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Thank you very much. Tonight's artist has written and produced | 0:00:11 | 0:00:16 | |
for many of the greatest names in popular music. | 0:00:16 | 0:00:20 | |
He has sung with the Count Basie Orchestra and written with Paul McCartney. | 0:00:20 | 0:00:25 | |
Tonight we celebrate his own music. He's been recording for 20 years. | 0:00:25 | 0:00:31 | |
He has with him The Attractions plus many musical surprises. | 0:00:31 | 0:00:35 | |
Ladies and gentlemen, I give you Mr Elvis Costello. | 0:00:35 | 0:00:40 | |
CHEERING AND WHISTLING | 0:00:40 | 0:00:43 | |
# Oh, I just don't know where to begin | 0:01:01 | 0:01:06 | |
# Though he says he'll wait forever | 0:01:06 | 0:01:09 | |
# It's now or never | 0:01:09 | 0:01:10 | |
# But they keep him hanging on | 0:01:10 | 0:01:13 | |
# This silly champion | 0:01:13 | 0:01:16 | |
# She says she can't go home without a chaperone | 0:01:16 | 0:01:20 | |
# Accidents will happen | 0:01:20 | 0:01:21 | |
# Only hit and run | 0:01:22 | 0:01:23 | |
# He used to be your victim, now you're not the only one | 0:01:24 | 0:01:28 | |
# Accidents will happen | 0:01:28 | 0:01:30 | |
# We only hit and run | 0:01:30 | 0:01:32 | |
# I don't want to hear it | 0:01:32 | 0:01:34 | |
# Cos I know what I've done | 0:01:34 | 0:01:37 | |
# Well, there's so many fish in the sea | 0:01:41 | 0:01:45 | |
# That only rise up in the sweat and smoke like mercury | 0:01:45 | 0:01:49 | |
# But they keep you hanging on | 0:01:49 | 0:01:52 | |
# They say you're so young | 0:01:52 | 0:01:55 | |
# Your mouth is made up but your mind is undone | 0:01:55 | 0:01:59 | |
# Accidents will happen | 0:01:59 | 0:02:01 | |
# We're only hit and run | 0:02:01 | 0:02:03 | |
# He used to be your victim, now you're not the only one | 0:02:03 | 0:02:07 | |
# Accidents will happen | 0:02:07 | 0:02:09 | |
# We're only hit and run | 0:02:09 | 0:02:11 | |
# I don't want to hear it | 0:02:11 | 0:02:13 | |
# Cos I know what I've... | 0:02:13 | 0:02:15 | |
# Done | 0:02:15 | 0:02:17 | |
# And it's the damage that we do | 0:02:24 | 0:02:27 | |
# And never know | 0:02:27 | 0:02:29 | |
# It's the words that we don't say | 0:02:29 | 0:02:31 | |
# That scare me so | 0:02:31 | 0:02:33 | |
# There's so many people to see | 0:02:33 | 0:02:37 | |
# So many people you can check up on | 0:02:37 | 0:02:39 | |
# And add to your collection | 0:02:39 | 0:02:41 | |
# But they keep you hanging on | 0:02:41 | 0:02:44 | |
# Until you're well hung | 0:02:44 | 0:02:47 | |
# Your mind is made up | 0:02:47 | 0:02:49 | |
# Your mouth is undone | 0:02:49 | 0:02:50 | |
# Accidents will happen | 0:02:51 | 0:02:53 | |
# We're only hit and run | 0:02:53 | 0:02:55 | |
# He used to be your victim, now you're not the only one | 0:02:55 | 0:02:59 | |
# Accidents will happen | 0:02:59 | 0:03:01 | |
# We're only hit and run | 0:03:01 | 0:03:03 | |
# I don't want to hear it | 0:03:03 | 0:03:05 | |
# Cos I know what I've... | 0:03:05 | 0:03:07 | |
# I know what I've... | 0:03:07 | 0:03:09 | |
# I know what I've... | 0:03:09 | 0:03:11 | |
# Done | 0:03:11 | 0:03:14 | |
# I know | 0:03:15 | 0:03:17 | |
# I know | 0:03:17 | 0:03:19 | |
# I know | 0:03:19 | 0:03:21 | |
# I know | 0:03:23 | 0:03:25 | |
# I know | 0:03:25 | 0:03:27 | |
# I know | 0:03:27 | 0:03:29 | |
# I know | 0:03:31 | 0:03:33 | |
# I know | 0:03:33 | 0:03:35 | |
# I know | 0:03:35 | 0:03:37 | |
# I know | 0:03:39 | 0:03:41 | |
# I know | 0:03:41 | 0:03:43 | |
# I know | 0:03:43 | 0:03:45 | |
# Do do do, do d'n do do do do | 0:03:47 | 0:03:51 | |
# Do do do, do d'n do do do do do. # | 0:03:55 | 0:03:59 | |
Thank you. | 0:04:13 | 0:04:15 | |
# I arose and Marigold lay down with curious Iris | 0:04:53 | 0:04:59 | |
# Cherry gave to Victor | 0:04:59 | 0:05:01 | |
# Her prudence and her virus | 0:05:01 | 0:05:04 | |
# For the sake of purity | 0:05:04 | 0:05:06 | |
# I can recall the time and place | 0:05:06 | 0:05:09 | |
# Between wisdom and murder | 0:05:09 | 0:05:12 | |
# She gave up her immaculate face | 0:05:12 | 0:05:17 | |
# My poor belated chastity | 0:05:18 | 0:05:21 | |
# Fell foul of grown-up games | 0:05:21 | 0:05:23 | |
# With false and lovely modesty | 0:05:23 | 0:05:26 | |
# I can recall the names I'll miss | 0:05:26 | 0:05:32 | |
# In the particle of me | 0:05:32 | 0:05:34 | |
# That cares for this | 0:05:34 | 0:05:37 | |
# I betrayed those little atoms | 0:05:37 | 0:05:40 | |
# With a kiss | 0:05:40 | 0:05:42 | |
# Patience has her virtue still but every grace must have its price | 0:05:52 | 0:05:57 | |
# I, through some felicity, | 0:05:57 | 0:05:59 | |
# May spin a tale of constant vice | 0:05:59 | 0:06:03 | |
# My better nature | 0:06:03 | 0:06:05 | |
# I drowned it in the babbling stream | 0:06:05 | 0:06:08 | |
# I took the blossom of my youth | 0:06:08 | 0:06:10 | |
# And I blew it all to smithereens | 0:06:10 | 0:06:13 | |
# My poor belated chastity | 0:06:13 | 0:06:16 | |
# Fell foul of grown-up games | 0:06:16 | 0:06:18 | |
# With false and lovely modesty | 0:06:19 | 0:06:21 | |
# I can recall the names I'll miss | 0:06:21 | 0:06:26 | |
# In the particle of me | 0:06:27 | 0:06:29 | |
# That cares for this | 0:06:29 | 0:06:31 | |
# I betrayed those little atoms | 0:06:32 | 0:06:35 | |
# With a kiss | 0:06:35 | 0:06:37 | |
# And if you still don't like my song | 0:06:47 | 0:06:49 | |
# Then you can just go to hell | 0:06:49 | 0:06:52 | |
# I don't care if I'm right or wrong | 0:06:52 | 0:06:55 | |
# Or if my typewriter can spell | 0:06:55 | 0:06:58 | |
# But I cannot promise you | 0:06:58 | 0:07:00 | |
# I've said goodbye to childish things | 0:07:00 | 0:07:03 | |
# There are still some pretty insults in life | 0:07:03 | 0:07:06 | |
# And such sport is threatening | 0:07:06 | 0:07:09 | |
# My poor belated chastity fell foul of grown-up games | 0:07:09 | 0:07:13 | |
# With false and lovely modesty | 0:07:13 | 0:07:16 | |
# I can recall the names I'll miss | 0:07:16 | 0:07:20 | |
# In the particle of me | 0:07:21 | 0:07:24 | |
# That cares for this | 0:07:24 | 0:07:26 | |
# I betrayed those little atoms | 0:07:27 | 0:07:30 | |
# With a kiss | 0:07:31 | 0:07:32 | |
# And for the sake of clarity | 0:07:37 | 0:07:39 | |
# There are faith hope and charity | 0:07:39 | 0:07:42 | |
# In the particle of me that cares for this | 0:07:42 | 0:07:46 | |
# I betrayed those little atoms | 0:07:46 | 0:07:50 | |
# With a kiss. # | 0:07:50 | 0:07:53 | |
Thank you! | 0:09:13 | 0:09:16 | |
That was a song from my new record, | 0:09:16 | 0:09:19 | |
All This Useless Beauty, called Little Atoms. | 0:09:19 | 0:09:22 | |
We're gonna do a mixture of all kinds of songs tonight. | 0:09:22 | 0:09:26 | |
We'll do songs we just made up this afternoon, | 0:09:26 | 0:09:30 | |
and some songs we've been doing for 20 years, as has been said before. | 0:09:30 | 0:09:36 | |
We thought it'd be fun to play in a way we'd never played before. | 0:09:36 | 0:09:41 | |
We've played this song for 20 years, | 0:09:41 | 0:09:44 | |
and I wrote it on a fire escape in Newcastle, but don't be put off. | 0:09:44 | 0:09:49 | |
You all ready? Yeah? | 0:09:49 | 0:09:51 | |
-AUDIENCE: -Yeah! -Here we go! | 0:09:51 | 0:09:55 | |
# I've been on tenterhooks | 0:10:01 | 0:10:02 | |
# Ending in dirty looks | 0:10:02 | 0:10:04 | |
# Listening to the muzak | 0:10:04 | 0:10:06 | |
# Thinking 'bout this 'n' that | 0:10:06 | 0:10:07 | |
# She said that's that | 0:10:07 | 0:10:09 | |
# I don't want to chitter chat | 0:10:09 | 0:10:11 | |
# Turn it down a little bit | 0:10:11 | 0:10:13 | |
# Turn it down flat | 0:10:13 | 0:10:14 | |
# Pump it up | 0:10:14 | 0:10:16 | |
# Till you can feel it | 0:10:16 | 0:10:18 | |
# Pump it up | 0:10:18 | 0:10:19 | |
# When you don't really need it | 0:10:19 | 0:10:21 | |
# Down in the pleasure centre | 0:10:28 | 0:10:30 | |
# Hell bent or heaven sent | 0:10:30 | 0:10:31 | |
# Listen to the propaganda | 0:10:31 | 0:10:33 | |
# Listen to the latest slander | 0:10:33 | 0:10:35 | |
# There's nothing underhand | 0:10:35 | 0:10:37 | |
# But she wouldn't understand | 0:10:37 | 0:10:38 | |
# Pump it up | 0:10:38 | 0:10:40 | |
# Till you can feel it | 0:10:40 | 0:10:42 | |
# Pump it up | 0:10:42 | 0:10:43 | |
# When you don't really need it! # | 0:10:43 | 0:10:45 | |
Yaow! | 0:10:45 | 0:10:47 | |
Yeah! | 0:11:06 | 0:11:07 | |
# She's been a bad girl | 0:11:13 | 0:11:15 | |
# She's like a chemical | 0:11:15 | 0:11:17 | |
# Though you try to stop it | 0:11:17 | 0:11:19 | |
# She's like a narcotic | 0:11:19 | 0:11:21 | |
# You want to talk to her | 0:11:21 | 0:11:22 | |
# You want to talk to her | 0:11:22 | 0:11:23 | |
# All the things you bought for her | 0:11:23 | 0:11:26 | |
# Putting up your temperature | 0:11:26 | 0:11:27 | |
# Pump it up | 0:11:27 | 0:11:28 | |
# Till you can feel it | 0:11:29 | 0:11:31 | |
# Pump it up | 0:11:31 | 0:11:32 | |
# When you don't really need it! Yaow! | 0:11:32 | 0:11:34 | |
# Out in the fashion show | 0:11:41 | 0:11:43 | |
# Out in the bargain bin | 0:11:43 | 0:11:45 | |
# You put your passion out | 0:11:45 | 0:11:47 | |
# Under the pressure pin | 0:11:47 | 0:11:49 | |
# Fall into submission | 0:11:49 | 0:11:50 | |
# Hit and run transmission | 0:11:50 | 0:11:52 | |
# No use wishing now | 0:11:52 | 0:11:54 | |
# For any other sin | 0:11:54 | 0:11:55 | |
# Pump it up | 0:11:55 | 0:11:57 | |
# Till you can feel it | 0:11:57 | 0:11:59 | |
# Pump it up | 0:11:59 | 0:12:00 | |
# When you don't really need it | 0:12:00 | 0:12:03 | |
# Pump it up | 0:12:09 | 0:12:11 | |
# Till you can feel it | 0:12:11 | 0:12:13 | |
# Pump it up | 0:12:13 | 0:12:14 | |
# When you don't really need it | 0:12:14 | 0:12:17 | |
# Pump it up | 0:12:23 | 0:12:25 | |
# Till you can feel it | 0:12:25 | 0:12:27 | |
# Pump it up | 0:12:27 | 0:12:28 | |
# When you don't really need it | 0:12:28 | 0:12:31 | |
# Don't really need it | 0:12:32 | 0:12:34 | |
# Don't really need it | 0:12:36 | 0:12:38 | |
# Don't really need it! # | 0:12:39 | 0:12:41 | |
Yaow! | 0:12:41 | 0:12:43 | |
That's the first time anyone's heard the words of that song in 15 years. | 0:13:18 | 0:13:23 | |
What words they are, too, you know! | 0:13:23 | 0:13:25 | |
Er... | 0:13:27 | 0:13:29 | |
This is also new - called Why Can't A Man Stand Alone? | 0:13:29 | 0:13:33 | |
It's about some of the things guys are taught they need in life - | 0:13:33 | 0:13:37 | |
they're a big burden to them, really. | 0:13:37 | 0:13:40 | |
So they have the world weighing them down... | 0:13:40 | 0:13:43 | |
Then they turn all mean and nasty, | 0:13:47 | 0:13:50 | |
something I wouldn't know anything about(!) | 0:13:50 | 0:13:54 | |
# Why can't a man | 0:14:00 | 0:14:04 | |
# Stand alone? | 0:14:05 | 0:14:09 | |
# Must he be burdened | 0:14:10 | 0:14:13 | |
# By all he is taught | 0:14:13 | 0:14:16 | |
# To consider his own? | 0:14:16 | 0:14:21 | |
# His skin and his station | 0:14:23 | 0:14:26 | |
# His kin and his crown | 0:14:29 | 0:14:33 | |
# His flag and his nation | 0:14:34 | 0:14:38 | |
# They just weigh him down | 0:14:38 | 0:14:40 | |
# You know pride | 0:14:40 | 0:14:42 | |
# Is a sin | 0:14:44 | 0:14:46 | |
# That we tend to forgive | 0:14:47 | 0:14:50 | |
# But it gets hard to live | 0:14:50 | 0:14:54 | |
# When you don't have the love | 0:14:54 | 0:14:57 | |
# In your heart to begin with | 0:14:57 | 0:15:01 | |
# Why can't a man | 0:15:03 | 0:15:07 | |
# Stand alone? | 0:15:08 | 0:15:12 | |
# Why can't a woman | 0:15:19 | 0:15:23 | |
# Be just what she seems? | 0:15:24 | 0:15:29 | |
# Must she be tarnished by men | 0:15:30 | 0:15:34 | |
# Who can only be men in their dreams? | 0:15:34 | 0:15:41 | |
# When beauty meets ignorance | 0:15:43 | 0:15:46 | |
# They shout in the street | 0:15:49 | 0:15:53 | |
# Repeating their offer | 0:15:54 | 0:15:58 | |
# To each girl they meet | 0:15:58 | 0:16:00 | |
# The respect | 0:16:01 | 0:16:03 | |
# That she needs | 0:16:04 | 0:16:07 | |
# It isn't a gift | 0:16:08 | 0:16:11 | |
# But it gets hard to lift yourself up | 0:16:11 | 0:16:16 | |
# When you don't have the strength to begin with | 0:16:16 | 0:16:21 | |
# Why can't a woman | 0:16:23 | 0:16:27 | |
# Stand alone? | 0:16:28 | 0:16:32 | |
# Why can't a baby sleep at night | 0:16:33 | 0:16:40 | |
# And dream of the time to come | 0:16:40 | 0:16:45 | |
# And never fear the world outside | 0:16:45 | 0:16:51 | |
# The touch of someone very near? | 0:16:51 | 0:16:59 | |
# Why can't a man | 0:17:00 | 0:17:04 | |
# Stand up? | 0:17:04 | 0:17:06 | |
# Why can't a man | 0:17:06 | 0:17:09 | |
# Stand up? | 0:17:11 | 0:17:12 | |
# Why can't a man | 0:17:13 | 0:17:16 | |
# Stand alone? # | 0:17:16 | 0:17:23 | |
The Attractions! | 0:17:37 | 0:17:39 | |
Steve Nieve on keyboards! | 0:17:39 | 0:17:42 | |
Bruce Thomas! | 0:17:43 | 0:17:45 | |
Pete Thomas on drums! | 0:17:45 | 0:17:49 | |
# Is it all in that pretty, little head of yours? | 0:18:06 | 0:18:09 | |
# What goes on in that place in the dark? | 0:18:09 | 0:18:13 | |
# Well, I used to know a girl and I could have sworn | 0:18:13 | 0:18:16 | |
# That her name was Veronica | 0:18:16 | 0:18:19 | |
# Well she used to have a carefree mind of her own | 0:18:20 | 0:18:23 | |
# And a devilish look in her eye | 0:18:23 | 0:18:26 | |
# These days I'm afraid she's not even sure | 0:18:27 | 0:18:30 | |
# If her name is Veronica | 0:18:30 | 0:18:33 | |
# Do you suppose that waiting hands on eyes | 0:18:34 | 0:18:39 | |
# Veronica has gone to hide? | 0:18:39 | 0:18:43 | |
# And all the time she laughs at those | 0:18:43 | 0:18:46 | |
# Who shout her name and steal her clothes | 0:18:46 | 0:18:49 | |
# Veronica | 0:18:49 | 0:18:51 | |
# Veronica | 0:18:53 | 0:18:55 | |
# Did the days drag by? Did the favours wane? | 0:19:03 | 0:19:07 | |
# Did he roam down the town all the while? | 0:19:07 | 0:19:10 | |
# Will you wake from your dream with a wolf at the door | 0:19:10 | 0:19:14 | |
# Reaching out for Veronica? | 0:19:14 | 0:19:16 | |
# Well, it was all of sixty-five years ago | 0:19:17 | 0:19:21 | |
# When the world was the street where she lived | 0:19:21 | 0:19:24 | |
# And a young man sailed on a ship in the sea | 0:19:24 | 0:19:28 | |
# With a picture of Veronica | 0:19:28 | 0:19:30 | |
# On the Empress Of India | 0:19:31 | 0:19:37 | |
# And as she closed her eyes upon the world | 0:19:38 | 0:19:44 | |
# And picked upon the bones of last week's news | 0:19:46 | 0:19:52 | |
# She spoke his name out loud again | 0:19:53 | 0:19:56 | |
# Do you suppose that waiting hands on eyes | 0:19:57 | 0:20:02 | |
# Veronica has gone to hide? | 0:20:02 | 0:20:05 | |
# And all the time she laughs at those | 0:20:05 | 0:20:09 | |
# Who shout her name and steal her clothes | 0:20:09 | 0:20:12 | |
# Veronica | 0:20:12 | 0:20:14 | |
# Veronica | 0:20:16 | 0:20:18 | |
# Veronica sits in her favourite chair | 0:20:26 | 0:20:29 | |
# She sits very quiet and still | 0:20:29 | 0:20:33 | |
# And they call her a name that they never get right | 0:20:33 | 0:20:37 | |
# And if they don't then nobody else will | 0:20:37 | 0:20:40 | |
# She used to have a carefree mind of her own | 0:20:40 | 0:20:44 | |
# With a devilish look in her eye | 0:20:44 | 0:20:47 | |
# Saying, "You can call me anything you like | 0:20:47 | 0:20:51 | |
# "But my name is Veronica" | 0:20:51 | 0:20:54 | |
# My name is Veronica | 0:20:54 | 0:20:57 | |
# My name is Veronica | 0:20:57 | 0:21:01 | |
# Do you suppose that waiting hands on eyes | 0:21:01 | 0:21:05 | |
# Veronica has gone to hide? | 0:21:05 | 0:21:09 | |
# And all the time she laughs at those | 0:21:09 | 0:21:12 | |
# Who shout her name and steal her clothes | 0:21:12 | 0:21:16 | |
# Veronica | 0:21:16 | 0:21:18 | |
# Veronica | 0:21:19 | 0:21:21 | |
# Oh-oh-oh | 0:21:23 | 0:21:26 | |
# Veronica! # | 0:21:26 | 0:21:31 | |
For those who haven't met them, let me introduce The Brodsky Quartet. | 0:21:56 | 0:22:02 | |
We're going to do a tricky little number now. | 0:22:12 | 0:22:15 | |
Paul has arranged it. Some of you may recognise it. | 0:22:15 | 0:22:19 | |
# They talked to the sister, the father and the mother | 0:22:46 | 0:22:50 | |
# With a microphone in one hand and a cheque book in the other | 0:22:50 | 0:22:55 | |
# And the camera noses in to the tears on her face | 0:22:55 | 0:22:59 | |
# The tears on her face | 0:22:59 | 0:23:02 | |
# The tears on her face | 0:23:02 | 0:23:04 | |
# You can put them back together with your paper and paste | 0:23:04 | 0:23:08 | |
# But you can't put them back together | 0:23:08 | 0:23:11 | |
# You can't put them back together | 0:23:11 | 0:23:13 | |
# What would you say, what would you do? | 0:23:14 | 0:23:17 | |
# Children and animals two by two | 0:23:18 | 0:23:22 | |
# Give me the needle, give me the rope | 0:23:23 | 0:23:27 | |
# We're gonna melt them down for pills and soap | 0:23:27 | 0:23:32 | |
# Four and twenty crowbars jemmy your desire | 0:23:37 | 0:23:41 | |
# Out of the frying pan | 0:23:42 | 0:23:44 | |
# Into the fire | 0:23:44 | 0:23:46 | |
# The king is in the counting house, some folk have all the luck | 0:23:46 | 0:23:50 | |
# And all we get are pictures of lord and lady muck | 0:23:50 | 0:23:55 | |
# They come from lovely people | 0:23:55 | 0:23:58 | |
# With a hard line in hypocrisy | 0:23:58 | 0:24:00 | |
# There are ashtrays of emotion | 0:24:00 | 0:24:03 | |
# For the fag ends of the aristocracy | 0:24:03 | 0:24:06 | |
# What would you say, what would you do? | 0:24:06 | 0:24:09 | |
# Children and animals two by two | 0:24:10 | 0:24:14 | |
# Give me the needle, give me the rope | 0:24:14 | 0:24:19 | |
# We're gonna melt them down for pills and soap | 0:24:19 | 0:24:24 | |
# Give me the needle | 0:24:26 | 0:24:31 | |
# Give me the rope | 0:24:32 | 0:24:37 | |
# The sugar coated pill is getting bitterer still | 0:25:02 | 0:25:06 | |
# You think your country needs you but you know it never will | 0:25:06 | 0:25:11 | |
# So pack up your troubles in a stolen handbag | 0:25:11 | 0:25:15 | |
# Don't dilly dally, boys, rally around the flag | 0:25:16 | 0:25:21 | |
# Give us our daily bread in individual slices | 0:25:21 | 0:25:25 | |
# And something in the daily rag to cancel any crisis | 0:25:25 | 0:25:31 | |
# What would you say, what would you do? | 0:25:31 | 0:25:34 | |
# Children and animals two by two | 0:25:35 | 0:25:39 | |
# Give me the needle | 0:25:40 | 0:25:42 | |
# Give me the rope | 0:25:42 | 0:25:45 | |
# We're gonna melt them down for pills and soap | 0:25:45 | 0:25:49 | |
# Give me the needle | 0:25:51 | 0:25:56 | |
# Give me the rope | 0:25:57 | 0:26:01 | |
# We're going | 0:26:02 | 0:26:09 | |
# To melt them down for pills and soap | 0:26:09 | 0:26:17 | |
# For pills | 0:26:17 | 0:26:22 | |
# And soap. # | 0:26:22 | 0:26:28 | |
This is the last song in The Juliet Letters. | 0:26:49 | 0:26:54 | |
This is one written by somebody to their lover after they've passed on, | 0:26:54 | 0:27:00 | |
to give them kind of hope to go on...with life. | 0:27:00 | 0:27:04 | |
# Summertime withers as the sun | 0:27:18 | 0:27:24 | |
# Descends | 0:27:24 | 0:27:27 | |
# He wants to kiss you | 0:27:28 | 0:27:30 | |
# Will you condescend? | 0:27:30 | 0:27:35 | |
# Before you wake and find a chill | 0:27:36 | 0:27:40 | |
# Within your bones | 0:27:40 | 0:27:44 | |
# Under a fine canopy of lover's dust | 0:27:44 | 0:27:51 | |
# And humorous bones | 0:27:51 | 0:27:54 | |
# Banish all dismay | 0:27:54 | 0:27:58 | |
# Extinguish every sorrow | 0:27:58 | 0:28:04 | |
# Eternity stinks, my darling | 0:28:10 | 0:28:14 | |
# That's no joke | 0:28:14 | 0:28:17 | |
# Don't waste your precious time | 0:28:18 | 0:28:21 | |
# Pretending you're heartbroken | 0:28:21 | 0:28:26 | |
# There will be tears and candles | 0:28:27 | 0:28:31 | |
# Pretty words to say | 0:28:31 | 0:28:35 | |
# Spare me the lily-white lily | 0:28:36 | 0:28:40 | |
# With the awful perfume of decay | 0:28:40 | 0:28:45 | |
# Banish all dismay | 0:28:45 | 0:28:50 | |
# Extinguish every sorrow | 0:28:50 | 0:28:55 | |
# If I'm lost or I'm forgiven | 0:28:55 | 0:29:01 | |
# The birds will still be singing | 0:29:01 | 0:29:07 | |
# It's so hard to | 0:29:50 | 0:29:54 | |
# Tear myself away | 0:29:54 | 0:29:59 | |
# Even when you know it's over | 0:29:59 | 0:30:08 | |
# It's too much to say | 0:30:08 | 0:30:13 | |
# Banish all dismay | 0:30:27 | 0:30:31 | |
# Extinguish every sorrow | 0:30:31 | 0:30:36 | |
# If I'm lost or I'm forgiven | 0:30:36 | 0:30:42 | |
# The birds will still be singing. # | 0:30:43 | 0:30:50 | |
Thank you! | 0:31:45 | 0:31:47 | |
Thank you very much. | 0:31:57 | 0:31:59 | |
Last year, I arranged a music festival and got lots of people to come and play at it. | 0:31:59 | 0:32:06 | |
We put together a big band, as you can see, with The Brodsky Quartet. | 0:32:06 | 0:32:11 | |
We asked different people to write arrangements. | 0:32:11 | 0:32:15 | |
I wrote a few and invited some other musicians to write arrangements of songs I'd written. | 0:32:15 | 0:32:21 | |
This song we're going to do now was originally composed for the blues singer Charles Brown. | 0:32:21 | 0:32:28 | |
# Upon a veil | 0:33:41 | 0:33:45 | |
# Of midnight blue | 0:33:45 | 0:33:50 | |
# They hung a crescent moon | 0:33:51 | 0:33:55 | |
# To light the view | 0:33:55 | 0:33:59 | |
# But you didn't whisper the words | 0:34:00 | 0:34:03 | |
# When the moment arose | 0:34:03 | 0:34:09 | |
# I wonder how she knows | 0:34:10 | 0:34:17 | |
# Your words escape and hide | 0:34:19 | 0:34:23 | |
# You find your tongue is tied | 0:34:24 | 0:34:28 | |
# But she's so patient and kind | 0:34:29 | 0:34:33 | |
# She's prepared to read your mind | 0:34:33 | 0:34:38 | |
# That's all very well till you find | 0:34:39 | 0:34:43 | |
# Because of the wine you drank | 0:34:43 | 0:34:48 | |
# Your mind is just a blank | 0:34:50 | 0:34:57 | |
# You find your tongue is tied | 0:35:34 | 0:35:38 | |
# Your words escape and hide | 0:35:38 | 0:35:43 | |
# But she's so patient and kind | 0:35:44 | 0:35:48 | |
# She's prepared to read your mind | 0:35:48 | 0:35:53 | |
# That's all very well till you find | 0:35:54 | 0:35:58 | |
# Because of the wine you drank | 0:35:58 | 0:36:03 | |
# Your mind is just a blank | 0:36:05 | 0:36:11 | |
# I wonder how she knows | 0:36:14 | 0:36:18 | |
# I guess she will wonder until | 0:36:18 | 0:36:22 | |
# You pluck up the courage to tell her | 0:36:22 | 0:36:28 | |
# How you feel | 0:36:28 | 0:36:32 | |
# So close you can feel her heart trembling | 0:36:32 | 0:36:38 | |
# You look in her eyes as they close | 0:36:38 | 0:36:43 | |
# I wonder how | 0:36:43 | 0:36:48 | |
# She knows | 0:36:48 | 0:36:54 | |
# I wonder how | 0:36:59 | 0:37:03 | |
# She knows. # | 0:37:03 | 0:37:09 | |
This song is the title track of the new record, All This Useless Beauty. | 0:37:54 | 0:37:59 | |
I wrote it in Italy. | 0:37:59 | 0:38:02 | |
I saw a woman in a picture gallery looking at all these beautiful pictures of classical antiquity. | 0:38:02 | 0:38:10 | |
Her eyes left the wall and came down to her late-20th-century lover. | 0:38:10 | 0:38:16 | |
She had this look in her eyes, like "Where did we go wrong?" | 0:38:16 | 0:38:21 | |
The song is about other things, but that's where it starts. | 0:38:21 | 0:38:25 | |
# It's at times such as this | 0:38:29 | 0:38:32 | |
# She would be tempted to spit | 0:38:32 | 0:38:35 | |
# If she wasn't so ladylike | 0:38:35 | 0:38:39 | |
# She imagines how she might have lived | 0:38:40 | 0:38:44 | |
# Back when legends and history collide | 0:38:44 | 0:38:48 | |
# So she looks to her prince | 0:38:51 | 0:38:53 | |
# Finding since he's so charmingly slumped at her side | 0:38:53 | 0:39:00 | |
# Those days are recalled on the gallery wall | 0:39:01 | 0:39:06 | |
# And she's waiting for passion or humour to strike | 0:39:07 | 0:39:13 | |
# What shall we do? | 0:39:15 | 0:39:18 | |
# What shall we do | 0:39:18 | 0:39:21 | |
# With all this useless beauty? | 0:39:21 | 0:39:26 | |
# All this useless beauty | 0:39:27 | 0:39:32 | |
# Good Friday arrived | 0:39:40 | 0:39:43 | |
# The sky darkened on time | 0:39:43 | 0:39:46 | |
# Till he almost began to negotiate | 0:39:46 | 0:39:51 | |
# She held his head like a baby and said | 0:39:51 | 0:39:56 | |
# "It's OK if you cry" | 0:39:56 | 0:40:01 | |
# Now he wants her to dress | 0:40:02 | 0:40:05 | |
# As if you couldn't guess | 0:40:05 | 0:40:08 | |
# He desires to impress his associates | 0:40:08 | 0:40:13 | |
# But he's part ugly beast | 0:40:13 | 0:40:16 | |
# And Hellenic deceased | 0:40:16 | 0:40:18 | |
# So she finds that the mixture is hard to deny | 0:40:18 | 0:40:24 | |
# What shall we do? | 0:40:27 | 0:40:29 | |
# What shall we do | 0:40:29 | 0:40:32 | |
# With all this useless beauty? | 0:40:32 | 0:40:38 | |
# All this useless beauty | 0:40:39 | 0:40:44 | |
# She won't practise the looks | 0:40:52 | 0:40:55 | |
# From the great tragic books | 0:40:55 | 0:40:58 | |
# That were later disgraced to face celluloid | 0:40:58 | 0:41:03 | |
# She won't even make sense | 0:41:03 | 0:41:06 | |
# But you can bet | 0:41:06 | 0:41:09 | |
# If she isn't a sweetheart, a plaything or pet | 0:41:09 | 0:41:14 | |
# The film turns her into | 0:41:14 | 0:41:18 | |
# An unveiled threat | 0:41:18 | 0:41:21 | |
# Nonsense prevails | 0:41:23 | 0:41:26 | |
# Modesty fails | 0:41:26 | 0:41:28 | |
# Grace and virtue turn into stupidity | 0:41:28 | 0:41:33 | |
# While the calendar fades | 0:41:34 | 0:41:37 | |
# Almost all barricades | 0:41:37 | 0:41:40 | |
# To a pale compromise | 0:41:40 | 0:41:45 | |
# And our leaders have feasts | 0:41:46 | 0:41:48 | |
# On the backsides of beasts | 0:41:48 | 0:41:51 | |
# They still think they're the gods of antiquity | 0:41:51 | 0:41:56 | |
# If something you missed | 0:41:57 | 0:41:59 | |
# Didn't even exist | 0:41:59 | 0:42:02 | |
# It was just an ideal | 0:42:02 | 0:42:05 | |
# Is it such a surprise? | 0:42:05 | 0:42:08 | |
# What shall we do? | 0:42:11 | 0:42:13 | |
# What shall we do | 0:42:13 | 0:42:16 | |
# With all this useless beauty? | 0:42:16 | 0:42:21 | |
# All this useless beauty | 0:42:21 | 0:42:28 | |
# What shall we do? | 0:42:31 | 0:42:34 | |
# What shall we do | 0:42:34 | 0:42:36 | |
# With all this useless beauty? | 0:42:36 | 0:42:41 | |
# All this useless beauty. # | 0:42:41 | 0:42:48 | |
The Brodsky Quartet! | 0:43:02 | 0:43:04 | |
The ladies and gentlemen of the orchestra and The Attractions! | 0:43:04 | 0:43:09 | |
Thank you! | 0:43:10 | 0:43:12 | |
# Forever | 0:43:32 | 0:43:37 | |
# Doesn't mean forever any more | 0:43:41 | 0:43:47 | |
# I said forever | 0:43:49 | 0:43:56 | |
# But it doesn't look like | 0:43:58 | 0:44:00 | |
# I'm going to be around much any more | 0:44:00 | 0:44:03 | |
# When the heat gets subtropical | 0:44:05 | 0:44:09 | |
# And the talk gets so topical | 0:44:09 | 0:44:13 | |
# Riot act | 0:44:13 | 0:44:15 | |
# You can read me the riot act | 0:44:16 | 0:44:19 | |
# You can make me a matter of fact | 0:44:19 | 0:44:23 | |
# Or a villain in a million | 0:44:23 | 0:44:25 | |
# A slip of the tongue is gonna keep me civilian | 0:44:25 | 0:44:30 | |
# Why do you talk such stupid nonsense | 0:44:30 | 0:44:34 | |
# When my mind could rest much easier | 0:44:34 | 0:44:40 | |
# Instead of all this dumb, dumb insolence | 0:44:41 | 0:44:47 | |
# I would be happier with amnesia | 0:44:47 | 0:44:51 | |
# They say | 0:45:01 | 0:45:05 | |
# Forget her | 0:45:05 | 0:45:08 | |
# Now it looks like you're either gonna be | 0:45:10 | 0:45:13 | |
# Before me or against me | 0:45:13 | 0:45:16 | |
# I got | 0:45:17 | 0:45:21 | |
# Your letter | 0:45:21 | 0:45:25 | |
# Now they say I don't care | 0:45:26 | 0:45:28 | |
# For the colour that it paints me | 0:45:28 | 0:45:33 | |
# Trying to be so bad is bad enough | 0:45:34 | 0:45:38 | |
# Don't make me laugh by talking tough | 0:45:38 | 0:45:42 | |
# Don't put your heart out on your sleeve | 0:45:42 | 0:45:46 | |
# When your remarks are off the cuff | 0:45:46 | 0:45:49 | |
# Riot act | 0:45:49 | 0:45:51 | |
# You can read me the riot act | 0:45:51 | 0:45:55 | |
# You can make me a matter of fact | 0:45:55 | 0:45:59 | |
# Or a villain in a million | 0:45:59 | 0:46:01 | |
# A slip of the tongue is gonna keep me civilian | 0:46:01 | 0:46:05 | |
# Riot act | 0:46:05 | 0:46:07 | |
# You can read me the riot act | 0:46:08 | 0:46:11 | |
# You can make me | 0:46:12 | 0:46:13 | |
# Riot act | 0:46:21 | 0:46:23 | |
# You can read me the riot act | 0:46:23 | 0:46:27 | |
# You can read me the riot act | 0:46:27 | 0:46:31 | |
# You can read me the riot act | 0:46:31 | 0:46:34 | |
# You can read me the riot act | 0:46:34 | 0:46:38 | |
# You can read me the riot act! # | 0:46:38 | 0:46:42 | |
Yea-ea-eah! | 0:46:42 | 0:46:45 | |
# Well, you know your time has come | 0:47:22 | 0:47:26 | |
# And you're sorry for what you've done | 0:47:26 | 0:47:30 | |
# You should've never been playing with a gun | 0:47:30 | 0:47:33 | |
# In those complicated shadows | 0:47:33 | 0:47:36 | |
# Well, there's a line that you must toe | 0:47:41 | 0:47:44 | |
# And it'll soon be time to go | 0:47:44 | 0:47:48 | |
# But it's darker than you know | 0:47:49 | 0:47:52 | |
# In those complicated shadows | 0:47:52 | 0:47:54 | |
# All you gangsters and rude clowns | 0:48:00 | 0:48:03 | |
# Who were shooting up the town | 0:48:03 | 0:48:07 | |
# When you should have found | 0:48:07 | 0:48:10 | |
# Someone to put the blame on | 0:48:10 | 0:48:14 | |
# Though the fury's hot and hard | 0:48:18 | 0:48:22 | |
# I still see that cold graveyard | 0:48:22 | 0:48:26 | |
# There's a solitary stone | 0:48:26 | 0:48:29 | |
# That's got your name on | 0:48:29 | 0:48:32 | |
# You don't have to take it from me | 0:48:32 | 0:48:37 | |
# But I know of what I spake | 0:48:37 | 0:48:41 | |
# You think you're like iron and steel | 0:48:41 | 0:48:44 | |
# Iron and steel will bend and break | 0:48:44 | 0:48:48 | |
# In those complicated shadows. # | 0:48:48 | 0:48:50 | |
GOD! | 0:48:56 | 0:48:57 | |
# Sometimes justice you will find | 0:49:10 | 0:49:14 | |
# Is just dumb not colour-blind | 0:49:14 | 0:49:17 | |
# And your poor shattered mind | 0:49:17 | 0:49:21 | |
# Can't take it all in | 0:49:21 | 0:49:24 | |
# All those phantoms and their shades | 0:49:29 | 0:49:32 | |
# Should jump up on Judgement Day | 0:49:32 | 0:49:36 | |
# And say to the Almighty | 0:49:36 | 0:49:39 | |
# "I'm still stinking of sin" | 0:49:39 | 0:49:43 | |
# But the jury was dismissed | 0:49:43 | 0:49:47 | |
# They took his neck and gave it a twist | 0:49:47 | 0:49:51 | |
# So you see you won't be missed | 0:49:51 | 0:49:54 | |
# In those complicated shadows | 0:49:54 | 0:49:57 | |
# You can say just what you like | 0:50:02 | 0:50:05 | |
# In a voice like John Ford Finn | 0:50:06 | 0:50:09 | |
# But take the law into your hands | 0:50:09 | 0:50:13 | |
# You will soon get tired of killing | 0:50:13 | 0:50:16 | |
# In those complicated shadows | 0:50:16 | 0:50:19 | |
# Complicated shadows | 0:50:20 | 0:50:23 | |
# Complicated shadows | 0:50:24 | 0:50:26 | |
# Complicated shadows. # | 0:50:28 | 0:50:30 | |
Aiii! | 0:50:32 | 0:50:33 | |
# Nice girls not one with a defect | 0:51:44 | 0:51:47 | |
# Cellophane shrink-wrapped so correct | 0:51:47 | 0:51:51 | |
# Red dogs under illegal legs | 0:51:51 | 0:51:55 | |
# She looks so good that he gets down and begs | 0:51:58 | 0:52:04 | |
# She is watching the detectives | 0:52:04 | 0:52:07 | |
# Ooh, he's so cute | 0:52:08 | 0:52:11 | |
# She is watching the detectives | 0:52:11 | 0:52:15 | |
# Oh, then they shoot | 0:52:15 | 0:52:17 | |
# Shoot | 0:52:17 | 0:52:18 | |
# Shoot | 0:52:18 | 0:52:19 | |
# Shoot | 0:52:19 | 0:52:20 | |
# They beat him up until the teardrops start | 0:52:20 | 0:52:23 | |
# But he can't be wounded when he's got no heart | 0:52:24 | 0:52:28 | |
# When he's got no heart | 0:52:30 | 0:52:32 | |
# Long shot of that jumping sign | 0:52:48 | 0:52:51 | |
# Visible shivers running down my spine | 0:52:52 | 0:52:54 | |
# Cut to the baby taking off her clothes | 0:52:54 | 0:52:58 | |
# Close-up of the sign that says We Never Close | 0:52:58 | 0:53:02 | |
# You snatch a tune and match your cigarette | 0:53:02 | 0:53:06 | |
# She pulls the eyes out with a face like a magnet | 0:53:06 | 0:53:09 | |
# Don't know how much more of this I can take | 0:53:10 | 0:53:15 | |
# She's filing her nails while they're dragging the lake | 0:53:17 | 0:53:22 | |
# She is watching the detectives | 0:53:23 | 0:53:26 | |
# Ooh, he's so cute | 0:53:27 | 0:53:29 | |
# She is watching the detectives | 0:53:30 | 0:53:33 | |
# Ooh, and they shoot, shoot, shoot, shoot | 0:53:34 | 0:53:39 | |
# They beat him up until the teardrops start | 0:53:39 | 0:53:42 | |
# But he can't be wounded when he's got no heart | 0:53:42 | 0:53:47 | |
# He's got no heart | 0:53:50 | 0:53:51 | |
# You think you're alone until you realise you're in it | 0:54:07 | 0:54:10 | |
# Now fear is here to stay, love is here for a visit | 0:54:10 | 0:54:15 | |
# They call it instant justice | 0:54:15 | 0:54:16 | |
# When it's past the legal limit | 0:54:16 | 0:54:18 | |
# Someone's scratching at the window | 0:54:18 | 0:54:20 | |
# I wonder who is it | 0:54:20 | 0:54:21 | |
# The detectives come to check if you belong to the parents | 0:54:21 | 0:54:26 | |
# Who are ready to hear the worst about their daughter's disappearance | 0:54:26 | 0:54:29 | |
# It nearly took a miracle to get you to stay | 0:54:29 | 0:54:33 | |
# It only took my little fingers to blow you away | 0:54:33 | 0:54:37 | |
# Just like watching the detectives | 0:54:39 | 0:54:42 | |
# Ooh, he's so cute | 0:54:42 | 0:54:46 | |
# Just like watching the detectives | 0:54:46 | 0:54:50 | |
# I get so angry when the teardrops start | 0:54:51 | 0:54:55 | |
# But he can't be wounded when he's got no heart | 0:54:55 | 0:55:00 | |
# He's got no heart | 0:55:02 | 0:55:04 | |
# Just like watching the detectives | 0:55:07 | 0:55:11 | |
# Just like watching the detectives | 0:55:11 | 0:55:14 | |
# Just like watching the detectives. # | 0:55:15 | 0:55:18 | |
# I want to vanish | 0:56:41 | 0:56:45 | |
# This is my fondest wish | 0:56:46 | 0:56:49 | |
# To go where I cannot be captured | 0:56:51 | 0:56:56 | |
# Laid on a decorated dish | 0:56:56 | 0:57:02 | |
# Even in splendour | 0:57:02 | 0:57:05 | |
# This curious fate | 0:57:06 | 0:57:10 | |
# Is more than I care to surrender | 0:57:11 | 0:57:16 | |
# Now it's too late | 0:57:16 | 0:57:20 | |
# Whether in wonder | 0:57:21 | 0:57:26 | |
# Or indecent haste | 0:57:26 | 0:57:30 | |
# You arrange the mirrors and the spools | 0:57:31 | 0:57:37 | |
# To snare the rare and precious jewels | 0:57:37 | 0:57:42 | |
# That were only made of paste | 0:57:42 | 0:57:48 | |
# If you should stumble | 0:57:52 | 0:57:56 | |
# Upon my last remark | 0:57:56 | 0:58:01 | |
# I'm crying in the wilderness | 0:58:01 | 0:58:07 | |
# I'm trying my best to make it dark | 0:58:07 | 0:58:13 | |
# How can I tell you | 0:58:14 | 0:58:17 | |
# I'm rarer than most | 0:58:17 | 0:58:22 | |
# I'm certain as a lost dog | 0:58:23 | 0:58:28 | |
# Pondering a signpost | 0:58:29 | 0:58:33 | |
# Whether in wonder | 0:58:34 | 0:58:39 | |
# Or indecent haste | 0:58:39 | 0:58:43 | |
# You arrange the mirrors and the spools | 0:58:45 | 0:58:51 | |
# To snare the rare and precious jewels | 0:58:51 | 0:58:56 | |
# That were only made of paste | 0:58:56 | 0:59:03 | |
# I want to vanish | 0:59:07 | 0:59:11 | |
# This is my last request | 0:59:12 | 0:59:16 | |
# I've given you the awful truth | 0:59:17 | 0:59:22 | |
# Now give me my rest. # | 0:59:23 | 0:59:30 | |
Subtitles by BBC Subtitling 1996 | 0:59:36 | 0:59:40 |