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The Workhouse

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Transcript


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Ladies and gentlemen, live from the 19th-century,

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at the heart of Her Majesty's empire in the city of London

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it's the Charles Dickens Show.

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Please will you welcome your host,

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he-e-e-ere's Dickens!

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APPLAUSE

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Thank you, thank you, thank you. Good to have you with us.

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Thanks for stopping by. Hello and welcome to Queen Victoria's England.

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What about this weather we've had recently,

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ladies and gentlemen? Brrr!

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It's so cold, even the flames of our studio fire...

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have frozen!

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LAUGHTER

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Now, tonight's show is all about life in the workhouse,

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and when our researchers did the maths on this thing,

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they came up with some very shocking facts.

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126,000 people living in these places,

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which were originally designed to punish people.

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The people being sent there today haven't broken any laws.

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No, the only crime these people have committed is being poor.

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Now, 35,000 of these unfortunates

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are under the age of 12.

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If that many children were laid end to end,

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they'd be 26 miles long.

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If you stood them on each other's shoulders,

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they would be 140,000 feet up in the stratosphere. You'd suffocate.

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So, kids, don't try that at home.

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And now, we're joined

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by our fearless investigative reporter, Nelly Trent.

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-Hello, Nelly, what have you been up to?

-Hello, Charles.

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I have a shocking undercover expose from a workhouse in Nottinghamshire.

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-It'll chill you and the viewers to the bone.

-Oh!

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And we have a report from a London workhouse kitchen.

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Mrs Burble, the chief cook there, has agreed to share with us

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what she feeds these poor children.

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I'm betting it's not pease pudding and saveloy.

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And we'll be rounding off our show

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with our very special guest, he's a man who's working tirelessly

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to keep these poor, unfortunate children

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out of the workhouses and off the streets,

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will you please give a huge welcome to Dr Thomas Barnardo, everybody.

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CHEERING

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We'll be catching up with him in a moment

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and talking to him about his work.

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-Warm enough over there, Tom?

-Not too bad.

-Good.

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Now, just to put us in the zone,

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here is a film from one of my most famous books,

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The Adventures of Oliver Twist.

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I wonder if the viewers at home

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can spot the horrible historical mistake

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made by the film-makers in the following clip.

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Please, Sir, I want some more.

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What?!

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Please, Sir...

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..I want some...

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more?

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More?!

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Shoot that designer!

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The costumes, the sets completely the wrong era!

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You see, I originally wrote Oliver Twist as a serial,

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in monthly instalments.

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The first appeared in February 1837.

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King William IV died four months later, in June 1837.

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-Did you know that, Tom?

-No. I always thought it was Victorian.

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Ah, yes! Actually, it's a common mistake.

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Now, let's take a look at Nelly's special undercover report.

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Roll the thing.

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I've travelled to the Greet workhouse in Nottinghamshire,

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which is the model for the many hundreds of workhouses

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that now exist all across the country.

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Other parishes thought Greet was so great

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that they borrowed their ideas for their own workhouses.

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Children who live here work from morning till night,

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and their masters are often brutal and unkind.

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One of the young orphans has agreed to secretly film

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a day in his life for the Charles Dickens Show.

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It's half past four in the morning and this is the dormitory.

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We sleep at least two of us to a bed.

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Sometimes that can be a good thing, mind it can get fearful cold.

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I'm 11 now, but I came to this workhouse when I was nine.

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It was just me and Father.

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MAN COUGHS

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After Father lost his job as a farmhand,

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he brought us here to give us a roof over our heads,

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but he always said he was ashamed to bring us to this.

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Children and parents is only allowed half an hour visiting

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on Sundays, though, so I hardly saw him before he died.

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It's just me now. I get sad about it sometimes, especially at night time.

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Though we're not allowed to cry, or we might get the stick!

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'The children live apart from the adults.'

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The men and women are kept apart and all,

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so families are all split up.

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Children together, men together, women together.

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They wash us all over when we come in here.

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After that, we wash our faces and neck at the pump in the yard.

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They give us these clothes so we all dress the same.

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Mine's too big, so I tie them up with string, like this, see?

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To make them fit.

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When we go to bed, we get locked in here,

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and we can't get out until morning, even if we're really desperate.

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That's why they put the pail in the corner.

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They don't like us larking around or playing, because they like us quiet.

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They reckon we'll eat more if we get exercised.

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I don't know if I'll ever get out of here.

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There's no sense in trying to run away, they'll only catch you.

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One fella tried it last month

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and they dragged him back in here and whipped him.

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WHIP CRACKS

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We all had to watch.

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WHIP CRACKS

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They paint the walls in these light colours

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so every bit of daylight gets used.

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Candles cost money. BELL RINGS

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Cripes! Better get a rattle on.

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If you get late for bread, they put you on bread and water for 24 hours!

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Living in here don't come for free. You has to work for your keep.

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I'll show you what you have to do.

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This is the job they give us when we come in here.

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It's called picking oakum. What you do,

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is they give you an old piece of rope from a ship's rigging,

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and you have to unwind it and pull it apart so it's like cotton wool.

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I only wish it were as soft as cotton wool.

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It's full of tar and salt and grit and water,

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and it gives you blisters something awful.

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You end up with a pile of oakum, which the workhouse sells.

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They use it for building ships,

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filling in the gaps between the planks.

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It makes mattresses, too. Money for old rope, it is!

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HE CHORTLES Though I don't see any of it.

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If you're under 16, you have to pick one and a half pounds every day.

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That's the same as six juicy red apples,

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or 24 fat, shiny conkers, which is ever so hard to do.

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They even use it as a punishment for convicts what done wicked things.

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All we've done is be poor, and we shouldn't be punished for that.

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I think that's really wrong.

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METAL CLANKS Here comes the master.

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That's your lot, Nelly!

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Thank you, Billy.

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"Oliver Twist and his companions

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"suffered the tortures of slow starvation for three months.

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"At last, they got so wild with hunger, that one boy hinted darkly

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"that unless he had another basin of gruel, he was afraid

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"he might some night happen to eat the boy who slept next to him."

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So, what exactly do these workhouse children

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like our young friend there get to eat?

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Something nutritious, delicious, to help them put up with

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the endless hours of oakum picking?

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Here's a woman who knows the answer. She cooks for paupers every day.

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What's in your pot, Mrs Burble?

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CAULDRON BUBBLES

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Thank you, Mr Dickens.

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Hello, everybody, and welcome to my lovely kitchen.

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As you can see, I like to keep things clean, tidy and shipshape.

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That's because my first husband was a sailor.

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Captain's steward, he was.

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Well, he taught me lots of tasty recipes -

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roast turtle, melange of narwhal, drowned dog dumplings. Ooh!

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SHE SMACKS HER LIPS

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Here we have the total amount of food one of the boys would eat in a week.

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Four pints of gruel, one pint of broth

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that's boiled-up animal bones.

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A whole half-loaf of bread, three spuds.

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I tell you, it's a wonder they don't go off pop, some of them!

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And some... What's this?

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Ah. Rice pudding.

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Some cheese. That is to have with the bread.

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Some... Some...

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Well, it's meat.

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Stickings, I suppose.

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Now, that don't look right, do it? Oh, I know!

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A turnip.

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Well, half of one.

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Now, for breakfast, we're going to give them some gruel.

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Mondays, Wednesdays and Fridays they gets gruel.

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All the other days of the week, they gets...

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gruel. SHE GIGGLES

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Oh, I am a one! It always makes me laugh!

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Where was I?

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Oh, gruel.

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In this pan I've got some oatmeal,

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which I've had soaking overnight in a solution of...water.

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There's about...well...this much oatmeal in there.

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We're going to bring it to the boil.

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Don't let it boil over.

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Now I'm going to add some suet, for meaty goodness.

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This is raw fat, and it's ever so healthy.

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Now, for every three ounces of oatmeal,

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you want about half an ounce of suet.

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That'll be...well...

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about this much.

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Don't forget your seasoning.

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We leave this to cook.

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And then we add treacle and milk once it's got going.

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Now, how's this doing?

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Ooh, lovely!

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Mmm.

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Mmm! That is good.

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That's oaty, that's treacly,

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that's soapy...

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That's my laundry!

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Well, that's all the treacle there is for today,

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so the gruel will just have to go without.

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Still, I expect they'll survive.

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Ta-ta!

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AUDIENCE BOOS

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I'm shocked.

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Truly shocked!

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I wonder what the Burbles are having for their dinner this evening.

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Next up on my show is a man

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who is busier than a bee in a bed of roses.

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He's always asking people for money

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so that he can build homes for poor and destitute children.

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They say he sleeps just five hours a night,

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and he writes 500 letters a week.

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Can that be true? Surely not.

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Let's find out. Will you please give a warm welcome to Dr Tom Barnardo?

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-CHEERING AND APPLAUSE

-Tom, it seems

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we're lucky to have you, thank you greatly for coming on the show.

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I'm delighted to be here, Charles.

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Now, Tom. These 500 letters a week.

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We worked out you must be going through a whole pint of ink a week.

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Are you buying in bulk?

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I've persuaded my supplier to do me a very good deal.

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Maybe I could come in on that with you!

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I have been known to scribble the odd missive myself.

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Tell me, Tom, are you a quill man,

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or do you fancy these new-fangled fountain pens

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we've been seeing in our stationery shops?

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Well, they have been around for some years now, Charles.

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I like them very much. They're so portable!

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I find they have a tendency to clog.

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I like my thoughts to flow straight through the point of the pen.

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"It was the best of times, it was the wor..."

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LAUGHTER

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W... Ahh, you see?!

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Its gone all over my trousers.

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Now, Tom. The name of Barnardo is on everyone's lips at the moment.

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We're all very excited about the work you're doing.

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You provide a wonderful alternative to the workhouse for poor children

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like that young boy we saw in the undercover report.

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But just explain to us,

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if you would, what makes your home so different from the workhouses?

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Workhouses are cruel and desperately hard places to live.

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Our aim is to care for the children,

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to keep them safe, warm and well fed.

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Our children don't stay with us forever,

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usually just a few months until they're healthy and on their feet.

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So there's a very different picture there.

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What was it that inspired you to open your first home?

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-Well, it's a long story.

-I do the long stories, Tom!

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Just the headlines, if you would.

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I see we're going to have trouble this evening. Pray, continue.

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I had just started a community school

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in some donkey stables near Limehouse.

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There weren't any donkeys living there at the time, were there?

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No, the donkeys were long gone.

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One of the boys, Jim Jarvis,

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took me out to the East End of London one night

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and showed me children of five, six years old,

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sleeping on roofs, in gutters.

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It affected me very deeply.

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Can you imagine? It's getting dark.

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You've only had one piece of bread to eat all day.

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Perhaps it's starting to rain, and you have nowhere to sleep.

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Well, that's the reality for many children nowadays.

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Night after night after night.

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And these disturbing images continue to haunt you?

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Yes, very much so. Jim Jarvis had opened my eyes to something.

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My work was here, among the destitute children of London.

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"No destitute child ever refused admission."

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-That's the motto of your organisation, am I right?

-Correct.

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Those words are writ large over every doorway.

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How did that motto come about?

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A young lad came to one of our homes one night looking for a bed.

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Unfortunately, the home was full and the boy was turned away.

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Tragically, he was discovered in the streets two days later,

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dead from cold and hunger.

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From that day forth, we set up our ever-open-door policy

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so that no child should ever have to suffer such a terrible fate again.

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-APPLAUSE

-Well, that's wonderful.

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Now, I hear you've brought along

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some photographs for us to look at of your work.

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That's delightful.

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We're all familiar, of course, with photographs,

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as family portraits and so forth, but I believe that you have

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been using them in your advertising campaign, is that correct?

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That's quite right, Charles.

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This is a before-and-after picture?

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Yes. We photograph the children when they arrive

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and then we photograph them again, several months later,

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after they've had a chance to recover from life on the streets.

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It's a very effective way of showing people the work that we're doing.

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And you're selling these pictures to the public, I believe?

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It's a good way of raising money for the charity,

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so we can help more of these children.

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They're proving very popular, too.

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Only five shillings a pack, Charles, if I can tempt you?

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-LAUGHTER

-How could I possibly refuse?

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On national television in front of millions.

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Oh, Charles, I know that you're a very generous man.

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I bet you'd give the coat off your back to help these poor children.

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I'd give them my trousers, Tom, but sadly they're covered in ink.

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Now, Tom, your success has brought with it some criticism,

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and I read a suggestion somewhere that, "Dr Barnardo

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"is so desperate to rescue abused children

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"that he will think nothing of kidnapping them from their parents."

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That's nonsense. We don't kidnap them.

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We have on occasion removed children from violent or cruel parents.

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-So you are prepared to break the law?

-Yes, because the law is wrong.

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We want to show people the dangers faced by these vulnerable children.

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If you could just look into the eyes of these poor waifs and strays

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who have been neglected and beaten...

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Yes, I am prepared to break the law.

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Our dream, what we're fighting for, though, is a change to the law,

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which will see children protected rather than the parents.

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-APPLAUSE

-Well, we all say amen to that.

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Now, finally, Tom,

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what would you say to our Victorian viewers watching at home

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who see poverty as shameful, a result of laziness and crime?

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I would say that every child

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deserves the best possible start in life,

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regardless of their background.

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When parents feel the creeping cold of poverty envelop the home

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it is often the children who are frozen out first.

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We can't restore lost childhoods

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but we can give those children back their future.

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Well, we certainly wish every child in your care good luck

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and Godspeed.

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During the course of the show we pass around my hat,

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and we've had a little bit of a collection on your behalf.

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Let's see what we've achieved.

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Oh, yes!

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It's a staggering £14, ladies and gentlemen!

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That is remarkably generous. Thank you, everybody.

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And, Charles, for you to say that you would double this amount

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out of your own pocket is just beyond kindness.

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Yes, of course. I'm no Ebenezer Scrooge. Where's my chequebook?

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Has anybody got a basket or a bag or something

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that Tom could put that money into?

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Don't worry, I'll just keep it in the hat.

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You're keeping my hat?

0:17:580:18:00

I have a feeling that one of your fans will pay very good money

0:18:000:18:03

for Mr Charles Dickens' hat and coat.

0:18:030:18:05

-My coat?

-Well, you did say earlier you'd give the coat off your back.

0:18:050:18:10

Yes, so I did, didn't I?

0:18:100:18:13

-Here you go. It's all yours.

-APPLAUSE

0:18:130:18:16

-So, make this out to...

-Dr Tom Barnardo. That would be splendid.

0:18:200:18:23

Dr Tom...Bar...

0:18:230:18:26

You see, these things are useless.

0:18:260:18:29

Gah! It's gone all over my trousers, ladies and gentlemen!

0:18:290:18:31

Never mind, we'll clear all that up after the show. Thank you, Tom.

0:18:310:18:35

It's been wonderful to have you here. You have a real talent.

0:18:350:18:39

I ought to hire you to help with some of my other favourite causes.

0:18:390:18:43

And now a big thank-you for all your wonderful work,

0:18:430:18:46

-Dr Thomas Barnardo, everybody!

-APPLAUSE AND CHEERING

0:18:460:18:49

It's time to fan the sinking flame of hilarity

0:18:490:18:52

with the wing of friendship and pass the rosy wine.

0:18:520:18:55

We'll be back to increase your stock of harmless cheerfulness next week

0:18:550:18:59

but I leave you with this thought.

0:18:590:19:01

No-one is useless in this world who lightens the burden of another.

0:19:010:19:06

Get to it! Good night and God bless you all.

0:19:060:19:09

APPLAUSE AND CHEERING

0:19:090:19:11

Subtitles by Red Bee Media Ltd

0:19:280:19:31

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