Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# In the beginning there was silence | 0:00:02 | 0:00:05 | |
# No-one spoke for endless hours | 0:00:05 | 0:00:09 | |
# But then one day back in history | 0:00:09 | 0:00:12 | |
# Someone invented power showers | 0:00:12 | 0:00:16 | |
# Suddenly the world was singing | 0:00:16 | 0:00:21 | |
# And a new idea grew | 0:00:21 | 0:00:25 | |
# Could it be the noise I'm making here | 0:00:25 | 0:00:28 | |
# Deserves a bigger audience than my flannel and shampoo? | 0:00:28 | 0:00:36 | |
# Could I just be a singer? How would I possibly know? | 0:00:36 | 0:00:43 | |
# Do I have the drive and talent for success? | 0:00:43 | 0:00:46 | |
# Do I have access to a television talent show? | 0:00:46 | 0:00:50 | |
# If you give me a song Could I sing it? | 0:00:50 | 0:00:54 | |
# If you give me a bell Then could I ring it? | 0:00:54 | 0:00:58 | |
# Are there diamonds here they could mine? | 0:00:58 | 0:01:01 | |
# If I catch the light will I shine? | 0:01:01 | 0:01:05 | |
# You could be that person who gets chosen | 0:01:07 | 0:01:10 | |
# Told their hair is not quite right | 0:01:10 | 0:01:14 | |
# Then get put into a boy band | 0:01:14 | 0:01:17 | |
# With some guys you met that night | 0:01:17 | 0:01:21 | |
# And if you're spotted in a nightclub | 0:01:21 | 0:01:24 | |
# At half past three, a total mess | 0:01:24 | 0:01:27 | |
# The day a former next-door neighbour | 0:01:27 | 0:01:30 | |
# Sells their story to the press | 0:01:30 | 0:01:34 | |
# Then, yes, you could be a singer | 0:01:34 | 0:01:37 | |
# Yes, you could have what it takes to make the leap | 0:01:37 | 0:01:41 | |
# You have to make to go | 0:01:41 | 0:01:44 | |
# From the curtains of a shower to a new stage show | 0:01:44 | 0:01:47 | |
# So if there's a song could I sing it? | 0:01:47 | 0:01:51 | |
# If I could get the words | 0:01:51 | 0:01:52 | |
# Could I just, like, you know just wing it? | 0:01:52 | 0:01:54 | |
# Are there diamonds here they could mine? | 0:01:54 | 0:01:58 | |
# If I catch the light will I shine? | 0:01:58 | 0:02:02 | |
# Now we all have to face it Some people get sniffy about | 0:02:03 | 0:02:06 | |
# Having programmes like these But look back in history | 0:02:06 | 0:02:08 | |
# These things are practically old as the birds and bees | 0:02:08 | 0:02:11 | |
# I mean, those gladiators who fought to the death | 0:02:11 | 0:02:13 | |
# In the glory of Rome's golden ages | 0:02:13 | 0:02:15 | |
# What is that if it's not a contestant show? | 0:02:15 | 0:02:18 | |
# Just with a rather brutal set of knockout stages | 0:02:18 | 0:02:21 | |
# When Shakespeare was writing his plays at The Globe | 0:02:21 | 0:02:23 | |
# Promotion was never a sin | 0:02:23 | 0:02:25 | |
# OK, he had drama and poetic skill | 0:02:25 | 0:02:27 | |
# To pack a big audience in | 0:02:27 | 0:02:29 | |
# But if the Bard had thought hard about his upcoming show | 0:02:29 | 0:02:33 | |
# He'd have chosen his actors with eight weeks of contest | 0:02:33 | 0:02:36 | |
# Called Wherefore Art Thou, Romeo? | 0:02:36 | 0:02:40 | |
# No matter how you end you start with nothing | 0:02:41 | 0:02:46 | |
# Every sprinter needs a block | 0:02:46 | 0:02:48 | |
# New faces who are searching for a star always needed | 0:02:48 | 0:02:53 | |
-# Opportunity to knock -Opportunity knocks | 0:02:53 | 0:02:56 | |
# And if you hang in there a long time | 0:02:56 | 0:02:59 | |
# Just keep the smile Don't bear the grudge | 0:02:59 | 0:03:03 | |
# You may just cross the floor and make the greatest leap of all | 0:03:03 | 0:03:08 | |
# From performer to a competition judge! | 0:03:08 | 0:03:15 | |
# Oh, maybe you are that singer | 0:03:15 | 0:03:19 | |
# With the disc success under your belt | 0:03:19 | 0:03:22 | |
# You could be the person born to play this part | 0:03:22 | 0:03:26 | |
# Hey, and if it doesn't work out | 0:03:26 | 0:03:28 | |
# Then don't worry because they'll find somebody else | 0:03:28 | 0:03:33 | |
# So, yes, you could be a singer | 0:03:33 | 0:03:37 | |
# If you put your talent on the line | 0:03:37 | 0:03:40 | |
# And we have to wind this up or else we'll overrun! | 0:03:40 | 0:03:42 | |
# Or else we'll end up crashing into Casualty! | 0:03:42 | 0:03:46 | |
# Unless you step where the light can find you | 0:03:46 | 0:03:51 | |
# You never know whether you can shine...! # | 0:03:51 | 0:03:58 | |
CHEERING AND APPLAUSE | 0:04:03 | 0:04:06 | |
Can we please start every show like that? | 0:04:35 | 0:04:37 | |
I tell you, Barlow really knows how to open with a big number. | 0:04:37 | 0:04:40 | |
Anyone would think he was trying to bring the worlds of talent shows, | 0:04:40 | 0:04:43 | |
boy bands and musical theatre together in one glorious | 0:04:43 | 0:04:45 | |
-entertainment spectacular. -Well, funny you should say that. | 0:04:45 | 0:04:49 | |
-Welcome to Let It Shine. -Yes! | 0:04:49 | 0:04:52 | |
CHEERING AND APPLAUSE | 0:04:52 | 0:04:54 | |
We're on the hunt for five guys to play the role of a boy band | 0:04:54 | 0:04:59 | |
in a brand-new nationwide stage show based on the music of Take That. | 0:04:59 | 0:05:03 | |
# All I do each night is pray! # | 0:05:03 | 0:05:06 | |
The prize is a real job in a real musical. | 0:05:06 | 0:05:09 | |
So, ultimately, the winning five will need to sing... | 0:05:09 | 0:05:12 | |
-# Ahh! -Ahh... -Ahh... # | 0:05:12 | 0:05:14 | |
..dance... | 0:05:14 | 0:05:17 | |
-Oh, my goodness! -..and generally ooze the charisma of a band. | 0:05:17 | 0:05:21 | |
-You look great by the way. -So do you. | 0:05:21 | 0:05:25 | |
-Excellent use of the word ooze, Graham. -I thank you. | 0:05:25 | 0:05:28 | |
Now, they won't be playing Take That, so we're not searching | 0:05:28 | 0:05:31 | |
-for Take That lookalikes. -No. | 0:05:31 | 0:05:33 | |
-Our winning five will play a brand-spanking new group. -Amazing! | 0:05:33 | 0:05:37 | |
Thousands applied and we've invited a selection of performers | 0:05:37 | 0:05:41 | |
to showcase their skills in whatever way they can to knock our | 0:05:41 | 0:05:45 | |
-judges' socks off. -You worked that song! | 0:05:45 | 0:05:49 | |
Over the next eight weeks, | 0:05:49 | 0:05:50 | |
we'll see a shed-load of boy band hopefuls battle it out to be | 0:05:50 | 0:05:53 | |
in the winning five-some. | 0:05:53 | 0:05:55 | |
He shone all the way through his performance. | 0:05:55 | 0:05:58 | |
But for whoever those lucky five are, it all starts with an audition. | 0:05:58 | 0:06:03 | |
'We're in Manchester, the spiritual home of Take That and our | 0:06:05 | 0:06:08 | |
'baying audience are ready to be entertained.' | 0:06:08 | 0:06:11 | |
Do you want to meet the judges? | 0:06:11 | 0:06:13 | |
First up, he was pure GOLD in legendary band Spandau Ballet | 0:06:16 | 0:06:20 | |
before becoming an Albert Square icon who's gone on to tread the | 0:06:20 | 0:06:24 | |
boards in musical theatre. | 0:06:24 | 0:06:25 | |
Lock up your sisters, lock up your aunties and frankly, lock up me. | 0:06:25 | 0:06:31 | |
It's Martin Kemp! | 0:06:31 | 0:06:32 | |
# ..Always believing Gold... # | 0:06:32 | 0:06:37 | |
A band is made up of five small cogs, | 0:06:37 | 0:06:40 | |
but when they come together, they are one amazing machine and that | 0:06:40 | 0:06:44 | |
is absolutely what we're looking for. | 0:06:44 | 0:06:46 | |
Next, bringing some glee to the auditions, it's international | 0:06:46 | 0:06:50 | |
TV star and current West End leading lady, our dream girl... | 0:06:50 | 0:06:54 | |
It's Amber Riley! | 0:06:54 | 0:06:56 | |
# ..One night only That's all you have to spare... # | 0:06:56 | 0:07:01 | |
It's not always about a big voice. | 0:07:01 | 0:07:03 | |
It's also about being able to shine, it's about having charisma, | 0:07:03 | 0:07:08 | |
personality. Those are the things that are going to make the show pop. | 0:07:08 | 0:07:12 | |
Next, a princess of pop who's seen her name in lights on the West End, | 0:07:12 | 0:07:17 | |
broken box office records in a musical stage show | 0:07:17 | 0:07:20 | |
and starred on the small screen. | 0:07:20 | 0:07:23 | |
Please welcome Dannii Minogue! | 0:07:23 | 0:07:26 | |
Each boy has got to be able to sing and dance, | 0:07:31 | 0:07:34 | |
and they've got to blend together and there's nowhere to hide. | 0:07:34 | 0:07:38 | |
Sitting in that theatre seat, | 0:07:38 | 0:07:41 | |
you've got to believe this is a proper boy band. | 0:07:41 | 0:07:44 | |
Finally, the man whose music has been part of the national psyche | 0:07:44 | 0:07:48 | |
for over 25 years. He's a singer, he's a songwriter | 0:07:48 | 0:07:51 | |
and he certainly knows how to put on a show. | 0:07:51 | 0:07:54 | |
Manchester, get your kindling ready because he's going to relight | 0:07:54 | 0:07:58 | |
your fire. It's Gary Barlow. | 0:07:58 | 0:08:01 | |
# Relight my fire | 0:08:01 | 0:08:04 | |
# Your love is my only desire... # | 0:08:04 | 0:08:07 | |
SCREAMS | 0:08:07 | 0:08:08 | |
I have a split personality at the moment. | 0:08:08 | 0:08:10 | |
One side of me is extremely excited | 0:08:10 | 0:08:13 | |
and the other side of me is full of fear. | 0:08:13 | 0:08:16 | |
Will we actually find these people? | 0:08:16 | 0:08:18 | |
I'm hoping in 30 years' time, | 0:08:20 | 0:08:22 | |
I'm looking back at these amazing careers | 0:08:22 | 0:08:25 | |
that we saw start right here. | 0:08:25 | 0:08:28 | |
Between our judges and the performers lies the Let It Shine star way. | 0:08:29 | 0:08:33 | |
Our hopefuls stand on star 15. | 0:08:35 | 0:08:38 | |
After they've performed, each judge rates them out of five | 0:08:38 | 0:08:41 | |
without knowing what the other judges have scored and then... | 0:08:41 | 0:08:45 | |
..the stars are revealed. | 0:08:46 | 0:08:49 | |
If the total score is 15 or more, the star they are standing on | 0:08:50 | 0:08:53 | |
lights up... | 0:08:53 | 0:08:55 | |
they go through to the next stage and the crowd goes wild. | 0:08:55 | 0:09:00 | |
So with the judges good to go, the boys backstage | 0:09:00 | 0:09:03 | |
are preparing for their big moment. | 0:09:03 | 0:09:05 | |
-Have you done it before, live performing? -Like, small crowds. | 0:09:09 | 0:09:12 | |
-Oh, right. -Yeah. Nothing as big as this. | 0:09:12 | 0:09:14 | |
-Are you nervous, then? -Thinking about it I was, like, shaking and | 0:09:14 | 0:09:17 | |
thinking, "Oh, my God," and then I get that butterfly feeling. I'm just, like, "Oh, my God." | 0:09:17 | 0:09:22 | |
-Are you nervous? -You know what? When they say your name and then they get | 0:09:22 | 0:09:26 | |
you ready, and they say it's your turn, give it your all. | 0:09:26 | 0:09:30 | |
Good luck, everyone. I hope we find what we're looking for. | 0:09:30 | 0:09:33 | |
These first rounds, I think we've just got to be open about it | 0:09:33 | 0:09:36 | |
-and see who's got the potential. -Yep. | 0:09:36 | 0:09:38 | |
Clinton loves Michael Jackson. | 0:09:44 | 0:09:46 | |
He knows every song, knows every dance move. | 0:09:46 | 0:09:49 | |
He sings sometimes with a glove, the one glove. | 0:09:50 | 0:09:53 | |
He constantly works on his craft. He's got a studio in his own house. | 0:09:54 | 0:09:58 | |
Tell him to turn it down and he turns it down only a little inch | 0:09:59 | 0:10:02 | |
and it's still a bit loud. | 0:10:02 | 0:10:04 | |
He is the light of the room. He's always happy. | 0:10:04 | 0:10:08 | |
Clinton is the coolest ever brother that I could ever wish for. | 0:10:08 | 0:10:12 | |
CHEERING AND APPLAUSE | 0:10:14 | 0:10:16 | |
-Hello! -Hey, how are you doing? -Hey, what's your name? | 0:10:30 | 0:10:34 | |
-My name's Clinton Elvis, I'm 23 and I'm from East London. -Elvis? | 0:10:34 | 0:10:39 | |
-Clinton Elvis. -I love it, I love it. Thank you very much. | 0:10:39 | 0:10:43 | |
-And I love that hat. -Oh, wow. Thank you. This is my lucky hat as well. | 0:10:43 | 0:10:45 | |
So talk us through what's going on with this outfit. | 0:10:45 | 0:10:47 | |
So, basically this is my ensemble. As you can see, | 0:10:47 | 0:10:50 | |
red is my favourite colour. | 0:10:50 | 0:10:51 | |
I've got my lucky rosary, thanks to my mum and also... | 0:10:51 | 0:10:54 | |
AUDIENCE: Aww! | 0:10:54 | 0:10:55 | |
Make some noise for my mummy, please, because she raised me, man! | 0:10:55 | 0:10:58 | |
Mum! | 0:10:58 | 0:10:59 | |
So I see we have the piano back there, | 0:11:03 | 0:11:05 | |
so I think that we're in for a great performance tonight. | 0:11:05 | 0:11:08 | |
Yeah, I'd like to give everybody a great performance to be honest, | 0:11:08 | 0:11:11 | |
-so I'm ready. -All right. Well, let's do it. | 0:11:11 | 0:11:13 | |
# I said your love | 0:11:34 | 0:11:36 | |
# Keeps lifting me higher | 0:11:36 | 0:11:40 | |
# Than I've ever been lifted before | 0:11:40 | 0:11:46 | |
# So keep it up and quench my desire | 0:11:46 | 0:11:54 | |
# And I'll be at your side forevermore... # | 0:11:54 | 0:12:00 | |
A one, two, three! | 0:12:00 | 0:12:03 | |
Come on! | 0:12:06 | 0:12:08 | |
How are we feeling, people? | 0:12:08 | 0:12:10 | |
Are we ready? | 0:12:11 | 0:12:13 | |
Hey! Hey, hey! | 0:12:13 | 0:12:16 | |
# ..I said your love keeps lifting me higher | 0:12:16 | 0:12:21 | |
# Than I've ever been lifted before | 0:12:21 | 0:12:26 | |
# So keep it up Ooh, quench my desire now | 0:12:26 | 0:12:30 | |
# And I'll be at your side forevermore | 0:12:30 | 0:12:34 | |
# Come on! You know your love | 0:12:34 | 0:12:37 | |
# It keeps on lifting me | 0:12:37 | 0:12:40 | |
# Higher and higher! | 0:12:40 | 0:12:44 | |
# Girl, I said your love keeps lifting me higher | 0:12:44 | 0:12:49 | |
# Than I've ever been lifted before | 0:12:49 | 0:12:53 | |
-# Say hey-ey-ey! -AUDIENCE: # Hey-ey-ey! | 0:12:53 | 0:12:56 | |
-# Hey-ey-ey-ey-ey! -AUDIENCE: # Hey-ey-ey-ey-ey! | 0:12:56 | 0:12:58 | |
# You know I said | 0:12:58 | 0:13:00 | |
# Thank you everybody. # | 0:13:00 | 0:13:03 | |
CHEERING AND APPLAUSE | 0:13:03 | 0:13:05 | |
Clinton Elvis, everybody! | 0:13:12 | 0:13:15 | |
Well done. Good job, sir. | 0:13:15 | 0:13:18 | |
Judges, if you want to input your scores, please. | 0:13:20 | 0:13:23 | |
Amber, what did you think of Clinton Elvis? | 0:13:23 | 0:13:25 | |
You know, I loved that you came out here | 0:13:25 | 0:13:27 | |
and you gave it all that you had, | 0:13:27 | 0:13:29 | |
and you wanted to showcase everything you can do. | 0:13:29 | 0:13:31 | |
I just felt like you had so much energy, the vocals were a little | 0:13:31 | 0:13:34 | |
bit shaky, but the performance was just great, and the audience loved you. | 0:13:34 | 0:13:38 | |
-You guys loved it, right? -CHEERING AND APPLAUSE | 0:13:38 | 0:13:40 | |
They loved you. | 0:13:40 | 0:13:41 | |
Martin Kemp, what have you got to say? | 0:13:41 | 0:13:44 | |
You know, it was so heartwarming. | 0:13:44 | 0:13:46 | |
When anybody comes on this stage, enjoy yourself, | 0:13:46 | 0:13:50 | |
because that is going to come across to all the judges, to all the people | 0:13:50 | 0:13:53 | |
in the audience, to the people in the gods when you play the theatre. | 0:13:53 | 0:13:57 | |
Also, I've got to say, I loved the slow bit it on the piano. | 0:13:57 | 0:14:00 | |
I mean, it really touched me. | 0:14:00 | 0:14:02 | |
If you'd have carried on with that, I would've been in tears. | 0:14:02 | 0:14:05 | |
Thank God you stopped. | 0:14:05 | 0:14:06 | |
APPLAUSE | 0:14:06 | 0:14:08 | |
Right. Clinton Elvis, we're going to find out if you are going through | 0:14:08 | 0:14:14 | |
to the next stage of the competition, OK? | 0:14:14 | 0:14:16 | |
So just a reminder for everybody, each judge has five stars in | 0:14:16 | 0:14:20 | |
total to award, making a total of 20 stars available. | 0:14:20 | 0:14:24 | |
Right now the judges only know how they voted individually. | 0:14:24 | 0:14:28 | |
Nobody knows the total number of stars, OK? | 0:14:28 | 0:14:32 | |
This is number 15. If this lights up, you're going through. | 0:14:32 | 0:14:35 | |
We're about to find out how Clinton Elvis has been scored. | 0:14:35 | 0:14:39 | |
Ah! Come on! Here we go. | 0:14:50 | 0:14:54 | |
Come on! | 0:14:55 | 0:14:56 | |
16. | 0:15:05 | 0:15:07 | |
Well done. Well done. | 0:15:09 | 0:15:12 | |
-I'm so pleased for you. -I'm pleased for myself. Thank you, guys. | 0:15:12 | 0:15:17 | |
Look, Gary Barlow, yeah, look, he gave you four out of five. | 0:15:17 | 0:15:20 | |
-You enjoyed it. -I did, absolutely. | 0:15:20 | 0:15:23 | |
I mean, it's interesting the choices people make when they | 0:15:23 | 0:15:26 | |
do auditions, you know? Do I play it down? Do I go simple? | 0:15:26 | 0:15:29 | |
You threw the kitchen sink at this. | 0:15:29 | 0:15:33 | |
A bit of a gamble completely paid off. | 0:15:33 | 0:15:35 | |
I loved the bit on the piano, showing us you're a musician. | 0:15:35 | 0:15:38 | |
Out front as the entertainer, singer and that outfit is great. | 0:15:38 | 0:15:42 | |
Reminds me of one of my old Relight My Fire outfits. Fantastic. | 0:15:42 | 0:15:46 | |
-Well done. -Thank you so much. | 0:15:46 | 0:15:48 | |
Good start. | 0:15:58 | 0:15:59 | |
I really wanted him to carry on with the slow version of the song. | 0:15:59 | 0:16:03 | |
I was really touched when he said, "This is for my mum." | 0:16:03 | 0:16:05 | |
-But if you're going to use, like, one minute 40... -Yeah, absolutely. | 0:16:05 | 0:16:08 | |
..throw everything at it. | 0:16:08 | 0:16:10 | |
This place is mad, it's ridiculous. | 0:16:16 | 0:16:18 | |
Guys, hello. Hello! | 0:16:21 | 0:16:23 | |
You've made a middle-aged lady from Leatherhead very, very happy. | 0:16:23 | 0:16:27 | |
Throughout our auditions, | 0:16:29 | 0:16:30 | |
I'll be backstage in the common room getting to know our boys. | 0:16:30 | 0:16:35 | |
Hang on, I thought you were supposed to be working? | 0:16:35 | 0:16:38 | |
Yeah, I'll be finding out why they want a part in the musical. | 0:16:39 | 0:16:42 | |
And celebrating or commiserating, | 0:16:42 | 0:16:45 | |
depending on those all-important stars. | 0:16:45 | 0:16:47 | |
-I'm assuming you got through. -16. | 0:16:53 | 0:16:56 | |
No way! | 0:17:03 | 0:17:05 | |
What's going on in here, then? | 0:17:07 | 0:17:08 | |
How are you, guys? | 0:17:08 | 0:17:10 | |
Beautiful! | 0:17:10 | 0:17:13 | |
Some of you guys might just suddenly find yourself | 0:17:14 | 0:17:18 | |
just put together as this five. | 0:17:18 | 0:17:20 | |
Is it awkward? Is it weird when you're starting out and you don't know each other? | 0:17:20 | 0:17:24 | |
-Yeah. -It is. -LAUGHTER | 0:17:24 | 0:17:28 | |
When we got together, we weren't all five amazing singers, we weren't, | 0:17:28 | 0:17:32 | |
you know, five amazing dancers, but we sort of helped each other along. | 0:17:32 | 0:17:36 | |
To be honest with you, our routines | 0:17:36 | 0:17:38 | |
for the songs were a little bit too much. | 0:17:38 | 0:17:40 | |
When Gary was singing A Million Love Songs, a really slow song, | 0:17:40 | 0:17:43 | |
we were all in the back, backflipping, head spins! | 0:17:43 | 0:17:45 | |
LAUGHTER | 0:17:45 | 0:17:47 | |
Hoping he's boy band material, | 0:17:51 | 0:17:53 | |
18-year-old Deaglan has travelled from Northern Ireland to audition. | 0:17:53 | 0:17:57 | |
-Is this a big deal for you, the competition? -Yeah, it is. | 0:17:57 | 0:18:00 | |
Get out of Ireland for a while. | 0:18:00 | 0:18:02 | |
How do you think you'll feel when you're, like, just about to go on? | 0:18:02 | 0:18:05 | |
I'll be so nervous. | 0:18:05 | 0:18:07 | |
Like, just stepping out onto the stage and seeing all the people | 0:18:07 | 0:18:10 | |
and especially the four judges, like, it'll be mad. | 0:18:10 | 0:18:12 | |
CHEERING AND APPLAUSE | 0:18:18 | 0:18:20 | |
-Hi! -Hi! -What's your name? | 0:18:26 | 0:18:30 | |
Deaglan Arthurs, I'm 18 and from Ireland, County Tyrone. | 0:18:30 | 0:18:34 | |
All right, all right. So where do you normally sing? | 0:18:34 | 0:18:39 | |
Erm...in the shower. | 0:18:39 | 0:18:43 | |
CHEERING AND LAUGHTER | 0:18:43 | 0:18:45 | |
-In the house. -In the house. | 0:18:45 | 0:18:47 | |
And in church, but, like, I like riffing, | 0:18:47 | 0:18:50 | |
so, like, my mate told me to calm down a wee bit and just talked me back to the church. | 0:18:50 | 0:18:55 | |
-LAUGHTER -I love it! | 0:18:55 | 0:18:59 | |
So what is your ultimate dream? | 0:18:59 | 0:19:01 | |
Definitely, definitely selling out arenas, having a good time, | 0:19:01 | 0:19:05 | |
-being known for my singing. -I love it. | 0:19:05 | 0:19:08 | |
Well, I'm really looking forward to hearing you sing right now, | 0:19:08 | 0:19:10 | |
so let's hear it. | 0:19:10 | 0:19:12 | |
-Yeah, sure. -"Sure." | 0:19:12 | 0:19:14 | |
# Start spreading the news | 0:19:30 | 0:19:34 | |
# I'm leaving today | 0:19:34 | 0:19:39 | |
# I want to be a part of it | 0:19:39 | 0:19:43 | |
# New York, New York | 0:19:43 | 0:19:47 | |
# These vagabond shoes are longing to stray | 0:19:47 | 0:19:55 | |
# I'll make a brand-new start of it | 0:19:55 | 0:20:00 | |
# In old New York | 0:20:00 | 0:20:04 | |
# If I can make it there | 0:20:04 | 0:20:08 | |
# I'll make it | 0:20:08 | 0:20:10 | |
# Anywhere | 0:20:10 | 0:20:12 | |
# It's up to you New York | 0:20:12 | 0:20:17 | |
# New York... | 0:20:17 | 0:20:21 | |
# New York, New York! | 0:20:29 | 0:20:33 | |
# And find I'm A number one | 0:20:33 | 0:20:36 | |
# Top of the list | 0:20:36 | 0:20:39 | |
# King of the hill | 0:20:39 | 0:20:41 | |
# A number one... | 0:20:41 | 0:20:46 | |
# It's up to you | 0:20:49 | 0:20:51 | |
# New York, New York... | 0:20:51 | 0:20:57 | |
# Hey! New York! # | 0:21:00 | 0:21:05 | |
Great job, Deaglan. Fantastic! | 0:21:14 | 0:21:17 | |
A standing ovation for Deaglan. | 0:21:17 | 0:21:19 | |
Wow! | 0:21:22 | 0:21:23 | |
That's fantastic. | 0:21:23 | 0:21:25 | |
Judges, don't forget to score, don't forget to put in your scores. | 0:21:25 | 0:21:28 | |
-I sort of see what you mean, a bit much for church. -Uh-huh. | 0:21:30 | 0:21:34 | |
Dannii Minogue, are you a fan? | 0:21:35 | 0:21:37 | |
With everybody who walks out on stage, I'm, like, | 0:21:37 | 0:21:39 | |
could I see them in the theatre? | 0:21:39 | 0:21:42 | |
I see the theatre in YOU! | 0:21:42 | 0:21:44 | |
Martin Kemp, what do you have to say? | 0:21:48 | 0:21:50 | |
-Listen, I absolutely loved it, but... -Uh-oh. | 0:21:50 | 0:21:53 | |
..there was a little bit of room left for improvement in the vocals. | 0:21:53 | 0:21:58 | |
Your lower end was a little bit pitchy, | 0:21:58 | 0:22:00 | |
but take my four as a really good four. | 0:22:00 | 0:22:03 | |
Well, we know what he's scoring you. LAUGHTER | 0:22:03 | 0:22:07 | |
Get out! | 0:22:12 | 0:22:14 | |
I'm going. | 0:22:15 | 0:22:17 | |
Have you seen one of these shows before, Martin? | 0:22:19 | 0:22:22 | |
LAUGHTER | 0:22:22 | 0:22:24 | |
How does it work again? | 0:22:24 | 0:22:26 | |
There's supposed to be a little tension. | 0:22:26 | 0:22:27 | |
OK, I can reveal you won't be getting 20 stars. | 0:22:27 | 0:22:31 | |
Let's find out how Deaglan scored. | 0:22:34 | 0:22:36 | |
-AUDIENCE: -Whoaaaaa! | 0:22:50 | 0:22:52 | |
Yeah! | 0:22:56 | 0:22:58 | |
CHEERING | 0:23:03 | 0:23:04 | |
Wow, congratulations, well done. | 0:23:06 | 0:23:09 | |
-I'm thrilled for you. -Thank you so much. | 0:23:09 | 0:23:11 | |
Amber, a five. | 0:23:11 | 0:23:12 | |
Are you not worried that in a band he'll steal the show? | 0:23:12 | 0:23:16 | |
No, I think as a star, you don't dim your light for anybody. | 0:23:16 | 0:23:19 | |
If he's going to shine, he can shine. | 0:23:19 | 0:23:21 | |
-Thank you. -APPLAUSE | 0:23:21 | 0:23:23 | |
-Gary, what have you got to say? -Amazing, absolutely... | 0:23:23 | 0:23:27 | |
-CHEERING -..entertaining, | 0:23:27 | 0:23:29 | |
great vocals, the surprise factor... | 0:23:29 | 0:23:33 | |
-IN DEEP VOICE: -..when he went so low, | 0:23:33 | 0:23:35 | |
it's like, what are we watching? | 0:23:35 | 0:23:37 | |
It was absolutely great and I love your personality, love it. | 0:23:37 | 0:23:41 | |
-Love it. -Thank you very much. | 0:23:41 | 0:23:43 | |
Ladies and gentlemen, a star is born. | 0:23:43 | 0:23:45 | |
-It's Deaglan, everybody! -Thank you. | 0:23:45 | 0:23:47 | |
CHEERING Well done, you, congratulations. | 0:23:47 | 0:23:49 | |
-Wow. -I loved it. | 0:23:53 | 0:23:55 | |
And with 18 stars under his belt, | 0:23:56 | 0:23:58 | |
the surprises didn't stop there for Deaglan. | 0:23:58 | 0:24:00 | |
THEY WHOOP | 0:24:00 | 0:24:02 | |
Well done. | 0:24:02 | 0:24:04 | |
Well done. | 0:24:04 | 0:24:05 | |
Oh, my goodness. Well done. | 0:24:05 | 0:24:08 | |
Hello. I think... Hello, how are you? We missed you. | 0:24:10 | 0:24:13 | |
LAUGHTER | 0:24:13 | 0:24:15 | |
Look at the face! | 0:24:18 | 0:24:19 | |
That was some first impression. | 0:24:22 | 0:24:25 | |
You left me hanging. I was like... | 0:24:25 | 0:24:27 | |
Our winning five boys will need to blend together | 0:24:35 | 0:24:37 | |
to play a pop group in a new stage show called The Band. | 0:24:37 | 0:24:41 | |
So apart from being able to smoulder your way through | 0:24:41 | 0:24:44 | |
some extreme weather conditions, | 0:24:44 | 0:24:46 | |
what other qualities might our auditionees need | 0:24:46 | 0:24:48 | |
in order to be a perfect boy band member? | 0:24:48 | 0:24:51 | |
The strength of the band is having five people | 0:24:51 | 0:24:53 | |
who all do something completely different. | 0:24:53 | 0:24:56 | |
You have to have someone that dances well. | 0:24:56 | 0:24:59 | |
(Gary, no-one mention Gary.) | 0:24:59 | 0:25:01 | |
You have to have the mysterious one, | 0:25:01 | 0:25:03 | |
-the quiet one. -There's normally one that's more cheeky than the others | 0:25:03 | 0:25:07 | |
and I think with Take That we all know who I'm talking about. | 0:25:07 | 0:25:10 | |
# I bought a ticket to the world... # | 0:25:10 | 0:25:13 | |
In Spandau Ballet, we had an amazing singer. | 0:25:13 | 0:25:16 | |
# But now I've come back again... # | 0:25:16 | 0:25:18 | |
Gary wrote incredible songs. | 0:25:18 | 0:25:21 | |
Myself, didn't do much, | 0:25:21 | 0:25:23 | |
but I made a few front covers for the girls | 0:25:23 | 0:25:26 | |
and that was kind of my input into the band. | 0:25:26 | 0:25:28 | |
You were so much more to me than that, Martin. | 0:25:30 | 0:25:33 | |
HE COUGHS | 0:25:33 | 0:25:34 | |
Our next boy band hopeful has never performed in public before. | 0:25:34 | 0:25:38 | |
Luckily, we've got the perfect duo on hand | 0:25:38 | 0:25:40 | |
to offer some pre-audition words of wisdom. | 0:25:40 | 0:25:43 | |
-I heard you hadn't held a mic before. -I haven't, no. | 0:25:43 | 0:25:46 | |
-So we brought you... It's not on. -Oh, it's getting fancy. | 0:25:46 | 0:25:49 | |
-They sound a bit different when they're on. -Yep. | 0:25:49 | 0:25:52 | |
I thought at least you would have held one. | 0:25:52 | 0:25:54 | |
I appreciate it, that's nice. | 0:25:54 | 0:25:56 | |
When we first started off as a band, we had one mic, Gary had one mic | 0:25:56 | 0:25:59 | |
and the rest of us had these plastic mics. They're quite expensive. | 0:25:59 | 0:26:02 | |
Yeah, yeah. | 0:26:02 | 0:26:03 | |
We used to pass it round for certain songs. | 0:26:03 | 0:26:07 | |
We built into our routines little passes, little spin-round passes. | 0:26:07 | 0:26:12 | |
Even on the floor, weren't it? | 0:26:12 | 0:26:14 | |
Even lying down on the floor, we were passing the mic. | 0:26:14 | 0:26:18 | |
That's for you to walk round with | 0:26:18 | 0:26:20 | |
-and enjoy until they call your name. -I appreciate it, lads. | 0:26:20 | 0:26:23 | |
HE EXHALES | 0:26:23 | 0:26:25 | |
You seem more nervous now I've given you that! | 0:26:25 | 0:26:28 | |
Just make sure you don't hold it that way. | 0:26:28 | 0:26:30 | |
THEY LAUGH | 0:26:30 | 0:26:31 | |
He's a cool dude, is Jamie. | 0:26:37 | 0:26:40 | |
He just brings light to the house. | 0:26:40 | 0:26:42 | |
He's always joking. | 0:26:42 | 0:26:44 | |
He's also following in the footsteps of his dad and his grandad | 0:26:44 | 0:26:47 | |
and he's now training to be a firefighter. | 0:26:47 | 0:26:49 | |
Jamie is very much a ladies' man. | 0:26:49 | 0:26:51 | |
A singing fireman goes down well and that's Jamie's words, not mine. | 0:26:51 | 0:26:55 | |
He's always thinking of other people, | 0:26:56 | 0:26:58 | |
so he'll be absolutely great in a boy band. | 0:26:58 | 0:27:01 | |
Pretend you're singing to your nana, son. | 0:27:01 | 0:27:03 | |
CHEERING | 0:27:03 | 0:27:05 | |
-What's your name, please? -I'm Jamie, I'm 21. | 0:27:14 | 0:27:16 | |
Jamie, tell us about yourself. | 0:27:16 | 0:27:18 | |
Um, I'm your basic 21-year-old. | 0:27:18 | 0:27:20 | |
Never been on a stage before, never sang with a mic before, | 0:27:20 | 0:27:24 | |
I'm a maintenance engineer by day | 0:27:25 | 0:27:27 | |
and then I'm training to be a fireman. | 0:27:27 | 0:27:29 | |
-AUDIENCE: -Oooh! | 0:27:29 | 0:27:32 | |
He-llo! | 0:27:32 | 0:27:34 | |
Your first time on stage, to do it here - are you crazy? | 0:27:34 | 0:27:37 | |
-Yeah! -What made you apply for this? | 0:27:37 | 0:27:40 | |
I was thinking about gigging and things like that and I was like, | 0:27:40 | 0:27:43 | |
"Why not just do something outrageous," | 0:27:43 | 0:27:45 | |
get the views of other people obviously in big positions, | 0:27:45 | 0:27:48 | |
like yourself, | 0:27:48 | 0:27:49 | |
so getting your feedback, it's only going to help us, | 0:27:49 | 0:27:51 | |
you know what I mean? | 0:27:51 | 0:27:52 | |
Fantastic. That's a great attitude to have. | 0:27:52 | 0:27:55 | |
-I hope it goes well for you. -So do I! | 0:27:55 | 0:27:57 | |
LAUGHTER | 0:27:57 | 0:27:59 | |
-Listen, best of luck. -Thank you. | 0:27:59 | 0:28:01 | |
# Slow down | 0:28:21 | 0:28:24 | |
# Lie down | 0:28:24 | 0:28:26 | |
# Remember it's just you and me | 0:28:26 | 0:28:31 | |
# And grant my last request and just let me hold you | 0:28:32 | 0:28:37 | |
# Don't shrug your shoulders | 0:28:37 | 0:28:41 | |
# And lay down beside me | 0:28:41 | 0:28:44 | |
# Grant my last request and just let me hold you. | 0:28:44 | 0:28:49 | |
# Don't shrug your shoulders | 0:28:49 | 0:28:52 | |
# And lay down beside me | 0:28:53 | 0:28:56 | |
# Oh | 0:28:59 | 0:29:00 | |
# But one last time let's go there | 0:29:00 | 0:29:05 | |
# Lay down beside me. # | 0:29:05 | 0:29:09 | |
CHEERING | 0:29:11 | 0:29:14 | |
Jamie, everybody! That was Jamie! | 0:29:17 | 0:29:20 | |
Judges, please enter your scores. | 0:29:20 | 0:29:23 | |
-Listen to that response! -Thank you, guys. | 0:29:23 | 0:29:25 | |
They like you, Jamie, they like you. | 0:29:25 | 0:29:27 | |
CHEERING | 0:29:27 | 0:29:29 | |
Let's go to the judges. Gary, what would you say? | 0:29:29 | 0:29:32 | |
This is one tiny step forward for you, | 0:29:32 | 0:29:34 | |
you're at the start of your career. | 0:29:34 | 0:29:36 | |
Get on stages, get out there, bang down people's doors, | 0:29:36 | 0:29:40 | |
try and get as much experience as you can. | 0:29:40 | 0:29:43 | |
You are right at the start of your journey right now. | 0:29:43 | 0:29:46 | |
APPLAUSE | 0:29:46 | 0:29:47 | |
Let's go to Amber next. | 0:29:47 | 0:29:49 | |
-You were a little timid, afraid of the mic a little bit. -Yeah! | 0:29:49 | 0:29:54 | |
Just a little bit, it was all the way down here, | 0:29:54 | 0:29:57 | |
-so I could barely hear you. -Sorry! | 0:29:57 | 0:29:59 | |
But I do love that you came down and even though you were shaking, | 0:29:59 | 0:30:04 | |
that shows that you really want to go for it | 0:30:04 | 0:30:07 | |
and I think that you love performing and I can really, really see that. | 0:30:07 | 0:30:10 | |
All right, let's find out how Jamie's been scored. | 0:30:13 | 0:30:16 | |
Oh, man. | 0:30:17 | 0:30:18 | |
Oh! | 0:30:33 | 0:30:35 | |
BOOING | 0:30:36 | 0:30:39 | |
You only got 11 stars, but this audience obviously love you, | 0:30:41 | 0:30:45 | |
you really won them over. | 0:30:45 | 0:30:46 | |
CHEERING | 0:30:46 | 0:30:48 | |
Martin, you know, he obviously has the likeability thing in spades, | 0:30:51 | 0:30:56 | |
so what would you say to him, what advice would you give him? | 0:30:56 | 0:30:59 | |
Practise, practise, practise. | 0:30:59 | 0:31:00 | |
It's really old-fashioned and boring, | 0:31:00 | 0:31:03 | |
-but whenever you can get on stage, do it. -Yeah. | 0:31:03 | 0:31:06 | |
Dannii, what have you got to say? | 0:31:06 | 0:31:08 | |
You were shaking so much, I've never seen someone so nervous singing. | 0:31:08 | 0:31:12 | |
I was out of breath for you, | 0:31:12 | 0:31:14 | |
but you have it there, you have it in you. | 0:31:14 | 0:31:16 | |
Nobody starts off the best, | 0:31:16 | 0:31:18 | |
they start off with the will to be the best. | 0:31:18 | 0:31:20 | |
Gary, when you hear the love of that audience, | 0:31:20 | 0:31:22 | |
do you kind of slightly regret now that he's not going through? | 0:31:22 | 0:31:26 | |
-Um, do you know what... -AUDIENCE SHOUTS OUT | 0:31:26 | 0:31:29 | |
BOOING | 0:31:31 | 0:31:33 | |
-They like you. -I like these people. -Yeah! | 0:31:33 | 0:31:36 | |
-Yeah. -Like I said, I thought you did very well, | 0:31:36 | 0:31:38 | |
this is the start of his journey right here. | 0:31:38 | 0:31:40 | |
Is there anything you'd like to say to the judges? | 0:31:40 | 0:31:43 | |
Genuinely, like, thank you very much just for listening to me, | 0:31:43 | 0:31:45 | |
cos yous have all been sound. | 0:31:45 | 0:31:46 | |
It's been really nice, so thank you, guys. | 0:31:46 | 0:31:48 | |
-CHEERING I'm sorry. -It's all right. | 0:31:48 | 0:31:51 | |
Jamie's leaving the competition. Give him a huge round of applause! | 0:31:51 | 0:31:54 | |
CHEERING AND APPLAUSE Cheers. | 0:31:54 | 0:31:56 | |
-You go that way. Well done, sir. -Thank you. | 0:31:56 | 0:31:58 | |
You can't bottle that thing that the audience loved. | 0:32:02 | 0:32:06 | |
The difference with a stage show is you don't get to do your interview | 0:32:06 | 0:32:09 | |
before it where everyone falls in love with you. | 0:32:09 | 0:32:11 | |
That's true, that's a good point. | 0:32:11 | 0:32:13 | |
-You've convinced me. -OK, good. -All right, let's keep going. Here we go. | 0:32:13 | 0:32:16 | |
Thoughts, feelings? | 0:32:16 | 0:32:18 | |
I started flat. | 0:32:18 | 0:32:19 | |
-I think everything gets to me a bit, you know what I mean? -Yeah. | 0:32:19 | 0:32:23 | |
I tried to correct it, then I think I just threw myself the other way | 0:32:23 | 0:32:27 | |
-then tried to make up for it and threw myself again. -Oh! | 0:32:27 | 0:32:30 | |
As soon as I get home, I'm going to start gigging properly. | 0:32:30 | 0:32:33 | |
Get out there, yeah, I'm going to really go for it now. | 0:32:33 | 0:32:35 | |
Will you keep up the firefighting for a bit while you do it? | 0:32:35 | 0:32:38 | |
-Definitely. -You are a double threat - | 0:32:38 | 0:32:40 | |
you are a singer and a firefighter. | 0:32:40 | 0:32:42 | |
That's not bad, is it? | 0:32:42 | 0:32:43 | |
So with Jamie not quite meeting the mark, | 0:32:45 | 0:32:48 | |
the pressure's on and with the prize on offer a real job | 0:32:48 | 0:32:51 | |
in a brand-new musical, the stakes are high. | 0:32:51 | 0:32:54 | |
One of the flavours I want in this stage show | 0:32:54 | 0:32:58 | |
is the energy, the passion and the commitment | 0:32:58 | 0:33:02 | |
and ambition we had in our early years. | 0:33:02 | 0:33:06 | |
Yep, hopefully not so much the outfits, Gary. | 0:33:06 | 0:33:08 | |
Hey, not everyone can pull off red cycling shorts, you know. | 0:33:08 | 0:33:11 | |
Too true, Graham. | 0:33:11 | 0:33:13 | |
These guys, they're going to be on a stage in a theatre. | 0:33:13 | 0:33:15 | |
We're looking for someone who can sing, someone who can move, | 0:33:15 | 0:33:18 | |
someone who can be part of a team, | 0:33:18 | 0:33:20 | |
someone who has the charisma to keep an audience | 0:33:20 | 0:33:23 | |
on the edge of their seat. | 0:33:23 | 0:33:25 | |
During the audition stage, the boys perform individually, | 0:33:25 | 0:33:28 | |
but as the competition continues, they'll need to perform in groups | 0:33:28 | 0:33:31 | |
and even collaborate with some incredible talent | 0:33:31 | 0:33:33 | |
as they try to prove they have what it takes | 0:33:33 | 0:33:36 | |
to play a boy band in a musical. | 0:33:36 | 0:33:37 | |
But before that, they have to get the all-important 15 stars or more. | 0:33:37 | 0:33:41 | |
Hoping to make it to that next stage is dancer Jazzie. | 0:33:44 | 0:33:47 | |
..six, seven, eight... | 0:33:47 | 0:33:49 | |
Duh, uh, uh... | 0:33:49 | 0:33:50 | |
Get into the... | 0:33:50 | 0:33:52 | |
-Do you do, like, battles? -Battles and stuff like that. | 0:33:57 | 0:34:00 | |
Well, to be fair, I have started to get into more, like... | 0:34:00 | 0:34:03 | |
-contemporary and try and do ballet, but it hurts! -Yeah! Ballet! | 0:34:03 | 0:34:07 | |
-See, that's me, ballet, jazz... -I wish my leg could do this. | 0:34:07 | 0:34:11 | |
My leg can't do that. | 0:34:11 | 0:34:12 | |
My leg can do that, that's about it. It don't go high enough. | 0:34:12 | 0:34:15 | |
When Jazzie was four years old, | 0:34:18 | 0:34:20 | |
his dad gave him a dance tape and he never stopped dancing. | 0:34:20 | 0:34:24 | |
He'd jump in my mum's bed and sing to my mum early in the morning, | 0:34:26 | 0:34:28 | |
like, seven o'clock, when you're just not in the mood. | 0:34:28 | 0:34:31 | |
Now he's a professional dancer. | 0:34:31 | 0:34:33 | |
I can't even put a number on how many trainers he's got. | 0:34:33 | 0:34:36 | |
He can have two pair of trainers that look exactly the same, | 0:34:36 | 0:34:39 | |
but for Jazzie, trainers is part of his life. | 0:34:39 | 0:34:43 | |
Jazzie is mostly known as a dancer. | 0:34:43 | 0:34:45 | |
If people hear him sing, they'll be surprised. | 0:34:45 | 0:34:48 | |
CHEERING AND APPLAUSE | 0:34:49 | 0:34:52 | |
Tell us what your name is. | 0:34:59 | 0:35:00 | |
My name is Jazzie Mattis, I'm 24 and I'm from Nottingham. | 0:35:00 | 0:35:04 | |
-Jazzie! -CHEERING | 0:35:04 | 0:35:06 | |
Jazzie, I'm guessing, just because you've brought your lino with you, | 0:35:07 | 0:35:11 | |
and when I'm going to move I usually take my lino with me as well, | 0:35:11 | 0:35:14 | |
I'm guessing that you're going to hit a few... Yeah, here we go. | 0:35:14 | 0:35:17 | |
That takes me back to 1991, that does. | 0:35:18 | 0:35:21 | |
-WHOOPING -It does! | 0:35:21 | 0:35:25 | |
-It does. -Hey, that was a good year. | 0:35:25 | 0:35:27 | |
Cos I remember seeing them do that warm up and thinking, | 0:35:27 | 0:35:29 | |
"Oh, no, I'm not going to do that." | 0:35:29 | 0:35:31 | |
Everyone's got to learn that one. | 0:35:31 | 0:35:33 | |
What are you going to bring to the boy band scenario? | 0:35:33 | 0:35:36 | |
The one thing about me - I'm not scared of trying something new | 0:35:36 | 0:35:40 | |
or going well out of my own range. Maybe I can't even do it, | 0:35:40 | 0:35:43 | |
but I'll give it a try and if I can't do it, | 0:35:43 | 0:35:46 | |
-I gave it a good try. -We love that. | 0:35:46 | 0:35:49 | |
-When you're ready, you go for it. -All right. | 0:35:49 | 0:35:52 | |
# Do | 0:36:00 | 0:36:02 | |
# Do-do-do, do-do-do | 0:36:02 | 0:36:05 | |
# Do-do | 0:36:05 | 0:36:06 | |
# Do-do-do, do-dah | 0:36:06 | 0:36:09 | |
# This one for them ice cold | 0:36:09 | 0:36:11 | |
# Michelle Pfeiffer, that white gold | 0:36:11 | 0:36:13 | |
# This one for them hood girls | 0:36:13 | 0:36:15 | |
# Them good girls, straight masterpieces | 0:36:15 | 0:36:17 | |
# Stylin', wilin', livin' it up in the city | 0:36:17 | 0:36:21 | |
# I got Chucks on, got Saint Laurent | 0:36:21 | 0:36:23 | |
# Gotta kiss myself, I'm so pretty | 0:36:23 | 0:36:25 | |
# I'm too hot, hot damn | 0:36:25 | 0:36:27 | |
# Call the po-lice and the firemen | 0:36:27 | 0:36:30 | |
# I'm too hot, hot damn | 0:36:30 | 0:36:31 | |
# Make a dragon wanna retire, man | 0:36:31 | 0:36:34 | |
# Too hot, hot damn | 0:36:34 | 0:36:36 | |
# Say my name, you know who I am | 0:36:36 | 0:36:38 | |
# I'm too hot, hot damn | 0:36:38 | 0:36:40 | |
# And my band 'bout that money, break it down... | 0:36:40 | 0:36:42 | |
# Girls, hit me, hallelujah | 0:36:42 | 0:36:44 | |
# Girls hit me, hallelujah | 0:36:44 | 0:36:46 | |
# Girls, hit me, hallelujah | 0:36:46 | 0:36:48 | |
# Cos Uptown Funk gon' give it to ya | 0:36:48 | 0:36:50 | |
# Cos Uptown Funk gon' give it to ya | 0:36:50 | 0:36:52 | |
# Cos Uptown Funk gon' give it to ya | 0:36:52 | 0:36:55 | |
# Saturday night and we in the spot | 0:36:55 | 0:36:57 | |
# Don't believe me? Just watch | 0:36:57 | 0:36:59 | |
# Don't believe me? Just watch | 0:37:05 | 0:37:07 | |
# Don't believe me? Just watch | 0:37:14 | 0:37:16 | |
# Uptown Funk you up | 0:37:20 | 0:37:22 | |
# We gon' Uptown Funk you up | 0:37:22 | 0:37:23 | |
# Say what? | 0:37:23 | 0:37:26 | |
# Uptown Funk you up | 0:37:28 | 0:37:30 | |
# We gon' Uptown Funk you up. # | 0:37:30 | 0:37:33 | |
CHEERING AND APPLAUSE | 0:37:33 | 0:37:36 | |
Well done, sir. | 0:37:39 | 0:37:40 | |
Congratulations, well done. | 0:37:40 | 0:37:43 | |
I don't know what expression that is on your mother's face. | 0:37:43 | 0:37:46 | |
You happy, you good, Mum? | 0:37:46 | 0:37:48 | |
Yeah? | 0:37:48 | 0:37:49 | |
-Yes, I am! -LAUGHTER | 0:37:49 | 0:37:51 | |
-Let's go to Gary. -Oh, wow, fantastic energy. | 0:37:51 | 0:37:55 | |
-Absolutely brilliant. -CHEERING | 0:37:55 | 0:37:57 | |
Now, listen, at the moment, the vocals are here | 0:38:01 | 0:38:03 | |
and the dancing's up here somewhere, all right? | 0:38:03 | 0:38:06 | |
But I'm sure we can work around that in some way, | 0:38:06 | 0:38:09 | |
-because that energy is undeniable, what you bring to this. -Thank you. | 0:38:09 | 0:38:13 | |
WHOOPING | 0:38:13 | 0:38:15 | |
What did you think of Jazzie, Amber? | 0:38:17 | 0:38:18 | |
I think your mother named you right - that was jazzy! | 0:38:18 | 0:38:22 | |
Thank you! | 0:38:22 | 0:38:24 | |
You know, it's not always about the vocals, | 0:38:25 | 0:38:28 | |
especially in a group. | 0:38:28 | 0:38:30 | |
Sometimes it is about the showmanship, | 0:38:30 | 0:38:32 | |
showing up and giving it your all, getting the audience involved | 0:38:32 | 0:38:36 | |
and that's exactly what you did. | 0:38:36 | 0:38:38 | |
CHEERING All right. | 0:38:38 | 0:38:39 | |
Let's find out how Jazzie has been scored. | 0:38:39 | 0:38:42 | |
-AUDIENCE: -Whooooaaa! | 0:38:55 | 0:38:57 | |
CHEERING | 0:39:02 | 0:39:04 | |
Whoa, Jazzie! | 0:39:05 | 0:39:07 | |
17! | 0:39:10 | 0:39:12 | |
-That is a great score, sir. -Thank you. | 0:39:12 | 0:39:15 | |
-You're going through and then some. Well done. -Thank you very much. | 0:39:15 | 0:39:18 | |
Martin, four out of five. | 0:39:18 | 0:39:19 | |
You know something that's really important | 0:39:19 | 0:39:21 | |
when you come to an audition like this? | 0:39:21 | 0:39:23 | |
You do not treat it like your first audition. | 0:39:23 | 0:39:26 | |
You treat it as if you've already got the job | 0:39:26 | 0:39:29 | |
and that's exactly what you did. | 0:39:29 | 0:39:32 | |
APPLAUSE | 0:39:32 | 0:39:34 | |
Big thanks, big thanks go to Dannii Minogue with her five out of five. | 0:39:34 | 0:39:40 | |
-Thank you! -Yeah! | 0:39:40 | 0:39:42 | |
You know what, Jazzie? You said, "I may not be able to do something yet, | 0:39:42 | 0:39:46 | |
"but I'm going to give it a go if that's what you want me to do," | 0:39:46 | 0:39:49 | |
-so don't ever lose that. -Thank you. | 0:39:49 | 0:39:52 | |
So, Jazzie, what are you taking away from this? | 0:39:52 | 0:39:55 | |
Actually singing and dancing, to do it together, | 0:39:55 | 0:39:59 | |
you've got to know when to put in certain amounts of energy | 0:39:59 | 0:40:03 | |
and not to move too far back | 0:40:03 | 0:40:04 | |
because you can get carried away with the moves. | 0:40:04 | 0:40:07 | |
I love dancing and I love singing | 0:40:07 | 0:40:08 | |
-and I need to make them like this, equal. -Yeah, yeah, like that. | 0:40:08 | 0:40:12 | |
-That's it! -Yeah! | 0:40:12 | 0:40:13 | |
Ladies and gentlemen, we will see him again, | 0:40:13 | 0:40:15 | |
it's Jazzie! CHEERING | 0:40:15 | 0:40:18 | |
Well done, you. | 0:40:18 | 0:40:20 | |
Fantastic, well done. | 0:40:20 | 0:40:22 | |
Do you know who he should watch? | 0:40:24 | 0:40:25 | |
Because he still moves around so much as he's singing, | 0:40:25 | 0:40:29 | |
-is Mick Jagger. -Yes! | 0:40:29 | 0:40:31 | |
He still moves so much and he's 162 or something, isn't he? | 0:40:31 | 0:40:36 | |
Most of our successful auditionees have found themselves | 0:40:40 | 0:40:43 | |
in our common room after we opened applications | 0:40:43 | 0:40:45 | |
to people of all shapes, sizes, ages and genders, | 0:40:45 | 0:40:48 | |
from total beginners to professional performers | 0:40:48 | 0:40:50 | |
who've played to packed-out theatres. | 0:40:50 | 0:40:53 | |
However, a select few needed a little encouragement | 0:40:53 | 0:40:56 | |
from their family and friends and a certain Mr Barlow. | 0:40:56 | 0:41:00 | |
We're on the coast in Yorkshire, home of the legendary pudding, | 0:41:05 | 0:41:08 | |
terrier... | 0:41:08 | 0:41:09 | |
..and 19-year-old Gary Barlow super-fan Tyler. | 0:41:11 | 0:41:14 | |
When Tyler's not singing in local nursing homes | 0:41:14 | 0:41:17 | |
and working men's clubs, he helps out in the family-run cafe. | 0:41:17 | 0:41:21 | |
He thinks he's being filmed today | 0:41:21 | 0:41:23 | |
for a documentary on the local community. | 0:41:23 | 0:41:25 | |
But Mum knows our cameras are really there to capture the moment | 0:41:26 | 0:41:30 | |
Tyler comes face-to-face with his idol. | 0:41:30 | 0:41:32 | |
I nominated Tyler because of Gary Barlow. | 0:41:32 | 0:41:37 | |
For Tyler just to be in the same room as Gary is massive for him. | 0:41:37 | 0:41:42 | |
He's followed Gary Barlow from being a very, very young boy. | 0:41:42 | 0:41:46 | |
He's modelled himself on him. | 0:41:46 | 0:41:48 | |
He's just spent all his youth playing and singing. | 0:41:48 | 0:41:54 | |
I think starting music when you're young | 0:41:54 | 0:41:57 | |
is like if you're going to be a great tennis player, | 0:41:57 | 0:42:00 | |
you learn to play when you're about two | 0:42:00 | 0:42:01 | |
and if Tyler's been doing music for many years, | 0:42:01 | 0:42:04 | |
that will play to his advantage. | 0:42:04 | 0:42:06 | |
It's time to upgrade his audience. He needs a bigger audience. | 0:42:06 | 0:42:10 | |
MUSIC: The Ride of the Valkyries by Richard Wagner | 0:42:10 | 0:42:13 | |
Don't you worry, Gary, we're on it. | 0:42:13 | 0:42:15 | |
THEY SING: # Oh, we do like to be beside the seaside... # | 0:42:18 | 0:42:20 | |
These local ladies are about to pay a visit to the cafe. | 0:42:20 | 0:42:24 | |
There could be a pretty large order of scones, | 0:42:24 | 0:42:26 | |
or should I say "scoanes", coming Tyler's way. | 0:42:26 | 0:42:29 | |
# Beside the seaside, beside the sea. # | 0:42:29 | 0:42:32 | |
Ey up, | 0:42:34 | 0:42:36 | |
it's a coach! | 0:42:36 | 0:42:37 | |
All that singing has clearly got the ladies thirsty. | 0:42:39 | 0:42:42 | |
I've got five teas and I've got... | 0:42:42 | 0:42:44 | |
Any more teas? | 0:42:45 | 0:42:47 | |
-Coffee. -Coffee. -And a spoon, please! | 0:42:47 | 0:42:51 | |
There's many things that I look forward to in my life. | 0:42:52 | 0:42:55 | |
A good cup of northern tea, | 0:42:55 | 0:42:58 | |
that's about as good as it gets. | 0:42:58 | 0:43:01 | |
TYLER SINGS | 0:43:01 | 0:43:03 | |
Over in the cafe, our undercover ladies have roped Tyler into | 0:43:03 | 0:43:06 | |
a performance of his favourite song. | 0:43:06 | 0:43:08 | |
# We can rule the world... # | 0:43:08 | 0:43:11 | |
Feel free to join in any time, Gary. | 0:43:13 | 0:43:16 | |
# If you stay with me, girl... # | 0:43:16 | 0:43:17 | |
Yeah, I think you might know the words to this one. | 0:43:17 | 0:43:20 | |
# ..rule the world. # | 0:43:20 | 0:43:22 | |
THEY WHOOP | 0:43:22 | 0:43:25 | |
Tell you what, you're getting a treat, yeah? | 0:43:27 | 0:43:29 | |
Ohhh! | 0:43:31 | 0:43:32 | |
WHOOPING AND SHRIEKING | 0:43:35 | 0:43:36 | |
-Oh, my God. -Tyler. | 0:43:38 | 0:43:40 | |
How are you? | 0:43:40 | 0:43:42 | |
-Yeah. -You OK? | 0:43:42 | 0:43:44 | |
-Where's Mum? -Is this not...? | 0:43:45 | 0:43:47 | |
Hi, Alison, how are you doing? | 0:43:47 | 0:43:50 | |
Listen, I've got something to say to this young man. | 0:43:50 | 0:43:53 | |
Your mum's been very naughty and has nominated you | 0:43:53 | 0:43:57 | |
to come and audition for us on the Let It Shine stage. | 0:43:57 | 0:44:00 | |
When? When?! | 0:44:00 | 0:44:02 | |
My nan's got the biggest mouth on her. | 0:44:05 | 0:44:07 | |
They've done a good job keeping that a secret, I tell you. | 0:44:07 | 0:44:09 | |
I've been really stitched up here, | 0:44:09 | 0:44:11 | |
in the most fantastic possible way. | 0:44:11 | 0:44:13 | |
This is proper tea, this is. | 0:44:13 | 0:44:15 | |
Yorkshire tea! | 0:44:15 | 0:44:17 | |
That's what it's meant to taste like. | 0:44:17 | 0:44:20 | |
Gorgeous. | 0:44:20 | 0:44:21 | |
CHEERING | 0:44:21 | 0:44:23 | |
Now, hang on, I recognise this face. | 0:44:32 | 0:44:35 | |
-Tyler. -Yeah, we've met before. -Is your mum here today? She is! | 0:44:35 | 0:44:39 | |
Hi, Mum! | 0:44:39 | 0:44:40 | |
She is here, Gary, Alison. | 0:44:40 | 0:44:42 | |
Tyler's mum wrote to us and he was singing in his mum's cafe. | 0:44:42 | 0:44:47 | |
-Then you walked in! -That's right. -LAUGHTER | 0:44:47 | 0:44:49 | |
I tell you what, though, | 0:44:49 | 0:44:50 | |
we'd been so busy in that cafe that I'd not had anything to eat, | 0:44:50 | 0:44:53 | |
so when you walked through, I thought it was like a mirage. | 0:44:53 | 0:44:56 | |
LAUGHTER | 0:44:56 | 0:44:57 | |
Apart from the cafe, what's your other experience in performing? | 0:44:57 | 0:45:00 | |
Just singing everywhere that'll have me, really, | 0:45:00 | 0:45:03 | |
just gigging all the time, in and about Scarborough where I live, | 0:45:03 | 0:45:05 | |
-just all the time, music. -I get the passion from you. You're really... | 0:45:05 | 0:45:10 | |
-You want this to be your life. -Yeah. -Do your best. -Cheers, thank you. | 0:45:10 | 0:45:15 | |
# You are so beautiful | 0:45:35 | 0:45:42 | |
# To me | 0:45:45 | 0:45:48 | |
# Can't you see? | 0:45:48 | 0:45:55 | |
# You're everything I hoped for | 0:45:55 | 0:46:00 | |
# And you're everything I need | 0:46:02 | 0:46:09 | |
# You are so beautiful | 0:46:09 | 0:46:16 | |
# To me | 0:46:19 | 0:46:24 | |
# You are so beautiful | 0:46:24 | 0:46:32 | |
# To me | 0:46:35 | 0:46:38 | |
# Can't you see? | 0:46:38 | 0:46:43 | |
# You're everything I hoped for | 0:46:44 | 0:46:48 | |
# And you're everything I need | 0:46:51 | 0:46:59 | |
# You are so beautiful | 0:47:01 | 0:47:07 | |
# To me. # | 0:47:07 | 0:47:13 | |
CHEERING | 0:47:13 | 0:47:16 | |
Tyler, everybody! | 0:47:17 | 0:47:19 | |
Wow! | 0:47:19 | 0:47:21 | |
-Did that feel so bad? -Yeah, it's nerve-racking, innit, but... | 0:47:21 | 0:47:24 | |
Yeah, yeah. It's good, though, isn't it? | 0:47:24 | 0:47:26 | |
-Yeah! -It's telly, lights. | 0:47:26 | 0:47:28 | |
Let's go to the judges. Gary, what did you think? | 0:47:29 | 0:47:32 | |
Tyler, were you really pleased with that? | 0:47:32 | 0:47:35 | |
-I've done it better. -You've done it better? | 0:47:35 | 0:47:37 | |
I feel like you've done it better probably as well. | 0:47:37 | 0:47:40 | |
It's a new surrounding, singing into a mic, | 0:47:40 | 0:47:42 | |
sounds are coming from all different places, | 0:47:42 | 0:47:45 | |
but you lost your pitch a few times, | 0:47:45 | 0:47:47 | |
but your falsetto's very nice - the transition between full voice | 0:47:47 | 0:47:50 | |
and falsetto could be slightly better, | 0:47:50 | 0:47:52 | |
but I thought, in general, I thought it was a pretty good audition. | 0:47:52 | 0:47:57 | |
I'm hoping it's good enough to get you through, | 0:47:57 | 0:47:59 | |
because I do see potential with you. | 0:47:59 | 0:48:01 | |
-That's fair enough. -All right. -No, it's good. -That's Gary. | 0:48:01 | 0:48:05 | |
Let's go on to Dannii. | 0:48:05 | 0:48:06 | |
I think there's something so special there. | 0:48:06 | 0:48:10 | |
What you did when you walked out on stage | 0:48:10 | 0:48:13 | |
was you were soaking it all up. | 0:48:13 | 0:48:15 | |
I could see it going through your head, like, "This is what I want." | 0:48:15 | 0:48:18 | |
It made complete sense to me why your family would nominate you, | 0:48:18 | 0:48:22 | |
cos they know this is your passion. | 0:48:22 | 0:48:25 | |
What you can do with that song if you have professionals around you | 0:48:25 | 0:48:29 | |
would blow my mind. | 0:48:29 | 0:48:31 | |
APPLAUSE OK, nice comments, nice comments. | 0:48:31 | 0:48:33 | |
Amber, what have you got to say? | 0:48:33 | 0:48:36 | |
That song holds such a special place in my heart, | 0:48:36 | 0:48:39 | |
it's something that my mom sings to me all the time | 0:48:39 | 0:48:41 | |
and I am incredibly homesick right now | 0:48:41 | 0:48:44 | |
and I thank you for singing that. | 0:48:44 | 0:48:45 | |
I had to fight back tears while you were singing it, seriously. | 0:48:45 | 0:48:49 | |
Thank you for that. | 0:48:49 | 0:48:50 | |
You're welcome. | 0:48:50 | 0:48:52 | |
It's time for all of us and the judges | 0:48:53 | 0:48:56 | |
to find out your overall score. | 0:48:56 | 0:48:58 | |
CHEERING | 0:48:58 | 0:49:01 | |
Come on! | 0:49:11 | 0:49:12 | |
Come on! | 0:49:14 | 0:49:15 | |
Going up! | 0:49:17 | 0:49:18 | |
CHEERING | 0:49:20 | 0:49:21 | |
Look at that, 17! | 0:49:27 | 0:49:30 | |
Aww! I couldn't be happier for you. | 0:49:30 | 0:49:33 | |
To be honest, now, you didn't think that was going to happen, did you? | 0:49:33 | 0:49:36 | |
-No, no. -You didn't think that was going to happen. | 0:49:36 | 0:49:38 | |
They're horrible. | 0:49:38 | 0:49:40 | |
Dannii, that's fantastic, five stars from you. | 0:49:42 | 0:49:44 | |
Five. I see something in you that is going to move people. | 0:49:44 | 0:49:48 | |
In a theatre show, you need that. | 0:49:48 | 0:49:51 | |
CHEERING | 0:49:51 | 0:49:53 | |
Gary, people at home who were listening, they'll have heard | 0:49:53 | 0:49:57 | |
some of the notes at the end there - four stars is a lot. | 0:49:57 | 0:50:00 | |
Do you know what? | 0:50:00 | 0:50:01 | |
I feel like everybody voted with their hearts for you here. | 0:50:01 | 0:50:04 | |
We all felt your performance tonight was a bit rough round the edges, | 0:50:04 | 0:50:08 | |
but work on those nerves, don't let them defeat you, | 0:50:08 | 0:50:11 | |
because you do have talent. | 0:50:11 | 0:50:13 | |
I want you to come back brimming with confidence. | 0:50:13 | 0:50:16 | |
You got 17 stars. We'll see you again. | 0:50:16 | 0:50:19 | |
Tyler, everybody! Congratulations, well done. | 0:50:19 | 0:50:22 | |
CHEERING | 0:50:22 | 0:50:23 | |
Oh, don't make me cry! | 0:50:27 | 0:50:29 | |
It's going to happen right now. | 0:50:29 | 0:50:31 | |
-I saw that, I saw that. -Thank you. | 0:50:31 | 0:50:34 | |
Hopefully they won't notice. | 0:50:36 | 0:50:40 | |
-LAUGHTER -Melanie... | 0:50:40 | 0:50:42 | |
-what's happening here? -Mel! | 0:50:42 | 0:50:45 | |
There's a lot of musical lingo going on, | 0:50:45 | 0:50:47 | |
a lot of chat about the falsetto. | 0:50:47 | 0:50:49 | |
Kempy, I know you're obsessed. | 0:50:49 | 0:50:51 | |
It's when your voice goes from your chest into your head. | 0:50:51 | 0:50:54 | |
Mel, put your hand there. | 0:50:54 | 0:50:57 | |
OK, always happy to. | 0:50:57 | 0:50:58 | |
Hold there. Now, when I go... | 0:50:58 | 0:51:00 | |
-DEEP RESONANCE: -# Ahhhhhh. # | 0:51:00 | 0:51:02 | |
-Can you feel that? -Yes, it's vibrating. -Can you feel this? | 0:51:02 | 0:51:04 | |
-HIGH: -# Ahhhh. # -Nothing! | 0:51:04 | 0:51:06 | |
-That's amazing! -Head, chest. | 0:51:06 | 0:51:09 | |
-Shall I take it off? -Please. | 0:51:09 | 0:51:11 | |
-DANNII: -Are you stuck? | 0:51:11 | 0:51:12 | |
-Do you need help? -This exercise is over. | 0:51:12 | 0:51:15 | |
I have to just pincer out so that no-one sees. | 0:51:15 | 0:51:17 | |
What are you standing on back there? | 0:51:17 | 0:51:18 | |
Pincering out? | 0:51:18 | 0:51:20 | |
-No-one notices. Lovely to see you all. -No-one's noticed. | 0:51:20 | 0:51:24 | |
No-one's seen. | 0:51:24 | 0:51:25 | |
With my little music class over, our auditions crack on. | 0:51:25 | 0:51:30 | |
# Don't give up | 0:51:30 | 0:51:32 | |
# I've heard the music in you | 0:51:32 | 0:51:34 | |
# Yeah, yeah, yeah... # | 0:51:34 | 0:51:37 | |
And not every boy is quite right for a role in the band. | 0:51:37 | 0:51:40 | |
We've all auditioned for stuff. | 0:51:42 | 0:51:44 | |
We know what that feeling is. | 0:51:44 | 0:51:46 | |
Ooh! | 0:51:46 | 0:51:48 | |
-AMBER: -Auditioning is hard. You can totally see yourself for a role, | 0:51:48 | 0:51:52 | |
but at the end of the day, it's what the judges are looking for. | 0:51:52 | 0:51:55 | |
I didn't think it went well for you tonight. | 0:51:55 | 0:51:57 | |
I don't think that you're right for this show. | 0:51:57 | 0:52:00 | |
# Sitting in the morning sun | 0:52:00 | 0:52:03 | |
# I'll be sitting when the evening comes... # | 0:52:03 | 0:52:09 | |
Even if you don't fit the role, | 0:52:09 | 0:52:10 | |
there's another audition somewhere else that's right for them. | 0:52:10 | 0:52:14 | |
Oh! | 0:52:15 | 0:52:17 | |
Sometimes it's the auditions that aren't right for you | 0:52:17 | 0:52:20 | |
that really teach you the most and give you the skills | 0:52:20 | 0:52:23 | |
to go on to do the stuff that you are right for. | 0:52:23 | 0:52:25 | |
I really see you doing this. | 0:52:25 | 0:52:28 | |
I'm just not sure that right now is the time for you. | 0:52:28 | 0:52:31 | |
# Met this girl on Monday | 0:52:31 | 0:52:33 | |
# I took her for a drink on Tuesday | 0:52:33 | 0:52:36 | |
# And we were making love by Wednesday | 0:52:36 | 0:52:39 | |
# And on Thursday and Friday and Saturday | 0:52:39 | 0:52:41 | |
# We chilled on Sunday... # | 0:52:41 | 0:52:43 | |
Rejection, it is a horrible part of this job, | 0:52:43 | 0:52:45 | |
but you have to get used to it. | 0:52:45 | 0:52:47 | |
Come on! Oh! | 0:52:47 | 0:52:49 | |
I thought you delivered it really well, | 0:52:50 | 0:52:52 | |
-but it was very pitchy. -Yeah. | 0:52:52 | 0:52:53 | |
I think you need a bit more practice. | 0:52:53 | 0:52:55 | |
If you practised it and did it more and more, | 0:52:55 | 0:52:57 | |
you would probably be really great at it | 0:52:57 | 0:53:00 | |
because your tone is really good. | 0:53:00 | 0:53:01 | |
The bounce-back is almost the most important piece, taking that knock, | 0:53:01 | 0:53:05 | |
learning from it and then moving forward. | 0:53:05 | 0:53:09 | |
I'm really appreciative of all your feedback | 0:53:09 | 0:53:12 | |
and, yeah, thank you very much. I'll take it on board. | 0:53:12 | 0:53:15 | |
Come on, old bean. | 0:53:19 | 0:53:21 | |
Aww. | 0:53:21 | 0:53:22 | |
It seems to me, Bobby, what they were saying is you're good, | 0:53:22 | 0:53:25 | |
but you're not ready. | 0:53:25 | 0:53:27 | |
Most people I've ever sung in front of is my mum, | 0:53:27 | 0:53:29 | |
my nan and my grandad, so coming out to that, | 0:53:29 | 0:53:32 | |
nerves, it does get the better of you, | 0:53:32 | 0:53:34 | |
but this whole, like, experience has just made me grow as a person | 0:53:34 | 0:53:38 | |
because, yeah, I wouldn't have been able to do that a month ago. | 0:53:38 | 0:53:43 | |
-Aww, Bobby! -Yeah, it's just given me the edge | 0:53:43 | 0:53:46 | |
and the bravery to go and do that. | 0:53:46 | 0:53:49 | |
-Bromley Massive. -Bromley Massive. | 0:53:49 | 0:53:50 | |
Sending love. | 0:53:50 | 0:53:52 | |
Meet our boy from the Valleys, teenager Nicky Price, | 0:53:56 | 0:53:59 | |
who's hoping to swap the classroom for the stage. | 0:53:59 | 0:54:02 | |
-You still in school? -Yeah, still in school. Well, in college now, | 0:54:04 | 0:54:08 | |
doing my A levels. | 0:54:08 | 0:54:11 | |
Oh! | 0:54:11 | 0:54:13 | |
So what do you think of the stage? | 0:54:13 | 0:54:15 | |
A bit nerve-racking. | 0:54:15 | 0:54:16 | |
-It's massive. -Oh, big-time. | 0:54:16 | 0:54:18 | |
When Nicky decides to relax, it's playing on the Xbox. | 0:54:23 | 0:54:28 | |
He's always on that, till two or three in the morning, sometimes. | 0:54:28 | 0:54:31 | |
He's a typical teenage boy. | 0:54:31 | 0:54:35 | |
Nicky's singing all around the house and he gives me a headache. | 0:54:35 | 0:54:41 | |
Nicky loves being an uncle and he enjoys doing karaoke | 0:54:41 | 0:54:44 | |
with the girls when he can. | 0:54:44 | 0:54:46 | |
He's a funny uncle. | 0:54:46 | 0:54:49 | |
He tickles me. | 0:54:49 | 0:54:51 | |
Nicky can be a good uncle, but when he's had enough, | 0:54:51 | 0:54:54 | |
bye-bye! | 0:54:54 | 0:54:56 | |
CHEERING | 0:54:58 | 0:55:00 | |
Hey, fella, how are you? | 0:55:08 | 0:55:09 | |
-I'm good, thanks. -What's your name? | 0:55:09 | 0:55:11 | |
My name's Nicky. I'm 17 years of age and I'm from Neath in South Wales. | 0:55:11 | 0:55:16 | |
WHOOPING | 0:55:16 | 0:55:19 | |
You been performing long? | 0:55:20 | 0:55:22 | |
Um, I've been performing since I was seven years of age, | 0:55:22 | 0:55:25 | |
doing small competitions | 0:55:25 | 0:55:27 | |
and I've tried to build my way up. | 0:55:27 | 0:55:29 | |
Who's here with you today, then? | 0:55:29 | 0:55:31 | |
My mum, my gran and my two sisters, | 0:55:31 | 0:55:33 | |
but I have four little nieces at home that support me to the max. | 0:55:33 | 0:55:36 | |
WHOOPING | 0:55:36 | 0:55:38 | |
Great. Listen, good luck tonight. | 0:55:41 | 0:55:43 | |
-Thank you. -I hope you do really well. -Thank you. | 0:55:43 | 0:55:46 | |
# Say something, I'm giving up on you | 0:56:00 | 0:56:05 | |
# I'll be the one if you want me to | 0:56:10 | 0:56:15 | |
# And anywhere I would have followed you | 0:56:21 | 0:56:27 | |
# Say something, I'm giving up on you | 0:56:31 | 0:56:35 | |
# Say something, I'm giving up on you | 0:56:41 | 0:56:46 | |
# And I'm sorry that I couldn't get to you | 0:56:51 | 0:56:58 | |
# Anywhere I would have followed you | 0:57:02 | 0:57:08 | |
# Whoa | 0:57:08 | 0:57:12 | |
# Say something, I'm giving up on you | 0:57:12 | 0:57:17 | |
# Say something, I'm giving up on you. # | 0:57:22 | 0:57:28 | |
CHEERING | 0:57:28 | 0:57:31 | |
That's Nicky, everybody! | 0:57:36 | 0:57:38 | |
Judges, I hope you've entered your scores. | 0:57:39 | 0:57:43 | |
-Amber. -I really wanted to get up there and sing with you. | 0:57:43 | 0:57:48 | |
It was incredible. I had goose bumps. | 0:57:48 | 0:57:50 | |
There are some people that have to work for it | 0:57:50 | 0:57:52 | |
and there are some people that are just born with it | 0:57:52 | 0:57:55 | |
and have it, and you have it. | 0:57:55 | 0:57:57 | |
Let's got to Dannii. | 0:58:00 | 0:58:02 | |
Well, that was... | 0:58:02 | 0:58:03 | |
..spine-tingling. | 0:58:05 | 0:58:06 | |
WHOOPING | 0:58:06 | 0:58:09 | |
Let's find out how you've been scored! | 0:58:09 | 0:58:11 | |
CHEERING | 0:58:33 | 0:58:35 | |
..16, 17, 18... | 0:58:36 | 0:58:38 | |
19... | 0:58:38 | 0:58:40 | |
CHEERING INTENSIFIES | 0:58:40 | 0:58:43 | |
CHEERING DROWNS OUT GRAHAM | 0:58:44 | 0:58:47 | |
Well done, sir! | 0:58:47 | 0:58:48 | |
Look at that! | 0:58:54 | 0:58:55 | |
I mean, it's five across the board. | 0:58:57 | 0:58:59 | |
-Martin, what do you want to say to Nicky? -He was absolutely amazing. | 0:59:00 | 0:59:04 | |
You know what sold it for me as well? It wasn't just the singing. | 0:59:04 | 0:59:07 | |
It was you acted out and felt every word. | 0:59:07 | 0:59:11 | |
You absolutely hit the nail on the head. | 0:59:11 | 0:59:13 | |
Gary. | 0:59:14 | 0:59:16 | |
Well, we should remind ourselves what we're here for today. | 0:59:16 | 0:59:19 | |
This is going to be a stage show featuring the music of Take That. | 0:59:19 | 0:59:22 | |
We're going to be putting a band into this show | 0:59:22 | 0:59:25 | |
and we need people to love this band | 0:59:25 | 0:59:27 | |
and I absolutely loved your performance today, well done. | 0:59:27 | 0:59:30 | |
Thank you so much, I'm so grateful. | 0:59:32 | 0:59:35 | |
So grateful. | 0:59:35 | 0:59:37 | |
You brought him up well, you brought him up well. | 0:59:37 | 0:59:40 | |
We'll see you again. Huge congratulations to Nicky, everybody. | 0:59:40 | 0:59:43 | |
CHEERING | 0:59:43 | 0:59:45 | |
I got through. | 0:59:47 | 0:59:49 | |
THEY CHEER | 0:59:49 | 0:59:50 | |
With Nicky getting the first 20 of the series, | 0:59:50 | 0:59:53 | |
our studio's in the mood for dancing. | 0:59:53 | 0:59:56 | |
-# Gold -Gold | 0:59:56 | 0:59:57 | |
# Always believe in your soul | 0:59:57 | 1:00:01 | |
# You've got the power to know | 1:00:01 | 1:00:03 | |
# You're indestructible | 1:00:03 | 1:00:06 | |
# Always believe in | 1:00:06 | 1:00:09 | |
-# You are gold -Gold! | 1:00:09 | 1:00:11 | |
# Glad that you're bound to return | 1:00:11 | 1:00:15 | |
# There's something I could have learned | 1:00:15 | 1:00:17 | |
# You're indestructible | 1:00:17 | 1:00:20 | |
# Always believing. # | 1:00:20 | 1:00:23 | |
-Hey, guys, all excited for the show, yep? -Ho-ho! | 1:00:26 | 1:00:29 | |
Lads? Hello? | 1:00:29 | 1:00:31 | |
Nothing? | 1:00:31 | 1:00:32 | |
Uh, Mel, do you know what this means? | 1:00:32 | 1:00:34 | |
-They're on the social media. -They're platforming. | 1:00:34 | 1:00:38 | |
And if you're not already, you can get involved as well | 1:00:38 | 1:00:40 | |
and let us know what you think about the show | 1:00:40 | 1:00:42 | |
and whilst you're online, | 1:00:42 | 1:00:44 | |
why not check out some backstage exclusives as well? | 1:00:44 | 1:00:47 | |
-Ooh! -Exclusives. -Exclusives. | 1:00:47 | 1:00:50 | |
So are you still in school? | 1:00:55 | 1:00:56 | |
I've left and I've started as a classic car restorator. | 1:00:56 | 1:00:59 | |
My two overall passions are cars and performing and it's always been | 1:00:59 | 1:01:03 | |
which one wins, so trying to balance the two up with each other, | 1:01:03 | 1:01:08 | |
but something like this could change my life. | 1:01:08 | 1:01:10 | |
Yeah, of course it can. | 1:01:10 | 1:01:11 | |
Nick? Nick! | 1:01:13 | 1:01:15 | |
-Go on, Nick. -Good luck! | 1:01:15 | 1:01:18 | |
Nick is your typical Essex cheeky chappy. | 1:01:24 | 1:01:27 | |
The very first time I saw Nick, I said, | 1:01:27 | 1:01:29 | |
"That lad should be in a boy band." | 1:01:29 | 1:01:31 | |
He's got the floppy hair on top, held back by a hairband, | 1:01:31 | 1:01:34 | |
which we have a bit of fun with in the workshop. | 1:01:34 | 1:01:36 | |
He is a born performer, there's no two ways about it. | 1:01:36 | 1:01:40 | |
Nick would like the boy band lifestyle, 100%, | 1:01:40 | 1:01:42 | |
especially the girls that come with it. | 1:01:42 | 1:01:45 | |
Nick told me he's going to sing the whole thing to Dannii, | 1:01:45 | 1:01:47 | |
so he's going to try and win her over. | 1:01:47 | 1:01:49 | |
CHEERING | 1:01:51 | 1:01:52 | |
Hi-ho! | 1:02:00 | 1:02:02 | |
-What's your name? -My name's Nick Carsberg, I'm 17 and I'm from Essex. | 1:02:03 | 1:02:09 | |
-From Essex! -CHEERING | 1:02:09 | 1:02:11 | |
What do you do in Essex? | 1:02:14 | 1:02:15 | |
I'm currently restoring classic cars in an apprenticeship. | 1:02:15 | 1:02:19 | |
A lot of people who are rock stars normally have | 1:02:19 | 1:02:21 | |
a collection of beautiful classic cars, so you're well on your way. | 1:02:21 | 1:02:25 | |
Who's your favourite boy band? | 1:02:25 | 1:02:27 | |
Take That! | 1:02:27 | 1:02:28 | |
CHEERING AND APPLAUSE | 1:02:28 | 1:02:30 | |
I'm just looking for the five button here. | 1:02:33 | 1:02:36 | |
Do you think you could handle the kind of attention | 1:02:38 | 1:02:41 | |
that Take That have had? | 1:02:41 | 1:02:43 | |
The screaming girls, they're waiting at the stage door at the theatre. | 1:02:43 | 1:02:48 | |
-Yeah, I mean... -LAUGHTER | 1:02:48 | 1:02:51 | |
..I couldn't see it being an issue. | 1:02:51 | 1:02:53 | |
-AMBER: -Good answer. | 1:02:57 | 1:02:58 | |
Oh, Nick, that's the best answer ever. | 1:03:01 | 1:03:03 | |
Whenever you're ready, you just show us what you can do. | 1:03:03 | 1:03:06 | |
Amazing, thank you. | 1:03:06 | 1:03:08 | |
CHEERING | 1:03:08 | 1:03:10 | |
Come on, yeah! | 1:03:20 | 1:03:21 | |
# My name is Nick, nice to meet you, can I tell you, baby | 1:03:24 | 1:03:27 | |
# Look around, there's a whole lot of pretty ladies | 1:03:27 | 1:03:30 | |
# But none like you, you shine so bright | 1:03:30 | 1:03:33 | |
# Yeah | 1:03:33 | 1:03:35 | |
# I was wondering if you and me could spend a minute | 1:03:35 | 1:03:38 | |
# On the floor up and close, getting lost in it | 1:03:38 | 1:03:41 | |
# I won't give up without a fight | 1:03:41 | 1:03:46 | |
# I just wanna, oh oh | 1:03:46 | 1:03:49 | |
# Oh, baby | 1:03:49 | 1:03:52 | |
# I just want you to dance with me tonight | 1:03:52 | 1:03:58 | |
# So come on, oh oh | 1:03:58 | 1:04:01 | |
# Oh, baby | 1:04:01 | 1:04:04 | |
# I just want you to dance with me tonight | 1:04:04 | 1:04:09 | |
# Everybody now | 1:04:09 | 1:04:11 | |
# Yeah | 1:04:11 | 1:04:14 | |
# Yeah, yeah | 1:04:14 | 1:04:16 | |
# I just want you to dance with me tonight | 1:04:16 | 1:04:21 | |
# I just want, oh oh | 1:04:21 | 1:04:24 | |
# Oh, baby | 1:04:24 | 1:04:27 | |
# I just want you to dance with me tonight | 1:04:27 | 1:04:31 | |
# Everybody, everybody, come on, now | 1:04:31 | 1:04:34 | |
# Girl, just close your eyes | 1:04:34 | 1:04:37 | |
# We can dance all through the night | 1:04:37 | 1:04:39 | |
# I just want you to dance with me tonight | 1:04:39 | 1:04:44 | |
# Mmm-mmm. # | 1:04:44 | 1:04:46 | |
CHEERING AND APPLAUSE | 1:04:46 | 1:04:48 | |
Well done, sir, you did it, well done. | 1:04:54 | 1:04:57 | |
Congratulations. | 1:04:57 | 1:04:58 | |
-Let's go to Dannii Minogue. -No, don't go to me first! | 1:04:58 | 1:05:02 | |
-LAUGHTER -No, no. | 1:05:02 | 1:05:04 | |
There was a moment, Graham, there was a moment at the end of the song. | 1:05:07 | 1:05:11 | |
-Oh! AMBER: -Eye contact. -Yes. | 1:05:11 | 1:05:14 | |
OK, let's go to Amber. | 1:05:14 | 1:05:15 | |
Uh, I thought that it was great. | 1:05:16 | 1:05:18 | |
I think that you did a really good job. The vocals could be stronger. | 1:05:18 | 1:05:22 | |
You definitely need to work on that. Performance - you have it. | 1:05:22 | 1:05:25 | |
Gary, you're nodding your head in agreement? | 1:05:27 | 1:05:29 | |
Is it Nick Carsberg or Nick Carlsberg? | 1:05:29 | 1:05:33 | |
Cos I reckon if Carlsberg made boy band members... | 1:05:33 | 1:05:36 | |
CHEERING | 1:05:36 | 1:05:38 | |
All right, let's find out how Nick's been scored. | 1:05:43 | 1:05:47 | |
Here we go. | 1:05:54 | 1:05:55 | |
Come on. | 1:05:56 | 1:05:58 | |
Come on. | 1:06:02 | 1:06:04 | |
14... Yes! | 1:06:04 | 1:06:05 | |
Any more? | 1:06:06 | 1:06:08 | |
Yes! | 1:06:08 | 1:06:09 | |
16! | 1:06:09 | 1:06:10 | |
You got through with one to spare, one to spare, well done, sir. | 1:06:15 | 1:06:20 | |
Congratulations. | 1:06:20 | 1:06:21 | |
Martin. | 1:06:21 | 1:06:23 | |
I was sitting here before you started | 1:06:23 | 1:06:25 | |
just hoping you were going to be good, | 1:06:25 | 1:06:27 | |
because I knew you had it, so I would love to see you in this show. | 1:06:27 | 1:06:30 | |
I think the girls would love you. | 1:06:30 | 1:06:32 | |
-You must be over the moon, Nick. -Oh, amazing. | 1:06:34 | 1:06:36 | |
I'm so happy, thank you so much. | 1:06:36 | 1:06:39 | |
Let's hear it for Nick. | 1:06:39 | 1:06:40 | |
Yay! | 1:06:40 | 1:06:41 | |
CHEERING AND APPLAUSE | 1:06:41 | 1:06:43 | |
-I'm seeing stars, man. -Well done. -What are you saying? | 1:06:47 | 1:06:50 | |
Our Let It Shine auditionees are hitting the stage with | 1:06:52 | 1:06:54 | |
a real range of experience and talents, | 1:06:54 | 1:06:56 | |
but our next hopeful, 25-year-old Wayne, | 1:06:56 | 1:06:59 | |
really is starting from scratch. | 1:06:59 | 1:07:02 | |
No-one's ever heard me sing. I don't sing in front of people. | 1:07:02 | 1:07:04 | |
You're just now starting? | 1:07:04 | 1:07:06 | |
The first time someone's heard me sing was my mum at a karaoke. | 1:07:06 | 1:07:09 | |
-Did your mum send you? -Yeah, yeah. | 1:07:09 | 1:07:11 | |
It's funny, because when we first started in the band, | 1:07:11 | 1:07:14 | |
Rob's mum was influential and my mum pushed me forward as well. | 1:07:14 | 1:07:17 | |
Sometimes mums make the right decisions. | 1:07:17 | 1:07:20 | |
To be fair, I've got to thank her for this so far, she's been quality. | 1:07:20 | 1:07:23 | |
So when you go on that stage, | 1:07:23 | 1:07:24 | |
-you're going to be very nervous? -Absolutely! | 1:07:24 | 1:07:26 | |
Listen, we'll be cheering you on from the side. | 1:07:26 | 1:07:28 | |
If at any point you need a little bit of encouragement... | 1:07:28 | 1:07:30 | |
-A little cheeky nod? -We'll be like that. | 1:07:30 | 1:07:32 | |
We'll give you one of them from the side, all right? | 1:07:32 | 1:07:35 | |
CHEERING | 1:07:41 | 1:07:43 | |
-Hey, man, how are you doing? -I'm good. -What's your name? | 1:07:52 | 1:07:55 | |
-Wayne. -And what do you do for a living? -I work at a local campsite | 1:07:55 | 1:07:58 | |
-moving caravans. Whoo(!) -LAUGHTER | 1:07:58 | 1:08:01 | |
-Moving caravans? -Yeah, man. | 1:08:01 | 1:08:04 | |
- You got a caravan, Gary? - No! | 1:08:04 | 1:08:06 | |
LAUGHTER | 1:08:06 | 1:08:08 | |
-Not yet. -I'm the man. | 1:08:08 | 1:08:10 | |
LAUGHTER | 1:08:10 | 1:08:11 | |
So what do your mates think about you being here today? | 1:08:11 | 1:08:14 | |
To be fair, no-one knows. | 1:08:14 | 1:08:15 | |
-You haven't told them? -Only my mum and my missus, | 1:08:15 | 1:08:18 | |
-wherever they are, somewhere. -THEY WHOOP | 1:08:18 | 1:08:20 | |
Only they know I'm here, so... | 1:08:20 | 1:08:22 | |
It's just a crazy, crazy experience. | 1:08:24 | 1:08:26 | |
Listen, I think you're going to be great, but just stand still. | 1:08:26 | 1:08:29 | |
I'm trying. | 1:08:29 | 1:08:31 | |
Stand still, breathe out, take a big breath, | 1:08:31 | 1:08:35 | |
relax your nerves | 1:08:35 | 1:08:36 | |
and give me your best song. | 1:08:36 | 1:08:38 | |
Let's do it. | 1:08:38 | 1:08:40 | |
# I got sunshine | 1:08:56 | 1:09:00 | |
# On a cloudy day | 1:09:00 | 1:09:04 | |
# When it's cold outside | 1:09:06 | 1:09:10 | |
# I've got the month of May | 1:09:10 | 1:09:13 | |
# Well, I guess you'd say | 1:09:15 | 1:09:21 | |
# What can make me feel this way? | 1:09:21 | 1:09:26 | |
# My girl | 1:09:26 | 1:09:29 | |
# Talking 'bout my girl | 1:09:29 | 1:09:33 | |
# I don't need no money | 1:09:34 | 1:09:38 | |
# All I need is my fame | 1:09:38 | 1:09:42 | |
# Well, I guess you'd say | 1:09:43 | 1:09:49 | |
# What can make me feel this way? | 1:09:49 | 1:09:53 | |
# My girl | 1:09:53 | 1:09:57 | |
# Talking 'bout my girl | 1:09:57 | 1:10:00 | |
# My girl. # | 1:10:02 | 1:10:05 | |
CHEERING | 1:10:05 | 1:10:07 | |
Wayne, everybody! | 1:10:07 | 1:10:08 | |
You did it, Wayne, you did it. | 1:10:10 | 1:10:11 | |
Well done! | 1:10:11 | 1:10:13 | |
Well done. Judges, please input your scores now. | 1:10:13 | 1:10:17 | |
Did you do karaoke before? Had you done anything before? | 1:10:18 | 1:10:20 | |
Yeah, I've only ever sung on karaoke in a pub | 1:10:20 | 1:10:22 | |
so this is like the first sober audience as well! | 1:10:22 | 1:10:26 | |
LAUGHTER | 1:10:26 | 1:10:27 | |
Not everyone, Wayne, not everyone. | 1:10:27 | 1:10:30 | |
I was watching the monitor backstage. | 1:10:33 | 1:10:36 | |
The size of these rocks on your ears, Wayne. | 1:10:36 | 1:10:38 | |
You moved a lot of caravans for those, I'll tell you that. | 1:10:38 | 1:10:42 | |
OK, Gary, what did you think? | 1:10:42 | 1:10:45 | |
Let me put two hats on here. | 1:10:45 | 1:10:46 | |
The first one - lovely personality, great interview at the start. | 1:10:46 | 1:10:50 | |
-You've actually not got a bad voice as well. -Cheers, thank you. | 1:10:50 | 1:10:53 | |
Really good song choice for you. | 1:10:53 | 1:10:54 | |
Then I've got to put my other hat on - | 1:10:54 | 1:10:56 | |
we're going to go into theatres, | 1:10:56 | 1:10:59 | |
we're going to put a boy band together. | 1:10:59 | 1:11:01 | |
For some reason, I just don't see you in this show, I just don't. | 1:11:01 | 1:11:04 | |
-AUDIENCE: -Aww! -This is the audition process right here. | 1:11:04 | 1:11:09 | |
If you really want to do this as a career, | 1:11:09 | 1:11:11 | |
you're going to go to some auditions | 1:11:11 | 1:11:13 | |
and you're just not right, not because you weren't good enough, | 1:11:13 | 1:11:15 | |
it's just that they're looking for something different | 1:11:15 | 1:11:18 | |
and for me right now, for this show, in my head, | 1:11:18 | 1:11:20 | |
you're just not quite right. | 1:11:20 | 1:11:22 | |
-AUDIENCE: -Aww! -It's cool. -All right. | 1:11:22 | 1:11:24 | |
Let's go to Martin. | 1:11:24 | 1:11:26 | |
I just didn't think you connected with the audience very much. | 1:11:26 | 1:11:29 | |
You know when you see an action movie, right? | 1:11:29 | 1:11:33 | |
And you've got the guy throwing the punch, | 1:11:33 | 1:11:35 | |
it's not the guy that throws the punch | 1:11:35 | 1:11:37 | |
that makes the fight look good. | 1:11:37 | 1:11:39 | |
-It's the guy that sells it. -Yeah. | 1:11:39 | 1:11:41 | |
You have to have both things working at the same time | 1:11:41 | 1:11:44 | |
for it all to happen. | 1:11:44 | 1:11:46 | |
Not sure I followed that, but... | 1:11:46 | 1:11:48 | |
LAUGHTER | 1:11:48 | 1:11:50 | |
When I watch it back, I'll get it when I watch it back. | 1:11:51 | 1:11:54 | |
APPLAUSE | 1:11:54 | 1:11:57 | |
Let's find out how Wayne has been scored. | 1:11:57 | 1:12:00 | |
Oh! | 1:12:16 | 1:12:17 | |
AUDIENCE GROANS | 1:12:17 | 1:12:19 | |
11 stars. | 1:12:20 | 1:12:23 | |
11. | 1:12:23 | 1:12:24 | |
It's not too bad, you've got three threes there. | 1:12:24 | 1:12:27 | |
Let's find out what Amber wanted to say about your performance. | 1:12:30 | 1:12:33 | |
I loved your voice. | 1:12:33 | 1:12:35 | |
There's kind of like a blues type of...little bit of soul | 1:12:35 | 1:12:40 | |
in your voice. I just don't think you knew what to do with it. | 1:12:40 | 1:12:44 | |
-AUDIENCE: -Aww! -Dannii, I think Wayne might be | 1:12:44 | 1:12:47 | |
the rawest talent we've seen on this stage. | 1:12:47 | 1:12:50 | |
What would you tell him to do from this point? | 1:12:50 | 1:12:52 | |
You've got that soul voice, you've got an amazing tone, | 1:12:52 | 1:12:56 | |
and you need to work on the presentation of it, | 1:12:56 | 1:12:59 | |
-the stage presentation. -Yeah. | 1:12:59 | 1:13:01 | |
Wayne, are you taking this whole experience as an encouraging thing? | 1:13:01 | 1:13:05 | |
Oh, yeah, definitely, this is just a stepping stone. | 1:13:05 | 1:13:08 | |
Yeah. No, cos you're good. | 1:13:08 | 1:13:10 | |
They're telling you you're good. | 1:13:10 | 1:13:12 | |
You're good. Ladies and gentlemen, let's hear it for Wayne! | 1:13:12 | 1:13:16 | |
CHEERING Great job, seriously. | 1:13:16 | 1:13:18 | |
Well done. | 1:13:18 | 1:13:20 | |
Well done, mate. | 1:13:24 | 1:13:25 | |
You were brilliant, well done. | 1:13:25 | 1:13:27 | |
You did it. That's the hardest bit, getting there the first time. | 1:13:27 | 1:13:30 | |
-Well done, well done. -Cheers. | 1:13:30 | 1:13:31 | |
Really, really good. I mean, you impressed me. | 1:13:31 | 1:13:34 | |
I never expected that voice to come out. | 1:13:34 | 1:13:37 | |
Backstage, most of the boys are now able to relax, | 1:13:40 | 1:13:42 | |
but our last performer, 30-year-old Jason, | 1:13:42 | 1:13:45 | |
has his professional reputation on the line | 1:13:45 | 1:13:48 | |
and he's been waiting all day to be called. | 1:13:48 | 1:13:50 | |
How are your nerves? | 1:13:50 | 1:13:51 | |
-All over the place. -Yeah? -Yeah. | 1:13:51 | 1:13:53 | |
To be the best that I can possibly... | 1:13:53 | 1:13:56 | |
Yeah, I know, it's just... | 1:13:56 | 1:13:58 | |
Can I have Jason, please? | 1:13:58 | 1:14:00 | |
CHEERING | 1:14:12 | 1:14:15 | |
Hi! | 1:14:22 | 1:14:24 | |
-Hello! -How are you? -I'm very well, thank you. | 1:14:24 | 1:14:26 | |
-What's your name? -I'm Jason, I'm 30 and I'm from Woburn. | 1:14:26 | 1:14:30 | |
Hi, Jason. | 1:14:30 | 1:14:32 | |
You feeling good, are you nervous? | 1:14:32 | 1:14:34 | |
-Very nervous. -Just a little bit, you need to shake... | 1:14:34 | 1:14:36 | |
Yeah... | 1:14:36 | 1:14:37 | |
So what do you do for a living? | 1:14:37 | 1:14:39 | |
I'm currently in Thriller Live in the West End. | 1:14:39 | 1:14:41 | |
WHOOPING | 1:14:41 | 1:14:43 | |
Wow. | 1:14:43 | 1:14:45 | |
-Eight shows a week? -Eight shows a week. | 1:14:45 | 1:14:47 | |
-Dance as well? -Yes. | 1:14:47 | 1:14:48 | |
-Injuries? -Yep. -Yeah, respect to you. | 1:14:48 | 1:14:51 | |
What made you come to this audition? | 1:14:51 | 1:14:53 | |
Well, I listen to a lot of pop music and I love being on the stage | 1:14:53 | 1:14:57 | |
and I love being in musicals, | 1:14:57 | 1:14:59 | |
so to have that all combine into one for me is the perfect dream. | 1:14:59 | 1:15:03 | |
So do you have anyone here with you today? | 1:15:03 | 1:15:05 | |
Sadly I don't. | 1:15:05 | 1:15:07 | |
-AUDIENCE: -Awww! | 1:15:07 | 1:15:09 | |
I wanted to keep it a surprise for all my family and friends | 1:15:09 | 1:15:11 | |
-back at home. -Oh, you didn't want anyone to come here with you? | 1:15:11 | 1:15:15 | |
If I see them in the audience, | 1:15:15 | 1:15:16 | |
I'd probably get really nervous and I would just feel like, you know... | 1:15:16 | 1:15:19 | |
-All right, we're ready for you. Good luck. -Thank you very much. | 1:15:19 | 1:15:23 | |
# I know | 1:15:38 | 1:15:41 | |
# That when you look at me | 1:15:41 | 1:15:44 | |
# There's so much | 1:15:44 | 1:15:47 | |
# That you just don't see | 1:15:47 | 1:15:50 | |
# But now | 1:15:50 | 1:15:53 | |
# I come home and turn the key | 1:15:53 | 1:15:56 | |
# There's nobody there | 1:15:56 | 1:15:59 | |
# No-one cares for me | 1:15:59 | 1:16:03 | |
# Oh-oh | 1:16:03 | 1:16:04 | |
# What's the sense of trying hard to find your dreams | 1:16:04 | 1:16:09 | |
# Without someone to share it with | 1:16:09 | 1:16:13 | |
# Tell me what does it mean? | 1:16:13 | 1:16:15 | |
# Oh, I wanna run to you, ooh | 1:16:15 | 1:16:21 | |
# I wanna run to you, ooh | 1:16:21 | 1:16:28 | |
# Won't you hold me in your arms | 1:16:28 | 1:16:31 | |
# And keep me safe from harm? | 1:16:31 | 1:16:34 | |
# I wanna run to you | 1:16:34 | 1:16:38 | |
# Ooh | 1:16:38 | 1:16:40 | |
# But if I come to you | 1:16:40 | 1:16:44 | |
# Ooh | 1:16:44 | 1:16:47 | |
# Tell me, will you stay | 1:16:47 | 1:16:50 | |
# Or will you run away? | 1:16:50 | 1:16:59 | |
# Run away? | 1:16:59 | 1:17:06 | |
# Tell me, will you stay | 1:17:06 | 1:17:10 | |
# Or will you run | 1:17:10 | 1:17:14 | |
# Away? # | 1:17:14 | 1:17:17 | |
CHEERING | 1:17:17 | 1:17:20 | |
Jason, everybody! | 1:17:25 | 1:17:28 | |
Wrap it up, wrap it up! | 1:17:32 | 1:17:34 | |
That's for you, you're that good. | 1:17:40 | 1:17:42 | |
I love that the judges couldn't wait to the end to stand up to clap. | 1:17:45 | 1:17:48 | |
No-one could. Amber. | 1:17:48 | 1:17:50 | |
Jason, that was just... | 1:17:50 | 1:17:55 | |
That was beautiful. | 1:17:55 | 1:17:57 | |
CHEERING | 1:17:57 | 1:17:58 | |
It was. | 1:17:58 | 1:18:00 | |
I love Whitney Houston | 1:18:00 | 1:18:02 | |
and when people sing her songs, | 1:18:02 | 1:18:04 | |
I turn my nose up, but you gave it so much justice | 1:18:04 | 1:18:09 | |
and so much passion and it sounded incredible. | 1:18:09 | 1:18:14 | |
-CHEERING -Thank you. Thank you very much. | 1:18:14 | 1:18:17 | |
Martin, you were on your feet as well. | 1:18:17 | 1:18:19 | |
It was amazing, wasn't it? | 1:18:19 | 1:18:21 | |
There's no other word for it. | 1:18:21 | 1:18:23 | |
It was just amazing and do you know what's so weird | 1:18:23 | 1:18:26 | |
about this whole experience? | 1:18:26 | 1:18:28 | |
When Gary asked me along and said, | 1:18:28 | 1:18:30 | |
"Will you be part of the judging panel?" | 1:18:30 | 1:18:32 | |
I said, "Yeah, OK, we'll find the five best boys," | 1:18:32 | 1:18:34 | |
it is really difficult, | 1:18:34 | 1:18:36 | |
because we have seen some incredible talent here tonight. | 1:18:36 | 1:18:39 | |
You top it. | 1:18:39 | 1:18:40 | |
CHEERING | 1:18:40 | 1:18:42 | |
All right. | 1:18:44 | 1:18:46 | |
I don't want to pre-empt anything, Jason, but it's looking good. | 1:18:49 | 1:18:52 | |
LAUGHTER | 1:18:52 | 1:18:54 | |
Can you imagine if you didn't get through now? | 1:18:55 | 1:18:58 | |
LAUGHTER | 1:18:58 | 1:19:00 | |
Awkward! | 1:19:01 | 1:19:02 | |
All right, let's do it, let's see how well Jason has been scored. | 1:19:02 | 1:19:06 | |
OK, what have we got, what have we got, what have we got? | 1:19:15 | 1:19:18 | |
All right! | 1:19:18 | 1:19:20 | |
Oh, we're going to get there. | 1:19:22 | 1:19:24 | |
Yes! CHEERING | 1:19:25 | 1:19:26 | |
There's more, there's more, there's got to be more. | 1:19:26 | 1:19:28 | |
Yes! | 1:19:28 | 1:19:29 | |
Yes! | 1:19:29 | 1:19:31 | |
Here we go! | 1:19:31 | 1:19:32 | |
What have we got? | 1:19:32 | 1:19:33 | |
Yeah! | 1:19:33 | 1:19:35 | |
CHEERING | 1:19:35 | 1:19:37 | |
Wow! Enjoy that! Enjoy it! | 1:19:37 | 1:19:40 | |
You were amazing! | 1:19:47 | 1:19:50 | |
Well done, sir, well done. | 1:19:50 | 1:19:51 | |
Well done. | 1:19:55 | 1:19:56 | |
SPEECH MUFFLED BY CHEERING | 1:19:56 | 1:19:58 | |
So deserved. What do you want to say, Dannii? | 1:20:06 | 1:20:10 | |
I wasn't thinking of the original artist | 1:20:10 | 1:20:12 | |
when you were singing that song. | 1:20:12 | 1:20:14 | |
I was just thinking of your performance | 1:20:14 | 1:20:17 | |
and that is the highest compliment I could ever give you. | 1:20:17 | 1:20:20 | |
The final word to Gary. | 1:20:20 | 1:20:23 | |
So much more than just singing a song - | 1:20:23 | 1:20:26 | |
you've totally moved every single person in this room | 1:20:26 | 1:20:30 | |
and that's why I love music so much. | 1:20:30 | 1:20:33 | |
Congratulations to you. | 1:20:33 | 1:20:35 | |
Jason, I know it's hard, but how are you feeling right now? | 1:20:35 | 1:20:38 | |
I feel like I'm going to wake up and have to do it all over again, | 1:20:38 | 1:20:42 | |
it doesn't feel real and this is... | 1:20:42 | 1:20:44 | |
-I don't know what to say, I'm so...! -CHEERING | 1:20:44 | 1:20:48 | |
Jason, everybody! | 1:20:48 | 1:20:50 | |
We'll see you next time. Take care. | 1:20:50 | 1:20:52 | |
-Yeah! -Yeah! | 1:20:56 | 1:20:58 | |
Well done, sir, brilliant! That was incredible. | 1:20:58 | 1:21:01 | |
-Well done, mate. -We knew... | 1:21:01 | 1:21:03 | |
We were walking... When you were rehearsing just backstage, | 1:21:03 | 1:21:06 | |
we were walking past, me and Howard were outside the rehearsal room, going, "Oh, my God." | 1:21:06 | 1:21:09 | |
One more time for our judges, Amber Riley, | 1:21:09 | 1:21:12 | |
Gary Barlow, | 1:21:12 | 1:21:14 | |
Dannii Minogue, | 1:21:14 | 1:21:16 | |
and Martin Kemp! | 1:21:16 | 1:21:17 | |
-CHEERING -I think that's a wrap for today. | 1:21:17 | 1:21:19 | |
You actually don't know how good you are. | 1:21:23 | 1:21:25 | |
Oh, my God! | 1:21:25 | 1:21:27 | |
Just blew the roof off the house, man. | 1:21:28 | 1:21:30 | |
Incredible. | 1:21:31 | 1:21:33 | |
You have got it all, my friend. | 1:21:33 | 1:21:35 | |
Sing it with me! | 1:21:35 | 1:21:37 | |
Oh, my goodness! | 1:21:37 | 1:21:38 | |
You should be in the band. | 1:21:38 | 1:21:40 | |
CHEERING AND APPLAUSE | 1:21:40 | 1:21:44 |