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Manchester City Football Club is one of the Premier League's top sides. | 0:00:12 | 0:00:17 | |
But maintaining the club's successful position isn't just down to the manager and the players. | 0:00:17 | 0:00:23 | |
IT plays a significant role behind the scenes. | 0:00:23 | 0:00:26 | |
Gavin and Ed in the performance analysis team constantly use IT. | 0:00:26 | 0:00:30 | |
Our software is very varied and one of our biggest tasks | 0:00:30 | 0:00:35 | |
is to research the best of those technologies | 0:00:35 | 0:00:38 | |
and bring them in-house to match our needs. | 0:00:38 | 0:00:41 | |
We use a range of products. It can be anything from analysing the team | 0:00:41 | 0:00:46 | |
through video statistics. We have databases where we collect information season-long. | 0:00:46 | 0:00:51 | |
We can break down the goals scored or conceded for the opposition teams, as well as our own data. | 0:00:51 | 0:00:57 | |
Today, the performance analysis team is preparing for Manchester City's upcoming match against Stoke City. | 0:00:57 | 0:01:03 | |
As a pre-match analyst, it's part of Gavin's job | 0:01:03 | 0:01:07 | |
to give information to the manager and the players on the opposition's strengths and weaknesses. | 0:01:07 | 0:01:13 | |
We build up an analysis package of that opposition team, so that we can tailor training that week. | 0:01:13 | 0:01:19 | |
Gavin is keen to investigate the threat posed by Stoke City's long throw-ins. | 0:01:19 | 0:01:25 | |
I've identified all of the throw-ins that Stoke City have taken. | 0:01:25 | 0:01:29 | |
This is where the ball ends when Rory Delap takes a throw-in, | 0:01:29 | 0:01:33 | |
so if I click on one of these, I think this one led to the goal. | 0:01:33 | 0:01:37 | |
If you click on the event, it takes you straight to the video. | 0:01:37 | 0:01:41 | |
We have a partnership with a company where we get 100% coverage of most of the European leagues. | 0:01:41 | 0:01:46 | |
We can immediately access any stat, any single incidents from a player over the last four seasons. | 0:01:46 | 0:01:52 | |
This helps when the manager is doing a training session. | 0:01:52 | 0:01:56 | |
We can say, "When we're defending, you need to set up in these areas." | 0:01:56 | 0:02:00 | |
The performance analysis team stores the information from these resources | 0:02:00 | 0:02:04 | |
and records their own data to use in the future. | 0:02:04 | 0:02:08 | |
We have different databases that we have access to. This one covers all areas of the football club. | 0:02:08 | 0:02:14 | |
The sports science department use this to house all their information. | 0:02:14 | 0:02:18 | |
For analysis, we can look at every goal scored and conceded by any club in the Premier League. | 0:02:18 | 0:02:24 | |
The systems and databases provide you with a lot of opportunity to be really investigative into your work. | 0:02:24 | 0:02:31 | |
With the game over, Ed deals with the post-match feedback, | 0:02:31 | 0:02:35 | |
analysing his own players' performance. | 0:02:35 | 0:02:39 | |
There are eight cameras based around the pitch and they all cover a particular area. | 0:02:39 | 0:02:44 | |
They can tell us how fast they are running, how much movement they're doing. | 0:02:44 | 0:02:49 | |
For example, Shaun's goal, what the animation allows you to do | 0:02:49 | 0:02:53 | |
is to see where he was at any period of time. That can be very powerful, | 0:02:53 | 0:02:58 | |
especially for work on technique and tactical play. | 0:02:58 | 0:03:01 | |
We can put up, for example, his speed threshold. | 0:03:01 | 0:03:04 | |
The closer it is to blue, the more that is to walking. The higher it gets to red, he's in a full sprint, | 0:03:04 | 0:03:10 | |
so seven metres per second of movement. | 0:03:10 | 0:03:14 | |
We take that information into the dressing room at half-time. | 0:03:14 | 0:03:18 | |
IT ensures that the performance analysis results can be fed back to the players quickly and efficiently | 0:03:18 | 0:03:24 | |
wherever they are. | 0:03:24 | 0:03:26 | |
This is a little media device we use with our players. You can quickly access the hard drive on the system | 0:03:26 | 0:03:33 | |
and copy on a video clip here. | 0:03:33 | 0:03:36 | |
Within a couple of seconds, we should have access to the media device. | 0:03:36 | 0:03:40 | |
The players may be on a plane or a train travelling to a game and quickly you can click on to an event | 0:03:40 | 0:03:46 | |
and within five or ten seconds, you've got that video clip very accessible to you. | 0:03:46 | 0:03:51 | |
Nine years ago, when I started, everything was on VHS. Now everything is on DVD. | 0:03:51 | 0:03:57 | |
The shelves were as recently as five months ago filled with over 4,000 games | 0:03:57 | 0:04:02 | |
and now that, plus more, is all completely online. | 0:04:02 | 0:04:05 | |
That's over half a million minutes of video that we're able to get access to. | 0:04:05 | 0:04:11 | |
I think IT, in our role, specifically as a performance analyst, is vital. | 0:04:11 | 0:04:16 | |
I think we'd find it very difficult to function without it. | 0:04:16 | 0:04:20 | |
It's match day at Manchester City Football Club. | 0:04:26 | 0:04:29 | |
Today, almost 30,000 supporters have bought tickets to watch the game against Stoke City. | 0:04:29 | 0:04:36 | |
And behind the scenes, IT systems ensure everything runs smoothly. | 0:04:36 | 0:04:41 | |
Danny manages the ticketing team. | 0:04:41 | 0:04:45 | |
Each supporter has their own unique supporter number | 0:04:45 | 0:04:48 | |
that they use on the website, give over the telephone or use at the ticket office when buying a ticket. | 0:04:48 | 0:04:54 | |
This number will unlock their profile and their purchase history, | 0:04:54 | 0:04:58 | |
so members of our team understand clearly which games supporters have or haven't bought for | 0:04:58 | 0:05:04 | |
and they can use that information to resolve any issues. | 0:05:04 | 0:05:08 | |
With a stadium holding 48,000 people, | 0:05:08 | 0:05:12 | |
it's important that the IT systems work seamlessly to avoid any problems on match day. | 0:05:12 | 0:05:18 | |
Andy is the IT manager. | 0:05:18 | 0:05:20 | |
On a match day, the IT team constantly monitor the networks | 0:05:20 | 0:05:24 | |
to make sure that the infrastructure | 0:05:24 | 0:05:26 | |
the turnstiles and access control system rely on is working 100%. | 0:05:26 | 0:05:31 | |
The screens we look at are colour-coded, so we can see how full each area of the stadium is. | 0:05:31 | 0:05:37 | |
On the morning of a game, we do a match download | 0:05:37 | 0:05:40 | |
which downloads all the ticket information to the relevant turnstiles | 0:05:40 | 0:05:45 | |
and allows the supporter access into the ground. | 0:05:45 | 0:05:48 | |
If there's a problem with the access card, the stewarding team comes in with its PDA systems. | 0:05:48 | 0:05:54 | |
You put the card on the PDA. It reads the chip inside it. | 0:05:54 | 0:05:58 | |
It then tells you what seats have been booked on there | 0:05:58 | 0:06:02 | |
and whether it is an old card. This is an old card. | 0:06:02 | 0:06:06 | |
I see that a new card had been created and that's what they should have brought along, | 0:06:06 | 0:06:11 | |
which is why they couldn't get into the turnstile today. | 0:06:11 | 0:06:15 | |
If they go off to Supporter Services, we'll re-print them a paper ticket. | 0:06:15 | 0:06:19 | |
The safety of supporters in the stadium is paramount to the football club. | 0:06:19 | 0:06:24 | |
We've got to have that in the front of our minds in everything we do. | 0:06:24 | 0:06:28 | |
IT is key to that, particularly on a match day. | 0:06:28 | 0:06:31 | |
We need to know that all information has been sent to the turnstiles | 0:06:31 | 0:06:36 | |
to allow supporters access through the entrances shown on their ticket. | 0:06:36 | 0:06:40 | |
The IT team watch the flow control, which is the flow of people per minute coming into the stadium. | 0:06:40 | 0:06:46 | |
Green means people have accessed the stadium OK. | 0:06:46 | 0:06:49 | |
Anything that's a red colour means potentially there's been an issue. | 0:06:49 | 0:06:53 | |
There's a code against that issue, things like "game not purchased, access denied". | 0:06:53 | 0:06:58 | |
I think the technology allows us to be proactive, rather than reactive, | 0:06:58 | 0:07:03 | |
so we can see problems generally before they happen. | 0:07:03 | 0:07:07 | |
Everywhere we go, we're surrounded by the work of architects | 0:07:12 | 0:07:17 | |
from hospitals and schools to sports stadia and theme parks. | 0:07:17 | 0:07:22 | |
But how does IT help architects design and create new buildings? | 0:07:22 | 0:07:27 | |
Gillian is a partner at Penoyre & Prasad. | 0:07:27 | 0:07:30 | |
In our company, most of our buildings are in the public sector, | 0:07:30 | 0:07:35 | |
so we build a lot of schools, health centres, | 0:07:35 | 0:07:38 | |
hospitals, libraries, community buildings, as well as housing and some civic and social buildings. | 0:07:38 | 0:07:44 | |
One of the new and striking projects that Gillian and her team are working on is the Wren Academy, | 0:07:44 | 0:07:50 | |
a brand-new school for over 1,000 pupils in North London. | 0:07:50 | 0:07:54 | |
The Wren Academy is near completion now. | 0:07:54 | 0:07:57 | |
The first two phases are completed and occupied by the school. | 0:07:57 | 0:08:01 | |
The last phase will open in the next couple of months. | 0:08:01 | 0:08:05 | |
Will has been working on the Wren Academy Project for the last two years. | 0:08:05 | 0:08:10 | |
This is using a Mac with VectorWorks. | 0:08:10 | 0:08:13 | |
Here I've got the elevations for the Wren Academy North Block. | 0:08:14 | 0:08:19 | |
We've set out all the information using this grid line. | 0:08:19 | 0:08:23 | |
Every contractor and every part of the team has this grid | 0:08:23 | 0:08:26 | |
and all our information is referenced off this. | 0:08:26 | 0:08:30 | |
The computer program also allows Will to add layers or remove information on his digital drawings. | 0:08:30 | 0:08:37 | |
There's information that's been sent to us from different parties of the project. | 0:08:38 | 0:08:44 | |
This is all the furniture, so I can easily turn this layer off and on and send that to the contractor. | 0:08:44 | 0:08:50 | |
In the design phase, Will uses the programs SketchUp and Photoshop to create images for the client. | 0:08:50 | 0:08:57 | |
So this is the SketchUp file. | 0:08:57 | 0:08:59 | |
These 2D lines, the black lines, were originally drawn in VectorWorks | 0:08:59 | 0:09:04 | |
and that DWG has been exported. | 0:09:04 | 0:09:06 | |
Then from that, you can help draw this model. | 0:09:06 | 0:09:09 | |
Then we start adding information and people to this. | 0:09:09 | 0:09:13 | |
Without the people, it's difficult to understand the scale of the space. | 0:09:13 | 0:09:17 | |
The architect's role is to put spaces into a realistic form, | 0:09:17 | 0:09:21 | |
so it's about showing a client what they think they can get to what they're going to get. | 0:09:21 | 0:09:27 | |
And IT is used to ensure that the massively complex construction process at Wren Academy | 0:09:27 | 0:09:32 | |
runs as smoothly and efficiently as possible. | 0:09:32 | 0:09:36 | |
Vince is the project manager. | 0:09:36 | 0:09:38 | |
The main two tasks obviously are making sure | 0:09:38 | 0:09:42 | |
that the project is completed on time and within budget. | 0:09:42 | 0:09:46 | |
I'm using the computer constantly, number one, for communication. | 0:09:46 | 0:09:50 | |
When I go out on site, I may notice something that I don't think is quite right | 0:09:50 | 0:09:54 | |
and I want to show to the architect, so I'll take a photograph, bring it back, load it on to the computer, | 0:09:54 | 0:10:00 | |
email it to the architect and we can have discussions. | 0:10:00 | 0:10:04 | |
On a building of this nature, there's a sequence that must be carried out. | 0:10:04 | 0:10:08 | |
Within that sequence, there is what's called a critical path. | 0:10:08 | 0:10:12 | |
That is certain activities that are identified that are crucial that happen on time and correctly. | 0:10:12 | 0:10:18 | |
One of Vince's tasks is to create and monitor a spreadsheet | 0:10:18 | 0:10:22 | |
which lists and schedules all the activities essential to the completion of the building. | 0:10:22 | 0:10:28 | |
On the vertical axis, there is a list of all the activities identified | 0:10:28 | 0:10:32 | |
and looking across horizontally, it will keep the positions | 0:10:32 | 0:10:37 | |
of the particular activities within the overall sequence and the duration of each activity as well | 0:10:37 | 0:10:43 | |
and how one activity can impact on to the other | 0:10:43 | 0:10:47 | |
and really define the sequence of the construction. | 0:10:47 | 0:10:51 | |
Today, on the roof, we're going to be carrying out the final glazing activity. | 0:10:51 | 0:10:56 | |
We've previously started this activity and most of the top row is in now, | 0:10:56 | 0:11:01 | |
but today, weather permitting, we'll get the rest of the units in. | 0:11:01 | 0:11:05 | |
But rain sets in and the work has to be postponed. | 0:11:05 | 0:11:09 | |
This will have an inevitable impact on the construction schedule. | 0:11:09 | 0:11:13 | |
Because of the bad weather, we couldn't do the roofworks which has impacted on the project | 0:11:13 | 0:11:19 | |
to the tune of four or five weeks. | 0:11:19 | 0:11:21 | |
He'll have to inform the client via his monthly progress report. | 0:11:21 | 0:11:26 | |
I will fill in areas where I feel there may be concerns. | 0:11:26 | 0:11:30 | |
I will do a brief statement where I report on bad weather | 0:11:30 | 0:11:34 | |
and also back that up with progress photographs. | 0:11:34 | 0:11:37 | |
Now I need to look at the activities that are up and coming and how I re-sequence them. | 0:11:37 | 0:11:43 | |
Even at the design stage, factoring in weather conditions | 0:11:43 | 0:11:47 | |
which may affect the completed building is essential. | 0:11:47 | 0:11:50 | |
We can use a 3D model of a building and bring that into our environmental software modelling | 0:11:50 | 0:11:56 | |
and then look at the impact of wind and daylight. | 0:11:56 | 0:11:59 | |
Ivan works with the environmental software. | 0:11:59 | 0:12:03 | |
The location is quite important. That will have a different weather file | 0:12:03 | 0:12:07 | |
which has different temperatures, rainfall, wind | 0:12:07 | 0:12:11 | |
and that has a big impact on the building. | 0:12:11 | 0:12:14 | |
The nearest weather file is London Weather Centre ten miles away. | 0:12:14 | 0:12:18 | |
We'll also input what type of building it is. | 0:12:18 | 0:12:22 | |
We specify the types of room because if it's an office, | 0:12:22 | 0:12:25 | |
it will have a lot less people per metre squared than a school. | 0:12:25 | 0:12:29 | |
The classroom is quite packed with 30 or so pupils and we all give off 100 watts of heat just sitting down. | 0:12:29 | 0:12:35 | |
The software models daylight coming into a building. | 0:12:35 | 0:12:40 | |
This part of the simulation here is for daylighting. This is one of the art classrooms. | 0:12:40 | 0:12:45 | |
Here we see that it's quite bright towards the south window because it's getting direct daylight. | 0:12:45 | 0:12:51 | |
If we found bits of the room were quite dark and dingy, | 0:12:51 | 0:12:55 | |
we could look at ways of introducing skylights | 0:12:55 | 0:12:58 | |
or you could reconfigure the depth of the room, so you get light penetrating into the room. | 0:12:58 | 0:13:04 | |
We couldn't operate without IT | 0:13:04 | 0:13:07 | |
and if you ever get computer crashes, which can happen, the office has to stop. | 0:13:07 | 0:13:12 | |
We heavily rely on IT and it's fantastic what it enables us to do. | 0:13:12 | 0:13:17 | |
Farming in the 21st century is changing dramatically. | 0:13:26 | 0:13:30 | |
With strict standards to maintain, traceability to guarantee and targets to hit, | 0:13:30 | 0:13:36 | |
farmers spend more and more time in front of computer screens. | 0:13:36 | 0:13:40 | |
IT plays a big part in the day-to-day running of the farm. | 0:13:40 | 0:13:44 | |
Everything's going over computerised, registering the calves, paying staff. | 0:13:44 | 0:13:49 | |
Brothers Mike and Chris run Middle Burrow Farm in Devon. | 0:13:49 | 0:13:54 | |
Most of the companies we deal with now want us to use online technology. | 0:13:54 | 0:13:59 | |
All the information on the cows is stored on the computer now. | 0:13:59 | 0:14:03 | |
We can register pedigrees, look at our National Milk Records. | 0:14:03 | 0:14:07 | |
But Mike and Chris have gone further | 0:14:07 | 0:14:09 | |
and invested hundreds of thousands of pounds in state-of-the-art technology, | 0:14:09 | 0:14:15 | |
including computerised milking robots. | 0:14:15 | 0:14:18 | |
This is a milking robot and we've had it here about 12 months now. We've got two of them. | 0:14:18 | 0:14:25 | |
We used to do the milking twice a day, but now we've got the situation | 0:14:25 | 0:14:29 | |
that they milk any time of the day, really, and night. | 0:14:29 | 0:14:33 | |
And there is no need for a farmer to be there at all during milking. | 0:14:33 | 0:14:37 | |
When she comes into the stall, the two ends come together, | 0:14:37 | 0:14:41 | |
so it tells the computer where the cow is | 0:14:41 | 0:14:44 | |
and so the arm comes out then and picks up the teat cup | 0:14:44 | 0:14:49 | |
and then comes near to the udder. | 0:14:49 | 0:14:51 | |
When it gets near to the udder, the two infra-red cross-beams | 0:14:51 | 0:14:56 | |
pick up where the teat is and then the robot arm | 0:14:56 | 0:14:59 | |
puts a cup on the teat. | 0:14:59 | 0:15:01 | |
You see the blue dome hanging down on the collar? That's a transponder. | 0:15:01 | 0:15:05 | |
The transponder IDs that cow. | 0:15:05 | 0:15:08 | |
It says this cow is, like that cow there, 124. | 0:15:08 | 0:15:11 | |
And on the computer, it has all her information, where her teats are, | 0:15:11 | 0:15:15 | |
when she's calved, how fast she milks, any problems she had. | 0:15:15 | 0:15:19 | |
It tells you everything. | 0:15:19 | 0:15:21 | |
Everything that happens in the 24 hours is recorded here. | 0:15:21 | 0:15:26 | |
The blue means they need to be milked, then it goes yellow, | 0:15:26 | 0:15:30 | |
which is basically saying they're coming near milking. | 0:15:30 | 0:15:34 | |
The white ones have all been milked recently. | 0:15:34 | 0:15:37 | |
As the machine is working 24/7, if there is a problem with the machine, | 0:15:37 | 0:15:41 | |
it will ring the farmer on his mobile and tell him that there is a problem. | 0:15:41 | 0:15:47 | |
Some things he can put right over the phone or with a laptop computer. | 0:15:47 | 0:15:51 | |
The milking robot also analyses samples of milk from each cow, | 0:15:51 | 0:15:56 | |
helping farmers to monitor the health of their cattle. | 0:15:56 | 0:16:01 | |
It tells you the cell count, the white blood cells of the cow. | 0:16:01 | 0:16:05 | |
That's how it fights infection in its udder. If you go down here, | 0:16:05 | 0:16:09 | |
we can see 898 is a cow that's just given birth to a calf | 0:16:09 | 0:16:12 | |
and when we put it on the graph, | 0:16:12 | 0:16:15 | |
you can see... | 0:16:15 | 0:16:17 | |
blood is red and it's showing quite high levels of blood in the milk. | 0:16:17 | 0:16:21 | |
That will be gone within four days. | 0:16:21 | 0:16:24 | |
Even more information about each cow is recorded | 0:16:24 | 0:16:26 | |
by an activity meter on each cow's collar. | 0:16:26 | 0:16:30 | |
If you have a low activity, the cow may be ill, | 0:16:30 | 0:16:32 | |
something could be wrong with her | 0:16:32 | 0:16:34 | |
or she could be lame. | 0:16:34 | 0:16:36 | |
That is picked up by an aerial in the shed | 0:16:36 | 0:16:38 | |
and is transponded right down into the computer, | 0:16:38 | 0:16:42 | |
which gives you a graph | 0:16:42 | 0:16:43 | |
and it plots all points how active she is through the day. | 0:16:43 | 0:16:47 | |
When the meter records a high level of activity, | 0:16:47 | 0:16:50 | |
it indicates that a cow | 0:16:50 | 0:16:51 | |
is ready to be artificially inseminated or served. | 0:16:51 | 0:16:55 | |
It shows here her activity and you've got | 0:16:55 | 0:16:59 | |
a peak here when she needed artificially inseminating. | 0:16:59 | 0:17:03 | |
You see there how it's quite high, the peak there? | 0:17:03 | 0:17:06 | |
And this point here shows us when she was served. | 0:17:06 | 0:17:10 | |
A new calf is born on average every two days at the farm. | 0:17:10 | 0:17:14 | |
The computer database has to be updated each time. | 0:17:14 | 0:17:17 | |
We've just had a cow calve and she's given birth. | 0:17:17 | 0:17:21 | |
I've got to find her on the computer | 0:17:21 | 0:17:23 | |
and enter her details, so that she can be milked. | 0:17:23 | 0:17:26 | |
190 is the one that calved, | 0:17:26 | 0:17:28 | |
so we click her there and bring her up. | 0:17:28 | 0:17:30 | |
This is her details. | 0:17:30 | 0:17:34 | |
Her breeding event is that she's calved, which is this one - calving. | 0:17:34 | 0:17:38 | |
It's started the countdown. Days in milk, | 0:17:38 | 0:17:40 | |
DIM, it says nought. Her first day to be milked is today. | 0:17:40 | 0:17:44 | |
Basic IT skills are now essential for any farmer. | 0:17:44 | 0:17:48 | |
IT definitely improves things quite a bit. | 0:17:48 | 0:17:52 | |
You're not tied to a certain job | 0:17:52 | 0:17:55 | |
at a certain time seven days a week now. | 0:17:55 | 0:17:58 | |
In this day and age, farmers have to be very up | 0:17:58 | 0:18:00 | |
with the IT to keep track of what their animals are doing. | 0:18:00 | 0:18:04 | |
Everything is done over the internet nowadays | 0:18:04 | 0:18:06 | |
and we like to keep up with it. | 0:18:06 | 0:18:09 | |
SIREN WAILS | 0:18:14 | 0:18:16 | |
The use of technology in a fire service is really about maintaining the safety of people we look after, | 0:18:18 | 0:18:25 | |
the people we serve, but also looking after our own people. | 0:18:25 | 0:18:30 | |
So IT is a really crucial part of running a modern-day fire service. | 0:18:30 | 0:18:34 | |
Fire and Rescue. Can I take your postcode, please? What's on fire? | 0:18:34 | 0:18:39 | |
-All right. Stay well away. -'We can't afford to make a mistake.' | 0:18:39 | 0:18:44 | |
The mistakes that we make could be a life. Simple as that. | 0:18:44 | 0:18:48 | |
From the moment a member of the public reports a fire to Surrey Fire and Rescue Service, | 0:18:48 | 0:18:54 | |
IT steps in and plays a crucial role. | 0:18:54 | 0:18:57 | |
The computer systems automatically detect the caller's phone number. | 0:18:57 | 0:19:02 | |
It's the operator's job to ask for the postcode or find out specific details of where the incident is. | 0:19:02 | 0:19:08 | |
You put the postcode in and it selects the address for you. | 0:19:08 | 0:19:13 | |
All the time we're reducing the time it takes to get the machines on the road. | 0:19:13 | 0:19:19 | |
The computers also tell the team which fire engines are best suited for a particular emergency. | 0:19:19 | 0:19:25 | |
Depending on the fire call, for example, "road traffic collision, person trapped", | 0:19:25 | 0:19:31 | |
we need heavy cutting gear. | 0:19:31 | 0:19:33 | |
If we are sent to fuel spillages or major fires, we need foam. | 0:19:33 | 0:19:38 | |
Every appliance has a piece of equipment that is useful to us. We have to send the right one. | 0:19:38 | 0:19:45 | |
ALARM RINGS | 0:19:48 | 0:19:50 | |
There's the alarm going off now. | 0:19:50 | 0:19:53 | |
The printer's telling us where to go and it's come up on the screen. | 0:19:53 | 0:19:58 | |
I've now pressed that button so Control know we've mobilised. Off we go. | 0:19:58 | 0:20:03 | |
When we mobilise to an incident, the first thing to come up is the alert on the screen | 0:20:03 | 0:20:09 | |
which we touch to acknowledge. That tells Control we're mobilised. | 0:20:09 | 0:20:14 | |
As the crew is on the move, the computer gives instant access | 0:20:14 | 0:20:18 | |
to an immense amount of relevant information. | 0:20:18 | 0:20:21 | |
It allows us to look at the route to travel. | 0:20:21 | 0:20:25 | |
It can bring us up house plans, building layouts. | 0:20:25 | 0:20:29 | |
If we're attending an incident, if it's a school or hospital | 0:20:29 | 0:20:33 | |
we can bring up the design plans of the building, | 0:20:33 | 0:20:37 | |
which gives us information on the location of stairwells, gas, water mains. | 0:20:37 | 0:20:43 | |
It also gives vehicle information for a road traffic incident. | 0:20:43 | 0:20:48 | |
It will show us hazards that might be related to that vehicle. | 0:20:48 | 0:20:53 | |
But it will also start showing us where things are on the vehicle that we'll need to activate - | 0:20:53 | 0:20:59 | |
battery isolations, the location of air bags. | 0:20:59 | 0:21:03 | |
If we need to remove parts of the vehicle, it shows high-risk areas. | 0:21:03 | 0:21:08 | |
The computer also offers language information. | 0:21:08 | 0:21:11 | |
It gives a scrolling pattern of countries' names. | 0:21:11 | 0:21:14 | |
It gives me lists of standard questions which we would ask anybody involved in the incidents. | 0:21:14 | 0:21:21 | |
"What is your name?" "Do you speak English?" "Where is the fire?" "Is anybody else in the building?" | 0:21:21 | 0:21:28 | |
The information we hold comes from a variety of different sources. | 0:21:28 | 0:21:32 | |
We have specialist people that go out and inspect buildings and collate information on risks. | 0:21:32 | 0:21:39 | |
We also get information from local councils, the Environment Agency, from the National Trust. | 0:21:39 | 0:21:46 | |
All that information is collated to go into one system. | 0:21:46 | 0:21:49 | |
The IT team is responsible for gathering the vast amount of information available to crews. | 0:21:49 | 0:21:55 | |
Today, Julia is updating the system with a house survey completed by a firefighter. | 0:21:55 | 0:22:02 | |
The crew gathered all the data likely to be dangerous. | 0:22:02 | 0:22:06 | |
We take it into this office and then create the files. | 0:22:06 | 0:22:12 | |
They can see it on their map. They click on that and the information comes up in a document. | 0:22:12 | 0:22:20 | |
-Is this one completed, Gordon? -It is. We're looking at plans of a local hospital. | 0:22:20 | 0:22:27 | |
We've got all the electrical and gas entry points on and hazard points. | 0:22:27 | 0:22:32 | |
It's our responsibility to put the symbols correctly on the plans from information we've been given. | 0:22:32 | 0:22:39 | |
How do the onboard computers on the fire engines receive the information the team are updating? | 0:22:39 | 0:22:47 | |
When vehicles drive into the appliance bay, it synchronises with the wireless network | 0:22:47 | 0:22:53 | |
and checks to see if there are any updates it needs to download. | 0:22:53 | 0:22:57 | |
We also run an actual private network and it allows us to push information out to the vehicle wherever it is. | 0:22:57 | 0:23:05 | |
Even when the fire engine is on its way to the emergency, the job of the control centre staff isn't over. | 0:23:07 | 0:23:14 | |
They manage the situation remotely. | 0:23:14 | 0:23:17 | |
We stay in contact with the machines until the job is finished. | 0:23:17 | 0:23:22 | |
Whatever they require, we will get for them. | 0:23:22 | 0:23:26 | |
We've got action plans to follow, depending on what the incident is. | 0:23:26 | 0:23:31 | |
If it's animals, it will prompt us to contact the RSPCA. | 0:23:31 | 0:23:35 | |
If it's chemicals, it will prompt us to contact the Environment Agency. | 0:23:35 | 0:23:40 | |
Since the introduction of IT, | 0:23:40 | 0:23:42 | |
the input of data has been a lot more efficient. A lot easier, less paperwork. | 0:23:42 | 0:23:48 | |
IT is a very important aspect of the job | 0:23:48 | 0:23:51 | |
and training and being skilled is paramount. We can't risk mistakes. It's reducing risks at all times. | 0:23:51 | 0:23:58 | |
Created in 1759, the Royal Botanic Gardens at Kew are now a UNESCO World Heritage Site. | 0:24:04 | 0:24:11 | |
Over 650 people work behind the scenes. | 0:24:11 | 0:24:16 | |
In the Princess of Wales Conservatory, Mike, a horticulturist, is the manager. | 0:24:16 | 0:24:21 | |
Part of his job is to make sure conditions in each of the climatic zones in the conservatory | 0:24:21 | 0:24:27 | |
are maintained correctly. | 0:24:27 | 0:24:30 | |
We're in the Arid Zone, Zone 3. | 0:24:30 | 0:24:33 | |
We have the cacti and succulents and some of the island flora. | 0:24:33 | 0:24:37 | |
In each zone of the conservatory, the environmental variables are different. | 0:24:37 | 0:24:43 | |
We have different temperatures, humidity levels and ventilations. | 0:24:43 | 0:24:47 | |
These variables are controlled by a computer program. | 0:24:47 | 0:24:51 | |
On this screen here you can see all the ten zones. | 0:24:51 | 0:24:54 | |
Each zone in the conservatory has a sensor for humidification, and for temperature. | 0:24:54 | 0:25:00 | |
These are updating the computers every four minutes. | 0:25:00 | 0:25:04 | |
Each zone is given the minimum and maximum humidity level, relative humidity, | 0:25:04 | 0:25:10 | |
and they stay in those parameters. Once it gets below, say, 70% relative humidity, | 0:25:10 | 0:25:16 | |
the misting will come on. | 0:25:16 | 0:25:18 | |
Sometimes Mike has to change the parameters on the computer. | 0:25:18 | 0:25:23 | |
As it's getting sunnier now, we want to increase humidity levels. | 0:25:23 | 0:25:27 | |
We go into Settings and Misting. | 0:25:27 | 0:25:30 | |
And then we increase the minimum humidity level to 60%. | 0:25:30 | 0:25:35 | |
And the maximum humidity levels to 70%. | 0:25:35 | 0:25:38 | |
By setting them higher, that increases the misting levels. | 0:25:38 | 0:25:43 | |
How were climatic variables like ventilation, temperature and humidity controlled | 0:25:43 | 0:25:49 | |
before computers arrived? | 0:25:49 | 0:25:51 | |
In the older glasshouses, the vents were opened by ropes and pulleys. | 0:25:51 | 0:25:55 | |
The heating would be controlled by motorised valves. | 0:25:55 | 0:26:00 | |
Now it's all done by computer. | 0:26:00 | 0:26:02 | |
Another one of Mike's tasks is to update the plant database | 0:26:03 | 0:26:08 | |
which holds information about every plant in Kew Gardens. | 0:26:08 | 0:26:12 | |
The database is used throughout the gardens and covers all the plants in the gardens | 0:26:12 | 0:26:19 | |
so that each plant with an accession number | 0:26:19 | 0:26:22 | |
can be looked up on the database. | 0:26:22 | 0:26:24 | |
So today we've got an agave flowering in the Arid Zone | 0:26:24 | 0:26:28 | |
which needs updating. | 0:26:28 | 0:26:30 | |
You click on January and save that information. | 0:26:30 | 0:26:33 | |
I'll also need to put in a note here to collect seed off the plant. | 0:26:33 | 0:26:39 | |
The job of updating and keeping the records is ongoing. | 0:26:39 | 0:26:43 | |
It's changing all the time. | 0:26:43 | 0:26:46 | |
If we're sending a plant to another botanic garden, for instance, we can pint off the database notes | 0:26:46 | 0:26:52 | |
so they've got a close record of how the plant was collected, its country of origin, et cetera. | 0:26:52 | 0:26:58 | |
There's another database being compiled at Kew Gardens, | 0:26:58 | 0:27:02 | |
not of living plants, but the huge collection of preserved plant specimens from all over the world | 0:27:02 | 0:27:09 | |
which are stored in the Herbarium. | 0:27:09 | 0:27:12 | |
We're in the Herbarium at Kew. In the cupboards are specimens. | 0:27:12 | 0:27:17 | |
The Herbarium you could think of as a library of plants. | 0:27:17 | 0:27:21 | |
The specimens are the pressed plants with their stems, leaves, petals. | 0:27:21 | 0:27:26 | |
The Global Plants Initiative is an international collaborative project between | 0:27:26 | 0:27:33 | |
over 147 herbaria in over 52 countries. | 0:27:33 | 0:27:38 | |
Many of the plant specimens date back to the 1800s, 1820s. | 0:27:38 | 0:27:42 | |
The project as a whole is aiming to digitise two million plant specimens. | 0:27:42 | 0:27:48 | |
These are being brought together in one online environment. | 0:27:48 | 0:27:52 | |
Today Aisleyne from the Global Plants Initiative team | 0:27:52 | 0:27:56 | |
is creating a digital record of another preserved plant. | 0:27:56 | 0:28:00 | |
She's off to the Herbarium to find her specimen. | 0:28:00 | 0:28:04 | |
I've just collected a type specimen. It's a barberi species, | 0:28:04 | 0:28:10 | |
which we will take to database and scan. | 0:28:10 | 0:28:12 | |
It involves putting a colour chart and ruler on. | 0:28:12 | 0:28:16 | |
The colour chart is so we can compare the true colours. | 0:28:16 | 0:28:20 | |
The scanners that we have are upside down | 0:28:20 | 0:28:23 | |
so the specimen can face upwards and we don't have to turn it upside down, as it's quite fragile. | 0:28:23 | 0:28:30 | |
It's quite a high resolution. It takes about three minutes to scan. | 0:28:30 | 0:28:34 | |
And we make a record of this in the spreadsheet | 0:28:34 | 0:28:37 | |
where we put the barcode | 0:28:37 | 0:28:40 | |
and then the date we scanned it on. | 0:28:40 | 0:28:42 | |
And we also put the resolution that we scanned the image - 600 dots per inch. | 0:28:42 | 0:28:48 | |
Once the Herbarium specimen has been databased and imaged, | 0:28:48 | 0:28:52 | |
it can be found here. If we look up a specimen, | 0:28:52 | 0:28:56 | |
this is called Stapelia hirsuta. | 0:28:56 | 0:29:00 | |
This website brings together several resources on plant science. | 0:29:00 | 0:29:05 | |
It includes paintings, floras, maps, illustrations. | 0:29:05 | 0:29:09 | |
And we can zoom in and see the fine detail of the hairs on a petal. | 0:29:09 | 0:29:15 | |
We can also measure the length of the petal. | 0:29:15 | 0:29:19 | |
We have already imaged 140,000 specimens, so you need to have large databases | 0:29:20 | 0:29:26 | |
to be able to manipulate the data accurately. | 0:29:26 | 0:29:30 | |
Subtitles by Red Bee Media Ltd. | 0:29:44 | 0:29:47 | |
E-mail [email protected] | 0:29:47 | 0:29:50 |