07:12 | |
GLASTONBURY! | 1:07:12 | 1:07:14 | |
'It's the first time the police have actually been invited onto the festival site by the organisers.' | 1:07:19 | 1:07:25 | |
Light refreshment! | 1:07:28 | 1:07:29 | |
'The helicopter is being used in the operation for the first time, | 1:07:30 | 1:07:34 | |
'but some at the Festival say the police have been heavy-handed.' | 1:07:34 | 1:07:38 | |
Police have come blaring out of vans and stuff like that at people. | 1:07:38 | 1:07:42 | |
It's not the polite attitude for a festival. | 1:07:42 | 1:07:46 | |
There's a certain amount of good-natured banter | 1:07:46 | 1:07:49 | |
between the police and the site people there. | 1:07:49 | 1:07:53 | |
He doesn't even know what's going on! And he wants to... But I'm here in the situation... | 1:07:53 | 1:07:59 | |
You know what I mean? | 1:07:59 | 1:08:00 | |
-You wouldn't last a second where I come from! -That's what he did to me wrists with the handcuffs... | 1:08:00 | 1:08:05 | |
Wrongful arrest. Searched me, didn't find nothing. | 1:08:05 | 1:08:08 | |
# Trying to mash a Rasta man's life Antichrist, doing it's not nice | 1:08:08 | 1:08:14 | |
# Trying to mash... # | 1:08:14 | 1:08:15 | |
Don't do that or you'll get fuckin' arrested! | 1:08:15 | 1:08:21 | |
Ladies and gentlemen, the masonic handshake! | 1:08:29 | 1:08:34 | |
And the travellers' culture was very attractive. | 1:08:44 | 1:08:48 | |
There's that slightly dangerous, anarchistic element that... | 1:08:48 | 1:08:52 | |
there's a bit of the Middle Ages about it. | 1:08:52 | 1:08:54 | |
And a bit of the English freedom thing, struggling against authority | 1:08:54 | 1:08:59 | |
and against control and government and police and things. | 1:08:59 | 1:09:03 | |
There's sort of, quite an attractive edge to that. | 1:09:03 | 1:09:05 | |
FOLK MUSIC | 1:09:05 | 1:09:11 | |
By 1990, the travellers were getting quite nasty to each other. | 1:09:14 | 1:09:18 | |
They were fighting over drugs and girlfriends and that sort of thing. | 1:09:18 | 1:09:22 | |
We did get serious problems with that. | 1:09:22 | 1:09:25 | |
The security people were quite corrupt themselves and they were confiscating drugs | 1:09:28 | 1:09:32 | |
from the travellers. They were selling them on. | 1:09:32 | 1:09:35 | |
We tried to separate the two sites, and it didn't really work. | 1:09:37 | 1:09:40 | |
Then the riot in 1990 was really, really unpleasant. | 1:09:42 | 1:09:47 | |
SHOUTING | 1:09:47 | 1:09:50 | |
They were throwing Molotov cocktails | 1:09:50 | 1:09:53 | |
at the security. Then the police came along with riot shields. | 1:09:53 | 1:09:57 | |
There was £50,000-worth of damage and they burnt five Land Rovers, | 1:10:06 | 1:10:10 | |
and they just overran the whole place and they created anarchy. | 1:10:10 | 1:10:14 | |
There was hatred and bitterness and resent. | 1:10:14 | 1:10:16 | |
Burn Eavis's barn down! | 1:10:16 | 1:10:19 | |
I took them on for five years after Stonehenge had closed down. | 1:10:19 | 1:10:22 | |
We gave them a site, we gave them water, | 1:10:22 | 1:10:24 | |
we did everything for them, and we totally failed at the end of the day. | 1:10:24 | 1:10:28 | |
I decided, in 1990, that that was the end of the convoy. | 1:10:30 | 1:10:34 | |
This place, here, is getting as bad as Stonehenge, | 1:10:34 | 1:10:37 | |
-and it should not be allowed to happen. -The fact is, what you wanna do, | 1:10:37 | 1:10:40 | |
is go on the Pilton site. Mr Eavis says you're not going on. | 1:10:40 | 1:10:43 | |
-Where do we go then? -We need somewhere to go. | 1:10:43 | 1:10:47 | |
There are places you can go all round the country. | 1:10:47 | 1:10:50 | |
-I think they would like to know there was somewhere that they could go to. -Mmm. There isn't. | 1:10:50 | 1:10:55 | |
I'm not giving up now. | 1:10:55 | 1:10:56 | |
I've got this far, I'm gonna get in there one way or the other. | 1:10:56 | 1:10:59 | |
-PA: -There's no travellers here this year, cos no fucker would let them in. | 1:10:59 | 1:11:04 | |
This song is dedicated to all the people that couldn't get in for some fuckin' stupid reason! | 1:11:06 | 1:11:10 | |
CHEERING | 1:11:10 | 1:11:12 | |
# I met you in '82 Over a crate of beer | 1:11:18 | 1:11:21 | |
# And not a few. I cracked a can and so did you | 1:11:21 | 1:11:23 | |
# We're gonna change the world The ghetto kings of downside town | 1:11:23 | 1:11:26 | |
# Estates and parks of hallowed ground. Doing anything we found | 1:11:26 | 1:11:29 | |
# And on the river flowed | 1:11:29 | 1:11:31 | |
# On and on the riverflow | 1:11:32 | 1:11:34 | |
# We the undertow | 1:11:35 | 1:11:38 | |
# So, on and on the riverflow | 1:11:38 | 1:11:41 | |
# We the undertow | 1:11:41 | 1:11:44 | |
# Hey! Hey! Hey! Hey! | 1:11:44 | 1:11:46 | |
# Hey! Hey! Hey! Hey! | 1:11:46 | 1:11:49 | |
# Hey! Hey! Hey! Hey! | 1:11:49 | 1:11:52 | |
# Hey! Hey! Hey! Hey! | 1:11:52 | 1:11:55 | |
# Yeah... # | 1:11:55 | 1:11:56 | |
Stop! Police. | 1:11:56 | 1:11:58 | |
# You're working now, forced to the race. It left a bitter taste | 1:12:08 | 1:12:11 | |
# The rising tide has covered your face. Nothing you can do | 1:12:11 | 1:12:14 | |
# I remember the day you said The river flowing through my head | 1:12:14 | 1:12:18 | |
# Would take me far or leave me dead And all you said was true... # | 1:12:18 | 1:12:21 | |
CHEERING | 1:12:29 | 1:12:32 | |
We people here, we get lunched out, we get drunk, | 1:12:40 | 1:12:44 | |
we fuck women, we take drugs, man! | 1:12:44 | 1:12:46 | |
We do all sorts of things, right? And this, we have... | 1:12:46 | 1:12:50 | |
Babylon hassle, we have this kind of hassle... | 1:12:50 | 1:12:53 | |
Watch my shoulder, Clive! We are pure... Watch my shoulder. | 1:12:53 | 1:12:57 | |
We are pure humility, yes? | 1:12:57 | 1:12:58 | |
I get fucked about something rotten, so do you, | 1:12:58 | 1:13:01 | |
but let me tell you this one thing - we are gonna do something | 1:13:01 | 1:13:05 | |
that YOU will never get. | 1:13:05 | 1:13:06 | |
We'll be remembered for whatever infamous, famous thing it is, | 1:13:06 | 1:13:10 | |
cos WE are YOUR conscience. Thank you! | 1:13:10 | 1:13:13 | |
Has it been successful? | 1:13:23 | 1:13:25 | |
-The sign? -Yeah. -It's phenomenal. | 1:13:25 | 1:13:28 | |
In fact...I've actually had offers to buy my sign | 1:13:28 | 1:13:33 | |
after I was finished with it. | 1:13:33 | 1:13:35 | |
I'm just a lubricant to the system. | 1:13:35 | 1:13:38 | |
LAUGHTER | 1:13:38 | 1:13:41 | |
I gotta run. I gotta run. See you! Cheers. Have a wicked festival. | 1:13:41 | 1:13:45 | |
CHEERING | 1:13:48 | 1:13:50 | |
# Saturday I'm running wild | 1:13:50 | 1:13:52 | |
# And all the lights are changing | 1:13:52 | 1:13:55 | |
# Red to green | 1:13:55 | 1:13:57 | |
# Moving through the crowd I'm pushing | 1:13:58 | 1:14:01 | |
# Chemicals are rushing in my bloodstream | 1:14:01 | 1:14:05 | |
# Only wish that you were here | 1:14:06 | 1:14:09 | |
# You know I'm seeing it so clear | 1:14:09 | 1:14:11 | |
# I've been afraid | 1:14:11 | 1:14:13 | |
# To show you how I really feel | 1:14:16 | 1:14:18 | |
# Admit to some of those bad mistakes that I've made | 1:14:18 | 1:14:23 | |
# And if you want it | 1:14:24 | 1:14:26 | |
# Come and get it | 1:14:26 | 1:14:29 | |
# Crying out loud | 1:14:30 | 1:14:32 | |
# The love that I was giving you | 1:14:34 | 1:14:37 | |
# Was never in doubt | 1:14:37 | 1:14:40 | |
# Let go your heart | 1:14:42 | 1:14:45 | |
# Let go your head | 1:14:45 | 1:14:48 | |
# We-e-e-e-ell, Glastonbury! | 1:14:48 | 1:14:50 | |
# Let go your heart | 1:14:50 | 1:14:53 | |
# Let go your head | 1:14:53 | 1:14:56 | |
# And feel it now... | 1:14:56 | 1:15:01 | |
# Babylon | 1:15:01 | 1:15:03 | |
# Babylon | 1:15:04 | 1:15:06 | |
# Babylon | 1:15:08 | 1:15:10 | |
# Babylon... # | 1:15:13 | 1:15:15 | |
Where can I pee? Can I pee somewhere, Crispin? | 1:15:21 | 1:15:24 | |
Sorry? | 1:15:24 | 1:15:25 | |
Where can I have a piddle? A pee? | 1:15:25 | 1:15:28 | |
-You want... -Wee-wee! | 1:15:28 | 1:15:30 | |
-LAUGHTER -It's just over there! | 1:15:30 | 1:15:33 | |
We have a little problem developing, it seems to me. | 1:15:40 | 1:15:44 | |
Rollo the Druid, the Arch Druid, | 1:15:44 | 1:15:46 | |
has actually gone to war with Jonathan, | 1:15:46 | 1:15:50 | |
and wants to have him removed from the site. | 1:15:50 | 1:15:52 | |
As far as I'm concerned, he's off. I'll ring Michael right now. | 1:15:52 | 1:15:56 | |
-Hang on. -I'm having him off. | 1:15:56 | 1:15:57 | |
I'm sorry, Rollo. I'm sorry, Rollo... | 1:15:57 | 1:16:00 | |
He's booked to give a performance tomorrow. | 1:16:00 | 1:16:04 | |
I know it upsets you, but he is going to stay on this site. | 1:16:04 | 1:16:08 | |
-If you'd like to move somewhere else, we find you somewhere else to go. -Uh...no! | 1:16:08 | 1:16:13 | |
-It doesn't work that way. I'm sorry. -I'm sorry. I'm sorry. | 1:16:13 | 1:16:16 | |
What is happening is, he's upsetting people with children. | 1:16:16 | 1:16:20 | |
Now, we can't let that happen, so he will be removed. Thank you. | 1:16:20 | 1:16:25 | |
SHE LAUGHS | 1:16:26 | 1:16:29 | |
CHEERING | 1:16:29 | 1:16:31 | |
# They're terribly, terribly terribly moody | 1:16:31 | 1:16:34 | |
# Hu... Hu... Human behaviour | 1:16:34 | 1:16:39 | |
# Then all of a sudden turn happy | 1:16:39 | 1:16:43 | |
# And me and Matthew love to | 1:16:43 | 1:16:48 | |
# To get involved in the exchange | 1:16:48 | 1:16:51 | |
# Of human emotions | 1:16:51 | 1:16:56 | |
# Is ever so, ever so satisfying | 1:16:56 | 1:16:59 | |
# And me and Matthew gel | 1:16:59 | 1:17:05 | |
# And there is no map | 1:17:06 | 1:17:10 | |
# I'm chanting | 1:17:10 | 1:17:14 | |
# Human behaviour | 1:17:22 | 1:17:27 | |
# Human beha-a-viour | 1:17:27 | 1:17:31 | |
# Human behaviour | 1:17:31 | 1:17:34 | |
# Human behaviour | 1:17:34 | 1:17:38 | |
# And there is no map | 1:17:38 | 1:17:42 | |
# And a compass | 1:17:42 | 1:17:45 | |
# Wouldn't help me now | 1:17:45 | 1:17:47 | |
# Chant | 1:17:47 | 1:17:52 | |
# And I'm chanting | 1:17:52 | 1:17:56 | |
# Human behaviour | 1:17:56 | 1:18:00 | |
# Human beha-a-aviour | 1:18:00 | 1:18:03 | |
# Human beha-a-aviour | 1:18:03 | 1:18:09 | |
# Human beha-a-aviour | 1:18:09 | 1:18:14 | |
# Human | 1:18:14 | 1:18:16 | |
# Human | 1:18:18 | 1:18:21 | |
# Human | 1:18:22 | 1:18:25 | |
# Yeah! # | 1:18:26 | 1:18:29 | |
CHEERING AND APPLAUSE | 1:18:46 | 1:18:49 | |
Congratulations! I'm your nearest wizard. Spell in the moose... | 1:18:49 | 1:18:54 | |
Spill and spell... Oooh... | 1:18:54 | 1:18:56 | |
LAUGHTER | 1:18:56 | 1:18:58 | |
The more the lizard, the better the wizard! | 1:18:58 | 1:19:01 | |
-SLURRED: -All the lizard, the better the wizard! | 1:19:01 | 1:19:04 | |
BOTH: The more the lizard, the better the wizard! | 1:19:04 | 1:19:07 | |
The more the lizard, the more...the more the wizard. | 1:19:07 | 1:19:13 | |
The more... Aaaa-agh! | 1:19:13 | 1:19:15 | |
Execution! | 1:19:15 | 1:19:18 | |
Aa-a-rgh! | 1:19:18 | 1:19:19 | |
-< -The lizard! | 1:19:19 | 1:19:21 | |
-< -Come on, the lizard! | 1:19:21 | 1:19:23 | |
Doomed, you are! You're doomed! | 1:19:25 | 1:19:28 | |
What if my mum sees this? | 1:19:31 | 1:19:33 | |
She'll think I'm on drugs, or something! | 1:19:33 | 1:19:36 | |
LOUD DRUMMING | 1:19:36 | 1:19:39 | |
Hey, everybody! | 1:20:17 | 1:20:20 | |
Come on! Are you enjoying yourselves? | 1:20:20 | 1:20:23 | |
Is that why you come here? | 1:20:23 | 1:20:25 | |
Hey? | 1:20:25 | 1:20:27 | |
Positive human beings! | 1:20:27 | 1:20:28 | |
To the music - show them how it ought to be done! | 1:20:28 | 1:20:31 | |
In peace and unity, | 1:20:31 | 1:20:34 | |
human beings from all directions, | 1:20:34 | 1:20:37 | |
coming to one place, | 1:20:37 | 1:20:38 | |
singing with one voice! | 1:20:38 | 1:20:41 | |
LOUD CHEERING They can't deny the truth. | 1:20:41 | 1:20:44 | |
# Ah-ah | 1:20:52 | 1:20:54 | |
# Something ain't right | 1:20:57 | 1:20:59 | |
# I'm gonna get myself I'm gonna get myself | 1:21:01 | 1:21:04 | |
# I'm gonna get myself connected | 1:21:04 | 1:21:07 | |
# I ain't gonna go blind for the light which is reflected | 1:21:07 | 1:21:11 | |
# I see through you | 1:21:11 | 1:21:13 | |
# I see through you | 1:21:14 | 1:21:17 | |
# I see through you | 1:21:17 | 1:21:19 | |
# I see through you | 1:21:19 | 1:21:20 | |
# Your dirty tricks | 1:21:20 | 1:21:22 | |
# You make me sick | 1:21:22 | 1:21:25 | |
# I see through you | 1:21:25 | 1:21:28 | |
# Yeah! I see through you | 1:21:28 | 1:21:30 | |
# Gonna do it again | 1:21:30 | 1:21:33 | |
# Gonna do it again | 1:21:33 | 1:21:36 | |
# I gonna do it again | 1:21:36 | 1:21:38 | |
# Gonna do it again | 1:21:38 | 1:21:40 | |
-# I gotta do right -Gonna do it again | 1:21:40 | 1:21:43 | |
-# Something ain't right -Gonna do it again | 1:21:43 | 1:21:45 | |
-# We gotta do right -Gonna do it again... # | 1:21:45 | 1:21:48 | |
Come on, people, get with the sound! | 1:21:48 | 1:21:50 | |
AUDIENCE ROARS | 1:21:50 | 1:21:53 | |
# ..The writing's on the wall | 1:21:53 | 1:21:55 | |
# But if your mind's neglected | 1:21:55 | 1:21:57 | |
# Stumble, you might fall | 1:21:57 | 1:21:59 | |
# Stumble, you might fall | 1:21:59 | 1:22:01 | |
# Jump! | 1:22:01 | 1:22:03 | |
# You might fall... | 1:22:03 | 1:22:05 | |
# Yeah, yeah, yeah. # | 1:22:05 | 1:22:07 | |
Moy! | 1:22:25 | 1:22:27 | |
JEERING | 1:22:27 | 1:22:29 | |
# Look at Earth from outer space | 1:24:00 | 1:24:04 | |
# Everyone must find a place | 1:24:05 | 1:24:09 | |
# Give me time and give me space | 1:24:11 | 1:24:15 | |
# Give me real, don't give me fake | 1:24:16 | 1:24:21 | |
# Give me strength, reserve control | 1:24:22 | 1:24:26 | |
# Give me heart and give me soul... | 1:24:27 | 1:24:33 | |
# Give me love, give us a kiss | 1:24:33 | 1:24:37 | |
# And tell me your own politik | 1:24:39 | 1:24:44 | |
# And open your eyes | 1:24:54 | 1:24:59 | |
# Open up your eyes | 1:24:59 | 1:25:04 | |
# Open up your eyes | 1:25:04 | 1:25:10 | |
# Open up your eyes | 1:25:10 | 1:25:16 | |
# Give me one, cos one is best | 1:25:18 | 1:25:22 | |
# And in confusion, confidence | 1:25:23 | 1:25:28 | |
# Give me peace of mind and trust | 1:25:30 | 1:25:34 | |
# But don't forget the rest of us | 1:25:34 | 1:25:40 | |
# God give me weather that does no harm | 1:25:40 | 1:25:45 | |
# Michael Eavis' Worthy Farm | 1:25:45 | 1:25:52 | |
# I'd give him mud up to my knee | 1:25:52 | 1:25:57 | |
# And the best festival in history | 1:25:57 | 1:26:01 | |
# Open up your eyes | 1:26:01 | 1:26:06 | |
# Open up your eyes | 1:26:06 | 1:26:12 | |
# Open up your eyes | 1:26:12 | 1:26:17 | |
# Open up your eye-e-e-es | 1:26:17 | 1:26:24 | |
# Oooh... # | 1:26:24 | 1:26:29 | |
CHEERING AND APPLAUSE | 1:26:29 | 1:26:33 | |
'That's a fucking disaster, people.' | 1:27:01 | 1:27:04 | |
-ON RADIO: -'I've got three people scaling the fence at Victor 3. | 1:27:04 | 1:27:10 | |
'Can you sent a TA unit? Over. | 1:27:10 | 1:27:12 | |
'Which fence? Over. | 1:27:12 | 1:27:14 | |
'The main fence. Over.' | 1:27:14 | 1:27:17 | |
-The main fence. -The electric fence? | 1:27:17 | 1:27:19 | |
ALL SPEAK AT ONCE | 1:27:19 | 1:27:23 | |
# Sometimes I feel like a motherless child | 1:27:23 | 1:27:30 | |
# Sometimes I feel like that | 1:27:30 | 1:27:34 | |
# A motherless child | 1:27:34 | 1:27:37 | |
# Sometimes I feel like that | 1:27:37 | 1:27:41 | |
# A motherless child | 1:27:41 | 1:27:44 | |
# A long | 1:27:44 | 1:27:45 | |
# Way | 1:27:47 | 1:27:49 | |
# From my home | 1:27:50 | 1:27:53 | |
# Singing freedom | 1:27:53 | 1:27:55 | |
# Freedom | 1:27:55 | 1:27:57 | |
# Freedom | 1:27:57 | 1:27:59 | |
# Freedom | 1:27:59 | 1:28:00 | |
# Freedom! | 1:28:00 | 1:28:02 | |
# Freedom | 1:28:02 | 1:28:04 | |
# Freedom | 1:28:04 | 1:28:06 | |
# Freedom | 1:28:06 | 1:28:07 | |
# Clap your hands, get it Clap your hands | 1:28:07 | 1:28:10 | |
# Clap your hands, get it Clap your hands | 1:28:10 | 1:28:14 | |
# Clap your hands | 1:28:14 | 1:28:16 | |
# Clap your hands | 1:28:16 | 1:28:18 | |
# Clap your hands | 1:28:18 | 1:28:20 | |
# I got a telephone in my bosom | 1:28:21 | 1:28:24 | |
# And I can call him up from my heart | 1:28:24 | 1:28:27 | |
# When I need my brother I dreamt brother | 1:28:27 | 1:28:31 | |
# When I need my father I dreamt father | 1:28:31 | 1:28:35 | |
# When I need my sister I dreamt sister | 1:28:35 | 1:28:38 | |
# When I need my mother I dreamt mother | 1:28:38 | 1:28:42 | |
# I'm not afraid to say it I'm not afraid | 1:28:42 | 1:28:45 | |
# I'm not afraid to say it I'm not afraid | 1:28:45 | 1:28:48 | |
# I'm not afraid | 1:28:48 | 1:28:49 | |
# I'm not afraid | 1:28:49 | 1:28:51 | |
# I'm not afraid | 1:28:51 | 1:28:52 | |
# I'm not afraid | 1:28:52 | 1:28:54 | |
# I'm not afraid | 1:28:54 | 1:28:56 | |
# I'm not afraid! | 1:28:56 | 1:28:58 | |
# I'm not afraid! # | 1:28:58 | 1:29:00 | |
CHEERING AND APPLAUSE | 1:29:07 | 1:29:10 | |
-ON RADIO: -'All three people have scaled the fence at Victor 13. | 1:29:12 | 1:29:16 | |
'All three people are over.' | 1:29:16 | 1:29:18 | |
Oh... | 1:30:40 | 1:30:44 | |
1-0! | 1:30:44 | 1:30:46 | |
Three, two, one, slap 'em! | 1:30:46 | 1:30:49 | |
< Oh, oh! | 1:30:52 | 1:30:54 | |
< OH! | 1:30:54 | 1:30:55 | |
# Fiddle, fiddle, fiddle, aye-ay | 1:30:57 | 1:31:00 | |
# The Mean Fiddler is on the fiddle I say | 1:31:00 | 1:31:03 | |
# Fiddle, fiddle, fiddle, eh, who? | 1:31:03 | 1:31:06 | |
# Michael Eavis too | 1:31:06 | 1:31:09 | |
# Fiddle, fiddle, fiddle Aye-aye... # | 1:31:09 | 1:31:13 | |
-Barcus is being sick. -Bluegh! | 1:31:13 | 1:31:16 | |
MANIC LAUGHTER | 1:31:16 | 1:31:19 | |
# ..The nation wants to party | 1:31:19 | 1:31:23 | |
# And you know you're a twat... # | 1:31:23 | 1:31:26 | |
cos you're putting the camera... | 1:31:26 | 1:31:28 | |
THEY SING IN SPANISH | 1:31:28 | 1:31:31 | |
MOBILE RINGS | 1:31:53 | 1:31:55 | |
If you go back to the tent, could you grab...? | 1:31:55 | 1:31:59 | |
I come from Devon, only one county away from here. | 1:32:33 | 1:32:38 | |
It's a good life, I enjoy it. | 1:32:38 | 1:32:41 | |
Hopefully, this will not be on the BBC | 1:32:41 | 1:32:44 | |
because if it is on the BBC, well, fuck the BBC. | 1:32:44 | 1:32:47 | |
Glastonbury have done a good job on keeping people out this year. | 1:32:47 | 1:32:51 | |
There's no rebels here this year, the fence has been good. | 1:32:51 | 1:32:55 | |
Everything's been sorted right. | 1:32:55 | 1:32:57 | |
Police have been doing the right thing. Everything's been sorted right out. | 1:32:57 | 1:33:01 | |
Nobody's been having too much alcohol and nobody's been having too much anything. Everything is sorted. | 1:33:01 | 1:33:07 | |
Have you been here all night? | 1:33:07 | 1:33:09 | |
I've been here since last Sunday. | 1:33:09 | 1:33:12 | |
'It is an outward bound experience, in a way. | 1:33:12 | 1:33:16 | |
'You're not climbing mountains but you're coping with the emotions. | 1:33:16 | 1:33:20 | |
'When you don't sleep for three days, three nights, it takes a lot out of you. | 1:33:20 | 1:33:24 | |
DRUMS BEAT | 1:33:26 | 1:33:29 | |
CROWD CHEERS | 1:33:42 | 1:33:45 | |
Morning! | 1:34:00 | 1:34:02 | |
# Set the controls for the heart of the sun | 1:34:02 | 1:34:05 | |
# The heart of the sun, the heart of the sun | 1:34:09 | 1:34:13 | |
# The heart of the sun the heart of the sun... # | 1:34:13 | 1:34:16 | |
'Solstice? It's a label, man. | 1:34:33 | 1:34:37 | |
'This wasn't a consciousness of the sun so much as it being a new day | 1:34:37 | 1:34:42 | |
'and there's people, like,' | 1:34:42 | 1:34:45 | |
wakening themselves up, persuasion music, man. | 1:34:45 | 1:34:49 | |
I've been looking for it. I've been trying to find out all night why... | 1:34:51 | 1:34:55 | |
and...led me through here. | 1:34:55 | 1:34:58 | |
And, uh, we looked at the fire and... | 1:34:59 | 1:35:02 | |
-But that fire was amazing. -Oh, it was very amazing! | 1:35:02 | 1:35:05 | |
That is another piece of the same fire. | 1:35:05 | 1:35:09 | |
Fucking amazing, man. | 1:35:09 | 1:35:11 | |
-Splendid. -It's the middle of the day and... The morning was just brilliant. | 1:35:14 | 1:35:18 | |
It was fantastic, the sun... | 1:35:18 | 1:35:22 | |
My name's Ray. This is my two sons, Andrew and Mark. | 1:36:04 | 1:36:07 | |
We've been doing the toilets up here for the last... | 1:36:07 | 1:36:10 | |
Well, Andy's done it for many years. | 1:36:10 | 1:36:12 | |
Mark and me's done it for the last seven. | 1:36:12 | 1:36:15 | |
It's quite a nice job, meet people, | 1:36:15 | 1:36:18 | |
lovely morning like this, get paid for it - what more d'you want? | 1:36:18 | 1:36:21 | |
Bloody hell! | 1:36:43 | 1:36:45 | |
I've been dancing all night and it's just, like, "Oh, my God!" | 1:36:45 | 1:36:50 | |
He's been like that for three days. He hasn't moved. | 1:36:50 | 1:36:54 | |
MUSIC: "Right Place, Wrong Time" by Dr John | 1:36:54 | 1:36:59 | |
# Got the right chick Maybe been the wrong shout | 1:37:23 | 1:37:28 | |
# Got the right vein | 1:37:28 | 1:37:30 | |
# Coulda been a wrong, wrong, wrong, wrong, wrong, wrong, wrong, wrong | 1:37:30 | 1:37:36 | |
# Wrong, wrong, yeah... # | 1:37:36 | 1:37:39 | |
What are you looking for? | 1:37:42 | 1:37:44 | |
Ian lost a kilo of dope, or £1,000. | 1:37:44 | 1:37:48 | |
What, in here? | 1:37:48 | 1:37:50 | |
-Sunday morning. -Sunday morning. | 1:37:54 | 1:37:56 | |
We're going to see Rolf Harris next. | 1:37:56 | 1:37:59 | |
All Laurie's gear's gone. | 1:37:59 | 1:38:02 | |
-All his gear's gone! -All his gear's gone. | 1:38:02 | 1:38:04 | |
Gone for good. | 1:38:04 | 1:38:07 | |
..Hey, no, I've still got some mushrooms. | 1:38:08 | 1:38:11 | |
CROWD CHEERS | 1:38:13 | 1:38:16 | |
MUSIC PLAYS | 1:38:20 | 1:38:23 | |
It wasn't until '86 that the fence went right the way around the site. | 1:38:29 | 1:38:33 | |
And the chap that insisted on that, a councillor, got an MBE for it. | 1:38:33 | 1:38:38 | |
So he got a lovely award. | 1:38:38 | 1:38:41 | |
Loads of kids came through the fence, underneath, over the fence, | 1:38:46 | 1:38:49 | |
and they were city kids that had a lot going for them. It was kinda dangerous | 1:38:49 | 1:38:53 | |
but it had a kinda vibrant feel to it, it was really fantastically... so exciting! | 1:38:53 | 1:38:59 | |
# Turn up and die Turn up and die | 1:39:01 | 1:39:05 | |
# Die, turn up and die Turn up and die | 1:39:05 | 1:39:09 | |
# Turn up and die... # | 1:39:09 | 1:39:12 | |
# Die, turn up and die Turn up and die | 1:39:40 | 1:39:44 | |
# Turn up and die... # | 1:39:44 | 1:39:47 | |
We're getting better at it. We're using horses now | 1:40:25 | 1:40:28 | |
in what we call the moat between the two fences. | 1:40:28 | 1:40:31 | |
We've got galloping horses, and it does tend to put people off jumping through | 1:40:31 | 1:40:36 | |
when they see horses running by. | 1:40:36 | 1:40:39 | |
CROWD CHEERS Come on, it's Rolf. | 1:40:39 | 1:40:42 | |
-We gotta go? -Gotta go. See Rolfie baby. | 1:40:42 | 1:40:46 | |
The main problem, the year 2000, it was, was when the fence came down on a large scale, | 1:40:46 | 1:40:51 | |
we had 300,000 people in here. | 1:40:51 | 1:40:55 | |
CROWD CHANTS: # Rolfie, Rolfie... # | 1:40:55 | 1:41:00 | |
Numbers became a matter of life and death. | 1:41:08 | 1:41:10 | |
Ten people killed by being crushed in Roskilde that same year. | 1:41:10 | 1:41:14 | |
So all the ideology, all the free-festival mentality, | 1:41:14 | 1:41:17 | |
-had gone out the window by then. -# Out, demons out... # | 1:41:17 | 1:41:21 | |
So we took a year off and we addressed the problem. | 1:41:21 | 1:41:25 | |
In that year, we designed... In fact, I sent a postcard with a drawing of what I wanted them to build, | 1:41:25 | 1:41:30 | |
off to Trakway, the fencing engineers, | 1:41:30 | 1:41:33 | |
on the Monday morning after the 2000 festival. | 1:41:33 | 1:41:37 | |
I wanted them to start on it so that I could tell the police and the council | 1:41:37 | 1:41:41 | |
that I was dealing with it. | 1:41:41 | 1:41:44 | |
Mean Fiddler were involved as well. | 1:41:44 | 1:41:46 | |
They gave us a licence for 2002, no problem. | 1:41:46 | 1:41:49 | |
Going to festivals, it's, like, one of my favourite things to do | 1:41:50 | 1:41:53 | |
and I'm always thinking, "This is not meaningless." | 1:41:53 | 1:41:57 | |
There's something about getting together, we've got every right to do. | 1:41:57 | 1:42:01 | |
They're gonna fuck us of that right. You see that coming, we're gonna be away, separated. | 1:42:01 | 1:42:08 | |
It was all a bit shaky, really. I was getting bad press because Mean Fiddler were involved. | 1:42:09 | 1:42:14 | |
They said, "Well, you've sold your soul, haven't you?" | 1:42:15 | 1:42:19 | |
It was like I'd sold my soul to the devil, basically. | 1:42:19 | 1:42:23 | |
# Go straight to hell, boy | 1:42:23 | 1:42:27 | |
# Straight to hell, boy | 1:42:28 | 1:42:31 | |
# Go straight to hell, boy | 1:42:33 | 1:42:36 | |
# And I'm fading out in the signal | 1:42:36 | 1:42:39 | |
# I'm fading out on the signal | 1:42:39 | 1:42:41 | |
# In England's green and pleasant...land | 1:42:41 | 1:42:46 | |
# Fading out on the signal in England's green and pleasant land | 1:42:46 | 1:42:51 | |
# Just gotta fade into the signal | 1:42:53 | 1:42:56 | |
# Get those dirty, fucking cables out of here, out of sight | 1:42:56 | 1:43:01 | |
# Out of sight, out of mind | 1:43:01 | 1:43:03 | |
# Trying to make sense of something... # | 1:43:03 | 1:43:05 | |
No filming, please. | 1:43:05 | 1:43:08 | |
# I said... # | 1:43:12 | 1:43:14 | |
One less camera! One fucking less CCTV! | 1:43:16 | 1:43:21 | |
# Going in and out of the signal | 1:43:22 | 1:43:25 | |
# Breaking down, breaking down... # | 1:43:25 | 1:43:28 | |
# Breaking right down the roof... # | 1:43:31 | 1:43:33 | |
Sing it out. | 1:43:41 | 1:43:43 | |
# Go straight to hell, boy | 1:43:45 | 1:43:48 | |
# Straight to hell, boy... # | 1:43:50 | 1:43:52 | |
What does he think he's doing? | 1:43:53 | 1:43:55 | |
# Straight to hell, boy | 1:43:55 | 1:43:59 | |
# Straight to hell, boys | 1:44:00 | 1:44:03 | |
# Straight to hell! # | 1:44:04 | 1:44:07 | |
CROWD CHEERS | 1:44:07 | 1:44:10 | |
These things follow us every fucking where we go in the world, | 1:44:10 | 1:44:13 | |
in the bloody lift, the stairs, the lobby, the carsey... | 1:44:13 | 1:44:16 | |
You can't even have a piss in the modern world without some cunt filming it. | 1:44:16 | 1:44:21 | |
I never! I never! | 1:44:23 | 1:44:26 | |
Get out there, and when you see the BBC, | 1:44:26 | 1:44:30 | |
wave at them with a stick! | 1:44:30 | 1:44:32 | |
Just wave it at them! | 1:44:32 | 1:44:35 | |
That kid there, get him! | 1:44:35 | 1:44:37 | |
I spoke to Joe and he said, "I'm really, really sorry, Mike, about what happened on stage. | 1:44:40 | 1:44:45 | |
"I really lost it, I'm afraid. I'm really, really sorry." | 1:44:45 | 1:44:48 | |
I think he really regretted it. | 1:44:48 | 1:44:51 | |
-Hello! You all right, lads? -WOMAN GIGGLES | 1:44:51 | 1:44:55 | |
Bugger off, you're not wanted! | 1:44:55 | 1:44:57 | |
WOMAN GIGGLES AGAIN | 1:44:57 | 1:44:59 | |
So the fence became king to the whole thing. | 1:44:59 | 1:45:02 | |
# And did those feet | 1:45:02 | 1:45:06 | |
# In ancient time | 1:45:06 | 1:45:10 | |
# Walk upon England's... # | 1:45:10 | 1:45:12 | |
I think it's a good thing. It's nice to be more secure. | 1:45:12 | 1:45:15 | |
It's nice to know that your stuff's not gonna get robbed. | 1:45:15 | 1:45:18 | |
I remember the fence at Greenham and I thought, | 1:45:18 | 1:45:21 | |
what they need here is a lesbian crew | 1:45:21 | 1:45:24 | |
to take the fence down, frankly! | 1:45:24 | 1:45:27 | |
At the end of the day, we want this to carry on. | 1:45:27 | 1:45:30 | |
It should be a lot more back to how it used to be 20 years ago, a lot more peace and love, man, you know? | 1:45:30 | 1:45:36 | |
MOBILE PHONE RINGS | 1:45:56 | 1:45:58 | |
-'Too many rich people. -No more travellers.' | 1:45:58 | 1:46:01 | |
It was them that started it, so if they won't let them in, there's no point in having a festival | 1:46:01 | 1:46:07 | |
cos the spirit's gone from it. No heart in it no more. | 1:46:07 | 1:46:10 | |
Yah-hoo! | 1:46:22 | 1:46:23 | |
Hoo-hoo-hoo! Hoo-hoo-hoo-hoo-hoo! | 1:46:23 | 1:46:27 | |
Hoo! | 1:46:27 | 1:46:28 | |
I think I miss some of the chaos of previous years. | 1:46:28 | 1:46:32 | |
I'm not saying that was all a good thing, but I think it's a sanitised caricature, in a way, | 1:46:32 | 1:46:38 | |
of what it used to be, in some ways. But in other ways, it's very good. | 1:46:38 | 1:46:42 | |
I now have a young daughter and I feel safe now with her on site. | 1:46:42 | 1:46:46 | |
And I appreciate that a certain level of organisation has to occur, | 1:46:46 | 1:46:50 | |
but we've got to be very careful not to Big Brother too much - | 1:46:50 | 1:46:54 | |
bottom wiped, nose cleaned and the rest. We've got to balance the two. | 1:46:54 | 1:46:58 | |
I'm not a New Age traveller any more, I'm a middle-aged settler. | 1:46:58 | 1:47:02 | |
I miss the travellers a bit. We've lost the edge, that vibrant thing. | 1:47:04 | 1:47:09 | |
I want to get them involved rather than sitting around blocking roadways and stuff, you know. | 1:47:09 | 1:47:14 | |
This is Los Vague House, a friend of Roy. | 1:47:14 | 1:47:19 | |
He was a convoy by the '80s, gave me lots of grief. | 1:47:19 | 1:47:23 | |
He was the leader of the pack, with a convoy pack. | 1:47:23 | 1:47:27 | |
They were all convoy folk, really. | 1:47:32 | 1:47:35 | |
It was quite edgy, it was quite... | 1:47:35 | 1:47:37 | |
-Roy! You made it, in the end! -How are you? -You're looking very smart - | 1:47:37 | 1:47:42 | |
a typical traveller, dressed up posh like this! | 1:47:42 | 1:47:45 | |
Roy, can you show us what's in there - the Chapel of Loathe? | 1:47:45 | 1:47:49 | |
Everything from boxing to weddings. | 1:47:49 | 1:47:52 | |
..As to why these two persons may not be joined together in holy matrimony, | 1:47:52 | 1:47:56 | |
will they please speak now or forever hold their peace. | 1:47:56 | 1:48:01 | |
MAN SHOUTS | 1:48:01 | 1:48:03 | |
-I shagged her! -Do you know this man? | 1:48:03 | 1:48:06 | |
Fucking slag! | 1:48:06 | 1:48:09 | |
Are you sure about this? | 1:48:12 | 1:48:15 | |
CROWD CHEERS | 1:48:15 | 1:48:18 | |
I'm a Methodist, you know? | 1:48:19 | 1:48:22 | |
You're Quaker. | 1:48:22 | 1:48:24 | |
-No, not a Quaker. -Or is it quackers? | 1:48:24 | 1:48:26 | |
No, we... Quackers?! No, we don't pay people on Sundays | 1:48:26 | 1:48:30 | |
Don't pay people on Sundays? | 1:48:30 | 1:48:33 | |
Your nose is getting bigger, Michael. | 1:48:33 | 1:48:36 | |
Don't stand side-on to the camera, they'll see it growing. | 1:48:36 | 1:48:39 | |
You see how I get on with him. There is a kind of non-conformity, it's anti-establishment, is what it is. | 1:48:41 | 1:48:47 | |
We're in the same ballpark, really. | 1:48:48 | 1:48:51 | |
SHE SINGS "RIDE OF THE VALKYRIES" | 1:48:53 | 1:48:56 | |
..Next couple of days. | 1:49:26 | 1:49:28 | |
# Take these men apart from each other | 1:49:43 | 1:49:48 | |
# They are still fighting but they are dead... # | 1:49:48 | 1:49:53 | |
..Israeli occupation. Demonstrators will be shot. | 1:49:53 | 1:49:58 | |
No witnesses allowed, no filming. Put your camera away. | 1:49:58 | 1:50:01 | |
This is a closed military zone. | 1:50:01 | 1:50:03 | |
You are not allowed to film this. I will shoot you... | 1:50:03 | 1:50:06 | |
-Is this your aunt? -This is my Aunt Helena. -Very nice to meet you. | 1:50:16 | 1:50:19 | |
-Nice to meet you. -Are you enjoying yourself? -Madly. | 1:50:19 | 1:50:22 | |
# Come up and see me, make me smile | 1:50:23 | 1:50:29 | |
# Or do what you want, running wild... # | 1:50:29 | 1:50:36 | |
It's an English trait, don't you think? | 1:50:36 | 1:50:38 | |
The French couldn't do it, the Germans couldn't do it, | 1:50:38 | 1:50:42 | |
the Americans didn't really do it - they did it twice, with Woodstock. | 1:50:42 | 1:50:46 | |
They couldn't live with it. We have a tradition of putting up with a lot of grief, a lot of untidiness, | 1:50:46 | 1:50:52 | |
a lot of ugliness, in the rain and the mud. And we're still enjoying ourselves. | 1:50:52 | 1:50:56 | |
Isn't it odd? | 1:50:56 | 1:50:59 | |
# She looks like the real thing | 1:51:09 | 1:51:14 | |
# She tastes like the real thing | 1:51:16 | 1:51:21 | |
# If I just turn and run | 1:51:22 | 1:51:27 | |
# And it wears me... | 1:51:31 | 1:51:34 | |
# It wears me out | 1:51:37 | 1:51:40 | |
# It wears me out | 1:51:44 | 1:51:46 | |
# It wears me out. # | 1:51:50 | 1:51:54 | |
# But I don't | 1:51:58 | 1:52:02 | |
# Need no friends | 1:52:02 | 1:52:06 | |
# As long as I gaze on | 1:52:07 | 1:52:10 | |
# Waterloo sunset | 1:52:10 | 1:52:12 | |
# I am in paradise | 1:52:12 | 1:52:15 | |
-CROWD: -# Sha la la | 1:52:17 | 1:52:18 | |
# Every day I look at the world from my window | 1:52:18 | 1:52:24 | |
# Sha la la | 1:52:26 | 1:52:29 | |
# But chilly, chilly is the evening time | 1:52:29 | 1:52:32 | |
# Waterloo sunset's fine | 1:52:32 | 1:52:35 | |
# Ah | 1:52:35 | 1:52:38 | |
# Terry meets Julie | 1:52:40 | 1:52:42 | |
# Waterloo station | 1:52:42 | 1:52:45 | |
# Every Friday night | 1:52:45 | 1:52:48 | |
# But I am so lazy | 1:52:49 | 1:52:52 | |
# Don't want to wander | 1:52:52 | 1:52:54 | |
# I stay at home at night | 1:52:54 | 1:52:58 | |
# But I don't | 1:53:00 | 1:53:04 | |
# Feel afraid | 1:53:04 | 1:53:07 | |
# As long as I gaze on | 1:53:08 | 1:53:11 | |
# Waterloo sunset | 1:53:11 | 1:53:13 | |
# I am in paradise... # | 1:53:13 | 1:53:15 | |
Big "Sha la la" - let's hear it, come on! | 1:53:15 | 1:53:17 | |
# ..Sha la la | 1:53:17 | 1:53:20 | |
# Every day I look at the world from my window... # | 1:53:20 | 1:53:25 | |
Come on! | 1:53:25 | 1:53:27 | |
# ..Sha la la | 1:53:27 | 1:53:29 | |
# But chilly, chilly is the evening time | 1:53:29 | 1:53:33 | |
# Waterloo sunset's fine | 1:53:33 | 1:53:37 | |
# Ah... # | 1:53:37 | 1:53:39 | |
God save the Kinks! | 1:53:39 | 1:53:41 | |
# ..Millions of people | 1:53:41 | 1:53:44 | |
# Swarming like flies round Waterloo underground | 1:53:44 | 1:53:49 | |
# But Terry and Julie cross over the river | 1:53:50 | 1:53:55 | |
# Where they feel safe and sound | 1:53:55 | 1:53:59 | |
# And they don't... # | 1:54:00 | 1:54:03 | |
We love you, Glastonbury! | 1:54:06 | 1:54:08 | |
We love you, Glastonbury! | 1:54:08 | 1:54:10 | |
What you're getting with your ticket is a real special, special thing | 1:54:16 | 1:54:21 | |
that, almost like Brigadoon...it just exists, like, for four or five days | 1:54:21 | 1:54:25 | |
and then disappears. | 1:54:25 | 1:54:26 | |
TRUMPET BLOWS | 1:54:26 | 1:54:29 | |
When people say that they've survived Glastonbury, I know exactly what they mean. | 1:54:46 | 1:54:51 | |
There's a sense of achievement about it, because they've got through it. | 1:54:51 | 1:54:54 | |
And the festival of course, through 35 years... | 1:54:54 | 1:54:57 | |
we've been quite determined, you know, to survive in the same way. | 1:54:57 | 1:55:01 | |
When the chips are down, people get on a lot better. | 1:55:04 | 1:55:07 | |
Yes! | 1:55:31 | 1:55:33 | |
You can't buy feelings, you can't buy anything worth having. | 1:56:04 | 1:56:07 | |
If you want something enough, then it actually will happen. | 1:56:07 | 1:56:11 | |
OK. | 1:56:11 | 1:56:13 | |
So, if a lanky get like me can do it and this lot, | 1:56:14 | 1:56:19 | |
you can do it too, all right? | 1:56:19 | 1:56:21 | |
# She came from Greece She had a thirst for knowledge | 1:56:30 | 1:56:34 | |
# She studied sculpture at Saint Martins College | 1:56:34 | 1:56:36 | |
# That's where I | 1:56:36 | 1:56:38 | |
# Caught her eye | 1:56:40 | 1:56:41 | |
# She told me that her dad was loaded | 1:56:45 | 1:56:48 | |
# I said "In that case I'll have a rum and Coca-Cola" | 1:56:48 | 1:56:51 | |
# She said "Fine" | 1:56:51 | 1:56:52 | |
# And in 30 seconds' time she said | 1:56:54 | 1:56:58 | |
# "I wanna live like common people | 1:56:58 | 1:57:03 | |
# "I wanna do whatever common people do | 1:57:03 | 1:57:06 | |
# "I wanna sleep with common people | 1:57:06 | 1:57:10 | |
# "I wanna sleep with common people like you" | 1:57:10 | 1:57:13 | |
# Well, what else could I do? | 1:57:14 | 1:57:16 | |
# I said "I'll... | 1:57:16 | 1:57:18 | |
# "I'll see what I can do" | 1:57:18 | 1:57:20 | |
# I took her to a supermarket | 1:57:23 | 1:57:27 | |
# I don't know why but I had to start it somewhere | 1:57:27 | 1:57:30 | |
# So it started there | 1:57:30 | 1:57:33 | |
# I said "Pretend you've got no money" | 1:57:36 | 1:57:40 | |
# But she just laughed and said "Oh, you're so funny" | 1:57:40 | 1:57:43 | |
# I said "Yeah? | 1:57:43 | 1:57:45 | |
# "Well, I can't see anyone else smiling in here | 1:57:45 | 1:57:47 | |
# "Are you sure | 1:57:47 | 1:57:49 | |
# "You wanna live like common people | 1:57:49 | 1:57:52 | |
# "You wanna see whatever common people see | 1:57:52 | 1:57:56 | |
# "You wanna sleep with common people | 1:57:56 | 1:57:59 | |
# "You wanna sleep with common people like me?" | 1:57:59 | 1:58:03 | |
# But she didn't understand | 1:58:03 | 1:58:05 | |
# But she just smiled and held my hand | 1:58:05 | 1:58:09 | |
# "Rent a flat above a shop | 1:58:10 | 1:58:13 | |
# "Cut your hair and get a job | 1:58:13 | 1:58:17 | |
# "Smoke some fags and play some pool | 1:58:17 | 1:58:20 | |
# "Pretend you never went to school | 1:58:20 | 1:58:24 | |
# "But still you'll never get it right | 1:58:24 | 1:58:26 | |
# "Cos when you're laid in bed at night | 1:58:26 | 1:58:30 | |
# "Watching roaches climb the wall | 1:58:30 | 1:58:33 | |
# "If you called your dad he could stop it all | 1:58:33 | 1:58:37 | |
# "You'll never live like common people | 1:58:37 | 1:58:40 | |
# "You'll never do whatever common people do | 1:58:40 | 1:58:44 | |
# "You'll never fail like common people | 1:58:44 | 1:58:46 | |
# "You'll never watch your life slide out of view | 1:58:46 | 1:58:50 | |
# "And then dance and drink and screw | 1:58:50 | 1:58:53 | |
# "Because there's nothing else to do" | 1:58:53 | 1:58:57 | |
# Ow! | 1:58:57 | 1:58:59 | |
# I wanna live with common people like you | 1:59:11 | 1:59:14 | |
# I wanna live with common people like you | 1:59:14 | 1:59:17 | |
# I wanna live with common people like you | 1:59:17 | 1:59:19 | |
# I wanna live with common people like you | 1:59:19 | 1:59:22 | |
# I wanna live with common people like you | 1:59:22 | 1:59:25 | |
# I wanna live with... | 1:59:28 | 1:59:31 | |
# ..Common people like you | 1:59:36 | 1:59:38 | |
# Da da da da | 1:59:38 | 1:59:39 | |
# You Da da da da | 1:59:39 | 1:59:43 | |
# You Da da da da | 1:59:43 | 1:59:45 | |
# Oh, yeah. # | 1:59:48 | 1:59:50 | |
RAPTUROUS APPLAUSE | 1:59:50 | 1:59:54 | |
One more! Yeah! | 1:59:54 | 1:59:56 | |
Big Breakfast! | 1:59:56 | 1:59:57 | |
Big Brother! | 1:59:57 | 1:59:58 | |
Whoo! | 1:59:58 | 2:00:00 | |
So it's a survival of good over evil, really, | 2:00:00 | 2:00:03 | |
which is something that I'm quite... sure about. | 2:00:03 | 2:00:06 | |
And it does survive. | 2:00:06 | 2:00:07 | |
It's a bit like New Orleans, you know, goodness does survive over evil...always. | 2:00:07 | 2:00:13 | |
# You sure you want to be with me? | 2:00:51 | 2:00:53 | |
# I've nothing to give | 2:00:53 | 2:00:55 | |
# Won't lie and say this loving's best | 2:00:55 | 2:00:57 | |
# Leave us in emotional peace | 2:00:58 | 2:01:00 | |
# Take a walk, taste the rest | 2:01:00 | 2:01:02 | |
# No, take a rest | 2:01:02 | 2:01:04 | |
# I see you digging a hole in your neighbourhood | 2:01:04 | 2:01:07 | |
# You're crazy but you're lazy | 2:01:07 | 2:01:09 | |
# No need to live in a lean-to | 2:01:09 | 2:01:10 | |
# Your troubles must be seen to seen to | 2:01:10 | 2:01:12 | |
# Money like it's paper with faces I remember | 2:01:12 | 2:01:16 | |
# I drink on a daily basis though it seldom cools my temper | 2:01:16 | 2:01:19 | |
# It never cools my temper. # | 2:01:19 | 2:01:20 | |
APPLAUSE | 2:01:22 | 2:01:24 | |
In 1971, when I first played here, | 2:01:25 | 2:01:28 | |
I stayed at Worthy Farmhouse | 2:01:28 | 2:01:31 | |
with a couple of other people. | 2:01:31 | 2:01:33 | |
Huge bottle of tincture of cannabis from a lovely doctor - | 2:01:33 | 2:01:37 | |
for medicinal reasons - and got out to the stage about... | 2:01:37 | 2:01:40 | |
5.30 in the morning. | 2:01:40 | 2:01:43 | |
This is so cool for us, it really is cool. I've not been here for 30 years. | 2:01:43 | 2:01:47 | |
And it's fucking great. | 2:01:47 | 2:01:48 | |
CHEERING | 2:01:48 | 2:01:50 | |
# I | 2:02:06 | 2:02:08 | |
# I will be king | 2:02:09 | 2:02:10 | |
# And you | 2:02:13 | 2:02:15 | |
# You will be my queen | 2:02:17 | 2:02:19 | |
# Though nothing | 2:02:22 | 2:02:25 | |
# Will drive them away | 2:02:25 | 2:02:27 | |
# We can be heroes | 2:02:31 | 2:02:33 | |
# Just for one day | 2:02:33 | 2:02:36 | |
# We can be heroes | 2:02:37 | 2:02:41 | |
# For ever and ever | 2:02:42 | 2:02:44 | |
# I | 2:02:47 | 2:02:49 | |
-# I can remember -I remember | 2:02:49 | 2:02:56 | |
# Standing | 2:02:56 | 2:02:58 | |
# Standing by the wall | 2:02:59 | 2:03:01 | |
# By the wall | 2:03:01 | 2:03:03 | |
# And the guns | 2:03:03 | 2:03:05 | |
# The guns shot above our heads | 2:03:07 | 2:03:10 | |
# Over our heads | 2:03:10 | 2:03:11 | |
# And we kissed | 2:03:11 | 2:03:13 | |
-# As though nothing could fall -Nothing could fall | 2:03:14 | 2:03:19 | |
# And the shame | 2:03:19 | 2:03:22 | |
# If fell on the other side | 2:03:24 | 2:03:27 | |
# We'll beat them | 2:03:28 | 2:03:30 | |
# For ever and ever | 2:03:32 | 2:03:35 | |
# We can be heroes | 2:03:36 | 2:03:39 | |
# Just for one day | 2:03:40 | 2:03:43 | |
# I just say, I say... # | 2:03:44 | 2:03:46 | |
CROWD CHEERS | 2:03:46 | 2:03:49 | |
# ..We can be heroes | 2:03:49 | 2:03:52 | |
# We can be heroes | 2:03:58 | 2:04:01 | |
# We can be heroes | 2:04:05 | 2:04:09 | |
# Just for one day | 2:04:10 | 2:04:13 | |
# We can be heroes | 2:04:14 | 2:04:16 | |
# We're nothing | 2:04:19 | 2:04:22 | |
# And no-one will help us | 2:04:22 | 2:04:24 | |
# Maybe we're lying | 2:04:26 | 2:04:29 | |
# Then you better not stay | 2:04:30 | 2:04:32 | |
# We can be safer | 2:04:35 | 2:04:38 | |
# Just for one day... # | 2:04:39 | 2:04:44 | |
APPLAUSE | 2:04:44 | 2:04:46 | |
# ..Oh... # | 2:05:09 | 2:05:12 | |
Bye-bye, Glastonbury! | 2:05:12 | 2:05:15 | |
Next year! | 2:05:15 | 2:05:16 | |
And that fence round the perimeter...rubbish! | 2:05:40 | 2:05:43 | |
# Easy! Easy! Easy! Easy! # | 2:05:43 | 2:05:47 | |
Easy...fence. | 2:05:47 | 2:05:49 | |
-LAUGHTER -Fuckin' hell! | 2:05:57 | 2:06:01 | |
And did those feet in ancient times...? | 2:06:05 | 2:06:08 | |
I'm not sure what William Blake meant, | 2:06:08 | 2:06:11 | |
but, to bring that up to date, we now have 300,000 feet walking through these pastures | 2:06:11 | 2:06:16 | |
every year. | 2:06:16 | 2:06:17 | |
Oh, I think by now, we have a place in history, | 2:06:17 | 2:06:20 | |
as so many things have happened here | 2:06:20 | 2:06:22 | |
in the last 35 years. | 2:06:22 | 2:06:25 | |
And the experience has been quite phenomenal | 2:06:25 | 2:06:29 | |
from thousands and thousands of people. | 2:06:29 | 2:06:32 | |
And because of the values that the festival builds itself on, | 2:06:32 | 2:06:36 | |
people do really believe that they're having a really good time, | 2:06:36 | 2:06:39 | |
they're having an experience that they can't find anywhere else, so they go away from here... | 2:06:39 | 2:06:43 | |
exhilarated and... | 2:06:43 | 2:06:46 | |
and full of hope for the future. | 2:06:46 | 2:06:49 | |
MUSIC: "Jerusalem" by Hubert Parry | 2:06:49 | 2:06:53 | |
Bring me my bow of burning gold | 2:07:08 | 2:07:10 | |
Bring me my arrows of desire | 2:07:10 | 2:07:13 | |
Bring me my spear, O clouds unfold! | 2:07:13 | 2:07:17 | |
Bring me my chariot of fire! | 2:07:17 | 2:07:20 | |
I will not cease from mental fight | 2:07:20 | 2:07:23 | |
Nor shall my sword sleep in my hand | 2:07:23 | 2:07:26 | |
Till we have built Jerusalem | 2:07:26 | 2:07:31 | |
In England's green and pleasant land. | 2:07:31 | 2:07:34 | |
# Legalise it | 2:07:54 | 2:07:58 | |
# Don't criticise it | 2:08:01 | 2:08:04 | |
# Legalise it, yeah | 2:08:08 | 2:08:11 | |
# Yeah | 2:08:11 | 2:08:14 | |
# And I will advertise it | 2:08:14 | 2:08:17 | |
# Some call it tambi | 2:08:21 | 2:08:24 | |
# Some call it deh weed | 2:08:28 | 2:08:30 | |
# Some call it marijuana | 2:08:34 | 2:08:37 | |
# Marijuana | 2:08:37 | 2:08:41 | |
# Some of them call it ganja | 2:08:41 | 2:08:44 | |
# Ganja | 2:08:45 | 2:08:47 | |
# Legalise it | 2:08:47 | 2:08:51 | |
# And don't criticise it | 2:08:53 | 2:08:57 | |
# Legalise it, yeah | 2:09:01 | 2:09:04 | |
# Yeah | 2:09:04 | 2:09:07 | |
# And I will advertise it... # | 2:09:07 | 2:09:10 | |
Subtitles by Red Bee Media Ltd | 2:09:10 | 2:09:13 | |
E-mail [email protected] | 2:09:13 | 2:09:16 |