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Hello. I'm Annie Mac, and this is The Sound of 2014, where I will be | 0:00:07 | 0:00:12 | |
introducing you to 15 of the most exciting new music acts in the world. | 0:00:12 | 0:00:17 | |
Over the next half-hour, we will be meeting some of those people, | 0:00:17 | 0:00:20 | |
we will be exploring their lives up to this point | 0:00:20 | 0:00:23 | |
and, most importantly, we will be hearing their music. | 0:00:23 | 0:00:26 | |
We'll also be talking to some previous winners, | 0:00:26 | 0:00:28 | |
Haim and Ellie Goulding. | 0:00:28 | 0:00:30 | |
Right now, though, let's go behind the scenes of BBC Radio 1 | 0:00:30 | 0:00:33 | |
and meet the 15 acts on the list. | 0:00:33 | 0:00:37 | |
# This moment has caused | 0:00:38 | 0:00:43 | |
# A reaction... # | 0:00:43 | 0:00:46 | |
You know him already from his work with Disclosure and Naughty Boy, | 0:00:46 | 0:00:50 | |
but just in case you haven't guessed, here's a taste from his latest EP. | 0:00:50 | 0:00:53 | |
# Oh, you take me to nirvana... # | 0:00:53 | 0:01:00 | |
Sam Smith, let's talk about the last year | 0:01:00 | 0:01:02 | |
and some of the highlights that have been going on for you. | 0:01:02 | 0:01:04 | |
Obviously you did Later... with Jools which was a big moment. | 0:01:04 | 0:01:06 | |
- Let's talk about that experience. - I look scared on that. | 0:01:06 | 0:01:09 | |
Like, I had my phone trying to play the beginning note | 0:01:09 | 0:01:11 | |
so I wouldn't forget it. | 0:01:11 | 0:01:12 | |
# Now I got you in my space | 0:01:12 | 0:01:16 | |
# I won’t let go of you... # | 0:01:16 | 0:01:19 | |
You're on this list because there's high hopes for this debut album | 0:01:20 | 0:01:22 | |
and what's on it. People have heard enough of your music | 0:01:23 | 0:01:25 | |
to know it's going to be special. | 0:01:25 | 0:01:26 | |
Tell us a little bit about what we can expect on the record. | 0:01:26 | 0:01:28 | |
Em, I've never been in a relationship ever, never had a partner, | 0:01:28 | 0:01:32 | |
and I wanted to write an album for people | 0:01:32 | 0:01:34 | |
who go through that unrequited love, people who are lonely. | 0:01:34 | 0:01:37 | |
I hope this album is the voice that I never had, if you get what I mean. | 0:01:37 | 0:01:41 | |
This... I never had bodies of work that would speak to me in this way. | 0:01:41 | 0:01:45 | |
Another great vocalist and songwriter who's already given us collaborations | 0:01:45 | 0:01:49 | |
with Tinie Tempah and Rudimental amongst others, | 0:01:50 | 0:01:52 | |
the untameable Ella Eyre, and this, her first solo venture, is Deeper. | 0:01:52 | 0:01:57 | |
# I can't see it, I don't feel it | 0:01:57 | 0:02:02 | |
# I need to dig a little deeper | 0:02:02 | 0:02:05 | |
# I can't say that I won't say it back | 0:02:05 | 0:02:08 | |
# I need to dig a little deeper... # | 0:02:08 | 0:02:12 | |
# Don't think about it too much Too much... # | 0:02:12 | 0:02:16 | |
He's collaborated with Drake and SBTRKT, | 0:02:16 | 0:02:19 | |
and it's a pleasure to see him on the BBC Sound of 2014 list. | 0:02:19 | 0:02:23 | |
It's the incredible Sampha. | 0:02:23 | 0:02:26 | |
# Don’t think about it too much Too much, too much, too much... # | 0:02:26 | 0:02:34 | |
He's been named one of the hottest new MCs by Rolling Stone magazine | 0:02:34 | 0:02:38 | |
and now he's made it onto the BBC Sound of 2014 list. | 0:02:38 | 0:02:42 | |
Hailing from Chi-town, Chicago, it's Chance The Rapper. | 0:02:42 | 0:02:44 | |
# ..to me for, like, 20 pounds | 0:02:44 | 0:02:46 | |
# I think my English's getting real, real bad | 0:02:46 | 0:02:48 | |
# ..said I'm real, real bad | 0:02:48 | 0:02:50 | |
# No sprechen Sie dumb But I'm real, real good | 0:02:50 | 0:02:51 | |
# Dark-skinned Mike But I still feel bad... # | 0:02:51 | 0:02:53 | |
- George Ezra, how are you doing? - Brilliant, thank you. | 0:03:00 | 0:03:02 | |
Obviously, you're not completely new to a lot of people. | 0:03:02 | 0:03:04 | |
People will have seen you perform live | 0:03:05 | 0:03:06 | |
and you can claim Glastonbury as an experience you've already had. | 0:03:06 | 0:03:09 | |
I mean, tell us, how was that? | 0:03:09 | 0:03:11 | |
That was my first festival I ever played. Which is... That's weird. | 0:03:11 | 0:03:14 | |
# Give me one good reason | 0:03:14 | 0:03:16 | |
# Why I should never make a change | 0:03:16 | 0:03:21 | |
# And, baby, if you hold me | 0:03:23 | 0:03:24 | |
# Then all of this will go away... # | 0:03:24 | 0:03:28 | |
I'd never been to Glastonbury, | 0:03:28 | 0:03:29 | |
so for my first time to go to Glastonbury | 0:03:30 | 0:03:32 | |
and my first festival to play to be Glastonbury was quite strange. | 0:03:32 | 0:03:36 | |
# If you just say the words I'll up and run | 0:03:36 | 0:03:38 | |
# Oh, to you, oh, you... # | 0:03:38 | 0:03:41 | |
It felt like everyone was on my side. It was really nice. | 0:03:41 | 0:03:43 | |
And it's the first time that | 0:03:43 | 0:03:45 | |
I could see people singing along to songs and I was... | 0:03:45 | 0:03:48 | |
It was brilliant. But that means a lot of the footage is me grinning! | 0:03:48 | 0:03:51 | |
# Give me one good reason | 0:03:54 | 0:03:56 | |
# Why I should never make a change... # | 0:03:56 | 0:03:59 | |
One of the great things about this list | 0:03:59 | 0:04:01 | |
is I know that we'll have so much more time to catch up | 0:04:01 | 0:04:03 | |
as music gets finished and sessions get booked and everything else, | 0:04:03 | 0:04:06 | |
so basically prepare yourself for more me. | 0:04:06 | 0:04:08 | |
- Brilliant. - Good to see you. | 0:04:08 | 0:04:10 | |
Thank you. | 0:04:10 | 0:04:11 | |
And this is Kelela. | 0:04:13 | 0:04:15 | |
Featuring a fantasy team of cutting-edge producers, | 0:04:15 | 0:04:18 | |
her mixtape Cut 4 Me came to the fore in October 2013. | 0:04:18 | 0:04:22 | |
# Taking me higher | 0:04:22 | 0:04:25 | |
# Come back... # | 0:04:25 | 0:04:30 | |
# Cry your eyes out... # | 0:04:30 | 0:04:33 | |
Hailing from south-west London, it's Luke Sital-Singh. | 0:04:33 | 0:04:36 | |
# We all hurt | 0:04:36 | 0:04:39 | |
# We all lie | 0:04:39 | 0:04:41 | |
# And nothing stays the same... # | 0:04:41 | 0:04:43 | |
# It feels better in the dark | 0:04:44 | 0:04:49 | |
# It feels better in the dark... # | 0:04:49 | 0:04:51 | |
Better in the Dark | 0:04:51 | 0:04:52 | |
by Swedish-Australian twin sister act Say Lou Lou. | 0:04:52 | 0:04:56 | |
# Nothing can come between us... # | 0:04:56 | 0:04:59 | |
# What if I never even see you Cos we’re both on a stage... # | 0:05:00 | 0:05:05 | |
And fresh from LA is Banks. | 0:05:05 | 0:05:07 | |
# Don’t tell me listen to your song, because it isn’t the same | 0:05:07 | 0:05:11 | |
# I don’t wanna say your love is a waiting game... # | 0:05:12 | 0:05:21 | |
# I've seen a day | 0:05:26 | 0:05:28 | |
# No more to pay... # | 0:05:28 | 0:05:30 | |
And this is Nick Mulvey. | 0:05:30 | 0:05:32 | |
This is a song we've lived with and loved on this show for a long time. | 0:05:32 | 0:05:36 | |
And to be playing it in relation to the BBC Sound of 2014 | 0:05:36 | 0:05:39 | |
is a great feeling. | 0:05:40 | 0:05:41 | |
# You see me waiting | 0:05:41 | 0:05:42 | |
# Always waiting to get paid | 0:05:42 | 0:05:44 | |
# Darling, we cannot give it too much away... # | 0:05:44 | 0:05:47 | |
# So come on over | 0:05:50 | 0:05:52 | |
# When I touch, you start bleeding | 0:05:56 | 0:05:59 | |
# So come on over | 0:05:59 | 0:06:02 | |
# There's no God and I don't really care... # | 0:06:04 | 0:06:08 | |
Thank goodness you guys are on it, | 0:06:11 | 0:06:13 | |
for many reasons, one of which, we think you guys make the most | 0:06:13 | 0:06:15 | |
glorious melodic racket, so, Royal Blood, congratulations. | 0:06:15 | 0:06:19 | |
- Thanks very much. - Thank you. | 0:06:20 | 0:06:21 | |
# There's no God and I don't really care... # | 0:06:23 | 0:06:27 | |
A lot of people think there's guitars on the recordings. | 0:06:30 | 0:06:32 | |
But it's just Ben hitting his drums as hard as possible | 0:06:32 | 0:06:34 | |
and me playing the bass. | 0:06:34 | 0:06:36 | |
# Mmmm, Papi pacify | 0:06:44 | 0:06:49 | |
# Pacify my love... # | 0:06:49 | 0:06:51 | |
There is nothing predictable about the BBC Sound of 2014, | 0:06:52 | 0:06:56 | |
and this certainly rings true for the remarkable FKA twigs. | 0:06:56 | 0:06:59 | |
# Mmmm, Papi pacify | 0:07:01 | 0:07:06 | |
# Pacify our love, love | 0:07:06 | 0:07:10 | |
# Ooh, ooh, ooh, won't you clarify? | 0:07:10 | 0:07:14 | |
# Clarify our love... # | 0:07:14 | 0:07:19 | |
# I know I can't get you home... # | 0:07:19 | 0:07:23 | |
Hailing from west London, Jungle. | 0:07:23 | 0:07:25 | |
# Yeah | 0:07:25 | 0:07:27 | |
# I know I can't get you home | 0:07:27 | 0:07:30 | |
# No, no | 0:07:30 | 0:07:32 | |
# I can't feel the heat | 0:07:32 | 0:07:35 | |
# No... # | 0:07:35 | 0:07:36 | |
# Tell me, am I the type... # | 0:07:36 | 0:07:39 | |
And, for me, | 0:07:39 | 0:07:40 | |
no list of remarkable new music talent would be complete without him. | 0:07:40 | 0:07:44 | |
He's the incredible MNEK. | 0:07:44 | 0:07:46 | |
# Should I carry on? | 0:07:46 | 0:07:47 | |
# Or should I say no more? | 0:07:47 | 0:07:49 | |
# All of the things running through my mind... # | 0:07:49 | 0:07:53 | |
# I'm just tryin' to work out | 0:07:53 | 0:07:55 | |
# How to be like myself | 0:07:55 | 0:07:59 | |
# I'm just tryin' to work out | 0:07:59 | 0:08:01 | |
# These cards I've been dealt... # | 0:08:01 | 0:08:04 | |
Chloe Howl, where did music feature into your life, | 0:08:04 | 0:08:07 | |
when did it come a priority for you? | 0:08:07 | 0:08:09 | |
Em, I guess, well, I was always singing from when I was tiny, | 0:08:09 | 0:08:12 | |
from when I was, like, a toddler. | 0:08:12 | 0:08:14 | |
But I think when I got to about 13 was when I first started, | 0:08:14 | 0:08:17 | |
like, trying to write songs and learning to write songs, and I think | 0:08:17 | 0:08:20 | |
that was kind of the moment I was like, "This is what I want to do." | 0:08:20 | 0:08:23 | |
# I'm just tryin' to work out | 0:08:23 | 0:08:24 | |
# These cards I've been dealt. # | 0:08:25 | 0:08:29 | |
So interesting to meet these artists just on the cusp of success, | 0:08:30 | 0:08:34 | |
just when anything can happen to them. | 0:08:34 | 0:08:36 | |
Now, let's find out a bit more | 0:08:36 | 0:08:38 | |
about how these acts actually get on the list. | 0:08:38 | 0:08:41 | |
To do that, we are going to introduce to you | 0:08:41 | 0:08:43 | |
just a couple of the 170 people who vote. | 0:08:43 | 0:08:46 | |
Butterflies in the pit of your stomach, that's the kind of feeling | 0:08:53 | 0:08:57 | |
that I get when I hear something new that I really, really like. | 0:08:57 | 0:09:00 | |
And recently I got that feeling | 0:09:00 | 0:09:01 | |
the first time that I heard MNEK's collaboration with Gorgon City. | 0:09:01 | 0:09:05 | |
# Oh, I'm ready for your love | 0:09:05 | 0:09:07 | |
# I'm ready for your love | 0:09:07 | 0:09:09 | |
# Yeah, yeah | 0:09:09 | 0:09:11 | |
# I'm ready for your love I'm ready for your love... # | 0:09:11 | 0:09:14 | |
Even though he's, you know, written and produced for the likes of | 0:09:14 | 0:09:17 | |
The Saturdays, he's collaborated with Duke Dumont, | 0:09:17 | 0:09:20 | |
he's collaborated with Rudimental, he's written for pretty much | 0:09:20 | 0:09:23 | |
every big artist out there at this moment in time, | 0:09:23 | 0:09:26 | |
or produced or worked with them, | 0:09:26 | 0:09:28 | |
this is still very much stage one of MNEK. | 0:09:29 | 0:09:31 | |
# This is when I lose my balance | 0:09:31 | 0:09:35 | |
# This is when I lose all control... # | 0:09:35 | 0:09:39 | |
He loves his chicken, we love our chicken, | 0:09:39 | 0:09:40 | |
we've shared lots of chicken together. | 0:09:40 | 0:09:42 | |
We're chicken lovers. | 0:09:42 | 0:09:43 | |
# The challenge I can call my own... # | 0:09:43 | 0:09:47 | |
I met MNEK when I think he was, like, 15. | 0:09:47 | 0:09:50 | |
We got along, started making music together | 0:09:50 | 0:09:52 | |
and immediately realised that this guy is a bit of a prodigy. | 0:09:52 | 0:09:56 | |
At 15, he was making beats and writing songs. | 0:09:56 | 0:09:59 | |
Really quickly. So he's kind of been a long-term collaborator for us. | 0:09:59 | 0:10:02 | |
He's still really young now, isn't he? | 0:10:03 | 0:10:04 | |
- 19. - Only just turned 19. | 0:10:04 | 0:10:06 | |
You wouldn't believe it. | 0:10:06 | 0:10:07 | |
# ..Fall | 0:10:07 | 0:10:09 | |
# I think I'm about to fall... # | 0:10:09 | 0:10:13 | |
People think I'm a new artist | 0:10:14 | 0:10:15 | |
but really, I mean, I have been doing it five years. | 0:10:15 | 0:10:18 | |
And, I guess, in that five years, | 0:10:18 | 0:10:20 | |
I have kind of grown up in the industry almost. | 0:10:20 | 0:10:23 | |
# ..Dee da ah-ah ah... # | 0:10:23 | 0:10:27 | |
Patience is a virtue because, you know, | 0:10:27 | 0:10:30 | |
I'd so many times that I really wanted to just get on with my career | 0:10:30 | 0:10:33 | |
and get on with me being an artist, and really I wasn't ready until now. | 0:10:33 | 0:10:38 | |
Uh, and it was, like, my management and the people round me saying that | 0:10:38 | 0:10:41 | |
your time will come. | 0:10:41 | 0:10:42 | |
BACKING SINGERS: # ..Deeper and deeper... # | 0:10:42 | 0:10:45 | |
My favourite way to find out about new artists is through other artists. | 0:10:45 | 0:10:49 | |
# I promise I can grow tall | 0:10:49 | 0:10:54 | |
# When making love is free... # | 0:10:57 | 0:11:02 | |
FKA twigs, | 0:11:02 | 0:11:03 | |
I think she's amazing in her song Water Me. | 0:11:03 | 0:11:05 | |
I remember when the video came out, | 0:11:05 | 0:11:06 | |
I just, like, couldn't stop crying looking at it. | 0:11:06 | 0:11:09 | |
# ..I, I, I, I, I | 0:11:11 | 0:11:14 | |
# I, I, I, I, I... # | 0:11:14 | 0:11:16 | |
# And the ghoulish entities | 0:11:17 | 0:11:19 | |
# They'll come floating through the wall... # | 0:11:19 | 0:11:22 | |
Oh...Sampha. | 0:11:22 | 0:11:24 | |
# ..Ghostly enemies | 0:11:25 | 0:11:26 | |
# They'll come floating through your door... # | 0:11:26 | 0:11:28 | |
We've seen him with SBTRKT, | 0:11:29 | 0:11:31 | |
we've seen him a bit with Jessie Ware, | 0:11:31 | 0:11:33 | |
we've seen him with Drake now, | 0:11:33 | 0:11:34 | |
and Sampha, just Sampha by himself, | 0:11:34 | 0:11:36 | |
is enough for me. I can't wait to see what he does in 2014. | 0:11:36 | 0:11:40 | |
# ..Whoo-oo-ooh... # | 0:11:40 | 0:11:42 | |
HE FREESTYLES | 0:11:42 | 0:11:47 | |
# I've been waiting all night for you to... # | 0:11:47 | 0:11:50 | |
The first time I heard Ella, I was like, "Ooh..." | 0:11:50 | 0:11:52 | |
It gave me a little sort of funny feeling in my stomach, | 0:11:52 | 0:11:54 | |
um, that hopefully wasn't trapped wind. | 0:11:54 | 0:11:56 | |
# ..Tell me that you want me... # | 0:11:57 | 0:11:59 | |
I remember when she first came to the studio | 0:11:59 | 0:12:01 | |
and started singing and I was just like, "Wow." | 0:12:01 | 0:12:03 | |
# ..Tell me that you need me | 0:12:03 | 0:12:05 | |
# Tell me that you want me... # | 0:12:05 | 0:12:07 | |
And what's great about Ella is that she sounds like | 0:12:07 | 0:12:09 | |
a southern 1960s soul singer, | 0:12:09 | 0:12:11 | |
and then you see her and she's, you know, | 0:12:11 | 0:12:13 | |
a 2014 west London girl. | 0:12:13 | 0:12:17 | |
Right, let's go absolutely mental on this! | 0:12:17 | 0:12:19 | |
# ..Tell me that you need me... # | 0:12:19 | 0:12:21 | |
The very first Live Lounge we did was... | 0:12:21 | 0:12:23 | |
it was really early on when I first started working with the boys. | 0:12:23 | 0:12:26 | |
# ..Tell me that you want me... # | 0:12:27 | 0:12:30 | |
And it was amazing cos I had no stylings | 0:12:30 | 0:12:33 | |
and I was wearing this jumper from my mum's wardrobe. | 0:12:33 | 0:12:36 | |
A lot of people were backing me up and going, | 0:12:36 | 0:12:37 | |
"But it's not about what she wears, it's how it sounds." | 0:12:37 | 0:12:39 | |
And it was really encouraging from such an early stage for me. | 0:12:39 | 0:12:42 | |
The adrenaline was incredible. | 0:12:42 | 0:12:44 | |
It was wicked. | 0:12:44 | 0:12:46 | |
# ..Yeah, yeah, yeah. # | 0:12:46 | 0:12:49 | |
# You made a fool out of me | 0:12:51 | 0:12:53 | |
# Took the skin off my back, honey | 0:12:53 | 0:12:55 | |
# Don't breathe when I talk | 0:12:58 | 0:12:59 | |
# Cos you haven't been spoken to... # | 0:12:59 | 0:13:02 | |
I voted for Royal Blood because they are one of the best bands I saw live. | 0:13:02 | 0:13:06 | |
# ..A bullet with your name on it... # | 0:13:06 | 0:13:08 | |
And Out Of The Black is just the most incredible riff, | 0:13:09 | 0:13:12 | |
noise, passionate feast of a song | 0:13:12 | 0:13:14 | |
I've heard for a while and I love it. | 0:13:14 | 0:13:16 | |
MUSIC ENDS | 0:13:25 | 0:13:26 | |
We spoke to some previous winners, as well as some of this year's nominees, | 0:13:26 | 0:13:30 | |
to find out what life is like when you're one to watch. | 0:13:30 | 0:13:34 | |
# I know it's gonna be | 0:13:34 | 0:13:35 | |
# Oh, it | 0:13:36 | 0:13:37 | |
# Oh, ee-ee, ooh-ooh, be-ee... # | 0:13:38 | 0:13:42 | |
Bearing in mind I went straight from, like, just writing songs on my guitar | 0:13:44 | 0:13:48 | |
in a bedroom to travelling the world and doing interviews, | 0:13:48 | 0:13:53 | |
and being photographed, and I didn't really understand what was happening, | 0:13:53 | 0:13:57 | |
it's quite hard to take all that stuff in, | 0:13:57 | 0:13:59 | |
in the beginning. | 0:13:59 | 0:14:00 | |
# ..But I don't think I need you | 0:14:03 | 0:14:05 | |
# Oh, ooh-ooh. # | 0:14:07 | 0:14:09 | |
# For ever I try to make it right | 0:14:09 | 0:14:11 | |
# But together we saw the end in sight | 0:14:11 | 0:14:13 | |
# I'm tired of fighting the good fight | 0:14:13 | 0:14:15 | |
# If you say the word then I'll say goodbye... # | 0:14:15 | 0:14:17 | |
We have a really big connection to | 0:14:17 | 0:14:19 | |
- The Sound Of... - 2013. | 0:14:19 | 0:14:21 | |
- ..2013 because... - We won. | 0:14:21 | 0:14:23 | |
..we won. | 0:14:23 | 0:14:25 | |
It's still so crazy, I think, to us that we actually won it. | 0:14:25 | 0:14:29 | |
We heard about it. We had a sister hug, and then | 0:14:33 | 0:14:37 | |
we went right back into the studio. | 0:14:37 | 0:14:39 | |
- We've got to make this record. - Now we really have to | 0:14:39 | 0:14:41 | |
- finish our record. Let's go. - Huzzah! | 0:14:41 | 0:14:43 | |
# ..For ever we try, for ever we try | 0:14:43 | 0:14:45 | |
# Huh | 0:14:45 | 0:14:46 | |
# For ever we try | 0:14:47 | 0:14:48 | |
- # For ever we try... # - Yeah! | 0:14:48 | 0:14:50 | |
I kind of feel now that we're like seniors now. | 0:14:50 | 0:14:53 | |
- Yeah, it's like we graduated. - It's like we graduated and now, | 0:14:53 | 0:14:55 | |
2014, the freshman class is here. | 0:14:56 | 0:15:00 | |
# ..The pieces while you watched me... # | 0:15:00 | 0:15:02 | |
I have a Zane Lowe session at Maida Vale Studios, | 0:15:02 | 0:15:05 | |
which I've been excited about since I found out I was going to do it. | 0:15:05 | 0:15:09 | |
And then tonight I'm opening for The Weeknd at the O2 Arena. | 0:15:09 | 0:15:13 | |
# ..You'd say, "Baby, don't go"... # | 0:15:13 | 0:15:16 | |
Hi, guys. | 0:15:16 | 0:15:17 | |
Everything that I've ever written about, | 0:15:17 | 0:15:19 | |
it's been so personal to me | 0:15:19 | 0:15:21 | |
but now it's like it's out. I feel like I'm just | 0:15:21 | 0:15:25 | |
opening myself up to everyone. | 0:15:25 | 0:15:27 | |
That's a huge change for me. | 0:15:27 | 0:15:30 | |
# Baby, don't go | 0:15:30 | 0:15:32 | |
# I didn't know | 0:15:32 | 0:15:34 | |
# I'll change, I swear | 0:15:34 | 0:15:36 | |
# I'll change, I swear | 0:15:36 | 0:15:38 | |
# Baby, don't go | 0:15:38 | 0:15:40 | |
# I'll make you wait | 0:15:40 | 0:15:42 | |
# I promise I'll be better All of these things. # | 0:15:42 | 0:15:46 | |
# Oh, did you steal my name Oh, you jack of all trades... # | 0:15:46 | 0:15:51 | |
You forget that there's however many people listening to the radio | 0:15:51 | 0:15:55 | |
and it's not just iTunes or my mum playing the CD, or whatever. | 0:15:55 | 0:15:58 | |
You know, having somebody like Zane and the other DJs playing Budapest | 0:15:58 | 0:16:02 | |
and Did You Hear The Rain, it's brilliant. | 0:16:02 | 0:16:04 | |
# ..Oh, did you hear the rain? | 0:16:04 | 0:16:07 | |
# Oh, the rain? Whoo... # | 0:16:07 | 0:16:10 | |
# Calling, calling, calling, yeah | 0:16:10 | 0:16:13 | |
# I'm calling, calling, calling... # | 0:16:14 | 0:16:17 | |
Huw Stephens played me in the very early days and that's... | 0:16:17 | 0:16:21 | |
Yeah, that's when I felt like things were going quite well. | 0:16:21 | 0:16:24 | |
# Oh, lies, lies, lies | 0:16:26 | 0:16:29 | |
# L-l-l-lies, lies, lies | 0:16:29 | 0:16:33 | |
# Little lies. # | 0:16:33 | 0:16:34 | |
The first line of your third take... | 0:16:34 | 0:16:36 | |
Mm-hm? | 0:16:36 | 0:16:37 | |
- ..was out of this world. - Really? | 0:16:37 | 0:16:39 | |
RECORDING: # You've got your... # | 0:16:39 | 0:16:40 | |
Things have changed a lot from a year ago. | 0:16:40 | 0:16:43 | |
My whole life is a lot more fast paced. | 0:16:43 | 0:16:47 | |
- They're done? - Absolutely. | 0:16:47 | 0:16:49 | |
Thank you. | 0:16:49 | 0:16:50 | |
The team B! | 0:16:50 | 0:16:51 | |
A year ago, I was working at this perfume place | 0:16:51 | 0:16:54 | |
where you made everything fresh. | 0:16:54 | 0:16:56 | |
I was like a chemist. | 0:16:57 | 0:16:58 | |
It was like... | 0:16:58 | 0:16:59 | |
I was, like, making... making perfume and writing music. | 0:16:59 | 0:17:03 | |
And now I'm playing at the O2 Arena. | 0:17:03 | 0:17:05 | |
I feel, like, emotional looking at it. | 0:17:09 | 0:17:12 | |
That's crazy! | 0:17:12 | 0:17:14 | |
I just can't believe I'm playing there tonight. | 0:17:15 | 0:17:17 | |
# Tell me that you need me Tell me that you want me, yeah... # | 0:17:19 | 0:17:24 | |
The best part about what I do is to perform live, you know. | 0:17:24 | 0:17:27 | |
I learnt a lot from being on tour with Rudimental. | 0:17:27 | 0:17:29 | |
And that's where I'm happiest. | 0:17:29 | 0:17:31 | |
That's where I love to, like, exert a lot of energy | 0:17:31 | 0:17:33 | |
and to be able to interact with the audience | 0:17:33 | 0:17:35 | |
and get to see their reactions and see what they think about it. | 0:17:35 | 0:17:38 | |
And it's just good fun. | 0:17:38 | 0:17:39 | |
# Hey-ey, ey-ey, ey | 0:17:41 | 0:17:43 | |
# Hey-ey ey-ey, ey... # | 0:17:43 | 0:17:45 | |
# I'm latching onto you... # | 0:17:45 | 0:17:47 | |
I never went to festivals as a kid, ever. | 0:17:47 | 0:17:49 | |
My first ever, ever, ever experience of a festival | 0:17:49 | 0:17:52 | |
was singing Latch. | 0:17:52 | 0:17:54 | |
- # Oh, oh, oh - # Latching onto you | 0:17:54 | 0:17:56 | |
# I won't let go | 0:17:56 | 0:17:58 | |
# I won't let go of you | 0:17:58 | 0:17:59 | |
# I won't let go, I won't let go... # | 0:17:59 | 0:18:02 | |
Yes, that was crazy. The festival's a massive new world for me. | 0:18:02 | 0:18:05 | |
# ..I won't let go I won't let go, oh... # | 0:18:07 | 0:18:11 | |
BANKS: We're at the O2 Arena right now. | 0:18:13 | 0:18:14 | |
I'm about to open for The Weeknd. | 0:18:14 | 0:18:16 | |
When I walked out for the first time, I was overwhelmed | 0:18:16 | 0:18:20 | |
and I'm about to go on in, like, 15 minutes or so, | 0:18:20 | 0:18:25 | |
I'm about to play for thousands of people. | 0:18:25 | 0:18:28 | |
At the O2 Arena! | 0:18:28 | 0:18:31 | |
I'm nervous. | 0:18:33 | 0:18:34 | |
And I'm excited. | 0:18:34 | 0:18:35 | |
But I'm confident and I feel... | 0:18:37 | 0:18:40 | |
empowered and I'm just going to soak it all up. | 0:18:40 | 0:18:42 | |
CHEERING AND APPLAUSE | 0:18:45 | 0:18:47 | |
There you go. That was BANKS. She will be touring the UK | 0:18:47 | 0:18:49 | |
in March, if you want to see her live. | 0:18:49 | 0:18:51 | |
Now we cross to some people | 0:18:51 | 0:18:53 | |
who would like to keep us a little bit more in the dark. | 0:18:53 | 0:18:56 | |
SAMPLED NATURAL SOUNDS | 0:18:56 | 0:18:59 | |
I know nothing about Jungle. | 0:18:59 | 0:19:01 | |
WOMAN: When you type them into Google, | 0:19:02 | 0:19:04 | |
you don't get a lot, I'm afraid, about them, | 0:19:04 | 0:19:05 | |
so they're quite mysterious I think. | 0:19:05 | 0:19:07 | |
I know they're a duo. | 0:19:07 | 0:19:09 | |
And whether they're two guys, two girls, a guy and a girl, | 0:19:09 | 0:19:12 | |
I don't know. Animals? I don't know. | 0:19:12 | 0:19:14 | |
MAN: I've heard their live performance | 0:19:14 | 0:19:16 | |
is like nothing you've ever seen. | 0:19:16 | 0:19:18 | |
MAN 2: I'm the lighting designer for Jungle. | 0:19:19 | 0:19:20 | |
The way I light the band is backlit | 0:19:20 | 0:19:22 | |
because they want their identity hidden. | 0:19:23 | 0:19:24 | |
When you can't see them, you don't get any information about | 0:19:24 | 0:19:27 | |
them as people whatsoever. It's just all about the music. | 0:19:27 | 0:19:30 | |
MAN 3: Yeah, they're all tiny little girls doing head spins. | 0:19:30 | 0:19:33 | |
MAN 2: Yeah. | 0:19:33 | 0:19:34 | |
MAN 3: But then they developed really quickly | 0:19:34 | 0:19:36 | |
and then became rollerblading African-Americans. | 0:19:36 | 0:19:39 | |
# I'll knock you down | 0:19:39 | 0:19:40 | |
# Roller kids | 0:19:42 | 0:19:43 | |
# Go down, groove you | 0:19:45 | 0:19:47 | |
# Won't you? | 0:19:47 | 0:19:49 | |
# Under the rock | 0:19:49 | 0:19:50 | |
# Down by the beach | 0:19:50 | 0:19:52 | |
# No, I'll not break you | 0:19:53 | 0:19:56 | |
# Want me | 0:19:56 | 0:19:58 | |
# Ooh, ooh-ooh... # | 0:20:19 | 0:20:21 | |
We don't really know what they look like. | 0:20:21 | 0:20:22 | |
Yeah. It's still quite a mystery. | 0:20:22 | 0:20:24 | |
It's a mystery. The backlighting was very good. | 0:20:24 | 0:20:26 | |
Everything - like the atmosphere, the light as well - was really great. | 0:20:28 | 0:20:31 | |
I was just right in front, as well, | 0:20:31 | 0:20:32 | |
and I'm really looking forward to see them grow. | 0:20:32 | 0:20:35 | |
Well, I hope they play Glastonbury. | 0:20:36 | 0:20:39 | |
FUNKY ELECTRONIC INSTRUMENTAL BREAK | 0:20:39 | 0:20:41 | |
CHEERING AND APPLAUSE | 0:20:50 | 0:20:54 | |
Thank you. | 0:20:54 | 0:20:55 | |
The Sound Of list is so incredibly varied and colourful | 0:20:55 | 0:20:58 | |
in terms of the music and the people this year, | 0:20:58 | 0:21:00 | |
and I can't wait to see where they go from here. | 0:21:00 | 0:21:03 | |
That is it from me. Thank you for watching. I'll see you later. | 0:21:03 | 0:21:06 |