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In rural Ireland, country music has never been so popular. | 0:00:02 | 0:00:05 | |
A host of new country stars have tempted a generation to | 0:00:06 | 0:00:10 | |
turn their back on the nightclub, | 0:00:10 | 0:00:12 | |
don their Stetsons and jive the night away, | 0:00:12 | 0:00:14 | |
from Ballymena to Ballydehob. | 0:00:14 | 0:00:17 | |
This week, we circle our wagons | 0:00:19 | 0:00:20 | |
at a festival that showcases two types of music - | 0:00:20 | 0:00:24 | |
country AND western. | 0:00:24 | 0:00:26 | |
Only in its second year, | 0:00:26 | 0:00:27 | |
Cowboys & Heroes has rounded up the most wanted acts on the scene | 0:00:27 | 0:00:31 | |
for the biggest Wild West hoedown this side of Texas. | 0:00:31 | 0:00:35 | |
He wants to lock it hard left there. | 0:00:35 | 0:00:37 | |
Festival manager Simon is hoping to claim a country music bounty, | 0:00:37 | 0:00:40 | |
but with other events shooting it out for punters, | 0:00:40 | 0:00:43 | |
will the crowds roll up, | 0:00:43 | 0:00:44 | |
or will the infamous Irish weather | 0:00:44 | 0:00:47 | |
leave the festival site looking more like a one-horse town? | 0:00:47 | 0:00:50 | |
Why didn't you stop it raining? | 0:00:50 | 0:00:52 | |
Welcome to the surprising world of Irish country music. | 0:00:52 | 0:00:55 | |
Over the past 15 years, Ireland has built a formidable | 0:01:05 | 0:01:09 | |
reputation as home to some of the best music festivals in Europe. | 0:01:09 | 0:01:13 | |
Events like Electric Picnic, Longitude | 0:01:14 | 0:01:16 | |
and Oxegen have entertained hundreds of thousands of music lovers, | 0:01:16 | 0:01:20 | |
but now there's a new festival in town. | 0:01:20 | 0:01:23 | |
MUSIC: I Want To Be A Country Boy by Big Tom | 0:01:27 | 0:01:29 | |
# Everybody says that I could be a big star in a couple of years... # | 0:01:32 | 0:01:37 | |
Drumcoura City just outside Ballinamore in County Leitrim is | 0:01:37 | 0:01:40 | |
a Western-style horse ranch all year round. | 0:01:40 | 0:01:43 | |
It may be in the north-west of Ireland but, to the people who | 0:01:43 | 0:01:46 | |
drift into town, it's more like the Wild West. | 0:01:46 | 0:01:49 | |
Let me show you how I caught my good wife. | 0:01:50 | 0:01:54 | |
WOMAN SCREAMS | 0:01:54 | 0:01:55 | |
The sheriff in these parts is Rodeo Ron, who, | 0:01:55 | 0:01:58 | |
over the last 15 years, | 0:01:58 | 0:01:59 | |
has built a little part of the American Frontier | 0:01:59 | 0:02:02 | |
in the most rural county in Ireland. | 0:02:02 | 0:02:04 | |
We built a great place here, Drumcoura City. | 0:02:04 | 0:02:07 | |
Everything is Western here. | 0:02:07 | 0:02:08 | |
The saloon is Western, all the stables are Western. | 0:02:08 | 0:02:12 | |
We have all the tack we brought in from the States. | 0:02:12 | 0:02:15 | |
Ron's deputy is stepson Simon, whose idea it was for a festival | 0:02:15 | 0:02:19 | |
aimed squarely at the country music fan. | 0:02:19 | 0:02:22 | |
He felt the family ranch was an ideal setting to | 0:02:23 | 0:02:25 | |
make his country festival dream a reality. | 0:02:25 | 0:02:28 | |
This is where all the main action happens. | 0:02:28 | 0:02:30 | |
The main stage is over here, | 0:02:30 | 0:02:33 | |
and the music comes right the way through, over across the yard. | 0:02:33 | 0:02:37 | |
This way, acoustically, | 0:02:37 | 0:02:38 | |
the music just kind of floods out over the yard itself. | 0:02:38 | 0:02:41 | |
The venue is western country themed. | 0:02:41 | 0:02:43 | |
We have live country music all the time. | 0:02:43 | 0:02:45 | |
When I saw one in ten people in the country booked Garth Brooks | 0:02:45 | 0:02:47 | |
tickets, I thought to myself, | 0:02:47 | 0:02:49 | |
"That's got potential to have a festival," | 0:02:49 | 0:02:52 | |
because there is no true festival, in the traditional sense, | 0:02:52 | 0:02:55 | |
in the sense of, like, Oxegen or Electric Picnic, | 0:02:55 | 0:02:59 | |
country music doesn't have that kind of event. | 0:02:59 | 0:03:01 | |
# Just going to be a country boy... # | 0:03:01 | 0:03:05 | |
With over 80,000 euros invested, | 0:03:05 | 0:03:08 | |
Simon is hoping the country music loving public turn out in force. | 0:03:08 | 0:03:11 | |
There's a lot at stake. | 0:03:11 | 0:03:13 | |
It's a very, very expensive thing to put on, an event like this, | 0:03:13 | 0:03:15 | |
so I'm just really, really hopeful that it's going to be a big | 0:03:15 | 0:03:18 | |
success this year, we're going to have the numbers. | 0:03:18 | 0:03:21 | |
We've got a roof over our heads so it's not weather dependent, | 0:03:21 | 0:03:23 | |
but it makes such a difference when the sun's out as well. | 0:03:23 | 0:03:26 | |
On a day like today, there's no better place to be. | 0:03:26 | 0:03:28 | |
Drumcoura's so beautiful, you know? | 0:03:28 | 0:03:30 | |
# Just want to be a country boy, that's all. # | 0:03:30 | 0:03:32 | |
One man who'd agree with Simon that there is no better place than | 0:03:35 | 0:03:38 | |
Drumcoura is stable worker Paul Duffy. | 0:03:38 | 0:03:40 | |
He blazed his own trail to the ranch. | 0:03:40 | 0:03:43 | |
Nine months ago he quit | 0:03:43 | 0:03:44 | |
his job as a truck driver, donned a Stetson and bought himself a horse. | 0:03:44 | 0:03:49 | |
This is Dollar and Spirit. | 0:03:49 | 0:03:51 | |
Myself and Dollar are together now... | 0:03:51 | 0:03:53 | |
about five months together now. | 0:03:53 | 0:03:56 | |
Dollar took the place of a woman, you know, | 0:03:56 | 0:03:59 | |
so that makes her very special. | 0:03:59 | 0:04:02 | |
INTERVIEWER: What would you prefer, the woman or the horse? | 0:04:02 | 0:04:04 | |
Oh, definitely the horse. | 0:04:04 | 0:04:06 | |
Less complicated. | 0:04:06 | 0:04:07 | |
Jack is very horny today. He sees a piece of ass, he wants it. | 0:04:10 | 0:04:15 | |
All right, Jack. | 0:04:15 | 0:04:17 | |
JACK WHINNIES | 0:04:17 | 0:04:19 | |
Paul moved to Drumcoura for a different way of life. | 0:04:19 | 0:04:22 | |
He now works and lives in the stables, with 16 western horses. | 0:04:22 | 0:04:28 | |
The attraction is I love the Wild West part of it, I love the horses, | 0:04:28 | 0:04:32 | |
I love the people here, | 0:04:32 | 0:04:35 | |
and all I can say is that I'm living the dream. | 0:04:35 | 0:04:38 | |
This is the room where I live. | 0:04:39 | 0:04:41 | |
This is a very special room to me, | 0:04:41 | 0:04:44 | |
because I have all my things that I love here. | 0:04:44 | 0:04:47 | |
You see the pictures of all the Indians I have. | 0:04:47 | 0:04:49 | |
I used to have all them hanging in my truck. | 0:04:49 | 0:04:51 | |
The day that I met Simon in Kilbeggan, | 0:04:51 | 0:04:53 | |
I actually bought this in Kilbeggan that day. | 0:04:53 | 0:04:57 | |
You know, so... | 0:04:57 | 0:04:59 | |
What do you think? | 0:05:01 | 0:05:03 | |
When I was little and growing up and playing games, | 0:05:03 | 0:05:06 | |
the only thing I ever played was cowboys and Indians. | 0:05:06 | 0:05:08 | |
It was the only game I ever knew how to play. | 0:05:08 | 0:05:10 | |
Where we lived, we had a tree down the end of our garden, | 0:05:10 | 0:05:13 | |
and the branches used to come out like that, and it went up | 0:05:13 | 0:05:16 | |
and went over, and I used to make that my horse. That was my horse. | 0:05:16 | 0:05:20 | |
Paul is single and loves to jive. | 0:05:20 | 0:05:21 | |
The festival will be a chance for him to hit the dancefloor | 0:05:21 | 0:05:25 | |
with some of the thousands of women expected to attend. | 0:05:25 | 0:05:28 | |
I wear this to the pub, when I'm going out to the pub, | 0:05:28 | 0:05:30 | |
I wear it when I'm going dancing. | 0:05:30 | 0:05:32 | |
Not that I could... I could have one dance in it. | 0:05:32 | 0:05:34 | |
I enjoy one dance with the jacket on, | 0:05:34 | 0:05:35 | |
but after that it gets a bit too hot. | 0:05:35 | 0:05:37 | |
# Tell me, darling, is there someone else sharing all my love? # | 0:05:37 | 0:05:42 | |
Though he still has hopes of finding true love, | 0:05:43 | 0:05:46 | |
right now there is only one filly in his life. | 0:05:46 | 0:05:49 | |
Yeah. I'll give you your hay. | 0:05:49 | 0:05:51 | |
'Now, Dollar's a very special horse. | 0:05:51 | 0:05:53 | |
'I fell in love with Dollar the first day I ever seen her.' | 0:05:53 | 0:05:56 | |
The tail reminds me of a woman I was going out with in Longford. | 0:05:56 | 0:05:58 | |
She had long hair. I used to brush her hair, you know. | 0:05:58 | 0:06:01 | |
I'm getting a better reaction | 0:06:01 | 0:06:02 | |
from Dollar than I used to get from her, you know! | 0:06:02 | 0:06:04 | |
I think Dollar prefers me brushing her tail. | 0:06:04 | 0:06:07 | |
MUSIC: The Craic by Johnny Brady | 0:06:11 | 0:06:13 | |
# Going out for the craic Guitar on my back | 0:06:13 | 0:06:15 | |
# Gonna sing and dance all night | 0:06:15 | 0:06:18 | |
# And we ain't gonna finish till we drink all the Guinness | 0:06:18 | 0:06:21 | |
# And almost all the Coors Light... # | 0:06:21 | 0:06:23 | |
In Kildress, County Tyrone, | 0:06:23 | 0:06:25 | |
Orla and her friends are looking forward to a weekend of dancing | 0:06:25 | 0:06:29 | |
at the festival, and, like Paul, they also have a love of horses. | 0:06:29 | 0:06:32 | |
I have horses. | 0:06:35 | 0:06:36 | |
Most of us, actually, are into the horses, | 0:06:36 | 0:06:39 | |
so we would show jump them and compete them, and I've had horses | 0:06:39 | 0:06:42 | |
from... We were about five, had our very first horse, so... | 0:06:42 | 0:06:46 | |
No, horses are a big, big thing for me, and if a man doesn't like | 0:06:46 | 0:06:48 | |
a horse, well, then it's a no-go. Absolutely not. | 0:06:48 | 0:06:51 | |
Tonight's girls' night out is a barn dance in Dungiven. | 0:06:51 | 0:06:54 | |
It's all the young ones are going to the country dances now. | 0:06:54 | 0:06:57 | |
Yeah, it's got so big. | 0:06:57 | 0:06:58 | |
Don't even need to go to the nightclubs any more. | 0:06:58 | 0:07:01 | |
Country music is more social, definitely. | 0:07:01 | 0:07:04 | |
Country music, more relaxed. | 0:07:04 | 0:07:06 | |
You don't really need to drink a lot in order to interact with people. | 0:07:06 | 0:07:10 | |
People are quite... more forward because if they see | 0:07:10 | 0:07:13 | |
that you can dance, they don't mind just going round talking to you. | 0:07:13 | 0:07:17 | |
-Not even that but the boys are more friendly. -Yeah. | 0:07:17 | 0:07:19 | |
See when we go to a nightclub now, after it, oh, my God, | 0:07:19 | 0:07:22 | |
the boys would shove you, shove you into the bar and everything, | 0:07:22 | 0:07:25 | |
whereas boys step out of the way for you. | 0:07:25 | 0:07:27 | |
27-year-old Cliona is an aspiring singer with her sights | 0:07:27 | 0:07:31 | |
set on country music stardom. | 0:07:31 | 0:07:34 | |
She's been given a Sunday afternoon slot at the festival, | 0:07:34 | 0:07:37 | |
and the performance could be her big break onto the circuit. | 0:07:37 | 0:07:42 | |
The first single coming out is called | 0:07:42 | 0:07:44 | |
We're All Gonna Die Someday. | 0:07:44 | 0:07:46 | |
It's just a fun wee...wee song, aye. | 0:07:46 | 0:07:49 | |
Good to dance to, of course, as well. | 0:07:49 | 0:07:51 | |
MUSIC: We're All Gonna Die Someday by Cliona | 0:07:51 | 0:07:55 | |
# We're all gonna die someday, Lord | 0:07:55 | 0:07:57 | |
# We are all gonna die someday | 0:07:57 | 0:08:00 | |
# Mamma's on pills Daddy's over the hill | 0:08:00 | 0:08:02 | |
# We are all gonna die someday. # | 0:08:02 | 0:08:04 | |
Nothing's guaranteed, | 0:08:04 | 0:08:06 | |
and it's just trying to get your foot in through the door, I suppose. | 0:08:06 | 0:08:11 | |
Cos there's not really that many girls out... You know, | 0:08:11 | 0:08:13 | |
with the country singing, it's predominantly males, yeah. | 0:08:13 | 0:08:17 | |
# Come down the mountain, Katie Daly | 0:08:17 | 0:08:19 | |
# Down from the mountain | 0:08:19 | 0:08:21 | |
# Come down from the mountain, Katie, do | 0:08:21 | 0:08:24 | |
# Down from the mountain | 0:08:24 | 0:08:25 | |
# Oh, can't you hear us calling, Katie Daly? | 0:08:25 | 0:08:30 | |
# We want to drink your Irish mountain dew | 0:08:30 | 0:08:33 | |
# Her old man, Katie, came from Tipperary | 0:08:34 | 0:08:38 | |
# In the pioneering year of '42 | 0:08:39 | 0:08:42 | |
# Her old man, he was shot in Tombstone City | 0:08:44 | 0:08:47 | |
# For the making of the Irish mountain dew... # | 0:08:48 | 0:08:52 | |
Barn dances like tonight's in Dungiven are proof of just | 0:08:53 | 0:08:56 | |
how popular the music has become. | 0:08:56 | 0:08:58 | |
For a generation of rural young people, | 0:09:00 | 0:09:02 | |
country music is the new clubbing. | 0:09:02 | 0:09:04 | |
# We wan to drink your Irish mountain dew. # | 0:09:06 | 0:09:09 | |
In a different kind of barn, young farmer Jimmy knows why | 0:09:16 | 0:09:19 | |
the music has such appeal in rural communities. | 0:09:19 | 0:09:22 | |
This country music, it's more our...our thing. | 0:09:23 | 0:09:26 | |
It's right in line with what we're thinking, like. | 0:09:26 | 0:09:29 | |
You know, a song about a tractor, | 0:09:29 | 0:09:32 | |
or a farmer's wife or a farmer's daughter, it's sort of... | 0:09:32 | 0:09:35 | |
we've all something in common that way. | 0:09:35 | 0:09:38 | |
You know, we can relate to it. | 0:09:38 | 0:09:39 | |
This here's not a glamorous job. It's not nice. | 0:09:41 | 0:09:45 | |
I'd rather be out dancing with the women or having craic with | 0:09:45 | 0:09:47 | |
the fellas than standing here. | 0:09:47 | 0:09:50 | |
The sooner you get right up, get away, the better, sort of thing. | 0:09:50 | 0:09:53 | |
Jimmy and his farming mates will be earning their spurs | 0:09:53 | 0:09:56 | |
at Cowboys & Heroes, their first festival experience. | 0:09:56 | 0:10:00 | |
Supposed to be camping. We've never camped in our lives, | 0:10:00 | 0:10:02 | |
so I don't know what it's going to end up like. | 0:10:02 | 0:10:05 | |
It's a bit of fun, like. | 0:10:05 | 0:10:06 | |
Never built a tent or nothing in our lives either. | 0:10:07 | 0:10:10 | |
There's a fancy dress competition as well. | 0:10:10 | 0:10:12 | |
We're going to try, have a wee go at it as well. | 0:10:12 | 0:10:14 | |
Try a bit of dancing if we can, like. | 0:10:14 | 0:10:17 | |
Wouldn't be the best at the dancing, but we'll try our best. | 0:10:17 | 0:10:20 | |
COW MOOS | 0:10:22 | 0:10:23 | |
MUSIC: Ireland's Turning Country by Jim Devine | 0:10:23 | 0:10:26 | |
# Oh, Ireland's turning country | 0:10:28 | 0:10:31 | |
# That's the word out on the street | 0:10:31 | 0:10:33 | |
# And everywhere you go | 0:10:33 | 0:10:35 | |
# Toes are tapping to the beat... # | 0:10:35 | 0:10:38 | |
With only a week to go until sun-up on the festival, | 0:10:38 | 0:10:41 | |
preparations are well under way. | 0:10:41 | 0:10:43 | |
I'm going to take the end of the reins in my left hand, | 0:10:43 | 0:10:46 | |
take my right hand here, and we're going to go out to the arena, | 0:10:46 | 0:10:49 | |
and show you some things with country and western music. | 0:10:49 | 0:10:52 | |
Walk on, Monty. | 0:10:52 | 0:10:54 | |
Ron is responsible for the festival's western horse show, | 0:10:54 | 0:10:56 | |
which features some line-dancing horses...obviously! | 0:10:56 | 0:11:00 | |
# Oh, Ireland's turning country | 0:11:00 | 0:11:02 | |
# Everywhere you go | 0:11:02 | 0:11:04 | |
# From Cork right up to Donegal | 0:11:04 | 0:11:07 | |
# From Dublin to Mayo... # | 0:11:07 | 0:11:09 | |
With the dancing horses learning the routine, | 0:11:09 | 0:11:12 | |
Simon is in the office, and it's high noon for the festival finance. | 0:11:12 | 0:11:16 | |
I have so much left to cover. I think there's 70,000 euros to go | 0:11:16 | 0:11:20 | |
through between now and the 19th of July, | 0:11:20 | 0:11:22 | |
and obviously ticket sales aren't where we want them to be, | 0:11:22 | 0:11:24 | |
so we need to do a massive push. One week to go. | 0:11:24 | 0:11:27 | |
You know, we really, really need a lot more sales. | 0:11:27 | 0:11:30 | |
I think we're at 1,200 and we need to be at 2,000, | 0:11:30 | 0:11:32 | |
so we're miles and miles off. | 0:11:32 | 0:11:34 | |
So it could end up being a very expensive weekend | 0:11:34 | 0:11:36 | |
if we don't sort it out somehow. | 0:11:36 | 0:11:38 | |
'We started so strong.' | 0:11:38 | 0:11:40 | |
Like, the first couple of weeks we had a few hundred tickets, | 0:11:40 | 0:11:42 | |
I think 250 tickets, | 0:11:42 | 0:11:43 | |
and I thought we were very much on the pig's back at that stage. | 0:11:43 | 0:11:46 | |
But things have really slowed down in terms of ticket sales. | 0:11:46 | 0:11:49 | |
We're getting sales of five here, six there in each day, | 0:11:49 | 0:11:53 | |
but our break-even point is 1,800, and we're a week out, so, | 0:11:53 | 0:11:56 | |
yeah, I'm really feeling the pressure at the moment. | 0:11:56 | 0:11:58 | |
HORN BLASTS | 0:12:03 | 0:12:04 | |
Some of those who have bought tickets are the Kennedys, | 0:12:06 | 0:12:09 | |
a trucking family from Kildare. | 0:12:09 | 0:12:11 | |
We fell out this morning to start off with! | 0:12:13 | 0:12:16 | |
INDISTINCT | 0:12:16 | 0:12:17 | |
-Who are you going to see? -Nathan Carter. -Do you like him? -Yeah. -Yeah? | 0:12:18 | 0:12:22 | |
-What song do you like? -Wagon Wheel. | 0:12:22 | 0:12:25 | |
Who are you going to see, Jake? | 0:12:25 | 0:12:27 | |
-I don't now. -Anybody? | 0:12:27 | 0:12:30 | |
Cowboys & Heroes isn't just about the music, | 0:12:30 | 0:12:33 | |
it's a celebration of Americana, and includes a vintage car show. | 0:12:33 | 0:12:36 | |
The Kennedys will be driving their imported American trucks | 0:12:36 | 0:12:40 | |
to show at the festival. | 0:12:40 | 0:12:41 | |
Well, we were always into trucks, | 0:12:41 | 0:12:43 | |
so I'm sure these ones are like the big boys' toys. | 0:12:43 | 0:12:46 | |
So it's like lads | 0:12:46 | 0:12:47 | |
into helicopters and boats, and we're just into big American trucks. | 0:12:47 | 0:12:52 | |
-This weekend's supposed to be great, though, Jimmy, you know? -Yeah. | 0:12:52 | 0:12:56 | |
Cowboys and horses and horse riding and bull riding and shooting. | 0:12:56 | 0:13:01 | |
For someone who lives and breathes the American Dream, | 0:13:01 | 0:13:04 | |
Jimmy has never actually been. | 0:13:04 | 0:13:06 | |
No, I've never been to America. I've this fear of flying. | 0:13:06 | 0:13:09 | |
Every year I say, "I'll go this year," but something changes. | 0:13:09 | 0:13:14 | |
Someday I reckon I'll get there by flying even. | 0:13:14 | 0:13:17 | |
I want to go do that Route 66. | 0:13:17 | 0:13:19 | |
HORN BLASTS | 0:13:19 | 0:13:20 | |
# If you ever plan to motor west... # | 0:13:20 | 0:13:23 | |
It may not be Route 66 but, after a few hours on the M4, | 0:13:24 | 0:13:28 | |
the Kennedys will arrive in a little corner of America. | 0:13:28 | 0:13:32 | |
# Get your kicks on Route 66. # | 0:13:32 | 0:13:36 | |
America's some place, you know what I mean? | 0:13:36 | 0:13:39 | |
So they reckon Leitrim is like America for the weekend, you know? | 0:13:39 | 0:13:42 | |
HORN BLASTS | 0:13:42 | 0:13:44 | |
Having left a sunny Kildare, | 0:13:44 | 0:13:46 | |
the Kennedys arrive at a waterlogged Cowboys & Heroes. | 0:13:46 | 0:13:49 | |
Rain like this threatens to keep potential customers away. | 0:13:49 | 0:13:53 | |
With torrential downpours throughout the day, | 0:13:53 | 0:13:56 | |
Simon's got his work cut out, frantically organising | 0:13:56 | 0:13:59 | |
the camping fields and getting the festival under way. | 0:13:59 | 0:14:02 | |
We're missing generators. | 0:14:02 | 0:14:03 | |
I've got fencing that hasn't come down yet, | 0:14:03 | 0:14:05 | |
and I've got a crazy amount to get done. | 0:14:05 | 0:14:07 | |
-How much more space for camper vans? -Maybe ten more. | 0:14:07 | 0:14:09 | |
He doesn't want to pay the 20 euros for the field. | 0:14:09 | 0:14:12 | |
How are you getting on, sir? | 0:14:12 | 0:14:13 | |
This is an absolute disaster. | 0:14:13 | 0:14:16 | |
It's a quagmire down here. | 0:14:16 | 0:14:17 | |
He wants to lock it hard left there. | 0:14:17 | 0:14:20 | |
He's stuck again. He's going to have to go back again. | 0:14:20 | 0:14:23 | |
We don't need to be splitting channels. It doesn't make sense. | 0:14:25 | 0:14:28 | |
I want to know if something happens. | 0:14:28 | 0:14:30 | |
This morning's been torrential rain. Really, really bad. | 0:14:30 | 0:14:33 | |
The field, parking's just a no-no in the back. | 0:14:33 | 0:14:35 | |
I'm trying to get everyone | 0:14:35 | 0:14:36 | |
to take park and ride, but people are going to turn up. | 0:14:36 | 0:14:39 | |
It's only the start of things. | 0:14:39 | 0:14:40 | |
But despite his best efforts, some punters still aren't happy. | 0:14:40 | 0:14:43 | |
-I can't do anything about the weather. -No, I know that. | 0:14:43 | 0:14:46 | |
I sincerely apologise that you guys aren't happy, | 0:14:46 | 0:14:48 | |
but I gave you three different camping options. | 0:14:48 | 0:14:50 | |
It was crazy to go in that field. It's not a driving field. | 0:14:50 | 0:14:52 | |
They're all waterlogged up there, too, so. | 0:14:52 | 0:14:54 | |
Is there any way of getting a tractor to pull us out or something? | 0:14:54 | 0:14:57 | |
We're all soaked - clothes, sleeping bags, the lot. | 0:14:57 | 0:15:00 | |
I can't do anything about the rain. | 0:15:00 | 0:15:02 | |
I offered him three different parking spaces, | 0:15:02 | 0:15:04 | |
and he drove his car into a field that was just not to be driven into. | 0:15:04 | 0:15:07 | |
So...and now he wants to be towed out, and he wants to go. | 0:15:07 | 0:15:09 | |
With people choosing to stay at home, | 0:15:09 | 0:15:11 | |
and some of those who have arrived turning back, | 0:15:11 | 0:15:13 | |
Simon's hopes of reaching his target to break even are being washed away. | 0:15:13 | 0:15:18 | |
It's going to be a manic day. Very, very manic day. | 0:15:18 | 0:15:21 | |
Oh, no! | 0:15:21 | 0:15:23 | |
Cliona and the girls have arrived for the first day of the festival. | 0:15:23 | 0:15:26 | |
That is not glamping! | 0:15:26 | 0:15:27 | |
They've dressed for the weather. | 0:15:27 | 0:15:29 | |
Pity THAT weather hasn't turned up. | 0:15:29 | 0:15:31 | |
Oh, my God, girls. I had to wear all white! What was I thinking? | 0:15:31 | 0:15:35 | |
Glamorous! | 0:15:36 | 0:15:38 | |
Cliona, I hope you brought your guitar with you. | 0:15:38 | 0:15:40 | |
There's the campfire. | 0:15:40 | 0:15:42 | |
-Where did she go? -Sing-song! | 0:15:42 | 0:15:44 | |
They are sensibly checking into a glamorous pre-built tent. | 0:15:45 | 0:15:49 | |
Wipe your feet. | 0:15:51 | 0:15:53 | |
On the other side of the campsite, Jimmy and friends also seem to be | 0:15:56 | 0:16:01 | |
having a problem with the mud. | 0:16:01 | 0:16:04 | |
-Right, that's us. -LAUGHTER | 0:16:04 | 0:16:07 | |
We'll get out and see how deep she is. | 0:16:07 | 0:16:09 | |
Right. Yep. Up. | 0:16:09 | 0:16:11 | |
Well, we got stuck a wee bit. | 0:16:14 | 0:16:16 | |
Probably in the driest bit of the field, too, | 0:16:16 | 0:16:18 | |
but it isn't a good start, but we'll get it sorted. | 0:16:18 | 0:16:20 | |
I'd have thought it'd have been sunshine in the middle of July | 0:16:20 | 0:16:23 | |
going for a camping weekend. | 0:16:23 | 0:16:25 | |
It's the complete opposite. | 0:16:25 | 0:16:26 | |
When do these things ever go to plan? | 0:16:26 | 0:16:28 | |
THEY CHEER | 0:16:33 | 0:16:34 | |
Back in the glamping field, the girls are dealing with | 0:16:37 | 0:16:40 | |
the challenges of getting ready for a night out | 0:16:40 | 0:16:42 | |
at a waterlogged festival. | 0:16:42 | 0:16:44 | |
-Changing before we go? -Can we go in wellies, though? | 0:16:44 | 0:16:47 | |
-I'm wearing my wellies up. -Yeah. | 0:16:47 | 0:16:50 | |
-What about a blow dryer? -THEY LAUGH | 0:16:50 | 0:16:53 | |
At least I don't have any fake tan on. | 0:16:53 | 0:16:56 | |
THEY LAUGH | 0:16:56 | 0:16:57 | |
If wardrobe decisions and fake tan are problems for the girls, | 0:16:59 | 0:17:03 | |
well, at least they have shelter... | 0:17:03 | 0:17:05 | |
It's not a pop-up tent. | 0:17:05 | 0:17:07 | |
..which is more than can be said for the boys | 0:17:07 | 0:17:09 | |
on their first camping weekend. | 0:17:09 | 0:17:11 | |
That's what it looks like. There you go. Build that. | 0:17:14 | 0:17:17 | |
Watch where you're poking that thing. | 0:17:17 | 0:17:19 | |
Where is this here? I want to find out where this goes. | 0:17:22 | 0:17:25 | |
I can use it as an aerial later maybe. | 0:17:25 | 0:17:27 | |
You need to turn around. You need a good view. | 0:17:29 | 0:17:31 | |
Need something nice. Here, face her that way towards the Massey. | 0:17:31 | 0:17:35 | |
-After-party at our house. -Our tent. | 0:17:37 | 0:17:39 | |
# Jump down, turn around pick a bale of cotton | 0:17:41 | 0:17:44 | |
# Jump down, turn around pick a bale a day | 0:17:44 | 0:17:46 | |
# Jump down, turn around pick a bale of cotton | 0:17:46 | 0:17:49 | |
# Jump down, turn around pick a bale a day... # | 0:17:49 | 0:17:51 | |
Come evening, the rain is still falling, but crowds | 0:17:52 | 0:17:56 | |
are beginning to fill the main arena. | 0:17:56 | 0:17:58 | |
# Yeah, we're gonna jump down, turn around, pick a bale of cotton | 0:18:01 | 0:18:04 | |
# Jump down, turn around pick a bale a day... # | 0:18:04 | 0:18:06 | |
Great for doing the line-dancing in. | 0:18:06 | 0:18:09 | |
But the rain has brought a further challenge for Simon. | 0:18:09 | 0:18:13 | |
The damp has affected the electrics... | 0:18:13 | 0:18:15 | |
MUSIC STOPS | 0:18:15 | 0:18:17 | |
..and the first act is cut down mid-song. | 0:18:19 | 0:18:21 | |
Jimmy Buckley's band rein in the crowd | 0:18:24 | 0:18:26 | |
while the frontman waits for his mic to come back on. | 0:18:26 | 0:18:29 | |
MUSIC STARTS CHEERING | 0:18:29 | 0:18:31 | |
Generator problems sorted, they get on with the next number. | 0:18:36 | 0:18:40 | |
# Workin' all summer just to try and make a dollar... # | 0:18:41 | 0:18:45 | |
And before too long, the lights are back up and running, too. | 0:18:45 | 0:18:49 | |
# The boss said, "No dice, son you gotta work late." | 0:18:49 | 0:18:51 | |
# Sometimes I wonder what I'mma gonna do | 0:18:51 | 0:18:54 | |
# Cos there ain't no cure for the summertime blues. # | 0:18:54 | 0:18:57 | |
Despite the summertime blues, | 0:18:57 | 0:18:59 | |
the country fans are enjoying their heroes. | 0:18:59 | 0:19:01 | |
Across the yard, Cowboy Paul and his horse Dollar | 0:19:01 | 0:19:04 | |
are braving the elements to bring the crowds the Western horse show, | 0:19:04 | 0:19:07 | |
a unique part of the Drumcoura City experience. | 0:19:07 | 0:19:11 | |
It's very mucky out there. Very slippy ground. | 0:19:11 | 0:19:14 | |
-TANNOY: -'The quarterhorse is a very versatile horse. | 0:19:14 | 0:19:17 | |
'It's used in the States for roping, for cattle, for ranching. | 0:19:17 | 0:19:23 | |
'Paul Duffy is riding a horse that is called Dollar.' | 0:19:23 | 0:19:26 | |
The Kennedy clan are keen spectators, | 0:19:29 | 0:19:31 | |
and Tony can't resist becoming a real cowboy. | 0:19:31 | 0:19:34 | |
At least for a few minutes. | 0:19:36 | 0:19:38 | |
That's what it's all about, isn't it? Cowboys, eh? | 0:19:38 | 0:19:41 | |
Next year, boys, what we'll do is, we'll trade the trucks, | 0:19:41 | 0:19:43 | |
we'll buy a few stallions. | 0:19:43 | 0:19:45 | |
-I hope they're not all stallions. -THEY LAUGH | 0:19:46 | 0:19:49 | |
'Very good, very good.' | 0:19:49 | 0:19:50 | |
She done very well for me, didn't you? You did. Yeah, you did. | 0:19:53 | 0:19:57 | |
And now you want to scratch yourself, don't you? Yeah. | 0:19:57 | 0:20:00 | |
No, it all went very well. Now, you OK now? Yeah? | 0:20:00 | 0:20:04 | |
With Dollar's work done for the day, | 0:20:04 | 0:20:06 | |
Paul is ready to cut loose at the festival. | 0:20:06 | 0:20:09 | |
I'm looking forward to Mike Denver playing, | 0:20:09 | 0:20:11 | |
and I'm looking forward to the Cash band playing here. | 0:20:11 | 0:20:14 | |
Looking forward to them. | 0:20:14 | 0:20:15 | |
Hopefully it'll be a good night, good craic. | 0:20:15 | 0:20:18 | |
And we'll dance a lot. | 0:20:18 | 0:20:19 | |
# We're going dancing tonight | 0:20:19 | 0:20:22 | |
# Won't you come along? # | 0:20:22 | 0:20:24 | |
Despite the rain, country fans are a hardy bunch, | 0:20:24 | 0:20:28 | |
and into the evening, paying customers are still arriving. | 0:20:28 | 0:20:30 | |
People are getting here. | 0:20:30 | 0:20:32 | |
I mean, despite everything, no parking, lashings of rain, | 0:20:32 | 0:20:35 | |
people are pouring into the place. | 0:20:35 | 0:20:37 | |
We've put this much into it, building a name, a reputation, | 0:20:37 | 0:20:40 | |
and we've gone through an awful lot this weekend so far. | 0:20:40 | 0:20:43 | |
I don't know if it's going to get any better in terms | 0:20:43 | 0:20:45 | |
of weather, but that's fine, you know, we'll work through it. | 0:20:45 | 0:20:48 | |
# Got some bills to pay | 0:20:48 | 0:20:50 | |
# But they're gonna have to wait | 0:20:50 | 0:20:53 | |
# So come on down It's time to celebrate | 0:20:53 | 0:20:57 | |
# We're going dancing tonight | 0:20:57 | 0:21:00 | |
# Won't you come along? | 0:21:00 | 0:21:02 | |
# We're staying out late till the sun comes up | 0:21:02 | 0:21:05 | |
# Singing those good old songs | 0:21:05 | 0:21:07 | |
# Gonna have a real good time | 0:21:07 | 0:21:10 | |
# You know we can't go wrong | 0:21:10 | 0:21:12 | |
# Welcome to... # | 0:21:12 | 0:21:14 | |
Out of the saddle and onto the floor, | 0:21:14 | 0:21:16 | |
Paul's jiving skills are impressing the visiting ladies. | 0:21:16 | 0:21:19 | |
I sussed him out, I saw him on the floor, I knew he could move. | 0:21:19 | 0:21:23 | |
I think men have to be a bit like horses. They have to move well. | 0:21:23 | 0:21:27 | |
Oh, I like that! | 0:21:27 | 0:21:29 | |
Yeah, I hope we do jive for a long time together. | 0:21:29 | 0:21:31 | |
I reckon I could teach him a few moves. | 0:21:31 | 0:21:33 | |
Paul may even have to choose between a woman and a horse...again. | 0:21:33 | 0:21:37 | |
That statement I made before about, "Dollar comes first," | 0:21:37 | 0:21:41 | |
I think there could be a little negotiation there. | 0:21:41 | 0:21:44 | |
That sounds good. That sounds good to me. | 0:21:45 | 0:21:48 | |
# I could dance all night long | 0:21:48 | 0:21:50 | |
# What's a nice girl like you | 0:21:50 | 0:21:53 | |
# Doing in a place like this? | 0:21:53 | 0:21:56 | |
# Baby, how about a little kiss? | 0:21:56 | 0:22:00 | |
# We're having a party tonight. # | 0:22:00 | 0:22:02 | |
As Nathan Carter rounds off a successful night, | 0:22:02 | 0:22:05 | |
Simon can finally relax. | 0:22:05 | 0:22:07 | |
Beyond my expectations. | 0:22:07 | 0:22:09 | |
We got more people in there tonight | 0:22:09 | 0:22:11 | |
than I was expecting on a sunny, sunny summer's day. | 0:22:11 | 0:22:14 | |
I don't know exactly what the numbers are. | 0:22:14 | 0:22:16 | |
We've got to go back to the office probably tonight and figure that out | 0:22:16 | 0:22:19 | |
with the takings, whatever else, but it's been a pretty damn good day. | 0:22:19 | 0:22:23 | |
It's Sunday morning, and, | 0:22:28 | 0:22:29 | |
after the torrential rain of the day before, | 0:22:29 | 0:22:32 | |
finally there are blue skies over Drumcoura City. | 0:22:32 | 0:22:35 | |
MUSIC: Amarillo By Morning by George Strait | 0:22:38 | 0:22:42 | |
# Amarillo by morning | 0:22:43 | 0:22:45 | |
# Up from San Antone. # | 0:22:47 | 0:22:49 | |
At the glamping field, the girls are making the most of the sunshine. | 0:22:51 | 0:22:54 | |
ACOUSTIC GUITAR PLAYS | 0:22:54 | 0:22:55 | |
# I don't need fame | 0:23:00 | 0:23:04 | |
# No-one to know my name | 0:23:05 | 0:23:11 | |
# At the end of the day | 0:23:11 | 0:23:14 | |
# Lord, I pray | 0:23:14 | 0:23:17 | |
# I have a life that's good... # | 0:23:17 | 0:23:21 | |
-Altogether now! -Whoo! | 0:23:21 | 0:23:23 | |
# Two arms around me | 0:23:26 | 0:23:29 | |
# Helping to ground me | 0:23:29 | 0:23:32 | |
# And a family that always calls me home... # | 0:23:32 | 0:23:36 | |
Tonight, on the main stage, Cliona will perform in front | 0:23:36 | 0:23:40 | |
of a much bigger festival crowd for the very first time. | 0:23:40 | 0:23:44 | |
# Sweet, sweet, sweet song | 0:23:44 | 0:23:47 | |
# At the end of the day | 0:23:48 | 0:23:52 | |
# Lord, I pray | 0:23:52 | 0:23:54 | |
# I have a life that's good. # | 0:23:55 | 0:23:59 | |
With a few hours to kill before Cliona's performance, | 0:24:00 | 0:24:04 | |
the horse-loving girls join the crowds at the western horse show. | 0:24:04 | 0:24:08 | |
What's the best way to stop a horse? Use the reins. | 0:24:08 | 0:24:11 | |
Yeah, pull back on the reins. OK. These are reins. | 0:24:11 | 0:24:14 | |
Happens in Ireland every day. It rains. | 0:24:14 | 0:24:16 | |
And we have some people in the crowd as well | 0:24:16 | 0:24:18 | |
that are going to help us out. | 0:24:18 | 0:24:20 | |
Now, these people in the crowd have never been on western horses before, | 0:24:20 | 0:24:24 | |
but I understand they've ridden European riding. | 0:24:24 | 0:24:27 | |
The girls are all experienced riders, | 0:24:27 | 0:24:28 | |
but being western cowgirls is something completely different. | 0:24:28 | 0:24:32 | |
All right, let's back up your horse two steps. | 0:24:32 | 0:24:35 | |
-Pull back, say, "Back, back, back." -Back, back, back. | 0:24:35 | 0:24:38 | |
MAN IMITATES LORRY REVERSING BEEPS | 0:24:38 | 0:24:40 | |
OK. That's pretty good. | 0:24:42 | 0:24:43 | |
# Like a rhinestone cowboy | 0:24:43 | 0:24:46 | |
# Riding out on a horse in a star-spangled rodeo. # | 0:24:48 | 0:24:54 | |
This is the ultimate cowgirl experience, I think. It's brilliant. | 0:24:54 | 0:24:58 | |
The last 24 hours have been fabulous. | 0:24:58 | 0:25:00 | |
Between the western riding, the dancing, everything, | 0:25:00 | 0:25:04 | |
-it's brilliant. -Cowgirl experience at its best. -I know! | 0:25:04 | 0:25:08 | |
Dressed as cowgirls. Just a lovely atmosphere. | 0:25:08 | 0:25:10 | |
-You'd actually think you're in America. -Yeah. | 0:25:10 | 0:25:12 | |
You'd think you're in the Wild West. | 0:25:12 | 0:25:14 | |
With the music about to start on the final day, | 0:25:14 | 0:25:17 | |
Paul is keen to line up some potential dancing partners. | 0:25:17 | 0:25:20 | |
-Oh, we love Dollar. Her markings are gorgeous. -Yeah, you like her, yeah? | 0:25:20 | 0:25:24 | |
-She's a wee sweetie. -A perfect wee match. -I love her. -Aw! | 0:25:24 | 0:25:28 | |
I actually left a woman for Dollar. | 0:25:28 | 0:25:30 | |
THEY LAUGH | 0:25:30 | 0:25:32 | |
We're still good friends, because she's happy | 0:25:32 | 0:25:34 | |
-that I left her for a horse. -THEY LAUGH | 0:25:34 | 0:25:36 | |
-Any of you can jive? -Of course we can. -Yeah? | 0:25:36 | 0:25:39 | |
-So we'll get a jive later on, you? -Yes. | 0:25:39 | 0:25:42 | |
# Only one thing on my mind | 0:25:43 | 0:25:46 | |
# I'm here for a good time | 0:25:46 | 0:25:49 | |
# I've often wondered | 0:25:49 | 0:25:51 | |
# Where would I have been | 0:25:51 | 0:25:54 | |
# If I had have asked her | 0:25:54 | 0:25:56 | |
# A little bit faster? # | 0:25:56 | 0:25:58 | |
The festival encourages a country dress code. | 0:25:58 | 0:26:01 | |
The Hillsborough boys, however, | 0:26:01 | 0:26:03 | |
have opted for something more like country...side? | 0:26:03 | 0:26:06 | |
And they aren't the easiest outfits to dance in, either. | 0:26:10 | 0:26:13 | |
Some fine costumes. That's some serious effort you put in. | 0:26:13 | 0:26:17 | |
-Did you make them yourselves? -Oh, aye, yeah. | 0:26:17 | 0:26:20 | |
Fair play to you, lads. | 0:26:20 | 0:26:22 | |
At the American car show, | 0:26:22 | 0:26:23 | |
the Kennedys' vintage trucks are getting plenty of attention. | 0:26:23 | 0:26:28 | |
Girls, do you want to look at the truck? Don't be shy. | 0:26:28 | 0:26:32 | |
Here's to champagne. | 0:26:34 | 0:26:35 | |
HORN BLASTS | 0:26:37 | 0:26:39 | |
Whoo! | 0:26:40 | 0:26:41 | |
Cliona is hoping to make it big on the Irish country music circuit, | 0:26:43 | 0:26:46 | |
and tonight's performance on the Cowboys & Heroes stage | 0:26:46 | 0:26:49 | |
may just be the start. | 0:26:49 | 0:26:51 | |
# We're all gonna die someday, Lord | 0:26:51 | 0:26:53 | |
# We're all gonna die someday | 0:26:53 | 0:26:56 | |
# Mamma's on pills Daddy's over the hill | 0:26:56 | 0:26:59 | |
# But we're all gonna die someday | 0:26:59 | 0:27:01 | |
# Well, it hurts down here on Earth, Lord | 0:27:02 | 0:27:05 | |
# It hurts down here on Earth | 0:27:05 | 0:27:07 | |
# It hurts down here cos we're running out of beer | 0:27:07 | 0:27:10 | |
# But we're all gonna die someday | 0:27:10 | 0:27:13 | |
# Yeah, we're all gonna die someday, Lord | 0:27:13 | 0:27:15 | |
# We are all gonna die someday | 0:27:15 | 0:27:18 | |
# Mamma's on pills Daddy's over the hill | 0:27:18 | 0:27:20 | |
# But we're all going to die someday, hey! # | 0:27:20 | 0:27:23 | |
Cliona's performance has hit the right note, | 0:27:25 | 0:27:27 | |
and not just with the festival crowd. | 0:27:27 | 0:27:29 | |
That's my card there. We do a few shows around the country. | 0:27:29 | 0:27:32 | |
We do about 20 shows around the country. Give me a shout. | 0:27:32 | 0:27:34 | |
Oh, I will do. Thank you very much, Brian. | 0:27:34 | 0:27:37 | |
THEY CHEER | 0:27:37 | 0:27:39 | |
# Tour a lour and a tour a lay | 0:27:40 | 0:27:42 | |
# It's in my DNA... # | 0:27:42 | 0:27:44 | |
It's been a little corner of the Wild West in rural | 0:27:44 | 0:27:48 | |
County Leitrim and, as Leigh Matthews takes to the stage for | 0:27:48 | 0:27:50 | |
one last hoedown, Simon is delighted with the way things have worked out. | 0:27:50 | 0:27:55 | |
I think it's worked out pretty well, you know. | 0:27:56 | 0:27:59 | |
We've had more numbers than we were expecting. | 0:27:59 | 0:28:01 | |
Over the course of the weekend, probably 6,000 or 7,000. | 0:28:01 | 0:28:05 | |
And that's phenomenal. | 0:28:05 | 0:28:07 | |
Second year, country music event, absolutely phenomenal. | 0:28:07 | 0:28:10 | |
We're delighted. | 0:28:10 | 0:28:12 | |
# There's Irish in America | 0:28:12 | 0:28:14 | |
# There's Irish in Berlin | 0:28:14 | 0:28:16 | |
# You'll find us down the local | 0:28:16 | 0:28:18 | |
# Or even in the gym | 0:28:18 | 0:28:20 | |
# We'll speak in foreign accents | 0:28:20 | 0:28:23 | |
# Wearing multicoloured ties | 0:28:23 | 0:28:25 | |
# There's just no way of running from the fact | 0:28:25 | 0:28:28 | |
# There's Irish in our eyes | 0:28:28 | 0:28:30 | |
# There's just no way of running from the fact | 0:28:30 | 0:28:33 | |
# There's Irish in our eyes... # | 0:28:33 | 0:28:36 | |
Hey! | 0:28:39 | 0:28:40 | |
Here we go! | 0:28:52 | 0:28:54 | |
# Tour a lour and a tour a lay Hey! # | 0:28:54 | 0:28:57 |