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All over France, you can find statues | 0:00:34 | 0:00:37 | |
honouring the sacrifices of French soldiers in World War I. | 0:00:37 | 0:00:41 | |
What's unusual about this statue | 0:00:45 | 0:00:47 | |
is that the soldiers it commemorates are Africans. | 0:00:47 | 0:00:50 | |
Men brought over from the French colonies in North Africa | 0:00:50 | 0:00:53 | |
and West Africa to fight and to die for France, | 0:00:53 | 0:00:56 | |
the nation that had taken over their own countries | 0:00:56 | 0:01:00 | |
by military force in the 19th century. | 0:01:00 | 0:01:02 | |
They were part of what was called La Force Noire, | 0:01:02 | 0:01:05 | |
the black army, and their story | 0:01:05 | 0:01:07 | |
is one of the least known in the whole of the First World War. | 0:01:07 | 0:01:11 | |
Amadou Sar was one of over 120,000 West Africans | 0:01:13 | 0:01:17 | |
recruited by France during the war. | 0:01:17 | 0:01:20 | |
One of the country's great enthusiasts for African recruitment | 0:01:22 | 0:01:27 | |
was General Charles Mangin. | 0:01:27 | 0:01:29 | |
In 1910, Charles Mangin published this book, La Force Noire, | 0:01:32 | 0:01:36 | |
the black army. | 0:01:36 | 0:01:38 | |
It's basically a manifesto calling for the mass recruitment | 0:01:38 | 0:01:41 | |
of Africans into the French Army. | 0:01:41 | 0:01:44 | |
Mangin didn't just believe that France's African colonies | 0:01:45 | 0:01:49 | |
offered a vast source of fighting men. | 0:01:49 | 0:01:52 | |
He believed Africans had primitive natures | 0:01:52 | 0:01:55 | |
and under-developed nervous systems. | 0:01:55 | 0:01:58 | |
He thought they didn't feel pain as intensely as white Europeans | 0:01:58 | 0:02:02 | |
and so would make excellent soldiers. | 0:02:02 | 0:02:05 | |
He also believed that some African tribes | 0:02:08 | 0:02:11 | |
were naturally more aggressive than others. | 0:02:11 | 0:02:14 | |
This is a photograph of Amadou Sar | 0:02:15 | 0:02:18 | |
and one of the reasons that he in particular is here | 0:02:18 | 0:02:22 | |
on the Western front is because his people, | 0:02:22 | 0:02:24 | |
the Wolof tribe of West Africa, | 0:02:24 | 0:02:26 | |
were one of those peoples that French colonial theorists | 0:02:26 | 0:02:29 | |
had decided were a naturally warrior type people, la race guerriere. | 0:02:29 | 0:02:33 | |
Troops who should lead an assault and that was their great skill, | 0:02:33 | 0:02:37 | |
that is how they should be used. Of course, what that means | 0:02:37 | 0:02:40 | |
is that Wolofs were about three times more likely | 0:02:40 | 0:02:43 | |
to die in combat than white soldiers fighting in the same campaigns. | 0:02:43 | 0:02:47 | |
This mosque, here in the south of France, | 0:02:49 | 0:02:52 | |
commemorates the West Africans who fought and died for France. | 0:02:52 | 0:02:56 | |
But not all of the men who found themselves fighting | 0:03:04 | 0:03:07 | |
for France had much choice in the matter. | 0:03:07 | 0:03:10 | |
Recruitment in West Africa was outsourced to agents, | 0:03:10 | 0:03:13 | |
to intermediaries, to men who worked to a quota system | 0:03:13 | 0:03:17 | |
and were paid by results. What this meant in practice | 0:03:17 | 0:03:21 | |
was that men were forced, coerced into the French Army, | 0:03:21 | 0:03:25 | |
were, in effect, slaves. | 0:03:25 | 0:03:27 | |
Now, to me, it's really difficult to think of a more bitter, | 0:03:27 | 0:03:31 | |
more uncomfortable irony than that, | 0:03:31 | 0:03:34 | |
that men were taken from their homes, bound in chains | 0:03:34 | 0:03:37 | |
and sent to Europe to fight for liberty and civilisation. | 0:03:37 | 0:03:41 | |
The monument of Le Constellation de la Douleur, | 0:03:48 | 0:03:52 | |
the Constellation of Suffering, was constructed in memory | 0:03:52 | 0:03:56 | |
of the West African riflemen, known as Tirailleurs Senegalais, | 0:03:56 | 0:04:00 | |
who experienced catastrophic losses | 0:04:00 | 0:04:02 | |
fighting for this ridge at the height of the war. | 0:04:02 | 0:04:05 | |
In April 1917, 20 battalions of Tirailleurs Senegalais were | 0:04:07 | 0:04:11 | |
assembled here, 15,000 men on the battlefield of Chemin des Dames on the Western Front. | 0:04:11 | 0:04:17 | |
They were deployed as shock troops | 0:04:17 | 0:04:19 | |
in full accordance with the theories of General Mangin. | 0:04:19 | 0:04:22 | |
This is where the idea that some Africans were natural warriors, | 0:04:22 | 0:04:26 | |
naturally suited to the attack, reached its conclusion, | 0:04:26 | 0:04:29 | |
with African soldiers being used as cannon fodder. | 0:04:29 | 0:04:32 | |
But there was still another 18 months of hard fighting left | 0:04:35 | 0:04:38 | |
until the war was finally over. Did Amadou make it? | 0:04:38 | 0:04:41 | |
I'd like to think so. | 0:04:41 | 0:04:43 | |
But because of who he was and where he came from, | 0:04:43 | 0:04:46 | |
because of his tribe and his race, the odds were stacked against him. | 0:04:46 | 0:04:50 | |
The new weapons and tactics of the First World War | 0:05:11 | 0:05:14 | |
created an industrialised killing machine. | 0:05:14 | 0:05:17 | |
And it sucked in men from around the globe. | 0:05:21 | 0:05:23 | |
The world had never seen such a diverse population | 0:05:25 | 0:05:28 | |
in such a concentrated area. | 0:05:28 | 0:05:30 | |
And the small Belgian community of Dikkebus | 0:05:42 | 0:05:44 | |
was right at the heart of this extraordinary global phenomenon. | 0:05:44 | 0:05:49 | |
Just a few miles away from the town of Dikkebus | 0:05:53 | 0:05:56 | |
lay the Western Front, and almost overnight, this town was transformed | 0:05:56 | 0:06:00 | |
from a provincial backwater to being one of the most diverse | 0:06:00 | 0:06:04 | |
and multicultural places on the planet. | 0:06:04 | 0:06:06 | |
Men from all over the earth came here to fight and to labour, | 0:06:06 | 0:06:10 | |
and watching over the whole thing was the young parish priest | 0:06:10 | 0:06:13 | |
of this church, Father Achiel Van Walleghem, | 0:06:13 | 0:06:16 | |
and he kept a remarkable diary of the war years. | 0:06:16 | 0:06:20 | |
Historian and curator Dominiek Dendooven | 0:06:24 | 0:06:27 | |
has studied Father Van Walleghem's impressions of those strange times. | 0:06:27 | 0:06:32 | |
What you seem to get from him | 0:06:32 | 0:06:35 | |
is a view of the First World war from behind net curtains. | 0:06:35 | 0:06:38 | |
We actually have through him first-hand accounts, | 0:06:38 | 0:06:42 | |
but first-hand accounts not from one of the parties involved | 0:06:42 | 0:06:46 | |
but from a bystander, which is very nice because that's information, | 0:06:46 | 0:06:52 | |
that first of all you would never think about, | 0:06:52 | 0:06:55 | |
and secondly you would never, ever encounter in official reports. | 0:06:55 | 0:07:00 | |
We've got the entry for the 6th June, a Sunday. | 0:07:04 | 0:07:06 | |
"Several Indian troops have arrived in the parish, | 0:07:08 | 0:07:11 | |
"black of skin, dressed as English soldiers, | 0:07:11 | 0:07:16 | |
"with the exception of the hat, | 0:07:16 | 0:07:18 | |
"which is draped artfully in a towel." | 0:07:18 | 0:07:22 | |
-Artfully. -Artfully. | 0:07:22 | 0:07:23 | |
So that's a turban. | 0:07:23 | 0:07:26 | |
"They speak English and some a bit of French. | 0:07:26 | 0:07:30 | |
"In general, they are very friendly and polite. | 0:07:30 | 0:07:33 | |
"Though their curiosity has the upper hand | 0:07:33 | 0:07:37 | |
"and they especially like to see through the windows of our houses. | 0:07:37 | 0:07:42 | |
"They bake a kind of pancake | 0:07:42 | 0:07:45 | |
"and they eat a kind of seed, which has a very strong taste." | 0:07:45 | 0:07:48 | |
So this is going to be chapatis? | 0:07:49 | 0:07:51 | |
Yeah, they're eating chapatis. | 0:07:51 | 0:07:53 | |
And flavoured with a very strong tasting spice. | 0:07:53 | 0:07:55 | |
Yeah, yeah, he says they are eating a kind of seed which is very strong | 0:07:55 | 0:07:58 | |
so he must have tasted it, | 0:07:58 | 0:07:59 | |
because otherwise he wouldn't have known that it has a strong taste. | 0:07:59 | 0:08:02 | |
So he's one of the first people in rural Belgium to try Indian food. | 0:08:02 | 0:08:06 | |
That's very much so, because local people normally tend | 0:08:06 | 0:08:09 | |
to be chauvinistic regarding food, | 0:08:09 | 0:08:11 | |
but he is definitely someone who is open to taste other things. | 0:08:11 | 0:08:17 | |
Father Walleghem made careful observations of all | 0:08:20 | 0:08:23 | |
the different nationalities who passed through his parish. | 0:08:23 | 0:08:26 | |
But one group in particular caught his attention. | 0:08:29 | 0:08:32 | |
They'd travelled from the other side of the world | 0:08:32 | 0:08:34 | |
to play their part in the war. | 0:08:34 | 0:08:36 | |
"In the area now, many Chinese have arrived and they are employed | 0:08:36 | 0:08:41 | |
"by the English, the British Army to work. | 0:08:41 | 0:08:46 | |
"So it happens that I pass them shortly before noon | 0:08:46 | 0:08:51 | |
"and constantly they were saying, 'Watch! Watch!' | 0:08:51 | 0:08:55 | |
"because they wanted to know how late it was. | 0:08:55 | 0:08:58 | |
"And I believe they were getting hungry because when I showed them | 0:08:58 | 0:09:02 | |
"it was only five minutes to 12, they were nodding contently." | 0:09:02 | 0:09:07 | |
Because they know they are going to get their dinner. | 0:09:07 | 0:09:09 | |
And he writes, indeed, he writes, | 0:09:09 | 0:09:11 | |
"It was nearly time to fill their bellies with their beloved rice." | 0:09:11 | 0:09:15 | |
Their beloved rice. | 0:09:15 | 0:09:17 | |
Their beloved rice. | 0:09:17 | 0:09:19 | |
More than 50 different nationalities | 0:09:22 | 0:09:24 | |
ended up living and working together in this small pocket of Europe. | 0:09:24 | 0:09:28 | |
When you look at that world behind the lines, | 0:09:31 | 0:09:33 | |
it looks more like Europe of the 21st century - | 0:09:33 | 0:09:36 | |
diverse, multicultural, multi-faith - | 0:09:36 | 0:09:38 | |
than the Europe of 1914-18. | 0:09:38 | 0:09:40 | |
Yeah, and that makes it very interesting for us historians, | 0:09:40 | 0:09:43 | |
because it points out the relevance that history can have | 0:09:43 | 0:09:50 | |
for today's societies. | 0:09:50 | 0:09:52 | |
Which means if you study how these groups | 0:09:52 | 0:09:55 | |
got along during the First World War, it's kind of a mirror | 0:09:55 | 0:09:59 | |
to the problems we face today in our multicultural society. | 0:09:59 | 0:10:04 | |
In April 1917, the United States declared war on Germany. | 0:10:25 | 0:10:30 | |
By the end of the year, tens of thousands of fresh troops | 0:10:31 | 0:10:35 | |
were arriving in France to reinforce the weary Allied ranks. | 0:10:35 | 0:10:40 | |
This is the grave of Freddie Stowers, | 0:10:44 | 0:10:46 | |
an American corporal who was killed in action | 0:10:46 | 0:10:49 | |
in September 1918, taking part in the Meuse-Argonne offensive, | 0:10:49 | 0:10:52 | |
one of the key turning points in the whole of the First World War. | 0:10:52 | 0:10:56 | |
What's different about Corporal Stowers from most of the men | 0:10:56 | 0:10:59 | |
buried in this American cemetery | 0:10:59 | 0:11:01 | |
was that he fought his war in a French helmet. | 0:11:01 | 0:11:04 | |
He carried a French rifle, he took orders from officers who were French, | 0:11:04 | 0:11:09 | |
and the reason for that - Freddie Stowers was an African-American. | 0:11:09 | 0:11:13 | |
The commander of the American Expeditionary Force, | 0:11:16 | 0:11:18 | |
General John Pershing, had refused to lead black soldiers into battle. | 0:11:18 | 0:11:24 | |
Most of the third of a million African-Americans | 0:11:24 | 0:11:26 | |
drafted into the US Army | 0:11:26 | 0:11:29 | |
had been sent to work behind the lines | 0:11:29 | 0:11:31 | |
in segregated labour battalions. | 0:11:31 | 0:11:34 | |
There were a handful of black combat units, | 0:11:37 | 0:11:39 | |
and General Pershing's refusal to lead them | 0:11:39 | 0:11:41 | |
turned them into an orphaned army. | 0:11:41 | 0:11:43 | |
The French called them les enfants perdus - the lost children. | 0:11:43 | 0:11:47 | |
First, the British were asked to train them | 0:11:47 | 0:11:49 | |
in the art of trench warfare, but they said no. | 0:11:49 | 0:11:51 | |
But the French Army welcomed them into their ranks, | 0:11:51 | 0:11:54 | |
ranks that after all were full already of black soldiers from the French empire. | 0:11:54 | 0:11:59 | |
Many of the black American soldiers who came to France | 0:12:01 | 0:12:04 | |
in the First World War were from the American South. | 0:12:04 | 0:12:07 | |
And what they encountered here was a society | 0:12:07 | 0:12:09 | |
that had its own prejudices, but that was radically more tolerant | 0:12:09 | 0:12:13 | |
and integrated than America. | 0:12:13 | 0:12:15 | |
In 1914, 54 black men had been lynched in the States, | 0:12:19 | 0:12:22 | |
and in the south, black people lived under a set of racial laws | 0:12:22 | 0:12:26 | |
that were really not that dissimilar from the laws | 0:12:26 | 0:12:29 | |
of apartheid era south Africa. | 0:12:29 | 0:12:31 | |
What astonished the black troops when they got here | 0:12:31 | 0:12:34 | |
was the simple things. That they could go out to the cafes, | 0:12:34 | 0:12:37 | |
that they could travel in the same railway carriages as whites. | 0:12:37 | 0:12:40 | |
That they could talk to white women on the street, | 0:12:40 | 0:12:42 | |
and that's something that could get you killed in the American South. | 0:12:42 | 0:12:46 | |
One soldier wrote home to his mother saying the only time | 0:12:46 | 0:12:48 | |
he was ever reminded in France that he was black, | 0:12:48 | 0:12:51 | |
was when he looked at his own face in the mirror. | 0:12:51 | 0:12:54 | |
Something of a love affair developed between France and black America. | 0:12:56 | 0:13:02 | |
The African-American troops were seen as sophisticated, | 0:13:02 | 0:13:06 | |
urbane and as irresistible as their new style of music. | 0:13:06 | 0:13:10 | |
Behind the lines parties sowed the seeds | 0:13:12 | 0:13:15 | |
for the post-war passion in France for ragtime and jazz. | 0:13:15 | 0:13:19 | |
The American military viewed this love affair | 0:13:24 | 0:13:26 | |
with mounting horror. | 0:13:26 | 0:13:29 | |
French acceptance of black Americans as equals | 0:13:29 | 0:13:33 | |
threatened to undermine the foundations of segregated America. | 0:13:33 | 0:13:36 | |
The music had to stop. | 0:13:39 | 0:13:41 | |
This is a copy of The Crisis, which was the magazine | 0:13:44 | 0:13:47 | |
of the National Association for the Advancement of Coloured People, | 0:13:47 | 0:13:52 | |
but on page 16, there is a section called documents of the war, | 0:13:52 | 0:13:55 | |
and the most important document | 0:13:55 | 0:13:58 | |
is this one. "Secret information concerning black American troops." | 0:13:58 | 0:14:03 | |
This was written by the French Military Mission | 0:14:03 | 0:14:05 | |
on the orders of the Americans, | 0:14:05 | 0:14:08 | |
and what this is is a list of instructions, | 0:14:08 | 0:14:11 | |
of demands placed on the French by the Americans | 0:14:11 | 0:14:14 | |
on how they were expected to treat black American soldiers. | 0:14:14 | 0:14:18 | |
It begins, "Although a citizen of the United States, | 0:14:18 | 0:14:22 | |
"the black man is regarded by white Americans as an inferior being. | 0:14:22 | 0:14:27 | |
"We must prevent," it says, "the rise of any pronounced degree | 0:14:27 | 0:14:31 | |
"of intimacy between French officers and black officers. | 0:14:31 | 0:14:35 | |
"We must not eat with them, must not shake hands, | 0:14:35 | 0:14:37 | |
"or seek to meet or talk with them | 0:14:37 | 0:14:39 | |
"outside of the requirements of military service. | 0:14:39 | 0:14:43 | |
"We must not commend too highly the black American troops | 0:14:45 | 0:14:48 | |
"particularly in the presence of white Americans. | 0:14:48 | 0:14:52 | |
"We must make the point of keeping the native population," | 0:14:52 | 0:14:56 | |
they mean the white French population, | 0:14:56 | 0:14:58 | |
"from spoiling the negroes. White Americans become greatly incensed | 0:14:58 | 0:15:02 | |
"by any expression of intimacy between white women and black men." | 0:15:02 | 0:15:08 | |
But French officers had more pressing concerns, | 0:15:11 | 0:15:15 | |
and the so-called French directive was suppressed. | 0:15:15 | 0:15:18 | |
In September 1918, Freddie Stowers and his regiment were involved in | 0:15:20 | 0:15:24 | |
what became known as the Hundred Days Offensive, | 0:15:24 | 0:15:28 | |
the final bloody push to drive the Germans out of France. | 0:15:28 | 0:15:33 | |
Early on the morning of the 26th September, | 0:15:34 | 0:15:37 | |
Corporal Stowers and his men received orders | 0:15:37 | 0:15:40 | |
to capture a heavily defended hill. | 0:15:40 | 0:15:42 | |
When the German troops appeared to surrender, | 0:15:47 | 0:15:49 | |
Stowers led his men forward but it was a trap. | 0:15:49 | 0:15:52 | |
The machine guns opened up and he was hit twice. | 0:15:52 | 0:15:55 | |
But somehow, he managed to lead his men and take the German positions. | 0:15:55 | 0:15:59 | |
He died on the battlefield, | 0:16:01 | 0:16:02 | |
an American soldier in a French helmet. | 0:16:02 | 0:16:05 | |
Stowers was recommended for the highest US military accolade | 0:16:08 | 0:16:12 | |
- the Medal of Honor. | 0:16:12 | 0:16:15 | |
But it would be more than 70 years | 0:16:15 | 0:16:17 | |
before the recommendation was processed. | 0:16:17 | 0:16:20 | |
His sisters finally received the medal on his behalf in 1991. | 0:16:20 | 0:16:25 | |
Above the blood and the mud of the Western Front, | 0:16:41 | 0:16:44 | |
the First World War saw the debut of a new form of warfare. | 0:16:44 | 0:16:49 | |
The Royal Flying Corps - which became the Royal Air Force in 1918 - | 0:16:49 | 0:16:54 | |
played an increasingly critical role in the fighting. | 0:16:54 | 0:16:57 | |
And a new type of hero was born - the air ace. | 0:16:57 | 0:17:01 | |
In the summer of 1918, | 0:17:04 | 0:17:06 | |
a RAF pilot flying one of these, an SE5a fighter, | 0:17:06 | 0:17:10 | |
shot down ten enemy aircraft in the space of just 13 days. | 0:17:10 | 0:17:15 | |
Now, that's a kill rate that compares with that | 0:17:15 | 0:17:18 | |
of any of the great fighter aces of the First World War. | 0:17:18 | 0:17:22 | |
But this pilot wasn't British or French or German, | 0:17:22 | 0:17:25 | |
he was a 19-year-old Indian called Indra Lal Roy. | 0:17:25 | 0:17:29 | |
Indra Lal Roy was born in Calcutta in 1898 into an upper class family. | 0:17:32 | 0:17:38 | |
He moved to London as a boy where he excelled at St Paul's school. | 0:17:38 | 0:17:42 | |
Oxford and a career in the Indian civil service beckoned. | 0:17:44 | 0:17:47 | |
But Indra had other plans. | 0:17:47 | 0:17:50 | |
He dreamed of becoming a fighter pilot | 0:17:50 | 0:17:53 | |
in the fledgling Royal Flying Corps. | 0:17:53 | 0:17:55 | |
But joining up would not be as simple as Indra hoped | 0:17:59 | 0:18:03 | |
as Peter Levitt from the Royal Air Force Museum explains. | 0:18:03 | 0:18:07 | |
The problem was if anybody was Asian or Black | 0:18:07 | 0:18:11 | |
and interested in joining the flying services before the First World War, | 0:18:11 | 0:18:15 | |
there was a strong colour bar. | 0:18:15 | 0:18:17 | |
They did not encourage people to join. | 0:18:17 | 0:18:20 | |
There was also a very strict rule against anybody who was | 0:18:20 | 0:18:23 | |
not of pure European stock becoming an officer, | 0:18:23 | 0:18:26 | |
which meant no matter who the Indian was, | 0:18:26 | 0:18:30 | |
or the African or the Caribbean, | 0:18:30 | 0:18:32 | |
he simply could not be a British officer. | 0:18:32 | 0:18:34 | |
And this was a military regulation. | 0:18:34 | 0:18:36 | |
It was enshrined in military and naval law. | 0:18:36 | 0:18:38 | |
But in times of war, the rules change. | 0:18:40 | 0:18:43 | |
The casualty rates of the Royal Flying Corps in 1915 and 1916 | 0:18:44 | 0:18:49 | |
mean there is great demand for more planes like this | 0:18:49 | 0:18:52 | |
but there's also a shortage of officers. | 0:18:52 | 0:18:54 | |
This is a very critical and fluid moment. | 0:18:54 | 0:18:56 | |
This is exactly right. | 0:18:56 | 0:18:58 | |
The casualties in the air are as nothing compared to those | 0:18:58 | 0:19:01 | |
on the ground but they are very, very severe. | 0:19:01 | 0:19:04 | |
Critically short of men, the Royal Flying Corps was prepared to relax | 0:19:08 | 0:19:13 | |
its strict racial policy. | 0:19:13 | 0:19:15 | |
If there had been no war, | 0:19:17 | 0:19:18 | |
Indra Lal Roy would not have been an officer in the Royal Flying Corps, | 0:19:18 | 0:19:21 | |
we can say that with certainty. | 0:19:21 | 0:19:22 | |
If he hadn't been a public school boy, | 0:19:22 | 0:19:24 | |
he wouldn't have been an officer in the Royal Flying Corps. | 0:19:24 | 0:19:28 | |
On this occasion, | 0:19:28 | 0:19:29 | |
it seemed that class was more important to the British than race. | 0:19:29 | 0:19:33 | |
But Lal Roy still needed to prove that he had what it took | 0:19:33 | 0:19:37 | |
to join the exclusive club of fighter pilots. | 0:19:37 | 0:19:40 | |
Once he had his commission in July 1917, | 0:19:42 | 0:19:44 | |
he was assessed by the Royal Flying Corps | 0:19:44 | 0:19:47 | |
and he was sent for training. His hand-eye coordination was good, | 0:19:47 | 0:19:50 | |
he was a good sportsman, he knew how to fly an aircraft. | 0:19:50 | 0:19:54 | |
He was assessed as good enough to be a scout or fighter pilot. | 0:19:54 | 0:19:59 | |
They are the elite, | 0:19:59 | 0:20:01 | |
they can handle their aircraft | 0:20:01 | 0:20:03 | |
and they are also deemed to have the emotional strength, | 0:20:03 | 0:20:07 | |
perhaps the ruthlessness, to kill other men. | 0:20:07 | 0:20:09 | |
In June 1918, | 0:20:13 | 0:20:15 | |
Flight Lieutenant Lal Roy was posted to the front line in France. | 0:20:15 | 0:20:20 | |
He and his SE5a were thrown into the frantic fight | 0:20:20 | 0:20:24 | |
to drive back the massive German offensive. | 0:20:24 | 0:20:28 | |
So by his skill, he put himself very quickly from being a trainee pilot | 0:20:28 | 0:20:32 | |
to being in the absolute forefront of one of the most | 0:20:32 | 0:20:35 | |
dangerous jobs in the most dangerous moments in the First World War. | 0:20:35 | 0:20:38 | |
Absolutely right, and in a sustained period, only 13 days, | 0:20:38 | 0:20:41 | |
between the 6th of July 1918 and the 19th July 1918, | 0:20:41 | 0:20:45 | |
he shoots down ten German aircraft. | 0:20:45 | 0:20:48 | |
He only flew for 170 hours and 15 minutes to do that, | 0:20:48 | 0:20:53 | |
that's quite exceptional. | 0:20:53 | 0:20:55 | |
And his rate of scoring was such that had he survived, | 0:20:55 | 0:21:00 | |
then he would be up there with the greats. | 0:21:00 | 0:21:02 | |
So what happened to him? | 0:21:02 | 0:21:04 | |
Only three days after his last victory, | 0:21:04 | 0:21:07 | |
he took off at 8 o'clock in the morning on the 22nd July 1918. | 0:21:07 | 0:21:11 | |
He took off with three other officers, | 0:21:12 | 0:21:16 | |
a fight broke out at 16,000ft with Fokker DVIIs, | 0:21:16 | 0:21:19 | |
two of those German aircraft were shot down | 0:21:19 | 0:21:22 | |
and an SE5a was seen to fall in flames. | 0:21:22 | 0:21:25 | |
He didn't return. | 0:21:30 | 0:21:32 | |
19-year-old Indra Lal Roy was buried by the Germans | 0:21:35 | 0:21:39 | |
with full military honours | 0:21:39 | 0:21:41 | |
in the cemetery of the French village of Estevelles. | 0:21:41 | 0:21:45 | |
After the war, his mother went to France and it was suggested | 0:21:45 | 0:21:49 | |
that he be buried elsewhere but she wouldn't have it. | 0:21:49 | 0:21:51 | |
This is where, she said, | 0:21:51 | 0:21:53 | |
he had fallen in a cause that he believed in. | 0:21:53 | 0:21:56 | |
Indra Lal Roy was posthumously awarded | 0:21:57 | 0:22:00 | |
the Distinguished Flying Cross. | 0:22:00 | 0:22:02 | |
Indra Lal Roy's short life reminds us | 0:22:04 | 0:22:07 | |
that this thing we call the First World War | 0:22:07 | 0:22:10 | |
is really the story of millions of individual experiences, | 0:22:10 | 0:22:13 | |
each one of them different. | 0:22:13 | 0:22:15 | |
Here was a young man who went looking for the war, | 0:22:15 | 0:22:18 | |
who fought it on his own terms, who emulated his heroes, | 0:22:18 | 0:22:22 | |
who broke through the colour bar | 0:22:22 | 0:22:23 | |
and who became one of the most deadly air aces | 0:22:23 | 0:22:26 | |
on the Western Front. | 0:22:26 | 0:22:28 | |
And he did this at s time when it was widely believed | 0:22:28 | 0:22:31 | |
that Indians weren't capable of even running their own country. | 0:22:31 | 0:22:36 | |
"Dear Mrs Roy, I am writing just a short note to try to explain just | 0:22:36 | 0:22:41 | |
"the sort of real hero your son was. | 0:22:41 | 0:22:45 | |
"I was in the same squadron and I had the great pleasure and honour | 0:22:45 | 0:22:49 | |
"to be your son's friend and admirer for the short time I knew him. | 0:22:49 | 0:22:53 | |
"He was just wonderful. | 0:22:55 | 0:22:57 | |
"He wasn't a fierce fighter by any means, | 0:22:57 | 0:23:00 | |
"he simply fought with amazing courage | 0:23:00 | 0:23:04 | |
"and half his thoughts were with the enemy pilot I am sure. | 0:23:04 | 0:23:07 | |
"He stands alone for pureness, nobleness, courage | 0:23:07 | 0:23:12 | |
"and most of all modesty." | 0:23:12 | 0:23:15 | |
World War I drew men from all over the globe to the Western Front. | 0:23:44 | 0:23:48 | |
But one of the most telling meetings between different races and cultures | 0:23:51 | 0:23:55 | |
came not in the trenches | 0:23:55 | 0:23:57 | |
but in the South of France far from the bullets and the artillery. | 0:23:57 | 0:24:01 | |
Frejus with its warm climate | 0:24:03 | 0:24:05 | |
was one of those places where black soldiers, | 0:24:05 | 0:24:08 | |
Africans recruited in the French colonies of West Africa, | 0:24:08 | 0:24:11 | |
were sent to rest and recuperate during the winter. | 0:24:11 | 0:24:14 | |
The French Army was convinced that Africans simply couldn't survive | 0:24:14 | 0:24:18 | |
the cold winters of Northern France. | 0:24:18 | 0:24:21 | |
Frejus was also home to a young French artist who met the Africans, | 0:24:21 | 0:24:25 | |
who got to know some of these men who had come from so far away | 0:24:25 | 0:24:29 | |
to try and save France. | 0:24:29 | 0:24:31 | |
Her name was Lucie Cousturier. | 0:24:31 | 0:24:33 | |
Lucie Cousturier was a Paris-based painter | 0:24:37 | 0:24:40 | |
who had moved to Frejus to escape the war. | 0:24:40 | 0:24:43 | |
She found a town going through a period of remarkable change. | 0:24:46 | 0:24:50 | |
Historian Alison Fell explains. | 0:24:53 | 0:24:55 | |
Frejus was a very small town in the First World War, | 0:24:56 | 0:25:00 | |
about 8,000 people and there's about 40,000 French-African soldiers | 0:25:00 | 0:25:04 | |
who spent the winters here. | 0:25:04 | 0:25:06 | |
And so this small town on the Cote d'Azur | 0:25:06 | 0:25:08 | |
suddenly has an army camp four, five times the size of it | 0:25:08 | 0:25:13 | |
with men from Africa. | 0:25:13 | 0:25:15 | |
Absolutely, it must have been absolutely transformed | 0:25:15 | 0:25:17 | |
and the vast majority of the population | 0:25:17 | 0:25:19 | |
would never have seen a black man before. | 0:25:19 | 0:25:23 | |
The population of Frejus reflected the prejudices of the time. | 0:25:23 | 0:25:27 | |
So, Alison, what stereotypes about Africans and African soldiers | 0:25:29 | 0:25:33 | |
were common at the time in France? | 0:25:33 | 0:25:35 | |
Before the First World War, the common stereotypes were of savage, | 0:25:35 | 0:25:40 | |
cannibalistic, highly sexed, certainly for African men. | 0:25:40 | 0:25:44 | |
And there was a lot of nervousness about the presence | 0:25:44 | 0:25:47 | |
of black African troops on French soil in the First World War. | 0:25:47 | 0:25:52 | |
The West African soldiers were known as the Tirailleurs Senegalais. | 0:25:55 | 0:25:58 | |
Senegalese Riflemen. | 0:25:58 | 0:26:01 | |
And the French authorities set out to reassure their citizens | 0:26:01 | 0:26:04 | |
that they had nothing to fear from them. | 0:26:04 | 0:26:07 | |
They presented them as loyal, simple children. | 0:26:09 | 0:26:12 | |
One of the main ways that they propagated this image | 0:26:14 | 0:26:17 | |
was through an advert for a drink called Banania. | 0:26:17 | 0:26:20 | |
There's a very famous advertisement with a grinning Tirailleur | 0:26:20 | 0:26:23 | |
and the slogan is "Y'a bon." | 0:26:23 | 0:26:26 | |
Which was the slogan that was most associated with | 0:26:26 | 0:26:28 | |
the Tirailleurs Senegalais. | 0:26:28 | 0:26:30 | |
And that's part of the language, the simple version of pidgin French | 0:26:30 | 0:26:35 | |
that the Tirailleurs were taught by the French army? | 0:26:35 | 0:26:37 | |
Absolutely, they were taught a form of pidgin French | 0:26:37 | 0:26:40 | |
so "Y'a bon" in standard French would be "C'est bon" so, "It's good." | 0:26:40 | 0:26:44 | |
-So, it's like baby talk. -It's like baby talk. Absolutely, | 0:26:44 | 0:26:47 | |
and they were taught a very, very limited set of set phrases. | 0:26:47 | 0:26:51 | |
So it also really limited their ability to express themselves | 0:26:51 | 0:26:55 | |
beyond the most basic daily needs. | 0:26:55 | 0:26:57 | |
When the black soldiers came to Lucie Cousturier's house | 0:26:59 | 0:27:03 | |
looking for odd jobs and scrounging for cigarettes, | 0:27:03 | 0:27:06 | |
she struck up what, for the times, | 0:27:06 | 0:27:08 | |
was an unlikely friendship with them. | 0:27:08 | 0:27:11 | |
They asked her perhaps for a glass of water or something like that | 0:27:11 | 0:27:15 | |
and she invited them in and gradually she realised | 0:27:15 | 0:27:20 | |
that all they could speak was a kind of military jargon | 0:27:20 | 0:27:23 | |
which had been imposed on them | 0:27:23 | 0:27:25 | |
for reasons of understanding military orders. | 0:27:25 | 0:27:30 | |
The military were producing people who could not communicate | 0:27:30 | 0:27:35 | |
with the people for whom they were fighting. | 0:27:35 | 0:27:39 | |
She taught them French, she taught them writing and reading, | 0:27:39 | 0:27:42 | |
and it was through her work with them in a way that some of these | 0:27:42 | 0:27:45 | |
stereotypes then were unmasked as the racist assumptions they were. | 0:27:45 | 0:27:49 | |
"If I had been swayed by the opinion commonly held | 0:27:51 | 0:27:56 | |
"that the intelligence of negroes develops only until the age of 13 | 0:27:56 | 0:28:01 | |
"and decreases after that, | 0:28:01 | 0:28:03 | |
"I would never have set out to teach a 28-year-old to read and write | 0:28:03 | 0:28:08 | |
"and one who had practised for seven years | 0:28:08 | 0:28:11 | |
"the muddled jargon of the Tirailleurs." | 0:28:11 | 0:28:16 | |
She really befriended them | 0:28:16 | 0:28:18 | |
and found that underneath the different colour of skin, | 0:28:18 | 0:28:21 | |
underneath the ignorance of the French language, | 0:28:21 | 0:28:23 | |
they were human beings, they had the same feelings, | 0:28:23 | 0:28:26 | |
they had the same family attachments. | 0:28:26 | 0:28:29 | |
They had the same total bewilderment | 0:28:29 | 0:28:33 | |
at being in a totally alien environment. | 0:28:33 | 0:28:36 | |
She's an extraordinary woman. Really quite extraordinary for her period. | 0:28:38 | 0:28:42 | |
When we think of the First World War, | 0:29:04 | 0:29:06 | |
we tend to picture white men in the trenches. | 0:29:06 | 0:29:09 | |
But more than four million black, Asian and North African men | 0:29:09 | 0:29:13 | |
also fought in the conflict. | 0:29:13 | 0:29:16 | |
Many of these men were unable to write | 0:29:16 | 0:29:19 | |
so if we want to unlock some of their experiences of the war, | 0:29:19 | 0:29:23 | |
we need look to look beyond the written word. | 0:29:23 | 0:29:26 | |
I've come to this building in Berlin, | 0:29:28 | 0:29:31 | |
to a place that used to be called the museum of voices. | 0:29:31 | 0:29:34 | |
What's inside here are hundreds of recordings | 0:29:34 | 0:29:37 | |
of the voices of men who fought in the First World War. | 0:29:37 | 0:29:41 | |
They came not just from Europe, but from right across the world | 0:29:41 | 0:29:44 | |
and one of them was a young Indian soldier called Mall Singh. | 0:29:44 | 0:29:48 | |
Here, in these meticulously ordered cabinets, | 0:29:58 | 0:30:00 | |
are hundreds of ghosts from the war. | 0:30:00 | 0:30:03 | |
RECORDING: | 0:30:19 | 0:30:22 | |
That's beautiful. | 0:30:42 | 0:30:44 | |
A voice from another world. | 0:30:44 | 0:30:46 | |
-You can hear when he makes mistakes, you can hear his stumbles. -Yeah. | 0:30:57 | 0:31:01 | |
The haunting voice belongs to a 24-year-old Indian soldier | 0:31:13 | 0:31:17 | |
from the Punjab called Mall Singh. He's telling his own story. | 0:31:17 | 0:31:23 | |
He was part of the India Corps that arrived in France in 1914 | 0:31:24 | 0:31:29 | |
to fight for the British... | 0:31:29 | 0:31:30 | |
..and he'd been taken prisoner by the Germans. | 0:31:31 | 0:31:34 | |
At 4pm on 11th December 1916, | 0:31:36 | 0:31:40 | |
Mall Singh was put in front of a horn microphone | 0:31:40 | 0:31:43 | |
and told to recite his poem. | 0:31:43 | 0:31:46 | |
The recording brings to life the story of a man transported | 0:31:51 | 0:31:55 | |
across continents and oceans to fight in someone else's war. | 0:31:55 | 0:32:00 | |
The German scientists who made it had no interest in any of that. | 0:32:00 | 0:32:04 | |
They just wanted a sample of Punjabi dialect | 0:32:05 | 0:32:09 | |
to further their research into different racial types. | 0:32:09 | 0:32:12 | |
But it's only thanks to their obsession | 0:32:15 | 0:32:17 | |
that a century later we have a sound archive filled | 0:32:17 | 0:32:20 | |
with the voices of Mall Singh and hundreds of other colonial soldiers, | 0:32:20 | 0:32:25 | |
offering a rare glimpse into their experience of the war. | 0:32:25 | 0:32:30 | |
Most of these colonial soldiers were non-literate or semi-literate | 0:32:33 | 0:32:38 | |
and they have not left us the super-abundance of diaries or poems | 0:32:38 | 0:32:42 | |
or letters that form the cornerstone | 0:32:42 | 0:32:45 | |
of European memory of the First World War. | 0:32:45 | 0:32:48 | |
So it's necessarily a history of fragments, | 0:32:48 | 0:32:51 | |
it's a history of fugitive moments | 0:32:51 | 0:32:54 | |
that has to be very carefully recovered, analysed | 0:32:54 | 0:32:59 | |
and put pressure on, and because there are so few, | 0:32:59 | 0:33:02 | |
they are all the more precious. | 0:33:02 | 0:33:04 | |
RECORDING: | 0:33:07 | 0:33:09 | |
In late summer 1914, the empires of Europe went to war. | 0:33:47 | 0:33:52 | |
Within weeks, thousands of soldiers from British India | 0:33:54 | 0:33:57 | |
started arriving here in Marseille, in southern France. | 0:33:57 | 0:34:01 | |
The Indian Army was made up of men from all over India | 0:34:06 | 0:34:10 | |
and was led by white British officers. | 0:34:10 | 0:34:12 | |
Established to guard the British Raj, | 0:34:17 | 0:34:19 | |
the India Corps, still in their tropical uniforms, | 0:34:19 | 0:34:22 | |
were ill-equipped to fight a war in Northern Europe. | 0:34:22 | 0:34:25 | |
But as the German armies marched across the continent, | 0:34:27 | 0:34:30 | |
the British needed every soldier they could get their hands on. | 0:34:30 | 0:34:34 | |
The Indians' first stop was Marseille's racecourse | 0:34:39 | 0:34:42 | |
just outside the city. | 0:34:42 | 0:34:44 | |
Among the thousands of soldiers who were camped out here | 0:34:47 | 0:34:50 | |
on the racecourse at Marseilles | 0:34:50 | 0:34:52 | |
was a young Sikh soldier called Manta Singh. | 0:34:52 | 0:34:55 | |
This was the first place that he and the other Indian troops | 0:34:55 | 0:34:58 | |
had a chance to get used to their new surroundings, | 0:34:58 | 0:35:01 | |
to try to make sense of this strange world | 0:35:01 | 0:35:04 | |
into which they had been thrown by the British Empire. | 0:35:04 | 0:35:07 | |
They had a lot to get used to, including learning how to operate | 0:35:07 | 0:35:10 | |
the new rifle they had been given | 0:35:10 | 0:35:12 | |
with which they were going off to fight a war | 0:35:12 | 0:35:14 | |
thousands of miles away from home. | 0:35:14 | 0:35:16 | |
We are usually used to thinking of it as a military clash of empires, | 0:35:21 | 0:35:25 | |
but what happens when the different empires go to war? | 0:35:25 | 0:35:29 | |
Of course, they fight and people get killed, | 0:35:29 | 0:35:33 | |
but that also means that hundreds of thousands of people | 0:35:33 | 0:35:36 | |
are travelling all across the globe in different directions. | 0:35:36 | 0:35:40 | |
They're meeting, interacting, forming bridges, | 0:35:40 | 0:35:44 | |
at the same time splintering apart. | 0:35:44 | 0:35:47 | |
Often it's such moments, | 0:35:48 | 0:35:50 | |
such granular moments, that give us insights into the global war. | 0:35:50 | 0:35:55 | |
By the end of October, Manta Singh and the rest of the India Corps | 0:35:56 | 0:36:00 | |
had been rushed to Northern France in a frantic attempt | 0:36:00 | 0:36:03 | |
to halt the German advance. | 0:36:03 | 0:36:05 | |
The Indian troops now made up a third of the British Army. | 0:36:09 | 0:36:12 | |
Manta Singh was thrown into battle near the French village | 0:36:15 | 0:36:18 | |
of Neuve Chapelle and ordered to hold the line at all costs. | 0:36:18 | 0:36:23 | |
One of the white officers fighting alongside Manta Singh | 0:36:25 | 0:36:29 | |
was Captain George Henderson, an old India hand. | 0:36:29 | 0:36:32 | |
The two men had become firm friends. | 0:36:34 | 0:36:37 | |
There was fighting going on in the region north of Neuve Chapelle. | 0:36:40 | 0:36:44 | |
Captain Henderson went out on patrol. | 0:36:45 | 0:36:48 | |
Part of the patrol was going off-course. | 0:36:48 | 0:36:52 | |
He signalled to that patrol to come back. | 0:36:52 | 0:36:54 | |
They didn't hear him. | 0:36:54 | 0:36:55 | |
He went after that patrol | 0:36:57 | 0:36:58 | |
and was shot through both thighs and seriously wounded. | 0:36:58 | 0:37:01 | |
Manta Singh saw the incident and rescued his friend, | 0:37:06 | 0:37:09 | |
the story goes, with a wheelbarrow and took him to safety. | 0:37:09 | 0:37:13 | |
As his friend recovered in hospital, | 0:37:14 | 0:37:16 | |
Manta Singh returned to the front line | 0:37:16 | 0:37:19 | |
where a new, terrible form of combat had developed... | 0:37:19 | 0:37:22 | |
..trench warfare. | 0:37:24 | 0:37:26 | |
The India Corps were among the first to experience the mud and misery | 0:37:29 | 0:37:33 | |
of the trenches - a world ruled by machine guns, high explosives | 0:37:33 | 0:37:38 | |
and poison gas. | 0:37:38 | 0:37:39 | |
"This is not war," one of them wrote. | 0:37:42 | 0:37:44 | |
"This is the end of the world." | 0:37:45 | 0:37:47 | |
In March 1915, | 0:37:52 | 0:37:53 | |
the British launched their first major offensive of the war. | 0:37:53 | 0:37:56 | |
The India Corps were in the thick of it, | 0:37:59 | 0:38:01 | |
making up almost half the attacking force. | 0:38:01 | 0:38:04 | |
Among them was Manta Singh. | 0:38:06 | 0:38:07 | |
The British advance faltered and then collapsed. | 0:38:12 | 0:38:15 | |
More than 4,000 Indian soldiers were killed or wounded | 0:38:20 | 0:38:24 | |
in three days of fighting. | 0:38:24 | 0:38:26 | |
Manta Singh himself was shot through the thigh. | 0:38:30 | 0:38:33 | |
We don't know precisely the circumstances, | 0:38:33 | 0:38:35 | |
but we do know it was a very, very serious injury indeed. | 0:38:35 | 0:38:38 | |
Probably more so than his friend Captain Henderson, | 0:38:38 | 0:38:40 | |
who unfortunately was shot through both thighs. | 0:38:40 | 0:38:43 | |
Manta Singh was brought back to England. | 0:38:43 | 0:38:45 | |
The injury was sufficiently serious that they had to amputate his leg | 0:38:45 | 0:38:50 | |
and unfortunately gangrene set in | 0:38:50 | 0:38:52 | |
and a few days later, Manta Singh died. | 0:38:52 | 0:38:54 | |
Manta Singh's body was taken here to the South Downs | 0:38:58 | 0:39:01 | |
and cremated in accordance with his religious beliefs. | 0:39:01 | 0:39:05 | |
The Chattri Monument marks the spot | 0:39:08 | 0:39:10 | |
where more than 50 other Indian soldiers were cremated | 0:39:10 | 0:39:13 | |
before their ashes were scattered on the English Channel. | 0:39:13 | 0:39:16 | |
On hearing of the death of his friend, | 0:39:18 | 0:39:20 | |
Captain Henderson made sure that Manta Singh's son | 0:39:20 | 0:39:24 | |
was cared for and supported. | 0:39:24 | 0:39:25 | |
Remarkably, their sons also served together during the Second World War | 0:39:29 | 0:39:35 | |
and 100 years after Manta Singh saved Captain Henderson's life, | 0:39:35 | 0:39:39 | |
their grandsons carry on this family friendship | 0:39:39 | 0:39:43 | |
forged in World War I. | 0:39:43 | 0:39:45 | |
The millions of people drawn into World War I | 0:40:06 | 0:40:09 | |
are often seen as passive victims caught up in global events. | 0:40:09 | 0:40:13 | |
But some stories remind us | 0:40:15 | 0:40:17 | |
that the men who fought in the conflict often had their own agenda | 0:40:17 | 0:40:21 | |
and were determined to take control of their own fate. | 0:40:21 | 0:40:24 | |
In March 1915, the British were preparing | 0:40:27 | 0:40:30 | |
for their first major offensive on the Western Front, | 0:40:30 | 0:40:32 | |
here near the village of Neuve Chapelle in France. | 0:40:32 | 0:40:36 | |
Half the attacking soldiers were to be Indians, | 0:40:36 | 0:40:39 | |
but one of those soldiers, Jemadar Mir Mast, an officer, | 0:40:39 | 0:40:42 | |
had plans of his own. | 0:40:42 | 0:40:43 | |
He was about to begin an epic journey that would take him | 0:40:43 | 0:40:46 | |
all the way home to India, | 0:40:46 | 0:40:48 | |
but it began with a night-time journey across no-man's-land | 0:40:48 | 0:40:52 | |
in which Mir Mast took 20 of his comrades | 0:40:52 | 0:40:54 | |
over to the German lines and deserted to the enemy. | 0:40:54 | 0:40:57 | |
Mir Mast was a Muslim from a small mountain village | 0:40:59 | 0:41:02 | |
on the border of Afghanistan and India. | 0:41:02 | 0:41:05 | |
He was a jemadar, a platoon commander, | 0:41:06 | 0:41:09 | |
in the 58th Vaughan's Rifles, | 0:41:09 | 0:41:11 | |
part of the India Corp who had been sent to France | 0:41:11 | 0:41:14 | |
at the start of the war. | 0:41:14 | 0:41:16 | |
By the spring of 1915, | 0:41:18 | 0:41:20 | |
Mir Mast had already endured a bitter winter in the trenches. | 0:41:20 | 0:41:25 | |
He'd seen fierce fighting and had been awarded | 0:41:25 | 0:41:28 | |
the Indian Distinguished Service Medal | 0:41:28 | 0:41:30 | |
for "gallantry and devotion to duty". | 0:41:30 | 0:41:32 | |
What I've got here arranged in front of me is the paper trail, | 0:41:34 | 0:41:38 | |
the documents left behind by Mir Mast in archives in London | 0:41:38 | 0:41:42 | |
and Delhi and Berlin. | 0:41:42 | 0:41:44 | |
In the London Gazette is the formal announcement of Mir Mast's | 0:41:46 | 0:41:49 | |
Indian Distinguished Service Medal. | 0:41:49 | 0:41:51 | |
But by the time his award was announced, | 0:41:53 | 0:41:56 | |
this "gallant officer" was already being debriefed by German officials. | 0:41:56 | 0:42:00 | |
These are the notes from the interrogation of Mir Mast | 0:42:02 | 0:42:06 | |
by a German official on 7th March 1915 in Lille in France, | 0:42:06 | 0:42:12 | |
just a few days after he'd defected and brought other soldiers with him | 0:42:12 | 0:42:16 | |
over to the German lines at Neuve Chapelle. | 0:42:16 | 0:42:18 | |
The most important page is this one - | 0:42:20 | 0:42:22 | |
this is a map of the Khyber Pass, perhaps drawn by Mir Mast himself. | 0:42:22 | 0:42:27 | |
It certainly comes out of his interrogation | 0:42:27 | 0:42:29 | |
and it lists the numbers and the locations, | 0:42:29 | 0:42:32 | |
the dispositions of the British and Indian troops on the Khyber Pass, | 0:42:32 | 0:42:36 | |
the critical route between Afghanistan and British India. | 0:42:36 | 0:42:40 | |
So, clearly, having deserted to the Germans, | 0:42:40 | 0:42:42 | |
Mir Mast was determined to prove to them just how useful he could be. | 0:42:42 | 0:42:46 | |
Mir Mast's next stop was a prisoner of war camp | 0:42:49 | 0:42:52 | |
for colonial soldiers outside Berlin. | 0:42:52 | 0:42:54 | |
There the Germans were on the lookout for volunteers | 0:42:57 | 0:43:00 | |
for one of the most audacious and dangerous missions | 0:43:00 | 0:43:03 | |
of the whole war - | 0:43:03 | 0:43:06 | |
an expedition to Kabul to persuade the Emir of Afghanistan | 0:43:06 | 0:43:10 | |
to switch sides and join a "holy war" against British India. | 0:43:10 | 0:43:15 | |
The mission was made up of diplomats from Germany | 0:43:17 | 0:43:20 | |
and her new ally, Turkey, Indian nationalists and the volunteers | 0:43:20 | 0:43:24 | |
from the prisoner of war camp whose local knowledge would be invaluable. | 0:43:24 | 0:43:28 | |
They would set off from Istanbul, | 0:43:33 | 0:43:37 | |
heading first towards Baghdad. | 0:43:37 | 0:43:39 | |
From there, they'd cross the salt deserts and mountains of Persia | 0:43:42 | 0:43:47 | |
before dropping down onto the dusty plains of Afghanistan | 0:43:47 | 0:43:51 | |
and their final destination, | 0:43:51 | 0:43:54 | |
Kabul. | 0:43:54 | 0:43:55 | |
The most intriguing piece of evidence in this whole story | 0:44:00 | 0:44:05 | |
is this photograph. We know that it was taken by the Germans | 0:44:05 | 0:44:08 | |
and it shows six Indian soldiers | 0:44:08 | 0:44:10 | |
along with four Indian names, one of which was Mir Mast. | 0:44:10 | 0:44:15 | |
He's the guy on the far left, | 0:44:15 | 0:44:17 | |
a guy who has set himself slightly away from the others, | 0:44:17 | 0:44:20 | |
but it's his face - this guy has the face of a man | 0:44:20 | 0:44:24 | |
who's lived the life of Mir Mast, who's lived between empires, | 0:44:24 | 0:44:28 | |
who has lived a life of intrigue. It's the face of a born survivor. | 0:44:28 | 0:44:33 | |
The mission set off in May 1915. | 0:44:41 | 0:44:44 | |
Dodging Russian and British patrols, running short of water | 0:44:44 | 0:44:47 | |
and supplies, more than half of the expedition was lost to | 0:44:47 | 0:44:52 | |
exhaustion, disease and defection. | 0:44:52 | 0:44:54 | |
But a core group did reach Kabul. | 0:44:56 | 0:44:59 | |
They were eventually granted official audiences with the Emir. | 0:44:59 | 0:45:03 | |
He weighed up his options, | 0:45:05 | 0:45:07 | |
calculating which imperial power was likely to come out on top. | 0:45:07 | 0:45:11 | |
But the British were past masters of the dark arts | 0:45:12 | 0:45:16 | |
of diplomacy in this part of the world, | 0:45:16 | 0:45:18 | |
and they were able to undermine all the expedition's talk of holy war. | 0:45:18 | 0:45:24 | |
In the end, the Emir decided to stick with the British - | 0:45:27 | 0:45:30 | |
and the German schemes unravelled in the cold Afghan winter. | 0:45:30 | 0:45:35 | |
Mir Mast found himself on a global battlefield, | 0:45:39 | 0:45:42 | |
fighting first for the British and then for German ambitions. | 0:45:42 | 0:45:46 | |
But he fought the war on his own terms - and it looks like he won. | 0:45:47 | 0:45:52 | |
This document is the final piece in the jigsaw in the remarkable | 0:45:58 | 0:46:02 | |
life of Mir Mast. | 0:46:02 | 0:46:03 | |
This is a secret British report into the nominal role of | 0:46:03 | 0:46:07 | |
Indian prisoners of war suspected of having deserted to the enemy. | 0:46:07 | 0:46:11 | |
It's from October 1918, near the end of the war. | 0:46:11 | 0:46:14 | |
As well as giving the regiments and the names | 0:46:15 | 0:46:18 | |
of these soldiers, this document critically also gives us the latest | 0:46:18 | 0:46:22 | |
information that the British have received on what happened to them. | 0:46:22 | 0:46:26 | |
And for Mir Mast and two of his colleagues, what it says is | 0:46:26 | 0:46:29 | |
these three accompanied the Turco-German mission to Afghanistan | 0:46:29 | 0:46:33 | |
and are reported to have returned to their homes in June 1915. | 0:46:33 | 0:46:38 | |
So there you have it - | 0:46:38 | 0:46:39 | |
evidence that the British at least are convinced that | 0:46:39 | 0:46:42 | |
Mir Mast made it all the way from the Western Front back to his home. | 0:46:42 | 0:46:46 | |
A few miles outside the village of Noyelles-sur-Mer, | 0:47:11 | 0:47:14 | |
not far from the French coast, is a well-tended World War I cemetery. | 0:47:14 | 0:47:19 | |
What's surprising is that the men buried here were Chinese civilians. | 0:47:22 | 0:47:28 | |
One of them was Doh Jing Shan, | 0:47:32 | 0:47:36 | |
or as he was known to the British - 105669. | 0:47:36 | 0:47:43 | |
He's buried alongside more than 800 of his fellow countrymen. | 0:47:43 | 0:47:47 | |
So what are they doing here | 0:47:49 | 0:47:50 | |
in a military graveyard in northern France? | 0:47:50 | 0:47:53 | |
Well, their story, the story of the | 0:47:53 | 0:47:55 | |
Chinese Labour Corps is one of the most forgotten | 0:47:55 | 0:47:58 | |
in all of the First World War, but it was their muscle and | 0:47:58 | 0:48:00 | |
their ingenuity that kept the wheels of industrial warfare turning. | 0:48:00 | 0:48:04 | |
As the war went on, the armies on the Western Front developed | 0:48:07 | 0:48:10 | |
a more and more sophisticated killing machine, | 0:48:10 | 0:48:13 | |
capable of industrial-scale slaughter. | 0:48:13 | 0:48:16 | |
All it needed was an infinite number of men to feed it. | 0:48:19 | 0:48:22 | |
In October 1916, the British started recruiting Chinese labourers in | 0:48:28 | 0:48:33 | |
their thousands to replace the men killed in two years of slaughter. | 0:48:33 | 0:48:37 | |
Initially, the men from China were given the most menial of tasks - | 0:48:41 | 0:48:45 | |
digging trenches, lugging ammo and burying bodies. | 0:48:45 | 0:48:49 | |
But as the fighting intensified, | 0:48:55 | 0:48:58 | |
many found themselves propelled into roles as skilled mechanics | 0:48:58 | 0:49:02 | |
on a new military technology making its debut in the war. | 0:49:02 | 0:49:07 | |
This is "Deborah", a British D51 tank. | 0:49:19 | 0:49:22 | |
In the winter of 1917, she was one of more than 300 of these strange | 0:49:25 | 0:49:30 | |
new beasts that lumbered towards the German lines. | 0:49:30 | 0:49:34 | |
Deborah was dug up and recovered 80 years later by her | 0:49:37 | 0:49:40 | |
present owner, Philippe Gorczynski. | 0:49:40 | 0:49:43 | |
For him, the story of the tank | 0:49:45 | 0:49:47 | |
and the story of the Chinese Labour Corps are inseparable. | 0:49:47 | 0:49:51 | |
So in the First World War, | 0:49:51 | 0:49:53 | |
this is the most hi tech weapon on the battlefield. | 0:49:53 | 0:49:56 | |
Yes. It was like Formula One. | 0:49:57 | 0:50:00 | |
It was a new design, modern equipment with an engine, | 0:50:00 | 0:50:04 | |
it was the new technology of the beginning of the century. | 0:50:04 | 0:50:10 | |
The tanks were submitted to very hard conditions of driving, | 0:50:13 | 0:50:17 | |
but also of fighting, so when the tank went into the action, | 0:50:17 | 0:50:21 | |
you have to imagine that those inside | 0:50:21 | 0:50:24 | |
asked the maximum of their engine, of their tank. | 0:50:24 | 0:50:29 | |
So as soon as the action was finished, | 0:50:29 | 0:50:31 | |
the tank has to be completely repaired, | 0:50:31 | 0:50:34 | |
re-put into fighting condition. | 0:50:34 | 0:50:37 | |
So for most of its time, a tank wasn't in the hands of soldiers | 0:50:37 | 0:50:40 | |
and tank crews, it was with engineers | 0:50:40 | 0:50:42 | |
behind the line being repaired and rebuilt. | 0:50:42 | 0:50:45 | |
Yes, because I think that every tank went into the Chinese hands. | 0:50:45 | 0:50:51 | |
In fact, they were crucial in the involvement of the tank | 0:50:51 | 0:50:54 | |
into the First World War. | 0:50:54 | 0:50:56 | |
This was hard work and it was dangerous work, | 0:50:58 | 0:51:00 | |
but it was also skilled mechanical work. | 0:51:00 | 0:51:02 | |
Yes, because it need very careful attention just for the engine, | 0:51:02 | 0:51:06 | |
just for the gearbox of the tanks, | 0:51:06 | 0:51:09 | |
just for all this kind of adjustments. | 0:51:09 | 0:51:12 | |
It needed people who are very careful and very meticulous. | 0:51:12 | 0:51:16 | |
And that was also surprising - they have to work on both sides, | 0:51:16 | 0:51:20 | |
very heavy and difficult task and also very meticulous work. | 0:51:20 | 0:51:25 | |
They have to work a seven-day week and sometimes more than ten hours, | 0:51:28 | 0:51:33 | |
and many of them suffered from wounds and some were killed. | 0:51:33 | 0:51:38 | |
So it was really hard treatment, always in the middle of the mud, | 0:51:39 | 0:51:45 | |
always in the middle of the grease - it was also a kind of hell. | 0:51:45 | 0:51:50 | |
The story of the Chinese Labour Corps did not end with | 0:52:00 | 0:52:04 | |
the end of the war. | 0:52:04 | 0:52:05 | |
Many, like labourer Doh Jing Shan, stayed on to clear up the mess. | 0:52:06 | 0:52:12 | |
They filled in trenches, recovered bodies, dug cemeteries | 0:52:13 | 0:52:18 | |
and carved headstones. | 0:52:18 | 0:52:19 | |
Doh Jing Shan's grave records his death on the 27th of April 1919, | 0:52:26 | 0:52:31 | |
more than five months after the shooting stopped. | 0:52:31 | 0:52:36 | |
He was probably a victim of the Spanish flu epidemic | 0:52:38 | 0:52:41 | |
that raged after the war. | 0:52:41 | 0:52:43 | |
There is, I think, something specially tragic about this place, | 0:52:45 | 0:52:50 | |
a Chinese cemetery in the middle of a French farm. | 0:52:50 | 0:52:53 | |
Most of these men were themselves just farmers, from tiny villages. | 0:52:53 | 0:52:57 | |
All they wanted to do was to earn some money, | 0:52:57 | 0:53:00 | |
and see a little bit of the world. | 0:53:00 | 0:53:02 | |
It was their blood, sweat and tears which fed the machine of war. | 0:53:06 | 0:53:11 | |
But all of that, everything they had done, | 0:53:15 | 0:53:17 | |
everything they had been through, quickly slipped from memory. | 0:53:17 | 0:53:21 | |
Of all the many peoples who came to the Western Front | 0:53:21 | 0:53:24 | |
in the First World War, the Chinese labourers are probably the most | 0:53:24 | 0:53:28 | |
forgotten of the forgotten. | 0:53:28 | 0:53:30 | |
We think that we know the First World War - | 0:54:09 | 0:54:12 | |
the trenches, the barbed wire, the shell holes, the machine guns, | 0:54:12 | 0:54:16 | |
the gas, the high explosives, the mud | 0:54:16 | 0:54:19 | |
and the blood of the Western Front. | 0:54:19 | 0:54:21 | |
GUNFIRE AND EXPLOSIONS | 0:54:23 | 0:54:27 | |
But the first shot fired by a soldier in the British Army | 0:54:36 | 0:54:39 | |
was fired here in Africa, by an African, | 0:54:39 | 0:54:44 | |
just three days after war was declared. | 0:54:44 | 0:54:47 | |
That soldier's name was Alhaji Grunshi. | 0:54:47 | 0:54:50 | |
He'd been born in the British colony of the Gold Coast, | 0:54:50 | 0:54:53 | |
modern-day Ghana, and in 1914 he was | 0:54:53 | 0:54:56 | |
in the British West African Frontier Force. | 0:54:56 | 0:54:58 | |
In 1914, they were attacking the Germans in their colony of Togoland. | 0:54:58 | 0:55:04 | |
Now, from the moment that Grunshi fired that first shot, | 0:55:04 | 0:55:07 | |
the Great War became the World's War. | 0:55:07 | 0:55:10 | |
More than four million non-white people | 0:55:14 | 0:55:16 | |
from the various colonial empires | 0:55:16 | 0:55:19 | |
fought in the First World War, | 0:55:19 | 0:55:21 | |
yet the colour of First World War memory still remains largely white. | 0:55:21 | 0:55:28 | |
It was an extraordinarily diverse war, because | 0:55:28 | 0:55:31 | |
we have one and a half million Indians, two million Africans, | 0:55:31 | 0:55:37 | |
400,000 African Americans, | 0:55:37 | 0:55:41 | |
100,000 Chinese labourers, | 0:55:41 | 0:55:45 | |
and yet more seems to have been written on the four British | 0:55:45 | 0:55:50 | |
First World War poets than this four million people taken together. | 0:55:50 | 0:55:55 | |
When the colonies of Germany, Britain and Belgium | 0:55:57 | 0:56:00 | |
went to war in German East Africa, present-day Tanzania, | 0:56:00 | 0:56:04 | |
millions of Africans paid the price... | 0:56:04 | 0:56:07 | |
..as soldiers drawn into an imperial fight... | 0:56:10 | 0:56:13 | |
..and as civilians caught in its terrible wake. | 0:56:15 | 0:56:18 | |
Unlike in Europe, the war here | 0:56:20 | 0:56:22 | |
wasn't restricted to a narrow killing zone... | 0:56:22 | 0:56:25 | |
..it roamed over vast areas. | 0:56:26 | 0:56:29 | |
Millions of men were press ganged as porters by both sides | 0:56:31 | 0:56:35 | |
to carry equipment, food and ammunition. | 0:56:35 | 0:56:38 | |
They were overworked and underfed and about 20% of them died. | 0:56:39 | 0:56:44 | |
Now that's a casualty rate that compares to | 0:56:44 | 0:56:47 | |
anything on the Western Front. | 0:56:47 | 0:56:49 | |
One British official had no doubt that their treatment would | 0:56:49 | 0:56:52 | |
have been considered a scandal, had they not been merely Africans. | 0:56:52 | 0:56:56 | |
"After all," he said "Who cares about native carriers?" | 0:56:56 | 0:56:59 | |
With broken supply chains, the armies descended on villages | 0:57:02 | 0:57:06 | |
like plagues of locusts, | 0:57:06 | 0:57:08 | |
plundering corn, cattle and supplies. | 0:57:08 | 0:57:11 | |
Up to a third of a million African civilians are believed to have | 0:57:15 | 0:57:19 | |
perished in the famines that followed. | 0:57:19 | 0:57:21 | |
A war that began as a war between Europeans thousands of miles away, | 0:57:24 | 0:57:29 | |
pulled in Africans from all over the continent to | 0:57:29 | 0:57:33 | |
fight against other Africans. | 0:57:33 | 0:57:35 | |
One of those men was Alhaji Grunshi. | 0:57:36 | 0:57:39 | |
Against all the odds, the veteran of four years of conflict | 0:57:42 | 0:57:46 | |
survived the war. | 0:57:46 | 0:57:47 | |
But a history was constructed which | 0:57:49 | 0:57:51 | |
quietly eclipsed his and the millions of other | 0:57:51 | 0:57:54 | |
colonial soldiers' contributions, | 0:57:54 | 0:57:57 | |
and left a collective memory | 0:57:57 | 0:57:59 | |
of a war fought in Europe between white men. | 0:57:59 | 0:58:02 | |
It's a very exciting history, | 0:58:05 | 0:58:06 | |
but it's also a difficult one, it's a painful one - | 0:58:06 | 0:58:11 | |
it's a history of discrimination. | 0:58:11 | 0:58:13 | |
But only when we walk through these difficulties | 0:58:13 | 0:58:17 | |
can we understand the fullness of the imperial character of the war. | 0:58:17 | 0:58:22 | |
One way to understand the truly global nature of the war | 0:58:32 | 0:58:37 | |
is to travel to a place in present-day Zambia, | 0:58:37 | 0:58:40 | |
deep in the bush, near the Chambeshi River. | 0:58:40 | 0:58:42 | |
It was here, in the middle of Africa, | 0:58:47 | 0:58:50 | |
that three days after the last shot was fired in Europe | 0:58:50 | 0:58:54 | |
that African soldiers put down their weapons... | 0:58:54 | 0:58:58 | |
..and the World's War ended. | 0:59:02 | 0:59:05 |