Browse content similar to 2014. Check below for episodes and series from the same categories and more!
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events, the World Cup, Vimblednn and the Tour de France. | :00:13. | :00:16. | |
the Dour de Franbe. But it is also time to put the | :00:17. | :00:18. | |
the Dour de Franbe. tennis racquet down and kicked off | :00:19. | :00:21. | |
those football boots, because it is tennis racquet down and kicked off | :00:22. | :00:24. | |
time for a small time to welcome tennis racquet down and kicked off | :00:25. | :00:25. | |
world to Wales. tennis racquet down and kicked off | :00:26. | :00:27. | |
Welcome to the Llangollen tennis racquet down and kicked off | :00:28. | :00:28. | |
International Musical Eisteddfod! Whare are you | :00:29. | :01:07. | |
Are qou excited? I Whare are you | :01:08. | :01:18. | |
Are you excited? I heard you doing a call? Can you do it again? | :01:19. | :01:30. | |
Are you excited? I heard you doing a Hate you | :01:31. | :01:30. | |
Are you excited? I heard you doing a Have you ever heard of a four | :01:31. | :01:34. | |
Are you excited? I heard you doing a Have you dver heard of ` four ,- a | :01:35. | :01:34. | |
bloke called Max Boyce? ! Have you dver heard of ` four ,- a | :01:35. | :01:40. | |
What are you enjoying? The Have you dver heard of ` four ,- a | :01:41. | :01:46. | |
It rains here sometimes, but not Have you dver heard of ` four ,- a | :01:47. | :01:47. | |
today. Thank you for coming. Have you dver heard of ` four ,- a | :01:48. | :01:56. | |
How are you? Where are you from? Icaland. | :01:57. | :02:00. | |
How are you? Where are you from? Iceland. What competition are xou | :02:01. | :02:01. | |
competing in? Dance choir and folk Iceland. What competition are xou | :02:02. | :02:07. | |
songs. Good luck and enjoy yourself. solgc. Good luck and enjoq yourself. | :02:08. | :02:14. | |
Where are you from? We come from solgc. Good luck and enjoq yourself. | :02:15. | :02:17. | |
Beijing. You've brought solgc. Good luck and enjoq yourself. | :02:18. | :02:21. | |
Beijang. Xoe've brought the sun solgc. Good luck and enjoq yourself. | :02:22. | :02:21. | |
Beijing. You've brought the sun with solgc. Good luck and enjoq yourself. | :02:22. | :02:21. | |
you as well. solgc. Good luck and enjoq yourself. | :02:22. | :02:27. | |
I pecognise solgc. Good luck and enjoq yourself. | :02:28. | :02:31. | |
I recognise this. South Africa. Can solgc. Good luck and enjoq yourself. | :02:32. | :02:32. | |
I join you? THEY SING. | :02:33. | :02:34. | |
I joan you? You Every | :02:35. | :03:23. | |
the main competition is happening, Every | :03:24. | :03:27. | |
but at night there are gala concerts but at nighd thepe are fala concerts | :03:28. | :03:29. | |
and events. Tonight they have even an` events. Tonight they `ave dven | :03:30. | :03:32. | |
roped in thas an` events. Tonight they `ave dven | :03:33. | :03:32. | |
roped in this man to take an` events. Tonight they `ave dven | :03:33. | :03:38. | |
There is a real buzz backstage. Stap`en | :03:39. | :03:38. | |
There is a real buzz backstage. Step`en Sondheim | :03:39. | :03:38. | |
There is a real buzz backstage. Stephen Sondheim's Sweeney Todd. It | :03:39. | :03:47. | |
is a critically acclaimed all Welsh Stephen Sondheim's Sweeney Todd. It | :03:48. | :03:51. | |
cast, and me. Let us hope there are not | :03:52. | :03:51. | |
cast, and me. Let us hope there are nop doo m`nq | :03:52. | :03:52. | |
cast, and me. Let us hope there are not too many close shaves! | :03:53. | :03:58. | |
cast, and me. Let us hope there are Printout of all takes the | :03:59. | :03:59. | |
cast, and me. Let us hope there are Printout of all taces the tItle | :04:00. | :03:59. | |
cast, and me. Let us hope there are Printout of all takes the title role | :04:00. | :04:02. | |
cast, and me. Let us hope there are about the Demon ,- in the | :04:03. | :04:06. | |
cast, and me. Let us hope there are about the Demon -- in the tail of | :04:07. | :04:06. | |
tha about the Demon -- in the tail of | :04:07. | :04:06. | |
the Demon Barber of Fleet Street. -- the Demon Barber of leet Street. -- | :04:07. | :04:09. | |
the story. the Demon Barber of leet Street. -- | :04:10. | :04:17. | |
How does it feel to be back in Wahec? | :04:18. | :04:19. | |
How does it feel to be back in Wales? It feels fantastic to be back | :04:20. | :04:20. | |
Wahec? It feels dantastic to bd back here. This is a piece where words | :04:21. | :04:24. | |
Wahec? It feels dantastic to bd back and music go hand in hand. It | :04:25. | :04:26. | |
Wahec? It feels dantastic to bd back an` music go hand an hand. It hs | :04:27. | :04:28. | |
Wahec? It feels dantastic to bd back musical theatre. Sweeney Todd is a | :04:29. | :04:31. | |
musical theatre. Sweeney Todd hs a character that can be portrayed | :04:32. | :04:33. | |
musical theatre. Sweeney Todd hs a an o`eratic voice, | :04:34. | :04:34. | |
musical theatre. Sweeney Todd hs a an operatic voice, but also a | :04:35. | :04:34. | |
musical theatre voice. But it is a musical theatre toace. But it hs a | :04:35. | :04:38. | |
kind of piece that people enjoy. musical theatre toace. But it hs a | :04:39. | :04:42. | |
Although the story is a monstrosity, Defra, revenge. I was | :04:43. | :04:46. | |
monsdrosity, efpa, revdnge. I was looking -- death, revenge. Stephen | :04:47. | :04:51. | |
monsdrosity, efpa, revdnge. I was Sondheim does not even talk to | :04:52. | :04:54. | |
anybody, he cannot look you in the eya. | :04:55. | :05:01. | |
anybody, he cannot look you in the These are my friends. See how they'd | :05:02. | :05:06. | |
anybody, he cannot look you in the listen. -- they listen. See this one | :05:07. | :05:08. | |
anybody, he cannot look you in the smile, how he shines in | :05:09. | :05:10. | |
anybody, he cannot look you in the smile, how `e shhnes in t`e | :05:11. | :05:10. | |
anybody, he cannot look you in the smile, how he shines in the light. | :05:11. | :05:12. | |
smile, how `e shhnes in t`e light. My fbiendr. | :05:13. | :05:20. | |
smile, how `e shhnes in t`e light. You asked sat there like | :05:21. | :05:22. | |
smile, how `e shhnes in t`e light. Ruling evdrqthing. | :05:23. | :05:24. | |
smile, how `e shhnes in t`e light. Ruling everything. How are you | :05:25. | :05:29. | |
smile, how `e shhnes in t`e light. feeling? Excited. It has been three | :05:30. | :05:31. | |
yearc since I feeling? Excited. It has been three | :05:32. | :05:34. | |
years since I approached them to yearc sinbe I approached them to | :05:35. | :05:34. | |
come here. I cannot leave we are at coie here, A canlot leave we are at | :05:35. | :05:38. | |
that point now where the final dress coie here, A canlot leave we are at | :05:39. | :05:39. | |
is going on. It is an all Welsh cast coie here, A canlot leave we are at | :05:40. | :05:44. | |
and an international festival, was coie here, A canlot leave we are at | :05:45. | :05:45. | |
that a deliberate decision? Yes, coie here, A canlot leave we are at | :05:46. | :05:50. | |
because if you cannot celebrate coie here, A canlot leave we are at | :05:51. | :06:01. | |
Wales here, where can you? Stimulating, | :06:02. | :06:01. | |
Wales here, where can you? Stimulatilg, isn't | :06:02. | :06:02. | |
Wales here, where can you? Stimulating, isn't it? Soon you will | :06:03. | :06:06. | |
Wales here, where can you? have to feed it once per week. This | :06:07. | :06:14. | |
boy successfully auditioned for the rohe | :06:15. | :06:14. | |
boy successfully auditioned for the role of Tobias. | :06:15. | :06:16. | |
boy successfully auditioned for the You are brilliant. What kind of | :06:17. | :06:20. | |
boy successfully auditioned for the expebience has | :06:21. | :06:20. | |
boy successfully auditioned for the experience has this been for | :06:21. | :06:23. | |
boy successfully auditioned for the expebience `as this been for ynu? It | :06:24. | :06:25. | |
is the biggest thing I have ever done in my entire life. I cannot | :06:26. | :06:27. | |
dole in mx entire life. I cannnt believe I am standing here! Two of | :06:28. | :06:30. | |
believe I am staldang hdre! Two of the young successful audition is | :06:31. | :06:34. | |
believe I am staldang hdre! Two of where Laupen, currently studying | :06:35. | :06:34. | |
believe I am staldang hdre! Two of where Lauren, currently studying for | :06:35. | :06:41. | |
a career in the performing arts. Kiss me... | :06:42. | :06:48. | |
I hafe enhoqed watching however think comes together, professional | :06:49. | :06:49. | |
production, recessional cast, and think comes together, professional | :06:50. | :06:54. | |
geptang ilvolved think comes together, professional | :06:55. | :06:55. | |
gettang involved with think comes together, professional | :06:56. | :06:55. | |
getting involved with the buzz getting ilvolved wath the buzz of it | :06:56. | :07:02. | |
all. -- ppofessional cart. With the price of meat what it is, | :07:03. | :07:05. | |
all. -- ppofessional cart. when you've got it... | :07:06. | :07:14. | |
all. -- ppofessional cart. The sexiest woman in show business! | :07:15. | :07:15. | |
Tha cexiest womal an shnw business! What is it like backstage? It | :07:16. | :07:20. | |
Tha cexiest womal an shnw business! huge. If you think about it for a | :07:21. | :07:22. | |
huge. f xoe thilk about at for a second or two, I might not even | :07:23. | :07:24. | |
second or tgo, I maght not even get on the stage! I have never done so | :07:25. | :07:28. | |
second or tgo, I maght not even get and I'm before, but it needs | :07:29. | :07:29. | |
respect. -- Stephen Sondheim. We and I'm before, but it needs | :07:30. | :07:33. | |
have the best Sweeney Todd in have the `ect Sweeney Tndd in the | :07:34. | :07:36. | |
world, he is like the Rock of world, he ic likd the Rncc of | :07:37. | :07:37. | |
Gibraltar! Gi`raltar! | :07:38. | :07:41. | |
The worst pies in Gi`raltar! | :07:42. | :07:49. | |
Is that just disgusting? You Gi`raltar! | :07:50. | :07:53. | |
Is t`at jusd disfusting> You h`ve to Is that just disgusting? You have to | :07:54. | :07:53. | |
concede Is that just disgusting? You have to | :07:54. | :07:54. | |
colcede it, Is that just disgusting? You have to | :07:55. | :07:54. | |
concede it, it is nothing Is that just disgusting? You have to | :07:55. | :07:57. | |
crusting, drink this, you Is that just disgusting? You have to | :07:58. | :08:00. | |
crusding, dbink this, ynu will Is that just disgusting? You have to | :08:01. | :08:00. | |
crqsding, dbink thas, ynu will need Is that just disgusting? You have to | :08:01. | :08:00. | |
it. The worst pies in London... Is that just disgusting? You have to | :08:01. | :08:09. | |
I know you like a pie! Yes, who ate all the pies? Look, the | :08:10. | :08:15. | |
show is magnificent. The duet Yes, who ate all the pies? Look, the | :08:16. | :08:19. | |
ends the first act Yes, who ate all the pies? Look, the | :08:20. | :08:23. | |
Such clever words, and the structure Yes, who ate all the pies? Look, the | :08:24. | :08:24. | |
of the duet. Always Yes, who ate all the pies? Look, the | :08:25. | :08:29. | |
Stephen Sondheim says you should enhoy. | :08:30. | :08:34. | |
Shepherd enhoy. | :08:35. | :08:35. | |
Shapherd enhoy. | :08:36. | :08:35. | |
Shepherd 's pie peppered with actual Shepherd pie peppered with `ctual | :08:36. | :08:36. | |
Shepherd on top. A politician so Shepherd pie peppered with `ctual | :08:37. | :08:45. | |
oily it is served with a doily. Pup | :08:46. | :08:45. | |
oily it is served with a doily. Put it on | :08:46. | :08:46. | |
oily it is served with a doily. Put at on a bomb, | :08:47. | :08:49. | |
oily it is served with a doily. Put it on a bomb, you never know it | :08:50. | :08:49. | |
Pup at on a bomb, qou ndver knnw it -- if it is going | :08:50. | :08:52. | |
-- if it hs goinf to run... -- A-bomb. | :08:53. | :09:02. | |
I will come again when you have You are my favourite anyway. Good | :09:03. | :09:10. | |
luck. You are my favourite anyway. Good | :09:11. | :09:21. | |
You like my plan? You understand? I have been practising how to | :09:22. | :10:05. | |
welcome in check. This is the folk song | :10:06. | :10:05. | |
welcome in check. This is the folk solg choir, | :10:06. | :10:06. | |
welcome in check. This is the folk song choir, and they have just been | :10:07. | :10:07. | |
welcome in check. This is the folk on stage. What are your impressions? | :10:08. | :10:12. | |
It is beattiful. We on stage. What are your impressions? | :10:13. | :10:13. | |
It is beautiful. We are looking It ic beattaful. We are lookinf | :10:14. | :10:17. | |
forward to our trip. It ic beattaful. We are lookinf | :10:18. | :10:19. | |
travelled a long way to be here. I It ic beattaful. We are lookinf | :10:20. | :10:22. | |
would guess you get on well together? | :10:23. | :10:22. | |
would guess you get on well togedher? Yes, | :10:23. | :10:24. | |
would guess you get on well together? Yes, we are very good | :10:25. | :10:24. | |
THEY SING. friends. | :10:25. | :11:00. | |
Also competing for the very time, Heol-y-March Choir | :11:01. | :11:06. | |
Also competing for the very available Glamorgan. | :11:07. | :11:10. | |
-- the Vale of. -- the Vale of -- the Vale of. ,- the Vale of | :11:11. | :11:15. | |
Glamorgan. This is p`rd of the children's | :11:16. | :11:37. | |
song choir competition, but this group have slipped in a bit | :11:38. | :11:39. | |
song choir competition, but this grou` havd clippdd in a bat of | :11:40. | :11:39. | |
grou` havd slippdd in a bat of choreography as | :11:40. | :11:44. | |
The International prize goes to Heol-y-Marc` | :11:45. | :12:03. | |
The International prize goes to Heol-y-March Choir. | :12:04. | :12:05. | |
Heol-y-Mapc` hoir. There are several children's choir | :12:06. | :12:06. | |
competitions There are several children's choir | :12:07. | :12:07. | |
competitionc here, There are several children's choir | :12:08. | :12:08. | |
competitions here, and one overall There are several children's choir | :12:09. | :12:09. | |
winner, There are several children's choir | :12:10. | :12:10. | |
wilner, a There are several children's choir | :12:11. | :12:12. | |
winner, a prize for the best of the best. | :12:13. | :12:15. | |
Tha best. | :12:16. | :12:15. | |
The overall winner, with the Tha overall winndr, with the hhghest | :12:16. | :12:17. | |
mark overall, and taking Tha overall winndr, with the hhghest | :12:18. | :12:19. | |
mapk overall, and takinf `ome this mark overall, and taking home this | :12:20. | :12:26. | |
Wehl, this as thd Choib. | :12:27. | :12:40. | |
Wehl, this as thd are made of. Could you possibly have | :12:41. | :12:45. | |
Wehl, this as thd imagined this beyond your wildest | :12:46. | :12:46. | |
imagined thas beyond your wilddst dreams? Know, when I woke up this | :12:47. | :12:49. | |
morning I was very mopning I was vepy nervnus. So now | :12:50. | :12:53. | |
you can say that Heol-y-March Choir mopning I was vepy nervnus. So now | :12:54. | :12:58. | |
other children's Choir of the World! -- are the children's. | :12:59. | :13:02. | |
A `ig -- are the children's. | :13:03. | :13:03. | |
A big impression was made by this A big imppecsion was made by this | :13:04. | :13:06. | |
rising star. She studied at the A big imppecsion was made by this | :13:07. | :13:08. | |
Royal Academy of music in London Royal cademy of music hn Londnn | :13:09. | :13:11. | |
after being encouraged to Royal cademy of music hn Londnn | :13:12. | :13:12. | |
the accordion by her grandmother. this stands company. | :13:13. | :14:15. | |
Colgbatulataons. How this stands company. | :14:16. | :14:16. | |
Congratulations. How did it feel to this stands company. | :14:17. | :14:22. | |
win? It is fery this stands company. | :14:23. | :14:25. | |
win? It is very interesting for this stands company. | :14:26. | :14:27. | |
How important is it for you this stands company. | :14:28. | :14:29. | |
How amportant is it for you to bring How important is it for you to bring | :14:30. | :14:29. | |
yoqr How important is it for you to bring | :14:30. | :14:29. | |
your traditions to How important is it for you to bring | :14:30. | :14:29. | |
your tradhtions to Llanfollen. How important is it for you to bring | :14:30. | :14:30. | |
your traditions to Llangollen. We How important is it for you to bring | :14:31. | :14:31. | |
show our National dance How important is it for you to bring | :14:32. | :14:34. | |
show our Ladional dance and How important is it for you to bring | :14:35. | :14:37. | |
costumes. And we also see costumes costemes. And we also sde costumes | :14:38. | :14:41. | |
and dances from costemes. And we also sde costumes | :14:42. | :14:41. | |
an` dances from nther costemes. And we also sde costumes | :14:42. | :14:41. | |
and dances from other countries. It an` dances from nt`er countries. It | :14:42. | :14:42. | |
is mq an` dances from nt`er countries. It | :14:43. | :14:44. | |
is my first trip to Wales an` dances from nt`er countries. It | :14:45. | :14:45. | |
is mq first trip to Wales but I like is mq first trip to ales but H like | :14:46. | :14:45. | |
it very much. The people here are is mq first trip to ales but H like | :14:46. | :14:47. | |
very kind and beautiful and is mq first trip to ales but H like | :14:48. | :14:50. | |
friendly, actually. I love this city is mq first trip to ales but H like | :14:51. | :14:55. | |
very much. Which countries have is mq first trip to ales but H like | :14:56. | :14:55. | |
been to competing? We visited a lot is mq first trip to ales but H like | :14:56. | :15:00. | |
of countries, France, Germany, Russaa, | :15:01. | :15:01. | |
of countries, France, Germany, Russia, Morocco, C`ina, | :15:02. | :15:04. | |
of countries, France, Germany, Russia, Morocco, China, Italy. | :15:05. | :15:08. | |
of countries, France, Germany, Fantastic. And which is the best? | :15:09. | :15:10. | |
Faltastic. And which is t`e best? Llangollen. | :15:11. | :16:10. | |
It is a pretty safe bet Harlem born tenor Noah | :16:11. | :16:12. | |
It is a pretty safe bet Haplem born tenop Noah Rtewart | :16:13. | :16:14. | |
It is a pretty safe bet matched -- must be | :16:15. | :16:15. | |
It is a pretty safe bet mapc`ed -- must be a | :16:16. | :16:16. | |
It is a pretty safe bet matched -- must be a huge fan of | :16:17. | :16:16. | |
Llangollen because he was here last matched -- must be a huge fan of | :16:17. | :16:20. | |
year and he is back this year. What year and he is b`cc this qear. What | :16:21. | :16:23. | |
do you especially live about year and he is b`cc this qear. What | :16:24. | :16:24. | |
Llangollen? There is ending about Llangollel? There as ending abnut | :16:25. | :16:27. | |
this place that is just magical. I this place dhat hs just magical. I | :16:28. | :16:29. | |
said at last year. It feels like no this place dhat hs just magical. I | :16:30. | :16:31. | |
time has this place dhat hs just magical. I | :16:32. | :16:31. | |
tiie has passed this place dhat hs just magical. I | :16:32. | :16:32. | |
time has passed since I was last year. There is a china appreciation | :16:33. | :16:35. | |
for music. I have been travelling around the world the whole | :16:36. | :16:38. | |
for music. I have been travelling around thd gorld t`e whnle year | :16:39. | :16:38. | |
around the world the whole year and it is a highlight | :16:39. | :16:39. | |
around the world the whole year and it ic a hig`light to | :16:40. | :16:40. | |
around the world the whole year and it is a highlight to be | :16:41. | :16:40. | |
around the world the whole year and Llangollen. I cannot wait. The first | :16:41. | :16:44. | |
hahf of Llangollen. I cannot wait. The first | :16:45. | :16:44. | |
half of the concerts Llangollen. I cannot wait. The first | :16:45. | :16:47. | |
number of arias, some of Llangollen. I cannot wait. The first | :16:48. | :16:48. | |
favourites. I am singing a Welsh song for the | :16:49. | :17:27. | |
first time. It is my debut singing tha peace, | :17:28. | :17:28. | |
first time. It is my debut singing the peace. My coach is backing the | :17:29. | :17:31. | |
tha `eace, My coac` is backing the United States knew knew the tune. I | :17:32. | :17:36. | |
did Lodi tune United States knew knew the tune. I | :17:37. | :17:40. | |
di` Lodi tune and United States knew knew the tune. I | :17:41. | :17:46. | |
did Lodi tune and I am so excited to Singh | :17:47. | :17:46. | |
did Lodi tune and I am so excited to Silgh in Velsh | :17:47. | :17:46. | |
did Lodi tune and I am so excited to Singh in Welsh in | :17:47. | :18:32. | |
Bringing the flavour of America to Llangollen is this choir -- Central | :18:33. | :18:37. | |
Amaraca. Llangollen is this choir -- Central | :18:38. | :18:41. | |
America. You are from Costa Rica. America. Xoe are from Cnsta Rica. | :18:42. | :18:44. | |
Are you hoping to make it further than your football team and | :18:45. | :18:45. | |
Are you hoping to make it further to the final? | :18:46. | :19:39. | |
Now, this is the undeb | :19:40. | :19:42. | |
Now, this is the under a a local boy. Can you believe | :19:43. | :19:45. | |
un`eb a a local `oq. Can qou bdlieve he is only | :19:46. | :20:23. | |
17-year-old Annabelle has already won the Australian youth musician | :20:24. | :20:31. | |
17-year-old Annabelle has already the | :20:32. | :20:54. | |
Now it may look like a unit but it is not. It is a traditional | :20:55. | :21:34. | |
Now it may look like a unit but it instbument from Bhana. | :21:35. | :22:05. | |
An` dhe firct prize went to Annabelle from Australia. The | :22:06. | :22:10. | |
An` dhe firct prize went to price to Alfred from Hong Kong. And | :22:11. | :22:15. | |
An` dhe firct prize went to the third | :22:16. | :22:15. | |
An` dhe firct prize went to tha dhird pbize, | :22:16. | :22:16. | |
An` dhe firct prize went to the third prize, my personal | :22:17. | :22:16. | |
An` dhe firct prize went to favourite, a lie as come from Wales. | :22:17. | :22:19. | |
A break from the Eisteddfod now. We A break fpom the Easteddfod now. We | :22:20. | :22:27. | |
have heard a lot about the difficult sipuation | :22:28. | :22:27. | |
have heard a lot about the difficult situation in Ukraine. What we do | :22:28. | :22:29. | |
have heard a lot about the difficult hear so much about is how everyone | :22:30. | :22:31. | |
hear so mtc` about is hnw everyone tries to carry on regardless. BBC | :22:32. | :22:34. | |
hear so mtc` about is hnw everyone news and sports presenter travelled | :22:35. | :22:39. | |
hear so mtc` about is hnw everyone to Kaevs recently | :22:40. | :22:39. | |
hear so mtc` about is hnw everyone to Kievs recently to meet a dance | :22:40. | :22:42. | |
grou`, to Kievs recently to meet a dance | :22:43. | :22:42. | |
group, as they prepared for their grou`, as they ppepared for thdir | :22:43. | :22:43. | |
appearance at the International grou`, as they ppepared for thdir | :22:44. | :22:50. | |
Eisteddfod. Ukraine, a land torn between those | :22:51. | :22:52. | |
who looks towards Russia, the Ukraine, a land torn between those | :22:53. | :22:54. | |
powebful `ig mother, Ukraine, a land torn between those | :22:55. | :22:55. | |
powerful big mother, and those who Ukraine, a land torn between those | :22:56. | :22:57. | |
lean to the West and to the Ukraine, a land torn between those | :22:58. | :22:59. | |
Union. This is Kiev, the capital Ukraine, a land torn between those | :23:00. | :23:05. | |
Ukraine. A capital of stark Ukraane. @ capital of stark | :23:06. | :23:10. | |
contrasts, a country facing a uncertain future | :23:11. | :23:10. | |
contrasts, a country facing a uncertain feture but | :23:11. | :23:10. | |
contrasts, a country facing a uncertain future but a | :23:11. | :23:11. | |
contrasts, a country facing a of hope. In the centre of Kiev, the | :23:12. | :23:15. | |
scarc of of hope. In the centre of Kiev, the | :23:16. | :23:16. | |
scars of the recent bloody protests ara | :23:17. | :23:16. | |
scars of the recent bloody protests are clear to see. The backdrop to | :23:17. | :23:20. | |
are clear to see, The b`ccdrop to the lives of this talented group of | :23:21. | :23:21. | |
are clear to see, The b`ccdrop to dancers. | :23:22. | :23:33. | |
These pupils attend dance centre. The school started in | :23:34. | :23:42. | |
1976 but currently has over 600 dance centre. The school started in | :23:43. | :23:48. | |
pupils. After school, pupils. Adter school, at weekends | :23:49. | :23:52. | |
and during the holidays, the rehearsals are never-ending. But | :23:53. | :23:52. | |
despate the hard rehearsals are never-ending. But | :23:53. | :23:55. | |
despite the hard work, the love is claab to | :23:56. | :23:56. | |
despite the hard work, the love is clear to see. | :23:57. | :23:59. | |
TRANCL TINN2 Ukraine has been in the headlines | :24:00. | :24:32. | |
recently with Ukraine has been in the headlines | :24:33. | :24:35. | |
recently widh onfoing fig`ting in Ukraine has been in the headlines | :24:36. | :24:35. | |
the east of Ukraine has been in the headlines | :24:36. | :24:36. | |
tha east of the Ukraine has been in the headlines | :24:37. | :24:38. | |
the east of the country. Between pro-Russian insurgents and the | :24:39. | :24:41. | |
Ukraanian pro-Russian insurgents and the | :24:42. | :24:42. | |
Ukrainian army. This pro-Russian response triggered by the uprisings | :24:43. | :24:43. | |
response traggered by the uprisings in Kiev back in February. | :24:44. | :24:49. | |
response traggered by the uprisings in Kiev b`ck in Debruary. These | :24:50. | :24:49. | |
in Kiev back in February. These Ukraanianr | :24:50. | :24:50. | |
in Kiev back in February. These Ukpainians in thdir tens | :24:51. | :24:52. | |
Ukraanianr an thdir tenr of thousands protesting against | :24:53. | :24:53. | |
thousands pbotesting ag`inst the decision of the president not to | :24:54. | :24:58. | |
sign a deal with Europe. Mass decision of the president not to | :24:59. | :25:01. | |
uprising in Independence Square upricing hn Independence Square led | :25:02. | :25:02. | |
to at least 88 people being killed to ad leart 88 pdople bding killed | :25:03. | :25:09. | |
in 48 hours. The president Fred from Kiev. The children live | :25:10. | :25:13. | |
in 48 hours. The president Fred from shadow of this turmoil. | :25:14. | :26:01. | |
I dance in the school with my friends, ly heart | :26:02. | :26:01. | |
I dance in the school with my friends, my heart smiles. | :26:02. | :26:26. | |
Back in the school and the from Wales needs a few pointers. The | :26:27. | :26:32. | |
Back in the school and the challenge is set. The standard is | :26:33. | :26:34. | |
Back in the school and the high. They are young and | :26:35. | :26:37. | |
Back in the school and the professional, basically. My legs are | :26:38. | :26:38. | |
geptang professional, basically. My legs are | :26:39. | :26:38. | |
gettang older, professional, basically. My legs are | :26:39. | :26:38. | |
getting older, so it is quite a professional, basically. My legs are | :26:39. | :26:39. | |
daunting experience. But I may professional, basically. My legs are | :26:40. | :26:41. | |
daunding dx`erience. But A may as professional, basically. My legs are | :26:42. | :26:42. | |
well go for Yes, they make it sickeningly easy, | :26:43. | :27:00. | |
don't Yes, they make it sickeningly easy, | :27:01. | :27:01. | |
don'd they? But ht Yes, they make it sickeningly easy, | :27:02. | :27:02. | |
don't they? But it does take a lot Yes, they make it sickeningly easy, | :27:03. | :27:03. | |
of time and effort. Righd, so id was tame for me to | :27:04. | :27:25. | |
the Ukrainians some Welsh That's how you do it! They have no | :27:26. | :27:39. | |
hope. That was dmbarrarsang. But, thdy are | :27:40. | :27:45. | |
half my age. I have had an incredible few | :27:46. | :28:15. | |
here with my new friends. We I have had an incredible few | :28:16. | :28:22. | |
tears of joy and sadness, tearc of hoq and sadnesr, but `fter | :28:23. | :28:24. | |
such a warm welcome, by now I feel tearc of hoq and sadnesr, but `fter | :28:25. | :28:28. | |
like a true Welsh And the | :28:29. | :28:39. | |
here. A last-minute gridlock And the | :28:40. | :28:43. | |
handshake before they And the | :28:44. | :28:43. | |
handchake before t`ey take And the | :28:44. | :28:47. | |
handshake before they take to the stage in the children's folk dance | :28:48. | :28:49. | |
stage in the children's folk d`nce competition. -- last-minute | :28:50. | :29:30. | |
Also compdtang wit` this group, with the beautiful parasols and Bamboo | :29:31. | :29:36. | |
Also compdtang wit` this group, with sun hats. -- competing where this | :29:37. | :29:39. | |
group. -- also competing where sun hats. -- competing where this | :29:40. | :29:43. | |
group. Now, this school from Zimbabwe Rover | :29:44. | :30:00. | |
-- were very popular with audiences Isn't that a wonderful wiggle? | :30:01. | :30:04. | |
this week, Isn't that a wonderful wiggle? | :30:05. | :30:26. | |
children from Zimbabwe. I am so glad children drom Zimbabwe. I am sn glad | :30:27. | :30:28. | |
the sun is shining for you. It is, children drom Zimbabwe. I am sn glad | :30:29. | :30:34. | |
and we are enjoying it. You were supprised | :30:35. | :30:34. | |
and we are enjoying it. You were surprised to see it, weren't you? I | :30:35. | :30:36. | |
surpbised to see it, weren't ynu? I was, but we have been told it rains | :30:37. | :30:39. | |
surpbised to see it, weren't ynu? I quite a lot. What can we learn about | :30:40. | :30:44. | |
quite a lot. hat can we learn about your part of the country when ve | :30:45. | :30:52. | |
watch you? We are coming from an era whare | :30:53. | :30:52. | |
watch you? We are coming from an era where we were quite traditional, and | :30:53. | :30:53. | |
watch you? We are coming from an era the first and said it was basically | :30:54. | :30:55. | |
tha first and sahd it was basically what was done to appease to the | :30:56. | :30:58. | |
what was done to appeasd to thd ancestors for the rain to | :30:59. | :30:59. | |
what was done to appeasd to thd ancectors for thd rain to fall. | :31:00. | :30:59. | |
what was done to appeasd to thd ancestors for the rain to fall. So | :31:00. | :31:01. | |
that the fods ancestors for the rain to fall. So | :31:02. | :31:01. | |
that the gods would answer us and ancestors for the rain to fall. So | :31:02. | :31:03. | |
bring rain for the harvest. And finally, we have seen these | :31:04. | :31:17. | |
dancers earlier in the programme. And finally, we have seen these | :31:18. | :31:24. | |
This dance is about a troublesome insects spoiling the harvest | :31:25. | :31:25. | |
This dance is about a troublesome insects spoiling t`e harvest for tHe | :31:26. | :31:25. | |
insects spoiling the harvest for the farmers! ,- insect. | :31:26. | :31:54. | |
The winners of the children's folk dance group competition... | :31:55. | :32:02. | |
The winners of the children's folk Congratulations to them. | :32:03. | :32:05. | |
Ziibabwe Congratulations to them. | :32:06. | :32:08. | |
Zimbabwe were awarded second prize, with third prize to the group from | :32:09. | :32:09. | |
Ukraane. Ukpaine. | :32:10. | :32:10. | |
But here at Ukpaine. | :32:11. | :32:13. | |
Bup here `t the Ukpaine. | :32:14. | :32:14. | |
But here at the Eisteddfods, it is Ukpaine. | :32:15. | :32:14. | |
not all about the competing. Ukpaine. | :32:15. | :32:20. | |
One of the evening performers is a Ukpaine. | :32:21. | :32:21. | |
singer I have admired for a Ukpaine. | :32:22. | :32:22. | |
of years. The story of Kara Emerald Ukpaine. | :32:23. | :32:26. | |
is something of a fairy Ukpaine. | :32:27. | :32:29. | |
is somethhng of a fairy tale. She is something of a fairy tale. She | :32:30. | :32:29. | |
was turned down by all the record is something of a fairy tale. She | :32:30. | :32:33. | |
labels, so she decided to release is something of a fairy tale. She | :32:34. | :32:44. | |
her music on the Internet. From the beginning to the end, he | :32:45. | :32:46. | |
her music on the Internet. was more than a friend to | :32:47. | :33:00. | |
Twisding poend ol a carousel, beat is too mighty to | :33:01. | :33:07. | |
Twisding poend ol a carousel, That man is like a flame, and | :33:08. | :33:09. | |
Twisding poend ol a carousel, man plays me like a game, | :33:10. | :33:13. | |
Twisding poend ol a carousel, sin is I can win, oh, I have got to | :33:14. | :33:17. | |
sin is I ban win, oh, I have gnt to love that man. | :33:18. | :33:21. | |
sin is I ban win, oh, I have gnt to My only sin | :33:22. | :33:21. | |
sin is I ban win, oh, I have gnt to My only shn is I | :33:22. | :33:21. | |
sin is I ban win, oh, I have gnt to My only sin is I cannot win, | :33:22. | :33:23. | |
My only shn is I cannot wan, I want to | :33:24. | :33:33. | |
Onhy kids allowed were performhng in the main pafiliol on Friday | :33:34. | :33:37. | |
Onhy kids allowed were performhng in Although many of them are well | :33:38. | :33:39. | |
Onhy kids allowed were performhng in travelled with recent trips to South | :33:40. | :33:40. | |
Onhy kids allowed were performhng in Africa and Russia, this was their | :33:41. | :33:41. | |
Africa and Bussia, this was thdir first trip here. | :33:42. | :33:50. | |
This is how we got established, they This is how we gnt establashed, they | :33:51. | :33:55. | |
established a pan Wales children's choir. | :33:56. | :34:00. | |
choib. For the concert, t`e chnir | :34:01. | :34:01. | |
choib. For the concert, the choir are | :34:02. | :34:02. | |
performinf For the concert, the choir are | :34:03. | :34:02. | |
performing to provide -- a piece to For the concert, the choir are | :34:03. | :34:05. | |
celebrate 20 years since the end Back in Apral we got worse -- ve | :34:06. | :34:06. | |
apartheid. Back in Apral we got worse -- ve | :34:07. | :34:20. | |
to go to South Africa, it was Back in Apral we got worse -- ve | :34:21. | :34:23. | |
amazing, once in a lifetime opportunity. The music we are | :34:24. | :34:27. | |
amazing, once in a lifetime to be singing is the same | :34:28. | :34:30. | |
amazing, once in a lifetime to be sinfing is t`e same that | :34:31. | :34:31. | |
to be singing is the same that we sang in Cape Town. It was written | :34:32. | :34:33. | |
especially for ur. sang in Cape Town. It was written | :34:34. | :34:34. | |
especially for us. And it links to sang in Cape Town. It was written | :34:35. | :34:36. | |
what Nelson Mandela said in some what Nelsnn Manddla said an some of | :34:37. | :34:40. | |
his speeches. It ic three movements, H am singing | :34:41. | :34:46. | |
solo the second one. Bravo, Jabk! | :34:47. | :34:58. | |
-- in the second one. Bravo, Jabk! | :34:59. | :35:13. | |
I know the kids, I know the I know thd kids, I know t`e | :35:14. | :35:15. | |
orchestra. I know how good they are. I know thd kids, I know t`e | :35:16. | :35:18. | |
It is going to be a dream I know thd kids, I know t`e | :35:19. | :35:21. | |
There was a chance to get I know thd kids, I know t`e | :35:22. | :35:22. | |
Thare was a chance to get rid I know thd kids, I know t`e | :35:23. | :35:22. | |
There was a chance to get rid of nerves as they entertained a crowd | :35:23. | :35:26. | |
in t`e nerves as they entertained a crowd | :35:27. | :35:26. | |
in the field, with a song from And here they | :35:27. | :35:44. | |
performing. Whatever the turmoil or political | :35:45. | :37:29. | |
situation outside in the Whatever the turmoil or political | :37:30. | :37:32. | |
world, this is what it is all Whatever the turmoil or political | :37:33. | :37:35. | |
in the circle of friends, in the circle of friendr, the | :37:36. | :37:37. | |
Ukrainians in the circle of friendr, the | :37:38. | :37:38. | |
Ukraanianr and in the circle of friendr, the | :37:39. | :37:38. | |
for each other. Friendship and young in the circle of friendr, the | :37:39. | :37:42. | |
people are our future. @re in the circle of friendr, the | :37:43. | :37:43. | |
people are our future. Are you ready in the circle of friendr, the | :37:44. | :37:45. | |
for it, Terry? I am, and in a in the circle of friendr, the | :37:46. | :37:48. | |
we shall see the true spirit, in the circle of friendr, the | :37:49. | :37:54. | |
people united in music and dance. Firsd | :37:55. | :37:56. | |
people united in music and dance. First it was the Ukrainians' turn to | :37:57. | :37:57. | |
people united in music and dance. perform for the appreciative | :37:58. | :37:57. | |
Russians. And then, the Russian choir sang for | :37:58. | :38:07. | |
the Ukrainian dance group. The festival president was | :38:08. | :38:28. | |
moted by The festival president was | :38:29. | :38:30. | |
moved by the occasion. When I know moted by the occasaon. When I jnow | :38:31. | :38:33. | |
that what matters is enabling young moted by the occasaon. When I jnow | :38:34. | :38:37. | |
people to have good memories, moted by the occasaon. When I jnow | :38:38. | :38:43. | |
childhood memories of worcing together and sharing together, that | :38:44. | :38:44. | |
wihl together and sharing together, that | :38:45. | :38:44. | |
will last a lifetime. And when I together and sharing together, that | :38:45. | :38:48. | |
come here, dhat hnspires together and sharing together, that | :38:49. | :38:49. | |
come here, that inspires me to say, coie here, dhat hnspires me to say, | :38:50. | :38:53. | |
go on, keep hope alive. Don't be despondent and defeated by some of | :38:54. | :38:54. | |
go on, keep hope alive. Don't be the problems in the world. They are | :38:55. | :38:56. | |
enormous, but when I was in my the problems in the world. They are | :38:57. | :38:58. | |
enormous, but whdn I war in my cell, the problems in the world. They are | :38:59. | :39:02. | |
I used to have a dark cell with shqtders | :39:03. | :39:05. | |
I used to have a dark cell with shutters across the window, and | :39:06. | :39:05. | |
shutders `cboss the window, and in the morning I would see a little | :39:06. | :39:08. | |
shutders `cboss the window, and in beam of light come into the | :39:09. | :39:09. | |
shutders `cboss the window, and in beam of lig`t come into t`e room, | :39:10. | :39:09. | |
beam of light come into the room, an` | :39:10. | :39:09. | |
beam of light come into the room, and I always used to say to | :39:10. | :39:13. | |
beam of light come into the room, light is stronger than darkness. And | :39:14. | :39:14. | |
Here in the that is not a bad | :39:15. | :39:26. | |
Here in the think we | :39:27. | :39:26. | |
Here in the thinc we hafe got | :39:27. | :39:27. | |
Here in the think we have got the best rugby | :39:28. | :39:27. | |
team and the best male voice choirs. think we have got the best rugby | :39:28. | :39:32. | |
But with these men think we have got the best rugby | :39:33. | :39:32. | |
Bup gith these mdn from think we have got the best rugby | :39:33. | :39:33. | |
But with these men from South Africa think we have got the best rugby | :39:34. | :39:33. | |
like to differ on that? You are think we have got the best rugby | :39:34. | :39:35. | |
wrong on the first one, so possibly wrong on the first one, so posribly | :39:36. | :39:39. | |
also on the second one. Are you lookang | :39:40. | :39:40. | |
also on the second one. Are you looking forward to competing here on | :39:41. | :39:41. | |
lookang forgard to compdtang hdre on Saturday? Definitely. | :39:42. | :39:44. | |
We have got the best rugby team by We have gnt the `est rufbq teal by | :39:45. | :39:47. | |
tha gay. Webe the way. Were you expecting Welsh | :39:48. | :39:48. | |
weather? It can get wet here the way. Were you expecting Welsh | :39:49. | :39:51. | |
soiedimes, As that the way. Were you expecting Welsh | :39:52. | :39:52. | |
sometimes. Is that while you soiedimes, As th`t while qou are | :39:53. | :40:00. | |
wearing the boots. No, in South Africa | :40:01. | :40:00. | |
wearing the boots. No, in South Afpica thdse | :40:01. | :40:00. | |
wearing the boots. No, in South Africa these started in the mine, it | :40:01. | :40:03. | |
was a way of communicating while you were workhng. Cal | :40:04. | :40:05. | |
was a way of communicating while you were working. Can you show us a | :40:06. | :40:06. | |
was a way of communicating while you liptle bit of | :40:07. | :40:07. | |
was a way of communicating while you little bit of the dance? | :40:08. | :40:23. | |
Missionaries who travels to north-east India | :40:24. | :41:39. | |
Missionaries who travels to nort`-east Andia left | :41:40. | :41:39. | |
Missionaries who travels to north-east India left a | :41:40. | :41:40. | |
nopt`-east Andia left a clear, cultural | :41:41. | :41:40. | |
nopt`-east Andia left a clear, cuhteral `nd hristian | :41:41. | :41:40. | |
nopt`-east Andia left a clear, cultural and Christian legacy with | :41:41. | :41:41. | |
nopt`-east Andia left a clear, this choir. | :41:42. | :41:55. | |
And to this day, the choir are used to singing | :41:56. | :42:48. | |
Sara is always telling me I have left feet, so I have come | :42:49. | :42:51. | |
Sara is always telling me I have left feet, co I have come to | :42:52. | :42:52. | |
Sara is always telling me I have left feet, so I have come to meet | :42:53. | :42:52. | |
Sara is always telling me I have this group who ape going to | :42:53. | :42:53. | |
Sara is always telling me I have this group who are going to give me | :42:54. | :42:54. | |
a hecson. this group who are going to give me | :42:55. | :42:55. | |
a lesson. Let's do it, alwaqs seem to ppoduce romething | :42:56. | :44:08. | |
special. We are going to have alwaqs seem to ppoduce romething | :44:09. | :44:10. | |
special. We are foang to have the spacaal. Ve are foang to `ave the | :44:11. | :44:11. | |
world premiere of your latest world premiere od qour latest | :44:12. | :44:12. | |
masterpiece. Tell me how qou gnt the world premiere od qour latest | :44:13. | :44:24. | |
idea? I did this concert based on clascical | :44:25. | :44:24. | |
idea? I did this concert based on classical ideas but whether vocal | :44:25. | :44:25. | |
idea? I did this concert based on sound was ethnic. I also used | :44:26. | :44:29. | |
idea? I did this concert based on ethnic language of my own. | :44:30. | :44:33. | |
idea? I did this concert based on And in this glorious made up | :44:34. | :44:34. | |
langeage, And in this glorious made up | :44:35. | :44:35. | |
lalgeage, t`e wopds And in this glorious made up | :44:36. | :44:35. | |
language, the words themselves form And in this glorious made up | :44:36. | :44:37. | |
a kind of percussion, don't they? And in this glorious made up | :44:38. | :44:43. | |
They do, because of things like siiulatinf | :44:44. | :44:44. | |
They do, because of things like simulating Latin American | :44:45. | :44:44. | |
instbuments with simulating Latin American | :44:45. | :44:44. | |
instruments with the Each song, dhere is 12 nf them, each | :44:45. | :45:12. | |
ona as Each song, dhere is 12 nf them, each | :45:13. | :45:14. | |
one is named after a colour. Red is ona is naled after a colour. Rdd is | :45:15. | :45:18. | |
like a fiery tangle. You ona is naled after a colour. Rdd is | :45:19. | :45:21. | |
like a fierq tangle. You talked like a fierq tanfle. You talked | :45:22. | :45:23. | |
about the different movements. You like a fierq tanfle. You talked | :45:24. | :45:28. | |
have a special lady taking part tonight. Yes, the black song is very | :45:29. | :45:31. | |
melancholic. We have tonight. Yes, the black song is very | :45:32. | :45:33. | |
melancholic. e have a xoung tonight. Yes, the black song is very | :45:34. | :45:36. | |
melancholic. We have a young lady tonight. Yes, the black song is very | :45:37. | :45:37. | |
who her speciality is folk music. tonight. Yes, the black song is very | :45:38. | :45:41. | |
She has a very evocative kind of tonight. Yes, the black song is very | :45:42. | :45:44. | |
emotional voice tonight. Yes, the black song is very | :45:45. | :45:48. | |
nonclassical. She is It is fascinating that you seem | :45:49. | :46:40. | |
incorporate so many different It is fascinating that you seem | :46:41. | :46:42. | |
elements into your composition, It is fascinating that you seem | :46:43. | :46:45. | |
made up language, and yet there is It is fascinating that you seem | :46:46. | :46:49. | |
something for everyone. It speaks to alh | :46:50. | :46:49. | |
something for everyone. It speaks to all of us. I have always | :46:50. | :46:54. | |
something for everyone. It speaks to categorising music, always since | :46:55. | :46:55. | |
capegorishng mushc, always sinbe I was a child. I have always listen to | :46:56. | :46:58. | |
was a child. h`ve always listen to different John Rose like jazz and | :46:59. | :47:00. | |
was a child. h`ve always listen to all cinds of | :47:01. | :47:01. | |
was a child. h`ve always listen to all kinds of things. I have always | :47:02. | :47:03. | |
was a child. h`ve always listen to been open and I have used what I | :47:04. | :47:05. | |
hate been been open and I have used what I | :47:06. | :47:09. | |
have been able to. It is very different, | :47:10. | :47:58. | |
The Llangollen Eisteddfod, like the musical equivalent of | :47:59. | :48:03. | |
like the lucical equivalent of the football World Cup and no more so | :48:04. | :48:05. | |
football Vobld Ctp and no more so than the dolk | :48:06. | :48:05. | |
football Vobld Ctp and no more so than the folk song competition. Tell | :48:06. | :48:09. | |
football Vobld Ctp and no more so me, are you excited for | :48:10. | :48:09. | |
football Vobld Ctp and no more so me( are ynu excited for your | :48:10. | :48:10. | |
football Vobld Ctp and no more so performance and the World | :48:11. | :48:10. | |
football Vobld Ctp and no more so pepformance and the World Cup | :48:11. | :48:10. | |
football Vobld Ctp and no more so performance and the World Cup on | :48:11. | :48:11. | |
Sunday? We are very excited for our performance and the World Cup on | :48:12. | :48:14. | |
performance today and for the whole performanbe todax and for the vhole | :48:15. | :48:16. | |
festival. It is incredible. performanbe todax and for the vhole | :48:17. | :48:18. | |
festaval. Id is hncredible. Thd festival. It is incredible. The | :48:19. | :48:19. | |
meatang festival. It is incredible. The | :48:20. | :48:20. | |
meating od cultupes and festival. It is incredible. The | :48:21. | :48:21. | |
meeting of cultures and music from meeting od cultupes and music from | :48:22. | :48:22. | |
all over the world. We `re meeting od cultupes and music from | :48:23. | :48:26. | |
all over the world. We are very happy and proud of our music and to | :48:27. | :48:30. | |
bring the public here in happy and proud of our music and to | :48:31. | :48:36. | |
And on Sunday, of course, we will win. Really? Yes. Argentina! | :48:37. | :49:21. | |
But it was not to be Argentina 's day in this competition. The | :49:22. | :49:25. | |
But it was not to be Argentina 's went to Indonesia. | :49:26. | :50:03. | |
The Llangollen stage has witnessed some memorable | :50:04. | :50:06. | |
soie memopable mnments nver thd years, but how about this for the | :50:07. | :50:08. | |
soie memopable mnments nver thd record books? You are | :50:09. | :50:11. | |
soie memopable mnments nver thd record bookc? You are the most | :50:12. | :50:11. | |
beautiful record bookc? You are the most | :50:12. | :50:11. | |
beaudiful garl record bookc? You are the most | :50:12. | :50:15. | |
beautiful girl in my life. And you ara | :50:16. | :50:15. | |
beautiful girl in my life. And you are my best friend. And I have got a | :50:16. | :50:18. | |
are my best frield. nd I have got a question. | :50:19. | :50:22. | |
are my best frield. nd I have got a quesdion. Wall ynu | :50:23. | :50:27. | |
are my best frield. nd I have got a question. Will you marry me? David | :50:28. | :50:30. | |
are my best frield. nd I have got a Jackson proposing to a member of the | :50:31. | :50:32. | |
are my best frield. nd I have got a team in front of a | :50:33. | :50:36. | |
are my best frield. nd I have got a au`ience. And shd said | :50:37. | :50:36. | |
are my best frield. nd I have got a audience. And she said yes, by | :50:37. | :50:39. | |
are my best frield. nd I have got a way. And the judges said yes to the | :50:40. | :50:44. | |
voice of the future. Part of the prizes to perform at | :50:45. | :51:29. | |
next year 'c Eisteddfod. This Part of the prizes to perform at | :51:30. | :51:31. | |
next year 's Eisteddfod. This year, Part of the prizes to perform at | :51:32. | :51:32. | |
it was great to velcome back it was great to welcome back last | :51:33. | :51:34. | |
year 's winner. Welcome back to it was great to welcome back last | :51:35. | :51:38. | |
Llangollen. First time after winning it was great to welcome back last | :51:39. | :51:39. | |
the voice of the it was great to welcome back last | :51:40. | :51:40. | |
tha foice of the future it was great to welcome back last | :51:41. | :51:41. | |
the voice of the future last year. it was great to welcome back last | :51:42. | :51:41. | |
Yes, it is very nice it was great to welcome back last | :51:42. | :51:43. | |
Yes, it is fery lice to be back. I it was great to welcome back last | :51:44. | :51:45. | |
thought I had done my work on thought I had dole my worc on the | :51:46. | :51:47. | |
night but this is the main event. It nighd but t`is is the m`in event. It | :51:48. | :51:49. | |
is great to be back. Is it different is gbeat to be b`cc. Is it different | :51:50. | :51:56. | |
singing as a competitor? I feel a lot more pressure. I am | :51:57. | :51:59. | |
lop more pressure. I am lettinf other people down in a concert. In a | :52:00. | :52:01. | |
lop more pressure. I am lettinf contest, it is | :52:02. | :52:01. | |
lop more pressure. I am lettinf coltest, ht is all | :52:02. | :52:01. | |
lop more pressure. I am lettinf contest, it is all about you. | :52:02. | :52:03. | |
lop more pressure. I am lettinf coltest, ht is all about you. Xou | :52:04. | :52:04. | |
lop more pressure. I am lettinf only have yourself to blame. But | :52:05. | :52:08. | |
lop more pressure. I am lettinf feel as if I will | :52:09. | :52:09. | |
lop more pressure. I am lettinf feal as id A will let | :52:10. | :52:09. | |
lop more pressure. I am lettinf feel as if I will let people down if | :52:10. | :52:10. | |
lop more pressure. I am lettinf I do not perform well tonight. | :52:11. | :54:10. | |
And here we are backstage for the finale. | :54:11. | :54:40. | |
Tha finale. | :54:41. | :54:41. | |
The winners of the five choral finale. | :54:42. | :54:42. | |
competitions, the youth, the mixed, competitionc, thd qouth, the mhxed, | :54:43. | :54:45. | |
the male, female and the new open competitionc, thd qouth, the mhxed, | :54:46. | :54:49. | |
category go on to competitionc, thd qouth, the mhxed, | :54:50. | :54:49. | |
category fo on to compete competitionc, thd qouth, the mhxed, | :54:50. | :54:50. | |
category go on to compete for the prestigious Pavarotti | :54:51. | :54:50. | |
category go on to compete for the presdigious Pavarotti Trophy | :54:51. | :54:51. | |
category go on to compete for the honour to call themselves while | :54:52. | :54:53. | |
category go on to compete for the the world. | :54:54. | :54:56. | |
category go on to compete for the -- will of the world. | :54:57. | :55:01. | |
category go on to compete for the This was the winner of the youth | :55:02. | :55:07. | |
category. If I had a criticism, they lacked | :55:08. | :55:13. | |
fullness of their sound, but they made up for it in purity and pure | :55:14. | :55:35. | |
Our next choir are a performing arts school in banger in North Wales. I | :55:36. | :55:40. | |
school in banger in orth Wales. I think there is a real lesson here in | :55:41. | :55:44. | |
school in banger in orth Wales. I choosing your programme wisely. | :55:45. | :55:50. | |
A stand and sing choir? choosing your programme wisely. | :55:51. | :55:52. | |
A stand ald sing c`oir? No, thdse choosing your programme wisely. | :55:53. | :55:53. | |
guys are at their best when they guys are `t theip best vhen thdy are | :55:54. | :55:55. | |
moving, performing Next choir onto the platform was the | :55:56. | :57:08. | |
University choir from Birmingham. Thay | :57:09. | :57:09. | |
University choir from Birmingham. They were set | :57:10. | :57:10. | |
University choir from Birmingham. Thay were set up | :57:11. | :57:14. | |
University choir from Birmingham. Sir Simon Rattle 's | :57:15. | :57:14. | |
University choir from Birmingham. Sip Cimon Rattle 's assistant | :57:15. | :57:15. | |
University choir from Birmingham. Sir Simon Rattle 's assistant at the | :57:16. | :57:16. | |
Birmingham Philemon it. There is a Sir Simon Rattle 's assistant at the | :57:17. | :57:17. | |
bip of This choir 's strength might also | :57:18. | :57:17. | |
bit of quality there. This choir 's strength might also | :57:18. | :57:27. | |
their weakness. At times, they theib weajness. @t times, they | :57:28. | :57:29. | |
sounded like an opera chorus instead soqnded like an npera chorus instead | :57:30. | :57:31. | |
of a choir. Will the judges like soqnded like an npera chorus instead | :57:32. | :57:36. | |
that? We will have to wait and see. But there were some beautiful voices | :57:37. | :57:37. | |
that? We will have to wait and see. in this choir. | :57:38. | :57:48. | |
The last choir onto the stage tonight was the Bridgend male choir | :57:49. | :57:50. | |
an` tonight was the Bridgend male choir | :57:51. | :57:52. | |
and they came in force. All 70 of them. There were a few | :57:53. | :57:55. | |
and they came in force. All 70 of and the languages were | :57:56. | :57:56. | |
and they came in force. All 70 of and dhe languages were not perfect | :57:57. | :57:56. | |
and the languages were not perfect bup | :57:57. | :57:57. | |
and the languages were not perfect but they did slip that did sinf | :57:58. | :58:00. | |
and the languages were not perfect but they did slip that did sing in | :58:01. | :58:00. | |
and the languages were not perfect three different languages. I | :58:01. | :58:01. | |
and the languages were not perfect challenge anyone not to melt when | :58:02. | :58:04. | |
this choip challenge anyone not to melt when | :58:05. | :58:06. | |
this choir and leash and sing from tha | :58:07. | :58:31. | |
The winners of choir of the world 2014 is studio chorale from | :58:32. | :58:36. | |
Argentina, 2014 is studio chorale from | :58:37. | :58:42. | |
Argentina. Argentina take wire of tha | :58:43. | :58:42. | |
Argentina. Argentina take wire of the gorld. And | :58:43. | :58:45. | |
Argentina. Argentina take wire of the world. And who knows, if | :58:46. | :58:45. | |
Argentina. Argentina take wire of the gorld. And who knows, if the | :58:46. | :58:46. | |
Argentina. Argentina take wire of football team play well, maybe they | :58:47. | :58:47. | |
can do the football team play well, maybe they | :58:48. | :58:47. | |
can do thd double football team play well, maybe they | :58:48. | :58:49. | |
can do the double tonight. Who knows. Anything | :58:50. | :58:50. | |
can do the double tonight. Who knowc. Anyt`ing is | :58:51. | :58:51. | |
can do the double tonight. Who knows. Anything is possible. But is | :58:52. | :58:52. | |
it from this inspiring International knows. Anything is possible. But is | :58:53. | :58:54. | |
Festival for another year. Until knows. Anything is possible. But is | :58:55. | :58:55. | |
next time, from all of us here, add next time, from `ll of ts here, add | :58:56. | :58:57. | |
Eos. 50 tonnes an hour, in slurry, | :58:58. | :59:06. | |
underground. | :59:07. | :59:14. |