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This programme contains strobe lighting effects. | :00:19. | :01:40. | |
numbers are on the screen right lighting effects. | :01:41. | :02:09. | |
# That you're joking with me? to me. | :02:10. | :03:13. | |
# And you don't really see you and me. | :03:14. | :03:18. | |
# And you don't really see you and me. | :03:19. | :03:48. | |
# Know what you're doing, doing, to me. | :03:49. | :04:04. | |
# Know what you're doing, doing, to me. | :04:05. | :04:30. | |
So, Edinburgh, thank you for letting us come and play in your Castle for | :04:31. | :04:43. | |
the night. We are very excited. This song is called Coming Home. | :04:44. | :04:55. | |
# Do you wish you hadn't stayed all night? | :04:56. | :04:58. | |
# Do you wish you hadn't gotten so high? | :04:59. | :05:01. | |
# Oh no... # Gotta go... | :05:02. | :05:09. | |
# Do you wish it wasn't half past gone? | :05:10. | :05:11. | |
# Do you wish you didn't last that long? | :05:12. | :05:16. | |
# Do you wish you hadn't come? # Oh no | :05:17. | :05:18. | |
# Gotta go # Gotta run | :05:19. | :05:20. | |
# May I remind you, # May I remind that you've got | :05:21. | :05:26. | |
nowhere to go. # So I'm staying beside you. | :05:27. | :05:28. | |
# I'm staying beside you 'til you find a way back home. | :05:29. | :05:35. | |
# Light a fire # We're coming home | :05:36. | :05:46. | |
# We'll write it down # We'll write it all down | :05:47. | :06:05. | |
# And we're dancing on the finest line | :06:06. | :06:07. | |
# Between the chance of the time of our lives | :06:08. | :06:11. | |
# Wishing you were done, oh no, gotta run | :06:12. | :06:22. | |
# May I remind you # May I remind that you've got no | :06:23. | :06:26. | |
where to go # So I'm staying beside you | :06:27. | :06:29. | |
# Staying beside you 'til you find a way back home | :06:30. | :06:36. | |
# Light a fire # We're coming home | :06:37. | :06:48. | |
# We'll write it down # We'll write it all down | :06:49. | :06:58. | |
# Then it all comes flooding back to me | :06:59. | :07:04. | |
# Like a forgotten melody from a dream | :07:05. | :07:30. | |
# Light a fire # We're coming home | :07:31. | :07:38. | |
# We'll write it down # We'll write it all down | :07:39. | :07:50. | |
# Light a fire # We're coming home | :07:51. | :07:59. | |
# We'll write it down # We'll write it all down | :08:00. | :08:17. | |
Thank you! APPLAUSE AND CHEERING | :08:18. | :08:25. | |
Good evening, ladies and gentlemen, please welcome your host, Miss Alex | :08:26. | :08:28. | |
Jones. Thank you very much! Well, hello, | :08:29. | :08:46. | |
good evening and welcome to Live at Edinburgh Castle. It's so great to | :08:47. | :08:52. | |
be here. A huge thank you to the brilliant Kaiser Chiefs, weren't | :08:53. | :08:55. | |
they fantastic? Brilliant. What better way to start the celebration | :08:56. | :08:57. | |
they fantastic? Brilliant. What better way to start the here in | :08:58. | :09:00. | |
Scotland, just a few days ahead of what promises to be a fantastic | :09:01. | :09:04. | |
Commonwealth Games just over in Glasgow. | :09:05. | :09:09. | |
Over the next two hours performing live we are joined by some of the | :09:10. | :09:14. | |
biggest names in rock, pop, classical music and comedy, Bill | :09:15. | :09:23. | |
Bailey, Alfie Boe, Culture Club, Paul Heaton and Jacqui Abbott, Ella | :09:24. | :09:33. | |
Henderson, Jessie J, Katherine Jenkins, Fred McAlly, One Republic, | :09:34. | :09:41. | |
Pumeza, Rizzle Kicks and Smokey Robinson. The list just goes on and | :09:42. | :09:46. | |
on. Accompanying some of our artists will be Mike Stevens' band and the | :09:47. | :09:52. | |
BBC Scottish Symphony Orchestra conducted this evening by Steve | :09:53. | :09:58. | |
Sidwell. Well, we have been having a bit of | :09:59. | :10:03. | |
fun with the weather in Edinburgh. Not so bad for some of you sitting | :10:04. | :10:07. | |
at home, we hear. It has cleared up a bit but we have to say a big | :10:08. | :10:11. | |
thanks to our lovely audience. They've sat here in their ponchos | :10:12. | :10:16. | |
waiting for the show to start. Thank you so much. | :10:17. | :10:21. | |
I tell you what, it will be, I promise, worth every single drop of | :10:22. | :10:27. | |
rain. OK. We may be outside, but what better venue for tonight's show | :10:28. | :10:31. | |
than the magnificent Edinburgh Castle. It's, believe it or not, | :10:32. | :10:35. | |
right behind us, they tell me. There is a bit of mist! For over 1,000 | :10:36. | :10:41. | |
years it's clung to this rock giving shelter to Kings, protection to | :10:42. | :10:45. | |
people, and inspiration to writers. You may notice more than a passing | :10:46. | :10:51. | |
resemblance to the magical school of Hogwarts, for example. To this day, | :10:52. | :10:55. | |
the Castle dominates the skyline and every summer plays host to the world | :10:56. | :11:01. | |
famous Royal Edinburgh Military Tattoo. But tonight this stage will | :11:02. | :11:05. | |
play host to talent of a different kind. We saw them open the show and | :11:06. | :11:11. | |
I hope that the front man has got his breath back. Please welcome on | :11:12. | :11:17. | |
stage Ricky Wilson. Here he is. | :11:18. | :11:21. | |
Just one quick question, you look fantastic. Where is your kilt? I | :11:22. | :11:26. | |
don't think I have earned a right to wear one yet. I will do one day. I | :11:27. | :11:31. | |
think I have to earn it. I have seen my tartan, it's black and yellow, I | :11:32. | :11:34. | |
like it. We were hoping to see your legs. A fantastic opening. Thank you | :11:35. | :11:42. | |
so much. Saucy cow! It's BBC1, get off! All right, she's on stage | :11:43. | :11:47. | |
already. She's had ten hit singles, two brilliant albums and a third on | :11:48. | :11:53. | |
the way. She's sexy, sassy, show her some love, it's the unstoppable | :11:54. | :11:55. | |
Jessie J! Come on, let's get warm! On your | :11:56. | :12:16. | |
feet! # Seems | :12:17. | :12:41. | |
like everybody's got a price. # We don't need your money, money, | :12:42. | :12:44. | |
a good time. # We just wanna make | :12:45. | :13:16. | |
the world dance. # And it wasn't low blows and video, | :13:17. | :13:19. | |
video. # Can we all slow down | :13:20. | :13:43. | |
and enjoy right now? # Guarantee we'll be | :13:44. | :13:53. | |
feeling alright. # We don't need your money, money, | :13:54. | :13:56. | |
money. # We just wanna make | :13:57. | :14:11. | |
the world dance. Come on, you sing it to me. # Ain't | :14:12. | :14:54. | |
about it... # Wanna make the... # We don't need your money. | :14:55. | :15:01. | |
# I just wanna make Edinburgh Castle dance | :15:02. | :15:07. | |
# I just wanna make the world dance # Ain't about the ch-ching | :15:08. | :15:21. | |
# Ain't about the bl-bling # I just wantia make the world dance | :15:22. | :15:24. | |
# Forget about the price tag. band, everybody. That was fun. Are | :15:25. | :16:03. | |
you guys a little warmer now? I want to get one of those coats with | :16:04. | :16:08. | |
hoods. This next song is called Keep Us Together. I want you to hug | :16:09. | :16:16. | |
someone you'll of, and stay like that for this next song, please | :16:17. | :16:19. | |
enjoy it. # I started feeling | :16:20. | :16:37. | |
like everything's figured out. # Seems | :16:38. | :16:42. | |
like everybody's got a price. # It ain?t easy trying to stay | :16:43. | :16:49. | |
in love. # When it rains tell me we got | :16:50. | :17:32. | |
enough # Said we got enough | :17:33. | :17:36. | |
of our love to keep us together. # Arguments, back and forth, | :17:37. | :17:40. | |
disagreements. # Can we make it up, make it right, | :17:41. | :17:45. | |
can we fix this? # It ain?t always gonna be perfect, | :17:46. | :17:49. | |
baby. # It?s unpredictable, | :17:50. | :17:56. | |
but I feel so good about it. # Ain't nothing that we can | :17:57. | :18:07. | |
promise. # Said we got enough | :18:08. | :18:12. | |
of our love to keep us together. # When it rains tell me we got | :18:13. | :19:06. | |
enough Thank you so much. | :19:07. | :20:16. | |
Wasn't that fantastic? And I loved her gold shoes. And I think Todorov | :20:17. | :20:23. | |
has done the job because the coats are coming off. We have got some | :20:24. | :20:27. | |
great comedy coming up later, but for now, let's stick with the music | :20:28. | :20:32. | |
and with an army of fans, including Stephen Fry, two best selling | :20:33. | :20:40. | |
albums, please put your hands together for the brilliant Rizzle | :20:41. | :20:41. | |
Kicks! # Do you remember back in school | :20:42. | :20:58. | |
# When the boys and girls that could Yo, you might hear me make a racket | :20:59. | :21:02. | |
like Wilson. Cause I love summer no Rachel | :21:03. | :21:11. | |
Bilson. The winter will come, | :21:12. | :21:12. | |
We just have parties inside it's still fun. | :21:13. | :21:15. | |
(We're jammin') pump this (We're bangin'). | :21:16. | :21:16. | |
Change your boyfriend (let's 'av him). | :21:17. | :21:18. | |
We're rowdy, girls make our judgement cloudy. | :21:19. | :21:19. | |
But when the sun comes through we're still alcys. | :21:20. | :21:21. | |
We don't wanna be lowsy, or shameless. | :21:22. | :21:23. | |
But we're running round like we're brainless. | :21:24. | :21:25. | |
Now I've got grass stains on my brand new white trainers. | :21:26. | :21:27. | |
Ummmm... I know a few guys hate us. They're as compelling as neighbours | :21:28. | :21:30. | |
so laters. It's blaters we've got our own | :21:31. | :21:31. | |
style, you know now. So go wild and get hosed down, n-no | :21:32. | :21:34. | |
no. Pardon me, just don't return that if | :21:35. | :23:09. | |
I wasn't older, you wouldn't want to dance with me. I was top boy in the | :23:10. | :23:13. | |
class, in my year. The headmaster, say yeah. I am looking at a bright | :23:14. | :23:22. | |
blue sky. Standstill, standstill! Good evening, everybody! Might as | :23:23. | :24:33. | |
well stick this back on, it is quite cold, isn't it? Thank you, | :24:34. | :24:39. | |
everybody. This next song is our new single, it is called Tell Her. Hope | :24:40. | :24:42. | |
you guys are having a good time! # Do you remember back in school | :24:43. | :24:57. | |
# When the boys and girls that could # So they get their friends to do | :24:58. | :25:00. | |
the do? # Cause I can't approach you, | :25:01. | :25:14. | |
no not today # So I sit back in the corner | :25:15. | :25:19. | |
Get my friends to say # Tell her I love her cause I'm | :25:20. | :25:27. | |
feeling shy # Tell her I love her cause I'm not | :25:28. | :25:31. | |
that guy # You've taken my fancy, you're | :25:32. | :25:35. | |
catching my eye # You've taken my fancy tonight | :25:36. | :25:39. | |
# Tell her I love her, # Tell her I love her (Ooo-oo-oo) | :25:40. | :25:56. | |
# It seems I haven't got the tools, # Yeah | :25:57. | :26:08. | |
To build my courage, baby ask you if you're cool | :26:09. | :26:12. | |
# I've sink into to the wall # And I'm waiting for a chance, baby | :26:13. | :26:18. | |
us to cross our paths # Cause I can't approach you, no not | :26:19. | :26:22. | |
today # So I sit back in the corner | :26:23. | :26:28. | |
# Get my friends to say # Tell her I love her cause I'm | :26:29. | :26:38. | |
feeling shy # Tell her I love her cause I'm not | :26:39. | :26:42. | |
that guy # You've taken my fancy, you're | :26:43. | :26:46. | |
catching my eye # Tell her I love her (Ooo-oo-oo) | :26:47. | :27:07. | |
# Tell her I love her cause I'm not that guy | :27:08. | :27:37. | |
# You've taken my fancy, you're catching my eye | :27:38. | :27:39. | |
# Tell her I love her (Ooo-oo-oo) # Tell her I love her (Ooo-oo-oo) | :27:40. | :28:06. | |
Tell her I love her Thank you very much, everybody. Have | :28:07. | :28:21. | |
fun! Thanks, guys, that was brilliant. It | :28:22. | :28:33. | |
is brilliant to see everybody getting into the dancing, including | :28:34. | :28:37. | |
our very own brass section and there they are. Now, there is a lot of | :28:38. | :28:44. | |
focus of course on Scotland over the coming weeks. Not only do we have | :28:45. | :28:48. | |
the Commonwealth Games to look forward to, but next month, every | :28:49. | :28:53. | |
theatre, club, function room and phone box will be crammed full of | :28:54. | :28:56. | |
comedians saying to packed audiences, as the city hosts the | :28:57. | :29:01. | |
Edinburgh festival French of course. The line-up reads like a Who's Who | :29:02. | :29:06. | |
of comedy, and our next guest has played there are so many times, it | :29:07. | :29:10. | |
is like his second home. He is not just really funny, he is brilliantly | :29:11. | :29:14. | |
clever, quick and musical as well. In fact, if I were to sum him up in | :29:15. | :29:27. | |
one word, it would be. Beardy Ladies and gentlemen, please welcome the | :29:28. | :29:28. | |
wild imagination of Bill Bailey. Hello! What a fantastic setting. | :29:29. | :29:46. | |
Yes, it is true, I have played here many times in the festival. I | :29:47. | :29:50. | |
remember one year, I came up here, I needed a pair of bongos, as you do. | :29:51. | :29:55. | |
And I went to a drum shop and said, can I get a pair of bongos? And the | :29:56. | :30:00. | |
guy said to me coming yes, I will have a look. He came back and said, | :30:01. | :30:05. | |
I have got one pair left. Because right now it is the bongos season. I | :30:06. | :30:11. | |
love the idea of bongos being in season! | :30:12. | :30:22. | |
So I am a big fan of theme tunes, one of my favourites is Match of the | :30:23. | :30:32. | |
Day, what a great theme... Hold on! | :30:33. | :30:35. | |
It's fantastic, it's uplifting and great. A brilliant theme tune. But | :30:36. | :30:40. | |
it's versatile. I like to play in different versions. I am a big fan | :30:41. | :30:44. | |
of the lounge version. The thing is you can play it in | :30:45. | :31:40. | |
different keys, as well. The major key. It's jolly and uplifting. In | :31:41. | :31:43. | |
the minor key you get a different thing entirely. You get a soundtrack | :31:44. | :31:50. | |
to like a pole ircartoon. -- to a Polish cartoon. | :31:51. | :32:03. | |
# The tractor that would not start. # That's if you speed it up. If you | :32:04. | :32:10. | |
slow it right down and change it into the minor key you get something | :32:11. | :32:14. | |
totally different again. You get a Jewish folk song. | :32:15. | :32:51. | |
Thank you, see you later, cheers! Brilliant. I am pleased to say we | :32:52. | :33:00. | |
will be seeing a lot more of Bill later on in the show. Plus we have | :33:01. | :33:07. | |
got performances from Smokey Robinson, Culture Club are back | :33:08. | :33:13. | |
together right here on this stage. One Republic, Ella Henderson and Il | :33:14. | :33:18. | |
Divo. And we will be meeting a local boy turned national hero. I don't | :33:19. | :33:22. | |
want to give too much away but if I say it will be a good night from him | :33:23. | :33:26. | |
that might give you a little clue. First, I am very excited to | :33:27. | :33:32. | |
introduce this next lady. She's got style and sophistication by the | :33:33. | :33:36. | |
bucketload and a voice to die for. Please give a stupendous welcome to | :33:37. | :33:45. | |
the one, the only, Miss Paloma Faith. | :33:46. | :33:50. | |
APPLAUSE AND CHEERING # I'd tell myself you don't mean | :33:51. | :34:10. | |
a thing. # But what we got, | :34:11. | :34:18. | |
got no hold on me. # But when you're not | :34:19. | :34:21. | |
there I just crumble. # I tell myself I | :34:22. | :34:25. | |
don't care that much. # But I feel | :34:26. | :34:30. | |
like I die 'til I feel your touch. # Only love can hurt like this. | :34:31. | :34:34. | |
only love can hurt like this. # Say I wouldn't care | :34:35. | :34:57. | |
if you walked away. # When you come close | :34:58. | :35:06. | |
I just tremble. # It's like a knife that | :35:07. | :35:13. | |
cuts right through my soul. # Only love, | :35:14. | :35:23. | |
only love can hurt like this. # Love is torture | :35:24. | :35:30. | |
makes me more sure. # 'Cause only love can hurt | :35:31. | :36:20. | |
like this. # And it must have been | :36:21. | :37:40. | |
the deadly kiss.# APPLAUSE AND CHEERING | :37:41. | :37:54. | |
Thank you so much. Welcome to the great British summer time! For those | :37:55. | :37:58. | |
watching at home, it is basically just a grey cloud. Here's another | :37:59. | :38:02. | |
song. Let's dance. # We're getting close, | :38:03. | :38:20. | |
still goes on. # You changed | :38:21. | :38:26. | |
and I need a little loving. # I can't keep giving all | :38:27. | :38:50. | |
and get back nothing. # Come on, come on, boy, | :38:51. | :38:55. | |
just shake me. # 'Cause I know, I do, | :38:56. | :39:03. | |
too bad for you. # Don't know | :39:04. | :39:11. | |
if you're coming or going. # You changed | :39:12. | :39:23. | |
and I need a little loving. # I can't keep giving all | :39:24. | :39:48. | |
and get back nothing. # Come on, come on, boy, | :39:49. | :39:52. | |
just shake me. # 'Cause I know, I do, | :39:53. | :40:01. | |
too bad for you. # Momma said there'll be days | :40:02. | :40:08. | |
like this. # Now the whole knows I | :40:09. | :40:31. | |
got trouble with my baby. # Come on, come on, boy, | :40:32. | :40:34. | |
just shake me. # 'Cause I know, I do, | :40:35. | :40:39. | |
too bad for you. APPLAUSE AND CHEERING | :40:40. | :41:19. | |
Thank you. How good was that? Paloma is she | :41:20. | :41:26. | |
good. All right, we have a wonderful surprise for you now. Please welcome | :41:27. | :41:31. | |
on stage a local boy done good, it is, of course, Ronnie Corbett. | :41:32. | :41:42. | |
APPLAUSE AND CHEERING # Travelling home on a through train | :41:43. | :42:06. | |
to Edinburgh, cash in my pocket and plenty to spare | :42:07. | :42:10. | |
# Wearing a school cap and travelling half fare, | :42:11. | :42:14. | |
# I love my height, it suits me # In spite of those big lads all | :42:15. | :42:20. | |
around, the ladies adore me, at least so I found | :42:21. | :42:26. | |
# I have a sporran that's nearer the ground... That's how I am starting! | :42:27. | :42:33. | |
APPLAUSE AND CHEERING Don't encourage me. No, it's | :42:34. | :42:38. | |
fantastic. The weather's cleared up. It just looks lovely. Are you all | :42:39. | :42:46. | |
right? Yes. Ladies and gentlemen, it's indeed - my wife and I | :42:47. | :42:53. | |
travelled up yesterday on a train, senior citizens, old aged | :42:54. | :42:58. | |
pensioners. Train fare, wait a minute, there is a routine here, I | :42:59. | :43:06. | |
knew I would forget it. Anyway, the senior citizens special pension | :43:07. | :43:10. | |
rates, at the end it all worked very well and we got our tickets and ?17. | :43:11. | :43:15. | |
So, it gives me great well and we got our tickets and ?17. | :43:16. | :43:21. | |
what I really come on here to do, to introduce to you my | :43:22. | :43:25. | |
what I really come on here to do, to and favourite singers, they are, | :43:26. | :43:29. | |
what I really come on here to do, to course, Alfie Boe and Katherine | :43:30. | :43:32. | |
Jenkins. # Now my dream is slowly coming | :43:33. | :44:02. | |
true. # The wind is a gentle breeze. | :44:03. | :44:22. | |
# Me hablo de ti. # It was the first time that we met. | :44:23. | :44:25. | |
# Barcelona. # Vive. | :44:26. | :44:53. | |
into the room. # And shake the foundations | :44:54. | :46:00. | |
from the skies. # Por ti sere gaviota | :46:01. | :46:05. | |
de tu bella mar. Absolutely stunning, thank you so | :46:06. | :47:46. | |
much. Brilliant. One minute we are having | :47:47. | :47:52. | |
hip-hop, and then it turns into an opera. Isn't it great? What an | :47:53. | :47:58. | |
incredible performance by two of the country's greatest voices. And a big | :47:59. | :48:01. | |
thank you to the London Community Gospel Choir. Now, then, are we all | :48:02. | :48:11. | |
warming up a bit? You at home, you are OK. You are nice and warm on the | :48:12. | :48:16. | |
sofa, but we are in the open-air. But you are all right? Good. Ladies | :48:17. | :48:24. | |
and gentlemen, right now, we have a fantastic two for one offer. Our | :48:25. | :48:29. | |
next performers produced a string of hits as part of the hugely | :48:30. | :48:37. | |
successful band Beautiful South. After ten years, they have got back | :48:38. | :48:41. | |
together again to sing together, please welcome Paul Heaton and | :48:42. | :48:43. | |
Jacqui Abbott! # Some girls lose their boys after | :48:44. | :48:56. | |
years # Standing in line, it?s | :48:57. | :48:58. | |
a question of time # Who?s gonna be the next broken | :48:59. | :49:04. | |
heart # Heart | :49:05. | :49:06. | |
belonged to a love so strong # I would love him ?til the day that | :49:07. | :49:08. | |
I die the Lord above # I lost him to a DIY | :49:09. | :49:10. | |
# She was so determined to take him right out of my hands # If you?re | :49:11. | :49:17. | |
idle enough they can # Steal from the very first dance # She was young | :49:18. | :49:25. | |
and pretty and young and pretty is better than I # But we gave them all | :49:26. | :49:29. | |
our kisses # Now they found another Mrs ?cause we # Lost him to a DIY # | :49:30. | :49:33. | |
Some women feel if you put her on a seal it # Will Keep your fella out | :49:34. | :49:38. | |
of reach # But it ain?t no soul you can grab them from below # That?s a | :49:39. | :49:46. | |
lesson every woman can teach # But my man was just the sort you could | :49:47. | :49:49. | |
trust # You could look a fella right in the eye # If it wasn?t | :49:50. | :49:53. | |
for deceiving but suddenly he was leaving ?cause we # Lost him to | :49:54. | :49:56. | |
a DIY # She was so determined to take him right out of my hands # If | :49:57. | :50:08. | |
you?re idle enough they can # Steal from the very first dance # She was | :50:09. | :50:12. | |
young and pretty and # Young and pretty is better than I # But we | :50:13. | :50:17. | |
gave them all our kisses now they # she?s wearing a dress # T ? H ? I ? | :50:18. | :50:20. | |
E and F She got high heels and she again # H ? I ? S ? T ? O ? R ? Y # | :50:21. | :50:26. | |
Come on folks, just an ordinary guy # She was so determined to take him | :50:27. | :50:32. | |
right out of my hands # If you?re # If you are idle enough, they can | :50:33. | :50:59. | |
steal from the very first dance. # Now they have found another misses | :51:00. | :51:01. | |
because we lost him to a DIY. ! Thank you all of you for coming this | :51:02. | :51:15. | |
evening, and the weather is finally brightening up. And thank you to the | :51:16. | :51:16. | |
band as well. # I think I might be happy if I | :51:17. | :51:32. | |
wasn't out with them. # And they're happy it's | :51:33. | :51:37. | |
a lovely place to be. # Happy that the fire is real | :51:38. | :51:39. | |
the barman is a she. # And | :51:40. | :51:42. | |
if you don't win then you've lost. # 'Cause they speak | :51:43. | :51:52. | |
a different language. # And it's never really | :51:53. | :51:57. | |
happened to me. # 'Cause they speak | :51:58. | :51:58. | |
a different language. # And it's never really | :51:59. | :52:02. | |
happened to me. # It's another night out with | :52:03. | :52:04. | |
the boss. # Following | :52:05. | :52:10. | |
in footsteps overgrown with moss. # And they tell me that | :52:11. | :52:11. | |
women grow on trees. # And if you catch them right | :52:12. | :52:13. | |
they will land upon their knees. # And they love to buy you all | :52:14. | :52:17. | |
a drink. # I think I might be happy if I | :52:18. | :52:22. | |
wasn't out with them. # And they're happy it's | :52:23. | :52:57. | |
a lovely place to be. # 'Cause they speak | :52:58. | :53:03. | |
a different language. # And it's never really | :53:04. | :53:07. | |
happened to me. # It's happy hour again and again | :53:08. | :53:09. | |
and again Well, isn't it good to see that Paul | :53:10. | :53:53. | |
has dressed for the weather? Practical. The atmosphere is | :53:54. | :53:59. | |
fantastic year, I hope you enjoyed that. Nice to hear a familiar track. | :54:00. | :54:07. | |
Moving on to a young woman who has won hearts and minds, and most | :54:08. | :54:12. | |
crucially, votes. She graduated from the X Factor in 2012, and went on to | :54:13. | :54:17. | |
top the charts with her very first number one single, Dosed. This is | :54:18. | :54:22. | |
the sensational Ella Henderson! # Cos I need something | :54:23. | :54:28. | |
that can wash off the pain # And at most | :54:29. | :54:36. | |
I'm sleeping all these demons away # But your ghost, the ghost of you | :54:37. | :54:40. | |
It keeps me awake # Yeah, they saw | :54:41. | :54:44. | |
what's inside of you # Your cold heart | :54:45. | :54:50. | |
makes my spirit shake # I had to go through hell | :54:51. | :55:05. | |
to prove I'm not insane # Had to meet the devil | :55:06. | :55:11. | |
just to know his name # Cos I need something | :55:12. | :55:18. | |
that can wash off the pain # And at most I'm sleeping | :55:19. | :55:30. | |
all these demons away # But your ghost, the ghost of you | :55:31. | :55:35. | |
It keeps me awake # Cos I need something | :55:36. | :55:40. | |
that can wash off the pain # And at most I'm sleeping | :55:41. | :55:48. | |
all these demons away # But your ghost, the ghost of you | :55:49. | :55:54. | |
It keeps me awake # I keep going to the river to pray | :55:55. | :56:01. | |
and you're creeping in # Cos I need something | :56:02. | :56:23. | |
that can wash off the pain # And at most I'm sleeping | :56:24. | :56:28. | |
all these demons away # But your ghost, the ghost of you | :56:29. | :56:32. | |
It keeps me awake # Cos I need something | :56:33. | :56:36. | |
that can wash off the pain # But your ghost, the ghost of you | :56:37. | :56:50. | |
It keeps me awake # Cos I need something | :56:51. | :56:56. | |
that can wash off the pain # And at most I'm sleeping | :56:57. | :57:29. | |
all these demons away # But your ghost, the ghost of you | :57:30. | :57:34. | |
It keeps me awake # Cos I need something | :57:35. | :57:38. | |
that can wash off the pain # And at most I'm sleeping | :57:39. | :57:48. | |
all these demons away # But your ghost, the ghost of you | :57:49. | :57:52. | |
It keeps me awake. # Thank you, Edinburgh. Are you having | :57:53. | :58:12. | |
an amazing night tonight? It is such a pleasure and honour to be here, | :58:13. | :58:16. | |
especially alongside such amazing acts. This next song is a personal | :58:17. | :58:22. | |
song of mine and it is one of my favourite covers to perform, this is | :58:23. | :58:24. | |
Believe. # You're gonna be the lonely one, | :58:25. | :58:33. | |
oh oh # I really don't think | :58:34. | :59:08. | |
you're strong enough, now # I really don't think | :59:09. | :59:27. | |
you're strong enough, now # I don't need you any more. | :59:28. | :59:45. | |
# I don't need you any more. # I really don't think | :59:46. | :00:29. | |
you're strong enough, now That was such a stunning version of | :00:30. | :01:35. | |
that song, even better than the original, maybe? For more home-grown | :01:36. | :01:44. | |
talent. He is one of Scotland's favourite comedians, please welcome | :01:45. | :01:52. | |
Fred MacAulay. Thank you, folks. This is incredible. What a gig! It's | :01:53. | :01:59. | |
such a massive year for Scotland. As you all know, in Scotland we have | :02:00. | :02:05. | |
that big day in September, when we are all going to get together and | :02:06. | :02:11. | |
watch the Ryder Cup. Cannot wait! It's a great gig. I know the | :02:12. | :02:15. | |
difference between good gigs and bad gigs, I have done tough gigs in my | :02:16. | :02:19. | |
time, ladies and gentlemen. 2003 they asked me to go to Iraq to | :02:20. | :02:24. | |
entertain the troops. That was a tough gig. Naively I assumed it | :02:25. | :02:30. | |
would have been the allied troops. Tough one. Last gig I was at like | :02:31. | :02:38. | |
this it was when Bob Geldof and Bono came to Murrayfield, do you remember | :02:39. | :02:43. | |
that. Bob came out on to the stage with Bono, it was like Gandalf with | :02:44. | :02:49. | |
a Hobbit. They came up to Scotland to make poverty history. Pretty much | :02:50. | :02:55. | |
kicked off the financial crisis. Sadly, they made poverty popular for | :02:56. | :03:00. | |
goodness sake. I was thinking about Bob's lyrics to the Band Aid song | :03:01. | :03:05. | |
because a few years ago one January, 2011, I climbed Mount Kilimanjaro. | :03:06. | :03:11. | |
Yeah, thank you very much. That was tough, as well. It's a long, slow | :03:12. | :03:16. | |
plod and on the last day you climb up there and about teatime, you eat | :03:17. | :03:24. | |
loads of pasta and stuff and try and have a kip and get up at night and | :03:25. | :03:27. | |
put on all your clothes and try to climb up to the top of the mountain. | :03:28. | :03:33. | |
It was minus 18C. And a blizzard came in at 4.00am and all I could | :03:34. | :03:39. | |
think of were Bob's lyrics and there won't be snow in Africa this | :03:40. | :03:48. | |
Christmas time. There will. You know the other lyrics to that song, it's | :03:49. | :03:51. | |
Christmas time, no need to be afraid. It's Christmas time, we let | :03:52. | :03:56. | |
in light and we banish shade. Do you think that's a good idea? For my | :03:57. | :04:06. | |
Tanzanian friends, in the middle of summer, 54 Celsius. A temperature | :04:07. | :04:12. | |
that we in Scotland know little of. Even in cookery. I am | :04:13. | :04:21. | |
that we in Scotland know little of. too. Will we go and get some shade? | :04:22. | :04:30. | |
We can't. Bob's banned it. The worst lyric of all are at the end when | :04:31. | :04:35. | |
Bono himself sings, and tonight, thank God it's them, instead of you. | :04:36. | :04:40. | |
Possibly the least Christian sentiment I have ever heard in my | :04:41. | :04:46. | |
life. This is good for Scotland, we have the Commonwealth Games, so much | :04:47. | :04:51. | |
going on. Ladies and gentlemen, since I am here I have to say, | :04:52. | :04:57. | |
sadly, you no - he is no longer Wimbledon champion, but Andy Murray, | :04:58. | :05:02. | |
a Wimbledon champion from Scotland, yeah, good on you, Andy. I saw him | :05:03. | :05:13. | |
when he was - I saw him on TV going... I thought he had won. I | :05:14. | :05:19. | |
heard one of our politicians saying Andy Murray winning Wimbledon, | :05:20. | :05:22. | |
another example of Scotland punching above its weight. It's a shame that | :05:23. | :05:26. | |
we measure our successes in terms of violence and obesity. Now we are | :05:27. | :05:31. | |
going to have to crack on, on with the show. A band who have flown from | :05:32. | :05:35. | |
America to be with us this evening. Five lads, one incredible sound. | :05:36. | :05:43. | |
Give a mighty democratic Edinburgh welcome to the rebellious One | :05:44. | :05:45. | |
Republic! # But, baby, I've been, I've been | :05:46. | :06:00. | |
praying hard # I see this life like a | :06:01. | :06:02. | |
swingin' vine # Everything that kills me makes me | :06:03. | :06:29. | |
feel alive # Lately, I've been, I've been | :06:30. | :07:08. | |
losing sleep # We'll be counting stars | :07:09. | :07:14. | |
praying hard # Lately, I've been, I've been | :07:15. | :07:20. | |
losing sleep # Dreaming about the things that we | :07:21. | :07:26. | |
could be # But, baby, I've been, I've been | :07:27. | :07:30. | |
praying hard # Yeah | :07:31. | :07:34. | |
I feel this love # Young, but I'm not that bold | :07:35. | :07:47. | |
I don't think the world is sold # I'm just doing what we're told | :07:48. | :08:02. | |
I feel something so wrong # At doing the right thing | :08:03. | :08:07. | |
I could lie, could lie, could lie # Everything that drowns me makes me | :08:08. | :08:13. | |
want to fly # Lately, I've been, I've been | :08:14. | :08:18. | |
losing sleep # Dreaming about the things that we | :08:19. | :08:22. | |
could be # But, baby, I've been, I've been | :08:23. | :08:25. | |
praying hard # Lately, I've been, I've been | :08:26. | :08:34. | |
losing sleep # Dreaming about the things that we | :08:35. | :08:38. | |
could be # But, baby, I've been, I've been | :08:39. | :08:41. | |
praying hard # Said, no more counting dollars | :08:42. | :08:45. | |
We'll be, we'll be, counting stars # Take that money | :08:46. | :08:50. | |
Watch it burn # Take that money | :08:51. | :08:59. | |
Watch it burn # Sink in the river | :09:00. | :09:06. | |
The lessons I learned APPLAUSE AND CHEERING | :09:07. | :09:23. | |
Thank you. This is the first time we have been here. We have to say it is | :09:24. | :09:31. | |
absolutely everything we imagined and we wouldn't be any happier if it | :09:32. | :09:37. | |
was sunny. We are glad we are in the clouds. | :09:38. | :09:48. | |
This is our new single Love Runs Out. | :09:49. | :09:58. | |
# I'll be the bright, in black that's makin' you run | :09:59. | :10:05. | |
# And we'll feel all right | :10:06. | :10:10. | |
# 'Cause we'll work it out, yeah We'll work it out | :10:11. | :10:14. | |
# I'll be doin' this, if you had a doubt | :10:15. | :10:17. | |
# 'Til the love runs out, 'til the love runs out | :10:18. | :10:21. | |
# I'll be your fifty-thousand clapping like one | :10:22. | :10:30. | |
# And I feel all right, and I feel all right | :10:31. | :10:32. | |
# 'Cause I worked it out, yeah, I worked it out | :10:33. | :10:35. | |
# I'll be doin' this, if you had a doubt | :10:36. | :10:39. | |
# 'Til the love runs out, 'til the love runs out | :10:40. | :10:45. | |
# I got my mind made up, man, I can't let go | :10:46. | :10:48. | |
# I'm killing every second 'til it saves my soul | :10:49. | :10:52. | |
# (Ooh) I'll be running. (Ooh) I'll be running | :10:53. | :10:56. | |
# 'Til the love runs out, 'til the love runs out | :10:57. | :10:59. | |
# And we'll start a fire, and we'll shut it down | :11:00. | :11:03. | |
# 'Til the love runs out, 'til the love runs out | :11:04. | :11:09. | |
# There's a maniac out in front of me | :11:10. | :11:12. | |
# Got an angel on my shoulder, and Mestopheles | :11:13. | :11:17. | |
# But Mama raised me good, Mama raised me right | :11:18. | :11:20. | |
# Mama said, "Do what you want, say prayers at night" | :11:21. | :11:24. | |
# And I?m saying them, 'cause I'm so devout | :11:25. | :11:28. | |
# 'Til the love runs out, 'til the love runs out, yeah | :11:29. | :11:32. | |
# I got my mind made up, man, I can't let go | :11:33. | :11:36. | |
# I'm killing every second 'til it saves my soul | :11:37. | :11:40. | |
# (Ooh) I'll be running. (Ooh) I'll be running | :11:41. | :11:44. | |
# 'Til the love runs out, 'til the love runs out | :11:45. | :11:48. | |
# And we'll start a fire, and we'll shut it down | :11:49. | :11:52. | |
# 'Til the love runs out, 'til the love runs out | :11:53. | :12:00. | |
# Oh, we all run for something Run for God, for fate | :12:01. | :12:13. | |
# I'll be the bright, in black that's makin' you run | :12:14. | :12:32. | |
# I got my mind made up, man, I can't let go | :12:33. | :12:35. | |
# I'm killing every second 'til it saves my soul | :12:36. | :12:38. | |
# (Ooh) I'll be running. (Ooh) I'll be running | :12:39. | :12:42. | |
# 'Til the love runs out, 'til the love runs out | :12:43. | :12:46. | |
# And we'll start a fire, and we'll shut it down | :12:47. | :12:50. | |
# 'Til the love runs out, 'til the love runs out | :12:51. | :12:54. | |
# I'll be the bright, in black that's makin' you run | :12:55. | :13:02. | |
# And we'll feel all right, and we'll feel all right | :13:03. | :13:06. | |
# Yes, we'll work it out | :13:07. | :13:12. | |
# And we'll start a fire, and we'll shut it down | :13:13. | :13:16. | |
# 'Til the love runs out, 'til the love runs out | :13:17. | :13:18. | |
APPLAUSE AND CHEERING Thank you guys. | :13:19. | :13:40. | |
Brilliant boys. One Republic everybody. And look who I found | :13:41. | :13:47. | |
dancing to One Republic back stage, it's Boy George! Hello you. Nice to | :13:48. | :13:53. | |
see you. Now, you did mention back in May that you were reforming. We | :13:54. | :13:57. | |
are all thrilled. How are you feeling tonight back on stage for | :13:58. | :14:02. | |
the first time in 15 years? Now we have a lovely audience, I am quite | :14:03. | :14:06. | |
excited now. Can't wait to get on with it, you know. You are a man | :14:07. | :14:10. | |
down, we have to mention. Yeah, Roy, unfortunately, is having an | :14:11. | :14:14. | |
operation on his knee. So, I tried to get him to come, but he couldn't | :14:15. | :14:18. | |
do it. We can do without him! I think I can speak on behalf of | :14:19. | :14:24. | |
everybody here and at home when I say we really are looking forward to | :14:25. | :14:27. | |
seeing you back on stage later on. Thank you. Absolutely. Boy George | :14:28. | :14:31. | |
everyone. Fantastic. | :14:32. | :14:37. | |
All right then. Let's bring on our next lot of superstars. They're the | :14:38. | :14:42. | |
international group who tasted global success and bring harmony | :14:43. | :14:46. | |
wherever they go. Please put your hands together as you are doing | :14:47. | :14:51. | |
beautifully for the very handsome Il Divo. | :14:52. | :15:04. | |
# Amazing grace, how sweet the sound That saved a wretch like me | :15:05. | :15:27. | |
# It was grace that taught my heart to fear | :15:28. | :15:50. | |
# Through many dangers, toils and snares | :15:51. | :16:43. | |
# It's grace that brought me safe this far | :16:44. | :16:53. | |
# When we've been here ten thousand years | :16:54. | :18:01. | |
# We've no less days to sing God's praise | :18:02. | :18:21. | |
Well, I do not know about you, but I am an emotional wreck. Brilliant, | :18:22. | :19:19. | |
Boyce. Shame one of them turned up late! Not really. Thank you as well | :19:20. | :19:27. | |
to pipe Major Alan Mowbray, from the Royal Scots Dragoon Guards, who are | :19:28. | :19:36. | |
based here at Edinburgh Castle. And our lone piper will be back later on | :19:37. | :19:40. | |
with a few friends. Now,, they say you cannot have too much of a good | :19:41. | :19:43. | |
thing, and we wholeheartedly agree with them. So, we are giving you a | :19:44. | :19:49. | |
second helping of the man with comic genius and lovely fluffy hair. | :19:50. | :19:54. | |
Please welcome back the exceptional Bill Bailey! | :19:55. | :20:01. | |
Hello! Right, I want to try something with all of you, I want to | :20:02. | :20:05. | |
try to replicate the sound of the pipes we heard so magnificently. I | :20:06. | :20:10. | |
want you to be the drone, but constant note, and then we will try | :20:11. | :20:16. | |
and play a tune over the top. Here is your note, can you harm this for | :20:17. | :20:23. | |
me...? That is it, give it some more... That is it, OK. Right, here | :20:24. | :20:27. | |
we go. This is the BBC! Do not listen to | :20:28. | :21:34. | |
the others! They are false profits! Only us, we are the true way! | :21:35. | :21:43. | |
APPLAUSE Thank you, see you later. And there | :21:44. | :21:57. | |
will be more of Bill Bailey later on. Now, although we are all having | :21:58. | :22:01. | |
a ball here at Edinburgh Castle this evening, let's take a moment to | :22:02. | :22:06. | |
remember a great man who sadly is no longer with us. Now, yesterday would | :22:07. | :22:12. | |
have marked the 96th birthday of Mr Nelson Mandela, a man who brought | :22:13. | :22:17. | |
peace, justice, equality and reconciliation to his country, and | :22:18. | :22:25. | |
in doing so, inspired the world. To pay tribute to Nelson Mandela and | :22:26. | :22:29. | |
his many heroic achievements, we are joined by a singer who grew up in | :22:30. | :22:33. | |
the townships of South Africa and went on to win a scholarship at the | :22:34. | :22:39. | |
Royal College Of Music in London. She has been hailed as one of | :22:40. | :22:43. | |
opera's most exciting new voices. And tonight, performing Thula Baba | :22:44. | :22:50. | |
and O Mio Babbino Caro, please welcome Pumeza. | :22:51. | :23:00. | |
# Thula thul', thula baba, thula sana. | :23:01. | :23:03. | |
# Thula thul', thula baba, thula sana. | :23:04. | :23:20. | |
Wasn't that just incredible? And so atmospheric. But you don't care now, | :23:21. | :27:00. | |
do you, because we have got Alfie Boe here. You cannot have a big | :27:01. | :27:02. | |
concert, can you, Boe here. You cannot have a big | :27:03. | :27:05. | |
Boe? I got changed to go home Boe here. You cannot have a big | :27:06. | :27:12. | |
you called me back! I Barcelona was absolutely stunning, | :27:13. | :27:17. | |
it was epic, were you happy with how it went? I was thrilled, I am glad | :27:18. | :27:24. | |
everybody enjoyed it, and I must say , Edinburgh is the best city in the | :27:25. | :27:29. | |
world. We have had a brilliant welcome here. We are here because | :27:30. | :27:33. | |
the Commonwealth Games 1-0 next Wednesday, so what will you be | :27:34. | :27:38. | |
watching? Are you a fan? Oh, my goodness, I will be watching the | :27:39. | :27:46. | |
domino rally... Putting you on the spot. I continue, we do know you are | :27:47. | :27:51. | |
domino rally... Putting you on the a rock fan. Who are you most looking | :27:52. | :27:57. | |
forward to seeing? Culture Club of course, and the wonderful Smokey | :27:58. | :28:04. | |
Robinson. That is going to be great. He is literally out the back | :28:05. | :28:13. | |
this venue here, Alfie, it must help you with those high notes, it is a | :28:14. | :28:16. | |
magnificent place to seeing, isn't it? It is beautiful, and the people | :28:17. | :28:24. | |
make it even better. I will be doing it at the end of the year as well, | :28:25. | :28:27. | |
it is going to be fun. Alfie Boe, everybody! I think they are nearly | :28:28. | :28:38. | |
ready. A quick reminder that tonight's concept does contain | :28:39. | :28:44. | |
flashing images, so please bear that in mind at home. The battlements of | :28:45. | :28:48. | |
Edinburgh Castle have witnessed history being made. There have been | :28:49. | :28:54. | |
wars, sieges, murders and revolutions. But all of that is | :28:55. | :29:00. | |
nothing compared to what our next guests have been through. Please | :29:01. | :29:05. | |
welcome Culture Club! # Precious kisses | :29:06. | :29:16. | |
words that burn me. # Wrapped in sorrow, | :29:17. | :30:12. | |
words are token. # You've been talking | :30:13. | :31:21. | |
but believe me. # Everything's not what | :31:22. | :31:30. | |
you see it's over again. APPLAUSE AND CHEERING | :31:31. | :33:34. | |
Thank you very much. Hope you are going to come and see us when we | :33:35. | :33:38. | |
play in December and I hope you have a lovely evening. Happy birthday to | :33:39. | :33:47. | |
John's son Clyde who's 17 today. We are one big happy family. This is | :33:48. | :34:01. | |
Karma Chameleon. # Desert loving | :34:02. | :34:08. | |
in your eyes all the way. # If I listened to | :34:09. | :34:10. | |
your lies would you say. # Karma karma karma | :34:11. | :34:14. | |
karma karma chameleon. # Loving would be easy | :34:15. | :34:39. | |
if your colors were like my dream. # Didn't hear | :34:40. | :34:50. | |
your wicked words every day. # And you used to be so sweet I | :34:51. | :35:02. | |
heard you say. # Karma karma karma | :35:03. | :35:05. | |
karma karma chameleon. # Loving would be easy | :35:06. | :35:37. | |
if your colors were like my dream. # Karma karma karma | :35:38. | :35:43. | |
karma karma chameleon. # Loving would be easy | :35:44. | :36:46. | |
if your colors were like my dream. # Karma karma karma | :36:47. | :36:52. | |
karma karma chameleon. # Loving would be easy | :36:53. | :37:21. | |
if your colors were like my dream. APPLAUSE AND CHEERING | :37:22. | :37:59. | |
Absolutely phenomenal. So brilliant to have you back. Wasn't it good? | :38:00. | :38:09. | |
Now then boys, come here. When we have recovered from that. Now, the | :38:10. | :38:14. | |
reason I have got Il Divo back on stage is because a little bird has | :38:15. | :38:20. | |
told us that it's actually your birthday today. Oh, yes. So, | :38:21. | :38:29. | |
audience, sing along, please, if you will. They've sung to you. | :38:30. | :38:36. | |
# Happy birthday # Happy birthday to you. | :38:37. | :38:46. | |
Happy birthday indeed. # Happy birthday to you. | :38:47. | :38:54. | |
this. Hang on. Thank you so much. I can't believe this. I have a cake | :38:55. | :38:59. | |
for you. Thank you so wish. Three, two, one! | :39:00. | :39:12. | |
Happy birthday to you. Thank you so much. It's not just your birthday, | :39:13. | :39:18. | |
of course you boys are celebrating ten years together this year. Any | :39:19. | :39:22. | |
plans specifically? Well, we are touring. We are about to actually | :39:23. | :39:27. | |
come to Europe. This is how we are going to celebrate it because | :39:28. | :39:31. | |
there's nothing better than celebrating with an audience. You | :39:32. | :39:38. | |
are the best crowd here. And you have played all over the world in | :39:39. | :39:42. | |
venues everywhere. How does Edinburgh Castle compare? We know | :39:43. | :39:47. | |
the audience are fab. As a location, it's pretty special, isn't it? It's | :39:48. | :39:50. | |
amazing. We played here before, when was it? A few years ago. 2006 we did | :39:51. | :39:56. | |
a tour. It's unbelievable this environment. We are going to be soon | :39:57. | :40:01. | |
again back in the UK, it's October, touring over here. We are going to | :40:02. | :40:07. | |
be back very soon. Great. Boys, go and enjoy your cake. Happy birthday | :40:08. | :40:14. | |
again. Il Divo everybody! APPLAUSE AND CHEERING | :40:15. | :40:19. | |
Still to come we have Smokey Robinson. We are not finished yet. | :40:20. | :40:23. | |
For the final time this evening it's time to welcome Bill Bailey. Bill, | :40:24. | :40:31. | |
come and have a chat. They're not quite ready. We will put you on this | :40:32. | :40:35. | |
side. There you are. Now, I think you are the favourite | :40:36. | :40:44. | |
of the night so far. Oh. I love you too. What have you got planned for | :40:45. | :40:49. | |
the final instalment? The final instalment I am going to be | :40:50. | :40:54. | |
attempting to play popular songs on an instrument of my own devising. | :40:55. | :41:02. | |
It's a tuned car horns. The thing is with Bill Bailey he can do | :41:03. | :41:03. | |
everything. How many musical instruments can you actually play? | :41:04. | :41:08. | |
342. Have you just plucked that figure? Yes. Mainly keyboards. | :41:09. | :41:16. | |
Piano, horn, percussion, guitar. I will give it my best shot. We can't | :41:17. | :41:21. | |
wait to hear the last instalment. Ladies and gentlemen, Bill Bailey! | :41:22. | :41:36. | |
OK, a medley of popular songs. Take it away, Steve. | :41:37. | :42:43. | |
APPLAUSE AND CHEERING Do you want one more? One more! All | :42:44. | :43:01. | |
right then we will try. All right, the 1812 Overture. | :43:02. | :44:24. | |
Fantastic. Now, that was the last appearance by Bill Bailey this | :44:25. | :44:43. | |
evening, and a big thank you to him for being such an integral part of | :44:44. | :44:47. | |
this concert. It was a spectacular finish, but we are having some | :44:48. | :44:53. | |
complaints from the neighbours, so, if you are one of the families who | :44:54. | :44:57. | |
have lost your garden wall, we are very, very sorry. Once again, ladies | :44:58. | :45:08. | |
and gentlemen, Bill Bailey! So, the question is now, how do we top | :45:09. | :45:14. | |
that? And the answer is, with our very special next guest. Ladies and | :45:15. | :45:18. | |
gentlemen, we are in the presence of a living legend. He has been a | :45:19. | :45:22. | |
musical superstar for more than 50 years. He has released 100 singles | :45:23. | :45:30. | |
and recorded more than 4000 songs. The standout voice of Motown, a | :45:31. | :45:36. | |
one-man hit machine whose sound is burnt into our memories. It gives me | :45:37. | :45:40. | |
enormous pleasure to introduce the eternal genius of Mr Smokey | :45:41. | :45:43. | |
Robinson. # It's only there trying to fool | :45:44. | :46:28. | |
the public # But when it comes down to fooling | :46:29. | :46:33. | |
you # Now, honey, that's quite a | :46:34. | :46:35. | |
different subject # Really I'm sad, oh, sadder than | :46:36. | :46:37. | |
sad # Now, there's some sad things known | :46:38. | :46:41. | |
to man # But ain't too much sadder than | :46:42. | :46:48. | |
the tears of a clown # Now, if I appear to | :46:49. | :46:51. | |
be carefree # I try | :46:52. | :47:08. | |
to cover this hurt with # A show | :47:09. | :47:17. | |
of gladness # That I've been happy since you | :47:18. | :47:20. | |
decided to go # Oh, I need you so, I'm hurt and I | :47:21. | :47:30. | |
want you to know # Now, there's some sad things known | :47:31. | :47:38. | |
to man # Now, if there's a smile upon my | :47:39. | :47:46. | |
face # Really I'm sad, I'm hurting so | :47:47. | :48:28. | |
bad. # Excuse me, is this supposed to be | :48:29. | :49:53. | |
The Tracks Of My Tears?! Here comes Jessie J, and I love her so much! | :49:54. | :50:00. | |
# Don't be confused, the way is clear. | :50:01. | :50:05. | |
# And if you want it, you got it forever. | :50:06. | :50:15. | |
# You're gonna fly away, glad you're going my way. | :50:16. | :50:34. | |
# I love it when we're cruisin' together. | :50:35. | :50:40. | |
# I love it when we're cruisin' together. | :50:41. | :50:53. | |
# Everything's right, do what you must. | :50:54. | :51:13. | |
# And inch by inch we get closer and closer. | :51:14. | :51:19. | |
# To every little part of each other, oh baby yes. | :51:20. | :51:26. | |
# You're gonna fly away, glad you're going my way. | :51:27. | :51:43. | |
# I love it when we're cruisin' together. | :51:44. | :51:48. | |
# I love it when we're cruisin' together. | :51:49. | :52:03. | |
# And if you want it, you got it forever. | :52:04. | :53:09. | |
# You're gonna fly away, glad you're going my way. | :53:10. | :53:20. | |
# I love it when we're cruisin' together. | :53:21. | :53:26. | |
# I love it when we're cruisin' together. | :53:27. | :53:40. | |
# I love it when we're cruisin' together. | :53:41. | :53:50. | |
# I love it when we're cruisin' together. | :53:51. | :54:17. | |
# People say I'm the life of the party. | :54:18. | :54:45. | |
# Although I might be laughing loud and hearty. | :54:46. | :54:58. | |
# You'll see my smile looks out of place. | :54:59. | :55:17. | |
# If you look closer, it's easy to trace. | :55:18. | :55:22. | |
# Since you left me if you see me with another girl. | :55:23. | :55:44. | |
# Although she may be cute, she's just a substitute. | :55:45. | :55:56. | |
# You'll see my smile looks out of place. | :55:57. | :56:16. | |
# Yeah, look a little bit closer and it's easy to trace. | :56:17. | :56:22. | |
# Just a clown ooh yeah since you put me down. | :56:23. | :57:06. | |
# You'll see my smile looks out of place. | :57:07. | :57:26. | |
# Yeah just look closer, it's easy to trace. | :57:27. | :57:32. | |
# The tracks of my tears baby, baby baby baby. | :57:33. | :57:40. | |
# Yeah you'll see my smile looks out of place. | :57:41. | :57:52. | |
# Look little bit closer, it's easy to trace. | :57:53. | :57:58. | |
How good was that?! I think I will finally stop crying maybe at some | :57:59. | :58:35. | |
point this evening. I just glanced over and saw how brilliant the | :58:36. | :58:43. | |
castle looks as well. It is a perfect setting. Now, it has been a | :58:44. | :58:46. | |
summer of sport here in Britain, hasn't it? First of all we had a | :58:47. | :58:52. | |
tennis at Wimbledon. We have had the World Cup as well in Brazil | :58:53. | :58:55. | |
tennis at Wimbledon. We have had the all enjoyed. But this summer, the | :58:56. | :58:56. | |
spotlight is all enjoyed. But this summer, the | :58:57. | :59:00. | |
Scotland. Now, Edinburgh, tonight, and from Wednesday, Alaska will play | :59:01. | :59:05. | |
host to the 20th Commonwealth Games. The whole country is getting | :59:06. | :59:09. | |
behind it, the excitement is mounting, and records will be made | :59:10. | :59:14. | |
and broken. Preparations have been under way for five years. For the | :59:15. | :59:19. | |
past ten months, Queen's Baton Relay has been crossing continents, making | :59:20. | :59:24. | |
its way towards the very centre of the universe, right here in | :59:25. | :59:28. | |
Scotland. Second only to Wales! In that time it has covered 70 nations | :59:29. | :59:34. | |
and 120,000 miles, and the journey continues here tonight. Bringing the | :59:35. | :59:40. | |
baton into the castle, we have two of Scotland's finest sports | :59:41. | :59:47. | |
personalities, swimmer Greg or take and L col, accompanied by the Royal | :59:48. | :59:52. | |
Scots Dragoon Guards. Thank you so much. And to take the | :59:53. | :00:53. | |
baton on to Glasgow, please welcome back to the stage, Fred Mac Aulay. | :00:54. | :01:00. | |
Thank you very much. Ronnie, would you do us the honour of passing the | :01:01. | :01:06. | |
baton over to Fred, please. For this six yards. Yes, off you go. Well | :01:07. | :01:12. | |
done. Thank you very much. Thank you. | :01:13. | :01:19. | |
APPLAUSE AND CHEERING Thank you very much. Wow! A real | :01:20. | :01:23. | |
honour to accept this on behalf of the people and city of Glasgow from | :01:24. | :01:28. | |
you, Ronnie. I can promise you we are in for a terrific two weeks of | :01:29. | :01:33. | |
sport and sportsmanship. The world will be watching. Scotland will | :01:34. | :01:37. | |
deliver a fantastic show. Good luck to all the participants, especially | :01:38. | :01:40. | |
the home nations. I know you will do us proud. From me, good night. | :01:41. | :01:45. | |
Lovely. Off you go guys. Thank you so much. | :01:46. | :01:52. | |
Ronnie, let's go over here. Let's hear it again for the Royal Scots | :01:53. | :02:01. | |
Dragoon Guards. Fantastic. MUSIC: I'm Gonna Be (500 Miles) | :02:02. | :02:21. | |
OK. Ronnie just stepped on my dress. We have had a little bit of a rip. | :02:22. | :02:26. | |
Never mind. It's no exaggeration to say we have had a truly wonderful | :02:27. | :02:30. | |
evening. I would like to say a very big thank you to all the performers | :02:31. | :02:37. | |
here, not least, of course, our beloved Ronnie Corbett. Thank you so | :02:38. | :02:42. | |
much. Also to all the people working back stage, to everyone in our | :02:43. | :02:46. | |
audience tonight. You have been the best audience. And especially to all | :02:47. | :02:53. | |
of you watching at home. Two years ago the country came together as | :02:54. | :02:57. | |
never before to clap, cheer and compete in the 2012 Olympics. But | :02:58. | :03:02. | |
now we are getting a second bite at the cherry as Glasgow hosts the 2014 | :03:03. | :03:09. | |
Commonwealth Games. They start this Wednesday. You can catch all the | :03:10. | :03:15. | |
action right across the BBC. If the competitors get just a 10th of the | :03:16. | :03:19. | |
welcome we have had tonight in Edinburgh, it's going to be a truly | :03:20. | :03:24. | |
fantastic Games. To bring the evening to a rousing, pyrotechnics | :03:25. | :03:34. | |
finish we have a man who knows how to write a crowd-pleaser. Please | :03:35. | :03:42. | |
raise the Castle roof for the fantastic MrJohn Miles with his epic | :03:43. | :03:47. | |
song Music. They're nearly ready. Here we go. Ronnie, we will fill. | :03:48. | :03:53. | |
Right. A round of applause to everybody in the show this evening. | :03:54. | :03:57. | |
They've been fantastic. What was your highlight, Ronnie? The whole | :03:58. | :04:00. | |
evening has been fantastic. Hasn't it? It's been opera, hip hop. And | :04:01. | :04:09. | |
your amazing performance, darling, holding it together. Thank you, | :04:10. | :04:13. | |
Ronnie. I think they're ready. Again, please give a big welcome to | :04:14. | :04:19. | |
MrJohn Miles with his epic song Music and it's good night from the | :04:20. | :04:25. | |
both of us. Ronnie, say good night. Good night. | :04:26. | :04:49. | |
# And it will be my last # Music of the future. | :04:50. | :04:54. | |
# To live without my music would be impossible to do. | :04:55. | :05:10. | |
# Cos in this world of troubles, my music pulls me through. | :05:11. | :06:50. | |
# And it will be my last # Music of the future. | :06:51. | :06:58. | |
# To live without my music would be impossible to do. | :06:59. | :09:58. | |
# Cos in this world of troubles, my music pulls me through. | :09:59. | :10:16. |