Jess
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Transcript
| Line | From | To | |
|---|---|---|---|
-. | 0:00:00 | 0:00:00 | |
-Four Cardigan friends burst onto the -Welsh music scene in the 1980s... | 0:00:01 | 0:00:07 | |
-..with their innovative -and adventurous music. | 0:00:07 | 0:00:10 | |
-Twenty five years later and we mark -the group's birthday and success... | 0:00:11 | 0:00:16 | |
-..by looking back at their amazing -experiences and close friendships. | 0:00:16 | 0:00:22 | |
-We relive the journey -of Brychan, Chris, Emyr and Owen... | 0:00:23 | 0:00:27 | |
-..otherwise known as Jess. | 0:00:27 | 0:00:30 | |
-Let's start at the very beginning -and Cardigan school. | 0:00:34 | 0:00:37 | |
-Emyr and Brychan, you were good -friends in the same school year. | 0:00:38 | 0:00:41 | |
-Why did you decide to make music? | 0:00:42 | 0:00:44 | |
-Brychan? | 0:00:44 | 0:00:46 | |
-I don't want to say that it was out -of boredom in our Welsh lessons... | 0:00:47 | 0:00:51 | |
-..but that's always my first memory -when I look back at that time. | 0:00:52 | 0:00:56 | |
-It was cooler to be in a rock band -as opposed to triple Welsh! | 0:00:56 | 0:01:02 | |
-Sorry Mr Jenkins -because you were a great teacher... | 0:01:02 | 0:01:07 | |
-..but you are responsible -for the formation of Jess. | 0:01:07 | 0:01:11 | |
-Thank you, Mr Jenkins. | 0:01:12 | 0:01:13 | |
-You were a year older and could -play the guitar properly, Chris. | 0:01:14 | 0:01:19 | |
-Yes, and I was far more mature! | 0:01:19 | 0:01:22 | |
-The only reason they let me join -was because I had a Fender guitar. | 0:01:22 | 0:01:28 | |
-Emyr and I were awful -but Chris could really play... | 0:01:29 | 0:01:32 | |
-..so all of sudden, -we sounded like a proper band. | 0:01:33 | 0:01:37 | |
-Chris had spent so many years -playing along to U2 in his bedroom. | 0:01:37 | 0:01:43 | |
-You started singing in English -and had an English name. | 0:01:43 | 0:01:48 | |
-Yes, we were The Unbearable Fardels. | 0:01:48 | 0:01:51 | |
-Yes, we were The Unbearable Fardels. - -It isn't that much better than Jess! | 0:01:51 | 0:01:53 | |
-Why sing in English? | 0:01:54 | 0:01:55 | |
-I don't think we knew about -the Welsh music scene. | 0:02:02 | 0:02:06 | |
-We knew about Ail Symudiad -and the Fflach record label... | 0:02:06 | 0:02:10 | |
-..but it was a mystery world to us. | 0:02:10 | 0:02:14 | |
-I told them that -if they performed in Welsh... | 0:02:14 | 0:02:17 | |
-..Radio Cymru -would play their music. | 0:02:18 | 0:02:21 | |
-You can tell -when someone has talent. | 0:02:21 | 0:02:26 | |
-There was something unusual -about the band... | 0:02:27 | 0:02:29 | |
-..so I invited them -to record a session. | 0:02:30 | 0:02:33 | |
-It's where you met Owen. You worked -there as a technician, Owen. | 0:02:34 | 0:02:38 | |
-What do you remember about meeting -these three for the first time? | 0:02:39 | 0:02:43 | |
-Not a lot really, but I remember -being in the front room of Fflach. | 0:02:43 | 0:02:49 | |
-You had another drummer -and he couldn't make the session... | 0:02:50 | 0:02:54 | |
-..so I filled in on the drums -and it was all downhill from there! | 0:02:55 | 0:03:00 | |
-With the band in place -and the demo ready... | 0:03:02 | 0:03:06 | |
-..it was time to create -the first cassette. | 0:03:06 | 0:03:10 | |
-# Coming down... # | 0:03:10 | 0:03:13 | |
-Jess, Jess, the first album was -made in the cow-house at Crymych. | 0:03:14 | 0:03:20 | |
-The boys were in the shed and the -mixing desk was in the cow-house. | 0:03:22 | 0:03:27 | |
-They played live -and put everything down in one take. | 0:03:28 | 0:03:31 | |
-We made the tapes straight after it. | 0:03:31 | 0:03:35 | |
-The cassette was done and the band -was ready to announce their arrival. | 0:03:37 | 0:03:42 | |
-Jess was launched on the -Eisteddfod Maes in Newport in 1988. | 0:03:43 | 0:03:48 | |
-Fortunately, Hubert managed -the sound system of the rock tent. | 0:03:48 | 0:03:54 | |
-They arrived and slept in the lorry -outside the tent. | 0:03:55 | 0:03:59 | |
-If there was a break in the day, -Jess stepped up and performed. | 0:04:00 | 0:04:05 | |
-I'm sure they performed every day, -if not twice a day... | 0:04:06 | 0:04:09 | |
-..and people at the Eisteddfod -enjoyed listening to them. | 0:04:10 | 0:04:14 | |
-Following the success -of the cassette... | 0:04:20 | 0:04:22 | |
-..and your performances in the rock -tent at the Newport Eisteddfod... | 0:04:23 | 0:04:27 | |
-..you were invited to Czechoslovakia -to record with 9 aged only 18. | 0:04:27 | 0:04:32 | |
-It's quite amazing. -Yes, it was truly amazing. | 0:04:33 | 0:04:36 | |
-A van was waiting for us -when we arrived at the airport. | 0:04:37 | 0:04:43 | |
-It took us -to the Palace of Culture... | 0:04:43 | 0:04:46 | |
-..where an audience of 2,500 people -were waiting to see us perform. | 0:04:46 | 0:04:51 | |
-We'd only ever performed on the -farmyard or 18th birthday parties. | 0:04:51 | 0:04:56 | |
-We arrived and they asked us -to be the headline act. | 0:04:57 | 0:05:01 | |
-Chris, Emyr, Owen, Brychan -o Britanie - Jess! | 0:05:02 | 0:05:06 | |
-# The spirit of the day is rising | 0:05:06 | 0:05:11 | |
-# The spirit ... # | 0:05:12 | 0:05:14 | |
-With Six gigs -and four video shoots for S4C... | 0:05:15 | 0:05:18 | |
-..in the safe hands -of Geraint Jarman and Byw... | 0:05:19 | 0:05:22 | |
-..the band was going -from strength to strength. | 0:05:23 | 0:05:25 | |
-# The day # | 0:05:25 | 0:05:28 | |
-I'm sure Czechoslovakia gave you -a real taster for performing... | 0:05:31 | 0:05:36 | |
-..and gave you the desire -to become a real band. | 0:05:36 | 0:05:41 | |
-We thought we'd made it. We'd been -on tour and we were still in school. | 0:05:41 | 0:05:47 | |
-And you'd worked -with Geraint Jarman. | 0:05:47 | 0:05:49 | |
-Yes, he was the man. | 0:05:50 | 0:05:52 | |
-As Emyr said, -we were still in school... | 0:05:52 | 0:05:55 | |
-..but were mixing with -proper musicians and going on tour. | 0:05:56 | 0:06:00 | |
-We respected and wanted to be them -but they were streets ahead of us! | 0:06:01 | 0:06:06 | |
-In 1989, you recorded -your second cassette, Y Gath... | 0:06:06 | 0:06:11 | |
-..this time in a proper recording -studio as opposed to a shed. | 0:06:12 | 0:06:17 | |
-Had Jess developed in that year? | 0:06:17 | 0:06:20 | |
-Yes, we had new songs -and a full set. | 0:06:20 | 0:06:24 | |
-Chris and Brych' had composed -the songs and we'd rehearsed them. | 0:06:24 | 0:06:28 | |
-We went into Fflach -and made the cassette very quickly. | 0:06:29 | 0:06:34 | |
-Did we? | 0:06:34 | 0:06:35 | |
-Did we? - -Don't you remember? | 0:06:35 | 0:06:37 | |
-The archive footage makes me realise -how little I remember. | 0:06:38 | 0:06:42 | |
-I remember we ran a cat over -on the way to the studio... | 0:06:43 | 0:06:46 | |
-..which is why the album -became known as Y Gath. | 0:06:47 | 0:06:49 | |
-Is that true? | 0:06:50 | 0:06:51 | |
-Is that true? - -Yes. We didn't kill it on purpose! | 0:06:51 | 0:06:54 | |
-In 1989, Jess won three awards -at the Cytgord awards. | 0:06:55 | 0:07:00 | |
-Yes, we had best band, best lead -singer and best cassette for Y Gath. | 0:07:01 | 0:07:07 | |
-Did it boost your confidence? | 0:07:07 | 0:07:10 | |
-We were up there anyway, but it -proved to everyone we were the best. | 0:07:11 | 0:07:15 | |
-Yes, it's nice to get -some recognition. | 0:07:16 | 0:07:21 | |
-Yes. | 0:07:21 | 0:07:22 | |
-# Wah-ah-ah | 0:07:23 | 0:07:27 | |
-# Wah-ah-ah... # | 0:07:27 | 0:07:30 | |
-It was confirmation -that the public had accepted Jess... | 0:07:31 | 0:07:35 | |
-..so they returned to the studio -once again. | 0:07:36 | 0:07:40 | |
-By 1990, when you released the -masterpiece, Hyfryd I Fod Yn Fyw... | 0:07:40 | 0:07:45 | |
-..some say that you'd really -found your sound as a band. | 0:07:46 | 0:07:50 | |
-Did you feel the same? | 0:07:51 | 0:07:53 | |
-I think we preferred -some of our later recordings. | 0:07:53 | 0:07:59 | |
-I think that's only natural... | 0:08:01 | 0:08:03 | |
-..because you evolve -as a musician and composer... | 0:08:04 | 0:08:10 | |
-..but I still think some -of the early stuff was good. | 0:08:10 | 0:08:14 | |
-# Woah, oh-oh-oh-oh | 0:08:15 | 0:08:17 | |
-# Woah | 0:08:17 | 0:08:19 | |
-# She's perfect, perfect... # | 0:08:20 | 0:08:24 | |
-I think we were firing -on all cylinders during the 1990s. | 0:08:24 | 0:08:30 | |
-During Y Gath -and Hyfryd I Fod Yn Fyw... | 0:08:30 | 0:08:32 | |
-..Jess was a group of nice boys -from Cardigan. | 0:08:33 | 0:08:36 | |
-As we got older, -we became more rock 'n roll. | 0:08:36 | 0:08:40 | |
-What's your favourite song -out of all your work? | 0:08:40 | 0:08:44 | |
-We were looking through -our archives the other day. | 0:08:44 | 0:08:48 | |
-It was quite recently. | 0:08:48 | 0:08:50 | |
-It was very funny to see the clothes -and hair... | 0:08:51 | 0:08:54 | |
-..but we found a song -that none of us remember recording. | 0:08:54 | 0:08:59 | |
-It was never released. | 0:09:00 | 0:09:02 | |
-It's called Bachan Bach -and it was fantastic. | 0:09:02 | 0:09:04 | |
-It's as if someone else -had written it. | 0:09:05 | 0:09:08 | |
-# Little boy stands apart | 0:09:08 | 0:09:10 | |
-# Little boy is lonely | 0:09:11 | 0:09:13 | |
-# What's wrong, little boy? | 0:09:13 | 0:09:15 | |
-# Little boy, don't be foolish | 0:09:15 | 0:09:18 | |
-# Don't be anything -you don't want to be | 0:09:18 | 0:09:22 | |
-# Things that will come, -things that are yet to arrive | 0:09:23 | 0:09:26 | |
-# Scenes we cannot see | 0:09:26 | 0:09:29 | |
-# The small wings will fly forth | 0:09:29 | 0:09:32 | |
-# "Come to hell," -says the voice in my head | 0:09:33 | 0:09:36 | |
-# Little boy, grow up, go away | 0:09:36 | 0:09:39 | |
-# Why? | 0:09:39 | 0:09:43 | |
-# Why don't you grow up -you foolish little boy? | 0:09:43 | 0:09:47 | |
-# Why not? | 0:09:47 | 0:09:50 | |
-# Why not? | 0:09:51 | 0:09:56 | |
-# Why not? | 0:09:58 | 0:10:04 | |
-# Little boy | 0:10:07 | 0:10:12 | |
-# Why not? | 0:10:13 | 0:10:18 | |
-# Things that will come, -things that are yet to arrive | 0:10:22 | 0:10:27 | |
-# Scenes we cannot see | 0:10:27 | 0:10:30 | |
-# The small wings will fly forth | 0:10:30 | 0:10:34 | |
-# "Come to hell" | 0:10:34 | 0:10:40 | |
-# Why not? | 0:10:43 | 0:10:48 | |
-# Little boy | 0:10:51 | 0:10:56 | |
-# Why not? # | 0:10:57 | 0:11:02 | |
-. | 0:11:03 | 0:11:03 | |
-Subtitles | 0:11:08 | 0:11:10 | |
-By 1992, Jess had released -another album called Paris Hotel... | 0:11:14 | 0:11:18 | |
-..on their own label. | 0:11:18 | 0:11:20 | |
-The group think its their best work -but not everyone agreed. | 0:11:20 | 0:11:25 | |
-# This is something -safe and secure | 0:11:26 | 0:11:29 | |
-# It will end before you say, "Amen" | 0:11:29 | 0:11:33 | |
-# Keep faith in the belly # | 0:11:33 | 0:11:38 | |
-You split the audience. | 0:11:47 | 0:11:49 | |
-People loved Jess whilst others -admired your musicality. | 0:11:50 | 0:11:56 | |
-But they also hated us! | 0:11:58 | 0:12:00 | |
-Your songs were too good and too -clever both musically and vocally. | 0:12:01 | 0:12:07 | |
-Was it difficult to accept -that kind of criticism? | 0:12:07 | 0:12:11 | |
-It didn't hurt me personally -but it could be quite sterile... | 0:12:12 | 0:12:16 | |
-..because we rehearsed -for five days a week. | 0:12:17 | 0:12:20 | |
-A lot of the songs -were too clever. | 0:12:20 | 0:12:24 | |
-We were trying to be clever. | 0:12:24 | 0:12:26 | |
-We weren't cool -but we were popular. | 0:12:27 | 0:12:31 | |
-When a band is popular, -people want to criticise you. | 0:12:32 | 0:12:35 | |
-You rehearsed and rehearsed, -but where was that? | 0:12:36 | 0:12:40 | |
-It was a room above the cowshed -on Penlan farm. | 0:12:40 | 0:12:43 | |
-It became more than a rehearsal -room but a place to socialise. | 0:12:44 | 0:12:48 | |
-We were there every day and night -until the early hours. | 0:12:49 | 0:12:53 | |
-But it showed. | 0:12:53 | 0:12:54 | |
-People didn't like the fact -that we were so tight. | 0:12:55 | 0:12:58 | |
-When we did something, -we all did it together. | 0:12:58 | 0:13:03 | |
-# Who is rich? | 0:13:03 | 0:13:06 | |
-# It's not me and it's not you | 0:13:07 | 0:13:10 | |
-# Who is paying? | 0:13:10 | 0:13:13 | |
-# It's not me and it's not you # | 0:13:14 | 0:13:17 | |
-Do you remember the set-up when -it came to composing your songs? | 0:13:18 | 0:13:23 | |
-In terms of -some of our best songs... | 0:13:24 | 0:13:27 | |
-..I would devise the melody -for a verse and chorus. | 0:13:28 | 0:13:33 | |
-Brychan brought a missing chorus -or verse to the table... | 0:13:34 | 0:13:40 | |
-..and he composed the lyrics. | 0:13:40 | 0:13:43 | |
-My only regret is that I wasn't -willing to listen to others... | 0:13:43 | 0:13:49 | |
-..because I thought -my way was the best. | 0:13:51 | 0:13:55 | |
-This often happens in bands because -your songs are like your children. | 0:13:55 | 0:14:00 | |
-You want them to turn out -as you see them in your head... | 0:14:01 | 0:14:04 | |
-..but it takes time to learn -that this isn't always the case. | 0:14:05 | 0:14:09 | |
-Sometimes, one of us composed -an entire song. | 0:14:10 | 0:14:12 | |
-I don't think it had the same spark -as when we'd co-written something. | 0:14:13 | 0:14:18 | |
-It wasn't formulaic and there was -no telling who would do what. | 0:14:18 | 0:14:22 | |
-Chris and I often -produced something. | 0:14:22 | 0:14:27 | |
-Emyr and Owen frequently say -that they didn't compose... | 0:14:28 | 0:14:33 | |
-..but they did in their own way. | 0:14:33 | 0:14:37 | |
-Owen had rhythmic ideas -that would transform a song. | 0:14:37 | 0:14:43 | |
-I thought it sounded good -a certain way... | 0:14:45 | 0:14:48 | |
-..but Owen would play a rhythm -that worked as a counterpoint... | 0:14:48 | 0:14:53 | |
-..and you realised -that it was meant to be that way. | 0:14:54 | 0:14:58 | |
-Four albums later, and against -the wishes of their fans... | 0:15:00 | 0:15:03 | |
-..they made -a controversial decision. | 0:15:04 | 0:15:06 | |
-You chose to return to singing -in English. Why was that, Chris? | 0:15:07 | 0:15:11 | |
-We were bilingual -because we still sang in Welsh. | 0:15:11 | 0:15:15 | |
-We were ambitious and wanted -to make a living out of music. | 0:15:16 | 0:15:22 | |
-We had to acknowledge -that within the Welsh rock scene... | 0:15:22 | 0:15:26 | |
-..it wasn't possible to make -a living out of it for life. | 0:15:27 | 0:15:32 | |
-We had to decide whether we were -going to try for the big time... | 0:15:33 | 0:15:39 | |
-..so we had to give it a shot. | 0:15:40 | 0:15:43 | |
-There was also the feeling -of wanting to extend our audience. | 0:15:43 | 0:15:47 | |
-If the Welsh enjoyed our music... | 0:15:47 | 0:15:49 | |
-..why wouldn't the English-speaking -world enjoy our music too? | 0:15:49 | 0:15:53 | |
-# I'd hate to be affected by -the actions of the addicted youth | 0:15:54 | 0:15:58 | |
-# The whole world -is surfing on a bad pink vibe | 0:15:59 | 0:16:05 | |
-# The whole world -is surfing on a bad pink vibe # | 0:16:06 | 0:16:12 | |
-Jess was last step -before you had Cool Cymru... | 0:16:14 | 0:16:17 | |
-..before Catatonia -and Super Furries. | 0:16:17 | 0:16:20 | |
-They were a class act -with great songs. | 0:16:20 | 0:16:25 | |
-Their songs -are so musical and different. | 0:16:26 | 0:16:31 | |
-It's a shame the world didn't -see this but there's still time! | 0:16:32 | 0:16:37 | |
-I don't think we opened -the floodgates... | 0:16:38 | 0:16:40 | |
-..but we were the first over the top -and took all the flack... | 0:16:41 | 0:16:46 | |
-..so it was easier for them -to follow suit. | 0:16:47 | 0:16:51 | |
-After recording the English album, -Sextravaganja... | 0:16:53 | 0:16:56 | |
-..they received a number of offers -from many London record companies. | 0:16:57 | 0:17:01 | |
-All the contracts are on the table. | 0:17:01 | 0:17:04 | |
-The solicitors can sort it out... | 0:17:05 | 0:17:07 | |
-..but we haven't -signed on the dotted line yet. | 0:17:08 | 0:17:11 | |
-I feel as if six years of hard work -have come to a fore. | 0:17:12 | 0:17:17 | |
-Which label? | 0:17:18 | 0:17:20 | |
-Which label? - -Rhythm King. | 0:17:20 | 0:17:21 | |
-Why didn't you sign the contract? | 0:17:26 | 0:17:29 | |
-I know why. It's one -of the things I do remember. | 0:17:29 | 0:17:32 | |
-Rhythm King had two directors... | 0:17:32 | 0:17:35 | |
-..Adele Nozedar -and Richard something or other! | 0:17:36 | 0:17:39 | |
-Adele believed in the group... | 0:17:39 | 0:17:41 | |
-..but Richard couldn't see -how they could sell or market Jess. | 0:17:42 | 0:17:48 | |
-He wasn't sure of our genre. | 0:17:48 | 0:17:51 | |
-He couldn't see where our records -would sit in the shops. | 0:17:51 | 0:17:57 | |
-Perhaps he was right, but it wasn't -meant to be so we went to Italy! | 0:17:57 | 0:18:03 | |
-After Italy, you performed with -Mike Peters as The Poets of Justice. | 0:18:05 | 0:18:10 | |
-Did this play a part -in the disbanding of Jess? | 0:18:11 | 0:18:16 | |
-It played a big part. | 0:18:16 | 0:18:18 | |
-If you put Jess on stage -with another strong front man... | 0:18:18 | 0:18:23 | |
-..I was left as a spare part -and felt bitter and lost interest. | 0:18:23 | 0:18:29 | |
-Mike needed a good guitarist, -a good drummer and bass player... | 0:18:30 | 0:18:34 | |
-..and he got that. | 0:18:34 | 0:18:36 | |
-I saw it as -the beginning of the end. | 0:18:37 | 0:18:40 | |
-I respect Mike because he's formed -a career in music where I failed. | 0:18:41 | 0:18:47 | |
-I think it was definitely -the beginning of the end for me. | 0:18:49 | 0:18:52 | |
-You disbanded in 1995, but -how do you look back at the period? | 0:18:53 | 0:18:57 | |
-Do you feel you achieved everything -you wanted to achieve as a band? | 0:18:57 | 0:19:02 | |
-No, we wanted a career in music... | 0:19:02 | 0:19:05 | |
-..so that we didn't have to get -a proper job. | 0:19:06 | 0:19:10 | |
-We failed in that respect, but -I wouldn't change a second of it. | 0:19:10 | 0:19:15 | |
-No, we had fun. | 0:19:15 | 0:19:18 | |
-If we'd done more of my arrangements -instead of your own... | 0:19:18 | 0:19:21 | |
-..then I'm sure it would've been -quite different! | 0:19:22 | 0:19:25 | |
-After disbanding, the members -followed their own projects... | 0:19:25 | 0:19:28 | |
-..and Jess fell silent for six years -until Bryn Terfel made a call... | 0:19:29 | 0:19:33 | |
-..and invited them to perform -at the Faenol Festival in 2001. | 0:19:33 | 0:19:37 | |
-# When the rain is coming down, -faces fall to the floor | 0:19:38 | 0:19:43 | |
-# I'll be at your side -to accept your faith and pure love | 0:19:44 | 0:19:50 | |
-# When the rain is coming down | 0:19:50 | 0:19:54 | |
-# Ba, ba-ba-ba-ba # | 0:19:54 | 0:19:58 | |
-How are going to celebrate -next year? | 0:19:59 | 0:20:01 | |
-How will you mark the milestone of -25 years since Jess' first cassette? | 0:20:01 | 0:20:06 | |
-There's certainly going to be -a few gigs next year. | 0:20:07 | 0:20:10 | |
-We've already confirmed that we're -playing at the Cnapan in March... | 0:20:10 | 0:20:14 | |
-..and probably the Eisteddfod -and I'd like to release something. | 0:20:14 | 0:20:18 | |
-We've got a lot of demos of songs -that were never released. | 0:20:19 | 0:20:22 | |
-There could an album, Jess 25, -so 25 songs including our best hits. | 0:20:23 | 0:20:27 | |
-25? | 0:20:28 | 0:20:29 | |
-I'm sure we've got 25 songs -so keep your eyes peeled! | 0:20:30 | 0:20:34 | |
-It's been a pleasure talking -to all four of you. | 0:20:34 | 0:20:37 | |
-Thank you for the music -and a happy birthday to Jess! | 0:20:37 | 0:20:41 | |
-# I want a show on S4C | 0:20:58 | 0:21:01 | |
-# But they never phone me | 0:21:02 | 0:21:05 | |
-# They are just like the BBC | 0:21:06 | 0:21:09 | |
-# Channel 5 and HTV | 0:21:09 | 0:21:13 | |
-# I want to be a luvvie | 0:21:14 | 0:21:17 | |
-# And call everyone lovely | 0:21:17 | 0:21:21 | |
-# I want a show on the telly | 0:21:21 | 0:21:24 | |
-# To prove how lush I can be | 0:21:25 | 0:21:29 | |
-# Oh, c-c-c-c-c-c-come on | 0:21:29 | 0:21:33 | |
-# I want a lot of attention | 0:21:33 | 0:21:36 | |
-# Moo-v-v-v-v-v-v-ing on | 0:21:36 | 0:21:41 | |
-# Instead of nothing at all | 0:21:41 | 0:21:44 | |
-# Oh, c-c-c-c-c-c-come on | 0:21:45 | 0:21:48 | |
-# It's gone | 0:21:49 | 0:21:52 | |
-# Like breaking wind in a breeze | 0:21:52 | 0:21:56 | |
-# Like breaking wind in a breeze | 0:21:56 | 0:22:00 | |
-# In a breeze | 0:22:01 | 0:22:04 | |
-# Youtube is the future | 0:22:09 | 0:22:12 | |
-# There are no boundaries on Youtube | 0:22:13 | 0:22:16 | |
-# Go and see me on Youtube | 0:22:17 | 0:22:20 | |
-# The future has begun | 0:22:21 | 0:22:24 | |
-# Oh, c-c-c-c-c-c-come on | 0:22:24 | 0:22:29 | |
-# I want a lot of attention | 0:22:29 | 0:22:32 | |
-# Moo-v-v-v-v-v-v-ing on | 0:22:32 | 0:22:36 | |
-# Instead of nothing at all | 0:22:36 | 0:22:39 | |
-# Oh, c-c-c-c-c-c-come on | 0:22:39 | 0:22:44 | |
-# It's gone | 0:22:44 | 0:22:47 | |
-# Like breaking wind in a breeze | 0:22:48 | 0:22:51 | |
-# Like breaking wind in a breeze | 0:22:52 | 0:22:55 | |
-# Like breaking wind in a breeze | 0:22:55 | 0:22:59 | |
-# Oh, flippin' heck, it's gone | 0:23:04 | 0:23:08 | |
-# Goodness me, it's just gone | 0:23:08 | 0:23:13 | |
-# Flippin' heck, it's gone | 0:23:13 | 0:23:18 | |
-# Ohhh-oh-oh-oh-oh-oh # | 0:23:19 | 0:23:24 | |
-Thank you and goodnight! | 0:23:29 | 0:23:30 | |
-# God, please give me a guitar, -like Julia the Guitar | 0:23:31 | 0:23:35 | |
-# Standing on the square -just like a man who doesn't care | 0:23:36 | 0:23:40 | |
-# God, please give me a guitar, -like Julia the guitar | 0:23:41 | 0:23:45 | |
-# Standing on the square -just like a man who doesn't care # | 0:23:46 | 0:23:52 | |
-S4C Subtitles by Tinopolis | 0:23:56 | 0:23:57 | |
-. | 0:23:58 | 0:23:58 |