
Browse content similar to Cerys Nol Adre. Check below for episodes and series from the same categories and more!
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-888 | 0:00:00 | 0:00:00 | |
-888 - -888 | 0:00:00 | 0:00:02 | |
-There'll always be -a part of Nashville in me. | 0:00:09 | 0:00:12 | |
-I was there for five years -and I enjoyed my time there. | 0:00:12 | 0:00:16 | |
-It was so easy -to compose music there. | 0:00:16 | 0:00:18 | |
-I've never had a plan. | 0:00:19 | 0:00:21 | |
-I'm not good at planning ahead -or sticking to a plan. | 0:00:21 | 0:00:26 | |
-I just like surprises. | 0:00:27 | 0:00:30 | |
-When life becomes ordinary... | 0:00:31 | 0:00:33 | |
-..it's time to test yourself again -and face another challenge. | 0:00:34 | 0:00:39 | |
-Move on, -meet someone new or set sail again. | 0:00:40 | 0:00:42 | |
-I'm looking forward to performing -at Rhos-y-gilwen in Pembrokeshire. | 0:00:46 | 0:00:50 | |
-I've been doing other stuff -for too long. | 0:00:51 | 0:00:55 | |
-It's nice to get back -to playing music again. | 0:00:55 | 0:00:59 | |
-Mason and Teel -have flown in from America. | 0:00:59 | 0:01:03 | |
-APPLAUSE | 0:01:04 | 0:01:06 | |
-# Planes do nothing for me | 0:01:35 | 0:01:40 | |
-# I see you and I'm far, far away | 0:01:40 | 0:01:45 | |
-# Far away | 0:01:47 | 0:01:49 | |
-# Take me in the same direction | 0:01:52 | 0:01:55 | |
-# I rise up -at the place where we both meet | 0:01:56 | 0:02:01 | |
-# It's a long way down | 0:02:01 | 0:02:05 | |
-# When you're so far from the ground | 0:02:05 | 0:02:08 | |
-# Wasting every hour | 0:02:09 | 0:02:12 | |
-# Planes do nothing for me | 0:02:15 | 0:02:20 | |
-# I see you and I'm far, far away | 0:02:20 | 0:02:25 | |
-# Far away | 0:02:27 | 0:02:29 | |
-# Give me a tasty sweet | 0:02:31 | 0:02:35 | |
-# I'll give you everything -that's on board | 0:02:35 | 0:02:40 | |
-# Sit down, relax, we'll be free | 0:02:40 | 0:02:43 | |
-# Forget about your cares | 0:02:43 | 0:02:46 | |
-# For the rest of the day | 0:02:46 | 0:02:48 | |
-# It's a long way down | 0:02:48 | 0:02:53 | |
-# When you're so far from the ground | 0:02:53 | 0:02:56 | |
-# Wasting every hour | 0:02:57 | 0:03:01 | |
-# Planes, trains, cars and boats | 0:03:03 | 0:03:08 | |
-# I might go again some day | 0:03:10 | 0:03:14 | |
-# If it brings you closer to me | 0:03:14 | 0:03:17 | |
-# Planes, trains, cars and boats | 0:03:19 | 0:03:24 | |
-# I might go again some day | 0:03:26 | 0:03:30 | |
-# If it brings you closer to me | 0:03:30 | 0:03:33 | |
-# Mm-mm-mm-mm-mm | 0:03:34 | 0:03:38 | |
-# Mm-mm-mm-mm-mm | 0:03:39 | 0:03:42 | |
-# Mm-mm-mm-mm-mm | 0:03:43 | 0:03:45 | |
-# Mm-mm-mm-mm-mm | 0:03:46 | 0:03:50 | |
-# Mm-mm-mm-mm-mm | 0:03:50 | 0:03:53 | |
-# Mm-mm-mm-mm-mm # | 0:03:55 | 0:03:57 | |
-Thank you very much. | 0:04:09 | 0:04:12 | |
-I'd like to introduce you -to my band. | 0:04:13 | 0:04:16 | |
-Mason Neely on the piano. | 0:04:16 | 0:04:18 | |
-Mason comes from Chattanooga. -He now lives in Rhode Island. | 0:04:24 | 0:04:29 | |
-Kevin Teel is on my left. | 0:04:30 | 0:04:32 | |
-Kevin is originally from Maine, -New England. | 0:04:38 | 0:04:42 | |
-We met in Nashville. Just say yeah! | 0:04:42 | 0:04:44 | |
-Yeah! | 0:04:45 | 0:04:46 | |
-Behind me, it's my pleasure -to introduce you to Mr Wall. | 0:04:47 | 0:04:51 | |
-He comes from faraway Swansea! | 0:04:57 | 0:05:00 | |
-It's lovely to have musicians -from home. | 0:05:03 | 0:05:06 | |
-Next, we're going to sing -Open Roads... | 0:05:06 | 0:05:09 | |
-..which is from my last album, -Never Say Goodbye. | 0:05:10 | 0:05:14 | |
-# I took a ride on your fingertips | 0:05:15 | 0:05:20 | |
-# Heaven high with the thrill of it | 0:05:20 | 0:05:24 | |
-# And in your eyes for a moment | 0:05:24 | 0:05:27 | |
-# It's like we never said goodbye | 0:05:27 | 0:05:33 | |
-# We took a walk for the hell of it | 0:05:36 | 0:05:40 | |
-# And we talked -through the thick of it | 0:05:40 | 0:05:44 | |
-# And in your eyes for a moment | 0:05:44 | 0:05:48 | |
-# It's like we never said goodbye | 0:05:48 | 0:05:53 | |
-# But something went wrong | 0:05:56 | 0:05:58 | |
-# You never came home | 0:06:00 | 0:06:02 | |
-# And we'll never know | 0:06:04 | 0:06:07 | |
-# What are these tears we're crying | 0:06:08 | 0:06:13 | |
-# I remember the open roads | 0:06:13 | 0:06:19 | |
-# Met at the corner -where no-one goes | 0:06:19 | 0:06:23 | |
-# No-one mattered at all | 0:06:23 | 0:06:26 | |
-# I remember the driving rain | 0:06:29 | 0:06:35 | |
-# Soaked to the skin, -these were perfect days | 0:06:36 | 0:06:39 | |
-# And I remember it all | 0:06:40 | 0:06:42 | |
-# Friends is such a horrid word | 0:06:45 | 0:06:49 | |
-# I sit at home -with the things I learned | 0:06:49 | 0:06:52 | |
-# He didn't phone -and in a different world | 0:06:53 | 0:06:57 | |
-# We'd have never said goodbye | 0:06:57 | 0:07:02 | |
-# Where are we going | 0:07:04 | 0:07:07 | |
-# With feeling alone | 0:07:08 | 0:07:10 | |
-# We'll never know | 0:07:12 | 0:07:16 | |
-# What are these tears we're crying | 0:07:16 | 0:07:21 | |
-# I remember the open roads | 0:07:21 | 0:07:27 | |
-# Met at the corner -where no-one goes | 0:07:27 | 0:07:32 | |
-# No-one mattered at all | 0:07:32 | 0:07:37 | |
-# I remember the driving rain | 0:07:37 | 0:07:43 | |
-# Soaked to the skin, -these were perfect days | 0:07:44 | 0:07:47 | |
-# And I remember it all | 0:07:48 | 0:07:51 | |
-# And as for then and as for now | 0:07:54 | 0:07:58 | |
-# As for who and as for how | 0:07:58 | 0:08:02 | |
-# There's just one thing -I can't forget | 0:08:03 | 0:08:07 | |
-# How beautiful | 0:08:07 | 0:08:09 | |
-# I remember the open roads | 0:08:09 | 0:08:15 | |
-# Met at the corner -where no-one goes | 0:08:15 | 0:08:19 | |
-# No-one mattered at all | 0:08:20 | 0:08:23 | |
-# I remember the driving rain | 0:08:25 | 0:08:31 | |
-# Soaked to the skin, -these were perfect days | 0:08:31 | 0:08:35 | |
-# And I remember it all | 0:08:36 | 0:08:38 | |
-# Hold on to dreams and to memories | 0:08:41 | 0:08:46 | |
-# They're the only things -that really exist | 0:08:46 | 0:08:52 | |
-# And in your eyes for a moment | 0:08:52 | 0:08:56 | |
-# It's like we never said | 0:08:57 | 0:09:01 | |
-# Never said | 0:09:03 | 0:09:08 | |
-# Goodbye # | 0:09:08 | 0:09:12 | |
-CERYS LEAVING WALES | 0:09:24 | 0:09:27 | |
-I was definitely escaping. | 0:09:27 | 0:09:29 | |
-People said, "Oh, you're brave, -going somewhere you don't know." | 0:09:29 | 0:09:33 | |
-For me, it would have been silly -carrying on with my life as it was. | 0:09:33 | 0:09:38 | |
-I was in London working all day, -up all night writing songs. | 0:09:38 | 0:09:44 | |
-I wasn't living a balanced life -at all. | 0:09:44 | 0:09:48 | |
-I couldn't sit in the house -reading or watching TV. | 0:09:48 | 0:09:52 | |
-There was too much going on. | 0:09:52 | 0:09:54 | |
-It was the right time for me -to get out of that life... | 0:09:55 | 0:09:59 | |
-..and sample some of the good life. | 0:09:59 | 0:10:02 | |
-It was great living somewhere -where no-one knew who I was. | 0:10:03 | 0:10:07 | |
-No-one had heard of me, or Catatonia -or any of the stories in the press. | 0:10:07 | 0:10:12 | |
-It was brilliant. I landed -in Nashville and started again. | 0:10:12 | 0:10:17 | |
-# I'm going to -show you paradise | 0:10:22 | 0:10:24 | |
-# Said the spider -to the fly | 0:10:25 | 0:10:27 | |
-# You will stay with me | 0:10:28 | 0:10:30 | |
-# Follow your compass -through the city | 0:10:34 | 0:10:37 | |
-# I'll be waiting for you | 0:10:37 | 0:10:40 | |
-# To show you the way | 0:10:40 | 0:10:43 | |
-# I want to bridge the space -between us | 0:10:47 | 0:10:51 | |
-# And make it a better place | 0:10:52 | 0:10:56 | |
-# For us to be together | 0:10:56 | 0:11:00 | |
-# Are you ready -for a night like this? | 0:11:00 | 0:11:05 | |
-# Like this | 0:11:06 | 0:11:09 | |
-# If you give me all that you have | 0:11:14 | 0:11:17 | |
-# I'll give you all that I have | 0:11:18 | 0:11:21 | |
-# And much more | 0:11:21 | 0:11:24 | |
-# It takes two to tango | 0:11:27 | 0:11:30 | |
-# We have huge differences | 0:11:30 | 0:11:34 | |
-# You never ask for anything | 0:11:34 | 0:11:36 | |
-# I want to bridge the space -between us | 0:11:40 | 0:11:44 | |
-# And make it a better place | 0:11:46 | 0:11:49 | |
-# For us to be together | 0:11:49 | 0:11:53 | |
-# Are you ready -for a night like this? | 0:11:54 | 0:11:59 | |
-# Like this | 0:12:00 | 0:12:02 | |
-# Fire | 0:12:07 | 0:12:12 | |
-# In my head | 0:12:12 | 0:12:15 | |
-# My bones, my heart | 0:12:15 | 0:12:17 | |
-# My soul, come closer | 0:12:18 | 0:12:21 | |
-# Let me feel your fingers -on my body | 0:12:23 | 0:12:28 | |
-# Fire | 0:12:29 | 0:12:34 | |
-# In my head | 0:12:34 | 0:12:36 | |
-# My bones, my heart | 0:12:37 | 0:12:39 | |
-# My soul, come closer | 0:12:40 | 0:12:44 | |
-# Let me feel your fingers -on my body | 0:12:44 | 0:12:50 | |
-# Fire | 0:12:51 | 0:12:55 | |
-# In my head, my bones, my heart | 0:12:55 | 0:13:00 | |
-# My soul, come closer | 0:13:01 | 0:13:05 | |
-# Let me feel your fingers | 0:13:06 | 0:13:10 | |
-# Let me feel your fingers | 0:13:13 | 0:13:16 | |
-# Oh-oh # | 0:13:17 | 0:13:19 | |
-. | 0:13:31 | 0:13:32 | |
-888 | 0:13:34 | 0:13:34 | |
-888 - -888 | 0:13:34 | 0:13:35 | |
-Chardonnay comes from Cockahoop. -It was written by Roger Cook. | 0:13:36 | 0:13:40 | |
-He was born in Bristol, England... | 0:13:40 | 0:13:43 | |
-..but he's lived in Nashville -for 30 years. | 0:13:44 | 0:13:46 | |
-Roger Cook wrote it with -Hugh Cornwell from the Stranglers... | 0:13:46 | 0:13:51 | |
-..on a porch in Nashville. | 0:13:51 | 0:13:53 | |
-Bucky Baxter, a pedal steel player -with Bob Dylan, produced Cockahoop. | 0:13:53 | 0:13:58 | |
-He heard the song and said, -"You've got to sing that song." | 0:13:58 | 0:14:03 | |
-No-one else has recorded it yet. | 0:14:03 | 0:14:05 | |
-I had the chance to record it and -it's a song I love performing live. | 0:14:05 | 0:14:12 | |
-Roger Cook is such a character. | 0:14:13 | 0:14:15 | |
-He writes a song every day -on his ukulele. | 0:14:15 | 0:14:18 | |
-He wrote I'd Like -to Teach the World to Sing... | 0:14:18 | 0:14:21 | |
-..and -You Were Talking in Your Sleep. | 0:14:22 | 0:14:24 | |
-He also likes filthy jokes. | 0:14:24 | 0:14:26 | |
-He's a close friend of mine! | 0:14:27 | 0:14:29 | |
-# Chardonnay, Chardonnay | 0:14:46 | 0:14:49 | |
-# How I love you, Chardonnay | 0:14:49 | 0:14:52 | |
-# As I reach to hold you -with my trembling hands | 0:14:52 | 0:14:57 | |
-# In my hands | 0:14:58 | 0:15:00 | |
-# My trembling hands | 0:15:01 | 0:15:04 | |
-# Chardonnay, Chardonnay | 0:15:05 | 0:15:07 | |
-# You'll be glad to hear me say | 0:15:08 | 0:15:11 | |
-# I will never need you more -than I do now | 0:15:11 | 0:15:15 | |
-# In my hands, my trembling hands | 0:15:17 | 0:15:22 | |
-# When I'm sad | 0:15:23 | 0:15:25 | |
-# Sad and blue | 0:15:26 | 0:15:28 | |
-# You are my friend | 0:15:28 | 0:15:30 | |
-# Constant and true | 0:15:30 | 0:15:34 | |
-# I dedicate this song to you | 0:15:35 | 0:15:40 | |
-# And I would like to take you home | 0:15:41 | 0:15:47 | |
-# With me | 0:15:47 | 0:15:50 | |
-# Chardonnay, Chardonnay | 0:15:51 | 0:15:54 | |
-# I'm in love with your bouquet | 0:15:54 | 0:15:57 | |
-# You're so cold -but you're so beautiful tonight | 0:15:57 | 0:16:02 | |
-# In my hands | 0:16:03 | 0:16:06 | |
-# My trembling hands | 0:16:06 | 0:16:09 | |
-# Chardonnay, Chardonnay | 0:16:29 | 0:16:32 | |
-# You don't have a lot to say | 0:16:32 | 0:16:35 | |
-# But your silence -has a welcome touch tonight | 0:16:35 | 0:16:40 | |
-# In my hands | 0:16:41 | 0:16:43 | |
-# My trembling hands | 0:16:44 | 0:16:47 | |
-# When I'm sad | 0:16:48 | 0:16:50 | |
-# Sad and blue | 0:16:50 | 0:16:53 | |
-# You are my friend | 0:16:54 | 0:16:57 | |
-# Constant and true | 0:16:57 | 0:17:00 | |
-# I dedicate | 0:17:00 | 0:17:03 | |
-# This night to you | 0:17:03 | 0:17:06 | |
-# And I would like | 0:17:06 | 0:17:09 | |
-# To take you home | 0:17:09 | 0:17:12 | |
-# With me | 0:17:13 | 0:17:14 | |
-# Tonight | 0:17:15 | 0:17:16 | |
-# La-la-la, la-la-la | 0:17:16 | 0:17:19 | |
-# La-la-la-la-la-la-la-la | 0:17:19 | 0:17:23 | |
-# La-la-la-la-la-la, -la-la-la-la-la-la-la | 0:17:23 | 0:17:28 | |
-# La-la-la | 0:17:29 | 0:17:31 | |
-# La-la-la-la-la-la # | 0:17:31 | 0:17:38 | |
-It's my great pleasure to welcome -Catrin Finch to the stage. | 0:17:50 | 0:17:54 | |
-We're going to perform a duet. | 0:17:54 | 0:17:56 | |
-I like Catrin Finch. | 0:18:00 | 0:18:02 | |
-She brings her own personal spark -to everything she performs. | 0:18:02 | 0:18:09 | |
-That's something I look for -in every musician I respect. | 0:18:10 | 0:18:14 | |
-They have to bring something -different to the music they perform. | 0:18:14 | 0:18:19 | |
-I'm looking forward to seeing what -sort of mess we make together... | 0:18:19 | 0:18:23 | |
-..when we perform the old songs. | 0:18:24 | 0:18:26 | |
-# If you want to walk on this earth | 0:18:42 | 0:18:44 | |
-# Don't speak | 0:18:46 | 0:18:48 | |
-# Take your time | 0:18:50 | 0:18:52 | |
-# Let your eyes -get used to the light | 0:18:55 | 0:18:58 | |
-# If you want to walk on this earth | 0:19:03 | 0:19:06 | |
-# Don't speak | 0:19:08 | 0:19:09 | |
-# Take your time | 0:19:12 | 0:19:14 | |
-# Let your eyes -get used to the light | 0:19:16 | 0:19:19 | |
-# Come slowly | 0:19:22 | 0:19:29 | |
-# Come slowly | 0:19:33 | 0:19:38 | |
-# Come slowly | 0:19:55 | 0:19:58 | |
-# Towards me | 0:19:58 | 0:20:03 | |
-# If you want to walk on this earth | 0:20:07 | 0:20:10 | |
-# Don't speak | 0:20:12 | 0:20:14 | |
-# Take your time | 0:20:16 | 0:20:19 | |
-# In your work shoes | 0:20:19 | 0:20:21 | |
-# Follow the same path as before | 0:20:22 | 0:20:24 | |
-# Come slowly | 0:20:27 | 0:20:34 | |
-# Come slowly | 0:20:38 | 0:20:44 | |
-# Come slowly | 0:20:48 | 0:20:50 | |
-# Place your head on my knee | 0:20:51 | 0:20:53 | |
-# Your skin on mine | 0:20:53 | 0:20:55 | |
-# Your hair as black as a crow | 0:20:56 | 0:20:58 | |
-# Black as a crow that knows no end | 0:20:58 | 0:21:02 | |
-# Place your head on my knee | 0:21:02 | 0:21:04 | |
-# Your skin on mine | 0:21:04 | 0:21:06 | |
-# Your skin in my hair | 0:21:06 | 0:21:09 | |
-# Black like a crow -that knows no end | 0:21:09 | 0:21:12 | |
-# Place your head on my knee | 0:21:12 | 0:21:15 | |
-# Your skin on mine | 0:21:15 | 0:21:17 | |
-# Your hair as black as a crow | 0:21:18 | 0:21:20 | |
-# Black as a crow -that knows no end # | 0:21:20 | 0:21:24 | |
-CERYS AND THE CHILDREN | 0:21:50 | 0:21:53 | |
-I left Nashville after six years -with my two children. | 0:21:53 | 0:21:58 | |
-I wanted them to be more aware -of their Welsh heritage... | 0:21:59 | 0:22:05 | |
-..and British heritage. | 0:22:05 | 0:22:07 | |
-I didn't want them -to spend their childhood in the car. | 0:22:07 | 0:22:12 | |
-That's what they would have done -in Nashville. | 0:22:13 | 0:22:16 | |
-I wanted them to live life -surrounded by nature and wildlife. | 0:22:16 | 0:22:22 | |
-They're definitely going to have -that in Pembrokeshire. | 0:22:22 | 0:22:27 | |
-Bringing two children up -on my own... | 0:22:29 | 0:22:32 | |
-..I need the support -of family and friends. | 0:22:33 | 0:22:37 | |
-This is where most of my family... | 0:22:37 | 0:22:40 | |
-..well, all my family -and all my friends live! | 0:22:40 | 0:22:43 | |
-I was sad to leave Nashville. | 0:22:44 | 0:22:46 | |
-I can always go back. | 0:22:46 | 0:22:49 | |
-# Rain fell, -it called off play | 0:22:51 | 0:22:54 | |
-# We ran for shelter -laughing at the stormy weather | 0:22:54 | 0:22:57 | |
-# Jack sang Bread of Heaven -and I thought of you | 0:22:57 | 0:23:00 | |
-# One sweet day, -finally, we'll chase each other | 0:23:01 | 0:23:04 | |
-# Shine a little light together | 0:23:04 | 0:23:06 | |
-# 'Til that day I hear you -though you're far away | 0:23:07 | 0:23:10 | |
-# I'll walk the earth to find you -and wrap my arms around you | 0:23:10 | 0:23:14 | |
-# And sing -the sweetest songs for you | 0:23:14 | 0:23:16 | |
-# In all good time, -we might find a mountain haven | 0:23:20 | 0:23:24 | |
-# Build a house and home and settle | 0:23:24 | 0:23:26 | |
-# Plant some crops -and pray they'll grow for me and you | 0:23:26 | 0:23:29 | |
-# And who's to know | 0:23:29 | 0:23:31 | |
-# We might wander in the trees -and shimmer under canopies | 0:23:31 | 0:23:35 | |
-# Of autumn's -rich kaleidoscope of gold and ruby | 0:23:35 | 0:23:38 | |
-# I'll walk the earth to find you | 0:23:39 | 0:23:41 | |
-# And wrap my arms around you | 0:23:41 | 0:23:43 | |
-# And sing the sweetest songs -for you | 0:23:43 | 0:23:46 | |
-# And as for stormy weather | 0:23:46 | 0:23:49 | |
-# We'll be so good together | 0:23:49 | 0:23:51 | |
-# I'm gonna find a way to you | 0:23:51 | 0:23:54 | |
-# But here and now, -the rain is falling steadily | 0:24:07 | 0:24:10 | |
-# The damp is crawling up to me | 0:24:11 | 0:24:12 | |
-# And Jack's still singing -all your favourite melodies | 0:24:13 | 0:24:16 | |
-# Soon enough, -we might find an easy sleep | 0:24:16 | 0:24:20 | |
-# Now no-one move, no-one speak | 0:24:21 | 0:24:22 | |
-# Let the music carry me -from here to you | 0:24:23 | 0:24:26 | |
-# I'll walk the earth to find you -and wrap my arms around you | 0:24:28 | 0:24:32 | |
-# And sing the sweetest songs -for you | 0:24:32 | 0:24:35 | |
-# And as for stormy weather, -we'll be so good together | 0:24:38 | 0:24:42 | |
-# I'm gonna find a way to you # | 0:24:42 | 0:24:45 | |
-. | 0:25:13 | 0:25:14 | |
-888 | 0:25:15 | 0:25:15 | |
-888 - -888 | 0:25:15 | 0:25:17 | |
-# I been crying a little | 0:25:28 | 0:25:31 | |
-# You been caught in the middle | 0:25:31 | 0:25:33 | |
-# It's something -you'd hate to admit to | 0:25:34 | 0:25:38 | |
-# But you are the only one | 0:25:38 | 0:25:43 | |
-# Who can know | 0:25:43 | 0:25:45 | |
-# Where you're going to | 0:25:45 | 0:25:47 | |
-# You shouldn't have done it | 0:25:50 | 0:25:52 | |
-# She shouldn't have said it | 0:25:52 | 0:25:55 | |
-# But after all is said and done | 0:25:55 | 0:26:00 | |
-# We are the only ones | 0:26:00 | 0:26:04 | |
-# Who can know | 0:26:04 | 0:26:06 | |
-# Where we want to go | 0:26:07 | 0:26:08 | |
-# Come lie with me, sir | 0:26:11 | 0:26:14 | |
-# Come lie with me, sir | 0:26:16 | 0:26:19 | |
-# Make good with love | 0:26:21 | 0:26:25 | |
-# It's better than envy | 0:26:25 | 0:26:28 | |
-# You say you regret it | 0:26:32 | 0:26:34 | |
-# Now learn to forget it | 0:26:34 | 0:26:36 | |
-# There's so much more to dwell on | 0:26:37 | 0:26:41 | |
-# And we are the only ones | 0:26:41 | 0:26:45 | |
-# Who can know | 0:26:45 | 0:26:47 | |
-# Where we want to start | 0:26:48 | 0:26:50 | |
-# Come lie with me, sir | 0:26:52 | 0:26:56 | |
-# Come lie with me, sir | 0:26:57 | 0:27:02 | |
-# Make good with love | 0:27:02 | 0:27:06 | |
-# It's better than envy | 0:27:06 | 0:27:09 | |
-# I'm caught in the middle | 0:27:27 | 0:27:30 | |
-# Still hurting a little | 0:27:30 | 0:27:32 | |
-# All I wanted was for you | 0:27:33 | 0:27:38 | |
-# To lay in my arms | 0:27:38 | 0:27:41 | |
-# And show me -what good lovin' can do | 0:27:42 | 0:27:46 | |
-# So kiss me goodnight | 0:27:47 | 0:27:49 | |
-# I'm suddenly tired | 0:27:49 | 0:27:52 | |
-# Let the sun go down | 0:27:54 | 0:27:57 | |
-# On me and you | 0:27:57 | 0:28:00 | |
-# We've got the time | 0:28:00 | 0:28:02 | |
-# And truth be told | 0:28:02 | 0:28:04 | |
-# I've been sad and lonely | 0:28:04 | 0:28:08 | |
-# I've been sad and lonely too # | 0:28:10 | 0:28:17 | |
-CERYS IN THE JUNGLE | 0:28:32 | 0:28:34 | |
-I didn't know anything -about the show... | 0:28:35 | 0:28:37 | |
-..when they asked me -to go on I'm a Celebrity. | 0:28:38 | 0:28:40 | |
-I said no, anyway. | 0:28:40 | 0:28:42 | |
-I was invited to go on -Hot in the Kitchen... | 0:28:42 | 0:28:46 | |
-Was it? Hell's Kitchen. | 0:28:46 | 0:28:49 | |
-Skating. | 0:28:49 | 0:28:51 | |
-Dancing. | 0:28:51 | 0:28:53 | |
-No, I'm rubbish at dancing anyway. | 0:28:53 | 0:28:56 | |
-I wouldn't be able to remember -the steps. | 0:28:56 | 0:28:59 | |
-I said no. | 0:28:59 | 0:29:01 | |
-Then they sent me a DVD -of the previous series. | 0:29:02 | 0:29:06 | |
-I thought, -after such a crazy 2007... | 0:29:07 | 0:29:10 | |
-..and just after -moving back to Wales... | 0:29:10 | 0:29:13 | |
-..with all my stuff in storage... | 0:29:13 | 0:29:15 | |
-..and the children -still not settled in Wales... | 0:29:16 | 0:29:19 | |
-..this was probably the best time -to do something crazy and chaotic... | 0:29:19 | 0:29:24 | |
-..and appear on a reality programme. | 0:29:24 | 0:29:27 | |
-A fortnight after leaving America -to move back to Pembrokeshire... | 0:29:27 | 0:29:33 | |
-..my children joined me -on the flight to Australia. | 0:29:33 | 0:29:37 | |
-My life was so crazy last year. | 0:29:38 | 0:29:41 | |
-It was easy for me -to sit in one place... | 0:29:41 | 0:29:44 | |
-..with no mobile phones, -no computers, no food, no salt... | 0:29:44 | 0:29:48 | |
-..no sugar, no coffee, no tea, -no TV, no books, no guitar... | 0:29:48 | 0:29:52 | |
-..no children, no family, nothing. | 0:29:52 | 0:29:55 | |
-I just sat there -watching the sun rise and set. | 0:29:55 | 0:29:58 | |
-Actually, it felt like a really -nice break for me, bizarrely enough. | 0:29:58 | 0:30:03 | |
-This is one of my favourites. -I love changing Welsh folk songs. | 0:30:04 | 0:30:10 | |
-# Farmer Jones, -who should know better | 0:30:17 | 0:30:20 | |
-# Sent to me a scrap of letter | 0:30:21 | 0:30:23 | |
-# Asking if I would be going | 0:30:25 | 0:30:27 | |
-# Off with Deio down to Towyn | 0:30:29 | 0:30:31 | |
-# Off we went, on Friday, roaming | 0:30:33 | 0:30:35 | |
-# Reaching Mawddwy in the gloaming | 0:30:36 | 0:30:40 | |
-# There we had a champion supper | 0:30:40 | 0:30:43 | |
-# Plates of porridge and rich butter | 0:30:44 | 0:30:46 | |
-# In the dawn we went past Dinas | 0:30:54 | 0:30:57 | |
-# Got some bread and cheese -at Gwanas | 0:30:59 | 0:31:02 | |
-# Through Talyllyn -the pace was growing | 0:31:02 | 0:31:05 | |
-# Going with Deio down to Towyn | 0:31:06 | 0:31:08 | |
-# Further on up to Abergynolwyn | 0:31:10 | 0:31:12 | |
-# Carry on down to Craig-y-Deryn | 0:31:14 | 0:31:16 | |
-# When we reached Ynys Maengwyn | 0:31:17 | 0:31:21 | |
-# Deio shouted, "There's Towyn!" | 0:31:21 | 0:31:23 | |
-# If I'm spared a little longer | 0:31:59 | 0:32:03 | |
-# And my savings bank gets stronger | 0:32:06 | 0:32:11 | |
-# Going with Deio down to Towyn | 0:32:14 | 0:32:18 | |
-# Will be my pleasure -and not my ruin! # | 0:32:20 | 0:32:23 | |
-Thank you very much. | 0:33:00 | 0:33:02 | |
-I'm a huge fan of Doris Day. | 0:33:06 | 0:33:09 | |
-My father didn't like her at all... | 0:33:09 | 0:33:11 | |
-..and most of the time, -I stick to Dad's musical taste. | 0:33:12 | 0:33:15 | |
-In this instance, -I don't agree with him! | 0:33:16 | 0:33:19 | |
-I like Tiptoes Through the Tulips, -Move Over, Darling. | 0:33:19 | 0:33:23 | |
-What else did she sing? Secret Love. | 0:33:23 | 0:33:25 | |
-# Once I had a secret love | 0:33:30 | 0:33:34 | |
-# That lived -within the heart of me | 0:33:35 | 0:33:40 | |
-# All too soon that secret love | 0:33:42 | 0:33:46 | |
-# Became impatient to be free | 0:33:48 | 0:33:53 | |
-# So I told a friendly star | 0:33:54 | 0:33:58 | |
-# The way that dreamers often do | 0:34:00 | 0:34:05 | |
-# Just how wonderful you are | 0:34:07 | 0:34:11 | |
-# And how I'm so in love with you | 0:34:13 | 0:34:18 | |
-# Now I shout it -from the highest hills | 0:34:19 | 0:34:25 | |
-# Even told the golden daffodils | 0:34:26 | 0:34:32 | |
-# At last my heart's an open door | 0:34:33 | 0:34:38 | |
-# And my secret love's no secret | 0:34:39 | 0:34:44 | |
-# Anymore | 0:34:44 | 0:34:48 | |
-# Aahh | 0:35:05 | 0:35:07 | |
-# Aahh | 0:35:08 | 0:35:10 | |
-# Aahh-aahh | 0:35:11 | 0:35:15 | |
-# Now I shout it -from the highest hills | 0:35:17 | 0:35:23 | |
-# Even told the golden daffodils | 0:35:23 | 0:35:29 | |
-# At last my heart's an open door | 0:35:30 | 0:35:35 | |
-# And my secret love's no secret | 0:35:36 | 0:35:41 | |
-# Anymore # | 0:35:42 | 0:35:47 | |
-. | 0:36:09 | 0:36:10 | |
-888 | 0:36:12 | 0:36:12 | |
-888 - -888 | 0:36:12 | 0:36:14 | |
-# In Oranmore | 0:36:22 | 0:36:26 | |
-# In the County Galway | 0:36:26 | 0:36:31 | |
-# One pleasant evening | 0:36:32 | 0:36:36 | |
-# In the month of May | 0:36:36 | 0:36:41 | |
-# I spied a damsel | 0:36:41 | 0:36:45 | |
-# She was young and handsome | 0:36:46 | 0:36:50 | |
-# Her beauty fairly | 0:36:52 | 0:36:56 | |
-# Took my breath away | 0:36:56 | 0:37:00 | |
-# She wore no jewels | 0:37:01 | 0:37:05 | |
-# Nor costly diamonds | 0:37:06 | 0:37:11 | |
-# Nor paint nor powder | 0:37:12 | 0:37:16 | |
-# No, none at all | 0:37:16 | 0:37:20 | |
-# She wore a bonnet | 0:37:21 | 0:37:26 | |
-# With a ribbon on it | 0:37:26 | 0:37:31 | |
-# And around her shoulder | 0:37:31 | 0:37:36 | |
-# Was the Galway Shawl | 0:37:36 | 0:37:42 | |
-# It was strange glue -that held us together | 0:37:43 | 0:37:47 | |
-# While we both came apart -at the seams | 0:37:48 | 0:37:52 | |
-# She said, "Your place or mine -while we've still got the time" | 0:37:52 | 0:37:58 | |
-# So I played along with her schemes | 0:37:58 | 0:38:02 | |
-# But I don't have the right -to be with you tonight | 0:38:02 | 0:38:07 | |
-# So please leave me alone -with no saviour in sight | 0:38:07 | 0:38:12 | |
-# I will sleep safe and sound -with nobody around me | 0:38:12 | 0:38:18 | |
-# When faced with my demons | 0:38:18 | 0:38:23 | |
-# I clothe them and feed them | 0:38:23 | 0:38:27 | |
-# And I smile, yes, I smile | 0:38:27 | 0:38:31 | |
-# As they're taking me over | 0:38:31 | 0:38:33 | |
-# And if I cannot sleep -for the secrets I keep | 0:38:37 | 0:38:42 | |
-# It's the price I'm willing to meet | 0:38:43 | 0:38:46 | |
-# The end of the night | 0:38:47 | 0:38:49 | |
-# Never comes too quickly for me | 0:38:50 | 0:38:54 | |
-# But I don't have -the right to be with you tonight | 0:39:16 | 0:39:21 | |
-# So please leave me alone -with no saviour in sight | 0:39:22 | 0:39:26 | |
-# I will sleep safe and sound -with nobody around me | 0:39:26 | 0:39:32 | |
-# When faced with my demons | 0:39:32 | 0:39:37 | |
-# I clothe them and feed them | 0:39:37 | 0:39:41 | |
-# And I smile | 0:39:41 | 0:39:43 | |
-# Yes, I smile | 0:39:43 | 0:39:45 | |
-# As they're taking me over | 0:39:45 | 0:39:48 | |
-# And if I cannot sleep | 0:39:51 | 0:39:53 | |
-# For the secrets I keep | 0:39:53 | 0:39:56 | |
-# It's the price I'm willing to seal | 0:39:56 | 0:40:00 | |
-# The end of the night | 0:40:01 | 0:40:03 | |
-# Never comes too quickly for me | 0:40:03 | 0:40:08 | |
-# But I smile | 0:40:08 | 0:40:11 | |
-# The end of the night | 0:40:11 | 0:40:13 | |
-# Never comes too quickly for me | 0:40:13 | 0:40:17 | |
-# But I smile | 0:40:18 | 0:40:22 | |
-# As they're taking me over | 0:40:22 | 0:40:27 | |
-# She wore no jewels | 0:40:44 | 0:40:49 | |
-# Nor costly diamonds | 0:40:49 | 0:40:53 | |
-# Nor paint, nor powder | 0:40:54 | 0:40:59 | |
-# No, none at all | 0:40:59 | 0:41:03 | |
-# She wore a bonnet | 0:41:04 | 0:41:08 | |
-# With a ribbon on it | 0:41:10 | 0:41:14 | |
-# And around her shoulder | 0:41:14 | 0:41:19 | |
-# Was the Galway Shawl # | 0:41:19 | 0:41:27 | |
-CERYS AND CATATONIA | 0:41:38 | 0:41:40 | |
-It's been 10 years since -International Velvet was released. | 0:41:41 | 0:41:44 | |
-A lot of people have asked whether -we would reform for a concert. | 0:41:45 | 0:41:50 | |
-There were five of us in the band -and you're only talking to one. | 0:41:51 | 0:41:56 | |
-You'll have to ask the others. | 0:41:56 | 0:41:58 | |
-I've been enjoying the songs -a lot more. | 0:41:58 | 0:42:00 | |
-One day, I'd like to perform songs -from Paper Scissors Stone. | 0:42:01 | 0:42:05 | |
-We never went on tour -with that album. | 0:42:05 | 0:42:07 | |
-I'd never say never. | 0:42:07 | 0:42:09 | |
-But not yet. | 0:42:09 | 0:42:11 | |
-# Now you say that you're leaving | 0:42:21 | 0:42:25 | |
-# To see the world -and swim the seven seas | 0:42:27 | 0:42:32 | |
-# I won't cry, no, no | 0:42:33 | 0:42:36 | |
-# Nor shed a tear, -nor wish you were here | 0:42:38 | 0:42:44 | |
-# The sun always shines on Carolina | 0:42:45 | 0:42:50 | |
-# The sun always shines -down on Tupelo | 0:42:52 | 0:42:56 | |
-# I keep my eyes on the bird -and the honey bee | 0:42:56 | 0:43:00 | |
-# And my mind won't go running back | 0:43:02 | 0:43:05 | |
-# Won't go running back to you | 0:43:06 | 0:43:09 | |
-# Now if I find you on a good day | 0:43:11 | 0:43:15 | |
-# Skies are blue, -no-one to bother you | 0:43:16 | 0:43:21 | |
-# Steadfast and stalwart -on the mountain side | 0:43:22 | 0:43:27 | |
-# With a river to run | 0:43:27 | 0:43:30 | |
-# And a dog named Lutiano | 0:43:30 | 0:43:36 | |
-# So say that you're leaving | 0:43:55 | 0:43:59 | |
-# Go see the world -and swim the seven seas | 0:44:01 | 0:44:06 | |
-# I won't cry, no, no | 0:44:06 | 0:44:11 | |
-# Nor shed a tear -nor wish you were here | 0:44:12 | 0:44:17 | |
-# Cos the sun always shines -on Carolina | 0:44:19 | 0:44:24 | |
-# The sun always shines -down on Tupelo | 0:44:25 | 0:44:30 | |
-# I keep my eyes on the bird -and the honey bee | 0:44:30 | 0:44:35 | |
-# And my mind won't go running back | 0:44:35 | 0:44:39 | |
-# Won't go running back | 0:44:39 | 0:44:41 | |
-# The sun always shines on Carolina | 0:44:42 | 0:44:46 | |
-# The sun always shines -down on Tupelo | 0:44:47 | 0:44:51 | |
-# I'll keep my eyes on the bird -and the honey bee | 0:44:52 | 0:44:57 | |
-# And if that's what you want | 0:44:57 | 0:45:00 | |
-# Pack up your bags | 0:45:01 | 0:45:03 | |
-# Don't write a note | 0:45:03 | 0:45:06 | |
-# Walk to the door | 0:45:06 | 0:45:09 | |
-# Turn around one last time | 0:45:09 | 0:45:12 | |
-# Turn off the lights | 0:45:12 | 0:45:14 | |
-# Take one step to the left | 0:45:14 | 0:45:17 | |
-# And another to the right | 0:45:17 | 0:45:19 | |
-# And walk away | 0:45:19 | 0:45:21 | |
-# And walk away | 0:45:22 | 0:45:24 | |
-# And walk away | 0:45:24 | 0:45:27 | |
-# And walk away | 0:45:27 | 0:45:30 | |
-# Away | 0:45:31 | 0:45:33 | |
-# Walk away | 0:45:36 | 0:45:38 | |
-# Walk away # | 0:45:39 | 0:45:41 | |
-Ar Lan y Mor - an old folk song... | 0:45:47 | 0:45:50 | |
-..I wanted to try out -with the American musicians. | 0:45:50 | 0:45:54 | |
-I'm just wondering, since we're -so familiar with these songs... | 0:45:55 | 0:45:59 | |
-..we don't know what's special -and what's just ordinary. | 0:45:59 | 0:46:03 | |
-I always wonder -whether the tune is fantastic... | 0:46:04 | 0:46:07 | |
-..or is it down to nostalgia -or whatever? | 0:46:07 | 0:46:11 | |
-I played around 15 songs for Mason. | 0:46:11 | 0:46:15 | |
-I asked him to tell me -which ones stood out. | 0:46:17 | 0:46:21 | |
-Ar Lan y Mor didn't! | 0:46:21 | 0:46:24 | |
-I still want to perform it. | 0:46:25 | 0:46:27 | |
-It reminds me of the stuff -that Bob Dylan performs sometimes... | 0:46:27 | 0:46:32 | |
-..if you play it a different way. | 0:46:32 | 0:46:35 | |
-I'm really fond of... | 0:46:35 | 0:46:39 | |
-..the words. | 0:46:40 | 0:46:42 | |
-# Along the shore -there are red roses | 0:46:52 | 0:46:57 | |
-# Along the shore -there are white lilies | 0:46:57 | 0:47:02 | |
-# Along the shore -is my sweetheart's dwelling | 0:47:02 | 0:47:07 | |
-# She sleeps at night -and wakes in the morning | 0:47:08 | 0:47:12 | |
-# The egg is full -of yolk and egg white | 0:47:13 | 0:47:18 | |
-# The sea is full -of sand and seashells | 0:47:18 | 0:47:23 | |
-# The tree is full -of leaves and flowers | 0:47:24 | 0:47:29 | |
-# And I am full of love for someone | 0:47:29 | 0:47:34 | |
-# Along the shore, -there is a flat rock | 0:48:16 | 0:48:21 | |
-# Where I whispered -to my darling | 0:48:21 | 0:48:26 | |
-# All around -the lilies are blooming | 0:48:27 | 0:48:32 | |
-# And a couple of sprigs -of rosemary | 0:48:32 | 0:48:36 | |
-# Along the shore -there are red roses | 0:48:37 | 0:48:42 | |
-# Along the shore -there are white lilies | 0:48:42 | 0:48:47 | |
-# Along the shore -is my sweetheart's dwelling | 0:48:47 | 0:48:53 | |
-# She sleeps at night -and wakes in the morning | 0:48:53 | 0:48:58 | |
-# She sleeps at night -and wakes in the morning # | 0:48:58 | 0:49:03 | |
-Mr Kevin Teel. Mr Mason Neely. | 0:49:14 | 0:49:18 | |
-Mr Wall. | 0:49:20 | 0:49:22 | |
-S4C subtitles by Simian 04 | 0:49:40 | 0:49:42 | |
-. | 0:49:42 | 0:49:43 |