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Musical Eisteddfod at clan goth Lin. It has been a scorching week. | :00:12. | :00:16. | |
have been enjoying some of the best choirs, dance he issers and | :00:16. | :00:20. | |
instrumentalists from around the world plus some fantastic evening | :00:20. | :00:26. | |
performances. We will have the Choir of the World competition. But first, | :00:26. | :00:36. | |
:00:36. | :00:54. | ||
of the World competition. But first, start our highlights programme than | :00:54. | :00:58. | |
with this, one of the most spectacular sights of the week and | :00:58. | :01:08. | |
:01:08. | :01:13. | ||
definitely the best way to get it to Where are you from Kurdistan.How | :01:13. | :01:17. | |
are you enjoying your time? Amazing. It is my eighth year here. I have | :01:17. | :01:23. | |
been eight times, it is really good. Why do you come back? It is great a | :01:23. | :01:33. | |
:01:33. | :01:40. | ||
great environment. And to come first The carnival has definitely arrived. | :01:40. | :01:43. | |
The carnival has definitely arrived. How are you enjoying Wales? Enjoying | :01:43. | :01:48. | |
myself very much. I appreciate it. It is great. Awesome. It's awesome. | :01:48. | :01:51. | |
I'm really enjoying it. The people waving for us. I really appreciate | :01:51. | :02:01. | |
:02:01. | :02:14. | ||
How are you enjoying this? It is brilliant. Where are you guys from? | :02:14. | :02:24. | |
:02:24. | :02:36. | ||
Washington DC. First time in Wales? New Zealand. How has the trip been | :02:36. | :02:41. | |
so far Long.Are you ready to sing We got here two days ago. Excellent. | :02:41. | :02:51. | |
:02:51. | :03:07. | ||
We got here two days ago. Excellent. Show me your moves. Let's do some | :03:07. | :03:17. | |
:03:17. | :03:23. | ||
President, Terry Waite has his own unique way of travelling at the | :03:23. | :03:32. | |
parade. Terry, how are you? Nice to see you. What a wonderful day. | :03:32. | :03:36. | |
has to be one of the most special parts of the week, hasn't it? | :03:36. | :03:40. | |
think so, when we have so many people and all the nations out on | :03:40. | :03:46. | |
the street. A great occasion You are a little bit big for this car these | :03:46. | :03:52. | |
days. A bit. It is 1970s. Our old one broke down. Modern cars aren't | :03:52. | :03:57. | |
as good as they used to be. Lovely to see you. I will let you | :03:57. | :04:07. | |
:04:07. | :04:09. | ||
get on. All the best, bye. And following the parade, the | :04:09. | :04:14. | |
International visitors are welcomed to the Pavilion Stage as part of the | :04:14. | :04:19. | |
Carnival of Nations. 2,400 competitors from 36 countries in the | :04:19. | :04:29. | |
:04:29. | :04:33. | ||
global town that is clan goth Lin. -- Llangollin. A highlight for me is | :04:33. | :04:37. | |
the Children's Folk Dance. In this competition, performers from all | :04:37. | :04:41. | |
over the world were up against not one but two groups from China. We | :04:41. | :04:45. | |
travelled to Beijing to meet them on their home ground. More about that | :04:45. | :04:48. | |
later. Here are the top three performances from this colourful | :04:48. | :04:57. | |
competition. Third place went to the Haidan school from Beijing and this | :04:57. | :05:07. | |
:05:07. | :05:34. | ||
beautiful dance, pe dicting spring Second place in the Children's Dance | :05:34. | :05:39. | |
Competition went to the Bayi Middle School also from Beijing. A very | :05:39. | :05:49. | |
:05:49. | :06:07. | ||
School also from Beijing. A very awarded to the Emerald Isle Irish | :06:07. | :06:11. | |
Dancers, deemed by the judges to have the more authentic, traditional | :06:11. | :06:21. | |
:06:21. | :06:43. | ||
have the more authentic, traditional If only we could find a way of | :06:43. | :06:48. | |
travelling back in time. Something like a time machine or something. | :06:48. | :06:53. | |
You have a look over here. I will look over here. In 1953 the | :06:54. | :06:57. | |
Eisteddfod was six years' old. It had been set up in the wake of the | :06:57. | :07:01. | |
Second World War to rebuild international cultural links, and it | :07:01. | :07:05. | |
worked. From those early nervous days, visitors came in huge numbers | :07:05. | :07:12. | |
to enjoy the unique hospitality and to forge life-lasting friendships. | :07:12. | :07:17. | |
1953 was a special year. The festively welcomed the newly-crowned | :07:17. | :07:20. | |
Queen which attracted the attention of the world but it was the | :07:20. | :07:25. | |
outstanding performance by a group of German war orphans that cat | :07:25. | :07:35. | |
:07:35. | :07:38. | ||
putted the festively to another -- the if hes Taff. | :07:39. | :07:43. | |
This choir's humble beginnings epitomised the Eisteddfod's dream | :07:44. | :07:49. | |
that song and dance to be used to heal traditional wounds of conflict | :07:49. | :07:57. | |
and war. This is the town today. After the Second World War, this | :07:57. | :08:01. | |
area of north-west Germany was overflowing with orphans and | :08:01. | :08:06. | |
refugees and two resourceful local women decided to tackle some of the | :08:06. | :08:10. | |
problems head-on. They provided a home for a dozen children, but they | :08:10. | :08:15. | |
also set up a choir. Eight children attended the first rehearsal in | :08:15. | :08:21. | |
1949. Before long, the choir was over 100 strong. But it was their | :08:21. | :08:28. | |
visit to Llangollen that put them on the world stage. Their song, the | :08:28. | :08:32. | |
Happy Wanderer, became a kind of signature tune for both the choir | :08:32. | :08:36. | |
and the festival. It was heard throughout the world that same night | :08:36. | :08:41. | |
in a BBC Radio broadcast which somehow seemed to touch hearts. The | :08:41. | :08:45. | |
press loved the story. This choir of young German children seemed to have | :08:45. | :08:48. | |
succeeded in building international relations, where politicians had | :08:48. | :08:56. | |
struggled for so long. On their return to Oberkirchen, the community | :08:56. | :09:01. | |
gave them an overwhelming welcome home party. These two women were | :09:01. | :09:11. | |
:09:11. | :09:11. | ||
Apology for the loss of subtitles for 47 seconds | :09:11. | :09:59. | |
home party. These two women were Happy Wanderer kept its place in the | :09:59. | :10:04. | |
record charts for 26 weeks and the choir signed a contract with | :10:04. | :10:07. | |
Columbia Artists in United States of America. The financial proceeds | :10:07. | :10:12. | |
secured a new home for the children. When the choir founder died in 1976, | :10:13. | :10:17. | |
a music school was founded in her memory, in order to safeguard the | :10:17. | :10:27. | |
:10:27. | :10:32. | ||
choir's existence and to plan for first trip to Wales, they've | :10:32. | :10:37. | |
received an invitation from the Eisteddfod organisers to attend the | :10:37. | :10:41. | |
festival. Before leaving they were given a special send-off by the | :10:41. | :10:51. | |
:10:51. | :11:11. | ||
stage once again, 60 years on, and a Welsh choir, as a tribute, gave | :11:11. | :11:15. | |
their interpretation of the of The their interpretation of the of The | :11:15. | :11:25. | |
:11:25. | :11:33. | ||
their interpretation of the of The Happy Wanderer. Qulr Now a break | :11:33. | :11:37. | |
away from the stage and competitions. Music-making goes on | :11:37. | :11:41. | |
all over the town during International Eisteddfod week. Here | :11:41. | :11:47. | |
is a clier from Indonesia singing. is a clier from Indonesia singing. | :11:47. | :11:49. | |
-- a choir. The group was visiting the | :11:49. | :11:55. | |
Eisteddfod for the very first time. And travel travelled 7,500 miles to | :11:56. | :11:59. | |
reach Llangollen. This traditional song describes children playing | :11:59. | :12:09. | |
:12:09. | :12:09. | ||
Apology for the loss of subtitles for 47 seconds | :12:09. | :13:09. | |
night during the festival, with international stars, including | :13:09. | :13:14. | |
international stars, including American tenor Noah Stewart. Thank | :13:14. | :13:17. | |
you very much for sparing the time to talk to us before you go on | :13:17. | :13:22. | |
stage. My pleasure.Welcome to Llangollen. The first time for you | :13:22. | :13:27. | |
to be here? It is my debut. It is so special to be here. There is an | :13:27. | :13:30. | |
energy coming off of every individual here. It is jam-packed | :13:30. | :13:34. | |
with choirs and dancers and I can't believe that I was just in New York | :13:34. | :13:44. | |
:13:44. | :13:45. | ||
a couple of days ago. Pavorroti took part when oafs an | :13:45. | :13:51. | |
unknown. Do you think in years to come, people will be saying - Noah | :13:51. | :13:56. | |
Stewart, he sang at Llangollen, I heard him. I hope so. He was one of | :13:56. | :14:00. | |
my idols. I remember studying at school, listening to his voice, | :14:00. | :14:05. | |
wanting to emulate him. When I got the call that Llangollen was | :14:05. | :14:08. | |
interested in me singing, I thoughted it was an incredible | :14:08. | :14:16. | |
experience. I got to hear him live. I will never forget the tone of his | :14:16. | :14:26. | |
:14:26. | :14:56. | ||
voice. It is one of my favourite range, I would say, but everyone | :14:56. | :15:06. | |
loves golden old ones. There are a couple of songs there from that | :15:06. | :15:16. | |
:15:16. | :15:16. | ||
Apology for the loss of subtitles for 47 seconds | :15:16. | :16:07. | |
your physique, that you used to not waste a little. Yes, I was a 42 size | :16:07. | :16:13. | |
waist, I went on the Atkins diet. My family are from Louisiana in the | :16:14. | :16:18. | |
South and so there is always a lot of potatoes and meet in the food | :16:18. | :16:23. | |
with soda. So I cut out a lot of that and it has helped me with my | :16:23. | :16:30. | |
health and my career. And you arrived earlier than | :16:30. | :16:33. | |
expected so you could soak in the atmosphere, what are your | :16:33. | :16:42. | |
impressions so far? The weather has been amazing. I packed jumpers and I | :16:42. | :16:47. | |
haven't been able to use them. I've got to go for a run along the | :16:47. | :16:57. | |
:16:57. | :17:32. | ||
canal, it was unbelievable for me. Rapturous applause and a standing | :17:32. | :17:42. | |
:17:42. | :17:43. | ||
ovation. And I our next, the first prize | :17:43. | :17:53. | |
:17:53. | :18:19. | ||
and many maestro, were you nervous on the stage? No? You are happy on | :18:19. | :18:29. | |
:18:29. | :18:35. | ||
the stage and happy to when? Yes. A successful trip to Wales. Yes.I | :18:35. | :18:38. | |
watched Justin played earlier, I think I could do something special | :18:38. | :18:42. | |
with a double bass, will you give me some instruction so I can play like | :18:42. | :18:52. | |
:18:52. | :18:52. | ||
Justin? Can I borrow your base? Walter will like this. -- hold your | :18:52. | :19:02. | |
:19:02. | :19:08. | ||
ball. And relax. I can't relax. What are the names of the strings? | :19:08. | :19:18. | |
:19:18. | :19:28. | ||
one is deep. And then go to a. HE SCRATCHES NOTES OUT. Does it | :19:28. | :19:31. | |
normally takes three people to play twinkle, twinkle, Little Star? Does | :19:31. | :19:34. | |
it normally takes three people to play twinkle, twinkle, Little Star? | :19:34. | :19:43. | |
Yes, sure. Yes, sure. Double bass playing is obviously best left to | :19:43. | :19:53. | |
:19:53. | :19:53. | ||
Apology for the loss of subtitles for 47 seconds | :19:53. | :20:59. | |
And Harold Thomas knows something about singing and competitions, she | :20:59. | :21:09. | |
won the wire of the world here. -- quire. We sent her halfway round the | :21:09. | :21:17. | |
world to catch up with competitors coming from China. | :21:17. | :21:21. | |
Beijing, the capital of the People's Republic of China. The city's | :21:21. | :21:28. | |
history dates back over three millennia. This has been the | :21:28. | :21:31. | |
cultural, political and educational centre. It is famous for a sumptuous | :21:31. | :21:41. | |
palaces, magnificent gardens and the Olympic Bird nest stadium. And it is | :21:41. | :21:47. | |
home to a massive population. This is the new China. Buildings are | :21:47. | :21:54. | |
claiming higher and higher. It is hard to believe that as recent as 20 | :21:54. | :22:01. | |
years ago the bank wrote the rest of Beijing. I have become on behalf of | :22:01. | :22:04. | |
Llangollen to show you the incredible city sites and introduce | :22:04. | :22:10. | |
you to choose schools who are coming for the first time ever. The dancers | :22:10. | :22:20. | |
:22:20. | :22:24. | ||
and singers here will represent rehearsal, it's mind blowing. They | :22:24. | :22:32. | |
are so flexible, they look like gymnastics team. I love dance | :22:32. | :22:35. | |
because it gives me the chance to challenge myself and it purifies my | :22:35. | :22:45. | |
:22:45. | :22:49. | ||
soul. I have been dancing for five years, I cannot be without dancing. | :22:49. | :22:52. | |
We gain great relationships between all of us, we have become best | :22:52. | :23:02. | |
friends. The spinning looks easy, I had a shot, it is far, far harder | :23:02. | :23:08. | |
than it looks. It is obvious to me that the Chinese are prepared to | :23:08. | :23:18. | |
:23:18. | :23:49. | ||
to see something that is very close to my heart, choral singing, and as | :23:49. | :23:53. | |
soon as I watched and I could see the love that the conductor had for | :23:53. | :23:56. | |
the children, and it was mirrored by the love and respect that the | :23:56. | :24:06. | |
:24:06. | :24:23. | ||
many things from it and gain a lot of friends. I love music because I | :24:23. | :24:29. | |
have a very helpful teacher and she taught me a lot. I like music | :24:29. | :24:34. | |
because when I sing with my friends I think I am being loved and I am in | :24:34. | :24:42. | |
a happy atmosphere. I was lucky to have a chat with judging pink, the | :24:42. | :24:50. | |
conductor, they had books with numbers unlike the music that we | :24:50. | :25:00. | |
:25:00. | :25:04. | ||
would see. Does this mean the fifth note of the squeal? Yes.-- scale. | :25:04. | :25:14. | |
:25:14. | :25:18. | ||
So it is like Sol fa? Yes. Very good. So even though their music | :25:18. | :25:20. | |
sounds different there are common similarities between how we write | :25:21. | :25:30. | |
:25:31. | :25:48. | ||
gifts. And we also have this book of wheels which shows you pictures of | :25:48. | :25:58. | |
:25:58. | :26:10. | ||
where you are going to visit, this is Llangollen. The Bayi Middle | :26:10. | :26:20. | |
:26:20. | :26:20. | ||
Apology for the loss of subtitles for 47 seconds | :26:20. | :27:01. | |
It was an emotional reunion. Well done! | :27:01. | :27:11. | |
, could you hear me cheering? Although the school had given out | :27:11. | :27:15. | |
omitted performance is the first prize went to England and Cantabile | :27:15. | :27:25. | |
:27:25. | :27:59. | ||
meet some of the stars from Strictly Come Dancing. Is it difficult to be | :27:59. | :28:09. | |
:28:09. | :28:11. | ||
married and work together all the time? No! Not at all! Yes, the | :28:11. | :28:16. | |
six-hour journey here was amazing. We have been to Wales before, we did | :28:16. | :28:26. | |
:28:26. | :28:26. | ||
one last year. And we have danced with Alex Jones, she was Welsh. She | :28:26. | :28:30. | |
kept on asking for a cuddle in Welsh, and I did not understand her | :28:30. | :28:37. | |
but now I do. Dancing is physical, do you get jealous when you're | :28:37. | :28:42. | |
buying is dancing with someone else? Yes sometimes you have to get | :28:42. | :28:48. | |
physical. I think to say you never get jealous you would be lying. | :28:48. | :28:54. | |
think jealousy is human nature. When she is weatherman for Peter ten | :28:54. | :29:00. | |
hours everyday you do get a little bit jealous and touchy. And I'm sure | :29:00. | :29:10. | |
:29:10. | :29:23. | ||
vice versa, I mean, you wouldn't get evening? Loads of sequins. Only on | :29:23. | :29:32. | |
me, James doesn't like the sequins. Now, I won't even with a high heels, | :29:32. | :29:42. | |
:29:42. | :29:42. | ||
I want whether Cuban heels. You were my high heels! That's on a Sunday, | :29:42. | :29:47. | |
that's different. Do not know if you know but I am a very good dancer | :29:47. | :29:51. | |
myself will stop headway make that step from exceptionally good amateur | :29:51. | :29:58. | |
to professional. I heard rumours that you are coming on strict become | :29:58. | :30:03. | |
dancing next year, but I hope I am not the one that is replaced. -- | :30:03. | :30:13. | |
:30:13. | :30:43. | ||
Strictly Come Dancing. I think you by his wife and daughter, came to | :30:43. | :30:45. | |
the International Eisteddfod. He had been commissioned to write and | :30:45. | :30:50. | |
broadcast a series of talks by the BBC, including one on the poet's | :30:50. | :30:55. | |
experiences here at Llangollen. Well, as part of this year's opening | :30:55. | :31:00. | |
carnival of nations concert, the audience was transported back to | :31:00. | :31:07. | |
1953 with actor Robert Pew, reading the immortal words of Dylan Thomas. | :31:07. | :31:11. | |
An accompanying archive film was enjoyed by the audience Everything | :31:11. | :31:16. | |
is strange in Llangollen. You wish you wore a scar et hat and bangles | :31:16. | :31:21. | |
and a bagpipe to call your own, but it doesn't matter. Green-packed | :31:21. | :31:26. | |
banks run swarming down to the huge marquee there, that groans and | :31:26. | :31:32. | |
strains and sings in the sudden swauls like an airship full of | :31:32. | :31:37. | |
choirs. Here they come to this cup and echo of hills. People who love | :31:37. | :31:43. | |
to make music. From France, Ireland. Norway. Italy. Switzerland. Spain, | :31:43. | :31:48. | |
and swaels. All countries, shapes, ages and colours. -- and Wales. | :31:48. | :31:57. | |
Sword dancers, court dancers, cross dancers, Morris, ceilidh, flamenco, | :31:57. | :32:03. | |
heel and toe. They love to make music move. Then, in the ship of the | :32:03. | :32:09. | |
tent, under the wind-filled sales, watchers and listeners grow slow and | :32:09. | :32:15. | |
close into one cloud of shadow. They gaze from the dark into the lighted | :32:15. | :32:21. | |
deck where the country dancers weave in shifting pallors of light. You | :32:21. | :32:26. | |
will remember that nobody was surprised that the turn the town | :32:26. | :32:31. | |
took and the life of danced for one week of the long little year. The | :32:31. | :32:35. | |
town sang and danced as though it were right and proper as the rainbow | :32:35. | :32:39. | |
or the sun to celebrate the bright, turning earth and its great people. | :32:39. | :32:45. | |
Are you surprised that people still can dance and sing in a world on its | :32:45. | :32:49. | |
head? The only surprising thing about miracles, however small, is | :32:49. | :32:58. | |
about miracles, however small, is that they sometimes happen. Well, | :32:58. | :33:02. | |
every competition here is keenly contested. I'm joined by the winners | :33:02. | :33:12. | |
:33:12. | :33:20. | ||
of the Folk Song Competition, a choir from Russia. They have made | :33:20. | :33:27. | |
their mark. As well as winning the Folk Choir, they won the Female | :33:27. | :33:31. | |
Choir Category. This song describes the battle between winter and | :33:32. | :33:33. | |
the battle between winter and the battle between winter and | :33:33. | :33:43. | |
:33:43. | :34:17. | ||
Another star of the evening concert was Dame Evelyn glenny. On a night | :34:17. | :34:21. | |
like this, you are going to get extra warm playing all your | :34:21. | :34:24. | |
percussion instruments, aren't you? It was a beautiful evening. A | :34:24. | :34:27. | |
fantastic night for people to be walking around and enjoy a really | :34:27. | :34:31. | |
nice concert. Very happy to be here. Tell us about your repertoire. What | :34:31. | :34:36. | |
are you going to be playing? I will be playing a percussion conchert yoe | :34:36. | :34:44. | |
by Jennifer Higdon. That uses a myriad of instruments. Lots of | :34:44. | :34:47. | |
different things, bold and sharp different things, bold and sharp | :34:47. | :34:57. | |
:34:57. | :35:02. | ||
fit to play that long without stopping. Actually, any musicians | :35:02. | :35:06. | |
needs to be resupple indeed and the body really needs to be kind of very | :35:06. | :35:12. | |
flexible and supple and you need to be very adaptable to the situations. | :35:12. | :35:15. | |
The rooms you are in and the atmosphere. You have an amazing | :35:15. | :35:18. | |
personal collection of percussion instruments. Is there any percussion | :35:18. | :35:23. | |
instrument that you haven't played? Yes. Probably hundreds and hundreds. | :35:23. | :35:28. | |
Within the percussion family, even within my lifetime I wouldn't be | :35:28. | :35:33. | |
able to address or come across them all. At home I have over 1,800 | :35:33. | :35:39. | |
instruments. Ranging from tiny to the largest in the world. So, it's | :35:39. | :35:44. | |
quite an array of instruments. But, nevertheless, you know, it is just a | :35:44. | :35:47. | |
fantastic hobby that happens to be fantastic hobby that happens to be | :35:47. | :35:57. | |
:35:57. | :35:57. | ||
Apology for the loss of subtitles for 47 seconds | :35:57. | :36:43. | |
Hundreds of children have travelled here to Llangollen to enjoy a | :36:43. | :36:49. | |
matinee performance. The highlight was a futuristic piece by Welsh | :36:49. | :36:53. | |
composer Gareth Glynn, narrated by composer Gareth Glynn, narrated by | :36:53. | :37:01. | |
Danny Graham. Special crew, welcome aboard the first starship powered by | :37:01. | :37:06. | |
music, SP M1. We'll now have a systems check of the various drives | :37:06. | :37:12. | |
to see that they're all working at to see that they're all working at | :37:12. | :37:22. | |
:37:22. | :37:25. | ||
maximum efficiency. Systems check Red drive, verified. Would it be | :37:25. | :37:32. | |
fair to me that it is a piece inspired by Benjamin Brittens a | :37:32. | :37:37. | |
young Person's Guide to the Orchestra? It would. | :37:37. | :37:46. | |
Orchestra? It would. Five, four, three, two, one. Zero. | :37:46. | :37:50. | |
I said we'll turn it into a space adventure. Now, that's still popular | :37:50. | :37:55. | |
with kids. We said - OK we will change the pavilion or hall into the | :37:55. | :37:59. | |
interior of a starship. That will be powered by music and that's the SP | :37:59. | :38:06. | |
M1. Starship powered by music number 1. Clap your hands to the rhythm | :38:06. | :38:12. | |
you'll hear. THEY CLAP. | :38:12. | :38:19. | |
Stamp your feet in the rhythm you'll hear. They stamp their feet If there | :38:19. | :38:24. | |
is a need to introduce the Orchestra to children, which there is, this | :38:24. | :38:31. | |
goes a long way to fulfilling that. Stand by for three bells. Initiate | :38:31. | :38:39. | |
high-pitch whistle check. Is What did you think the | :38:39. | :38:43. | |
performance? Very good. Very interactive with the kids What was | :38:43. | :38:46. | |
interactive? They did stuff like telling the kids to do the code and | :38:46. | :38:53. | |
things. It was really fun. In one word what will you say Epic. | :38:53. | :38:58. | |
Phenomenal Mazing. Out of this world. OK, four words, then! The | :38:58. | :39:06. | |
piece was performed by the BBC BBC National Orchestra of Wales, conduct | :39:06. | :39:14. | |
conducted by Grant Llewellyn. a gem. Gareth Glynn is just a | :39:14. | :39:18. | |
brilliant mind and a genius composer. It is the combination of | :39:18. | :39:22. | |
the skill and the craft and the invention and keeping kids involved. | :39:22. | :39:27. | |
It is complex. He is way ahead of his time How important do you think | :39:27. | :39:30. | |
it is that the BBC BBC National Orchestra of Wales perform to | :39:31. | :39:33. | |
children? I think we are the national Orchestra as well as the | :39:33. | :39:40. | |
BBC Orchestra. A brief part of a mission, as part of it, I think we | :39:40. | :39:43. | |
have a responsibility to reach out to every section of the community, | :39:43. | :39:49. | |
to every section of the community, old, young, even the middle-aged. | :39:49. | :39:56. | |
audiences of all ages enjoyed the Doctor Who theme, performed by the | :39:56. | :40:06. | |
:40:06. | :40:19. | ||
APPLAUSE One person who certainly knows how | :40:19. | :40:27. | |
to get the best out of a choir is Tim Rees Evans founder of Only | :40:27. | :40:34. | |
Machine aloud. They have had huge success winning the BBC's Last Choir | :40:34. | :40:39. | |
Standing. Tim when you take to the stage tonight it has been billed as | :40:39. | :40:42. | |
your last performance. What is happening with the choir? We are | :40:42. | :40:46. | |
changing the way we work. We're radically restructuring. It is very | :40:46. | :40:50. | |
important we don't stand still. We look to the future and keep things | :40:50. | :40:53. | |
fresh. I wouldn't say it is our last performance altogether. I would | :40:54. | :40:58. | |
never say never. But certainly it is the last for the time being, when we | :40:58. | :41:03. | |
are going to get as many Only Men Alouders on stage. We've had the | :41:03. | :41:09. | |
best time. We've had a wonderful five years since winning Last Choir | :41:09. | :41:14. | |
Standing. It has been 13 years since the choir started. We can't can | :41:14. | :41:19. | |
complien. It is going to be emotional. -- we can't complain. I | :41:19. | :41:23. | |
think I will need to be scooped off the stage at the end. It is nice to | :41:23. | :41:27. | |
be here in this Centre of musical and cultural excellence, to be | :41:27. | :41:32. | |
having one last time together. you feel that evolution, really? | :41:32. | :41:36. | |
That you have to keep moving, otherwise you will stagnate? I think | :41:36. | :41:39. | |
so, certainly. And when you are doing any international travel and | :41:39. | :41:45. | |
things like that, just the logistics are very difficult. So we are taking | :41:45. | :41:50. | |
this radical step. Who knows if it is going to work. But I think if we | :41:50. | :41:55. | |
kept on doing the same thing, people would have got bored of us. We would | :41:55. | :41:59. | |
have become bored and this is' something I don't think anyone in | :41:59. | :42:05. | |
the arts can do, to stand still. Tonight is going to be very special. | :42:05. | :42:08. | |
I'm grateful we can have this experience tonight here in | :42:08. | :42:13. | |
Llangollen. An emotional night for Only Men Aloud. Here they are, | :42:13. | :42:23. | |
:42:23. | :42:23. | ||
Apology for the loss of subtitles for 47 seconds | :42:23. | :43:17. | |
Only Men Aloud. Here they are, competition. It is quite good for a | :43:17. | :43:23. | |
Welsh group to win this wearing Welsh wool on a day like this. | :43:23. | :43:27. | |
Yes, it was and testament to our stamina. We have come back from | :43:27. | :43:31. | |
Korea. They recognised the costume. It is nice to come back to Wales and | :43:31. | :43:41. | |
:43:41. | :43:42. | ||
Apology for the loss of subtitles for 47 seconds | :43:42. | :44:39. | |
It is nice to come back to Wales and Nantgarw. And here is another | :44:39. | :44:49. | |
:44:49. | :44:49. | ||
performance from further afield. No Cuban celebration would be complete | :44:49. | :44:54. | |
without the Buena Vista social club bringing a touch of party atmosphere | :44:54. | :45:04. | |
:45:04. | :45:43. | ||
This year sees the anniversary of Giuseppe Verdi. We are seeing a | :45:43. | :45:51. | |
performance of his requiem, they are rehearsing for it just pay me. -- | :45:51. | :46:00. | |
just behind me. The main soloist is this man, Hugh years 13 years ago | :46:00. | :46:10. | |
:46:10. | :46:26. | ||
winning international singing prize. pleasure. It is a big is bass and | :46:26. | :46:31. | |
peace, it's going to be fun. It is one of the most dramatic readings of | :46:31. | :46:36. | |
the requiem that I have ever experienced. And Llangollen is very | :46:36. | :46:43. | |
close to your heart. Very much so, it is where I made my British name. | :46:43. | :46:48. | |
I was a young student here when I came before. I had some success and | :46:48. | :46:57. | |
it was great. Some success? You one! Yes, I managed to drag that trophy | :46:57. | :47:03. | |
all the way back to New Zealand. It sits on my parents house. Included | :47:03. | :47:10. | |
in the choir is the Adelaide singers. Verdi's Requiem is just an | :47:10. | :47:14. | |
amazing piece, everything about it is just incredible. And discussing | :47:14. | :47:21. | |
with the conductor for this evening he told us that Verdi was very known | :47:21. | :47:30. | |
for his prose, but the Requiem is really the pinnacle. I think we can | :47:30. | :47:33. | |
go when with lots of positive energy and really bring it to the | :47:33. | :47:39. | |
performance. Absolutely and it is such a huge work to sing. We need | :47:39. | :47:49. | |
:47:49. | :48:08. | ||
at historic times, but at home with a group of young people and an | :48:08. | :48:13. | |
amateur chorus is still actually celebrating the best things about | :48:13. | :48:16. | |
Welsh culture. We produce things through our own culture that go | :48:16. | :48:21. | |
through to the professional world. People go on to perform these great | :48:21. | :48:31. | |
:48:31. | :48:31. | ||
Apology for the loss of subtitles for 47 seconds | :48:31. | :49:32. | |
whole festival with the Choir of the World competition, it takes the best | :49:32. | :49:37. | |
choirs from each category and makes them compete for the ultimate title. | :49:37. | :49:42. | |
This is one of the adjudicators. You are far from being as stranger to | :49:42. | :49:48. | |
Llangollen, you were a very familiar face here having one year for Jeroen | :49:48. | :49:52. | |
choir from South Africa back in 2006. How much hard work goes into | :49:52. | :50:00. | |
preparing for a competition like this? -- your own required. What you | :50:00. | :50:06. | |
see is the tip of the iceberg, behind-the-scenes you rehearse for | :50:06. | :50:10. | |
hours under difficult circumstances, the conductor is both | :50:10. | :50:14. | |
psychologists and musician, you have a team thing going | :50:14. | :50:17. | |
behind-the-scenes. When those things are going in place, the audience | :50:18. | :50:22. | |
will experience a beautiful coming together of all of those skills, and | :50:22. | :50:26. | |
hopefully something more, a little bit of magic from the eyes that | :50:26. | :50:31. | |
reaches out to the audience and changes our lives. Do you think that | :50:31. | :50:35. | |
choir is changed by performing at Llangollen? Music changes people 's | :50:35. | :50:41. | |
lives of course, but having seen competitors from all over the world | :50:41. | :50:44. | |
doing their best, you learn from them and you try to better yourself | :50:44. | :50:49. | |
next time. Many choir is actually do come back because they love this | :50:49. | :50:55. | |
experience. It is an intoxicating experience. You talk about music | :50:55. | :50:59. | |
changing people 's lives, you know it is relevant for you in South | :50:59. | :51:06. | |
Africa, especially right now. yes. It sets the scenes for the bill | :51:06. | :51:10. | |
from different cultures, like in my country, to come together for us -- | :51:10. | :51:20. | |
:51:20. | :51:20. | ||
to come together. You get more eggs was -- possibilities of exploration. | :51:20. | :51:28. | |
You become willing to open yourself to new possibilities. And so to the | :51:28. | :51:34. | |
climax, the Choir of the World. You have been following it. Yes and it | :51:34. | :51:41. | |
was very close. But for the Adelaide singers, what did you think? | :51:41. | :51:44. | |
Technically almost perfect but for me the performance was a little bit | :51:44. | :51:48. | |
too technical. I covered wasn't being a performance but more an | :51:48. | :51:58. | |
:51:58. | :51:58. | ||
Apology for the loss of subtitles for 47 seconds | :51:58. | :52:56. | |
Kantilena from the Czech Republic. The blind was lovely but they chose | :52:56. | :53:01. | |
some repertoire that I thought was too mature for their voices. -- | :53:01. | :53:11. | |
:53:11. | :53:11. | ||
Apology for the loss of subtitles for 47 seconds | :53:11. | :53:58. | |
Choir. They sang beautifully, the operatic sense was more up my | :53:58. | :54:08. | |
:54:08. | :54:08. | ||
Apology for the loss of subtitles for 47 seconds | :54:08. | :55:08. | |
Choir of Russia. -- Solomonic. hats! They didn't do anything wrong | :55:08. | :55:11. | |
but I wonder if the adjudicators like the second song, it was more | :55:11. | :55:21. | |
:55:21. | :55:21. | ||
Apology for the loss of subtitles for 47 seconds | :55:21. | :56:09. | |
beat a male voice choir and the Male voice choir. You cannot beat a male | :56:09. | :56:11. | |
voice choir in Wales, they were at their strongest when they sang | :56:11. | :56:13. | |
traditional male voice choir music. In Wales, they were at their | :56:13. | :56:23. | |
:56:23. | :56:39. | ||
strongest when they sang traditional jackets off and we had a touch of | :56:39. | :56:45. | |
only men aloud. I am not sure what the best decision of the night. Not | :56:45. | :56:55. | |
:56:55. | :56:55. | ||
Apology for the loss of subtitles for 47 seconds | :56:55. | :58:05. | |
to your taste. THEY SING "THERE'S really. You must be thrilled. | :58:05. | :58:15. | |
:58:15. | :58:18. |