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This programme contains very strong language and scenes which some viewers might find upsetting. | 0:00:02 | 0:00:13 | |
The Bronx was like a world of its own. | 0:00:31 | 0:00:33 | |
In the early '70s, man, crime was like the major income of the Bronx. | 0:00:33 | 0:00:38 | |
In the Bronx, it was a deep-rooted gang culture. | 0:00:38 | 0:00:42 | |
There were gangs literally on every corner. The violence was everywhere. | 0:00:42 | 0:00:45 | |
You could feel the tension in the air, | 0:00:45 | 0:00:46 | |
you could see the fights across the street. | 0:00:46 | 0:00:49 | |
You could hear the shots in the night-time. | 0:00:49 | 0:00:51 | |
It was that fateful day that I sent him to bring peace. | 0:00:57 | 0:01:01 | |
That was one of the worst days in South Bronx history. | 0:01:01 | 0:01:04 | |
The word on the street was that he was trying to make peace and he was | 0:01:04 | 0:01:06 | |
murdered trying to make peace. | 0:01:06 | 0:01:08 | |
Basically, after that, the South Bronx, Fort Apache was out of control. | 0:01:08 | 0:01:12 | |
They were running through the streets, | 0:01:12 | 0:01:14 | |
they were burning everything. | 0:01:14 | 0:01:15 | |
I mean, pandemonium hit. | 0:01:15 | 0:01:16 | |
SIREN WAILS | 0:01:16 | 0:01:18 | |
I put out a bulletin and I started calling all the Ghetto Brothers. | 0:01:23 | 0:01:28 | |
Charlie wanted to get the Ghetto Brothers to mobilise for the biggest | 0:01:28 | 0:01:31 | |
bloodbath in the history of New York. | 0:01:31 | 0:01:34 | |
We lost a member, they viciously murdered him out there on the street. | 0:01:34 | 0:01:37 | |
Now it's an eye for an eye. | 0:01:37 | 0:01:39 | |
The Bronx was going to be bathed in blood. | 0:01:39 | 0:01:42 | |
How rumours spread, how news spread. | 0:01:49 | 0:01:52 | |
There was not a gang in the whole of New York that was not aware what was happening. | 0:01:52 | 0:01:57 | |
It was like the movie, in The Warriors, | 0:01:57 | 0:01:59 | |
when the lady's on the radio talking about, "Hey boppers," you know, | 0:01:59 | 0:02:02 | |
"you've got to make that move." | 0:02:02 | 0:02:03 | |
Let's get down to it, boppers, | 0:02:03 | 0:02:05 | |
we're going to have to do better out there. | 0:02:05 | 0:02:07 | |
Everybody was tense because nobody knew what was going to jump off. | 0:02:07 | 0:02:10 | |
Remember that scene from The Warriors, "Can you dig it?" | 0:02:10 | 0:02:12 | |
That really went down, that really happened. | 0:02:12 | 0:02:15 | |
Can you dig it? | 0:02:15 | 0:02:17 | |
Can you dig it? | 0:02:17 | 0:02:20 | |
ROARING CHEER | 0:02:20 | 0:02:23 | |
We moved up to the South Bronx in 1963. | 0:02:53 | 0:02:57 | |
From Greenwich Village to the South Bronx, | 0:02:57 | 0:03:00 | |
it was a completely different world. | 0:03:00 | 0:03:02 | |
The buildings were beautiful, very spacious, the blocks were wide. | 0:03:02 | 0:03:05 | |
There were still Jews living there at that time. | 0:03:05 | 0:03:09 | |
Pockets of Italians and Irish still living in the community. | 0:03:09 | 0:03:11 | |
The South Bronx at the time was fantastic. | 0:03:11 | 0:03:14 | |
It was just a completely different world, it was a world of discovery. | 0:03:14 | 0:03:17 | |
In those days, I didn't like the idea of joining a gang. | 0:03:25 | 0:03:30 | |
I started my own thing. | 0:03:30 | 0:03:31 | |
When I started the Ghetto Brothers, | 0:03:32 | 0:03:34 | |
originally it wasn't supposed to be a gang, | 0:03:34 | 0:03:36 | |
it wasn't supposed to be an organisation, | 0:03:36 | 0:03:38 | |
it was a brother thing. | 0:03:38 | 0:03:39 | |
It was basically my brothers and I. | 0:03:39 | 0:03:41 | |
We lived in Manhattan, we moved to the Bronx, | 0:03:41 | 0:03:43 | |
and in those days it was the ghetto so we were Ghetto Brothers. | 0:03:43 | 0:03:46 | |
Who were the Ghetto Brothers? Robin, Benjy, Victor. | 0:03:46 | 0:03:49 | |
Those were the Ghetto Brothers, MY brothers. | 0:03:49 | 0:03:51 | |
OK, then later on, since I knew a lot of the kids in the community, | 0:03:51 | 0:03:55 | |
I was very friendly, I was amicable, | 0:03:55 | 0:03:57 | |
everybody got along with me, so I said, you know, | 0:03:57 | 0:03:59 | |
let's expand this. | 0:03:59 | 0:04:00 | |
I met Charlie in 158th Street and Trinity Avenue. | 0:04:05 | 0:04:09 | |
I was with my friend Raymond. He was like a brother, we grew up together, | 0:04:09 | 0:04:12 | |
and I saw this guy taking a wooden stick and going... | 0:04:12 | 0:04:15 | |
"Hiyaah" and breaking it, and I said, "Wow!" | 0:04:15 | 0:04:18 | |
It thought it was amazing. Because I was into the martial arts. | 0:04:18 | 0:04:21 | |
And I said, "That is fantastic. | 0:04:21 | 0:04:22 | |
"That's a man I want to make friends with." | 0:04:22 | 0:04:24 | |
That was me. I want to make friends with this guy. | 0:04:24 | 0:04:27 | |
I walked up to him and I said, "Hi, my name is Benjy." | 0:04:27 | 0:04:31 | |
It's 1960...something. | 0:04:31 | 0:04:35 | |
I only know they rob, they steal. | 0:04:35 | 0:04:40 | |
Nobody is going to rob me so I prepare, | 0:04:40 | 0:04:43 | |
I'm ready to take this guy on. | 0:04:43 | 0:04:46 | |
"I just want to shake your hand." | 0:04:46 | 0:04:48 | |
-That's Charlie. -I said, "OK. The moment he moves, his ass is mine," | 0:04:48 | 0:04:53 | |
but he's standing there with his hand out and he starts telling me about | 0:04:53 | 0:04:58 | |
there's a few guys that study martial arts that he's been watching, | 0:04:58 | 0:05:02 | |
and he can imagine that I'm a pretty good martial artist. | 0:05:02 | 0:05:07 | |
And we sat down, he said, "What's your style?" | 0:05:07 | 0:05:09 | |
I said, "I'm Goju. Talk to me." | 0:05:09 | 0:05:11 | |
And we just talked and talked and talked. | 0:05:11 | 0:05:13 | |
I stick out my hand, I put my hand in his, and... | 0:05:13 | 0:05:16 | |
..the Ghetto Brothers are one. | 0:05:17 | 0:05:19 | |
The '60s were a time of worldwide social and cultural reckoning, | 0:05:29 | 0:05:33 | |
with movements demanding change | 0:05:33 | 0:05:35 | |
spreading across the college campuses | 0:05:35 | 0:05:37 | |
and the front lines of America's ghettos. | 0:05:37 | 0:05:39 | |
It truly felt like the seeds for a full-blown revolution were being sown. | 0:05:39 | 0:05:42 | |
So we thought this revolution was going to happen. | 0:05:53 | 0:05:55 | |
We knew this was the end of the world order. | 0:05:55 | 0:05:57 | |
We thought revolution was possible. | 0:05:57 | 0:06:00 | |
For the first time, we had a multicultural movement. | 0:06:00 | 0:06:03 | |
For me, it reconfirmed, in a strange way, my faith in America. | 0:06:03 | 0:06:07 | |
But as the '60s came to a close, | 0:06:16 | 0:06:19 | |
the Vietnam War and racism continued to erode America's soul | 0:06:19 | 0:06:23 | |
and fade all optimism. | 0:06:23 | 0:06:24 | |
A systematic backlash against organisations like the Black Panthers, | 0:06:24 | 0:06:28 | |
coupled with the assassinations of nearly every iconic figure of | 0:06:28 | 0:06:31 | |
hope, left a new generation with nothing more than unfocused rage. | 0:06:31 | 0:06:36 | |
They killed the King, | 0:06:36 | 0:06:38 | |
and then they killed Kennedy. | 0:06:38 | 0:06:40 | |
My heroes died in the '60s. | 0:06:40 | 0:06:44 | |
The hope is deflated. | 0:06:44 | 0:06:46 | |
I was so mad at America, I was pissed! | 0:06:46 | 0:06:49 | |
Remember the '60s? | 0:06:49 | 0:06:51 | |
Hey! Peace! | 0:06:51 | 0:06:54 | |
Now it was peace. | 0:06:54 | 0:06:57 | |
America's unrest was reflected locally as New York City struggled | 0:07:06 | 0:07:10 | |
under the weight of its own mounting crises. | 0:07:10 | 0:07:13 | |
A failed vision of urban renewal | 0:07:13 | 0:07:15 | |
pushed all but the city's wealthiest to the brink, | 0:07:15 | 0:07:17 | |
and a new pessimism and desperation made its home in its streets. | 0:07:17 | 0:07:21 | |
Now here was this great city, the international capital | 0:07:21 | 0:07:26 | |
of commerce and culture and communications, | 0:07:26 | 0:07:29 | |
and finance, and it was on its knees, asking, begging for help. | 0:07:29 | 0:07:34 | |
The city was on the edge of bankruptcy. | 0:07:34 | 0:07:36 | |
All through the '70s, remember, | 0:07:36 | 0:07:38 | |
industries supporting jobs were disappearing. | 0:07:38 | 0:07:41 | |
If there was a safety net before, | 0:07:41 | 0:07:43 | |
the federal government was basically | 0:07:43 | 0:07:45 | |
not just ceasing to protect it but cutting holes in it. | 0:07:45 | 0:07:48 | |
Despite the city's financial troubles, | 0:07:57 | 0:07:59 | |
in 1970, New York's cultural scene was as vibrant as ever. | 0:07:59 | 0:08:03 | |
Construction of the World Trade Center would soon be complete | 0:08:03 | 0:08:06 | |
and the New York Knicks would win their first championship. | 0:08:06 | 0:08:09 | |
However, only four miles away, due to reckless urban planning, | 0:08:09 | 0:08:13 | |
the district of the South Bronx was rapidly becoming a symbol | 0:08:13 | 0:08:16 | |
of urban decay around the world. | 0:08:16 | 0:08:18 | |
When we were young, we remember Robert Moses. | 0:08:18 | 0:08:22 | |
I remember the teacher talked about a guy who was fixing up the area. | 0:08:22 | 0:08:25 | |
They would say they were renovating the area. | 0:08:25 | 0:08:28 | |
Buildings were being taken out of commission. | 0:08:28 | 0:08:31 | |
"Got to go, we're going to build this highway over here." | 0:08:31 | 0:08:33 | |
The Cross Bronx Expressway - at one time that whole area was nothing but houses. | 0:08:33 | 0:08:37 | |
Beautiful houses. | 0:08:37 | 0:08:39 | |
He takes a wonderful borough that's made up of polyglot. | 0:08:39 | 0:08:41 | |
I mean, everybody was there - Ralph Lauren comes from there. | 0:08:41 | 0:08:44 | |
And he cuts across, he cuts a huge swathe, | 0:08:44 | 0:08:47 | |
literally destroying the neighbourhood. | 0:08:47 | 0:08:49 | |
This is amazing. I mean it's amazingly creative. | 0:08:49 | 0:08:51 | |
Even though it was also humanly destructive, | 0:08:51 | 0:08:53 | |
that he thought | 0:08:53 | 0:08:55 | |
the shortest distance between two points is a line, | 0:08:55 | 0:08:58 | |
even if there are houses and people in the way of the line. | 0:08:58 | 0:09:02 | |
That's when things started to go down. | 0:09:02 | 0:09:04 | |
The economy went with them, the store owners, everybody just took off. | 0:09:04 | 0:09:08 | |
You see a quiet, white flight. | 0:09:08 | 0:09:11 | |
Everybody was migrating, you know, | 0:09:11 | 0:09:13 | |
from the concourse up to you know, Nyack, | 0:09:13 | 0:09:16 | |
White Plains. | 0:09:16 | 0:09:17 | |
"Come on, up, pops, come on up. | 0:09:17 | 0:09:18 | |
"You can't stay down there no more," you know? | 0:09:18 | 0:09:20 | |
The rich move out to their second and third homes. | 0:09:20 | 0:09:24 | |
The middle-class... | 0:09:24 | 0:09:25 | |
..is not far behind, | 0:09:27 | 0:09:28 | |
and left will be the poor, | 0:09:28 | 0:09:30 | |
who require enormous services and who will suffer. | 0:09:30 | 0:09:34 | |
The South Bronx, it has all the superlatives. | 0:09:41 | 0:09:45 | |
Highest crime, poorest people, greatest unemployment, | 0:09:45 | 0:09:48 | |
worst blight and the world record for arson. | 0:09:48 | 0:09:51 | |
In just ten years, more than 30,000 buildings have been set ablaze and | 0:09:51 | 0:09:55 | |
abandoned here. | 0:09:55 | 0:09:56 | |
You got rats, bugs, no heat, no water. | 0:09:56 | 0:09:59 | |
It was terrible. Terrible. | 0:09:59 | 0:10:01 | |
It was like another domino effect, you know. | 0:10:01 | 0:10:03 | |
Then you see the burning start. | 0:10:03 | 0:10:05 | |
So your landlord wouldn't provide services, | 0:10:05 | 0:10:09 | |
and the people had to ultimately move out, | 0:10:09 | 0:10:11 | |
and then the landlord burned the building down and got the insurance. | 0:10:11 | 0:10:15 | |
You know, having buildings torched was the norm. | 0:10:15 | 0:10:17 | |
The Bronx was like a world of its own. | 0:10:17 | 0:10:20 | |
The Bronx to us, was our whole world. | 0:10:20 | 0:10:23 | |
This morning on the way into work, | 0:10:23 | 0:10:25 | |
we had a report that the police have located a carcass | 0:10:25 | 0:10:30 | |
in the street on 172nd and Bryant. | 0:10:30 | 0:10:32 | |
It turned out to be stripped carcass of a gorilla. | 0:10:32 | 0:10:36 | |
It was headless, and the fur was removed, the skin was removed. | 0:10:36 | 0:10:40 | |
South Bronx! | 0:10:40 | 0:10:42 | |
SIREN WAILS | 0:10:43 | 0:10:44 | |
It was just a feeling of hopelessness. | 0:10:49 | 0:10:52 | |
It wasn't like murder was hidden. | 0:10:52 | 0:10:55 | |
You know, murder was very rampant. | 0:10:55 | 0:10:57 | |
The number of homicides quadrupled from 1960 to 1971. | 0:10:57 | 0:11:03 | |
There was crime from the crooked politicians to the crooked cops. | 0:11:03 | 0:11:07 | |
In the early '70s, man, crime was like, | 0:11:07 | 0:11:10 | |
crime was like the major income of the Bronx. | 0:11:10 | 0:11:13 | |
There was lines of people, wrapped around a corner, | 0:11:13 | 0:11:17 | |
just waiting to buy a bundle or a couple of bags of dope. | 0:11:17 | 0:11:20 | |
When the cops drive up and down, | 0:11:20 | 0:11:22 | |
it was like a total pharmacy drugstore. | 0:11:22 | 0:11:25 | |
When it got virulent, people got into it. | 0:11:25 | 0:11:27 | |
It's almost as if they wanted to die | 0:11:27 | 0:11:29 | |
and so they got into heroin because there was no dream. | 0:11:29 | 0:11:32 | |
All the stuff was happening simultaneously. | 0:11:46 | 0:11:48 | |
It was too much for anybody to understand, | 0:11:48 | 0:11:50 | |
but one of the by-products was a lot of kids out on the street | 0:11:50 | 0:11:55 | |
and a lot of locations that would have been alternatives | 0:11:55 | 0:11:58 | |
to the streets, ceasing to exist. | 0:11:58 | 0:12:00 | |
The system had totally let us down, | 0:12:00 | 0:12:01 | |
they let us do what we wanted to do, | 0:12:01 | 0:12:04 | |
we deal with whatever we deal with, | 0:12:04 | 0:12:06 | |
they deal with it in their own manner. | 0:12:06 | 0:12:08 | |
The police department was beating on us | 0:12:08 | 0:12:10 | |
like they had the permission card. | 0:12:10 | 0:12:12 | |
It was just total chaos, there was nothing for us here. | 0:12:12 | 0:12:15 | |
So, you know, we turned to each other | 0:12:15 | 0:12:17 | |
and we said let's do something for ourselves. | 0:12:17 | 0:12:19 | |
Basically that was it. | 0:12:19 | 0:12:21 | |
Every gang was for themselves back then. | 0:12:21 | 0:12:23 | |
We had nobody looking out for us so it was us, | 0:12:23 | 0:12:25 | |
it was the brotherhood, it was the gang, and that's it. | 0:12:25 | 0:12:28 | |
Out of the rubble and chaos of the city, | 0:12:38 | 0:12:40 | |
a new breed of outlaw street gangs arose, | 0:12:40 | 0:12:43 | |
transforming the urban wasteland to a dark and dangerous playground. | 0:12:43 | 0:12:47 | |
Police estimated gang membership in the tens of thousands. | 0:12:47 | 0:12:52 | |
And these new outlaws maintained a firm grip | 0:12:52 | 0:12:54 | |
on New York city's streets. | 0:12:54 | 0:12:56 | |
The mentality of the gangs that came out of the '70s was very violent. | 0:12:56 | 0:13:01 | |
The street gangs that were coming out in the late-'60s, early-'70s, | 0:13:01 | 0:13:04 | |
was more, um, what you could say savage and outlaw. | 0:13:04 | 0:13:07 | |
These guys kicked you and cursed you and spit on you | 0:13:07 | 0:13:11 | |
and urinated on you and then showed you. | 0:13:11 | 0:13:15 | |
This is who did it. | 0:13:16 | 0:13:18 | |
Weren't you charged with shooting a policeman? | 0:13:18 | 0:13:20 | |
Yeah. The last time I got busted, they told me, | 0:13:20 | 0:13:22 | |
"We're going to catch you one of these nights and we're going to kill you." | 0:13:22 | 0:13:25 | |
Some people would say they'd be very worried if someone told them that. | 0:13:25 | 0:13:29 | |
Why don't you? | 0:13:29 | 0:13:30 | |
Because, you know, if I'm going to die, you know, | 0:13:31 | 0:13:34 | |
let it happen now than later. | 0:13:34 | 0:13:36 | |
It was all about power. | 0:13:45 | 0:13:48 | |
I ain't gotta ponce. My mother ain't going to tell me what to do. | 0:13:48 | 0:13:50 | |
I have all this anger. | 0:13:50 | 0:13:52 | |
I'm going to grab at all these guys and they're going to do my bidding. | 0:13:52 | 0:13:55 | |
So whatever I want that I've lacked in my life, I'm going to get it right now. | 0:13:55 | 0:13:58 | |
It wasn't like you had a choice. | 0:13:58 | 0:14:00 | |
Whatever gang ran the block, you had to be a part of it. | 0:14:00 | 0:14:03 | |
There were no civilians. | 0:14:03 | 0:14:05 | |
You know, you had to be in it or you were a victim. | 0:14:05 | 0:14:07 | |
On the outside looking in, it looked really good. | 0:14:07 | 0:14:09 | |
We were fighting all the time. | 0:14:09 | 0:14:11 | |
We didn't take any bullshit from anybody. | 0:14:11 | 0:14:13 | |
We pretty much did whatever we wanted. | 0:14:13 | 0:14:15 | |
There was nothing to look forward to. | 0:14:20 | 0:14:21 | |
This was our life. | 0:14:21 | 0:14:23 | |
We lived for each other. | 0:14:23 | 0:14:25 | |
We lived and died for each other. | 0:14:25 | 0:14:26 | |
We bled for each other. | 0:14:26 | 0:14:28 | |
Whether you was right or wrong, it didn't matter. | 0:14:28 | 0:14:31 | |
'In the steel and concrete jungle of the big city, a tribal group survives - | 0:14:35 | 0:14:40 | |
'the One Percenters. | 0:14:40 | 0:14:41 | |
'These are the motorcycle freaks. | 0:14:41 | 0:14:43 | |
'They get a charge out of spooking | 0:14:44 | 0:14:46 | |
'the citizens in a straight neighbourhood. | 0:14:46 | 0:14:48 | |
'They live in a different world. | 0:14:48 | 0:14:49 | |
'A strange copout world of their own making. | 0:14:49 | 0:14:52 | |
'With a kick pedal and the boot, | 0:14:52 | 0:14:53 | |
'they work off their frustrations on the man in the street.' | 0:14:53 | 0:14:56 | |
Everybody wanted to be the giant | 0:15:00 | 0:15:03 | |
that everyone's afraid of. | 0:15:03 | 0:15:05 | |
Everybody wanted to be the Hells Angel. | 0:15:05 | 0:15:09 | |
Everybody wanted to be the guy on the roaring machine. | 0:15:10 | 0:15:14 | |
We figure, "Well, fuck it, we could do that too!" | 0:15:15 | 0:15:19 | |
You know, they were raising hell | 0:15:19 | 0:15:20 | |
and we figured we could raise hell | 0:15:20 | 0:15:22 | |
because we had something to raise hell against. | 0:15:22 | 0:15:26 | |
As much as America thinks, we're not watching it, | 0:15:26 | 0:15:28 | |
we are watching it and we're imitating it. | 0:15:28 | 0:15:31 | |
So, what you see with the retention of some of the garb, | 0:15:31 | 0:15:35 | |
the biker garb, what you see is Americana. | 0:15:35 | 0:15:38 | |
But it's an outlaw Americana. | 0:15:38 | 0:15:40 | |
They don't want to be Mr Wasp. | 0:15:40 | 0:15:42 | |
But they can see themselves as Hells Angels. | 0:15:42 | 0:15:44 | |
And, yeah, we had the swastikas and everything, | 0:15:49 | 0:15:51 | |
because they had the swastikas and everything. | 0:15:51 | 0:15:53 | |
We tried to emulate them as much as possible. | 0:15:53 | 0:15:56 | |
And as they wanted to shock society, we wanted to shock society. | 0:15:56 | 0:16:00 | |
So, we just wanted to be as repulsive and repugnant as possible. | 0:16:00 | 0:16:06 | |
We put the covers on the floor. | 0:16:06 | 0:16:07 | |
The guys surround the covers. | 0:16:07 | 0:16:09 | |
Everybody takes out their penises | 0:16:09 | 0:16:10 | |
and they start leaking on the jacket. | 0:16:10 | 0:16:12 | |
Then, if you're lucky, the guy vomits. | 0:16:12 | 0:16:14 | |
The you take the jacket... | 0:16:14 | 0:16:16 | |
put it on. Wah! | 0:16:16 | 0:16:17 | |
That's an outlaw. | 0:16:17 | 0:16:19 | |
Not even flies would want to hang around you! | 0:16:20 | 0:16:22 | |
Patches are a family's coat of arms. | 0:16:33 | 0:16:35 | |
Your colours is your shield. | 0:16:35 | 0:16:37 | |
Most of the gangs of yesteryear wasn't nervous to say who they was. | 0:16:37 | 0:16:43 | |
So if you was a Skull, a Spade, a Reaper | 0:16:43 | 0:16:45 | |
or a Turban, you would wear with honour on your back, who you was. | 0:16:45 | 0:16:50 | |
Supreme Enchanters, you see that? Javelin. | 0:16:50 | 0:16:52 | |
Did you see? Get a good look at you. | 0:16:52 | 0:16:54 | |
Gang culture street law says, "This is our turf. | 0:16:57 | 0:16:59 | |
"If you want to walk through our turf, this is like our nation. | 0:16:59 | 0:17:03 | |
"In order to pass through our nation, | 0:17:03 | 0:17:05 | |
"you have to show respect and not fly your colours because this is our turf." | 0:17:05 | 0:17:10 | |
You walked into another turf and you didn't have their permission, | 0:17:10 | 0:17:13 | |
you might lose your colours or you might lose your life. | 0:17:13 | 0:17:16 | |
I mean, you would walk certain places. | 0:17:16 | 0:17:17 | |
They see you in a cut-off dungaree jacket, | 0:17:17 | 0:17:20 | |
they would take it from you, stomp you out, and stuff like that. | 0:17:20 | 0:17:23 | |
I mean, if you had MC boots on, you weren't in the club, | 0:17:23 | 0:17:26 | |
you were walking on barefoot. If you could walk. | 0:17:26 | 0:17:28 | |
They just beat you up. Take your clothes. | 0:17:32 | 0:17:34 | |
Hang them up on a wall. | 0:17:34 | 0:17:35 | |
That's how they used to do it. | 0:17:35 | 0:17:37 | |
Our conquered enemy. Those are our conquered enemies right there. | 0:17:37 | 0:17:40 | |
Bachelors, Enchanters Bronx, Royal Javelins and Latin Eagles. | 0:17:40 | 0:17:45 | |
Girls have major roles. | 0:17:52 | 0:17:53 | |
Because back then, there were no policewomen. | 0:17:53 | 0:17:56 | |
So we carried the guns, which was a big issue. | 0:17:56 | 0:18:00 | |
Because, if the cops stopped to you, they'd tell the women, | 0:18:00 | 0:18:03 | |
"Keep it moving," and they'd search the guys. | 0:18:03 | 0:18:05 | |
The guys are beautiful. | 0:18:05 | 0:18:06 | |
We all get along. | 0:18:08 | 0:18:09 | |
We call each other... | 0:18:10 | 0:18:11 | |
IN SPANISH | 0:18:11 | 0:18:13 | |
-That means respect. -We're brothers and sisters. | 0:18:13 | 0:18:15 | |
We have respect for each other. | 0:18:15 | 0:18:18 | |
We bore their babies. | 0:18:18 | 0:18:19 | |
We fought alongside them. | 0:18:19 | 0:18:20 | |
Not behind them, or in front of them, | 0:18:20 | 0:18:22 | |
although many of us did fight in front of them. | 0:18:22 | 0:18:24 | |
But we were hand in hand. | 0:18:24 | 0:18:26 | |
Back then, to join a gang you did have to go through initiations. | 0:18:31 | 0:18:35 | |
For every gang, the standard initiation is the Apache line. | 0:18:35 | 0:18:38 | |
The Apache line is something we used | 0:18:38 | 0:18:40 | |
to test your metal and fighting skills and your heart. | 0:18:40 | 0:18:43 | |
People would set up on each side, | 0:18:43 | 0:18:44 | |
and somebody would beat you with their fists. | 0:18:44 | 0:18:47 | |
Some gangs might even hit you with bats or sticks. | 0:18:47 | 0:18:50 | |
It was almost like going through rites of passage. | 0:18:50 | 0:18:53 | |
Other guys was jumping a cop. | 0:19:01 | 0:19:04 | |
We used to have to fight. | 0:19:04 | 0:19:05 | |
It wasn't a choice. We had to fight. | 0:19:05 | 0:19:07 | |
I was... We didn't do the Apache line. | 0:19:07 | 0:19:09 | |
We had a 45. As long as that record was playing, | 0:19:09 | 0:19:12 | |
you had to fight three guys at the same time. | 0:19:12 | 0:19:14 | |
So, we put on a record. You're going to have to... | 0:19:14 | 0:19:17 | |
"All right, the song is finished." | 0:19:17 | 0:19:19 | |
One day, I looked at my brother, Victor, and said, | 0:19:23 | 0:19:25 | |
"Vic, I'm going to the store. Take care of this, I'll be right back." | 0:19:25 | 0:19:28 | |
I go to the store. Come back. | 0:19:28 | 0:19:29 | |
He had an album. I said, "What the hell are you doing with an album?" | 0:19:29 | 0:19:32 | |
"I just want to see the guy beaten up." | 0:19:32 | 0:19:33 | |
It's supposed to be a 45 - he had an album on. | 0:19:33 | 0:19:35 | |
The poor guy got his jaw broken. | 0:19:35 | 0:19:36 | |
The Skulls were the ultimate because their Apache line | 0:19:36 | 0:19:42 | |
was a .32 - one shell. | 0:19:42 | 0:19:44 | |
Er, spin and pull the trigger. | 0:19:44 | 0:19:47 | |
From the Saigons of Harlem, to the Jolly Stompers of Brooklyn, | 0:19:56 | 0:20:00 | |
outlaw gangs followed a system of law and organisation | 0:20:00 | 0:20:03 | |
that was common, despite their glaring differences. | 0:20:03 | 0:20:06 | |
The ranks in most gangs, there were only three levels. | 0:20:06 | 0:20:09 | |
There was the president, the vice president, and the warlord. | 0:20:09 | 0:20:13 | |
Your president, he had to have the charisma. | 0:20:13 | 0:20:16 | |
And everybody would want to follow him. | 0:20:16 | 0:20:19 | |
There has to be someone you respect and someone you admire to give you a | 0:20:19 | 0:20:22 | |
different perspective. | 0:20:22 | 0:20:24 | |
That person has to have not only the power of love, | 0:20:24 | 0:20:27 | |
but the ability to beat you down. | 0:20:27 | 0:20:30 | |
The vice president came in, in case the president was ever killed. | 0:20:30 | 0:20:35 | |
And then you have the warlord. | 0:20:35 | 0:20:36 | |
The warlord was the person that either declared or stopped a war. | 0:20:36 | 0:20:40 | |
The warlord was the one who would go and negotiate. | 0:20:40 | 0:20:42 | |
To see if we're going to go to war with just the hands, the bats, | 0:20:42 | 0:20:45 | |
the chains, the knives or the guns. | 0:20:45 | 0:20:48 | |
Some gangs had Gestapo. | 0:20:48 | 0:20:49 | |
Those were the guys that were in charge of inflicting punishment on their members. | 0:20:50 | 0:20:56 | |
They were like the police. | 0:20:56 | 0:20:58 | |
You policed your own gang. | 0:20:58 | 0:21:00 | |
The Gestapo were like the real hard-core gang guys, | 0:21:03 | 0:21:06 | |
like they followed street law to the T. | 0:21:06 | 0:21:09 | |
I represent Gestapo and the Savage Nomads. | 0:21:09 | 0:21:13 | |
Which is a different squad. | 0:21:13 | 0:21:15 | |
I give one of my members which screws up and doesn't know how to behave on the street, | 0:21:15 | 0:21:19 | |
or talk to anybody like a human being, | 0:21:19 | 0:21:22 | |
the way he's supposed to. | 0:21:22 | 0:21:23 | |
Well, he comes to my little cell here. | 0:21:23 | 0:21:25 | |
In those days, the meanest borough was the Bronx. | 0:21:29 | 0:21:32 | |
You came from the Bronx, you was bad. | 0:21:32 | 0:21:34 | |
It all started up in the Bronx. | 0:21:34 | 0:21:37 | |
In the Bronx, it was a deep-rooted gang culture. | 0:21:37 | 0:21:41 | |
OK, they lived it. | 0:21:41 | 0:21:43 | |
There was 101 gangs in the Bronx. | 0:21:50 | 0:21:52 | |
So, take your pick. | 0:21:52 | 0:21:54 | |
Black Assassins, Peacemakers... | 0:21:54 | 0:21:57 | |
Roman Kings. Young kids. | 0:21:57 | 0:21:59 | |
Deadly. | 0:21:59 | 0:22:00 | |
Nice till you see them - they're little kids. | 0:22:00 | 0:22:02 | |
You look at them wrong and they'll shoot you. | 0:22:02 | 0:22:04 | |
The Turbans. The Javelins. | 0:22:04 | 0:22:06 | |
Reapers. | 0:22:06 | 0:22:07 | |
Seven Immortals. | 0:22:07 | 0:22:10 | |
Turbans. | 0:22:10 | 0:22:11 | |
Turbans. Ex-veterans from Vietnam. | 0:22:12 | 0:22:14 | |
These guys didn't have guns, they had rifles. | 0:22:14 | 0:22:18 | |
The Bachelors, they were big. | 0:22:18 | 0:22:19 | |
One of the biggest gangs in the Bronx, the Black Spades. | 0:22:21 | 0:22:23 | |
The Black Spades had a division | 0:22:23 | 0:22:25 | |
in every...everywhere they had a police department. | 0:22:25 | 0:22:27 | |
Black Spades, you could count them. | 0:22:27 | 0:22:29 | |
Cos when they came in, | 0:22:29 | 0:22:31 | |
they blackened like the whole street. | 0:22:31 | 0:22:33 | |
We had nothing but respect for them because they earned their respect. | 0:22:33 | 0:22:37 | |
The Savage Nomads. | 0:22:37 | 0:22:39 | |
These guys, once they put those colours on, | 0:22:39 | 0:22:42 | |
remember Dr Jekyll and Mr Hyde, that's what they did - | 0:22:42 | 0:22:44 | |
these guys turned mean. | 0:22:44 | 0:22:45 | |
Good evening. I'm David Susskind. | 0:22:48 | 0:22:50 | |
The first part of the show tonight | 0:22:50 | 0:22:51 | |
are the emergence of the street gangs once again. | 0:22:51 | 0:22:54 | |
My guests are leaders and spokesmen for these gangs. | 0:22:54 | 0:22:57 | |
I want you to meet them now. | 0:22:57 | 0:22:58 | |
First, Benjy Melendez is a spokesman for the Ghetto Brothers. | 0:22:58 | 0:23:03 | |
Former Marine Charlie Suarez is president of the Ghetto Brothers. | 0:23:03 | 0:23:07 | |
With the Black Panthers and the Young Lords, | 0:23:13 | 0:23:16 | |
the further you get in the '70s, | 0:23:16 | 0:23:17 | |
the less influence they had on the younger generation - | 0:23:17 | 0:23:21 | |
even the older generation. | 0:23:21 | 0:23:25 | |
The Ghetto Brothers is kind of like filling that void. | 0:23:25 | 0:23:29 | |
But they still had their street cred. | 0:23:29 | 0:23:32 | |
We are being oppressed by the North American Yankee. | 0:23:32 | 0:23:35 | |
We, the Puerto Ricans, shall rise up and defend ourselves against these | 0:23:35 | 0:23:37 | |
dogs, who oppress us, | 0:23:37 | 0:23:39 | |
and liberate our country from capitalism and imperialism. | 0:23:39 | 0:23:42 | |
The North American is trying to steal our identity as Puerto Ricans | 0:23:42 | 0:23:45 | |
and call us Americans. | 0:23:45 | 0:23:46 | |
We Puerto Ricans are Puerto Ricans | 0:23:46 | 0:23:48 | |
to the day we are born until the day we die. | 0:23:48 | 0:23:50 | |
THEY CHEER | 0:23:50 | 0:23:52 | |
When the Black Panthers came onto the scene, | 0:23:54 | 0:23:55 | |
the Young Lords came onto the scene. | 0:23:55 | 0:23:57 | |
These groups went around talking to the gangs. | 0:23:57 | 0:23:59 | |
Stop the violence. | 0:23:59 | 0:24:01 | |
Let's direct all our energy this way. | 0:24:01 | 0:24:04 | |
A lot of the gangs didn't want to hear that. | 0:24:04 | 0:24:06 | |
The Ghetto Brothers took heed to that. | 0:24:06 | 0:24:07 | |
What we wanted them to do was understand there was another vision of America, | 0:24:07 | 0:24:11 | |
that they were killing themselves. | 0:24:11 | 0:24:12 | |
That's what our intent was. | 0:24:12 | 0:24:14 | |
And that the neighbourhoods that they were in | 0:24:14 | 0:24:18 | |
were THEIR neighbourhoods. | 0:24:18 | 0:24:19 | |
We wanted them to feel ownership over those blocks. | 0:24:19 | 0:24:22 | |
Because there's a lot of clubs that help just their own friends. | 0:24:22 | 0:24:25 | |
They forget about other people, who lived around these, you know? | 0:24:25 | 0:24:27 | |
We don't think like that. We like to help everybody. | 0:24:27 | 0:24:29 | |
# We are going to take you higher | 0:24:29 | 0:24:31 | |
# The Ghetto Brothers power. # | 0:24:31 | 0:24:34 | |
All right! | 0:24:34 | 0:24:37 | |
I love the Ghetto Brothers. | 0:24:37 | 0:24:38 | |
You know, we honoured them because... | 0:24:38 | 0:24:40 | |
..to me it seemed like they had enough courage to do | 0:24:42 | 0:24:44 | |
something we all really wanted to do but didn't have the courage to do it | 0:24:44 | 0:24:47 | |
because you were known for your brutality in those days. | 0:24:47 | 0:24:50 | |
You weren't known for being a nice guy. | 0:24:50 | 0:24:52 | |
The Ghetto Brothers was definitely politically minded. | 0:24:52 | 0:24:55 | |
But they also, you know, didn't take no shit either. | 0:24:55 | 0:24:57 | |
It wasn't that they couldn't fight. | 0:24:57 | 0:24:59 | |
That was the South Bronx. There's no "not fighting". | 0:24:59 | 0:25:01 | |
Even though you're a nice guy, everybody had to fight. | 0:25:01 | 0:25:03 | |
You know, if you saw them coming down a block, you know, | 0:25:03 | 0:25:06 | |
the Ghetto Brothers, they're cool. | 0:25:06 | 0:25:08 | |
They've got a lot of kids off the street. | 0:25:08 | 0:25:10 | |
A lot of kids, man, like going back into school. | 0:25:10 | 0:25:13 | |
For what I understand, | 0:25:13 | 0:25:14 | |
they did start helping the neighbourhoods a lot. | 0:25:14 | 0:25:16 | |
So far, since I've been with the Ghetto Brothers, | 0:25:16 | 0:25:18 | |
they have gave me back my self-respect. | 0:25:18 | 0:25:21 | |
Because I am an ex-junkie. | 0:25:21 | 0:25:23 | |
They was with me almost like 24 hours a day. | 0:25:23 | 0:25:25 | |
I'd kick coals. | 0:25:25 | 0:25:27 | |
More than eight or nine Ghetto Brothers in the | 0:25:27 | 0:25:29 | |
organisation we've got now are ex-junkies. | 0:25:29 | 0:25:31 | |
If you go now to Ghetto Brothers headquarters, | 0:25:31 | 0:25:34 | |
you don't see no junkies in that block no more. | 0:25:34 | 0:25:36 | |
The Ghetto Brothers started to grow and grow and grow and grow. | 0:25:36 | 0:25:40 | |
2,500 in the Bronx alone! | 0:25:40 | 0:25:42 | |
Then the Ghetto Brothers started to expand to Manhattan, Brooklyn, Queens. | 0:25:44 | 0:25:48 | |
They knew how to articulate and use the media to actually let, | 0:25:48 | 0:25:53 | |
not just New York City, but the United States, | 0:25:53 | 0:25:58 | |
know that, "Look, this is happening here in New York City, right." | 0:25:58 | 0:26:02 | |
I guess it's what the teenagers are going to make of it. | 0:26:02 | 0:26:04 | |
If we shoot dope, they're going to be shooting dope when they get older. | 0:26:04 | 0:26:09 | |
And if they see like my club is doing that. | 0:26:09 | 0:26:11 | |
We get ourselves together, if we do something for the community, | 0:26:11 | 0:26:13 | |
then they're going to think that's what's hip. | 0:26:13 | 0:26:15 | |
I started to think. | 0:26:15 | 0:26:17 | |
I said, "It will be good to channel all this energy into doing something | 0:26:17 | 0:26:22 | |
"for our community." | 0:26:22 | 0:26:23 | |
Let's have a good time. | 0:26:23 | 0:26:24 | |
Let's get together. Let's sweep the community. | 0:26:24 | 0:26:26 | |
Let's give out free food. | 0:26:26 | 0:26:28 | |
Let's give out clothes to this community because, at those times, | 0:26:28 | 0:26:31 | |
things were really bad. | 0:26:31 | 0:26:32 | |
I want people to say, "The Ghetto Brothers has done something." | 0:26:32 | 0:26:34 | |
I want my child to say when he grows up, "Well, my father has done something for society." | 0:26:34 | 0:26:38 | |
See? And I want things to change because I don't want to be living in the South Bronx | 0:26:38 | 0:26:41 | |
where everything is messed up. | 0:26:41 | 0:26:43 | |
Three names had always popped up. | 0:26:48 | 0:26:50 | |
Benjy, Karate Charlie, and Black Benji. | 0:26:50 | 0:26:54 | |
You know, like, I'm an ex-drug addict. | 0:26:54 | 0:26:56 | |
I'm not going to lie about it. | 0:26:56 | 0:26:57 | |
When I came to them, I was still using drugs. | 0:26:57 | 0:26:59 | |
Due respect to them, and I went to kick it. | 0:26:59 | 0:27:03 | |
I've been straight since and I love Ghetto Brothers. | 0:27:03 | 0:27:06 | |
There's a purpose here. | 0:27:06 | 0:27:07 | |
It's something that's beneficial to the neighbourhood, | 0:27:07 | 0:27:09 | |
the establishment, and everybody else. | 0:27:09 | 0:27:12 | |
Black Benji, Benji McConnell was introduced to me by Charlie. | 0:27:12 | 0:27:15 | |
He said, Benji, he wants to check out the Ghetto Brothers. | 0:27:15 | 0:27:18 | |
Sure. I said, "So, what do you do?" | 0:27:18 | 0:27:20 | |
He said, "I work as a drug counsellor." | 0:27:20 | 0:27:21 | |
Good. That's very good. | 0:27:21 | 0:27:23 | |
So, when the kids were on the programme in the Ghetto Brothers club, I'm looking at him. | 0:27:23 | 0:27:27 | |
He sits down on a chair and talks to the kids. | 0:27:27 | 0:27:29 | |
I saw them, they were on the floor. | 0:27:29 | 0:27:31 | |
Telling them stories. | 0:27:31 | 0:27:32 | |
And I looked. I said, "That's wonderful." | 0:27:32 | 0:27:35 | |
And then he talked to the older people in our community. | 0:27:35 | 0:27:37 | |
He said, "Man, there's something about this guy. I like that." | 0:27:37 | 0:27:40 | |
"Charlie, come here. I think we should just drop the warlords and put a peacemaker. | 0:27:40 | 0:27:45 | |
"That's the man. Let's make him into a peace ambassador." | 0:27:45 | 0:27:47 | |
He became the first at Ghetto Brothers and I said, "You're going to be the ambassador for peace." | 0:27:47 | 0:27:51 | |
What I knew about the Ghetto Brothers, the first thing, | 0:27:55 | 0:27:58 | |
I heard a lot about Karate Charlie. | 0:27:58 | 0:28:00 | |
Everybody kept hearing about this guy, Karate Charlie. | 0:28:00 | 0:28:02 | |
Right. Guys in gangs, you had to have a karate something. | 0:28:02 | 0:28:07 | |
Like, in this one gang you had a Karate Kenny. | 0:28:07 | 0:28:10 | |
I remember him. Then you had a Karate Joe Knowles. | 0:28:10 | 0:28:13 | |
Then we had a guy named Karate Mo. | 0:28:13 | 0:28:16 | |
But it was all because of everybody heard about this guy | 0:28:16 | 0:28:18 | |
named Karate Charlie. | 0:28:18 | 0:28:20 | |
Charlie was a warrior. | 0:28:20 | 0:28:21 | |
He lived like the Japanese Bushido. | 0:28:21 | 0:28:25 | |
You cross me, you cross my honour, hee-yya - you're going down. | 0:28:25 | 0:28:29 | |
Remember, I just came out of the Marine Corps. | 0:28:29 | 0:28:33 | |
So, what I wanted was a little Marine Corps. | 0:28:33 | 0:28:36 | |
Because he brought the military discipline to the Ghetto Brothers. | 0:28:36 | 0:28:39 | |
The Ghetto Brothers were not known for guns. | 0:28:39 | 0:28:41 | |
We were known for the hands. | 0:28:41 | 0:28:43 | |
So Ghettos Brothers were very good with the hands and legs. | 0:28:43 | 0:28:45 | |
So, Charlie was the instructor. | 0:28:45 | 0:28:46 | |
They called me Karate Charlie. | 0:28:46 | 0:28:49 | |
And they called the founder, Benjy Melendez, the preacher. | 0:28:49 | 0:28:55 | |
Charlie and I were brothers. | 0:28:55 | 0:28:56 | |
I mean, we were very close. | 0:28:56 | 0:28:58 | |
But we were two worlds. | 0:28:58 | 0:28:59 | |
Benjy was a yin, while I was a yang. | 0:28:59 | 0:29:04 | |
Black and white, soft and hard. | 0:29:04 | 0:29:07 | |
Rain and shine. | 0:29:07 | 0:29:09 | |
We were the opposites. | 0:29:09 | 0:29:10 | |
The yin and yang, that's true - that's me and Charlie. | 0:29:10 | 0:29:13 | |
Charlie was the "grr", and I would say, "No, Charlie." | 0:29:13 | 0:29:16 | |
"Come on, Benjy." "No, Charlie. Come on." | 0:29:18 | 0:29:20 | |
Sometimes it was the other way around, too. | 0:29:20 | 0:29:22 | |
Charlie had to calm Benjy down. | 0:29:22 | 0:29:24 | |
They kept each other, you know, at bay. | 0:29:24 | 0:29:27 | |
Yellow Benjy, he was more of a peacemaker. | 0:29:27 | 0:29:30 | |
He was also trying to let people know, | 0:29:30 | 0:29:33 | |
"Look, let's stop fighting amongst ourselves | 0:29:33 | 0:29:36 | |
"because we're only hurting each other. Let's fight the man. | 0:29:36 | 0:29:39 | |
"Let's hurt him." | 0:29:39 | 0:29:40 | |
The enemy around the Bronx now at this very moment, is the policeman. | 0:29:40 | 0:29:43 | |
Yes, this is a warrior thing. | 0:29:43 | 0:29:45 | |
Yes, it is and we're here to defend our brothers and sisters against | 0:29:45 | 0:29:48 | |
people like them. If you're going to communicate, communicate, man. | 0:29:48 | 0:29:51 | |
-And if you're going to strike at us, we are going to strike back. -OK. | 0:29:51 | 0:29:54 | |
CHEERING AND APPLAUSE | 0:29:54 | 0:29:55 | |
# Let's get together | 0:29:57 | 0:29:59 | |
# And make things better | 0:30:00 | 0:30:03 | |
# To understand | 0:30:05 | 0:30:06 | |
# What it's all about... # | 0:30:08 | 0:30:09 | |
Beyond running the gang, | 0:30:18 | 0:30:20 | |
Yellow Benjy was also the leader of the Ghetto Brothers band, | 0:30:20 | 0:30:23 | |
a unique and well-loved rock and Latin funk outfit. | 0:30:23 | 0:30:27 | |
The band and the gang were two separate entities. | 0:30:27 | 0:30:31 | |
The talent was definitely there. | 0:30:31 | 0:30:33 | |
It was definitely a Latin flavour, | 0:30:33 | 0:30:36 | |
it also showed what clubs could do if they took a different direction. | 0:30:36 | 0:30:41 | |
-# Higher -Higher | 0:30:41 | 0:30:42 | |
-# Higher -Higher | 0:30:42 | 0:30:44 | |
-# Higher -Higher | 0:30:44 | 0:30:46 | |
# Higher... # | 0:30:46 | 0:30:48 | |
I'd tell my brothers, listen, I noticed that when you talk to people | 0:30:48 | 0:30:50 | |
some people listen and some people don't. | 0:30:50 | 0:30:53 | |
But the idea of music, my brothers and I, | 0:30:53 | 0:30:55 | |
music caters to all types of people. | 0:30:55 | 0:30:57 | |
So if you want to get the message why don't we put it into words, | 0:30:57 | 0:30:59 | |
put it into song, watch them listen. | 0:30:59 | 0:31:01 | |
Then when we play the music, | 0:31:01 | 0:31:02 | |
what we always wanted to say to them and you put it behind the guitars and say, "Yo, man. That's me, man. | 0:31:02 | 0:31:07 | |
"I live that type of life. | 0:31:07 | 0:31:08 | |
"Well, we made that song for you, my brother." | 0:31:08 | 0:31:10 | |
I remember a lot of bongos. | 0:31:10 | 0:31:13 | |
I always remember, you know, bongo music. | 0:31:13 | 0:31:15 | |
If they were jamming up the street, | 0:31:15 | 0:31:17 | |
up the hill, you could hear the music. | 0:31:17 | 0:31:19 | |
When we played music, why don't we play a little rock here, | 0:31:19 | 0:31:22 | |
a little Latin here, a little soul over here. | 0:31:22 | 0:31:26 | |
So you heard The Beatles, Sly And The Family Stone, Santana - all of that. | 0:31:26 | 0:31:30 | |
So everybody, the gangs knew that we had music and a message. | 0:31:30 | 0:31:34 | |
In 1971, despite all efforts by social workers and specialised police units, | 0:31:54 | 0:31:59 | |
gang violence has escalated to a fever pitch, | 0:31:59 | 0:32:03 | |
plunging the streets into a state of continual war, | 0:32:03 | 0:32:06 | |
unlike anything the city had ever experienced before. | 0:32:06 | 0:32:09 | |
The drugs was a big factor in gangs going haywire, lust for power, | 0:32:09 | 0:32:13 | |
lust for turf. | 0:32:13 | 0:32:14 | |
The garbage can is here, if you go past that garbage can, | 0:32:14 | 0:32:17 | |
although it's the same block in the same neighbourhood, it could be a war. | 0:32:17 | 0:32:22 | |
The Devil's Rebels is a fighting gang. | 0:32:22 | 0:32:24 | |
And on this night they found the first victims outside a corner grocery store. | 0:32:24 | 0:32:29 | |
What looks like child's play is not. | 0:32:29 | 0:32:31 | |
In the middle of all this a young man was stabbed. | 0:32:31 | 0:32:34 | |
There were big gang wars between the Savage Skulls, the Black Spades. | 0:32:38 | 0:32:42 | |
Between the Savage Skulls and the Bachelors. | 0:32:42 | 0:32:44 | |
You know, back then nobody had cellphones but it was like drums, | 0:32:44 | 0:32:47 | |
you'd hear it. You'd hear it all over the place. | 0:32:47 | 0:32:50 | |
You know, one way or another you'd hear who has beef with who. | 0:32:50 | 0:32:52 | |
The violence was everywhere. | 0:32:52 | 0:32:54 | |
You could see the fights across the street, | 0:32:54 | 0:32:56 | |
you could hear the shouting at night-time. | 0:32:56 | 0:32:58 | |
What made life interesting in the South Bronx in those days for these young guys was fighting... | 0:32:58 | 0:33:02 | |
was killing. "Yo, man, I killed a dude today." | 0:33:02 | 0:33:05 | |
"What did you do?" | 0:33:05 | 0:33:06 | |
"I stabbed him in the throat. What did you do, man?" | 0:33:06 | 0:33:08 | |
"Yo, I shot that dude. I burned this guy." You'd hear this. | 0:33:08 | 0:33:12 | |
And this is every day. | 0:33:12 | 0:33:13 | |
It was a lawless time. | 0:33:13 | 0:33:14 | |
Listen, if somebody got killed on your place their body stayed there, | 0:33:14 | 0:33:17 | |
you know, an ambulance wouldn't dare come and pick that body up. | 0:33:17 | 0:33:20 | |
The police came in riot gear to take that body out there and they didn't do an investigation, | 0:33:20 | 0:33:23 | |
they took that body out there as quick as possible cos they didn't want to get it. | 0:33:23 | 0:33:27 | |
There's no ambulance coming. There are no ambulances, all right? | 0:33:27 | 0:33:30 | |
How long, man? How long it going to be? | 0:33:30 | 0:33:31 | |
In the '70s you had firepower. | 0:33:31 | 0:33:34 | |
You had some gangs with arsenals. | 0:33:34 | 0:33:37 | |
I've seen 357s, I've seen 12-gauge shotguns, | 0:33:37 | 0:33:41 | |
I've seen dynamite on the street. | 0:33:41 | 0:33:43 | |
I've seen all of this. | 0:33:43 | 0:33:45 | |
You'd be surprised, man. | 0:33:45 | 0:33:46 | |
Pretty soon they're going to steal the damn atom bomb. | 0:33:46 | 0:33:48 | |
As the bloodshed continued, the Ghetto Brothers worked fervently | 0:33:55 | 0:33:58 | |
to mediate peace amongst the ever-growing web of turf battles. | 0:33:58 | 0:34:01 | |
A lot of change was happening in the Bronx at the same time | 0:34:01 | 0:34:04 | |
but we felt the whole world was going through these changes. | 0:34:04 | 0:34:07 | |
I said, "This is getting out of hand." | 0:34:07 | 0:34:10 | |
We were pretty much hurting and fighting each other instead of going | 0:34:10 | 0:34:15 | |
against the real enemy. | 0:34:15 | 0:34:17 | |
Benjy, he tried, man. | 0:34:17 | 0:34:19 | |
He tried to let us know that. | 0:34:19 | 0:34:21 | |
They were like the club that would be the mediators, you know, | 0:34:21 | 0:34:25 | |
stopped a lot of us from going out there and going ballistic on a whole | 0:34:25 | 0:34:28 | |
lot of wars, you know? | 0:34:28 | 0:34:29 | |
I would sit down and reason with a lot of these brothers. | 0:34:29 | 0:34:32 | |
"Come here, guys. Savage, come here. | 0:34:32 | 0:34:34 | |
"Savage Nomads, come here. Black Spades, come over here." | 0:34:34 | 0:34:36 | |
That's the way we used to talk. | 0:34:36 | 0:34:39 | |
"It doesn't make any sense with this turf out there, guys." | 0:34:39 | 0:34:42 | |
It is against the government. | 0:34:42 | 0:34:43 | |
It's not me against you. | 0:34:43 | 0:34:46 | |
You are not hurting me, you're not the one that's keeping me down. | 0:34:46 | 0:34:50 | |
I don't have to fight you, you're not the problem. | 0:34:51 | 0:34:55 | |
"Yo, brothers, come on, man. | 0:34:55 | 0:34:56 | |
"No, but you don't understand, man. | 0:34:56 | 0:34:58 | |
"He came into my turf with his colours, man. | 0:34:58 | 0:35:00 | |
"And he was trying to tell me how..." | 0:35:00 | 0:35:02 | |
"Because colours? | 0:35:02 | 0:35:03 | |
"Come on, guys. Think what I'm just saying. | 0:35:04 | 0:35:06 | |
"Colours is going to make you go insane?" | 0:35:06 | 0:35:08 | |
On December 8th, a series of events transpired that rocked | 0:35:12 | 0:35:15 | |
the Ghetto Brothers and the rest of the Bronx. | 0:35:15 | 0:35:18 | |
As a result, the outcome would come to change gang life in New York City for ever. | 0:35:18 | 0:35:22 | |
They came to the storefront and said there was going to be a | 0:35:22 | 0:35:26 | |
fight at the bottom of the stairs. | 0:35:26 | 0:35:30 | |
Benji, three guys are coming from Southern Boulevard. | 0:35:30 | 0:35:32 | |
Bongos, Black Spades and Seven Immortals. | 0:35:32 | 0:35:37 | |
They want to get the Roman Kings. | 0:35:37 | 0:35:39 | |
Benji said let... | 0:35:39 | 0:35:40 | |
..Black Ben go, Cornell go. | 0:35:41 | 0:35:44 | |
Benji, you got your job cut out for you. | 0:35:44 | 0:35:46 | |
You going to get me the president, vice president and the warlords of those three gangs, | 0:35:46 | 0:35:49 | |
bring them here so we can broker a peace. Bring them here. | 0:35:49 | 0:35:52 | |
Take some Ghetto Brothers with you. | 0:35:52 | 0:35:53 | |
So he left, he went with Playboy and a few of the younger Ghetto Boys. | 0:35:53 | 0:35:59 | |
We came down the stairs, right. | 0:35:59 | 0:36:02 | |
And we stopped there and there was about 13, you know, 13 to 20 of us. | 0:36:02 | 0:36:06 | |
And then when we looked down we seen them and you couldn't even see the | 0:36:06 | 0:36:09 | |
end of the corner, that's how many there were. | 0:36:09 | 0:36:12 | |
And then when we got to the bottom of the stairs | 0:36:12 | 0:36:14 | |
when they could have seen us, there was only about nine of us, | 0:36:14 | 0:36:17 | |
that's when Benji came out and Benji said, | 0:36:17 | 0:36:20 | |
he took a step forward and he said, "Listen, brother, | 0:36:20 | 0:36:23 | |
"we're here to talk peace." | 0:36:23 | 0:36:25 | |
And the guy who came out, he said, "Peace shit." | 0:36:25 | 0:36:29 | |
That's when the guy pulled out the machete | 0:36:29 | 0:36:31 | |
and that's when they had us all surrounded. | 0:36:31 | 0:36:33 | |
Benji said, "Too, brothers, too." | 0:36:33 | 0:36:34 | |
Because there was too many. | 0:36:34 | 0:36:36 | |
So I heard the noise, you know, pow, like a slap. | 0:36:36 | 0:36:40 | |
And Benji had got hit in the stomach and he tripped. | 0:36:40 | 0:36:42 | |
At that time was a time when they were killing, killing, killing. | 0:36:42 | 0:36:48 | |
And Cornell wasn't recognised. | 0:36:48 | 0:36:51 | |
They recognised violence, | 0:36:51 | 0:36:53 | |
they recognised somebody that'll throw a punch. | 0:36:53 | 0:36:55 | |
It was a moment in time that could have been avoided. | 0:37:07 | 0:37:11 | |
If I could just turn back the hands of time, | 0:37:11 | 0:37:14 | |
this would never have happened. | 0:37:14 | 0:37:16 | |
And I looked at my brothers today, my brothers, my real brothers, | 0:37:16 | 0:37:19 | |
and said, "Think about it. | 0:37:19 | 0:37:21 | |
"It was that fateful day that I sent HIM to bring peace." | 0:37:21 | 0:37:25 | |
And my brother looked at me and said, "But, Benji, you didn't know what was going to..." | 0:37:25 | 0:37:29 | |
"No, you're right. I didn't know what was going to happen, I didn't know the fate, | 0:37:29 | 0:37:32 | |
"but it was MY decision to send HIM." | 0:37:32 | 0:37:35 | |
That was one of the worst days in South Bronx history, | 0:37:39 | 0:37:42 | |
when he got murdered. | 0:37:42 | 0:37:43 | |
The word on the street was that he was trying to make peace | 0:37:43 | 0:37:46 | |
and he was murdered trying to make peace | 0:37:46 | 0:37:48 | |
and basically after that the South Bronx, Fort Apache was out of control. | 0:37:48 | 0:37:53 | |
When this tragedy happened they went to war | 0:37:53 | 0:37:55 | |
and even got many of the gangs to move against the Seven Immortals and the Black Spades. | 0:37:55 | 0:38:00 | |
Every gang in my neighbourhood, at least, | 0:38:00 | 0:38:04 | |
were so mad that they killed this guy | 0:38:04 | 0:38:05 | |
that they were running through the streets, | 0:38:05 | 0:38:07 | |
they were burning everything, they were... | 0:38:07 | 0:38:09 | |
I mean, pandemonium hit. | 0:38:09 | 0:38:11 | |
Black Spades wasn't going to back down if they was going to fully get attacked. | 0:38:11 | 0:38:15 | |
That was the time when the Spade leaders said, | 0:38:15 | 0:38:17 | |
"To hell with it, get ready for war." | 0:38:17 | 0:38:19 | |
How rumours spread, how news spread, | 0:38:19 | 0:38:22 | |
there was not a gang in the whole of New York that was not aware what was happening. | 0:38:22 | 0:38:27 | |
I put out a bulletin and I started calling Ghetto Brothers, | 0:38:27 | 0:38:31 | |
all the Ghetto Brothers. | 0:38:31 | 0:38:33 | |
Charlie wanted to get the Ghetto Brothers to mobilise | 0:38:33 | 0:38:36 | |
for the biggest bloodbath in the history of New York. | 0:38:36 | 0:38:38 | |
We lost a member that they viciously murdered him out there on the streets. | 0:38:38 | 0:38:41 | |
Now it's an eye for an eye. | 0:38:41 | 0:38:43 | |
Cos another Ghetto Brothers loses a life, six of whoever, | 0:38:43 | 0:38:46 | |
whether they his kids, his mother, his father who... | 0:38:46 | 0:38:49 | |
Who was it that took the lives of two of yours? | 0:38:49 | 0:38:51 | |
Some dude out there. | 0:38:52 | 0:38:53 | |
At the time, I was... I was blind. | 0:38:53 | 0:38:56 | |
And I said, "No, I'm going to make everyone pay." | 0:38:56 | 0:38:58 | |
That's what I said. "I'm going to just start killing." | 0:38:58 | 0:39:02 | |
You know? Watch, the sword is sharp. | 0:39:02 | 0:39:05 | |
Look, razor sharp. | 0:39:05 | 0:39:07 | |
And Benji kept saying, "But, Charlie, that's not the way." | 0:39:07 | 0:39:10 | |
I said, "I don't care. | 0:39:10 | 0:39:12 | |
"At the moment, I don't care." | 0:39:12 | 0:39:14 | |
My business at the point was to quell down the anger | 0:39:18 | 0:39:22 | |
that was coming up. | 0:39:22 | 0:39:24 | |
He said, "Let's go see Gwendolyn." | 0:39:24 | 0:39:26 | |
That's Cornell's mother. | 0:39:26 | 0:39:28 | |
"Let's go see her, show respect." | 0:39:28 | 0:39:31 | |
I said, "When I walk in there and tell her I've called New Jersey, | 0:39:31 | 0:39:36 | |
"I've called Connecticut, I've called all the boroughs, | 0:39:36 | 0:39:39 | |
"I've called everybody, I've got an army outside." | 0:39:39 | 0:39:43 | |
I walked in a motherfucking cock ready to fight. | 0:39:43 | 0:39:48 | |
Spurs gleaming. | 0:39:48 | 0:39:50 | |
I strutted over, I kissed her, I said "Mom," | 0:39:51 | 0:39:57 | |
I said, "I've got an army outside." | 0:39:57 | 0:40:00 | |
And she said, "Charlie, my son died for peace." | 0:40:00 | 0:40:03 | |
Goddamn. | 0:40:05 | 0:40:07 | |
I looked at a mother, she didn't want to see other children die. | 0:40:16 | 0:40:20 | |
It's just confirmed what I said, | 0:40:20 | 0:40:22 | |
you know. So he understood after what she... | 0:40:22 | 0:40:25 | |
"Please. | 0:40:25 | 0:40:27 | |
"Charlie, that could be our moms, man. | 0:40:27 | 0:40:29 | |
"That's an omen. It's your mother talking to you. | 0:40:29 | 0:40:32 | |
"It's my mommy talking to me." | 0:40:32 | 0:40:33 | |
"My son died for peace, Charlie." | 0:40:33 | 0:40:34 | |
I walked back to the storefront, storefront was like this with media, | 0:40:37 | 0:40:41 | |
cameras, waiting for me to say that the Bronx | 0:40:41 | 0:40:46 | |
was going to be bathed in blood. | 0:40:46 | 0:40:49 | |
We could have gone in the chronicles of New York to be the most notorious gang. | 0:40:49 | 0:40:53 | |
We even allowed our influence to use all these gangs to do our bidding. | 0:40:53 | 0:40:57 | |
All they were waiting for was this. Like the Roman emperor. | 0:40:57 | 0:41:01 | |
All the gangs were there at 174th. | 0:41:01 | 0:41:04 | |
They were waiting for the big war. | 0:41:04 | 0:41:06 | |
We said, "No. | 0:41:06 | 0:41:08 | |
"We're not going to do anything." I said, "Brother, don't you know this? | 0:41:08 | 0:41:11 | |
"Look at the newspaper people. Look!" | 0:41:11 | 0:41:13 | |
As soon as I said no, they stop writing. | 0:41:13 | 0:41:15 | |
This is what they want to see. | 0:41:15 | 0:41:16 | |
They want to tell the world that we're a bunch of savages, | 0:41:16 | 0:41:19 | |
that we're killers. We're not going to give you the satisfaction. | 0:41:19 | 0:41:22 | |
Send out a message. Hands down, no war. | 0:41:22 | 0:41:25 | |
Nope. We ain't doing nobody. | 0:41:25 | 0:41:27 | |
Got to figure out how we're going to do this. | 0:41:29 | 0:41:31 | |
We're going to have a peace treaty. | 0:41:34 | 0:41:36 | |
Word of the murder and fear of reprisals spread like wildfire. | 0:41:40 | 0:41:44 | |
At the insistence of the Ghetto Brothers, | 0:41:44 | 0:41:46 | |
representatives of over 40 of the city's most notorious gangs | 0:41:46 | 0:41:50 | |
met at the Hoe Avenue Boys Club in the Bronx. | 0:41:50 | 0:41:53 | |
So I got them while they were still in revenge mode. | 0:41:53 | 0:41:58 | |
They wanted to see war and blood. | 0:41:58 | 0:42:00 | |
I said, "This is the time to do it. | 0:42:00 | 0:42:02 | |
"Don't wait, right now." | 0:42:02 | 0:42:03 | |
Listen, this is what is going on. | 0:42:03 | 0:42:05 | |
They killed my brother, Benjy. What do you want me to do? | 0:42:05 | 0:42:08 | |
I said, "I don't want you to do anything. | 0:42:08 | 0:42:10 | |
"I want you to come to a peace treaty. | 0:42:10 | 0:42:11 | |
"I don't do peace." I said, "Well, you do peace now, bro." | 0:42:11 | 0:42:16 | |
I said, "You do peace or we're going to take you out." | 0:42:16 | 0:42:18 | |
"Who's you?" | 0:42:18 | 0:42:19 | |
"I'm the Spades, I'm the Skulls I'm the Nomads..." | 0:42:19 | 0:42:24 | |
And I just started running it off, | 0:42:24 | 0:42:25 | |
everyone that said that they'd stand behind me. | 0:42:25 | 0:42:29 | |
This is a Hoe Avenue. | 0:42:29 | 0:42:31 | |
This is the spot, Madison Square Boys Club, here was where history was made. | 0:42:31 | 0:42:35 | |
It was here that the gangs got together to have the biggest peace treaty | 0:42:35 | 0:42:39 | |
in the history of the Bronx. | 0:42:39 | 0:42:40 | |
President, Young Sinners. | 0:42:40 | 0:42:41 | |
Vice President, New York Sinners. | 0:42:41 | 0:42:43 | |
Vice President Young Saints. | 0:42:43 | 0:42:44 | |
-President of the Young Cobras. -War Counsel of the Young Saints. | 0:42:44 | 0:42:47 | |
It was fantastic that it all happened. | 0:42:47 | 0:42:49 | |
And they just sent just their main leaders. | 0:42:49 | 0:42:52 | |
Come on, it was too many guys. | 0:42:52 | 0:42:53 | |
So it was all the leaders that were there. | 0:42:53 | 0:42:55 | |
At the treaty I was a young... | 0:42:55 | 0:42:57 | |
young person sitting in the background listening to my leaders talk about | 0:42:57 | 0:43:02 | |
what needs to be done. | 0:43:02 | 0:43:03 | |
Basically, it was just like the movie The Warriors. | 0:43:03 | 0:43:06 | |
Everybody was tense because nobody knew what was going to jump off. | 0:43:06 | 0:43:09 | |
But it went well though. After a while everybody started talking and | 0:43:09 | 0:43:12 | |
everybody calmed down and just got into | 0:43:12 | 0:43:15 | |
what the purpose was and it turned out good. | 0:43:15 | 0:43:18 | |
People were just bringing out atonement to say, you know, | 0:43:18 | 0:43:22 | |
come on, let's slow this thing down. | 0:43:22 | 0:43:24 | |
Let's bring this peace treaty into play. | 0:43:24 | 0:43:26 | |
One by one gang leaders stated their grievances with the intention of | 0:43:26 | 0:43:30 | |
squashing prior beefs once and for all. | 0:43:30 | 0:43:33 | |
When we have static, man, we sell out among ourselves, man. | 0:43:33 | 0:43:37 | |
Wow, we got to live in this district. | 0:43:37 | 0:43:38 | |
The whitey don't come down here, man, | 0:43:38 | 0:43:40 | |
and live in the fucked up houses, man. | 0:43:40 | 0:43:41 | |
The whitey don't come down here, man, | 0:43:41 | 0:43:43 | |
and have all the fucked up fucking no heat in the fucking winter time. | 0:43:43 | 0:43:46 | |
You understand? We do, Jack. | 0:43:46 | 0:43:48 | |
So therefore we got to make it a better place to live, you understand? | 0:43:48 | 0:43:52 | |
The idea of the meeting was to expose the ones who murdered Black Benji. | 0:43:54 | 0:43:57 | |
Now, in those days you can't say, "Rueben, you did it." | 0:43:57 | 0:43:59 | |
We didn't say that. But if you saw that film you look at the guys that | 0:43:59 | 0:44:03 | |
were sitting in front, those are all the guys that murdered my boy. | 0:44:03 | 0:44:06 | |
And I'm looking at them and I say, "Yo, my brothers, man. | 0:44:06 | 0:44:09 | |
One of the guys, the president of the club came up to me. | 0:44:09 | 0:44:12 | |
"Benjy, I don't want to die. Please, I don't want to die." | 0:44:12 | 0:44:15 | |
I say, "You're not going to die, my brother." See, that's power. | 0:44:15 | 0:44:18 | |
You don't want us to become a gang again, right? | 0:44:18 | 0:44:20 | |
Cos I know you. You was up in the meeting and you told me, | 0:44:20 | 0:44:23 | |
"Benjy, I want to get out alive." Didn't you tell me that? | 0:44:23 | 0:44:25 | |
"Benjy, I want to get out alive." | 0:44:25 | 0:44:27 | |
And that's just what's going to happen. | 0:44:27 | 0:44:28 | |
You're going to get out alive. | 0:44:28 | 0:44:29 | |
Benji didn't get out alive. The thing is we're not a gang any more. | 0:44:29 | 0:44:32 | |
We're an organisation. | 0:44:32 | 0:44:33 | |
We want to help black and Puerto Ricans to live in a better environment. | 0:44:33 | 0:44:36 | |
At the end of this historic summit an inter-gang peace treaty | 0:44:36 | 0:44:39 | |
was signed by every attending leader. | 0:44:39 | 0:44:41 | |
This momentous turning point gave the first real promise of the | 0:44:41 | 0:44:45 | |
long-needed piece the system had failed to produce. | 0:44:45 | 0:44:48 | |
-ALL: -Peace! | 0:44:48 | 0:44:49 | |
A definite attitude shift. | 0:44:52 | 0:44:54 | |
A lot of the people that were at the meeting, they decided, | 0:44:54 | 0:44:59 | |
"Hey, you know, we're just killing ourselves | 0:44:59 | 0:45:01 | |
"or hurting our own neighbourhoods. We better put a stop to this." | 0:45:01 | 0:45:04 | |
The wars had stopped. | 0:45:04 | 0:45:05 | |
It was here and there but wars had stopped. | 0:45:05 | 0:45:09 | |
Once the peace treaty happened | 0:45:09 | 0:45:11 | |
people was being invited to areas where they used to never even step into that area. | 0:45:11 | 0:45:15 | |
People would go to certain parties | 0:45:15 | 0:45:17 | |
that you would never even step in that party | 0:45:17 | 0:45:19 | |
or you know what would happen. | 0:45:19 | 0:45:21 | |
We're having house jams, we're having basement parties. | 0:45:21 | 0:45:24 | |
It was different. Now we're able to go here, go there, meet more people, | 0:45:24 | 0:45:29 | |
unite with people. | 0:45:29 | 0:45:30 | |
# Peace will come | 0:45:30 | 0:45:32 | |
# This world will rest | 0:45:32 | 0:45:34 | |
# Once we have togetherness... # | 0:45:34 | 0:45:39 | |
Peaceful block parties hosted by the Ghetto Brothers and other local gangs | 0:45:39 | 0:45:43 | |
began to multiply, | 0:45:43 | 0:45:45 | |
helping to resolve the invisible turf boundaries | 0:45:45 | 0:45:47 | |
that had dominated for years prior. | 0:45:47 | 0:45:49 | |
Here's where the whole thing started to change. | 0:45:54 | 0:45:56 | |
We invited many gang members | 0:45:56 | 0:45:57 | |
and said, "Guys, if you guys have no party, | 0:45:57 | 0:45:59 | |
"why don't you come out and get it started, we're going to have a party. | 0:45:59 | 0:46:02 | |
"We're going to play out there." | 0:46:02 | 0:46:03 | |
And they would invite other gang members | 0:46:03 | 0:46:05 | |
to have jam sessions with them. | 0:46:05 | 0:46:06 | |
From all over the city, | 0:46:06 | 0:46:08 | |
you were invited to come to these jam sessions and jam with them. | 0:46:08 | 0:46:11 | |
You could bring your instruments, you could, you know, | 0:46:11 | 0:46:14 | |
do whatever it is you do. | 0:46:14 | 0:46:15 | |
This is the famous 163rd Street. | 0:46:15 | 0:46:17 | |
This was Ghetto Brother city. | 0:46:17 | 0:46:19 | |
All the people came down here to hear the Ghetto Brothers. | 0:46:19 | 0:46:22 | |
Every Friday and Saturday we would have a party. | 0:46:22 | 0:46:24 | |
You had gangs from different areas that come down to check us out. | 0:46:24 | 0:46:26 | |
This block was literally full with people. | 0:46:26 | 0:46:28 | |
They would call out big parties. | 0:46:28 | 0:46:30 | |
You see like 100 to 200 guys hanging out. | 0:46:30 | 0:46:34 | |
It was massive. Scary, too. | 0:46:34 | 0:46:37 | |
When the Ghetto Brothers had the party they all mingled. | 0:46:37 | 0:46:39 | |
Everybody mingles. | 0:46:40 | 0:46:41 | |
Savage Skulls, Black Spades, the Turbans - everybody mingles | 0:46:41 | 0:46:45 | |
because we were having a good time. | 0:46:45 | 0:46:46 | |
People were dancing. And you saw Turbans and you saw Skulls. | 0:46:46 | 0:46:53 | |
What was the common thing? | 0:46:53 | 0:46:54 | |
I said, "Look, I put the flags up there." | 0:46:55 | 0:46:57 | |
They see the Puerto Rican flag, they see the Black liberation flag. | 0:46:57 | 0:47:02 | |
"See, brothers, this is us, man. | 0:47:02 | 0:47:04 | |
It's about dropping the idea... | 0:47:04 | 0:47:06 | |
Yo, we're all one people here. | 0:47:06 | 0:47:08 | |
It's almost like a... | 0:47:08 | 0:47:09 | |
A relief. You know, | 0:47:11 | 0:47:12 | |
cos the chaos in the streets and the mayhem and everything that was going | 0:47:12 | 0:47:16 | |
on, this was kind of like a breather to say... | 0:47:16 | 0:47:20 | |
HE SIGHS HEAVILY | 0:47:20 | 0:47:21 | |
You know, finally some peace. | 0:47:21 | 0:47:23 | |
You see, when you saw that friendly attitude there, | 0:47:23 | 0:47:26 | |
they brought that back to their club. | 0:47:26 | 0:47:27 | |
You understand, so every Friday they were looking forward to getting back together again. | 0:47:27 | 0:47:31 | |
One of the things the Ghetto Brothers made us realise, | 0:47:31 | 0:47:35 | |
I'll put it very simply - self-worth. | 0:47:35 | 0:47:38 | |
When you, whether it be a guitar or a saxophone or instrument or a bongo, | 0:47:38 | 0:47:43 | |
whatever it is that you can do to add to the flavour of what was going on, | 0:47:43 | 0:47:49 | |
it kind of gave you a revelation that, "Hey, I can actually do something, | 0:47:49 | 0:47:52 | |
"besides, you know, stomping somebody's brains out. | 0:47:52 | 0:47:54 | |
"I can actually do something beside stabbing or shooting. | 0:47:54 | 0:47:57 | |
"Or besides, you know, this other stuff we were doing. | 0:47:57 | 0:47:59 | |
"There's something inside me that's positive." | 0:47:59 | 0:48:02 | |
In the years that followed outlaw gangs transformed into DJ crews. | 0:48:10 | 0:48:14 | |
A major shift in attitude made way for this emerging culture that was | 0:48:14 | 0:48:18 | |
taking hold of the youth in the Bronx. | 0:48:18 | 0:48:21 | |
I always felt there was a connection between gang culture and hip-hop | 0:48:21 | 0:48:24 | |
because, from what I learned, | 0:48:24 | 0:48:26 | |
either you was a DJ, an MC, | 0:48:26 | 0:48:30 | |
a break dancer or a graffiti artist. | 0:48:30 | 0:48:33 | |
Once upon a time one of them members was part of a gang. | 0:48:33 | 0:48:36 | |
Now you can express yourself and show what it is you have | 0:48:36 | 0:48:40 | |
on the other side from what you used to be. | 0:48:40 | 0:48:43 | |
So now we saw the translation between the violent attitude to something positive, | 0:48:43 | 0:48:49 | |
but at the same time, you see the intimidation. | 0:48:49 | 0:48:52 | |
Competition is always and has always been the battle. | 0:48:52 | 0:48:57 | |
When they battle on the mic, | 0:48:57 | 0:48:58 | |
when they compete against each other they're battling. | 0:48:58 | 0:49:01 | |
When they're dancing against each other, they're battling. | 0:49:01 | 0:49:04 | |
It was more like challenging the dance now and not the fight. | 0:49:04 | 0:49:10 | |
And whoever could dance the best won the fight. | 0:49:10 | 0:49:12 | |
Colours were starting to come off | 0:49:12 | 0:49:14 | |
and little by little that's when the music started to come into the deal. | 0:49:14 | 0:49:18 | |
When the gang scene started fading down it was the DJs who started | 0:49:18 | 0:49:22 | |
becoming the stars in the community, the leaders in the community. | 0:49:22 | 0:49:27 | |
The Bronx's own DJ Kool Herc, | 0:49:27 | 0:49:29 | |
considered the founding father of hip-hop, | 0:49:29 | 0:49:32 | |
played a crucial role in redirecting gang energy into this new and growing movement. | 0:49:32 | 0:49:37 | |
Herc had the right timing of presenting something. | 0:49:37 | 0:49:40 | |
The same people that was involved with gangs | 0:49:40 | 0:49:43 | |
they felt like they want to be relieved. | 0:49:43 | 0:49:45 | |
They want to have something that's theirs. | 0:49:45 | 0:49:48 | |
Herc took it upon himself to become their new Pied Piper. | 0:49:48 | 0:49:52 | |
It was like, "Hey, this is what we want to hear." | 0:49:52 | 0:49:55 | |
And we don't want to hear what was being played on the radio, | 0:49:55 | 0:49:58 | |
what was being played and the clubs. | 0:49:58 | 0:50:00 | |
We were trying to reach out for the beats, that raw essence, | 0:50:00 | 0:50:03 | |
them heavy drums. | 0:50:03 | 0:50:05 | |
Herc started something his enemies didn't want to stop. | 0:50:05 | 0:50:08 | |
It came in the form of music. | 0:50:09 | 0:50:11 | |
They'll gravitate to this. | 0:50:11 | 0:50:12 | |
This is something that is theirs. | 0:50:12 | 0:50:14 | |
You know, that didn't come in a long time. | 0:50:14 | 0:50:16 | |
They ain't worried if you're black, you're white, | 0:50:16 | 0:50:18 | |
cos you this common thing right here. | 0:50:18 | 0:50:20 | |
He was God! He didn't... | 0:50:20 | 0:50:22 | |
Herc didn't come out with no little tinker toy speakers, | 0:50:22 | 0:50:24 | |
Herc came out with the big boys. | 0:50:24 | 0:50:26 | |
I got some big boys behind me right now. | 0:50:28 | 0:50:30 | |
Herc came out with the big boys! | 0:50:30 | 0:50:32 | |
Later on some of these people that was coming to all his parties turned | 0:50:36 | 0:50:40 | |
out to be DJs. | 0:50:40 | 0:50:41 | |
Flash, Grandmaster Caz, Mean Gene, member of the L Brothers. | 0:50:41 | 0:50:48 | |
Started seeing AJ the L Brothers, Theodore, Break Out, Baron, Bam. | 0:50:48 | 0:50:55 | |
There was no closer connection between the gangs of the Bronx | 0:51:02 | 0:51:05 | |
and this budding hip-hop movement than Afrika Bambaataa, | 0:51:05 | 0:51:08 | |
who had personally taken it upon himself to convert the fearsome Black Spades into the Zulu Nation. | 0:51:08 | 0:51:14 | |
This was the first worldwide force to promote positivity through music. | 0:51:14 | 0:51:19 | |
When I started the Universal Zulu Nation | 0:51:19 | 0:51:21 | |
I already had an army of street gangs that was with me. | 0:51:21 | 0:51:25 | |
I had a lot of pull and power, | 0:51:25 | 0:51:26 | |
so as I was with the Black Spades | 0:51:26 | 0:51:28 | |
I might go and hang with the Nomads and some of the Javelins | 0:51:28 | 0:51:32 | |
and some of the groups that might not even like each other. | 0:51:32 | 0:51:35 | |
I had a type of persuasion with many of the other leaders and groups. | 0:51:35 | 0:51:40 | |
Bambaataa had great influence among so many people. | 0:51:40 | 0:51:42 | |
They believed in him. | 0:51:42 | 0:51:44 | |
And if you were a person that come from Bronx River or | 0:51:44 | 0:51:48 | |
the other end, the Soundview section, | 0:51:48 | 0:51:50 | |
everybody was coming to their parties. | 0:51:50 | 0:51:52 | |
And he accepted you and he put you down. | 0:51:52 | 0:51:54 | |
It took a lot of work, it took a lot of speaking, a lot of teaching, | 0:51:54 | 0:51:58 | |
a lot of organising, | 0:51:58 | 0:52:00 | |
speaking to the brothers and sisters to get away from that certain mentality. | 0:52:00 | 0:52:05 | |
The person who was in Zulu Nation at that time was assured that | 0:52:05 | 0:52:08 | |
we can turn ourselves around from negative to positive, | 0:52:08 | 0:52:12 | |
and we was doing that through music. | 0:52:12 | 0:52:14 | |
Our slogan became, peace, unity, love and having fun. | 0:52:14 | 0:52:19 | |
Part of Zulu Nation running Monroe now. | 0:52:19 | 0:52:21 | |
-Yeah. -A lot of Zulu Nation in Monroe and Stevenson | 0:52:21 | 0:52:24 | |
and in all these houses they built in the projects. | 0:52:24 | 0:52:27 | |
Soon the Zulu Nation going to take over the world. | 0:52:27 | 0:52:29 | |
Is the Bronx in the house? | 0:52:30 | 0:52:33 | |
Is everybody in the house? | 0:52:33 | 0:52:35 | |
We're going to get loose in here. | 0:52:37 | 0:52:39 | |
# Just, just throw your hands in the air | 0:52:39 | 0:52:43 | |
# And wave them like you just don't care | 0:52:43 | 0:52:45 | |
-# Say Z-U-L-U That's the way you say... -Zulu! -# | 0:52:45 | 0:52:49 | |
-# Say Z-U-L-U That's the way you say... -Zulu! -# | 0:52:49 | 0:52:54 | |
Another thing that is not mentioned is a style change happened. | 0:53:02 | 0:53:06 | |
Like, it wasn't just break dancing, graffiti, MC, DJ. | 0:53:06 | 0:53:12 | |
A fifth thing included was style. | 0:53:12 | 0:53:14 | |
You had to now have style. | 0:53:14 | 0:53:16 | |
They didn't want to walk around with dirty clothes any more or, you know, | 0:53:16 | 0:53:21 | |
the patches on their back | 0:53:21 | 0:53:23 | |
because that wasn't attracting the type of girls that they wanted. | 0:53:23 | 0:53:28 | |
It was just a whole mindset change. | 0:53:28 | 0:53:30 | |
Well, let me talk about girls. | 0:53:30 | 0:53:32 | |
Because I think women played a big part in it | 0:53:32 | 0:53:34 | |
because there was always girls around. | 0:53:34 | 0:53:36 | |
You know, even the Black Spades had their girls. | 0:53:36 | 0:53:38 | |
Everybody had their girls, | 0:53:38 | 0:53:39 | |
so basically once you could talk to the girls then you knew it was safe. | 0:53:39 | 0:53:43 | |
So it kind of opened up a whole new area of South Bronx for us | 0:53:43 | 0:53:47 | |
when you can talk to girls that you couldn't talk to before. | 0:53:47 | 0:53:50 | |
That's a big deal. Oh, you can talk to this Puerto Rican girl now, | 0:53:50 | 0:53:53 | |
cos you couldn't talk to Puerto Rican girl back then. | 0:53:53 | 0:53:55 | |
Not and be black in the South Bronx and live. | 0:53:55 | 0:53:58 | |
It wasn't happening. | 0:53:58 | 0:53:59 | |
We didn't even know we was creating anything. | 0:54:02 | 0:54:05 | |
We just wanted to have something that was ours. | 0:54:05 | 0:54:07 | |
Music calms the savage beast... | 0:54:07 | 0:54:09 | |
We would be the Pied Pipers. | 0:54:10 | 0:54:12 | |
To calm...the storm. | 0:54:12 | 0:54:15 | |
Music had definitely calmed the savage beast | 0:54:15 | 0:54:18 | |
because how many times you may be in the motion of something that feels so tense | 0:54:18 | 0:54:25 | |
and you would just hit that one tune and it would relieve everybody. | 0:54:25 | 0:54:29 | |
MUSIC: Apache by The Incredible Bongo Band | 0:54:29 | 0:54:31 | |
I think it's important that whoever sees this knows that we have grown | 0:54:35 | 0:54:40 | |
and, yes, there was a lot of negative and a lot of shit happened | 0:54:40 | 0:54:44 | |
but a lot of us own homes, fancy cars, two and three bikes, | 0:54:44 | 0:54:48 | |
have good-paying jobs. | 0:54:48 | 0:54:50 | |
I think it's important that whoever sees this knows that there is hope. | 0:54:50 | 0:54:54 | |
That we could do this and it could be positive. | 0:54:54 | 0:54:57 | |
They say history is not made by individuals. I disagree. | 0:54:57 | 0:55:01 | |
I think it's a confluence of factors. | 0:55:01 | 0:55:04 | |
It's the social context of the time, | 0:55:04 | 0:55:07 | |
the economic context of the time and the individual dream. | 0:55:07 | 0:55:12 | |
What was so powerful about our generation is we caused a movement. | 0:55:12 | 0:55:16 | |
We had to take from nothing and make something. | 0:55:16 | 0:55:19 | |
I believe that we were making a statement to society, so to speak, | 0:55:19 | 0:55:23 | |
that had forgotten about us, that we have worth. | 0:55:23 | 0:55:26 | |
Because we did have big fun | 0:55:26 | 0:55:27 | |
even though we were poor and we didn't have a lot, we had fun. | 0:55:27 | 0:55:31 | |
You know, we made a way to have fun and we made a way to feel like we | 0:55:31 | 0:55:34 | |
counted and we made a way to show the world that we actually existed. | 0:55:34 | 0:55:38 |