Browse content similar to The Royal Opera: Puccini's La boheme. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
OPERATIC SINGING | 0:00:02 | 0:00:04 | |
Tonight, snow is softly falling on the stage of the Royal Opera House, | 0:00:30 | 0:00:35 | |
as we are transported to a winter's day in 19th-century Paris. | 0:00:35 | 0:00:40 | |
La boheme is one of | 0:00:40 | 0:00:41 | |
the world's favourite operas | 0:00:41 | 0:00:42 | |
and here at the Royal Opera House we | 0:00:42 | 0:00:44 | |
have a real theatrical event ahead. | 0:00:44 | 0:00:46 | |
A brand-new production - | 0:00:46 | 0:00:48 | |
the very first at Covent Garden in over 40 years. | 0:00:48 | 0:00:51 | |
And it's directed by | 0:00:51 | 0:00:52 | |
one of the stars of British theatre, Richard Jones. | 0:00:52 | 0:00:55 | |
At the helm of the orchestra tonight | 0:00:55 | 0:00:57 | |
is the Royal Opera's music director, Antonio Pappano. | 0:00:57 | 0:01:00 | |
And a brilliant young cast has assembled to play | 0:01:00 | 0:01:03 | |
the bunch of bohemians who live and love in 19th-century Paris. | 0:01:03 | 0:01:07 | |
Boheme is just a story about friends and people who fall in love. | 0:01:13 | 0:01:18 | |
It really is perfect music crafted by Puccini. | 0:01:18 | 0:01:22 | |
There's a poetry, there's a beauty, | 0:01:23 | 0:01:26 | |
and then there's a burning passion through it all. | 0:01:26 | 0:01:30 | |
The opera deals with the ordinary lives of ordinary people. | 0:01:30 | 0:01:33 | |
The librettists, Giuseppe Giacosa and Luigi Illica, | 0:01:33 | 0:01:37 | |
took inspiration from a French novel, Scenes Of A Bohemian Life, | 0:01:37 | 0:01:41 | |
to create an unforgettable story about a group of aspiring artists | 0:01:41 | 0:01:46 | |
living in a freezing Parisian garret. | 0:01:46 | 0:01:48 | |
Into their world comes a beautiful young seamstress, | 0:01:48 | 0:01:51 | |
battling a terrible disease. | 0:01:51 | 0:01:53 | |
In the story of Boheme, the four flatmates live in poverty. | 0:01:57 | 0:02:02 | |
I mean, they have nothing. It's a battle just to find | 0:02:02 | 0:02:05 | |
a baguette that's a couple of days old. | 0:02:05 | 0:02:07 | |
THEY SPEAK IN ITALIAN | 0:02:07 | 0:02:10 | |
There are bohemian people looking for something to eat, | 0:02:10 | 0:02:15 | |
for some fun, for music | 0:02:15 | 0:02:17 | |
and good, crazy times. | 0:02:17 | 0:02:20 | |
THEY SING IN ITALIAN | 0:02:20 | 0:02:22 | |
I just think that they come up with a way of surviving, through jokes | 0:02:25 | 0:02:30 | |
and having fun, in order to mask the problem that they live with. | 0:02:30 | 0:02:33 | |
HE SINGS IN ITALIAN | 0:02:35 | 0:02:37 | |
Marcello is a guy who is full of energy - | 0:02:41 | 0:02:44 | |
crazy, young man who is a painter. | 0:02:44 | 0:02:48 | |
In love with another crazy person, Musetta. | 0:02:48 | 0:02:52 | |
And she is his muse. | 0:02:52 | 0:02:55 | |
SHE SINGS IN ITALIAN | 0:02:55 | 0:02:58 | |
Musetta is the most mythical of all the characters, just like Venus. | 0:02:58 | 0:03:03 | |
She is passionate, she loves chaos. | 0:03:07 | 0:03:13 | |
Very good at castrating men's egos. | 0:03:13 | 0:03:16 | |
Rodolfo is a poet. He knows his way around words. | 0:03:18 | 0:03:22 | |
He's on the verge of maybe writing his epic next piece. | 0:03:22 | 0:03:27 | |
So when he hears a woman knock on the door | 0:03:29 | 0:03:31 | |
and then invites her in, to him, it's a shock. | 0:03:31 | 0:03:35 | |
SHE SINGS IN ITALIAN | 0:03:37 | 0:03:39 | |
When Mimi comes in, she is excitable | 0:03:44 | 0:03:47 | |
and she wants to experience the joys of life, | 0:03:47 | 0:03:51 | |
and so when she meets the bohemians and sees how different they all are | 0:03:51 | 0:03:54 | |
and what they have to offer, you know, it's a thrill for her. | 0:03:54 | 0:03:57 | |
HE SINGS IN ITALIAN | 0:03:57 | 0:03:59 | |
What unfolds for the next 15 minutes is a dialogue between | 0:04:03 | 0:04:07 | |
both Rodolfo and Mimi, telling each of their stories. | 0:04:07 | 0:04:11 | |
It's that first beautiful love, it's that innocent love, | 0:04:16 | 0:04:19 | |
where at the beginning nothing can go wrong. | 0:04:19 | 0:04:23 | |
They don't believe that anything is going to happen down the track. | 0:04:23 | 0:04:27 | |
They're strong characters, each one carved out of marble. | 0:04:29 | 0:04:36 | |
And the cast are all very rich in detail in their characterisations. | 0:04:36 | 0:04:42 | |
Then strings. Can I have just one, please? | 0:04:42 | 0:04:44 | |
-And one... -STRINGS PLAY | 0:04:44 | 0:04:48 | |
It's when you go from pizz to arco, there, the singing... | 0:04:49 | 0:04:54 | |
HE SINGS | 0:04:54 | 0:04:56 | |
..that the culture of that. It's just, "Da-duh!" | 0:04:56 | 0:04:58 | |
And you get that, OK? Once again. | 0:04:58 | 0:05:00 | |
We've all performed in La boheme in before. | 0:05:00 | 0:05:05 | |
And at the beginning of the rehearsal, | 0:05:05 | 0:05:07 | |
we decided we were going to start afresh. | 0:05:07 | 0:05:10 | |
Exactly. And that'll help the musicality of the whole thing. | 0:05:10 | 0:05:14 | |
And look into each word and try to find the true character. | 0:05:14 | 0:05:19 | |
OPERATIC SINGING | 0:05:19 | 0:05:21 | |
Puccini is one of the most intelligent composers | 0:05:25 | 0:05:29 | |
when it comes to writing emotion. | 0:05:29 | 0:05:32 | |
The tunes are just sublime. | 0:05:32 | 0:05:35 | |
The arias reveal the essence of each character. | 0:05:35 | 0:05:39 | |
This is unique. | 0:05:39 | 0:05:41 | |
He is a master at reincarnating themes | 0:05:43 | 0:05:46 | |
and sometimes they're even hidden. | 0:05:46 | 0:05:49 | |
They're hidden with different instruments | 0:05:49 | 0:05:51 | |
and layered-in to other music. | 0:05:51 | 0:05:53 | |
And you don't realise it until you see emerge | 0:05:53 | 0:05:56 | |
a character that's relevant to that theme. | 0:05:56 | 0:05:59 | |
The emotion that Puccini manages to put into the scores | 0:06:01 | 0:06:04 | |
just speaks to my heart. | 0:06:04 | 0:06:06 | |
You can put so much of yourself into it, | 0:06:06 | 0:06:09 | |
so it's an exhausting night in the theatre, but such a satisfying one. | 0:06:09 | 0:06:13 | |
THEY DUET IN ITALIAN | 0:06:13 | 0:06:16 | |
APPLAUSE | 0:06:26 | 0:06:28 | |
MUSIC STARTS | 0:06:40 | 0:06:42 | |
THEY LAUGH | 0:21:10 | 0:21:12 | |
THUD | 0:21:53 | 0:21:54 | |
HE LAUGHS | 0:22:06 | 0:22:08 | |
LAUGHTER | 0:23:32 | 0:23:34 | |
-Bravo! -Bravo! | 0:30:43 | 0:30:44 | |
CHEERING AND APPLAUSE | 0:30:44 | 0:30:46 | |
APPLAUSE | 0:35:46 | 0:35:48 | |
APPLAUSE | 0:40:19 | 0:40:21 | |
THEY CHATTER | 0:40:59 | 0:41:01 | |
MUSIC STARTS | 0:41:01 | 0:41:03 | |
SHE SCREAMS | 0:55:22 | 0:55:24 | |
APPLAUSE | 0:58:52 | 0:58:54 | |
MUSIC STARTS | 0:59:11 | 0:59:13 | |
SHE COUGHS | 1:03:28 | 1:03:31 | |
SHE COUGHS | 1:03:53 | 1:03:55 | |
BELL PEALS | 1:04:06 | 1:04:09 | |
SHE SOBS | 1:13:53 | 1:13:56 | |
APPLAUSE | 1:22:55 | 1:22:57 | |
MUSIC STARTS | 1:23:19 | 1:23:22 | |
HE LAUGHS | 1:30:12 | 1:30:14 | |
HE CALLS | 1:30:33 | 1:30:36 | |
SHE COUGHS | 1:45:06 | 1:45:08 | |
HE SOBS | 1:46:59 | 1:47:02 | |
# Mimi | 1:49:41 | 1:49:46 | |
# Mimi. # | 1:49:51 | 1:49:56 | |
HE SOBS | 1:49:56 | 1:49:58 | |
APPLAUSE | 1:50:38 | 1:50:40 | |
CHEERING | 1:51:44 | 1:51:46 | |
CHEERING | 1:52:00 | 1:52:02 | |
CHEERING | 1:52:16 | 1:52:18 | |
CHEERING | 1:52:34 | 1:52:36 | |
CHEERING | 1:53:03 | 1:53:05 |