
Browse content similar to Britpop at the BBC. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
In the spring of 1992, | 0:00:14 | 0:00:15 | |
Blur had embarked on their second tour of America. | 0:00:15 | 0:00:17 | |
We'd been there the previous autumn, and had been really well received. | 0:00:17 | 0:00:20 | |
But this time it was very different. | 0:00:20 | 0:00:22 | |
In short, Nirvana. Nirvana. Everywhere, Nirvana. | 0:00:22 | 0:00:25 | |
America had found a voice | 0:00:25 | 0:00:27 | |
and a face capable of expressing its anxiety and self-loathing. | 0:00:27 | 0:00:31 | |
An angelic face amongst the shopping malls. | 0:00:31 | 0:00:33 | |
If America felt like this, then the whole world had to feel | 0:00:33 | 0:00:36 | |
the same way. | 0:00:36 | 0:00:37 | |
In short, if you were in a band that was not Nirvana, | 0:00:37 | 0:00:40 | |
or a diet Nirvana, you were nothing. | 0:00:40 | 0:00:42 | |
Well, I think all that's changed now. | 0:00:42 | 0:00:44 | |
British bands are no longer embarrassed to sing about where | 0:00:44 | 0:00:46 | |
they come from. They've found their voice. | 0:00:46 | 0:00:48 | |
# She can | 0:00:57 | 0:00:58 | |
# Start | 0:01:01 | 0:01:03 | |
# To walk out | 0:01:04 | 0:01:06 | |
# When she wants | 0:01:09 | 0:01:10 | |
# Because we're young | 0:01:12 | 0:01:15 | |
# Because we're gone | 0:01:16 | 0:01:19 | |
# We'll take the tide's electric mind | 0:01:21 | 0:01:25 | |
# Oh, yeah? Oh, yeah | 0:01:25 | 0:01:30 | |
# We're so young and so gone | 0:01:30 | 0:01:36 | |
# Let's chase the dragon, oh | 0:01:38 | 0:01:44 | |
# Because we're young | 0:01:45 | 0:01:47 | |
# Because we're gone | 0:01:49 | 0:01:51 | |
# We'll scare the skies with tigers' eyes | 0:01:53 | 0:01:57 | |
# Oh, yeah? Oh, yeah | 0:01:57 | 0:02:01 | |
# We're so young and so gone | 0:02:02 | 0:02:09 | |
# Let's chase the dragon, oh | 0:02:09 | 0:02:16 | |
# Let's chase the dragon, oh | 0:02:17 | 0:02:25 | |
# Let's chase the dragon | 0:02:25 | 0:02:29 | |
# From our home | 0:02:33 | 0:02:35 | |
# High in the city | 0:02:37 | 0:02:39 | |
# Where the skyline | 0:02:41 | 0:02:45 | |
# Stained the snow | 0:02:45 | 0:02:47 | |
# I fell for a servant | 0:02:49 | 0:02:55 | |
# Who kept me on the boil | 0:02:56 | 0:03:00 | |
# Oh | 0:03:03 | 0:03:05 | |
# We're so young and so gone | 0:03:05 | 0:03:12 | |
# Let's chase the dragon, oh | 0:03:12 | 0:03:20 | |
# From our ho-o-ome | 0:03:20 | 0:03:27 | |
# From our ho-o-ome | 0:03:27 | 0:03:34 | |
# From our ho-o-ome | 0:03:35 | 0:03:43 | |
# From our ho-o-ome... # | 0:03:43 | 0:03:51 | |
Here is a brilliant indie band. Elastica, with Line Up. | 0:04:14 | 0:04:19 | |
# Drivel Head wears her glad rags | 0:04:36 | 0:04:39 | |
# She's got her keys, money and fags | 0:04:40 | 0:04:43 | |
# I know that her mind is made up | 0:04:44 | 0:04:47 | |
# To get rocked | 0:04:48 | 0:04:50 | |
# Drivel Head needs a new man | 0:04:53 | 0:04:56 | |
# As only a drivel head can | 0:04:58 | 0:05:00 | |
# He's a hormonal nightmare | 0:05:02 | 0:05:04 | |
# So beware | 0:05:05 | 0:05:07 | |
# Another victim of line up in line | 0:05:09 | 0:05:12 | |
# Line up in line is all I remember | 0:05:12 | 0:05:16 | |
# Oh, how your favours change | 0:05:19 | 0:05:22 | |
# You could have been kinder | 0:05:22 | 0:05:25 | |
# Yes, yes, line up in line | 0:05:26 | 0:05:29 | |
# Line up in line is all I remember | 0:05:29 | 0:05:33 | |
# Oh, how your favours change | 0:05:37 | 0:05:39 | |
# You could have been mine, oh | 0:05:39 | 0:05:44 | |
# Drivel Head knows all the stars | 0:06:05 | 0:06:08 | |
# Loves to suck their shining guitars | 0:06:09 | 0:06:12 | |
# They've all been right up her stairs | 0:06:13 | 0:06:17 | |
# Do you care? | 0:06:17 | 0:06:18 | |
No! | 0:06:20 | 0:06:21 | |
# Drivel Head loves all the bands | 0:06:23 | 0:06:27 | |
# Knows them like the back of her hands | 0:06:27 | 0:06:29 | |
# You can't see the wood for the trees | 0:06:31 | 0:06:34 | |
# On your knees | 0:06:34 | 0:06:36 | |
# Another victim of line up in line | 0:06:37 | 0:06:41 | |
# Line up in line is all I remember | 0:06:41 | 0:06:45 | |
# Oh, how your favours change | 0:06:48 | 0:06:51 | |
# You could have been kinder | 0:06:51 | 0:06:53 | |
# Yes, yes, line up in line | 0:06:56 | 0:06:59 | |
# Line up in line is all I remember | 0:06:59 | 0:07:01 | |
# Oh, how their favours change | 0:07:05 | 0:07:08 | |
# You could have been mine, oh. # | 0:07:08 | 0:07:13 | |
CHEERING AND APPLAUSE | 0:07:16 | 0:07:17 | |
BOTH: Pulp! | 0:07:17 | 0:07:19 | |
The new so-called Brit Pack, or whatever they call it this week... | 0:07:19 | 0:07:23 | |
-Brit Pop. -Explosion. BOOM! | 0:07:23 | 0:07:26 | |
I do think that British music is better than | 0:07:26 | 0:07:29 | |
it has been for a long time. | 0:07:29 | 0:07:30 | |
Those bands like Oasis and Blur are big bands, | 0:07:30 | 0:07:33 | |
selling out stadiums and stuff like that. | 0:07:33 | 0:07:35 | |
I'd rather have them selling out stadiums than like, my faves, | 0:07:35 | 0:07:38 | |
Wet Wet Wet. | 0:07:38 | 0:07:40 | |
# Well it happened years ago | 0:07:42 | 0:07:44 | |
# When you lived on Stanhope Road | 0:07:47 | 0:07:49 | |
# We listened to your sister | 0:07:51 | 0:07:53 | |
# When she came home from school | 0:07:53 | 0:07:55 | |
# Cos she was two years older | 0:07:57 | 0:07:59 | |
# And she had boys in her room | 0:07:59 | 0:08:02 | |
# I listened outside and heard her | 0:08:02 | 0:08:04 | |
# All right | 0:08:04 | 0:08:05 | |
# Well that was all right for a while | 0:08:12 | 0:08:14 | |
# But soon I wanted more | 0:08:15 | 0:08:18 | |
# I want to see as well as hear | 0:08:18 | 0:08:21 | |
# And so I hid inside her wardrobe | 0:08:21 | 0:08:24 | |
# And she came home round four | 0:08:24 | 0:08:26 | |
# And she was with some kid called David | 0:08:27 | 0:08:30 | |
# From the garage up the road | 0:08:30 | 0:08:33 | |
# I listened outside, I heard her | 0:08:33 | 0:08:35 | |
# All right | 0:08:35 | 0:08:36 | |
# Oh, I want to take you home | 0:08:36 | 0:08:39 | |
# I want to give you children | 0:08:40 | 0:08:43 | |
# You might be my girlfriend | 0:08:43 | 0:08:45 | |
# Yeah-yeah-yeah-yeah-yeah | 0:08:45 | 0:08:48 | |
# When I saw you next day | 0:08:55 | 0:08:57 | |
# I really couldn't tell | 0:08:58 | 0:09:00 | |
# Cos you might go and tell your mother | 0:09:00 | 0:09:03 | |
# And so you went with Neve | 0:09:05 | 0:09:07 | |
# And Neve was coming on | 0:09:07 | 0:09:09 | |
# And I thought I heard you laughing | 0:09:09 | 0:09:13 | |
# When his mum and dad were gone | 0:09:13 | 0:09:15 | |
# I listened outside, I heard you | 0:09:15 | 0:09:17 | |
# All right | 0:09:17 | 0:09:19 | |
# Oh, I want to take you home | 0:09:19 | 0:09:22 | |
# I want to give you children | 0:09:22 | 0:09:24 | |
# You might be my girlfriend | 0:09:25 | 0:09:28 | |
# Yeah-yeah-yeah-yeah-yeah | 0:09:28 | 0:09:30 | |
# I came home one day | 0:09:43 | 0:09:44 | |
# And all her things were gone | 0:09:44 | 0:09:46 | |
# I fell asleep inside | 0:09:47 | 0:09:50 | |
# I never heard her come | 0:09:50 | 0:09:53 | |
# And then she opened up her wardrobe | 0:09:53 | 0:09:56 | |
# And I had to get it on | 0:09:56 | 0:09:58 | |
# Oh, listen | 0:09:58 | 0:10:01 | |
# We were on the bed when you came home | 0:10:01 | 0:10:03 | |
# I heard you stop outside the door | 0:10:03 | 0:10:06 | |
# I know you won't believe it's true | 0:10:06 | 0:10:09 | |
# I only went with her cos she looks like you | 0:10:09 | 0:10:12 | |
# My God! | 0:10:12 | 0:10:14 | |
# Oh, I want to take you home | 0:10:14 | 0:10:17 | |
# I want to give you children | 0:10:17 | 0:10:19 | |
# You might be my girlfriend | 0:10:20 | 0:10:23 | |
# Yeah-yeah-yeah-yeah-yeah | 0:10:23 | 0:10:25 | |
# Oh | 0:10:27 | 0:10:29 | |
# Yeah-yeah-yeah-yeah-yeah | 0:10:29 | 0:10:31 | |
# Yeah-yeah-yeah-yeah-yeah | 0:10:31 | 0:10:34 | |
# Yeah-yeah-yeah-yeah-yeah | 0:10:34 | 0:10:37 | |
# Yeah-yeah-yeah-yeah-yeah. # | 0:10:37 | 0:10:42 | |
You're being hyped as the best band around at the moment. | 0:10:42 | 0:10:45 | |
-Is all the hype true? -Yeah. | 0:10:45 | 0:10:47 | |
-It is? -Uh-huh. We're the best band about today. On the planet. | 0:10:47 | 0:10:52 | |
It's a fact. | 0:10:52 | 0:10:54 | |
# Maybe I don't really want to know | 0:10:54 | 0:10:58 | |
# How your garden grows | 0:10:58 | 0:11:01 | |
# Cos I just want to fly | 0:11:01 | 0:11:04 | |
# Lately, did you ever feel the pain | 0:11:04 | 0:11:09 | |
# In the morning rain | 0:11:09 | 0:11:12 | |
# As it soaks you to the bone? | 0:11:12 | 0:11:14 | |
# Maybe I just want to fly | 0:11:16 | 0:11:18 | |
# I want to live, I don't want to die | 0:11:18 | 0:11:20 | |
# Maybe I just want to breathe | 0:11:20 | 0:11:23 | |
# Maybe I just don't believe | 0:11:23 | 0:11:26 | |
# Maybe you're the same as me | 0:11:26 | 0:11:29 | |
# We see things they'll never see | 0:11:29 | 0:11:31 | |
# You and I are gonna live forever | 0:11:31 | 0:11:35 | |
# I said maybe I don't really want to know | 0:11:38 | 0:11:44 | |
# How your garden grows | 0:11:44 | 0:11:46 | |
# Cos I just want to fly | 0:11:46 | 0:11:49 | |
# Lately, did you ever feel the pain | 0:11:49 | 0:11:53 | |
# In the morning rain | 0:11:54 | 0:11:57 | |
# As it soaks you to the bone? | 0:11:57 | 0:12:00 | |
# Maybe I will never be | 0:12:00 | 0:12:04 | |
# All the things that I want to be | 0:12:04 | 0:12:06 | |
# But now is not the time to cry | 0:12:06 | 0:12:09 | |
# Now's the time to find out why | 0:12:09 | 0:12:11 | |
# I think you're the same as me | 0:12:11 | 0:12:14 | |
# We see things they'll never see | 0:12:14 | 0:12:17 | |
# You and I are gonna live forever | 0:12:17 | 0:12:20 | |
# Maybe I don't really want to know | 0:13:09 | 0:13:13 | |
# How your garden grows | 0:13:13 | 0:13:17 | |
# Cos I just want to fly | 0:13:17 | 0:13:19 | |
# Lately, did you ever feel the pain | 0:13:19 | 0:13:24 | |
# In the morning rain | 0:13:24 | 0:13:27 | |
# As it soaks you to the bone? | 0:13:27 | 0:13:30 | |
# Maybe I just want to fly | 0:13:30 | 0:13:33 | |
# I want to live, I don't want to die | 0:13:33 | 0:13:36 | |
# Maybe I just want to breathe | 0:13:36 | 0:13:38 | |
# Maybe I just don't believe | 0:13:38 | 0:13:41 | |
# Maybe you're the same as me | 0:13:41 | 0:13:44 | |
# We see things they'll never see | 0:13:44 | 0:13:46 | |
# You and I are gonna live forever | 0:13:46 | 0:13:51 | |
# Gonna live forever. # | 0:13:53 | 0:13:56 | |
British music has started to re-establish itself. | 0:13:57 | 0:14:01 | |
It's as simple as that. It's not us on our own. | 0:14:01 | 0:14:04 | |
I think maybe we were the first people to start | 0:14:04 | 0:14:07 | |
shouting about it, but I think bands like Oasis who, | 0:14:07 | 0:14:13 | |
as far as I'm concerned, it should have been a joint thing - best band. | 0:14:13 | 0:14:16 | |
# Street's like a jungle | 0:14:40 | 0:14:42 | |
# So call the police | 0:14:43 | 0:14:45 | |
# Following the herd | 0:14:47 | 0:14:50 | |
# Down to Greece | 0:14:50 | 0:14:53 | |
# On holiday | 0:14:53 | 0:14:55 | |
# Love in the '90s | 0:14:55 | 0:14:57 | |
# Is paranoid | 0:14:59 | 0:15:01 | |
# On sunny beaches | 0:15:03 | 0:15:05 | |
# Take your chances looking for | 0:15:06 | 0:15:11 | |
# Girls who are boys Who like boys to be girls | 0:15:11 | 0:15:14 | |
# Who do boys like they're girls Who do girls like they're boys | 0:15:14 | 0:15:18 | |
# Always should be someone you really love | 0:15:18 | 0:15:25 | |
# Avoiding all work | 0:15:27 | 0:15:28 | |
# Cos there's none available | 0:15:30 | 0:15:33 | |
# I'm a battery thinker | 0:15:34 | 0:15:36 | |
# Count my thoughts | 0:15:38 | 0:15:40 | |
# On one, two, three, four, five fingers | 0:15:40 | 0:15:43 | |
# Nothing is wasted | 0:15:43 | 0:15:45 | |
# We only reproduce | 0:15:46 | 0:15:48 | |
# You'll get nasty blisters | 0:15:50 | 0:15:52 | |
# Du bist sehr schon | 0:15:54 | 0:15:56 | |
# But we haven't been introduced | 0:15:56 | 0:15:58 | |
# Girls who are boys Who like boys to be girls | 0:15:58 | 0:16:01 | |
# Who do boys like they're girls Who do girls like they're boys | 0:16:01 | 0:16:06 | |
# Always should be someone you really love | 0:16:06 | 0:16:12 | |
# Girls who are boys Who like boys to be girls | 0:16:14 | 0:16:17 | |
# Who do boys like they're girls Who do girls like they're boys | 0:16:17 | 0:16:22 | |
# Always should be someone you really love | 0:16:22 | 0:16:28 | |
# Oh, oh, oh, oh-oh-oh | 0:16:30 | 0:16:33 | |
# Oh, oh, oh, oh-oh | 0:16:33 | 0:16:36 | |
# I'm looking for | 0:16:44 | 0:16:46 | |
# Girls who are boys Who like boys to be girls | 0:16:46 | 0:16:49 | |
# Who do boys like they're girls Who do girls like they're boys | 0:16:49 | 0:16:53 | |
# Always should be someone you really love | 0:16:53 | 0:16:59 | |
Bass guitar. | 0:16:59 | 0:17:01 | |
# Girls who are boys Who like boys to be girls | 0:17:02 | 0:17:04 | |
# Who do boys like they're girls Who do girls like they're boys | 0:17:04 | 0:17:09 | |
# Always should be someone you really love | 0:17:09 | 0:17:15 | |
# Girls who are boys Who like boys to be girls | 0:17:17 | 0:17:20 | |
# Who do boys like they're girls Who do girls like they're boys | 0:17:20 | 0:17:25 | |
# Always should be someone you really love | 0:17:25 | 0:17:30 | |
# Girls who are boys Who like boys to be girls | 0:17:32 | 0:17:36 | |
# Who do boys like they're girls Who do girls like they're boys | 0:17:36 | 0:17:40 | |
# Always should be someone you really love | 0:17:40 | 0:17:46 | |
And all the girls go... | 0:17:47 | 0:17:49 | |
# Oh, oh, oh, oh-oh-oh | 0:17:49 | 0:17:52 | |
# Oh, oh, oh, oh-oh. # | 0:17:52 | 0:17:55 | |
# Oh, oh, oh, oh-oh-oh | 0:18:03 | 0:18:07 | |
# Oh, oh, oh, oh-oh... # | 0:18:08 | 0:18:10 | |
CHEERING AND APPLAUSE | 0:18:20 | 0:18:22 | |
'Louise Wener. All-action Louise. | 0:18:24 | 0:18:27 | |
'Fronts a jazz-fusion, electro punk-rock group. | 0:18:27 | 0:18:30 | |
'She sings not of tenderness and love, | 0:18:30 | 0:18:32 | |
'but of vile sexual perversions and tawdry liaisons in darkened hovels. | 0:18:32 | 0:18:36 | |
'Not of beauty and sensitivity, but of vulgarity, pestilence | 0:18:36 | 0:18:40 | |
'and sordid copulation on bean bags. | 0:18:40 | 0:18:41 | |
'Having said that, she does bake exceedingly good cakes.' | 0:18:41 | 0:18:46 | |
# She's shopping for kicks, got the weekend to get through | 0:18:46 | 0:18:48 | |
# Keeping the rain off her Saturday hairdo | 0:18:48 | 0:18:52 | |
# She stops for a coffee, she smiles at the waiter | 0:18:52 | 0:18:55 | |
# He winks at his friends and they laugh at her later | 0:18:55 | 0:18:59 | |
# He's cleaning his car on his pebble-dash driveway | 0:18:59 | 0:19:02 | |
# New chamois leather he got for his birthday | 0:19:02 | 0:19:06 | |
# He reads Harold Robbins, he flirts with his neighbour | 0:19:06 | 0:19:09 | |
# Ignores her at breakfast, he's reading the paper | 0:19:09 | 0:19:13 | |
# He dreams of a roller, she dreams of a fast getaway | 0:19:13 | 0:19:17 | |
# He's not a prince | 0:19:20 | 0:19:22 | |
# He's not a king | 0:19:22 | 0:19:24 | |
# She's not a work of art or anything | 0:19:24 | 0:19:27 | |
# It makes no sense, another year | 0:19:27 | 0:19:30 | |
# What kind of A to Z would get you here? | 0:19:30 | 0:19:34 | |
# He's nothing special | 0:19:34 | 0:19:36 | |
# She's not too smart | 0:19:36 | 0:19:38 | |
# He studies fashion | 0:19:38 | 0:19:39 | |
# She studies art | 0:19:39 | 0:19:41 | |
# I think I told you right from the start | 0:19:41 | 0:19:44 | |
# You were just my in between | 0:19:44 | 0:19:47 | |
# Just my in between | 0:19:47 | 0:19:48 | |
# You're such an in-betweener | 0:19:48 | 0:19:51 | |
# She went to the Dream Boys, got tickets from Keith Prowse | 0:20:06 | 0:20:10 | |
# She cancelled his lifelong subscription to Penthouse | 0:20:10 | 0:20:13 | |
# She goes round the corner, she sees Harry Conway | 0:20:13 | 0:20:16 | |
# She says to herself that she'll leave him on Monday | 0:20:16 | 0:20:20 | |
# He dreams of a roller, she dreams of a fast getaway | 0:20:20 | 0:20:25 | |
# He's not a prince | 0:20:27 | 0:20:28 | |
# He's not a king | 0:20:28 | 0:20:31 | |
# She's not a work of art or anything | 0:20:31 | 0:20:34 | |
# It makes no sense, another year | 0:20:34 | 0:20:38 | |
# What kind of A to Z would get you here? | 0:20:38 | 0:20:41 | |
# He's nothing special | 0:20:41 | 0:20:43 | |
# She's not too smart | 0:20:43 | 0:20:45 | |
# He studies fashion | 0:20:45 | 0:20:46 | |
# She studies art | 0:20:46 | 0:20:48 | |
# I think I told you right from the start | 0:20:48 | 0:20:52 | |
# You were just my in between | 0:20:52 | 0:20:54 | |
# Just my in between | 0:20:54 | 0:20:56 | |
He's not a prince | 0:20:56 | 0:20:57 | |
# He's not a king | 0:20:57 | 0:20:59 | |
# She's not a work of art or anything | 0:20:59 | 0:21:02 | |
# It makes no sense, another year | 0:21:02 | 0:21:06 | |
# What kind of A to Z would get you here? | 0:21:06 | 0:21:10 | |
# He's nothing special | 0:21:10 | 0:21:11 | |
# She's not too smart | 0:21:11 | 0:21:13 | |
# He doesn't listen | 0:21:13 | 0:21:15 | |
# She doesn't laugh | 0:21:15 | 0:21:16 | |
# I think I told you right from the start | 0:21:16 | 0:21:20 | |
# Now it's much too late to ask me where I've been | 0:21:20 | 0:21:24 | |
# You were just my... # | 0:21:24 | 0:21:26 | |
-# Summer's gone -Summer's gone | 0:21:35 | 0:21:37 | |
-# Days spent with the grass and sun -Grass and sun | 0:21:37 | 0:21:40 | |
-# I don't mind -I don't mind | 0:21:41 | 0:21:43 | |
# To pretend I do seems really dumb | 0:21:43 | 0:21:47 | |
# It seems really dumb | 0:21:47 | 0:21:49 | |
# I rise as the morning comes | 0:21:49 | 0:21:52 | |
# Crawling through the blinds | 0:21:52 | 0:21:55 | |
# I shouldn't be up at this time | 0:21:55 | 0:21:59 | |
# But I can't sleep with you there by my side | 0:21:59 | 0:22:04 | |
-# Wake up, it's a beautiful morning -Wake up | 0:22:04 | 0:22:07 | |
# Feel the sun shining for your eyes | 0:22:07 | 0:22:11 | |
-# Wake up, it's so beautiful -Wake up, Boo | 0:22:11 | 0:22:14 | |
# For what could be the very last time | 0:22:14 | 0:22:17 | |
-# 25 -25 | 0:22:19 | 0:22:22 | |
-# Don't recall a time I felt this alive -This alive | 0:22:22 | 0:22:26 | |
-# So wake up, Boo -Wake up | 0:22:26 | 0:22:29 | |
# There's so many thing's for us to do | 0:22:29 | 0:22:32 | |
# Things that we could do | 0:22:32 | 0:22:34 | |
# It's early so take your time | 0:22:34 | 0:22:37 | |
# Don't let me rush you, please | 0:22:37 | 0:22:40 | |
# I know I was up all night | 0:22:40 | 0:22:44 | |
# I can do anything, anything, anything | 0:22:44 | 0:22:49 | |
-# Wake up, it's a beautiful morning -Wake up | 0:22:49 | 0:22:52 | |
# Feel the sun shining for your eyes | 0:22:52 | 0:22:55 | |
-# Wake up, it's so beautiful -Wake up, Boo | 0:22:55 | 0:22:59 | |
# For what could be the very last time | 0:22:59 | 0:23:02 | |
# Wake up | 0:23:09 | 0:23:10 | |
# Wake up | 0:23:10 | 0:23:12 | |
# Wake up | 0:23:12 | 0:23:13 | |
# Wake up | 0:23:13 | 0:23:15 | |
# Wake up | 0:23:15 | 0:23:16 | |
# Wake up | 0:23:16 | 0:23:18 | |
# Wake up | 0:23:18 | 0:23:20 | |
# Wake up | 0:23:20 | 0:23:22 | |
# But you can't blame me now for the death of summer | 0:23:22 | 0:23:27 | |
# But you can't blame me now for the death of summer | 0:23:29 | 0:23:34 | |
# But you're gonna say what you wanna say | 0:23:34 | 0:23:38 | |
-# You have to put the death in everything -Thing | 0:23:38 | 0:23:44 | |
-# Wake up -Wake up, it's a beautiful morning | 0:23:50 | 0:23:55 | |
# Feel the sun shining for your eyes | 0:23:55 | 0:23:58 | |
-# Wake up -Wake up, it's so beautiful | 0:23:58 | 0:24:01 | |
# For what could be the very last time | 0:24:01 | 0:24:04 | |
-# Wake up -Wake up, it's a beautiful morning | 0:24:04 | 0:24:08 | |
# Feel the sun shining for your eyes | 0:24:08 | 0:24:11 | |
-# Wake up -Wake up, it's so beautiful | 0:24:11 | 0:24:14 | |
# For what could be the very last time | 0:24:14 | 0:24:17 | |
# Ah-ah-ah. # | 0:24:17 | 0:24:20 | |
# Caught by the fuzz | 0:24:34 | 0:24:36 | |
# Well I was still on a buzz | 0:24:36 | 0:24:38 | |
# In the back of the van | 0:24:40 | 0:24:41 | |
# With my head in my hands | 0:24:41 | 0:24:44 | |
# Just like a bad dream | 0:24:45 | 0:24:47 | |
# I was only 15 | 0:24:47 | 0:24:50 | |
# If only my brother could be here now | 0:24:50 | 0:24:53 | |
# He'd get me out, he'd sort me out all right | 0:24:53 | 0:24:56 | |
# I knew I should have stayed at home tonight | 0:24:56 | 0:25:00 | |
# Locked in the cell, feeling unwell | 0:25:03 | 0:25:07 | |
# I talked to a man | 0:25:08 | 0:25:11 | |
# He said it's better to tell | 0:25:11 | 0:25:13 | |
# Who sold you the blow? | 0:25:14 | 0:25:16 | |
# Well it was no-one I know | 0:25:16 | 0:25:19 | |
# If only you'd tell us, we'd let you go | 0:25:19 | 0:25:22 | |
# We'll make it up for you, my son, so tell us what you know | 0:25:22 | 0:25:25 | |
# We'll make you wish you'd stayed at home tonight | 0:25:25 | 0:25:29 | |
# Ooh-ah-ooh | 0:25:30 | 0:25:34 | |
# Ah-ooh | 0:25:34 | 0:25:37 | |
# Ooh-ah-ooh | 0:25:41 | 0:25:45 | |
# Ah-ooh | 0:25:45 | 0:25:49 | |
# Here comes my mum, well she | 0:25:53 | 0:25:55 | |
# Well, she, she knows what I've done | 0:25:55 | 0:25:57 | |
# Just tell them the truth | 0:25:58 | 0:26:01 | |
# You know where he's from | 0:26:01 | 0:26:03 | |
# You've blackened our name | 0:26:04 | 0:26:06 | |
# Well you, you should be ashamed | 0:26:06 | 0:26:09 | |
# If only your father could see you now | 0:26:09 | 0:26:12 | |
# He'd break down and he'd throw you out for sure | 0:26:12 | 0:26:15 | |
# I never should have let you out tonight... # | 0:26:15 | 0:26:18 | |
CHEERING AND APPLAUSE | 0:26:31 | 0:26:34 | |
# Easing through a city | 0:26:57 | 0:27:00 | |
# But we're breathing dirty ashtrays | 0:27:00 | 0:27:04 | |
# Sucking at her boots | 0:27:04 | 0:27:08 | |
# Chewing lace or hairspray | 0:27:08 | 0:27:12 | |
# Eating disco biscuits | 0:27:12 | 0:27:15 | |
# Not for me | 0:27:15 | 0:27:16 | |
# Life is depressing | 0:27:16 | 0:27:18 | |
# Changing hands like diamonds | 0:27:18 | 0:27:22 | |
# Underneath Formica table | 0:27:22 | 0:27:26 | |
# One down | 0:27:26 | 0:27:27 | |
# Melt you to the ground | 0:27:27 | 0:27:29 | |
# Can you feel your head pound | 0:27:29 | 0:27:31 | |
# Pumping to the sound | 0:27:31 | 0:27:33 | |
# Sending my regards | 0:27:33 | 0:27:35 | |
# Bloody-eyed massage | 0:27:35 | 0:27:37 | |
# Don't stray too far | 0:27:37 | 0:27:38 | |
# Don't stray too far | 0:27:38 | 0:27:40 | |
# Aphrodisiac, shrink-wrapped, pre-packed | 0:27:41 | 0:27:45 | |
# It's the racks on your back till you feel like a jack | 0:27:45 | 0:27:48 | |
# Aphrodisiac, four wraps, smoke stack | 0:27:48 | 0:27:52 | |
# Means you're so far gone that you can't crawl back | 0:27:52 | 0:27:56 | |
# Everybody in the house get back | 0:27:56 | 0:27:58 | |
# Quit hanging round like a miracle's coming | 0:28:14 | 0:28:19 | |
# Slippery black eyes | 0:28:19 | 0:28:21 | |
# Neon eyes, electric sign | 0:28:21 | 0:28:25 | |
# Scratch your smile like a flick-knife | 0:28:25 | 0:28:28 | |
# Got me feeling ultra foxy | 0:28:28 | 0:28:32 | |
# Dealing toxic pheromone | 0:28:32 | 0:28:35 | |
# Missed you, so lonely | 0:28:35 | 0:28:38 | |
# You'll be reaching up to put your shoes on | 0:28:38 | 0:28:43 | |
# One down, melted to the ground | 0:28:43 | 0:28:45 | |
# Can you feel your head bang, pumping to the sound | 0:28:45 | 0:28:49 | |
# Sending my regards | 0:28:49 | 0:28:52 | |
# Bloody eyed massage | 0:28:52 | 0:28:53 | |
# Don't stray too far | 0:28:53 | 0:28:55 | |
# Don't stray too far | 0:28:55 | 0:28:58 | |
# Aphrodisiac, shrink wrapped, pre-packed | 0:28:58 | 0:29:01 | |
# It's the racks on your back till you feel like a jack | 0:29:01 | 0:29:05 | |
# Aphrodisiac, fall out, smoke stack | 0:29:05 | 0:29:08 | |
# Means you're so far gone that you can't crawl back | 0:29:08 | 0:29:12 | |
# Everybody in the house get back | 0:29:12 | 0:29:15 | |
# So | 0:29:22 | 0:29:24 | |
# One down, melted to the ground | 0:29:38 | 0:29:41 | |
# Can you feel your head bang, pumping to the sound | 0:29:41 | 0:29:45 | |
# Sending my regards | 0:29:45 | 0:29:47 | |
# Bloody-eyed massage | 0:29:47 | 0:29:49 | |
# Don't stray too far | 0:29:49 | 0:29:51 | |
# Don't stray too far | 0:29:51 | 0:29:53 | |
# There's no holds barred | 0:29:53 | 0:29:55 | |
# Aphrodisiac, shrink-wrapped, pre-packed | 0:29:58 | 0:30:01 | |
# It's the racks on your back till you feel like a jack | 0:30:01 | 0:30:05 | |
# Aphrodisiac, four wraps, smoke stack | 0:30:05 | 0:30:08 | |
# Means you're so far gone you can't crawl back | 0:30:08 | 0:30:12 | |
# Aphrodisiac, shrink-wrapped, pre-packed | 0:30:12 | 0:30:15 | |
# It's the racks on your back till you feel like a jack | 0:30:15 | 0:30:19 | |
# Aphrodisiac, four wraps, smoke stack | 0:30:19 | 0:30:22 | |
# Means you're so far gone you can't crawl back | 0:30:22 | 0:30:26 | |
# Everybody in the house keep back. # | 0:30:26 | 0:30:30 | |
Two of Britain's most popular pop groups | 0:30:48 | 0:30:50 | |
have begun the biggest chart war in 30 years. | 0:30:50 | 0:30:53 | |
It's been described as the British heavyweight pop music championship. | 0:30:53 | 0:30:57 | |
In one corner, four young middle-class men | 0:30:57 | 0:30:59 | |
from the south of England, | 0:30:59 | 0:31:01 | |
collectively known as Blur, and in the other corner, | 0:31:01 | 0:31:03 | |
five young working-class men from Manchester called Oasis. | 0:31:03 | 0:31:07 | |
HORN HONKS | 0:31:07 | 0:31:09 | |
Hello. We're Blur, we're number one | 0:31:09 | 0:31:12 | |
and we're going to be camping it up later on Top Of The Pops. | 0:31:12 | 0:31:15 | |
CHEERING DROWNS SPEECH | 0:31:15 | 0:31:19 | |
But tonight, there's no denying Blur are top of the pops! | 0:31:19 | 0:31:23 | |
And so the story begins. | 0:31:29 | 0:31:32 | |
# City dweller, successful fella | 0:31:32 | 0:31:34 | |
# He thought to himself "Oops, I've got a lot of money" | 0:31:34 | 0:31:38 | |
# Caught in a rat race terminally | 0:31:38 | 0:31:41 | |
# I'm a professional cynic but my heart's not in it | 0:31:43 | 0:31:46 | |
# I'm paying the price of living life at the limit | 0:31:46 | 0:31:48 | |
# Caught in the century's anxiety | 0:31:48 | 0:31:52 | |
# It preys on him | 0:31:52 | 0:31:55 | |
# He's getting thin | 0:31:55 | 0:31:58 | |
# He lives in a house, a very big house in the country | 0:31:58 | 0:32:02 | |
# Watching afternoon repeats and the food he eats in the country | 0:32:03 | 0:32:08 | |
# He takes all manner of pills | 0:32:09 | 0:32:11 | |
# And piles up analyst bills in the country | 0:32:11 | 0:32:14 | |
# It's like an animal farm, lots of rural charm in the country | 0:32:14 | 0:32:18 | |
# Now he got morning glory, life's a different story | 0:32:20 | 0:32:23 | |
# Everything's going Jackanory | 0:32:23 | 0:32:26 | |
# Touched with his own mortality | 0:32:26 | 0:32:30 | |
# He's reading Balzac and knocking back the Prozac | 0:32:31 | 0:32:34 | |
# A helping hand that makes you feel wonderfully bland | 0:32:34 | 0:32:37 | |
# Oh, it's the century's remedy | 0:32:37 | 0:32:40 | |
# For the faint at heart | 0:32:40 | 0:32:44 | |
# A new start | 0:32:44 | 0:32:46 | |
# He lives in a house, a very big house in the country | 0:32:46 | 0:32:51 | |
# He's got a fog in his chest | 0:32:51 | 0:32:52 | |
# So he needs a lot of rest in the country | 0:32:52 | 0:32:56 | |
# He doesn't drink, smoke, laugh, | 0:32:56 | 0:32:59 | |
# Takes herbal baths in the country | 0:32:59 | 0:33:02 | |
# But you'll come to no harm on an animal farm in the country | 0:33:02 | 0:33:06 | |
# In the country | 0:33:08 | 0:33:11 | |
# In the country | 0:33:11 | 0:33:13 | |
# In the country-y-y | 0:33:13 | 0:33:16 | |
# Blow, blow me out | 0:33:36 | 0:33:40 | |
# I am so sad | 0:33:40 | 0:33:43 | |
# I don't know why | 0:33:43 | 0:33:46 | |
# Blow, blow me out | 0:33:48 | 0:33:51 | |
# I am so sad, I don't know why | 0:33:51 | 0:33:56 | |
# But I'm happy | 0:33:56 | 0:33:58 | |
# He lives in a house, a very big house in the country | 0:33:58 | 0:34:03 | |
# Watching afternoon repeats and the food he eats in the country | 0:34:03 | 0:34:09 | |
# He takes all manner of pills and piles up analyst bills in the country | 0:34:09 | 0:34:13 | |
# Oh, it's like an animal farm, lots of rural charm in the country | 0:34:13 | 0:34:20 | |
# Oh, he lives in a house, a very big house in the country | 0:34:20 | 0:34:25 | |
# He's got a fog in his chest | 0:34:25 | 0:34:28 | |
# So he needs a lot of rest in the country | 0:34:28 | 0:34:32 | |
# He doesn't drink, smoke, laugh, takes herbal baths in the country | 0:34:32 | 0:34:37 | |
# Yes, you'll come to no harm on the animal farm in the country | 0:34:37 | 0:34:42 | |
# La-la-la-la, la-la-la-la | 0:34:42 | 0:34:48 | |
# La-la-la-la, la-la-la-la | 0:34:48 | 0:34:51 | |
# La-la-la-la, la-la-la-la | 0:34:51 | 0:34:54 | |
# La-la-la-la... # | 0:34:54 | 0:34:57 | |
OK, prepare yourselves | 0:34:57 | 0:34:58 | |
for a sartorial Top Of The Pops experience now. | 0:34:58 | 0:35:01 | |
Having a particularly good flare day, those groovy little muckers Menswear. | 0:35:01 | 0:35:06 | |
# Bobby boy's full of bravado | 0:35:06 | 0:35:09 | |
# His girlfriend looks like Brigitte Bardot | 0:35:09 | 0:35:12 | |
# He got drunk and crashed his car | 0:35:12 | 0:35:16 | |
# He is such a superstar | 0:35:16 | 0:35:19 | |
# He's a supercharged lover | 0:35:19 | 0:35:23 | |
# Sold his soul and sold his mother | 0:35:23 | 0:35:26 | |
# For his rock 'n' roll and fame | 0:35:26 | 0:35:29 | |
# Again and again and again and again and again | 0:35:29 | 0:35:34 | |
# Bobby boy wears leather trousers | 0:35:39 | 0:35:43 | |
# They look so sexy they arouse us | 0:35:43 | 0:35:46 | |
# Travelled near and travelled far | 0:35:46 | 0:35:49 | |
# He is such a superstar | 0:35:49 | 0:35:53 | |
# He's a superhuman lover | 0:35:53 | 0:35:56 | |
# Loves himself and loves no other | 0:35:56 | 0:35:59 | |
# Just rock 'n' roll and fame | 0:35:59 | 0:36:03 | |
# Again and again and again and again and again | 0:36:03 | 0:36:08 | |
# Woo! | 0:36:08 | 0:36:10 | |
# He's a superficial... | 0:36:33 | 0:36:36 | |
# Has girls one after the other | 0:36:36 | 0:36:39 | |
# For rock 'n' roll and fame | 0:36:39 | 0:36:43 | |
# Again and again and again and again | 0:36:43 | 0:36:47 | |
# He's a supercharged lover | 0:36:47 | 0:36:50 | |
# Sold his soul and sold his mother | 0:36:50 | 0:36:53 | |
# For rock 'n' roll and fame | 0:36:53 | 0:36:56 | |
# Again and again and again and again | 0:36:56 | 0:37:00 | |
# He's a superhuman lover | 0:37:00 | 0:37:03 | |
# Loves himself and loves no other | 0:37:03 | 0:37:06 | |
# Just rock 'n' roll and fame | 0:37:06 | 0:37:09 | |
# Again and again and again and again and again | 0:37:09 | 0:37:14 | |
OK, from the chaos of Camden... | 0:37:43 | 0:37:44 | |
Don't worry, he is insured. | 0:37:47 | 0:37:49 | |
You know what it's like. | 0:37:49 | 0:37:51 | |
Being on holiday doesn't necessarily guarantee good weather, | 0:37:51 | 0:37:54 | |
so you can come down to the Winter Gardens here at the People's Palace. | 0:37:54 | 0:37:57 | |
In fact, a couple of members of Echobelly have come | 0:37:57 | 0:38:00 | |
for a bit of a chat and some tasty fruit cocktails. | 0:38:00 | 0:38:02 | |
# I wanna do great things | 0:38:05 | 0:38:08 | |
# I don't wanna compromise | 0:38:08 | 0:38:11 | |
# I wanna know what life is | 0:38:11 | 0:38:14 | |
# I wanna know everything | 0:38:14 | 0:38:18 | |
# I wanna do great things | 0:38:18 | 0:38:20 | |
# I don't wanna compromise | 0:38:20 | 0:38:23 | |
# I wanna know what love is | 0:38:23 | 0:38:26 | |
# Is it something I do to myself? | 0:38:26 | 0:38:31 | |
# All is fair in love and war | 0:38:37 | 0:38:39 | |
# Or so they say and so the saying goes | 0:38:39 | 0:38:43 | |
# But I've seen more broken hearts | 0:38:43 | 0:38:45 | |
# Than you can count the bullets in a war | 0:38:45 | 0:38:49 | |
# Oh, what do I know? | 0:38:49 | 0:38:53 | |
# There's gotta be so much I don't know | 0:38:53 | 0:38:58 | |
# I wanna do great things | 0:38:59 | 0:39:02 | |
# I don't wanna compromise | 0:39:02 | 0:39:05 | |
# I wanna know what life is | 0:39:05 | 0:39:08 | |
# I wanna know everything | 0:39:08 | 0:39:11 | |
# I wanna do great things | 0:39:11 | 0:39:14 | |
# I don't wanna compromise | 0:39:14 | 0:39:17 | |
# I wanna know what love is | 0:39:17 | 0:39:20 | |
# Is it something I do to myself? | 0:39:20 | 0:39:23 | |
# Do to myself? | 0:39:23 | 0:39:27 | |
# What is life apart from memories | 0:39:33 | 0:39:36 | |
# Or dreams and friendships we have known? | 0:39:36 | 0:39:40 | |
# And the smells and childhood tales | 0:39:40 | 0:39:42 | |
# Contemplating clothes that you have worn | 0:39:42 | 0:39:46 | |
# Oh, what do I know? | 0:39:46 | 0:39:50 | |
# There's gotta be so much I don't know | 0:39:50 | 0:39:56 | |
# I wanna do great things | 0:39:56 | 0:39:59 | |
# I don't wanna compromise | 0:39:59 | 0:40:02 | |
# I wanna know what love is | 0:40:02 | 0:40:05 | |
# Is it something I do to myself? | 0:40:05 | 0:40:09 | |
# Something I do to myself? | 0:40:09 | 0:40:13 | |
# Never wanted many things | 0:40:24 | 0:40:27 | |
# Except the chance to learn from my mistakes | 0:40:27 | 0:40:31 | |
# Funny how you never learn | 0:40:31 | 0:40:33 | |
# But know them when they come around again | 0:40:33 | 0:40:37 | |
# Oh, what do I know? | 0:40:37 | 0:40:40 | |
# There's gotta be so much I don't know | 0:40:40 | 0:40:47 | |
# I wanna do great things | 0:40:47 | 0:40:50 | |
# Don't wanna compromise | 0:40:50 | 0:40:53 | |
# I wanna know what life is | 0:40:53 | 0:40:56 | |
# I wanna know everything | 0:40:56 | 0:41:00 | |
# I wanna do great things | 0:41:00 | 0:41:02 | |
# I don't wanna compromise | 0:41:02 | 0:41:05 | |
# I wanna know what love is | 0:41:05 | 0:41:08 | |
# Is it something I do to myself? | 0:41:08 | 0:41:11 | |
# Something I do to myself? | 0:41:11 | 0:41:14 | |
# Something you do to yourself? # | 0:41:14 | 0:41:19 | |
-Oh, this is another treat. -Hello, there. What can I get for you? | 0:41:19 | 0:41:23 | |
We're here to do a signing. | 0:41:23 | 0:41:25 | |
No way. We're waiting for a Mr Cocker. You're not him, are you? | 0:41:25 | 0:41:29 | |
Yeah, that's me. | 0:41:29 | 0:41:31 | |
-Mr J Cocker? -Yeah. | 0:41:31 | 0:41:33 | |
Mr J Cocker who sings - | 0:41:33 | 0:41:35 | |
# Love lifts us up where we belong... # | 0:41:35 | 0:41:40 | |
No... | 0:41:40 | 0:41:42 | |
Who the blinking heck are you, then? | 0:41:42 | 0:41:44 | |
We're Pulp. You know, we've done a record that's been in the charts etc. | 0:41:44 | 0:41:48 | |
# We were born within an hour of each other | 0:42:09 | 0:42:11 | |
# Our mothers said we could be sister and brother | 0:42:11 | 0:42:15 | |
# Your name is Deborah, Deborah | 0:42:15 | 0:42:18 | |
# It never suited you | 0:42:18 | 0:42:20 | |
# They thought that when we grew up | 0:42:23 | 0:42:26 | |
# We'd get married and never split up | 0:42:26 | 0:42:29 | |
# Oh, we never did it | 0:42:29 | 0:42:31 | |
# Although I often thought of it | 0:42:32 | 0:42:35 | |
# Oh, Deborah, do you recall? | 0:42:35 | 0:42:38 | |
# Your house was very small | 0:42:38 | 0:42:41 | |
# With woodchip on the wall | 0:42:41 | 0:42:45 | |
# When I came round to call | 0:42:45 | 0:42:48 | |
# You didn't notice me at all | 0:42:48 | 0:42:52 | |
# And I said let's all meet up in the year 2000 | 0:42:53 | 0:42:57 | |
# Won't it be strange when we're all fully grown? | 0:42:57 | 0:43:02 | |
# Be there 2 o'clock by the fountain down the road | 0:43:02 | 0:43:07 | |
# I never knew that you'd get married | 0:43:07 | 0:43:11 | |
# I would be living down here on my own | 0:43:11 | 0:43:16 | |
# On that damp and lonely Thursday years ago | 0:43:16 | 0:43:21 | |
# You were the first girl at school to get breasts | 0:43:21 | 0:43:24 | |
# And Martin said that you were the best | 0:43:24 | 0:43:27 | |
# Oh, the boys all loved you but I was a mess | 0:43:27 | 0:43:31 | |
# I had to watch them try and get you undressed | 0:43:31 | 0:43:34 | |
# We were friends, that was as far as it went | 0:43:34 | 0:43:38 | |
# I used to walk you home sometimes but it meant | 0:43:38 | 0:43:41 | |
# Oh, it meant nothing to you | 0:43:41 | 0:43:44 | |
# Cos you were so popular | 0:43:44 | 0:43:47 | |
# Oh, Deborah, do you recall? | 0:43:47 | 0:43:50 | |
# Your house was very small | 0:43:50 | 0:43:53 | |
# With woodchip on the wall | 0:43:53 | 0:43:57 | |
# When I came round to call | 0:43:57 | 0:43:59 | |
# You didn't notice me at all | 0:43:59 | 0:44:05 | |
# And I said let's all meet up in the year 2000 | 0:44:05 | 0:44:09 | |
# Won't it be strange when we're all fully grown? | 0:44:09 | 0:44:14 | |
# Be there 2 o'clock by the fountain down the road | 0:44:14 | 0:44:20 | |
# I never knew that you'd get married | 0:44:20 | 0:44:23 | |
# I would be living down here on my own | 0:44:23 | 0:44:28 | |
# On that damp and lonely Thursday years ago | 0:44:28 | 0:44:33 | |
# Oh, yeah! | 0:44:40 | 0:44:42 | |
# Oh, yeah! | 0:44:43 | 0:44:46 | |
# Oh, Deborah, do you recall? | 0:44:46 | 0:44:48 | |
# Your house was very small | 0:44:48 | 0:44:51 | |
# With woodchip on the wall | 0:44:51 | 0:44:55 | |
# When I came round to call | 0:44:55 | 0:44:58 | |
# You didn't notice me at all | 0:44:58 | 0:45:03 | |
# And I said let's all meet up in the year 2000 | 0:45:03 | 0:45:07 | |
# Won't it be strange when we're all fully grown? | 0:45:07 | 0:45:12 | |
# Be there 2 o'clock by the fountain down the road | 0:45:12 | 0:45:17 | |
# I never knew that you'd get married | 0:45:17 | 0:45:21 | |
# I would be living down here on my own | 0:45:21 | 0:45:26 | |
# On that damp and lonely Thursday years ago | 0:45:26 | 0:45:31 | |
# What are you doing Sunday, baby? | 0:45:31 | 0:45:34 | |
# Would you like to come and meet me maybe? | 0:45:34 | 0:45:38 | |
# You could even bring your baby | 0:45:38 | 0:45:41 | |
# Ooh-oh-oh-oh-oh | 0:45:41 | 0:45:44 | |
# What are you doing Sunday, baby? | 0:45:44 | 0:45:48 | |
# Would you like to come and meet me maybe? | 0:45:48 | 0:45:52 | |
# You could even bring your baby | 0:45:52 | 0:45:55 | |
# Ooh-oh-oh-oh-oh | 0:45:55 | 0:45:58 | |
# Ooh-oh-oh. # | 0:45:58 | 0:46:01 | |
The winner of the 1996 Mercury Music Prize is... | 0:46:04 | 0:46:08 | |
..Pulp's Different Class! | 0:46:09 | 0:46:11 | |
CHEERING AND APPLAUSE | 0:46:11 | 0:46:13 | |
# With every wind | 0:46:22 | 0:46:25 | |
# I hear you sing | 0:46:25 | 0:46:28 | |
# You will be fine | 0:46:28 | 0:46:32 | |
# With every note | 0:46:33 | 0:46:36 | |
# Stuck in your throat | 0:46:36 | 0:46:39 | |
# This is your time | 0:46:39 | 0:46:44 | |
# But | 0:46:44 | 0:46:45 | |
# Everyone's just walking away from me | 0:46:45 | 0:46:48 | |
# Am I really that nasty? | 0:46:48 | 0:46:51 | |
# All the dust and the dirt affects my skin | 0:46:51 | 0:46:55 | |
# Everyone is just turning away from me | 0:46:56 | 0:47:00 | |
# Am I really that filthy? | 0:47:00 | 0:47:02 | |
# Oh, it's cold and dark so let me in | 0:47:02 | 0:47:07 | |
# Oh, yeah | 0:47:07 | 0:47:08 | |
# I'm in love with this land of plenty | 0:47:08 | 0:47:10 | |
# Full of folks that still are friendly | 0:47:10 | 0:47:14 | |
# I've lost my will but still I see some hope | 0:47:14 | 0:47:17 | |
# Give me a rope I'll take it gladly | 0:47:19 | 0:47:22 | |
# Find me a tree, make it sturdy | 0:47:22 | 0:47:25 | |
# Bye, Ma, it's my time to go | 0:47:25 | 0:47:29 | |
# Yes, this one's for the dead | 0:47:29 | 0:47:33 | |
# With every wind | 0:47:41 | 0:47:45 | |
# I hear you sing | 0:47:45 | 0:47:48 | |
# You will be fine | 0:47:48 | 0:47:52 | |
# With every note | 0:47:54 | 0:47:56 | |
# Oh, Lord, I hear you choke | 0:47:56 | 0:47:59 | |
# This is your time | 0:47:59 | 0:48:03 | |
# But | 0:48:04 | 0:48:06 | |
# Everyone's just walking away from me | 0:48:06 | 0:48:08 | |
# Am I really that nasty? | 0:48:08 | 0:48:11 | |
# All the dust and dirt affects my skin | 0:48:11 | 0:48:16 | |
# Everyone is just turning away from me | 0:48:16 | 0:48:20 | |
# Am I really that filthy? | 0:48:20 | 0:48:23 | |
# Oh, it's dark and cold so let me in | 0:48:23 | 0:48:27 | |
# Oh, yes, I'm in love with this land of plenty | 0:48:27 | 0:48:31 | |
# I'm at my best when I'm Elvis Presley | 0:48:31 | 0:48:34 | |
# I'm a world best then I see some... | 0:48:34 | 0:48:37 | |
# Now give me a rope, I'll take it gladly | 0:48:38 | 0:48:42 | |
# Find me a tree and make it snappy | 0:48:42 | 0:48:46 | |
# Bye, Ma, it's my time to go | 0:48:46 | 0:48:49 | |
# Yes, this one's for the dead | 0:48:49 | 0:48:53 | |
# Yes, this one's for the dead | 0:48:55 | 0:48:59 | |
# O-oh. # | 0:49:00 | 0:49:03 | |
The next group we've got on, well, people must love them | 0:49:14 | 0:49:17 | |
because their first record shot to number one in the charts. | 0:49:17 | 0:49:20 | |
I saw them at the weekend and they were excellent. | 0:49:20 | 0:49:23 | |
Please welcome The Bluetones. | 0:49:23 | 0:49:25 | |
# Where did you go? | 0:49:28 | 0:49:32 | |
# When things went wrong for you? | 0:49:33 | 0:49:37 | |
# When the knives came out for you? | 0:49:37 | 0:49:43 | |
# Where did you go? | 0:49:43 | 0:49:47 | |
# All you needed was a friend | 0:49:47 | 0:49:52 | |
# You just had to ask and then | 0:49:52 | 0:49:56 | |
# You don't have to have the solution | 0:49:56 | 0:49:59 | |
# You've got to understand the problem | 0:49:59 | 0:50:01 | |
# And don't go hoping for a miracle | 0:50:01 | 0:50:05 | |
# All this will fade away | 0:50:06 | 0:50:10 | |
# So I'm coming home | 0:50:11 | 0:50:16 | |
# I'm coming home | 0:50:16 | 0:50:19 | |
# What did you learn? | 0:50:21 | 0:50:24 | |
# Locked away all on your own | 0:50:25 | 0:50:30 | |
# Chance and your head all blown | 0:50:30 | 0:50:35 | |
# What did you learn? | 0:50:36 | 0:50:40 | |
# It was unfortunate | 0:50:40 | 0:50:45 | |
# You missed your chance to find out that | 0:50:45 | 0:50:49 | |
# You don't have to have the solution | 0:50:49 | 0:50:52 | |
# You've got to understand the problem | 0:50:52 | 0:50:54 | |
# And don't go hoping for a miracle | 0:50:54 | 0:50:59 | |
# All this will fade away | 0:50:59 | 0:51:03 | |
# So I'm coming home | 0:51:03 | 0:51:08 | |
# I'm coming home | 0:51:08 | 0:51:13 | |
# You don't have to have the solution | 0:51:41 | 0:51:45 | |
# You've got to understand the problem | 0:51:45 | 0:51:47 | |
# And don't go hoping for a miracle | 0:51:47 | 0:51:51 | |
# Yeah | 0:51:51 | 0:51:52 | |
# All this will fade away | 0:51:52 | 0:51:57 | |
# So I'm coming home | 0:51:57 | 0:52:00 | |
# I'm coming home | 0:52:01 | 0:52:04 | |
# Yeah | 0:52:04 | 0:52:06 | |
# I'm coming home | 0:52:06 | 0:52:10 | |
# Just for a short while. # | 0:52:11 | 0:52:15 | |
Oasis are undoubtedly the greatest rock 'n' roll band of the decade | 0:52:49 | 0:52:52 | |
and what better way for them to mark the summer | 0:52:52 | 0:52:54 | |
than a series of massive outdoor events? | 0:52:54 | 0:52:56 | |
I'm here at Knebworth Park to bask in the morning glory. | 0:52:56 | 0:53:00 | |
Just take pictures. Don't ask questions. | 0:53:00 | 0:53:02 | |
-Do you feel like you're making history? -We are making history. | 0:53:02 | 0:53:05 | |
-Definitely, yeah. -Definitely. | 0:53:05 | 0:53:07 | |
Good evening, Top Of The Pops. | 0:53:07 | 0:53:09 | |
Best band in the world, live and exclusive. It's not Blur. | 0:53:09 | 0:53:12 | |
# Slip inside the eye of your mind | 0:53:22 | 0:53:25 | |
# Don't you know you might find a better place to play? | 0:53:25 | 0:53:31 | |
# You said that you'd never been | 0:53:33 | 0:53:37 | |
# But all the things that you've seen | 0:53:37 | 0:53:41 | |
# Will slowly fade away | 0:53:41 | 0:53:43 | |
# So I start a revolution from my bed | 0:53:45 | 0:53:49 | |
# Cos you said the brains I had went to my head | 0:53:51 | 0:53:55 | |
# Step outside cos summertime's in bloom | 0:53:57 | 0:54:00 | |
# Stand up beside the fireplace | 0:54:02 | 0:54:05 | |
# Take that look from off your face | 0:54:05 | 0:54:08 | |
# You ain't ever gonna burn my heart out | 0:54:08 | 0:54:14 | |
# So Sally can wait | 0:54:20 | 0:54:24 | |
# She knows it's too late as we're walking on by | 0:54:24 | 0:54:29 | |
# Her soul slides away | 0:54:32 | 0:54:36 | |
# But don't look back in anger I heard you say | 0:54:37 | 0:54:41 | |
# Take me to the place where you go | 0:54:52 | 0:54:56 | |
# Where nobody knows if it's night or day | 0:54:56 | 0:55:02 | |
# Please don't put your life in the hands | 0:55:04 | 0:55:08 | |
# Of a rock 'n' roll band who'll throw it all away | 0:55:08 | 0:55:13 | |
# Gonna start a revolution from my bed | 0:55:16 | 0:55:20 | |
# Cos you said the brains I had went to my head | 0:55:21 | 0:55:25 | |
# Step outside cos summertime's in bloom | 0:55:28 | 0:55:31 | |
# Stand up beside the fireplace | 0:55:33 | 0:55:36 | |
# Take that look from off your face | 0:55:36 | 0:55:39 | |
# Cos you ain't ever gonna burn my heart out | 0:55:39 | 0:55:46 | |
# So Sally can wait | 0:55:51 | 0:55:55 | |
# She knows it's too late as she's walking on by | 0:55:55 | 0:56:00 | |
# My soul slides away | 0:56:02 | 0:56:06 | |
# But don't look back in anger I heard you say | 0:56:08 | 0:56:14 | |
# So Sally can wait | 0:56:49 | 0:56:54 | |
# She knows it's too late as we're walking on by | 0:56:54 | 0:56:59 | |
# The soul slides away | 0:57:01 | 0:57:05 | |
# But don't look back in anger I heard you say | 0:57:05 | 0:57:11 | |
# So Sally can wait | 0:57:12 | 0:57:17 | |
# She knows it's too late as she's walking on by | 0:57:17 | 0:57:23 | |
# My soul slides away | 0:57:24 | 0:57:29 | |
# But don't look back in anger | 0:57:29 | 0:57:33 | |
# Don't look back in anger | 0:57:33 | 0:57:36 | |
# I heard you say | 0:57:38 | 0:57:41 | |
# At least not today. # | 0:57:47 | 0:57:50 |