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Let's have a look at the clues - surrounded by Union Jacks, | :00:00. | :00:09. | |
a host of gorgeous men and more sequins than Beyonce's | :00:10. | :00:19. | |
-- Morsi Queensland Gina G's knicker drawer. It can been only one thing, | :00:20. | :00:27. | |
Eurovision is back. Yes, tonight, you will once again get to help | :00:28. | :00:32. | |
choose the song and dance that will represent the UK in Ukraine. That's | :00:33. | :00:38. | |
right! It's Eurovision: You Decide to stop take me to the stage, boys, | :00:39. | :00:46. | |
and watch out for my VPL. The trousers are riding very badly. | :00:47. | :00:56. | |
CHEERING AND APPLAUSE Last year we organised the biggest | :00:57. | :01:02. | |
song search ever, but now we've gone even bigger. As well as being opened | :01:03. | :01:05. | |
to the public entries which were whittled down by the official | :01:06. | :01:10. | |
Eurovision fan club, songwriting camps across the UK and Europe were | :01:11. | :01:14. | |
also inspired to produce some of their finest work for our Eurovision | :01:15. | :01:19. | |
mission. After a final round of short listing by 15 industry | :01:20. | :01:23. | |
professionals, six songs were chosen, and tonight, they battle it | :01:24. | :01:27. | |
out to become the UK act for 2017. Their fate now lies in the hands of | :01:28. | :01:32. | |
the professional jury, and you at home. Tonight, our country's 60th | :01:33. | :01:39. | |
entry will be decided, live, from the worlds -- world-famous | :01:40. | :01:42. | |
Hammersmith Apollo. It's Eurovision decide. | :01:43. | :01:43. | |
CHEERING AND APPLAUSE Bonsoir, buenos nachos, jo estet, | :01:44. | :01:50. | |
goeie avond, god kvall, iyi aksamlar and good evening | :01:51. | :01:52. | |
lovely Eurovisionaries and welcome to Eurovision: | :01:53. | :01:54. | |
You Decide 2017. CHEERING | :01:55. | :02:07. | |
We have got an amazing gang here tonight at the famous Eventim Apollo | :02:08. | :02:12. | |
in Hammersmith, to make a decision. I don't think I'm exaggerating to | :02:13. | :02:15. | |
call it the single most important decision of the year! Yes, I've just | :02:16. | :02:22. | |
had confirmation that that is no exaggeration! Just who will | :02:23. | :02:29. | |
represent the UK Eurovision 2017? Well, this year, we spread the net | :02:30. | :02:34. | |
far and wide with songwriters' camps all over Europe, British music | :02:35. | :02:37. | |
industry professionals doing what they do, and the public submission | :02:38. | :02:42. | |
process and blimey, did they deliver. We've had hundreds of songs | :02:43. | :02:45. | |
to choose from, so settle down now for the best 38 hours of your lives. | :02:46. | :02:53. | |
CHEERING No, no, we've whittled them down to | :02:54. | :02:58. | |
the final 60 were going to see and vote for tonight. I'm positively | :02:59. | :03:03. | |
thrumming with excitement. Let's bring them on. Here are our six act. | :03:04. | :03:16. | |
First up, it's Holly Brewer. This is Danyl Johnson, this is Lucie Jones. | :03:17. | :03:24. | |
Performing I Don't Wanna Fight, raise the roof for Salena. The | :03:25. | :03:30. | |
question What Are We Made Of, the answer talent, if you are Nate | :03:31. | :03:34. | |
Simpson. And finally, put your lovely hands together for our | :03:35. | :03:37. | |
youngest singer, with Freedom Hearts, it's Olivia Garcia. Wow! By | :03:38. | :03:45. | |
the end of the night, one of these singers will be crowned our winner | :03:46. | :03:52. | |
and in May, they'll be representing the UK in Kiev at the Eurovision | :03:53. | :03:58. | |
Song Contest 2017. Later on, off you go, my loves, don't milk it, off you | :03:59. | :04:04. | |
go. Later on, I'll explain how you can vote. But before we do that, | :04:05. | :04:09. | |
make sure you are registered and ready to vote. If you want to vote | :04:10. | :04:16. | |
online, go to bbc.co.uk/eurovision and sign in or register for a BBC | :04:17. | :04:20. | |
account, so that you, my friends, are ready to go. But if you want to | :04:21. | :04:25. | |
vote by phone, I'll give you all the phone numbers you need later as | :04:26. | :04:30. | |
well. So let me just remove this bit of hair from my mouth. There we go. | :04:31. | :04:38. | |
Just like the thing's top in 2005, our show is bursting at the scene is | :04:39. | :04:47. | |
for you tonight, on top of those six amazing songs we are going to be | :04:48. | :04:50. | |
joined by some very special guests, including the Vamps. Now, some after | :04:51. | :04:58. | |
my's performances may contain flashing... Images, sorry, autocue | :04:59. | :05:02. | |
issues. I know, somebody has come on very exciting. It's time to kick | :05:03. | :05:07. | |
this party off. Sparkling Euro mirror ball, who's the greatest | :05:08. | :05:11. | |
Norwegian of them all? He's a Eurovision winner, he went on to | :05:12. | :05:17. | |
number one in seven countries and as well as a record maker, he's a | :05:18. | :05:21. | |
record breaker, getting the most points ever awarded under the old | :05:22. | :05:32. | |
voting system. It is time to Rybak and think of Norway, because it's | :05:33. | :05:36. | |
Alexander Rybak, performing his winning song, Fairytale. Hello! | :05:37. | :05:58. | |
# She was mine and we were sweethearts | :05:59. | :06:10. | |
# No one else, could make me sadder | :06:11. | :07:04. | |
# But no one else could lift me high above | :07:05. | :07:09. | |
# But when I do we'll get a brand new start | :07:10. | :07:29. | |
Alexander Rybak! Hello. It's a fairy tale to actually be with you in the | :07:30. | :09:01. | |
flesh. You never disappoint with that fiddling. Well done, my love. | :09:02. | :09:07. | |
Now, Alexander, what a performance. You of course won the Eurovision in | :09:08. | :09:11. | |
2009, we all remember that very clearly. Now, that was an amazing | :09:12. | :09:18. | |
springboard for you. What have you been doing since? You've done | :09:19. | :09:22. | |
amazing things. You know, after Eurovision, it turned out I got the | :09:23. | :09:27. | |
best fans in Europe. CHEERING | :09:28. | :09:30. | |
Thanks to the Internet, the best fans in the world really. I just | :09:31. | :09:35. | |
tried to surprise them. I've been touring with classical concert, with | :09:36. | :09:40. | |
Symphony orchestras, and I really love to co-work with other artists, | :09:41. | :09:44. | |
that's what I do. But Eurovision, that's where it started and | :09:45. | :09:48. | |
Eurovision is my calling card and I love it. Oh, it's so nice to see | :09:49. | :09:53. | |
you, Alexander. Give it up, ladies and gentlemen, Alexander Rybak. | :09:54. | :09:59. | |
Thank you so much for coming and kicking off our show with such | :10:00. | :10:04. | |
splendid stuff. See you later. We are going to go off to a museum | :10:05. | :10:08. | |
tomorrow, have a little day trip in London. Tonight, we're giving you a | :10:09. | :10:14. | |
chance to vote for which of our six performers and songs represent the | :10:15. | :10:18. | |
UK at Eurovision 2017. This year we are following the Eurovision Song | :10:19. | :10:22. | |
Contest's way of voting by also having a professional jury vote. We | :10:23. | :10:27. | |
will combine your public vote 50-50 with the professional jury's one. In | :10:28. | :10:31. | |
order to win, our artists need to impress both you at home and our | :10:32. | :10:36. | |
professional jury. Winning just one of the votes may not be enough, so | :10:37. | :10:40. | |
they need to smash it across-the-board. We are really | :10:41. | :10:44. | |
going to open the votes after we've seen everyone perform, and by the | :10:45. | :10:48. | |
end of the show we will indeed crown our winner. We'll give you all the | :10:49. | :10:51. | |
details you need later on in the show and all the information about | :10:52. | :10:55. | |
tonight's vote can be found on our website at bbc.co.uk/eurovision. | :10:56. | :11:02. | |
Our jury of music professionals are here tonight and once | :11:03. | :11:04. | |
all the acts have performed they will | :11:05. | :11:07. | |
After the vote has closed we will combine the points from | :11:08. | :11:11. | |
the jury with the points from the public vote and we'll have | :11:12. | :11:14. | |
Now three of our jurors will be multi | :11:15. | :11:19. | |
tasking as I've drafted them in to form my perfect panel. | :11:20. | :11:22. | |
I reckon they're going to have a lot to say! | :11:23. | :11:24. | |
And nobody has more to say than my first panelist. | :11:25. | :11:27. | |
He's a man filled with so much Latin passion and heat that he tans | :11:28. | :11:30. | |
from the inside, or at least that's what he insists, it's | :11:31. | :11:33. | |
Yes, good evening! CHEERING | :11:34. | :11:45. | |
What a wonderful crowd. They are amazing. Now, Bruno, you have a bit | :11:46. | :11:50. | |
of previous when it comes to Eurovision, haven't you? I'm going | :11:51. | :11:55. | |
to save the year, 1980. 1980, what was going on then, Bruno? Here we | :11:56. | :12:01. | |
go. You can feel it coming you can clearly see I was well packaged... | :12:02. | :12:06. | |
Bruneau, looking very much like a Formula One mechanics. Very much. | :12:07. | :12:11. | |
I'm not sure if your microphone is working, we know you are speaking. | :12:12. | :12:17. | |
There we go. That's working. That's better, Bruno, we need a great song, | :12:18. | :12:21. | |
great staging and charisma. How can you as a panel spot these things | :12:22. | :12:29. | |
tonight? They have to come up with something unique, unforgettable, | :12:30. | :12:32. | |
visually stunning, emotionally involving, devastating and | :12:33. | :12:37. | |
uplifting. Amazing, thank you, Bruno. Now, please welcome our next | :12:38. | :12:45. | |
panellist. She's a singer, she's a panellist, she is wanted by Scotland | :12:46. | :12:49. | |
Yard for murder on the dance floor. It's Sophie Ellis-Bextor. What are | :12:50. | :12:54. | |
you looking for tonight in the songs? First, I want to say I've | :12:55. | :13:00. | |
been smiling all day. I absolutely love. | :13:01. | :13:01. | |
CHEERING I'm looking for a great pop record, | :13:02. | :13:08. | |
but one that has unmistakable Eurovision charm. Wise words, | :13:09. | :13:13. | |
Sophie, thank you, my love. Finally, imagine knowing so much about | :13:14. | :13:17. | |
singing yet each -- that you can teach the angels yourself, well, | :13:18. | :13:21. | |
Charlotte Church. Please welcome CeCe Sammy. Now, CeCe, it's all | :13:22. | :13:32. | |
about the live vocal. They have to absolutely nail it. There's a lot of | :13:33. | :13:35. | |
pressure on them. What should they be thinking of as they sing? Do you | :13:36. | :13:40. | |
know, at the end of the day they'd have to believe in telling stories | :13:41. | :13:44. | |
and believing in themselves will stop gang, is that not a great | :13:45. | :13:48. | |
panel? It's fantastic to have you all on hand to share your thoughts | :13:49. | :13:53. | |
and opinions. But listen up, it's time to get to the business of the | :13:54. | :13:55. | |
evening. So here we go. Ok, first up, singing "I Wish | :13:56. | :14:03. | |
I Loved You More" is Holly Brewer. Let's find out a little | :14:04. | :14:06. | |
more about her. I've loved music ever since I can | :14:07. | :14:16. | |
remember. It's all I've ever known and all I want to do for the rest of | :14:17. | :14:21. | |
my life. Wherever I can perform, I perform. I work with wicked | :14:22. | :14:25. | |
musicians, doing corporate, weddings, we supported Jess Glynne | :14:26. | :14:29. | |
the other day which was incredible, and I bit, or I honestly adore it. I | :14:30. | :14:34. | |
would say I'm most inspired by not divas, but people who really sing, | :14:35. | :14:38. | |
and are so passionate about singing the music. Would I say I'm a diva? | :14:39. | :14:45. | |
Probably not. I'd like to be! The title of the song is I Wish I Loved | :14:46. | :14:51. | |
You More, so for me it's about having that person there who is so | :14:52. | :14:54. | |
perfect in so many ways, but unfortunately you just don't love | :14:55. | :14:57. | |
them in the way you should come you just don't love them enough. I think | :14:58. | :15:01. | |
that's a really hard emotion. My favourite lyric is the title, I Wish | :15:02. | :15:07. | |
I Loved You More, because it says so much about the song. That one lyric | :15:08. | :15:12. | |
tells you I wish I loved you more, and the rest of the song is telling | :15:13. | :15:16. | |
you why. I've definitely had a situation in my life where all those | :15:17. | :15:20. | |
feelings I've wanted to be there are not, so when I sing it I feel all of | :15:21. | :15:25. | |
that. That all comes back. To represent my country in the biggest | :15:26. | :15:28. | |
competition in the world would be a dream come true, so I hope people | :15:29. | :15:32. | |
get behind the song. I'm just going to go out and give it my all. Arnie | :15:33. | :15:40. | |
So getting the competition underway, Holly Brewer | :15:41. | :15:42. | |
# I know that two is better and some might even need a crowd | :15:43. | :15:52. | |
# Oooh, amen that the preacher talks about | :15:53. | :16:19. | |
# Oooh, amen I couldn't live without | :16:20. | :16:37. | |
# Every time we touch I wish, I wish I loved you more | :16:38. | :16:56. | |
# Oooh, amen that the preacher talks about | :16:57. | :17:21. | |
# Every time we touch I wish, I wish I loved you more | :17:22. | :17:56. | |
# You keep coming, you keep coming you keep coming back to me | :17:57. | :18:05. | |
# Oooh that the preacher talks about | :18:06. | :18:15. | |
CHEERING APPLAUSE | :18:16. | :18:50. | |
Holly Brewer, come and get yourself here. What an amazing start to our | :18:51. | :18:57. | |
evening's proceedings. Get your breath back. Let's talk to the | :18:58. | :19:01. | |
panel. CeCe, what did you think of the vocal in that? Wow, wow, wow, | :19:02. | :19:12. | |
beautiful voice you controlled it, you told the story, you let us hear | :19:13. | :19:19. | |
that high sound. Beautiful! Bruno, do you think Holly's song has the | :19:20. | :19:24. | |
potential for what will be an enormous stage in Kiev? Yes of | :19:25. | :19:29. | |
course. I like the fact it was presented in a very strict elegant | :19:30. | :19:36. | |
way and it gave her space to build and tease me with the vocal until | :19:37. | :19:45. | |
the end... I wish I love you more! It is about projection, building and | :19:46. | :19:52. | |
building and killing it. That was the right path, well done. Sophie | :19:53. | :19:57. | |
URS songwriter what did you think of the lyrics? I am ticking power | :19:58. | :20:00. | |
ballad of my Eurovisionary tick list, use and that really well. It | :20:01. | :20:04. | |
was a big song and a slightly different perspective and fresh | :20:05. | :20:07. | |
lyric, it went down really well here. -- you sang that really well. | :20:08. | :20:11. | |
If you think that Holly has got what it takes | :20:12. | :20:14. | |
to represent the UK, you'll need to call | :20:15. | :20:15. | |
6 22 52 01 from a mobile or 09015 22 52 01 from a landline. | :20:16. | :20:21. | |
Thank you very much for being here by the way, just stay with me. | :20:22. | :20:28. | |
Calls will cost 15p plus any network access charge and please ask | :20:29. | :20:31. | |
the bill payer's permission before you call. | :20:32. | :20:32. | |
You can also vote online for free by visiting | :20:33. | :20:35. | |
bbc.co.uk/eurovision where you will also find terms and | :20:36. | :20:37. | |
Voting won't open until all our acts have | :20:38. | :20:40. | |
performed so don't call yet, as your vote won't count and | :20:41. | :20:43. | |
Holly, thank you very, very much, that was amazing. Well done. | :20:44. | :20:52. | |
It's Danyl Johnson, with "Light Up The World". | :20:53. | :21:05. | |
I've loved music since a young age to be honest. Growing up in the | :21:06. | :21:16. | |
artists I really liked were Michael Jackson and The Police, I liked | :21:17. | :21:18. | |
Sting's voice, there was a thing about his voice that was amazing and | :21:19. | :21:23. | |
the showmanship of Michael Jackson and his sister Janet, I used to copy | :21:24. | :21:27. | |
the dance moves. My experience on the X Factor was absolutely | :21:28. | :21:30. | |
unbelievable, I mean, music can change people's lives and it | :21:31. | :21:33. | |
definitely changed mine. The song I'm singing is Light Up The World, | :21:34. | :21:40. | |
there are so many dark times we're living in, this song shines through | :21:41. | :21:44. | |
it and has that, everyone comes together and everyone has fun. | :21:45. | :21:47. | |
That's exactly what this song does and I can't wait for people to hear | :21:48. | :21:52. | |
it. My favourite lyric is, we can shine so brightly but I feel like | :21:53. | :21:56. | |
that line just... It's near the end of the song and it means everyone is | :21:57. | :22:02. | |
together and we can all shine. And we can all just enjoy that moment. I | :22:03. | :22:07. | |
think with music that is what you can do and hopefully with the energy | :22:08. | :22:12. | |
we are going to bring everybody together and shine bright. I love it | :22:13. | :22:15. | |
so much and I hope everyone else loves it just as much as I do. This | :22:16. | :22:19. | |
song gives the opportunity to out there and have fun. -- to go out | :22:20. | :22:24. | |
there. Performing "Light Up The World", | :22:25. | :22:25. | |
it's Danyl Johnson. # Light up, light up, | :22:26. | :22:30. | |
Light up, light up, # I can feel a change | :22:31. | :22:32. | |
in the air we breathe tonight # There's something 'bout | :22:33. | :22:49. | |
the look in your eyes # We couldn't see yeah, | :22:50. | :22:56. | |
standing in the dark # Waiting for a spark, | :22:57. | :22:58. | |
to light our story # I can feel a change | :22:59. | :23:03. | |
in the way you move tonight # Something 'bout | :23:04. | :23:07. | |
the lack of sunlight # The moonlight shows | :23:08. | :23:11. | |
the place where we're going # Instead of asking why, | :23:12. | :23:56. | |
raise your light up to the sky # They can't stop | :23:57. | :24:45. | |
what we've started #. APPLAUSE | :24:46. | :25:35. | |
CHEERING . Oh yeah. Danyl. That's a frisky | :25:36. | :25:46. | |
little manoeuvre. I can't give you the, sorry... Now, listen, you get | :25:47. | :25:53. | |
your breath back. Bruno, I'd like you to put your choreographer hat on | :25:54. | :25:57. | |
and tell us... There you are. Would that choreography work in Kiev? Yes | :25:58. | :26:02. | |
it would, because it has a wonderful boy band charm. It's uplifting, it's | :26:03. | :26:08. | |
fun. You have to make sure you maintain the sharpness and the | :26:09. | :26:12. | |
tightness as well as you maintained the vocals. Crank it up a notch and | :26:13. | :26:22. | |
make it even bigger! Now, CeCe, did Danyl shine brightly for you | :26:23. | :26:27. | |
tonight? Absolutely, you did, listen tonight is a celebration night, | :26:28. | :26:32. | |
everyone of you are amazing singers. I want you to think, if you end up | :26:33. | :26:37. | |
voted in by the public, I want you to reach out to them and sing your | :26:38. | :26:40. | |
heart away, you've got a beautiful voice. Lovely comments, Danyl. It's | :26:41. | :26:49. | |
safe to say Danyl was having a very good time on stage. Never too much, | :26:50. | :26:56. | |
Danyl. Did you have this feeling as well? I really did, you were | :26:57. | :27:00. | |
adorable up there, looked like you were having lots of fun and it was | :27:01. | :27:03. | |
translating to us. The public are looking for an uplifting, positive | :27:04. | :27:10. | |
pop song. This might be the one. Well done, Danyl. Stay right here. | :27:11. | :27:16. | |
If you think Danyl has what it takes to light up your addition, you will | :27:17. | :27:21. | |
need to call... -- light up your revision. | :27:22. | :27:30. | |
I think you've got some fairly major fans here already. Thank you so, so | :27:31. | :27:36. | |
much. Well done. Next up, my Next up, with "Never Give Up | :27:37. | :27:41. | |
On You", is Lucie Jones. music is a huge part of my life. | :27:42. | :27:51. | |
It's always just been something I go to when I'm happy, when I'm sad, | :27:52. | :27:56. | |
when I'm excited, there's always a soundtrack playing in my head. I've | :27:57. | :28:00. | |
performed in front of lots of people before live, I did The X Factor in | :28:01. | :28:04. | |
2009. That was amazing. Since then I've done a lot of live theatre, | :28:05. | :28:10. | |
I've been in legally blonde, ghost the musical, rent, Les Mis. My | :28:11. | :28:18. | |
experience will help me in this process because even though I will | :28:19. | :28:21. | |
be nervous, I trust myself in front of a live audience and that's | :28:22. | :28:25. | |
important as a Eurovisionary treat because it's a huge deal, there are | :28:26. | :28:28. | |
millions of people all over the world watching this one show. Aside | :28:29. | :28:31. | |
from theatre I've done television acting. I've done Midsummer murders | :28:32. | :28:36. | |
and the Sarah Jane adventures. The name of the song I'm singing is | :28:37. | :28:45. | |
never give up on you. -- Never Give Up On You. My favourite line in the | :28:46. | :28:51. | |
song is, together we'll dance through this storm. It's a beautiful | :28:52. | :28:55. | |
lying in itself and I really hope people can see I really mean what | :28:56. | :28:58. | |
I'm singing about. To have the chance to perform at Eurovision for | :28:59. | :29:04. | |
the UK, you are your country for the evening. Is there a bigger honour | :29:05. | :29:08. | |
than that? I don't know if there is, I think it would be incredible. | :29:09. | :29:13. | |
Performing "Never Give Up On You", it's Lucie Jones. | :29:14. | :29:19. | |
# Tell me your secrets, I'll keep them safe | :29:20. | :29:22. | |
# No sign of weakness, it's a sign of faith | :29:23. | :29:27. | |
# You're not defeated, you're in repair | :29:28. | :29:36. | |
# We'll stand tall, so you don't fall | :29:37. | :29:49. | |
# If you could see how far you've walked | :29:50. | :29:52. | |
# Together we'll dance through this storm | :29:53. | :30:11. | |
# Together we'll dance through this storm | :30:12. | :30:30. | |
# I'm right beside you, you're never alone | :30:31. | :30:36. | |
# If you could see how far you've walked | :30:37. | :30:48. | |
# Together we'll dance through this storm | :30:49. | :31:07. | |
# This madness, we're running through | :31:08. | :31:25. | |
# The mountain climbed, the oceans crossed | :31:26. | :31:48. | |
# Together we'll dance through this storm | :31:49. | :31:59. | |
# Together we'll dance through this storm. # | :32:00. | :32:22. | |
CHEERING AND APPLAUSE Oh, Lucie, Lucie, oh, my love, she's | :32:23. | :32:34. | |
channelling Sandie Shaw, she's barefoot, that's very Eurovision. | :32:35. | :32:40. | |
Are you all right, my love? You did amazingly. Now, Sophie, did you feel | :32:41. | :32:47. | |
that emotion and intensity that was coming out of this amazing singer, | :32:48. | :32:51. | |
Lucie? You know, the song is one thing but the real magic, the | :32:52. | :32:55. | |
performance, was you, Lucie. You were fantastic, you brought us all | :32:56. | :32:59. | |
in and it felt like you were singing the song to someone. I just listened | :33:00. | :33:04. | |
to your story, it was powerful. Thank you, Sophie. Bruneau, no | :33:05. | :33:08. | |
choreography to speak of in that at all. Is it something we can do in | :33:09. | :33:14. | |
Kiev? Of course, because the hardest thing to do is standing on stage on | :33:15. | :33:20. | |
your own and captivate your public with a passion, the drama and power | :33:21. | :33:26. | |
of your performance, and the power of your voice. And you did that. The | :33:27. | :33:33. | |
tonality, the technique, was just magic. Beautiful. Thank you so much, | :33:34. | :33:39. | |
Bruno. And CeCe, what an incredible vocal performance. Is there anything | :33:40. | :33:44. | |
she can add? Incredible voice, Eurovision, you summed up what | :33:45. | :33:48. | |
Eurovision is about. A superstar voice. All I have to say is wow! | :33:49. | :33:59. | |
Well done, Lucie. If you want to send Lucie to Eurovision, you will | :34:00. | :34:00. | |
need to call... All vote online for free after we've | :34:01. | :34:14. | |
seen everybody perform. Lucie, thank you so much for a stunning | :34:15. | :34:15. | |
performance. Well done. Our fourth song is "Freedom Hearts", | :34:16. | :34:19. | |
and it's performed by Olivia Garcia. Being the youngest in the | :34:20. | :34:31. | |
competition makes me feel a little bit nervous, but at the same time, | :34:32. | :34:36. | |
I'm just so excited. When I'm at college I'm a bit shy and quiet, but | :34:37. | :34:40. | |
when I'm on stage I just come to life. Everything is just amazing, I | :34:41. | :34:44. | |
enjoy every second of it. I just love every part of music. The title | :34:45. | :34:49. | |
of my song is Freedom Hearts. Basically, the song is about | :34:50. | :34:52. | |
sticking up and standing up for people that don't necessarily have | :34:53. | :34:57. | |
the confidence to do it themselves, or maybe just so quiet they can't | :34:58. | :35:00. | |
actually scream it out. I suppose I relate to the song because I'm quite | :35:01. | :35:04. | |
a shy person and there's loads of big things happening to me. One day | :35:05. | :35:08. | |
I can be in college in a classroom, the next day I can be rehearsing to | :35:09. | :35:14. | |
maybe eventually performing for my country. My favourite lyric is | :35:15. | :35:22. | |
listen, in Freedom Hearts. When you see bad things happening in the | :35:23. | :35:25. | |
world you turn a blind eye and you think somebody will sort it, but it | :35:26. | :35:28. | |
never gets sorted. My favourite part of the whole song is probably the | :35:29. | :35:32. | |
ending. It starts building of the song and it drops, then it comes out | :35:33. | :35:36. | |
with this big note and it comes out and it's like I'm not done yet. I | :35:37. | :35:41. | |
want to make my family proud and I want to make my friends proud of me, | :35:42. | :35:45. | |
and to go on to Eurovision. I'm excited. | :35:46. | :35:49. | |
Performing "Freedom Hearts", it's Olivia Garcia. | :35:50. | :35:58. | |
# Failing from the start, made us fall apart | :35:59. | :36:02. | |
# Slowly fading out, should we run and shout | :36:03. | :36:09. | |
# Listen to whispers of all these freedom hearts | :36:10. | :36:16. | |
# Listen real closely, we'll find another start | :36:17. | :36:20. | |
# Someone said 'Yes We Can' but still we are torn apart | :36:21. | :36:23. | |
# You hear the same cry, we're on the same side | :36:24. | :36:40. | |
# Listen to whispers of all these freedom hearts | :36:41. | :36:46. | |
# Listen real closely, we'll find another start | :36:47. | :36:49. | |
# We won't be run down, no we won't stand down | :36:50. | :36:54. | |
# Mad men in suits, shiny hair and shoes | :36:55. | :37:01. | |
# Years passing by, still have a life | :37:02. | :37:08. | |
# Listen to whispers of all these freedom hearts | :37:09. | :37:16. | |
# Listen real closely, we'll find another start | :37:17. | :37:19. | |
# We won't be run down, no we won't stand down | :37:20. | :37:32. | |
# You hear the same cry, we're on the same side | :37:33. | :37:40. | |
# Listen to whispers of all these freedom hearts | :37:41. | :37:46. | |
# Listen real closely, we'll find another start | :37:47. | :37:49. | |
# We won't be run down, no we won't stand down | :37:50. | :37:55. | |
# If we play it right, we will win this fight | :37:56. | :38:11. | |
# We won't be run down, no we won't stand down | :38:12. | :38:27. | |
# You hear the same cry, we're on the same side | :38:28. | :38:35. | |
# Listen to whispers of all these freedom hearts | :38:36. | :38:40. | |
# We won't be run down, no we won't stand down | :38:41. | :38:49. | |
CHEERING AND APPLAUSE Very strong use of flags. Olivia, | :38:50. | :39:11. | |
come on over, my love. Well done. Well done, that was brilliant. Now, | :39:12. | :39:18. | |
Sophie, Olivia here is 16 years of age. That's pretty extraordinary. | :39:19. | :39:25. | |
What a performance for one so young? Absolutely, I totally agree. It's | :39:26. | :39:29. | |
amazing and you did so well. I got to tick off flags on my Eurovision | :39:30. | :39:34. | |
check list, so thank you for that. My only concern about the song is I | :39:35. | :39:38. | |
like the song is quite crossgenerational and I think, would | :39:39. | :39:42. | |
my granny like this and I'm not sure what Sybil Baxter would think that | :39:43. | :39:45. | |
maybe the public is ready for something tougher, I'm not sure. | :39:46. | :39:51. | |
Thank you very much Sophie. Bruno, does Olivia tick the Eurovision | :39:52. | :39:56. | |
boxes? She's sticking it and she's kicking it. I love the fact it kind | :39:57. | :40:02. | |
of had the feel of rock 'n' roll outfit. Yeah, let's do it all | :40:03. | :40:08. | |
together! Let's get down, altogether. It had a little Leinster | :40:09. | :40:14. | |
Farney attitude, pushed that attitude, don't be afraid. Rock it, | :40:15. | :40:19. | |
let your hair down, people will join you in the fun. Well done. I think | :40:20. | :40:29. | |
he liked it, Olivia! And CeCe, were you amazed that such an enormous | :40:30. | :40:34. | |
voice came out of such a tiny person? Honestly, I did. I'm so | :40:35. | :40:40. | |
proud of you. You are a tiny, tiny little girl, with this huge voice | :40:41. | :40:45. | |
and honestly, everyone out there, not just in this country, everywhere | :40:46. | :40:49. | |
else in the world, would love to hear your voice. Believe in | :40:50. | :40:55. | |
yourself. You are an amazing singer, an amazing performer. Believe in | :40:56. | :41:00. | |
yourself. Thank you, CeCe. Olivia, I'm very pleased to see that the | :41:01. | :41:04. | |
outfit is not only gorgeous, but functional as well. There's a lovely | :41:05. | :41:08. | |
pocket therefore keeping your passport, if you need it to go to | :41:09. | :41:14. | |
Kiev in May. Stay with me, Olivia. If you think Olivia can do the UK | :41:15. | :41:16. | |
proud, you need to call... All vote online for free when the | :41:17. | :41:29. | |
vote opens after we've seen everyone perform. Olivia, thank you so, so | :41:30. | :41:34. | |
much. Good luck, well done. So, my friends. | :41:35. | :41:37. | |
Now, performing "What Are We Made Of?", it's Nate Simpson. | :41:38. | :41:46. | |
I love all music, jazz, rock 'n' roll, but my favourite artist in the | :41:47. | :41:53. | |
world has got to be Stevie Wonder and Prince, just for their musical | :41:54. | :41:57. | |
genius. They play every instrument, right incredible melodies. Music | :41:58. | :42:01. | |
which feels good, that's me. That's the core of who I am, really. One of | :42:02. | :42:06. | |
my favourite things to do is festivals. I was really lucky to | :42:07. | :42:09. | |
play Cheltenham Jazz Festival, but the real highlight was I got to play | :42:10. | :42:14. | |
with the line-up of so many of my favourite artists, British artists. | :42:15. | :42:17. | |
More recently I've been recording at Abbey Road, so many greats have | :42:18. | :42:21. | |
recorded there and it's a phenomenal experience. The title of the song | :42:22. | :42:26. | |
I've been singing is What Are We Made Of. My favourite lyric is, what | :42:27. | :42:30. | |
are we made off because we are only skin and bones. As humans all we are | :42:31. | :42:35. | |
as skin and bones. All the external stuff, it means nothing. What | :42:36. | :42:38. | |
connects as is love. It has something about it which talks of | :42:39. | :42:42. | |
the core of who we all are. I think that something which everyone will | :42:43. | :42:47. | |
relate to. To represent the UK for Eurovision would be amazing. You are | :42:48. | :42:52. | |
getting to represent the country on such an incredible platform. I'm | :42:53. | :42:55. | |
ready to go out there on that stage now I'd just give it my | :42:56. | :42:58. | |
3,000,000,000%, give it everything. I'm so excited. | :42:59. | :43:02. | |
Performing "What Are We Made Of?", it's Nate Simpson. | :43:03. | :43:07. | |
# We build these walls, we watch them fall | :43:08. | :43:13. | |
# We're drowning in our screts, the lies we keep between us | :43:14. | :43:19. | |
# Before we walk away, let's say we're sorry | :43:20. | :43:26. | |
# Before the sunlight fades, let's change our minds | :43:27. | :43:37. | |
# Maybe we will wake up in the morning | :43:38. | :43:40. | |
# Cos we are more than skin and bones | :43:41. | :43:57. | |
# What are we made of, what are we made of | :43:58. | :44:08. | |
# How can we let our future down if we don't even try | :44:09. | :44:14. | |
# Will you take my hand, can we make amends | :44:15. | :44:21. | |
# Cos we're breathing underwater and the struggle makes us stronger | :44:22. | :44:28. | |
# Before the sunlight fades, let's change our minds | :44:29. | :44:41. | |
# And maybe we will wake up in the morning | :44:42. | :44:48. | |
# What are we made of | :44:49. | :45:01. | |
# Cos we are more than skin and bones | :45:02. | :45:05. | |
# What are we made of, what are we made of | :45:06. | :45:16. | |
# How can we let our future down if we don't even try | :45:17. | :45:23. | |
# We've travelled to the moon, we've come so far | :45:24. | :45:29. | |
# We're searching for the truth, it's who we are | :45:30. | :45:34. | |
# Cos we are more than skin and bones | :45:35. | :45:45. | |
# What are we made of, what are we made of | :45:46. | :45:56. | |
APPLAUSE CHEERING | :45:57. | :46:20. | |
Mate... Take a deep breath. Come on over. That was absolutely brilliant, | :46:21. | :46:27. | |
well done. Every single hair on my body is up, it's just, that was | :46:28. | :46:33. | |
amazing, goose bumps. CeCe, what an incredible vocal range. Is that | :46:34. | :46:38. | |
difficult to pull out of the bag? It's very difficult to do that for | :46:39. | :46:41. | |
each performance. You know, the beauty of that is you lost yourself | :46:42. | :46:48. | |
in what the lyrics were about. I sat here and I actually thought of | :46:49. | :46:53. | |
sitting at the final of your revision, that's what it took me | :46:54. | :46:59. | |
too, that place. -- the final of Eurovision. Count on your vocal | :47:00. | :47:04. | |
cords, tell the story, and have fun with it. That's what you did. | :47:05. | :47:09. | |
Sophie, historically at Eurovision ballads have done extremely well. Do | :47:10. | :47:15. | |
you think 2017A 's balladeer for the UK? It could well be. It reminded me | :47:16. | :47:24. | |
a little bit of Conchita with rise like a Phoenix. Your voice is really | :47:25. | :47:31. | |
beautiful. It could be the year of the ballot, who knows. Bruno how did | :47:32. | :47:37. | |
you feel about Nate's performance? I felt as if you sign everything just | :47:38. | :47:43. | |
for me. And that is a great quality. A great performer makes everyone in | :47:44. | :47:48. | |
the audience feel like you perform just for them. The richness of your | :47:49. | :47:54. | |
voice, the quality of your interpretation, you are emotionally | :47:55. | :48:03. | |
involved just in the right way. Everything crystal clear. Stunning! | :48:04. | :48:11. | |
Well done. Gang, if you think Nate is made of the right stuff to | :48:12. | :48:14. | |
represent the UK, you'll need to call... | :48:15. | :48:26. | |
Nate thank you so very much for your beautiful performance, that was | :48:27. | :48:30. | |
amazing. And with our final | :48:31. | :48:32. | |
performance of the night, it's Salena Mastroianni, | :48:33. | :48:36. | |
with "I Don't Wanna Fight". I started my work in function bands | :48:37. | :48:50. | |
mainly, just weddings, corporate events. Then I progressed from | :48:51. | :48:53. | |
there. Through recommendations I got to work with Rita Ora. I've done a | :48:54. | :48:59. | |
few gigs for Robbie Williams. The main man himself. I was fortunate to | :49:00. | :49:03. | |
perform on his New Year's Eve show on the BBC and I got to do | :49:04. | :49:08. | |
choreography and dancing alongside singing, got to go centre of the | :49:09. | :49:13. | |
stage. It was brilliant, I had such a great time. The song I'm singing | :49:14. | :49:17. | |
is I Don't Wanna Fight, a passionate song, I'm a passionate person. I | :49:18. | :49:22. | |
relate it to myself a lot. I think a lot of people will be able to relate | :49:23. | :49:26. | |
it to themselves as well. I had to rehearse a lot for this song, is | :49:27. | :49:29. | |
quite challenging, it's quite up there, so you've got to be on point. | :49:30. | :49:35. | |
My favourite lyric is, only love survives. It's very poignant and | :49:36. | :49:39. | |
very true. This is an resonate with me because I've been through the | :49:40. | :49:43. | |
same as a lot of people have been through in life, heartbreak, love, | :49:44. | :49:46. | |
you can sing it with all your heart. That's what I plan to do. I have the | :49:47. | :49:51. | |
passion, drive and determination to do your revision because I been | :49:52. | :49:57. | |
doing this for years. -- to do Eurovision. To be chosen as the UK | :49:58. | :50:01. | |
representative, I mean, that would be an incredible dream, an | :50:02. | :50:05. | |
incredible dream. I'm just really looking forward to getting on that | :50:06. | :50:06. | |
stage. Performing "I Don't Wanna Fight", | :50:07. | :50:12. | |
it's Salena Mastroianni. # Why can't we put our weapons down | :50:13. | :50:14. | |
We never meant to hit the ground # All the flaws inside our | :50:15. | :50:22. | |
walls that bring us down # And exhale this mental | :50:23. | :50:30. | |
tale that we have found # We've both been lost | :50:31. | :50:40. | |
but never found # If we put our weapons down | :50:41. | :50:51. | |
we should put down our weapons, # We should put down our weapons, | :50:52. | :51:17. | |
put down our weapons, # There's no limit, burning | :51:18. | :51:22. | |
spirits with our eyes # We don't listen to | :51:23. | :51:30. | |
intuition here inside # We've both been lost | :51:31. | :51:41. | |
but never found # We should put down our weapons, | :51:42. | :51:52. | |
put down our weapons # We should put down our weapons, | :51:53. | :52:22. | |
put down our weapons APPLAUSE | :52:23. | :53:08. | |
CHEERING Salena, oh my days. Well done. Well | :53:09. | :53:34. | |
done. Now, listen, we have got to strike some sort of a deal. Either I | :53:35. | :53:39. | |
give you my jacket or you give me your trousers. Because they were | :53:40. | :53:43. | |
meant for each other, come on. Well done, Salena. To the panel, Bruno, | :53:44. | :53:51. | |
Salena sang and danced at the same time, how is that humanly possible? | :53:52. | :53:57. | |
It is very, very difficult because you have to understand that you use | :53:58. | :54:01. | |
different muscles for singing and dancing. You have to maintain that | :54:02. | :54:06. | |
energy all the time and you have to be absolutely sharp on your notes as | :54:07. | :54:13. | |
well as your body. You can never miss a beat. Vocally and physically. | :54:14. | :54:19. | |
It is very very hard and you've done very, very well my darling. CeCe, do | :54:20. | :54:27. | |
you think Salena connected with that song? Absolutely, you connected with | :54:28. | :54:31. | |
it and you encouraged it so that other people in the audience would | :54:32. | :54:35. | |
want to join in with you in that chorus. That is very important. Well | :54:36. | :54:42. | |
done on that. Sophie, do you think this is the kind of song that would | :54:43. | :54:50. | |
go down well at Eurovish? The fact I can hardly hear you... It's quite a | :54:51. | :54:57. | |
crowd pleaser. I've got to take off my final two boxes. Questionable | :54:58. | :55:02. | |
backing dancer attire, the berries were a bold choice, and a son about | :55:03. | :55:07. | |
world peace. You looked great and it went down a treat. I'm sure what you | :55:08. | :55:12. | |
said was wise but we didn't hear a single word because the crowd was so | :55:13. | :55:17. | |
loud. Thank you for your words. If you think Salena as what it takes to | :55:18. | :55:21. | |
represent the UK, you'll need to call... | :55:22. | :55:34. | |
Thank you very, very much, Salena, for closing proceedings. Thank you | :55:35. | :55:38. | |
so much. The songs are sung, the dancing done | :55:39. | :55:43. | |
and it's time to get to We have seen all six of our talented | :55:44. | :55:46. | |
hopefuls perform and now a place in Ukraine is in your | :55:47. | :55:50. | |
and our jury's hands. You can vote for your | :55:51. | :55:52. | |
favourite song right now. Calls will cost 15p plus any | :55:53. | :56:12. | |
network access charge and please ask the bill payer's | :56:13. | :56:15. | |
permission before you call. Alternatively you can | :56:16. | :56:17. | |
vote online for free at bbc.co.uk/eurovision | :56:18. | :56:19. | |
where you will also find full terms The vote closes in about 20 minutes | :56:20. | :56:21. | |
from now, so you don't have long to cast your | :56:22. | :56:27. | |
all-important vote. And while you're casting | :56:28. | :56:29. | |
your vote, our jury here As soon as the vote closes | :56:30. | :56:31. | |
the points from the jury vote and the points from the public vote | :56:32. | :56:37. | |
will be combined and it will be the song with the highest | :56:38. | :56:40. | |
combined points that wins. In the event of a tie-break, | :56:41. | :56:44. | |
the public vote is the decider. So our artists need to have | :56:45. | :56:49. | |
impressed both you at home and Winning just one of those votes may | :56:50. | :56:52. | |
not be enough. I can't stress enough - if there's | :56:53. | :57:00. | |
a song you love vote for it. If 2016 taught us anything | :57:01. | :57:03. | |
it was that when it comes to a vote nobody ever knows what might happen, | :57:04. | :57:08. | |
I mean Ed Balls still Your favourite artist | :57:09. | :57:10. | |
really needs your vote! If you're watching OnDemand, thank | :57:11. | :57:26. | |
you, I salute you, but please don't try to vote. | :57:27. | :57:27. | |
But if you're just not sure, here's a reminder of tonight's | :57:28. | :57:30. | |
brilliant performances and the all-important vote | :57:31. | :57:31. | |
# I wanna feel myself bursting, I want a rush I can't ignore #. # | :57:32. | :58:02. | |
# Light up the world tonight Light up the world tonight 's | :58:03. | :58:10. | |
# They can't stop what we've started # Together we'll danced through this | :58:11. | :58:38. | |
storm # I will never give up on you | :58:39. | :58:52. | |
# Listen to these freedom hearts # Singing we won't be run down | :58:53. | :59:05. | |
# No, we won't stand down # Cause we've got freedom hearts | :59:06. | :59:12. | |
# What are we made of, what are we made of | :59:13. | :59:20. | |
# We are searching for the miracle # What are we made of, what are we | :59:21. | :59:27. | |
made of # I don't wanna fight | :59:28. | :59:39. | |
# We can make it right, we can make it right | :59:40. | :59:46. | |
# Put down our weapons, put down our weapons, put down our weapons #. | :59:47. | :59:54. | |
We're told a few of you may be having technical difficulties voting | :59:55. | :00:01. | |
from your mobile. Please keep trying or you can vote online. | :00:02. | :00:03. | |
Now if you're still struggling to decide just who to vote | :00:04. | :00:05. | |
for, because let's be honest, they were all belting songs | :00:06. | :00:08. | |
and performances, then you'll want to take a look at this. | :00:09. | :00:10. | |
We've gathered great minds together to give their | :00:11. | :00:12. | |
insightful, astute and discerning observations on some | :00:13. | :00:14. | |
brilliant past Eurovision performances. | :00:15. | :00:21. | |
We interrupted some students who were busy watching bargain Hunt and | :00:22. | :00:27. | |
napping. Some were actually doing both at the same time. Here are the | :00:28. | :00:31. | |
opinions of the Next Generation, and they do talk a lot of sense. | :00:32. | :00:36. | |
Eurovision is the highlight of my year. The Olympics for music. We bob | :00:37. | :00:45. | |
in all types of music. It's a British tradition, everybody gathers | :00:46. | :00:51. | |
around to watch it. She's going for it, isn't she? Good voice, amazing. | :00:52. | :01:01. | |
She's obviously passionate about what she's doing, which really | :01:02. | :01:06. | |
stands out. LAUGHTER | :01:07. | :01:13. | |
# We are going up, up, up #. Wow, a bit slow Mo at the end. She | :01:14. | :01:26. | |
dumped him on the ground! That would play well in the student union. Oh, | :01:27. | :01:33. | |
that's pretty, I like that. I love the use of protection, they are | :01:34. | :01:38. | |
still singing with mics -- projection. It's modern, but they | :01:39. | :01:46. | |
keep it casual. # Skies are black and blue #. | :01:47. | :01:50. | |
It's an intimate performance, they sing to one another. You bobbing | :01:51. | :02:07. | |
look at that. -- look at that. She's sick, is amazing. I remember this | :02:08. | :02:21. | |
one. Australia. Oh. You won't understand, it's a power woman. | :02:22. | :02:31. | |
# It's the sound of silence #. Oh. She's got some lungs on her, | :02:32. | :02:44. | |
girl. I view! That's man's. Yes, yes. Is he wearing leather pants? I | :02:45. | :02:52. | |
love leather pants. The projection is really cool, so simple and | :02:53. | :02:58. | |
effective. How do they actually do that? | :02:59. | :03:05. | |
# We are heroes of our time #. # Dancing to the demons in our mind. | :03:06. | :03:16. | |
It's jumping around. It's a pic, amazing. He's really going for it, | :03:17. | :03:26. | |
isn't it? Yes. I remember watching this and the like, Eurovision has | :03:27. | :03:30. | |
gone up a notch. It's taking us to the future, this music. He's hot, | :03:31. | :03:36. | |
number one, always a good one. Number Ten, you've got cool special | :03:37. | :03:41. | |
effects. Special effects, good voice, good show. That's what | :03:42. | :03:44. | |
Eurovision is about. Turns out all you need to win | :03:45. | :03:50. | |
is great staging, stunning lighting, a catchy, | :03:51. | :03:54. | |
brilliant song, sung by an exceptional artist | :03:55. | :03:55. | |
with incredible stage presence | :03:56. | :03:56. | |
and who delivers a captivating and And here to prove how simple | :03:57. | :03:58. | |
that is with a special performance, they're just | :03:59. | :04:05. | |
brilliant, it's The Vamps. CHEERING AND APPLAUSE | :04:06. | :04:12. | |
Make some noise! # Cos I feel like I'm | :04:13. | :04:18. | |
always dreaming # Cos I feel like I'm | :04:19. | :04:22. | |
always dreaming # Cos I feel like I'm | :04:23. | :04:32. | |
always dreaming # You showed me how to find myself | :04:33. | :04:39. | |
when I needed it the most # Cos I feel like I'm | :04:40. | :05:04. | |
always dreaming # Cos I feel like I'm | :05:05. | :05:11. | |
always dreaming # Wide awake, that's okay, | :05:12. | :05:18. | |
as long as I'm with you # Cause I feel like | :05:19. | :05:24. | |
I'm always dreaming # The past is the past | :05:25. | :05:45. | |
today is today # Tell the truth that | :05:46. | :05:54. | |
I've been trying to hide # I've been waiting | :05:55. | :06:05. | |
for you way too long # Won't you come and take me | :06:06. | :06:07. | |
home # Oh I, I'm praying | :06:08. | :06:10. | |
this ain't all a dream # Can you, you, | :06:11. | :06:17. | |
wake me up before you leave # Cos I feel like I'm | :06:18. | :06:23. | |
always dreaming # Cos I feel like I'm | :06:24. | :06:30. | |
always dreaming # Wide awake, that's okay | :06:31. | :06:38. | |
as long as I'm with you # Cos I feel like I'm | :06:39. | :06:43. | |
always dreaming # Cos I feel like I'm | :06:44. | :06:55. | |
always dreaming #. # Cos I feel like I'm | :06:56. | :07:12. | |
always dreaming #. CHEERING AND APPLAUSE | :07:13. | :07:32. | |
The Vamps, playing close, my loves, boy is it good to see you all. Thank | :07:33. | :07:37. | |
you so much for a blistering performance. Now, what do you make | :07:38. | :07:42. | |
of our little Eurovision gang here tonight, the party in Hammersmith? | :07:43. | :07:47. | |
They are very loud, they are very, very loud, which is good. Thank you | :07:48. | :07:52. | |
for having is, thanks a lot. A little note, I hope you've got talc | :07:53. | :07:59. | |
inside your shoes. Why is that? They are big sweaters, I'm hoping you've | :08:00. | :08:03. | |
got some talc. Thank you so much, The Vamps, you're amazing. | :08:04. | :08:06. | |
Well, the vote is still open so once again, let's remind | :08:07. | :08:12. | |
ourselves of tonight's six acts all passionate about | :08:13. | :08:14. | |
representing the UK at Eurovision 2017! | :08:15. | :08:18. | |
You have about six minutes left to vote. To vote for Holly Brewer... | :08:19. | :08:46. | |
# Never give up on you #. For Olivia Garcia... | :08:47. | :09:46. | |
# Because we've got freedom hearts #. | :09:47. | :09:52. | |
# What are we made of? #. For Nate Simpson ... | :09:53. | :10:06. | |
# What are we made of? # What are we made of? #. | :10:07. | :10:13. | |
# I don't want to fight #. To vote for Salena Mastroianni... | :10:14. | :10:32. | |
It's not an easy choice to make at all, but with Eurovision | :10:33. | :10:36. | |
you'll always find that there comes a time for making your | :10:37. | :10:38. | |
In the meantime, there's a question I've | :10:39. | :10:48. | |
been pondering for a couple of years now. | :10:49. | :10:50. | |
No it's not war, what is it good for? | :10:51. | :10:57. | |
many roads must a man walk down before | :10:58. | :11:00. | |
Because we're in a new age of gender fluidity and it's | :11:01. | :11:05. | |
No, the question is - why exactly is Australia in the | :11:06. | :11:10. | |
Two years ago the head of Eurovision had a call from the Australian | :11:11. | :11:24. | |
commentator Julio, that would change the contest for ever. You bobbing | :11:25. | :11:28. | |
hello, Eurovision Song Contest headquarters. Hello, Australian | :11:29. | :11:34. | |
calling. Can we sing in the Eurovision Song Contest? Oh, you are | :11:35. | :11:41. | |
part Knott-macro -- you are not part of Europe. Millions of is watch it | :11:42. | :11:46. | |
every year. Of course you can be part of the Eurovision Song Contest. | :11:47. | :11:49. | |
Up according to this heavily accurate reconstruction, that is | :11:50. | :11:54. | |
apparently what they did. Hey, that's the UK and Ireland. Don't be | :11:55. | :12:02. | |
moving is out of the way now! They're not in Europe. Rules, | :12:03. | :12:11. | |
details. OK, Danni Minogue. It's true they have large headed koalas | :12:12. | :12:16. | |
but it hasn't answered the important question on everyone's's lips. Why | :12:17. | :12:21. | |
is Australia in the Eurovision Song Contest? Why is Australia in | :12:22. | :12:25. | |
Eurovision? Patients, we'll get to that. First, let's see how Australia | :12:26. | :12:32. | |
have fared, since their debut year, in 2015. Guy Sebastien was the first | :12:33. | :12:40. | |
dude to represent Australia. Guy is very respected and loved, so when he | :12:41. | :12:44. | |
got in it everyone was like, OK, we have to get behind this now. | :12:45. | :12:51. | |
# We can do tonight #. Amazing performance and I think his | :12:52. | :12:55. | |
performance and his approach set the tone. Is ignited Australia's | :12:56. | :13:00. | |
world-famous competitive side, and boy, did they come back with a | :13:01. | :13:04. | |
vengeance. I meant all this performer on the X Factor in | :13:05. | :13:10. | |
Australia and when she got to represent Australia at Eurovision it | :13:11. | :13:13. | |
was crazy, a big deal. Everybody was glued to the TV and I was so, so | :13:14. | :13:18. | |
proud. She has a voice that spectacular. She hits the big note | :13:19. | :13:22. | |
and I think if you are in the room, you kind of step back. To end up | :13:23. | :13:36. | |
second, wow, amazing. Yes, but why is Australia in Eurovision? So | :13:37. | :13:39. | |
Australia is in the Eurovision Song Contest, why? OK, here's the reason | :13:40. | :13:46. | |
why. The simple fact is, Australia's posed television broadcaster SBS is | :13:47. | :13:49. | |
part of the European broadcasting union, otherwise known as the EDU, | :13:50. | :13:53. | |
and this is a qualification requirement to enter the Eurovision | :13:54. | :13:58. | |
Song contest. Yes? You see? Interesting, isn't it? That's why | :13:59. | :14:03. | |
we'll see them in May. Oh, right! Douze points. Oh, yes, so it's | :14:04. | :14:13. | |
Australia being part of the European TV union makes total sense... | :14:14. | :14:19. | |
Please don't try to vote now, as it won't count | :14:20. | :14:34. | |
Dear Sophie, you took part, famously, in a high-pressure | :14:35. | :14:43. | |
environment that was strictly come dancing, and you did absolutely | :14:44. | :14:48. | |
brilliantly. You know more than anyone how these guys are going to | :14:49. | :14:53. | |
be feeling. What's going to be going through their heads now? Well, I | :14:54. | :14:56. | |
really was so impressed with the standard and there's been a lovely | :14:57. | :14:59. | |
warm atmosphere backstage all day, so I think they should be really | :15:00. | :15:03. | |
proud of themselves. They've done really well. What's done is done. | :15:04. | :15:07. | |
They did the best they meant to do and that's brilliant. Good advice, | :15:08. | :15:12. | |
good words. Bruno, how important is the old staging at the Eurovision? | :15:13. | :15:18. | |
We know it's an important factor, but how key is it? Well, it is a | :15:19. | :15:22. | |
means to create an impression. It has to complement the message of the | :15:23. | :15:26. | |
song. You can do it either with incredible graphics and creative | :15:27. | :15:33. | |
scenery, as we've seen in the past few years, astonishing. | :15:34. | :15:36. | |
Artistically, very, very high concept. Or, your face, amazing, -- | :15:37. | :15:44. | |
or in your face amazing unforgettable routines works as | :15:45. | :15:48. | |
well. But if you are a very strong performer and a great singer, as we | :15:49. | :15:51. | |
see from the Australian goal, the great song with the great voice, can | :15:52. | :15:57. | |
win it, so it's up to you. You decide! Thank you, Bruno. And CeCe, | :15:58. | :16:03. | |
how do you think the Eurovision has changed over the last ten years? You | :16:04. | :16:08. | |
know, it's changed and developed so much more and I firmly believe it's | :16:09. | :16:14. | |
because people in the music and the entertainment world have now joined | :16:15. | :16:17. | |
forces together. They've acknowledged that this is a place | :16:18. | :16:23. | |
where it's not just naff songs, but actual hits, and artists, artists | :16:24. | :16:28. | |
who have been formed. Last year, for instance, Justin Timberlake paid | :16:29. | :16:33. | |
attention. Like I said, it's grown and developed so much. I really want | :16:34. | :16:36. | |
to encourage everyone out there in the world, in England, how British | :16:37. | :16:43. | |
music is great, and everywhere else, music is universal language and | :16:44. | :16:46. | |
that's what Eurovision is about. While we count unverified the | :16:47. | :16:57. | |
ranking from our jury and votes for you at home, we've got a little | :16:58. | :16:58. | |
treat. I think it's safe to say that | :16:59. | :17:00. | |
Sweden produced an amazing Eurovision last year, | :17:01. | :17:02. | |
and are going to be a pretty To relive some of the magic, | :17:03. | :17:05. | |
let's take a look once again at last year's hosts, | :17:06. | :17:09. | |
Mans and Petra, having a sideways ironic look on what makes | :17:10. | :17:11. | |
a good Eurovision song! If you want to win the Eurovision | :17:12. | :17:33. | |
Song Contest, we suggest that you listen and learn. | :17:34. | :17:34. | |
It doesn't hurt if the drums are played by gorgeous topless men. | :17:35. | :17:51. | |
It's proven very efficient throughout the years. | :17:52. | :17:53. | |
But, please feel free to try other alternatives. | :17:54. | :17:56. | |
It's proven very helpful to go the exact opposite way. | :17:57. | :17:59. | |
Show the viewers your country's ethnic background by using | :18:00. | :18:08. | |
an old traditional folklore instrument that no-one's | :18:09. | :18:12. | |
No, no - in this case, it's proven much more | :18:13. | :18:16. | |
This instrument is called a Swedish kvinnaboske - | :18:17. | :18:26. | |
a small roundish piece from the horn family, inherited from the Vikings. | :18:27. | :18:28. | |
In Eurovision, nothing says winner like a violin. | :18:29. | :18:35. | |
The violin, the drums and the kvinnaboske might make it | :18:36. | :18:50. | |
all feel a little bit old fashioned, but this can easily be | :18:51. | :18:53. | |
fixed by adding a DJ who pretends to scratch. | :18:54. | :18:57. | |
In real life of course, this is 30 years | :18:58. | :18:59. | |
old, but in Eurovision, it will give your number | :19:00. | :19:01. | |
You need to look memorable, something that the | :19:02. | :19:07. | |
Everything else might be important, but the song is essential. | :19:08. | :19:20. | |
Let it be about something everyone can connect to. | :19:21. | :19:22. | |
Abba actually won the competition with a song about war with Waterloo, | :19:23. | :19:32. | |
but this is not something we recommend. | :19:33. | :19:33. | |
Now when you have everything you need | :19:34. | :19:36. | |
and the pieces are gathered - go for it and don't look back! | :19:37. | :19:40. | |
# You can break the rules of fashion. | :19:41. | :19:47. | |
# So the audience can see that you're lovable - not desperate. | :19:48. | :19:55. | |
# As dancers will join us the expectations grow | :19:56. | :20:06. | |
# And win the Eurovision Song Contest. | :20:07. | :20:34. | |
# It's you and me and when we change the key. | :20:35. | :20:44. | |
# And we can guarantee that you will be the best. | :20:45. | :21:40. | |
# And win the Eurovision Song Contest. | :21:41. | :22:04. | |
APPLAUSE CHEERING | :22:05. | :22:20. | |
That was very strong. Good to see that again. Now my lovely | :22:21. | :22:26. | |
panellists, a quick question. Why did the Babybird enter your | :22:27. | :22:33. | |
Eurovision: You Decide? Because it wanted to be a chick in Kiev! | :22:34. | :22:40. | |
LAUGHTER Melanie! My thigh muscles will feel | :22:41. | :22:47. | |
that tomorrow. You're like Bruce Forsyth. Tremendous Kiev, where all | :22:48. | :22:52. | |
these incredible for formers wants to be in May. -- incredible | :22:53. | :22:58. | |
performers. Weren't they amazing, everybody? All six of you should be | :22:59. | :23:03. | |
so proud of what you've achieved tonight. It's clear you poured into | :23:04. | :23:11. | |
your songs and performances emotion, passion and hard work, and we thank | :23:12. | :23:17. | |
you very very much indeed. OK, six superb performers have given us six | :23:18. | :23:20. | |
stunningly crafted songs from some truly great song writers. Now, | :23:21. | :23:25. | |
they've done all they possibly can. There is nothing left to do but find | :23:26. | :23:30. | |
out who you and the jury have chosen to represent the UK at your revision | :23:31. | :23:41. | |
-- at Eurovision 2017. Let's have a little bit of important tension | :23:42. | :23:47. | |
music, please. We've counted, verified and added together points | :23:48. | :23:51. | |
from our professional jury here, and from you at home. Now, let's find | :23:52. | :23:58. | |
out who has the highest number of combined points. The winner of | :23:59. | :24:03. | |
Eurovision: You Decide 2017 is... The winner is Lucie! | :24:04. | :24:49. | |
Congratulations, my love, come to me. Now, you are going to Kiev to | :24:50. | :24:57. | |
represent the UK at the Eurovision Song Contest 2017. How are you | :24:58. | :25:02. | |
feeling? I can't believe it, I can't believe you picked me, thank you so | :25:03. | :25:07. | |
much. I think she's pleased. You're going to need to prepare yourself to | :25:08. | :25:14. | |
perform again very, very well done. Commiserations to everybody else. | :25:15. | :25:17. | |
You did amazingly. Weren't they all fantastic? Lucie, you centre | :25:18. | :25:24. | |
yourself, you need to perform again. A lot of emotion here on stage, what | :25:25. | :25:30. | |
a night. And well done to you at home, I simply couldn't choose | :25:31. | :25:33. | |
between them which is probably why it's called Eurovision: You Decide. | :25:34. | :25:39. | |
Tonight wouldn't have been possible without our brilliant performers | :25:40. | :25:43. | |
and their talented songwriters and our fabulous panellists, | :25:44. | :25:45. | |
so let's have one last round of applause for all of them. | :25:46. | :25:48. | |
I'm going straight to Kiev to prepare. | :25:49. | :25:55. | |
to go until 9th and 11th May, when Scott Mills and I will be | :25:56. | :26:02. | |
over on BBC Four with the Eurovision Semi-Finals. | :26:03. | :26:06. | |
Until then, you'll have to make do with rewatching this over | :26:07. | :26:08. | |
But you can catch a live interview on Graham Norton's show | :26:09. | :26:12. | |
to close the show and that's with our winner. | :26:13. | :26:31. | |
It's Lucie Jones. With Never Give Up On You. | :26:32. | :26:38. | |
So until we meet again in May, Auf Wiedersehen, arrivederci, | :26:39. | :26:40. | |
# Tell me your secrets, I'll keep them safe | :26:41. | :26:54. | |
# No sign of weakness, it's a sign of faith | :26:55. | :26:57. | |
# You're not defeated, you're in repair | :26:58. | :27:06. | |
# We'll stand tall, so you don't fall | :27:07. | :27:18. | |
# If you could see how far you've walked | :27:19. | :27:21. | |
# Together we'll dance through this storm | :27:22. | :27:41. | |
# Together we'll dance through this storm | :27:42. | :27:59. | |
# I'm right beside you, you're never alone | :28:00. | :28:05. | |
# If you could see how far you've walked | :28:06. | :28:19. | |
# Together we'll dance through this storm | :28:20. | :28:36. | |
# This madness, we're running through | :28:37. | :28:54. | |
# The mountain climbed, the oceans crossed | :28:55. | :29:22. | |
# Together we'll dance through this storm | :29:23. | :29:28. | |
# Together we'll dance through this storm. # | :29:29. | :29:53. | |
APPLAUSE CHEERING | :29:54. | :30:16. | |
Don't let go of that towel. I'm not! Hurry up! | :30:17. | :30:20. |