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This programme contains some strong language. | 0:00:02 | 0:00:06 | |
Welcome to The Year In Music 2017, | 0:00:30 | 0:00:32 | |
a chance to look back at an amazing 12 months. | 0:00:32 | 0:00:35 | |
We'll be bringing you the year's best albums, biggest artists | 0:00:35 | 0:00:38 | |
and some unforgettable live music | 0:00:38 | 0:00:40 | |
including a very special performance | 0:00:40 | 0:00:43 | |
-from Rag'n'Bone Man. -That's right. | 0:00:43 | 0:00:45 | |
Now, Dave Grohl, Stormzy, Liam Gallagher, Dua Lipa | 0:00:45 | 0:00:48 | |
and many more are going to tell us | 0:00:48 | 0:00:49 | |
what they thought were the big music moments | 0:00:49 | 0:00:52 | |
and we're going to be revealing | 0:00:52 | 0:00:53 | |
the winners of the prestigious BBC Music Awards. | 0:00:53 | 0:00:57 | |
In the last 12 months, Sergeant Pepper turned 50 | 0:00:57 | 0:00:59 | |
and there were new albums from Taylor Swift, U2 and Sam Smith. | 0:00:59 | 0:01:03 | |
And Stormzy was everywhere, from Glastonbury to Love Island. | 0:01:03 | 0:01:06 | |
The Foo Fighters also had a huge year | 0:01:06 | 0:01:09 | |
and they got to duet with none other than Rick Astley. I mean... | 0:01:09 | 0:01:12 | |
Living the dream. We will soon be revealing the winners | 0:01:12 | 0:01:15 | |
of the best live performance of the year | 0:01:15 | 0:01:17 | |
but before we do that, here's a selection | 0:01:17 | 0:01:18 | |
of some of the standout live moments 2017 had to offer. | 0:01:18 | 0:01:22 | |
The year kicked off with Ed Sheeran at the Brit Awards. | 0:01:25 | 0:01:28 | |
Ed Sheeran this year has gone from being a musician | 0:01:28 | 0:01:32 | |
to being fluid or gas. | 0:01:32 | 0:01:34 | |
He exists in the ether. | 0:01:34 | 0:01:36 | |
Ed passed the baton to Stormzy. | 0:01:36 | 0:01:38 | |
# I'm in love with the shape of you | 0:01:38 | 0:01:40 | |
-RAPS: -# I gotta tell you I'm in love with your shape | 0:01:40 | 0:01:42 | |
# You said them other brothers couldn't really... # | 0:01:42 | 0:01:45 | |
The Brits night for me was one of the best nights of my life ever. | 0:01:45 | 0:01:49 | |
# Push and pull like a magnet do | 0:01:49 | 0:01:51 | |
# Although my heart is falling too... # | 0:01:51 | 0:01:53 | |
Yeah, big up, Ed, man, that's my brother. | 0:01:53 | 0:01:55 | |
CHEERING | 0:01:55 | 0:01:57 | |
Coldplay's Head Full Of Dreams shows | 0:01:59 | 0:02:01 | |
became the third highest grossing tour in history. | 0:02:01 | 0:02:04 | |
Well, they all try and outdo each other. | 0:02:07 | 0:02:09 | |
Coldplay have those wristbands which glow, it's a spectacle now. | 0:02:09 | 0:02:12 | |
It's technology getting better | 0:02:12 | 0:02:14 | |
and better and better, and being more exciting. | 0:02:14 | 0:02:17 | |
# ..of dreams! # | 0:02:17 | 0:02:20 | |
Heavy metal gods Black Sabbath returned home to Birmingham | 0:02:21 | 0:02:25 | |
for their last ever gig. | 0:02:25 | 0:02:27 | |
# Finished with my woman | 0:02:27 | 0:02:28 | |
# Cos she couldn't help me with my mind... # | 0:02:28 | 0:02:32 | |
As spring rolled around, the One Love concert in Manchester | 0:02:32 | 0:02:36 | |
proved that music couldn't be silenced. | 0:02:36 | 0:02:38 | |
# Her soul slides away | 0:02:38 | 0:02:43 | |
# Don't look back in anger | 0:02:43 | 0:02:46 | |
# I heard you say... # | 0:02:46 | 0:02:48 | |
Never, ever felt the power of music more than being | 0:02:48 | 0:02:50 | |
in Manchester for that concert. | 0:02:50 | 0:02:52 | |
One of Manchester's biggest rock and roll stars paid tribute. | 0:02:53 | 0:02:57 | |
With all that kind of stuff that's going down | 0:02:57 | 0:02:59 | |
and what had happened, I'd have walked there, you know what I mean? | 0:02:59 | 0:03:01 | |
As summer hit, so did the festivals. | 0:03:01 | 0:03:03 | |
# Staying alive... # | 0:03:03 | 0:03:10 | |
Radiohead returned to headline. | 0:03:10 | 0:03:13 | |
I thought it was a brilliant set. | 0:03:13 | 0:03:14 | |
What a weird sing-along moment Karma Police is. | 0:03:14 | 0:03:17 | |
# Karma police | 0:03:17 | 0:03:20 | |
# Arrest this man... # | 0:03:20 | 0:03:23 | |
Ed Sheeran and his guitar took to the main stage. | 0:03:23 | 0:03:26 | |
# I am on my way... # | 0:03:26 | 0:03:29 | |
Ed can do something which is really, really hard to do | 0:03:29 | 0:03:32 | |
which is headline festivals on your own. | 0:03:32 | 0:03:35 | |
Dua Lipa became the only solo female artist this year | 0:03:37 | 0:03:41 | |
to score a UK number one after she took Glastonbury by storm. | 0:03:41 | 0:03:44 | |
# You'll be mine... # | 0:03:44 | 0:03:47 | |
Glastonbury was the best day of my life. | 0:03:47 | 0:03:51 | |
It just felt like such a step up. | 0:03:51 | 0:03:52 | |
It's definitely up there with one of my favourite performances I've done. | 0:03:52 | 0:03:55 | |
Glastonbury, I love you! | 0:03:55 | 0:03:58 | |
The Proms season gave us stellar performances | 0:03:58 | 0:04:00 | |
with music from John Williams... | 0:04:00 | 0:04:02 | |
Jarvis Cocker celebrated '60s artist Scott Walker. | 0:04:08 | 0:04:11 | |
And the UK orchestra Chineke! showcased diversity | 0:04:15 | 0:04:18 | |
in classical music as they made their Proms debut. | 0:04:18 | 0:04:22 | |
I want the work of Chineke! to go so far | 0:04:22 | 0:04:26 | |
that in five, ten years' time, | 0:04:26 | 0:04:27 | |
we won't be having to have this conversation about | 0:04:27 | 0:04:30 | |
trying to diversify the industry. | 0:04:30 | 0:04:32 | |
Music itself does not discriminate. | 0:04:32 | 0:04:34 | |
So we've just got to get used to the fact that it's there for everyone. | 0:04:34 | 0:04:39 | |
Giggs was joined on stage at the Reading Festival | 0:04:45 | 0:04:47 | |
by global megastar Drake who continued to champion grime. | 0:04:47 | 0:04:51 | |
The thing about grime is that it's never really been | 0:04:53 | 0:04:56 | |
accepted by the mainstream. So what it's had to do | 0:04:56 | 0:04:58 | |
is create its own lane. | 0:04:58 | 0:05:00 | |
And this year it proved how big that lane is. | 0:05:00 | 0:05:02 | |
What a massive treat 2017 was for fans of live music | 0:05:04 | 0:05:07 | |
and the festival line-ups were outstanding. | 0:05:07 | 0:05:09 | |
At Glastonbury, Download, the Isle of Wight Festival | 0:05:09 | 0:05:12 | |
and of course, our very own Radio 1 Big Weekend. | 0:05:12 | 0:05:15 | |
Which bring us to our first award of the night. | 0:05:15 | 0:05:17 | |
The BBC Music Live Performance Of The Year. Here are the nominees. | 0:05:17 | 0:05:22 | |
# Your own personal Jesus... # | 0:05:25 | 0:05:30 | |
# Good times | 0:05:30 | 0:05:32 | |
# These are the good times... # | 0:05:32 | 0:05:36 | |
# I got the eye of the tiger... # | 0:05:36 | 0:05:39 | |
# Someone getting the best, the best... # | 0:05:43 | 0:05:45 | |
# Where the streets have no name... # | 0:05:47 | 0:05:50 | |
# Too many man, too many, many man... # | 0:05:53 | 0:05:56 | |
# Reach out and touch faith... # | 0:06:01 | 0:06:03 | |
Somewhere like Barrowland, it's tiny. | 0:06:03 | 0:06:05 | |
Everybody's standing up, everybody's chocker in there | 0:06:05 | 0:06:07 | |
and seeing the whites of your audience's eyes, | 0:06:07 | 0:06:10 | |
it adds a different frisson to the whole experience. | 0:06:10 | 0:06:12 | |
I mean, you know, Gahan's used to doing | 0:06:12 | 0:06:14 | |
his old snake hips routine | 0:06:14 | 0:06:16 | |
down some massive walkway in the middle of the Hollywood Bowl. | 0:06:16 | 0:06:19 | |
The energy was so reciprocal. He was throwing it out. | 0:06:22 | 0:06:24 | |
But he was sucking it up from the audience | 0:06:24 | 0:06:27 | |
and then he was throwing it back out again. | 0:06:27 | 0:06:29 | |
To see him up there doing it, it's just a massive thrill. | 0:06:29 | 0:06:32 | |
When Chic with Nile Rodgers played at Glastonbury, | 0:06:39 | 0:06:41 | |
everywhere you looked, everybody was moving. | 0:06:41 | 0:06:43 | |
# Good times | 0:06:43 | 0:06:46 | |
# These are the good times... # | 0:06:46 | 0:06:49 | |
The response from the people was, oh, my God, overwhelming. | 0:06:49 | 0:06:54 | |
Everybody say ho! | 0:06:54 | 0:06:56 | |
It was the most joyous, | 0:06:56 | 0:06:58 | |
feel-good live performances I've ever seen in my life. | 0:06:58 | 0:07:02 | |
# The clock is turning, why hesitate? # | 0:07:02 | 0:07:04 | |
You hear his influence in popular music, | 0:07:04 | 0:07:07 | |
and the crowd reacted to that. | 0:07:07 | 0:07:09 | |
Chic, Chic, everybody! | 0:07:09 | 0:07:11 | |
It was just incredible to watch the wave and to hear the wave | 0:07:12 | 0:07:16 | |
of people singing and then have it move back beyond you was fabulous. | 0:07:16 | 0:07:20 | |
Long live Nile Rodgers. Especially after that performance. | 0:07:20 | 0:07:24 | |
I love Big Weekend because we got to take Katy Perry to Hull. | 0:07:31 | 0:07:35 | |
That as a sentence is amazing. | 0:07:35 | 0:07:37 | |
# Turn it up, it's your favourite song | 0:07:37 | 0:07:39 | |
# Dance, dance, dance to the disco show... # | 0:07:39 | 0:07:42 | |
She's just got so many great songs. | 0:07:42 | 0:07:44 | |
And I love all the new ones. | 0:07:44 | 0:07:46 | |
And she was so, like, vulnerable and strong at the same time. | 0:07:46 | 0:07:51 | |
# We're all chained to the rhythm... # | 0:07:51 | 0:07:53 | |
She came back with Chained To The Rhythm which was, you know, | 0:07:53 | 0:07:56 | |
her voice, her opinion on the state of American politics. | 0:07:56 | 0:08:00 | |
I love that it had a message and it was political pop. | 0:08:00 | 0:08:03 | |
# Keep it on repeat | 0:08:03 | 0:08:04 | |
# Stumbling around like a wasted zombie... # | 0:08:04 | 0:08:08 | |
But it was still a banger. | 0:08:08 | 0:08:09 | |
# Chained to the rhythm. # No, we're not! | 0:08:09 | 0:08:12 | |
There was so much hinging on this performance. | 0:08:15 | 0:08:17 | |
I remember being nervous, "Oh, my God, what are they going to bring to Glastonbury? | 0:08:17 | 0:08:21 | |
"They've got to do something really special." | 0:08:21 | 0:08:23 | |
His exuberance, the energy, the enthusiasm, | 0:08:27 | 0:08:30 | |
comes across to the audience. | 0:08:30 | 0:08:32 | |
When they come on, they just blow you away. | 0:08:32 | 0:08:33 | |
It was just an amazing lesson in how to do a headline set at Glastonbury. | 0:08:37 | 0:08:41 | |
It was just the four of them on stage. | 0:08:45 | 0:08:47 | |
If you'd been to see U2 in 1977, | 0:08:48 | 0:08:51 | |
those were the people you would have seen on stage. | 0:08:51 | 0:08:54 | |
The Joshua Tree was extraordinary. | 0:08:54 | 0:08:56 | |
It was one of the best spectacles I've ever seen. | 0:08:56 | 0:08:59 | |
The biggest screen I've ever seen. | 0:08:59 | 0:09:01 | |
The U2 images, like, | 0:09:01 | 0:09:02 | |
the screens that were behind them, were so impactful. | 0:09:02 | 0:09:05 | |
You know, it's multisensory. | 0:09:05 | 0:09:06 | |
I mean, they're one of the greatest rock bands of all time. | 0:09:08 | 0:09:10 | |
# Where the streets have no name... # | 0:09:10 | 0:09:12 | |
Boy Better Know as a cultural phenomenon was crowned | 0:09:17 | 0:09:20 | |
headlining the Other Stage at Glastonbury. | 0:09:20 | 0:09:22 | |
To me, there's just nothing more electric | 0:09:22 | 0:09:25 | |
and more contagious than the energy of Boy Better Know on stage. | 0:09:25 | 0:09:29 | |
We need some more girls in here, we need some more girls in here! | 0:09:29 | 0:09:32 | |
We need some more girls in here! | 0:09:32 | 0:09:34 | |
It felt like a galvanising moment, everybody was going crazy | 0:09:34 | 0:09:36 | |
and I had Too Many Man stuck in my head for about a month afterwards. | 0:09:36 | 0:09:40 | |
# Too many man, too many, many man... # | 0:09:40 | 0:09:42 | |
We'll come back to that performance in years to come | 0:09:42 | 0:09:44 | |
to say, yes, that's when it all changed. | 0:09:44 | 0:09:46 | |
So many for the judges to choose from. | 0:09:49 | 0:09:52 | |
Clara, you witnessed this year's winners in the actual flesh. | 0:09:52 | 0:09:55 | |
I did, and they are truly wonderful people. | 0:09:55 | 0:09:57 | |
They did an amazing job for us in the Live Lounge | 0:09:57 | 0:09:59 | |
back in LA in September. | 0:09:59 | 0:10:01 | |
This year's BBC Music Live Performance Of The Year award | 0:10:01 | 0:10:04 | |
goes to Foo Fighters. | 0:10:04 | 0:10:06 | |
This year's winners for best live performance moshed | 0:10:16 | 0:10:18 | |
in the Royal Albert Hall. | 0:10:18 | 0:10:20 | |
They made Rick Astley rock in Japan. | 0:10:20 | 0:10:22 | |
# Never going to run around and desert you... # | 0:10:22 | 0:10:26 | |
Hey! | 0:10:26 | 0:10:29 | |
But it was their headlining set at Glastonbury | 0:10:29 | 0:10:31 | |
that clinched them the award. | 0:10:31 | 0:10:33 | |
I'm about two years late tonight, I'm sorry. | 0:10:33 | 0:10:37 | |
You know, we felt terrible about cancelling the first time, | 0:10:37 | 0:10:40 | |
but we just couldn't make it. | 0:10:40 | 0:10:41 | |
In the run-up to headlining Glastonbury in 2015, | 0:10:41 | 0:10:45 | |
Dave Grohl broke his leg at a gig in Sweden. | 0:10:45 | 0:10:48 | |
I think I just broke my leg. | 0:10:48 | 0:10:51 | |
It took me a long time just to walk again. | 0:10:51 | 0:10:53 | |
I kind of had to learn how to do everything again. | 0:10:53 | 0:10:57 | |
I hadn't stood up and played a show in so long. | 0:10:57 | 0:11:00 | |
So that gig was almost part of my therapy, in a way. | 0:11:00 | 0:11:04 | |
I wanted to see if I can do this to 100,000 people. | 0:11:04 | 0:11:08 | |
# It's times like these you learn to live again... # | 0:11:08 | 0:11:12 | |
I felt like we had something to prove, coming back two years later. | 0:11:12 | 0:11:18 | |
But I also felt personally it was kind of like | 0:11:18 | 0:11:20 | |
I had to prove to myself that we could do it. | 0:11:20 | 0:11:21 | |
# Easy for you say | 0:11:21 | 0:11:24 | |
# Your heart has never been broken... # | 0:11:24 | 0:11:27 | |
Everyone had built it up into such a big deal, | 0:11:27 | 0:11:29 | |
like, you're doing Glastonbury, Glastonbury, Glastonbury. | 0:11:29 | 0:11:32 | |
And I don't really think we realised how big of a festival it was. | 0:11:32 | 0:11:38 | |
After the first three or four songs, we catch a glance | 0:11:38 | 0:11:41 | |
with each other and we just kind of go, "Yeah, this is happening. | 0:11:41 | 0:11:44 | |
"We got 'em." | 0:11:44 | 0:11:45 | |
-We got a naked guy at that one too. -Yeah. | 0:11:51 | 0:11:53 | |
I see a naked guy! | 0:11:54 | 0:11:56 | |
Sure-fire sign that things are going well. | 0:11:58 | 0:12:01 | |
# There goes my hero | 0:12:01 | 0:12:05 | |
# Watch him as he goes... # | 0:12:05 | 0:12:07 | |
It just had that sense of, like, we're stoked that you're here, | 0:12:07 | 0:12:11 | |
and we're stoked to be there, | 0:12:11 | 0:12:12 | |
and we worked really hard to get it as tight as we can. | 0:12:12 | 0:12:15 | |
And then you have to lose the script and let it be loose again | 0:12:15 | 0:12:18 | |
for it to really boogie. | 0:12:18 | 0:12:21 | |
Right now, it's all about this, | 0:12:21 | 0:12:25 | |
and you, and us. | 0:12:25 | 0:12:28 | |
You know, and thank God it did there. | 0:12:28 | 0:12:31 | |
# Someone getting the best, the best, the best, the best of you | 0:12:31 | 0:12:36 | |
# Someone getting the best, the best, the best, the best of you... # | 0:12:39 | 0:12:45 | |
The crowd wouldn't stop singing the part. | 0:12:45 | 0:12:47 | |
And we sort of backed up and watched for a while, you know. | 0:12:47 | 0:12:50 | |
-CROWD: -# Whoa | 0:12:50 | 0:12:52 | |
# Whoa-oa-oa... # | 0:12:52 | 0:12:55 | |
It's nice when you go up to give someone a concert | 0:12:55 | 0:12:58 | |
and then they start giving it back so much | 0:12:58 | 0:13:00 | |
that you can sit down and watch them. | 0:13:00 | 0:13:02 | |
# Whoa, whoa... # | 0:13:02 | 0:13:05 | |
It really did just turn into this one big ball of love | 0:13:05 | 0:13:10 | |
and energy and celebration and music. | 0:13:10 | 0:13:13 | |
And that's what you want every show to be. | 0:13:13 | 0:13:16 | |
But when it's on that scale, it's a big feeling, you know. | 0:13:16 | 0:13:21 | |
And I remember when we walked backstage, and you could | 0:13:25 | 0:13:27 | |
still hear the audience singing that part of the song. | 0:13:27 | 0:13:30 | |
# Whoa, whoa... # | 0:13:30 | 0:13:32 | |
Damn, Sam! | 0:13:34 | 0:13:36 | |
That's a fucking award right there. | 0:13:36 | 0:13:39 | |
-Thank you so much. -You get in the shot, baby, it's OK. | 0:13:39 | 0:13:42 | |
I think we should thank all of our fans here in the UK | 0:13:42 | 0:13:48 | |
because we really kind of cut our teeth becoming a live band here. | 0:13:48 | 0:13:53 | |
Absolutely. | 0:13:53 | 0:13:54 | |
You guys really taught us | 0:13:54 | 0:13:56 | |
how to become a band that could headline a gig like Glastonbury. | 0:13:56 | 0:14:01 | |
So, this is for all of us. Thank you all very much. | 0:14:01 | 0:14:05 | |
Definitely our second home, thank you so much. | 0:14:05 | 0:14:07 | |
Marvellous. This is fucking amazing! | 0:14:11 | 0:14:14 | |
Foo Fighters giving a masterclass in just how to headline Glastonbury. | 0:14:15 | 0:14:19 | |
There have been some memorable records released this year. | 0:14:19 | 0:14:22 | |
The debuts, the tricky second album and the big hitters. | 0:14:22 | 0:14:26 | |
Now, before we reveal the nominees, | 0:14:26 | 0:14:27 | |
let's take a look at some of the albums | 0:14:27 | 0:14:29 | |
that got us all talking in 2017. | 0:14:29 | 0:14:31 | |
This year, Liam Gallagher was the comeback king, | 0:14:33 | 0:14:36 | |
resulting in his album As You Were hitting number one. | 0:14:36 | 0:14:39 | |
I think there's been no bigger pop comeback this year | 0:14:39 | 0:14:42 | |
than Our Kid himself, Liam Gallagher. | 0:14:42 | 0:14:44 | |
# You would keep the secrets in ya | 0:14:44 | 0:14:47 | |
# You'd be keeping paraphernalia... # | 0:14:47 | 0:14:49 | |
2017 has been amazing, it's nice to be back talking about music | 0:14:49 | 0:14:52 | |
instead of the drama that goes with my life, you know what I mean? | 0:14:52 | 0:14:56 | |
I think that if he'd have come out there | 0:14:56 | 0:14:57 | |
with the amount of bravado that he's got | 0:14:57 | 0:14:59 | |
but the music didn't back it up, it would have fallen flat. | 0:14:59 | 0:15:02 | |
# All night... # | 0:15:02 | 0:15:04 | |
This is your first solo album, this is your chance to remind everyone how charismatic you are, | 0:15:04 | 0:15:08 | |
and, you know, engender some of that goodwill | 0:15:08 | 0:15:10 | |
you kind of earned over the years with Oasis. | 0:15:10 | 0:15:12 | |
In the '90s, I'd have had about four people doing it. | 0:15:12 | 0:15:14 | |
Little geezer doing the kettle, our kid. | 0:15:14 | 0:15:16 | |
Now you've got to do it yourself these days, do you know what I mean? | 0:15:16 | 0:15:19 | |
And they wonder why there's no real rock and roll stars around. | 0:15:19 | 0:15:22 | |
It's fucking good, man. | 0:15:22 | 0:15:24 | |
# Wall of glass... # | 0:15:24 | 0:15:27 | |
It's nice to get people realising that I'm not just a fucking lunatic, | 0:15:29 | 0:15:32 | |
I do sing and that I'm pretty good at it, you know what I mean? | 0:15:32 | 0:15:35 | |
Who got the power? | 0:15:38 | 0:15:40 | |
Little Mix have one of the biggest album sales of the year, | 0:15:41 | 0:15:44 | |
and they even brought Stormzy on board. | 0:15:44 | 0:15:47 | |
# You're the man... # | 0:15:47 | 0:15:50 | |
I remember when I done this song with Little Mix, some people thought that questioned my integrity. | 0:15:50 | 0:15:55 | |
I was, like, bro, I rate Little Mix more than I rate some of your favourite rappers. | 0:15:55 | 0:15:59 | |
The Mercury Music Prize winner Sampha | 0:15:59 | 0:16:02 | |
proved the album story is still important. | 0:16:02 | 0:16:06 | |
It was really just surreal, to be perfectly honest. | 0:16:06 | 0:16:09 | |
-CHEERING -Sampha! | 0:16:09 | 0:16:12 | |
# No-one knows me like the piano | 0:16:15 | 0:16:20 | |
# In my mother's home... # | 0:16:20 | 0:16:22 | |
I think Sampha is talking about mourning and loss and love and the relationship with our mothers. | 0:16:22 | 0:16:28 | |
And I think that people can relate with that. | 0:16:28 | 0:16:30 | |
People, after shows or at festivals, people talked about how much | 0:16:30 | 0:16:34 | |
they'd been through situations with their own family, | 0:16:34 | 0:16:36 | |
that had been similar to mine. | 0:16:36 | 0:16:38 | |
Nothing beats listening to an album for the very first time | 0:16:38 | 0:16:40 | |
and hearing the journey that an artist has gone on, | 0:16:40 | 0:16:42 | |
and listening and appreciating the feeling and the care that has gone into that entire album. | 0:16:42 | 0:16:47 | |
Remembering something, even if it's difficult, is better than completely forgetting how it felt. | 0:16:47 | 0:16:52 | |
U2 told us another story this year, with their album Songs Of Experience. | 0:16:52 | 0:16:57 | |
# I could sing it to you all night, all night | 0:16:57 | 0:16:59 | |
# If I could, I'd make it all right, all right | 0:16:59 | 0:17:03 | |
# Nothing's stopping you except what's inside | 0:17:03 | 0:17:06 | |
# I can help you, but it's your fight, your fight... # | 0:17:06 | 0:17:11 | |
Another Mercury nominee, J Hus carved out a new British sound. | 0:17:11 | 0:17:14 | |
# Doing styles on them like it's common sense... # | 0:17:14 | 0:17:17 | |
It's just a record that sounds like 2017, | 0:17:17 | 0:17:21 | |
and there's such a kind of joy and ebullience to the execution. | 0:17:21 | 0:17:26 | |
# She love a ugly man making pretty money | 0:17:26 | 0:17:28 | |
# And I'm a ugly man making sexy money... # | 0:17:28 | 0:17:30 | |
You know, that is the best of British music, isn't it, | 0:17:30 | 0:17:33 | |
when you listen to an album and you're like, I haven't heard anything like this before. | 0:17:33 | 0:17:36 | |
# Yeah, yeah... # | 0:17:36 | 0:17:37 | |
This year, streaming has become the definitive method of consuming music. | 0:17:37 | 0:17:43 | |
Jay-Z released his 13th album on his own Tidal streaming label. | 0:17:43 | 0:17:47 | |
Tidal gave Kanye West the first album certified as gold. | 0:17:47 | 0:17:53 | |
-# But we still hood famous -Goddamn | 0:17:53 | 0:17:55 | |
# Yeah, we still hood famous... # | 0:17:55 | 0:17:58 | |
The idea that we now have a certified gold album | 0:17:58 | 0:18:01 | |
purely from digital sales and/or streaming | 0:18:01 | 0:18:04 | |
is saying quite loudly that streaming is here, | 0:18:04 | 0:18:06 | |
it's not going anywhere. | 0:18:06 | 0:18:08 | |
But vinyl sales were on the rise, too, this year, | 0:18:08 | 0:18:11 | |
and the Beatles' iconic Sgt Pepper album topped the charts on its 50th birthday. | 0:18:11 | 0:18:16 | |
An album like Sgt Pepper is a record that was life-changing. | 0:18:16 | 0:18:21 | |
Its vision was just so incredible. | 0:18:21 | 0:18:24 | |
# We're Sergeant Pepper's Lonely Hearts Club Band... # | 0:18:24 | 0:18:29 | |
It's as famous an image as anything by David Hockney or anything | 0:18:29 | 0:18:32 | |
you might go and buy a poster from the Tate and stick up on your wall. | 0:18:32 | 0:18:36 | |
It totally blew my mind. That is real psychedelia there for you. | 0:18:36 | 0:18:39 | |
# I don't like your little games... # | 0:18:41 | 0:18:43 | |
It was a social media blackout for Taylor Swift. | 0:18:43 | 0:18:46 | |
This year, Taylor deleted her Instagram, | 0:18:46 | 0:18:48 | |
put out a viral video with no explanation and did a track | 0:18:48 | 0:18:53 | |
and it was at the top of iTunes. | 0:18:53 | 0:18:55 | |
# Ooh, look what you made me do | 0:18:55 | 0:18:57 | |
# Look what you made me do | 0:18:57 | 0:18:59 | |
# Look what you just made me do | 0:18:59 | 0:19:01 | |
# Look what you just made me... # | 0:19:01 | 0:19:04 | |
George Michael was number one ten months after his death, | 0:19:05 | 0:19:08 | |
with the reissue of his second solo album, | 0:19:08 | 0:19:11 | |
complete with Nile Rodgers collaboration Fantasy. | 0:19:11 | 0:19:15 | |
Even though we had worked together in the past, | 0:19:15 | 0:19:18 | |
the fact that we worked together on the new product, | 0:19:18 | 0:19:21 | |
then it came to such a tragic end, | 0:19:21 | 0:19:23 | |
that I had to refocus and complete the record. | 0:19:23 | 0:19:26 | |
# I'll find another fantasy... # | 0:19:26 | 0:19:29 | |
He is just extraordinary, he's a national treasure. | 0:19:31 | 0:19:35 | |
# I'll find another fantasy. # | 0:19:35 | 0:19:38 | |
And Sam Smith returned with his second album, The Thrill Of It All. | 0:19:38 | 0:19:43 | |
# I'm way too good at goodbyes... # | 0:19:43 | 0:19:47 | |
I was just really scared that people didn't want to hear me sing again, | 0:19:47 | 0:19:50 | |
and the reception has just been overwhelming. | 0:19:50 | 0:19:53 | |
# I'm way too good at goodbyes. # | 0:19:53 | 0:19:58 | |
There were some excellent albums released this year. | 0:19:58 | 0:20:01 | |
There sure were, but who is going to be | 0:20:01 | 0:20:03 | |
on the shortlist for British Album Of The Year? | 0:20:03 | 0:20:06 | |
# You're getting way too big for your boots | 0:20:06 | 0:20:09 | |
# You're never too big for the boot... # | 0:20:09 | 0:20:10 | |
# Singing oh-oh-oh... # | 0:20:14 | 0:20:16 | |
# Mmm, I'm in love with the shape of you... # | 0:20:19 | 0:20:23 | |
# I'm only human after all | 0:20:25 | 0:20:28 | |
# I'm only human after all... # | 0:20:28 | 0:20:31 | |
# Don't be afraid to catch feels... # | 0:20:34 | 0:20:36 | |
# I've got new rules I count 'em... # | 0:20:38 | 0:20:41 | |
You needed an album that came along from somebody that had | 0:20:50 | 0:20:54 | |
that kind of bone fide star quality, and that was Stormzy. | 0:20:54 | 0:20:57 | |
# You're getting way too big for your boots | 0:20:57 | 0:20:59 | |
# You're never too big for the boot | 0:20:59 | 0:21:01 | |
# I've got the big size twelves on my feet | 0:21:01 | 0:21:03 | |
# Your face ain't big for my boot... # | 0:21:03 | 0:21:04 | |
To see Stormzy's Gang Signs & Prayer go to number one was really exciting. | 0:21:04 | 0:21:08 | |
He has not cowed to the mainstream at all to make that record. | 0:21:08 | 0:21:11 | |
# That's a Hublot, not a Hublot What? # | 0:21:11 | 0:21:13 | |
Enlisting someone like Fraser T Smith, who has produced | 0:21:13 | 0:21:16 | |
complete albums that have done well in the pop market. | 0:21:16 | 0:21:19 | |
# Leave my yard, blow a kiss to my girl... # | 0:21:19 | 0:21:21 | |
But also enabled you to sound like yourself, and that's why the album did so well. | 0:21:21 | 0:21:26 | |
Yeah, it's good, man, because they are the same as me. | 0:21:26 | 0:21:29 | |
We're all from, like, the street, as it is. | 0:21:29 | 0:21:31 | |
# You're getting way too old for the timeline... # | 0:21:31 | 0:21:33 | |
Stormzy's album cover for Gang Signs & Prayer | 0:21:33 | 0:21:36 | |
is the album cover of the year. | 0:21:36 | 0:21:38 | |
That is amazing. I loved it. | 0:21:38 | 0:21:40 | |
Gang Signs & Prayer signalled the arrival of grime | 0:21:40 | 0:21:44 | |
as a proper overground, mainstream entity. | 0:21:44 | 0:21:47 | |
I really like the xx record. I think it is really beautiful | 0:21:56 | 0:21:58 | |
and colourful and it's nice to see them doing something different | 0:21:58 | 0:22:01 | |
and moving out of that very monochromatic space they've operated in. | 0:22:01 | 0:22:04 | |
# Singing oh-oh-oh Go on, I dare you... # | 0:22:04 | 0:22:10 | |
It's weird, it's like they've almost got happy on it. | 0:22:10 | 0:22:14 | |
You've got like major key tracks on it, you've got samples on it. | 0:22:14 | 0:22:17 | |
# Singing oh-oh-oh Go on, I dare you... # | 0:22:17 | 0:22:23 | |
I felt it to be intimate and touching and honest, | 0:22:23 | 0:22:26 | |
but it was...I don't know, it felt a bit more ballsy. | 0:22:26 | 0:22:29 | |
# I can hear it now like I heard it then... # | 0:22:29 | 0:22:36 | |
And so brilliantly crafted. I think they're just head and shoulders | 0:22:36 | 0:22:40 | |
above most of the bands around at the moment. | 0:22:40 | 0:22:41 | |
Ed Sheeran is just this unstoppable hit machine. | 0:22:50 | 0:22:53 | |
He just reinvents things all the time. | 0:22:53 | 0:22:55 | |
# The club isn't the best place to find a lover | 0:22:55 | 0:22:58 | |
# So the bar is where I go... # | 0:22:58 | 0:22:59 | |
It's hard to write a song that's all over Radio 1 and all over Radio 2, | 0:22:59 | 0:23:03 | |
and The Shape Of You, I've never turned it off. | 0:23:03 | 0:23:06 | |
# I'm in love with your body OhIohIohIohI... # | 0:23:06 | 0:23:09 | |
The way the top line, the way the melody corresponds to what is | 0:23:09 | 0:23:12 | |
playing underneath, which almost pushes in a kind of almost jazzy direction. | 0:23:12 | 0:23:16 | |
# I'm in love with your body OhIohIohIohI... # | 0:23:16 | 0:23:19 | |
I mean, Ed Sheeran was already huge, but The Shape Of You just took him to another level. | 0:23:19 | 0:23:23 | |
When you listen to ¸, | 0:23:25 | 0:23:26 | |
there's Afro beat on there, | 0:23:26 | 0:23:28 | |
there's Springsteen-esque global kind of stadium rock on there, | 0:23:28 | 0:23:32 | |
there's dance hall on there, there's out-and-out pop on there, there's ballads on there, | 0:23:32 | 0:23:35 | |
there's pretty much a record for every emotion. | 0:23:35 | 0:23:38 | |
And that's what Ed does. He's such a great songwriter, | 0:23:38 | 0:23:40 | |
that I've got a feeling we will be talking about him in 50 years' time. | 0:23:40 | 0:23:44 | |
# I'm in love with the shape of you. # | 0:23:44 | 0:23:46 | |
I think Best British Album Of The Year for me, | 0:23:52 | 0:23:55 | |
it will always be Rag'n'Bone Man. | 0:23:55 | 0:23:57 | |
I just...I love the album, I absolutely love it. | 0:23:57 | 0:23:59 | |
# Maybe I'm foolish, maybe I'm blind... # | 0:23:59 | 0:24:02 | |
This year, obviously, with them having the biggest selling debut album of any other artist, | 0:24:02 | 0:24:08 | |
I think it proves that he has truly not only found his voice, but he's also found his audience. | 0:24:08 | 0:24:14 | |
I think every song that has come off the album, I've heard it on | 0:24:14 | 0:24:17 | |
the radio umpteen times and I'm still not tired of Rag'n'Bone Man. | 0:24:17 | 0:24:21 | |
# I'm only human after all | 0:24:21 | 0:24:24 | |
# I'm only human after all | 0:24:24 | 0:24:27 | |
# Don't put the blame on me... # | 0:24:27 | 0:24:29 | |
Just channelled something that really infects all of us. | 0:24:29 | 0:24:32 | |
He's talked about a human experience, and I think that that then speaks to quite a lot of us. | 0:24:32 | 0:24:38 | |
# Don't put the blame on me... # | 0:24:38 | 0:24:39 | |
You can if you want. | 0:24:39 | 0:24:41 | |
# Woo! Don't be afraid to catch feels... # | 0:24:45 | 0:24:49 | |
You can see playlisting influencing the way records sound. | 0:24:49 | 0:24:51 | |
If you look at the last Calvin Harris album, it's basically a mix tape. | 0:24:51 | 0:24:55 | |
Every song has about eight different guests on it. It sounds wildly different all the way through. | 0:24:55 | 0:24:58 | |
And although it's a cohesive, kind of artistic statement, | 0:24:58 | 0:25:01 | |
it's also doing the same thing of trying to please a lot of people. | 0:25:01 | 0:25:03 | |
# Oh, you can't front You're a stone-cold diva... # | 0:25:03 | 0:25:07 | |
It was very bold, I guess, being like, "This is the sound, | 0:25:07 | 0:25:10 | |
"and all you 10 or 15 different artists will fit to that." | 0:25:10 | 0:25:13 | |
Felt like it all worked as one piece of music. I love that record. | 0:25:13 | 0:25:17 | |
# One, don't pick up the phone | 0:25:22 | 0:25:24 | |
# You know he's only calling cos he's drunk and alone | 0:25:24 | 0:25:26 | |
-# Two, don't let him in... # -With an artist like Dua Lipa, | 0:25:26 | 0:25:28 | |
she can be easily taken as a bit of a pop puppet | 0:25:28 | 0:25:32 | |
because we've spent so many years | 0:25:32 | 0:25:33 | |
of having female pop artists come through and them being manufactured. | 0:25:33 | 0:25:37 | |
Dua Lipa's not that. | 0:25:37 | 0:25:38 | |
# I've got new rules, I count 'em | 0:25:38 | 0:25:41 | |
# I've got new rules, I count 'em... # | 0:25:42 | 0:25:45 | |
She co-writes her songs, she helps produce the songs. | 0:25:45 | 0:25:47 | |
The records that she's got on that album and the pop songs she's done | 0:25:47 | 0:25:50 | |
are brilliantly written, well-performed songs. | 0:25:50 | 0:25:54 | |
# ..You ain't getting over him. # | 0:25:54 | 0:25:56 | |
Time for the winner of British Album of the Year. | 0:25:58 | 0:26:01 | |
Our winner started 2017 brilliantly by scoring two Brit Awards | 0:26:01 | 0:26:05 | |
and having the biggest-selling debut album of the year. | 0:26:05 | 0:26:08 | |
His New Year's resolution is always "must try harder". | 0:26:08 | 0:26:12 | |
Here with a very special performance of Grace, | 0:26:12 | 0:26:15 | |
it is the fantastic Rag'n'Bone Man. | 0:26:15 | 0:26:18 | |
# Said I loved you | 0:26:51 | 0:26:55 | |
# Without hesitation | 0:26:55 | 0:27:01 | |
# So easy | 0:27:02 | 0:27:06 | |
# For you to break my foolish heart | 0:27:06 | 0:27:11 | |
# Now I wonder | 0:27:13 | 0:27:16 | |
# If you ever speak my name | 0:27:17 | 0:27:22 | |
# Will I always | 0:27:24 | 0:27:28 | |
# Be defined by my mistakes? | 0:27:28 | 0:27:33 | |
# In the arms of a saint I'm a stranger | 0:27:35 | 0:27:41 | |
# We're all trying to find our way | 0:27:41 | 0:27:47 | |
# At the death of every darkness there's a morning | 0:27:48 | 0:27:55 | |
# Though we all try | 0:27:55 | 0:27:58 | |
# We all try | 0:27:58 | 0:28:01 | |
# We're all one step from grace | 0:28:02 | 0:28:06 | |
# I made myself believe | 0:28:09 | 0:28:11 | |
# There was no fight left in me | 0:28:11 | 0:28:16 | |
# But redemption | 0:28:19 | 0:28:22 | |
# Doesn't fall down at your feet | 0:28:22 | 0:28:27 | |
# In the half light | 0:28:29 | 0:28:31 | |
# I raised a hand to my defeat | 0:28:31 | 0:28:37 | |
# And I watched the walls fall | 0:28:38 | 0:28:42 | |
# And I rebuilt them piece by piece | 0:28:42 | 0:28:47 | |
# In the arms of a saint I'm a stranger | 0:28:49 | 0:28:55 | |
# We're all trying to find our way | 0:28:55 | 0:29:00 | |
# At the death of every darkness there's a morning | 0:29:02 | 0:29:07 | |
# Though we all try | 0:29:09 | 0:29:11 | |
# We all try | 0:29:12 | 0:29:14 | |
# We're all one step from grace | 0:29:15 | 0:29:19 | |
# I wonder why we give up on love | 0:29:23 | 0:29:28 | |
# When it's always within reach | 0:29:31 | 0:29:35 | |
# You and I We suffered this enough | 0:29:37 | 0:29:42 | |
# We all try | 0:29:42 | 0:29:45 | |
# We all try | 0:29:46 | 0:29:49 | |
# We're all one step from grace | 0:29:50 | 0:29:54 | |
# And in the arms of a saint I'm a stranger | 0:29:57 | 0:30:02 | |
# We're all trying to find our way | 0:30:02 | 0:30:08 | |
# At the death of every darkness there's a morning | 0:30:09 | 0:30:15 | |
# Though we all try | 0:30:16 | 0:30:19 | |
# We all try | 0:30:19 | 0:30:23 | |
# We're all one step from grace. # | 0:30:23 | 0:30:29 | |
Thank you very much. | 0:30:36 | 0:30:38 | |
That's a proper good award. | 0:30:38 | 0:30:39 | |
Er, I keep thinking at some point someone's going to fish-hook me off | 0:30:39 | 0:30:43 | |
and tell me it's a joke, | 0:30:43 | 0:30:45 | |
but it's not, and it's a wonderful thing to have. | 0:30:45 | 0:30:48 | |
So thank you very much to everyone at the BBC | 0:30:48 | 0:30:51 | |
for supporting my music over the years. | 0:30:51 | 0:30:53 | |
Big up to Radio 1, especially people like MistaJam | 0:30:53 | 0:30:56 | |
and Huw Stephens, for supporting me. | 0:30:56 | 0:30:58 | |
All the musicians that I work with, my management and my label. | 0:30:58 | 0:31:02 | |
Yeah. Thank you very much. | 0:31:02 | 0:31:05 | |
Huge congratulations to Rag'n'Bone Man. | 0:31:06 | 0:31:09 | |
In recent times, we have seen some horrific events | 0:31:09 | 0:31:11 | |
take place during music performances, | 0:31:11 | 0:31:14 | |
from the Bataclan in Paris to what happened in Las Vegas. | 0:31:14 | 0:31:17 | |
In May, however, it was closer to home | 0:31:17 | 0:31:20 | |
when Ariana Grande's concert at Manchester Arena was targeted. | 0:31:20 | 0:31:24 | |
After that life-changing event, | 0:31:24 | 0:31:26 | |
Ariana and some of pop's biggest artists rallied | 0:31:26 | 0:31:29 | |
and returned to Manchester for a special concert, | 0:31:29 | 0:31:32 | |
and it was an amazing night to witness. | 0:31:32 | 0:31:34 | |
We look back on how One Love Manchester united the nation | 0:31:34 | 0:31:38 | |
with music. | 0:31:38 | 0:31:39 | |
Breaking news out of Greater Manchester. | 0:31:42 | 0:31:44 | |
A major incident involving what many people | 0:31:44 | 0:31:47 | |
are suggesting has been an explosion. | 0:31:47 | 0:31:50 | |
This is at the Manchester Arena. | 0:31:50 | 0:31:52 | |
SIRENS | 0:31:52 | 0:31:54 | |
I don't know if it was the age of the kids at the concert... | 0:31:54 | 0:31:57 | |
It felt extra hard hearing that news and dealing with that news. | 0:31:57 | 0:32:02 | |
Music has been touched by the terror incidents that have been happening | 0:32:02 | 0:32:06 | |
and I think it's... It's changed everything. Everything's changed. | 0:32:06 | 0:32:10 | |
But it wasn't long before the people of Manchester came back fighting. | 0:32:13 | 0:32:17 | |
It was amazing to see so many different people | 0:32:17 | 0:32:20 | |
from so many different backgrounds | 0:32:20 | 0:32:22 | |
just centring around this idea that they won't be broken. | 0:32:22 | 0:32:25 | |
Basically a big up-yours to terrorism, | 0:32:25 | 0:32:27 | |
and I'm glad that it came from music. | 0:32:27 | 0:32:29 | |
It was great to see how the city reacted to it and came together. | 0:32:29 | 0:32:32 | |
I think it was the right thing to do and they did it really well. | 0:32:32 | 0:32:35 | |
# Her soul slides away | 0:32:35 | 0:32:39 | |
CROWD: # But don't look back in anger | 0:32:39 | 0:32:42 | |
# I heard you say. # | 0:32:42 | 0:32:44 | |
It's good when people go to a song | 0:32:45 | 0:32:48 | |
and find...strength in music, | 0:32:48 | 0:32:52 | |
whether it's Oasis or whatever. It's good. | 0:32:52 | 0:32:55 | |
Ariana Grande announced this - | 0:32:56 | 0:32:59 | |
the One Love Manchester benefit concert this Sunday. | 0:32:59 | 0:33:03 | |
The way that Ariana Grande responded to that, | 0:33:03 | 0:33:05 | |
I think she went absolutely above and beyond what could have been | 0:33:05 | 0:33:08 | |
expected from anybody, let alone a very young woman | 0:33:08 | 0:33:10 | |
who's experienced something deeply traumatic. | 0:33:10 | 0:33:12 | |
On 4th June, only 13 days after the tragedy, | 0:33:14 | 0:33:18 | |
Ariana, along with other artists and the people of Manchester, | 0:33:18 | 0:33:21 | |
turned out in unity and defiance. | 0:33:21 | 0:33:24 | |
The way everyone came together | 0:33:24 | 0:33:26 | |
so soon after shows that, you know... | 0:33:26 | 0:33:29 | |
Our faith is stronger than our fear. | 0:33:29 | 0:33:31 | |
Music was Olivia's life. If she was still here today, | 0:33:31 | 0:33:35 | |
she'd have been walking through these doors tonight with us, | 0:33:35 | 0:33:38 | |
showing her defiance that they might have got her, but she's not beaten. | 0:33:38 | 0:33:42 | |
She's here with us. | 0:33:42 | 0:33:44 | |
It felt like an army of people who were doing good, | 0:33:44 | 0:33:46 | |
and people caring for one another. | 0:33:46 | 0:33:48 | |
-# Because I'm happy -Clap along if you feel like a room without a roof | 0:33:48 | 0:33:53 | |
-# Because I'm happy -Clap along if you feel like happiness is the truth | 0:33:53 | 0:33:59 | |
# Because I'm happy... # | 0:33:59 | 0:34:01 | |
For her to recognise that communal euphoria | 0:34:01 | 0:34:04 | |
is just as powerful as communal mourning | 0:34:04 | 0:34:07 | |
and commensurate to that, I think was wonderful. | 0:34:07 | 0:34:10 | |
# Her soul slides away | 0:34:10 | 0:34:14 | |
# Don't look back in anger... # | 0:34:15 | 0:34:17 | |
Music is emotion, isn't it? | 0:34:17 | 0:34:19 | |
And I think it gives people the opportunity to express emotion. | 0:34:19 | 0:34:23 | |
# At least not today. # | 0:34:23 | 0:34:25 | |
Thank you. | 0:34:25 | 0:34:27 | |
It brings people back together again. | 0:34:28 | 0:34:30 | |
Manchester! | 0:34:30 | 0:34:32 | |
With all that kind of stuff going down and what had happened, | 0:34:34 | 0:34:36 | |
I'd have walked there, you know what I mean? | 0:34:36 | 0:34:38 | |
# Tonight | 0:34:38 | 0:34:40 | |
# I'm a rock'n'roll star. # | 0:34:40 | 0:34:42 | |
When shit like that goes down, | 0:34:42 | 0:34:44 | |
whether it's in your country or someone else's, | 0:34:44 | 0:34:46 | |
and if you can help out by doing a tune, you know what I mean, | 0:34:46 | 0:34:49 | |
or being there... I did it, you know what I mean? | 0:34:49 | 0:34:52 | |
# Maybe I will never be | 0:34:52 | 0:34:55 | |
# All the things that I'd like to be... # | 0:34:55 | 0:34:57 | |
It was surprising to see Liam Gallagher and Chris Martin | 0:34:57 | 0:35:00 | |
given their... I don't know if it's a war of words, | 0:35:00 | 0:35:02 | |
I think it's more Liam calling Chris a geography teacher, | 0:35:02 | 0:35:05 | |
but if there's a spirit of the event, | 0:35:05 | 0:35:07 | |
that those two can perform together, that's it. | 0:35:07 | 0:35:09 | |
# We're gonna live forever. # | 0:35:10 | 0:35:13 | |
But, you know, there was a lot of love in there, you know what I mean? | 0:35:13 | 0:35:16 | |
So, it's a good thing to do, even though we shouldn't have to be doing them, | 0:35:16 | 0:35:19 | |
but... Just, them things shouldn't have to happen, innit. | 0:35:19 | 0:35:22 | |
# I was a liar I gave in to the fire | 0:35:22 | 0:35:25 | |
# I know I should've fought it At least I'm being honest. # | 0:35:25 | 0:35:28 | |
What I saw a lot was a real celebration of girls still | 0:35:28 | 0:35:31 | |
feeling like they connected to Ariana Grande. | 0:35:31 | 0:35:34 | |
Or there were still somebody who they could reach out on | 0:35:34 | 0:35:36 | |
and feel empowered by. | 0:35:36 | 0:35:37 | |
# One last time I need to be | 0:35:37 | 0:35:41 | |
# The one who takes you home. # | 0:35:41 | 0:35:44 | |
I've never ever felt the power of music more than | 0:35:44 | 0:35:47 | |
being in Manchester for that concert. | 0:35:47 | 0:35:50 | |
# Somewhere over the rainbow. # | 0:35:50 | 0:35:57 | |
All eyes were on Manchester, after something so heartbreaking | 0:35:58 | 0:36:01 | |
and horrific happening. It was... It was a real moment. | 0:36:01 | 0:36:06 | |
Thank you so much, I love you. CROWD CHEERS | 0:36:07 | 0:36:11 | |
CLAUDIA: Such an amazing response | 0:36:11 | 0:36:13 | |
and our heartfelt wishes to all those affected. | 0:36:13 | 0:36:16 | |
It was a concept which gave hope to so many | 0:36:16 | 0:36:19 | |
and you really felt how music united us all that night in Manchester. | 0:36:19 | 0:36:23 | |
And it's brilliant to see that the arena reopened so soon after. | 0:36:23 | 0:36:27 | |
That concert will be the defining moment of 2017. | 0:36:27 | 0:36:31 | |
This year saw the return of some of the greats, | 0:36:31 | 0:36:33 | |
from Jay-Z to Liam Gallagher. | 0:36:33 | 0:36:35 | |
But what if you're not a global megastar? | 0:36:35 | 0:36:38 | |
How do you break into music if you're a new artist in 2017? | 0:36:38 | 0:36:43 | |
This year, in 2017, | 0:36:45 | 0:36:48 | |
is in my mind possibly the easiest it's been to access | 0:36:48 | 0:36:51 | |
the industry, particularly in terms of being able to release records. | 0:36:51 | 0:36:55 | |
I feel like it's pretty easy to get your voice heard these days. | 0:36:55 | 0:36:58 | |
Getting your stuff onto big retailers like Spotify or | 0:36:58 | 0:37:01 | |
Apple Music. | 0:37:01 | 0:37:03 | |
I got picked up off the back of one single release, basically | 0:37:03 | 0:37:06 | |
that I just did it with...with a mate. | 0:37:06 | 0:37:09 | |
# He talks like an angel but he looks like me. # | 0:37:09 | 0:37:13 | |
From self releasing to recording your masterpiece in your bedroom, | 0:37:13 | 0:37:16 | |
in 2017 it seemed the opportunities to be heard are limitless. | 0:37:16 | 0:37:21 | |
There's kind of like a blueprint, of like, you can do this, you can | 0:37:21 | 0:37:23 | |
make the music you want to make and you can keep at it. | 0:37:23 | 0:37:26 | |
Don't be afraid to just, like, be, a bit cheeky | 0:37:26 | 0:37:28 | |
and just put yourself out there. | 0:37:28 | 0:37:29 | |
Right now is a really, really amazing time for people | 0:37:29 | 0:37:33 | |
wanting to see artists really being themselves. | 0:37:33 | 0:37:36 | |
# Do it, do it, do it, do it. # | 0:37:36 | 0:37:38 | |
There's so many artists who have come out now | 0:37:38 | 0:37:41 | |
and they know who they are from the very beginning. | 0:37:41 | 0:37:43 | |
Like, they are their own A&R person. | 0:37:43 | 0:37:45 | |
Some people just e-mail me | 0:37:45 | 0:37:48 | |
and there's a certain thing in what they say and I think, "Oh, sod it, | 0:37:48 | 0:37:51 | |
"I'll put them on a small stage at the Isle of Wight | 0:37:51 | 0:37:53 | |
"cos I like their approach." | 0:37:53 | 0:37:54 | |
If you have a song but you're not quite festival ready, | 0:37:54 | 0:37:56 | |
you could try another route in. | 0:37:56 | 0:37:59 | |
'Tonight is the tenth birthday of BBC Music Introducing.' | 0:38:00 | 0:38:04 | |
There are so many different artists now who all | 0:38:07 | 0:38:09 | |
have their roots in BBC Introducing. | 0:38:09 | 0:38:12 | |
10 years, so much has come though it and it's such a... | 0:38:12 | 0:38:14 | |
You know, the roots of it are in such a positive place. | 0:38:14 | 0:38:17 | |
# It don't matter now Doo-doo-doo, doo-doo-doo | 0:38:17 | 0:38:20 | |
# Doo-doo-doo, doo-doo-doo. # | 0:38:20 | 0:38:23 | |
What BBC Introducing do it in a very conceptional or | 0:38:23 | 0:38:26 | |
perceptional kind of way is highlights particular artists | 0:38:26 | 0:38:31 | |
and they almost grant them legitimacy of being a new band in the public consciousness. | 0:38:31 | 0:38:37 | |
Blossoms is a good example. | 0:38:37 | 0:38:38 | |
# And the river always flows So if you go I will know | 0:38:38 | 0:38:42 | |
# By the way, my Charlemagne. # | 0:38:42 | 0:38:45 | |
Blossoms have gone from uploading in 2013 to playing | 0:38:45 | 0:38:47 | |
South by Southwest, Glastonbury and the Reading Festival | 0:38:47 | 0:38:51 | |
to a Mercury Music nomination this year. | 0:38:51 | 0:38:53 | |
We've been to a few, like, ceremonies, like the Mercurys, | 0:38:53 | 0:38:57 | |
free drink and everyone taking photos of you. | 0:38:57 | 0:38:59 | |
It's kind of like, it's a bit mad. | 0:38:59 | 0:39:01 | |
Whereas someone like Stormzy pulls it off and looks really cool, | 0:39:01 | 0:39:04 | |
you know, we still look like we're on a school trip. | 0:39:04 | 0:39:07 | |
# And the river always flows So if you go I will know | 0:39:07 | 0:39:10 | |
# By the way, my Charlemagne. # | 0:39:10 | 0:39:13 | |
Charlemagne, Blown Rose, | 0:39:13 | 0:39:15 | |
two of the greatest pop tracks of the last you know, 18 months. | 0:39:15 | 0:39:18 | |
They deserve every plaudit that they get. | 0:39:18 | 0:39:22 | |
And they deserve that nomination as well. | 0:39:22 | 0:39:25 | |
CROWD CHEERS | 0:39:25 | 0:39:28 | |
# Sorry, I'm not. # | 0:39:28 | 0:39:30 | |
Another new band from the BBC Introducing stable, | 0:39:30 | 0:39:34 | |
The Big Moon, also achieved a Mercury nomination this year. | 0:39:34 | 0:39:38 | |
The whole Mercury nom thing was an absolute bolt from the blue. | 0:39:38 | 0:39:44 | |
These people on the panel have, like, listened to our album | 0:39:44 | 0:39:47 | |
in the same, you know, sitting as Ed Sheeran and The xx and Stormzy. | 0:39:47 | 0:39:53 | |
# I've been waiting for a girl like you. # | 0:39:53 | 0:39:56 | |
These are the kind of things the really dream of when you start a band | 0:39:56 | 0:40:01 | |
or, you know, when you're learning to play the guitar. | 0:40:01 | 0:40:03 | |
You think, "Maybe one day I'll be in a band. Maybe I'll be a rock star." | 0:40:03 | 0:40:06 | |
-Yeah. -"Maybe I'll be Mercury nominated!" | 0:40:06 | 0:40:10 | |
CROWD CHEERS | 0:40:10 | 0:40:13 | |
Excellent advice. | 0:40:13 | 0:40:15 | |
Now, our next word is for the BBC Introducing Artist of The Year. | 0:40:15 | 0:40:19 | |
Catfish and the Bottlemen, Jack Garratt and Izzy Bizu | 0:40:19 | 0:40:22 | |
have all been awarded the Golden Mic. | 0:40:22 | 0:40:24 | |
But this year's winner is a 19-year-old indie wonder - | 0:40:24 | 0:40:27 | |
Declan McKenna. And here's why. | 0:40:27 | 0:40:29 | |
No way! | 0:40:35 | 0:40:38 | |
Oh, my God! Look at that! That is... That is so shiny! | 0:40:38 | 0:40:44 | |
Our BBC Music Introducing Artist of The Year, Declan McKenna, | 0:40:46 | 0:40:49 | |
first uploaded to his local radio, Beds, Herts and Bucks | 0:40:49 | 0:40:53 | |
and then Radio 1 beckoned. | 0:40:53 | 0:40:56 | |
I was 15, maybe, when I first sent in the tune | 0:40:56 | 0:40:59 | |
and I think 16 when it first got played. | 0:40:59 | 0:41:02 | |
# I heard he lives down a river somewhere. # | 0:41:02 | 0:41:05 | |
But it's like, Radio 1, when you're first starting out, especially | 0:41:05 | 0:41:07 | |
when you're like, 15, 16, whatever it was, | 0:41:07 | 0:41:09 | |
it just seems like an untouchable thing. | 0:41:09 | 0:41:12 | |
# Talks like an angel but he looks like me. # | 0:41:12 | 0:41:16 | |
Phil Taggart played it first and then, like, that was kind of the initial thing, | 0:41:16 | 0:41:20 | |
I was like, "Wow," Radio 1 is such a massive thing | 0:41:20 | 0:41:22 | |
and it's all sort of connected from this one little starting point. | 0:41:22 | 0:41:25 | |
It was just the best pop song that I'd heard from any artist, | 0:41:25 | 0:41:28 | |
young or old, in quite a while. When you get that interaction | 0:41:28 | 0:41:30 | |
from one song, one play, at night-time on the radio, | 0:41:30 | 0:41:33 | |
it's obviously going to be the start of a big thing. | 0:41:33 | 0:41:36 | |
After being picked up by BBC Introducing, it was Declan's | 0:41:36 | 0:41:38 | |
lyrics about corruption in football, police brutality and transgender | 0:41:38 | 0:41:42 | |
teens that saw the Evening Standard dub him "the voice of a generation". | 0:41:42 | 0:41:47 | |
# He's got eyes but he can't see | 0:41:47 | 0:41:50 | |
# He talks like an angel but he looks like me. # | 0:41:50 | 0:41:54 | |
What 15-year-old does that? | 0:41:54 | 0:41:57 | |
Like, it's obviously someone who's like a really, really deep thinker. | 0:41:57 | 0:42:02 | |
-PRESENTER: -Well, Declan's with us now and I was looking on your | 0:42:02 | 0:42:04 | |
Twitter site today and you've got the slogan up there, | 0:42:04 | 0:42:07 | |
"Sepp Blatter don't matter". | 0:42:07 | 0:42:09 | |
-Yeah! I'm always changing that. -How do you feel now that he's gone? | 0:42:09 | 0:42:14 | |
Erm, it's a good thing, I guess. | 0:42:14 | 0:42:18 | |
'Something that may be a passing statement from you becomes like a big headline' | 0:42:18 | 0:42:22 | |
and it's, like, sensationalised. | 0:42:22 | 0:42:24 | |
Or, you know, writing about observing the world | 0:42:24 | 0:42:26 | |
becomes like, "the voice of a generation". | 0:42:26 | 0:42:29 | |
# You don't have the right to choose. # | 0:42:29 | 0:42:32 | |
From Maida Vale, Declan went stateside | 0:42:32 | 0:42:35 | |
and topped it off with an appearance on Later with Jools Holland. | 0:42:35 | 0:42:38 | |
Now, from Hertfordshire, we welcome Declan McKenna! | 0:42:38 | 0:42:41 | |
CHEERING AND APPLAUSE | 0:42:41 | 0:42:44 | |
With Jools Holland, it was like, "I watch this every week!" | 0:42:46 | 0:42:48 | |
And it's like, I know the crack, I know what it is and to me | 0:42:48 | 0:42:51 | |
that is like just the biggest deal of all of the big deals | 0:42:51 | 0:42:56 | |
that there has been! | 0:42:56 | 0:42:58 | |
# If you can't walk and then run | 0:42:58 | 0:43:00 | |
# If you can't walk then run. # | 0:43:02 | 0:43:06 | |
So, I was like, I can't just go on Jools Holland and play a song. | 0:43:06 | 0:43:09 | |
I had to do something, kind of like flung off my shirt | 0:43:09 | 0:43:12 | |
and did, like, "Give 17-year-olds the vote". | 0:43:12 | 0:43:15 | |
# Run, run. # | 0:43:15 | 0:43:17 | |
If you're a teenager and you're seeing somebody doing that | 0:43:19 | 0:43:21 | |
while you're watching TV with your parents, | 0:43:21 | 0:43:24 | |
you're going to be like, "Right, I'm going to follow you into the sun." | 0:43:24 | 0:43:26 | |
If people care about what I have to say, then that's, like, that's nice. | 0:43:26 | 0:43:30 | |
I don't know, I'm just writing tunes. | 0:43:30 | 0:43:32 | |
Thank you to everyone for the support. | 0:43:34 | 0:43:37 | |
And all of the love and all that. | 0:43:37 | 0:43:40 | |
I'm just happy to be here let alone, I don't know! | 0:43:42 | 0:43:46 | |
Being, erm, picked out as someone that people like. | 0:43:46 | 0:43:50 | |
The last award is for the BBC Music Artist of The Year. | 0:43:52 | 0:43:55 | |
Previous years have seen Adele and Ed Sheeran take the prize. | 0:43:55 | 0:43:59 | |
But who will lift our Golden Mic high in the air tonight? | 0:43:59 | 0:44:03 | |
Now, there are some big contenders, | 0:44:03 | 0:44:05 | |
so it's going to be a difficult one to choose. | 0:44:05 | 0:44:08 | |
So, let's take a look at the short list. | 0:44:08 | 0:44:10 | |
-# Be humble, sit down -Hol' up, hol'up, hol' up, hol' up | 0:44:11 | 0:44:15 | |
-# Be humble -Hol' up, hol'up. # | 0:44:15 | 0:44:17 | |
# Cos honey I'll come get my things, but I can't let go. # | 0:44:17 | 0:44:22 | |
# Boy, I just leave him, 'ey I been cold the whole season, 'ey | 0:44:22 | 0:44:25 | |
# I should call my next song Freezin', cold. # | 0:44:25 | 0:44:28 | |
# I promise I promise to take you | 0:44:29 | 0:44:33 | |
# Take you as you are. # | 0:44:33 | 0:44:36 | |
# Just stop your crying It's a sign of the times. # | 0:44:38 | 0:44:43 | |
# Over the castle on the hill. # | 0:44:44 | 0:44:49 | |
# Nobody pray for me Even a day for me | 0:44:51 | 0:44:54 | |
King Kendrick Lamar. | 0:44:54 | 0:44:56 | |
-# Be humble, sit down -Hol' up, hol'up. # | 0:44:56 | 0:44:58 | |
At a time where it's very, | 0:44:58 | 0:45:00 | |
very hard for you to talk about anything remotely political or anything about | 0:45:00 | 0:45:04 | |
identity without you completely being pulled to shreds on social media... | 0:45:04 | 0:45:07 | |
-# Be humble, sit down -Hol' up, hol'up, hol' up. # | 0:45:07 | 0:45:11 | |
..Kendrick's managed it and I think he's managed to do it | 0:45:11 | 0:45:14 | |
because he's speaking from his heart. | 0:45:14 | 0:45:15 | |
# Loyalty, loyalty, loyalty. # | 0:45:15 | 0:45:18 | |
He's political, he gets the message across, he's engaging, | 0:45:18 | 0:45:21 | |
he's informative and I think definitely the most important voice | 0:45:21 | 0:45:24 | |
and definitely the most important lyricist of this generation. | 0:45:24 | 0:45:28 | |
Absolutely love Lorde, I think she's an amazing character. | 0:45:35 | 0:45:38 | |
She's come back with this album and, you know, there's just so many | 0:45:38 | 0:45:41 | |
wonderful songs on there, Liability, just such a gorgeous, gorgeous song. | 0:45:41 | 0:45:45 | |
# I'm a liability. # | 0:45:45 | 0:45:47 | |
And then, like, Green Light was so contrasting, so it had so much joy to it. | 0:45:47 | 0:45:52 | |
# Cos, honey, I'll come get my things but I can't let go | 0:45:52 | 0:45:57 | |
# I'm waiting for it That green light, I want it. # | 0:45:57 | 0:45:59 | |
Lorde is one of the only pop stars I can think of that | 0:45:59 | 0:46:02 | |
I actually believe. I don't feel like she has been put through some sort of a A&R mill. | 0:46:02 | 0:46:06 | |
If you look at somebody like Lorde, who's, like, come up through Tumblr, | 0:46:06 | 0:46:09 | |
they're part of that kind of collaging culture online and | 0:46:09 | 0:46:13 | |
they understand the power of image and how it spreads among young people. | 0:46:13 | 0:46:19 | |
She experiments musically and visually really, really well. | 0:46:19 | 0:46:22 | |
# I'm waiting for it That green light, I want it. # | 0:46:22 | 0:46:26 | |
CHEERING | 0:46:27 | 0:46:30 | |
Stormzy is one of the artists of the year, undoubtedly. | 0:46:30 | 0:46:32 | |
You can't talk about grime in 2017 without talking about Stormzy. | 0:46:32 | 0:46:35 | |
# All right, first things first I've been putting in the work | 0:46:39 | 0:46:43 | |
-# I'm a rebel with a cause -With a cause. # | 0:46:43 | 0:46:45 | |
Possibly one of the, if not THE biggest breakthrough success | 0:46:45 | 0:46:48 | |
story of any British artist this year. | 0:46:48 | 0:46:50 | |
# But I still get to gunning Don't be running when I bang mine | 0:46:50 | 0:46:53 | |
# Before we said our prayers There was gang signs | 0:46:53 | 0:46:55 | |
# Gang signs. # | 0:46:55 | 0:46:58 | |
He's not only captured the zeitgeist | 0:46:58 | 0:47:00 | |
but he's also been able to push through the culture. | 0:47:00 | 0:47:02 | |
# I'm blinded by your grace. # | 0:47:02 | 0:47:05 | |
This album, Gang Signs & Prayer, | 0:47:05 | 0:47:06 | |
there was gospel on it, there was R&B on it, | 0:47:06 | 0:47:09 | |
Stormzy was singing on it, he had songs about his mum on it. | 0:47:09 | 0:47:12 | |
I was like, "This is great!" | 0:47:12 | 0:47:15 | |
# I'm blinded by your grace | 0:47:15 | 0:47:19 | |
# You came and saved me. # | 0:47:19 | 0:47:21 | |
The fact that he's had these moments at Glastonbury. | 0:47:21 | 0:47:25 | |
The fact that he's had the sales of the record that he's had, | 0:47:25 | 0:47:28 | |
has been because he's been firmly in control. | 0:47:28 | 0:47:32 | |
He obviously has such integrity as well. | 0:47:32 | 0:47:34 | |
Just talking about mental health issues, his involvement with Grenfell. | 0:47:34 | 0:47:37 | |
# That's for every last soul up in Grenfell | 0:47:37 | 0:47:38 | |
# Even though I've never even met you | 0:47:38 | 0:47:40 | |
# That could have been my mum's house. # | 0:47:40 | 0:47:42 | |
He is without doubt one of the artists of the year. | 0:47:42 | 0:47:44 | |
# Shut up. # | 0:47:44 | 0:47:46 | |
Stormzy just has this presidential sort of charm about him. | 0:47:46 | 0:47:50 | |
-# Why? -Cos I ain't won a MOBO before | 0:47:50 | 0:47:52 | |
# What? # | 0:47:52 | 0:47:53 | |
I'm 48, I've got kids, I shouldn't be sitting in my front room | 0:47:53 | 0:47:57 | |
calling up YouTube on my telly, watching the video to Shut Up. | 0:47:57 | 0:48:01 | |
Because I just like looking at him. | 0:48:01 | 0:48:04 | |
He has got this charm and magnetism | 0:48:04 | 0:48:07 | |
and sort of spirit that's infectious and you can't not watch him. | 0:48:07 | 0:48:11 | |
# Dem man still go halves on a quarter | 0:48:11 | 0:48:13 | |
# See me turn from a prince to a pauper | 0:48:13 | 0:48:15 | |
# Two cigarettes and a bottle of water. # | 0:48:15 | 0:48:18 | |
Everything about his music and about his patter is just, | 0:48:18 | 0:48:20 | |
just super charismatic. | 0:48:20 | 0:48:22 | |
THEY LAUGH | 0:48:25 | 0:48:27 | |
# When I heard that sound | 0:48:29 | 0:48:33 | |
# When the walls came down | 0:48:33 | 0:48:37 | |
I was thinking about you About you. # | 0:48:37 | 0:48:41 | |
The music scene in 2017, I think, has been very exciting, | 0:48:42 | 0:48:45 | |
because I think we've seen a lot of new acts break through. | 0:48:45 | 0:48:48 | |
# You raised the lights when it was frightening. # | 0:48:48 | 0:48:51 | |
With Rag'n'Bone Man, | 0:48:52 | 0:48:54 | |
it's taken him a long time to become this overnight sensation. | 0:48:54 | 0:48:57 | |
# If you lay here in these arms tonight I promise | 0:48:57 | 0:49:01 | |
# I promise to take you Take you as you are. # | 0:49:01 | 0:49:06 | |
It's really hard for an artist, I think, to kind of come | 0:49:06 | 0:49:09 | |
from the corner of the musical world where he has come from, | 0:49:09 | 0:49:12 | |
you know, the tradition of British hip-hop, the tradition of British | 0:49:12 | 0:49:16 | |
soul, to be able to have something that is universally accepted. | 0:49:16 | 0:49:19 | |
# I'm only human after all Don't put the blame on me | 0:49:19 | 0:49:24 | |
# Don't put the blame on me. # | 0:49:25 | 0:49:28 | |
It just feels like there's a real gravitas to him, | 0:49:28 | 0:49:30 | |
there's a real depth. You know his musical influences, you know it's really, really heartfelt. | 0:49:30 | 0:49:34 | |
And there is just such substance to him. | 0:49:34 | 0:49:37 | |
The bottom line is that voice. | 0:49:37 | 0:49:39 | |
You know, when he opens his mouth and that voice comes out, | 0:49:39 | 0:49:42 | |
it takes you by surprise. And it's just so gorgeous. | 0:49:42 | 0:49:46 | |
# Oh. # | 0:49:48 | 0:49:51 | |
I think you might think that an artist like Harry Styles | 0:49:56 | 0:49:59 | |
could have it easy because he was part of one of the biggest | 0:49:59 | 0:50:02 | |
boybands EVER but that also can be quite a hard thing to do | 0:50:02 | 0:50:06 | |
because I think everyone is waiting on that debut album | 0:50:06 | 0:50:09 | |
and everyone will be ready to tear it apart as well. | 0:50:09 | 0:50:13 | |
# Just stop your crying It's a sign of the times. # | 0:50:13 | 0:50:17 | |
The fact that he went and got Jeff Bhasker, who, as a producer | 0:50:17 | 0:50:20 | |
and a co-writer, pretty much can do anything and make it sound amazing, | 0:50:20 | 0:50:25 | |
and taking down a route where he's using Pink Floyd-esque | 0:50:25 | 0:50:29 | |
influences, I think that was a massive risk | 0:50:29 | 0:50:33 | |
but it's a risk that I think has really paid off. | 0:50:33 | 0:50:35 | |
# We don't say what we really mean... # | 0:50:35 | 0:50:39 | |
CROWD CHEERS | 0:50:39 | 0:50:41 | |
# We're not who we used to be We're not who we used to be... # | 0:50:41 | 0:50:46 | |
It's the kind of classic template of former boyband star | 0:50:46 | 0:50:49 | |
grows up a bit | 0:50:49 | 0:50:52 | |
and it's finally time to impart some of their hard-won wisdom | 0:50:52 | 0:50:55 | |
in a mid-paced pop song. | 0:50:55 | 0:50:57 | |
# Just trying to remember how it feels to have a heartbeat. # | 0:50:57 | 0:51:03 | |
He made a record that he loved and I think that was really important | 0:51:03 | 0:51:06 | |
and I think the start to a really, you know, great solo career. | 0:51:06 | 0:51:09 | |
I definitely don't think you could argue if Ed Sheeran was | 0:51:12 | 0:51:14 | |
made artist of the year. | 0:51:14 | 0:51:16 | |
You know, he's had the biggest album, he clogged the singles chart, | 0:51:16 | 0:51:19 | |
the Official Charts Company had to literally change the rules | 0:51:19 | 0:51:22 | |
of how the singles chart worked because he flooded it so badly. | 0:51:22 | 0:51:26 | |
# I was younger then... # | 0:51:26 | 0:51:27 | |
He's done songwriting for so many other artists, he's had | 0:51:27 | 0:51:29 | |
one of the biggest tours, his peers really, really respect him. | 0:51:29 | 0:51:32 | |
# I'm on my way... # | 0:51:32 | 0:51:34 | |
The Guardian, I think wrote a story, saying, | 0:51:34 | 0:51:36 | |
"Do you think Ed Sheeran's boring?" The general public voted. | 0:51:36 | 0:51:40 | |
It's weird to say this about the biggest artist in the world | 0:51:40 | 0:51:43 | |
right now but I think Ed Sheeran kind of gets a hard time! | 0:51:43 | 0:51:46 | |
Love him, hate him, the thing that makes Ed Sheeran special | 0:51:46 | 0:51:49 | |
is his ability to write something that just hits you there. | 0:51:49 | 0:51:52 | |
# 15 years old and smoking... # | 0:51:53 | 0:51:56 | |
I think he's all right, I think he's obviously talented, you know what I mean? | 0:51:56 | 0:51:59 | |
But ...I certainly wouldn't put a poster of him up on | 0:51:59 | 0:52:02 | |
my wall, you know what I mean, if I was a young kid, you know what I mean? | 0:52:02 | 0:52:05 | |
He's a bit... He's called Ed, innit? | 0:52:05 | 0:52:08 | |
-CROWD: -# I'm on my way! # | 0:52:08 | 0:52:09 | |
He's easy to dismiss but you can't dismiss someone who plays | 0:52:09 | 0:52:12 | |
to 240,000 people on his own. | 0:52:12 | 0:52:15 | |
Sing it out! | 0:52:15 | 0:52:17 | |
# When we did not know the answers and I miss the way. # | 0:52:17 | 0:52:21 | |
He took over Glastonbury, that got such a mixed reaction, I thought that was so unfair on Ed. | 0:52:21 | 0:52:26 | |
Because if any one of us was to imagine yourself walking out | 0:52:26 | 0:52:29 | |
onto that Pyramid Stage, with your songs and holding your own, | 0:52:29 | 0:52:32 | |
you know, how terrifying must that have been? | 0:52:32 | 0:52:35 | |
But he nailed it! | 0:52:35 | 0:52:38 | |
# I'm on my way Driving at 19. # | 0:52:38 | 0:52:42 | |
What I like about Ed Sheeran, amongst other things, | 0:52:42 | 0:52:46 | |
is that he said yes to the Glastonbury gig. | 0:52:46 | 0:52:48 | |
There's a kind of arrogance, there's a kind of rock solid core of self belief there. | 0:52:48 | 0:52:52 | |
He knew he could go a festival where most of the people | 0:52:52 | 0:52:54 | |
there probably didn't think he was very cool | 0:52:54 | 0:52:56 | |
and he just has this weird kind of magnetism, which, | 0:52:56 | 0:52:59 | |
I don't how you do it, maybe he doesn't know how he does it either. | 0:52:59 | 0:53:03 | |
# Over the castle on the hill. # | 0:53:03 | 0:53:07 | |
CHEERING | 0:53:07 | 0:53:09 | |
So much talent in so many genres, from pop to soul to grime. | 0:53:09 | 0:53:14 | |
But who did our judges think stood out? | 0:53:14 | 0:53:17 | |
Now, 2017's Artist of The Year started mosh pits at Glastonbury, | 0:53:17 | 0:53:21 | |
collaborated with Little Mix and gave us | 0:53:21 | 0:53:23 | |
everything from grime to gospel. | 0:53:23 | 0:53:25 | |
The BBC Music Artist of The Year is, | 0:53:25 | 0:53:28 | |
-we say it together... -Of course. | 0:53:28 | 0:53:30 | |
-BOTH: -Stormzy! | 0:53:30 | 0:53:33 | |
The statement I wanted to make and the whole message was to embody | 0:53:41 | 0:53:44 | |
myself, like, Michael, this man/kid | 0:53:44 | 0:53:48 | |
who's grown up in South London | 0:53:48 | 0:53:51 | |
and grown up on the streets but has also grown up in the church | 0:53:51 | 0:53:54 | |
and also grown up as an academic | 0:53:54 | 0:53:57 | |
and to embody that all into one album. | 0:53:57 | 0:53:59 | |
# Shut your mouth, you ain't squeezin' | 0:53:59 | 0:54:01 | |
# Little boy, I just leave him I been cold a whole season | 0:54:01 | 0:54:04 | |
# I should call my next song Freezin', cold. # | 0:54:04 | 0:54:07 | |
It happened and it was like, "Oh, this is mad!" | 0:54:07 | 0:54:10 | |
# Them man are selective bad boys | 0:54:14 | 0:54:17 | |
# Some We just wanna be accepted bad boys. # | 0:54:17 | 0:54:20 | |
If you gave someone Gang Signs & Prayer, the album, | 0:54:20 | 0:54:23 | |
and said, "This is grime," they're going to hear | 0:54:23 | 0:54:25 | |
Cold and Big For Your Boots and Return of the Rucksack, | 0:54:25 | 0:54:29 | |
and understand, "OK, there's the grime element." | 0:54:29 | 0:54:31 | |
It's going to confuse them a bit when they hear Blinded By Your Grace. | 0:54:31 | 0:54:36 | |
# I'm blinded by your grace | 0:54:36 | 0:54:37 | |
# I'm blinded by your grace By your grace. # | 0:54:39 | 0:54:43 | |
'But then, it's also a gateway, | 0:54:43 | 0:54:45 | |
'in the sense of getting people to listen to artists like myself | 0:54:45 | 0:54:48 | |
'and understand that grime artists aren't just this one thing.' | 0:54:48 | 0:54:51 | |
There's a whole different dynamic to it. | 0:54:51 | 0:54:53 | |
# But oh, my God What a God I serve | 0:54:53 | 0:54:56 | |
# Lord, I've been broken | 0:54:56 | 0:54:58 | |
# Although I'm not worthy. # | 0:54:58 | 0:55:02 | |
I poured out every last...bit of soul, emotion, | 0:55:02 | 0:55:07 | |
creativity, idea, | 0:55:07 | 0:55:11 | |
every last bit of it was done and it was embodied in that cover, | 0:55:11 | 0:55:16 | |
in the artwork, in the album booklet, everything and we done it. | 0:55:16 | 0:55:21 | |
# But I still get to gunning Don't be running when I bang mine | 0:55:21 | 0:55:24 | |
# Before we said our prayers There was gang signs. | 0:55:24 | 0:55:26 | |
# Gang signs, gang signs, gang signs... # | 0:55:26 | 0:55:29 | |
My name is Stormzy. This is Glastonbury. | 0:55:29 | 0:55:32 | |
This is history in the making. | 0:55:32 | 0:55:34 | |
With Glastonbury, I didn't even understand the capacity of what I was doing. | 0:55:35 | 0:55:39 | |
# Where do you know me from W-where do you know me from? # | 0:55:39 | 0:55:44 | |
The mosh pits moment, yeah, man. | 0:55:44 | 0:55:46 | |
I done 100 Bags and my mum came up on the screen and... | 0:55:46 | 0:55:49 | |
All right, Mummy, look at your boy now, man! | 0:55:49 | 0:55:52 | |
You raise me up, you taught me everything I need to know and you | 0:55:52 | 0:55:54 | |
literally bared all to do that as in, like, you gave me everything and, like, | 0:55:54 | 0:55:58 | |
you was kind of knackered after it and then | 0:55:58 | 0:56:00 | |
I went into the world and I said, "OK, cool, let's figure it out," and | 0:56:00 | 0:56:03 | |
I figured it out and I brought it back, and I said, "Yo, Mum, like, get up now. | 0:56:03 | 0:56:07 | |
"Don't be tired. We're good." | 0:56:07 | 0:56:09 | |
# Hey, no more broken promises, I swear. # | 0:56:11 | 0:56:13 | |
Do you know what I mean? | 0:56:13 | 0:56:15 | |
Same way I put everything into this album, | 0:56:15 | 0:56:17 | |
she put everything into me and then I was able to do all of this, so... | 0:56:17 | 0:56:20 | |
Yeah, it's all good now. | 0:56:20 | 0:56:21 | |
One of the lines on the new album talks about you dealing with | 0:56:23 | 0:56:26 | |
depression. Can you talk about what you were going through then, | 0:56:26 | 0:56:29 | |
-when you wear depressed? -For me, it was like, | 0:56:29 | 0:56:32 | |
a realisation of how fragile we are as humans. | 0:56:32 | 0:56:37 | |
If there's anyone out there going through it, I think | 0:56:37 | 0:56:40 | |
for them to see that I went through it would help. | 0:56:40 | 0:56:43 | |
# Yeah, I don't know where to begin so I'll start by saying I refuse to forget you. # | 0:56:43 | 0:56:48 | |
I've always known that I have like a duty in my heart to always | 0:56:48 | 0:56:51 | |
make sure that I'm aware of the things I'm talking about | 0:56:51 | 0:56:55 | |
and using my voice for the right reasons, at the right time. | 0:56:55 | 0:56:59 | |
# That could have been me up there. # | 0:56:59 | 0:57:01 | |
It's not just about me, "Yeah, I'm Stormzy, and, yeah, this is what I do." | 0:57:01 | 0:57:05 | |
But to say, "Hang on, that's going on there, or that person needs my help." | 0:57:05 | 0:57:10 | |
And it's not even like some superhero thing of like, | 0:57:10 | 0:57:12 | |
"Yeah, hey, it's me to save the day again." It's not about that. | 0:57:12 | 0:57:15 | |
It's just about, well, you know what? | 0:57:15 | 0:57:18 | |
I can say that to 1 million people right now on Twitter | 0:57:18 | 0:57:21 | |
and show the world that, no, that's not right. | 0:57:21 | 0:57:24 | |
I feel like now when I do things, people see it and they know that's my truth. | 0:57:26 | 0:57:30 | |
Stormzy's going to go on X Factor | 0:57:30 | 0:57:32 | |
and it's going to be a mad moment for him and he's going to love it! | 0:57:32 | 0:57:34 | |
-That's my truth. So, even things like Love Island. -Oh! | 0:57:34 | 0:57:38 | |
Oh, my days. | 0:57:41 | 0:57:43 | |
I don't know what the future holds for me | 0:57:43 | 0:57:45 | |
but I'm definitely ready for it. | 0:57:45 | 0:57:47 | |
I've just got to thank my whole team, the Mercury team. | 0:57:47 | 0:57:50 | |
Erm, Fraser T Smith, who helped me make an incredible album | 0:57:50 | 0:57:55 | |
and, yeah, I'm actually blessed to be able to say that I'm | 0:57:55 | 0:58:02 | |
an artist who has...gained enough... | 0:58:02 | 0:58:06 | |
I don't even know what the word is, like, | 0:58:06 | 0:58:09 | |
I've gained enough clout, is the word clout, can you say that? | 0:58:09 | 0:58:13 | |
Are you allowed to say that? But, yeah, man, I've... | 0:58:13 | 0:58:16 | |
I've managed to be regarded as someone who is | 0:58:16 | 0:58:20 | |
worthy of this award. Yes! | 0:58:20 | 0:58:23 | |
Thank you, guys. Love. | 0:58:23 | 0:58:26 | |
Stormzy's win is so well-deserved, he's really had such an amazing | 0:58:26 | 0:58:29 | |
year and we are sure that 2018 is going to be even better for him. | 0:58:29 | 0:58:32 | |
A hugely talented artist and he completely loves his mum. | 0:58:32 | 0:58:36 | |
-Auntie Abigail. -Hello, Abigail. Huge congratulations to Stormzy. | 0:58:36 | 0:58:39 | |
So, that's it. Some of 2017's highlights. | 0:58:39 | 0:58:42 | |
Well done to all our winners. Here's to more amazing music in 2018. | 0:58:42 | 0:58:46 | |
-And thank you all so much for watching. -Thank you, goodbye. -Bye. | 0:58:46 | 0:58:50 |