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This programme contains scenes of repetitive flashing images. | :00:00. | :00:13. | |
CHEERING AND APPLAUSE. The United Kingdom has suffered 19 long years | :00:14. | :00:22. | |
of torment without a win, but is that about the change? After the | :00:23. | :00:26. | |
biggest song search ever, six acts will fight for their chance to | :00:27. | :00:31. | |
represent the UK at Eurovision 2016. Songs were selected from six weeks | :00:32. | :00:43. | |
of entry. The British Academy of songwriters, composers and authors | :00:44. | :00:46. | |
ran their own competition, and professional writers in the music | :00:47. | :00:49. | |
industry took on the challenge. Tonight they battle it out for your | :00:50. | :00:53. | |
votes. Who will you choose to represent the UK at the biggest | :00:54. | :00:58. | |
music event in the world? The fate of the nation is your hands. | :00:59. | :01:04. | |
Eurovision: You Decide. CHEERING AND APPLAUSE. Ladies and | :01:05. | :01:11. | |
gentlemen, please welcome your host, Mel Giedroyc! | :01:12. | :01:11. | |
CHEERING. Good evening, bonsoir, welcome to | :01:12. | :01:37. | |
Eurovision: You Decide. CHEERING. Regular BBC Four viewers | :01:38. | :01:47. | |
might be expecting to see dark Scandinavian drama at this time, and | :01:48. | :01:53. | |
they would be right! It doesn't get more Scandinavian, my lovers, than | :01:54. | :01:58. | |
Stockholm. And it doesn't get more dramatic than choosing who is going | :01:59. | :02:03. | |
to represent the UK at Eurovision 2016. | :02:04. | :02:10. | |
CHEERING. We've got the creme de la creme for you. Hundreds of acts down | :02:11. | :02:15. | |
to just six for you to choose from. So why am I standing here Wittering | :02:16. | :02:21. | |
away when you could be meeting them? Let's see who we've got. | :02:22. | :02:30. | |
away when you could be meeting them? CHEERING. Matthew James... | :02:31. | :02:38. | |
CHEERING. Darline... CHEERING. Karl William Lund... | :02:39. | :02:46. | |
CHEERING. Been ka... CHEERING. And Joe and Jake... | :02:47. | :02:56. | |
CHEERING. Tonight thanks to your votes one of those six acts will be | :02:57. | :03:01. | |
crowned our winner and in May they'll be in Stockholm representing | :03:02. | :03:06. | |
the UK at the Eurovision Song Contest 2016. Imagine that. Imagine | :03:07. | :03:13. | |
that, a singing show where the winner still gets gigs three months | :03:14. | :03:18. | |
later. Later on I will explain the different ways that you can vote, | :03:19. | :03:27. | |
but quick tip from me, go online and register for a BBC ID so you can go | :03:28. | :03:32. | |
online and vote later on. Go to bbc.co.uk/eurovision. Now, it is a | :03:33. | :03:37. | |
packed show tonight. Later on we'll be paying tribute to Mr Eurovision | :03:38. | :03:44. | |
himself, the great Sir Terry Wogan. CHEERING AND APPLAUSE. With a | :03:45. | :03:50. | |
collection of his greatest Eurovision commentary gems. Like | :03:51. | :03:57. | |
this one. Keep an eye out for the high priest of the Bongo. There's | :03:58. | :04:06. | |
the fellow o. CHEERING. The spirit of Eurovision | :04:07. | :04:14. | |
Hill. We've also got a performance from a woman who knows a thing or so | :04:15. | :04:19. | |
about Eurovision. She was the last UK entry to win the thing. It's | :04:20. | :04:22. | |
Katrina! CHEERING. It's a feast. Katrina has | :04:23. | :04:33. | |
a right to be on our expert panel tonight. She's the one who blew | :04:34. | :04:38. | |
everyone away with Love Shine A Light. Later on I will be shining a | :04:39. | :04:44. | |
light on how some other Eurovision winners have wowed the audience. I | :04:45. | :04:50. | |
will also be revealing our other panel members, later. First, to | :04:51. | :04:56. | |
remind us all exactly how it's done, we've got the 2015 Eurovision | :04:57. | :04:59. | |
champion... CHEERING. I thought you might like | :05:00. | :05:08. | |
that. He's a gorgeous Swede. Almost as gorgeous as swede with butter and | :05:09. | :05:15. | |
pepper. That's an image ultimatum conjuring with now. Mans Zelmerow. | :05:16. | :05:21. | |
This, my friends, is how he won. I need to know that some of tonight's | :05:22. | :05:26. | |
performances may contain flashing images. | :05:27. | :05:34. | |
# But we're dancing with the demons in our minds | :05:35. | :05:44. | |
12 points to Sweden... 12 points to Sweden! That's extraordinary. We | :05:45. | :06:02. | |
have a winner, Sweden! It's the biggest thing that ever happened to | :06:03. | :06:07. | |
me. I'm so proud and so happy and so proud of my team. | :06:08. | :06:18. | |
CHEERING. And now right here, performing his winning song, Heroes, | :06:19. | :06:22. | |
it's Mans Zelmerow. CHEERING. | :06:23. | :06:28. | |
# And live your life like there is no tomorrow, son | :06:29. | :06:50. | |
# But we're dancing with the demons in our minds | :06:51. | :07:15. | |
# But we're dancing with the demons in our minds | :07:16. | :07:25. | |
# But we're dancing with the demons in our minds | :07:26. | :07:40. | |
# Don't say a word, don't make a sound | :07:41. | :07:52. | |
# When you were lost I followed right behind | :07:53. | :08:11. | |
# But we're dancing with the demons in our minds | :08:12. | :08:30. | |
# But we're dancing with the demons in our minds | :08:31. | :09:04. | |
# But we're dancing with the demons in our minds | :09:05. | :09:19. | |
This is what a winner looks like, ladies and gentlemen! | :09:20. | :10:00. | |
Mans, I'm missing slightly the leather trousers I'm sorry, I forgot | :10:01. | :10:08. | |
them. At home. Next time I see you, I want you to wear them. Only | :10:09. | :10:15. | |
leather. Always. What advice can you give to our six acts tonight? You | :10:16. | :10:19. | |
have been through the whole process, you know what it is like. What | :10:20. | :10:23. | |
advice can you give to them in Just that they should enjoy this moment. | :10:24. | :10:27. | |
Show the audience that you really want to be here, want to be in | :10:28. | :10:32. | |
Eurovision, want to represent your country. And sing the hell out of | :10:33. | :10:38. | |
your song. Great advice. What about viewers watching at home, Mans. What | :10:39. | :10:42. | |
advice can you give to them when they are trying to decide which act | :10:43. | :10:46. | |
they should vote for? I think you should look for a song that catches | :10:47. | :10:52. | |
your attention straight away and you just are mesmerised for those three | :10:53. | :10:55. | |
minutes. That's what you are looking for. There are so many songs in | :10:56. | :11:00. | |
Eurovision. You really need to stand out. So remember, you should be | :11:01. | :11:06. | |
mesmerised, a little bit like I am at this very moment. | :11:07. | :11:10. | |
CHEERING. Mans, it is so nice to see you. Let's catch up for some | :11:11. | :11:15. | |
meatballs in Stockholm in May. Definitely. He doesn't want to, I | :11:16. | :11:20. | |
can tell. Everybody, Mans Zelmerow! CHEERING. Thank you Mans. | :11:21. | :11:30. | |
So, it's been made very clear to me that | :11:31. | :11:32. | |
I can't spend the whole evening with Mans, | :11:33. | :11:34. | |
But what should you be looking for? | :11:35. | :11:39. | |
As Mans has just shown us, it's not enough to just | :11:40. | :11:42. | |
have a brilliant song, you also need a great performance | :11:43. | :11:44. | |
Now I know what you're all thinking. | :11:45. | :11:47. | |
We love spectacular staging but we don't know what the stage in | :11:48. | :11:50. | |
Stockholm looks like. Help us out! Well, luckily for you I nipped | :11:51. | :11:54. | |
over to SVT, the Swedish broadcaster, had a look | :11:55. | :11:56. | |
at their design for the Stockholm stage | :11:57. | :11:58. | |
and knocked up this I'm very multi-skilled. Have a look | :11:59. | :12:11. | |
at this. They've seen it. That was very quick wasn't it! | :12:12. | :12:15. | |
LAUGHTER. I thought it was going to be longer! It doesn't matter. | :12:16. | :12:32. | |
First up is vocal coach and former Eurovision performer, | :12:33. | :12:34. | |
Then we've got choreographer Jay Revell. | :12:35. | :12:37. | |
He's worked with stars like Ellie Goulding, | :12:38. | :12:51. | |
Jess Glynne and Years Years so he knows | :12:52. | :12:53. | |
a thing or two about putting on a show. | :12:54. | :12:55. | |
And finally, who better to help our entrants | :12:56. | :12:57. | |
than our last winner, the amazing Katrina! | :12:58. | :12:58. | |
Look at the lovely panel on their survive el green chairs. Carrie, | :12:59. | :13:09. | |
what are you going to be looking for in each performance? OK, two things | :13:10. | :13:15. | |
for me tonight. Anthemic song and a singer who can sing in front of 200 | :13:16. | :13:19. | |
million people and not get nervous. Good. Katrina, you won in 1997. What | :13:20. | :13:27. | |
did you have those years ago that you think has maybe been missing | :13:28. | :13:33. | |
since? A really smelly green shirt I think, Mel. I loved your green | :13:34. | :13:38. | |
shirt. You could have taken off with those collars. It was absolutely | :13:39. | :13:42. | |
fantastic. You've got to have a lot of confidence. You have to have a | :13:43. | :13:46. | |
very strong song and really want it with all your heart. Amazing. Jay, a | :13:47. | :13:52. | |
little word from you, my love. A quick word about the staging. What | :13:53. | :13:56. | |
should the guys be looking out for? Wow, they need to make it big and | :13:57. | :14:03. | |
exciting. Just needs to match the song. Mans is a great example of how | :14:04. | :14:09. | |
it matches the song. He won Eurovision. Lovely, thank you Jay. I | :14:10. | :14:14. | |
told you I would deliver a good panel of experts. They are here to | :14:15. | :14:18. | |
help but at the end of the day it is all down to our six performers and | :14:19. | :14:23. | |
of course you at home. Your votes will start which of the six is off | :14:24. | :14:26. | |
to Sweden. That's a lot of pressure on you guys. To ease that pressure a | :14:27. | :14:31. | |
bit we won't be opening the vote until we've seen everyone perform, | :14:32. | :14:35. | |
so please don't try voting just yet. Your vote won't count and you may | :14:36. | :14:41. | |
still be charged. I think it is time we get this party started. What do | :14:42. | :14:45. | |
you reckon? CHEERING. First up it's Dulcima, who | :14:46. | :14:52. | |
will be performing When You Go. Let's find out a little bit more | :14:53. | :14:55. | |
about them. I'm Tom, and I wrote the song. I'm | :14:56. | :15:10. | |
Dulcima, I'm singing Tom's song. The name is also Dulcima, which refers | :15:11. | :15:15. | |
to me and the band behind me as well. We are as one, Dulcima. We | :15:16. | :15:20. | |
were buskers from Canterbury, that met on the high Street. Dulcima was | :15:21. | :15:26. | |
a violin player and I used to play guitar and sing. Initially when we | :15:27. | :15:29. | |
started busking we would play a lot of folk but as the years have | :15:30. | :15:32. | |
developed we've gone on to play different styles of music. The song | :15:33. | :15:36. | |
is about the positive spin on somebody we knew, how you deal with | :15:37. | :15:43. | |
it. My favourite lyric is I held your hand, you help my heart. I | :15:44. | :15:49. | |
don't know, it's fun to sing other thing, it's a great line to thing | :15:50. | :15:53. | |
and I have a wonderful mental image of hands and hearts kind of | :15:54. | :15:57. | |
intertwining and holding. My favourite lyric in the song is, | :15:58. | :16:03. | |
well, the title, when you go, when you go I'm going to light a candle | :16:04. | :16:07. | |
so I can see in the dark, and I'd like to say it had a deep meaning, | :16:08. | :16:11. | |
but it's just because I do light candles. It's a really strong song | :16:12. | :16:18. | |
and we've worked really hard on it. It's great fun to perform. I'd just | :16:19. | :16:22. | |
really hope the British public will love it as much as we do. | :16:23. | :16:29. | |
CHEERING AND APPLAUSE Dulcima, with When You Go. | :16:30. | :16:34. | |
# It was only you and me at the start | :16:35. | :16:52. | |
# I held your hand, you held my heart | :16:53. | :16:55. | |
# So when you go I'm gonna light a candle | :16:56. | :17:00. | |
# So please don't make things difficult | :17:01. | :17:07. | |
# It was only you and me at the start | :17:08. | :17:22. | |
# So when you go I'm gonna light a candle | :17:23. | :17:50. | |
# So please don't make things difficult | :17:51. | :17:58. | |
# It was only you and me at the start | :17:59. | :18:02. | |
# And finally we'll try to read through the heart | :18:03. | :18:10. | |
# So please don't make things difficult | :18:11. | :18:15. | |
# Now you're gone we can sing this song forever | :18:16. | :18:23. | |
# Now you're gone we can sing this song forever | :18:24. | :18:31. | |
# Now you're gone we can sing this song forever | :18:32. | :18:40. | |
# Now you're gone we can sing this song forever | :18:41. | :18:48. | |
# So when you go I'm gonna light a candle | :18:49. | :18:56. | |
# So please don't make things difficult | :18:57. | :19:04. | |
# It was only you and me at the start | :19:05. | :19:09. | |
# And finally we'll try to read through the heart | :19:10. | :19:17. | |
# So please don't make things difficult | :19:18. | :19:21. | |
CHEERING AND APPLAUSE Thank you. | :19:22. | :19:39. | |
Well done first up. I want it to go like that, it's one of those songs. | :19:40. | :19:49. | |
Loved it! Carrie, the lovely Carrie Grant. What did you think of that? | :19:50. | :19:55. | |
Locally, and otherwise? I love the fact there was lots of musicians on | :19:56. | :19:59. | |
stage, that's fantastic. Goods long. My slight question with these guys | :20:00. | :20:03. | |
is when I look at you I feel like your music should be darker -- good | :20:04. | :20:08. | |
song. More rock, something a bit more sinister, and... AUDIENCE | :20:09. | :20:18. | |
BREWS. It looks lightweight, far how you look and sound. It's quite a | :20:19. | :20:23. | |
folksy look and song that Dulcima have got. How would that translate | :20:24. | :20:28. | |
onto a huge stage in Stockholm? The energy they bring is absolutely | :20:29. | :20:30. | |
electric. CHEERING AND APPLAUSE | :20:31. | :20:34. | |
Look at what happened just now, with the players up there, the energy | :20:35. | :20:38. | |
they've give playing their instruments, they are real musicians | :20:39. | :20:44. | |
and showcasing that. They turn up, stomp in and nailed it. Well done, | :20:45. | :20:50. | |
Jay. Magical. There's electricity already here between Jay and | :20:51. | :20:53. | |
Dulcima. Katrina, you know more than any of us hear what it's like to | :20:54. | :20:58. | |
sing with a band behind you. Do they give you support on the night, when | :20:59. | :21:02. | |
you are out there right Eurovision? Is it nice, singing with a band? Of | :21:03. | :21:06. | |
course, it's a wonderful iconic moment to be able to spend with the | :21:07. | :21:12. | |
band that you love. The clean-up of -- Katrina and the Waves was the | :21:13. | :21:16. | |
name of the group, we had help from the back-up singers. It was a | :21:17. | :21:20. | |
rousing start. If the next band are like that... | :21:21. | :21:22. | |
CHEERING AND APPLAUSE How are you, love? My face is | :21:23. | :21:30. | |
twitching from smiling. Don't you worry, it's a beautiful twitching | :21:31. | :21:33. | |
face. If you think that Dulcima has got what it takes to represent the | :21:34. | :21:35. | |
UK, then you will need to call... You can vote online for free. Give | :21:36. | :21:53. | |
them your love, Dulcima. CHEERING AND APPLAUSE | :21:54. | :21:59. | |
Time now to find out about song Liberty. It's called A Better Man, | :22:00. | :22:07. | |
and is being performed for you by Matthew James. -- song number two. | :22:08. | :22:17. | |
Let's take a look. AIDS joined -- I joined 22 years ago when I was | :22:18. | :22:21. | |
studying at college and was literally hating it and wanted to | :22:22. | :22:24. | |
get out of college, I got a phone call, can you thing? I think so, I | :22:25. | :22:30. | |
sang and the next day I was in a teacup at Alton Towers in a boy | :22:31. | :22:36. | |
band. That's it! Six top 40 hits and travelled the world, take me away, | :22:37. | :22:42. | |
on Top Of The Pops was hysterical. Give it all this weird looks, | :22:43. | :22:49. | |
brilliant. The song I'm singing is A Better Man. I heard the song, it was | :22:50. | :22:53. | |
like, this is so uplifting. It gave me goose bumps. The song is about | :22:54. | :22:58. | |
love, clearly, and it's about how when you find somebody that you | :22:59. | :23:04. | |
really, really connect to, that person makes you a better person | :23:05. | :23:09. | |
yourself. My favourite lyric is you inspire me, give me reason to | :23:10. | :23:12. | |
believe. It's nice to have people around you, whether a partner or | :23:13. | :23:16. | |
friends, and everyone has been so supportive of me doing Eurovision. | :23:17. | :23:19. | |
It feels like now was the right time. It's a great song. I will give | :23:20. | :23:23. | |
it my best. There will be an element of nerves for performance. Nerves | :23:24. | :23:26. | |
and excitement will get me through and give me that little lift to get | :23:27. | :23:33. | |
through the song. I want to do my best performance, really, and | :23:34. | :23:35. | |
hopefully people can relate to it and people like it. | :23:36. | :23:37. | |
CHEERING AND APPLAUSE Its Matthew James, with A Better | :23:38. | :23:39. | |
Man. # The sound of your laugh | :23:40. | :23:48. | |
is what I live for # With a single word you make me | :23:49. | :24:05. | |
who I am # And with every day | :24:06. | :24:28. | |
you make me want to be # And I'll take care of all | :24:29. | :24:35. | |
your needs # All you've gotta do is let | :24:36. | :24:54. | |
me know # With a single word | :24:55. | :25:00. | |
you make me who I am # And with every day | :25:01. | :25:23. | |
you make me want to be # With a single word you make me | :25:24. | :25:29. | |
who I am # And with every day | :25:30. | :26:13. | |
you make me want to be CHEERING AND APPLAUSE | :26:14. | :26:55. | |
Thank you. Well done. Did I scare you? It's lovely to see you. Now, | :26:56. | :27:01. | |
Jay, that struck me, it was an intimate performance, it was an | :27:02. | :27:04. | |
intense performance. Did it work for you question might it was definitely | :27:05. | :27:08. | |
intimate. He made a real connection with his audience. He got his | :27:09. | :27:13. | |
message across as best he could. He sang the song excellently, it was | :27:14. | :27:17. | |
awesome. Good job. Carrie, let's talk about the vocals. What did you | :27:18. | :27:23. | |
think? It's really clear you are an experienced performer and there's a | :27:24. | :27:26. | |
security that we feel when we hear that. I actually really love this | :27:27. | :27:31. | |
song. But the public have got to decide, is this the type of song | :27:32. | :27:36. | |
that can win it for the UK? That's the big question. Katrina, you write | :27:37. | :27:41. | |
lots of songs. What did you think a bit in terms of its lyrics? This | :27:42. | :27:46. | |
song has a beautiful narrative. It's very passionate. It feels as if it's | :27:47. | :27:51. | |
coming from such a personal place. It's very inspiring lyrics as well. | :27:52. | :27:55. | |
Really beautiful singing. Wise words from the panel. If you think that | :27:56. | :28:01. | |
Matthew here has got what it takes to represent the UK, then you will | :28:02. | :28:03. | |
need to call... The vote opens after we have seen | :28:04. | :28:18. | |
everyone perform, later in the show. Give it up for Matthew. Well done, | :28:19. | :28:27. | |
Matthew. So two down, four to go, and next up we have a gorgeous | :28:28. | :28:32. | |
country pop duo, called Darline, and the song, Until Tomorrow. Let's see | :28:33. | :28:42. | |
what they have to say. We first met through a mutual friend, we knew Ben | :28:43. | :28:48. | |
from the shires and he put us together because we worked so great | :28:49. | :28:52. | |
together. Every day we get to get up and do everything we love to do, and | :28:53. | :28:57. | |
two passions together makes it explode. It's so fun, so fantastic, | :28:58. | :29:01. | |
someone to laugh at the stuff you would laugh at yourself with. Our | :29:02. | :29:08. | |
sound is country, a bigger pop sound basically, but still with our | :29:09. | :29:11. | |
country routes that we have grown up on. We were very, very lucky to be | :29:12. | :29:16. | |
asked to go on tour with the Shires, an amazing country duo. We were | :29:17. | :29:21. | |
really excited, so nervous. It was really fun. The song is called Until | :29:22. | :29:26. | |
Tomorrow and it's kind of about grasping hold of a moment, | :29:27. | :29:31. | |
basically. Having fun. It just relates really well to every | :29:32. | :29:33. | |
situation, so it's really lovely. We wrote the same one? It's a strong | :29:34. | :29:46. | |
lyric. We both absolutely love the opening lyric, if you've never seen | :29:47. | :29:50. | |
the dark then you've never seen the stars. I love, that because it means | :29:51. | :29:55. | |
that you have to go through some bad time to see the good times. To | :29:56. | :29:59. | |
represent the UK would be amazing for us. We want to have fun. We want | :30:00. | :30:05. | |
everyone to enjoy it, and the buzz from that will be amazing. It's | :30:06. | :30:09. | |
Darline with Until Tomorrow. # If you've never seen the dark, | :30:10. | :30:21. | |
then you've never seen the stars # Even if you break my heart, | :30:22. | :30:27. | |
I'll be here tomorrow # Nothing ventured, nothing gained, | :30:28. | :30:32. | |
throw your other plans away # Even if you only | :30:33. | :30:37. | |
stay until tomorrow # Hold on to me and | :30:38. | :30:44. | |
I'll hold on to you # I won't let go, won't | :30:45. | :30:50. | |
let go until tomorrow # Hold on to me, like | :30:51. | :30:54. | |
the last leaf on a tree # I won't let go, won't | :30:55. | :30:59. | |
let go until tomorrow # And in the harbour you'll be warm, | :31:00. | :31:06. | |
you'll be safe against the storm # But that's not what | :31:07. | :31:11. | |
I'm looking for, no # What will be will surely | :31:12. | :31:15. | |
be, until tomorrow # Hold on to me and | :31:16. | :31:27. | |
I'll hold on to you # I won't let go, won't | :31:28. | :31:32. | |
let go until tomorrow # Hold on to me, like | :31:33. | :31:37. | |
the last leaf on a tree # I won't let go, won't | :31:38. | :31:42. | |
let go until tomorrow # I will always want | :31:43. | :31:48. | |
you until tomorrow # If you've never seen the dark, | :31:49. | :32:10. | |
then you've never seen the stars # Hold on to me and | :32:11. | :32:15. | |
I'll hold on to you # I won't let go, won't | :32:16. | :32:23. | |
let go until tomorrow # Hold on to me, like | :32:24. | :32:28. | |
the last leaf on a tree # I won't let go, won't | :32:29. | :32:34. | |
let go until tomorrow # I'll always want you, | :32:35. | :32:39. | |
until tomorrow # I'll always want you, | :32:40. | :32:54. | |
until tomorrow #. Well done. Loving the braids, girls. | :32:55. | :33:27. | |
Carrie, Darline sing together so beautifully. They harmonise so well, | :33:28. | :33:33. | |
what did you make of that I think you both have really beautiful | :33:34. | :33:37. | |
voices. I think you are both stunningly beautiful. At the end you | :33:38. | :33:41. | |
both looked at each other and did a total vibe with each other once the | :33:42. | :33:45. | |
music had finished. I don't want to see two soloists. I want to see a | :33:46. | :33:52. | |
duo who interact more. Apart from that you are brilliant soloists. | :33:53. | :33:56. | |
AUDIENCE BOOS. Lovely, she is being constructive, guys. Jay, beautiful | :33:57. | :34:01. | |
staging. What would you do for them? Stockholm? I think you want to | :34:02. | :34:06. | |
enhance how beautiful it is. It won't be the first time a beautiful | :34:07. | :34:12. | |
performance has won Eurovision. Like Carrie said, they need to connect as | :34:13. | :34:18. | |
a group. I personally think they did. Katrina, do you think this type | :34:19. | :34:25. | |
of music will go down well in Stockholm this year? | :34:26. | :34:29. | |
CHEERING. That's a yes from our audience! Yeah? It sounds like it. | :34:30. | :34:41. | |
If this song went through, this is the type of song other Europeans | :34:42. | :34:46. | |
would vote for. Interesting. Girls, huddle up. If you think Darline has | :34:47. | :34:52. | |
got what it takes to represent the UK you will need to call: | :34:53. | :35:04. | |
Or vote online for free when the vote opens after we've seen | :35:05. | :35:11. | |
everybody perform later in the show. I think they like you Darline. | :35:12. | :35:16. | |
CHEERING. Please give it up for Darline! Thank you, girls. Off you | :35:17. | :35:24. | |
go now. A bit bossy. Next up, let's find out about Karl William Lund, | :35:25. | :35:31. | |
who is performing his self-penned song, Miracle. Something that | :35:32. | :35:38. | |
started off as a hobby has now become a true passion. I started | :35:39. | :35:42. | |
performing in bars around Liverpool, where I was living at the time. I | :35:43. | :35:50. | |
started up loading videos on YouTube and I was getting 30,000 or 40,000 | :35:51. | :35:55. | |
views per video, quite a lot back then. So in 2012 I lived in Greece. | :35:56. | :36:01. | |
I was working in a Beatles tribute band playing John Lennon. We lived | :36:02. | :36:06. | |
in a complex with other singers and performers. There was a Tina Turner | :36:07. | :36:13. | |
tribute act, The Drifters and The Supremes. I started lyrics. It was | :36:14. | :36:18. | |
interesting between opportunity to put a song forward for this came | :36:19. | :36:22. | |
about. Straight away I thought Miracle is right for this. I hope | :36:23. | :36:28. | |
that people love it. There's a lyric in Miracle on the chorus that says, | :36:29. | :36:34. | |
chasing down your star will never be the same again. I think what that | :36:35. | :36:39. | |
means is I'm almost saying that my love and my admiration for you is | :36:40. | :36:43. | |
now on a completely different level. I think that is the key to a good | :36:44. | :36:49. | |
song, to put your own experience into that, but to write it in a way | :36:50. | :36:54. | |
where it can touch other people as well. I hope that's what will make | :36:55. | :36:59. | |
it a success. Let's go to Sweden! CHEERING. It's Karl William Lund | :37:00. | :37:05. | |
with Miracle. # I feel you coming, miracle, | :37:06. | :37:10. | |
oh oh # This life I'm living, beautiful, | :37:11. | :37:47. | |
oh oh # I believe that I'll | :37:48. | :38:04. | |
be there for life # Give up all your thoughts | :38:05. | :38:13. | |
of luck # What you'll give, not you'll | :38:14. | :38:17. | |
get back # This life I'm living, beautiful, | :38:18. | :38:21. | |
oh oh # I believe that I'll be | :38:22. | :39:25. | |
# I'll be there for life (Miracle, oh oh) | :39:26. | :39:29. | |
# I'll be there for life (I feel you coming, miracle, oh oh) | :39:30. | :39:34. | |
# A miracle (It's beautiful, oh oh) | :39:35. | :39:47. | |
# You are (This life I'm living, beautiful, oh oh) | :39:48. | :39:54. | |
Karl, the neatest suit in showbiz. And a little bit of Tom Hiddlestone | :39:55. | :40:22. | |
going on there in those eyes. Lovely. Carrie Grant, what did you | :40:23. | :40:27. | |
think of Karl's performance? Karl, that is the most solid performance | :40:28. | :40:32. | |
we've seen tonight, the best singing we've heard tonight. You look great | :40:33. | :40:37. | |
on camera and you've got loads of inner life. These are some of the | :40:38. | :40:41. | |
qualities we were talking about us looking for earlier. Fantastic. Jay, | :40:42. | :40:46. | |
how would you take what Karl did to that enormous stage in Stockholm? I | :40:47. | :40:50. | |
think everyone saw here tonight that Karl takes you into his world. He | :40:51. | :40:55. | |
makes the stage as small as he wants it to be. And everyone else feels | :40:56. | :41:02. | |
it. You can enhance it in so many ways. You can only have six people | :41:03. | :41:06. | |
on stage, with technology you can build it up. Katrina, like you, Karl | :41:07. | :41:13. | |
so songwriter. He wrote this song himself. I did indeed. Do you think | :41:14. | :41:17. | |
it makes a difference when you are singing a song if you have written | :41:18. | :41:21. | |
it yourself in do you give it more passion, do you think? Yeah, sure. | :41:22. | :41:25. | |
Karl has an emotional connection with the song and that comes | :41:26. | :41:29. | |
through. I think we all felt it. Lovely. Thank you so much panel. If | :41:30. | :41:34. | |
you think Karl's got what it takes to represent the UK, you'll need to | :41:35. | :41:37. | |
call: Or vote online for free when the | :41:38. | :41:49. | |
vote opens after we've seen everybody perform later in the show. | :41:50. | :41:54. | |
Go crazy for Karl! CHEERING AND APPLAUSE. Well done, | :41:55. | :42:03. | |
Karl. Bianca is up now with the song Shine A Little Light. Hopefully this | :42:04. | :42:15. | |
will prove illuminating. I started off as a cellist. I was lucky. I got | :42:16. | :42:22. | |
an Elton John scholarship to train in London. It was a huge part of my | :42:23. | :42:26. | |
life for a really long time. Then I started singing. It was clear that | :42:27. | :42:31. | |
was where my heart was, so this represents my time in the girl band. | :42:32. | :42:38. | |
It was wonderful. We toured with Shakira, the black eyes peas. It was | :42:39. | :42:43. | |
phenomenal. The producer who wrote the song, I've worked with him | :42:44. | :42:50. | |
before and know him well. It was nice to be with a song that spoke to | :42:51. | :42:55. | |
me straight away. The song is called Shine A Little Light. I really love | :42:56. | :42:59. | |
this song, because it is so positive. The lyric that I'm writing | :43:00. | :43:07. | |
down now is my favourite. It is I've been carrying a concrete heart, got | :43:08. | :43:12. | |
me worrying there is no fire in the dying flame. I like the sentiment in | :43:13. | :43:17. | |
it. Whatever has got you down, there is someone or something that picks | :43:18. | :43:21. | |
you up and makes you feel better. I love songs like that which are | :43:22. | :43:25. | |
optimistic and positive, because I think we need more of that in the | :43:26. | :43:33. | |
world. For me to represent the UK in Eurovision would be incredible. I | :43:34. | :43:37. | |
physically cannot put into words how exciting it would be. It is like a | :43:38. | :43:42. | |
childhood dream come true. CHEERING. It's Bianca with Shine A | :43:43. | :43:45. | |
Little Light. # But every time I reach out, | :43:46. | :43:50. | |
the fingers burn # I've been carrying | :43:51. | :43:56. | |
a concrete heart # Got me worrying there's just no | :43:57. | :44:03. | |
fire in a dying flame # That's when you | :44:04. | :44:10. | |
shine a little light # You keep burning | :44:11. | :44:18. | |
bright so I can see # You shine a little light, | :44:19. | :44:27. | |
shine a little light on me # I've been carrying | :44:28. | :44:47. | |
a concrete heart # Got me worrying there's just no | :44:48. | :44:59. | |
fire in a dying flame # That's when you shine a little | :45:00. | :45:04. | |
light, shine a little light on me # You keep burning bright so I can | :45:05. | :45:13. | |
see # You shine a little light, | :45:14. | :45:25. | |
shine a little light on me # When there's no-one to hold on to | :45:26. | :45:39. | |
# Shine a light # You shine a little light, | :45:40. | :45:50. | |
shine a little light on me # You keep burning | :45:51. | :46:01. | |
bright so I can see # You shine a little light, | :46:02. | :46:06. | |
shine a little light on me Bianca, now, listen love, listen, | :46:07. | :46:52. | |
don't trip over, don't trip over. I'm going to be your bridesmaid. I'm | :46:53. | :46:58. | |
just going to hold this. If you get to Stockholm, there are a lot of | :46:59. | :47:01. | |
wind machines. We don't want to see this getting caught in a wind | :47:02. | :47:05. | |
machine and then ripping off the whole outfit! Bianca, well done, | :47:06. | :47:10. | |
that was tremendous. Thank you so much. Well done. So, Jay, what did | :47:11. | :47:16. | |
you think of that performance? You just can't fault that vocal. That | :47:17. | :47:20. | |
vocal was insane. CHEERING AND APPLAUSE | :47:21. | :47:24. | |
But I think she's got even more to give. I think she could give even | :47:25. | :47:30. | |
more, even more, keep rising and rising, three months until | :47:31. | :47:33. | |
Eurovision, and if this is our act, she will do us proud. | :47:34. | :47:35. | |
CHEERING AND APPLAUSE . Carrick -- Carrie, have you got | :47:36. | :47:42. | |
any more to say about the vocal performance? That was great, that's | :47:43. | :47:49. | |
what we were waiting for, this is the type of song that can win! She's | :47:50. | :47:54. | |
fantastic! They are cheering for Carrie now, they are cheering. | :47:55. | :47:58. | |
Katrina, a big power ballad. Is this what we need for this year in | :47:59. | :48:06. | |
Stockholm? I like the lyrics. The lyrics are great. Come on, Bianca, | :48:07. | :48:15. | |
take is to Stockholm! Katrina is sounding a bit like Davos at the | :48:16. | :48:19. | |
moment, there is something like a Dalek about her. We still love you, | :48:20. | :48:23. | |
Katrina, whatever you say or do. Didn't hear any of that! If you | :48:24. | :48:29. | |
think that Bianca has got what it takes to represent the UK, then you | :48:30. | :48:30. | |
will need to call... You can vote online for free when | :48:31. | :48:46. | |
the vote opens after we have seen everyone perform later in the show. | :48:47. | :48:49. | |
Thank you so much to Bianca. CHEERING AND APPLAUSE | :48:50. | :48:56. | |
Just helping, there we go, helping. Now, listen up. We are at song | :48:57. | :49:02. | |
number six already. I can't believe it. Our final act is a pair of young | :49:03. | :49:08. | |
lads, Joe and Jake, performing You're Not Alone. Let's hear more | :49:09. | :49:16. | |
from them. I think the voice is a great stepping stone, singing in | :49:17. | :49:20. | |
front of millions of people, a live audience, probably one of the best | :49:21. | :49:25. | |
moments of my life to date. Yes, it was incredible. I do get chills when | :49:26. | :49:33. | |
I see it. I was about to say the same thing. Me and Jake always got | :49:34. | :49:38. | |
on when we were in the Voice, backstage and stuff we got on as | :49:39. | :49:42. | |
mates and we have a similar music style. I work in with Joe, having | :49:43. | :49:46. | |
good fun with what we are doing. It's nice to work with someone who | :49:47. | :49:50. | |
is passionate about their music, like me. Do I look like that? The | :49:51. | :49:56. | |
song we are singing is You're Not Alone and we personally love the | :49:57. | :49:59. | |
song, love singing this song and the whole message behind it is about | :50:00. | :50:02. | |
unity and love, really. Our favourite lyric is don't speak, your | :50:03. | :50:07. | |
smile tells me all I need to know because the song is very energetic, | :50:08. | :50:10. | |
it's nice to have a solid -- soft lyric in it. We had to fight for who | :50:11. | :50:20. | |
would sing it. Jake got it. I got it. I think what people will like | :50:21. | :50:24. | |
about the performance it's genuine. They will see that me and Joe enjoy | :50:25. | :50:27. | |
performing the track and love what we are doing. Every moment in our | :50:28. | :50:32. | |
musical career so far has built up to this and for us to get the chance | :50:33. | :50:36. | |
to represent the UK would be a dream come true for us. It's Joe and Jake, | :50:37. | :50:40. | |
with You're Not Alone. # Heartbeat, when you're not | :50:41. | :50:46. | |
around it's beating slow. # And it's something that | :50:47. | :50:50. | |
I've never known, oh-oh. # I'll be, I'll be the answer | :50:51. | :50:59. | |
you've been waiting for. # I'll be the truth that you've | :51:00. | :51:05. | |
been looking for, oh-oh. # You're not alone, | :51:06. | :51:13. | |
we're in this together. # All that you want | :51:14. | :51:16. | |
is right here forever. # And they don't need | :51:17. | :51:20. | |
to know-oh, oh-oh-oh. # And they don't | :51:21. | :51:24. | |
need to know, oh-oh. # You're not alone, | :51:25. | :51:28. | |
we're in this together. # All that you want, | :51:29. | :51:31. | |
I'm right here forever. # And they don't need | :51:32. | :51:35. | |
to know-oh, oh-oh-oh. # And they don't | :51:36. | :51:40. | |
need to know, oh-oh. # You're free, free to let go 'cos | :51:41. | :51:44. | |
I'll be here for you. # And when you fall I'll | :51:45. | :51:49. | |
be your parachute, oh-oh. # I, I, I feel like I'm | :51:50. | :51:59. | |
dancing in the sky, I, I. # You're not alone, | :52:00. | :52:04. | |
we're in this together. # All that you want is right | :52:05. | :52:16. | |
here forever. # And they don't need | :52:17. | :52:20. | |
to know-oh, oh-oh-oh. # I, I, I feel like I'm | :52:21. | :52:24. | |
dancing in the sky, I, I. # Don't speak, your smile | :52:25. | :52:34. | |
tells me all I need to know. # Your eyes show me | :52:35. | :52:49. | |
where I wanna go, oh-oh. # You're not alone, we're | :52:50. | :52:58. | |
in this together. # All that you want | :52:59. | :53:01. | |
is right here forever. # And they don't need | :53:02. | :53:04. | |
to know-oh, oh-oh-oh. # I, I, I feel like I'm | :53:05. | :53:09. | |
dancing in the sky, I, I. Well done. And our lovely panel are | :53:10. | :53:50. | |
here just to give their opinions. It's you who are going to decide who | :53:51. | :53:57. | |
is going to go to Stockholm. Now, these two Carrie, looked as if they | :53:58. | :54:00. | |
were having a great time on stage together, didn't they? They | :54:01. | :54:03. | |
certainly did. I think there's going to be a lot of young people voting | :54:04. | :54:08. | |
for these guys tonight. You've got a lot of young fans out there, | :54:09. | :54:11. | |
probably. They've got great stage presence haven't they, Jay? Or some | :54:12. | :54:18. | |
stage presence, two lads having the time of their life, it looks great. | :54:19. | :54:23. | |
Would you do a sort of Oxford one rips off the other was mac trousers | :54:24. | :54:28. | |
or jacket or something? It's what the audience want to see! We might | :54:29. | :54:33. | |
have to make it happen. Now, Katrina, you our -- are our high | :54:34. | :54:42. | |
priestess of Eurovision. Would you think that these two are contenders | :54:43. | :54:47. | |
for Stockholm? Yes, come on, we can't get the open -oh out of our | :54:48. | :54:57. | |
head. It's very catchy. It's a winner. These guys are really cute, | :54:58. | :55:03. | |
too. Come on, I want to take them home. They are indeed and Eurovision | :55:04. | :55:09. | |
loves a duet, don't they? Carrie, wouldn't you say that's true? Do | :55:10. | :55:17. | |
they? Eurovision love a duet. Thank you, thanks, panel. Now, if you | :55:18. | :55:22. | |
think, thanks, guys, you are making me look slightly younger and | :55:23. | :55:25. | |
definitely cooler. Let's keep this pose. Good. If you think that Joe | :55:26. | :55:30. | |
and Jake have got what it takes to represent the UK, then you will need | :55:31. | :55:32. | |
to call... Vote online for free, and the vote | :55:33. | :55:46. | |
opens, my friends, very, very shortly. Thank you so much. Give | :55:47. | :55:52. | |
them your love, Joel and Jake. Well done, guys. | :55:53. | :55:57. | |
We've now seen all six of our talented hopefuls perform, | :55:58. | :56:01. | |
but only one of them can go to Sweden. | :56:02. | :56:03. | |
If you want to pick up the phone and vote | :56:04. | :56:05. | |
for your favourite song, calls will cost 15p | :56:06. | :56:07. | |
plus any network access charge and please ask the bill payer's | :56:08. | :56:15. | |
plus any network access charge permission before you call. | :56:16. | :56:20. | |
My daughters are at home, watching. I'm the bill payer, you can vote. | :56:21. | :56:31. | |
Alternatively, you can vote for free, you can do that, girls, it | :56:32. | :56:36. | |
will cost me less. You will find full terms and conditions at | :56:37. | :56:39. | |
bbc.co.uk/eurovision. It's very much up to you now. You can vote right | :56:40. | :56:47. | |
now, as the vote is now... Open. Ladies and gentlemen, please welcome | :56:48. | :56:53. | |
your host... Hello, sailor, that was nice! The lines close in around 20 | :56:54. | :56:59. | |
minutes from now, so not long to catch that all-important vote. We | :57:00. | :57:03. | |
live which means that if you are watching on demand, then | :57:04. | :57:05. | |
unfortunately you have missed your chance. So please don't vote. If | :57:06. | :57:09. | |
there's a song you really, really like, please don't assume everyone | :57:10. | :57:14. | |
else will vote for it. You need to vote for it. Let's have a quick look | :57:15. | :57:20. | |
back now at all of tonight's performances, complete with that | :57:21. | :57:21. | |
all-important vote information. # everyday you make me want to be a | :57:22. | :58:06. | |
a better man #. # It's beautiful, it's like I'm | :58:07. | :58:26. | |
living... #. If you are at home arguing about | :58:27. | :59:47. | |
what makes a winning song, we are so here to help. This is what makes | :59:48. | :00:03. | |
outstanding performances. If your view of Eurovision looks something | :00:04. | :00:05. | |
like this... Where have you been for the past few | :00:06. | :00:19. | |
years? It's time to cast away those old cliches and look at how more | :00:20. | :00:24. | |
recent acts have used not just the song but staging and style to win | :00:25. | :00:29. | |
what is now the world's biggest live entertainment event. Norway had a | :00:30. | :00:33. | |
landslide victory in 2009, achieving to date the highest ever score of | :00:34. | :00:39. | |
the Eurovision Song Contest. The fact that instruments can only be | :00:40. | :00:46. | |
mimed in Eurovision didn't stop Alexander Ryback from using it to | :00:47. | :00:51. | |
good effect, along with some playful looks at the camera. He secured his | :00:52. | :00:55. | |
victory with a whopping 380 points. In 2010 Germany's simplistic staging | :00:56. | :01:22. | |
and modest pop song stood out in a sea of overcomplicated performances. | :01:23. | :01:33. | |
Azerbaijan took total advantage of the contest's grand scale in 2011 | :01:34. | :01:42. | |
with a pyrotechnic curtain, full stage use and camera angles to | :01:43. | :01:45. | |
stepped up production values. CHEERING. Meanwhile it was a | :01:46. | :01:57. | |
landslide victory for Sweden in 2012. In an ocean of ballads Loreen | :01:58. | :02:04. | |
stood out with a great song enhanced with dramatic back lighting, the | :02:05. | :02:08. | |
wind in her hair and nothing on her feet. | :02:09. | :02:13. | |
Denmark led the pack throughout the results for a comfortable win in | :02:14. | :02:25. | |
2013. Emily's innocent and hypnotic flute charmed the audience from the | :02:26. | :02:27. | |
start. In 2014 Conchita's memorable | :02:28. | :02:45. | |
performance and stunning performance. | :02:46. | :03:01. | |
And so we come to a performance style that's redefined the staging | :03:02. | :03:12. | |
of Eurovision yet again. Again. Impeccable timing and phenomenal | :03:13. | :03:18. | |
screen interaction with a character called Chalk Boy which became more | :03:19. | :03:30. | |
famous than Mans helped Sweden win again. All you've got to do is | :03:31. | :03:35. | |
choose the perfect staging, lighting and song and have an artist with | :03:36. | :03:42. | |
amazing stage presence deliver it impeccably. We've got somebody who | :03:43. | :03:44. | |
Now, we've got someone who did all of that. | :03:45. | :03:53. | |
Let's set the scene, it's 1997 - the Spice Girls help to launch | :03:54. | :03:56. | |
Channel 5, East 17 lose the unique talents of Brian Harvey, | :03:57. | :03:59. | |
and songs including Barbie Girl and "Teletubbies Say Eh Oh" sell | :04:00. | :04:02. | |
It's fair to say it was not a stellar year for British | :04:03. | :04:06. | |
But we had a saviour in Dublin, where this lady won | :04:07. | :04:09. | |
the Eurovision Song Contest for the UK, | :04:10. | :04:11. | |
# Love shine a light in every corner of my heart | :04:12. | :04:23. | |
# Let the love light carry, let the love light carry | :04:24. | :04:27. | |
# Light up the magic in every little part | :04:28. | :04:33. | |
# Let our love shine a light, in every corner of our hearts | :04:34. | :04:44. | |
CHEERING. Come on! Come on and feel the love. | :04:45. | :04:53. | |
# Love shine a light, in every corner of my dreams | :04:54. | :04:55. | |
# Let the love light carry, let the love light carry | :04:56. | :05:01. | |
# Like the mighty river, flowing from the stream | :05:02. | :05:06. | |
# Let our love shine a light, in every corner of my dreams | :05:07. | :05:13. | |
# And we're all gonna shine a light together | :05:14. | :05:21. | |
# Brothers and sisters, in every little part | :05:22. | :05:31. | |
# Let our love shine a light, in every corner of our hearts | :05:32. | :05:41. | |
Can I see your hands tonight? Come on, everybody. Feel the love! Come | :05:42. | :05:49. | |
on, keep it up. # Love shine a light, in every | :05:50. | :05:51. | |
corner of the world # Let the love light carry, | :05:52. | :05:53. | |
let the love light carry # Light up the magic, | :05:54. | :05:56. | |
for every boy and girl # Let our love shine a light, | :05:57. | :06:02. | |
in every corner of the world # And we're all gonna | :06:03. | :06:12. | |
shine a light together # Brothers and sisters, | :06:13. | :06:17. | |
in every little part # Let our love shine a light, | :06:18. | :06:28. | |
in every corner of our hearts # And we're all gonna shine a | :06:29. | :06:35. | |
light together # Brothers and sisters, | :06:36. | :06:38. | |
in every little part # Let our love shine a light, | :06:39. | :06:50. | |
in every corner of our hearts #. CHEERING. Come on! Come on and feel | :06:51. | :07:04. | |
the love. Can I see your hands tonight? Come on, everybody. Feel | :07:05. | :07:06. | |
the love! Come on, keep it up. Come on and sing it! # Shine a light in | :07:07. | :07:10. | |
every corner of our hearts. Love. Can I see your hands tonight? Come | :07:11. | :07:13. | |
on, everybody. Feel the love! Come on, keep it | :07:14. | :07:30. | |
She's still got it! Wow! Katrina, that was a wonderful, wonderful | :07:31. | :07:40. | |
performance. It still sounds as good and as fresh as ever. I can't | :07:41. | :07:45. | |
believe it is 19 years since you sang that. Has the time just flown | :07:46. | :07:52. | |
by? Didn't I sing it well when I was only 12 years old? | :07:53. | :07:56. | |
LAUGHTER. And you still sing it well at 29. Katrina, I need to ask you | :07:57. | :08:02. | |
and I think the gang here really need to know. Do you think we can do | :08:03. | :08:07. | |
it in 2016? CHEERING. Everybody said in 1997 | :08:08. | :08:14. | |
that we couldn't win it because of political voting this, that and the | :08:15. | :08:19. | |
other, but it is a croc. Of course we can and we should. We have | :08:20. | :08:24. | |
everything we need to win it this year. Year. Everything. I believe | :08:25. | :08:30. | |
everything Katrina says. She has the most intense blue eyes I have ever | :08:31. | :08:36. | |
seen. I watched your performance from 1997 today actually, and you | :08:37. | :08:40. | |
had the look when you went on stage that was focused as if to say, I'm | :08:41. | :08:45. | |
going to go out there and win it. So what does our winning act have to to | :08:46. | :08:51. | |
do when they get to Stockholm? Do exactly what I did. Do exactly the | :08:52. | :08:57. | |
same thing. Just get that killer look. Thank you Katrina. Take note, | :08:58. | :09:05. | |
guys. These are the wise words of our high priestess of Eurovision, | :09:06. | :09:11. | |
Katrina. Thank you so much again for a top-notch performance Katrina and | :09:12. | :09:16. | |
for your insight into the wonderful world of Eurovision. Now if that | :09:17. | :09:21. | |
little trip down memory lane has made you hungry for another UK | :09:22. | :09:25. | |
Eurovision winner, don't worry there is still time to vote. Don't leave | :09:26. | :09:29. | |
me, Katrina. I need you to stay right here. Let's remind ourselves | :09:30. | :09:34. | |
of tonight's six acts all desperate to represent the UK at Eurovision | :09:35. | :09:39. | |
2016. You have about six minutes left to vote. | :09:40. | :12:02. | |
Here is a con under Birmingham. What's the greatest Eurovision | :12:03. | :12:15. | |
performance ever? For me it it was Sweet Dreams 1983. The truth is it | :12:16. | :12:20. | |
wasn't the birth of Abba or the skirts being whipped off bucks fizz | :12:21. | :12:26. | |
or even when Ireland sent Dustin the turkey. It was one man, Sir Terry | :12:27. | :12:31. | |
Wogan. CHEERING AND APPLAUSE. APPLAUSE.. | :12:32. | :12:42. | |
Hold it down to a dull roar. The rest of Europe thinks the British | :12:43. | :12:56. | |
are reserved. Ah, Ah, the return of the custard yellow suit. The Little | :12:57. | :13:04. | |
Mermaid and D death. This pair will kill you. Song one. 25 to go after | :13:05. | :13:12. | |
this. Watch out for the lead singer. You will be able to tell what he had | :13:13. | :13:16. | |
for breakfast! It's life, Jim, but what as we know | :13:17. | :13:42. | |
it. Keep an eye out for the high priest of the Bongo. There is the | :13:43. | :13:45. | |
fellow. The very nasty shock before she came | :13:46. | :14:00. | |
on. Be in good cheer, we're nearly halfway through. You're going to | :14:01. | :14:10. | |
like these. There they are. There's Silly and Spotty and Soppy and | :14:11. | :14:18. | |
Saucy, the four Croatian Spice Girls. The girls are wearing just a | :14:19. | :14:27. | |
few little things run up by their mothers. This girl will need the | :14:28. | :14:39. | |
neck muscles of around Schwarzenegger to keep this up. | :14:40. | :15:00. | |
You've had a few, haven't you, son? You look like Will and Grace, you | :15:01. | :15:13. | |
do. Thanks for dressing up. I made a little mistake, six points, Croatia | :15:14. | :15:17. | |
and Austria five points. Now, don't panic. Sorry, we have to start | :15:18. | :15:26. | |
again. That's OK, you're fired. Ten points goes to... It's not easy, | :15:27. | :15:41. | |
this. Bosnia-Herzegovina. Yes. Ake. 12 points goes to... Are you related | :15:42. | :15:46. | |
to the Director-General of Swedish television? We wish you all the | :15:47. | :16:02. | |
best, from all of us. Terry Wogan. CHEERING AND APPLAUSE | :16:03. | :16:10. | |
Gone, but never forgotten. His legacy and the love of Eurovision | :16:11. | :16:14. | |
that he inspired in so many of us will live on. Now, back to business | :16:15. | :16:20. | |
full stop important news. The vote is now closed. That said, please | :16:21. | :16:28. | |
don't try to vote now, as it won't count and you may still be charged. | :16:29. | :16:35. | |
Lovely, lovely stuff of Sir Terry in that footage there. Carrie, you were | :16:36. | :16:40. | |
an entrant at the Eurovision in 1983. What memories have you got of | :16:41. | :16:44. | |
Sir Terry? You've got to remember these were the days when we only had | :16:45. | :16:48. | |
about three or four TV channels, so he was a legend. He was a giant in | :16:49. | :16:53. | |
our industry back in the days when they really were giants. He was the | :16:54. | :16:57. | |
most encouraging man. Me and my band, I was only 17 at the time, he | :16:58. | :17:01. | |
was so encouraging. I remember him in Munich, we spent a week with him | :17:02. | :17:06. | |
singing on the dance floor going, oh my gosh, there's Terry Wogan damn | :17:07. | :17:11. | |
thing in a discotheque. Adorable, a lovely man. -- damn thing in a | :17:12. | :17:21. | |
discotheque. Katrina, you must have got to know Terry quite well? Toure | :17:22. | :17:25. | |
was wonderful company, he knew how to mix a black velvet, champagne and | :17:26. | :17:29. | |
Guinness, and he taught me how to smoke a bad cigar as well. Rock and | :17:30. | :17:34. | |
roll, Katrina, let's raise a glass to him now. Now, it's going to take, | :17:35. | :17:40. | |
they literally are, let's raise a glass. | :17:41. | :17:41. | |
CHEERING AND APPLAUSE OK, it's going to take a moment to | :17:42. | :17:45. | |
count and verify all the votes that have come in, but while we do that, | :17:46. | :17:51. | |
have I got a little treat for you? Yes. Last year was the 60th | :17:52. | :17:56. | |
anniversary of the Eurovision Song Contest, and we threw a big party, | :17:57. | :17:59. | |
hosted by Graham Norton and Petra Mede. And starring some of the most | :18:00. | :18:05. | |
famous past winners. Let's take a look, see how many you can spot. | :18:06. | :18:11. | |
Ladies and gentlemen, brotherhood of man. | :18:12. | :18:18. | |
# It's impossible to say but there's one thing I must say before I go | :18:19. | :18:23. | |
# I love you # I view | :18:24. | :18:31. | |
# Your cute little ways where you promise you will say | :18:32. | :18:39. | |
# Your kisses for Missy, -- save all your kisses for me | :18:40. | :18:44. | |
# Bye-bye baby, bye-bye # Don't cry, honey, don't cry | :18:45. | :18:51. | |
# When you save them for me # Even though you are only three #. | :18:52. | :19:03. | |
CHEERING AND APPLAUSE Ladies and gentlemen, from | :19:04. | :19:05. | |
Denmark... Welcome to London. # In the summertime | :19:06. | :19:27. | |
# When the moon shines right -- bright | :19:28. | :19:29. | |
# There's just one more thing I'd like to add | :19:30. | :19:35. | |
# She's the greatest love I ever had # You all think fantastically well | :19:36. | :19:52. | |
# Fly, baby, fly # #. | :19:53. | :20:01. | |
London, we love you. Our next performers are from my | :20:02. | :20:08. | |
homeland, Sweden. It is not Abba. They begged to come, but with such a | :20:09. | :20:12. | |
packed show we just couldn't fit them in. Please welcome... | :20:13. | :20:22. | |
# The legend of thunder # The magic of wonder | :20:23. | :20:28. | |
# Couldn't believe I was dreaming # Couldn't believe it was true | :20:29. | :20:57. | |
# I can be whatever I choose #. CHEERING AND APPLAUSE | :20:58. | :21:02. | |
Get ready, it's Bobby Sox. # Let its thing... -- let it thing | :21:03. | :21:43. | |
off let it swing # Rock and roll #. | :21:44. | :21:57. | |
CHEERING AND APPLAUSE St Johnny Logan. | :21:58. | :22:03. | |
# Hold me now # Don't cry | :22:04. | :22:05. | |
# Don't say a word # Hold me now | :22:06. | :22:13. | |
# And try to understand # I hope at | :22:14. | :22:20. | |
you've been searching for #. CHEERING AND APPLAUSE | :22:21. | :22:29. | |
# Mine, my song to asked # At Waterloo Napoleon did surrender | :22:30. | :22:32. | |
# Oh, you're # And I met my destiny | :22:33. | :22:49. | |
# The history book on the shelf # Waterloo | :22:50. | :22:58. | |
# Couldn't escape if I wanted to # Waterloo | :22:59. | :23:06. | |
# Finally feting my Waterloo -- finally facing my Waterloo #. | :23:07. | :23:16. | |
CHEERING AND APPLAUSE Oh, that was a cracker of a night! | :23:17. | :23:22. | |
And, of course, Graham's co-host there, Petra, will be co-hosting | :23:23. | :23:29. | |
this year's Song contest. Along with Mans, my new meatball friend in | :23:30. | :23:34. | |
Stockholm. Now, let's thank all of our acts for their incredible | :23:35. | :23:38. | |
performances, all the passion, energy and enthusiasm they have | :23:39. | :23:42. | |
given us tonight. These guys have done all they can. Six expertly | :23:43. | :23:49. | |
crafted songs, from superb song writers. But it's what you have | :23:50. | :23:54. | |
decided that matters, and now, there is nothing left to do but to find | :23:55. | :24:03. | |
out all-important result. So, we have counted and verified the | :24:04. | :24:06. | |
results. We can't take all of you with us to Stockholm. Paul and Mary | :24:07. | :24:13. | |
have decided that this week's Star Baker is... Sorry, wrong show, wrong | :24:14. | :24:24. | |
show! I can now reveal that the winner and the UK representative for | :24:25. | :24:28. | |
Eurovision 2016 is... Jail and Jake. Congratulations -- | :24:29. | :24:57. | |
Joe and Jake, you are the people's choice. You are off to Stockholm, to | :24:58. | :25:02. | |
represent the United Kingdom at the Eurovision Song Contest 2016. Joel | :25:03. | :25:09. | |
and Jake, come on over here, my love. Come on over here. There's a | :25:10. | :25:15. | |
lot of love, there is a lot of hugging. Joe and Jake, now, listen. | :25:16. | :25:21. | |
How does that feel, my love? I can't even talk. It feels amazing. I just | :25:22. | :25:26. | |
want to crowd is absolutely incredible. Thank you. Literally, | :25:27. | :25:30. | |
for everyone back home who has voted, thank you so much. We are so | :25:31. | :25:35. | |
proud. We are going to represent the UK, so thank you. We are going to | :25:36. | :25:39. | |
get to know to know these two very well over the coming months. I have | :25:40. | :25:44. | |
to ask you, which one is Joe and which one is Jake? I'm Joe. I'm | :25:45. | :25:51. | |
Jake. They will remember. We can't wait to see you in Stockholm. Are | :25:52. | :25:55. | |
you looking forward to Stockholm? It's going to be incredible, I hope | :25:56. | :26:01. | |
we make you all proud. Have you been to Stockholm before? We've never | :26:02. | :26:04. | |
been to Stockholm, there's a first time for everything. How are you | :26:05. | :26:09. | |
going to celebrate your victory now? We're not going to celebrate, we are | :26:10. | :26:13. | |
going to start working on our song. Home so we can win. Are you going to | :26:14. | :26:20. | |
throw out the moustache, or sort of take it off? If I could grow one, I | :26:21. | :26:25. | |
could, but this is about as good as it gets me. It's a very fine | :26:26. | :26:29. | |
moustache indeed. Commiserations to everyone else, you were fantastic. | :26:30. | :26:34. | |
Joe and Jake, we would love to see you perform again, so you go off my | :26:35. | :26:39. | |
loves and get ready for that all-important performance. Now, | :26:40. | :26:45. | |
these guys here have put on one heck of a show tonight, with so much | :26:46. | :26:49. | |
talent on display it's a shame there can only be one winner. I mean that | :26:50. | :26:54. | |
seriously, you are all amazing. Incredible songs, superb | :26:55. | :26:57. | |
performances, and you guys have shown just what great music talent | :26:58. | :27:02. | |
we have here in the UK. So one last round of applause. For our brilliant | :27:03. | :27:06. | |
performers. CHEERING AND APPLAUSE | :27:07. | :27:14. | |
Well done. Now, guys, listen. I don't want there to be any sadness | :27:15. | :27:19. | |
in this gang. You have all done extremely well, and I know that you | :27:20. | :27:23. | |
have got amazing careers ahead of you. OK? So no sadness, good. | :27:24. | :27:29. | |
Lovely. I just wanted to check that. I needed, that's my care of duty. | :27:30. | :27:35. | |
Now, thank you so much everybody for being here. What a night. I hope | :27:36. | :27:40. | |
that you had as much fun at home as we did here. That's almost it, but | :27:41. | :27:45. | |
there will be more Eurovision for you at 8pm on the 10th and 12th of | :27:46. | :27:51. | |
May, when Scott Mills and I will be here on BBC Four, with the | :27:52. | :27:54. | |
Eurovision Semi-Finals. I can't wait. And by the way, don't miss a | :27:55. | :27:59. | |
live interview with Joe and Jake with Graham Norton tomorrow on Radio | :28:00. | :28:04. | |
Two. But for now, let's close the show with the act that you have | :28:05. | :28:13. | |
chosen. Your winners it's Joe and Jake performing You're Not Alone. | :28:14. | :28:14. | |
See you in May! Bye-bye. # Heartbeat, when you're not | :28:15. | :28:20. | |
around it's beating slow. # And it's something that | :28:21. | :28:24. | |
I've never known, oh-oh. # I'll be, I'll be the answer | :28:25. | :28:32. | |
you've been waiting for. # I'll be the truth that you've | :28:33. | :28:37. | |
been looking for, oh-oh. # You're not alone, | :28:38. | :28:46. | |
we're in this together. # All that you want | :28:47. | :28:50. | |
is right here forever. # And they don't need | :28:51. | :28:53. | |
to know-oh, oh-oh-oh. # And they don't | :28:54. | :28:58. | |
need to know, oh-oh. # You're not alone, | :28:59. | :29:01. | |
we're in this together. # All that you want, | :29:02. | :29:04. | |
I'm right here forever. # And they don't need | :29:05. | :29:08. | |
to know-oh, oh-oh-oh. # And they don't | :29:09. | :29:12. | |
need to know, oh-oh. # You're free, free to let go 'cos | :29:13. | :29:17. | |
I'll be here for you. # And when you fall I'll | :29:18. | :29:22. | |
be your parachute, oh-oh. # I, I, I feel like I'm | :29:23. | :29:32. | |
dancing in the sky, I, I. # You're not alone, | :29:33. | :29:37. | |
we're in this together. # All that you want is right | :29:38. | :29:49. | |
here forever. # And they don't need | :29:50. | :29:53. | |
to know-oh, oh-oh-oh. # I, I, I feel like I'm | :29:54. | :29:57. | |
dancing in the sky, I, I. # Don't speak, your smile | :29:58. | :30:05. | |
tells me all I need to know. # Your eyes show me | :30:06. | :30:22. | |
where I wanna go, oh-oh. # You're not alone, we're | :30:23. | :30:31. | |
in this together. # All that you want | :30:32. | :30:34. | |
is right here forever. # And they don't need | :30:35. | :30:38. | |
to know-oh, oh-oh-oh. # I, I, I feel like I'm | :30:39. | :30:46. | |
dancing in the sky, I, I. | :30:47. | :30:50. |