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A very good evening to you,
and welcome to a Wednesday | 0:00:16 | 0:00:19 | |
night out in Brighton! | 0:00:19 | 0:00:23 | |
An evening where the focal point
of it all is the famous dome. | 0:00:23 | 0:00:27 | |
Musicians, singers,
composers and writers | 0:00:27 | 0:00:28 | |
from across the world are inside,
waiting to compete | 0:00:28 | 0:00:31 | |
for the UK 2018 title. | 0:00:31 | 0:00:39 | |
And as you join us live
here in the building that used | 0:00:39 | 0:00:42 | |
a stable 44 royal horses,
we now invite you to sit back | 0:00:42 | 0:00:44 | |
and enjoy the contest. | 0:00:44 | 0:00:52 | |
Ladies and gentlemen, please welcome
to the stage, Mel Giedroyc! | 0:00:53 | 0:01:00 | |
to the stage, Mel Giedroyc! Oh, my
goodness! Hello! My goodness! There | 0:01:04 | 0:01:07 | |
we go. We have got it. | 0:01:07 | 0:01:10 | |
Finally, it's time again, welcome
to Eurovision: You Decide 2018, | 0:01:10 | 0:01:16 | |
where it's up to you to select this
year's UK Eurovision entry! | 0:01:16 | 0:01:21 | |
Tonight we're live from the famous
dome in Brighton - the very place | 0:01:21 | 0:01:28 | |
where four unknowns from Sweden
who called themselves Abba won | 0:01:29 | 0:01:36 | |
the Eurovision Song Contest
in 1974, and, incidentally, | 0:01:36 | 0:01:43 | |
my co-host tonight | 0:01:43 | 0:01:44 | |
is from the same country. | 0:01:44 | 0:01:49 | |
CHEERING | 0:01:49 | 0:01:53 | |
He knows everything about what it
takes to win Eurovision. | 0:01:53 | 0:01:55 | |
Please welcome the winner
of the Eurovision Song Contest 2015 | 0:01:55 | 0:01:59 | |
and the host of Eurovision 2016,
Mans Zelmerlow! | 0:01:59 | 0:02:03 | |
And very emotional!
CHEERING | 0:02:03 | 0:02:15 | |
Good evening, Britain! | 0:02:18 | 0:02:21 | |
Thank you, Mel, it's an honour to be
here with you tonight. | 0:02:21 | 0:02:24 | |
And some of you at home might
still find it strange to find | 0:02:24 | 0:02:27 | |
a Swede co-hosting this evening,
but bear in mind, I'm | 0:02:27 | 0:02:30 | |
nowadays practically a Brit. | 0:02:30 | 0:02:31 | |
I live in London, I have a British
fiance and she's pregnant | 0:02:31 | 0:02:34 | |
with my very British child. | 0:02:34 | 0:02:39 | |
CHEERING | 0:02:39 | 0:02:42 | |
Only one thing left to do - get rid
of the American accent. | 0:02:42 | 0:02:45 | |
Sorry. | 0:02:45 | 0:02:47 | |
You Swedes are crazy
about Eurovision, aren't you? | 0:02:47 | 0:02:54 | |
Doolally. Good to hear you say that. | 0:02:54 | 0:02:56 | |
How come? | 0:02:56 | 0:02:57 | |
Well, first of all, there's really
not much else to do. | 0:02:57 | 0:03:00 | |
LAUGHTER | 0:03:00 | 0:03:02 | |
Second of all, and most
importantly, it's basically | 0:03:02 | 0:03:05 | |
the best show in the world. | 0:03:05 | 0:03:05 | |
CHEERING | 0:03:05 | 0:03:07 | |
So will you Brits
please get on board! | 0:03:07 | 0:03:09 | |
I agree. | 0:03:09 | 0:03:13 | |
But you know the British
people have a complicated | 0:03:13 | 0:03:15 | |
relationship with Eurovision,
it's kind of like Theresa | 0:03:15 | 0:03:17 | |
May's hair and wind. | 0:03:17 | 0:03:22 | |
Busta | 0:03:22 | 0:03:22 | |
This I've understood,
and we're here to change that. | 0:03:22 | 0:03:24 | |
Tonight we have six brilliant songs
for you to choose from. | 0:03:24 | 0:03:27 | |
Indeed we do. | 0:03:27 | 0:03:28 | |
Later on we'll explain how
you can vote, but here's | 0:03:28 | 0:03:30 | |
a quick tip from us now -
go online and sign in or register | 0:03:30 | 0:03:33 | |
for a BBC account so you're ready
to vote online later on. | 0:03:33 | 0:03:41 | |
I do not know why I'm doing that,
but I am enjoying it! | 0:03:42 | 0:03:46 | |
All you need to do is go
to bbc.co.uk/Eurovision. | 0:03:46 | 0:03:48 | |
I should quickly let you know that
some of tonight's performances may | 0:03:48 | 0:03:51 | |
contain flashing images. | 0:03:51 | 0:03:56 | |
Now Mans, off you go. | 0:03:56 | 0:04:00 | |
As much as I love you! | 0:04:00 | 0:04:04 | |
And let's begin by paying tribute | 0:04:04 | 0:04:05 | |
to the group that won Eurovision,
on this stage, 44 years ago, | 0:04:05 | 0:04:08 | |
and by doing so changed pop
music history forever. | 0:04:08 | 0:04:10 | |
With over 400 million
records sold worldwide, | 0:04:10 | 0:04:12 | |
it all started here in Brighton
with one song. | 0:04:12 | 0:04:19 | |
CROWD: Waterloo! | 0:04:21 | 0:04:27 | |
CROWD: We love you! | 0:04:33 | 0:04:36 | |
# My, my, at Waterloo
Napoleon did surrender. | 0:04:36 | 0:04:43 | |
# The history book on the shelf. | 0:04:43 | 0:04:47 | |
# It's always repeating itself. | 0:04:47 | 0:04:53 | |
# Waterloo - I was defeated,
you won the war. | 0:04:53 | 0:05:01 | |
# Waterloo - promise
to love you forever more. | 0:05:02 | 0:05:10 | |
# Friday night and
the lights are low. | 0:05:11 | 0:05:15 | |
# Looking out for a place to go. | 0:05:15 | 0:05:20 | |
# With a bit of rock music. | 0:05:20 | 0:05:22 | |
# Everything is fine. | 0:05:22 | 0:05:24 | |
# You're in the mood for a dance. | 0:05:24 | 0:05:28 | |
# And when you get the chance. | 0:05:28 | 0:05:33 | |
# You are the dancing queen. | 0:05:33 | 0:05:36 | |
# Young and sweet. | 0:05:36 | 0:05:39 | |
# Only 17. | 0:05:39 | 0:05:44 | |
# Dancing queen. | 0:05:44 | 0:05:46 | |
# Feel the beat from
the tambourine, oh yeah. | 0:05:46 | 0:05:53 | |
# You can dance. | 0:05:53 | 0:05:56 | |
# You can jive. | 0:05:56 | 0:05:58 | |
# Having the time of your life. | 0:05:58 | 0:06:02 | |
# Ooh, see that girl. | 0:06:02 | 0:06:05 | |
# Watch that scene. | 0:06:05 | 0:06:07 | |
# Dig in the dancing queen. | 0:06:07 | 0:06:15 | |
# Where are those happy days,
they seem so hard to find. | 0:06:22 | 0:06:29 | |
# I tried to reach for
you but you have closed your mind. | 0:06:29 | 0:06:37 | |
# Whatever happened to our love? | 0:06:37 | 0:06:40 | |
# I wish I understood. | 0:06:40 | 0:06:44 | |
# It used to be so nice. | 0:06:44 | 0:06:46 | |
# It used to be so good. | 0:06:46 | 0:06:52 | |
BOTH: # So when you're near me,
darling, can't you hear me, SOS. | 0:06:52 | 0:07:00 | |
# The love you gave me,
nothing else can save me, SOS. | 0:07:00 | 0:07:07 | |
# When you're gone, though I try,
how can I carry on? | 0:07:07 | 0:07:15 | |
CHEERING | 0:07:21 | 0:07:26 | |
# I don't wanna talk
about the things we've gone through. | 0:07:31 | 0:07:38 | |
# Though it's hurting
me, now it's history. | 0:07:38 | 0:07:45 | |
BOTH: # The winner takes it all. | 0:07:45 | 0:07:49 | |
# The loser standing small. | 0:07:49 | 0:07:53 | |
# Beside the victory. | 0:07:53 | 0:07:57 | |
# That's her destiny. | 0:07:57 | 0:08:01 | |
# The winner takes it all. | 0:08:01 | 0:08:09 | |
# The winner takes it all. | 0:08:11 | 0:08:18 | |
# The winner takes it all. | 0:08:18 | 0:08:24 | |
CHEERING | 0:08:24 | 0:08:30 | |
Come on! | 0:08:49 | 0:08:56 | |
This hat is too Bay, it'll all go
wrong. | 0:08:56 | 0:08:58 | |
Mans Zelmerlow together with last
year's You Decide winner, | 0:08:58 | 0:09:03 | |
the beautiful, talented Lucie Jones! | 0:09:03 | 0:09:07 | |
That is even worse. That is better. | 0:09:07 | 0:09:10 | |
Welcome, or rather welcome back,
to You Decide, Lucie. | 0:09:10 | 0:09:12 | |
You know exactly how our competing
artists are feeling | 0:09:12 | 0:09:14 | |
backstage right now. | 0:09:14 | 0:09:22 | |
LAUGHTER | 0:09:23 | 0:09:25 | |
What advice can you give them? | 0:09:25 | 0:09:31 | |
Literally now? I which is say relax,
you had to enjoy this experience. | 0:09:31 | 0:09:36 | |
This audience is a
once-in-a-lifetime thing. | 0:09:36 | 0:09:38 | |
CHEERING
Nobody is here to catch anyone out | 0:09:38 | 0:09:42 | |
or throw any stones, it is all just
love and happiness and such a | 0:09:42 | 0:09:47 | |
unique, wonderful thing. Thank you
so much for joining us tonight. | 0:09:47 | 0:09:51 | |
Lucie Jones! | 0:09:51 | 0:09:57 | |
And now it's time to meet
the stars of the evening. | 0:09:57 | 0:09:59 | |
The six competing acts. | 0:09:59 | 0:10:04 | |
I have always wanted to do this. I
will do that. It did not work! | 0:10:04 | 0:10:13 | |
Once again we spread the net far
and wide with song writers' camps | 0:10:13 | 0:10:17 | |
British music industry | 0:10:17 | 0:10:18 | |
professionals, and a public
submission process, all to find | 0:10:18 | 0:10:20 | |
the best song to take us
to the Eurovision Song Contest. | 0:10:20 | 0:10:23 | |
Which, by the way, I won in 2015! I
think we have already clocked that! | 0:10:23 | 0:10:29 | |
Hundreds of songs were whittled down
to the final six you're | 0:10:29 | 0:10:32 | |
going to see tonight. | 0:10:32 | 0:10:33 | |
But which one and who will represent
the United Kingdom? | 0:10:33 | 0:10:35 | |
That's up to you to decide. | 0:10:35 | 0:10:36 | |
First up, with 'Crazy,
please welcome, Raya! | 0:10:36 | 0:10:38 | |
CHEERING | 0:10:38 | 0:10:41 | |
Next, out to impress
you singing 'Astronaut', | 0:10:41 | 0:10:42 | |
please welcome to the stage Liam
Tamne. | 0:10:42 | 0:10:45 | |
CHEERING | 0:10:45 | 0:10:47 | |
And here to sing 'Legends',
say hello to Asanda. | 0:10:47 | 0:10:51 | |
CHEERING | 0:10:51 | 0:10:55 | |
Performing 'You', please raise
the roof for Jaz Ellington. | 0:10:55 | 0:10:58 | |
CHEERING | 0:10:58 | 0:11:01 | |
Taking to the stage singing 'Storm'
is the talented SuRie! | 0:11:01 | 0:11:06 | |
CHEERING | 0:11:06 | 0:11:08 | |
And finally, please put your hands
together for our final performers | 0:11:08 | 0:11:11 | |
singing 'I Feel The Love',
it's Goldstone! | 0:11:11 | 0:11:14 | |
CHEERING | 0:11:14 | 0:11:18 | |
By the end of the night,
one of these singers will be | 0:11:18 | 0:11:21 | |
crowned our winner and in May
he or she will get a golden ticket | 0:11:21 | 0:11:25 | |
to Lisbon to represent the UK
in the Eurovision Song Contest 2018! | 0:11:25 | 0:11:30 | |
CHEERING | 0:11:30 | 0:11:36 | |
Now, listen up at home,
this year we're following | 0:11:36 | 0:11:39 | |
the Eurovision Song Contest's way
of voting with a 50-50 combination | 0:11:39 | 0:11:42 | |
of our professional jury's vote
plus your public vote. | 0:11:42 | 0:11:45 | |
Our professional jury of eight music
industry experts are viewing | 0:11:45 | 0:11:48 | |
the performances like you on TV
and will be watching | 0:11:48 | 0:11:50 | |
tonight's acts very closely. | 0:11:50 | 0:11:54 | |
We'll open the vote after we have
seen everyone perform and by the end | 0:11:54 | 0:11:57 | |
of the show we will indeed
crown our winner! | 0:11:57 | 0:12:01 | |
We'll give you all the details
you need later on in the show | 0:12:01 | 0:12:04 | |
so please, don't try to vote yet
as it won't count and you | 0:12:04 | 0:12:07 | |
may still be charged. | 0:12:07 | 0:12:12 | |
You will feel like a plumber! | 0:12:12 | 0:12:18 | |
-- like a plum! | 0:12:18 | 0:12:20 | |
However, all the information
about tonight's vote can be | 0:12:20 | 0:12:22 | |
found on our website,
bbc.co.uk/Eurovision. | 0:12:22 | 0:12:23 | |
And remember - you have to vote. | 0:12:23 | 0:12:25 | |
If you don't vote, you're
not allowed to complain | 0:12:25 | 0:12:27 | |
about the results afterwards. | 0:12:27 | 0:12:28 | |
PRETENDS TO COUGH Brexit! | 0:12:28 | 0:12:29 | |
Bless you. | 0:12:29 | 0:12:30 | |
CHEERING | 0:12:30 | 0:12:36 | |
I'm following you! | 0:12:36 | 0:12:38 | |
Now, let us introduce
you to our fantastic expert panel | 0:12:38 | 0:12:41 | |
who will offer their professional
thoughts and opinions | 0:12:41 | 0:12:43 | |
on each of the songs,
and how they could perform | 0:12:43 | 0:12:45 | |
in the Contest. | 0:12:45 | 0:12:48 | |
First up, it's songwriting
genuis and one quarter | 0:12:48 | 0:12:50 | |
of McFly, Tom Fletcher. | 0:12:50 | 0:12:54 | |
CHEERING | 0:12:54 | 0:12:59 | |
Hello! Tom! Evening. The songs have
been out there as recordings but | 0:12:59 | 0:13:08 | |
this will be the first performance
on stage. How does the performance, | 0:13:08 | 0:13:13 | |
how climate change the nature of the
song? About 100%. Live performance | 0:13:13 | 0:13:18 | |
is what it is about, you do not know
a song until you have seen it is | 0:13:18 | 0:13:22 | |
about, you do not know a song until
you have seen a perform live. It can | 0:13:22 | 0:13:25 | |
make or break, that is why today is
so important. I am sure everybody | 0:13:25 | 0:13:30 | |
thinks they know their favourite
song already but this can change | 0:13:30 | 0:13:33 | |
people's minds or confirm it, it is
a huge responsibility. No pressure, | 0:13:33 | 0:13:37 | |
guys! | 0:13:37 | 0:13:39 | |
Please welcome our next
panelist, singer and member | 0:13:39 | 0:13:41 | |
of The Saturdays, Rochelle Humes. | 0:13:41 | 0:13:46 | |
Hello! Lovely to see you. And you. | 0:13:46 | 0:13:54 | |
It's a lot of pressure
on a performer at Eurovision, | 0:13:54 | 0:13:56 | |
and here tonight, since they all
have to sing live. | 0:13:56 | 0:13:58 | |
Not only do they have this thing
here, but potentially 2/200 million | 0:13:58 | 0:14:03 | |
television viewers live from Lisbon.
-- not only do they have thing here. | 0:14:03 | 0:14:07 | |
What should our singers be thinking
about when they perform? | 0:14:07 | 0:14:11 | |
You probably have the most
supportive audience I have seen and | 0:14:11 | 0:14:14 | |
a very long time. Whilst you are
here, this is your demographic, so | 0:14:14 | 0:14:22 | |
make the most of this. But remember
to connect, connect with everybody | 0:14:22 | 0:14:27 | |
at home. It is so, so important you
are not just thinking about tonight | 0:14:27 | 0:14:32 | |
and the room but everybody down the
lens as well. Nice words. | 0:14:32 | 0:14:37 | |
And finally, completing our expert
panel, it's Eurovision | 0:14:37 | 0:14:39 | |
superfan Rylan Clark-Neal. | 0:14:39 | 0:14:41 | |
CHEERING | 0:14:41 | 0:14:46 | |
Hello, you! Hello, Mans! | 0:14:48 | 0:14:53 | |
Winning Eurovision is of course not
just about the performer. | 0:14:53 | 0:14:56 | |
It's the combination of a brilliant
performer and a brilliant song | 0:14:56 | 0:14:58 | |
plus an effective staging. | 0:14:58 | 0:14:59 | |
How can we spot this tonight? | 0:14:59 | 0:15:06 | |
I think everybody in here has their
favourite so far, but the | 0:15:06 | 0:15:11 | |
performances in a dress rehearsal,
but changed all of our minds | 0:15:11 | 0:15:16 | |
tonight. They had to come out
tonight and absolutely smash it, | 0:15:16 | 0:15:20 | |
it's the biggest show on the planet!
They've got to do well! That see | 0:15:20 | 0:15:25 | |
your teeth. Mans? There is very
little in it! Thank you so much. | 0:15:25 | 0:15:36 | |
Already now we have some images
from Lisbon, where the grand | 0:15:36 | 0:15:39 | |
final will take place. | 0:15:39 | 0:15:42 | |
This is actually the
stage in the arena. | 0:15:42 | 0:15:44 | |
It looks stunning. | 0:15:44 | 0:15:45 | |
What are your reactions
to the stage, Tom? | 0:15:45 | 0:15:49 | |
It looks incredible, massive, it is
a huge stage for one person to fill | 0:15:49 | 0:15:56 | |
so they need to bring their A-game. | 0:15:56 | 0:15:59 | |
Well, it's fantastic
to have you all on hand | 0:15:59 | 0:16:01 | |
to share your thoughts and opinions,
although of course, | 0:16:01 | 0:16:03 | |
you will not be voting. | 0:16:03 | 0:16:07 | |
No, not allowed to vote! That is the
secret jury we have hidden behind | 0:16:07 | 0:16:14 | |
the scenes. | 0:16:14 | 0:16:14 | |
Tonight's winning song will be
decided by a 50-50 combination | 0:16:14 | 0:16:17 | |
of the votes of you at home
and those of our jury | 0:16:17 | 0:16:20 | |
of professionals. | 0:16:20 | 0:16:22 | |
Enough chat, let's
get the show started. | 0:16:22 | 0:16:24 | |
Are you ready to hear
the competing acts of 2018? | 0:16:24 | 0:16:27 | |
CHEERING | 0:16:27 | 0:16:32 | |
I think so. | 0:16:32 | 0:16:33 | |
First up, singing 'Crazy' is Raya. | 0:16:33 | 0:16:35 | |
Let's find out a little
more about her. | 0:16:35 | 0:16:42 | |
My name is Raya, and
I'm from Doncaster. | 0:16:42 | 0:16:46 | |
I'm a short northern firecracker
with a heart of gold. | 0:16:46 | 0:16:53 | |
When I was in the car with my dad
I used to listen to his CDs. | 0:16:53 | 0:16:57 | |
He used to play, like,
Shania Twain, Celine Dion, like, | 0:16:57 | 0:16:59 | |
all these things that you wouldn't
expect a dad to listen to. | 0:16:59 | 0:17:02 | |
And it must have been how
I started wanting to sing, | 0:17:02 | 0:17:04 | |
because I used to hear my dad doing
it and want to copy him, basically. | 0:17:04 | 0:17:09 | |
Over the years, I've done loads
of different types of gigs, | 0:17:09 | 0:17:13 | |
whether it be really quiet,
stripped back gigs or massive | 0:17:13 | 0:17:16 | |
thousands and thousands of people. | 0:17:16 | 0:17:17 | |
I think my stage experience
will really help. | 0:17:17 | 0:17:19 | |
The song that I'm
singing is called Crazy. | 0:17:19 | 0:17:21 | |
It's a song that we
can all relate to. | 0:17:21 | 0:17:25 | |
We've all been in a situation
with love and lust. | 0:17:25 | 0:17:27 | |
You just go crazy about someone. | 0:17:27 | 0:17:29 | |
I think it's quite
a universal thing, isn't it? | 0:17:29 | 0:17:32 | |
I'd like to think so,
otherwise it's just me! | 0:17:32 | 0:17:38 | |
It's kind of one of those songs
you can't help but move to. | 0:17:38 | 0:17:41 | |
Every time I hear it, I start,
like, vibing out to it. | 0:17:41 | 0:17:44 | |
I think everyone will be like that. | 0:17:44 | 0:17:48 | |
It's an amazing song,
I'm hoping to get some dance | 0:17:48 | 0:17:51 | |
in there and just bring something
a little bit different. | 0:17:51 | 0:17:53 | |
I'm only little and I want to come
out and bring a bit of power | 0:17:53 | 0:17:57 | |
and sass and female
empowerment, female boss. | 0:17:57 | 0:18:01 | |
I am going to get onto that stage
and I'm going to give it what for. | 0:18:01 | 0:18:04 | |
I'm going to smash it. | 0:18:04 | 0:18:07 | |
Performing 'Crazy', it's Raya. | 0:18:08 | 0:18:14 | |
CHEERING | 0:18:14 | 0:18:16 | |
# They say I'm out of my mind | 0:18:16 | 0:18:18 | |
# Like I'm high all the time | 0:18:18 | 0:18:20 | |
# Something changed me | 0:18:20 | 0:18:25 | |
# The lights are shining so bright | 0:18:25 | 0:18:28 | |
# Damn, you blinded my sight | 0:18:28 | 0:18:29 | |
# Feeling hazy | 0:18:29 | 0:18:35 | |
# You got me like | 0:18:35 | 0:18:36 | |
# Ooh, ah, you're on my mind | 0:18:36 | 0:18:38 | |
# On my mind | 0:18:38 | 0:18:39 | |
# All of the time like | 0:18:39 | 0:18:41 | |
# Ooh, ah, you're in my mind | 0:18:41 | 0:18:42 | |
# Get out my mind | 0:18:42 | 0:18:43 | |
# You're making me | 0:18:43 | 0:18:45 | |
# Crazy, crazy, baby | 0:18:45 | 0:18:48 | |
# Just a little bit | 0:18:48 | 0:18:49 | |
# Crazy, crazy | 0:18:49 | 0:18:52 | |
# But I'm not crazy | 0:18:52 | 0:18:55 | |
# Ooh, ah, you're on my mind | 0:18:55 | 0:18:58 | |
# Ooh, ah, all of the time like | 0:18:58 | 0:19:00 | |
# Ooh, ah, you're on my mind | 0:19:00 | 0:19:02 | |
# You're on my mind | 0:19:02 | 0:19:04 | |
# Now people talking round town | 0:19:04 | 0:19:07 | |
# They can't figure it out | 0:19:07 | 0:19:09 | |
# Someone save me | 0:19:09 | 0:19:14 | |
# Now you're the reason | 0:19:14 | 0:19:16 | |
# I can't sleep at night | 0:19:16 | 0:19:19 | |
# Stare at the ceiling
wishing you were mine | 0:19:19 | 0:19:21 | |
# If you only knew
the things that we could be | 0:19:21 | 0:19:24 | |
# Voices in my head
are talking over me like | 0:19:24 | 0:19:26 | |
# Ooh, ah, you're on my mind | 0:19:26 | 0:19:28 | |
# On my mind all of the time like | 0:19:28 | 0:19:33 | |
# Ooh, ah, you're in my mind | 0:19:33 | 0:19:35 | |
# Get out my mind | 0:19:35 | 0:19:36 | |
# You're making me | 0:19:36 | 0:19:37 | |
# Crazy, crazy, baby | 0:19:37 | 0:19:39 | |
# Just a little bit | 0:19:39 | 0:19:40 | |
# Crazy, crazy | 0:19:40 | 0:19:43 | |
# But I'm not crazy | 0:19:43 | 0:19:46 | |
# Ooh, ah, you're on my mind | 0:19:46 | 0:19:49 | |
# Ooh, ah, all of the time like | 0:19:49 | 0:19:51 | |
# Ooh, ah, you're on my mind | 0:19:51 | 0:19:53 | |
# You're on my mind | 0:19:53 | 0:19:55 | |
# Ooh, ah, you're on my mind | 0:19:55 | 0:19:58 | |
# Ooh, ah, all of the time like | 0:19:58 | 0:20:01 | |
# Ooh, ah, you're on my mind | 0:20:01 | 0:20:03 | |
# You're on my mind, mind | 0:20:03 | 0:20:11 | |
# Ooh, ah, you're on my mind | 0:20:11 | 0:20:16 | |
# Ooh, ah, all of the time like | 0:20:16 | 0:20:18 | |
# Ooh, ah, you're on my mind | 0:20:18 | 0:20:20 | |
# You're on my mind, mind | 0:20:20 | 0:20:21 | |
# Ooh, ah, you're on my mind | 0:20:21 | 0:20:23 | |
# On my mind | 0:20:23 | 0:20:24 | |
# All of the time like | 0:20:24 | 0:20:26 | |
# Ooh, ah, you're in my mind | 0:20:26 | 0:20:29 | |
# You're on my mind | 0:20:29 | 0:20:32 | |
# You're making me | 0:20:34 | 0:20:35 | |
# Crazy, crazy, baby | 0:20:35 | 0:20:36 | |
# Just a little bit crazy, crazy | 0:20:36 | 0:20:40 | |
# But I'm not crazy | 0:20:40 | 0:20:42 | |
# Ooh, ah, you're on my mind | 0:20:42 | 0:20:45 | |
# Ooh, ah, all of the time like | 0:20:45 | 0:20:47 | |
# Ooh, ah, you're on my mind | 0:20:47 | 0:20:50 | |
# You're on my mind | 0:20:50 | 0:20:53 | |
# Ooh, ah, you're on my mind | 0:20:53 | 0:20:57 | |
# Ooh, ah, all of the time like | 0:20:57 | 0:20:59 | |
# Ooh, ah, you're on my mind | 0:20:59 | 0:21:01 | |
# But I'm not crazy #. | 0:21:01 | 0:21:06 | |
CHEERING AND APPLAUSE | 0:21:06 | 0:21:12 | |
Come on over. Well done! What a
cracking start. And over to our | 0:21:20 | 0:21:30 | |
panel, Tom, last year a ballad won
Eurovision but do you think this | 0:21:30 | 0:21:35 | |
year is the year for an up-tempo
song? It could become a bit of a | 0:21:35 | 0:21:40 | |
perfect example of how the live
performance makes or breaks a song, | 0:21:40 | 0:21:44 | |
it is everything. It is not just
hearing the song, you and performing | 0:21:44 | 0:21:48 | |
and dancing and it's not easy doing
it like that, not that I sing and | 0:21:48 | 0:21:52 | |
dance at the same time! But
incredibly difficult and I thought | 0:21:52 | 0:21:55 | |
you smashed it. And talking about
singer dancer, this lady is a triple | 0:21:55 | 0:22:02 | |
threat, she is also a DJ! That is
surely going to serve her well. | 0:22:02 | 0:22:09 | |
Absolutely, and that was incredible.
First up, and the energy... APPLAUSE | 0:22:09 | 0:22:16 | |
You should be so happy, great job.
Was there anything you would like to | 0:22:16 | 0:22:21 | |
add to the performance if it goes to
Lisbon cracking normally I would say | 0:22:21 | 0:22:29 | |
five sweaty mechanics but you had
them! But honestly, your voice is | 0:22:29 | 0:22:34 | |
great, the song is really catching.
It gets your hips moving. I think | 0:22:34 | 0:22:41 | |
it's a catchy song and what a way to
open the show. APPLAUSE | 0:22:41 | 0:22:46 | |
If you think that Raya has got
what it takes to represent the UK, | 0:22:46 | 0:22:50 | |
you'll need to call 6 22 52 01
from your mobile or 09015 22 | 0:22:50 | 0:22:53 | |
52 01 from a landline. | 0:22:53 | 0:22:56 | |
Calls to the short number
from a mobile cost 15p, | 0:22:56 | 0:22:59 | |
calls to the long number cost 15p
plus your network's access charge. | 0:22:59 | 0:23:03 | |
Please ask the bill payer's
permission before you call. | 0:23:03 | 0:23:04 | |
You can also vote online for free
by visiting bbc.co.uk/Eurovision | 0:23:04 | 0:23:07 | |
where you will also find
terms and conditions. | 0:23:07 | 0:23:12 | |
Voting won't open until all our acts
have performed so don't call yet, | 0:23:12 | 0:23:15 | |
as your vote won't count and you may
still be charged! | 0:23:15 | 0:23:23 | |
And you'll feel like an idiot!
Please give it up for Raya! APPLAUSE | 0:23:23 | 0:23:31 | |
Superb, well done. | 0:23:31 | 0:23:33 | |
Time to find out some more
about song number two. | 0:23:33 | 0:23:35 | |
It's called 'Astronaut' and will be
performed by Liam Tamne. | 0:23:35 | 0:23:42 | |
My name's Liam Tamne,
and I'm from Coventry. | 0:23:42 | 0:23:46 | |
I'm someone who lives
life to the fullest, | 0:23:46 | 0:23:48 | |
and I take huge risks. | 0:23:48 | 0:23:50 | |
Hence why I'm doing Eurovision. | 0:23:50 | 0:23:58 | |
Starting out, it was things
like Coventry Choir and little | 0:23:58 | 0:24:03 | |
productions, playing Michael Jackson
and Geri Halliwell in | 0:24:03 | 0:24:05 | |
the Spice Girls - as you do! | 0:24:05 | 0:24:06 | |
And I went into musical theatre,
was in productions like Wicked, | 0:24:06 | 0:24:09 | |
Hairspray, Hair, Les Mis,
Phantom of the Opera. | 0:24:09 | 0:24:11 | |
And I think the experience
I've gained over the | 0:24:11 | 0:24:13 | |
years, I'm ready now. | 0:24:13 | 0:24:15 | |
The title of this song is Astronaut. | 0:24:15 | 0:24:19 | |
It's so special to me
because there was a certain point | 0:24:19 | 0:24:21 | |
in my husband's life
that he lost his dad, | 0:24:21 | 0:24:25 | |
and it became my role
to support him and his family. | 0:24:25 | 0:24:30 | |
And that's essentially
what the song is about. | 0:24:30 | 0:24:32 | |
It's about uplifting someone
through the difficult times. | 0:24:32 | 0:24:35 | |
I think the audience will connect
because we've all had to have | 0:24:35 | 0:24:38 | |
someone to support us. | 0:24:38 | 0:24:40 | |
I potentially would be representing
the United Kingdom, and that is... | 0:24:40 | 0:24:44 | |
It comes with a lot of pressure,
but it's something where... | 0:24:44 | 0:24:48 | |
That's what I strive on,
that's the thing that keeps me | 0:24:48 | 0:24:51 | |
going and wants me to constantly be
the best that I can be. | 0:24:51 | 0:24:54 | |
I'm so ready to get out there. | 0:24:54 | 0:24:57 | |
I just want everyone to see
what I've been working on, | 0:24:57 | 0:24:59 | |
because keeping it a secret for such
a long time, and now it's finally | 0:24:59 | 0:25:03 | |
out there and everyone knows,
it's exciting and I just can't wait | 0:25:03 | 0:25:06 | |
to get out there and
perform for you all. | 0:25:06 | 0:25:07 | |
Performing 'Astronaut',
it's Liam Tamne. | 0:25:07 | 0:25:14 | |
# That's a whole lotta tears, babe. | 0:25:22 | 0:25:26 | |
# That's a whole lotta fear, yeah. | 0:25:26 | 0:25:28 | |
# Lyin' on my car. | 0:25:28 | 0:25:30 | |
# Starin' at the stars. | 0:25:30 | 0:25:33 | |
# So go ahead, let it all out. | 0:25:33 | 0:25:36 | |
# No more hiding away now. | 0:25:36 | 0:25:38 | |
# Let your worries fly. | 0:25:38 | 0:25:40 | |
# We'll burn them all tonight. | 0:25:40 | 0:25:44 | |
# When all your world falls apart. | 0:25:44 | 0:25:49 | |
# Oh, I'll come pick you up. | 0:25:49 | 0:25:54 | |
# I could be your astronaut. | 0:25:54 | 0:25:58 | |
# Let me take you far away. | 0:25:58 | 0:26:00 | |
# I said I could be your astronaut. | 0:26:00 | 0:26:04 | |
# Take your body into space. | 0:26:04 | 0:26:06 | |
# When gravity's pullin' you down
and you can't breathe. | 0:26:06 | 0:26:09 | |
# I will be waitin',
you know you can call me. | 0:26:09 | 0:26:11 | |
# I could be your astronaut. | 0:26:11 | 0:26:13 | |
# Your astronaut. | 0:26:13 | 0:26:21 | |
# Take my hand, hold it real tight. | 0:26:27 | 0:26:29 | |
# Let's take off. | 0:26:29 | 0:26:30 | |
# Let's get so high. | 0:26:30 | 0:26:32 | |
# Hey, where'd you wanna start? | 0:26:32 | 0:26:34 | |
# Jupiter or Mars? | 0:26:34 | 0:26:42 | |
# I could be your astronaut. | 0:26:48 | 0:26:51 | |
# Let me take you far away. | 0:26:51 | 0:26:53 | |
# I said I could be your astronaut. | 0:26:53 | 0:26:57 | |
# Take your body into space. | 0:26:57 | 0:26:59 | |
# When gravity's pullin' you down
and you can't breathe. | 0:26:59 | 0:27:03 | |
# I will be waitin',
you know you can call me. | 0:27:03 | 0:27:06 | |
# I could be your astronaut. | 0:27:06 | 0:27:10 | |
# Your astronaut. | 0:27:10 | 0:27:11 | |
# So don't hesitate. | 0:27:11 | 0:27:15 | |
# Right behind you, babe. | 0:27:15 | 0:27:16 | |
# There's planets and
galaxies far from reality. | 0:27:16 | 0:27:21 | |
# Now's the time to soar. | 0:27:21 | 0:27:23 | |
# I could be your astronaut. | 0:27:23 | 0:27:31 | |
# I said I could be your astronaut. | 0:27:32 | 0:27:37 | |
# I could be your astronaut. | 0:27:37 | 0:27:38 | |
# Let me take you far away. | 0:27:38 | 0:27:42 | |
# I said I could be your astronaut. | 0:27:42 | 0:27:44 | |
# Take your body into space. | 0:27:44 | 0:27:45 | |
# When gravity's pullin' you down
and you can't breathe. | 0:27:45 | 0:27:48 | |
# I will be waitin',
you know you can call me. | 0:27:48 | 0:27:51 | |
# I could be your astronaut. | 0:27:51 | 0:27:55 | |
# Your astronaut #. | 0:27:55 | 0:28:03 | |
# Your astronaut #. | 0:28:05 | 0:28:10 | |
CHEERING AND APPLAUSE | 0:28:11 | 0:28:17 | |
Liam Tamne! Come back down to earth!
Thank you so much. Well done. Rylan, | 0:28:17 | 0:28:32 | |
that was very simple, elegant
staging, would you like to see Liam | 0:28:32 | 0:28:35 | |
taking it up a notch for Lisbon? You
know what? Brilliant song and you | 0:28:35 | 0:28:41 | |
sung it amazing your voice is lovely
and I been a big fan of your musical | 0:28:41 | 0:28:45 | |
work. All I would say, when most
people watch Eurovision, they will | 0:28:45 | 0:28:50 | |
judge a song within the first ten
seconds and that is the time when | 0:28:50 | 0:28:53 | |
you pop outside the grab a drink if
you're not into it but what you | 0:28:53 | 0:28:56 | |
brought to the second half was
great. You need to do that from the | 0:28:56 | 0:29:00 | |
beginning otherwise people will lose
you straightaway for the I'm saying | 0:29:00 | 0:29:05 | |
that because I love the song. I
think you're great but you've got to | 0:29:05 | 0:29:09 | |
get them from the beginning. Look
them in. This is technically quite a | 0:29:09 | 0:29:14 | |
hard song to sing. How did you think
he did? Amazing, I have seen you | 0:29:14 | 0:29:22 | |
before on the state and I knew this
was your environment and you were | 0:29:22 | 0:29:25 | |
comfortable with a live performance
but it's a technical song going back | 0:29:25 | 0:29:29 | |
and forth between head voice and
especially the really high note! | 0:29:29 | 0:29:35 | |
That's difficult. You absolutely
nailed it. Well done. | 0:29:35 | 0:29:41 | |
Rochelle...
Big news, my friend. There will be | 0:29:41 | 0:29:46 | |
no LED screens in Lisbon. I know, I
have heard. Rylan is not too happy. | 0:29:46 | 0:29:53 | |
You don't need LED screens. You are
amazing. The only thing I would say, | 0:29:53 | 0:29:57 | |
I would like to see you work the
stage in little more. You were quite | 0:29:57 | 0:30:02 | |
far away from us, I would like this
you get more involved. Your voice | 0:30:02 | 0:30:06 | |
that speaks for itself and the song
is very, very good. You are good to | 0:30:06 | 0:30:11 | |
go with the no LED screens. | 0:30:11 | 0:30:13 | |
If you think that Liam Tamne has got
what it takes to represent the UK, | 0:30:13 | 0:30:16 | |
you'll need to call 6 22 52 02
from your mobile 09015 22 52 02 | 0:30:16 | 0:30:22 | |
from a landline or vote online
for free, when the vote opens | 0:30:22 | 0:30:25 | |
after we've seen everyone
perform in the show. | 0:30:25 | 0:30:28 | |
Please give it up for Liam Tamne!
Well done, the. | 0:30:28 | 0:30:34 | |
Next up, let's find out
some more about Asanda | 0:30:34 | 0:30:36 | |
singing song number three,
'Legends'. | 0:30:36 | 0:30:40 | |
My name is Asanda,
and I'm from London. | 0:30:40 | 0:30:42 | |
I would say that I'm
a very ambitious, crazy, | 0:30:42 | 0:30:47 | |
emotional, sensitive,
happy, energetic person. | 0:30:47 | 0:30:53 | |
Music makes me feel joyful,
and sometimes you're | 0:30:53 | 0:30:58 | |
just in your element,
you're in your zone. | 0:30:58 | 0:31:00 | |
No one can, like, interrupt. | 0:31:00 | 0:31:03 | |
No one can get you out,
no one can say anything, | 0:31:03 | 0:31:05 | |
cos it's you, you know? | 0:31:05 | 0:31:07 | |
You and the music. | 0:31:07 | 0:31:12 | |
I auditioned for
Britain's Got Talent 2013. | 0:31:12 | 0:31:14 | |
I gave it my all. | 0:31:14 | 0:31:15 | |
And I think the judges saw that. | 0:31:15 | 0:31:17 | |
After Britain's Got Talent I've
been singing so much, | 0:31:17 | 0:31:19 | |
performing, travelling. | 0:31:19 | 0:31:21 | |
It's amazing. | 0:31:21 | 0:31:23 | |
The title of the song
I'm singing is Legends. | 0:31:23 | 0:31:25 | |
It's very direct, it's truthful,
it's fun and I just hope | 0:31:25 | 0:31:28 | |
that the audience will have fun. | 0:31:28 | 0:31:32 | |
This song makes me feel
empowered, definitely. | 0:31:32 | 0:31:35 | |
And I think that because I feel
empowered, it will truly come | 0:31:35 | 0:31:38 | |
out when I'm on stage. | 0:31:38 | 0:31:41 | |
For me to be the youngest, 16,
it's really, like... | 0:31:41 | 0:31:46 | |
It's a lot of pressure. | 0:31:46 | 0:31:49 | |
I just want to give my all. | 0:31:49 | 0:31:51 | |
Once I'm on stage, it's just
like a switch, and it's | 0:31:51 | 0:31:54 | |
not going to turn off. | 0:31:54 | 0:31:55 | |
It's just going to be so mad. | 0:31:55 | 0:31:57 | |
It's going to be lit. | 0:31:57 | 0:31:59 | |
And I hope you're ready for it. | 0:31:59 | 0:32:02 | |
Performing 'Legends', it's Asanda. | 0:32:04 | 0:32:09 | |
CHEERING | 0:32:09 | 0:32:11 | |
# Ho ooh ya ya yo | 0:32:11 | 0:32:12 | |
# Ho ooh ya ya yo | 0:32:12 | 0:32:14 | |
# Ho ooh ya ya yo | 0:32:14 | 0:32:16 | |
# Bibibidi yay a yo | 0:32:16 | 0:32:18 | |
# Rippin' all night | 0:32:18 | 0:32:19 | |
# Rippin' all day | 0:32:19 | 0:32:20 | |
# You and me writing the story | 0:32:20 | 0:32:22 | |
# Caught the limelight | 0:32:22 | 0:32:23 | |
# Got the glory yeah | 0:32:23 | 0:32:26 | |
# Rollin' out like | 0:32:26 | 0:32:27 | |
# We can crush it | 0:32:27 | 0:32:28 | |
# We on expedite | 0:32:28 | 0:32:29 | |
# Gonna rush it | 0:32:29 | 0:32:30 | |
# Baby, don't fight | 0:32:30 | 0:32:32 | |
# What you're lovin' yeah | 0:32:32 | 0:32:34 | |
# I'm feeling fame | 0:32:34 | 0:32:35 | |
# Banging on the door | 0:32:35 | 0:32:37 | |
# Oh, this world ain't seen | 0:32:37 | 0:32:39 | |
# Anything like us before | 0:32:39 | 0:32:43 | |
# Cause you and me | 0:32:43 | 0:32:44 | |
# We making that history | 0:32:44 | 0:32:46 | |
# Forget who we used to be | 0:32:46 | 0:32:48 | |
# You know, we legends tonight | 0:32:48 | 0:32:51 | |
# You and me | 0:32:51 | 0:32:52 | |
# We making that history | 0:32:52 | 0:32:54 | |
# And now the whole world can see | 0:32:54 | 0:32:56 | |
# That we be legends tonight | 0:32:56 | 0:32:59 | |
# Legends tonight | 0:32:59 | 0:33:03 | |
# Hey-yeah-yeah-yeah | 0:33:03 | 0:33:05 | |
# Hey-yeah-yeah-yeah | 0:33:05 | 0:33:07 | |
# We la-la-la legends tonight | 0:33:07 | 0:33:10 | |
# Paint our names up | 0:33:10 | 0:33:11 | |
# On the cave wall | 0:33:11 | 0:33:13 | |
# Till we famous | 0:33:13 | 0:33:14 | |
# Greatest of all | 0:33:14 | 0:33:15 | |
# Kill the game cause | 0:33:15 | 0:33:18 | |
# We got the ball, yeah | 0:33:18 | 0:33:19 | |
# Matching tattoos | 0:33:19 | 0:33:20 | |
# Let you go first | 0:33:20 | 0:33:21 | |
# Where you going to | 0:33:21 | 0:33:22 | |
# Ain't got reverse | 0:33:22 | 0:33:23 | |
# Just me and you | 0:33:23 | 0:33:25 | |
# And the universe, yeah | 0:33:25 | 0:33:26 | |
# I'm feeling fame | 0:33:26 | 0:33:28 | |
# Banging on the door | 0:33:28 | 0:33:29 | |
# Oh, this world ain't seen | 0:33:29 | 0:33:32 | |
# Anything like us before | 0:33:32 | 0:33:35 | |
# Cause you and me | 0:33:35 | 0:33:36 | |
# We making that history | 0:33:36 | 0:33:38 | |
# Forget who we used to be | 0:33:38 | 0:33:40 | |
# You know, we legends tonight | 0:33:40 | 0:33:43 | |
# You and me | 0:33:43 | 0:33:45 | |
# We making that history | 0:33:45 | 0:33:47 | |
# And now the whole world can see | 0:33:47 | 0:33:49 | |
# That we be legends tonight | 0:33:49 | 0:33:52 | |
# Legends tonight | 0:33:52 | 0:33:56 | |
# Hey-yeah-yeah-yeah | 0:33:56 | 0:33:57 | |
# Hey-yeah-yeah-yeah | 0:33:57 | 0:33:59 | |
# We la-la-la legends tonight | 0:33:59 | 0:34:04 | |
# Ho ooh ya ya yo | 0:34:04 | 0:34:05 | |
# Ho ooh ya ya yo | 0:34:05 | 0:34:07 | |
# Ho ooh | 0:34:07 | 0:34:08 | |
# We la-la-la legends tonight | 0:34:08 | 0:34:11 | |
# Now we going | 0:34:11 | 0:34:13 | |
# We in the moment | 0:34:13 | 0:34:15 | |
# And we ain't slowing things down | 0:34:15 | 0:34:19 | |
# And now we going | 0:34:19 | 0:34:21 | |
# Like we be showing them | 0:34:21 | 0:34:23 | |
# Only ones who know how | 0:34:23 | 0:34:28 | |
# Cause you and me | 0:34:28 | 0:34:29 | |
# We making that history | 0:34:29 | 0:34:31 | |
# Forget who we used to be | 0:34:31 | 0:34:33 | |
# You know we legends tonight | 0:34:33 | 0:34:36 | |
# Cause you and me | 0:34:36 | 0:34:39 | |
# We making that history | 0:34:39 | 0:34:42 | |
# And now the whole world can see | 0:34:42 | 0:34:44 | |
# That we be legends tonight | 0:34:44 | 0:34:47 | |
# Legends tonight | 0:34:47 | 0:34:50 | |
# Hey-yeah-yeah-yeah | 0:34:50 | 0:34:52 | |
# Hey-yeah-yeah-yeah | 0:34:52 | 0:34:55 | |
# We la-la-la legends tonight | 0:34:55 | 0:34:59 | |
# Yeah, legends | 0:34:59 | 0:35:01 | |
# Oo-oo-ah! | 0:35:01 | 0:35:02 | |
# Oo-oo-ah! | 0:35:02 | 0:35:04 | |
# We la-la-la legends tonight | 0:35:04 | 0:35:06 | |
# Legends tonight #. | 0:35:06 | 0:35:14 | |
CHEERING AND APPLAUSE. | 0:35:14 | 0:35:19 | |
Wow. Come on down, Asanda. Bring it
in. Good to see you. I know we spoke | 0:35:21 | 0:35:38 | |
earlier about cardio and how tough
it is to keep your vocals when | 0:35:38 | 0:35:41 | |
you're dancing and singing at the
same time, what did you think of the | 0:35:41 | 0:35:47 | |
choreography, Rochelle? Is so good.
That, to me, is exciting. So fresh, | 0:35:47 | 0:35:52 | |
so current, so now. You are 16,
write?! That is incredible. Like | 0:35:52 | 0:35:58 | |
Rylan said earlier, get your crowd
from the moment the song starts. You | 0:35:58 | 0:36:02 | |
had is all in, we were with you,
pretending we could do the same | 0:36:02 | 0:36:08 | |
dance moves. We were there. You've
got it. | 0:36:08 | 0:36:11 | |
Rylan, do you think we have the
makings of a 1974 style legendary | 0:36:11 | 0:36:16 | |
performance? Anyone that wears
jungle trousers, yes, girl! Summer | 0:36:16 | 0:36:24 | |
2004, bringing it back.
This is exactly what Eurovision is | 0:36:24 | 0:36:28 | |
all about. From the second but
started, everyone was like, who is | 0:36:28 | 0:36:32 | |
she, what is she doing? You danced
and sang, everyone loved it. You | 0:36:32 | 0:36:37 | |
want to watch, you are amazing.
The track has quite a distinct | 0:36:37 | 0:36:43 | |
sound, what did you think, Tom? It
sounds great. It wasn't like | 0:36:43 | 0:36:47 | |
watching somebody take part in a
contest, you looked like a pop star | 0:36:47 | 0:36:52 | |
performing your single. I love Temm
Reggie Goodes howdy were enjoying | 0:36:52 | 0:36:55 | |
it, you had the biggest smile. It
makes such a difference when you | 0:36:55 | 0:36:59 | |
know the artist is having fun.
Housekeeping now. | 0:36:59 | 0:37:02 | |
If you think that Asanda has got
what it takes to represent the UK, | 0:37:02 | 0:37:06 | |
you'll need to call 6 22 52 03
from a mobile, 09015 22 52 03 | 0:37:06 | 0:37:09 | |
from a landline, or vote online
for free when the vote opens | 0:37:09 | 0:37:12 | |
after we've seen everyone
perform in the show. | 0:37:12 | 0:37:17 | |
Please give it up, everybody, for
Asanda. | 0:37:17 | 0:37:22 | |
CHEERING AND APPLAUSE. | 0:37:22 | 0:37:23 | |
That's half of the songs,
only three left. | 0:37:23 | 0:37:25 | |
The fourth act is Jaz
Ellington singing 'You'. | 0:37:25 | 0:37:27 | |
Here's some more about him. | 0:37:27 | 0:37:33 | |
My name is Jaz Ellington,
and I'm from south-west London. | 0:37:33 | 0:37:41 | |
In one sentence, I would sum myself
up as crazy, fun, lovable. | 0:37:41 | 0:37:44 | |
My inspiration for singing comes
from quite a few different places. | 0:37:44 | 0:37:48 | |
So if we're looking at, you know,
the greats, Whitney Houston, | 0:37:48 | 0:37:51 | |
my favourite singer of all time. | 0:37:51 | 0:37:54 | |
I grew up on Aretha Franklin
as well, Luther Vandross, | 0:37:54 | 0:37:57 | |
Stevie Wonder. | 0:37:57 | 0:37:58 | |
The list goes on. | 0:37:58 | 0:38:00 | |
Yeah, I'm completely immersed
and surrounded by music. | 0:38:00 | 0:38:04 | |
Music, music, music. | 0:38:04 | 0:38:08 | |
I started off singing
in church choirs and stuff, | 0:38:08 | 0:38:10 | |
and I went to Brit School,
and I was in Leona Lewis's | 0:38:10 | 0:38:13 | |
class, Katie Melua. | 0:38:13 | 0:38:14 | |
I did the Voice UK. | 0:38:14 | 0:38:15 | |
It was amazing. | 0:38:15 | 0:38:16 | |
I had so much fun. | 0:38:16 | 0:38:18 | |
It was, to date, the
biggest thing I've done. | 0:38:18 | 0:38:22 | |
Now I'm on Eurovision! | 0:38:22 | 0:38:27 | |
And it's nerve-racking,
but exciting. | 0:38:27 | 0:38:32 | |
The title of the song
I'm singing is You. | 0:38:32 | 0:38:34 | |
It's a sad song,
but then it's really | 0:38:34 | 0:38:36 | |
heart-warming, like, touching. | 0:38:36 | 0:38:41 | |
So, for me, it's your audible gold. | 0:38:41 | 0:38:42 | |
Hashtag! | 0:38:42 | 0:38:43 | |
I'm ready. | 0:38:43 | 0:38:44 | |
I'm ready. | 0:38:44 | 0:38:45 | |
I'm ready to go on stage,
I'm ready to sing this song | 0:38:45 | 0:38:48 | |
and bring it the justice that it
deserves, because it's | 0:38:48 | 0:38:51 | |
a beautiful song. | 0:38:51 | 0:38:53 | |
Performing 'You',
it's Jaz Ellington. | 0:38:53 | 0:38:59 | |
# She finds me shelter in the rain. | 0:39:00 | 0:39:06 | |
# Kisses my head before I sleep. | 0:39:06 | 0:39:12 | |
# She takes the sky
and turns it blue. | 0:39:12 | 0:39:18 | |
# But she won't ever be you. | 0:39:18 | 0:39:24 | |
# She makes me coffee
before I works. | 0:39:24 | 0:39:30 | |
# She'll sing my songs
in bed till three. | 0:39:30 | 0:39:37 | |
# By my side she'll stick like glue. | 0:39:37 | 0:39:43 | |
# But she won't ever be you. | 0:39:43 | 0:39:51 | |
# Last night I die. | 0:39:53 | 0:39:55 | |
# I turned to grey. | 0:39:55 | 0:39:58 | |
# I found a girl. | 0:39:58 | 0:40:01 | |
# It's such a shame. | 0:40:01 | 0:40:04 | |
# The look of love is on her face. | 0:40:04 | 0:40:10 | |
# Oh, what a waste. | 0:40:10 | 0:40:14 | |
# Sends to me to sleep
like rum and whiskey. | 0:40:14 | 0:40:20 | |
# Then takes me high as aeroplanes. | 0:40:20 | 0:40:27 | |
# There ain't nothin'
bad that she could do. | 0:40:27 | 0:40:33 | |
# But she won't ever be you. | 0:40:33 | 0:40:39 | |
# Maybe I'll tell
her in the morning. | 0:40:39 | 0:40:45 | |
# Maybe I'll tell her in a week. | 0:40:45 | 0:40:51 | |
# I guess it's time
she finally knew. | 0:40:51 | 0:40:58 | |
# That she won't ever be you, no. | 0:40:58 | 0:41:06 | |
# Last night I died. | 0:41:07 | 0:41:10 | |
# I turned to grey. | 0:41:10 | 0:41:13 | |
# I found a girl. | 0:41:13 | 0:41:16 | |
# It's such a shame. | 0:41:16 | 0:41:18 | |
# The look of love is on her face. | 0:41:18 | 0:41:25 | |
# Oh, what a waste. | 0:41:25 | 0:41:29 | |
# She's in my head but not my heart. | 0:41:29 | 0:41:35 | |
# She's in my bed but not my dreams. | 0:41:35 | 0:41:41 | |
# I think it's time
I tell the truth. | 0:41:41 | 0:41:49 | |
# That she won't ever. | 0:41:49 | 0:41:53 | |
# She won't ever be you #. | 0:41:53 | 0:42:00 | |
CHEERING AND APPLAUSE. | 0:42:00 | 0:42:09 | |
Jaz Ellington, ladies and gentlemen.
Come on over. Superb. Oh! Now... Are | 0:42:09 | 0:42:18 | |
you OK? Yes. Good. Do you think this
could be the year that we send a | 0:42:18 | 0:42:25 | |
ballad to Lisbon, Tom? I don't know
whether a ballad can do it again. | 0:42:25 | 0:42:30 | |
But I think there is always room for
talent, and you have the most | 0:42:30 | 0:42:35 | |
incredible voice. When you reach
those high notes, goose bumps don't | 0:42:35 | 0:42:39 | |
lie and all of my has stood up on my
arm. I could listen to using | 0:42:39 | 0:42:42 | |
forever.
MANS: do you agree that he could be | 0:42:42 | 0:42:54 | |
a contender? If you release that
song tomorrow, you would be in the | 0:42:54 | 0:42:58 | |
top five easily, it is an amazing
song. My worry is the ballad won | 0:42:58 | 0:43:04 | |
last year. Portugal did it so
different last year, it was not just | 0:43:04 | 0:43:08 | |
a ballad, it was the way he
performed it. I love to that song | 0:43:08 | 0:43:12 | |
but I would worry that it would get
lost in what other countries are | 0:43:12 | 0:43:17 | |
bringing. That is nothing against
you personally, I think the song is | 0:43:17 | 0:43:21 | |
great, but I worry. | 0:43:21 | 0:43:27 | |
great, but I worry. Rochelle, Jaz
brought a lot of emotion. For me, | 0:43:27 | 0:43:31 | |
emotion never gets old, it is never
a phase. You could hear a pin drop | 0:43:31 | 0:43:36 | |
in here, there is really some thing
to be said when somebody sings and | 0:43:36 | 0:43:40 | |
you feel safe. Nobody was worried,
when you hit the note we were not | 0:43:40 | 0:43:44 | |
cringing, we were thinking this
would be amazing comic he has got | 0:43:44 | 0:43:47 | |
this, there is something to be said
for that. | 0:43:47 | 0:43:50 | |
If you think that Jez Ellington
has got what it takes | 0:43:50 | 0:43:57 | |
from a mobile, 09015 22 52 04
from a landline, or vote online | 0:43:57 | 0:44:00 | |
for free when the vote opens
after we've seen everyone | 0:44:00 | 0:44:03 | |
perform in the show. | 0:44:03 | 0:44:06 | |
Please give that up for Jaz
Ellington. | 0:44:06 | 0:44:09 | |
Remember, we will open the lines
after the last act has performed. | 0:44:09 | 0:44:17 | |
I would describe myself
a small but mighty. | 0:44:29 | 0:44:32 | |
Music was my first language, really. | 0:44:32 | 0:44:34 | |
I started teaching myself to play
the piano by learning | 0:44:34 | 0:44:37 | |
to read the music books,
so I learned that before I actually | 0:44:37 | 0:44:40 | |
went to school and learned
to read normal books. | 0:44:40 | 0:44:44 | |
I know what it's like to perform
at Eurovision, because I had | 0:44:44 | 0:44:47 | |
the amazing opportunity to do some
backing vocals and dancing | 0:44:47 | 0:44:49 | |
for a couple of Belgian artists -
Loic Nottet in 2015 in Vienna, | 0:44:49 | 0:44:57 | |
and then Blanche last year in Kiev -
which was absolutely incredible. | 0:44:57 | 0:45:03 | |
You can't really prepare for that
buzz, and that noise. | 0:45:03 | 0:45:05 | |
The roar of the crowd. | 0:45:05 | 0:45:10 | |
The Eurovision fans are probably
the best people in the world. | 0:45:10 | 0:45:15 | |
My track is called Storm,
and this song means a lot to me | 0:45:15 | 0:45:18 | |
because the lyrics have a very
strong, a very hopeful message | 0:45:18 | 0:45:21 | |
that we can all take,
and it's got this beautiful melody, | 0:45:21 | 0:45:24 | |
a really classic,
uplifting pop feel. | 0:45:24 | 0:45:25 | |
I hope everyone really likes it. | 0:45:25 | 0:45:30 | |
To represent the UK and to no longer
be a backing vocalist supporting | 0:45:30 | 0:45:33 | |
other artists but stepping forward
and having my time and my chance | 0:45:33 | 0:45:36 | |
would be just such an honour. | 0:45:36 | 0:45:41 | |
I know I can do this,
and there's nothing else I want. | 0:45:41 | 0:45:43 | |
This is it. | 0:45:43 | 0:45:49 | |
Performing 'Storm', it's SuRie. | 0:45:49 | 0:45:56 | |
# Hey, hey brother | 0:46:02 | 0:46:06 | |
# Do you remember when we
were kids with no fear? | 0:46:06 | 0:46:10 | |
# Hey, hey sister | 0:46:10 | 0:46:15 | |
# Do you believe in the things
we dreamt we'd discover? | 0:46:15 | 0:46:20 | |
# I still have faith | 0:46:20 | 0:46:22 | |
# I still believe
in chasing rainbows | 0:46:22 | 0:46:28 | |
# Storms don't last forever, forever | 0:46:28 | 0:46:34 | |
# Remember, we can
hold our hands together | 0:46:34 | 0:46:38 | |
# Through this storm | 0:46:38 | 0:46:40 | |
# Through this storm | 0:46:40 | 0:46:44 | |
# Storms don't last
forever, forever | 0:46:44 | 0:46:50 | |
# Remember, we can hold our hands
together | 0:46:50 | 0:46:55 | |
# Through this storm | 0:46:55 | 0:46:58 | |
# Through this storm | 0:46:58 | 0:47:00 | |
# Hey, hey mother | 0:47:00 | 0:47:00 | |
# Hey, hey mother | 0:47:02 | 0:47:06 | |
# Am I making you proud
or could I do better? | 0:47:06 | 0:47:10 | |
# Hey, hey father | 0:47:10 | 0:47:16 | |
# There's weight on my
shoulders but it's not over | 0:47:16 | 0:47:21 | |
# I still have faith | 0:47:21 | 0:47:25 | |
# I still believe
in chasing rainbows | 0:47:25 | 0:47:29 | |
# Storms don't last
forever, forever | 0:47:29 | 0:47:35 | |
# Remember, we can hold our hands
together | 0:47:35 | 0:47:40 | |
# Through this storm | 0:47:40 | 0:47:41 | |
# Through this storm | 0:47:41 | 0:47:44 | |
# Storms don't last forever, forever | 0:47:44 | 0:47:48 | |
# Remember, we can
hold our hands together | 0:47:48 | 0:47:54 | |
# Through this storm | 0:47:54 | 0:47:59 | |
# Through this storm | 0:47:59 | 0:48:00 | |
# Spread your love | 0:48:00 | 0:48:02 | |
# Give all you got | 0:48:02 | 0:48:06 | |
# Hold your head up | 0:48:06 | 0:48:08 | |
# Don't give up, no no | 0:48:08 | 0:48:10 | |
# Hey, hey brother | 0:48:10 | 0:48:14 | |
# Don't give up | 0:48:14 | 0:48:16 | |
# Oh whoa whoa whoa | 0:48:16 | 0:48:18 | |
# Storms don't last forever, forever | 0:48:18 | 0:48:22 | |
# Remember, we can
hold our hands together | 0:48:22 | 0:48:28 | |
# Through this storm | 0:48:28 | 0:48:30 | |
# Through this storm | 0:48:30 | 0:48:33 | |
# Spread your love | 0:48:33 | 0:48:35 | |
# Give all you got | 0:48:35 | 0:48:38 | |
# Hold your head up | 0:48:38 | 0:48:39 | |
# Don't give up, no no | 0:48:39 | 0:48:42 | |
# Spread your love, your love | 0:48:42 | 0:48:46 | |
# Give all you got, hey | 0:48:46 | 0:48:50 | |
# Hold your head up
through this storm #. | 0:48:50 | 0:48:57 | |
CHEERING AND APPLAUSE | 0:48:57 | 0:49:03 | |
Come over here, SuRie. Well, well,
well, good to see you. I can't hear | 0:49:08 | 0:49:21 | |
anything! | 0:49:21 | 0:49:28 | |
I was born in Surrey! If there is
one thing British like to do is talk | 0:49:28 | 0:49:35 | |
about the weather, you think this is
a representative song for the UK? | 0:49:35 | 0:49:43 | |
CHEERING
Definitely there is something, it is | 0:49:43 | 0:49:46 | |
a song of two halves, so intimate at
first and you suck people in the way | 0:49:46 | 0:49:53 | |
you perform it and then you suddenly
explode into the chorus. If few | 0:49:53 | 0:49:57 | |
people were singing along in the
first cause but by the second | 0:49:57 | 0:49:59 | |
everybody was singing. Rylan, we all
know that Eurovision loves a song | 0:49:59 | 0:50:07 | |
with a bit of a message. There is a
great message in this song, do you | 0:50:07 | 0:50:11 | |
think it will go down well? I take
Eurovision really seriously every | 0:50:11 | 0:50:16 | |
year and you have come out here and
you have absolutely smashed it with | 0:50:16 | 0:50:20 | |
that song. CHEERING
It's got the message, I was a big | 0:50:20 | 0:50:26 | |
fan last year of Blanche last year,
that was amazing and I think you are | 0:50:26 | 0:50:35 | |
outstanding, well done. Would you
change anything, Rochelle? First of | 0:50:35 | 0:50:41 | |
all, this room does not lie and they
loved it. The only thing I would | 0:50:41 | 0:50:45 | |
change, the last chorus, we want to
see you up with it, they love you, | 0:50:45 | 0:50:52 | |
get rid of the microphone stand and
come to the front. You're right. We | 0:50:52 | 0:50:58 | |
also need to see the tape, this is a
lady with a cape! That was a worry! | 0:50:58 | 0:51:08 | |
If you think that SuRie has got
what it takes to represent the UK, | 0:51:08 | 0:51:11 | |
you'll need to call 6 22 52 05
from a mobile 09015 22 52 05 | 0:51:11 | 0:51:15 | |
from a landline or vote online
for free when the vote opens | 0:51:15 | 0:51:18 | |
after we've seen everyone
perform in the show. | 0:51:18 | 0:51:25 | |
Give it up for SuRie! CHEERING
Well done. | 0:51:25 | 0:51:30 | |
Only one song left, then it's
up to you and the jury | 0:51:30 | 0:51:33 | |
to decide tonight's winner. | 0:51:33 | 0:51:36 | |
Song number six is called
'I Feel The Love', and will be | 0:51:36 | 0:51:39 | |
performed by Goldstone. | 0:51:39 | 0:51:40 | |
Take it away. | 0:51:40 | 0:51:42 | |
I think summing up Goldstone would
be glitzy, glamorous and girly. | 0:51:45 | 0:51:53 | |
Aimie and I met, we were doing
a musical called Dirty Dancing, | 0:51:55 | 0:51:58 | |
we were on tour together. | 0:51:58 | 0:51:59 | |
And we just came up with the idea
that we'd love to be able | 0:51:59 | 0:52:02 | |
to continue singing together,
because we got on really well, | 0:52:02 | 0:52:05 | |
and we decided to put
together the group. | 0:52:05 | 0:52:06 | |
And we needed a third member,
so we had an audition, | 0:52:06 | 0:52:09 | |
and we found Rhiannon. | 0:52:09 | 0:52:11 | |
That's where I came in. | 0:52:11 | 0:52:13 | |
Yeah. | 0:52:13 | 0:52:14 | |
Rhiannon's got this
very loud Welsh voice. | 0:52:14 | 0:52:16 | |
Helen's soulful R&B. | 0:52:16 | 0:52:17 | |
Aims is, like, rocky, sexy, raspy. | 0:52:17 | 0:52:19 | |
We actually really complement
each other, I think. | 0:52:19 | 0:52:21 | |
We have such a good time. | 0:52:21 | 0:52:24 | |
Like, we spend most
of our time laughing. | 0:52:24 | 0:52:26 | |
Yeah. | 0:52:26 | 0:52:28 | |
And singing! | 0:52:28 | 0:52:29 | |
But mostly laughing. | 0:52:29 | 0:52:30 | |
Our song is called I Feel The Love. | 0:52:30 | 0:52:32 | |
It was written just
after the Grenfell disaster and also | 0:52:32 | 0:52:34 | |
the London Bridge attacks. | 0:52:34 | 0:52:36 | |
And so there's a real message
of people coming together | 0:52:36 | 0:52:38 | |
and a sense of community,
and staying positive | 0:52:38 | 0:52:40 | |
and just spreading the love. | 0:52:40 | 0:52:44 | |
My favourite lyric from the song
is "We can't do it alone, | 0:52:44 | 0:52:47 | |
times are changing." | 0:52:47 | 0:52:49 | |
It's just a lyric about unity. | 0:52:49 | 0:52:51 | |
It's a hopeful song, isn't it? | 0:52:51 | 0:52:52 | |
Very much so. | 0:52:52 | 0:52:53 | |
It's about hope and sort of standing
together and being strong. | 0:52:53 | 0:52:57 | |
This is our moment to show
everybody what we do. | 0:52:57 | 0:53:00 | |
Yeah, there's a lot of pressure
representing our country. | 0:53:00 | 0:53:02 | |
We hope to do really
well for you guys. | 0:53:02 | 0:53:05 | |
But we are so ready to get
out there and do it. | 0:53:05 | 0:53:08 | |
Yes. | 0:53:08 | 0:53:09 | |
Let's go, girls. | 0:53:09 | 0:53:11 | |
Performing 'I Feel The Love',
it's Goldstone. | 0:53:11 | 0:53:18 | |
# Woke up, don't feel myself. | 0:53:22 | 0:53:24 | |
# Yo, this is something else. | 0:53:24 | 0:53:26 | |
# I got the rhythm in me,
I can't shake it. | 0:53:26 | 0:53:29 | |
# I'm walking down the street. | 0:53:29 | 0:53:31 | |
# My feet don't miss a beat. | 0:53:31 | 0:53:33 | |
# I'll get your coffee,
baby, how do you take it? | 0:53:33 | 0:53:37 | |
# It feels so good in my bones,
but I can take it. | 0:53:37 | 0:53:40 | |
# This vibe will never get old,
I swear it saves me. | 0:53:40 | 0:53:43 | |
# And we can't do it alone,
times are changing. | 0:53:43 | 0:53:49 | |
# You got it, we got it. | 0:53:49 | 0:53:51 | |
# You got it, we got it. | 0:53:51 | 0:53:53 | |
# I feel the love in my city,
I feel the love everywhere I go. | 0:53:53 | 0:53:59 | |
# I feel the love always with me,
it's the kind of love | 0:53:59 | 0:54:05 | |
that takes me home. | 0:54:05 | 0:54:07 | |
# I feel the love. | 0:54:07 | 0:54:11 | |
# I feel the love everywhere I go. | 0:54:11 | 0:54:13 | |
# I feel the love. | 0:54:13 | 0:54:18 | |
# It's the kind of love
that takes me home. | 0:54:18 | 0:54:21 | |
# Come on, get out your seat. | 0:54:21 | 0:54:24 | |
# You wanna dance with me. | 0:54:24 | 0:54:26 | |
# Keep filling up my cup,
it's love we're drinking. | 0:54:26 | 0:54:29 | |
# No matter how you look. | 0:54:29 | 0:54:31 | |
# We don't play by the book. | 0:54:31 | 0:54:33 | |
# I love the way you move
so come and sing it. | 0:54:33 | 0:54:37 | |
# It feels so good in my bones,
but I can take it. | 0:54:37 | 0:54:41 | |
# This vibe will never get old,
I swear it saves me. | 0:54:41 | 0:54:43 | |
# And we can't do it alone,
times are changing. | 0:54:43 | 0:54:48 | |
# You got it, we got it. | 0:54:48 | 0:54:49 | |
# You got it, we got it. | 0:54:49 | 0:54:54 | |
# I feel the love in my city,
I feel the love everywhere I go. | 0:54:54 | 0:54:59 | |
# I feel the love always with me,
it's the kind of love | 0:54:59 | 0:55:05 | |
# That takes me home. | 0:55:05 | 0:55:06 | |
# I feel the love. | 0:55:06 | 0:55:09 | |
# I feel the love everywhere I go. | 0:55:09 | 0:55:13 | |
# I feel the love. | 0:55:13 | 0:55:18 | |
# It's the kind of love
that takes me home. | 0:55:18 | 0:55:21 | |
# Clap your hands, come on! | 0:55:21 | 0:55:24 | |
# Clap your hands, come on! | 0:55:24 | 0:55:25 | |
# Clap your hands, come on! | 0:55:25 | 0:55:28 | |
# Clap your hands, come on! | 0:55:28 | 0:55:30 | |
# Clap your hands! | 0:55:33 | 0:55:41 | |
# I feel the love in my city,
I feel the love everywhere I go. | 0:55:41 | 0:55:46 | |
# I feel the love always with me,
it's the kind of love | 0:55:46 | 0:55:52 | |
that takes me home. | 0:55:52 | 0:55:53 | |
# I feel the love. | 0:55:53 | 0:55:58 | |
# I feel the love everywhere I go. | 0:55:58 | 0:56:00 | |
# I feel the love. | 0:56:00 | 0:56:05 | |
# It's the kind of love
that takes me home. | 0:56:05 | 0:56:10 | |
# I feel the love #. | 0:56:10 | 0:56:13 | |
CHEERING AND APPLAUSE
Goldstone! Come on over. Very tidy. | 0:56:15 | 0:56:27 | |
In you come. Rochelle, is this the
year we should be sending a girl | 0:56:27 | 0:56:33 | |
band to the Eurovision? You're
asking me? Of course! Thank you for | 0:56:33 | 0:56:40 | |
bringing the sparkle and the girl
band. Why not? Why shouldn't it be | 0:56:40 | 0:56:45 | |
the time? You did great, so
together. Did you feel the love? I | 0:56:45 | 0:56:51 | |
have been waiting for you to ask me
that, Mans! You are great, girls, | 0:56:51 | 0:56:57 | |
there were three girls last year
from the Netherlands did Wilson | 0:56:57 | 0:57:02 | |
Phillips, you are like the upgraded
version, easily. I thought you were | 0:57:02 | 0:57:07 | |
great, you looked great and you
didn't miss a note and you should be | 0:57:07 | 0:57:11 | |
proud of yourselves. Tom, you are
part of a band, is it a nice feeling | 0:57:11 | 0:57:15 | |
being on a big stage with your
mates? Will that give them the edge? | 0:57:15 | 0:57:20 | |
It's terrible, go solo! No, it
amazing sharing a stage with your | 0:57:20 | 0:57:25 | |
best friend is the best feeling and
living you want from any band, girl | 0:57:25 | 0:57:30 | |
band, boy band, Rock band, is for
people to be wanting to be in your | 0:57:30 | 0:57:33 | |
band. I want to be in the band!
Three times too old. | 0:57:33 | 0:57:39 | |
If you think that Goldstone has got
what it takes to represent the UK, | 0:57:39 | 0:57:43 | |
you'll need to call 6 22 52 06
from a mobile 09015 22 52 06 | 0:57:43 | 0:57:46 | |
from a landline or vote online
for free when the vote | 0:57:46 | 0:57:49 | |
opens very shortly. | 0:57:49 | 0:57:52 | |
Thank you very much. | 0:57:52 | 0:57:56 | |
Thank you, Goldstone. We are walking
and talking. | 0:57:56 | 0:58:03 | |
Well, it's time to get
to the heart of the matter. | 0:58:03 | 0:58:05 | |
This is exciting. | 0:58:05 | 0:58:08 | |
You have now seen and heard all our
six talented hopefuls perform, | 0:58:08 | 0:58:12 | |
only one of them can be
crowned tonight's winner. | 0:58:12 | 0:58:15 | |
The power is in your hands,
and the vote is now open! | 0:58:15 | 0:58:20 | |
CHEERING | 0:58:20 | 0:58:21 | |
Time to vote! | 0:58:21 | 0:58:24 | |
Calls to the short number
from a mobile cost 15p, | 0:58:24 | 0:58:27 | |
calls to the long number cost 15p
plus your network's access charge. | 0:58:27 | 0:58:30 | |
Please ask the bill payer's
permission before you call. | 0:58:30 | 0:58:32 | |
Mel, is it OK if I call and vote? | 0:58:32 | 0:58:36 | |
Go ahead. | 0:58:36 | 0:58:38 | |
Or you can vote online for free
at bbc.co.uk/Eurovision where | 0:58:38 | 0:58:40 | |
you will find terms and conditions. | 0:58:40 | 0:58:45 | |
The lines close in about 15 minutes
from now, so you don't have long | 0:58:45 | 0:58:48 | |
to cast your all important vote. | 0:58:48 | 0:58:50 | |
And while you're casting
your vote, our jury here | 0:58:50 | 0:58:52 | |
will be doing the same. | 0:58:52 | 0:58:53 | |
As soon as the vote closes,
the points from the jury | 0:58:53 | 0:58:56 | |
and the points from the public
will be combined, to | 0:58:56 | 0:58:58 | |
find out our winner! | 0:58:58 | 0:59:02 | |
All the information about the vote
can be found on the website. | 0:59:02 | 0:59:06 | |
Now, we're live, so if you're
watching on demand, | 0:59:06 | 0:59:08 | |
please don't vote! | 0:59:08 | 0:59:09 | |
And I can't stress enough -
if there's a song you love, | 0:59:09 | 0:59:13 | |
don't rely on others to vote for it,
why would you leave such | 0:59:13 | 0:59:16 | |
an important decision down
to such risky chance? | 0:59:16 | 0:59:19 | |
Your favourite artist
really needs your vote! | 0:59:19 | 0:59:24 | |
To help you make up your mind,
here's a reminder of tonight's | 0:59:24 | 0:59:27 | |
brilliant performances
and the all-important | 0:59:27 | 0:59:28 | |
vote information! | 0:59:28 | 0:59:36 | |
# Crazy.
# Just a little bit crazy, crazy. | 0:59:45 | 0:59:53 | |
# But I'm not crazy. | 0:59:53 | 1:00:00 | |
# I could be your astronaut.
# Your astronaut. | 1:00:08 | 1:00:14 | |
# We'd be legends tonight.
# Legends tonight. | 1:00:30 | 1:00:42 | |
# I guess it's time found out. | 1:00:50 | 1:00:54 | |
# Hold your head up, don't give up,
no, no. | 1:01:10 | 1:01:21 | |
# It's the kind of love that cheers
me. | 1:01:31 | 1:01:35 | |
# Feel the love. | 1:01:35 | 1:01:37 | |
Those were the six competing acts. | 1:01:37 | 1:01:39 | |
Vote to make sure
your favorite wins! | 1:01:39 | 1:01:42 | |
Mans, you of course have won
the Eurovision Song Contest. | 1:01:42 | 1:01:45 | |
Thank you for mentioning that again. | 1:01:45 | 1:01:48 | |
Well, it's in your
contract, after all. | 1:01:48 | 1:01:55 | |
I don't want to get all Miss world
on you, but what was the best thing | 1:01:55 | 1:02:00 | |
about winning? It is all about the
fans, I have been lucky enough to | 1:02:00 | 1:02:04 | |
meet the best fans in the world.
CHEERING | 1:02:04 | 1:02:08 | |
I know them all by now. Absolutely.
There is Steve, Orinoco, Tobermory. | 1:02:08 | 1:02:19 | |
Great uncle Bulgaria. You are just
listing the Wombles! If you are | 1:02:19 | 1:02:26 | |
struggling, and Mans clearly is, to
decide, then take a look at this. | 1:02:26 | 1:02:37 | |
decide, then take a look at this. We
priced and students away from Homes | 1:02:40 | 1:02:43 | |
Under The Hammer to watch some of
the highlights from last year. | 1:02:43 | 1:02:46 | |
Definitely the current sound
at the minute, this song. | 1:02:46 | 1:02:48 | |
# I can't go on | 1:02:48 | 1:02:49 | |
# I can't go on. | 1:02:49 | 1:02:50 | |
Are they on treadmills? | 1:02:50 | 1:02:51 | |
Yeah! | 1:02:51 | 1:02:52 | |
Yes, it's treadmills,
go for a stroll! | 1:02:52 | 1:02:54 | |
# I can't go on | 1:02:54 | 1:02:55 | |
# I can't go on | 1:02:55 | 1:02:57 | |
# When you look
this freaking beautiful. | 1:02:57 | 1:03:00 | |
I like the dance moves. | 1:03:00 | 1:03:01 | |
The hand movement! | 1:03:01 | 1:03:03 | |
What is this?! | 1:03:03 | 1:03:05 | |
Yeah, it's quite
classic pop, isn't it? | 1:03:05 | 1:03:07 | |
Really. | 1:03:07 | 1:03:08 | |
It's a catchy song, they've
got good choreography. | 1:03:08 | 1:03:11 | |
I feel like it would sit quite
comfortably next to your Lady Gagas | 1:03:11 | 1:03:14 | |
or your Taylor Swifts. | 1:03:14 | 1:03:15 | |
It's very pop. | 1:03:15 | 1:03:17 | |
Melodically it's a good song. | 1:03:17 | 1:03:19 | |
Lyrics, I'm not so crazy about! | 1:03:19 | 1:03:22 | |
Ooh, emotions. | 1:03:29 | 1:03:30 | |
Very different vibe. | 1:03:30 | 1:03:31 | |
I like this one. | 1:03:31 | 1:03:36 | |
This one seems quite sincere. | 1:03:36 | 1:03:38 | |
I like this one. | 1:03:38 | 1:03:41 | |
Yeah, I think this definitely
gets people on more | 1:03:47 | 1:03:50 | |
like the emotional factor. | 1:03:50 | 1:03:51 | |
Yeah, he's very into it,
very passionate about it. | 1:03:51 | 1:03:57 | |
Is he playing air violin? | 1:04:00 | 1:04:01 | |
He's loving it. | 1:04:01 | 1:04:07 | |
The majority of Eurovision
is cheesy pop and this | 1:04:10 | 1:04:13 | |
is not a cheesy pop song,
this is a very gentle approach | 1:04:13 | 1:04:16 | |
with some lovely, melodic lines. | 1:04:16 | 1:04:24 | |
I think that's why it did so well,
because it was very different, | 1:04:24 | 1:04:27 | |
song-wise, instrumentation-wise,
structure-wise. | 1:04:27 | 1:04:28 | |
# And I say mamma,
mamma, don't be so down. | 1:04:28 | 1:04:30 | |
# I'm not that kind of boy. | 1:04:30 | 1:04:32 | |
# Mamma, mamma, don't be so down. | 1:04:32 | 1:04:39 | |
Are they singing into flowers? | 1:04:39 | 1:04:40 | |
Yes, as microphones! | 1:04:40 | 1:04:41 | |
# If you knew me you'd be
surprised | 1:04:41 | 1:04:43 | |
# Mamma, mamma,
don't be so mad | 1:04:43 | 1:04:44 | |
# She'll be back
home till sunrise | 1:04:44 | 1:04:46 | |
# Come on! | 1:04:46 | 1:04:49 | |
That was an unexpected turn. | 1:04:49 | 1:04:51 | |
Listen to that sax! | 1:04:51 | 1:04:53 | |
I like it. | 1:04:53 | 1:04:56 | |
# Hey mamma, hey mamma,
hey ma-ma-ma | 1:05:01 | 1:05:06 | |
# Hey mamma,
hey mamma, hey ma-ma-ma. | 1:05:06 | 1:05:11 | |
I like the performance of this one
more than I like the song. | 1:05:11 | 1:05:14 | |
It was so catchy. | 1:05:14 | 1:05:15 | |
It does make you want to do that,
though, doesn't it? | 1:05:15 | 1:05:18 | |
They should have dabbed,
get with the times! | 1:05:18 | 1:05:21 | |
I think Eurovision is kind
of a genre in itself. | 1:05:21 | 1:05:24 | |
If you had every single country
doing exactly the same thing, | 1:05:24 | 1:05:26 | |
like the same genre,
you'd watch four songs | 1:05:26 | 1:05:29 | |
and turn it off. | 1:05:29 | 1:05:36 | |
Some helpful thoughts to bear
in mind on how to pick | 1:05:36 | 1:05:39 | |
a Eurovision winner. | 1:05:39 | 1:05:42 | |
I think it's safe to say that it's
not just about the song, is it? | 1:05:42 | 1:05:45 | |
It's the whole package. | 1:05:45 | 1:05:46 | |
Absolutely. | 1:05:46 | 1:05:47 | |
Staging, lighting, song
and artist performance, | 1:05:47 | 1:05:49 | |
all integral to winning. | 1:05:49 | 1:05:52 | |
So, Mans, how are you enjoying
yourself here at the BBC? | 1:05:52 | 1:05:55 | |
Feel at home? | 1:05:55 | 1:05:56 | |
Perfectly at home. | 1:05:56 | 1:05:57 | |
I'm feeling more and more
British by the minute! | 1:05:57 | 1:06:01 | |
I thought you might say
that, so I prepared | 1:06:01 | 1:06:03 | |
a little test for you -
don't be nervous - | 1:06:03 | 1:06:06 | |
to see just how British you are. | 1:06:06 | 1:06:10 | |
Oh, OK. | 1:06:10 | 1:06:13 | |
Here we go. | 1:06:13 | 1:06:14 | |
What's Kate Middleton's title? | 1:06:14 | 1:06:15 | |
Duchess of Cambridge! | 1:06:15 | 1:06:16 | |
Who's the team captain
of Leeds United? | 1:06:16 | 1:06:18 | |
Liam Cooper! | 1:06:18 | 1:06:19 | |
What's a toad in the hole? | 1:06:19 | 1:06:20 | |
Sausages in Yorkshire pudding! | 1:06:20 | 1:06:21 | |
What did Europe say to Gemini? | 1:06:21 | 1:06:23 | |
Bye bye baby. | 1:06:23 | 1:06:24 | |
How would you describe
Theresa May's hairdo? | 1:06:24 | 1:06:26 | |
Fluffy! | 1:06:26 | 1:06:27 | |
In what ways are the
French superior to us? | 1:06:27 | 1:06:29 | |
None. | 1:06:29 | 1:06:30 | |
When will Donald Trump visit the UK? | 1:06:30 | 1:06:31 | |
Never! | 1:06:31 | 1:06:33 | |
OK, you're British! | 1:06:33 | 1:06:34 | |
Well done! | 1:06:34 | 1:06:35 | |
CHEERING
That was amazing. Thank you so much. | 1:06:35 | 1:06:39 | |
Mary Berry is waiting
in your dressing room | 1:06:39 | 1:06:41 | |
with a toad in the hole. | 1:06:41 | 1:06:43 | |
Off you go. | 1:06:43 | 1:06:44 | |
Great! | 1:06:44 | 1:06:46 | |
Well, the vote is still open so once
again, let's remind ourselves | 1:06:46 | 1:06:49 | |
of tonight's six acts all passionate
about representing the UK | 1:06:49 | 1:06:51 | |
at Eurovision 2018! | 1:06:51 | 1:06:59 | |
And you have about 11 minutes left
to votes. | 1:07:00 | 1:07:03 | |
And please vote - your favorite
artist needs your help to win! | 1:07:03 | 1:07:09 | |
# Crazy.
# Just a little bit crazy, crazy. | 1:07:20 | 1:07:28 | |
# But I'm not crazy. | 1:07:28 | 1:07:34 | |
# I could be your astronaut. | 1:07:39 | 1:07:42 | |
# Your astronaut. | 1:07:42 | 1:07:49 | |
# We be legends tonight. | 1:08:01 | 1:08:04 | |
# Legends tonight. | 1:08:04 | 1:08:10 | |
# I guess it's time she found out. | 1:08:20 | 1:08:28 | |
# Hold your head up,
don't give up, no, no. | 1:08:41 | 1:08:48 | |
# It's the kind of
love that cheers me. | 1:09:02 | 1:09:04 | |
# Feel the love. | 1:09:04 | 1:09:12 | |
It's not an easy choice to make
at all, but they can't | 1:09:12 | 1:09:15 | |
win without your help. | 1:09:15 | 1:09:17 | |
We're broadcasting live
from Brighton tonight, | 1:09:17 | 1:09:19 | |
and since it's my first visit
to this beautiful city, I've been | 1:09:19 | 1:09:22 | |
out to learn some more about it. | 1:09:22 | 1:09:29 | |
Oh, hi. | 1:09:33 | 1:09:35 | |
The Brighton Dome is a thing
of architectural beauty, | 1:09:35 | 1:09:38 | |
and it's particularly dear to me,
being the last Swedish winner | 1:09:38 | 1:09:40 | |
of Eurovision in 2015. | 1:09:40 | 1:09:44 | |
Yep, that's where you know me from. | 1:09:44 | 1:09:46 | |
Because it is also the home
of the first Swedish winners | 1:09:46 | 1:09:51 | |
in 1974, a little tiny band
you might have heard of called Abba. | 1:09:51 | 1:09:54 | |
# Waterloo, I was defeated
you won the war... | 1:09:54 | 1:09:58 | |
As a Swede, I'm making my first
of many spiritual journeys | 1:09:58 | 1:10:01 | |
to the iconic Eurovision
location of Brighton. | 1:10:01 | 1:10:05 | |
And to find one place in particular. | 1:10:05 | 1:10:12 | |
Now, this isn't exactly
the place I was looking for, | 1:10:19 | 1:10:21 | |
but it's perfect for a pit stop. | 1:10:21 | 1:10:23 | |
This is a British pier,
and you can tell it's British | 1:10:23 | 1:10:26 | |
because there's a fish and chip shop
at the start... | 1:10:26 | 1:10:30 | |
..In the middle... | 1:10:30 | 1:10:31 | |
And, in case you missed the first
two, there is one at the end. | 1:10:31 | 1:10:35 | |
This still remains the most popular
landmark in Brighton. | 1:10:35 | 1:10:37 | |
Perfect for some holiday snaps. | 1:10:37 | 1:10:40 | |
# I came in like a wrecking ball. | 1:10:46 | 1:10:50 | |
# I never hit so hard in love. | 1:10:50 | 1:10:58 | |
Gorgeous. | 1:11:00 | 1:11:01 | |
Anyways, just a stone's throw away
from the famous pier and beach | 1:11:01 | 1:11:04 | |
is the heart of the old fishing
village, otherwise | 1:11:04 | 1:11:06 | |
known as The Lanes. | 1:11:06 | 1:11:08 | |
If only I had a stone to throw. | 1:11:08 | 1:11:11 | |
Oh. | 1:11:11 | 1:11:14 | |
See? | 1:11:23 | 1:11:24 | |
The Lanes is an historical
area of Brighton with | 1:11:24 | 1:11:26 | |
an extraordinary mix of shops. | 1:11:26 | 1:11:27 | |
From boutique to designer,
you'll find it all here. | 1:11:27 | 1:11:30 | |
But that's not what I'm here for. | 1:11:30 | 1:11:33 | |
Are you OK? | 1:11:42 | 1:11:43 | |
Yeah, I'm just trying to find a... | 1:11:43 | 1:11:46 | |
An official Brighton
tourist guide, perfect. | 1:11:46 | 1:11:48 | |
Where are we now? | 1:11:48 | 1:11:49 | |
We are at the Brighton
Royal Pavilion. | 1:11:49 | 1:11:51 | |
This was built about 200 years ago
as the seaside getaway | 1:11:51 | 1:11:53 | |
for the Prince Regent. | 1:11:53 | 1:11:55 | |
He later became King George IV. | 1:11:55 | 1:11:57 | |
Today it's Brighton's largest
historic tourist attraction. | 1:11:57 | 1:12:01 | |
You can also get married here,
and in 2014 we had the UK's jointly | 1:12:01 | 1:12:05 | |
first same-sex weddings here. | 1:12:05 | 1:12:07 | |
The LGBTQ community is quite
important Brighton, isn't it? | 1:12:07 | 1:12:10 | |
It is, it is. | 1:12:10 | 1:12:12 | |
We are said to have the larger
proportion of LGBT | 1:12:12 | 1:12:14 | |
people in Britain here. | 1:12:14 | 1:12:16 | |
Every August we have the largest
Pride event here in Brighton, | 1:12:16 | 1:12:21 | |
and we have a whole history
of people coming to Brighton | 1:12:21 | 1:12:24 | |
to enjoy a little bit more freedom. | 1:12:24 | 1:12:26 | |
This was heavily featured
in the 1974 contest. | 1:12:26 | 1:12:29 | |
And I was just wondering
if you would want to recreate | 1:12:29 | 1:12:32 | |
the Abba introduction video with me? | 1:12:32 | 1:12:34 | |
Love to. | 1:12:34 | 1:12:35 | |
All we need is charisma... | 1:12:35 | 1:12:37 | |
And... | 1:12:37 | 1:12:38 | |
An oversized plant. | 1:12:38 | 1:12:41 | |
Oh. | 1:12:41 | 1:12:42 | |
How convenient. | 1:12:42 | 1:12:43 | |
# Whoa, whoa, whoa,
whoa, Waterloo... | 1:12:43 | 1:12:47 | |
By the way, one last thing. | 1:12:47 | 1:12:48 | |
Do you happen to know
where I can find Madeira Drive? | 1:12:48 | 1:12:51 | |
Yes, it's that way. | 1:12:51 | 1:12:52 | |
That way? | 1:12:52 | 1:12:54 | |
Right. | 1:12:54 | 1:12:55 | |
Thank you. | 1:12:55 | 1:12:56 | |
Ha-ha! | 1:13:04 | 1:13:05 | |
Legend has it that only four years
after Abba won Eurovision, | 1:13:05 | 1:13:08 | |
Brighton celebrated with a perfect
gift to the Swedes - Britain's first | 1:13:08 | 1:13:11 | |
nudist beach popped up. | 1:13:11 | 1:13:15 | |
This is that beach,
and being from a country | 1:13:15 | 1:13:20 | |
who loves to get naked,
I thought I'd take | 1:13:20 | 1:13:22 | |
the opportunity for a dip. | 1:13:22 | 1:13:23 | |
Now, you never saw Katie Boyle
doing this, did you? | 1:13:23 | 1:13:30 | |
You'll have to watch a sequel! I'm
so sorry. I actually got you a | 1:13:37 | 1:13:43 | |
present, some Brighton Rock. That's
nice, isn't it? It's likely tastes | 1:13:43 | 1:13:54 | |
of dog wee. That was a mistake. The
fact I know it tastes of dog wee is | 1:13:54 | 1:14:00 | |
worrying. I will put the rock next
to me in the taxi home, and forget | 1:14:00 | 1:14:03 | |
it. | 1:14:03 | 1:14:05 | |
Listen up - the vote is now closed. | 1:14:05 | 1:14:07 | |
That's it. | 1:14:07 | 1:14:08 | |
Please don't try to vote
now as it won't count | 1:14:08 | 1:14:10 | |
and you may still be charged. | 1:14:10 | 1:14:12 | |
Now your votes will be combined
with the jury's vote, | 1:14:12 | 1:14:14 | |
and then we'll have our winner! | 1:14:14 | 1:14:20 | |
CHEERING | 1:14:20 | 1:14:25 | |
Tom, we have heard quite a
difference in music styles tonight. | 1:14:25 | 1:14:29 | |
What does that say about modern
Eurovision? I think it is fantastic. | 1:14:29 | 1:14:34 | |
This year is a very strong
collection overall. In the past, | 1:14:34 | 1:14:38 | |
Eurovision has a bad reputation when
it comes to songs, this year is | 1:14:38 | 1:14:42 | |
really strong. You could hear so
many of those songs on the radio | 1:14:42 | 1:14:46 | |
today, so shout out to the song
writers. Absolutely. Rylan, how | 1:14:46 | 1:14:51 | |
would you think Eurovision has
changed Andy Boulton? -- Andy | 1:14:51 | 1:14:58 | |
Boulton? Lots of people look at it
as a gimmick and lots of people who | 1:14:58 | 1:15:02 | |
do not know Eurovision take the
Mickey out of it. We know it is very | 1:15:02 | 1:15:07 | |
serious.
CHEERING | 1:15:07 | 1:15:08 | |
For me, personally, | 1:15:08 | 1:15:15 | |
For me, personally, it was... Sweden
do it right, every single year, but | 1:15:15 | 1:15:18 | |
she was the game changer, for me.
That is what we need to do. Britain | 1:15:18 | 1:15:22 | |
needs to send our very own person
like Mans to bring it home back to | 1:15:22 | 1:15:29 | |
the country where it deserves to be.
Rachelle, how do you think the | 1:15:29 | 1:15:34 | |
artists are feeling? I am sure they
are probably very nervous, not as | 1:15:34 | 1:15:38 | |
nervous as before they perform. It
is an exciting night, really, really | 1:15:38 | 1:15:42 | |
exciting. I have caught up with some
of them backstage and they are | 1:15:42 | 1:15:46 | |
thrilled to be had, it is a great
platform. Rylan is a super fan of | 1:15:46 | 1:15:49 | |
every single one of them. | 1:15:49 | 1:15:56 | |
every single one of them. I am so
happy to be out of the house! What | 1:15:56 | 1:15:59 | |
can we have from the three of you,
your favourite all time ever | 1:15:59 | 1:16:01 | |
Eurovision song? Abba. Waterloo?
Abba. Waterloo began. Mine would | 1:16:01 | 1:16:16 | |
probably be heroes by Mans. What
about Finland? | 1:16:16 | 1:16:24 | |
While we're counting and double
checking tonight's vote, | 1:16:24 | 1:16:27 | |
we've got a little treat for you. | 1:16:27 | 1:16:31 | |
Let's travel back in time,
44 years, to the now | 1:16:31 | 1:16:33 | |
famous Eurovision of 1974. | 1:16:33 | 1:16:36 | |
As Ceefax became the hit
new technology trend - groovy! | 1:16:37 | 1:16:43 | |
- four-time Eurovision presenter
and fashion guru Katie Boyle took | 1:16:43 | 1:16:46 | |
to the stage in the Brighton Dome
to host one of the most eventful | 1:16:46 | 1:16:49 | |
and memorable Song Contests ever. | 1:16:49 | 1:16:52 | |
Welcome to this, the 19th
Eurovision Song Contest, coming | 1:16:52 | 1:16:55 | |
to you from the Dome in Brighton. | 1:16:55 | 1:16:59 | |
Hold onto your feather wing collars
and your crocheted midi dirndls, | 1:16:59 | 1:17:01 | |
everyone, for one heck of a recap. | 1:17:01 | 1:17:04 | |
It was the year that France
withdrew and Greece debuted. | 1:17:04 | 1:17:07 | |
That's right, we are already
using rhyming couplets! | 1:17:07 | 1:17:09 | |
This stuff's just got real. | 1:17:09 | 1:17:16 | |
# La-la la-la la la-la
la la-la la la-la #. | 1:17:16 | 1:17:20 | |
Italy refused to broadcast
their own entry - | 1:17:20 | 1:17:23 | |
but "Perche?", I hear you ask. | 1:17:23 | 1:17:26 | |
An intense political
referendum was taking place | 1:17:26 | 1:17:30 | |
and they thought their song,
Si - which roughly translates as Yes | 1:17:30 | 1:17:33 | |
- would be a subliminal message... | 1:17:33 | 1:17:35 | |
# Si, dolcemente dissi si. | 1:17:35 | 1:17:42 | |
# Per provare un'emozione
che non ho avuto mai. | 1:17:42 | 1:17:50 | |
Unlike Portugal, who did
broadcast their entry and did | 1:17:51 | 1:17:53 | |
create quite a kerfuffle. | 1:17:53 | 1:18:00 | |
In fact, Paulo's song
helped to start a full-on | 1:18:00 | 1:18:02 | |
revolution in Portugal. | 1:18:02 | 1:18:03 | |
Let's have a blast of
this anarchist entry. | 1:18:03 | 1:18:05 | |
# Em silencio, amor. | 1:18:05 | 1:18:07 | |
# Em tristeza e fim. | 1:18:07 | 1:18:10 | |
Yeah, that's not exactly
what I was expecting. | 1:18:10 | 1:18:15 | |
Now, I know what you're thinking -
what happens when all 17 songs had | 1:18:15 | 1:18:18 | |
been performed and votes
were being counted? | 1:18:18 | 1:18:20 | |
That's right, they undergrounded
and overgrounded and | 1:18:20 | 1:18:23 | |
brought out the Wombles. | 1:18:23 | 1:18:24 | |
# The Wombles of
Wimbledon Common are we. | 1:18:24 | 1:18:28 | |
# Making good use of
the things that we find. | 1:18:28 | 1:18:32 | |
# Things that the everyday
folks leave behind #. | 1:18:32 | 1:18:37 | |
Now Ireland may have
produced the show-stopping | 1:18:37 | 1:18:39 | |
Riverdance 20 years later,
but it's quite clear | 1:18:39 | 1:18:42 | |
where they actually got
their inspiration from. | 1:18:42 | 1:18:44 | |
# And remember you're a Womble. | 1:18:44 | 1:18:46 | |
# Remember you're a womble #. | 1:18:46 | 1:18:49 | |
And now we come to the obvious
highlight of the 1974 contest. | 1:18:49 | 1:18:54 | |
Abba first tried to represent Sweden
back in 1973 with the song Ring, | 1:18:54 | 1:18:57 | |
Ring, but somebody must have missed
that call, because they failed | 1:18:57 | 1:19:00 | |
to qualify at their
national selection show. | 1:19:00 | 1:19:05 | |
Undeterred, they came back in '74
with a cracker of an upbeat track. | 1:19:05 | 1:19:09 | |
And let's just say they
absolutely nailed it. | 1:19:09 | 1:19:12 | |
There's no doubt about it. | 1:19:12 | 1:19:16 | |
The winning song of the 1974
Eurovision Song Contest is Abba. | 1:19:16 | 1:19:20 | |
This victory catapulted Abba
to worldwide stardom | 1:19:20 | 1:19:22 | |
and legendary status. | 1:19:22 | 1:19:26 | |
So as the Swedish conductor
hilariously takes to the stage | 1:19:26 | 1:19:29 | |
in a Napoleon outfit,
let's just sit back and enjoy one | 1:19:29 | 1:19:32 | |
of the most successful
Eurovision songs of all time. | 1:19:32 | 1:19:40 | |
# My, my, at Waterloo
Napoleon did surrender. | 1:19:40 | 1:19:45 | |
# Oh yeah, and I have met my destiny
in quite a similar way. | 1:19:45 | 1:19:53 | |
# The history book on the shelf. | 1:19:54 | 1:19:57 | |
# Is always repeating itself. | 1:19:57 | 1:20:02 | |
# Waterloo - I was defeated,
you won the war. | 1:20:02 | 1:20:08 | |
# Waterloo - promise
to love you for ever more. | 1:20:08 | 1:20:15 | |
# Waterloo - couldn't
escape if I wanted to. | 1:20:15 | 1:20:22 | |
# Waterloo - knowing my
fate is to be with you. | 1:20:22 | 1:20:26 | |
# Whoa, whoa, whoa, whoa. | 1:20:26 | 1:20:28 | |
# Waterloo - finally
facing my Waterloo. | 1:20:28 | 1:20:36 | |
# My, my, I tried to hold you back
but you were stronger. | 1:20:38 | 1:20:44 | |
# Oh yeah, and now it seems my only
chance is giving up the fight. | 1:20:44 | 1:20:52 | |
# So how could I ever refuse? | 1:20:52 | 1:20:56 | |
# I feel like I win when I lose. | 1:20:56 | 1:21:00 | |
# Waterloo - I was defeated,
you won the war. | 1:21:00 | 1:21:07 | |
# Waterloo - promise
to love you for ever more. | 1:21:07 | 1:21:15 | |
# Waterloo - couldn't
escape if I wanted to. | 1:21:15 | 1:21:20 | |
# Waterloo - knowing my
fate is to be with you. | 1:21:20 | 1:21:26 | |
# Whoa, whoa, whoa, whoa. | 1:21:26 | 1:21:29 | |
# Waterloo - finally
facing my Waterloo. | 1:21:29 | 1:21:35 | |
# So how could I ever refuse? | 1:21:35 | 1:21:37 | |
# I feel like I win when I lose. | 1:21:37 | 1:21:45 | |
# Waterloo - couldn't
escape if I wanted to. | 1:21:45 | 1:21:48 | |
# Waterloo - knowing my
fate is to be with you. | 1:21:48 | 1:21:52 | |
# Whoa, whoa, whoa, whoa. | 1:21:52 | 1:21:53 | |
# Waterloo - finally
facing my Waterloo. | 1:21:53 | 1:21:59 | |
# Ooh-ooh, ooh-ooh. | 1:21:59 | 1:22:01 | |
# Waterloo - knowing my
fate is to be with you. | 1:22:01 | 1:22:04 | |
# Whoa, whoa, whoa, whoa. | 1:22:04 | 1:22:07 | |
# Waterloo - finally
facing my Waterloo #. | 1:22:07 | 1:22:09 | |
CHEERING AND APPLAUSE. | 1:22:09 | 1:22:17 | |
Guys, I don't say it again, this is
the actual stage where Abba stood | 1:22:27 | 1:22:33 | |
can still see the imprint of the
platform boots! | 1:22:33 | 1:22:38 | |
Some wonderful images
from the Eurovision of 1974 | 1:22:38 | 1:22:40 | |
ending of course with Abba
winning the contest. | 1:22:40 | 1:22:46 | |
And that was the last time
we mention Abba in this | 1:22:46 | 1:22:49 | |
show, I guarantee you. | 1:22:49 | 1:22:50 | |
Enough! | 1:22:50 | 1:22:51 | |
Absolutely! | 1:22:51 | 1:22:52 | |
Because tonight we've asked
you to spend some money, money, | 1:22:52 | 1:22:54 | |
money and give us a ring,
ring to say thank you for the music | 1:22:54 | 1:22:58 | |
to your favorite super trouper that
may fly to Lisbon where hopefully | 1:22:58 | 1:23:01 | |
the winner takes it all. | 1:23:01 | 1:23:03 | |
Please. Stop that. Yes. | 1:23:03 | 1:23:07 | |
I do, I do, I do, I do. | 1:23:07 | 1:23:10 | |
Now, let's thank our
incredible performers - | 1:23:10 | 1:23:13 | |
you should all be very proud
of what you've achieved tonight! | 1:23:13 | 1:23:17 | |
CHEERING AND APPLAUSE
So well done and very good luck. | 1:23:17 | 1:23:24 | |
We've seen six superb acts perform
six beautifully crafted songs | 1:23:24 | 1:23:26 | |
from awesome song writers. | 1:23:26 | 1:23:31 | |
And now we are all wondering the
same thing. What will San Marino | 1:23:31 | 1:23:37 | |
send this year? Always on our minds.
But who will win tonight? | 1:23:37 | 1:23:48 | |
They've done all they possibly can,
so now there's nothing left | 1:23:48 | 1:23:51 | |
to do but find out how
you and the jury have voted, | 1:23:51 | 1:23:54 | |
and just who the winner representing
the UK at Eurovision 2018 is... | 1:23:54 | 1:23:58 | |
There is a little bit of sweat
building up in the jacket! | 1:23:58 | 1:24:02 | |
Bit of tension, please. | 1:24:02 | 1:24:06 | |
We've counted, verified
and added together the scores | 1:24:06 | 1:24:11 | |
from our professional jury
here and you at home. | 1:24:11 | 1:24:14 | |
Now let's find out who got the most
votes and will compete in Lisbon. | 1:24:14 | 1:24:22 | |
The winner of Eurovision: You Decide
2018 is... SuRie! | 1:24:40 | 1:24:54 | |
CHEERING AND APPLAUSE | 1:24:54 | 1:25:01 | |
Congratulations! Marshalling and
herding and shepherding, too much | 1:25:05 | 1:25:13 | |
hugging! Come on, my love!
Congratulations. Amazing. You are | 1:25:13 | 1:25:27 | |
off to Lisbon! CHEERING
You are going to represent the UK at | 1:25:27 | 1:25:33 | |
the Eurovision Song contest 2018.
How does it feel? I... Words and | 1:25:33 | 1:25:43 | |
feelings... | 1:25:43 | 1:25:48 | |
They are shouting your name! I have
to ask you, how are you going to | 1:25:48 | 1:25:54 | |
celebrate tonight? A bottle and a
straw, a bottle of something bubbly. | 1:25:54 | 1:26:01 | |
Shampoo? Lovely! We are all
desperate to hear your winning song | 1:26:01 | 1:26:09 | |
again. Off you go, get ready to
perform. Huge congratulations again | 1:26:09 | 1:26:17 | |
to SuRie, well done! CHEERING | 1:26:17 | 1:26:22 | |
Commiserations to everyone else,
you were all fantastic. | 1:26:22 | 1:26:24 | |
Let's give them a last
round of applause. | 1:26:24 | 1:26:29 | |
APPLAUSE | 1:26:29 | 1:26:32 | |
Yes, we can all agree we've seen
some incredible talent tonight | 1:26:32 | 1:26:34 | |
showcasing some wonderful songs,
but in the end there | 1:26:34 | 1:26:36 | |
can only be one winner. | 1:26:36 | 1:26:41 | |
Don't miss the final
of the Eurovision Song Contest 2018, | 1:26:41 | 1:26:43 | |
live from Lisbon on May 12th. | 1:26:43 | 1:26:48 | |
SuRie will compete against 25 other
countries. Are we excited about | 1:26:48 | 1:26:53 | |
that? Yes, we are! Don't miss SuRie
on Radio 2 tomorrow morning with Ken | 1:26:53 | 1:27:00 | |
Bruce. Thank you, Mans. The pleasure
was all mine, thank you, Mel. And | 1:27:00 | 1:27:07 | |
the perfect ending to the Purbeck
night, the winner of Eurovision: You | 1:27:07 | 1:27:13 | |
Decide, SuRie! From all others in
Brighton, good night! -- all of us. | 1:27:13 | 1:27:21 | |
# Hey, hey brother | 1:27:21 | 1:27:25 | |
# Do you remember when we
were kids with no fear? | 1:27:25 | 1:27:29 | |
# Hey, hey sister | 1:27:29 | 1:27:33 | |
# Do you believe in the things
we dreamt we'd discover? | 1:27:33 | 1:27:38 | |
# I still have faith | 1:27:38 | 1:27:41 | |
# I still believe
in chasing rainbows | 1:27:41 | 1:27:45 | |
# Storms don't last forever, forever | 1:27:45 | 1:27:51 | |
# Remember, we can
hold our hands together | 1:27:51 | 1:27:57 | |
# Through this storm | 1:27:57 | 1:27:59 | |
# Through this storm | 1:27:59 | 1:28:01 | |
# Storms don't last
forever, forever | 1:28:01 | 1:28:09 | |
# Remember, we can hold our hands
together | 1:28:09 | 1:28:13 | |
# Through this storm | 1:28:13 | 1:28:16 | |
# Through this storm | 1:28:16 | 1:28:20 | |
# Hey, hey mother | 1:28:20 | 1:28:25 | |
# Am I making you proud
or could I do better? | 1:28:25 | 1:28:28 | |
# Hey, hey father | 1:28:28 | 1:28:33 | |
# There's weight on my
shoulders but it's not over | 1:28:33 | 1:28:38 | |
# I still have faith | 1:28:38 | 1:28:41 | |
# I still believe
in chasing rainbows | 1:28:41 | 1:28:45 | |
# Storms don't last
forever, forever | 1:28:45 | 1:28:51 | |
# Remember, we can hold our hands
together | 1:28:51 | 1:28:57 | |
# Through this storm | 1:28:57 | 1:28:59 | |
# Through this storm | 1:28:59 | 1:29:01 | |
# Storms don't last forever, forever | 1:29:01 | 1:29:09 | |
# Remember, we can
hold our hands together | 1:29:09 | 1:29:14 | |
# Through this storm | 1:29:14 | 1:29:16 | |
# Through this storm | 1:29:16 | 1:29:18 | |
# Spread your love | 1:29:18 | 1:29:21 | |
# Give all you got | 1:29:21 | 1:29:23 | |
# Hold your head up | 1:29:23 | 1:29:24 | |
# Don't give up, no no | 1:29:24 | 1:29:27 | |
# Hey, hey brother | 1:29:27 | 1:29:30 | |
# Don't give up | 1:29:30 | 1:29:33 | |
# Oh whoa whoa whoa | 1:29:33 | 1:29:34 | |
# Storms don't last forever, forever | 1:29:34 | 1:29:41 | |
# Remember, we can
hold our hands together | 1:29:41 | 1:29:47 | |
# Through this storm | 1:29:47 | 1:29:50 | |
# Through this storm | 1:29:50 | 1:29:51 | |
# Spread your love | 1:29:51 | 1:29:54 | |
# Give all you got | 1:29:54 | 1:29:56 | |
# Hold your head up | 1:29:56 | 1:29:58 | |
# Don't give up, no no | 1:29:58 | 1:30:00 | |
# Spread your love, your love | 1:30:00 | 1:30:03 | |
# Give all you got, hey | 1:30:03 | 1:30:07 | |
# Hold your head up
through this storm #. | 1:30:07 | 1:30:11 | |
CHEERING AND APPLAUSE | 1:30:11 | 1:30:17 |