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In rural Ireland, country music has never been so popular. | 0:00:02 | 0:00:05 | |
A host of new country stars have tempted a generation | 0:00:07 | 0:00:10 | |
to turn their back on the nightclub, | 0:00:10 | 0:00:12 | |
don their Stetsons and jive the night away, | 0:00:12 | 0:00:14 | |
from Ballymena to Ballydehob. | 0:00:14 | 0:00:16 | |
This week, it's strictly jiving. | 0:00:21 | 0:00:23 | |
Young people are dancing like it's the 1950s all over again. | 0:00:23 | 0:00:27 | |
You want someone who loves dancing as much as I love dancing | 0:00:27 | 0:00:30 | |
and just wants to do it all night. | 0:00:30 | 0:00:32 | |
Dance classes across the country are jam-packed... | 0:00:32 | 0:00:36 | |
as couples try to outdo each other on the dance floor. | 0:00:37 | 0:00:41 | |
Like, we are, no matter what we say, we're really competitive. | 0:00:43 | 0:00:46 | |
And unless you know your triple chassis from your splice with spice, | 0:00:46 | 0:00:49 | |
and your windmills from your gorillas, | 0:00:49 | 0:00:52 | |
you don't stand a chance in this ultracompetitive world. | 0:00:52 | 0:00:56 | |
-Just don't mess up, all right? -Right, OK. | 0:00:56 | 0:00:59 | |
We're following some of the best movers in the country as they | 0:00:59 | 0:01:03 | |
attempt to dance their way to glory at the Monaghan Jiving Competition. | 0:01:03 | 0:01:07 | |
OK, it's time for the jiving competition. | 0:01:07 | 0:01:09 | |
But only one couple can claim the ultimate prize. | 0:01:09 | 0:01:12 | |
And the winner is... | 0:01:12 | 0:01:15 | |
Welcome to the competitive world of Irish country music. | 0:01:15 | 0:01:19 | |
Ulster is the heartland of the jiving scene. | 0:01:34 | 0:01:38 | |
And on a Sunday night, the dance floor | 0:01:38 | 0:01:40 | |
at the Four Seasons in Monaghan is never empty. | 0:01:40 | 0:01:43 | |
I've met a lot of people through the dances. | 0:01:45 | 0:01:47 | |
It's a great way to meet people. | 0:01:47 | 0:01:48 | |
Really, really great way to meet people. | 0:01:48 | 0:01:50 | |
It's called the scissors, where you put your arm behind your back | 0:01:52 | 0:01:55 | |
and he swings you around then from one side to the other | 0:01:55 | 0:01:57 | |
and I enjoy doing that there whenever a fella knows | 0:01:57 | 0:01:59 | |
more than just the basic jive. | 0:01:59 | 0:02:01 | |
Two of the best jivers on the scene are close friends | 0:02:03 | 0:02:06 | |
Armagh man Anthony Murchan and Donal McGuigan from Monaghan town. | 0:02:06 | 0:02:10 | |
They live for dancing at the weekends. | 0:02:10 | 0:02:13 | |
A bit of banter, see if there's any good birds about | 0:02:14 | 0:02:16 | |
for a bit of jiving. | 0:02:16 | 0:02:18 | |
Although the boys have regular jiving partners, | 0:02:23 | 0:02:26 | |
they're always on the lookout for new talent. | 0:02:26 | 0:02:29 | |
Maybe meet the woman of my dreams. | 0:02:29 | 0:02:31 | |
-Some hope of that! -Plenty of money, loads of ground. | 0:02:31 | 0:02:34 | |
The only thing that would love you, son, is your mother. | 0:02:34 | 0:02:36 | |
# Horse swing swinging on a rusty chain | 0:02:38 | 0:02:43 | |
# Midnight kisses, summer and rain. # | 0:02:43 | 0:02:47 | |
The boys are amongst the favourites | 0:02:47 | 0:02:49 | |
at this year's Monaghan Jiving Competition. | 0:02:49 | 0:02:51 | |
And their dancing skills mean that they're always in demand | 0:02:53 | 0:02:57 | |
from the hundreds of women who regularly pack out the dance hall. | 0:02:57 | 0:03:00 | |
But being on your feet for every tune is hot and sweaty work | 0:03:03 | 0:03:07 | |
and these boys have a couple of tricks | 0:03:07 | 0:03:09 | |
up their sleeves to keep themselves looking fresh. | 0:03:09 | 0:03:12 | |
Wear the white one in there, she might not recognise you again. | 0:03:14 | 0:03:17 | |
One night's dancing could see skilled jivers use up to | 0:03:17 | 0:03:21 | |
four fresh shirts. | 0:03:21 | 0:03:22 | |
Give me that. | 0:03:22 | 0:03:24 | |
Because no woman wants to dance with a sweaty man. | 0:03:26 | 0:03:29 | |
Anthony likes to keep his breath fresh, too, just in case. | 0:03:31 | 0:03:34 | |
If anybody seen us here tonight... It's a good thing it's dark. | 0:03:34 | 0:03:37 | |
-Round two, boy! -Round two! | 0:03:37 | 0:03:40 | |
# Towing, liftin', sowing, baling, drawing, hauling, and buck raking | 0:03:43 | 0:03:47 | |
# Backin', stackin' Plowin', crashing | 0:03:47 | 0:03:50 | |
# Tippin', rappin' Tail doors flappin' | 0:03:50 | 0:03:52 | |
# Sucking diesel Cuttin', trucking... # | 0:03:52 | 0:03:54 | |
In Greysteel, 27-year-old Kevin O'Kane | 0:03:54 | 0:03:56 | |
has a passion for farming. | 0:03:56 | 0:03:59 | |
Farming all my life and I like it. | 0:03:59 | 0:04:01 | |
I could do 120 or 130 hours a week at times | 0:04:01 | 0:04:03 | |
and I don't get fed up with it. | 0:04:03 | 0:04:05 | |
If you're working somewhere else and not happy, | 0:04:05 | 0:04:07 | |
sure, it's a nightmare. | 0:04:07 | 0:04:09 | |
This here's not work, this is fun. | 0:04:09 | 0:04:11 | |
# They thought that we were quittin' when the sun went down | 0:04:11 | 0:04:15 | |
# With the flame from the pipe we drove all night, | 0:04:15 | 0:04:18 | |
# Till the fuel it ran out. | 0:04:18 | 0:04:19 | |
But Kevin has an even bigger love than wrapping silage, | 0:04:19 | 0:04:22 | |
jiving every weekend at dances across the country. | 0:04:22 | 0:04:26 | |
There's the basic jiving, then there's two hands | 0:04:26 | 0:04:28 | |
and then there's spin yourself away | 0:04:28 | 0:04:30 | |
and spin her away and double spins and put your arm up your back. | 0:04:30 | 0:04:32 | |
I call that spaghetti arms, | 0:04:32 | 0:04:34 | |
then there's the helicopter and the windmill, | 0:04:34 | 0:04:36 | |
and there's a whole heap of them. | 0:04:36 | 0:04:37 | |
It's a good craic and if you meet a woman that knows all this, | 0:04:37 | 0:04:40 | |
or that's a good dancer and you can teach her them all, | 0:04:40 | 0:04:42 | |
you'd have a brilliant night's dancing. | 0:04:42 | 0:04:44 | |
You'll never get me in a nightclub again, I don't think. | 0:04:44 | 0:04:47 | |
Kevin's parents were champion dancers in their day, but his | 0:04:48 | 0:04:52 | |
busy work schedule mean he hasn't yet found the ideal jiving partner. | 0:04:52 | 0:04:56 | |
So when he wants to practise a few moves, | 0:05:00 | 0:05:02 | |
he's stuck with his big mate Stephen. | 0:05:02 | 0:05:04 | |
# I joke about how I've always loved you since the age of three | 0:05:04 | 0:05:09 | |
# You stop and stare and look at me. # | 0:05:09 | 0:05:11 | |
He has hopes to enter the Monaghan Jiving Competition. | 0:05:11 | 0:05:14 | |
Go on down. Couple name. | 0:05:14 | 0:05:15 | |
He's not keen on Stephen as a partner | 0:05:15 | 0:05:17 | |
so he'll need to find himself a woman. | 0:05:17 | 0:05:19 | |
You'll have to get a woman first. | 0:05:19 | 0:05:21 | |
Get a woman and go and do your jiving competition. | 0:05:21 | 0:05:23 | |
Go and look for yourself to get a good partner. | 0:05:23 | 0:05:26 | |
I'm going to look at the best dance halls in Ireland | 0:05:26 | 0:05:28 | |
to see who the best... | 0:05:28 | 0:05:29 | |
And where would that be? | 0:05:29 | 0:05:31 | |
Here, the Four Seasons in Monaghan. Super dancers go there. | 0:05:31 | 0:05:34 | |
Today's jiving aces are carrying on family traditions that | 0:05:42 | 0:05:46 | |
stretch back generations. | 0:05:46 | 0:05:48 | |
But this time it's not rock and roll, | 0:05:52 | 0:05:54 | |
the new stars of country music like Johnny Brady, Jimmy Buckley | 0:05:54 | 0:05:58 | |
and Lisa McHugh are tapping the beat to this jiving revival. | 0:05:58 | 0:06:02 | |
# Johnny got married in his one good suit | 0:06:02 | 0:06:04 | |
# But the ride from church he bore strange fruit. # | 0:06:04 | 0:06:06 | |
So integral is the dance form to the country music scene, | 0:06:06 | 0:06:09 | |
those that can't dance find themselves at a severe | 0:06:09 | 0:06:12 | |
disadvantage, especially if you're hoping to impress the opposite sex. | 0:06:12 | 0:06:17 | |
# Who's going to dance with Sally? # | 0:06:18 | 0:06:21 | |
No wonder, then, that dance classes like Niall Doorhy's in West Meath | 0:06:23 | 0:06:26 | |
can attract up to 70 people of all ages on a midsummer's night. | 0:06:26 | 0:06:30 | |
As well as a sought-after dance teacher, | 0:06:34 | 0:06:36 | |
Niall is the main judge in this year's Monaghan Jiving Competition. | 0:06:36 | 0:06:40 | |
One, two, turn the lady and back to home. | 0:06:40 | 0:06:44 | |
And one, two, turn the lady twice. | 0:06:44 | 0:06:46 | |
Niall is very clear about what he is looking for | 0:06:46 | 0:06:48 | |
when judging the competitors. | 0:06:48 | 0:06:50 | |
There's different styles in the country and on the jive and that | 0:06:50 | 0:06:53 | |
and so I have to keep an open mind, as well, in this competition. | 0:06:53 | 0:06:56 | |
When I look at dancers, I like to watch timing and if the timing | 0:06:56 | 0:06:59 | |
is good, you know, they get a lot of points from me in my head anyway. | 0:06:59 | 0:07:02 | |
I don't care about the style, everybody has a style, | 0:07:02 | 0:07:04 | |
but the timing has to be there. | 0:07:04 | 0:07:06 | |
Hip, her hip is down here, lads. | 0:07:06 | 0:07:08 | |
One, two, turn, three, four, five | 0:07:09 | 0:07:12 | |
six, seven, eight. | 0:07:12 | 0:07:14 | |
There is no-one here tonight who would make any | 0:07:15 | 0:07:17 | |
kind of impression on Niall's judging card. | 0:07:17 | 0:07:20 | |
# Take a gamble and say I do | 0:07:20 | 0:07:23 | |
# Hey, baby, let's go to Vegas. # | 0:07:23 | 0:07:25 | |
But one man who might is Kevin, | 0:07:25 | 0:07:28 | |
but only if he is able to find a partner. | 0:07:28 | 0:07:30 | |
He's come all the way to a dance in Monaghan town | 0:07:32 | 0:07:37 | |
and he knows exactly what he's looking for. | 0:07:37 | 0:07:40 | |
She has to be a good dancer, a good lively, bouncy dancer. | 0:07:40 | 0:07:43 | |
A good fit, cuddy, like. Someone that's going to dance and keep at it | 0:07:43 | 0:07:46 | |
and knows all the moves, | 0:07:46 | 0:07:47 | |
and is not going to want to sit down after two dances. | 0:07:47 | 0:07:49 | |
That's no use. | 0:07:49 | 0:07:50 | |
You want someone who loves dancing as much as I love dancing | 0:07:50 | 0:07:53 | |
and wants to do it all night. | 0:07:53 | 0:07:55 | |
# And put him in the truck | 0:07:55 | 0:07:57 | |
# Hey, baby, let's go to Vegas Kiss the single life goodbye. # | 0:07:57 | 0:08:01 | |
Luckily, there are no shortage of fit cuddies for him to dance with | 0:08:01 | 0:08:05 | |
and Kevin wastes no time in hitting the floor. | 0:08:05 | 0:08:08 | |
He come over and asked me for a dance | 0:08:11 | 0:08:12 | |
and he was actually a really good dancer and... | 0:08:12 | 0:08:15 | |
Good dancer, Kevin. Keep it up. | 0:08:15 | 0:08:17 | |
# Viva Las Vegas sparkling lights. # | 0:08:19 | 0:08:24 | |
Kevin was a great dancer, tonight. | 0:08:24 | 0:08:26 | |
He's got great rhythm on his feet. | 0:08:26 | 0:08:27 | |
He even showed that he was able to jive two girls at the same | 0:08:27 | 0:08:30 | |
time which takes a lot of skill involved to do that there. | 0:08:30 | 0:08:33 | |
# You're my lady luck | 0:08:33 | 0:08:35 | |
# Pack a few things and a little money | 0:08:35 | 0:08:38 | |
# And put 'em in the truck. # | 0:08:38 | 0:08:39 | |
Kevin's footwork has impressed the Monaghan regulars, | 0:08:39 | 0:08:42 | |
but another dancer has caught his eye. | 0:08:42 | 0:08:44 | |
# Hey, baby, let's go to Vegas | 0:08:46 | 0:08:48 | |
-# Bet on love and let it ride. -# | 0:08:48 | 0:08:57 | |
-I'm going to go to the Monaghan dancing competition. -Oh, yeah? | 0:08:57 | 0:09:00 | |
-Did you hear about it before? -Yeah, I've never done one before. | 0:09:00 | 0:09:03 | |
Neither did I but I'm going to ask you will be go with me | 0:09:03 | 0:09:06 | |
-and dance on it? -I think we need a bit of practice, do we? | 0:09:06 | 0:09:08 | |
Aye, well, practice makes perfect. | 0:09:08 | 0:09:10 | |
Um...we'll get a wee bit of practice in the Abbey, | 0:09:10 | 0:09:12 | |
maybe next weekend. Is that OK? | 0:09:12 | 0:09:14 | |
-Abbey Donegal Hotel? -Yeah. | 0:09:14 | 0:09:15 | |
-And I say yes. -Right. -A wee bit of practice. | 0:09:15 | 0:09:18 | |
We'll go there and practice, see how we get on. | 0:09:18 | 0:09:19 | |
-OK, I'll see you there. -Good enough. Good luck. Bye-bye. | 0:09:19 | 0:09:22 | |
# Don't tell me you love me, when you know it ain't true. # | 0:09:26 | 0:09:32 | |
Two men already with dance partners are Anthony and Donal. | 0:09:32 | 0:09:35 | |
They've found two people | 0:09:37 | 0:09:38 | |
with the same passion for jiving that they have. | 0:09:38 | 0:09:40 | |
# Just pack your bags and hit the road | 0:09:42 | 0:09:45 | |
# Don't even say goodbye. # | 0:09:45 | 0:09:48 | |
I could go down to Donal's house at any night of the week at any time | 0:09:48 | 0:09:51 | |
and his mam would welcome me like I was hers, do you know? | 0:09:51 | 0:09:54 | |
And that's only plainly because I met Donal at a dance. | 0:09:54 | 0:09:56 | |
And the same with Anthony and the same with Aoife. | 0:09:56 | 0:09:58 | |
Like if we we're ever going anywhere, it's like, | 0:09:58 | 0:10:00 | |
"Don't worry, you have somewhere to lie or we'll all go together." | 0:10:00 | 0:10:03 | |
It is really, like, one major big family. | 0:10:03 | 0:10:05 | |
It's absolutely class, like. | 0:10:05 | 0:10:07 | |
# So you'll spend your lifetime Lifetime without me... # | 0:10:07 | 0:10:11 | |
My daddy is a good dancer, but when you dance with the likes of Dad | 0:10:11 | 0:10:14 | |
and you dance with the likes of him, it's two complete... | 0:10:14 | 0:10:17 | |
Even though you're doing the one dance, it's completely different. | 0:10:17 | 0:10:20 | |
# ..I'm tired of the cheatin' And the things that you do... # | 0:10:20 | 0:10:23 | |
Both couples are entering the competition in Monaghan. | 0:10:23 | 0:10:26 | |
Aoife and Stacey take it so seriously | 0:10:26 | 0:10:28 | |
that they have travelled from Roscommon and Donegal | 0:10:28 | 0:10:31 | |
for an afternoon of practice. | 0:10:31 | 0:10:33 | |
What are we from Monaghan? Two hours and ten minutes. | 0:10:33 | 0:10:37 | |
It still wouldn't stop us. We went up to Monaghan one Saturday night, | 0:10:37 | 0:10:40 | |
came home the Sunday morning, had the dinner at home, back into the car | 0:10:40 | 0:10:43 | |
and two hours back up the road again and home that night. | 0:10:43 | 0:10:46 | |
But far better men up round the north, so there is. | 0:10:46 | 0:10:49 | |
-That's what you travel for. -Yeah, yeah, yeah. | 0:10:49 | 0:10:52 | |
These are new boots I bought this morning coming out of mass. | 0:10:53 | 0:10:56 | |
I was walking past the shop and I seen them in the window, | 0:10:56 | 0:10:59 | |
so I thought I'd give these a run for their money, | 0:10:59 | 0:11:02 | |
see what they're like. | 0:11:02 | 0:11:03 | |
So...I'm going to break them in now for the dance later. | 0:11:03 | 0:11:07 | |
They're nice and comfortable, you know, they are light | 0:11:07 | 0:11:09 | |
and they don't sweat your feet. | 0:11:09 | 0:11:11 | |
# We're from the country and we like it that way... # | 0:11:11 | 0:11:14 | |
Like any scene, | 0:11:14 | 0:11:16 | |
there is a particular dress code that goes with the music. | 0:11:16 | 0:11:20 | |
# ..We're back up in the country Back in the hills | 0:11:20 | 0:11:23 | |
# Down in the valleys... # | 0:11:23 | 0:11:25 | |
You wouldn't be laughing in a pair of skinny jeans | 0:11:25 | 0:11:27 | |
and a pair of plastic slippers! | 0:11:27 | 0:11:29 | |
-No, you have to have brown shoes... -Brown shoes and the brown belt on. | 0:11:29 | 0:11:34 | |
Sure, it's got the stage now... | 0:11:34 | 0:11:36 | |
It's got to the stage now you have to ring the boys and say, | 0:11:36 | 0:11:38 | |
"If you're wearing that green shirt today, I'm not wearing it tomorrow." | 0:11:38 | 0:11:41 | |
UPBEAT COUNTRY MUSIC PLAYS | 0:11:41 | 0:11:45 | |
Although best of friends, when it comes to dancing, | 0:11:51 | 0:11:54 | |
Anthony and Donal are fierce rivals. | 0:11:54 | 0:11:57 | |
It will be more competition among ourselves more than anything, | 0:12:00 | 0:12:02 | |
just be more of a slagging match there to the winner, | 0:12:02 | 0:12:05 | |
"Ha-ha, I beat you," or... | 0:12:05 | 0:12:06 | |
You're going to sit here and say it's in it for the craic, | 0:12:10 | 0:12:12 | |
but nobody enters a competition for the sake of it. | 0:12:12 | 0:12:16 | |
We are, no matter what we say, we are really competitive, like. | 0:12:16 | 0:12:18 | |
Start off this hand, though, | 0:12:18 | 0:12:20 | |
then you drop your hand, but drop it behind your back. | 0:12:20 | 0:12:24 | |
Well done! | 0:12:29 | 0:12:30 | |
Dancing in close proximity to your main rivals | 0:12:30 | 0:12:32 | |
can be a great learning experience, | 0:12:32 | 0:12:34 | |
but you don't want to give away too much. | 0:12:34 | 0:12:37 | |
We'll have to produce the wow factor on the day, | 0:12:37 | 0:12:39 | |
-we can't show all our cards at once. -We'll show you one. | 0:12:39 | 0:12:42 | |
We'll show you one now if you want. | 0:12:42 | 0:12:44 | |
No, we won't! | 0:12:44 | 0:12:45 | |
It's all competition, so it is. | 0:12:45 | 0:12:47 | |
John Travolta here! | 0:12:47 | 0:12:48 | |
What? I was going for the George Clooney look! | 0:12:48 | 0:12:51 | |
LAUGHTER | 0:12:51 | 0:12:52 | |
# Take me back where the grass grows the greenest... # | 0:12:52 | 0:12:57 | |
The Monaghan Country Music Festival at the end of July | 0:12:57 | 0:13:01 | |
is marked in every good dancer's calendar. | 0:13:01 | 0:13:04 | |
# ..Where the girls are the prettiest in the world... # | 0:13:04 | 0:13:07 | |
The jiving competition attracts hopeful couples | 0:13:07 | 0:13:10 | |
from all over Ireland and the main event is only days away. | 0:13:10 | 0:13:14 | |
# Oh, the pain of loving you! # | 0:13:14 | 0:13:17 | |
Local man PJ McDermott has one of the most important jobs of all. | 0:13:17 | 0:13:22 | |
A comfortable surface for the dancers to dance on. | 0:13:22 | 0:13:26 | |
And, I mean, the energy that is expended by these people dancing, | 0:13:29 | 0:13:32 | |
can you imagine what vibrations go on on the floor? | 0:13:32 | 0:13:36 | |
And that's where the wooden floor allows the vibration to happen. | 0:13:36 | 0:13:40 | |
The last time jiving was at its peak, | 0:13:43 | 0:13:45 | |
competitions were commonplace up and down the country. | 0:13:45 | 0:13:48 | |
In the '60s and '70s, there would be a competition. | 0:13:50 | 0:13:54 | |
It wouldn't be very structured or organised | 0:13:54 | 0:13:56 | |
because there'd be so many out on the floor, | 0:13:56 | 0:13:58 | |
it would be the MC standing on the stage | 0:13:58 | 0:14:00 | |
with the band playing in the background, | 0:14:00 | 0:14:02 | |
looking down, observing, "Oh, yeah, that's a good jiver over there." | 0:14:02 | 0:14:07 | |
We didn't drink, we didn't go to pubs, | 0:14:09 | 0:14:11 | |
so where would you be on your nightly recreation | 0:14:11 | 0:14:14 | |
and where you might meet pretty girls? | 0:14:14 | 0:14:16 | |
It'd be at a dance. | 0:14:16 | 0:14:18 | |
With the final touches being applied, | 0:14:20 | 0:14:23 | |
PJ's floor is ready for its first jive. | 0:14:23 | 0:14:25 | |
That's it, give it some welly! | 0:14:27 | 0:14:29 | |
Very good, 100%, yeah. | 0:14:31 | 0:14:33 | |
I like the way, this year, the sheets are all running this way, | 0:14:33 | 0:14:36 | |
it's a lot better. More firmer, good spring. | 0:14:36 | 0:14:39 | |
Once you have the right partner, you can do anything. | 0:14:39 | 0:14:42 | |
It's all about the partner! | 0:14:42 | 0:14:44 | |
In Donegal, Kevin is sure he's found the perfect partner | 0:14:47 | 0:14:51 | |
in Pamela, a girl he met a week ago in Monaghan. | 0:14:51 | 0:14:54 | |
I'm delighted that she said she'd dance with me. She's a super dancer. | 0:14:58 | 0:15:01 | |
A nice girl, lovely-looking girl and everything, | 0:15:01 | 0:15:03 | |
so well pleased that she is coming today to dance with me. | 0:15:03 | 0:15:06 | |
Hopefully she turns up! | 0:15:06 | 0:15:07 | |
Today's afternoon dance is the last chance | 0:15:10 | 0:15:13 | |
for the couple to work out a winning routine, | 0:15:13 | 0:15:16 | |
but Pamela is running an hour late. | 0:15:16 | 0:15:18 | |
-Sorry I'm late. -Are you all right? -How are you? -Not so bad. | 0:15:19 | 0:15:22 | |
It appears Pamela's choice of dance shoe was the cause of the delay. | 0:15:22 | 0:15:26 | |
I kept him a wee bit late because I had to do the preparation, | 0:15:26 | 0:15:29 | |
there's a lot of prep with the plasters and bits and bobs | 0:15:29 | 0:15:32 | |
because I dance in heels and you get a few blisters and stuff. | 0:15:32 | 0:15:35 | |
I can't dance in flats. | 0:15:35 | 0:15:36 | |
I did keep him waiting a wee bit, but he'll get over that. | 0:15:36 | 0:15:39 | |
He'll have to! | 0:15:39 | 0:15:41 | |
The couple's footwork will have to be impressive | 0:15:44 | 0:15:46 | |
if it's to measure up to | 0:15:46 | 0:15:47 | |
the likes of Anthony and Stacey and Donal and Aoife | 0:15:47 | 0:15:50 | |
who are also using the afternoon dance as a final practice. | 0:15:50 | 0:15:54 | |
Given the calibre of dancers entering, | 0:15:58 | 0:16:01 | |
Kevin is convinced a complicated routine will impress the judges. | 0:16:01 | 0:16:05 | |
But his elaborate dance moves are proving difficult to master. | 0:16:08 | 0:16:12 | |
With a competition of this quality, | 0:16:12 | 0:16:14 | |
you have to be good and use all the moves. You know, | 0:16:14 | 0:16:16 | |
there's no point in doing the basic jive | 0:16:16 | 0:16:18 | |
because everybody can do the basic jive in this competition, | 0:16:18 | 0:16:21 | |
so you want to try and do everything | 0:16:21 | 0:16:22 | |
and if you've one that nobody else has, | 0:16:22 | 0:16:24 | |
that might be the one you need to win it. | 0:16:24 | 0:16:27 | |
'When he asked me to the competition, | 0:16:34 | 0:16:36 | |
'I hadn't done anything like that before, | 0:16:36 | 0:16:38 | |
'so I was a wee bit sceptical about it, | 0:16:38 | 0:16:40 | |
'thought about it and he is so competitive.' | 0:16:40 | 0:16:42 | |
New moves! 'He just wants to win.' | 0:16:48 | 0:16:51 | |
I don't know if we're going to win, but he just makes me want to do it, | 0:16:51 | 0:16:54 | |
so it's his fault! | 0:16:54 | 0:16:55 | |
That's what I'm saying! | 0:16:55 | 0:16:57 | |
# Well, you get down the fiddle and you get down the bow | 0:16:57 | 0:17:01 | |
# Kick off your shoes and you throw them on the floor | 0:17:01 | 0:17:04 | |
# Dance in the kitchen till morning light | 0:17:04 | 0:17:06 | |
# Louisiana Saturday night... # | 0:17:06 | 0:17:08 | |
It's the big day and hopeful jivers | 0:17:09 | 0:17:11 | |
are arriving into Monaghan town centre, | 0:17:11 | 0:17:14 | |
which has been closed off especially for the event. | 0:17:14 | 0:17:17 | |
You've all age groups, everybody's coming, they're all doing it, | 0:17:18 | 0:17:21 | |
they are all going to jiving classes all over the country, | 0:17:21 | 0:17:24 | |
just for this competition. | 0:17:24 | 0:17:26 | |
# ..Dance in the kitchen till the morning light | 0:17:26 | 0:17:28 | |
# Louisiana Saturday night... # | 0:17:28 | 0:17:30 | |
As the couples register and collect their numbers, | 0:17:30 | 0:17:33 | |
Donal looks like he may be dancing solo. | 0:17:33 | 0:17:36 | |
I got a phone call yesterday evening there. Aoife... | 0:17:36 | 0:17:40 | |
She's done some damage to her ankle. Long story short, she can't dance. | 0:17:40 | 0:17:45 | |
She can't dance today, so I'm going to go in here and see | 0:17:45 | 0:17:49 | |
can I find someone here to give this competition a bit of a go. | 0:17:49 | 0:17:52 | |
I can't be letting Anthony away, and Stacey away with it, you know. | 0:17:52 | 0:17:55 | |
# ..Kick off your shoes and you throw them on the floor | 0:17:55 | 0:17:58 | |
# Dance in the kitchen till the morning light... # | 0:17:58 | 0:18:01 | |
And like any good friends, Anthony and Stacey are full of sympathy. | 0:18:01 | 0:18:05 | |
It's a sad day when he has to go traipsing Monaghan's streets, | 0:18:05 | 0:18:08 | |
asking every second woman to dance with him in a competition! | 0:18:08 | 0:18:11 | |
Yeah, he had no luck. | 0:18:11 | 0:18:12 | |
It was devastating for him, an awful thing to happen, | 0:18:12 | 0:18:15 | |
especially so close to the competition, but he hasn't a hope. | 0:18:15 | 0:18:19 | |
-Wouldn't beat us two. -Wouldn't beat us two, | 0:18:20 | 0:18:22 | |
definitely, definitely not. | 0:18:22 | 0:18:23 | |
The competition judge Niall Doorhy has also arrived in the town... | 0:18:23 | 0:18:28 | |
Have a look at the floor now, see what it's like. | 0:18:28 | 0:18:31 | |
..although his reason for being here is a closely guarded secret. | 0:18:31 | 0:18:35 | |
Nice little crowd building up here. | 0:18:35 | 0:18:37 | |
I recognise a lot of couples going in here today | 0:18:37 | 0:18:40 | |
and if they don't know I'm the judge and I don't know who is competing, | 0:18:40 | 0:18:43 | |
it's better that way, it makes me do my job well. | 0:18:43 | 0:18:45 | |
It's like knowing the referee, don't want any brown envelopes! | 0:18:45 | 0:18:48 | |
With couples using the streets of Monaghan | 0:18:52 | 0:18:53 | |
as impromptu practice floors, | 0:18:53 | 0:18:55 | |
Niall is able to assess the jiving talent. | 0:18:55 | 0:18:58 | |
A bit of a sneaky practice going on here! | 0:18:58 | 0:19:00 | |
I think they must be competing. | 0:19:00 | 0:19:02 | |
They've the whole floor for themselves anyway, that's for sure! | 0:19:02 | 0:19:05 | |
-What? -They have the whole floor for themselves anyway! | 0:19:05 | 0:19:07 | |
Yeah, you've got that right. | 0:19:07 | 0:19:08 | |
Kevin and Pamela are using every last second to practise. | 0:19:08 | 0:19:12 | |
The couple only met two weeks ago... | 0:19:12 | 0:19:14 | |
and it shows. | 0:19:14 | 0:19:16 | |
Are you all right? | 0:19:17 | 0:19:19 | |
THEY LAUGH | 0:19:19 | 0:19:21 | |
-Are you all right? -Oh, my God! | 0:19:21 | 0:19:23 | |
Their moves may not be perfect, but at least they have each other. | 0:19:23 | 0:19:27 | |
It's not easy, eh? | 0:19:27 | 0:19:29 | |
# I called on my brother to ask for a loan | 0:19:29 | 0:19:33 | |
# Cos I was busted | 0:19:33 | 0:19:35 | |
# And I hate to beg like a dog for a bone | 0:19:37 | 0:19:41 | |
# But I'm busted... # | 0:19:41 | 0:19:43 | |
Donal is still searching for a partner | 0:19:43 | 0:19:46 | |
and time is running out. | 0:19:46 | 0:19:48 | |
See the time? You have half an hour, you have a half an hour. | 0:19:48 | 0:19:52 | |
Half an hour! | 0:19:52 | 0:19:53 | |
And you just look out there, my friend. | 0:19:53 | 0:19:56 | |
All the women, I'm telling you. | 0:19:56 | 0:19:58 | |
They'll just take one look at me and they'll say, | 0:19:58 | 0:20:00 | |
"Aye, we'll have some of that, sir." | 0:20:00 | 0:20:02 | |
As Donal scours the streets of Monaghan, in Roscommon, | 0:20:08 | 0:20:12 | |
his regular partner, Aoife, if is nursing a damaged ankle | 0:20:12 | 0:20:15 | |
from a trampoline accident. | 0:20:15 | 0:20:17 | |
Last weekend, you know, dancing with Donal and Anthony and Stacey | 0:20:17 | 0:20:20 | |
and all in Donegal, the whole hype was there | 0:20:20 | 0:20:22 | |
and everyone was getting ready for the competition, | 0:20:22 | 0:20:24 | |
EVERYONE was going and all the different couples | 0:20:24 | 0:20:26 | |
and it was all like, "See you next week," | 0:20:26 | 0:20:28 | |
and all this and it was so exciting | 0:20:28 | 0:20:30 | |
and now it's just all come crashing down, | 0:20:30 | 0:20:32 | |
like it's not going to go ahead, but sure. | 0:20:32 | 0:20:35 | |
Having danced with Donal for years, | 0:20:37 | 0:20:39 | |
Aoife knows just how much this competition means to him. | 0:20:39 | 0:20:42 | |
Just because I'm not there, like, Donal will still get in it, | 0:20:42 | 0:20:45 | |
he will still find a partner, like, | 0:20:45 | 0:20:47 | |
he really, really is a good dancer | 0:20:47 | 0:20:49 | |
and all the practice that he's put into it | 0:20:49 | 0:20:51 | |
and nothing would make him happy until he gets one over on Anthony, | 0:20:51 | 0:20:55 | |
and he's up there, he's looking for someone | 0:20:55 | 0:20:57 | |
and he will find someone to do it with him. | 0:20:57 | 0:20:58 | |
He won't sit it out, not at all. | 0:20:58 | 0:21:00 | |
He'll have no problem finding someone to fill in. | 0:21:00 | 0:21:02 | |
They'd have to reach his standards, like, | 0:21:02 | 0:21:04 | |
to beat Anthony Murchan, I don't know. | 0:21:04 | 0:21:06 | |
He'll get someone and hopefully they'll get somewhere, | 0:21:06 | 0:21:09 | |
but I'm just... I wish I was up there doing it. | 0:21:09 | 0:21:12 | |
I know. | 0:21:12 | 0:21:13 | |
On the jiving scene, all the best dancers know each other | 0:21:21 | 0:21:24 | |
and, in a last-ditch attempt to find a partner... | 0:21:24 | 0:21:27 | |
Hello, what's happening? | 0:21:27 | 0:21:28 | |
..Donal is approaching some old contacts. | 0:21:28 | 0:21:30 | |
I'm sort of looking for a partner here. | 0:21:30 | 0:21:32 | |
Would you do it? | 0:21:32 | 0:21:34 | |
I might. | 0:21:34 | 0:21:35 | |
-I can't promise you... The pay is not... -No, that's OK, I'll do it. | 0:21:35 | 0:21:39 | |
Will you? Not so bad, not so bad. | 0:21:39 | 0:21:41 | |
His determination has paid off. | 0:21:43 | 0:21:45 | |
Are you happy to be 13, or do you want me to...? | 0:21:45 | 0:21:47 | |
No, I don't want to be 13. | 0:21:47 | 0:21:49 | |
-You want to be 14? -I'll be 14, yeah. | 0:21:49 | 0:21:51 | |
But at this late stage, | 0:21:51 | 0:21:53 | |
will Laura be able to step into the shoes of Aoife? | 0:21:53 | 0:21:57 | |
Donal is very competitive. | 0:21:57 | 0:21:59 | |
Well, I've heard it anyway! | 0:21:59 | 0:22:01 | |
-No, I'm not! -Donal, you are! | 0:22:01 | 0:22:03 | |
-Just don't mess up, all right?! -Oh, right, OK! | 0:22:03 | 0:22:06 | |
-ANTHONY: -Vote 31! 31 to win! | 0:22:08 | 0:22:10 | |
Where am I going to put my number? | 0:22:10 | 0:22:12 | |
I know where to put it. | 0:22:12 | 0:22:13 | |
STACEY LAUGHS | 0:22:13 | 0:22:15 | |
-Best of luck. -May the best man win. | 0:22:20 | 0:22:22 | |
I intend to. | 0:22:22 | 0:22:24 | |
THEY LAUGH | 0:22:24 | 0:22:25 | |
The secret to all good jiving couples | 0:22:29 | 0:22:31 | |
is knowing where your partner is at all times. | 0:22:31 | 0:22:33 | |
Failure to do so could end in disaster. | 0:22:36 | 0:22:38 | |
It's nearly time for the jiving competition, | 0:22:44 | 0:22:46 | |
so could we clear the floor, please? | 0:22:46 | 0:22:49 | |
We want contestants inclusive of numbers 1 to 16 | 0:22:49 | 0:22:52 | |
on the floor first of all. | 0:22:52 | 0:22:54 | |
Over 40 couples have entered from across the country | 0:22:54 | 0:22:58 | |
and the first round is a series of heats. | 0:22:58 | 0:23:01 | |
Now, we would ask the jivers to give plenty of space between each other. | 0:23:01 | 0:23:04 | |
Will Anthony and Stacey's months of practice pay off? | 0:23:04 | 0:23:08 | |
Can Kevin and Pamela execute their complicated moves? | 0:23:08 | 0:23:12 | |
And will Donal's last-minute partner, Laura, | 0:23:12 | 0:23:14 | |
make an impression on judge Niall | 0:23:14 | 0:23:16 | |
as he takes his place overlooking the dance floor? | 0:23:16 | 0:23:19 | |
I've got nice view here of the contestants, | 0:23:19 | 0:23:22 | |
so I should be able to see pretty well, | 0:23:22 | 0:23:24 | |
if they keep a nice distance apart. | 0:23:24 | 0:23:26 | |
As the heats get underway, Kevin and Pamela are already out of step. | 0:23:29 | 0:23:33 | |
It's a mistake not missed by eagle-eyed judge Niall. | 0:23:34 | 0:23:37 | |
And on the other side of the floor, | 0:23:43 | 0:23:44 | |
Donal and Laura are dancing like they'd been together for years. | 0:23:44 | 0:23:48 | |
In their heat, Anthony and Stacey are tearing up the floor. | 0:23:53 | 0:23:57 | |
Only ten couples will make it to the semifinals | 0:23:57 | 0:24:00 | |
and this year's standard is very high. | 0:24:00 | 0:24:02 | |
OK, the standard is so high in this year's competition | 0:24:04 | 0:24:08 | |
that the judges have decided to increase the number of semifinalists | 0:24:08 | 0:24:12 | |
from 10 to 13 couples. | 0:24:12 | 0:24:14 | |
So, could everybody clear the floor, please | 0:24:14 | 0:24:16 | |
and we will call them all in no particular order. | 0:24:16 | 0:24:19 | |
Couple number 16. | 0:24:19 | 0:24:21 | |
Only those who make the semifinal will hear their numbers called. | 0:24:21 | 0:24:25 | |
Those who don't are out. | 0:24:25 | 0:24:27 | |
Number 14. | 0:24:27 | 0:24:29 | |
CHEERING | 0:24:29 | 0:24:32 | |
Donal and new partner Laura are through, | 0:24:32 | 0:24:34 | |
leaving Anthony and Stacey to sweat. | 0:24:34 | 0:24:36 | |
The next couple to contest the semifinal | 0:24:36 | 0:24:40 | |
is couple number 31. | 0:24:40 | 0:24:41 | |
Anthony and Donal will dance head-to-head in the semifinal. | 0:24:45 | 0:24:48 | |
-And finally... -But for Kevin and Pamela... | 0:24:48 | 0:24:51 | |
..couple number 32, please join us... | 0:24:51 | 0:24:53 | |
..their dancing is done. | 0:24:53 | 0:24:55 | |
-Oh, well. -You can't win them all! | 0:24:55 | 0:24:58 | |
-No, you can't, definitely not. -It's not too bad. -We tried, we tried! | 0:24:58 | 0:25:01 | |
-Only met you a fortnight ago, three weeks ago. -Exactly, yeah, exactly. | 0:25:01 | 0:25:04 | |
-Not too bad. -Oh, well. | 0:25:04 | 0:25:05 | |
There's always next year. | 0:25:05 | 0:25:07 | |
Yeah, right(!) | 0:25:07 | 0:25:08 | |
# The girl I love now lives in Birmingham | 0:25:15 | 0:25:19 | |
# She promised me I'd be her loving man | 0:25:20 | 0:25:23 | |
# She left me for another | 0:25:25 | 0:25:27 | |
# But God knows I still love her... # | 0:25:27 | 0:25:29 | |
The best 13 jiving couples in the country are all on the floor | 0:25:29 | 0:25:34 | |
and Niall's job is to pick six of them for the final. | 0:25:34 | 0:25:36 | |
# ..When I was just a boy of 17 | 0:25:36 | 0:25:38 | |
# She came into my life just like a dream | 0:25:39 | 0:25:42 | |
# I told her... # | 0:25:42 | 0:25:45 | |
The judges couldn't get it down to six, | 0:25:45 | 0:25:47 | |
so it's seven couples to contest the final here this evening. | 0:25:47 | 0:25:51 | |
The standard is very, very high. | 0:25:51 | 0:25:53 | |
In no particular order, please take to the floor... | 0:25:53 | 0:25:56 | |
couple number 10! | 0:25:56 | 0:25:58 | |
CHEERING | 0:25:58 | 0:26:00 | |
Couple number 42. | 0:26:00 | 0:26:02 | |
This is where you try and avoid eye contact | 0:26:04 | 0:26:06 | |
with the people who haven't got through! | 0:26:06 | 0:26:08 | |
Also making it to the final | 0:26:08 | 0:26:09 | |
are couple number 31. | 0:26:09 | 0:26:11 | |
As Anthony and Stacey make the final... | 0:26:14 | 0:26:16 | |
Two to go. | 0:26:16 | 0:26:18 | |
..Donal is waiting for the announcer to call lucky 14. | 0:26:18 | 0:26:22 | |
And finally... | 0:26:23 | 0:26:25 | |
couple number 11. | 0:26:25 | 0:26:27 | |
Donal has failed to make the last six... | 0:26:29 | 0:26:32 | |
Big smile on his face over there! | 0:26:32 | 0:26:35 | |
..and Anthony does well to hide his delight. | 0:26:35 | 0:26:37 | |
I'm not allowed to curse, am I? | 0:26:40 | 0:26:41 | |
With only one dance left in the final of the competition, | 0:26:44 | 0:26:47 | |
Anthony and Stacey are up against | 0:26:47 | 0:26:49 | |
some of the best movers in Ireland for jiving glory. | 0:26:49 | 0:26:53 | |
Thank you very much indeed! | 0:27:23 | 0:27:24 | |
Good luck to all the jivers here! | 0:27:24 | 0:27:26 | |
We'll hand you over to our MC again. | 0:27:26 | 0:27:28 | |
-Oh, my God! -Everyone was dancing very similar styles. | 0:27:28 | 0:27:32 | |
There's more twists, there's more turns from last year. | 0:27:32 | 0:27:35 | |
It's only when you're sitting down here watching the final | 0:27:35 | 0:27:38 | |
that you realise what high standard you have there. | 0:27:38 | 0:27:41 | |
OK, here is the finalists. | 0:27:41 | 0:27:43 | |
Here we go. | 0:27:43 | 0:27:45 | |
Third-place, couple number... | 0:27:45 | 0:27:48 | |
..31! | 0:27:49 | 0:27:51 | |
CHEERING | 0:27:51 | 0:27:53 | |
In second place, couple number... | 0:27:53 | 0:27:56 | |
32! | 0:27:56 | 0:27:57 | |
CHEERING | 0:27:57 | 0:27:59 | |
The winner, couple number 10! Let's hear it for them! | 0:27:59 | 0:28:03 | |
Anthony and Stacey have danced their way to an impressive third place | 0:28:03 | 0:28:07 | |
in the 2015 Monaghan Jiving Competition. | 0:28:07 | 0:28:09 | |
More importantly, they've secured bragging rights over Donal. | 0:28:11 | 0:28:14 | |
Not a hope, not a hope will I hear the end. | 0:28:14 | 0:28:16 | |
Look at him up there, look at him! | 0:28:16 | 0:28:19 | |
LAURA LAUGHS | 0:28:19 | 0:28:21 | |
He'll just be hard to listen to now for another while, but... | 0:28:21 | 0:28:24 | |
Fair play, fair play. I'll give it to you, fair play, you deserve it. | 0:28:24 | 0:28:28 | |
Sure, we are both winners, aren't we? | 0:28:28 | 0:28:30 | |
No, you are the winner. You just wanted to hear that said to you! | 0:28:30 | 0:28:34 | |
I'm the winner, you're not! | 0:28:34 | 0:28:36 | |
# From Cork right up to Donegal | 0:28:36 | 0:28:38 | |
# From Dublin to Mayo | 0:28:38 | 0:28:41 | |
# Yeah, me and my band gonna cross the land | 0:28:41 | 0:28:44 | |
# We're putting on a show | 0:28:44 | 0:28:46 | |
# People say it's here to stay | 0:28:46 | 0:28:49 | |
# Ireland's turning country. # | 0:28:49 | 0:28:52 |