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It is pure cinema. | 0:00:22 | 0:00:23 | |
He uses all the instruments that rattle your bones and shake your fat. | 0:00:30 | 0:00:36 | |
You resonate when you hear Berlioz! That's what you do. You... Brrrrr! | 0:00:36 | 0:00:40 | |
It just drags you in, and it works on your nerves, | 0:00:43 | 0:00:47 | |
it gets deep down inside. | 0:00:47 | 0:00:48 | |
All I want to is be able to react to what he has written. | 0:00:52 | 0:00:56 | |
HE LAUGHS | 0:00:56 | 0:00:57 | |
What am I? Am I the tuning fork that smashes against the rock that's Berlioz? Boom! | 0:00:59 | 0:01:05 | |
What defines an opera? What determines it? | 0:01:06 | 0:01:10 | |
Berlioz certainly didn't play by the rules! | 0:01:10 | 0:01:12 | |
HE LAUGHS | 0:01:12 | 0:01:15 | |
I still, in a sense, come from this, I'm a cartoonist | 0:01:15 | 0:01:19 | |
who then moved into animation. So suddenly my cartoons started moving. | 0:01:19 | 0:01:25 | |
And because I had to work quickly, I had to use collage. So I would pick famous paintings, | 0:01:25 | 0:01:30 | |
and then I moved into films, which was doing the same thing, | 0:01:30 | 0:01:34 | |
but now we're in three-dimensional things - people. | 0:01:34 | 0:01:38 | |
I suppose opera is about a sweep, an arc of character and ideas, | 0:01:41 | 0:01:48 | |
and in that case, half my films would be an opera. | 0:01:48 | 0:01:51 | |
So, I don't know, from cartoons to animation to film, | 0:01:51 | 0:01:56 | |
to opera - that's a good journey. | 0:01:56 | 0:01:58 | |
You could take a romantic piece, I suppose you could call it, | 0:02:02 | 0:02:07 | |
that has a certain determinism in it, then you force it into a period of history - | 0:02:07 | 0:02:13 | |
that's concrete, that doesn't go away, that happened. | 0:02:13 | 0:02:17 | |
And see what happens. That's what we have done. | 0:02:17 | 0:02:20 | |
I've always been a huge fan of German culture. | 0:02:20 | 0:02:25 | |
And I thought, why not tell that story, from German Romanticism, through expressionism to fascism? | 0:02:25 | 0:02:32 | |
Just on an artistic design level. | 0:02:32 | 0:02:34 | |
You go from something that's organic, natural, beautiful, open, | 0:02:34 | 0:02:39 | |
to something that's twisted and jagged and fractured, | 0:02:39 | 0:02:43 | |
to something that's right angles, and nice, simple shapes, like a swastika. | 0:02:43 | 0:02:48 | |
Artistically, visually, that's a nice idea. | 0:02:48 | 0:02:52 | |
I don't like Faust, I don't like the character. | 0:02:53 | 0:02:56 | |
I didn't like him, so I started creating what I thought was a Faust that I could deal with. | 0:02:56 | 0:03:02 | |
And it's a guy I don't like at the beginning. Not a wonderful man with his eyes to the heavens. | 0:03:02 | 0:03:07 | |
He's a selfish bastard, frankly. | 0:03:07 | 0:03:10 | |
He's uncomfortable with humanity. Humanity is messy. | 0:03:11 | 0:03:16 | |
So there must be things you can get, | 0:03:16 | 0:03:19 | |
and if you can work out enough algorithms and equations, | 0:03:19 | 0:03:22 | |
maybe you can put order to this thing. | 0:03:22 | 0:03:24 | |
Ego is very important in Faust. He's got a huge one. | 0:03:24 | 0:03:27 | |
And it's his arrogance - he will pay the price for his arrogance. | 0:03:29 | 0:03:33 | |
The image of our Mephistopheles is really from Beckmann, | 0:03:36 | 0:03:40 | |
looking at German expressionist painters. | 0:03:40 | 0:03:43 | |
He's basically fun. | 0:03:43 | 0:03:45 | |
That's what I want to call the thing, not just The Damnation Of Faust, | 0:03:45 | 0:03:49 | |
but The Mischief Of Mephistopheles. You're just sucked into it. | 0:03:49 | 0:03:53 | |
That's what Mephistopheles does, he's a great seducer. | 0:03:53 | 0:03:56 | |
And I would like to be that character as well! | 0:03:56 | 0:04:00 | |
How can we play with the audience, how can we manipulate them? | 0:04:00 | 0:04:04 | |
So, one thing we're doing things with humour, you get people laughing, | 0:04:04 | 0:04:08 | |
then you pull the rug out from under them. | 0:04:08 | 0:04:10 | |
I have a Mephistopheles who behaves like a thug half the time. | 0:04:10 | 0:04:13 | |
If you need a cosh to take care of the guy rather than seducing him, use the cosh! | 0:04:13 | 0:04:17 | |
I've given him, we call them imps, | 0:04:19 | 0:04:22 | |
they are more like damned souls he's got as henchmen, | 0:04:22 | 0:04:25 | |
that are obviously delighted to be let out of hell for a brief period, | 0:04:25 | 0:04:29 | |
and what fun they can have with humanity! | 0:04:29 | 0:04:31 | |
And I hope people will go to hell with me! | 0:04:31 | 0:04:34 | |
It's great in hell, believe me! | 0:04:34 | 0:04:37 | |
HE LAUGHS | 0:04:37 | 0:04:38 | |
MAN COUGHS | 0:04:48 | 0:04:52 | |
Ah. | 0:04:58 | 0:04:59 | |
My goodness, I AM late. | 0:04:59 | 0:05:01 | |
Too much devil's work, too little time. | 0:05:01 | 0:05:05 | |
It's a cross I must bear. | 0:05:05 | 0:05:07 | |
Originally, I was planning to have an in-depth discussion | 0:05:09 | 0:05:12 | |
of tonight's main themes, but as I see Maestro is waiting, I'll be brief. | 0:05:12 | 0:05:18 | |
Can the secrets of science unlock the soul? | 0:05:19 | 0:05:22 | |
Do the mysteries of the universe enlighten | 0:05:22 | 0:05:25 | |
or merely distract a man from that which is truly important? | 0:05:25 | 0:05:30 | |
Behold. Leonardo's Vitruvian Man. | 0:05:30 | 0:05:34 | |
Idealised, perfect. | 0:05:34 | 0:05:37 | |
But can that ideal be truly attainable? | 0:05:37 | 0:05:40 | |
Luckily for me, there will always be a Faust who will try. | 0:05:42 | 0:05:46 | |
HE LAUGHS | 0:05:46 | 0:05:49 | |
My team will be assisting me tonight. | 0:05:49 | 0:05:52 | |
Please pay them no attention, as they're souls of the dammed, | 0:05:52 | 0:05:56 | |
they simply don't exist. | 0:05:56 | 0:05:58 | |
So! Let's get comfortable | 0:05:58 | 0:06:02 | |
and follow our hero, as he struggles to find order in this chaotic world. | 0:06:02 | 0:06:08 | |
And remember - | 0:06:08 | 0:06:10 | |
"my struggle" translates into German as "Mein Kampf". | 0:06:10 | 0:06:15 | |
Maestro. | 0:06:15 | 0:06:17 | |
# The wind has passed | 0:06:42 | 0:06:46 | |
# And given way to spring | 0:06:46 | 0:06:51 | |
# See the fresh life in every creature | 0:06:54 | 0:07:01 | |
# The heavens | 0:07:05 | 0:07:08 | |
# Spread their warmth over Nature | 0:07:10 | 0:07:16 | |
# So shineth night | 0:07:19 | 0:07:23 | |
# Then the dawn bursts in | 0:07:23 | 0:07:29 | |
# Across the plain | 0:08:02 | 0:08:05 | |
# There blows a breeze of infinite freshness | 0:08:05 | 0:08:13 | |
# Within my breast I feel | 0:08:17 | 0:08:22 | |
# The glow of Nature's sweetness | 0:08:22 | 0:08:29 | |
# I hear all around | 0:08:29 | 0:08:33 | |
# The bright song of the birds | 0:08:33 | 0:08:39 | |
# The hushed whisper of leaves | 0:08:39 | 0:08:43 | |
# Beyond the reach of words | 0:08:43 | 0:08:48 | |
# Oh who would not be moved | 0:08:48 | 0:08:54 | |
# By the calm beauty of nature | 0:08:54 | 0:09:00 | |
# Far from the ceaseless struggle | 0:09:00 | 0:09:07 | |
# And far | 0:09:07 | 0:09:10 | |
# From the throng of people? | 0:09:10 | 0:09:17 | |
# What sounds are these? | 0:13:09 | 0:13:13 | |
# What is that distant song? | 0:13:13 | 0:13:17 | |
CHORUS SINGS | 0:13:17 | 0:13:20 | |
# As dawn heralds the day | 0:13:36 | 0:13:40 | |
# Young and old gather here | 0:13:40 | 0:13:45 | |
# In dancing and in song | 0:13:45 | 0:13:49 | |
# All can share their enjoyment | 0:13:49 | 0:13:54 | |
# Alas, their joy | 0:13:55 | 0:13:58 | |
# Only deepens my torment | 0:13:58 | 0:14:03 | |
LAUGHTER | 0:15:37 | 0:15:38 | |
# But look - a gleaming company of soldiers approaches | 0:15:42 | 0:15:47 | |
# Ah - the brave sons of Germany are girded for action | 0:15:49 | 0:15:54 | |
# What spirit and spring in their step | 0:15:54 | 0:15:56 | |
# What brilliance in their armour | 0:15:56 | 0:15:59 | |
# And what fire in their eyes | 0:15:59 | 0:16:02 | |
# No heart is unmoved at the sound of their singing | 0:16:04 | 0:16:09 | |
# Only mine feels no joy | 0:16:15 | 0:16:18 | |
# Cold and empty of feeling. # | 0:16:19 | 0:16:25 | |
FANFARE BLASTS | 0:16:26 | 0:16:28 | |
EXPLOSIONS BOOM | 0:20:44 | 0:20:46 | |
EXPLOSIONS CONTINUE IN THE DISTANCE | 0:21:04 | 0:21:07 | |
# Never once looking back | 0:21:59 | 0:22:05 | |
# I returned from the country | 0:22:05 | 0:22:12 | |
# Yet I am restless here | 0:22:12 | 0:22:18 | |
# Nothing stirs any more | 0:22:31 | 0:22:39 | |
# Only darkness surrounds me | 0:22:39 | 0:22:47 | |
# Here where I was born | 0:22:47 | 0:22:52 | |
# I am near to despair | 0:22:52 | 0:22:57 | |
# O what torment! | 0:22:57 | 0:23:02 | |
# What torment! | 0:23:02 | 0:23:05 | |
# As I gaze into the darkness | 0:23:05 | 0:23:10 | |
# Around me all is night | 0:23:10 | 0:23:16 | |
# Wrapped in silence | 0:23:16 | 0:23:19 | |
# And stillness | 0:23:19 | 0:23:25 | |
# In vain, I seek | 0:23:25 | 0:23:30 | |
# To escape my despair | 0:23:30 | 0:23:37 | |
# O, Earth, all your delights and joys are not for me | 0:24:07 | 0:24:15 | |
# Where, oh where is the key | 0:24:36 | 0:24:43 | |
# To life's mystery hidden? | 0:24:43 | 0:24:48 | |
# So must I search in vain? | 0:24:48 | 0:24:52 | |
# Is all enquiry forbidden? | 0:24:52 | 0:24:56 | |
# No more | 0:24:58 | 0:25:00 | |
# This now must end | 0:25:00 | 0:25:03 | |
# Yet, I'm fearful | 0:25:10 | 0:25:15 | |
# What makes me tremble at the edge of this bottomless abyss? | 0:25:17 | 0:25:22 | |
# O, death, too long have you languished out of reach, unbidden | 0:25:22 | 0:25:29 | |
# At last, this is your hour | 0:25:29 | 0:25:32 | |
# Cast me into the void | 0:25:32 | 0:25:35 | |
# With one fateful stroke | 0:25:35 | 0:25:40 | |
# I'll be freed or destroyed | 0:25:40 | 0:25:43 | |
# But listen! | 0:26:08 | 0:26:11 | |
# O Lord almighty | 0:28:12 | 0:28:19 | |
# We await thee | 0:28:19 | 0:28:24 | |
# Rent by grief | 0:28:24 | 0:28:28 | |
# Tormented by pain | 0:28:28 | 0:28:35 | |
# Oh, I remember | 0:28:36 | 0:28:42 | |
# Christ is risen | 0:28:42 | 0:28:49 | |
# O sweet memories of childhood | 0:28:51 | 0:28:56 | |
# The sound of that hymn is music to my soul | 0:28:56 | 0:29:00 | |
# Within me, the surging of faith | 0:29:05 | 0:29:08 | |
# Recalls the blessed peace of long lost belief | 0:29:08 | 0:29:14 | |
# My happy childhood | 0:29:18 | 0:29:21 | |
# The comfort of prayer | 0:29:21 | 0:29:22 | |
# Long distant, happy springtimes | 0:29:45 | 0:29:50 | |
# When I would wander free | 0:29:50 | 0:29:54 | |
# Past the stream gently flowing with the breeze softly blowing | 0:29:54 | 0:30:01 | |
# All alone with my dreams | 0:30:01 | 0:30:04 | |
# O the sweetness of heaven's blessing | 0:30:12 | 0:30:20 | |
# Which drove away | 0:30:20 | 0:30:23 | |
# All evil thoughts from my soul | 0:30:23 | 0:30:28 | |
# And filled my heart | 0:30:28 | 0:30:32 | |
# With love beyond expressing | 0:30:32 | 0:30:43 | |
# Alas, sweet Easter hymn | 0:31:25 | 0:31:29 | |
# Why do you rouse the sinner | 0:31:29 | 0:31:33 | |
# Lying here in the dust? | 0:31:33 | 0:31:38 | |
# Why do you raise my spirit? | 0:31:38 | 0:31:43 | |
# And why must I abandon my fatal design? | 0:31:43 | 0:31:50 | |
# Your angelic refrain | 0:31:50 | 0:31:56 | |
# Hymn more sweet than the morning | 0:32:00 | 0:32:08 | |
# May your refrain re-echo | 0:32:08 | 0:32:15 | |
# My bitter tears are shed | 0:32:15 | 0:32:19 | |
# I've found my faith again. | 0:32:19 | 0:32:25 | |
# What fine feelings are these? | 0:32:29 | 0:32:34 | |
# What piety have we here? | 0:32:36 | 0:32:39 | |
# May I pay my respects? | 0:32:42 | 0:32:46 | |
# I can see that those pretty silver bells have beguiled you | 0:32:48 | 0:32:54 | |
# That hymn's pious charms have enlivened your senses. | 0:32:54 | 0:33:00 | |
# But who are you and how did you get in? | 0:33:00 | 0:33:04 | |
# And what's that strange look in your eye? | 0:33:04 | 0:33:07 | |
# Your glance so bright and all-seeing | 0:33:07 | 0:33:10 | |
# Seems to consume my very being. | 0:33:10 | 0:33:13 | |
# In truth, for a learned doctor you ask some stupid questions | 0:33:13 | 0:33:21 | |
# I am the spirit of life | 0:33:24 | 0:33:27 | |
# It is I who can free you | 0:33:27 | 0:33:31 | |
# Whatever you desire | 0:33:31 | 0:33:33 | |
# I can give, I can do | 0:33:33 | 0:33:36 | |
# If you've a secret dream | 0:33:36 | 0:33:41 | |
# Then I can make it true. | 0:33:41 | 0:33:45 | |
# All right, whoever you are | 0:33:47 | 0:33:50 | |
# Go on then, surprise me. | 0:33:50 | 0:33:53 | |
# Certainly! | 0:33:53 | 0:33:55 | |
# What I have to offer will astound you | 0:33:55 | 0:34:00 | |
# Leave this drab cell behind | 0:34:02 | 0:34:05 | |
# Airless and dank With all these musty books | 0:34:05 | 0:34:09 | |
# Come, away! Follow me. | 0:34:09 | 0:34:13 | |
# Very well | 0:34:13 | 0:34:15 | |
# On our way | 0:34:15 | 0:34:16 | |
# On to fun and amusement | 0:34:16 | 0:34:18 | |
# No more philosophy | 0:34:18 | 0:34:21 | |
# Life was made for enjoyment. | 0:34:21 | 0:34:23 | |
# Here you see, my dear Faust | 0:34:50 | 0:34:53 | |
# A crowd of merry revellers | 0:34:53 | 0:34:56 | |
# Here singing is the thing | 0:35:01 | 0:35:04 | |
# And there's never a dry glass. | 0:35:04 | 0:35:07 | |
# Oh, what a joy | 0:35:59 | 0:36:01 | |
# To sit around and do some drinking | 0:36:01 | 0:36:03 | |
# Some serious drinking | 0:36:03 | 0:36:06 | |
# You'll soon get the knack, | 0:36:06 | 0:36:07 | |
# Soon get the knack | 0:36:07 | 0:36:08 | |
# Soon get the knack and knock it back | 0:36:08 | 0:36:10 | |
# Here's a good one | 0:36:56 | 0:36:58 | |
# I wrote it myself. | 0:36:58 | 0:37:02 | |
# Have a go, tell it! | 0:37:02 | 0:37:04 | |
# If you insist then I'll give it a try | 0:37:04 | 0:37:11 | |
# Here goes. | 0:37:11 | 0:37:13 | |
# Bravo! | 0:37:13 | 0:37:16 | |
# Once a rat made himself at home and lived beneath the kitchen floor | 0:37:20 | 0:37:26 | |
# He helped himself whenever someone failed to shut the cupboard door | 0:37:26 | 0:37:31 | |
# But one day when he wasn't looking the wretched devil came to grief | 0:37:31 | 0:37:36 | |
# He was poisoned by someone's cooking | 0:37:36 | 0:37:40 | |
# "The rat's in love" was our belief | 0:37:40 | 0:37:43 | |
# Our poor rat scampered here and there | 0:37:46 | 0:37:48 | |
# He rubbed and scratched himself like mad | 0:37:48 | 0:37:51 | |
# Then he tried hiding everywhere but there was no refuge to be had | 0:37:51 | 0:37:55 | |
# His efforts to find consolation were vain | 0:37:55 | 0:37:59 | |
# So those who stood about made a joke of his desperation | 0:37:59 | 0:38:05 | |
# "The rat's in love There is no doubt" | 0:38:05 | 0:38:11 | |
# At last he found a place to hide | 0:38:11 | 0:38:13 | |
# The oven seemed warm and snug as toast | 0:38:13 | 0:38:16 | |
# But no sooner was he inside than he became the Sunday roast | 0:38:16 | 0:38:21 | |
# When she opened the door | 0:38:21 | 0:38:23 | |
# The cook was tickled at his misfortune to expire | 0:38:23 | 0:38:27 | |
# How all the servants laughed and giggled | 0:38:27 | 0:38:30 | |
# "The rat's in love His heart's on fire!" | 0:38:30 | 0:38:36 | |
# Requiescat in pace | 0:38:38 | 0:38:49 | |
# Amen. | 0:38:49 | 0:38:57 | |
# Sing a fugue for his burial | 0:38:57 | 0:39:00 | |
# A chorale An Amen | 0:39:00 | 0:39:05 | |
# Let's improvise an immortal work of art. | 0:39:07 | 0:39:12 | |
# Take careful note of this | 0:39:12 | 0:39:15 | |
# We are about to hear a sample of the worst in tastelessness, I fear. | 0:39:15 | 0:39:22 | |
# Amen | 0:39:22 | 0:39:25 | |
# Amen | 0:39:25 | 0:39:30 | |
# Amen | 0:39:30 | 0:39:37 | |
# Amen | 0:39:37 | 0:39:46 | |
# Amen | 0:39:46 | 0:39:49 | |
# Amen | 0:39:49 | 0:39:55 | |
# Amen | 0:39:55 | 0:39:57 | |
# Amen | 0:39:57 | 0:40:07 | |
# Amen GUNFIRE | 0:40:17 | 0:40:23 | |
# Amen, Amen, Amen, Amen, Amen, Amen, Amen | 0:40:23 | 0:40:28 | |
# Amen, Amen, Amen, Amen | 0:40:28 | 0:40:34 | |
# Amen. | 0:40:41 | 0:40:44 | |
# Not bad, my friends | 0:40:47 | 0:40:50 | |
# For a fugue, that was excellent | 0:40:52 | 0:40:55 | |
# It almost made me feel we were on our knees | 0:40:56 | 0:41:00 | |
# Allow me to commend you | 0:41:01 | 0:41:04 | |
# Your piece displayed much style | 0:41:04 | 0:41:07 | |
# A style fit for the church | 0:41:07 | 0:41:10 | |
# Indeed one couldn't hope for more | 0:41:10 | 0:41:13 | |
# if one was aiming for that sense of mystical piety | 0:41:13 | 0:41:19 | |
# The word Amen has always stood for | 0:41:19 | 0:41:23 | |
# But now I think it's my turn to offer to sing | 0:41:23 | 0:41:31 | |
# I hope you'll find this little thing just as charming. | 0:41:31 | 0:41:35 | |
# What's his game? | 0:41:36 | 0:41:38 | |
# Is this some kind of joke? | 0:41:38 | 0:41:40 | |
# Who is this person? | 0:41:40 | 0:41:41 | |
# What a strange complexion | 0:41:41 | 0:41:44 | |
# And look how his hair is red | 0:41:44 | 0:41:47 | |
# Let's hear him | 0:41:47 | 0:41:49 | |
# I agree Let's have his song | 0:41:49 | 0:41:51 | |
# The floor is yours. | 0:41:51 | 0:41:53 | |
# Once in a prince's household there resided a flea | 0:42:06 | 0:42:11 | |
# This tale is many times told But it's true as can be | 0:42:11 | 0:42:15 | |
# His Highness just adored him and loved him like a son | 0:42:15 | 0:42:19 | |
# Any offer to reward him | 0:42:19 | 0:42:21 | |
# One word and it was done | 0:42:21 | 0:42:24 | |
# Our flea was just delighted to be dressed like a king | 0:42:32 | 0:42:37 | |
# He loved to be invited to attend everything | 0:42:37 | 0:42:41 | |
# He gave out invitations quite freely | 0:42:41 | 0:42:45 | |
# And he brought all his friends and relations | 0:42:45 | 0:42:49 | |
# To stay with him at court | 0:42:49 | 0:42:51 | |
# Courtiers are very charming They are nice and polite | 0:42:59 | 0:43:03 | |
# But it was most alarming when they found fleas could bite | 0:43:03 | 0:43:08 | |
# So don't get indigestion from pitying a gnat | 0:43:08 | 0:43:12 | |
# If we see one, no question, we stamp on it like that! | 0:43:12 | 0:43:16 | |
# Bravo, bravo, bravo | 0:43:21 | 0:43:22 | |
# We stamp on it, we stamp on it, yes, we stamp on it like that. | 0:43:22 | 0:43:27 | |
# Enough! | 0:43:32 | 0:43:33 | |
# I've had enough of this appalling hell-hole | 0:43:33 | 0:43:36 | |
# The jokes are coarse and the people are vile | 0:43:36 | 0:43:39 | |
# I need a change of scene | 0:43:39 | 0:43:42 | |
# Take me somewhere more refined | 0:43:42 | 0:43:44 | |
# For I need peace and quiet for a while. | 0:43:44 | 0:43:48 | |
# Ah, so this isn't it? | 0:43:49 | 0:43:51 | |
# Very well. | 0:43:51 | 0:43:53 | |
# Here in these roses | 0:46:06 | 0:46:12 | |
# Here where the night reposes | 0:46:12 | 0:46:19 | |
# On this sweet-scented bed | 0:46:19 | 0:46:27 | |
# O, my Faust | 0:46:27 | 0:46:31 | |
# Lay your head and sleep | 0:46:31 | 0:46:37 | |
# May sweetest dreams delight your rest | 0:46:41 | 0:46:48 | |
# Dreams that a thousand kisses on your lips are pressed | 0:46:48 | 0:46:56 | |
# All around there are flowers in full bloom | 0:46:59 | 0:47:07 | |
# Soft and fragrant | 0:47:07 | 0:47:13 | |
# In your ears you'll hear words of divine enchantment | 0:47:13 | 0:47:25 | |
# Listen | 0:47:25 | 0:47:28 | |
# Listen | 0:47:29 | 0:47:31 | |
# While the spirits of the earth and the sky | 0:47:31 | 0:47:39 | |
# Play music for your dreams | 0:47:39 | 0:47:47 | |
# Let the hours idle by. | 0:47:47 | 0:47:55 | |
# They are in beauty's thrall | 0:50:34 | 0:50:43 | |
# Faust, she will soon be yours. | 0:50:43 | 0:50:46 | |
# Marguerite! | 0:50:46 | 0:50:49 | |
# Marguerite! | 0:51:43 | 0:51:48 | |
# O, Marguerite! | 0:51:48 | 0:51:55 | |
# Fluttering, fluttering, fluttering | 0:52:23 | 0:52:26 | |
# Fluttering birds in the evening | 0:52:26 | 0:52:30 | |
# The charm is working Now he is ours. | 0:52:37 | 0:52:46 | |
# Marguerite! | 0:52:58 | 0:53:04 | |
# Bravo, bravo, spirits of air | 0:53:51 | 0:53:55 | |
# You've served your master well | 0:53:55 | 0:54:03 | |
# Beguile his sleep with soft music and charms | 0:54:05 | 0:54:17 | |
# Marguerite! | 0:56:44 | 0:56:46 | |
# She was there She was there | 0:56:46 | 0:56:48 | |
# I saw her heavenly image | 0:56:48 | 0:56:51 | |
# An angel brought to earth | 0:56:51 | 0:56:54 | |
# Where is she now? | 0:56:54 | 0:56:56 | |
# Where can I find her? | 0:56:56 | 0:56:58 | |
# Where can I kneel down before her? | 0:56:58 | 0:57:04 | |
# Very well Just follow me once more | 0:57:04 | 0:57:08 | |
# In that fragrant bower decked with roses | 0:57:12 | 0:57:19 | |
# Where your heart's one desire reposes | 0:57:19 | 0:57:28 | |
# You alone shall enjoy the prize! # | 0:57:28 | 0:57:33 | |
# But look, here comes a group of rowdy young students | 0:57:35 | 0:57:39 | |
# Who will be passing by her doorway | 0:57:39 | 0:57:41 | |
# If you slip in with them while they yell out their song | 0:57:41 | 0:57:46 | |
# You will soon be in her arms | 0:57:46 | 0:57:49 | |
# Don't get carried away when I take you along. | 0:57:49 | 0:57:57 | |
# Well defended cities are hard to attack | 0:58:58 | 0:59:04 | |
# And fine bosomed beauties tend to answer back | 0:59:04 | 0:59:09 | |
# Of both we'll be masters with the power of the sword | 0:59:09 | 0:59:15 | |
# Whatever it costs us we win our reward | 0:59:15 | 0:59:20 | |
# We win our reward. | 0:59:20 | 0:59:23 | |
# Nobis subridente luna | 1:00:06 | 1:00:08 | |
# Per urbem quaerentes puellas eamus | 1:00:08 | 1:00:13 | |
# Ut cras | 1:00:13 | 1:00:14 | |
# Fortunati Caesares, dicamus | 1:00:14 | 1:00:20 | |
# Veni, vidi, vici! | 1:00:20 | 1:00:24 | |
# Gaudeamus, gaudeamus | 1:00:24 | 1:00:26 | |
# Gaudeamus igitur! | 1:00:26 | 1:00:28 | |
BOTH CHOIRS SING TOGETHER | 1:00:28 | 1:00:35 | |
# Veni, vidi, vici! # | 1:01:21 | 1:01:24 | |
BOTH CHOIRS CONTINUE TO SING | 1:01:24 | 1:01:29 | |
MARCHING AND CHEERING | 1:02:47 | 1:02:50 | |
CHANTING: Sieg Heil! Sieg Heil! | 1:02:50 | 1:02:52 | |
Sieg Heil! Sieg Heil! Sieg Heil! Sieg Heil! | 1:02:52 | 1:02:57 | |
BRASS FANFARE | 1:03:00 | 1:03:02 | |
# To you, bountiful twilight | 1:04:17 | 1:04:24 | |
# Deep gratitude I feel | 1:04:24 | 1:04:32 | |
# Soon may your gentle light | 1:04:32 | 1:04:36 | |
# This mysterious place reveal | 1:04:36 | 1:04:43 | |
# Where my senses are charmed | 1:04:43 | 1:04:48 | |
# As if I were dreaming | 1:04:48 | 1:04:55 | |
# Dreams of the sweet caress | 1:04:55 | 1:04:59 | |
# Of the fresh scent of morning | 1:04:59 | 1:05:10 | |
# Can this be love? | 1:05:11 | 1:05:15 | |
# Can this be love? | 1:05:15 | 1:05:17 | |
# It must be | 1:05:17 | 1:05:22 | |
# Strange how completely here | 1:05:23 | 1:05:29 | |
# All my cares disappear | 1:05:29 | 1:05:34 | |
# How wondrous is the silence | 1:05:34 | 1:05:41 | |
# How pure and how serene | 1:05:41 | 1:05:47 | |
# Is the air | 1:05:47 | 1:05:52 | |
# Let me admire you | 1:05:52 | 1:05:56 | |
# Vision of beauty | 1:05:56 | 1:05:59 | |
# O ideal of all perfection | 1:05:59 | 1:06:04 | |
# Oh, what desire consumes me | 1:06:04 | 1:06:08 | |
# As I begin to explore | 1:06:08 | 1:06:11 | |
# This chamber where no man | 1:06:11 | 1:06:18 | |
# Has intruded before | 1:06:18 | 1:06:25 | |
# Through the air that now fills me | 1:06:25 | 1:06:35 | |
# O Lord! O Lord! | 1:06:35 | 1:06:38 | |
# After such bitter suffering | 1:06:38 | 1:06:45 | |
# Peace is restored | 1:06:45 | 1:06:52 | |
# O Lord! O Lord! | 1:06:52 | 1:06:56 | |
# After such bitter suffering | 1:06:56 | 1:07:03 | |
# Peace is restored | 1:07:05 | 1:07:16 | |
# Here she comes | 1:08:47 | 1:08:49 | |
# Come, hide behind this curtain over here | 1:08:55 | 1:08:57 | |
# Heavens! My heart is trembling with joy | 1:08:57 | 1:09:03 | |
# Remember, this is your life Good luck | 1:09:03 | 1:09:06 | |
# But one false move and you are lost | 1:09:06 | 1:09:09 | |
# Good | 1:09:13 | 1:09:15 | |
# With the help of my will-o'-the-wisps | 1:09:15 | 1:09:18 | |
# I will sing you a song to assist your wooing | 1:09:18 | 1:09:23 | |
# O beating heart | 1:09:29 | 1:09:32 | |
# Be silent | 1:09:32 | 1:09:35 | |
# How stifling it is | 1:10:11 | 1:10:14 | |
# I feel frightened like a child | 1:10:30 | 1:10:34 | |
# Last night I had a dream that left me deeply troubled | 1:10:41 | 1:10:50 | |
# I dreamt he was here | 1:10:54 | 1:11:01 | |
# He who will be my love | 1:11:02 | 1:11:07 | |
# He was so handsome | 1:11:16 | 1:11:20 | |
# And I knew how he loved me | 1:11:25 | 1:11:33 | |
# I knew how he loved me | 1:11:34 | 1:11:39 | |
# And how much I loved him | 1:11:39 | 1:11:44 | |
# Is there the smallest chance I could ever meet him? | 1:11:50 | 1:11:57 | |
# That's madness | 1:12:02 | 1:12:05 | |
# In distant Thule, I've been told | 1:12:54 | 1:12:59 | |
# There once lived a king who loved most truly | 1:12:59 | 1:13:04 | |
# His love, before she died so cruelly | 1:13:06 | 1:13:11 | |
# Gave the king a cup of pure gold | 1:13:11 | 1:13:19 | |
# Thereafter, at feasts in his palace | 1:13:20 | 1:13:25 | |
# He kept the golden cup close by | 1:13:25 | 1:13:34 | |
# Whenever he supped from that chalice | 1:13:34 | 1:13:43 | |
# One small tear glinted in his eye | 1:13:43 | 1:13:53 | |
# As the king's life drew to a close | 1:14:12 | 1:14:18 | |
# He did bequeath his wealth and lands | 1:14:18 | 1:14:23 | |
# All except one thing out of those | 1:14:25 | 1:14:30 | |
# He kept the golden cup in his hands | 1:14:30 | 1:14:38 | |
# Then one summer's day he invited | 1:14:39 | 1:14:44 | |
# All of the others | 1:14:44 | 1:14:50 | |
# To a feast, to celebrate | 1:14:52 | 1:15:01 | |
# In his old castle by the sea | 1:15:01 | 1:15:12 | |
# From the gold cup he drained a droplet | 1:15:30 | 1:15:36 | |
# Then stepped out on the castle wall | 1:15:36 | 1:15:42 | |
# High in the air he flung the goblet | 1:15:44 | 1:15:49 | |
# With amazement, all saw it fall | 1:15:49 | 1:15:57 | |
# Soon by the boiling waves 'twas covered | 1:15:57 | 1:16:03 | |
# Then there was calm upon the sea | 1:16:03 | 1:16:12 | |
# The old man turned pale and he shuddered | 1:16:12 | 1:16:21 | |
# Nevermore | 1:16:21 | 1:16:24 | |
# Nevermore supped he | 1:16:24 | 1:16:33 | |
# In distant Thule | 1:16:40 | 1:16:45 | |
# I've been told | 1:16:46 | 1:16:50 | |
# Once lived a king | 1:16:52 | 1:16:55 | |
# Who loved most truly | 1:16:59 | 1:17:09 | |
# Ah | 1:17:09 | 1:17:16 | |
# Come here My team of fiery spirits | 1:17:38 | 1:17:44 | |
# Gather round | 1:17:49 | 1:17:53 | |
# Time to set to work | 1:17:53 | 1:17:55 | |
# Gather round, gather round | 1:18:27 | 1:18:30 | |
# My airy will-o'-the-wisps | 1:18:44 | 1:18:47 | |
# With your magic enchantments | 1:18:47 | 1:18:50 | |
# You must ensnare a young girl | 1:18:50 | 1:18:53 | |
# And lead her to her doom | 1:18:53 | 1:18:56 | |
# The Devil says start dancing! | 1:18:56 | 1:19:00 | |
# Be warned, loyal servants of Satan | 1:19:01 | 1:19:05 | |
# If you should miss one step | 1:19:05 | 1:19:08 | |
# That is the end of you. # | 1:19:08 | 1:19:09 | |
Ah! | 1:21:07 | 1:21:08 | |
# Now at last Let's sing a morality song | 1:24:11 | 1:24:17 | |
# To entertain the lady | 1:24:17 | 1:24:21 | |
# And to damn her without a doubt | 1:24:21 | 1:24:26 | |
# Pretty little maid Let me give you this warning | 1:24:30 | 1:24:34 | |
# Let me give you a few words of warning | 1:24:34 | 1:24:38 | |
# What a price you paid waiting there since the morning | 1:24:38 | 1:24:42 | |
# Waiting there, waiting there | 1:24:42 | 1:24:44 | |
# Waiting there | 1:24:44 | 1:24:46 | |
# Let me say, you should be afraid in this house to surrender | 1:24:46 | 1:24:50 | |
# Maiden you may enter | 1:24:50 | 1:24:53 | |
# Maiden you may enter | 1:24:53 | 1:24:56 | |
# But not emerge a maid | 1:24:56 | 1:24:59 | |
# But not emerge a maid | 1:24:59 | 1:25:02 | |
# Pretty little maid Let me give you this warning | 1:25:02 | 1:25:06 | |
# Let me give you a few words of warning | 1:25:06 | 1:25:10 | |
# What a price you paid waiting there since the morning | 1:25:10 | 1:25:14 | |
# Waiting there, waiting there | 1:25:14 | 1:25:16 | |
ALL: # Waiting there | 1:25:16 | 1:25:18 | |
# If he takes your arm, you're polite So you step out with him | 1:25:23 | 1:25:27 | |
# You're polite, so polite You go with him | 1:25:27 | 1:25:30 | |
# He may do you harm, let me tell you So good night | 1:25:30 | 1:25:34 | |
# So good night | 1:25:34 | 1:25:36 | |
ALL: # So good night, so good night | 1:25:36 | 1:25:38 | |
# He may try anything Woo you with tender glances | 1:25:39 | 1:25:43 | |
# Don't give in to his advances | 1:25:43 | 1:25:47 | |
# Don't give in to his advances | 1:25:47 | 1:25:49 | |
# Don't give in without a wedding ring | 1:25:49 | 1:25:52 | |
# Without a wedding ring | 1:25:52 | 1:25:55 | |
# If he takes your arm, you're polite | 1:25:55 | 1:25:57 | |
# If he takes your arm, you're polite | 1:25:57 | 1:26:00 | |
# So you step out with him | 1:26:00 | 1:26:01 | |
# So polite, you're polite You go with him | 1:26:01 | 1:26:05 | |
# He may do you harm, let me tell you So good night, so good night | 1:26:05 | 1:26:10 | |
# So good night, so good night | 1:26:10 | 1:26:12 | |
# So good night! # | 1:26:12 | 1:26:13 | |
Ah! | 1:26:15 | 1:26:17 | |
# Hush! Make yourselves scarce | 1:26:18 | 1:26:21 | |
# Be silent | 1:26:25 | 1:26:29 | |
# Let's hear the cooing of our two turtle doves. # | 1:26:31 | 1:26:37 | |
HE COOS | 1:26:39 | 1:26:42 | |
# Dear God! | 1:27:14 | 1:27:16 | |
# Can it be? | 1:27:17 | 1:27:19 | |
# Is it really him? | 1:27:20 | 1:27:23 | |
# Can I believe my eyes? | 1:27:23 | 1:27:28 | |
# Angel of mine | 1:27:31 | 1:27:35 | |
# I am at last beside you | 1:27:35 | 1:27:40 | |
# Before I ever knew you | 1:27:40 | 1:27:44 | |
# I felt the light of your love | 1:27:44 | 1:27:49 | |
# At last you are revealed | 1:27:49 | 1:27:54 | |
# No cloud is there to hide you | 1:27:54 | 1:27:58 | |
# That cloud has flown away far | 1:27:58 | 1:28:05 | |
# Far away up above | 1:28:05 | 1:28:11 | |
# Marguerite, I love you | 1:28:11 | 1:28:16 | |
# You know my name? | 1:28:16 | 1:28:18 | |
# I also | 1:28:18 | 1:28:21 | |
# Have often spoken yours | 1:28:21 | 1:28:25 | |
# Faust... | 1:28:27 | 1:28:28 | |
# That is my name | 1:28:28 | 1:28:31 | |
# But you may call me any name | 1:28:31 | 1:28:35 | |
# And I will answer | 1:28:35 | 1:28:38 | |
# I saw you in my dream | 1:28:38 | 1:28:41 | |
# You saw me | 1:28:41 | 1:28:43 | |
# Just as I see you now | 1:28:43 | 1:28:45 | |
# In your dream? | 1:28:45 | 1:28:48 | |
# I recognise your voice | 1:28:48 | 1:28:52 | |
# Your face | 1:28:52 | 1:28:54 | |
# Your every gesture | 1:28:54 | 1:28:58 | |
# You loved me then? | 1:28:58 | 1:29:02 | |
# I knew you'd come | 1:29:03 | 1:29:07 | |
# Marguerite, beloved | 1:29:07 | 1:29:10 | |
# In my dreams I already knew I'd be yours | 1:29:10 | 1:29:17 | |
# Marguerite, you are mine | 1:29:17 | 1:29:22 | |
# My dearest love | 1:29:22 | 1:29:26 | |
# I am at last beside you | 1:29:26 | 1:29:31 | |
-# My dearest love -Angel of mine | 1:29:31 | 1:29:36 | |
# I am at last beside you | 1:29:36 | 1:29:40 | |
# Before I ever knew you | 1:29:40 | 1:29:45 | |
# I felt the light of your love | 1:29:45 | 1:29:50 | |
# At last you are revealed | 1:29:50 | 1:29:54 | |
# No cloud is there to hide you | 1:29:54 | 1:29:59 | |
# That cloud has flown away far | 1:29:59 | 1:30:06 | |
# Far away up above | 1:30:06 | 1:30:11 | |
# Far away up above | 1:30:11 | 1:30:16 | |
# Far away | 1:30:16 | 1:30:24 | |
# Marguerite, so tender | 1:30:26 | 1:30:29 | |
# O, what bliss to surrender | 1:30:29 | 1:30:33 | |
# Surrender to the wonder | 1:30:33 | 1:30:37 | |
-# Of our love -Burn with love | 1:30:37 | 1:30:39 | |
-# Burn with love in my arms -Burn with love in his arms | 1:30:39 | 1:30:43 | |
# Marguerite, so tender | 1:30:43 | 1:30:47 | |
# O what bliss to surrender | 1:30:47 | 1:30:51 | |
# Surrender to the wonder | 1:30:51 | 1:30:56 | |
# All consumed by your splendour | 1:30:56 | 1:31:00 | |
-# Come hold me in your arms -I'll hold you in my arms | 1:31:00 | 1:31:05 | |
# This sweet embrace | 1:31:05 | 1:31:08 | |
# Fulfils my very being | 1:31:08 | 1:31:12 | |
# Here in my arms | 1:31:12 | 1:31:14 | |
# You discover true feeling | 1:31:14 | 1:31:18 | |
# Come | 1:31:18 | 1:31:19 | |
-# Tears engulf my eyes -Come | 1:31:19 | 1:31:22 | |
-# I am fading -Come | 1:31:22 | 1:31:24 | |
-# Come -I die | 1:31:24 | 1:31:26 | |
# I am fading | 1:31:26 | 1:31:28 | |
-# Come -I, I die | 1:31:29 | 1:31:34 | |
# Come on, time to be gone | 1:31:45 | 1:31:47 | |
-# Who is this person? -A fool | 1:31:47 | 1:31:48 | |
# No, a friend | 1:31:48 | 1:31:50 | |
# In his eyes, something fills me with terror | 1:31:50 | 1:31:55 | |
# I hope I don't disturb you | 1:31:55 | 1:31:57 | |
# How did you get in here? | 1:31:57 | 1:31:59 | |
# You must protect this angel | 1:31:59 | 1:32:01 | |
# The neighbours are out there They were woken by shouts | 1:32:03 | 1:32:07 | |
# They're coming, they're crowding in front of the house | 1:32:07 | 1:32:10 | |
# They'll insult Marguerite Then they'll summon her mother | 1:32:10 | 1:32:13 | |
# Who'll soon be here as well | 1:32:13 | 1:32:15 | |
# Disaster! | 1:32:15 | 1:32:17 | |
-# Get yourself out -Hell and damnation | 1:32:17 | 1:32:19 | |
# You'll find her soon again | 1:32:19 | 1:32:21 | |
# The pain of parting today will make tomorrow the sweeter | 1:32:21 | 1:32:24 | |
# Till tomorrow, my love | 1:32:24 | 1:32:27 | |
# I can hear people coming | 1:32:27 | 1:32:29 | |
# I'm sure they'll soon be here | 1:32:29 | 1:32:31 | |
# Farewell then, blessed night | 1:32:34 | 1:32:39 | |
-# So sweet, yet barely started -WHISTLES | 1:32:39 | 1:32:43 | |
# Farewell, sweet dreams of love | 1:32:43 | 1:32:46 | |
# I'd waited for so long | 1:32:46 | 1:32:50 | |
# Come on! Time to be gone! | 1:32:50 | 1:32:52 | |
# Will such a blessed hour | 1:32:52 | 1:32:57 | |
# Ever again enchant me? | 1:32:57 | 1:33:01 | |
# Will my soul feel again | 1:33:01 | 1:33:04 | |
# The warmth of perfect bliss? | 1:33:04 | 1:33:09 | |
# Will my soul feel again | 1:33:09 | 1:33:13 | |
# The warmth of perfect bliss? | 1:33:13 | 1:33:17 | |
# Will my soul feel again | 1:33:17 | 1:33:21 | |
# The warmth of perfect bliss? | 1:33:21 | 1:33:24 | |
# Will my soul feel again | 1:33:24 | 1:33:28 | |
# Such perfect bliss? | 1:33:28 | 1:33:30 | |
# The warmth of perfect bliss | 1:33:30 | 1:33:34 | |
# The warmth of perfect bliss | 1:33:34 | 1:33:40 | |
CHORUS: | 1:33:40 | 1:33:42 | |
# Here come the neighbours | 1:33:43 | 1:33:45 | |
# He was touching her | 1:33:48 | 1:33:50 | |
# Heavens! Do you hear the noise? | 1:33:54 | 1:33:57 | |
# Oh, my God! I am done for | 1:33:57 | 1:33:59 | |
# Don't let them find you here | 1:33:59 | 1:34:01 | |
-# They're breaking the door down -Must I go? | 1:34:01 | 1:34:03 | |
-# Don't be foolish -Just go! -Quick as you can | 1:34:03 | 1:34:06 | |
# It's not safe for you here O, my love | 1:34:06 | 1:34:08 | |
-# Until we meet... -You must go, you must go | 1:34:08 | 1:34:11 | |
# Finally I can say I have tasted perfection | 1:34:18 | 1:34:21 | |
-# Haughty soul, soon the time approaches -Happiness stole my heart | 1:34:21 | 1:34:24 | |
# Soon the time approaches You'll be mine by and by | 1:34:24 | 1:34:27 | |
-# Love took hold of my feelings -Haughty soul, my will do not defy | 1:34:27 | 1:34:31 | |
# Your appetite for love Made you take this direction | 1:34:31 | 1:34:34 | |
# Love took hold of my feelings | 1:34:34 | 1:34:37 | |
# Your appetite for love Made you take this direction | 1:34:37 | 1:34:41 | |
-# No man has ever been so deep in love as I -I'm enraptured | 1:34:41 | 1:34:44 | |
# I'm enamoured Without you I would die | 1:34:44 | 1:34:50 | |
# Finally I can say I have tasted perfection | 1:34:51 | 1:34:55 | |
# Haughty soul, soon the time approaches | 1:34:55 | 1:34:58 | |
# Soon the time approaches You'll be mine by and by | 1:34:58 | 1:35:01 | |
# Soon the time will come You'll be mine by and by | 1:35:01 | 1:35:04 | |
# Love captured my feelings and stifled reflection | 1:35:04 | 1:35:08 | |
# Your great hunger for love made you take this direction | 1:35:10 | 1:35:15 | |
# Soon the time approaches You'll be mine by and by | 1:35:15 | 1:35:19 | |
# The moment approaches You'll be mine by and by | 1:35:21 | 1:35:24 | |
# The moment approaches | 1:35:24 | 1:35:26 | |
# You'll be mine You'll be mine by and by | 1:35:26 | 1:35:29 | |
# The moment approaches You'll be mine by and by | 1:35:29 | 1:35:32 | |
# You'll be mine by and by | 1:35:32 | 1:35:35 | |
-CHORUS: -# There's a man in your house | 1:35:35 | 1:35:37 | |
# It won't be long before you see your family growing | 1:35:37 | 1:35:40 | |
# Can you see him there? | 1:35:40 | 1:35:43 | |
ALL SING TOGETHER | 1:35:43 | 1:35:46 | |
CHORUS CRESCENDO | 1:35:46 | 1:35:49 | |
# You'll be mine You'll be mine by and by | 1:35:49 | 1:35:55 | |
MUSIC STOPS | 1:36:08 | 1:36:10 | |
# My days of bliss | 1:37:09 | 1:37:14 | |
# Are over | 1:37:14 | 1:37:17 | |
# My wounded heart | 1:37:17 | 1:37:23 | |
# Is sore | 1:37:23 | 1:37:26 | |
# Ah, the peace | 1:37:26 | 1:37:31 | |
# That I cherished | 1:37:31 | 1:37:36 | |
# Is gone | 1:37:36 | 1:37:39 | |
# For evermore | 1:37:39 | 1:37:45 | |
# Is gone | 1:37:46 | 1:37:48 | |
# For evermore | 1:37:48 | 1:37:55 | |
# Left alone in my grieving | 1:37:57 | 1:38:03 | |
# I fell prey to despair | 1:38:03 | 1:38:09 | |
# For the torment of his leaving | 1:38:09 | 1:38:15 | |
# Feels far too harsh to bear | 1:38:15 | 1:38:23 | |
# From weary days of waiting | 1:38:23 | 1:38:28 | |
# Reason loses its hold | 1:38:28 | 1:38:31 | |
# My heart is surely failing | 1:38:31 | 1:38:38 | |
# Faltering pulse | 1:38:41 | 1:38:48 | |
# Icy cold | 1:38:48 | 1:38:52 | |
# His fine elegant gestures | 1:39:51 | 1:39:56 | |
# His looks so keen and wise | 1:39:56 | 1:40:03 | |
# The beauty of his features | 1:40:03 | 1:40:10 | |
# The tenderness in his eyes | 1:40:10 | 1:40:18 | |
# His voice overwhelms me | 1:40:18 | 1:40:26 | |
# Carries me away on waves of bliss | 1:40:26 | 1:40:34 | |
# The caress of his hand so inflames me | 1:40:35 | 1:40:41 | |
# I burn | 1:40:41 | 1:40:47 | |
# Burn with his kiss | 1:40:47 | 1:40:52 | |
# Oh | 1:40:52 | 1:40:55 | |
# My days of bliss | 1:40:55 | 1:41:00 | |
# Are over | 1:41:00 | 1:41:03 | |
# My wounded heart | 1:41:03 | 1:41:09 | |
# Is sore | 1:41:09 | 1:41:12 | |
# Ah, the peace | 1:41:12 | 1:41:17 | |
# That I cherished | 1:41:17 | 1:41:22 | |
# Has gone | 1:41:22 | 1:41:25 | |
# For evermore | 1:41:25 | 1:41:31 | |
# Has gone | 1:41:31 | 1:41:34 | |
# For evermore | 1:41:34 | 1:41:40 | |
# I stand here at my window | 1:41:43 | 1:41:46 | |
# Where I wait | 1:41:46 | 1:41:48 | |
# Just to see my lover in the distance | 1:41:48 | 1:41:54 | |
# On his way back to me | 1:41:54 | 1:41:58 | |
# My heart, it beats with palpitation | 1:41:58 | 1:42:03 | |
# Thinking he might be near | 1:42:03 | 1:42:07 | |
# I'd tremble with elation if I could see him here | 1:42:07 | 1:42:15 | |
# O, his burning caresses | 1:42:15 | 1:42:21 | |
# For his caress, I'll always sigh | 1:42:21 | 1:42:28 | |
# My only one desire is in his embrace | 1:42:28 | 1:42:37 | |
# To die | 1:42:37 | 1:42:41 | |
# My only one desire | 1:42:41 | 1:42:48 | |
# Is in his embrace | 1:42:48 | 1:42:54 | |
# Is in his embrace | 1:42:56 | 1:42:58 | |
# To die | 1:42:58 | 1:43:03 | |
# The sound of the trumpet calls soldiers to fight | 1:44:17 | 1:44:22 | |
# Their weapons all gleaming A glorious sight | 1:44:22 | 1:44:26 | |
# Soon, night will be approaching | 1:44:26 | 1:44:31 | |
# Bringing sleep to the city | 1:44:31 | 1:44:36 | |
# Whatever it costs us We win our reward | 1:44:36 | 1:44:42 | |
# The evening bugle sounds | 1:44:42 | 1:44:47 | |
# A tune so sweet and joyful | 1:44:47 | 1:44:52 | |
# I've heard that song before | 1:44:52 | 1:44:55 | |
# On the evening that love | 1:44:55 | 1:45:01 | |
# First brought Faust to my door | 1:45:01 | 1:45:05 | |
# Jam nox stellata velamina pandit | 1:45:05 | 1:45:10 | |
# He'll not come back... | 1:45:10 | 1:45:17 | |
# He'll not come back... | 1:45:17 | 1:45:23 | |
# Alas... | 1:45:37 | 1:45:44 | |
# Alas... | 1:45:54 | 1:46:02 | |
# O, boundless | 1:47:07 | 1:47:14 | |
# Nature | 1:47:14 | 1:47:19 | |
# Unfathomable | 1:47:19 | 1:47:25 | |
# Undaunted | 1:47:25 | 1:47:31 | |
# In you alone | 1:47:35 | 1:47:40 | |
# I find comfort | 1:47:40 | 1:47:45 | |
# From this relentless pain | 1:47:48 | 1:47:55 | |
# On the warmth of your breast | 1:48:00 | 1:48:08 | |
# My despair | 1:48:08 | 1:48:11 | |
# Seems to lighten | 1:48:11 | 1:48:16 | |
# And I feel strength | 1:48:16 | 1:48:22 | |
# Returning... # | 1:48:22 | 1:48:27 | |
HE LAUGHS | 1:48:27 | 1:48:30 | |
# ..And I can live again | 1:48:30 | 1:48:37 | |
# So, let loose your storms | 1:48:39 | 1:48:47 | |
# And roar | 1:48:49 | 1:48:52 | |
# Torrential waters | 1:48:52 | 1:48:57 | |
# Crash down | 1:48:57 | 1:49:01 | |
# Crash down, mighty trees | 1:49:01 | 1:49:06 | |
# And, rocks | 1:49:06 | 1:49:10 | |
# I hear you thunder down the mountains | 1:49:10 | 1:49:18 | |
# With the clamour of nature | 1:49:18 | 1:49:24 | |
# Let my voice | 1:49:24 | 1:49:31 | |
# Join as one | 1:49:31 | 1:49:37 | |
# Cascades | 1:49:44 | 1:49:48 | |
# And woods | 1:49:48 | 1:49:53 | |
# And cliffs | 1:49:53 | 1:49:56 | |
# How I adore you | 1:49:56 | 1:50:03 | |
# Stars shining up above | 1:50:03 | 1:50:11 | |
# To you, my fervent | 1:50:11 | 1:50:15 | |
# Dreams aspire | 1:50:15 | 1:50:21 | |
# My soul is longing for repose | 1:50:21 | 1:50:28 | |
# And fulfilment | 1:50:28 | 1:50:32 | |
# Ever thwarted | 1:50:32 | 1:50:37 | |
# By fate | 1:50:37 | 1:50:41 | |
# Tell me, Faust | 1:51:23 | 1:51:25 | |
# Do you see up there | 1:51:25 | 1:51:28 | |
# High in the sky the star of faithful love? | 1:51:28 | 1:51:35 | |
# You will be needing it, my friend in the near future | 1:51:35 | 1:51:41 | |
# You keep dreaming away while that poor abandoned child, Marguerita... | 1:51:42 | 1:51:47 | |
# Enough! | 1:51:47 | 1:51:49 | |
# Ah! | 1:51:49 | 1:51:50 | |
# You no longer love her I understand | 1:51:50 | 1:51:55 | |
# And yet I must inform you She has been arrested | 1:51:55 | 1:51:59 | |
# And taken away to prison | 1:51:59 | 1:52:01 | |
# No! # HORN BLOWS | 1:52:01 | 1:52:04 | |
# But hark, I hear hunters out there in the woods! | 1:52:04 | 1:52:09 | |
# Forget them. Tell me more | 1:52:09 | 1:52:12 | |
# She's in prison, you say? | 1:52:13 | 1:52:16 | |
# She's been condemned to death because you have seduced her | 1:52:16 | 1:52:22 | |
# So now you understand | 1:52:22 | 1:52:25 | |
# This is all YOUR doing! | 1:52:25 | 1:52:28 | |
# You see then where her ill-fated passion has led? | 1:52:28 | 1:52:32 | |
# You must save her! # You must save her, you bastard! | 1:52:32 | 1:52:36 | |
# So, you think I'M to blame, then? | 1:52:36 | 1:52:40 | |
# A typical response from a mortal, don't you think? | 1:52:40 | 1:52:45 | |
# However, I am the master here | 1:52:48 | 1:52:52 | |
# And can choose whether to help you | 1:52:52 | 1:52:58 | |
# But since I've worked for you What have you done for me? | 1:52:58 | 1:53:04 | |
# What do you want? | 1:53:04 | 1:53:06 | |
# From you? | 1:53:06 | 1:53:10 | |
# I just require your signature on this old piece of paper | 1:53:14 | 1:53:19 | |
# I'll save Marguerita at once if you sign here | 1:53:19 | 1:53:24 | |
# And swear you will obey my every word in future | 1:53:24 | 1:53:28 | |
# Why should I care for the future | 1:53:29 | 1:53:32 | |
# When it's now that I'm suffering? | 1:53:32 | 1:53:35 | |
# Give it here | 1:53:37 | 1:53:38 | |
# There is my name | 1:53:44 | 1:53:47 | |
# Now let's hurry and save her We must go right away! | 1:53:47 | 1:53:52 | |
# Oh, unbearable torment! Marguerita, I come! | 1:53:52 | 1:53:59 | |
# Come here, my trusty steed! | 1:54:02 | 1:54:06 | |
# We'll ride these two black horses Up you get | 1:54:12 | 1:54:16 | |
# No time to lose! | 1:54:16 | 1:54:18 | |
# Justice must be done quickly | 1:54:18 | 1:54:20 | |
# In my mind, I can hear | 1:54:26 | 1:54:29 | |
# A cry of desperation | 1:54:29 | 1:54:31 | |
# Oh, poor Marguerita! | 1:54:39 | 1:54:42 | |
# Santa Maria... | 1:54:49 | 1:54:55 | |
# Santa Magdalene... | 1:55:08 | 1:55:15 | |
# Look out for those women and children! | 1:55:21 | 1:55:25 | |
# Can't you see they're praying at the cross? | 1:55:25 | 1:55:27 | |
# Never mind them, keep on! | 1:55:27 | 1:55:28 | |
# Santa Marguerita... # | 1:55:28 | 1:55:36 | |
THEY SCREAM | 1:55:36 | 1:55:37 | |
# Look out, a hideous monster is close behind us! | 1:55:59 | 1:56:02 | |
# What nonsense! | 1:56:02 | 1:56:05 | |
# Please... # | 1:56:05 | 1:56:08 | |
LAUGHTER | 1:56:09 | 1:56:12 | |
# One hundred flies One of them has just hit me | 1:56:13 | 1:56:16 | |
# A bell is tolling somewhere And it is a death knell | 1:56:19 | 1:56:22 | |
# Are you scared? Let's turn back | 1:56:22 | 1:56:24 | |
BELL TOLLS | 1:56:35 | 1:56:36 | |
# No, I can hear it | 1:56:36 | 1:56:39 | |
# Keep on! | 1:56:39 | 1:56:42 | |
# On, on! | 1:56:47 | 1:56:48 | |
-# On! -# Look out, they're all around | 1:56:52 | 1:56:56 | |
-# It's a monsters' procession -# On! | 1:56:56 | 1:56:59 | |
# Skeletons jumping round | 1:56:59 | 1:57:02 | |
# They scream and shout and snigger! | 1:57:02 | 1:57:04 | |
# Laughing as they go by! | 1:57:04 | 1:57:07 | |
# Just think of Marguerite | 1:57:07 | 1:57:09 | |
# Disregard the dead | 1:57:09 | 1:57:11 | |
# On! On! | 1:57:11 | 1:57:14 | |
# The horses are steaming Their manes are steaming | 1:57:16 | 1:57:18 | |
-# I'm losing my grip -# On! -# I'm losing my grip -# On! | 1:57:18 | 1:57:20 | |
-# And everything's reeling -# On! -# The bells are pealing -# On! | 1:57:20 | 1:57:23 | |
-# I'm starting to slip! -# On! | 1:57:23 | 1:57:24 | |
# It's raining blood | 1:57:24 | 1:57:26 | |
# His infernal army | 1:57:26 | 1:57:28 | |
# Of rains and trumpets blow | 1:57:29 | 1:57:32 | |
# A victory fanfare | 1:57:32 | 1:57:34 | |
-# God save me! -HE SCREAMS | 1:57:34 | 1:57:39 | |
# Victory is mine! | 1:57:39 | 1:57:46 | |
CHOIR SINGS EXULTANTLY | 1:57:46 | 1:57:49 | |
# He will always be mine | 1:58:41 | 1:58:47 | |
# Of his own free will | 1:59:16 | 1:59:22 | |
# Has! | 1:59:28 | 1:59:31 | |
# Has! | 1:59:32 | 1:59:35 | |
# Tradioun Marexil fir trudinxe burrudixe! | 1:59:38 | 1:59:42 | |
# Fory my dinkorlitz | 1:59:42 | 1:59:46 | |
# O merikariu! O mevixe! Meri kariba! | 1:59:46 | 1:59:48 | |
# O merikariu! | 1:59:48 | 1:59:54 | |
# O midara caraibo lakinda, merondor dinkorlitz, merondor | 1:59:54 | 2:00:00 | |
# Tradioun marexil Tradioun burrudixe | 2:00:00 | 2:00:04 | |
# Trudinxe caraibo | 2:00:04 | 2:00:07 | |
# Fir omevixe merondor | 2:00:07 | 2:00:11 | |
# Mit aysko, merondor | 2:00:11 | 2:00:17 | |
# Mit aysko! | 2:00:17 | 2:00:21 | |
# Diff! Diff! Merondor | 2:00:21 | 2:00:23 | |
# Merondor aysko! Has! Has!Satan | 2:00:23 | 2:00:26 | |
# Has! Has! Belphegor Has! Has! Mephisto | 2:00:26 | 2:00:29 | |
# Has! Has! Kroix | 2:00:29 | 2:00:31 | |
# Diff! Diff! Astaroth | 2:00:31 | 2:00:34 | |
# Diff! Diff! Beelzebub, Belphegor | 2:00:34 | 2:00:35 | |
# Astaroth, Mephisto! | 2:00:35 | 2:00:37 | |
# Sat | 2:00:40 | 2:00:43 | |
# Satrayk | 2:00:43 | 2:00:47 | |
# Irkimour | 2:00:47 | 2:00:51 | |
# Has! Has! Mephisto! Has! Has! Mephisto! | 2:00:54 | 2:00:57 | |
# Has! Has! Has! Has! | 2:00:57 | 2:00:59 | |
# Irimiru | 2:00:59 | 2:01:02 | |
# Karabrao! | 2:01:02 | 2:01:06 | |
# The gates of Hell are closed | 2:01:47 | 2:01:52 | |
# Some songs were still to be heard | 2:01:56 | 2:02:01 | |
# Hell's blood-red lakes were boiling | 2:02:01 | 2:02:08 | |
# At their infernal task | 2:02:08 | 2:02:13 | |
# Hell's torturers were toiling | 2:02:13 | 2:02:21 | |
# Otherwise, all fell silent | 2:02:21 | 2:02:26 | |
# Down in the depths below | 2:02:26 | 2:02:33 | |
# The dark justice of Satan was done | 2:02:33 | 2:02:43 | |
# Praise | 2:03:13 | 2:03:18 | |
# Hosanna | 2:03:27 | 2:03:35 | |
# Marguerite | 2:06:48 | 2:06:53 | |
# Come, Marguerite | 2:06:53 | 2:07:01 | |
# Marguerite | 2:07:01 | 2:07:07 | |
# Come | 2:07:07 | 2:07:09 | |
# Marguerite | 2:07:09 | 2:07:13 | |
# Come, come | 2:07:13 | 2:07:20 | |
# Come | 2:07:22 | 2:07:28 | |
# Come. # | 2:07:30 | 2:07:42 | |
Subtitles by Red Bee Media Ltd | 2:07:51 | 2:07:53 | |
E-mail [email protected] | 2:07:53 | 2:07:55 |