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In Divine Women, I uncover the remarkable | 0:00:03 | 0:00:06 | |
and neglected stories of women and religion. | 0:00:06 | 0:00:10 | |
I head to India where I join hundreds of thousands of Hindus | 0:00:11 | 0:00:14 | |
in the worship of one of their most formidable goddesses - Durga. | 0:00:14 | 0:00:19 | |
Back in Europe, I explore the contentious issue of | 0:00:21 | 0:00:24 | |
whether women should be priests. | 0:00:24 | 0:00:26 | |
I travel down beneath the streets of Rome to find intriguing | 0:00:27 | 0:00:31 | |
evidence of women leading worship. | 0:00:31 | 0:00:34 | |
In Milan, I look at the life of Saint Augustine | 0:00:34 | 0:00:37 | |
and the doctrine of original sin. | 0:00:37 | 0:00:39 | |
And I discover the powerful women who were instrumental in the crucial early days of Islam. | 0:00:41 | 0:00:48 | |
Hinduism is one of the world's | 0:00:58 | 0:01:00 | |
one of the most ancient religions and the Goddess Durga sits right at it's heart. | 0:01:00 | 0:01:05 | |
This is Kamakhya Temple, high in the hills of Assam, | 0:01:12 | 0:01:15 | |
one of the most sacred goddess temples in India. | 0:01:15 | 0:01:18 | |
For nine days every year, | 0:01:23 | 0:01:25 | |
hundreds of thousands of Hindus come to worship Durga | 0:01:25 | 0:01:28 | |
and to celebrate a great festival in her honour, the Durga Puja. | 0:01:28 | 0:01:32 | |
Hi, nice to meet you. Do you love the Goddess here? | 0:01:32 | 0:01:35 | |
-Yes. -Yeah. Why do you love her? | 0:01:35 | 0:01:37 | |
Because she gives us protection and she also loves us very much. | 0:01:37 | 0:01:42 | |
She gives us many things, like lives, | 0:01:42 | 0:01:47 | |
and then things to eat, things to wear. | 0:01:47 | 0:01:50 | |
-So, she really looks after you? -Yes. | 0:01:50 | 0:01:52 | |
The festival celebrates the birth of the goddess Durga | 0:01:52 | 0:01:56 | |
and her epic battle with the evil demon king. | 0:01:56 | 0:01:59 | |
This famous story was first recorded in the 5th or 6th centuries AD, | 0:01:59 | 0:02:04 | |
in one of the most important religious texts in Hinduism, | 0:02:04 | 0:02:07 | |
called the Devi Mahatmyam | 0:02:07 | 0:02:09 | |
According to the sacred text, | 0:02:09 | 0:02:11 | |
the demon king takes the form of a buffalo | 0:02:11 | 0:02:14 | |
and terrorises the heavens and Earth. | 0:02:14 | 0:02:16 | |
Neither man nor god can defeat him, | 0:02:16 | 0:02:19 | |
so the gods combine their celestial power to create Durga - | 0:02:19 | 0:02:24 | |
the Shining One. | 0:02:24 | 0:02:27 | |
She appears riding a lion and carrying a fearsome weapon in each of her many arms. | 0:02:27 | 0:02:32 | |
After a titanic series of battles, Durga slays the buffalo demon, | 0:02:32 | 0:02:36 | |
liberating humanity and the gods. | 0:02:36 | 0:02:39 | |
Each year, all over India, Hindus celebrate Durga's victory. | 0:02:39 | 0:02:43 | |
I've come to Kolkata in Bengal, | 0:02:47 | 0:02:48 | |
where her festival - the Durga Puja, | 0:02:48 | 0:02:52 | |
has taken over the city. | 0:02:52 | 0:02:54 | |
Like most Bengalis, Tanushree Ghosh is celebrating Durga's festival. | 0:02:55 | 0:02:59 | |
She's invited me to join her as she gets ready for its finale. | 0:03:00 | 0:03:05 | |
-So it's a really big day for everyone round here? -Yeah. | 0:03:05 | 0:03:08 | |
Over here it's a very big day because it happens once a year, | 0:03:08 | 0:03:11 | |
we wait for these four days. | 0:03:11 | 0:03:12 | |
And also today is a very woman-centric day | 0:03:12 | 0:03:15 | |
because today women do the pujas, it's for them. | 0:03:15 | 0:03:19 | |
So, this is where you do your make-up? | 0:03:19 | 0:03:21 | |
-We do. This is Lata. -Hi, namaste. -Hi, namaste. | 0:03:21 | 0:03:25 | |
-Please have a seat. -Thank you. | 0:03:25 | 0:03:27 | |
And this is where all the make-up happens for the four days | 0:03:27 | 0:03:31 | |
that we get ready for the Puja, all the saris, everything. | 0:03:31 | 0:03:35 | |
So, this is where we get dressed and all the heavy make-up. | 0:03:35 | 0:03:37 | |
This is the only time when we put on very heavy make-up | 0:03:37 | 0:03:40 | |
and heavy jewellery, not before this. | 0:03:40 | 0:03:42 | |
It's important for Tanusharee to follow traditional customs, | 0:03:42 | 0:03:45 | |
but this is also an opportunity to keep up with the latest fashions. | 0:03:45 | 0:03:49 | |
Tanushree is taking me to her community's pandal, | 0:03:58 | 0:04:01 | |
a temporary shrine built especially for the festival. | 0:04:01 | 0:04:04 | |
When you think of the Goddess, what's in your mind? | 0:04:06 | 0:04:10 | |
Do you think she actually exists as a creature with eight or ten arms? | 0:04:10 | 0:04:14 | |
She does exist. | 0:04:14 | 0:04:16 | |
For us, she's a living being who's always around us, blessing us, | 0:04:16 | 0:04:20 | |
protecting us, taking care of us. | 0:04:20 | 0:04:23 | |
So, for us, we've seen her drawn like this throughout... | 0:04:23 | 0:04:27 | |
Yet, actually, we don't believe she has ten arms, but it shows that, | 0:04:27 | 0:04:30 | |
you know, she's multi-tasking, a woman who's multi-tasking. | 0:04:30 | 0:04:34 | |
So, really she's a kind of role model goddess? | 0:04:34 | 0:04:36 | |
She controls the world, | 0:04:36 | 0:04:38 | |
so she's a role model for men and for women because, | 0:04:38 | 0:04:41 | |
in a different way, she shows women how to control and she also shows men | 0:04:41 | 0:04:47 | |
that even if women can be quiet, but still, you know, | 0:04:47 | 0:04:50 | |
don't meddle with her too much, don't mess with her, | 0:04:50 | 0:04:54 | |
then she can take up ten weapons in ten hands and kill you, | 0:04:54 | 0:04:57 | |
and can be the monster. | 0:04:57 | 0:04:59 | |
-Are we a bit late? -Yeah, we are late. -OK. | 0:05:05 | 0:05:08 | |
Every year, thousands of different neighbourhoods all over Kolkata | 0:05:09 | 0:05:13 | |
come together to create their own special Durga shrine. | 0:05:13 | 0:05:17 | |
-Are you married? -I am married, yeah. -So, then we put it in our hair. | 0:05:20 | 0:05:24 | |
Clay and water from the sacred Ganges are used to make the image of Durga. | 0:05:24 | 0:05:29 | |
Described by many as the Mother of India, for nine days, | 0:05:30 | 0:05:34 | |
she is celebrated, worshipped and treated with the greatest respect. | 0:05:34 | 0:05:38 | |
She's not a goddess to be messed with, is she? | 0:05:40 | 0:05:42 | |
She's the power god. Everybody finds solace and power, everything. | 0:05:42 | 0:05:46 | |
And everybody come and pray, give us the power to sustain another year. | 0:05:46 | 0:05:50 | |
At the end of the festival, Durga will return home. | 0:05:50 | 0:05:53 | |
She'll be taken to the sacred Ganges, | 0:05:53 | 0:05:55 | |
which flows from the Himalayas, the seat of the gods. | 0:05:55 | 0:05:58 | |
But first, she must be prepared. | 0:05:58 | 0:06:00 | |
So, the idea is that I've given the Goddess food for her journey, | 0:06:00 | 0:06:03 | |
I've looked after her, that's why I'm smoothing her cheeks, | 0:06:03 | 0:06:06 | |
and because she's married I'm giving her the red mark on her forehead. | 0:06:06 | 0:06:10 | |
But, all the time, I have to remember just how powerful she is and do it right. | 0:06:10 | 0:06:15 | |
The paint is the colour of blood and reflects not only Durga's | 0:06:29 | 0:06:32 | |
life-giving qualities, but also the brutal terror she can bring. | 0:06:32 | 0:06:37 | |
Do one. | 0:06:37 | 0:06:39 | |
-BANG! -Oh! | 0:06:39 | 0:06:41 | |
LOUD BANGS | 0:06:41 | 0:06:42 | |
-Hi, are you enjoying yourselves today? -Very much. | 0:06:42 | 0:06:45 | |
I hear that some girls come here and you meet up with young boys, | 0:06:45 | 0:06:48 | |
-is that true, at this festival? -ALL: Yeah! | 0:06:48 | 0:06:51 | |
The festivities carry on throughout the rest of the day and well into the night. | 0:06:59 | 0:07:03 | |
Now we're on the way to the Ganges, | 0:07:09 | 0:07:11 | |
where the idol's going to be immersed in the river. | 0:07:11 | 0:07:13 | |
So, how many of these idols will go down? How many pandals? | 0:07:13 | 0:07:17 | |
-Around 100,000. -Will you be sorry to see her go? | 0:07:17 | 0:07:20 | |
Yes, it's very emotional, | 0:07:20 | 0:07:21 | |
because you're going to wait another year for her to come back, so it's like your mother going away. | 0:07:21 | 0:07:26 | |
-Like your mother leaving for a year? -Absolutely. | 0:07:26 | 0:07:29 | |
-Bolo Durga mai-ki. -Jai. | 0:07:29 | 0:07:32 | |
What are they saying? | 0:07:32 | 0:07:33 | |
"Bolo Durga mai-ki" is to the glory of Mother Durga. | 0:07:33 | 0:07:37 | |
And "aashchhe bochhor abar hobe" is we will celebrate again next year. | 0:07:37 | 0:07:40 | |
OK. | 0:07:40 | 0:07:41 | |
We're actually on the banks of the Ganges now | 0:08:09 | 0:08:12 | |
and it's heading down to the sacred water. | 0:08:12 | 0:08:15 | |
Durga's journey home is about to begin. | 0:08:15 | 0:08:19 | |
This is the moment Hindus think she's starting to return to heaven, | 0:08:22 | 0:08:26 | |
to her husband Shiva. | 0:08:26 | 0:08:28 | |
Across the globe, the Goddess has pretty much been consigned to history. | 0:08:45 | 0:08:48 | |
But, just like those great ancient goddesses of antiquity, | 0:08:48 | 0:08:52 | |
here, she's celebrated and worshipped | 0:08:52 | 0:08:54 | |
with a wild and heartfelt passion. | 0:08:54 | 0:08:57 | |
And also, just like them | 0:08:57 | 0:08:59 | |
and, I suspect, like the women who've worshipped her for centuries, | 0:08:59 | 0:09:03 | |
she's thought to be both protective and threatening. | 0:09:03 | 0:09:06 | |
Someone who demands respect and inspires devotion. | 0:09:06 | 0:09:11 | |
There are some Christians who believe women are not made to | 0:09:18 | 0:09:21 | |
be priests and yet in the early days of Christianity, | 0:09:21 | 0:09:25 | |
it appears they played vital roles. | 0:09:25 | 0:09:29 | |
There's long been an underlying assumption that to be a true | 0:09:31 | 0:09:33 | |
representative of the Christian god, you really need to be a man. | 0:09:33 | 0:09:38 | |
In the Church of England and across the world, | 0:09:41 | 0:09:44 | |
the issue of whether women should be bishops has caused turmoil, | 0:09:44 | 0:09:49 | |
and most Catholics believe that women shouldn't even be priests. | 0:09:49 | 0:09:52 | |
Amongst them is Catholic writer and broadcaster Joanna Bogle. | 0:09:54 | 0:09:58 | |
God became incarnate as a man. That's not an accident. | 0:09:58 | 0:10:02 | |
Christ was born and grew up in a world | 0:10:02 | 0:10:05 | |
where every religion had priestesses. | 0:10:05 | 0:10:07 | |
He knew what he was doing. He's Almighty God. | 0:10:07 | 0:10:09 | |
This was the plan from the beginning, that men would be priests. | 0:10:09 | 0:10:12 | |
Priests are there to serve the Church, | 0:10:12 | 0:10:16 | |
but it's not a question of allowing women to be priests. | 0:10:16 | 0:10:18 | |
It's in the nature of woman that she has another task to do. | 0:10:18 | 0:10:21 | |
So God loves you, He just doesn't want you to give the sacred Eucharist? | 0:10:21 | 0:10:25 | |
I could if I needed to distribute Holy Communion, but no. | 0:10:25 | 0:10:29 | |
A priest in the person of Christ, who was male, | 0:10:29 | 0:10:32 | |
will preside saying, "This is my body". | 0:10:32 | 0:10:35 | |
And I think that's very profound. | 0:10:35 | 0:10:37 | |
So you think for the future of the Church, | 0:10:37 | 0:10:39 | |
it's entirely appropriate that there are no female priests, | 0:10:39 | 0:10:42 | |
there are no female bishops? | 0:10:42 | 0:10:45 | |
It's not that we MAY not, we CANNOT have them. | 0:10:45 | 0:10:47 | |
That's a bit like saying, "What a pity men can't give birth." | 0:10:47 | 0:10:51 | |
There are not going to be, there cannot be women priests. | 0:10:51 | 0:10:55 | |
It's not in the nature of womanhood. That's the deal. | 0:10:55 | 0:10:59 | |
That's the deal. | 0:10:59 | 0:11:00 | |
I have to admit that I find Joanna's position hard to accept. | 0:11:07 | 0:11:10 | |
But she reflects the views of no lesser an authority | 0:11:10 | 0:11:14 | |
than the Pope himself. | 0:11:14 | 0:11:16 | |
In 2010, the Vatican declared that to ordain a woman was a serious crime. | 0:11:20 | 0:11:26 | |
Now that seems to me to be very shocking, | 0:11:26 | 0:11:28 | |
but, also as a historian, it's just rather odd, | 0:11:28 | 0:11:31 | |
because if you investigate the foundations of Christianity, | 0:11:31 | 0:11:34 | |
they tell a very different story. | 0:11:34 | 0:11:37 | |
Questo e il mio corpo offerto in sacrificio per voi. | 0:11:37 | 0:11:43 | |
Father Scott Brodeur is a Catholic priest and respected theologian | 0:11:47 | 0:11:51 | |
at the prestigious Gregorian University in Rome. | 0:11:51 | 0:11:55 | |
He prepares men for the priesthood. | 0:11:56 | 0:11:59 | |
He believes that key evidence | 0:12:00 | 0:12:03 | |
about the role women should play in the Church | 0:12:03 | 0:12:05 | |
can be found in the Bible itself, | 0:12:05 | 0:12:08 | |
in a letter St Paul wrote to the citizens of Rome. | 0:12:08 | 0:12:12 | |
And what he has to say may come as a surprise to some. | 0:12:14 | 0:12:17 | |
St Paul in... May I read this verse? | 0:12:17 | 0:12:21 | |
..in the Letter To The Romans, Chapter 16, Verse 1, | 0:12:21 | 0:12:24 | |
St Paul is writing, of course, and he says, | 0:12:24 | 0:12:26 | |
"I commend to you our sister Phoebe, a deacon of the church at Cenchrea." | 0:12:26 | 0:12:31 | |
And Paul, by sending her to Rome, is saying, | 0:12:31 | 0:12:36 | |
"Look at this extraordinary woman and I'm sending you one of our best | 0:12:36 | 0:12:40 | |
"and because I trust her, | 0:12:40 | 0:12:42 | |
"she's going to interpret this letter for you. | 0:12:42 | 0:12:45 | |
"So if you have any questions, ask Phoebe." | 0:12:45 | 0:12:49 | |
It is significant that, because that's pretty much | 0:12:49 | 0:12:52 | |
the most important job that you can give someone - | 0:12:52 | 0:12:55 | |
to ask Phoebe to take the teachings of Christ, | 0:12:55 | 0:12:58 | |
the message of Jesus, to Rome, to the centre of the Roman world. | 0:12:58 | 0:13:01 | |
Absolutely. Paul is so aware of the importance of this letter. | 0:13:01 | 0:13:07 | |
So she has a crucial role. | 0:13:07 | 0:13:09 | |
So do you think he's consciously making a point by choosing a woman? | 0:13:09 | 0:13:13 | |
Absolutely. The entire Letter To The Romans is about | 0:13:13 | 0:13:17 | |
that there is now this common equality among us, | 0:13:17 | 0:13:20 | |
that we all share the same value and worth. | 0:13:20 | 0:13:23 | |
It's interesting though, isn't it? | 0:13:28 | 0:13:30 | |
It's not the commonly held opinion. When you talk to people, they say, | 0:13:30 | 0:13:33 | |
"Oh, you know, Christianity just caused terrible problems for women." | 0:13:33 | 0:13:37 | |
Precisely. Or that St Paul was very much anti-women or so forth, | 0:13:37 | 0:13:41 | |
but nothing could be further from the truth. | 0:13:41 | 0:13:44 | |
You spent your life studying the teachings of Jesus. | 0:13:44 | 0:13:47 | |
Do you think he would have wanted to have seen a church develop | 0:13:47 | 0:13:51 | |
where women played a key role? | 0:13:51 | 0:13:53 | |
The early disciples of Jesus were both men and women, that there | 0:13:53 | 0:13:57 | |
was a very special and important group of women who closely | 0:13:57 | 0:14:01 | |
followed him, all through his public ministry. | 0:14:01 | 0:14:04 | |
An important role of service to him and I do think that's | 0:14:04 | 0:14:09 | |
important for the Church in every age, including ours. | 0:14:09 | 0:14:13 | |
Women were essential in the early Church. | 0:14:13 | 0:14:15 | |
Hidden beneath the streets of Rome lies an intricate labyrinth of tunnels, | 0:14:20 | 0:14:24 | |
known as the Catacombs of St Priscilla. | 0:14:24 | 0:14:26 | |
They date to between the second and fourth centuries AD, | 0:14:30 | 0:14:34 | |
when to be a Christian in Rome was to be a criminal. | 0:14:34 | 0:14:38 | |
Down here lies a neglected piece of early Christian history. | 0:14:43 | 0:14:47 | |
This is where Christians were brought to be buried | 0:14:50 | 0:14:53 | |
and where they came when they were being persecuted. | 0:14:53 | 0:14:56 | |
The catacombs were carved out of the bare rock. | 0:14:59 | 0:15:02 | |
You can still see all the pickaxe marks on the ceilings and the walls. | 0:15:02 | 0:15:07 | |
It's almost as if you're being transported back | 0:15:07 | 0:15:10 | |
to the very moment of Christianity's inception. | 0:15:10 | 0:15:13 | |
This was only discovered a few years ago, | 0:15:18 | 0:15:20 | |
and it dates from the second century AD, | 0:15:20 | 0:15:22 | |
which makes it the oldest surviving image anywhere in the world | 0:15:22 | 0:15:26 | |
of the Virgin Mary and Jesus. | 0:15:26 | 0:15:29 | |
And that's what's so fantastic about coming down here, | 0:15:29 | 0:15:31 | |
because you're absolutely up, face to face, | 0:15:31 | 0:15:34 | |
with the very earliest days of Christianity. | 0:15:34 | 0:15:37 | |
But what I find especially fascinating about these tunnels | 0:15:42 | 0:15:45 | |
is what they tell us about the role of women. | 0:15:45 | 0:15:48 | |
In one corner, we find an image detailing what appears to be | 0:15:50 | 0:15:54 | |
women presiding over a religious ritual, | 0:15:54 | 0:15:56 | |
what today we might recognise as the Eucharist or Holy Communion. | 0:15:56 | 0:16:01 | |
In another alcove | 0:16:03 | 0:16:05 | |
is an image which some people would consider incendiary. | 0:16:05 | 0:16:09 | |
There are two things that strike you about this particular painting. | 0:16:11 | 0:16:15 | |
The obvious one is that the scene is dominated by a figure of a woman. | 0:16:15 | 0:16:19 | |
But then just have a look at this little group of three in the corner. | 0:16:19 | 0:16:23 | |
There's a bishop, | 0:16:23 | 0:16:25 | |
and he's got his hand on the shoulder of a woman. | 0:16:25 | 0:16:28 | |
Now, she's wearing a piece of white cloth called an alb | 0:16:28 | 0:16:32 | |
and that was a vestment that could only be worn by ordained priests. | 0:16:32 | 0:16:38 | |
All over this subterranean world there are images | 0:16:41 | 0:16:44 | |
of not just men leading worship, but women. | 0:16:44 | 0:16:48 | |
Being here, it appears to me | 0:16:51 | 0:16:53 | |
that the early Christians had an inclusive, egalitarian take | 0:16:53 | 0:16:57 | |
on who should lead their faith. | 0:16:57 | 0:17:00 | |
A view at odds with that of many Christians today. | 0:17:01 | 0:17:04 | |
I'm on my way to a city in Northern Italy to find out why | 0:17:16 | 0:17:19 | |
women were pushed to the margins of the Christian faith. | 0:17:19 | 0:17:25 | |
Our evidence reveals that Christianity began by championing women, | 0:17:25 | 0:17:29 | |
but not everyone was happy with this situation. | 0:17:29 | 0:17:33 | |
Many eminent theologians were deeply uncomfortable | 0:17:33 | 0:17:37 | |
with women taking such a prominent position. | 0:17:37 | 0:17:40 | |
How dare women presume they could play a leading role | 0:17:41 | 0:17:44 | |
when their very essence was an affront to God? | 0:17:44 | 0:17:48 | |
One Christian, Clement of Alexandria, | 0:17:48 | 0:17:50 | |
wrote in the 3rd Century AD, | 0:17:50 | 0:17:53 | |
"The very consciousness of their own nature | 0:17:53 | 0:17:55 | |
"must evoke feelings of shame." | 0:17:55 | 0:17:58 | |
And another said that women were not created in God's image, | 0:17:58 | 0:18:01 | |
but instead they destroyed God's image. | 0:18:01 | 0:18:06 | |
But there would be one man | 0:18:09 | 0:18:12 | |
whose glittering intellect and powers of persuasion | 0:18:12 | 0:18:15 | |
would make this hotchpotch of women-hating bile stick. | 0:18:15 | 0:18:18 | |
I've come to the place where, for him, it all started. | 0:18:32 | 0:18:36 | |
Beneath Milan's cathedral lie the ruins of a 4th-century baptistry. | 0:18:52 | 0:18:57 | |
It's where people once came to be baptised into the Christian faith. | 0:18:57 | 0:19:02 | |
What happened here was perhaps | 0:19:06 | 0:19:08 | |
one of the most critical developments in Christian history. | 0:19:08 | 0:19:12 | |
Here, in 387 AD, a man called Augustine became a Christian. | 0:19:13 | 0:19:18 | |
And he'd go on to be one of the most brilliant | 0:19:20 | 0:19:22 | |
Christian theologians of all time, | 0:19:22 | 0:19:24 | |
but his attitudes would cause trouble for women | 0:19:24 | 0:19:28 | |
for the next 1,700 years. | 0:19:28 | 0:19:32 | |
We know an awful lot about Augustine's life, | 0:19:37 | 0:19:39 | |
thanks to his detailed autobiography, his Confessions. | 0:19:39 | 0:19:43 | |
Augustine tells us that in his younger days, | 0:19:57 | 0:19:59 | |
he was obsessed with sex and that, as a teenager, | 0:19:59 | 0:20:03 | |
he spent every waking hour hungry with desire. | 0:20:03 | 0:20:07 | |
"To love and to be loved was sweet to me, | 0:20:08 | 0:20:12 | |
"particularly when I enjoyed the body of the one I desired. | 0:20:12 | 0:20:15 | |
"And so I polluted the spring of friendship | 0:20:15 | 0:20:18 | |
"with the filth of concupiscence and I dimmed its lustre | 0:20:18 | 0:20:22 | |
"with the slime of lust." | 0:20:22 | 0:20:25 | |
But after becoming a Christian, | 0:20:29 | 0:20:31 | |
Augustine embraced a life of celibacy. | 0:20:31 | 0:20:35 | |
His preoccupation with sex, however, was far from over. | 0:20:35 | 0:20:38 | |
He'd go on to develop a theory | 0:20:40 | 0:20:42 | |
which would shape how humanity viewed itself. | 0:20:42 | 0:20:46 | |
It was a theory so powerful, | 0:20:46 | 0:20:48 | |
we're still living with its consequences today. | 0:20:48 | 0:20:51 | |
Augustine developed the concept of original sin. | 0:20:52 | 0:20:55 | |
He believed that the crimes committed by Adam and Eve | 0:20:55 | 0:20:58 | |
in the Garden of Eden, when they ate the forbidden fruit, | 0:20:58 | 0:21:01 | |
would be perpetuated down the generations, | 0:21:01 | 0:21:04 | |
thanks to the act of sex. | 0:21:04 | 0:21:07 | |
In other words, when any of us are born, | 0:21:07 | 0:21:10 | |
we're already creatures infused with sin to the very core of our being. | 0:21:10 | 0:21:17 | |
Women, in particular, come out of this very badly. | 0:21:20 | 0:21:23 | |
Carved into the wall of Milan's cathedral | 0:21:25 | 0:21:28 | |
is the moment when Augustine believed | 0:21:28 | 0:21:30 | |
it all went wrong for humanity. | 0:21:30 | 0:21:32 | |
It was Eve who'd encouraged Adam to sin. | 0:21:34 | 0:21:37 | |
Eve becomes an archetype for all women, weak and easily fooled, | 0:21:40 | 0:21:44 | |
but also a temptress who leads men astray. | 0:21:44 | 0:21:47 | |
Rather than eroticism and sexual desire | 0:21:49 | 0:21:52 | |
being considered a gift of the gods as they were in the classical world, | 0:21:52 | 0:21:56 | |
now these things were thought of as unremittingly dark and sinful - | 0:21:56 | 0:22:00 | |
a betrayal of God himself. | 0:22:00 | 0:22:03 | |
@In Islam today we find few female leaders of the faith. | 0:22:09 | 0:22:13 | |
But at the beginning, the story was very different. | 0:22:13 | 0:22:17 | |
Two women in particular played a crucial role. | 0:22:17 | 0:22:20 | |
Islamic sources tell us that Khadija bint Khuwaylid was the daughter | 0:22:20 | 0:22:25 | |
of a merchant who built the family business into a commercial empire. | 0:22:25 | 0:22:30 | |
Her caravans travelled thousands of miles | 0:22:30 | 0:22:33 | |
to the great cities in the Middle East. | 0:22:33 | 0:22:35 | |
From all accounts, Khadija was a powerful | 0:22:35 | 0:22:39 | |
and independent-minded woman. | 0:22:39 | 0:22:41 | |
Once she was widowed, she vowed she would never marry again. | 0:22:41 | 0:22:45 | |
She was clearly accustomed to making her own way in the world. | 0:22:45 | 0:22:49 | |
In fact, it was her business acumen that would set her on a path | 0:22:49 | 0:22:52 | |
that would eventually change the history of the world. | 0:22:52 | 0:22:57 | |
I'm meeting Professor Leila Ahmed from Harvard University, | 0:22:57 | 0:23:00 | |
to find out about Khadija's relationship with a young man | 0:23:00 | 0:23:02 | |
she hired to help her with her business. | 0:23:02 | 0:23:06 | |
His name was Muhammad. | 0:23:06 | 0:23:09 | |
She was a powerful woman, a merchant, with a lot of money | 0:23:09 | 0:23:12 | |
and she hired Muhammad because he had a reputation for honesty | 0:23:12 | 0:23:16 | |
and she admired him. | 0:23:16 | 0:23:17 | |
She was very impressed and actually proposed marriage to him. | 0:23:17 | 0:23:20 | |
He was a 25-year-old. She was 40. | 0:23:20 | 0:23:23 | |
That does seem to be key though, | 0:23:23 | 0:23:24 | |
the fact that she is choosing this young man. | 0:23:24 | 0:23:27 | |
You know, she spots him, | 0:23:27 | 0:23:28 | |
she thinks he's got potential and then she decides to make him hers. | 0:23:28 | 0:23:32 | |
That's right. | 0:23:32 | 0:23:33 | |
From all accounts, their early years were a partnership, | 0:23:33 | 0:23:37 | |
both emotionally and in business. | 0:23:37 | 0:23:40 | |
But gradually Muhammad withdrew, | 0:23:40 | 0:23:43 | |
growing more interested in spirituality, and often leaving his home | 0:23:43 | 0:23:46 | |
to seek solitude in the hills above Mecca - | 0:23:46 | 0:23:49 | |
the city destined to become the centre of the Islamic faith. | 0:23:49 | 0:23:52 | |
Muhammad had begun his transformation from man to prophet. | 0:23:53 | 0:23:59 | |
We know that when he first began to experience Quranic revelations | 0:23:59 | 0:24:03 | |
he even doubted himself | 0:24:03 | 0:24:06 | |
but it was Khadija who affirmed the reality of his prophethood. | 0:24:06 | 0:24:11 | |
So we know that she was critical to Muhammad. | 0:24:11 | 0:24:14 | |
She became his first convert. She was the first Muslim. | 0:24:14 | 0:24:17 | |
Fascinating it was a woman who was the first convert to Islam. | 0:24:17 | 0:24:20 | |
That's right. | 0:24:20 | 0:24:21 | |
The fact that she was a major figure in society meant the tribe | 0:24:21 | 0:24:24 | |
respected him, even if they didn't like his message. | 0:24:24 | 0:24:27 | |
Her support was extraordinarily important to him. | 0:24:27 | 0:24:29 | |
For the next ten years, Khadija used her family connections | 0:24:31 | 0:24:35 | |
and all her wealth to support her husband | 0:24:35 | 0:24:38 | |
and fund the fledgling faith, | 0:24:38 | 0:24:40 | |
a religion built on the controversial principle of one god | 0:24:40 | 0:24:44 | |
in a society that believed in many. | 0:24:44 | 0:24:47 | |
Now Muhammad decided it was time for action. | 0:24:47 | 0:24:50 | |
In defiance of the tribal elders, he was going to publicly preach his new faith. | 0:24:50 | 0:24:56 | |
"There is one god, Allah," he said. | 0:24:56 | 0:24:58 | |
"To worship all others is blasphemy." | 0:24:58 | 0:25:02 | |
Khadija did everything possible to help her husband and Islam | 0:25:04 | 0:25:07 | |
but, in 619, she fell ill with fever and died. | 0:25:07 | 0:25:10 | |
Muhammad was heartbroken. | 0:25:14 | 0:25:17 | |
For 25 years, Khadija had been his best friend and his closest ally. | 0:25:17 | 0:25:22 | |
Muslims still remember the year of her death as the Year of Sorrow. | 0:25:22 | 0:25:28 | |
As was the tradition, he took other wives, | 0:25:28 | 0:25:31 | |
but we're told his favourite was called Aisha. | 0:25:31 | 0:25:36 | |
Controversies surround Aisha, | 0:25:36 | 0:25:38 | |
not least rumours of her tender age when she married. | 0:25:38 | 0:25:42 | |
I'm meeting academic Myriam Francois-Cerrah to find out | 0:25:42 | 0:25:46 | |
why this young woman became so central to Islam. | 0:25:46 | 0:25:50 | |
She understood the religion. She understood the context. | 0:25:50 | 0:25:54 | |
She's scholarly, she's smart. She's eloquent. | 0:25:54 | 0:25:56 | |
She wants to be part of the public sphere and very much is. | 0:25:56 | 0:25:59 | |
This was not a shy and cowering woman. | 0:25:59 | 0:26:02 | |
She really took to the front and if she had something to say, | 0:26:02 | 0:26:04 | |
she said it. | 0:26:04 | 0:26:07 | |
Muhammad's new faith made him many enemies and he was forced out of Mecca. | 0:26:08 | 0:26:12 | |
After several years in exile, he returned to defeat his opponents and took control of the city. | 0:26:12 | 0:26:17 | |
But a few months later, he was dead. | 0:26:18 | 0:26:22 | |
And the person instrumental in maintaining his legacy | 0:26:22 | 0:26:25 | |
was his wife, Aisha. | 0:26:25 | 0:26:28 | |
In its early years, | 0:26:29 | 0:26:31 | |
Islam depended on word of mouth to record its core beliefs. | 0:26:31 | 0:26:35 | |
Called "Hadith", which literally means "sayings", | 0:26:35 | 0:26:38 | |
these accounts of the words and deeds of Muhammad | 0:26:38 | 0:26:41 | |
were eventually written down to help believers to understand the Quran. | 0:26:41 | 0:26:45 | |
We're told Aisha's intimate knowledge of the Prophet | 0:26:45 | 0:26:49 | |
made her central to this development. | 0:26:49 | 0:26:52 | |
She was known for having memorised thousands of Hadith, | 0:26:52 | 0:26:55 | |
or the sayings of the Prophet, | 0:26:55 | 0:26:58 | |
peace be upon him, throughout her lifetime. | 0:26:58 | 0:27:00 | |
Scores of men learnt from her. | 0:27:00 | 0:27:02 | |
There's a saying that you can get half of your religion | 0:27:02 | 0:27:05 | |
just from Aisha. | 0:27:05 | 0:27:06 | |
Today, the position of women in Islam is one of the most hotly debated topics | 0:27:06 | 0:27:10 | |
from Baghdad to Bradford. | 0:27:10 | 0:27:13 | |
Many see Muslim women as oppressed. | 0:27:13 | 0:27:16 | |
If you think of these great role models, Khadija and Aisha, | 0:27:16 | 0:27:20 | |
what do you think they would think of Islam | 0:27:20 | 0:27:22 | |
as it's developed in the 21st century? | 0:27:22 | 0:27:24 | |
I'm not entirely sure that they would recognise | 0:27:24 | 0:27:27 | |
the practices that we have today. | 0:27:27 | 0:27:28 | |
I'm certainly not sure that Aisha would take very well to being told | 0:27:28 | 0:27:32 | |
to move to the back of the room and not speak up. | 0:27:32 | 0:27:35 | |
You know, she was very much used to teaching men, educating men. | 0:27:35 | 0:27:37 | |
If she had something to say, she would say it. | 0:27:37 | 0:27:40 | |
And the idea that Khadija, again a very powerful figure, | 0:27:40 | 0:27:44 | |
would somehow be curtailed in her voice, in her rights, | 0:27:44 | 0:27:46 | |
I'm not sure that this would be anything | 0:27:46 | 0:27:48 | |
that they would be willing to accept or recognise. | 0:27:48 | 0:27:51 | |
It's easy to see how Aisha | 0:27:52 | 0:27:54 | |
and Khadija can be role models for Muslim women. | 0:27:54 | 0:27:57 | |
These powerful figures were key to the early days of Islam | 0:27:57 | 0:28:01 | |
and they challenged many people's perceptions | 0:28:01 | 0:28:04 | |
of women's role in the faith. | 0:28:04 | 0:28:06 | |
Shocking really that, outside Islam, | 0:28:06 | 0:28:08 | |
so few of us have even heard their names. | 0:28:08 | 0:28:13 | |
I've discovered compelling proof that the female of the species | 0:28:22 | 0:28:26 | |
and religion have always been inseparable. | 0:28:26 | 0:28:30 | |
Forget or ignore them and we impoverish history and ourselves. | 0:28:31 | 0:28:36 | |
Subtitles by Red Bee Media Ltd | 0:28:48 | 0:28:53 |