Ffwrnes Gerdd


Ffwrnes Gerdd

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Transcript


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-With a renewed interest

-in traditional music...

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-..18 performers

-were invited to Fishguard...

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-..to perform their favourite songs

-and folk tunes.

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-Traditional music has been created

-over a number of years.

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-It's been adapted

-by different performers.

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-It really is honed.

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-Apart from being great songs,

-some sound like contemporary songs.

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-That's when I started singing

-folk songs in panic, thinking...

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-.."What if no-one recognises

-these songs in 20 years' time?"

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-That's the origin

-of the recent demand...

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-..for music created in the land

-and inspired by our surroundings.

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-What's the point in writing new

-songs when such beautiful songs...

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-..already exist in Wales?

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-It's high time

-we celebrated the tradition.

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-Ryland Teifi

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-The folk-singing tradition

-has always been in the family.

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-There was always a lot of singing.

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-My parents helped found

-the Cnapan folk festival.

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-When I was growing up, all these

-artists passed through the house.

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-The Fureys, The Dubliners,

-Davy Spillane...

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-..as well as Ar Log,

-Yr Hwntws, Plethyn.

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-It was part of my background.

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-I'm singing a song

-called Rew-Di-Ranno...

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-..Diofal Yw'r Aderyn.

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-I chose it because...

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-Well, like a lot of folk songs,

-I remember them from my childhood.

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-I decided to play the bouzouki

-and came up with something...

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-..that reflected

-the themes of the song.

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-# Carefree is the bird

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-# He reaps not a single grain

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-# Without a care in the world

-He sings throughout the year

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-# Carefree is the bird,

-He reaps not a single grain

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-# Without a care in the world

-He sings throughout the year

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-# Dimilly-dimilly-dimilly-dimilly

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-# Dimilly-dimilly-dimilly-dimilly

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-# Dimilly-dimilly-dimilly-dimilly

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-# Rew-di-rew-di-ranno

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-# Rew-di-rew-di-ranno

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-# Without a care in the world

-He sings throughout the year

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-# He sits on the branch

-Looking at his wing

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-# Not a penny in his pocket

-And he will still be merry

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-# He sits on the branch

-Looking at his wing

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-# Not a penny in his pocket

-And he will still be merry

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-# Dimilly-dimilly-dimilly-dimilly

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-# Dimilly-dimilly-dimilly-dimilly

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-# Dimilly-dimilly-dimilly-dimilly

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-# Rew-di-rew-di-ranno

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-# Rew-di-rew-di-ranno

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-# Not a penny in his pocket

-And he will still be merry

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-# He will eat supper tonight

-Not knowing where it'll come from

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-# That's how he lives

-Leaving God to feed him

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-# He will eat supper tonight

-Not knowing where it'll come from

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-# That's how he lives

-Leaving God to feed him

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-# Dimilly-dimilly-dimilly-dimilly

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-# Dimilly-dimilly-dimilly-dimilly

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-# Dimilly-dimilly-dimilly-dimilly

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-# Rew-di-rew-di-ranno

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-# Rew-di-rew-di-ranno

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-# That's the way he lives

-Leaving God to feed him #

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-Gwyneth Glyn

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-Singing folk songs is something

-I've always taken for granted.

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-I remember hearing my father, not my

-mother, because she's tone deaf!...

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-..but my father would sing...

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-..and there were records by Plethyn

-and Meic Stevens around the house.

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-My interest

-has grown over the years.

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-I came across Lloer Dirion...

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-..in an ancient treasure trove

-of folk music called iTunes!

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-I was searching for a song...

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-..and I found a beautiful version

-by Julie Murphy and Fernhill.

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-I instantly fell in love with it.

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-I decided to change it

-from the minor to the major key.

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-I sing a version of it...

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-..that's

-slightly less traumatic and dark.

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-# Tender moon

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-# Colour of the day

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-# In pain and penance

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-# In a dream I'm sombre

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-# Through the charm of some magic

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-# The heart is so weak

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-# I won't live long

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-# When I saw your face

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-# You wounded me like a sword

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-# I received a wound without knowing

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-# I am set apart

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-# Ready for my grave

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-# O Goddess, gentle and good

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-# Hear a wounded man

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-# O save my life

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-# Beautiful moon

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-# Colour of summer

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-# Some are intent

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-# On the things of the world

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-# But on the goodness

-of a worthy moonlight

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-# I set my objective

-clearly and completely

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-# If I had only you

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-# I would say surely

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-# That enough wealth

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-# That enough wealth

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-# That enough wealth

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-# Young girl

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-# I had #

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-Cass and I met years ago

-in a Noson 4a6 gig in Caernarfon...

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-..where we were both performing.

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-We got on instantly.

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-I invited her

-to play on my second album, Tonau.

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-Her interpretation is instinctive.

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-Next...

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-Subtitles

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-The song is called

-Can Dyffryn Clettwr.

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-I first heard the song on a Julie

-Murphy and Dylan Fowler's album...

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-..called Ffawd.

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-This was on that album.

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-It's one of my favourite

-traditional Welsh folk tunes.

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-I've always liked it.

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-Gareth Bonello.

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-The story is a familiar story

-for traditional Welsh music.

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-Someone goes away to work on the sea

-and longs for Wales or a lost love.

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-That appealed to me

-and the melody is wonderful.

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-I wanted to perform my own version.

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-I've been performing regularly

-with Richard James.

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-We perform a lot of acoustic music.

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-It was a good opportunity

-to perform a folk song together.

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-# Yes, I spent some happy times

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-# In the school in Llw'r Dwen

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-# And by following the fishermen

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-# Along the River Clettwr

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-# I opposed the academics

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-# I became a prodigal son

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-# I became an unwed sailor

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-# Far from Dyffryn Clettwr

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-# On the first night,

-heading to Bristol

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-# Sailing on the rough seas

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-# I shouted at choppy waters

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-# "Return me to Dyffryn Clettwr"

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-# The strong winds

-became a gentle breeze

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-# The rough waves gave way

-to a calm sea

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-# The sailor felt such a longing

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-# To return to Dyffryn Clettwr

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-# I am fond of old friends

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-# Jams Y Fadfa and John Blaen'lawon

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-# Sianco the blacksmith

-and Twm the hewer

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-# All live in Dyffryn Clettwr

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-# The faithful sailor

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-# Wanted to return

-from foreign climes

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-# Faster than the strongest winds

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-# To return to Dyffryn Clettwr

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-# He roamed across green meadows

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-# And embraced women fair and pure

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-# But the sailor would always choose

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-# A pure woman from Dyffryn Clettwr

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-# A pure woman

-from Dyffryn Clettwr #

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-We've been performing together

-for around seven years.

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-I was 13 when we met.

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-I was 19 or 20!

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-That was weird -

-playing with a young boy.

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-Angharad Jenkins.

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-Patrick Rimes.

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-We're two members of the band Calan.

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-We've started performing

-more music together, as a duet.

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-It's nice being able to concentrate

-on the two violins.

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-I'm really enjoying it.

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-The experience of performing

-with the same person for so long...

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-..has helped us both

-adapt our style.

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-We perform quite well together now.

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-When I was young,

-I always listened to folk music...

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-..and traditional Welsh music...

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-..from being

-at the eisteddfod and at school.

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-Then I heard Gwyneth Glyn's music...

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-..which inspired me

-to write my own music.

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-Kizzy Crawford

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-I'm singing Dafydd Y Garreg Wen.

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-I learnt this song from

-listening to a CD of Welsh music...

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-..which included

-Bryn Terfel's version.

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-I love the way Bryn uses the words

-and brings emotion to the song.

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-That's why I chose the song.

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-I wanted to create the same effect

-with me singing it...

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-..if that's possible.

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-# Bring me my harp

-was David's sad sigh

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-# I would play

-one more tune before I die

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-# Help me, dear wife,

-put the hands to the strings

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-# I wish my loved ones

-the blessing God brings

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-# Last night an angel

-called with heaven's breath

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-# David, play,

-and come through the gates of death

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-# Farewell, faithful harp,

-farewell to your strings

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-# I wish my loved ones

-the blessing God brings

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-# Bring me my harp

-was David's sad sigh

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-# I would play

-one more tune before I die

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-# Help me, dear wife,

-put the hands to the strings

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-# I wish my loved ones

-the blessing God brings

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-# Last night an angel

-called with heaven's breath

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-# David, play,

-and come through the gates of death

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-# Farewell, faithful harp,

-farewell to your strings

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-# I wish my loved ones

-the blessing God brings

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-# I wish my loved ones

-the blessing God brings #

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-Next...

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-.

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-Subtitles

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-Subtitles

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-I've always enjoyed

-playing the guitar.

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-I've started playing

-more acoustic guitar music.

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-I took a keen interest in picking

-the strings as opposed to strumming.

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-I started looking for inspiration.

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-I found Bob Dylan, Martin Carthy and

-all the performers from the '60s.

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-Bert Jansch,

-John Renbourn, John Fahey.

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-I've been enchanted

-ever since I heard them perform.

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-I enjoy playing the guitar.

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-There's something about folk tunes

-that suits my voice and personality.

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-I'm very comfortable

-performing folk music.

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-The song is called Gwen Lliw'r Lili.

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-I found the song in a collection

-of Maria Jane Williams's songs.

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-It was published

-in the 1838 Eisteddfod.

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-Many traditional Welsh songs,

-such as Bugeilio'r Gwenith Gwyn...

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-..are part of that collection.

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-I haven't heard anyone

-sing this one before.

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-# Good day to lilywhite Gwen

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-# Today, I happened to see you

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-# You are the one I desire the most

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-# From all the women of the world

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-# Where are the promises

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-# And the love

-that was once between us?

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-# Expressed to me was the colour

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-# Of the star that shone above

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-# The cuckoo is in full voice

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-# It can be heard across the meadows

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-# Happiness all around us

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-# On this fine summer's day

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-# Poetry in lush green fields

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-# The land will always inspire

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-# Stories of happiness in our lives

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-# The sweet melody of song #

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-I started on the piano

-playing pop songs.

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-In my day, when I was a kid,

-there was Rod Stewart and Leo Sayer.

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-I learned to play by ear, by hearing

-the melodies and playing them.

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-I couldn't read music.

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-Bernard KilBride

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-My parents both played,

-my dad played fiddle.

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-My mother played accordion.

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-As we grew up, there was

-always folk music in the house.

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-The house was full on instruments.

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-Instead of playing with Lego,

-we picked up instruments and played.

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-It's in the blood.

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-I don't usually perform

-other people's songs.

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-This was a challenge for me.

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-Richard James.

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-The song is called Y Bachgen Main.

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-I found it in a book, a collection

-of songs chosen by Roy Saer...

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-..in 1994.

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-Gareth Bonello taught me the song.

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-It's a song about a young man.

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-His lover's mother

-doesn't want her daughter...

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-..to be with him because he's poor.

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-It's all about

-how that relationship plays out.

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-# As I was walking in the winter

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-# It was Tuesday,

-the last of the year

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-# In the quiet woods, in a low place

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-# I heard two women talking there

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-# And as I approached them

-much closer

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-# And as by that place drew near

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-# Who was it talking, there together

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-# With her mother was my own dear

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-# Dear daughter, here you are

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-# With me, your hands free

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-# Pure of beauty and attractive

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-# I am going to find you a lover

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-# Mount the horse, my girl

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-# A respectable man to find

0:36:280:36:33

-# And worldly goods of yellow gold

0:36:330:36:37

-# And shining silver shall be yours

0:36:370:36:41

-# If I should have

-all silks of India

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-# Persian satins and gold of Peru

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-# I'd still like the boy

-of my choosing

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-# And I wish to remain true

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-# If that 'tis your intention

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-# You can lie on a bed of thorns

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-# Believe me,

-my words will grow bitter

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-# If you go with the slender lad

0:37:210:37:25

-# With the slender lad

-I'll surely wander

0:37:350:37:39

-# I will tell you what is true

0:37:390:37:43

-# I will leave the rest to misers

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-# I will venture

-with the flower of my youth

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-# For his face

-and hair's the fairest

0:37:520:37:56

-# On his cheeks the roses charm

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-# Oh, blessed is the girl

0:38:000:38:04

-# Who will be sleeping in his arms

0:38:050:38:09

-# My lover sailed across the seas

0:38:190:38:23

-# And left me on the shore

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-# The good Lord gave him

-safe passage

0:38:270:38:31

-# As he went on his way

0:38:310:38:36

-# I won't cry or fret for him

0:38:360:38:39

-# No tears as he goes

0:38:400:38:44

-# If he one day returns to me

0:38:440:38:48

-# I will be waiting for him

0:38:480:38:53

-# In his handwriting,

-I received a letter

0:39:020:39:06

-# On its back a seal of wax

0:39:070:39:11

-# Nothing would break my heart more

0:39:110:39:15

-# But I read it day and night

0:39:150:39:19

-# At the bottom, three letters

0:39:190:39:23

-# That took away my hopes and dreams

0:39:230:39:27

-# He will never return to see me

0:39:280:39:32

-# These will send me to his grave #

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-Next...

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-.

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-Subtitles

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-Subtitles

-

-Subtitles

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-Traditional music has been created

-over a number of years.

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-It's been adapted

-by different performers.

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-It really is honed.

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-It's been crafted

-by a community of musicians.

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-The songs haven't been written

-by just one person.

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-Katell Keineg.

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-I've chosen

-Ym Mhontypridd Mae 'Nghariad.

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-I first heard it

-on the Edward H album...

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-..Hen Ffordd Gymreig o Fyw.

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-I was a pupil at Ysgol Rhydfelen,

-just outside Pontypridd.

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-It was nice to hear a traditional

-song written about my locality.

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-It's a romantic song.

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-I used to imagine a farm

-by the river Taff.

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-I like Edward H's version.

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-I've always wanted to sing it

-and now I have.

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-I've tried to whistle

-the Edward H guitar solo...

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-..since I can't play the solo.

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-This is my homage to them.

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-# My lover is in Pontypridd

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-# My intention is in Pontypridd

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-# A young man lives in Pontypridd

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-# I wish to take him

-before the priest

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-# I'll spend today one shilling

0:42:330:42:38

-# I'll spend tomorrow two shillings

0:42:380:42:43

-# And before I lose

-his mother's son

0:42:440:42:48

-# I'll try for the three shillings

0:42:490:42:54

-# I have heard many songs

0:43:160:43:21

-# I have seen many intentions

0:43:210:43:27

-# I have seen many pure young men

0:43:270:43:32

-# But none as pure as my love

0:43:320:43:38

-# My cottage is near the river

0:44:030:44:08

-# I have dairy cattle

0:44:080:44:14

-# I have a farm on the banks

-of the Taff

0:44:140:44:19

-# Oh, come to me, my love #

0:44:190:44:28

-I started off with Irish music...

0:44:340:44:37

-..but I was interested...

0:44:370:44:41

-..in finding out

-what Welsh music had to offer.

0:44:410:44:45

-Oliver Wilson-Dickson

0:44:500:44:52

-I've realized...

0:44:530:44:55

-..that there are

-many beautiful melodies...

0:44:550:45:02

-..in the Welsh tradition.

0:45:020:45:04

-I started from there.

0:45:040:45:07

-Gwenan Gibbard.

0:48:060:48:08

-I've chosen to perform

-Adar Man y Mynydd.

0:48:080:48:11

-It's a song

-from the Ffestiniog area...

0:48:120:48:14

-..that was chronicled at

-the beginning of the 20th century...

0:48:150:48:20

-..by John Morris.

0:48:210:48:22

-In the song,

-a bird is sent as a messenger.

0:48:220:48:26

-I'm very fond of the song.

-I've been singing it for many years.

0:48:260:48:30

-I'm glad I can sing it for you.

0:48:300:48:32

-# The nightingale and the lark

0:48:370:48:42

-# And the little birds

-of the mountain

0:48:420:48:47

-# Will you carry a message

-to a fair one

0:48:470:48:54

-# Who is suffering some new fever?

0:48:550:49:02

-# I have no gifts

0:49:070:49:12

-# Or expensive jewels to send

0:49:120:49:17

-# To bring to mind

-the one who loves you

0:49:180:49:24

-# Just a pair of white gloves

0:49:250:49:31

-# The little birds departed

0:49:330:49:37

-# They flew on their long journey

0:49:370:49:42

-# And beside Gwen's bed

0:49:420:49:48

-# They sang high up on a branch

0:49:480:49:55

-# Fair Gwen said

0:49:570:50:03

-# "What is that bird?

0:50:040:50:09

-# "That sings so sweetly

0:50:090:50:16

-# "And I'm so weak"

0:50:160:50:24

-# "Truly, we are messengers

0:50:290:50:33

-# "From the one who loves you

0:50:340:50:39

-# "He wants to know how you are

0:50:390:50:44

-# "And whether you

-are getting better"

0:50:440:50:52

-# "Oh, tell him quietly

0:51:360:51:41

-# "That I will not live long

0:51:410:51:47

-# "Before the end of summer, sadly

0:51:470:51:54

-# "I'll be buried in the earth" #

0:51:550:52:05

-Next...

0:52:220:52:24

-.

0:52:290:52:30

-Subtitles

0:52:360:52:36

-Subtitles

-

-Subtitles

0:52:360:52:38

-Huw and I have known each other

-for over 30 years.

0:52:470:52:51

-Huw Roberts

0:52:540:52:56

-Huw Roberts

-

-Stephen Rees

0:52:560:52:57

-It was 1996-1997

-that we came together...

0:52:580:53:01

-..to record a duet for the Ffidil CD

-which was released in 1997.

0:53:010:53:06

-We've played together since then...

0:53:060:53:09

-..and we somehow

-complement each other.

0:53:090:53:12

-I'm very fond of simple melodies...

0:53:120:53:17

-..with a limited range at times.

0:53:170:53:20

-It gives more scope

-to develop harmonies.

0:53:200:53:23

-Usually I play harmonies underneath

-the melody, which Huw usually plays.

0:53:240:53:29

-History interests me a great deal.

0:56:530:56:55

-So does music.

0:56:560:56:57

-Those two interests

-are entwined in old songs.

0:56:580:57:01

-Gwilym Bowen

0:57:050:57:07

-I've decided

-to sing a song called Dod Dy Law.

0:57:070:57:11

-It's a perfect example

-of a folk song.

0:57:110:57:14

-It's a combination

-of a simple, memorable melody...

0:57:140:57:18

-..with great lyrics.

0:57:180:57:20

-The words don't lend themselves

-to a particular time in history.

0:57:200:57:25

-There's no reference to herding oxen

-and things like that.

0:57:250:57:29

-It's completely contemporary.

0:57:300:57:32

-# Place your hand lest you believe

0:57:320:57:38

-# On my breast without hurting me

0:57:390:57:45

-# If you listen you may hear

0:57:450:57:50

-# The sound

-of my little heart breaking

0:57:510:57:57

-# Wind on the sea

-and sun on the mountain

0:57:590:58:04

-# Grey stones in place of woods

0:58:050:58:11

-# Seagulls in place of people

0:58:110:58:17

-# Oh, God, must you break my heart

0:58:170:58:23

-# Heavy the lead, heavy the stones

0:58:250:58:31

-# Heavy is the heart

-of all lonely people

0:58:320:58:37

-# Heaviest of all twixt sun and moon

0:58:380:58:43

-# Is bidding farewell

-where there is love

0:58:440:58:50

-# Oh, my dearest, take a reed

0:58:520:58:57

-# And hold it at both ends

0:58:580:59:04

-# Break it in half

0:59:040:59:09

-# Just as you broke my heart #

0:59:100:59:18

-Lowri Evans

0:59:280:59:30

-I started singing

-at the age of seven.

0:59:310:59:34

-I competed in eisteddfodau for

-many years singing solos, duets...

0:59:340:59:39

-..and folk songs, of course.

0:59:390:59:42

-I loved singing folk songs...

0:59:420:59:45

-..because you were given

-the first note and off you went.

0:59:450:59:48

-Hopefully you kept in tune.

0:59:490:59:50

-The song is called Tra Bo Dau and

-I remember singing it as a child.

0:59:510:59:55

-Folk songs were usually sung

-a cappella when I was younger.

0:59:561:00:00

-I think the Americana country style

-has crept into this version.

1:00:031:00:08

-It's simplified and more acoustic.

1:00:091:00:12

-It's sung in a country style.

1:00:131:00:16

-It's a song of longing,

-full of love and romance.

1:00:171:00:20

-It's a sad song

-and I feel sad when I sing it.

1:00:211:00:24

-It's called Tra Bo Dau,

-While There Are Two.

1:00:251:00:29

-Of course,

-life isn't like that all the time.

1:00:291:00:34

-Sometimes it becomes

-While There's One.

1:00:351:00:38

-# The one who loves my heart

1:00:501:00:56

-# Lives far from here

1:00:571:01:03

-# And longing to see her

1:01:041:01:10

-# Made my colour grey

1:01:111:01:17

-# Wealth is but a vanity

1:01:231:01:28

-# Purity does not last

1:01:301:01:35

-# But the pure love like steel

1:01:351:01:42

-# Lasts while there are two

1:01:421:01:49

-# From the beautiful choice

-that I chose

1:01:531:01:59

-# My choice was a pure lass

1:02:001:02:06

-# And before I'll regret it

1:02:071:02:13

-# The fire will freeze

1:02:141:02:20

-# Wealth is but a vanity

1:02:261:02:30

-# Purity does not last

1:02:321:02:37

-# But the pure love like steel

1:02:381:02:44

-# Lasts while there are two

1:02:451:02:50

-# My love is over the sea

1:03:251:03:31

-# I hope that she is well

1:03:321:03:38

-# I love the land where she walks

1:03:391:03:45

-# From the core of my little heart

1:03:461:03:52

-# Wealth is but a vanity

1:03:581:04:02

-# Purity doesn't last

1:04:051:04:10

-# But the pure love like steel

1:04:101:04:16

-# Lasts while there are two

1:04:171:04:27

-# Lasts while there are two #

1:04:281:04:39

-Next...

1:05:011:05:03

-.

1:05:091:05:09

-Subtitles

1:05:151:05:15

-Subtitles

-

-Subtitles

1:05:151:05:17

-The melody I've chosen today

-isn't a rhythmic piece.

1:05:231:05:27

-It's a melody to be sung.

1:05:271:05:30

-Stephen Rees

1:05:341:05:36

-This song blends in two parts into

-an old version of Triban Morgannwg.

1:05:361:05:41

-Famous poetry has been set to this

-music by Iolo Morgannwg himself.

1:05:411:05:47

-I might be a little sentimental...

1:05:471:05:50

-..but at the beginning

-of the 19th century...

1:05:501:05:53

-..Iolo returned from London

-to the Vale of Glamorgan.

1:05:531:05:57

-He writes that this poem embodies

-the feelings of returning home.

1:05:571:06:02

-He then

-sets about writing another verse...

1:06:021:06:05

-..expressing the feeling

-of returning home...

1:06:051:06:09

-..meeting old friends

-and visiting childhood haunts.

1:06:091:06:14

-# I see the sea in Amlwch

1:06:221:06:27

-# I see the Vale of Glamorgan

1:06:311:06:35

-# I'd swap the waves

-for a small cottage

1:06:361:06:40

-# For a small cottage

1:06:431:06:45

-# And healthy I shall be

1:06:481:06:53

-# I see the sea in Amlwch

1:06:571:07:02

-# I see the Vale of Glamorgan

1:07:061:07:11

-# I'd swap the waves

-for a little cottage

1:07:151:07:20

-# And healthy I shall be

1:07:201:07:25

-# And healthy I shall be

1:07:271:07:33

-# I'll meet with old friends

1:07:401:07:44

-# I'll wander the delightful dunes

1:07:491:07:53

-# Where I played as a boy

1:07:531:07:58

-# As a boy

1:08:011:08:03

-# How happy I shall be

1:08:051:08:11

-# I'll meet with old friends

1:08:151:08:20

-# I'll wander the delightful dunes

1:08:241:08:29

-# Where I played as a boy

1:08:331:08:38

-# How happy I shall be

1:08:381:08:42

-# How happy I shall be #

1:08:441:08:51

-I always used to sing

-and get on everyone nerves.

1:09:031:09:07

-My family and friends would say,

-"There's something wrong with her."

1:09:071:09:12

-Every time I'm happy -

-I just sing a lot.

1:09:121:09:15

-Lisa Jen.

1:09:191:09:21

-I was forced,

-like many young Welsh children...

1:09:221:09:25

-..to sing in eisteddfodau

-when I was a young girl.

1:09:251:09:29

-I hated it. I wasn't very good.

1:09:291:09:31

-Every adjudicator would say...

1:09:311:09:34

-.."Nice voice

-but her breathing's all wrong."

1:09:341:09:38

-That made me feel very angry

-as I look back on my childhood...

1:09:381:09:42

-..when I was in my 20s.

1:09:431:09:44

-Why wasn't I

-supposed to breathe there?

1:09:451:09:48

-I used to sing these songs

-quite often...

1:09:531:09:55

-..Lisa Lan and the type,

-on nights out.

1:09:551:09:58

-Or after being out

-and returning home...

1:09:591:10:01

-..and boring everyone with my songs.

1:10:021:10:04

-I realised that many of my friends

-weren't familiar with folk songs.

1:10:041:10:09

-"Don't you know

-'Yr Eneth Gadd ei Gwrthod'?"

1:10:091:10:12

-I decided to do something about it.

1:10:121:10:14

-I didn't want a whole generation

-not knowing these songs.

1:10:151:10:19

-That's when I started singing

-folk songs in panic, thinking...

1:10:191:10:24

-.."What if no-one recognises

-these songs in 20 years' time?"

1:10:241:10:29

-What's the point in writing new

-songs when such beautiful songs...

1:10:321:10:37

-..already exist in Wales?

1:10:371:10:39

-It's high time

-we celebrated the tradition.

1:10:391:10:42

-# I travelled the world

1:10:561:10:59

-# Its length and breadth

1:10:591:11:02

-# When I was young and foolish

1:11:021:11:06

-# There will be grass over my paths

1:11:091:11:14

-# Before I might return to Wales

1:11:141:11:18

-# Before I might return to Wales,

-my friend

1:11:201:11:24

-# Before I might return to Wales

1:11:251:11:31

-# There will be grass over my paths

1:11:331:11:38

-# Before I might return to Wales

1:11:391:11:43

-# Before I might return to Wales

1:11:441:11:49

-# Before I might return to Wales

1:11:491:11:55

-# If we can have wings of the dawn

1:11:561:12:02

-# I'll fly to the hills

-of my homeland

1:12:021:12:07

-# To see the big red roses

1:12:091:12:13

-# On the cottage

-of my Mother and Father

1:12:141:12:19

-# Before I might return to Wales,

-my friend

1:12:191:12:24

-# Before I might return to Wales

1:12:251:12:31

-# There will be grass over my paths

1:12:311:12:38

-# Before I might return to Wales

1:12:381:12:43

-# Farewell, Father, farewell, Mother

1:12:441:12:50

-# Bolt the door tonight

1:12:501:12:55

-# Farewell to the pure little girl

1:12:551:13:00

-# Who weeps at the seaside

1:13:011:13:06

-# Before I might return to Wales,

-my friend

1:13:081:13:13

-# Before I might return to Wales

1:13:131:13:20

-# There will be grass over my paths

1:13:201:13:26

-# Before I might return to Wales

1:13:271:13:32

-# Before I might return to Wales

1:13:331:13:39

-# Before I might return to Wales

1:13:391:13:45

-# Ooh-ooh-ooh

1:13:451:13:51

-# Ooh-ooh-ooh #

1:13:511:13:57

-S4C Subtitles by Adnod Cyf.

1:14:301:14:32

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1:14:331:14:34

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