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What kind of breed of cattle are these and why are they special? | 0:05:21 | 0:05:24 | |
This is a Dexter cow. | 0:05:24 | 0:05:25 | |
They're an Irish breed of cow and they date back as far as the 1800s | 0:05:25 | 0:05:29 | |
from Dundrum in County Tipperary. | 0:05:29 | 0:05:32 | |
It was a guy called Mr Dexter | 0:05:32 | 0:05:34 | |
and he had interbred the Angus and the Kerry Blue | 0:05:34 | 0:05:38 | |
and that's how they came up with the smaller cow - they're smaller than both those breeds of cows. | 0:05:38 | 0:05:43 | |
Years ago, every small farmer would've had a Dexter, a Dexter cow. | 0:05:43 | 0:05:46 | |
They would have kept them for their beef and their milk | 0:05:46 | 0:05:49 | |
and they were known as the poor man's...the poor man's cow. | 0:05:49 | 0:05:53 | |
So, and then, when the bigger cattle came in from the Continent, | 0:05:53 | 0:05:55 | |
like the Charolais and the Limousins and that, the Dexter | 0:05:55 | 0:05:59 | |
sort of become a dying breed, | 0:05:59 | 0:06:01 | |
up until, you know, about 10, 15 years ago. | 0:06:01 | 0:06:03 | |
There was a lady in Northern Ireland, Deirdre Hilton, | 0:06:03 | 0:06:06 | |
who was very active in getting the Irish Dexter back into Ireland | 0:06:06 | 0:06:10 | |
and getting the breed well known again, which today, you know, | 0:06:10 | 0:06:14 | |
is quite well known, so it's gone from, like, | 0:06:14 | 0:06:16 | |
a poor man's cattle, to, like, a gourmet beef, which is great. | 0:06:16 | 0:06:20 | |
They're very easy to keep. | 0:06:20 | 0:06:21 | |
You know, they're very light on the land and, of course, | 0:06:21 | 0:06:24 | |
then they're very easy fed, because they're grass-fed only. | 0:06:24 | 0:06:27 | |
And talking about the grass, why is this particular | 0:06:27 | 0:06:30 | |
part of the country, you know, good for keeping these kind of cattle? | 0:06:30 | 0:06:33 | |
Well, because they're an Irish cow, they thrive in hilly land. | 0:06:33 | 0:06:36 | |
They don't need a really, really rich grass, | 0:06:36 | 0:06:39 | |
which a lot of the big animals may need to sustain them. | 0:06:39 | 0:06:41 | |
And we're very lucky down here, because we're right beside the coast, | 0:06:41 | 0:06:44 | |
so our animals would... A lot of them that we would be finishing, | 0:06:44 | 0:06:47 | |
we'd finish them down by Ballyhoorisky | 0:06:47 | 0:06:49 | |
and they would be eating a lot of seaweed and all the sea grass, | 0:06:49 | 0:06:51 | |
which has a lot of natural salts and a lot of goodness in the land | 0:06:51 | 0:06:55 | |
and they would also...they would forage away for the natural herbs | 0:06:55 | 0:06:58 | |
and heathers and things like that that other cows might not like to eat. | 0:06:58 | 0:07:01 | |
Do you find yourself becoming attached to the animals | 0:07:01 | 0:07:03 | |
and do your children become attached to them in any way? | 0:07:03 | 0:07:06 | |
Our first Irish-born cow was born in 2009. | 0:07:06 | 0:07:09 | |
She's called Maisie Moo. She'll always be here. | 0:07:09 | 0:07:11 | |
Um, you know...we'll never, sort of, sausage her! | 0:07:11 | 0:07:15 | |
But, no, you can't really form it. | 0:07:15 | 0:07:16 | |
If you've a herd of 200 animals, you can't really form an attachment. | 0:07:16 | 0:07:20 | |
You'd go very hungry! | 0:07:20 | 0:07:21 | |
THEY LAUGH | 0:07:21 | 0:07:23 | |
And how have consumers responded to this kind of thing? | 0:07:23 | 0:07:25 | |
I think a lot of people are going back to farm-to-fork. | 0:07:25 | 0:07:28 | |
They want to know who the farmer is. | 0:07:28 | 0:07:29 | |
They want to know where the animal comes from, how it's kept, | 0:07:29 | 0:07:32 | |
that everything is above board, that they're treated well, and again, | 0:07:32 | 0:07:36 | |
what goes into their food system - you know, | 0:07:36 | 0:07:38 | |
there's no growing agents or anything fed our animals, | 0:07:38 | 0:07:40 | |
because they're allowed to grow naturally. | 0:07:40 | 0:07:42 | |
They're allowed to fatten naturally. | 0:07:42 | 0:07:44 | |
Our animals are two and a half, nearly three years | 0:07:44 | 0:07:46 | |
before they go to slaughter, so it's like a fine wine or a cheese - | 0:07:46 | 0:07:49 | |
the longer you leave it, the better it becomes. | 0:07:49 | 0:07:52 | |
MUSIC: The Good Life by Tony Bennett | 0:10:12 | 0:10:16 | |
# Oh, the good life | 0:10:19 | 0:10:24 | |
# Full of fun, seems to be the ideal... # | 0:10:25 | 0:10:30 | |
# All the sadness you feel... # | 0:10:41 | 0:10:46 | |
# ..fall in love... # | 0:10:53 | 0:10:55 | |
# Don't try to fake romance | 0:11:10 | 0:11:14 | |
# It's the good life | 0:11:17 | 0:11:21 | |
# To be free and explore the unknown... # | 0:11:21 | 0:11:27 | |
A lot of people hadn't heard of the concept of a more environmental | 0:18:07 | 0:18:11 | |
or more sustainable coffin, but once people sort of started, | 0:18:11 | 0:18:16 | |
I suppose, listening to the fact that you're chopping down oak trees | 0:18:16 | 0:18:20 | |
that were standing there for maybe 300 years | 0:18:20 | 0:18:24 | |
and not being replaced, the fact that we're making coffins | 0:18:24 | 0:18:26 | |
out of a more sustainable material suddenly made sense. | 0:18:26 | 0:18:31 | |
We're also looking at bringing back, I suppose, | 0:18:31 | 0:18:34 | |
a skill that has been lost in Ireland, which is basket weaving. | 0:18:34 | 0:18:38 | |
You often hear people say, "Oh, just bury me under a tree." | 0:19:10 | 0:19:13 | |
That was one of the things that actually got us thinking | 0:19:13 | 0:19:15 | |
about this business was hearing people say that. | 0:19:15 | 0:19:17 | |
I suppose you look at your traditional graveyard - | 0:19:17 | 0:19:20 | |
you've got big marble headstones, concrete surrounds, concrete paths. | 0:19:20 | 0:19:25 | |
Um, there's very little wildlife, there's very little nature in that. | 0:19:25 | 0:19:29 | |
You're really taking that ground for perpetuity. | 0:19:29 | 0:19:32 | |
You're taking it out of use. | 0:19:32 | 0:19:35 | |
What we've done is different. | 0:19:35 | 0:19:36 | |
We opened our graveyard - | 0:19:36 | 0:19:38 | |
the first thing we done was we sowed it out with a wildflower seed, | 0:19:38 | 0:19:42 | |
we planted trees around the place, we made a few paths - | 0:19:42 | 0:19:46 | |
just by cutting the paths out of the grass and the flowers. | 0:19:46 | 0:19:49 | |
People are buried, we plant trees on the grave and the whole place | 0:19:49 | 0:19:52 | |
sort of becomes a nature reserve, so the ground has a second use. | 0:19:52 | 0:19:56 | |
A lot of the families that are using it love it. | 0:19:57 | 0:19:59 | |
From the first day I went out with my father to do a funeral, | 0:20:03 | 0:20:06 | |
I always felt very comfortable sort of talking to people | 0:20:06 | 0:20:09 | |
about what was going on and helping them through it. | 0:20:09 | 0:20:12 | |
I see this as maybe a wee bit of an extension on that. | 0:20:12 | 0:20:17 | |
We get phone calls, we get... like, we had a lovely letter | 0:20:17 | 0:20:20 | |
from a woman last week whose son was buried in one of our coffins. | 0:20:20 | 0:20:24 | |
A friend of hers had said to her, | 0:20:24 | 0:20:26 | |
"Nature never betrays the heart that loved her." | 0:20:26 | 0:20:29 | |
And that had really sort of sat with her | 0:20:29 | 0:20:32 | |
and she thought she'd share that with us. | 0:20:32 | 0:20:34 | |
It makes coming to work in what a lot of people would see | 0:20:34 | 0:20:37 | |
as a sort of gloomy industry a lot easier, | 0:20:37 | 0:20:41 | |
if you know what I mean, and we enjoy it. | 0:20:41 | 0:20:43 | |
TRADITIONAL MUSIC | 0:21:01 | 0:21:04 |