Pennod 6 Caryl
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Transcript
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|---|---|---|---|
-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-I saw a programme -on television last night... | 0:00:20 | 0:00:23 | |
-..about a man who goes up to Alaska -to catch crabs. | 0:00:24 | 0:00:28 | |
-So? | 0:00:29 | 0:00:31 | |
-It's the deadliest job in the world. | 0:00:33 | 0:00:35 | |
-The water freezes. -There are gale force winds. | 0:00:37 | 0:00:41 | |
-They're the coldest, -stormiest waters on earth. | 0:00:41 | 0:00:45 | |
-As the summer ends, -Val and Jo Jo Eastman... | 0:00:50 | 0:00:53 | |
-..harvest the various crops -they've lovingly tended all year. | 0:00:53 | 0:00:59 | |
-Please help! | 0:01:02 | 0:01:03 | |
-This is seriously ****ing heavy! | 0:01:04 | 0:01:06 | |
-# Apples galore grow. -Berries in the hedgerow | 0:01:08 | 0:01:13 | |
-# Raspberries, cherries and bananas. -Fruit for Val and Jo Jo # | 0:01:13 | 0:01:19 | |
-This year, as we had -such a bumper crop of apples... | 0:01:19 | 0:01:23 | |
-..Jo Jo decided -to make his own cider. | 0:01:23 | 0:01:27 | |
-Can we drink -some of your cider later, Jo Jo? | 0:01:29 | 0:01:32 | |
-A'right, Ffi? What's happening? | 0:01:34 | 0:01:35 | |
-A'right, Ffi? What's happening? - -I'll tell you what's happening. | 0:01:35 | 0:01:37 | |
-Earning a wage. | 0:01:38 | 0:01:39 | |
-Earning a wage. - -You are jokin'! | 0:01:39 | 0:01:41 | |
-I am so not! | 0:01:41 | 0:01:42 | |
-My mam has been going on at me -to get a job for ages. | 0:01:43 | 0:01:46 | |
-My dad keeps saying "Appreciate -the pound in your pocket, my lady!" | 0:01:47 | 0:01:53 | |
-And crap like that. | 0:01:53 | 0:01:55 | |
-Yeah, but don't slag your dad off. -He's so cute! | 0:01:56 | 0:01:59 | |
-You are so gross, Jools! | 0:02:00 | 0:02:01 | |
-Anyway, I've got a job -that's so up my street. | 0:02:02 | 0:02:05 | |
-Have you won a chair? | 0:02:06 | 0:02:07 | |
-Have you won a chair? - -No! | 0:02:07 | 0:02:09 | |
-I'm going to work in an arts centre. | 0:02:09 | 0:02:12 | |
-I'll hang out with poets, actors... | 0:02:12 | 0:02:15 | |
-..authors, artists and musicians. | 0:02:16 | 0:02:19 | |
-And dancers and stuff. | 0:02:20 | 0:02:22 | |
-Awesome! Like Diversity, -Got To Dance and Ashley Banjo. | 0:02:23 | 0:02:26 | |
-Who? No, like creative dance -and contemporary dance and stuff. | 0:02:27 | 0:02:31 | |
-What's your job then? | 0:02:32 | 0:02:34 | |
-What's your job then? - -I'm the hospitality helper. | 0:02:34 | 0:02:36 | |
-What? | 0:02:38 | 0:02:39 | |
-I'm like the face of the arts. | 0:02:40 | 0:02:43 | |
-I'm like the face of the arts. - -Awesome! Like a model? | 0:02:43 | 0:02:44 | |
-Yep! That's me. | 0:02:45 | 0:02:46 | |
-A lot of people die -when they're doing it. | 0:02:48 | 0:02:51 | |
-If you fall into the water, -you're dead in a second. | 0:02:51 | 0:02:56 | |
-My brother did that job for some -pocket money when he was seven. | 0:03:00 | 0:03:05 | |
-If he fell into the water, -he just swam back to the shore. | 0:03:05 | 0:03:09 | |
-If the lads weren't having much luck -with their catch... | 0:03:09 | 0:03:14 | |
-..he'd dive in, grab some crabs -and throw them from underwater... | 0:03:15 | 0:03:19 | |
-..until they landed on the boat. | 0:03:20 | 0:03:23 | |
-It was OK, but it wasn't a patch -on what he's doing now. | 0:03:25 | 0:03:29 | |
-He's doing the deadliest job -in the world at the moment. | 0:03:29 | 0:03:33 | |
-What job is that? | 0:03:34 | 0:03:36 | |
-Obviously, as a professional player, -you must look to the future. | 0:03:40 | 0:03:45 | |
-If you get as many injuries as me, -the future is important. | 0:03:45 | 0:03:49 | |
-I've got to look for opportunities -which are out of the ordinary. | 0:03:50 | 0:03:54 | |
-That's what I've been doing. | 0:03:54 | 0:03:56 | |
-Looking for opportunities -which are out of the ordinary. | 0:03:57 | 0:04:00 | |
-Back to my online course, Music-All. | 0:04:02 | 0:04:05 | |
-I'll lead you through my journey... | 0:04:06 | 0:04:09 | |
-..as I create a superb, -new and totally original musical... | 0:04:09 | 0:04:14 | |
-..in the hope that you -learn something along the way. | 0:04:14 | 0:04:18 | |
-You can't even dip your toe -into the world of the musical... | 0:04:20 | 0:04:25 | |
-..without music. | 0:04:26 | 0:04:28 | |
-The clue's in the name, isn't it? | 0:04:29 | 0:04:31 | |
-You won't believe what came -through the post the other day. | 0:04:32 | 0:04:36 | |
-A letter from one -of the finest composers in Wales... | 0:04:37 | 0:04:41 | |
-..begging me to let him -write the songs for my musical. | 0:04:42 | 0:04:46 | |
-He was on his knees... | 0:04:48 | 0:04:49 | |
-..like a whore at the bedside -of humanity, as I would say! | 0:04:50 | 0:04:54 | |
-Or was it Menna Elfyn -who said that? | 0:04:56 | 0:04:59 | |
-I'm convinced it was me who said it. | 0:05:00 | 0:05:02 | |
-It's a belter, isn't it? | 0:05:03 | 0:05:04 | |
-But who do you think -this mystery composer could be? | 0:05:05 | 0:05:09 | |
-He's a scientific guinea pig. | 0:05:12 | 0:05:15 | |
-What? | 0:05:17 | 0:05:19 | |
-Scientists try things out -on my brother... | 0:05:19 | 0:05:22 | |
-..when they do their experiments. | 0:05:22 | 0:05:25 | |
-He had to jump out of an aeroplane -without a parachute. | 0:05:25 | 0:05:29 | |
-Why? | 0:05:29 | 0:05:31 | |
-To see how fast -you'd reach the bottom. | 0:05:31 | 0:05:34 | |
-He wasn't keen on that one. | 0:05:34 | 0:05:36 | |
-Why? Did he hurt himself? | 0:05:36 | 0:05:38 | |
-No. He ripped his jeans -on the rocks. | 0:05:38 | 0:05:41 | |
-He was really cheesed off. | 0:05:41 | 0:05:43 | |
-Well, here I am, in the home -of Wales's answer to Mozart. | 0:05:45 | 0:05:49 | |
-Robat Arwyn. | 0:05:51 | 0:05:52 | |
-It's absolutely superb -to see you again, Arwyn. | 0:05:54 | 0:05:58 | |
-How are you? It's been too long. | 0:05:58 | 0:06:01 | |
-Yes, it's been ages. | 0:06:01 | 0:06:02 | |
-It's nice to see you, Sioned. | 0:06:03 | 0:06:05 | |
-How exactly do we know each other? | 0:06:05 | 0:06:07 | |
-We competed against each other -in eisteddfodau when we were young. | 0:06:08 | 0:06:12 | |
-You lived in Nantlle Valley -and I lived in Lleyn. | 0:06:13 | 0:06:16 | |
-Our paths crossed more often -than Frigid Betty's legs... | 0:06:16 | 0:06:20 | |
-..in Roaming Hands Wil's back seat, -as Eric Impetigo would say. | 0:06:21 | 0:06:25 | |
-Then you packed your bags -and moved to Cardiff. | 0:06:26 | 0:06:29 | |
-Everything goes down there. | 0:06:29 | 0:06:31 | |
-Even worse, you then made your home -in the north east. | 0:06:32 | 0:06:36 | |
-You and Rhys Meirion -and even Leah Owen... | 0:06:38 | 0:06:41 | |
-..went to live -in the land of the Scousers... | 0:06:42 | 0:06:45 | |
-..and turned your back on your home. | 0:06:45 | 0:06:48 | |
-I've started to invent things. | 0:06:50 | 0:06:52 | |
-My inventions -could help the boys in the future. | 0:06:52 | 0:06:56 | |
-What sort of inventions? | 0:06:56 | 0:06:58 | |
-My latest one is pre-nalysis. | 0:06:58 | 0:07:02 | |
-Right. | 0:07:02 | 0:07:03 | |
-The trouble with analysis -is it happens after a game. | 0:07:04 | 0:07:07 | |
-That's no good, is it? | 0:07:08 | 0:07:09 | |
-I want to give all the boys -a scrum cap... | 0:07:09 | 0:07:12 | |
-..and place a thing -in their ears. | 0:07:12 | 0:07:15 | |
-They'd be able to hear -what Jonathan Davies says... | 0:07:17 | 0:07:21 | |
-..in the commentary on the telly. | 0:07:21 | 0:07:23 | |
-I call if Jiffy Mike. | 0:07:23 | 0:07:25 | |
-If Jonathan says, "Go wide! -Go wide!" the boys will go wide. | 0:07:26 | 0:07:31 | |
-If he says, "Go left, left, left! -Go left!" we'll go left. | 0:07:32 | 0:07:37 | |
-The preparations for tonight's -celebration are going well. | 0:07:40 | 0:07:45 | |
-Jo Jo's cider -is ready for drinking... | 0:07:45 | 0:07:48 | |
-..and the aroma of Val's bread rolls -fills the kitchen. | 0:07:48 | 0:07:52 | |
-My organic bread rolls are famous. | 0:07:54 | 0:07:56 | |
-The whole community -talks about them. | 0:07:57 | 0:08:00 | |
-Jo Jo loves nothing more... | 0:08:01 | 0:08:03 | |
-..than sinking his teeth -into my big, hot baps. | 0:08:03 | 0:08:07 | |
-Well, I'm not sure -what you want me to do, Sioned. | 0:08:13 | 0:08:16 | |
-Your letter wasn't very clear. | 0:08:17 | 0:08:19 | |
-That's why I wrote back to you, -letting you know I was baffled... | 0:08:19 | 0:08:24 | |
-..and to let you know -I'm not interested, to be honest. | 0:08:25 | 0:08:29 | |
-SHE LAUGHS | 0:08:30 | 0:08:32 | |
-Very funny! | 0:08:33 | 0:08:34 | |
-That's not how it sounded to me! | 0:08:35 | 0:08:37 | |
-Well, I remember my exact words. | 0:08:38 | 0:08:40 | |
-"I can't make head nor tail -of your letter... | 0:08:41 | 0:08:44 | |
-..and anyway, -I'm busy writing an opera... | 0:08:44 | 0:08:48 | |
-..about the life and work -of Rhys Meirion. | 0:08:48 | 0:08:52 | |
-"I'm also writing a tribute -to George Gershwin. | 0:08:53 | 0:08:56 | |
-"It will be sung by my choir -and it's called I've Got Ruthin. | 0:08:57 | 0:09:01 | |
-It's clear the north east dialect -has had a damaging effect on you. | 0:09:06 | 0:09:11 | |
-This is how it sounded to me. | 0:09:12 | 0:09:14 | |
-"Rhys Meirion and Ruthin Choir -can get stuffed! | 0:09:15 | 0:09:19 | |
-"This is an offer I can't refuse. | 0:09:19 | 0:09:22 | |
-"Please, please, please, -can I write the music... | 0:09:22 | 0:09:25 | |
-..for your amazing musical, -O Walia I Awstralia?" | 0:09:26 | 0:09:29 | |
-"Warm regards, Robat Arwyn." | 0:09:29 | 0:09:31 | |
-What's it called? | 0:09:32 | 0:09:33 | |
-That's enough chat! | 0:09:33 | 0:09:35 | |
-I've got a plot -and I've got the lyrics. | 0:09:35 | 0:09:38 | |
-Take some of those notes which are -floating around your head... | 0:09:39 | 0:09:43 | |
-..like the contents -of A I Ned's syringe... | 0:09:43 | 0:09:46 | |
-..and feed them into this keyboard. | 0:09:47 | 0:09:49 | |
-Surely, you can -come up with a song before tea. | 0:09:49 | 0:09:53 | |
-Sioned, honestly...! | 0:09:53 | 0:09:54 | |
-Sioned, honestly...! - -I know! You cant believe your luck. | 0:09:54 | 0:09:57 | |
-Right, here's the plot. | 0:09:57 | 0:09:59 | |
-Leusa, our heroine, is madly in love -with Robin, the servant. | 0:09:59 | 0:10:03 | |
-That was ****** crap, wasn't it? | 0:10:04 | 0:10:07 | |
-Get yourself a pint -during the break. | 0:10:07 | 0:10:10 | |
-. | 0:10:12 | 0:10:12 | |
-Subtitles | 0:10:16 | 0:10:16 | |
-Subtitles - -Subtitles | 0:10:16 | 0:10:18 | |
-It's true to say that we, the Welsh, -aren't brilliant at everything. | 0:10:24 | 0:10:29 | |
-Flamenco dancing, for example! | 0:10:29 | 0:10:32 | |
-Clapping on the offbeat. | 0:10:32 | 0:10:34 | |
-If writing folk songs... | 0:10:36 | 0:10:38 | |
-..about tragic love affairs -and death were an Olympic sport... | 0:10:38 | 0:10:43 | |
-..we'd have a sideboard -full of gold medals! | 0:10:43 | 0:10:46 | |
-We'll now sing a perfect example -of such a song. | 0:10:47 | 0:10:50 | |
-It's a masterpiece. | 0:10:52 | 0:10:54 | |
-This is Geraint's superb arrangement -of Adar Man Y Mynydd. | 0:10:54 | 0:10:59 | |
-# Ah-ah | 0:11:00 | 0:11:04 | |
-# Ah-ah-ah | 0:11:04 | 0:11:08 | |
-# Ah ah ah | 0:11:08 | 0:11:14 | |
-# Ooh | 0:11:14 | 0:11:16 | |
-# Ooh | 0:11:18 | 0:11:22 | |
-# The nightingale and the skylark | 0:11:23 | 0:11:30 | |
-# And the little mountain birds | 0:11:30 | 0:11:37 | |
-# Deliver a message to summer's hue | 0:11:38 | 0:11:44 | |
-# Who from a new fever suffers | 0:11:46 | 0:11:55 | |
-# Alas, I have no gifts | 0:11:59 | 0:12:03 | |
-# Or expensive jewels to send | 0:12:06 | 0:12:13 | |
-# As a token of my love for her | 0:12:14 | 0:12:21 | |
-# Just a pair of white gloves | 0:12:23 | 0:12:30 | |
-# Ooh-ooh, ooh-ooh, ooh | 0:12:31 | 0:12:36 | |
-# The little birds departed | 0:12:36 | 0:12:42 | |
-# They flew on their long journey | 0:12:44 | 0:12:50 | |
-# And there, near to Gwen's bed | 0:12:51 | 0:12:58 | |
-# On the tree they sang | 0:12:59 | 0:13:07 | |
-# Said Gwen, as white as sea foam | 0:13:08 | 0:13:14 | |
-# Alas! What is this bird | 0:13:16 | 0:13:22 | |
-# Who sings here so beautifully | 0:13:24 | 0:13:31 | |
-# While I am ailing -and near the end? | 0:13:33 | 0:13:39 | |
-# Ooh-ooh! Oh, oh, oh, oh | 0:13:41 | 0:13:44 | |
-# Oh, please tell him gently | 0:13:45 | 0:13:51 | |
-# Oh, that I | 0:13:51 | 0:13:53 | |
-# That I will not live long | 0:13:53 | 0:14:00 | |
-# Sadly, before this summer ends | 0:14:01 | 0:14:10 | |
-# I'll be 'midst soil and gravel # | 0:14:12 | 0:14:31 | |
-Coriander Allsop -and Belter Jones... | 0:14:35 | 0:14:37 | |
-..their fellow members -of Marchogion Cedor... | 0:14:38 | 0:14:41 | |
-..have joined Val and Jo Jo. | 0:14:41 | 0:14:43 | |
-Jo Jo's cider is flowing and the -harvest celebrations are underway. | 0:14:43 | 0:14:49 | |
-Let's begin by asking Coriander -to thank the summer... | 0:14:50 | 0:14:56 | |
-..with a song from her original home -in Northumberland. | 0:14:56 | 0:15:00 | |
-Jo Jo, give me another pint -of this riot soup. | 0:15:01 | 0:15:04 | |
-It's ****** good stuff, fair play. | 0:15:05 | 0:15:07 | |
-Steady on, old boy. -It packs a punch! | 0:15:07 | 0:15:10 | |
-You see this stomach? | 0:15:11 | 0:15:13 | |
-It can hold enough cider -to sink the Titanic! | 0:15:13 | 0:15:16 | |
-Come on, Coriander. | 0:15:19 | 0:15:21 | |
-# Oh Gee whipple dipple -With me apple and me dook | 0:15:22 | 0:15:25 | |
-# And under me conkers -With me napple and me nook | 0:15:25 | 0:15:28 | |
-# Oh fair young man -Will ye quobble on me flook? | 0:15:29 | 0:15:32 | |
-# With a whipple dipple dee -And a whipple wobble wook # | 0:15:32 | 0:15:37 | |
-Oh, that was lovely. | 0:15:38 | 0:15:39 | |
-Lovely. | 0:15:39 | 0:15:41 | |
-What about you, Belter? | 0:15:41 | 0:15:43 | |
-Would you like to thank the summer? | 0:15:43 | 0:15:45 | |
-Oh, summer! | 0:15:48 | 0:15:49 | |
-Cheers, buddy! | 0:15:51 | 0:15:53 | |
-****ing good job! | 0:15:53 | 0:15:55 | |
-To the summer. | 0:15:58 | 0:15:59 | |
-The summer. | 0:15:59 | 0:16:01 | |
-Then he started -testing a deodorant... | 0:16:05 | 0:16:08 | |
-..which is supposed to -stop bears from attacking you. | 0:16:08 | 0:16:12 | |
-Wow! Did it work? | 0:16:12 | 0:16:13 | |
-No. | 0:16:15 | 0:16:16 | |
-My brother had to fight off -ten brown bears. | 0:16:16 | 0:16:20 | |
-That deodorant is rubbish! | 0:16:20 | 0:16:22 | |
-Other teams would soon realize -something was going on... | 0:16:23 | 0:16:27 | |
-..and adopt the same technique. | 0:16:27 | 0:16:29 | |
-That's a very good point. | 0:16:29 | 0:16:31 | |
-We'd have secret codes. | 0:16:31 | 0:16:33 | |
-That would confuse the other team. | 0:16:33 | 0:16:36 | |
-If Jonathan said "Go left!" -in a squeaky, high voice... | 0:16:37 | 0:16:41 | |
-..we'd go left. | 0:16:42 | 0:16:43 | |
-If he said, "Go left!" -in a deep voice, we'd go right. | 0:16:43 | 0:16:47 | |
-The opposition would be confused. | 0:16:47 | 0:16:50 | |
-It needs a bit of fine tuning. | 0:16:50 | 0:16:52 | |
-I doubt Jonathan -can put on a deep voice. | 0:16:52 | 0:16:55 | |
-Ah! Kyffin Williams! | 0:17:00 | 0:17:01 | |
-Ffion? | 0:17:04 | 0:17:05 | |
-Oh! Hi, Jools. | 0:17:07 | 0:17:08 | |
-I'm helping in the cafe. | 0:17:09 | 0:17:11 | |
-Luca, the chef, is ill. | 0:17:13 | 0:17:14 | |
-I offered to help. | 0:17:16 | 0:17:17 | |
-Two more buckwheat salads -and a lemon grass smoothie, please! | 0:17:17 | 0:17:22 | |
-Yeah... so what are you doing here? | 0:17:25 | 0:17:27 | |
-It's not exactly -your cup of lapsang souchong, is it? | 0:17:28 | 0:17:32 | |
-I'm meeting Gruff here. -You know Gruff - your brother. | 0:17:33 | 0:17:37 | |
-We're going to see -La Battaglia Di Algeri or something. | 0:17:37 | 0:17:42 | |
-Apparently, it's awesome. | 0:17:44 | 0:17:45 | |
-Do you know what it's about? | 0:17:46 | 0:17:48 | |
-Do you know what it's about? - -Yeah, totes. | 0:17:48 | 0:17:50 | |
-It's a really political film... | 0:17:50 | 0:17:53 | |
-..about the Algerian struggle -for independence from France. | 0:17:53 | 0:17:57 | |
-Yeah, I know! Ryan Gosling's in it. | 0:17:58 | 0:18:00 | |
-Jools, it's in Italian! | 0:18:02 | 0:18:03 | |
-Totes sophist! | 0:18:04 | 0:18:06 | |
-Hiya, babe. | 0:18:07 | 0:18:08 | |
-Hiya, babe. - -Hi, hun. | 0:18:08 | 0:18:10 | |
-Hiya, fit face. | 0:18:10 | 0:18:12 | |
-Hi, cauliflower. | 0:18:15 | 0:18:17 | |
-You're so fit. | 0:18:17 | 0:18:18 | |
-No, you're so fit. | 0:18:19 | 0:18:20 | |
-No, you're so fit. - -No, you're so fit. | 0:18:20 | 0:18:22 | |
-Gross! Sick! | 0:18:23 | 0:18:24 | |
-Hi, Ffi. Can we have two Americanos -when we come out? | 0:18:25 | 0:18:29 | |
-Cheers, chick. | 0:18:29 | 0:18:31 | |
-Don't you chick me! | 0:18:32 | 0:18:34 | |
-Sick! | 0:18:35 | 0:18:36 | |
-In another experiment... | 0:18:40 | 0:18:42 | |
-..scientists paid my brother to go -into the jungle to scare gorillas... | 0:18:43 | 0:18:48 | |
-..and make them cry. | 0:18:49 | 0:18:51 | |
-They then collect the gorilla tears -and sell them to the Chinese. | 0:18:51 | 0:18:56 | |
-Why? | 0:18:57 | 0:18:59 | |
-It's romantic in China, isn't it? | 0:18:59 | 0:19:02 | |
-He earns 500 a day at the moment... | 0:19:04 | 0:19:07 | |
-..for testing nuclear bombs. | 0:19:08 | 0:19:11 | |
-They take him to a remote island -and drop a nuclear bomb on him. | 0:19:11 | 0:19:16 | |
-They know it's strong enough when -my brother's arm starts to itch... | 0:19:17 | 0:19:21 | |
-..but that hardly ever happens. | 0:19:22 | 0:19:24 | |
-He makes 500 a day? | 0:19:24 | 0:19:26 | |
-A day. | 0:19:26 | 0:19:28 | |
-No way! | 0:19:29 | 0:19:30 | |
-No way! - -A day. | 0:19:30 | 0:19:31 | |
-# I like cider | 0:19:35 | 0:19:37 | |
-# I like beer | 0:19:38 | 0:19:41 | |
-# But if I had to choose | 0:19:41 | 0:19:43 | |
-# I prefer cider | 0:19:44 | 0:19:46 | |
-# If I had to choose | 0:19:47 | 0:19:49 | |
-# I prefer cider # | 0:19:49 | 0:19:52 | |
-So, Jools. Do you know everything -about the Algerian revolution now? | 0:20:05 | 0:20:10 | |
-I feel like I was caught -in a revolution. | 0:20:10 | 0:20:13 | |
-Sheesh, Jools! | 0:20:14 | 0:20:16 | |
-When I was bored, I grabbed him. -I was bored a lot! | 0:20:16 | 0:20:19 | |
-Gross! | 0:20:20 | 0:20:22 | |
-And as the masters cruelly continue | 0:20:28 | 0:20:32 | |
-I shall perish | 0:20:34 | 0:20:35 | |
-In those droplets of your blood. | 0:20:36 | 0:20:39 | |
-Listen, Sioned, I'll break away -from my usual style... | 0:20:39 | 0:20:43 | |
-..for those lyrics. | 0:20:43 | 0:20:45 | |
-I'll go after the influences -of some more fiery composers... | 0:20:46 | 0:20:51 | |
-..who were inspired by conflict. | 0:20:51 | 0:20:53 | |
-Composers such as Shostakovich -and Wagner. | 0:20:53 | 0:20:57 | |
-What about the music of -John Williams in his latest films? | 0:20:57 | 0:21:01 | |
-Something along these lines. | 0:21:02 | 0:21:04 | |
-# As you drag your body -wearily in chains | 0:21:08 | 0:21:15 | |
-# And the blisters of brutality -burst on your feet # | 0:21:15 | 0:21:23 | |
-Something like that? | 0:21:25 | 0:21:27 | |
-Budge up, sunshine! | 0:21:34 | 0:21:36 | |
-I had something like this in mind. | 0:21:38 | 0:21:40 | |
-# As you drag your body -wearily in chains | 0:21:43 | 0:21:51 | |
-# And the blisters of brutality -burst on your feet | 0:21:52 | 0:22:00 | |
-# And as the masters -cruelly continue | 0:22:00 | 0:22:10 | |
-# I shall perish -in those droplets of your blood # | 0:22:11 | 0:22:24 | |
-Very original. -Where do you get your inspiration? | 0:22:25 | 0:22:28 | |
-Arwyn, don't call me. | 0:22:34 | 0:22:36 | |
-I'll call you. | 0:22:37 | 0:22:39 | |
-If I get desperate. | 0:22:40 | 0:22:42 | |
-Well, lads and lasses, it looks like -I'll compose the music after all. | 0:22:58 | 0:23:03 | |
-Next week, I'll focus on the -rare gift of the ability to act. | 0:23:04 | 0:23:09 | |
-All hail Anti Berwyn's piccalilli, -as Grandma Sieve would say... | 0:23:12 | 0:23:16 | |
-..I'm a dab hand at that too. | 0:23:16 | 0:23:18 | |
-See you soon, lads and lasses! | 0:23:19 | 0:23:21 | |
-LOUD ARGUING | 0:23:30 | 0:23:32 | |
-S4C subtitles by Eirlys A Jones | 0:23:55 | 0:23:58 | |
-. | 0:23:58 | 0:23:58 |
