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This programme contains scenes of repetitive flashing images. | :00:13. | :00:20. | |
Hello, how are you? Welcome. Here we go then. The first semifinal of | :00:20. | :00:26. | |
Eurovision 2012. We are coming at you live from Crystal Hall in Baku, | :00:26. | :00:30. | |
Azerbaijan. It's created a lot of interest here this week. Tonight, | :00:30. | :00:35. | |
it is about what happens on that massive stage there. Scott is in | :00:35. | :00:40. | |
the Gods somewhere. Give us a wave. Hey, gorgeous! We will bring you | :00:40. | :00:45. | |
all the magic of Eurovision. This is what you can expect on tonight's | :00:45. | :00:53. | |
show: Coming up, we take you behind-the-scenes. We will be | :00:53. | :01:01. | |
chatting to some of the favourites and the Hump will be here. Now, | :01:01. | :01:06. | |
then, this is known as a land of wind and fire. We won't be lighting | :01:06. | :01:16. | |
:01:16. | :01:16. | ||
Apology for the loss of subtitles for 61 seconds | :01:16. | :02:17. | |
our wind. We will light our fire. Good evening, Europe! Welcome to | :02:17. | :02:27. | |
:02:27. | :02:35. | ||
the Eurovision Song Contest 2012, live from Baku, Azerbaijan. | :02:35. | :02:40. | |
IN AZERI: "Good evening, Europe! Welcome to the Eurovision Song | :02:40. | :02:47. | |
Contest 2012, live from Baku, Azerbaijan." | :02:47. | :02:50. | |
SCOTT MILLS: These are our three hosts for tonight. You will be | :02:50. | :03:00. | |
:03:00. | :03:05. | ||
seeing them a lot. The man in the middle is Eldar. He is known as Ell | :03:05. | :03:12. | |
off Ell and Nikki and they won last year. On the right, that is Nargiz. | :03:13. | :03:22. | |
:03:23. | :03:25. | ||
She is a TV presenter/lawyer. My name is Eldar. I'm a singer. And I | :03:25. | :03:33. | |
was born in Baku in 1989. My name is Nargiz. I'm a lawyer. And I was | :03:34. | :03:43. | |
:03:44. | :03:45. | ||
born in Baku in... Well, let's proceed with the show, shall we?! | :03:45. | :03:51. | |
SCOTT MILLS: On the left is Leila, another TV presenter who likes to | :03:51. | :04:01. | |
:04:01. | :04:04. | ||
edit fashion magazines. Thank you, Leila. And thank you, Dusseldorf. | :04:04. | :04:14. | |
:04:14. | :04:15. | ||
Es war wunderschon bei euch. This year we have the honour to host the | :04:15. | :04:19. | |
three Eurovision shows: Two semi- finals - one today and the second | :04:19. | :04:22. | |
on Thursday. And then the spectacular Grand Final on Saturday. | :04:22. | :04:25. | |
As you know, some countries are already qualified for the Grand | :04:25. | :04:29. | |
Final. France, Germany, Italy, Spain and the United Kingdom, plus, | :04:29. | :04:38. | |
of course, the host country. SCOTT MILLS: The big five are the | :04:38. | :04:41. | |
biggest financial contributors to Eurovision so they have guaranteed | :04:41. | :04:51. | |
:04:51. | :04:52. | ||
places in the final, so we are in. 36 other countries compete for the | :04:52. | :04:56. | |
20 remaining places. Today we will see 18 entries singing for your | :04:56. | :05:03. | |
votes. Ten of them will make it to the Grand Final. On Thursday we | :05:03. | :05:06. | |
will see the last 18 semi-finalists and, again, ten will advance to the | :05:06. | :05:13. | |
Grand Final. This year the voting rules have changed slightly. And we | :05:13. | :05:16. | |
are very glad that we have a lawyer here with us. She can explain the | :05:16. | :05:23. | |
rules perfectly. I will, but later. Because this year, we will open the | :05:23. | :05:28. | |
phone lines after we've seen all the contestants. | :05:28. | :05:32. | |
SCOTT MILLS: Ig snore them, they are talking nonsense -- ignore them, | :05:32. | :05:37. | |
they are talking nonsense. You can vote in Thursday's second semifinal. | :05:37. | :05:42. | |
That decision was taken by splitting the voting of the big | :05:42. | :05:46. | |
five countries and the host, Azerbaijan. So you can't vote | :05:46. | :05:56. | |
:05:56. | :05:57. | ||
tonight. Cette annee les lignes telephoniques vont etre ouvertes | :05:57. | :06:03. | |
apres que vous avez vu toutes les performances. | :06:03. | :06:06. | |
That was great - I hope. So now let's start the Eurovision Song | :06:06. | :06:15. | |
Contest 2012. Live from the easternmost part of Europe. Live | :06:15. | :06:24. | |
from the City of Winds. Live from the Baku Crystal Hall. Europe light | :06:24. | :06:28. | |
your fire. ALL: And let the Eurovision Song | :06:28. | :06:36. | |
Contest begin! SCOTT MILLS: I went out on to a | :06:36. | :06:42. | |
balcony and nearly got blown off! Here we go. Semifinal one of | :06:42. | :06:46. | |
Eurovision 2012. It is a lengthy semi tonight, about two hours, so | :06:46. | :06:51. | |
sit back and enjoy. As we go along tonight, you will see 18 films | :06:51. | :06:54. | |
about Azerbaijan. They are supposed to make you think, "Maybe I will go | :06:54. | :06:59. | |
there on holiday one day." In Eurovision land, they are called | :06:59. | :07:01. | |
postcards. They reflect the landscape and culture of the | :07:01. | :07:06. | |
country. I have been here since Friday so I reckon you will see a | :07:06. | :07:11. | |
lot of tea drinking and carpets. And there will be an old man | :07:11. | :07:15. | |
playing chess with a child because there always is in these every | :07:15. | :07:23. | |
year! Look out for him. First up is Rambo Amadeus. He is representing | :07:23. | :07:27. | |
Montenegro. He is a cult figure. He has a donkey on stage and a sweaty | :07:27. | :07:37. | |
:07:37. | :08:08. | ||
# Euro neuro, don't be dogmatic # Euro neuro, don't be dogmatic | :08:08. | :08:17. | |
# Need contribution # To save | :08:17. | :08:27. | |
:08:27. | :09:01. | ||
# Euro neuro, I don't like # My heroism is pacifism altruism | :09:01. | :09:11. | |
:09:11. | :09:26. | ||
# Tourism, nudism, optimism # Different mission different school | :09:26. | :09:36. | |
:09:36. | :09:36. | ||
Apology for the loss of subtitles for 61 seconds | :09:36. | :10:36. | |
# Always stay cool SCOTT MILLS: Do not be put off by | :10:36. | :10:40. | |
him! That was Montenegro. If you think that is the standard of | :10:40. | :10:44. | |
things to come, we have the Russian grannies and Jedward! You can't | :10:44. | :10:48. | |
vote if you are in the UK tonight. You will be able to vote on | :10:48. | :10:52. | |
Thursday instead. But comment on things as they are happening. There | :10:52. | :10:58. | |
is already a lot to comment on. Including the lack of hair hygiene! | :10:58. | :11:05. | |
SARA COX: Was that his pockets he pulled out at the end? I hope so. | :11:05. | :11:11. | |
You can get us on Facebook and Twitter. Tweet us your thoughts. | :11:11. | :11:16. | |
Next, we have Iceland with Greta Salome & Jonsi. Their track is | :11:16. | :11:26. | |
:11:26. | :11:32. | ||
called Never Forget. I am sure we BOTH: # Praying for | :11:32. | :11:42. | |
:11:42. | :12:16. | ||
# And when the golden sun arises # The dawn will break | :12:16. | :12:26. | |
:12:26. | :12:28. | ||
# Never forget what I did # When I gave you | :12:28. | :12:32. | |
# Morning will come and I know we'll be one | :12:32. | :12:35. | |
# Cos I still believe that you'll remember me | :12:35. | :12:43. | |
# She mourns beneath the moonlit sky | :12:43. | :12:48. | |
# Remembering when they said goodbye | :12:48. | :12:54. | |
# Where's the one he used to know? It seems so long ago | :12:54. | :13:04. | |
:13:04. | :13:12. | ||
# Ah, aaah | :13:12. | :13:17. | |
# And when the golden sun arises far across the sea | :13:17. | :13:23. | |
# The dawn will break as darkness fades | :13:23. | :13:27. | |
# Forever we'll be free | :13:27. | :13:33. | |
# Never forget what I did what I said | :13:33. | :13:36. | |
# When I gave you all my heart and soul | :13:36. | :13:40. | |
# Morning will come and I know we'll be one | :13:40. | :13:43. | |
# Cos I still believe that you'll remember me | :13:43. | :13:49. | |
# Ooohhh | :13:49. | :13:51. | |
# Never forget what I did what I said | :13:51. | :13:54. | |
# When I gave you all my heart and soul | :13:54. | :13:58. | |
# Morning will come and I know we'll be one | :13:58. | :14:01. | |
# Cos I still believe that you'll remember me | :14:01. | :14:08. | |
# Oh, I still believe that you'll remember me | :14:08. | :14:15. | |
# Oh, I still believe that you'll remember me. # | :14:15. | :14:21. | |
CHEERING AND APPLAUSE | :14:21. | :14:28. | |
SARA | :14:28. | :14:28. | |
SARA COX: | :14:28. | :14:29. | |
SARA COX: Wow, | :14:29. | :14:39. | |
:14:39. | :14:40. | ||
SARA COX: Wow, Iceland there! Now, we have a message - was that Frank | :14:40. | :14:47. | |
from Shameless? It wasn't. That was Montenegro's entry! | :14:47. | :14:51. | |
SCOTT MILLS: It is important you get involved. Here is a country who | :14:51. | :14:56. | |
has never failed to qualify for the final. They are hoping this next | :14:56. | :15:01. | |
act will keep their 100% record. It is something for the lads! It is | :15:01. | :15:10. | |
Eleftheria Eleftheriou. She's gorgeous! As you can see, it is all | :15:10. | :15:15. | |
about swapping coloured eggs in Azerbaijan! We have been seeing | :15:15. | :15:21. | |
that all week. Swapping them left, right and centre. This is | :15:21. | :15:31. | |
:15:31. | :15:41. | ||
# I gotta say # When I'm with you | :15:41. | :15:46. | |
# You call me baby We spend the night | :15:46. | :15:50. | |
# I'm so addicted I feel alive | :15:51. | :15:55. | |
# Over and over I'm falling | :15:55. | :15:59. | |
# Oh oh o-o-oh oh oh o-o-oh | :15:59. | :16:03. | |
# You make me dance dance like a maniac | :16:03. | :16:07. | |
# Oh oh o-o-oh oh oh o-o-oh | :16:07. | :16:12. | |
# You make me want your aphrodisiac | :16:12. | :16:21. | |
# You make me want your aphrodisiac | :16:21. | :16:31. | |
:16:31. | :16:49. | ||
# I think about you all the time | :16:49. | :16:50. | |
# You make me want your aphrodisiac | :16:50. | :16:56. | |
# You make me dance Dance like a maniac | :16:56. | :16:59. | |
# Oh oh o-o-oh, oh oh o-o-oh | :16:59. | :17:01. | |
# You make me want your aphrodisiac | :17:01. | :17:09. | |
# Oh oh o-o-oh, oh oh o-o-oh | :17:09. | :17:11. | |
# You make me dance, dance like a maniac | :17:11. | :17:16. | |
# You make me want your aphrodisiac | :17:16. | :17:22. | |
# I'm craving for your touch | :17:22. | :17:23. | |
# I want it way too much | :17:23. | :17:26. | |
# I'm craving for your touch Too much | :17:26. | :17:28. | |
# Your touch Too much | :17:28. | :17:31. | |
# Over and over I'm falling | :17:31. | :17:35. | |
# Oh oh o-o-oh, oh oh o-o-oh | :17:35. | :17:39. | |
# You make me dance Dance like a maniac | :17:39. | :17:44. | |
# Oh oh o-o-oh, oh oh o-o-oh | :17:44. | :17:48. | |
# You make me want your aphrodisiac | :17:48. | :17:52. | |
# Oh oh o-o-oh, oh oh o-o-oh | :17:52. | :17:57. | |
# You make me dance, dance like a maniac | :17:57. | :18:01. | |
# Oh oh o-o-oh, oh oh o-o-oh | :18:01. | :18:05. | |
# You make me want your aphrodisiac | :18:05. | :18:15. | |
# You make me want your aphrodisiac. # | :18:15. | :18:18. | |
CHEERING AND APPLAUSE | :18:18. | :18:25. | |
SCOTT | :18:25. | :18:25. | |
SCOTT MILLS: | :18:25. | :18:28. | |
SCOTT MILLS: Greece | :18:28. | :18:32. | |
SCOTT MILLS: Greece are now so pour they can't afford a proper dress | :18:32. | :18:42. | |
:18:42. | :18:47. | ||
for the singer - that has just come SARA COX: Next up Latvia. When | :18:47. | :18:53. | |
Anmary takes to the stage, look out for their backing singers. I love | :18:53. | :19:03. | |
:19:03. | :19:04. | ||
this one! It's Beautiful Song performed by Anmary. She's | :19:04. | :19:12. | |
shortened her names - try it at home! Anmary says, "Music is my | :19:13. | :19:22. | |
:19:23. | :19:36. | ||
oxygen." Let's breathe her in! # The year that | :19:36. | :19:46. | |
:19:46. | :19:47. | ||
# So dream away, today's the day I'm singing out my song | :19:48. | :19:53. | |
# When I join this grand parade of winners | :19:53. | :19:58. | |
# And we've made this song a worldwide hit | :19:58. | :20:04. | |
# I will buy Oh my, oh my own mic to sing in | :20:04. | :20:09. | |
# And all the jobs I've had before I'm surely gonna quit | :20:09. | :20:15. | |
# Beautiful song is on the radio | :20:15. | :20:18. | |
# Is in the TV shows and plays on and on | :20:18. | :20:21. | |
# Beautiful song that everybody hums and everybody loves | :20:21. | :20:26. | |
# Beautiful song is on the radio | :20:26. | :20:29. | |
# Is in the TV shows and plays on and on | :20:29. | :20:31. | |
# Beautiful song that everybody hums and everybody loves | :20:32. | :20:38. | |
# My momma said I'd grow up to be a singer | :20:38. | :20:43. | |
# And daddy smiled when he gave me my guitar | :20:43. | :20:49. | |
# I do my best and I'll be so much better | :20:49. | :20:54. | |
# Brightest of the highest and the farthest of the stars | :20:54. | :21:00. | |
# And on that day when Sir Mick Jagger phones me | :21:00. | :21:05. | |
# Tell him, please that I am very busy | :21:05. | :21:10. | |
# Writing brand-new songs with Paul McCartney | :21:10. | :21:16. | |
# So sorry Mick, I'll call you back One day I'll call you back | :21:16. | :21:22. | |
# Beautiful song is on the radio | :21:22. | :21:25. | |
# Is in the TV shows and plays on and on | :21:25. | :21:28. | |
# Beautiful song that everybody hums and everybody loves | :21:28. | :21:32. | |
# Beautiful song is on the radio | :21:32. | :21:36. | |
# Is in the TV shows and plays on and on | :21:36. | :21:38. | |
# Beautiful song that everybody hums and everybody loves | :21:38. | :21:44. | |
# Beautiful song is on the radio is on the TV shows | :21:44. | :21:48. | |
# Beautiful song that everybody hums and everybody loves | :21:48. | :21:54. | |
# Beautiful song is on the radio | :21:54. | :21:57. | |
# Is in the TV shows and plays on and on | :21:57. | :22:00. | |
# Beautiful song that everybody hums and everybody loves | :22:00. | :22:06. | |
# Beautiful song is on the radio | :22:06. | :22:09. | |
# Is in the TV shows and plays on and on | :22:09. | :22:12. | |
# Beautiful song that everybody hums and everybody loves. # | :22:12. | :22:15. | |
CHEERING AND APPLAUSE | :22:15. | :22:24. | |
SCOTT | :22:25. | :22:25. | |
SCOTT MILLS: | :22:25. | :22:25. | |
SCOTT MILLS: It | :22:25. | :22:32. | |
SCOTT MILLS: It looks like they had forgotten them! | :22:32. | :22:40. | |
SARA COX: So much satin. You love that song. I do. I like it when she | :22:40. | :22:45. | |
name-checks when Paul McCartney rings her. Mick Jagger, she has to | :22:45. | :22:50. | |
say, "I'm working with Paul McCartney." Just in her head. | :22:50. | :22:56. | |
is next? Next is Albania. If you have any pets, put them in another | :22:56. | :23:06. | |
:23:06. | :23:17. | ||
room. This is a lady called Rona For Albania, this is Rona Nishliu | :23:17. | :23:27. | |
:23:27. | :23:38. | ||
IN TRANSLATION: # No-o-o | :23:38. | :23:48. | |
:23:48. | :24:21. | ||
# No-o-o-o-o # But yesterdays | :24:21. | :24:31. | |
# Hmmm Tomorrows won't bring anything | :24:31. | :24:34. | |
# Besides hopeless hope and insanity | :24:34. | :24:39. | |
# So just let me cry... | :24:39. | :24:45. | |
# Cry...cry... | :24:45. | :24:55. | |
:24:55. | :25:02. | ||
# Cos this is what I do best now! | :25:02. | :25:09. | |
# Cos this is what I do best now | :25:09. | :25:19. | |
:25:19. | :25:36. | ||
# So just let me cry... | :25:36. | :25:42. | |
# Cry...cry... | :25:42. | :25:52. | |
:25:52. | :25:59. | ||
# Cos this is what I do best now! | :25:59. | :26:05. | |
# Cos this is what I do best now! # | :26:05. | :26:14. | |
CHEERING AND APPLAUSE | :26:14. | :26:24. | |
SCOTT | :26:24. | :26:24. | |
SCOTT MILLS: | :26:24. | :26:24. | |
SCOTT MILLS: What | :26:24. | :26:29. | |
SCOTT MILLS: What a voice. SARA COX: I have nightmares when my | :26:29. | :26:37. | |
hair does that to me! I promise to condition in future! Anyway... | :26:37. | :26:47. | |
was Rona. UK viewers cannot vote tonight. You will get your chance. | :26:47. | :26:50. | |
You can vote on Thursday's semifinal. That is when you can | :26:50. | :26:55. | |
vote. So sit back, relax and enjoy the show tonight. There will be no | :26:55. | :27:05. | |
:27:05. | :27:06. | ||
phone number up on the screen. So if you wanted to, you couldn't. So | :27:06. | :27:16. | |
:27:16. | :27:18. | ||
ignore everything our lovely hosts are saying! One day I will see the | :27:18. | :27:21. | |
second largest flag pole in the world. It is over there. That means | :27:21. | :27:31. | |
:27:31. | :27:31. | ||
we are in Baku. Some people still think Eurovision is a three-hour | :27:31. | :27:35. | |
concert on a Saturday night. What most people don't realise is some | :27:36. | :27:40. | |
people have been rehearsing here for three weeks. Sir, how long you | :27:40. | :27:45. | |
been rehearsing here for? Three weeks. 1,500 journalists from 75 | :27:45. | :27:49. | |
countries will cover this in over 90 press conferences. Not to | :27:49. | :27:58. | |
mention the parties and the red carpet paps. What is a waterline? | :27:58. | :28:08. | |
:28:08. | :28:11. | ||
It could be anything you want it to be. What is it? Do you have | :28:11. | :28:18. | |
superstitions before you go on stage? What could go wrong? | :28:18. | :28:22. | |
Wardrobe malfunction. Acrobats could fall on your head! I can't do | :28:22. | :28:29. | |
it. Why are you here? It is a mistake. | :28:29. | :28:34. | |
Hand movements, will you teach me one? Play with the energy. Like | :28:34. | :28:41. | |
that? That is really nice. Release the energy! For the UK, our | :28:41. | :28:46. | |
Eurovision world revolves around one man. | :28:46. | :28:50. | |
# Do the hump. # It is not just songs, Eurovision! | :28:50. | :29:00. | |
:29:00. | :29:01. | ||
There's a whole lot more. We want your comments. You are making us | :29:01. | :29:07. | |
laugh! Time for Romania now. The band is Mandinga. The band had to | :29:07. | :29:10. | |
downsize from seven to six members because of Eurovision rules which | :29:10. | :29:14. | |
means only six people can be on stage. The seventh member, Tony, | :29:14. | :29:22. | |
will be supporting the band in the Green Room. LAUGHTER Hi, Tony! | :29:22. | :29:26. | |
little bit awkward. Hope he is not plotting anything sinister. How did | :29:26. | :29:31. | |
they make that decision? Short straws. Here we go, Romania, | :29:31. | :29:41. | |
:29:41. | :29:41. | ||
Apology for the loss of subtitles for 61 seconds | :29:41. | :30:37. | |
IN TRANSLATION: # I feel the rhythm # You touching me and kissing me | :30:37. | :30:47. | |
:30:47. | :30:50. | ||
IN ENGLISH: # Zaleilah-leila-lei # When you love you say, every day | :30:50. | :30:52. | |
# Zaleilah-leila-lei, everyday everybody | :30:53. | :30:55. | |
# Zaleilah-leila-lei zaleilah-leila-lei | :30:55. | :31:05. | |
:31:05. | :31:16. | ||
IN TRANSLATION: # Let me love you Let me love you for ever | :31:16. | :31:22. | |
# Never doubt that I'm here just for you | :31:22. | :31:27. | |
# Only you can make me feel the real love | :31:27. | :31:30. | |
# Let me love you Let me love you for ever | :31:30. | :31:32. | |
# Never doubt that I'm here just for you | :31:32. | :31:35. | |
IN ENGLISH: # Zaleilah-leila-lei every day, everybody | :31:35. | :31:38. | |
# When you love you say, every day everybody | :31:38. | :31:41. | |
# Zaleilah-leila-lei, every day everybody | :31:41. | :31:43. | |
# Zaleilah-leila-lei zaleilah-leila-lei | :31:43. | :31:45. | |
# When you make me feel so special | :31:45. | :31:48. | |
# I am dreaming, I am dreaming | :31:48. | :31:53. | |
# O-oh o-o-oh | :31:53. | :31:57. | |
# Everybody say | :31:58. | :32:01. | |
IN TRANSLATION: # Let's go! Yeah! | :32:01. | :32:03. | |
# Let's go! Let's go! Yeah! | :32:03. | :32:06. | |
# Let's go! Let's go! | :32:06. | :32:08. | |
# That's right, move your body! | :32:08. | :32:09. | |
# Let's go! Let's go! | :32:09. | :32:11. | |
# Up! Up! Let's go! | :32:11. | :32:13. | |
# That's right, that's right! | :32:13. | :32:15. | |
# That's right, that's right! | :32:15. | :32:17. | |
IN ENGLISH: # Zaleilah-leila-lei every day, everybody | :32:17. | :32:20. | |
# When you love you say, every day everybody | :32:20. | :32:24. | |
# Zaleilah-leila-lei, every day everybody | :32:24. | :32:27. | |
# Zaleilah-leila-lei zaleilah-leila-lei. # | :32:27. | :32:32. | |
CHEERING AND APPLAUSE | :32:32. | :32:38. | |
SARA | :32:38. | :32:38. | |
SARA COX: | :32:38. | :32:39. | |
SARA COX: That | :32:39. | :32:45. | |
SARA COX: That was for you, Tony! SCOTT MILLS: A lot of people | :32:45. | :32:51. | |
messaging. Big fans of that last girl. She was a pretty lady. "It is | :32:51. | :32:56. | |
not Eurovision without a moon- walking bagpiper!" You are dead | :32:56. | :33:00. | |
right. This next one has strobing lights so turn away if they don't | :33:00. | :33:06. | |
agree with you. It is Switzerland. Time for some rock, rock. This | :33:06. | :33:14. | |
voice has a voice like t-h-i-i-s! This is about following your dreams | :33:14. | :33:19. | |
and believing you can do it. those mountains? Yeah. They have | :33:19. | :33:25. | |
mountains and snow. The main two in the band are Ivan and Gabriel. It | :33:25. | :33:33. | |
is called Sinplus. This is # You can do anything you want | :33:33. | :33:43. | |
:33:43. | :33:51. | ||
# You can do it # Close your eyes | :33:51. | :33:59. | |
# Following your wildest dream Your wildest dream | :33:59. | :34:08. | |
# Swim against the stream | :34:08. | :34:10. | |
# Following your wildest dream Your wildest dream | :34:10. | :34:14. | |
# Swim against the stream | :34:14. | :34:16. | |
# Following your wildest dream Your wildest dream | :34:16. | :34:21. | |
# Unbreakable, unbreakable Unbreakable, unbreakable | :34:21. | :34:28. | |
# Don't stop rock Rock the place | :34:28. | :34:31. | |
# Don't stop tryin' Try your best | :34:31. | :34:35. | |
# Don't stop Don't stop movin' | :34:35. | :34:41. | |
# Today without a doubt A good vibe is in the crowd | :34:41. | :34:49. | |
# You can do it, you can do it You can do it | :34:49. | :34:54. | |
# Unbreakable Unbreakable | :34:54. | :35:00. | |
# You can give me more Swim against the stream | :35:00. | :35:03. | |
# Following your wildest dream Your wildest dream | :35:03. | :35:08. | |
# Swim against the stream | :35:08. | :35:10. | |
# Following your wildest dream Your wildest dream | :35:10. | :35:15. | |
# Give me more Swim against the stream | :35:15. | :35:17. | |
# Following your wildest dream your wildest dream | :35:17. | :35:20. | |
# Unbreakable Unbreakable | :35:21. | :35:29. | |
# So please don't mind Close your eyes | :35:29. | :35:36. | |
# Take a trip outside your head | :35:36. | :35:40. | |
# Unbreakable Unbreakable | :35:40. | :35:50. | |
:35:50. | :35:52. | ||
# Unbreakable Unbreakable | :35:52. | :35:54. | |
# You can give me more Swim against the stream | :35:54. | :35:57. | |
# Following your wildest dream your wildest dream | :35:57. | :36:01. | |
# Swim against the stream | :36:01. | :36:04. | |
# Following your wildest dream your wildest dream | :36:04. | :36:07. | |
# You can give me more Swim against the stream | :36:07. | :36:10. | |
# Following your wildest dream your wildest dream | :36:10. | :36:14. | |
# Unbreakable Swim against the stream | :36:14. | :36:17. | |
# Following your wildest dream your wildest dream | :36:17. | :36:21. | |
# Unbreakable, unbreakable unbreakable. # | :36:21. | :36:24. | |
CHEERING AND APPLAUSE | :36:24. | :36:32. | |
SARA | :36:32. | :36:32. | |
SARA COX: | :36:32. | :36:32. | |
SARA COX: Wow! | :36:32. | :36:39. | |
SARA COX: Wow! Jedward must be well jealous of the hair! We are on to | :36:39. | :36:49. | |
:36:49. | :36:52. | ||
Belgium now. Land of this little lady, her name is Iris. Iris is the | :36:52. | :36:58. | |
youngest-ever Belgium Eurovision candidate. She is just 17. Since | :36:58. | :37:02. | |
1975, Belgium has awarded more points to the UK than any other | :37:02. | :37:07. | |
country - that is because they are a great nation! We admire them | :37:08. | :37:15. | |
massively(!) Here we go for Belgium. It is Iris with Would You?. | :37:15. | :37:19. | |
SCOTT MILLS: It is really sweet this. It could be a dark horse this | :37:19. | :37:29. | |
:37:29. | :37:58. | ||
# Come and find me # But what would you do | :37:58. | :38:08. | |
:38:08. | :38:11. | ||
# You took my love for granted # Any other guy would do | :38:11. | :38:21. | |
:38:21. | :38:24. | ||
# It's a secret And a question for you | :38:24. | :38:28. | |
# Where I'm at now What are you gonna do? | :38:28. | :38:33. | |
# If you run here And look for me now | :38:33. | :38:37. | |
# Are we done here? | :38:37. | :38:41. | |
# Or starting somehow? | :38:41. | :38:45. | |
# Woah | :38:45. | :38:46. | |
# But what would you do when my house was empty? | :38:46. | :38:50. | |
# My life in a bag and away from you | :38:50. | :38:55. | |
# You took my love for granted Would you really miss me? | :38:55. | :39:00. | |
# Any other guy would do but would you? | :39:00. | :39:07. | |
# Would you? | :39:07. | :39:12. | |
# It's a two-way street and I know that | :39:12. | :39:21. | |
# But don't look back | :39:21. | :39:26. | |
# Still I wonder, still I wonder | :39:26. | :39:30. | |
# What would you do when my house was empty? | :39:30. | :39:35. | |
# My life in a bag just to be with you | :39:35. | :39:39. | |
# But when I'm at your door will you say you missed me? | :39:39. | :39:44. | |
# Any other guy would do | :39:44. | :39:48. | |
# Yeah, any other guy would do but would you-ou-ou? | :39:48. | :39:58. | |
:39:58. | :40:05. | ||
# I love you | :40:05. | :40:10. | |
# I love you | :40:10. | :40:14. | |
# I love you. # | :40:14. | :40:18. | |
CHEERING AND APPLAUSE | :40:18. | :40:25. | |
SARA | :40:25. | :40:25. | |
SARA COX: | :40:25. | :40:26. | |
SARA COX: Beautiful. | :40:26. | :40:35. | |
SARA COX: Beautiful. I really like her. "Belgium equals toilet break." | :40:35. | :40:43. | |
SCOTT MILLS: Mark says, "I used the Belgium song in my zumba class | :40:43. | :40:47. | |
tonight!" Jedward and Russian grannies still to come. Finland | :40:47. | :40:53. | |
next. Every time I have seen this lady, she has had the same green | :40:53. | :40:59. | |
dress on. At the opening ceremony, during two rehearsals yesterday and | :40:59. | :41:07. | |
one today. Pernilla is her name. Was it originally green? She is | :41:07. | :41:12. | |
part of the Swedish-speaking minority in Finland. This song is | :41:12. | :41:18. | |
sung in Swedish and not Finnish. This is Nar Jag Blundar which means, | :41:18. | :41:28. | |
:41:28. | :41:34. | ||
"When I close my eyes" - it is IN TRANSLATION: # Close together | :41:34. | :41:44. | |
:41:44. | :41:52. | ||
# I know the scent It'd be nothing without you | :41:52. | :42:02. | |
:42:02. | :42:04. | ||
# Like a sea without water like a lantern without light | :42:04. | :42:13. | |
# A life without colours that's not who you are | :42:13. | :42:14. | |
# Someone we see when we close our eyes, like an angel before us | :42:14. | :42:17. | |
# Someone who helps us to fly when we've forgotten how | :42:17. | :42:24. | |
A love without feelings a laughter without sound | :42:24. | :42:25. | |
# A life without colours that's not who you are | :42:25. | :42:29. | |
# Someone who's forgotten all worries, a woman with courage | :42:29. | :42:33. | |
# Someone who understands even if we speak without words | :42:33. | :42:40. | |
# Sit yourself down we hold your hand | :42:40. | :42:50. | |
# Tell us who you are we are for each other | :42:50. | :42:58. | |
# All those memories would be nothing without you | :42:58. | :43:08. | |
:43:08. | :43:10. | ||
# Like a sea without water like a lantern without light | :43:10. | :43:15. | |
# A life without colours that's not who you are | :43:15. | :43:19. | |
# Someone we see when we close our eyes, an angel before us | :43:19. | :43:23. | |
# Someone who helps us to fly when we've forgotten how | :43:23. | :43:28. | |
# A love without feelings a laughter without sound | :43:28. | :43:31. | |
# A life without colours that's not who you are | :43:31. | :43:35. | |
# Someone who's forgotten all worries, a woman with courage | :43:35. | :43:40. | |
# Someone who understands even if we speak without words | :43:40. | :43:43. | |
# Like a sea without water like a lantern without light | :43:43. | :43:48. | |
# A life without colours that's not who you are | :43:48. | :43:52. | |
# Someone we see when we close our eyes, an angel before us | :43:52. | :43:56. | |
# Someone who helps us to fly when we've forgotten how | :43:56. | :44:01. | |
# A love without feelings a laughter without sound | :44:01. | :44:04. | |
# A life without colours that's not who you are | :44:05. | :44:08. | |
# Someone who's forgotten all worries, a woman with courage | :44:08. | :44:13. | |
# Someone who understands even if we speak without words. # | :44:13. | :44:20. | |
CHEERING AND APPLAUSE | :44:20. | :44:26. | |
SCOTT | :44:26. | :44:26. | |
SCOTT MILLS: | :44:26. | :44:30. | |
SCOTT MILLS: Pernilla | :44:30. | :44:34. | |
SCOTT MILLS: Pernilla for Finland. She looked nice. | :44:34. | :44:38. | |
SARA COX: You thought you saw a stain on it! There was one on the | :44:38. | :44:44. | |
front. Here we go. This is Israel. If you have got a problem with | :44:44. | :44:53. | |
flashing lights, there's lots in this next performance. Shiri has | :44:53. | :45:03. | |
:45:03. | :45:07. | ||
brought her daughter to Baku. Shiri is easy to spot. She is the lush on | :45:07. | :45:11. | |
the keyboards who kisses the singer at the beginning. It does look like | :45:11. | :45:15. | |
she has been to the pub; she hasn't! She is like this every | :45:15. | :45:25. | |
:45:25. | :45:38. | ||
single time we have seen it. This Ladies and gentlemen, | :45:38. | :45:48. | |
:45:48. | :46:21. | ||
CHORUS IN TRANSLATION: # Time, time IN TRANSLATION: # Time, time | :46:21. | :46:31. | |
:46:31. | :46:43. | ||
# Why do you have to always # I'll make you lazy | :46:43. | :46:53. | |
:46:53. | :47:21. | ||
# Time, time, give me # Time, time why won't you | :47:21. | :47:31. | |
:47:31. | :47:46. | ||
# Why do you have to always # Time time give me | :47:46. | :47:56. | |
:47:56. | :48:17. | ||
# Why do you have to always be SARA COX: We love these guys. | :48:17. | :48:23. | |
Amazing. Scott is so excited about this next act. | :48:23. | :48:33. | |
:48:33. | :48:40. | ||
SCOTT MILLS: I mentioned this on my show months ago. It is San Marino. | :48:40. | :48:46. | |
It's called The Social Network Song. It has not taken anything away from | :48:46. | :48:51. | |
the original at all! Look out for a captain and a doctor in the | :48:51. | :48:57. | |
background. I have no idea why. This is my favourite. See you on | :48:58. | :49:02. | |
the internet. It is Valentina Monetta for San Marino with The | :49:02. | :49:12. | |
:49:12. | :49:12. | ||
# Oo, ooh, ooh # Are you ready for a little chat | :49:12. | :49:16. | |
# It's a story 'bout a social door You've never seen before | :49:16. | :49:20. | |
# If you wanna be seen by everyone | :49:20. | :49:23. | |
# Wanna be in the dream and have some fun | :49:23. | :49:25. | |
# If you wanna be on the hook Then simply take a look | :49:25. | :49:29. | |
# Oh oh, uh oh oh Everybody loves you so | :49:29. | :49:34. | |
# Ooh ooh, uh oh oh Everybody that you know | :49:34. | :49:38. | |
# Do you wanna be more than just a friend? | :49:38. | :49:41. | |
# Do you wanna play cyber sex again? | :49:41. | :49:43. | |
# If you wanna come to my house Then click me with your mouse | :49:43. | :49:47. | |
# Hello, uh oh oh Never gonna let you go | :49:47. | :49:52. | |
# You're logging in, then it begins | :49:52. | :49:58. | |
# You're logging in, then it begins | :49:58. | :50:01. | |
# And your computer is waking you Taking your time away | :50:01. | :50:05. | |
# The scene is right for social light | :50:05. | :50:10. | |
You're on the Internet anywhere Any time, night and day | :50:10. | :50:14. | |
# Oh oh, uh oh oh, I like Everybody loves you so | :50:14. | :50:19. | |
# Ooh ooh, uh oh oh Mi piace Never gonna let you go | :50:19. | :50:24. | |
# So you wanna make love with me? Am I really your cup of tea? | :50:24. | :50:28. | |
# Are you really the one that's you? And am I really me? | :50:28. | :50:32. | |
# Oh oh, uh oh oh, I like Everybody loves you so | :50:32. | :50:37. | |
# Social network, Mi piace | :50:37. | :50:41. | |
# Never gonna let you go | :50:41. | :50:44. | |
# You're logging in with just a friend | :50:44. | :50:48. | |
# But soon the Internet's beeping and peeping around the bend | :50:48. | :50:52. | |
# We used to greet friends on the street | :50:52. | :50:57. | |
# But now it's googling giggling, gaggling when we meet | :50:57. | :51:02. | |
# Beep beep, uh oh oh How about a little chat? | :51:02. | :51:07. | |
# Ooh-ooh, network fans Meet ya at the Internet | :51:07. | :51:11. | |
# Do you really like politics? Wanna talk about dirty tricks? | :51:11. | :51:15. | |
# Are you really a sex machine Or just a beauty queen? | :51:15. | :51:19. | |
# Everybody is better than before Everybody is calling out for more | :51:19. | :51:24. | |
# Everybody in cyber ville Is knocking on your door | :51:24. | :51:29. | |
# Beep Beep, uh oh oh, I like Everybody does a show | :51:29. | :51:33. | |
# Ooh ooh, uh oh oh, mi piace If you like it, click and go | :51:33. | :51:38. | |
# Now you know it is easy loggin' in | :51:38. | :51:40. | |
# For a little more fun and cyber sin | :51:40. | :51:43. | |
# Wanna know what the net's about? The hard part's logging out | :51:43. | :51:47. | |
# Ooh ooh, uh oh oh Now I've got a million friends | :51:47. | :51:51. | |
# Goodbye, network friends This is how the story ends | :51:51. | :51:56. | |
# Ooh ooh, beep beep. # | :51:56. | :51:59. | |
CHEERING AND APPLAUSE | :51:59. | :52:06. | |
SCOTT | :52:06. | :52:06. | |
SCOTT MILLS: | :52:06. | :52:06. | |
SCOTT MILLS: She | :52:06. | :52:14. | |
SCOTT MILLS: She is still on dial- up! I love her. Barry has been on, | :52:14. | :52:22. | |
"If you want to come to my house, click me with my house - best lyric | :52:22. | :52:27. | |
ever!" Get in touch on Twitter and Facebook and the BBC Eurovision | :52:27. | :52:32. | |
website. You can also print out your score | :52:32. | :52:39. | |
cards if you are having a party. This next one has got wardrobe | :52:39. | :52:45. | |
malfunction written all over it! She was a contestant on the Greek X | :52:45. | :52:55. | |
:52:55. | :52:55. | ||
Factor. Her name is Ivi Adamou. Really catchy, this. It's kind of | :52:55. | :53:05. | |
:53:05. | :53:06. | ||
Beyonce dancing in the drums bit as # La la, la la la la la | :53:06. | :53:14. | |
# Baby, we can break the speed of light | :53:14. | :53:17. | |
# Nothing to fear when you are near | :53:17. | :53:20. | |
# Just give me more, oh oh | :53:20. | :53:25. | |
# Reaching for the sky I'm aiming high | :53:25. | :53:28. | |
# Close my eyes and then it's almost like we fly | :53:28. | :53:31. | |
# Up in the air Let's take it there | :53:31. | :53:35. | |
# Never let go, oh oh | :53:35. | :53:39. | |
# Oh oh oh Feel the energy | :53:39. | :53:42. | |
# Between you and me Baby, it's so right | :53:42. | :53:46. | |
# Oh oh oh I feel the energy | :53:46. | :53:49. | |
# Just taking over me, over me | :53:49. | :53:52. | |
# How I've been waiting for this | :53:52. | :53:54. | |
# La la la la la la la la | :53:54. | :53:58. | |
# Love | :53:58. | :54:00. | |
# How I've been waiting for this | :54:00. | :54:02. | |
# La la la la la la la la | :54:02. | :54:04. | |
# Love | :54:04. | :54:08. | |
# Paris to LA over the night | :54:08. | :54:12. | |
# All around the world just you and I | :54:12. | :54:15. | |
# Nothing to fear when you are near | :54:15. | :54:19. | |
# We're on a roll, oh oh | :54:19. | :54:23. | |
# And we do it again No stop, no end | :54:23. | :54:26. | |
# Out of control | :54:26. | :54:30. | |
# Oh oh oh I feel the energy | :54:30. | :54:33. | |
# Between you and me Baby, it's so right | :54:33. | :54:37. | |
# Oh oh oh I feel the energy | :54:37. | :54:41. | |
# Just taking over me, over me | :54:41. | :54:43. | |
# How I've been waiting for this | :54:43. | :54:46. | |
# La la la la la la la la | :54:46. | :54:48. | |
# Love | :54:48. | :54:51. | |
# How I've been waiting for this | :54:51. | :54:53. | |
# La la la la la la la la | :54:53. | :54:56. | |
# Love | :54:56. | :55:06. | |
:55:06. | :55:09. | ||
# Nothing to fear when you are near | :55:09. | :55:16. | |
# Oh oh oh I feel the energy | :55:16. | :55:19. | |
# Between you and me Baby, it's so right | :55:20. | :55:23. | |
# Oh oh oh I feel the energy | :55:23. | :55:26. | |
# Just taking over me, over me | :55:26. | :55:29. | |
# How I've been waiting for this | :55:29. | :55:31. | |
# La la la la la la la la | :55:31. | :55:34. | |
# Love | :55:34. | :55:42. | |
# La la la la la la la la | :55:42. | :55:49. | |
# Love. # | :55:49. | :55:54. | |
CHEERING AND APPLAUSE | :55:54. | :56:00. | |
SCOTT | :56:00. | :56:00. | |
SCOTT MILLS: | :56:00. | :56:01. | |
SCOTT MILLS: I | :56:01. | :56:04. | |
SCOTT MILLS: I hope Cyprus go through tonight. That deserves a | :56:04. | :56:12. | |
place. Sara has gone off to do some interviews. Breaking news: We are | :56:12. | :56:17. | |
one song away from the Russian grannies! I can't wait. Another | :56:17. | :56:21. | |
female vocalist next. This one is a gypsy. Her name is Soluna Samay. | :56:21. | :56:26. | |
Her family have been everywhere in Europe in a camper van. You may | :56:26. | :56:36. | |
think to yourself, "Why have I been transported back to 2002? Why am I | :56:36. | :56:41. | |
watching Sinead Quinn on Fame Academy?" You are not. It just | :56:41. | :56:47. | |
feels that way. There is Baku, looking fabulous. The arena is | :56:47. | :56:52. | |
looking so good. It changes for every country. This has a xylophone | :56:52. | :57:02. | |
:57:02. | :57:04. | ||
# Should've known better # Changing like the weather | :57:04. | :57:14. | |
:57:14. | :57:19. | ||
# I feel like you have two homes # Where we live | :57:19. | :57:23. | |
# When you're home I feel even stranger | :57:23. | :57:25. | |
# I live in no man's land with no way home | :57:25. | :57:27. | |
# Like you don't understand | :57:27. | :57:29. | |
# Cos you so here, yet you so there Not really anywhere, she said | :57:30. | :57:34. | |
# Should've known better now I miss you | :57:34. | :57:41. | |
# Like Sahara missed the rain | :57:41. | :57:45. | |
# Changing like the weather maybe it's true | :57:45. | :57:51. | |
# Maybe you're not gonna change | :57:51. | :57:55. | |
# Feels like I'm always living out of my suitcase | :57:55. | :57:59. | |
# What about all the years in between | :57:59. | :58:03. | |
# Just trying to find my place? | :58:03. | :58:05. | |
# I live in no man's land with no way home | :58:05. | :58:08. | |
# Like you don't understand Cos you so here, yet you so there | :58:08. | :58:12. | |
# Not really anywhere, she said | :58:12. | :58:15. | |
# Shouting Inshallah Shouting Inshallah | :58:15. | :58:19. | |
# Shouting Inshallah | :58:19. | :58:24. | |
# She said, Shouting Inshallah Shouting Inshallah | :58:24. | :58:29. | |
# Shouting Inshallah | :58:29. | :58:34. | |
# We could've written words on a mountain high | :58:34. | :58:39. | |
# Reminding ourselves to keep climbing, right | :58:39. | :58:40. | |
# Sometimes we have to lose A part of us to find the truth | :58:40. | :58:45. | |
# Nothing more beautiful than the way | :58:45. | :58:47. | |
# You used to breathe me into your lungs and soul | :58:47. | :58:50. | |
# Sometimes we have to say I'm sorry I can't stay | :58:50. | :58:57. | |
# Should've known better now I miss you | :58:57. | :59:01. | |
# Like Sahara missed the rain | :59:02. | :59:06. | |
# Changing like the weather maybe it's true, maybe it's true | :59:06. | :59:15. | |
# Should've known better now I miss you | :59:15. | :59:21. | |
# Like Sahara missed the rain | :59:21. | :59:26. | |
# Changing like the weather maybe it's true | :59:26. | :59:32. | |
# Maybe you're not gonna change | :59:32. | :59:36. | |
# Should've known better Should've known better. # | :59:36. | :59:46. | |
:59:46. | :59:46. | ||
CHEERING AND APPLAUSE | :59:46. | :59:52. | |
SCOTT | :59:53. | :59:53. | |
SCOTT MILLS: | :59:53. | :59:53. | |
SCOTT MILLS: Why | :59:53. | :59:56. | |
SCOTT MILLS: Why is she air drumming in front of a drum kit? I | :59:56. | :00:00. | |
think she was playing them at times. It is the grannies! This could be | :00:00. | :00:05. | |
the highlight of your evening or your life! So far, 20 million views | :00:05. | :00:13. | |
on the internet. Introducing Buranovskiye Babushki. It's the | :00:14. | :00:19. | |
Russian grannies! They are so cute. There is six of them. One has one | :00:19. | :00:25. | |
hand because she lost it in an accident. They have made pastries | :00:25. | :00:29. | |
for every other contestant in the competition. They have an oven on | :00:29. | :00:35. | |
stage! They make them in their village. They are Russia's | :00:35. | :00:39. | |
equivalent of Gregg's! So many people have seen this. It's been | :00:39. | :00:43. | |
all over the British news. Two of them worked as milk maids. This is | :00:43. | :00:49. | |
them. For Russia, one of the highlights tonight, Buranovskiye | :00:49. | :00:59. | |
:00:59. | :01:04. | ||
IN TRANSLATION: # I will be putting # I will be waiting for | :01:04. | :01:14. | |
:01:14. | :01:37. | ||
IN ENGLISH: # Party for everybody! IN TRANSLATION: # The house is full | :01:37. | :01:44. | |
# I am going to put on my green dress | :01:44. | :01:47. | |
# I am going to tie a white headcloth | :01:47. | :01:50. | |
# And I am going to dance | :01:50. | :01:51. | |
# We are singing extremely strongly | :01:51. | :01:53. | |
# We are dancing soulful so soulful! | :01:53. | :01:55. | |
# We are singing extremely strongly | :01:55. | :01:57. | |
# Because we are together! | :01:57. | :01:59. | |
IN ENGLISH: # Party for everybody! Dance! | :01:59. | :02:02. | |
# Come on and dance! | :02:02. | :02:04. | |
# Come on and dance! | :02:04. | :02:06. | |
# Come on and... | :02:06. | :02:08. | |
# Party for everybody! Dance! | :02:08. | :02:10. | |
# Come on and dance! | :02:10. | :02:11. | |
# Come on and dance! | :02:12. | :02:13. | |
# Come on and... Boom! Boom! | :02:13. | :02:16. | |
IN TRANSLATION: # And my cat is happy, and my dog is happy | :02:16. | :02:20. | |
# And my cat is happy and my dog is happy | :02:20. | :02:24. | |
# The happiness is overflowing Oh, joy! | :02:24. | :02:27. | |
# The happiness is overflowing Oh, joy! | :02:27. | :02:30. | |
# We are singing extremely strongly | :02:30. | :02:34. | |
# We are dancing soulful so soulful! | :02:34. | :02:35. | |
# We are singing extremely strongly | :02:35. | :02:37. | |
# Because we are together | :02:37. | :02:39. | |
IN ENGLISH: # Party for everybody! Dance! | :02:39. | :02:42. | |
# Come on and dance! | :02:42. | :02:44. | |
# Come on and dance! | :02:44. | :02:46. | |
# Come on and... | :02:46. | :02:47. | |
# Party for everybody! Dance! | :02:47. | :02:49. | |
# Come on and dance! | :02:49. | :02:51. | |
# Come on and dance! | :02:51. | :02:54. | |
# Come on and... Boom! Boom! # | :02:54. | :02:56. | |
THEY CHATTER | :02:56. | :03:04. | |
# ..Party for everybody! Dance! | :03:04. | :03:10. | |
# ..Party for everybody! Dance! | :03:10. | :03:12. | |
# Come on and dance! | :03:12. | :03:14. | |
# Come on and dance! | :03:14. | :03:16. | |
# Come on and... | :03:16. | :03:17. | |
# Party for everybody! Dance! | :03:17. | :03:20. | |
# Come on and dance! | :03:20. | :03:22. | |
# Come on and dance! | :03:22. | :03:24. | |
# Come on and... Boom! Boom! Boom! Boom! Dance! # | :03:24. | :03:28. | |
THEY CHATTER | :03:28. | :03:35. | |
CHEERING AND APPLAUSE | :03:35. | :03:43. | |
SCOTT | :03:43. | :03:43. | |
SCOTT MILLS: | :03:43. | :03:44. | |
SCOTT MILLS: The | :03:44. | :03:54. | |
:03:54. | :03:55. | ||
SCOTT MILLS: The Russian grannies - awesome. Sara has a special guest. | :03:55. | :03:58. | |
Our six singing Golden Girls from Russia. Spasibo bolshoe dorogie | :03:58. | :04:08. | |
:04:08. | :04:09. | ||
babushki! They will join us here in the Green Room in a minute. I think | :04:09. | :04:15. | |
we are on. Oh my word... You are on! It is Engelbert Humperdinck. | :04:15. | :04:20. | |
Hello, Sir. I think the Russian grannies seem like a lot of fun. We | :04:20. | :04:27. | |
should get them back to the hotel! Oh my God. I can see a lot of | :04:28. | :04:32. | |
production in every act. I think - I can't make any judgment on any | :04:32. | :04:38. | |
one of them. I'm part of that judgment. It's great to be part of | :04:38. | :04:43. | |
this massive musical extravaganza. It is a circus. It has taken over. | :04:43. | :04:49. | |
You have to be here to witness it. It is very exciting. So have you | :04:49. | :04:54. | |
seen anyone so far that you have liked? Anyone that's blown your | :04:54. | :04:58. | |
socks off tonight? I can't make judgment. I'm part of the judgment. | :04:58. | :05:03. | |
I can't do that. There's been some pretty ladies on tonight. Have you | :05:03. | :05:09. | |
still an eye for the ladies? course. I admire their looks and | :05:09. | :05:16. | |
everything like that. Don't put me on the spot! I will watch out for | :05:16. | :05:23. | |
any flying panties! We will chat to you later on. The music is | :05:23. | :05:33. | |
:05:33. | :05:35. | ||
continuing with Scott. Thank you. Another message, "Bury me in a | :05:35. | :05:41. | |
disco oven, my life is complete." So many people enjoying that. Next | :05:41. | :05:46. | |
we are going to Hungary. By the way, the Russian grannies are trying to | :05:46. | :05:50. | |
raise money for their local church after Stalin knocked it down 70 | :05:50. | :05:54. | |
years ago. Hopefully, with the publicity from this, they will | :05:54. | :06:04. | |
:06:04. | :06:07. | ||
raise enough cash. Hungary next. A band called Compact Disco. Doesn't | :06:07. | :06:14. | |
that arena look incredible? This is called Sound Of The Heart. Compact | :06:14. | :06:24. | |
:06:24. | :06:24. | ||
Apology for the loss of subtitles for 61 seconds | :06:24. | :07:10. | |
# The whole big world # This is the sound of | :07:10. | :07:20. | |
:07:20. | :07:46. | ||
# Just find some way # They enrich the things | :07:46. | :07:56. | |
:07:56. | :08:16. | ||
# All we can do # This is a fever | :08:16. | :08:26. | |
:08:26. | :08:26. | ||
Apology for the loss of subtitles for 61 seconds | :08:26. | :09:32. | |
# This is a fever SCOTT MILLS: Be warned it's the | :09:32. | :09:36. | |
interestingly-named song from an interestingly-named group. The | :09:36. | :09:41. | |
group are called Trackshittaz. The lyrics are not what you might think | :09:41. | :09:48. | |
they are! What you are about to hear is Woki Mit Deim Popo, which | :09:48. | :09:58. | |
:09:58. | :10:00. | ||
is Austrian dialect for "shake your booty". They call this gangsta | :10:00. | :10:06. | |
trapta rap - that's what they are saying. It is Woki Mit Deim Popo | :10:06. | :10:12. | |
# Yeah - we're two stars # We're ready to go and everyone | :10:12. | :10:16. | |
# We are party Indians, wearing feathers on our heads | :10:16. | :10:20. | |
# Unpack your pots here comes the noodle soup gang | :10:20. | :10:24. | |
# Girls - yeah - haven't seen such hustle bustle in a long time | :10:24. | :10:27. | |
# And they're dancin' and they're shakin' on the poles, on the bars | :10:27. | :10:31. | |
# You've put a spell on me, girls look at them writhe | :10:31. | :10:35. | |
# Let's go, shake your booty | :10:35. | :10:38. | |
# Shake your ooh - ooh | :10:38. | :10:40. | |
# Let's go, shake your booty | :10:40. | :10:42. | |
# Yeah, yeah - that's how I like it | :10:42. | :10:44. | |
# Let's go, shake your booty | :10:44. | :10:46. | |
# Shake your ooh - ooh | :10:46. | :10:48. | |
# Shake your booty | :10:48. | :10:49. | |
# Cos what I want is you | :10:50. | :10:52. | |
# And I go into the club the ladies are wearing fine jewels | :10:52. | :10:56. | |
# But in places where you wouldn't expect it at first | :10:56. | :10:59. | |
# I look at her, she's dancing on the stripper pole | :10:59. | :11:04. | |
# I'm ready to go, lots of ladies I don't miss a trick | :11:04. | :11:07. | |
# Noodle soup gang, what's up? | :11:07. | :11:10. | |
# And everyone shouts, ho ho | :11:10. | :11:12. | |
# The girls are dancin' They're going low, low | :11:12. | :11:15. | |
# She wraps me around her finger She wants a winner, winner | :11:15. | :11:19. | |
# And then she can jump, jump Booty shake, bad finger | :11:19. | :11:22. | |
# Let's go, shake your booty | :11:22. | :11:25. | |
# Shake your ooh - ooh | :11:25. | :11:27. | |
# Let's go, shake your booty | :11:27. | :11:29. | |
# Yeah, yeah - that's how I like it | :11:29. | :11:31. | |
# Let's go, shake your booty | :11:31. | :11:33. | |
# Shake your ooh - ooh | :11:33. | :11:35. | |
# Shake your booty | :11:35. | :11:37. | |
# Cos what I want is you | :11:37. | :11:39. | |
# Let's go, shake your booty | :11:39. | :11:41. | |
# Shake your ooh - ooh | :11:41. | :11:43. | |
# Let's go, shake your booty | :11:43. | :11:45. | |
# Yeah, yeah - that's how I like it | :11:45. | :11:47. | |
# Let's go, shake your booty | :11:47. | :11:49. | |
# Shake your ooh - ooh | :11:49. | :11:51. | |
# Shake your booty | :11:51. | :11:53. | |
# Cos what I want is you | :11:53. | :11:56. | |
# Your booty has feelings | :11:56. | :11:58. | |
# Your booty is a part of you | :11:58. | :12:00. | |
# Don't just leave it on the chair | :12:00. | :12:02. | |
# Your booty has an opinion, yeah | :12:02. | :12:04. | |
# Your booty wants to move | :12:04. | :12:06. | |
# So shake it, shake it, shake it | :12:06. | :12:08. | |
# Your booty wants to move | :12:08. | :12:10. | |
# Let's go, give it what it needs | :12:10. | :12:12. | |
# Your booty doesn't get tired | :12:12. | :12:14. | |
# Your booty says something about you | :12:14. | :12:16. | |
# Come on, shake it, it wants to go wild | :12:16. | :12:18. | |
# So the whole house vibrates | :12:18. | :12:20. | |
# Your booty must be ready | :12:20. | :12:22. | |
# So shake it, shake it, shake it | :12:22. | :12:24. | |
# Your booty must be ready | :12:24. | :12:26. | |
# Let's go, give it what it needs | :12:26. | :12:28. | |
# Let's go, shake your booty | :12:28. | :12:30. | |
# Shake your ooh - ooh | :12:30. | :12:32. | |
# Let's go, shake your booty | :12:32. | :12:34. | |
# Yeah, yeah - that's how I like it | :12:34. | :12:36. | |
# Let's go, shake your booty | :12:36. | :12:38. | |
# Shake your ooh - ooh | :12:38. | :12:40. | |
# Shake your booty | :12:40. | :12:42. | |
# Cos what I want is you | :12:42. | :12:44. | |
# Let's go, shake your booty | :12:44. | :12:46. | |
# Shake your ooh - ooh | :12:46. | :12:48. | |
# Let's go, shake your booty | :12:48. | :12:50. | |
# Yeah, yeah - that's how I like it | :12:50. | :12:52. | |
# Let's go, shake your booty | :12:52. | :12:53. | |
# Shake your ooh - ooh | :12:53. | :12:55. | |
# Shake your booty | :12:55. | :12:57. | |
# Cos what I want is you. # | :12:57. | :13:01. | |
CHEERING AND APPLAUSE | :13:01. | :13:07. | |
SCOTT | :13:07. | :13:07. | |
SCOTT MILLS: | :13:07. | :13:09. | |
SCOTT MILLS: That | :13:09. | :13:13. | |
SCOTT MILLS: That was Austria's entry. | :13:13. | :13:18. | |
Now I did say there would be on these postcards an old man playing | :13:18. | :13:23. | |
chess with the child. A lot of people messaging us saying, "They | :13:23. | :13:30. | |
were playing backgammon this year." Yes, but they were still there. | :13:30. | :13:36. | |
They are drinking tea - that's a change(!) Tea is on everywhere you | :13:36. | :13:45. | |
go! Having a lovely time. I love this next guy. Bless himent. It is | :13:45. | :13:51. | |
his third at -- bless him. It is his third attempt to represent | :13:51. | :13:58. | |
Moldova. He's finally done it. His name is Pasha Parfeny. This is | :13:58. | :14:08. | |
:14:08. | :14:15. | ||
about him trying to impress one # At the wedding tonight | :14:15. | :14:24. | |
# I got blind, I got mad Not from the diamonds she had | :14:24. | :14:29. | |
# But from the beauty that put my heart on fire | :14:29. | :14:33. | |
# You have never been to my show | :14:33. | :14:37. | |
# You haven't seen before how looks the trumpet | :14:37. | :14:42. | |
# But the sound goes straight to your soul | :14:42. | :14:46. | |
# Gets you out of control | :14:46. | :14:49. | |
# This trumpet makes you my girl | :14:49. | :14:54. | |
# This trumpet makes you my girl | :14:54. | :15:04. | |
:15:04. | :15:09. | ||
# Just like from paradise you came down from the skies | :15:09. | :15:14. | |
# On a plane which belongs to your daddy | :15:14. | :15:18. | |
# Welcome to carousel | :15:18. | :15:21. | |
# The wine is sweet, but take care | :15:21. | :15:23. | |
# Cos too much is no good for a princess | :15:23. | :15:27. | |
# You have never been to my show | :15:27. | :15:31. | |
# You haven't seen before how looks the trumpet | :15:31. | :15:36. | |
# But the sound goes straight to your soul | :15:36. | :15:40. | |
# Gets you out of control | :15:40. | :15:42. | |
# This trumpet makes you my girl | :15:42. | :15:52. | |
:15:52. | :16:05. | ||
# You have never been to my show | :16:05. | :16:09. | |
# You haven't seen before how looks the trumpet | :16:09. | :16:14. | |
# But the sound goes straight to your soul | :16:14. | :16:18. | |
# Gets you out of control | :16:18. | :16:24. | |
# You haven't seen before how looks the trumpet | :16:24. | :16:32. | |
# But the sound goes straight to your soul | :16:32. | :16:36. | |
# Gets you out of control | :16:36. | :16:39. | |
# This trumpet makes you | :16:39. | :16:41. | |
# My girl | :16:41. | :16:43. | |
ALL: # Hey hey hey hey | :16:43. | :16:45. | |
# This trumpet makes you | :16:45. | :16:46. | |
# My girl | :16:46. | :16:47. | |
# Hey hey hey hey | :16:47. | :16:48. | |
# This trumpet makes you my girl | :16:49. | :16:51. | |
# Hey hey hey hey | :16:51. | :16:54. | |
# Hey hey hey hey | :16:54. | :16:56. | |
# Hey hey hey hey | :16:56. | :16:57. | |
# This trumpet makes you my girl. # | :16:57. | :17:02. | |
CHEERING AND APPLAUSE | :17:02. | :17:07. | |
SCOTT | :17:07. | :17:07. | |
SCOTT MILLS: | :17:07. | :17:07. | |
SCOTT MILLS: I | :17:07. | :17:13. | |
SCOTT MILLS: I loved the dancing at the end. Here they are, again! | :17:13. | :17:18. | |
Jedward representing Ireland for the second time. Last song tonight. | :17:18. | :17:22. | |
Ireland has won Eurovision more times than any other country. | :17:22. | :17:26. | |
Jedward came eighth in the competition last year with Lipstick. | :17:26. | :17:30. | |
One of the Irish commentators I spoke to earlier said if they don't | :17:30. | :17:38. | |
win this time, they will keep coming back until they do. As you | :17:38. | :17:43. | |
would expect, a lot of water in this performance from John and | :17:43. | :17:53. | |
:17:53. | :18:02. | ||
Edward. Last song tonight. For # Flood gates, can't wait | :18:02. | :18:12. | |
:18:12. | :18:31. | ||
# Never been in love # I thought that I'd been | :18:31. | :18:41. | |
:18:41. | :18:58. | ||
# I know this is bound to go down # Throw a rope, grab a hold | :18:58. | :19:08. | |
:19:08. | :19:12. | ||
# What's the use? # Never been in love | :19:12. | :19:22. | |
:19:22. | :19:42. | ||
# I thought that I'd been # I know this is bound to go down | :19:42. | :19:52. | |
:19:52. | :19:58. | ||
# Here she comes, shut 'em fast # Too late, swept away | :19:58. | :20:08. | |
:20:08. | :20:39. | ||
# I know this is bound to go down # I thought that I'd been | :20:39. | :20:49. | |
:20:49. | :21:19. | ||
# I know this is bound to go down Jedward! Back again after their | :21:19. | :21:25. | |
eighth place last year in Dusseldorf. So, it's done! We've | :21:25. | :21:28. | |
seen all the contestants of the first semi-final. That means it's | :21:28. | :21:36. | |
time for the rules. TOGETHER: Ta-ta-ta-taaah! 18 countries | :21:36. | :21:40. | |
compete for ten places in the Grand Final. You decide by calling or | :21:40. | :21:44. | |
sending an SMS which countries will be the lucky ones and will be back | :21:44. | :21:49. | |
on stage this Saturday. The phone lines will be opened in a minute. | :21:49. | :21:58. | |
And now, Eldar, in French. TOGETHER Ta-ta-ta-taaah! | :21:58. | :22:04. | |
Aujourd'hui, nous avons dix places pour la grande finale. Vous pouvez | :22:04. | :22:07. | |
voter par telephone ou envoyer un message. Les lignes telephoniques | :22:07. | :22:12. | |
vont etre ouvertes dans quelques instants. Well done, that was a | :22:12. | :22:20. | |
tough one! Thanks. So, now all you need to start voting are the | :22:20. | :22:28. | |
magical numbers again in detail. Here they are: | :22:28. | :22:38. | |
:22:38. | :22:50. | ||
SCOTT MILLS: Not listening! You SCOTT MILLS: Reading through some | :22:50. | :23:00. | |
of your messages - "Jedward, that was a golden shower!" Someone says | :23:00. | :23:06. | |
they forgot the words - I didn't see that. The best performance of | :23:06. | :23:16. | |
:23:16. | :23:23. | ||
the night, says James. You can't vote! What's happened to Jedward's | :23:23. | :23:31. | |
hair? I don't know. So the first performance of the night was | :23:31. | :23:40. | |
Montenegro. Rambo Amadeus - easy to forget. Anton sent a message, "If | :23:40. | :23:50. | |
:23:50. | :23:52. | ||
he wins, I'll eat my head!" Better than eating his hair(!) Tomas - are | :23:52. | :24:02. | |
:24:02. | :24:11. | ||
you having a Eurovision party? Was Eleftheria Eleftheriou for Greece. | :24:11. | :24:21. | |
:24:21. | :24:33. | ||
"Greece have a cheerful song, all This is my favourite. Latvian Loose | :24:33. | :24:41. | |
Women. "I didn't know Mick Jagger was a Sir. She does reference Sir | :24:41. | :24:48. | |
Mick Jagger in that." They could have worked out a dance routine. Oh | :24:48. | :24:55. | |
God! Richard echoes what I was saying earlier, "Itchy just | :24:55. | :25:05. | |
:25:05. | :25:16. | ||
watching." A good voice but argh! A classic Eurovision - short skirt, | :25:16. | :25:26. | |
:25:26. | :25:36. | ||
blowy hair from Dave Hope, who This is Switzerland. Sinplus. Mark | :25:36. | :25:46. | |
has been on saying, "The Swiss guy will win, he has that Katrina and | :25:46. | :25:53. | |
the Waves wink." I think it's a twitch! | :25:53. | :25:59. | |
Another one of our lovely BBC viewers says, "Ah, Belgium, sweet | :25:59. | :26:09. | |
:26:09. | :26:19. | ||
Claire has been on saying, "I thought Pernilla was Indian | :26:19. | :26:29. | |
:26:29. | :26:35. | ||
cheese." This is Finland's song. Not in Finnish but in Swedish! | :26:35. | :26:41. | |
Oh... It's so weird, this. It kind of gets in your head. I have heard | :26:41. | :26:51. | |
:26:51. | :26:59. | ||
it a lot. Kings of Leon versus Teletubbies. | :26:59. | :27:03. | |
Anna says, "Wow, San Marino is a country? You learn something new | :27:03. | :27:13. | |
:27:13. | :27:13. | ||
every day." Check that outfit! # Hit me with your mouse. # | :27:13. | :27:22. | |
I really like this one. More cheese than a bag of Wotsits says somebody | :27:22. | :27:27. | |
with no name - hush your mouth, this is a good one. Cyprus and La | :27:27. | :27:37. | |
:27:37. | :27:45. | ||
James says, "They have Animal on guitar and Captain Nemo on drums, | :27:45. | :27:55. | |
:27:55. | :28:00. | ||
it's a winner." Denmark. John T has been in touch. "I hope | :28:00. | :28:04. | |
their oxygen tanks are at the side of the stage for this one." Of | :28:04. | :28:14. | |
:28:14. | :28:17. | ||
course there are! I reckon they are right divas! | :28:17. | :28:23. | |
Jack says, "Torres has left Chelsea to represent Hungary." This is | :28:23. | :28:33. | |
:28:33. | :28:43. | ||
Compact Disco. Austria, Trackshittaz. "Where can I | :28:43. | :28:53. | |
:28:53. | :29:00. | ||
get some lights to illuminate my bum?" I'm jealous! | :29:00. | :29:06. | |
Look, The Saturdays wearing bog roll covers! Thank you for that | :29:06. | :29:16. | |
:29:16. | :29:29. | ||
"Well, they were better than Dustin the Turkey." Jedward for Ireland. | :29:29. | :29:34. | |
Thank you for your comments tonight. They have been brilliant. Let's go | :29:34. | :29:43. | |
over to Sara. Are we on? Yes! Only joking! I know | :29:43. | :29:53. | |
:29:53. | :29:55. | ||
we are. Thank you very much. The magic of Eurovision. Nikki, winner | :29:55. | :29:59. | |
from last year. You created a storm in Dusseldorf last year? Yes. | :29:59. | :30:06. | |
of this here, this magic is your fault! Yes, I like that fault! | :30:06. | :30:11. | |
LAUGHTER Happy, crazy bubble - you have brought it to your home | :30:11. | :30:18. | |
country. How does it feel? Really good. Especially like last year, it | :30:18. | :30:24. | |
was 38,000 people in the audience and, you know, it was so exciting. | :30:24. | :30:29. | |
It was the first time on such a big stage, me and Ell, it was | :30:29. | :30:32. | |
incredible. How are the people feeling now? When they were waiting | :30:32. | :30:36. | |
to go on and when you were waiting for the results, how do you feel? | :30:36. | :30:45. | |
You know what, it is really scary. You worry about it. While we were | :30:45. | :30:50. | |
waiting we were so nervous. At the same time, the adrenaline goes all | :30:50. | :30:55. | |
over. It feels good. When you arrived back to Baku, to Azerbaijan, | :30:55. | :30:59. | |
I hear the streets were lined with people dancing and cheering? Yeah. | :30:59. | :31:04. | |
It was like almost the whole country was outside and cheering us. | :31:04. | :31:10. | |
Everyone was so happy and excited. Even on the next day, like, for the | :31:10. | :31:15. | |
first week after that victory, the people was, like, you know, they | :31:15. | :31:20. | |
approaching someone saying, "Congratulations" to people they | :31:20. | :31:25. | |
didn't know. Your kids must have been so proud. How old are they? | :31:25. | :31:30. | |
older one is six and my younger one is going to be five in November. | :31:30. | :31:35. | |
That is cool. Mummy is a superstar! They want to be a superstar as | :31:35. | :31:42. | |
well! Give them a wave. Hello. So one of my favourite - thanks - one | :31:42. | :31:48. | |
of my most favourite things is I get to go backstage and get under | :31:48. | :31:52. | |
everyone's feet and cause trouble. Here it is. Here we are in the hub | :31:52. | :32:02. | |
:32:02. | :32:05. | ||
and bub of backstage. It is crazy stuff. Has a big heart in it! | :32:05. | :32:13. | |
Please can I have a go at your drum. Three, four... Woah! Five lovely | :32:13. | :32:19. | |
ladies from Russia who I have heard are big fans of the Hump! Watch | :32:19. | :32:26. | |
this reaction. Do you like Engelbert Humperdinck? I can smell | :32:26. | :32:35. | |
the sweet smell of Trackshittaz. How are you feeling? Great. We are | :32:35. | :32:42. | |
waiting. Stretch our booties a bit. I don't want to know how you do | :32:42. | :32:49. | |
that. Do you take a cheerleader with you everywhere you go? Got two | :32:49. | :32:59. | |
in the one ear? One was boring so I added one in. Is that it? | :32:59. | :33:06. | |
# Israel to play Eurovision. # # He's wearing two earrings | :33:06. | :33:13. | |
# Because he thinks it's a sexy look! # | :33:13. | :33:19. | |
Time I treated myself to a traditional Beveridge - oh, it's | :33:19. | :33:29. | |
:33:29. | :33:31. | ||
tea! -- beverage - oh, it's tea! We have good - good luck everybody - I | :33:31. | :33:37. | |
think we might be getting Jedward on the phone. They have performed | :33:37. | :33:45. | |
close to the waterline and they ended their spectacular performance | :33:45. | :33:49. | |
by jumping under a fountain. We were hoping to get a shot of them. | :33:49. | :33:54. | |
I can see them over by their table. Can you see the glinting silver of | :33:54. | :33:59. | |
Jedward? They are over there. Can you see them? They were going to | :33:59. | :34:06. | |
come over and give us a wave. They were wearing rather - we are all | :34:06. | :34:11. | |
waving! I'm jumping up-and-down. Jedward! I love you! I'm your | :34:11. | :34:20. | |
number one fan! Hi. Jedward, is that you? What am I doing? | :34:20. | :34:30. | |
:34:30. | :34:33. | ||
Jedward? Hello. Anyway... Yo-yo, Jedward! Well done. We are here. | :34:33. | :34:39. | |
Did you enjoy it? You were brilliant. We are really wet right | :34:39. | :34:49. | |
:34:49. | :34:49. | ||
now. People want to know why your hair was floppy? They are having a | :34:49. | :34:59. | |
:34:59. | :34:59. | ||
dance. That was a magical TV moment(!) This Eurovision, for the | :34:59. | :35:08. | |
UK, it is all about one special guy and his name is the Hump. Look out, | :35:08. | :35:16. | |
old Humpy is back! His latest composition... Always a pleasure to | :35:16. | :35:26. | |
have him on my show. Engelbert Humperdinck! It was after he | :35:26. | :35:30. | |
changed his name he got his big break and he kept The Beatles off | :35:30. | :35:36. | |
the number one spot with... # Please release me... # | :35:36. | :35:39. | |
He followed this with a string of hits. | :35:39. | :35:49. | |
# Was it too beautiful to last? # He established himself as the King | :35:49. | :35:54. | |
of Romance. Thank you. The Golden Globe winner confirmed his cool | :35:54. | :36:03. | |
credentials recording this for the Beavis and Butthead movie. He is | :36:03. | :36:08. | |
the only performer to have stars on three walks of fame. What can I get | :36:08. | :36:12. | |
you? A proud Leicester lad, he has not forgotten his roots and loves a | :36:12. | :36:17. | |
game of darts and a pint in his own pub. That's a treble. That's what | :36:17. | :36:25. | |
I'm going to get! I want to have a pint there! Thank | :36:25. | :36:31. | |
the Lord and all that is holy, I have some back-up with Scott Mills. | :36:31. | :36:37. | |
It's been exciting. Good luck. have done a lot of stairs. Yeah. | :36:37. | :36:44. | |
is quite a way. Yeah. A bit of cardio! You are going to do - hi! | :36:45. | :36:49. | |
I'm going to leave you. You have to plug your ear in to this. If you | :36:49. | :36:56. | |
want to have a quick look at this? I have to unplug myself and Scott | :36:56. | :37:03. | |
is going to plug his in. Do you want that? See you up stairs. | :37:03. | :37:10. | |
Thanks. Hello. Are you Dr Eurovision? I am. Nice to meet you. | :37:10. | :37:16. | |
You have an actual doctorate in Eurovision? I do. Anything I can | :37:17. | :37:25. | |
ask you, you will know? I think so. Hopefully. Also we have Nikki, last | :37:25. | :37:30. | |
year's winner. Hi. You are the reason it is happening tonight. | :37:30. | :37:37. | |
know. It is so crazy. Julia, who is a reporter for SBS Australia. You | :37:37. | :37:40. | |
were next door to us as we were commentating. What do you think | :37:40. | :37:44. | |
about the show? It is an incredible show. Thank you for bringing it | :37:44. | :37:48. | |
here. It is about time. Look, aren't we all confused by a lot of | :37:48. | :37:51. | |
the stuff that's happened out there on that stage? Who is going to | :37:51. | :37:56. | |
vote? What will they vote for? Who knows. I'm very excited. What was | :37:56. | :38:03. | |
your stand-out moment tonight? favourite one? I think it's Jedward. | :38:03. | :38:11. | |
Also I liked Soluna Samay from Denmark. Lots of them. I like the | :38:11. | :38:16. | |
Russian grannies. San Marino? What a concept doing a song about | :38:17. | :38:22. | |
social networking. Confused by the pole dancing. Look, good on them. | :38:22. | :38:27. | |
Dr Paul, Dr Eurovision, what are your views on tonight? A good show? | :38:27. | :38:30. | |
This year the standard is really high. There could be a few shocks. | :38:30. | :38:35. | |
For me, the stand-out moment was the Russian grannies. The place | :38:35. | :38:39. | |
erupted. Here is a thing - are they going to win? If they do, isn't | :38:39. | :38:45. | |
that a bit of a shame? They might not get through this semifinal | :38:45. | :38:49. | |
tonight? I think they will get through it. They will win the | :38:49. | :38:53. | |
public vote. It depends on the juries. The song is not amazing. It | :38:53. | :38:59. | |
is a nice back-story. It will be quite cute if they won. Julia, you | :38:59. | :39:04. | |
were telling me you heard them sing a different song, right? Which? How | :39:04. | :39:10. | |
do you mean? The grannies? I got in there and they don't have great | :39:10. | :39:15. | |
English. I got their names. I wanted them to be eight women. Then | :39:15. | :39:19. | |
I knew they had done a cover of Yesterday. They started singing it | :39:19. | :39:24. | |
in English. They started singing it and it was magnificent. I kind of | :39:24. | :39:28. | |
wished they were doing something more traditional and not having | :39:28. | :39:32. | |
Party For Everybody. It is a young person's song. They moved me to | :39:32. | :39:39. | |
tears. They were magic. Anyone you think didn't do so well tonight? | :39:39. | :39:46. | |
Pardon? Who didn't do very well? I can't say. All of them are so | :39:46. | :39:52. | |
different. I think each of them are so special. I can't say someone was | :39:52. | :39:57. | |
really bad. All I can say is who was really good. Obviously, you had | :39:57. | :40:02. | |
the secret ingredient - sorry it is so loud - you had the secret | :40:02. | :40:07. | |
ingredient last year. Azerbaijan won the contest. What is the magic? | :40:07. | :40:15. | |
What is it? What is it? Why? What is the magic ingredient? I think it | :40:15. | :40:19. | |
is our love story. They believed in our story. That is why we won. That | :40:19. | :40:24. | |
is what I think. That is what Ell think. He is over there. At the | :40:24. | :40:29. | |
moment, there is a lot of drumming going on behind us. I hope you can | :40:29. | :40:39. | |
still hear me. Keep your comments coming in. We are on Twitter, or on | :40:39. | :40:44. | |
Facebook. You can also print off your score cards for Thursday. We | :40:44. | :40:51. | |
will be doing this again. The final is on Saturday, obviously, on BBC | :40:51. | :41:00. | |
One. How do you think Baku has taken to this tonight? There were | :41:00. | :41:04. | |
some worries about it? They have thrown themselves into this. They | :41:04. | :41:10. | |
built this arena for Eurovision in less than a year. It was chaotic | :41:10. | :41:15. | |
last week. Overall, they have done well. It is a slick show. Now last | :41:15. | :41:24. | |
week, Sara went to catch up with some of the other big, big | :41:24. | :41:27. | |
contestants, people they are expecting to do well on Saturday | :41:27. | :41:37. | |
:41:37. | :41:38. | ||
night. She met one of them. Here I am with the representative for | :41:38. | :41:43. | |
Sweden. You have been one of the big favourites from day one? | :41:43. | :41:46. | |
little pressure. To me, it is not about winning, it is about | :41:46. | :41:50. | |
presenting something and uniting people. That is what we do with | :41:50. | :41:54. | |
music. Have you seen the Russian grandmas? I have met them. They are | :41:55. | :41:59. | |
cool. They don't really care about all this circus. They like to sing | :41:59. | :42:08. | |
and that is what they do. The rest is just like OK. That was Sara. | :42:08. | :42:13. | |
Look who it is, Italy's entry. Hello. Hello. Good evening. Can you | :42:13. | :42:17. | |
hear me? I can. Even though there are lots of drums. This is the | :42:17. | :42:23. | |
loudest thing ever! It is also a million degrees in here! I am not | :42:23. | :42:28. | |
sweating as much as you! I have had to run up five staircases! We are | :42:28. | :42:32. | |
getting a lot of messages on Facebook and Twitter. You are one | :42:32. | :42:36. | |
of the favourites to win. At the moment, you are favourite. That | :42:36. | :42:41. | |
must feel like a lot of pressure? Really? Yes, as of today. I try not | :42:41. | :42:45. | |
to think about the competition. I know it's a competition. When I'm | :42:45. | :42:49. | |
up there, I just have fun. I have so many people in front of me. When | :42:49. | :42:56. | |
I sing, I'm happy. Whatever will be will be. Now, obviously, last year, | :42:56. | :43:00. | |
after a long time, Italy haven't been in the competition for ten | :43:00. | :43:06. | |
years, they kind of lost interest! Yes. Last year, they came second. | :43:06. | :43:16. | |
:43:16. | :43:16. | ||
That must ramp up the pressure for you? No, I was really happy, plus I | :43:16. | :43:23. | |
loved the piano player. I was there! Come on! No, it is great. It | :43:23. | :43:29. | |
was a super, super, you know, a good ending. Second. Any favourites | :43:29. | :43:34. | |
tonight? Actually, I heard the girl from Albania. She has such a great | :43:34. | :43:39. | |
voice. That scared me? Me, too. I don't know what she was wearing | :43:39. | :43:47. | |
sort of a weird thing. She had her hair on her dress! I know. That was | :43:47. | :43:53. | |
spooky. Her voice is very - it goes so high. That was difficult. Then | :43:53. | :43:59. | |
music is not only about technical, it is about soft and hard. How long | :43:59. | :44:04. | |
have you been in Baku? Three days. How are you finding it? Surprising. | :44:04. | :44:11. | |
I didn't expect all this. Very modern, but then also, you know, | :44:11. | :44:21. | |
:44:21. | :44:22. | ||
very rich, very poor, so very different and not really equal. The | :44:22. | :44:28. | |
richest - help me out. If I can hear what you were saying I would | :44:28. | :44:33. | |
help you! She is talking and I'm going yeah, yeah. It is an amazing | :44:33. | :44:37. | |
land. Still, you know, they are getting there. They are making a | :44:37. | :44:45. | |
lot of things. Now, the other day on the red carpet, Sara interviewed | :44:45. | :44:50. | |
you. You said something about how before you go on stage you have to | :44:50. | :44:58. | |
smack someone's bottom. Did you make that up? I always do that. | :44:58. | :45:05. | |
Who's? My musicians, they go on stage before me. They introduce me. | :45:05. | :45:09. | |
They walk and I do this - I slap them. How does that help? I don't | :45:09. | :45:15. | |
know. It is just, you know, a lucky charm. If you want, can I do it | :45:15. | :45:23. | |
with you? Yeah, go for it! See, you might win now! Fingers... I know a | :45:23. | :45:28. | |
lot of people are watching at home in the UK having Eurovision parties. | :45:28. | :45:33. | |
Hello. A lot of gay bars have us on tonight. Do you have a message for | :45:33. | :45:38. | |
the gays that might be watching? Yes, I love them so much. Also in | :45:38. | :45:44. | |
Italy, they call me like a gay, they say I'm a gay icon. I can | :45:44. | :45:50. | |
imagine. Thank you. Obviously, you are going to be on the stage in a | :45:50. | :45:57. | |
matter of days. What will you be thinking and what will be your pre- | :45:57. | :46:03. | |
routine ritual? How do you - do you have anything on your rider? What | :46:03. | :46:12. | |
do you demand? It's probably like oh... Exactly. You don't ask for | :46:12. | :46:22. | |
anything in particular? I just drink a Chinese tea and I go! | :46:22. | :46:26. | |
Listen, it is fabulous talking to you tonight. Thank you. Thank you | :46:26. | :46:31. | |
for being part of the first semifinal on BBC Three in boiling- | :46:31. | :46:37. | |
hot Baku! What are your plans for tomorrow? I'm starting to sweat. | :46:37. | :46:43. | |
Tomorrow, I will go to ancient Baku. OK. That was the loudest interval | :46:43. | :46:48. | |
act in the history of Eurovision. know. We were talking but I got you. | :46:48. | :46:52. | |
We got it. The best of luck for Saturday. Thank you very much for | :46:52. | :46:56. | |
joining us. Thank you. Hopefully, we should be able to say goodbye to | :46:56. | :47:06. | |
:47:06. | :47:09. | ||
Sara now. SARA COX: Hello, Scott. Well done | :47:09. | :47:19. | |
:47:19. | :47:30. | ||
Scott. Ten of them will be back on stage competing for the title. | :47:30. | :47:36. | |
course, the six countrys that are already qualified. Azerbaijan, as | :47:36. | :47:46. | |
:47:46. | :47:48. | ||
the host country, and the big five - Italy, Spain, France, Germany and | :47:48. | :47:55. | |
the United Kingdom. Here is their country entries. We have ten going | :47:55. | :48:05. | |
:48:05. | :48:13. | ||
# And if you love someone # Cos love comes once | :48:13. | :48:19. | |
# Though I'll miss you for ever The hurt will run deep | :48:19. | :48:29. | |
:48:29. | :48:37. | ||
This | :48:37. | :48:37. | |
# All over the place always to the same dance | :48:38. | :48:38. | |
This is | :48:38. | :48:38. | |
This is France. | :48:38. | :48:39. | |
This is France. Good-looking | :48:39. | :48:40. | |
This is France. Good-looking men. # We're moving ahead | :48:40. | :48:50. | |
:48:50. | :49:07. | ||
# L'amore femmina # This is the mess you left | :49:07. | :49:12. | |
# You're an independent grown man after all | :49:12. | :49:15. | |
# Out of love Must have been sent from up above | :49:15. | :49:19. | |
# La la la-la la-la | :49:19. | :49:29. | |
:49:29. | :49:34. | ||
# But you were cold, cold, cold | :49:34. | :49:36. | |
# Now every second that my heart skips it ends | :49:36. | :49:39. | |
# But I, still wanna keep us alive | :49:39. | :49:45. | |
# But it's cold, cold, cold, cold | :49:45. | :49:55. | |
:49:55. | :50:02. | ||
SHE SINGS IN SPANISH | :50:02. | :50:12. | |
:50:12. | :50:27. | ||
# Is there anything left here to say? | :50:27. | :50:29. | |
# I can put my arms around the emptiness I found | :50:29. | :50:31. | |
# And find a way to make you stay | :50:31. | :50:35. | |
# As you leave me now | :50:35. | :50:40. | |
# I'm standing still I'm standing still | :50:40. | :50:43. | |
# As you're walking out | :50:43. | :50:46. | |
# Yeah, I'm just standing still | :50:46. | :50:56. | |
:50:56. | :51:00. | ||
Those | :51:00. | :51:00. | |
Those six | :51:00. | :51:01. | |
Those six countries | :51:01. | :51:06. | |
Those six countries are qualified for the Grand Final. Let's get | :51:06. | :51:10. | |
serious. Before we start opening the envelopes with the names of the | :51:10. | :51:14. | |
ten finalists, I would like to introduce the Executive supervisor | :51:15. | :51:24. | |
:51:25. | :51:26. | ||
of the Eurovision Song Contest, Jon Ola Sand. Is everything OK? Yes, I | :51:26. | :51:31. | |
am here to oversee the votes and make sure that they are according | :51:31. | :51:40. | |
to the rules of the Eurovision Song Contest. I can now see we have a | :51:40. | :51:44. | |
valid voting result and ten countries will proceed to the final | :51:44. | :51:54. | |
:51:54. | :51:59. | ||
on Saturday. I leave it now up to you to reveal them. Thank you. | :51:59. | :52:03. | |
Europe has voted. The calculations have been made. The ten countries | :52:03. | :52:08. | |
with the most points move on to the Grand Final. They will be shown in | :52:08. | :52:16. | |
a random order. Here we go then. Ten acts to go through to | :52:16. | :52:20. | |
Saturday's Grand Final. We have the favourites, Russia, Ireland, | :52:20. | :52:25. | |
Iceland, Greece. Are they going to go through early doors? Ladies and | :52:25. | :52:35. | |
:52:35. | :52:38. | ||
gentlemen, let's look what is in the envelopes. Finalist number one | :52:38. | :52:45. | |
is Romania. Romania are through. They have a 100% success rate. They | :52:45. | :52:54. | |
always qualify for the final. Mandinga are thrilled. Can we spot | :52:54. | :53:03. | |
Tony? Finalist number two is - who Tony? Finalist number two is - who | :53:03. | :53:13. | |
will be the next country? Nobody knows. Moldova. Moldova are through. | :53:13. | :53:20. | |
They have not got a bad track record. The trumpet is just out of | :53:20. | :53:30. | |
:53:30. | :53:32. | ||
shot! Finalist number three is - which song would you like to hear | :53:33. | :53:42. | |
:53:43. | :53:46. | ||
again? So different. Bless her! the third country will be Iceland. | :53:46. | :53:56. | |
:53:56. | :53:56. | ||
Iceland. Qualified for the last four years. Greta Salome & Jonsi - | :53:56. | :54:00. | |
a lovely song. We are waiting for you on the stage. One of the | :54:00. | :54:08. | |
favourites as well. Who will be the next finalist? Finalist number four | :54:08. | :54:15. | |
is... Her hair is so shiny! Sorry, tension! Which country will add | :54:15. | :54:24. | |
some spice for our Grand Final? Hungary. Hungary are through. Well | :54:24. | :54:29. | |
done! Qualified on three out of five previous attempts. Not a bad | :54:29. | :54:39. | |
record. They are Compact Disco. Sound Of Our Heart. Not a stand-out | :54:39. | :54:48. | |
track to be honest. Finalist number five is - who are you waiting for? | :54:48. | :54:57. | |
Six places left. OK. Jedward must be in the final. Finalist number | :54:57. | :55:06. | |
five is Denmark. Denmark. A gorgeous song. A talented young | :55:06. | :55:14. | |
songwriter, a bit Fame Academy. Soluna Samay and Should've Known | :55:14. | :55:19. | |
Better. Denmark have qualified for the final in the last four years. | :55:19. | :55:26. | |
Finalist number six... She will be fun in the bar later! Here we go. | :55:26. | :55:36. | |
:55:36. | :55:42. | ||
Half the place has gone. Finalist number six is Albania. OK. With her | :55:43. | :55:52. | |
:55:53. | :55:53. | ||
unfurled hair - she has wowed the crowds! Suus and Rona Nishliu. | :55:53. | :55:58. | |
it is getting more exciting. Every artist wants to be back here on | :55:58. | :56:03. | |
stage on Saturday, but the rules only allow four. It's true. Let's | :56:03. | :56:09. | |
see. Four left. Finalist number seven... There's Jedward! Oh, boys, | :56:09. | :56:19. | |
:56:19. | :56:19. | ||
you have to get through. I see some of them sitting in the Green Room. | :56:19. | :56:27. | |
Our next finalist is Cyprus. Cyprus are through. She is gorgeous. Ivi | :56:27. | :56:31. | |
Adamou with La La Love. Only qualified for the final on two | :56:31. | :56:36. | |
occasions before now. They must be thrilled. Congratulations, Cyprus. | :56:36. | :56:46. | |
A really beautiful girl. Three places left now. Still no sign of | :56:46. | :56:56. | |
:56:56. | :57:04. | ||
Greece. Finalist number eight is... Ireland and Austria... Our next | :57:04. | :57:14. | |
:57:14. | :57:15. | ||
finalist is Greece. Greece are through! One of the favourites. | :57:15. | :57:22. | |
100% success rate. They always qualify for the final. That's | :57:22. | :57:26. | |
Eleftheria Eleftheriou with Aphrodisiac. A Greek Cheryl Cole! | :57:26. | :57:33. | |
Nearly showed her pants there! Well done. Two places left. I hope | :57:33. | :57:43. | |
:57:43. | :57:45. | ||
Jedward go through. Finalist number nine is Russia. Russia. Let's see | :57:45. | :57:52. | |
their reaction. It is quite calm. Bless them! The Russian | :57:52. | :57:55. | |
Buranovskiye Babushki. The grannies are through. They wanted to raise | :57:55. | :57:59. | |
enough money to build a church after Stalin knocked their old one | :57:59. | :58:09. | |
:58:09. | :58:11. | ||
down. That is a nice story. Let's take a deep breath. Right now | :58:11. | :58:17. | |
we have nine finalists and there is only one place left for the final. | :58:17. | :58:27. | |
Who will it go to? They are all so talented. Who will be the lucky | :58:27. | :58:33. | |
country to get the Golden Ticket. To make this tension tangible, the | :58:33. | :58:40. | |
Golden Ticket will be brought on stage by Nargiz and Eldar. | :58:40. | :58:50. | |
Golden Ticket is not a ticket, it is a wildcard. This is the Golden | :58:50. | :58:59. | |
Ticket. Who will get it? Come on, boys! Who will be the lucky country | :58:59. | :59:06. | |
to get this Golden Ticket? With the luck of the Irish... Will it come | :59:06. | :59:14. | |
true tonight for Jedward? Ladies and gentlemen, finalist ten is | :59:14. | :59:24. | |
Ireland! Yes, they are through! Go on, boys! Jedward are through. They | :59:24. | :59:28. | |
are obviously thrilled. They are always bouncing about. Look at them | :59:28. | :59:37. | |
now! Ireland are through. Oh, careful! Wow, cartwheels. The | :59:37. | :59:42. | |
Buranovskiye Babushki didn't do that! Go on then! We have now got a | :59:42. | :59:47. | |
great final to look forward to on Saturday night. Ten great acts are | :59:47. | :59:56. | |
through. Of course we'd like to thank the other eight countries and | :59:56. | :59:59. | |
hope they will enjoy the next shows. Remember, you can vote in the Grand | :00:00. | :00:02. | |
Final as well. We'll be back on Thursday with the second semi-final | :00:03. | :00:05. | |
of the Eurovision Song Contest 2012 here in Baku, Azerbaijan. Good | :00:05. | :00:11. | |
night, Europe! Bonne nuit, l'Europe! IN AZERI: "Good night, | :00:11. | :00:20. | |
Europe!" They will be back on Thursday night. Scott, a few final | :00:20. | :00:27. | |
words from you? Back here at the end with Dr Eurovision, Paul, what | :00:27. | :00:33. | |
do you think of that? Surprised Austria didn't make it. Surprised | :00:34. | :00:38. | |
Hungary did. What about Switzerland? Switzerland had a good | :00:38. | :00:43. | |
performance. They are still not here. Moldova going through? Yeah, | :00:43. | :00:50. | |
he knows how to work a crowd. The roar in here - it was a big cheer. | :00:50. | :00:54. | |
I was quite tense. For a moment, I didn't think that Jedward were | :00:54. | :00:58. | |
going to go through. What did you think? It was hit-and-miss. They | :00:58. | :01:06. | |
saved the best till last! We think we have a decent final. No major | :01:06. | :01:12. |