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-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-With a renewed interest -in traditional music... | 0:00:02 | 0:00:08 | |
-..18 performers -were invited to Fishguard... | 0:00:10 | 0:00:13 | |
-..to perform their favourite songs -and folk tunes. | 0:00:13 | 0:00:17 | |
-Traditional music has been created -over a number of years. | 0:00:19 | 0:00:24 | |
-It's been adapted -by different performers. | 0:00:24 | 0:00:27 | |
-It really is honed. | 0:00:27 | 0:00:29 | |
-Apart from being great songs, -some sound like contemporary songs. | 0:00:35 | 0:00:40 | |
-That's when I started singing -folk songs in panic, thinking... | 0:00:43 | 0:00:48 | |
-.."What if no-one recognises -these songs in 20 years' time?" | 0:00:48 | 0:00:51 | |
-That's the origin -of the recent demand... | 0:00:54 | 0:00:58 | |
-..for music created in the land -and inspired by our surroundings. | 0:00:58 | 0:01:03 | |
-What's the point in writing new -songs when such beautiful songs... | 0:01:08 | 0:01:12 | |
-..already exist in Wales? | 0:01:12 | 0:01:14 | |
-It's high time -we celebrated the tradition. | 0:01:15 | 0:01:18 | |
-Ryland Teifi | 0:01:27 | 0:01:29 | |
-The folk-singing tradition -has always been in the family. | 0:01:33 | 0:01:37 | |
-There was always a lot of singing. | 0:01:37 | 0:01:40 | |
-My parents helped found -the Cnapan folk festival. | 0:01:40 | 0:01:44 | |
-When I was growing up, all these -artists passed through the house. | 0:01:44 | 0:01:49 | |
-The Fureys, The Dubliners, -Davy Spillane... | 0:01:49 | 0:01:52 | |
-..as well as Ar Log, -Yr Hwntws, Plethyn. | 0:01:52 | 0:01:56 | |
-It was part of my background. | 0:01:57 | 0:01:59 | |
-I'm singing a song -called Rew-Di-Ranno... | 0:01:59 | 0:02:03 | |
-..Diofal Yw'r Aderyn. | 0:02:04 | 0:02:06 | |
-I chose it because... | 0:02:06 | 0:02:08 | |
-Well, like a lot of folk songs, -I remember them from my childhood. | 0:02:08 | 0:02:13 | |
-I decided to play the bouzouki -and came up with something... | 0:02:13 | 0:02:17 | |
-..that reflected -the themes of the song. | 0:02:18 | 0:02:22 | |
-# Carefree is the bird | 0:02:43 | 0:02:46 | |
-# He reaps not a single grain | 0:02:46 | 0:02:48 | |
-# Without a care in the world -He sings throughout the year | 0:02:48 | 0:02:52 | |
-# Carefree is the bird, -He reaps not a single grain | 0:02:52 | 0:02:56 | |
-# Without a care in the world -He sings throughout the year | 0:02:56 | 0:03:01 | |
-# Dimilly-dimilly-dimilly-dimilly | 0:03:03 | 0:03:05 | |
-# Dimilly-dimilly-dimilly-dimilly | 0:03:06 | 0:03:07 | |
-# Dimilly-dimilly-dimilly-dimilly | 0:03:07 | 0:03:09 | |
-# Rew-di-rew-di-ranno | 0:03:09 | 0:03:11 | |
-# Rew-di-rew-di-ranno | 0:03:11 | 0:03:13 | |
-# Without a care in the world -He sings throughout the year | 0:03:13 | 0:03:18 | |
-# He sits on the branch -Looking at his wing | 0:03:40 | 0:03:44 | |
-# Not a penny in his pocket -And he will still be merry | 0:03:45 | 0:03:48 | |
-# He sits on the branch -Looking at his wing | 0:03:49 | 0:03:52 | |
-# Not a penny in his pocket -And he will still be merry | 0:03:53 | 0:03:57 | |
-# Dimilly-dimilly-dimilly-dimilly | 0:04:00 | 0:04:01 | |
-# Dimilly-dimilly-dimilly-dimilly | 0:04:01 | 0:04:03 | |
-# Dimilly-dimilly-dimilly-dimilly | 0:04:04 | 0:04:05 | |
-# Rew-di-rew-di-ranno | 0:04:05 | 0:04:07 | |
-# Rew-di-rew-di-ranno | 0:04:08 | 0:04:09 | |
-# Not a penny in his pocket -And he will still be merry | 0:04:09 | 0:04:15 | |
-# He will eat supper tonight -Not knowing where it'll come from | 0:04:36 | 0:04:41 | |
-# That's how he lives -Leaving God to feed him | 0:04:41 | 0:04:45 | |
-# He will eat supper tonight -Not knowing where it'll come from | 0:04:45 | 0:04:49 | |
-# That's how he lives -Leaving God to feed him | 0:04:49 | 0:04:53 | |
-# Dimilly-dimilly-dimilly-dimilly | 0:04:56 | 0:04:58 | |
-# Dimilly-dimilly-dimilly-dimilly | 0:04:58 | 0:05:00 | |
-# Dimilly-dimilly-dimilly-dimilly | 0:05:00 | 0:05:02 | |
-# Rew-di-rew-di-ranno | 0:05:02 | 0:05:03 | |
-# Rew-di-rew-di-ranno | 0:05:04 | 0:05:06 | |
-# That's the way he lives -Leaving God to feed him # | 0:05:06 | 0:05:10 | |
-Gwyneth Glyn | 0:05:40 | 0:05:42 | |
-Singing folk songs is something -I've always taken for granted. | 0:05:43 | 0:05:47 | |
-I remember hearing my father, not my -mother, because she's tone deaf!... | 0:05:48 | 0:05:54 | |
-..but my father would sing... | 0:05:54 | 0:05:57 | |
-..and there were records by Plethyn -and Meic Stevens around the house. | 0:05:57 | 0:06:02 | |
-My interest -has grown over the years. | 0:06:02 | 0:06:05 | |
-I came across Lloer Dirion... | 0:06:05 | 0:06:08 | |
-..in an ancient treasure trove -of folk music called iTunes! | 0:06:09 | 0:06:15 | |
-I was searching for a song... | 0:06:17 | 0:06:19 | |
-..and I found a beautiful version -by Julie Murphy and Fernhill. | 0:06:20 | 0:06:24 | |
-I instantly fell in love with it. | 0:06:25 | 0:06:28 | |
-I decided to change it -from the minor to the major key. | 0:06:29 | 0:06:32 | |
-I sing a version of it... | 0:06:32 | 0:06:34 | |
-..that's -slightly less traumatic and dark. | 0:06:34 | 0:06:39 | |
-# Tender moon | 0:06:51 | 0:06:54 | |
-# Colour of the day | 0:06:54 | 0:06:57 | |
-# In pain and penance | 0:06:57 | 0:07:00 | |
-# In a dream I'm sombre | 0:07:00 | 0:07:03 | |
-# Through the charm of some magic | 0:07:05 | 0:07:09 | |
-# The heart is so weak | 0:07:09 | 0:07:11 | |
-# I won't live long | 0:07:12 | 0:07:15 | |
-# When I saw your face | 0:07:15 | 0:07:19 | |
-# You wounded me like a sword | 0:07:19 | 0:07:22 | |
-# I received a wound without knowing | 0:07:23 | 0:07:25 | |
-# I am set apart | 0:07:25 | 0:07:27 | |
-# Ready for my grave | 0:07:29 | 0:07:32 | |
-# O Goddess, gentle and good | 0:07:33 | 0:07:36 | |
-# Hear a wounded man | 0:07:38 | 0:07:42 | |
-# O save my life | 0:07:43 | 0:07:46 | |
-# Beautiful moon | 0:07:46 | 0:07:51 | |
-# Colour of summer | 0:07:52 | 0:07:55 | |
-# Some are intent | 0:08:20 | 0:08:24 | |
-# On the things of the world | 0:08:24 | 0:08:27 | |
-# But on the goodness -of a worthy moonlight | 0:08:27 | 0:08:31 | |
-# I set my objective -clearly and completely | 0:08:32 | 0:08:38 | |
-# If I had only you | 0:08:39 | 0:08:42 | |
-# I would say surely | 0:08:43 | 0:08:46 | |
-# That enough wealth | 0:08:49 | 0:08:51 | |
-# That enough wealth | 0:08:51 | 0:08:56 | |
-# That enough wealth | 0:08:56 | 0:09:01 | |
-# Young girl | 0:09:01 | 0:09:06 | |
-# I had # | 0:09:06 | 0:09:10 | |
-Cass and I met years ago -in a Noson 4a6 gig in Caernarfon... | 0:09:27 | 0:09:31 | |
-..where we were both performing. | 0:09:31 | 0:09:33 | |
-We got on instantly. | 0:09:34 | 0:09:35 | |
-I invited her -to play on my second album, Tonau. | 0:09:36 | 0:09:39 | |
-Her interpretation is instinctive. | 0:09:40 | 0:09:42 | |
-Next... | 0:12:30 | 0:12:32 | |
-. | 0:12:37 | 0:12:38 | |
-Subtitles | 0:12:44 | 0:12:44 | |
-Subtitles - -Subtitles | 0:12:44 | 0:12:46 | |
-The song is called -Can Dyffryn Clettwr. | 0:12:55 | 0:12:58 | |
-I first heard the song on a Julie -Murphy and Dylan Fowler's album... | 0:12:58 | 0:13:03 | |
-..called Ffawd. | 0:13:03 | 0:13:05 | |
-This was on that album. | 0:13:06 | 0:13:07 | |
-It's one of my favourite -traditional Welsh folk tunes. | 0:13:07 | 0:13:11 | |
-I've always liked it. | 0:13:12 | 0:13:15 | |
-Gareth Bonello. | 0:13:19 | 0:13:21 | |
-The story is a familiar story -for traditional Welsh music. | 0:13:21 | 0:13:26 | |
-Someone goes away to work on the sea -and longs for Wales or a lost love. | 0:13:27 | 0:13:31 | |
-That appealed to me -and the melody is wonderful. | 0:13:31 | 0:13:34 | |
-I wanted to perform my own version. | 0:13:35 | 0:13:37 | |
-I've been performing regularly -with Richard James. | 0:13:37 | 0:13:41 | |
-We perform a lot of acoustic music. | 0:13:41 | 0:13:44 | |
-It was a good opportunity -to perform a folk song together. | 0:13:44 | 0:13:48 | |
-# Yes, I spent some happy times | 0:13:58 | 0:14:03 | |
-# In the school in Llw'r Dwen | 0:14:04 | 0:14:11 | |
-# And by following the fishermen | 0:14:11 | 0:14:17 | |
-# Along the River Clettwr | 0:14:18 | 0:14:24 | |
-# I opposed the academics | 0:14:32 | 0:14:38 | |
-# I became a prodigal son | 0:14:38 | 0:14:45 | |
-# I became an unwed sailor | 0:14:45 | 0:14:52 | |
-# Far from Dyffryn Clettwr | 0:14:52 | 0:14:57 | |
-# On the first night, -heading to Bristol | 0:15:05 | 0:15:12 | |
-# Sailing on the rough seas | 0:15:12 | 0:15:19 | |
-# I shouted at choppy waters | 0:15:19 | 0:15:26 | |
-# "Return me to Dyffryn Clettwr" | 0:15:26 | 0:15:32 | |
-# The strong winds -became a gentle breeze | 0:16:11 | 0:16:18 | |
-# The rough waves gave way -to a calm sea | 0:16:18 | 0:16:25 | |
-# The sailor felt such a longing | 0:16:25 | 0:16:32 | |
-# To return to Dyffryn Clettwr | 0:16:32 | 0:16:38 | |
-# I am fond of old friends | 0:16:45 | 0:16:51 | |
-# Jams Y Fadfa and John Blaen'lawon | 0:16:52 | 0:16:59 | |
-# Sianco the blacksmith -and Twm the hewer | 0:16:59 | 0:17:05 | |
-# All live in Dyffryn Clettwr | 0:17:05 | 0:17:11 | |
-# The faithful sailor | 0:17:18 | 0:17:24 | |
-# Wanted to return -from foreign climes | 0:17:25 | 0:17:31 | |
-# Faster than the strongest winds | 0:17:32 | 0:17:38 | |
-# To return to Dyffryn Clettwr | 0:17:38 | 0:17:44 | |
-# He roamed across green meadows | 0:17:52 | 0:17:58 | |
-# And embraced women fair and pure | 0:17:58 | 0:18:05 | |
-# But the sailor would always choose | 0:18:05 | 0:18:11 | |
-# A pure woman from Dyffryn Clettwr | 0:18:12 | 0:18:17 | |
-# A pure woman -from Dyffryn Clettwr # | 0:18:19 | 0:18:26 | |
-We've been performing together -for around seven years. | 0:18:35 | 0:18:39 | |
-I was 13 when we met. | 0:18:39 | 0:18:41 | |
-I was 19 or 20! | 0:18:41 | 0:18:44 | |
-That was weird - -playing with a young boy. | 0:18:44 | 0:18:49 | |
-Angharad Jenkins. | 0:18:53 | 0:18:54 | |
-Patrick Rimes. | 0:18:55 | 0:18:56 | |
-We're two members of the band Calan. | 0:18:57 | 0:18:59 | |
-We've started performing -more music together, as a duet. | 0:18:59 | 0:19:04 | |
-It's nice being able to concentrate -on the two violins. | 0:19:04 | 0:19:08 | |
-I'm really enjoying it. | 0:19:08 | 0:19:10 | |
-The experience of performing -with the same person for so long... | 0:19:10 | 0:19:15 | |
-..has helped us both -adapt our style. | 0:19:15 | 0:19:19 | |
-We perform quite well together now. | 0:19:20 | 0:19:23 | |
-When I was young, -I always listened to folk music... | 0:22:53 | 0:22:58 | |
-..and traditional Welsh music... | 0:22:58 | 0:23:01 | |
-..from being -at the eisteddfod and at school. | 0:23:02 | 0:23:06 | |
-Then I heard Gwyneth Glyn's music... | 0:23:07 | 0:23:09 | |
-..which inspired me -to write my own music. | 0:23:09 | 0:23:14 | |
-Kizzy Crawford | 0:23:18 | 0:23:19 | |
-I'm singing Dafydd Y Garreg Wen. | 0:23:21 | 0:23:24 | |
-I learnt this song from -listening to a CD of Welsh music... | 0:23:24 | 0:23:29 | |
-..which included -Bryn Terfel's version. | 0:23:30 | 0:23:32 | |
-I love the way Bryn uses the words -and brings emotion to the song. | 0:23:33 | 0:23:38 | |
-That's why I chose the song. | 0:23:38 | 0:23:40 | |
-I wanted to create the same effect -with me singing it... | 0:23:43 | 0:23:49 | |
-..if that's possible. | 0:23:49 | 0:23:51 | |
-# Bring me my harp -was David's sad sigh | 0:24:13 | 0:24:23 | |
-# I would play -one more tune before I die | 0:24:23 | 0:24:32 | |
-# Help me, dear wife, -put the hands to the strings | 0:24:33 | 0:24:41 | |
-# I wish my loved ones -the blessing God brings | 0:24:42 | 0:24:52 | |
-# Last night an angel -called with heaven's breath | 0:24:55 | 0:25:04 | |
-# David, play, -and come through the gates of death | 0:25:05 | 0:25:13 | |
-# Farewell, faithful harp, -farewell to your strings | 0:25:14 | 0:25:23 | |
-# I wish my loved ones -the blessing God brings | 0:25:24 | 0:25:34 | |
-# Bring me my harp -was David's sad sigh | 0:25:50 | 0:25:59 | |
-# I would play -one more tune before I die | 0:26:00 | 0:26:06 | |
-# Help me, dear wife, -put the hands to the strings | 0:26:07 | 0:26:15 | |
-# I wish my loved ones -the blessing God brings | 0:26:16 | 0:26:24 | |
-# Last night an angel -called with heaven's breath | 0:26:26 | 0:26:34 | |
-# David, play, -and come through the gates of death | 0:26:34 | 0:26:42 | |
-# Farewell, faithful harp, -farewell to your strings | 0:26:43 | 0:26:51 | |
-# I wish my loved ones -the blessing God brings | 0:26:51 | 0:27:00 | |
-# I wish my loved ones -the blessing God brings # | 0:27:08 | 0:27:21 | |
-Next... | 0:27:25 | 0:27:27 | |
-. | 0:27:33 | 0:27:33 | |
-Subtitles | 0:27:39 | 0:27:39 | |
-Subtitles - -Subtitles | 0:27:39 | 0:27:41 | |
-I've always enjoyed -playing the guitar. | 0:27:49 | 0:27:52 | |
-I've started playing -more acoustic guitar music. | 0:27:52 | 0:27:57 | |
-I took a keen interest in picking -the strings as opposed to strumming. | 0:27:57 | 0:28:02 | |
-I started looking for inspiration. | 0:28:02 | 0:28:05 | |
-I found Bob Dylan, Martin Carthy and -all the performers from the '60s. | 0:28:05 | 0:28:10 | |
-Bert Jansch, -John Renbourn, John Fahey. | 0:28:10 | 0:28:14 | |
-I've been enchanted -ever since I heard them perform. | 0:28:15 | 0:28:19 | |
-I enjoy playing the guitar. | 0:28:20 | 0:28:23 | |
-There's something about folk tunes -that suits my voice and personality. | 0:28:23 | 0:28:28 | |
-I'm very comfortable -performing folk music. | 0:28:28 | 0:28:31 | |
-The song is called Gwen Lliw'r Lili. | 0:28:31 | 0:28:34 | |
-I found the song in a collection -of Maria Jane Williams's songs. | 0:28:35 | 0:28:40 | |
-It was published -in the 1838 Eisteddfod. | 0:28:41 | 0:28:43 | |
-Many traditional Welsh songs, -such as Bugeilio'r Gwenith Gwyn... | 0:28:43 | 0:28:48 | |
-..are part of that collection. | 0:28:48 | 0:28:50 | |
-I haven't heard anyone -sing this one before. | 0:28:51 | 0:28:54 | |
-# Good day to lilywhite Gwen | 0:29:34 | 0:29:39 | |
-# Today, I happened to see you | 0:29:39 | 0:29:43 | |
-# You are the one I desire the most | 0:29:43 | 0:29:48 | |
-# From all the women of the world | 0:29:48 | 0:29:52 | |
-# Where are the promises | 0:29:53 | 0:29:57 | |
-# And the love -that was once between us? | 0:29:58 | 0:30:01 | |
-# Expressed to me was the colour | 0:30:03 | 0:30:07 | |
-# Of the star that shone above | 0:30:07 | 0:30:11 | |
-# The cuckoo is in full voice | 0:30:22 | 0:30:26 | |
-# It can be heard across the meadows | 0:30:27 | 0:30:31 | |
-# Happiness all around us | 0:30:31 | 0:30:36 | |
-# On this fine summer's day | 0:30:36 | 0:30:40 | |
-# Poetry in lush green fields | 0:30:41 | 0:30:45 | |
-# The land will always inspire | 0:30:45 | 0:30:50 | |
-# Stories of happiness in our lives | 0:30:50 | 0:30:54 | |
-# The sweet melody of song # | 0:30:55 | 0:31:00 | |
-I started on the piano -playing pop songs. | 0:31:48 | 0:31:50 | |
-In my day, when I was a kid, -there was Rod Stewart and Leo Sayer. | 0:31:50 | 0:31:55 | |
-I learned to play by ear, by hearing -the melodies and playing them. | 0:31:56 | 0:32:01 | |
-I couldn't read music. | 0:32:01 | 0:32:03 | |
-Bernard KilBride | 0:32:07 | 0:32:09 | |
-My parents both played, -my dad played fiddle. | 0:32:09 | 0:32:12 | |
-My mother played accordion. | 0:32:12 | 0:32:14 | |
-As we grew up, there was -always folk music in the house. | 0:32:15 | 0:32:19 | |
-The house was full on instruments. | 0:32:19 | 0:32:22 | |
-Instead of playing with Lego, -we picked up instruments and played. | 0:32:22 | 0:32:26 | |
-It's in the blood. | 0:32:28 | 0:32:30 | |
-I don't usually perform -other people's songs. | 0:34:25 | 0:34:30 | |
-This was a challenge for me. | 0:34:30 | 0:34:32 | |
-Richard James. | 0:34:38 | 0:34:40 | |
-The song is called Y Bachgen Main. | 0:34:40 | 0:34:42 | |
-I found it in a book, a collection -of songs chosen by Roy Saer... | 0:34:42 | 0:34:49 | |
-..in 1994. | 0:34:49 | 0:34:52 | |
-Gareth Bonello taught me the song. | 0:34:54 | 0:34:58 | |
-It's a song about a young man. | 0:34:58 | 0:35:01 | |
-His lover's mother -doesn't want her daughter... | 0:35:01 | 0:35:04 | |
-..to be with him because he's poor. | 0:35:05 | 0:35:07 | |
-It's all about -how that relationship plays out. | 0:35:07 | 0:35:12 | |
-# As I was walking in the winter | 0:35:22 | 0:35:26 | |
-# It was Tuesday, -the last of the year | 0:35:26 | 0:35:30 | |
-# In the quiet woods, in a low place | 0:35:31 | 0:35:35 | |
-# I heard two women talking there | 0:35:35 | 0:35:39 | |
-# And as I approached them -much closer | 0:35:40 | 0:35:44 | |
-# And as by that place drew near | 0:35:44 | 0:35:48 | |
-# Who was it talking, there together | 0:35:48 | 0:35:53 | |
-# With her mother was my own dear | 0:35:53 | 0:35:57 | |
-# Dear daughter, here you are | 0:36:07 | 0:36:11 | |
-# With me, your hands free | 0:36:11 | 0:36:16 | |
-# Pure of beauty and attractive | 0:36:16 | 0:36:20 | |
-# I am going to find you a lover | 0:36:20 | 0:36:24 | |
-# Mount the horse, my girl | 0:36:24 | 0:36:28 | |
-# A respectable man to find | 0:36:28 | 0:36:33 | |
-# And worldly goods of yellow gold | 0:36:33 | 0:36:37 | |
-# And shining silver shall be yours | 0:36:37 | 0:36:41 | |
-# If I should have -all silks of India | 0:36:51 | 0:36:55 | |
-# Persian satins and gold of Peru | 0:36:55 | 0:36:59 | |
-# I'd still like the boy -of my choosing | 0:36:59 | 0:37:04 | |
-# And I wish to remain true | 0:37:04 | 0:37:08 | |
-# If that 'tis your intention | 0:37:08 | 0:37:12 | |
-# You can lie on a bed of thorns | 0:37:12 | 0:37:16 | |
-# Believe me, -my words will grow bitter | 0:37:17 | 0:37:21 | |
-# If you go with the slender lad | 0:37:21 | 0:37:25 | |
-# With the slender lad -I'll surely wander | 0:37:35 | 0:37:39 | |
-# I will tell you what is true | 0:37:39 | 0:37:43 | |
-# I will leave the rest to misers | 0:37:44 | 0:37:48 | |
-# I will venture -with the flower of my youth | 0:37:48 | 0:37:52 | |
-# For his face -and hair's the fairest | 0:37:52 | 0:37:56 | |
-# On his cheeks the roses charm | 0:37:56 | 0:38:00 | |
-# Oh, blessed is the girl | 0:38:00 | 0:38:04 | |
-# Who will be sleeping in his arms | 0:38:05 | 0:38:09 | |
-# My lover sailed across the seas | 0:38:19 | 0:38:23 | |
-# And left me on the shore | 0:38:23 | 0:38:27 | |
-# The good Lord gave him -safe passage | 0:38:27 | 0:38:31 | |
-# As he went on his way | 0:38:31 | 0:38:36 | |
-# I won't cry or fret for him | 0:38:36 | 0:38:39 | |
-# No tears as he goes | 0:38:40 | 0:38:44 | |
-# If he one day returns to me | 0:38:44 | 0:38:48 | |
-# I will be waiting for him | 0:38:48 | 0:38:53 | |
-# In his handwriting, -I received a letter | 0:39:02 | 0:39:06 | |
-# On its back a seal of wax | 0:39:07 | 0:39:11 | |
-# Nothing would break my heart more | 0:39:11 | 0:39:15 | |
-# But I read it day and night | 0:39:15 | 0:39:19 | |
-# At the bottom, three letters | 0:39:19 | 0:39:23 | |
-# That took away my hopes and dreams | 0:39:23 | 0:39:27 | |
-# He will never return to see me | 0:39:28 | 0:39:32 | |
-# These will send me to his grave # | 0:39:32 | 0:39:36 | |
-Next... | 0:39:57 | 0:39:59 | |
-. | 0:40:05 | 0:40:05 | |
-Subtitles | 0:40:11 | 0:40:11 | |
-Subtitles - -Subtitles | 0:40:11 | 0:40:13 | |
-Traditional music has been created -over a number of years. | 0:40:20 | 0:40:24 | |
-It's been adapted -by different performers. | 0:40:25 | 0:40:28 | |
-It really is honed. | 0:40:28 | 0:40:31 | |
-It's been crafted -by a community of musicians. | 0:40:33 | 0:40:38 | |
-The songs haven't been written -by just one person. | 0:40:38 | 0:40:41 | |
-Katell Keineg. | 0:40:46 | 0:40:48 | |
-I've chosen -Ym Mhontypridd Mae 'Nghariad. | 0:40:48 | 0:40:51 | |
-I first heard it -on the Edward H album... | 0:40:52 | 0:40:55 | |
-..Hen Ffordd Gymreig o Fyw. | 0:40:55 | 0:40:58 | |
-I was a pupil at Ysgol Rhydfelen, -just outside Pontypridd. | 0:40:58 | 0:41:04 | |
-It was nice to hear a traditional -song written about my locality. | 0:41:05 | 0:41:11 | |
-It's a romantic song. | 0:41:11 | 0:41:14 | |
-I used to imagine a farm -by the river Taff. | 0:41:14 | 0:41:19 | |
-I like Edward H's version. | 0:41:22 | 0:41:25 | |
-I've always wanted to sing it -and now I have. | 0:41:26 | 0:41:29 | |
-I've tried to whistle -the Edward H guitar solo... | 0:41:29 | 0:41:33 | |
-..since I can't play the solo. | 0:41:33 | 0:41:36 | |
-This is my homage to them. | 0:41:36 | 0:41:39 | |
-# My lover is in Pontypridd | 0:41:50 | 0:41:55 | |
-# My intention is in Pontypridd | 0:41:55 | 0:42:01 | |
-# A young man lives in Pontypridd | 0:42:01 | 0:42:06 | |
-# I wish to take him -before the priest | 0:42:07 | 0:42:12 | |
-# I'll spend today one shilling | 0:42:33 | 0:42:38 | |
-# I'll spend tomorrow two shillings | 0:42:38 | 0:42:43 | |
-# And before I lose -his mother's son | 0:42:44 | 0:42:48 | |
-# I'll try for the three shillings | 0:42:49 | 0:42:54 | |
-# I have heard many songs | 0:43:16 | 0:43:21 | |
-# I have seen many intentions | 0:43:21 | 0:43:27 | |
-# I have seen many pure young men | 0:43:27 | 0:43:32 | |
-# But none as pure as my love | 0:43:32 | 0:43:38 | |
-# My cottage is near the river | 0:44:03 | 0:44:08 | |
-# I have dairy cattle | 0:44:08 | 0:44:14 | |
-# I have a farm on the banks -of the Taff | 0:44:14 | 0:44:19 | |
-# Oh, come to me, my love # | 0:44:19 | 0:44:28 | |
-I started off with Irish music... | 0:44:34 | 0:44:37 | |
-..but I was interested... | 0:44:37 | 0:44:41 | |
-..in finding out -what Welsh music had to offer. | 0:44:41 | 0:44:45 | |
-Oliver Wilson-Dickson | 0:44:50 | 0:44:52 | |
-I've realized... | 0:44:53 | 0:44:55 | |
-..that there are -many beautiful melodies... | 0:44:55 | 0:45:02 | |
-..in the Welsh tradition. | 0:45:02 | 0:45:04 | |
-I started from there. | 0:45:04 | 0:45:07 | |
-Gwenan Gibbard. | 0:48:06 | 0:48:08 | |
-I've chosen to perform -Adar Man y Mynydd. | 0:48:08 | 0:48:11 | |
-It's a song -from the Ffestiniog area... | 0:48:12 | 0:48:14 | |
-..that was chronicled at -the beginning of the 20th century... | 0:48:15 | 0:48:20 | |
-..by John Morris. | 0:48:21 | 0:48:22 | |
-In the song, -a bird is sent as a messenger. | 0:48:22 | 0:48:26 | |
-I'm very fond of the song. -I've been singing it for many years. | 0:48:26 | 0:48:30 | |
-I'm glad I can sing it for you. | 0:48:30 | 0:48:32 | |
-# The nightingale and the lark | 0:48:37 | 0:48:42 | |
-# And the little birds -of the mountain | 0:48:42 | 0:48:47 | |
-# Will you carry a message -to a fair one | 0:48:47 | 0:48:54 | |
-# Who is suffering some new fever? | 0:48:55 | 0:49:02 | |
-# I have no gifts | 0:49:07 | 0:49:12 | |
-# Or expensive jewels to send | 0:49:12 | 0:49:17 | |
-# To bring to mind -the one who loves you | 0:49:18 | 0:49:24 | |
-# Just a pair of white gloves | 0:49:25 | 0:49:31 | |
-# The little birds departed | 0:49:33 | 0:49:37 | |
-# They flew on their long journey | 0:49:37 | 0:49:42 | |
-# And beside Gwen's bed | 0:49:42 | 0:49:48 | |
-# They sang high up on a branch | 0:49:48 | 0:49:55 | |
-# Fair Gwen said | 0:49:57 | 0:50:03 | |
-# "What is that bird? | 0:50:04 | 0:50:09 | |
-# "That sings so sweetly | 0:50:09 | 0:50:16 | |
-# "And I'm so weak" | 0:50:16 | 0:50:24 | |
-# "Truly, we are messengers | 0:50:29 | 0:50:33 | |
-# "From the one who loves you | 0:50:34 | 0:50:39 | |
-# "He wants to know how you are | 0:50:39 | 0:50:44 | |
-# "And whether you -are getting better" | 0:50:44 | 0:50:52 | |
-# "Oh, tell him quietly | 0:51:36 | 0:51:41 | |
-# "That I will not live long | 0:51:41 | 0:51:47 | |
-# "Before the end of summer, sadly | 0:51:47 | 0:51:54 | |
-# "I'll be buried in the earth" # | 0:51:55 | 0:52:05 | |
-Next... | 0:52:22 | 0:52:24 | |
-. | 0:52:29 | 0:52:30 | |
-Subtitles | 0:52:36 | 0:52:36 | |
-Subtitles - -Subtitles | 0:52:36 | 0:52:38 | |
-Huw and I have known each other -for over 30 years. | 0:52:47 | 0:52:51 | |
-Huw Roberts | 0:52:54 | 0:52:56 | |
-Huw Roberts - -Stephen Rees | 0:52:56 | 0:52:57 | |
-It was 1996-1997 -that we came together... | 0:52:58 | 0:53:01 | |
-..to record a duet for the Ffidil CD -which was released in 1997. | 0:53:01 | 0:53:06 | |
-We've played together since then... | 0:53:06 | 0:53:09 | |
-..and we somehow -complement each other. | 0:53:09 | 0:53:12 | |
-I'm very fond of simple melodies... | 0:53:12 | 0:53:17 | |
-..with a limited range at times. | 0:53:17 | 0:53:20 | |
-It gives more scope -to develop harmonies. | 0:53:20 | 0:53:23 | |
-Usually I play harmonies underneath -the melody, which Huw usually plays. | 0:53:24 | 0:53:29 | |
-History interests me a great deal. | 0:56:53 | 0:56:55 | |
-So does music. | 0:56:56 | 0:56:57 | |
-Those two interests -are entwined in old songs. | 0:56:58 | 0:57:01 | |
-Gwilym Bowen | 0:57:05 | 0:57:07 | |
-I've decided -to sing a song called Dod Dy Law. | 0:57:07 | 0:57:11 | |
-It's a perfect example -of a folk song. | 0:57:11 | 0:57:14 | |
-It's a combination -of a simple, memorable melody... | 0:57:14 | 0:57:18 | |
-..with great lyrics. | 0:57:18 | 0:57:20 | |
-The words don't lend themselves -to a particular time in history. | 0:57:20 | 0:57:25 | |
-There's no reference to herding oxen -and things like that. | 0:57:25 | 0:57:29 | |
-It's completely contemporary. | 0:57:30 | 0:57:32 | |
-# Place your hand lest you believe | 0:57:32 | 0:57:38 | |
-# On my breast without hurting me | 0:57:39 | 0:57:45 | |
-# If you listen you may hear | 0:57:45 | 0:57:50 | |
-# The sound -of my little heart breaking | 0:57:51 | 0:57:57 | |
-# Wind on the sea -and sun on the mountain | 0:57:59 | 0:58:04 | |
-# Grey stones in place of woods | 0:58:05 | 0:58:11 | |
-# Seagulls in place of people | 0:58:11 | 0:58:17 | |
-# Oh, God, must you break my heart | 0:58:17 | 0:58:23 | |
-# Heavy the lead, heavy the stones | 0:58:25 | 0:58:31 | |
-# Heavy is the heart -of all lonely people | 0:58:32 | 0:58:37 | |
-# Heaviest of all twixt sun and moon | 0:58:38 | 0:58:43 | |
-# Is bidding farewell -where there is love | 0:58:44 | 0:58:50 | |
-# Oh, my dearest, take a reed | 0:58:52 | 0:58:57 | |
-# And hold it at both ends | 0:58:58 | 0:59:04 | |
-# Break it in half | 0:59:04 | 0:59:09 | |
-# Just as you broke my heart # | 0:59:10 | 0:59:18 | |
-Lowri Evans | 0:59:28 | 0:59:30 | |
-I started singing -at the age of seven. | 0:59:31 | 0:59:34 | |
-I competed in eisteddfodau for -many years singing solos, duets... | 0:59:34 | 0:59:39 | |
-..and folk songs, of course. | 0:59:39 | 0:59:42 | |
-I loved singing folk songs... | 0:59:42 | 0:59:45 | |
-..because you were given -the first note and off you went. | 0:59:45 | 0:59:48 | |
-Hopefully you kept in tune. | 0:59:49 | 0:59:50 | |
-The song is called Tra Bo Dau and -I remember singing it as a child. | 0:59:51 | 0:59:55 | |
-Folk songs were usually sung -a cappella when I was younger. | 0:59:56 | 1:00:00 | |
-I think the Americana country style -has crept into this version. | 1:00:03 | 1:00:08 | |
-It's simplified and more acoustic. | 1:00:09 | 1:00:12 | |
-It's sung in a country style. | 1:00:13 | 1:00:16 | |
-It's a song of longing, -full of love and romance. | 1:00:17 | 1:00:20 | |
-It's a sad song -and I feel sad when I sing it. | 1:00:21 | 1:00:24 | |
-It's called Tra Bo Dau, -While There Are Two. | 1:00:25 | 1:00:29 | |
-Of course, -life isn't like that all the time. | 1:00:29 | 1:00:34 | |
-Sometimes it becomes -While There's One. | 1:00:35 | 1:00:38 | |
-# The one who loves my heart | 1:00:50 | 1:00:56 | |
-# Lives far from here | 1:00:57 | 1:01:03 | |
-# And longing to see her | 1:01:04 | 1:01:10 | |
-# Made my colour grey | 1:01:11 | 1:01:17 | |
-# Wealth is but a vanity | 1:01:23 | 1:01:28 | |
-# Purity does not last | 1:01:30 | 1:01:35 | |
-# But the pure love like steel | 1:01:35 | 1:01:42 | |
-# Lasts while there are two | 1:01:42 | 1:01:49 | |
-# From the beautiful choice -that I chose | 1:01:53 | 1:01:59 | |
-# My choice was a pure lass | 1:02:00 | 1:02:06 | |
-# And before I'll regret it | 1:02:07 | 1:02:13 | |
-# The fire will freeze | 1:02:14 | 1:02:20 | |
-# Wealth is but a vanity | 1:02:26 | 1:02:30 | |
-# Purity does not last | 1:02:32 | 1:02:37 | |
-# But the pure love like steel | 1:02:38 | 1:02:44 | |
-# Lasts while there are two | 1:02:45 | 1:02:50 | |
-# My love is over the sea | 1:03:25 | 1:03:31 | |
-# I hope that she is well | 1:03:32 | 1:03:38 | |
-# I love the land where she walks | 1:03:39 | 1:03:45 | |
-# From the core of my little heart | 1:03:46 | 1:03:52 | |
-# Wealth is but a vanity | 1:03:58 | 1:04:02 | |
-# Purity doesn't last | 1:04:05 | 1:04:10 | |
-# But the pure love like steel | 1:04:10 | 1:04:16 | |
-# Lasts while there are two | 1:04:17 | 1:04:27 | |
-# Lasts while there are two # | 1:04:28 | 1:04:39 | |
-Next... | 1:05:01 | 1:05:03 | |
-. | 1:05:09 | 1:05:09 | |
-Subtitles | 1:05:15 | 1:05:15 | |
-Subtitles - -Subtitles | 1:05:15 | 1:05:17 | |
-The melody I've chosen today -isn't a rhythmic piece. | 1:05:23 | 1:05:27 | |
-It's a melody to be sung. | 1:05:27 | 1:05:30 | |
-Stephen Rees | 1:05:34 | 1:05:36 | |
-This song blends in two parts into -an old version of Triban Morgannwg. | 1:05:36 | 1:05:41 | |
-Famous poetry has been set to this -music by Iolo Morgannwg himself. | 1:05:41 | 1:05:47 | |
-I might be a little sentimental... | 1:05:47 | 1:05:50 | |
-..but at the beginning -of the 19th century... | 1:05:50 | 1:05:53 | |
-..Iolo returned from London -to the Vale of Glamorgan. | 1:05:53 | 1:05:57 | |
-He writes that this poem embodies -the feelings of returning home. | 1:05:57 | 1:06:02 | |
-He then -sets about writing another verse... | 1:06:02 | 1:06:05 | |
-..expressing the feeling -of returning home... | 1:06:05 | 1:06:09 | |
-..meeting old friends -and visiting childhood haunts. | 1:06:09 | 1:06:14 | |
-# I see the sea in Amlwch | 1:06:22 | 1:06:27 | |
-# I see the Vale of Glamorgan | 1:06:31 | 1:06:35 | |
-# I'd swap the waves -for a small cottage | 1:06:36 | 1:06:40 | |
-# For a small cottage | 1:06:43 | 1:06:45 | |
-# And healthy I shall be | 1:06:48 | 1:06:53 | |
-# I see the sea in Amlwch | 1:06:57 | 1:07:02 | |
-# I see the Vale of Glamorgan | 1:07:06 | 1:07:11 | |
-# I'd swap the waves -for a little cottage | 1:07:15 | 1:07:20 | |
-# And healthy I shall be | 1:07:20 | 1:07:25 | |
-# And healthy I shall be | 1:07:27 | 1:07:33 | |
-# I'll meet with old friends | 1:07:40 | 1:07:44 | |
-# I'll wander the delightful dunes | 1:07:49 | 1:07:53 | |
-# Where I played as a boy | 1:07:53 | 1:07:58 | |
-# As a boy | 1:08:01 | 1:08:03 | |
-# How happy I shall be | 1:08:05 | 1:08:11 | |
-# I'll meet with old friends | 1:08:15 | 1:08:20 | |
-# I'll wander the delightful dunes | 1:08:24 | 1:08:29 | |
-# Where I played as a boy | 1:08:33 | 1:08:38 | |
-# How happy I shall be | 1:08:38 | 1:08:42 | |
-# How happy I shall be # | 1:08:44 | 1:08:51 | |
-I always used to sing -and get on everyone nerves. | 1:09:03 | 1:09:07 | |
-My family and friends would say, -"There's something wrong with her." | 1:09:07 | 1:09:12 | |
-Every time I'm happy - -I just sing a lot. | 1:09:12 | 1:09:15 | |
-Lisa Jen. | 1:09:19 | 1:09:21 | |
-I was forced, -like many young Welsh children... | 1:09:22 | 1:09:25 | |
-..to sing in eisteddfodau -when I was a young girl. | 1:09:25 | 1:09:29 | |
-I hated it. I wasn't very good. | 1:09:29 | 1:09:31 | |
-Every adjudicator would say... | 1:09:31 | 1:09:34 | |
-.."Nice voice -but her breathing's all wrong." | 1:09:34 | 1:09:38 | |
-That made me feel very angry -as I look back on my childhood... | 1:09:38 | 1:09:42 | |
-..when I was in my 20s. | 1:09:43 | 1:09:44 | |
-Why wasn't I -supposed to breathe there? | 1:09:45 | 1:09:48 | |
-I used to sing these songs -quite often... | 1:09:53 | 1:09:55 | |
-..Lisa Lan and the type, -on nights out. | 1:09:55 | 1:09:58 | |
-Or after being out -and returning home... | 1:09:59 | 1:10:01 | |
-..and boring everyone with my songs. | 1:10:02 | 1:10:04 | |
-I realised that many of my friends -weren't familiar with folk songs. | 1:10:04 | 1:10:09 | |
-"Don't you know -'Yr Eneth Gadd ei Gwrthod'?" | 1:10:09 | 1:10:12 | |
-I decided to do something about it. | 1:10:12 | 1:10:14 | |
-I didn't want a whole generation -not knowing these songs. | 1:10:15 | 1:10:19 | |
-That's when I started singing -folk songs in panic, thinking... | 1:10:19 | 1:10:24 | |
-.."What if no-one recognises -these songs in 20 years' time?" | 1:10:24 | 1:10:29 | |
-What's the point in writing new -songs when such beautiful songs... | 1:10:32 | 1:10:37 | |
-..already exist in Wales? | 1:10:37 | 1:10:39 | |
-It's high time -we celebrated the tradition. | 1:10:39 | 1:10:42 | |
-# I travelled the world | 1:10:56 | 1:10:59 | |
-# Its length and breadth | 1:10:59 | 1:11:02 | |
-# When I was young and foolish | 1:11:02 | 1:11:06 | |
-# There will be grass over my paths | 1:11:09 | 1:11:14 | |
-# Before I might return to Wales | 1:11:14 | 1:11:18 | |
-# Before I might return to Wales, -my friend | 1:11:20 | 1:11:24 | |
-# Before I might return to Wales | 1:11:25 | 1:11:31 | |
-# There will be grass over my paths | 1:11:33 | 1:11:38 | |
-# Before I might return to Wales | 1:11:39 | 1:11:43 | |
-# Before I might return to Wales | 1:11:44 | 1:11:49 | |
-# Before I might return to Wales | 1:11:49 | 1:11:55 | |
-# If we can have wings of the dawn | 1:11:56 | 1:12:02 | |
-# I'll fly to the hills -of my homeland | 1:12:02 | 1:12:07 | |
-# To see the big red roses | 1:12:09 | 1:12:13 | |
-# On the cottage -of my Mother and Father | 1:12:14 | 1:12:19 | |
-# Before I might return to Wales, -my friend | 1:12:19 | 1:12:24 | |
-# Before I might return to Wales | 1:12:25 | 1:12:31 | |
-# There will be grass over my paths | 1:12:31 | 1:12:38 | |
-# Before I might return to Wales | 1:12:38 | 1:12:43 | |
-# Farewell, Father, farewell, Mother | 1:12:44 | 1:12:50 | |
-# Bolt the door tonight | 1:12:50 | 1:12:55 | |
-# Farewell to the pure little girl | 1:12:55 | 1:13:00 | |
-# Who weeps at the seaside | 1:13:01 | 1:13:06 | |
-# Before I might return to Wales, -my friend | 1:13:08 | 1:13:13 | |
-# Before I might return to Wales | 1:13:13 | 1:13:20 | |
-# There will be grass over my paths | 1:13:20 | 1:13:26 | |
-# Before I might return to Wales | 1:13:27 | 1:13:32 | |
-# Before I might return to Wales | 1:13:33 | 1:13:39 | |
-# Before I might return to Wales | 1:13:39 | 1:13:45 | |
-# Ooh-ooh-ooh | 1:13:45 | 1:13:51 | |
-# Ooh-ooh-ooh # | 1:13:51 | 1:13:57 | |
-S4C Subtitles by Adnod Cyf. | 1:14:30 | 1:14:32 | |
-. | 1:14:33 | 1:14:34 |