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Ladies and gentlemen, live from the 19th-century, | 0:00:01 | 0:00:06 | |
at the heart of Her Majesty's empire in the city of London | 0:00:06 | 0:00:09 | |
it's the Charles Dickens Show. | 0:00:09 | 0:00:12 | |
Please will you welcome your host, | 0:00:12 | 0:00:14 | |
he-e-e-ere's Dickens! | 0:00:14 | 0:00:17 | |
APPLAUSE | 0:00:17 | 0:00:21 | |
Thank you, thank you, thank you. Good to have you with us. | 0:00:21 | 0:00:25 | |
Thanks for stopping by. Hello and welcome to Queen Victoria's England. | 0:00:25 | 0:00:29 | |
What about this weather we've had recently, | 0:00:29 | 0:00:32 | |
ladies and gentlemen? Brrr! | 0:00:32 | 0:00:33 | |
It's so cold, even the flames of our studio fire... | 0:00:33 | 0:00:37 | |
have frozen! | 0:00:37 | 0:00:39 | |
LAUGHTER | 0:00:39 | 0:00:40 | |
Now, tonight's show is all about life in the workhouse, | 0:00:41 | 0:00:45 | |
and when our researchers did the maths on this thing, | 0:00:45 | 0:00:48 | |
they came up with some very shocking facts. | 0:00:48 | 0:00:51 | |
126,000 people living in these places, | 0:00:51 | 0:00:55 | |
which were originally designed to punish people. | 0:00:55 | 0:00:57 | |
The people being sent there today haven't broken any laws. | 0:00:57 | 0:01:00 | |
No, the only crime these people have committed is being poor. | 0:01:00 | 0:01:06 | |
Now, 35,000 of these unfortunates | 0:01:06 | 0:01:09 | |
are under the age of 12. | 0:01:09 | 0:01:11 | |
If that many children were laid end to end, | 0:01:11 | 0:01:14 | |
they'd be 26 miles long. | 0:01:14 | 0:01:16 | |
If you stood them on each other's shoulders, | 0:01:16 | 0:01:19 | |
they would be 140,000 feet up in the stratosphere. You'd suffocate. | 0:01:19 | 0:01:24 | |
So, kids, don't try that at home. | 0:01:24 | 0:01:28 | |
And now, we're joined | 0:01:28 | 0:01:29 | |
by our fearless investigative reporter, Nelly Trent. | 0:01:29 | 0:01:33 | |
-Hello, Nelly, what have you been up to? -Hello, Charles. | 0:01:33 | 0:01:37 | |
I have a shocking undercover expose from a workhouse in Nottinghamshire. | 0:01:37 | 0:01:41 | |
-It'll chill you and the viewers to the bone. -Oh! | 0:01:41 | 0:01:45 | |
And we have a report from a London workhouse kitchen. | 0:01:45 | 0:01:49 | |
Mrs Burble, the chief cook there, has agreed to share with us | 0:01:49 | 0:01:53 | |
what she feeds these poor children. | 0:01:53 | 0:01:55 | |
I'm betting it's not pease pudding and saveloy. | 0:01:55 | 0:01:59 | |
And we'll be rounding off our show | 0:01:59 | 0:02:01 | |
with our very special guest, he's a man who's working tirelessly | 0:02:01 | 0:02:06 | |
to keep these poor, unfortunate children | 0:02:06 | 0:02:08 | |
out of the workhouses and off the streets, | 0:02:08 | 0:02:11 | |
will you please give a huge welcome to Dr Thomas Barnardo, everybody. | 0:02:11 | 0:02:15 | |
CHEERING | 0:02:15 | 0:02:16 | |
We'll be catching up with him in a moment | 0:02:16 | 0:02:18 | |
and talking to him about his work. | 0:02:18 | 0:02:21 | |
-Warm enough over there, Tom? -Not too bad. -Good. | 0:02:21 | 0:02:23 | |
Now, just to put us in the zone, | 0:02:23 | 0:02:26 | |
here is a film from one of my most famous books, | 0:02:26 | 0:02:29 | |
The Adventures of Oliver Twist. | 0:02:29 | 0:02:31 | |
I wonder if the viewers at home | 0:02:31 | 0:02:34 | |
can spot the horrible historical mistake | 0:02:34 | 0:02:37 | |
made by the film-makers in the following clip. | 0:02:37 | 0:02:40 | |
Please, Sir, I want some more. | 0:02:41 | 0:02:44 | |
What?! | 0:02:44 | 0:02:46 | |
Please, Sir... | 0:02:47 | 0:02:49 | |
..I want some... | 0:02:50 | 0:02:52 | |
more? | 0:02:52 | 0:02:54 | |
More?! | 0:02:55 | 0:02:56 | |
Shoot that designer! | 0:02:57 | 0:03:00 | |
The costumes, the sets completely the wrong era! | 0:03:00 | 0:03:04 | |
You see, I originally wrote Oliver Twist as a serial, | 0:03:04 | 0:03:07 | |
in monthly instalments. | 0:03:07 | 0:03:09 | |
The first appeared in February 1837. | 0:03:09 | 0:03:12 | |
King William IV died four months later, in June 1837. | 0:03:12 | 0:03:18 | |
-Did you know that, Tom? -No. I always thought it was Victorian. | 0:03:18 | 0:03:22 | |
Ah, yes! Actually, it's a common mistake. | 0:03:22 | 0:03:25 | |
Now, let's take a look at Nelly's special undercover report. | 0:03:25 | 0:03:28 | |
Roll the thing. | 0:03:28 | 0:03:30 | |
I've travelled to the Greet workhouse in Nottinghamshire, | 0:03:30 | 0:03:33 | |
which is the model for the many hundreds of workhouses | 0:03:33 | 0:03:36 | |
that now exist all across the country. | 0:03:36 | 0:03:38 | |
Other parishes thought Greet was so great | 0:03:38 | 0:03:41 | |
that they borrowed their ideas for their own workhouses. | 0:03:41 | 0:03:44 | |
Children who live here work from morning till night, | 0:03:44 | 0:03:47 | |
and their masters are often brutal and unkind. | 0:03:47 | 0:03:50 | |
One of the young orphans has agreed to secretly film | 0:03:50 | 0:03:53 | |
a day in his life for the Charles Dickens Show. | 0:03:53 | 0:03:55 | |
It's half past four in the morning and this is the dormitory. | 0:04:01 | 0:04:04 | |
We sleep at least two of us to a bed. | 0:04:08 | 0:04:11 | |
Sometimes that can be a good thing, mind it can get fearful cold. | 0:04:11 | 0:04:16 | |
I'm 11 now, but I came to this workhouse when I was nine. | 0:04:20 | 0:04:24 | |
It was just me and Father. | 0:04:24 | 0:04:26 | |
MAN COUGHS | 0:04:26 | 0:04:28 | |
After Father lost his job as a farmhand, | 0:04:28 | 0:04:30 | |
he brought us here to give us a roof over our heads, | 0:04:30 | 0:04:33 | |
but he always said he was ashamed to bring us to this. | 0:04:33 | 0:04:36 | |
Children and parents is only allowed half an hour visiting | 0:04:36 | 0:04:39 | |
on Sundays, though, so I hardly saw him before he died. | 0:04:39 | 0:04:42 | |
It's just me now. I get sad about it sometimes, especially at night time. | 0:04:44 | 0:04:51 | |
Though we're not allowed to cry, or we might get the stick! | 0:04:51 | 0:04:54 | |
'The children live apart from the adults.' | 0:04:54 | 0:04:56 | |
The men and women are kept apart and all, | 0:04:56 | 0:04:59 | |
so families are all split up. | 0:04:59 | 0:05:00 | |
Children together, men together, women together. | 0:05:00 | 0:05:03 | |
They wash us all over when we come in here. | 0:05:03 | 0:05:05 | |
After that, we wash our faces and neck at the pump in the yard. | 0:05:05 | 0:05:09 | |
They give us these clothes so we all dress the same. | 0:05:10 | 0:05:13 | |
Mine's too big, so I tie them up with string, like this, see? | 0:05:13 | 0:05:16 | |
To make them fit. | 0:05:16 | 0:05:17 | |
When we go to bed, we get locked in here, | 0:05:17 | 0:05:20 | |
and we can't get out until morning, even if we're really desperate. | 0:05:20 | 0:05:23 | |
That's why they put the pail in the corner. | 0:05:25 | 0:05:28 | |
They don't like us larking around or playing, because they like us quiet. | 0:05:29 | 0:05:34 | |
They reckon we'll eat more if we get exercised. | 0:05:34 | 0:05:37 | |
I don't know if I'll ever get out of here. | 0:05:37 | 0:05:39 | |
There's no sense in trying to run away, they'll only catch you. | 0:05:39 | 0:05:42 | |
One fella tried it last month | 0:05:42 | 0:05:43 | |
and they dragged him back in here and whipped him. | 0:05:43 | 0:05:46 | |
WHIP CRACKS | 0:05:46 | 0:05:48 | |
We all had to watch. | 0:05:48 | 0:05:50 | |
WHIP CRACKS | 0:05:50 | 0:05:52 | |
They paint the walls in these light colours | 0:05:58 | 0:06:00 | |
so every bit of daylight gets used. | 0:06:00 | 0:06:02 | |
Candles cost money. BELL RINGS | 0:06:02 | 0:06:04 | |
Cripes! Better get a rattle on. | 0:06:04 | 0:06:06 | |
If you get late for bread, they put you on bread and water for 24 hours! | 0:06:06 | 0:06:10 | |
Living in here don't come for free. You has to work for your keep. | 0:06:12 | 0:06:16 | |
I'll show you what you have to do. | 0:06:16 | 0:06:18 | |
This is the job they give us when we come in here. | 0:06:18 | 0:06:21 | |
It's called picking oakum. What you do, | 0:06:21 | 0:06:24 | |
is they give you an old piece of rope from a ship's rigging, | 0:06:24 | 0:06:27 | |
and you have to unwind it and pull it apart so it's like cotton wool. | 0:06:27 | 0:06:30 | |
I only wish it were as soft as cotton wool. | 0:06:30 | 0:06:32 | |
It's full of tar and salt and grit and water, | 0:06:32 | 0:06:34 | |
and it gives you blisters something awful. | 0:06:34 | 0:06:37 | |
You end up with a pile of oakum, which the workhouse sells. | 0:06:37 | 0:06:40 | |
They use it for building ships, | 0:06:40 | 0:06:42 | |
filling in the gaps between the planks. | 0:06:42 | 0:06:44 | |
It makes mattresses, too. Money for old rope, it is! | 0:06:44 | 0:06:48 | |
HE CHORTLES Though I don't see any of it. | 0:06:48 | 0:06:50 | |
If you're under 16, you have to pick one and a half pounds every day. | 0:06:50 | 0:06:55 | |
That's the same as six juicy red apples, | 0:06:55 | 0:06:57 | |
or 24 fat, shiny conkers, which is ever so hard to do. | 0:06:57 | 0:07:01 | |
They even use it as a punishment for convicts what done wicked things. | 0:07:01 | 0:07:05 | |
All we've done is be poor, and we shouldn't be punished for that. | 0:07:05 | 0:07:09 | |
I think that's really wrong. | 0:07:09 | 0:07:10 | |
METAL CLANKS Here comes the master. | 0:07:10 | 0:07:13 | |
That's your lot, Nelly! | 0:07:13 | 0:07:15 | |
Thank you, Billy. | 0:07:17 | 0:07:19 | |
"Oliver Twist and his companions | 0:07:19 | 0:07:21 | |
"suffered the tortures of slow starvation for three months. | 0:07:21 | 0:07:26 | |
"At last, they got so wild with hunger, that one boy hinted darkly | 0:07:26 | 0:07:30 | |
"that unless he had another basin of gruel, he was afraid | 0:07:30 | 0:07:34 | |
"he might some night happen to eat the boy who slept next to him." | 0:07:34 | 0:07:38 | |
So, what exactly do these workhouse children | 0:07:38 | 0:07:42 | |
like our young friend there get to eat? | 0:07:42 | 0:07:45 | |
Something nutritious, delicious, to help them put up with | 0:07:45 | 0:07:48 | |
the endless hours of oakum picking? | 0:07:48 | 0:07:51 | |
Here's a woman who knows the answer. She cooks for paupers every day. | 0:07:51 | 0:07:56 | |
What's in your pot, Mrs Burble? | 0:07:56 | 0:07:59 | |
CAULDRON BUBBLES | 0:07:59 | 0:08:01 | |
Thank you, Mr Dickens. | 0:08:01 | 0:08:03 | |
Hello, everybody, and welcome to my lovely kitchen. | 0:08:03 | 0:08:07 | |
As you can see, I like to keep things clean, tidy and shipshape. | 0:08:07 | 0:08:13 | |
That's because my first husband was a sailor. | 0:08:13 | 0:08:17 | |
Captain's steward, he was. | 0:08:17 | 0:08:20 | |
Well, he taught me lots of tasty recipes - | 0:08:20 | 0:08:23 | |
roast turtle, melange of narwhal, drowned dog dumplings. Ooh! | 0:08:23 | 0:08:31 | |
SHE SMACKS HER LIPS | 0:08:31 | 0:08:32 | |
Here we have the total amount of food one of the boys would eat in a week. | 0:08:34 | 0:08:40 | |
Four pints of gruel, one pint of broth | 0:08:40 | 0:08:43 | |
that's boiled-up animal bones. | 0:08:43 | 0:08:46 | |
A whole half-loaf of bread, three spuds. | 0:08:46 | 0:08:51 | |
I tell you, it's a wonder they don't go off pop, some of them! | 0:08:51 | 0:08:55 | |
And some... What's this? | 0:08:55 | 0:08:58 | |
Ah. Rice pudding. | 0:08:59 | 0:09:01 | |
Some cheese. That is to have with the bread. | 0:09:01 | 0:09:05 | |
Some... Some... | 0:09:06 | 0:09:09 | |
Well, it's meat. | 0:09:09 | 0:09:11 | |
Stickings, I suppose. | 0:09:11 | 0:09:13 | |
Now, that don't look right, do it? Oh, I know! | 0:09:13 | 0:09:17 | |
A turnip. | 0:09:17 | 0:09:19 | |
Well, half of one. | 0:09:21 | 0:09:22 | |
Now, for breakfast, we're going to give them some gruel. | 0:09:25 | 0:09:29 | |
Mondays, Wednesdays and Fridays they gets gruel. | 0:09:29 | 0:09:34 | |
All the other days of the week, they gets... | 0:09:34 | 0:09:36 | |
gruel. SHE GIGGLES | 0:09:36 | 0:09:39 | |
Oh, I am a one! It always makes me laugh! | 0:09:39 | 0:09:43 | |
Where was I? | 0:09:44 | 0:09:46 | |
Oh, gruel. | 0:09:46 | 0:09:48 | |
In this pan I've got some oatmeal, | 0:09:48 | 0:09:51 | |
which I've had soaking overnight in a solution of...water. | 0:09:51 | 0:09:57 | |
There's about...well...this much oatmeal in there. | 0:09:57 | 0:10:02 | |
We're going to bring it to the boil. | 0:10:02 | 0:10:06 | |
Don't let it boil over. | 0:10:06 | 0:10:08 | |
Now I'm going to add some suet, for meaty goodness. | 0:10:10 | 0:10:14 | |
This is raw fat, and it's ever so healthy. | 0:10:14 | 0:10:20 | |
Now, for every three ounces of oatmeal, | 0:10:20 | 0:10:22 | |
you want about half an ounce of suet. | 0:10:22 | 0:10:25 | |
That'll be...well... | 0:10:25 | 0:10:29 | |
about this much. | 0:10:29 | 0:10:31 | |
Don't forget your seasoning. | 0:10:31 | 0:10:33 | |
We leave this to cook. | 0:10:37 | 0:10:40 | |
And then we add treacle and milk once it's got going. | 0:10:40 | 0:10:45 | |
Now, how's this doing? | 0:10:45 | 0:10:47 | |
Ooh, lovely! | 0:10:47 | 0:10:50 | |
Mmm. | 0:10:54 | 0:10:55 | |
Mmm! That is good. | 0:10:55 | 0:10:58 | |
That's oaty, that's treacly, | 0:10:58 | 0:11:01 | |
that's soapy... | 0:11:01 | 0:11:02 | |
That's my laundry! | 0:11:04 | 0:11:06 | |
Well, that's all the treacle there is for today, | 0:11:07 | 0:11:11 | |
so the gruel will just have to go without. | 0:11:11 | 0:11:13 | |
Still, I expect they'll survive. | 0:11:15 | 0:11:18 | |
Ta-ta! | 0:11:18 | 0:11:19 | |
AUDIENCE BOOS | 0:11:21 | 0:11:23 | |
I'm shocked. | 0:11:23 | 0:11:24 | |
Truly shocked! | 0:11:24 | 0:11:26 | |
I wonder what the Burbles are having for their dinner this evening. | 0:11:26 | 0:11:30 | |
Next up on my show is a man | 0:11:30 | 0:11:32 | |
who is busier than a bee in a bed of roses. | 0:11:32 | 0:11:35 | |
He's always asking people for money | 0:11:35 | 0:11:37 | |
so that he can build homes for poor and destitute children. | 0:11:37 | 0:11:41 | |
They say he sleeps just five hours a night, | 0:11:41 | 0:11:44 | |
and he writes 500 letters a week. | 0:11:44 | 0:11:47 | |
Can that be true? Surely not. | 0:11:47 | 0:11:49 | |
Let's find out. Will you please give a warm welcome to Dr Tom Barnardo? | 0:11:49 | 0:11:54 | |
-CHEERING AND APPLAUSE -Tom, it seems | 0:11:54 | 0:11:57 | |
we're lucky to have you, thank you greatly for coming on the show. | 0:11:57 | 0:12:00 | |
I'm delighted to be here, Charles. | 0:12:00 | 0:12:02 | |
Now, Tom. These 500 letters a week. | 0:12:02 | 0:12:05 | |
We worked out you must be going through a whole pint of ink a week. | 0:12:05 | 0:12:10 | |
Are you buying in bulk? | 0:12:10 | 0:12:12 | |
I've persuaded my supplier to do me a very good deal. | 0:12:12 | 0:12:14 | |
Maybe I could come in on that with you! | 0:12:14 | 0:12:16 | |
I have been known to scribble the odd missive myself. | 0:12:16 | 0:12:20 | |
Tell me, Tom, are you a quill man, | 0:12:20 | 0:12:23 | |
or do you fancy these new-fangled fountain pens | 0:12:23 | 0:12:25 | |
we've been seeing in our stationery shops? | 0:12:25 | 0:12:28 | |
Well, they have been around for some years now, Charles. | 0:12:28 | 0:12:30 | |
I like them very much. They're so portable! | 0:12:30 | 0:12:33 | |
I find they have a tendency to clog. | 0:12:33 | 0:12:35 | |
I like my thoughts to flow straight through the point of the pen. | 0:12:35 | 0:12:40 | |
"It was the best of times, it was the wor..." | 0:12:40 | 0:12:43 | |
LAUGHTER | 0:12:43 | 0:12:45 | |
W... Ahh, you see?! | 0:12:45 | 0:12:47 | |
Its gone all over my trousers. | 0:12:47 | 0:12:50 | |
Now, Tom. The name of Barnardo is on everyone's lips at the moment. | 0:12:50 | 0:12:54 | |
We're all very excited about the work you're doing. | 0:12:54 | 0:12:57 | |
You provide a wonderful alternative to the workhouse for poor children | 0:12:57 | 0:13:00 | |
like that young boy we saw in the undercover report. | 0:13:00 | 0:13:04 | |
But just explain to us, | 0:13:04 | 0:13:05 | |
if you would, what makes your home so different from the workhouses? | 0:13:05 | 0:13:09 | |
Workhouses are cruel and desperately hard places to live. | 0:13:09 | 0:13:13 | |
Our aim is to care for the children, | 0:13:13 | 0:13:16 | |
to keep them safe, warm and well fed. | 0:13:16 | 0:13:20 | |
Our children don't stay with us forever, | 0:13:20 | 0:13:22 | |
usually just a few months until they're healthy and on their feet. | 0:13:22 | 0:13:25 | |
So there's a very different picture there. | 0:13:25 | 0:13:28 | |
What was it that inspired you to open your first home? | 0:13:28 | 0:13:32 | |
-Well, it's a long story. -I do the long stories, Tom! | 0:13:32 | 0:13:35 | |
Just the headlines, if you would. | 0:13:35 | 0:13:37 | |
I see we're going to have trouble this evening. Pray, continue. | 0:13:37 | 0:13:41 | |
I had just started a community school | 0:13:41 | 0:13:43 | |
in some donkey stables near Limehouse. | 0:13:43 | 0:13:45 | |
There weren't any donkeys living there at the time, were there? | 0:13:45 | 0:13:48 | |
No, the donkeys were long gone. | 0:13:48 | 0:13:51 | |
One of the boys, Jim Jarvis, | 0:13:51 | 0:13:53 | |
took me out to the East End of London one night | 0:13:53 | 0:13:56 | |
and showed me children of five, six years old, | 0:13:56 | 0:13:58 | |
sleeping on roofs, in gutters. | 0:13:58 | 0:14:00 | |
It affected me very deeply. | 0:14:00 | 0:14:02 | |
Can you imagine? It's getting dark. | 0:14:02 | 0:14:05 | |
You've only had one piece of bread to eat all day. | 0:14:06 | 0:14:09 | |
Perhaps it's starting to rain, and you have nowhere to sleep. | 0:14:09 | 0:14:13 | |
Well, that's the reality for many children nowadays. | 0:14:13 | 0:14:15 | |
Night after night after night. | 0:14:15 | 0:14:17 | |
And these disturbing images continue to haunt you? | 0:14:17 | 0:14:21 | |
Yes, very much so. Jim Jarvis had opened my eyes to something. | 0:14:21 | 0:14:24 | |
My work was here, among the destitute children of London. | 0:14:24 | 0:14:27 | |
"No destitute child ever refused admission." | 0:14:27 | 0:14:30 | |
-That's the motto of your organisation, am I right? -Correct. | 0:14:30 | 0:14:34 | |
Those words are writ large over every doorway. | 0:14:34 | 0:14:36 | |
How did that motto come about? | 0:14:36 | 0:14:38 | |
A young lad came to one of our homes one night looking for a bed. | 0:14:38 | 0:14:42 | |
Unfortunately, the home was full and the boy was turned away. | 0:14:42 | 0:14:45 | |
Tragically, he was discovered in the streets two days later, | 0:14:45 | 0:14:48 | |
dead from cold and hunger. | 0:14:48 | 0:14:50 | |
From that day forth, we set up our ever-open-door policy | 0:14:50 | 0:14:53 | |
so that no child should ever have to suffer such a terrible fate again. | 0:14:53 | 0:14:57 | |
-APPLAUSE -Well, that's wonderful. | 0:14:57 | 0:15:01 | |
Now, I hear you've brought along | 0:15:01 | 0:15:03 | |
some photographs for us to look at of your work. | 0:15:03 | 0:15:06 | |
That's delightful. | 0:15:06 | 0:15:07 | |
We're all familiar, of course, with photographs, | 0:15:07 | 0:15:09 | |
as family portraits and so forth, but I believe that you have | 0:15:09 | 0:15:12 | |
been using them in your advertising campaign, is that correct? | 0:15:12 | 0:15:16 | |
That's quite right, Charles. | 0:15:16 | 0:15:18 | |
This is a before-and-after picture? | 0:15:18 | 0:15:20 | |
Yes. We photograph the children when they arrive | 0:15:20 | 0:15:23 | |
and then we photograph them again, several months later, | 0:15:23 | 0:15:26 | |
after they've had a chance to recover from life on the streets. | 0:15:26 | 0:15:29 | |
It's a very effective way of showing people the work that we're doing. | 0:15:29 | 0:15:32 | |
And you're selling these pictures to the public, I believe? | 0:15:32 | 0:15:35 | |
It's a good way of raising money for the charity, | 0:15:35 | 0:15:37 | |
so we can help more of these children. | 0:15:37 | 0:15:40 | |
They're proving very popular, too. | 0:15:40 | 0:15:42 | |
Only five shillings a pack, Charles, if I can tempt you? | 0:15:42 | 0:15:45 | |
-LAUGHTER -How could I possibly refuse? | 0:15:45 | 0:15:49 | |
On national television in front of millions. | 0:15:49 | 0:15:52 | |
Oh, Charles, I know that you're a very generous man. | 0:15:52 | 0:15:55 | |
I bet you'd give the coat off your back to help these poor children. | 0:15:55 | 0:15:58 | |
I'd give them my trousers, Tom, but sadly they're covered in ink. | 0:15:58 | 0:16:02 | |
Now, Tom, your success has brought with it some criticism, | 0:16:02 | 0:16:06 | |
and I read a suggestion somewhere that, "Dr Barnardo | 0:16:06 | 0:16:09 | |
"is so desperate to rescue abused children | 0:16:09 | 0:16:12 | |
"that he will think nothing of kidnapping them from their parents." | 0:16:12 | 0:16:16 | |
That's nonsense. We don't kidnap them. | 0:16:16 | 0:16:19 | |
We have on occasion removed children from violent or cruel parents. | 0:16:19 | 0:16:22 | |
-So you are prepared to break the law? -Yes, because the law is wrong. | 0:16:22 | 0:16:27 | |
We want to show people the dangers faced by these vulnerable children. | 0:16:27 | 0:16:31 | |
If you could just look into the eyes of these poor waifs and strays | 0:16:31 | 0:16:34 | |
who have been neglected and beaten... | 0:16:34 | 0:16:36 | |
Yes, I am prepared to break the law. | 0:16:36 | 0:16:39 | |
Our dream, what we're fighting for, though, is a change to the law, | 0:16:39 | 0:16:43 | |
which will see children protected rather than the parents. | 0:16:43 | 0:16:46 | |
-APPLAUSE -Well, we all say amen to that. | 0:16:46 | 0:16:49 | |
Now, finally, Tom, | 0:16:50 | 0:16:52 | |
what would you say to our Victorian viewers watching at home | 0:16:52 | 0:16:55 | |
who see poverty as shameful, a result of laziness and crime? | 0:16:55 | 0:16:59 | |
I would say that every child | 0:16:59 | 0:17:01 | |
deserves the best possible start in life, | 0:17:01 | 0:17:03 | |
regardless of their background. | 0:17:03 | 0:17:05 | |
When parents feel the creeping cold of poverty envelop the home | 0:17:05 | 0:17:09 | |
it is often the children who are frozen out first. | 0:17:09 | 0:17:12 | |
We can't restore lost childhoods | 0:17:12 | 0:17:13 | |
but we can give those children back their future. | 0:17:13 | 0:17:17 | |
Well, we certainly wish every child in your care good luck | 0:17:17 | 0:17:21 | |
and Godspeed. | 0:17:21 | 0:17:22 | |
During the course of the show we pass around my hat, | 0:17:22 | 0:17:24 | |
and we've had a little bit of a collection on your behalf. | 0:17:24 | 0:17:27 | |
Let's see what we've achieved. | 0:17:27 | 0:17:29 | |
Oh, yes! | 0:17:29 | 0:17:31 | |
It's a staggering £14, ladies and gentlemen! | 0:17:31 | 0:17:36 | |
That is remarkably generous. Thank you, everybody. | 0:17:37 | 0:17:40 | |
And, Charles, for you to say that you would double this amount | 0:17:40 | 0:17:43 | |
out of your own pocket is just beyond kindness. | 0:17:43 | 0:17:46 | |
Yes, of course. I'm no Ebenezer Scrooge. Where's my chequebook? | 0:17:46 | 0:17:51 | |
Has anybody got a basket or a bag or something | 0:17:51 | 0:17:53 | |
that Tom could put that money into? | 0:17:53 | 0:17:56 | |
Don't worry, I'll just keep it in the hat. | 0:17:56 | 0:17:58 | |
You're keeping my hat? | 0:17:58 | 0:18:00 | |
I have a feeling that one of your fans will pay very good money | 0:18:00 | 0:18:03 | |
for Mr Charles Dickens' hat and coat. | 0:18:03 | 0:18:05 | |
-My coat? -Well, you did say earlier you'd give the coat off your back. | 0:18:05 | 0:18:10 | |
Yes, so I did, didn't I? | 0:18:10 | 0:18:13 | |
-Here you go. It's all yours. -APPLAUSE | 0:18:13 | 0:18:16 | |
-So, make this out to... -Dr Tom Barnardo. That would be splendid. | 0:18:20 | 0:18:23 | |
Dr Tom...Bar... | 0:18:23 | 0:18:26 | |
You see, these things are useless. | 0:18:26 | 0:18:29 | |
Gah! It's gone all over my trousers, ladies and gentlemen! | 0:18:29 | 0:18:31 | |
Never mind, we'll clear all that up after the show. Thank you, Tom. | 0:18:31 | 0:18:35 | |
It's been wonderful to have you here. You have a real talent. | 0:18:35 | 0:18:39 | |
I ought to hire you to help with some of my other favourite causes. | 0:18:39 | 0:18:43 | |
And now a big thank-you for all your wonderful work, | 0:18:43 | 0:18:46 | |
-Dr Thomas Barnardo, everybody! -APPLAUSE AND CHEERING | 0:18:46 | 0:18:49 | |
It's time to fan the sinking flame of hilarity | 0:18:49 | 0:18:52 | |
with the wing of friendship and pass the rosy wine. | 0:18:52 | 0:18:55 | |
We'll be back to increase your stock of harmless cheerfulness next week | 0:18:55 | 0:18:59 | |
but I leave you with this thought. | 0:18:59 | 0:19:01 | |
No-one is useless in this world who lightens the burden of another. | 0:19:01 | 0:19:06 | |
Get to it! Good night and God bless you all. | 0:19:06 | 0:19:09 | |
APPLAUSE AND CHEERING | 0:19:09 | 0:19:11 | |
Subtitles by Red Bee Media Ltd | 0:19:28 | 0:19:31 |