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Fair faa ye from Brownlow House. | 0:00:12 | 0:00:14 | |
This is the final programme in a series that has, at its heart, | 0:00:14 | 0:00:18 | |
the music of the Ulster-Scots | 0:00:18 | 0:00:20 | |
and the wonderful musicians who perform it. | 0:00:20 | 0:00:22 | |
And playing for us tonight are pipers | 0:00:22 | 0:00:24 | |
Alan MacPherson and Ross Hume... | 0:00:24 | 0:00:26 | |
..Ballylone Flute Band... | 0:00:30 | 0:00:31 | |
And the drum corps from the Pride of Ballinran from Kilkeel. | 0:00:36 | 0:00:39 | |
But first up for us tonight, it's the Battlefield Band. | 0:00:41 | 0:00:44 | |
CHEERING AND APPLAUSE | 0:02:39 | 0:02:41 | |
Well, it's great to have the Battlefield Band | 0:02:44 | 0:02:46 | |
here in Brownlow House, you're very welcome. | 0:02:46 | 0:02:48 | |
-ALL: -Thanks very much. | 0:02:48 | 0:02:49 | |
You know, my aunt is really jealous that she's not here today | 0:02:49 | 0:02:52 | |
because she has listened to the Battlefield Band, I think, | 0:02:52 | 0:02:55 | |
since its inception, so I know that there are a lot of fans out there | 0:02:55 | 0:02:58 | |
in Northern Ireland and it's been around since 1969, you say? | 0:02:58 | 0:03:02 | |
-Yeah, the band is as old as I am, so... -Right. | 0:03:02 | 0:03:06 | |
In Scotland, back in the late '60s, as here and in America, | 0:03:06 | 0:03:10 | |
there was a lot of pop music and people weren't really... | 0:03:10 | 0:03:13 | |
..in touch with their own culture, they were kind of embarrassed | 0:03:15 | 0:03:18 | |
-of recorded music or whatever type of music it was... -Right. | 0:03:18 | 0:03:21 | |
..it was kind of dying out, | 0:03:21 | 0:03:23 | |
so the Battlefield Band was one of the first bands in Scotland. | 0:03:23 | 0:03:27 | |
It was a big part of a revival of the music and a culture... | 0:03:27 | 0:03:30 | |
Yeah, and in terms of the Battlefield Band, you know, | 0:03:30 | 0:03:33 | |
I suppose its members have come from all over the UK and in Ireland | 0:03:33 | 0:03:37 | |
throughout the years and the current line-up, | 0:03:37 | 0:03:40 | |
we have someone from Londonderry, | 0:03:40 | 0:03:41 | |
someone from Scotland, someone from Donegal. | 0:03:41 | 0:03:44 | |
Do you get to play here often these days? | 0:03:44 | 0:03:46 | |
Um, not as often as we would like. | 0:03:46 | 0:03:48 | |
We've done a few gigs over the past few years, | 0:03:48 | 0:03:51 | |
-but there's a great pipe band tradition here, so... -Right. | 0:03:51 | 0:03:53 | |
..people kind of, in pipe bands, tend to know us through that, | 0:03:53 | 0:03:56 | |
-but we would certainly like to come over here more. -Yeah. | 0:03:56 | 0:03:59 | |
-It would save me a lot of time flying. -ALL LAUGH | 0:03:59 | 0:04:01 | |
# My walking shoes don't fit me any more | 0:04:13 | 0:04:15 | |
# My walking shoes don't fit me any more | 0:04:16 | 0:04:19 | |
# Stay other side of town Honey, I won't be around | 0:04:19 | 0:04:23 | |
# My walking shoes don't fit me any more | 0:04:23 | 0:04:25 | |
# It's a long way from here to over yonder | 0:04:27 | 0:04:31 | |
# My feet, they're getting mighty sore | 0:04:31 | 0:04:34 | |
# I'm not coming back You've made my mind to wander | 0:04:34 | 0:04:38 | |
# My walking shoes don't fit me any more | 0:04:38 | 0:04:41 | |
# My walking shoes don't fit me any more | 0:04:41 | 0:04:44 | |
# My walking shoes don't fit me any more | 0:04:44 | 0:04:47 | |
# Stay other side of town Honey, I won't be around | 0:04:47 | 0:04:51 | |
# My walking shoes don't fit me any more | 0:04:51 | 0:04:53 | |
# Well, don't come lookin' for me, baby | 0:05:09 | 0:05:12 | |
# And don't come knockin' on my door | 0:05:12 | 0:05:15 | |
# I thought you were worth it once but I was crazy | 0:05:15 | 0:05:19 | |
# My walking shoes don't fit me any more | 0:05:19 | 0:05:22 | |
# My walking shoes don't fit me any more | 0:05:22 | 0:05:25 | |
# My walking shoes don't fit me any more | 0:05:25 | 0:05:28 | |
# Stay other side of town Honey, I won't be around | 0:05:28 | 0:05:32 | |
# My walking shoes don't fit me any more | 0:05:32 | 0:05:35 | |
# My walking shoes don't fit me any more | 0:05:50 | 0:05:52 | |
# My walking shoes don't fit me any more | 0:05:53 | 0:05:56 | |
# Stay other side of town Honey, I won't be around | 0:05:56 | 0:06:00 | |
# My walking shoes don't fit me any more | 0:06:00 | 0:06:03 | |
# Stay other side of town Honey, I won't be around. # | 0:06:03 | 0:06:08 | |
CHEERING AND APPLAUSE | 0:06:12 | 0:06:14 | |
We've moved into the ballroom at Brownlow House | 0:06:18 | 0:06:21 | |
because there's absolutely no chance | 0:06:21 | 0:06:23 | |
that these folk will fit on our stage. | 0:06:23 | 0:06:26 | |
This is Ballylone Concert Flute Band and with me is Bobby and Gillian. | 0:06:26 | 0:06:30 | |
Now, just tell me a little bit more about the band. | 0:06:30 | 0:06:33 | |
Ballylone Flute Band was founded in 1908 | 0:06:33 | 0:06:36 | |
as a marching band in the townland of Ballylone, | 0:06:36 | 0:06:39 | |
just outside Ballynahinch, | 0:06:39 | 0:06:41 | |
and while we still do our parades, | 0:06:41 | 0:06:43 | |
the band has developed over many years | 0:06:43 | 0:06:45 | |
into one of the finest concert and contest bands in the province. | 0:06:45 | 0:06:50 | |
Some of the original families in our band are still here. | 0:06:50 | 0:06:54 | |
I notice you've got a medal on, tell us a wee bit more about that. | 0:06:54 | 0:06:57 | |
-Well, that's the 50-year medal, so... -Ah! | 0:06:57 | 0:06:59 | |
-I think I started when I was three! -LAUGHTER | 0:06:59 | 0:07:02 | |
Did I hear correctly that you're world champions? | 0:07:03 | 0:07:05 | |
That's correct, yes. | 0:07:05 | 0:07:07 | |
-World champions, Nicola, for the fifth time this year. -Wow! | 0:07:07 | 0:07:09 | |
Yeah. Um, we won it way back in '02 for the first time | 0:07:09 | 0:07:14 | |
and we retained it this year. | 0:07:14 | 0:07:16 | |
You're going to play for us now, you're playing two pieces, | 0:07:16 | 0:07:19 | |
one of which has an Ulster-Scots connection. | 0:07:19 | 0:07:22 | |
Gillian... | 0:07:22 | 0:07:23 | |
Well, the second piece is the hoedown from Aaron Copland's | 0:07:23 | 0:07:26 | |
Rodeo suite and the Ulster-Scots brought the fiddle playing | 0:07:26 | 0:07:30 | |
to the Appalachian Mountains, | 0:07:30 | 0:07:32 | |
and this particular movement of the suite is based on Mrs McLeod's Reel, | 0:07:32 | 0:07:36 | |
which is very synonymous with the Ulster-Scots. | 0:07:36 | 0:07:39 | |
# A sailor and his true love lay doon tae mak their moan | 0:10:42 | 0:10:46 | |
# When in came ain o their countrymen | 0:10:46 | 0:10:50 | |
# Sayin', rise up, my bonny lassie | 0:10:50 | 0:10:52 | |
# Mak haste and come awa' | 0:10:52 | 0:10:55 | |
# There's a vessel lying bound for Caledonia | 0:10:55 | 0:10:58 | |
# Oh, said the sailor | 0:10:59 | 0:11:01 | |
# Are ye willing for tae pay | 0:11:01 | 0:11:03 | |
# 500 guineas afore on board ye gay? | 0:11:03 | 0:11:07 | |
# I'll pay them plack and farthing afore on board I go | 0:11:07 | 0:11:12 | |
# If ye tak me tae my bonny Caledonia | 0:11:12 | 0:11:16 | |
# Oh, said the sailor | 0:11:16 | 0:11:18 | |
# Her money we will tak | 0:11:18 | 0:11:20 | |
# And when we're on the sea we'll throw her over deck | 0:11:20 | 0:11:24 | |
# Or sell her for a slave lang or ere she win awa' | 0:11:24 | 0:11:29 | |
# She'll never see her bonny Caledonia | 0:11:29 | 0:11:33 | |
# Well, said the captain | 0:11:33 | 0:11:35 | |
# Well, that'll never do! | 0:11:35 | 0:11:37 | |
# For there are nae slaves sold intae oor country noo | 0:11:37 | 0:11:41 | |
# They'd hang us ane and a' They would hang us, every man | 0:11:41 | 0:11:46 | |
# If we sold her for a slave to Caledonia | 0:11:46 | 0:11:50 | |
# Well, said the sailor | 0:11:51 | 0:11:52 | |
# She's lying doon below | 0:11:52 | 0:11:54 | |
# She's bound hand and foot Ready overboard to throw | 0:11:54 | 0:11:59 | |
# She's bound hand and foot Ready overboard to throw | 0:11:59 | 0:12:03 | |
# She'll never see her bonny Caledonia | 0:12:03 | 0:12:07 | |
# Now the captain away tae the fair maid he has gane | 0:12:27 | 0:12:30 | |
# Says, what is the reason ye're lying here sae lang? | 0:12:30 | 0:12:35 | |
# An' what is the reason that ye're lying here at all? | 0:12:35 | 0:12:39 | |
# For you've paid your passage dear tae Caledonia | 0:12:39 | 0:12:44 | |
# Oh, said the lassie | 0:12:44 | 0:12:45 | |
# Oh, woe is me | 0:12:45 | 0:12:47 | |
# That ever I was born sic hardships for tae see | 0:12:47 | 0:12:52 | |
# For the sailor's got a lassie he likes better far than me | 0:12:52 | 0:12:56 | |
# And it causes me to weep for Caledonia | 0:12:56 | 0:13:00 | |
# So the captain away to the sailor he has gane | 0:13:00 | 0:13:05 | |
# He's ta'en him by the neck and him overboard has thrown | 0:13:05 | 0:13:09 | |
# Sayin', tak this cup o water though the liquor be but sma' | 0:13:09 | 0:13:13 | |
# And drink your lassie's health tae Caledonia | 0:13:13 | 0:13:17 | |
# They've sailed east and they've sailed west | 0:13:26 | 0:13:30 | |
# Until they reached the land that they a' loved the best | 0:13:30 | 0:13:34 | |
# For the winds they did roar and the seas they did beat | 0:13:34 | 0:13:38 | |
# And they've all arrived safe to Caledonia | 0:13:38 | 0:13:43 | |
# They hadna been there but three quarters o' a year | 0:13:45 | 0:13:49 | |
# When in silks and satins he's made her for tae wear | 0:13:49 | 0:13:53 | |
# When in fine silks and satins he's made her for tae go | 0:13:53 | 0:13:58 | |
# Noo she's the captain's wife in Caledonia | 0:13:58 | 0:14:02 | |
# Noo she's the captain's wife in Caledonia. # | 0:14:02 | 0:14:06 | |
CHEERING AND APPLAUSE | 0:14:27 | 0:14:29 | |
So, Alan and Ross, welcome to Brownlow House. | 0:14:36 | 0:14:38 | |
You're both local lads - | 0:14:38 | 0:14:39 | |
Alan, you're from Cullybackey and, Ross, you're from Antrim. | 0:14:39 | 0:14:43 | |
You've been playing the bagpipes a long time. | 0:14:43 | 0:14:45 | |
I've been playing the pipes since I was nine years old. | 0:14:45 | 0:14:47 | |
My great-grandfather actually piped and members of my family | 0:14:47 | 0:14:50 | |
have played in accordion bands, | 0:14:50 | 0:14:51 | |
but somewhere along the line the piping's come out again in myself. | 0:14:51 | 0:14:55 | |
What about you, Ross? | 0:14:55 | 0:14:56 | |
Yeah, I started when I was about ten years old as well and, | 0:14:56 | 0:14:58 | |
unlike Alan, I don't have any family connections in piping, I just kind | 0:14:58 | 0:15:01 | |
of heard them one day and thought that I wanted to learn them, so... | 0:15:01 | 0:15:04 | |
So, what bands do you play in? Alan? | 0:15:04 | 0:15:06 | |
I've just been playing for the past two years | 0:15:06 | 0:15:08 | |
in a band from Dublin called St Laurence O'Toole Pipe Band. | 0:15:08 | 0:15:11 | |
And what about you, Ross? | 0:15:11 | 0:15:12 | |
I've played for the last four years in Field Marshal Montgomery from Lisburn. | 0:15:12 | 0:15:15 | |
So you'll be playing for us tonight, | 0:15:15 | 0:15:17 | |
but it's not with the Highland pipes, it's actually with the Lowland pipes. | 0:15:17 | 0:15:20 | |
What's the difference in the two? | 0:15:20 | 0:15:21 | |
Well, it's the Scottish Lowland pipes and they're a softer, | 0:15:21 | 0:15:24 | |
they've a more mellow tone to them. | 0:15:24 | 0:15:25 | |
You can fit them in with guitars and fiddles to good effect. | 0:15:25 | 0:15:29 | |
The fingerwork and, like, the technique on the chanter is exactly the same, | 0:15:29 | 0:15:32 | |
but instead of blowing into them, you're going to be... | 0:15:32 | 0:15:34 | |
pumping the air with the bellows with your other arm, so it kind of | 0:15:34 | 0:15:37 | |
just takes you a while to get used to kind of re-coordinating yourself again. | 0:15:37 | 0:15:40 | |
So once you get used to that, you're flying. | 0:15:40 | 0:15:43 | |
CHEERING AND APPLAUSE | 0:19:56 | 0:19:58 | |
Up next here at Brownlow, | 0:21:28 | 0:21:29 | |
we have a Burns song and the singer is sitting right beside me. | 0:21:29 | 0:21:33 | |
So, you're going to interview me now? | 0:21:33 | 0:21:35 | |
Well, I don't think they'd ask me to sing now! | 0:21:35 | 0:21:37 | |
-EILIDH LAUGHS -I'm not very good. | 0:21:37 | 0:21:39 | |
Well, this song that I'm singing tonight | 0:21:39 | 0:21:41 | |
is a song called Ye Banks And Braes O' Bonnie Doon | 0:21:41 | 0:21:44 | |
and it's a song by Robbie Burns and my grandmother used to sing it, | 0:21:44 | 0:21:47 | |
although, to be honest, I never heard her sing it myself, | 0:21:47 | 0:21:50 | |
but my dad assures me that that was the case, | 0:21:50 | 0:21:52 | |
and it's a gorgeous melody and a really lovely lyric | 0:21:52 | 0:21:56 | |
all about love and heartbreak. | 0:21:56 | 0:21:58 | |
# Ye banks and braes o' bonnie Doon | 0:22:01 | 0:22:09 | |
# How can ye bloom | 0:22:09 | 0:22:12 | |
# Sae fresh and fair | 0:22:12 | 0:22:17 | |
# How can ye chant | 0:22:18 | 0:22:22 | |
# Ye little birds | 0:22:22 | 0:22:26 | |
# And I sae weary, fu' o' care! | 0:22:26 | 0:22:34 | |
# Ye'll break my heart | 0:22:34 | 0:22:38 | |
# Ye warbling birds | 0:22:38 | 0:22:42 | |
# That wantons thro' | 0:22:42 | 0:22:45 | |
# The flowering thorn | 0:22:45 | 0:22:51 | |
# Ye mind me o' | 0:22:51 | 0:22:56 | |
# Departed joys | 0:22:56 | 0:23:00 | |
# Departed never | 0:23:00 | 0:23:04 | |
# To return | 0:23:04 | 0:23:09 | |
# Oft have I rov'd | 0:23:13 | 0:23:17 | |
# By bonnie Doon | 0:23:17 | 0:23:21 | |
# To see the rose | 0:23:21 | 0:23:25 | |
# And woodbine twine | 0:23:25 | 0:23:30 | |
# And ilka bird | 0:23:30 | 0:23:35 | |
# Sang o' its love | 0:23:35 | 0:23:39 | |
# And fondly sae did I o' mine | 0:23:39 | 0:23:46 | |
# Wi' lightsome heart | 0:23:46 | 0:23:51 | |
# I pu'd a rose | 0:23:51 | 0:23:54 | |
# Fu' sweet upon | 0:23:54 | 0:23:58 | |
# Its thorny tree | 0:23:58 | 0:24:04 | |
# But my false lover | 0:24:04 | 0:24:09 | |
# Stole my rose | 0:24:09 | 0:24:12 | |
# But ah! He left the thorn wi' me | 0:24:12 | 0:24:20 | |
# Wi' lightsome heart | 0:24:20 | 0:24:24 | |
# I pu'd a rose | 0:24:24 | 0:24:28 | |
# Fu' sweet upon | 0:24:28 | 0:24:32 | |
# Its thorny tree | 0:24:32 | 0:24:36 | |
# But my false lover | 0:24:37 | 0:24:42 | |
# Stole my rose | 0:24:42 | 0:24:46 | |
# But ah! He left the thorn wi' me. # | 0:24:46 | 0:24:57 | |
CHEERING AND APPLAUSE | 0:24:59 | 0:25:01 | |
Now, that's almost it for this series of Music Night At Brownlow. | 0:25:07 | 0:25:10 | |
To play us out, the Scott Wood Band. | 0:25:10 | 0:25:13 | |
All the best. | 0:25:13 | 0:25:14 | |
CHEERING AND APPLAUSE | 0:28:20 | 0:28:23 |