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In rural Ireland, country music has never been so popular. | 0:00:02 | 0:00:05 | |
A host of new country stars have tempted a generation to | 0:00:07 | 0:00:10 | |
turn their back on the nightclub... | 0:00:10 | 0:00:13 | |
don their Stetsons and jive the night away, | 0:00:13 | 0:00:15 | |
from Ballymena to Ballydehob. | 0:00:15 | 0:00:17 | |
This week we're on the road to Bundoran, County Donegal. | 0:00:19 | 0:00:23 | |
A holiday town for 250 years and now Ireland's country music capital. | 0:00:23 | 0:00:28 | |
People call it the Nashville of country music here in Ireland. | 0:00:28 | 0:00:32 | |
We're checking into the Allingham Arms Hotel, that has been | 0:00:32 | 0:00:35 | |
a beacon for fans of the music for over 20 years. | 0:00:35 | 0:00:37 | |
The August bank holiday is the highlight of the hotel's | 0:00:40 | 0:00:42 | |
annual country calendar. | 0:00:42 | 0:00:44 | |
I'm afraid I don't have anything available on Saturday night. | 0:00:44 | 0:00:47 | |
Last year, more than 2,000 country fans | 0:00:47 | 0:00:50 | |
descended for a weekend of headline acts and all things country. | 0:00:50 | 0:00:54 | |
-We're here for the dancing. -Very good. | 0:00:54 | 0:00:56 | |
On the Sunday alone, they served over 800 dinners. | 0:00:56 | 0:01:00 | |
This year promises to be even bigger. | 0:01:00 | 0:01:02 | |
One last final push for this weekend. | 0:01:02 | 0:01:05 | |
So, owner Peter and his staff have got their work cut | 0:01:05 | 0:01:08 | |
out as they welcome fans travelling from north and south. | 0:01:08 | 0:01:11 | |
Pressure's always on, it's the Allingham. | 0:01:11 | 0:01:14 | |
Welcome to the uplifting world of Irish country music. | 0:01:14 | 0:01:17 | |
This weekend it's a fun-filled weekend of country music, dancing... | 0:01:30 | 0:01:34 | |
Peter McIntyre took over the reins of the hotel in 1994. | 0:01:34 | 0:01:38 | |
When he decided to hang his hat, cowboy of course, | 0:01:38 | 0:01:41 | |
on live country music to try and breathe new life into the business. | 0:01:41 | 0:01:45 | |
Tickets are selling fast so be early to avoid disappointment. | 0:01:45 | 0:01:49 | |
-RECORDING: -Doors open 10.30. | 0:01:49 | 0:01:52 | |
With an advertising strategy he's used for years... | 0:01:52 | 0:01:55 | |
VOICE FROM TANNOY | 0:01:55 | 0:01:57 | |
..Peter makes sure Bundoran visitors | 0:01:57 | 0:01:59 | |
and locals alike know about his country nights. | 0:01:59 | 0:02:02 | |
I started about 15 years ago, the Dictaphone, | 0:02:02 | 0:02:05 | |
and I find it's a great job for promoting. | 0:02:05 | 0:02:07 | |
People come to Bundoran and they don't know what's on in the town | 0:02:07 | 0:02:10 | |
and I find it's an old-fashioned way of doing it but I find it works. | 0:02:10 | 0:02:13 | |
Facebook, forget it, let me tell you. | 0:02:13 | 0:02:15 | |
Peter goes around with the old megaphone, as they used to say. | 0:02:15 | 0:02:18 | |
You'd think it was a circus coming to town, to be honest. | 0:02:18 | 0:02:21 | |
-TANNOY: -The brilliant Mike Denver. | 0:02:21 | 0:02:24 | |
And the man himself, Ireland's most popular country star Jimmy Buckley. | 0:02:24 | 0:02:27 | |
I've seen years ago people say, | 0:02:27 | 0:02:29 | |
"What are you doing with that van up that town?" | 0:02:29 | 0:02:31 | |
I used to say, that's the van that built the Allingham. | 0:02:31 | 0:02:34 | |
Over the years Peter's van has helped him | 0:02:34 | 0:02:37 | |
double the hotel's capacity as the popularity | 0:02:37 | 0:02:40 | |
and demand for country music has increased in the town. | 0:02:40 | 0:02:43 | |
# Thanks | 0:02:45 | 0:02:47 | |
# Oh, thanks a lot | 0:02:47 | 0:02:49 | |
# I got a broken heart... # | 0:02:49 | 0:02:52 | |
This weekend the hotel has booked some of the biggest | 0:02:52 | 0:02:55 | |
stars in Irish country music. | 0:02:55 | 0:02:57 | |
-What's the story of the weekend? -Very busy. | 0:02:58 | 0:03:01 | |
Fully booked on Saturday night. No rooms left. | 0:03:01 | 0:03:03 | |
Are you checking the reservations to see if there are any cancellations? | 0:03:03 | 0:03:07 | |
We have to ring round. We have a cancellation list there. | 0:03:07 | 0:03:10 | |
# It's many years ago now since I left my Mayo home... # | 0:03:14 | 0:03:19 | |
One country fan with a reservation for the bank holiday is | 0:03:19 | 0:03:23 | |
accomplished dancer Sandra from County Mayo. | 0:03:23 | 0:03:26 | |
I'm just packing now because myself | 0:03:26 | 0:03:29 | |
and my good friend Aoiffe are heading up to the Allingham tonight. | 0:03:29 | 0:03:32 | |
We're going to try to get a good night's jiving in. | 0:03:32 | 0:03:34 | |
It's all about the dance for us. | 0:03:34 | 0:03:36 | |
We want to take a road trip up north and see what's happening up there. | 0:03:36 | 0:03:39 | |
In fact, she is so into the country music dancing that she has | 0:03:39 | 0:03:42 | |
become something of an authority on it. | 0:03:42 | 0:03:44 | |
I suppose I have a big passion for country music. | 0:03:44 | 0:03:47 | |
And I took this passion just one step further | 0:03:47 | 0:03:49 | |
and I've actually wrote a thesis on country music. | 0:03:49 | 0:03:52 | |
So... I studied Irish music and dance in college, it was my degree. | 0:03:52 | 0:03:57 | |
And I decided to focus in on country music for my final project, | 0:03:57 | 0:04:01 | |
my thesis. | 0:04:01 | 0:04:03 | |
One of the things I talked about was how up the north, the jive is one of | 0:04:03 | 0:04:08 | |
the predominant dances, | 0:04:08 | 0:04:10 | |
whereas down the south we're more into our waltz, foxtrot, quick-step. | 0:04:10 | 0:04:13 | |
We still do the jive | 0:04:13 | 0:04:14 | |
but as you travel north in the country, the jive gets a lot | 0:04:14 | 0:04:18 | |
faster, a lot quicker and there's a lot more tricks going on in it. | 0:04:18 | 0:04:21 | |
So that was one of the things that I zoned in on. | 0:04:21 | 0:04:23 | |
It's not unusual for Sandra and friend Aoiffe to travel | 0:04:23 | 0:04:26 | |
hundreds of miles in search of a good country night out. | 0:04:26 | 0:04:30 | |
And this weekend's trip to Bundoran is all about getting a jive | 0:04:30 | 0:04:34 | |
with those legendary fast northern dancers. | 0:04:34 | 0:04:37 | |
For me, it's really exciting to be part of all this. | 0:04:37 | 0:04:39 | |
Five, six years ago people wouldn't have thought that this was | 0:04:39 | 0:04:42 | |
the way it would be. | 0:04:42 | 0:04:43 | |
Some of my friends still think it's mad that young people go to these things. | 0:04:43 | 0:04:47 | |
-Don't forget your handbag. -I think that's everything now. | 0:04:47 | 0:04:49 | |
I love going every weekend, it's part of me at this stage. | 0:04:49 | 0:04:52 | |
I'm always at country music things and talking country music | 0:04:52 | 0:04:56 | |
and it's just so enjoyable and I'm just so glad to be | 0:04:56 | 0:04:58 | |
part of this generation that is going to country dances. | 0:04:58 | 0:05:02 | |
With a full house of country fans like Sandra and Aoiffe expected, | 0:05:10 | 0:05:13 | |
Peter gathers his team to ensure the weekend runs smoothly. | 0:05:13 | 0:05:17 | |
I know it's coming to the end of the season, guys, | 0:05:17 | 0:05:19 | |
and we had a massive summer and we're all tired at this stage. | 0:05:19 | 0:05:22 | |
But one last final push for this weekend. | 0:05:22 | 0:05:25 | |
What's the story? How's it going today? | 0:05:27 | 0:05:28 | |
I'm going to need a few more staff in if that's OK? | 0:05:28 | 0:05:31 | |
That's all checked out. | 0:05:31 | 0:05:32 | |
And I'm going to have to up this order a wee bit. | 0:05:32 | 0:05:34 | |
Kevin, this is Peter Mac here. How's it going? | 0:05:34 | 0:05:36 | |
In the front bar, how are you fixed? | 0:05:36 | 0:05:38 | |
We have all our stock, got everything ordered. | 0:05:38 | 0:05:40 | |
Got everything coming in. | 0:05:40 | 0:05:41 | |
There will be no problem having everything stocked, ready to go. | 0:05:41 | 0:05:44 | |
When we get this weekend over, when we come to Tuesday, guys, | 0:05:44 | 0:05:47 | |
we'll have a good shindig. | 0:05:47 | 0:05:49 | |
-And the drinks are on you? -I don't mind. | 0:05:49 | 0:05:52 | |
LAUGHTER | 0:05:52 | 0:05:53 | |
I'll be glad. The pressure's off then. | 0:05:53 | 0:05:55 | |
One person who knows the town better than most is Lauren Savage. | 0:06:02 | 0:06:06 | |
She combines her busy PR job at Belfast International Airport | 0:06:06 | 0:06:10 | |
with her love of country music. | 0:06:10 | 0:06:12 | |
-Where are you at this weekend? -I'm heading to the Allingham Arms. | 0:06:12 | 0:06:15 | |
-What's on there? -Country music, Mark. -OK. | 0:06:15 | 0:06:18 | |
-It's the home of country music. -You're all into your country music. | 0:06:18 | 0:06:21 | |
-Aye. -You're a bid Daniel O'Donnell fan, aren't you? | 0:06:21 | 0:06:24 | |
No, Johnny Brady I'm into. | 0:06:24 | 0:06:26 | |
Younger crowd, Johnny Brady, Mike Denver, Nathan Carter, | 0:06:26 | 0:06:30 | |
that sort of crowd. | 0:06:30 | 0:06:31 | |
-Who's all going there with you? -There's 21 of us going, actually. | 0:06:31 | 0:06:34 | |
Friends or what? | 0:06:34 | 0:06:35 | |
No, family - Granny, Grandad, aunties, uncles, Mummy, | 0:06:35 | 0:06:39 | |
Daddy, cousins. | 0:06:39 | 0:06:40 | |
-Is your family all into country? -The whole family. | 0:06:40 | 0:06:43 | |
# Cos I got my baby | 0:06:43 | 0:06:45 | |
# My baby's back. # | 0:06:45 | 0:06:47 | |
For over 20 years, Lauren | 0:06:47 | 0:06:48 | |
and her family have been regulars at the hotel. | 0:06:48 | 0:06:52 | |
And they never miss the big August bank holiday weekend. | 0:06:52 | 0:06:55 | |
It's time to spend together, enjoy the music and, of course, | 0:06:55 | 0:06:58 | |
all of them like a jive. | 0:06:58 | 0:07:01 | |
Well, there is one exception. | 0:07:01 | 0:07:02 | |
Yous all get up and dance now? | 0:07:02 | 0:07:04 | |
I can't dance now but I'm going to have to learn. | 0:07:04 | 0:07:07 | |
Cos everybody does it | 0:07:07 | 0:07:08 | |
and I feel a bit out of place just sitting on the sideline. | 0:07:08 | 0:07:11 | |
I guess I don't jive because I just feel a bit intimidated that | 0:07:11 | 0:07:15 | |
some of the dancers are so good. My auntie and uncle are fantastic. | 0:07:15 | 0:07:19 | |
They learned to jive years ago. | 0:07:19 | 0:07:20 | |
They met at the Allingham and now they're married. | 0:07:20 | 0:07:23 | |
And my brother, he's jiving. My wee brother, | 0:07:23 | 0:07:25 | |
he's only 17 and he's into it. | 0:07:25 | 0:07:27 | |
So I suppose I just need to learn, catch up with them. | 0:07:27 | 0:07:30 | |
She's given herself the bank holiday weekend to get her dancing | 0:07:30 | 0:07:33 | |
skills up to scratch. | 0:07:33 | 0:07:35 | |
Definitely as I get older, I do feel like I'm missing | 0:07:35 | 0:07:37 | |
out on some of the experience. Dancing is a big part of it. | 0:07:37 | 0:07:40 | |
You know, you go there and everyone else is dancing. | 0:07:40 | 0:07:43 | |
I do want to get up and dance. | 0:07:43 | 0:07:45 | |
I want to be part of that. | 0:07:45 | 0:07:47 | |
# Cos I got my baby back, yeah! # | 0:07:47 | 0:07:49 | |
# Yeah, Las Vegas and the hills of Donegal... # | 0:07:51 | 0:07:54 | |
Long before the Savage family started jiving in Bundoran it | 0:07:54 | 0:07:58 | |
was a town where the Irish loved to let their hair down. | 0:07:58 | 0:08:01 | |
52 years ago I came here on my honeymoon. | 0:08:01 | 0:08:04 | |
Bed and breakfast, four-course dinner | 0:08:04 | 0:08:06 | |
and evening meal was 60 cents. | 0:08:06 | 0:08:09 | |
In 1777 the first holiday home was built in the beautiful | 0:08:09 | 0:08:14 | |
Donegal seaside town and then came a rush of hotels and holiday-makers. | 0:08:14 | 0:08:18 | |
Since then the town has been a favourite coastal | 0:08:21 | 0:08:23 | |
destination for visitors of all ages, from north and south. | 0:08:23 | 0:08:27 | |
Along with its beaches, the town quickly became known | 0:08:30 | 0:08:33 | |
as a place to find a good dance from the ballrooms to the seafront. | 0:08:33 | 0:08:37 | |
The Allingham Arms has been receiving guests | 0:08:38 | 0:08:41 | |
since the 1900s but with the country music revival it has become | 0:08:41 | 0:08:45 | |
one of the town's best-known dancing destinations. | 0:08:45 | 0:08:48 | |
Someone who has heard of the hotel's reputation is veteran dancer | 0:08:50 | 0:08:54 | |
Pat Fern from County Armagh. | 0:08:54 | 0:08:56 | |
This 71-year-old is coming to Bundoran for the first time | 0:08:57 | 0:09:00 | |
this weekend. | 0:09:00 | 0:09:02 | |
I love dancing. | 0:09:02 | 0:09:03 | |
And I particularly love dancing with my partner, sort of... | 0:09:04 | 0:09:07 | |
We've been together 30-odd years | 0:09:07 | 0:09:09 | |
and it's a common ground we've had for all that time | 0:09:09 | 0:09:12 | |
and when things aren't going too well, a night's dancing | 0:09:12 | 0:09:15 | |
builds a lot of bridges that might be in the process of falling down. | 0:09:15 | 0:09:19 | |
# Hey, baby, let's go for a ride | 0:09:19 | 0:09:21 | |
# Let's take the Chevy to the countryside... # | 0:09:21 | 0:09:24 | |
Pat's partner Ruth lives in England but that doesn't stop | 0:09:24 | 0:09:27 | |
the couple dancing at venues throughout Ireland. | 0:09:27 | 0:09:30 | |
So when it came to a present, she knew exactly what to buy him. | 0:09:30 | 0:09:34 | |
These are a pair of boots that Ruth bought for me. | 0:09:34 | 0:09:37 | |
They're made by the last bootmaker in Ireland in Belfast. | 0:09:37 | 0:09:41 | |
And the main thing about them is they have leather soles. | 0:09:41 | 0:09:44 | |
It's the leather sole on the part of your foot that | 0:09:44 | 0:09:46 | |
comes in contact with the dance floor that's important to | 0:09:46 | 0:09:50 | |
have right in dancing boots. | 0:09:50 | 0:09:52 | |
# Dancing in the moonlight... # | 0:09:52 | 0:09:55 | |
But Pat doesn't have to wait | 0:09:55 | 0:09:57 | |
until Saturday night to get his dancing shoes on. | 0:09:57 | 0:10:00 | |
He's built his own dance floor based on one of his favourites. | 0:10:00 | 0:10:04 | |
The best dance floor I ever danced on and reputedly the best | 0:10:04 | 0:10:07 | |
dance floor in Ireland was the City Hall, Armagh. | 0:10:07 | 0:10:10 | |
That was a sprung dance floor. | 0:10:10 | 0:10:12 | |
The building has since gone but with a bit of clever home | 0:10:12 | 0:10:15 | |
engineering, Pat has been able to recreate the experience. | 0:10:15 | 0:10:19 | |
The thrill that I get out of this is the feeling you get of | 0:10:19 | 0:10:22 | |
dancing on a fully sprung floor. | 0:10:22 | 0:10:24 | |
The thing about the dance floor is the energy and the rhythm. | 0:10:24 | 0:10:28 | |
You get the dance floor dancing with you and it's dancing back with you. | 0:10:28 | 0:10:31 | |
And it's lifting you. | 0:10:31 | 0:10:33 | |
Whoo! | 0:10:33 | 0:10:34 | |
And if you're dancing with a partner, | 0:10:34 | 0:10:37 | |
lifting her at the same time. | 0:10:37 | 0:10:38 | |
Lifting the two of yous together and what could be better than that? | 0:10:38 | 0:10:43 | |
More fun than you can have with your clothes on anywhere else. | 0:10:43 | 0:10:47 | |
Pat's nimble footwork has graced many dance floors | 0:10:50 | 0:10:53 | |
but he has realised there's one he still hasn't tried out. | 0:10:53 | 0:10:57 | |
Ruth and I have danced up and down the east coast. | 0:10:57 | 0:11:00 | |
Some place we have never tried out on the Irish scene, | 0:11:00 | 0:11:03 | |
we haven't been down the west coast. | 0:11:03 | 0:11:05 | |
The first test I'm going to have to pass, is it a good dance floor? | 0:11:06 | 0:11:09 | |
It's the Friday of the big weekend and the dance floor is ready. | 0:11:16 | 0:11:20 | |
The staff are making last-minute preparations for the weekend's | 0:11:20 | 0:11:23 | |
full house. | 0:11:23 | 0:11:24 | |
I'm afraid I don't actually have anything available | 0:11:24 | 0:11:27 | |
-on Saturday night. -Pressure's always on, it's the Allingham. | 0:11:27 | 0:11:31 | |
I'm coming in for the weekend. | 0:11:31 | 0:11:33 | |
Over at Belfast International Airport, Pat has arrived to | 0:11:38 | 0:11:41 | |
collect his partner Ruth who is flying in from England | 0:11:41 | 0:11:44 | |
especially for their dancing voyage of discovery up the west coast. | 0:11:44 | 0:11:48 | |
I'm set, ready to go. | 0:11:48 | 0:11:50 | |
I know that she's set because I hear she's arriving with a new | 0:11:50 | 0:11:54 | |
dress especially for the occasion. | 0:11:54 | 0:11:56 | |
When a woman buys a new dress, you know she's interested | 0:11:56 | 0:11:59 | |
because she's committed. I'm looking forward to seeing that. | 0:11:59 | 0:12:02 | |
I hear it's a black one so we'll see, little black dress. | 0:12:02 | 0:12:06 | |
For Pat and Ruth, dancing has always been central to their relationship. | 0:12:06 | 0:12:11 | |
We met at a dance and dancing has always been important to us | 0:12:11 | 0:12:14 | |
and Saturday night dancing was the thing that held us | 0:12:14 | 0:12:16 | |
together for as long as it did. | 0:12:16 | 0:12:18 | |
We've been going out with each other from around about the early '80s. | 0:12:18 | 0:12:22 | |
Ruth arrives and Pat is keen to get her, | 0:12:23 | 0:12:26 | |
and her new black dress, on their way. | 0:12:26 | 0:12:28 | |
This weekend we're going to have a full weekend's dancing. | 0:12:28 | 0:12:31 | |
If we can manage it. We're not even going to stop off on the way home. | 0:12:31 | 0:12:34 | |
We're gong straight up to Bundoran | 0:12:34 | 0:12:35 | |
and the weekend starts here, yep. | 0:12:35 | 0:12:37 | |
Sandra and Aoiffe are on the road from Mayo | 0:12:39 | 0:12:42 | |
and hope that among the hundreds of hotel guests expected over | 0:12:42 | 0:12:45 | |
the big weekend, they'll find some quick, young dance partners. | 0:12:45 | 0:12:49 | |
-I'm getting excited now. -And my favourite song. | 0:12:49 | 0:12:52 | |
Do you ever drive the car, one handed drive? | 0:12:55 | 0:12:57 | |
MUSIC: Dreamer and Believers by Derek Ryan | 0:12:57 | 0:13:00 | |
# Another night of playing in the boondocks | 0:13:03 | 0:13:06 | |
# Another night of crying in our beer. # | 0:13:07 | 0:13:10 | |
At reception the staff are kept busy as guests check in. | 0:13:10 | 0:13:14 | |
There are new faces, like Pat and Ruth, who have | 0:13:14 | 0:13:16 | |
arrived from the airport. | 0:13:16 | 0:13:18 | |
You're with us for two nights, bed and breakfast. | 0:13:18 | 0:13:20 | |
Yes, we're here for the dance. | 0:13:20 | 0:13:22 | |
# Down the ol' white line to fame and fortune... # | 0:13:22 | 0:13:24 | |
We're really mad, mad busy. Everyone's coming in to reception. | 0:13:26 | 0:13:29 | |
And the phone is ringing off the hook. | 0:13:29 | 0:13:32 | |
And there are hotel regulars like Lauren's family, the Savages... | 0:13:34 | 0:13:39 | |
all 21 of them. | 0:13:39 | 0:13:41 | |
-There's Danny now. -He's having a ride. -I thought you weren't coming. | 0:13:41 | 0:13:44 | |
Did you break down? | 0:13:44 | 0:13:46 | |
# Another night of so-called tour engagements... # | 0:13:47 | 0:13:50 | |
-Might be two engagements tonight. -Huh? | 0:13:51 | 0:13:53 | |
Might be two engagements tonight. We might get proposed to. | 0:13:53 | 0:13:57 | |
# Half the band don't talk to one another... # | 0:13:57 | 0:14:00 | |
Last but not least, Johnny Brady, | 0:14:00 | 0:14:02 | |
one headline act playing this weekend is setting up. | 0:14:02 | 0:14:06 | |
I just love going out to gigs. I love being in a band. | 0:14:06 | 0:14:08 | |
We love playing the country music. | 0:14:08 | 0:14:10 | |
The dancers come and say that they love dancing and it's all ages | 0:14:10 | 0:14:13 | |
and we're happy to be involved in it. | 0:14:13 | 0:14:15 | |
We can't believe it's went to that level. | 0:14:15 | 0:14:18 | |
I'm getting excited now, actually. | 0:14:18 | 0:14:20 | |
Yep, definitely. | 0:14:20 | 0:14:22 | |
# Don't ask me what it is or what it means. # | 0:14:22 | 0:14:24 | |
One of the first stops for many guests is the bar, where | 0:14:27 | 0:14:30 | |
barmen Dave and Kamel will be looking after them during the weekend. | 0:14:30 | 0:14:34 | |
Bottle of Bud and a glass of wine. White or red? | 0:14:34 | 0:14:37 | |
What's it like working here? It's pretty good... Oh, and messy sometimes! | 0:14:37 | 0:14:40 | |
Really busy, you know? All the time, busy. All the time, busy. | 0:14:40 | 0:14:44 | |
They'll have their hands full this weekend keeping the drinks | 0:14:46 | 0:14:49 | |
flowing and the customers happy. | 0:14:49 | 0:14:51 | |
-Here you are. -How are you? Good to see you again. | 0:14:51 | 0:14:54 | |
Kamel knows every name of every person that comes here. Ever. | 0:14:54 | 0:14:58 | |
Tonight we'll be serving here in the front bar around 500, 550. | 0:14:58 | 0:15:03 | |
Kamel settled in Ireland from Tunisia 12 years ago. | 0:15:03 | 0:15:06 | |
Before becoming an Irishman, country music did not figure large | 0:15:06 | 0:15:09 | |
in his life. | 0:15:09 | 0:15:10 | |
When I started here I had never heard of country music. | 0:15:10 | 0:15:14 | |
And I never knew anything about country music. | 0:15:14 | 0:15:17 | |
But after years in the Irish capital of country, | 0:15:17 | 0:15:20 | |
the music has worked its magic. | 0:15:20 | 0:15:22 | |
What's that favourite one of yours by Nathan Carter? | 0:15:22 | 0:15:25 | |
BOTH: # Rock me, Mama, like a wagon wheel | 0:15:25 | 0:15:28 | |
# Rock me, Mama, any way you feel | 0:15:28 | 0:15:31 | |
# Hey, mama, rock me | 0:15:33 | 0:15:35 | |
# Rock me, Mama, like the wind and the rain... # | 0:15:38 | 0:15:42 | |
In the restaurant, Lauren and the Savage family are grabbing | 0:15:42 | 0:15:45 | |
a bite to eat. | 0:15:45 | 0:15:46 | |
Over the long weekend, Lauren has set herself | 0:15:46 | 0:15:49 | |
the challenge of dancing for the very first time. | 0:15:49 | 0:15:52 | |
Who better than family to set her on her way? | 0:15:52 | 0:15:54 | |
I've been asking you for years if you would teach me. | 0:15:54 | 0:15:57 | |
Two of us will teach you. We'll get you up on the floor tonight. | 0:15:57 | 0:16:00 | |
-Maybe see if Peter will let us in on the dance floor earlier? -Yeah. | 0:16:00 | 0:16:03 | |
-Get a wee practice. -That would be good. | 0:16:03 | 0:16:05 | |
I'm sure he will. | 0:16:05 | 0:16:07 | |
Lauren's Auntie Natalie and her husband Gerard met at the hotel four | 0:16:07 | 0:16:11 | |
years ago and now, one wedding, a baby | 0:16:11 | 0:16:14 | |
and many jives later, they dance together at competition level. | 0:16:14 | 0:16:17 | |
She's hoping if she can dance, she can meet the right man too. | 0:16:17 | 0:16:21 | |
I won't be able to get one if I can't dance. | 0:16:21 | 0:16:23 | |
We'll make sure you learn how to dance. | 0:16:23 | 0:16:26 | |
I only need the basics so as long as I have the basics. | 0:16:26 | 0:16:28 | |
-That's all you need. -We'll look after you. -Definite. | 0:16:28 | 0:16:31 | |
Preparation is the key to success so straight after lunch, Lauren | 0:16:31 | 0:16:35 | |
and her willing teachers head to the ballroom for her first ever lesson. | 0:16:35 | 0:16:39 | |
Time to learn a few moves now, Lauren. | 0:16:40 | 0:16:43 | |
-Hold on. Get these off. -Relax now, Lauren. | 0:16:43 | 0:16:46 | |
We're going to show what me and my partner does here | 0:16:46 | 0:16:49 | |
-and then we'd better do it with you. -OK. | 0:16:49 | 0:16:51 | |
You're doing well, Lauren, well done! | 0:16:57 | 0:17:00 | |
-Take a while. -I'm a natural. | 0:17:01 | 0:17:03 | |
It only gets harder now. | 0:17:04 | 0:17:06 | |
Lauren gets stuck in and seems to take to the moves well. | 0:17:07 | 0:17:11 | |
Maybe after all this time, she just had to find her dancing feet. | 0:17:11 | 0:17:14 | |
-I'll be lucky tonight, anyway. -You'll get that man, Lauren. | 0:17:17 | 0:17:21 | |
I've been begging them for ages to give me some lessons | 0:17:23 | 0:17:25 | |
and finally they did tonight and it's easier than I thought. | 0:17:25 | 0:17:28 | |
I love it now. I'm just going to take the shoes off. | 0:17:28 | 0:17:30 | |
I think that's what it was before. | 0:17:30 | 0:17:33 | |
She's got the moves | 0:17:33 | 0:17:34 | |
and now she'll have to pick her moment to try them | 0:17:34 | 0:17:37 | |
on the dance floor. | 0:17:37 | 0:17:38 | |
Keen to get dancing, fans are queuing two hours before tonight's | 0:17:40 | 0:17:43 | |
live show. | 0:17:43 | 0:17:45 | |
Upstairs, Sandra and Aoiffe are getting ready and like Lauren, | 0:17:45 | 0:17:48 | |
have given some thought to their footwear. | 0:17:48 | 0:17:51 | |
I dance in heels and Aoiffe dances in flats. | 0:17:51 | 0:17:54 | |
That's just a preference, I suppose. | 0:17:54 | 0:17:56 | |
I'm an Irish dancer so I'm | 0:17:56 | 0:17:57 | |
so used to being up on my toes anyway that I always wear heels. | 0:17:57 | 0:18:01 | |
It's only their second time in Bundoran | 0:18:01 | 0:18:03 | |
but they are likely to run into some familiar faces. | 0:18:03 | 0:18:05 | |
We've made friends from Donegal and everywhere just from country music. | 0:18:05 | 0:18:09 | |
In dancing you get to know those younger people | 0:18:09 | 0:18:11 | |
and then the contact starts. "Are you going to this dance? | 0:18:11 | 0:18:13 | |
"Are you going to this dance?" | 0:18:13 | 0:18:15 | |
And you get to know so many people that way. | 0:18:15 | 0:18:17 | |
And they are in no doubt they're in the right place to | 0:18:17 | 0:18:19 | |
up their game at jiving. | 0:18:19 | 0:18:21 | |
I think in the north they're learning different moves | 0:18:21 | 0:18:24 | |
and different tricks, if you want to call them that. | 0:18:24 | 0:18:26 | |
It's always a bit more challenging to try new dance moves. | 0:18:26 | 0:18:29 | |
Keen to learn those new dance moves, Sandra and Aoiffe | 0:18:33 | 0:18:37 | |
join the queue downstairs. But with only a few minutes to go | 0:18:37 | 0:18:40 | |
until doors open, Pat has sneaked his way into the dance | 0:18:40 | 0:18:44 | |
hall during the sound check to get a feel for the floor. | 0:18:44 | 0:18:47 | |
It's a great dance floor but it's not a great sprung floor. | 0:18:53 | 0:18:55 | |
It's a non-sprung floor but I'll tell you what, it's a lovely space. | 0:18:55 | 0:18:59 | |
I think Ruth will really like this. | 0:18:59 | 0:19:01 | |
MUSIC: Give Me One More Chance by Johnny Brady | 0:19:01 | 0:19:04 | |
# Won't you give me just one more chance? | 0:19:11 | 0:19:13 | |
# Maybe we can make a little romance | 0:19:13 | 0:19:16 | |
# No reason why you and me can't get it back together like we used to be | 0:19:16 | 0:19:20 | |
# Gimme, gimme, gimme just another try | 0:19:20 | 0:19:22 | |
# Can't have you, I'm going to die | 0:19:22 | 0:19:24 | |
# Give me one more chance | 0:19:24 | 0:19:25 | |
# Give me one more chance | 0:19:27 | 0:19:29 | |
# Do you remember...? # | 0:19:30 | 0:19:32 | |
Leading country artist Johnny Brady is headlining Saturday night | 0:19:32 | 0:19:36 | |
and the crowd are quick to fill the floor. | 0:19:36 | 0:19:38 | |
# You were my confidant... # | 0:19:40 | 0:19:42 | |
Sandra and Aoiffe start the night dancing with each other | 0:19:42 | 0:19:45 | |
but soon they're on the lookout for northern lads with some new moves. | 0:19:45 | 0:19:48 | |
-Some really good jivers. -Really good jivers. | 0:19:48 | 0:19:52 | |
He was at the championships before. | 0:19:53 | 0:19:55 | |
And the northern lads aren't backward in coming forward. | 0:19:55 | 0:19:59 | |
-Like to dance? -Hello. How are you? -Do you want to dance? -OK. | 0:19:59 | 0:20:05 | |
# Won't you give me just one more chance? | 0:20:08 | 0:20:11 | |
# Maybe we can make a little romance | 0:20:11 | 0:20:13 | |
# No reason why you and me can't get it back together like we used to be | 0:20:13 | 0:20:18 | |
# Gimme, gimme, gimme just another try | 0:20:18 | 0:20:20 | |
# Can't have you... # | 0:20:20 | 0:20:22 | |
On the other side of the dance floor, Aoiffe has also bagged | 0:20:22 | 0:20:24 | |
an accomplished mover all of her own. | 0:20:24 | 0:20:28 | |
# Get down on the bank of that river | 0:20:28 | 0:20:29 | |
# Bank of that river that's what I want to do | 0:20:29 | 0:20:32 | |
# Go round and round on the bank of that river | 0:20:32 | 0:20:34 | |
# You loving on me Me loving on you. # | 0:20:34 | 0:20:37 | |
The girls from County Mayo have soon made new friends on | 0:20:37 | 0:20:40 | |
and off the dance floor. | 0:20:40 | 0:20:41 | |
It's judgment time on the northern jivers. | 0:20:44 | 0:20:47 | |
-All the lads were really good jivers. -They really were. | 0:20:47 | 0:20:50 | |
-Really fast jives. -We enjoyed dancing with them all. | 0:20:50 | 0:20:54 | |
-It was really good. -Really good. | 0:20:54 | 0:20:56 | |
-Jiving. -Waltz, foxtrot. -You did foxtrot. -I did a quick-step. | 0:20:58 | 0:21:03 | |
More jives. | 0:21:03 | 0:21:04 | |
-We did five or six... -A bit of everything. | 0:21:04 | 0:21:07 | |
Everything there is to do with country music, we kind of did. | 0:21:07 | 0:21:10 | |
-We did do it all. -But mostly jives. | 0:21:10 | 0:21:13 | |
And what do the northern jivers think of their dance partners? | 0:21:13 | 0:21:16 | |
I thought I'd never dance with a girl from Mayo | 0:21:16 | 0:21:18 | |
but I'm glad I started to dance with them. | 0:21:18 | 0:21:20 | |
Can't wait for them to come back. Two good jivers, I have to say. | 0:21:20 | 0:21:24 | |
As I said, "Aoiffe, you're the first woman from Mayo that made me sweat." | 0:21:24 | 0:21:27 | |
The two of them made me sweat, in fairness. | 0:21:27 | 0:21:30 | |
# Hillbilly bone-ba-bone-ba-bone-bone | 0:21:31 | 0:21:34 | |
# Hillbilly bone-ba-bone-ba-bone-bone. # | 0:21:34 | 0:21:36 | |
A crowded dance floor | 0:21:38 | 0:21:39 | |
and bar is always a welcome sight for hotel owner Peter. | 0:21:39 | 0:21:42 | |
He knows how to keep his customers happy. | 0:21:42 | 0:21:46 | |
# I got a friend in New York City... # | 0:21:46 | 0:21:48 | |
There are even some free drinks going around too. | 0:21:48 | 0:21:52 | |
They're all regulars of mine. | 0:21:52 | 0:21:53 | |
They've been coming here for 24, 25 years. | 0:21:53 | 0:21:56 | |
So they come most Saturday nights. | 0:21:56 | 0:21:58 | |
Go around Saturday night and try to meet them all. | 0:21:58 | 0:22:02 | |
The country fans are dancing the night away... | 0:22:04 | 0:22:08 | |
and in the thick of it Pat and Ruth are getting stuck in. | 0:22:08 | 0:22:12 | |
While they didn't find the sprung dance floor Pat wanted, | 0:22:12 | 0:22:14 | |
after 30 years of dancing together the growing popularity | 0:22:14 | 0:22:18 | |
of country music has given their nights out a new lease of life. | 0:22:18 | 0:22:22 | |
It's Saturday night. It's a social get-together. | 0:22:24 | 0:22:27 | |
You dance with your partner, you dance with your friends | 0:22:27 | 0:22:30 | |
and neighbours, you dance with the community. | 0:22:30 | 0:22:32 | |
# Got a hillbilly bone down deep inside... # | 0:22:32 | 0:22:34 | |
The worst thing is to go somewhere where nobody dances. | 0:22:34 | 0:22:38 | |
-The fact that everybody's dancing... -That's what social dancing is about. | 0:22:38 | 0:22:42 | |
Get together and get together on the dance floor. | 0:22:42 | 0:22:45 | |
What brings them together on the dance floor is good music. | 0:22:45 | 0:22:48 | |
That's what you had there tonight. I enjoyed that. | 0:22:48 | 0:22:50 | |
Their first night dancing in Bundoran has been a great | 0:22:50 | 0:22:53 | |
success for Pat and Ruth. | 0:22:53 | 0:22:55 | |
-So far. -I've enjoyed it that much that I'm wrecked. | 0:22:55 | 0:22:59 | |
I have to get home and get into my... | 0:22:59 | 0:23:01 | |
-Sorry? -I'm wrecked, Ruth. | 0:23:01 | 0:23:03 | |
-Really? -Did you not notice? -No. I'm not, so that's... -I know. | 0:23:05 | 0:23:10 | |
# Hillbilly bone-ba-bone-ba-bone-bone | 0:23:10 | 0:23:12 | |
# Hillbilly bone-ba-bone-ba-bone-bone. # | 0:23:12 | 0:23:14 | |
It's the morning after the night before and | 0:23:25 | 0:23:27 | |
while some are taking in the sea air on the Atlantic seafront... | 0:23:27 | 0:23:31 | |
-Good night. -That was a great night. It was a good night. -Seriously. | 0:23:31 | 0:23:34 | |
Yeah. And now I can contemplate the sea. | 0:23:34 | 0:23:38 | |
..in the kitchen things are hotting up for another busy day. | 0:23:38 | 0:23:41 | |
# I'm going to be a hard act to follow | 0:23:41 | 0:23:44 | |
# If you keep coming a-coming on. # | 0:23:44 | 0:23:47 | |
Saturday night was a great success for the hotel team. | 0:23:47 | 0:23:50 | |
Ahead lies the legendary Sunday feasting with 800 mouths to be fed. | 0:23:50 | 0:23:55 | |
This weekend 90% of them are country music fans. | 0:23:55 | 0:23:59 | |
These guys, they want good, hearty food. | 0:23:59 | 0:24:02 | |
Roast beef, roast lamb, roast pork, stuffed turkey and ham. | 0:24:02 | 0:24:05 | |
Roast chicken breast, keep it nice and simple. | 0:24:05 | 0:24:07 | |
They want to keep coming back. That's what country fans want. | 0:24:07 | 0:24:10 | |
If they're not going to get it they'll not be long telling us, | 0:24:10 | 0:24:13 | |
I tell you that. | 0:24:13 | 0:24:14 | |
Order for table 14, two turkey and ham, one beef and gravy away, | 0:24:15 | 0:24:18 | |
please. | 0:24:18 | 0:24:19 | |
Getting all that food to the hungry country fans needs a family | 0:24:19 | 0:24:22 | |
team effort and Peter's son Sean is out front serving. | 0:24:22 | 0:24:25 | |
I just help Dad with the food, you know? | 0:24:25 | 0:24:28 | |
And I have girls there taking orders. Yeah, we're flat out. | 0:24:28 | 0:24:32 | |
It's the best way to be. | 0:24:33 | 0:24:35 | |
Once the music starts, the kitchen staff can relax. | 0:24:37 | 0:24:41 | |
# I keep a close watch on this heart of mine | 0:24:41 | 0:24:46 | |
# I keep my eyes wide open all the time... # | 0:24:46 | 0:24:50 | |
In the packed ballroom, Mike Denver rolls out his country hits | 0:24:51 | 0:24:55 | |
and the Savages are enjoying themselves on the floor too. | 0:24:55 | 0:24:58 | |
But will Lauren finally have the confidence to join them? | 0:24:58 | 0:25:02 | |
With Auntie Natalie | 0:25:05 | 0:25:06 | |
and Uncle Gerard's encouragement, Lauren takes to the dance floor. | 0:25:06 | 0:25:10 | |
I love this song. | 0:25:11 | 0:25:13 | |
# Some girls won't | 0:25:13 | 0:25:15 | |
# Some girls need a lot of loving | 0:25:15 | 0:25:17 | |
# And some girls don't | 0:25:17 | 0:25:19 | |
# But I know I've got the fever | 0:25:20 | 0:25:23 | |
# But I don't know why | 0:25:23 | 0:25:25 | |
# Some say they will and some girls lie. # | 0:25:25 | 0:25:29 | |
After years of sitting out the jive, Lauren is dancing at a country | 0:25:29 | 0:25:32 | |
music gig for the very first time. | 0:25:32 | 0:25:35 | |
Hey! | 0:25:38 | 0:25:40 | |
That was brilliant. | 0:25:40 | 0:25:42 | |
I'm puffed. | 0:25:42 | 0:25:45 | |
It's good! | 0:25:45 | 0:25:46 | |
The first hurdle out of the way, Lauren's fear of the dance | 0:25:47 | 0:25:50 | |
floor has been overcome with a little help from her family. | 0:25:50 | 0:25:54 | |
But she isn't ready to leave the dance floor now. | 0:25:54 | 0:25:57 | |
She's having too much fun. | 0:25:57 | 0:25:59 | |
So the next question is, can she take it to the next level | 0:25:59 | 0:26:03 | |
and dance with a complete stranger? | 0:26:03 | 0:26:05 | |
MUSIC: I've Got A Funny Feeling by George Strait | 0:26:05 | 0:26:07 | |
# Well, my baby's wearing a permanent smile... # | 0:26:10 | 0:26:14 | |
Go easy on me. | 0:26:15 | 0:26:17 | |
# I ain't had no raise, fulfilled any dreams... # | 0:26:18 | 0:26:23 | |
But despite being in at the deep end, | 0:26:23 | 0:26:25 | |
Lauren seems to be keeping up well. | 0:26:25 | 0:26:27 | |
# I got a funny feeling | 0:26:27 | 0:26:29 | |
# Somebody's stealing my honey. # | 0:26:29 | 0:26:33 | |
It's taken off for the girl from the airport. | 0:26:33 | 0:26:35 | |
Lauren's new life as a bona fide country dancer is properly underway. | 0:26:35 | 0:26:39 | |
I have a lot to learn. | 0:26:43 | 0:26:44 | |
As the Allingham's summer season draws to an end, the packed | 0:26:44 | 0:26:47 | |
bank holiday weekend is proof that Peter was | 0:26:47 | 0:26:50 | |
right about the draw of country music. | 0:26:50 | 0:26:52 | |
I struggled for years and years and years here | 0:26:52 | 0:26:55 | |
to build it up and we got to meet people and it's all about people | 0:26:55 | 0:26:59 | |
and, you know, you can't do nothing unless you have punters coming in. | 0:26:59 | 0:27:04 | |
We try to look after them, new and old. | 0:27:04 | 0:27:06 | |
The guests certainly appear to be grateful for the gamble Peter | 0:27:09 | 0:27:12 | |
took 21 years ago to create his Hotel Country. | 0:27:12 | 0:27:17 | |
# Like Coca-Cola and Hollywood | 0:27:17 | 0:27:20 | |
# Mickey Mouse and Johnny B Goode | 0:27:21 | 0:27:26 | |
# Like dear old Glory | 0:27:26 | 0:27:29 | |
# And my Chevrolet | 0:27:29 | 0:27:31 | |
# Hey, you and me, baby | 0:27:31 | 0:27:34 | |
# We're here to stay... # | 0:27:34 | 0:27:36 | |
And it turns out that hotel regular Lauren isn't the only one | 0:27:36 | 0:27:39 | |
who has been shy of the dance floor in the past. | 0:27:39 | 0:27:43 | |
In those 21 seasons of running country dance nights, Peter | 0:27:43 | 0:27:46 | |
too has managed to stay off the floor. | 0:27:46 | 0:27:49 | |
But there seems to be something in the air tonight. | 0:27:49 | 0:27:53 | |
Peter takes to his own dance floor for the very first time. | 0:27:53 | 0:27:56 | |
# Hey, you and me, baby, we're here to stay | 0:28:02 | 0:28:06 | |
# You and me, baby, we're here to stay. # | 0:28:06 | 0:28:12 |