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-Thank you! | 0:00:32 | 0:00:34 | |
-Thank you very much. | 0:00:36 | 0:00:37 | |
-Welcome to Bronymaen Farm, -Meifod, for tonight's NOSON LAWEN. | 0:00:38 | 0:00:45 | |
-The theatre is full of people. | 0:00:46 | 0:00:49 | |
-Isn't this a wonderful location? | 0:00:50 | 0:00:52 | |
-There are excellent farms -in this valley. | 0:00:53 | 0:00:56 | |
-For agriculture and culture, -this valley's second to none. | 0:00:56 | 0:01:00 | |
-We look forward -to a truly memorable NOSON LAWEN. | 0:01:01 | 0:01:05 | |
-We'll start with local children. | 0:01:05 | 0:01:08 | |
-Please welcome Ysgol Theatr Maldwyn, -conducted by Linda Gittins. | 0:01:08 | 0:01:13 | |
-THE FUTURE IS IN OUR HANDS | 0:01:22 | 0:01:26 | |
-# When people struggle, | 0:01:35 | 0:01:37 | |
-# Or become restless, | 0:01:38 | 0:01:40 | |
-# As we view the images, -what sort of life will they have? | 0:01:41 | 0:01:46 | |
-# When we see a child crouching, -his body like a skeleton, | 0:01:47 | 0:01:52 | |
-# We understand -that there's someone to blame. | 0:01:53 | 0:01:57 | |
-# But instead of pointing a finger, -or waiting for others, | 0:01:58 | 0:02:02 | |
-# It's up to us -to make him our friend. | 0:02:03 | 0:02:07 | |
-# This is our fate, -our reason to live, | 0:02:09 | 0:02:13 | |
-# To realise that every child -is God's child. | 0:02:14 | 0:02:18 | |
-# To reach out our hands, -to listen to their cries, | 0:02:19 | 0:02:23 | |
-# To challenge oppression - -the future is in our hands. | 0:02:24 | 0:02:29 | |
-# There's no excuse for war, | 0:02:38 | 0:02:40 | |
-# There's no hiding place in rubble. | 0:02:41 | 0:02:43 | |
-# There is always someone -whose cheeks burn with tears. | 0:02:43 | 0:02:48 | |
-# A child wanders -into the battlefield, | 0:02:49 | 0:02:55 | |
-# The nightmare -runs through the streets. | 0:02:56 | 0:02:59 | |
-# But instead of pointing a finger, -let's show compassion, | 0:03:00 | 0:03:04 | |
-# It's up to us -without blaming others. | 0:03:05 | 0:03:10 | |
-# This is our fate, -our reason to live, | 0:03:12 | 0:03:15 | |
-# To realise that every child -is God's child. | 0:03:16 | 0:03:20 | |
-# To reach out our hands, -to listen to their cries, | 0:03:22 | 0:03:25 | |
-# To challenge oppression - -the future is in our hands. | 0:03:26 | 0:03:31 | |
-# When the oceans rise, -when borders shatter, | 0:03:40 | 0:03:45 | |
-# When the ice melts -in the two poles, | 0:03:45 | 0:03:50 | |
-# Someone is suffering, | 0:03:52 | 0:03:54 | |
-# Someone, somewhere feels the pain. | 0:03:55 | 0:03:58 | |
-# There is always someone. | 0:04:00 | 0:04:02 | |
-# But instead of pointing a finger, -or waiting for others, | 0:04:02 | 0:04:06 | |
-# It's up to us -to protect the environment. | 0:04:07 | 0:04:12 | |
-# This is our fate, -our reason to live, | 0:04:14 | 0:04:18 | |
-# To realise that every child -is God's child. | 0:04:18 | 0:04:23 | |
-# To reach out our hands, -to listen to their cries, | 0:04:23 | 0:04:27 | |
-# To challenge oppression - -the future is in our hands. | 0:04:28 | 0:04:33 | |
-# This is our fate, -our reason to live, | 0:04:36 | 0:04:40 | |
-# To realise that every child -is God's child. | 0:04:40 | 0:04:45 | |
-# To reach out our hands, -to listen to their cries, | 0:04:45 | 0:04:49 | |
-# To challenge oppression - -the future is in our hands. | 0:04:50 | 0:04:55 | |
-# The future is in our hands. # | 0:04:56 | 0:05:02 | |
-Thank you. Excellent. | 0:05:17 | 0:05:19 | |
-Well, this is a remarkable valley. | 0:05:23 | 0:05:27 | |
-You should see our farm! -Blimey! We're three months behind. | 0:05:27 | 0:05:32 | |
-This is a good farm. I visited -a Pembrokeshire farm a year ago. | 0:05:32 | 0:05:37 | |
-"What marvellous pasture," I said. -"Don't you have any?" he replied. | 0:05:37 | 0:05:41 | |
-"Not this much," I said. -"D'you keep sheep?" "Yes." | 0:05:41 | 0:05:45 | |
-"How many?" he asked. -"About a thousand," I said. | 0:05:45 | 0:05:48 | |
-"D'you know what, Dai. -You can't shave and grow whiskers!" | 0:05:48 | 0:05:52 | |
-A married couple were playing golf. | 0:05:57 | 0:05:59 | |
-I'd like to play golf, -but the holes aren't big enough. | 0:05:59 | 0:06:03 | |
-The married couple -were playing golf. | 0:06:04 | 0:06:06 | |
-She asked him one sunny day -on top of a bank... | 0:06:06 | 0:06:10 | |
-"..If you remarried, would your -second wife have my jewellery?" | 0:06:10 | 0:06:15 | |
-"Good heavens! Of course not! -What a stupid question!" he said. | 0:06:16 | 0:06:21 | |
-They carried on with the game. | 0:06:21 | 0:06:23 | |
-"What about my clothes?" "I wouldn't -dream of doing such a thing." | 0:06:24 | 0:06:29 | |
-They reached the top. -"Would you give her my golf clubs?" | 0:06:30 | 0:06:35 | |
-"I wouldn't do that. | 0:06:35 | 0:06:37 | |
-"There wouldn't be any point," -he said. "She's left-handed." | 0:06:37 | 0:06:41 | |
-We have a young girl -from Dolanog for you next. | 0:06:50 | 0:06:53 | |
-It's wonderful that she's the third -generation of her family... | 0:06:54 | 0:06:58 | |
-..to appear on NOSON LAWEN. | 0:06:58 | 0:07:00 | |
-We take pride in such things -in Montgomeryshire! | 0:07:00 | 0:07:03 | |
-D'you remember her grandfather, -John, with the hen? | 0:07:03 | 0:07:07 | |
-What a performance - -"Please can I have an egg?" | 0:07:07 | 0:07:10 | |
-She's studying Welsh and Geography -at Aberystwyth University. | 0:07:10 | 0:07:17 | |
-She won the Cerdd Dant solo -in Anglesey Urdd Eisteddfod. | 0:07:17 | 0:07:22 | |
-Please welcome, Betsan Llwyd Lewis. | 0:07:24 | 0:07:26 | |
-LLANDDWYN ISLAND. AIR - "RITA" | 0:07:39 | 0:07:44 | |
-# I'd like to live -on Llanddwyn Island, | 0:07:45 | 0:07:49 | |
-# In a white-washed cottage -by the sea, | 0:07:49 | 0:07:53 | |
-# Watching the seabirds -every morning, | 0:07:53 | 0:07:57 | |
-# And share the view with you. | 0:07:58 | 0:08:02 | |
-# The sea is blue -around Llanddwyn Island, | 0:08:11 | 0:08:15 | |
-# We can go swimming. | 0:08:15 | 0:08:19 | |
-# Where the birds fish, | 0:08:20 | 0:08:23 | |
-# Oh, say, you'll come with me. | 0:08:24 | 0:08:27 | |
-# St Dwynwen's Church -is on Llanddwyn Island, | 0:08:36 | 0:08:41 | |
-# We'll go there to pray. | 0:08:41 | 0:08:45 | |
-# I'll ask the saint of love | 0:08:46 | 0:08:49 | |
-# If you can come with me. | 0:08:51 | 0:08:54 | |
-# When night falls -on Llanddwyn Island, | 0:09:03 | 0:09:07 | |
-# When the sun meets the sea, | 0:09:08 | 0:09:11 | |
-# I'll sit in front of my fire, | 0:09:12 | 0:09:16 | |
-# Perhaps I'll never go away. # | 0:09:18 | 0:09:21 | |
-Montgomeryshire audiences -like to hear jokes. | 0:09:35 | 0:09:38 | |
-I like telling them! | 0:09:39 | 0:09:41 | |
-I don't tell the authorities -'til it's time to record... | 0:09:42 | 0:09:46 | |
-..or they might -cut the best ones out! | 0:09:46 | 0:09:49 | |
-I like hearing them roll with -laughter, 'til ladies' knees appear. | 0:09:49 | 0:09:53 | |
-Men laughing from the pits of their -bellies - that's what I like. | 0:09:53 | 0:09:56 | |
-A farmer neighbour of mine visited -a rams' sale for the first time. | 0:09:57 | 0:10:01 | |
-He bought a Blue-faced Leicester. | 0:10:02 | 0:10:04 | |
-My uncle calls them -Two-faced Leicesters. | 0:10:04 | 0:10:07 | |
-Fed in the morning, -they were dead by teatime! | 0:10:08 | 0:10:11 | |
-This ram was lazy. | 0:10:13 | 0:10:15 | |
-The vet told him, -"Put him in a dark shed. | 0:10:15 | 0:10:19 | |
-"Give him six tablets a day -for a week. | 0:10:21 | 0:10:24 | |
-"Turf him out and keep an eye -on him." That's what happened. | 0:10:24 | 0:10:28 | |
-It was Tregaron mart -the following week. | 0:10:28 | 0:10:31 | |
-It's an important local event. -The boss went to the mart. | 0:10:32 | 0:10:36 | |
-His wife and the farmhand put -the ram in the field with the sheep. | 0:10:36 | 0:10:40 | |
-Blimey! He was having fun! | 0:10:41 | 0:10:43 | |
-A long queue in front of him, even -longer behind him. He went for it! | 0:10:43 | 0:10:46 | |
-The old-fashioned house -overlooked the field. | 0:10:47 | 0:10:52 | |
-The ram was going for it. -John was excited. | 0:10:53 | 0:10:56 | |
-"Oops!" he said, every now and then. | 0:10:57 | 0:11:00 | |
-The missus was washing the dishes. -She dried the jug four times. | 0:11:00 | 0:11:04 | |
-"What were the tablets called, -John?" she asked. | 0:11:05 | 0:11:07 | |
-"I don't know, -but they tasted of mint." | 0:11:08 | 0:11:10 | |
-Thank you. | 0:11:18 | 0:11:19 | |
-If Betsan comes from Dolanog... | 0:11:20 | 0:11:23 | |
-..the next artiste comes -from the other side of the world. | 0:11:23 | 0:11:27 | |
-I come from Trevelin, Patagonia, -in the Andes. | 0:11:28 | 0:11:32 | |
-I'm in Llanuwchllyn 'til September. | 0:11:32 | 0:11:37 | |
-I'm having a great time. | 0:11:38 | 0:11:41 | |
-I sing with Godre'r Aran choir, -and Llanuwchllyn choir. | 0:11:43 | 0:11:47 | |
-I also sing on my own. -I'm having a great time. | 0:11:48 | 0:11:51 | |
-It's a privilege -to welcome one of us... | 0:11:51 | 0:11:54 | |
-..from the Beautiful Valley in -Patagonia, to our beautiful valley. | 0:11:55 | 0:11:59 | |
-Alejandro Jones from Cwm Hyfryd! | 0:12:00 | 0:12:02 | |
-TOMORROW | 0:12:16 | 0:12:20 | |
-# We've finished work for the day, | 0:12:25 | 0:12:28 | |
-# Everyone has said farewell. | 0:12:30 | 0:12:33 | |
-# We'll linger for a while, | 0:12:36 | 0:12:40 | |
-# Before going our separate ways. | 0:12:42 | 0:12:45 | |
-# But tomorrow, -the sun will appear once more, | 0:12:48 | 0:12:52 | |
-# And in sunlight, -I'll start my journey. | 0:12:54 | 0:12:58 | |
-# Home to the smile of my loved one, | 0:13:00 | 0:13:05 | |
-# The love of my life -lights my way. | 0:13:06 | 0:13:10 | |
-# Only a night, | 0:13:13 | 0:13:15 | |
-# Only a night, | 0:13:16 | 0:13:18 | |
-# Tomorrow, I will be back. | 0:13:19 | 0:13:22 | |
-# Back with your smile, -back in your arms, | 0:13:24 | 0:13:29 | |
-# Tomorrow I will be back. | 0:13:30 | 0:13:34 | |
-# Tonight I'll lay my head -on a pillow, | 0:13:49 | 0:13:53 | |
-# I'll be thinking about you. | 0:13:55 | 0:13:58 | |
-# The night brings you closer | 0:14:01 | 0:14:04 | |
-# You're the magic -of darkness to me. | 0:14:07 | 0:14:11 | |
-# And tonight, -I can think about you, | 0:14:13 | 0:14:16 | |
-# From the bed of my faraway hotel, | 0:14:19 | 0:14:22 | |
-# But tomorrow, -I'll be back with you, | 0:14:25 | 0:14:29 | |
-# Like a prisoner -released from his cell. | 0:14:31 | 0:14:34 | |
-# Only a night, | 0:14:38 | 0:14:40 | |
-# Only a night, | 0:14:41 | 0:14:43 | |
-# Tomorrow, I will be back. | 0:14:43 | 0:14:46 | |
-# Back with your smile, -back in your arms, | 0:14:49 | 0:14:54 | |
-# Tomorrow I will be back. | 0:14:55 | 0:14:58 | |
-# Only a night, | 0:15:02 | 0:15:04 | |
-# Only a night, | 0:15:05 | 0:15:07 | |
-# Tomorrow, I will be back. | 0:15:07 | 0:15:11 | |
-# Back with your smile, -back in your arms, | 0:15:14 | 0:15:19 | |
-# Tomorrow I will be back. # | 0:15:23 | 0:15:29 | |
-888 | 0:15:48 | 0:15:50 | |
-Welcome back! | 0:15:55 | 0:15:56 | |
-NOSON LAWEN isn't the same -without children. | 0:15:57 | 0:16:02 | |
-Excellent! | 0:16:03 | 0:16:04 | |
-We've only got one. | 0:16:04 | 0:16:07 | |
-He's a big lump by now. -I lost the recipe! | 0:16:07 | 0:16:11 | |
-His mother taught him to say a verse -for the Thanksgiving Service. | 0:16:14 | 0:16:18 | |
-He took a month to learn it. | 0:16:18 | 0:16:20 | |
-It was only 'God is love.' | 0:16:22 | 0:16:24 | |
-He recited the verse with dignity. | 0:16:26 | 0:16:29 | |
-'God is love.' | 0:16:30 | 0:16:31 | |
-The preacher asked, -"Does anyone know an English verse?" | 0:16:32 | 0:16:36 | |
-John's hand shot up. -His mother went as white as a sheet. | 0:16:37 | 0:16:41 | |
-It took her three months -to teach him two lines. | 0:16:42 | 0:16:44 | |
-"Well done, John. -What's your verse?" | 0:16:44 | 0:16:47 | |
-'For he's a jolly good fellow.' | 0:16:47 | 0:16:49 | |
-There was an old remote chapel -in Wales years ago. | 0:16:51 | 0:16:55 | |
-There were only two deacons. | 0:16:55 | 0:16:58 | |
-One had been there all his life... | 0:16:59 | 0:17:01 | |
-..the other had spent years -in London selling milk and water. | 0:17:01 | 0:17:05 | |
-Some people go away -for a fortnight... | 0:17:07 | 0:17:10 | |
-..and return -having forgotten their Welsh. | 0:17:10 | 0:17:13 | |
-The deacon announced one Sunday -that the chapel needed repainting. | 0:17:13 | 0:17:17 | |
-He wanted to do -a proper job of it... | 0:17:18 | 0:17:20 | |
-..to remember how it had been. -He hoped everyone would contribute. | 0:17:21 | 0:17:25 | |
-The milk and water man -got to his feet. | 0:17:26 | 0:17:29 | |
-"I don't think it's worth spending -so much money on the little chapel. | 0:17:30 | 0:17:34 | |
-"Only half a dozen turn up every -Sunday. It's a waste of money." | 0:17:34 | 0:17:39 | |
-He sat back down. A piece -of plaster landed on his forehead. | 0:17:40 | 0:17:45 | |
-It hurt! | 0:17:46 | 0:17:47 | |
-"Seeing as it's this bad, I'll -donate 500 for the cause," he said. | 0:17:48 | 0:17:52 | |
-The other deacon said, -"Oh Lord, hit him again." | 0:17:53 | 0:17:56 | |
-Thank you! | 0:18:04 | 0:18:06 | |
-The next trio retired -a few years ago. | 0:18:06 | 0:18:11 | |
-But they've returned tonight -to the NOSON LAWEN stage. | 0:18:12 | 0:18:17 | |
-They're looking forward to perform. | 0:18:17 | 0:18:20 | |
-They're local children, -former members of Aelwyd Penllys... | 0:18:21 | 0:18:25 | |
-..a guild that contributed -so much to Welsh culture. | 0:18:25 | 0:18:29 | |
-I'm sure we're all looking forward -to hearing their unique sound. | 0:18:29 | 0:18:35 | |
-Please welcome Plethyn! | 0:18:35 | 0:18:38 | |
-We've appeared a few times on NOSON -LAWEN. Can you remember how many? | 0:18:47 | 0:18:52 | |
-I don't remember, either! | 0:18:53 | 0:18:55 | |
-I know my nerves -are worse every time. | 0:18:55 | 0:18:59 | |
-Remembering the words -is Roy's problem. | 0:19:00 | 0:19:02 | |
-Remembering everything else -is my problem! | 0:19:02 | 0:19:05 | |
-FROM THE EARTH TO THE EARTH | 0:19:07 | 0:19:11 | |
-# The cold Pennant Valley moon, | 0:19:29 | 0:19:32 | |
-# The Berwyn covered in snow. | 0:19:34 | 0:19:37 | |
-# The flame in Nansi's valley | 0:19:39 | 0:19:42 | |
-# Smouldering in the dust. | 0:19:44 | 0:19:47 | |
-# The old paths like veins | 0:19:50 | 0:19:54 | |
-# Weaving through every region. | 0:19:55 | 0:19:58 | |
-# The sly sunshine -of New Year's Day, | 0:20:03 | 0:20:06 | |
-# Yesterday's clouds running away. | 0:20:08 | 0:20:11 | |
-# This morning we can remember, | 0:20:13 | 0:20:16 | |
-# The old familiar song. | 0:20:18 | 0:20:21 | |
-# The old paths like veins | 0:20:23 | 0:20:27 | |
-# Weaving through every region. | 0:20:28 | 0:20:32 | |
-# Remembering yesterday so clearly, | 0:20:35 | 0:20:39 | |
-# All the children of the land -remember. | 0:20:40 | 0:20:44 | |
-# We'll pray together every day, | 0:20:46 | 0:20:49 | |
-# From the earth to the earth. | 0:20:51 | 0:20:53 | |
-# From Meifod and Llanfyllin, | 0:21:03 | 0:21:05 | |
-# Cwmllinau and Bwlch-y-Ffridd. | 0:21:08 | 0:21:11 | |
-# The song is here -in Montgomeryshire, | 0:21:13 | 0:21:17 | |
-# A hymn that comes from the land. | 0:21:18 | 0:21:21 | |
-# The old paths like veins | 0:21:24 | 0:21:26 | |
-# Weaving through every region. | 0:21:28 | 0:21:32 | |
-# Remembering yesterday so clearly, | 0:21:36 | 0:21:39 | |
-# All the children of the land -remember. | 0:21:40 | 0:21:45 | |
-# We'll pray together every day, | 0:21:46 | 0:21:50 | |
-# Remembering yesterday so clearly, | 0:21:51 | 0:21:55 | |
-# All the children -of the land remember. | 0:21:56 | 0:22:00 | |
-# We'll pray together every day, | 0:22:01 | 0:22:05 | |
-# From the earth to the earth. | 0:22:06 | 0:22:09 | |
-# O-o-o-o-o-o | 0:22:12 | 0:22:14 | |
-# From the earth to the earth. # | 0:22:19 | 0:22:21 | |
-Is there anyone here called Olwen? | 0:22:39 | 0:22:41 | |
-Is there an Olwen here? -No-one will admit it! | 0:22:41 | 0:22:44 | |
-I know that Dai's wife -is called Olwen. | 0:22:44 | 0:22:48 | |
-Perhaps he should -be singing this song. | 0:22:48 | 0:22:52 | |
-'That's my dear Olwen.' | 0:22:52 | 0:22:54 | |
-# I'm prepared to admit that Olwen | 0:23:04 | 0:23:07 | |
-# Is the most beautiful girl, -apart from one. | 0:23:09 | 0:23:13 | |
-# I'm not surprised -that poets throughout the ages | 0:23:14 | 0:23:18 | |
-# Half-worshipped her. | 0:23:19 | 0:23:22 | |
-# But even so, I have to confess, | 0:23:24 | 0:23:27 | |
-# There is one who is dearer to me. | 0:23:29 | 0:23:31 | |
-# She's singing in the kitchen, | 0:23:34 | 0:23:37 | |
-# That's my dear Olwen. | 0:23:39 | 0:23:41 | |
-# I know that my sweetheart | 0:23:49 | 0:23:52 | |
-# Doesn't wear bright red silks. | 0:23:53 | 0:23:57 | |
-# Nor is her neck adorned -with a string of pearls, | 0:23:58 | 0:24:03 | |
-# Nor a golden crown on her head. | 0:24:03 | 0:24:06 | |
-# But I don't care about that, | 0:24:09 | 0:24:12 | |
-# She's the liveliest of them all. | 0:24:14 | 0:24:17 | |
-# She doesn't owe a farthing -to anyone in the world, | 0:24:19 | 0:24:23 | |
-# That's my dear Olwen. | 0:24:24 | 0:24:27 | |
-# I know there are those -with fairer hands, | 0:24:34 | 0:24:38 | |
-# I know there are those -more light-footed, | 0:24:39 | 0:24:43 | |
-# But if my sweetheart's hands -were white, | 0:24:44 | 0:24:48 | |
-# As white as the wood anemone, | 0:24:49 | 0:24:53 | |
-# What would become -of our hearth and home, | 0:24:54 | 0:24:59 | |
-# And our dear children? | 0:24:59 | 0:25:03 | |
-# She's tender of heart, -and hard of hand, | 0:25:04 | 0:25:08 | |
-# That's my dear Olwen. | 0:25:10 | 0:25:13 | |
-# I heard that clovers grew | 0:25:20 | 0:25:23 | |
-# Wherever the poets' Olwen walked. | 0:25:24 | 0:25:29 | |
-# I walked around my cottage, | 0:25:30 | 0:25:34 | |
-# And wandered into the garden. | 0:25:35 | 0:25:38 | |
-# No man can count my clovers, | 0:25:40 | 0:25:43 | |
-# Or the flowers -that laugh so freely, | 0:25:45 | 0:25:49 | |
-# Where someone else once walked, | 0:25:50 | 0:25:54 | |
-# That's my dear Olwen. | 0:25:55 | 0:25:58 | |
-# When the children leave home, | 0:26:05 | 0:26:08 | |
-# When I'll be old and frail, | 0:26:10 | 0:26:14 | |
-# I'll wait in vain -for the poets' Olwen | 0:26:16 | 0:26:20 | |
-# To come and kiss me. | 0:26:21 | 0:26:24 | |
-# But I know of one -who'll be by my side, | 0:26:26 | 0:26:29 | |
-# Who'll be by my side -as long as I'll live, | 0:26:31 | 0:26:36 | |
-# She'll be the last -to turn her back, | 0:26:36 | 0:26:41 | |
-# That's my dear Olwen. # | 0:26:42 | 0:26:46 | |
-888 | 0:27:01 | 0:27:03 | |
-Welcome back. | 0:27:07 | 0:27:08 | |
-Ysgol Theatr Maldwyn -was established about a year ago. | 0:27:09 | 0:27:14 | |
-They're directed by none other than -three famous Theatr Maldwyn members. | 0:27:15 | 0:27:21 | |
-Linda Gittins, -Penri Roberts and Derek Williams. | 0:27:21 | 0:27:25 | |
-They've made an immense -contribution to the unique style... | 0:27:25 | 0:27:29 | |
-..of singing and performing -seen here in Montgomeryshire. | 0:27:29 | 0:27:32 | |
-I'm sure you agree there's a bright -future ahead for this young choir. | 0:27:40 | 0:27:46 | |
-They've already made a name for -themselves on the stages of Wales. | 0:27:46 | 0:27:50 | |
-Please welcome back, Linda Gittins -and Ysgol Theatr Maldwyn! | 0:27:51 | 0:27:56 | |
-SOUTH AFRICAN NEGRO SPIRITUAL | 0:28:02 | 0:28:04 | |
-# Siyahamb' ekukhanyen' kwenkhos | 0:28:05 | 0:28:08 | |
-# Siyahamb' ekukhanyen' kwenkhos | 0:28:08 | 0:28:12 | |
-# Siyahamb' ekukhanyen' kwenkhos | 0:28:12 | 0:28:17 | |
-# Siyahamb' ekukhanyen' kwenkhos | 0:28:17 | 0:28:20 | |
-# Khanyen' kwenkhos | 0:28:20 | 0:28:22 | |
-# Siyahamba hamba | 0:28:22 | 0:28:24 | |
-# Siyahamba hamba | 0:28:24 | 0:28:26 | |
-# Siyahamb' ekukhanyen' kwenkhos | 0:28:27 | 0:28:29 | |
-# Khanyen' kwenkhos | 0:28:29 | 0:28:31 | |
-# Siyahamba hamba | 0:28:31 | 0:28:33 | |
-# Siyahamba hamba | 0:28:33 | 0:28:35 | |
-# Siyahamb' ekukhanyen' kwenkhos | 0:28:36 | 0:28:39 | |
-# We are marching -in the light of God! | 0:28:40 | 0:28:44 | |
-# We are marching -in the light of God! | 0:28:44 | 0:28:48 | |
-# We are marching -in the light of God! | 0:28:49 | 0:28:53 | |
-# We are marching -in the light of God! | 0:28:54 | 0:28:57 | |
-# We are marching -in the light of God! | 0:28:59 | 0:29:02 | |
-# We are marching -in the light of God! | 0:29:04 | 0:29:07 | |
-# We are marching -in the light of God! # | 0:29:09 | 0:29:12 | |
-# We are marching -in the light of God! # | 0:29:14 | 0:29:17 | |
-# Siyahamb' ekukhanyen' kwenkhos | 0:29:19 | 0:29:22 | |
-# Siyahamb' ekukhanyen' kwenkhos | 0:29:23 | 0:29:27 | |
-# Siyahamb' ekukhanyen' kwenkhos | 0:29:28 | 0:29:32 | |
-# Siyahamb' ekukhanyen' kwenkhos | 0:29:33 | 0:29:35 | |
-# Khanyen' kwenkhos | 0:29:36 | 0:29:37 | |
-# Siyahamba hamba | 0:29:37 | 0:29:40 | |
-# Siyahamba hamba | 0:29:40 | 0:29:42 | |
-# Siyahamb' ekukhanyen' kwenkhos | 0:29:42 | 0:29:45 | |
-# Khanyen' kwenkhos | 0:29:45 | 0:29:47 | |
-# Siyahamba hamba | 0:29:47 | 0:29:49 | |
-# Siyahamba hamba | 0:29:49 | 0:29:52 | |
-# Siyahamb' ekukhanyen' kwenkhos. # | 0:29:52 | 0:29:55 | |
-Thank you! | 0:30:10 | 0:30:12 | |
-There's no need for men -like our next guests in this area. | 0:30:13 | 0:30:19 | |
-The village of Meifod has won awards -for the best kept area. | 0:30:20 | 0:30:26 | |
-The farms are worth seeing. -It's a delightful area. | 0:30:26 | 0:30:31 | |
-But we all need dustbin men. | 0:30:32 | 0:30:35 | |
-They leave gates open -and kick cats. | 0:30:37 | 0:30:40 | |
-They wake you up in the morning -with their noisy racket. | 0:30:41 | 0:30:44 | |
-That's what they're like. -Please welcome them here to Meifod. | 0:30:45 | 0:30:48 | |
-The dustbin men! | 0:30:48 | 0:30:50 | |
-How are you? | 0:31:01 | 0:31:03 | |
-Willy's the name. Or as -everyone calls me, Wheelie Bins. | 0:31:04 | 0:31:07 | |
-I've been busy! Blimey! | 0:31:10 | 0:31:12 | |
-It was terrible -during the Meifod Eisteddfod. | 0:31:12 | 0:31:16 | |
-You should have seen -the mess in the caravan park. | 0:31:17 | 0:31:20 | |
-You wouldn't believe -what goes on there at night! | 0:31:21 | 0:31:24 | |
-You don't want to know. | 0:31:24 | 0:31:26 | |
-The Cut Lloi lads' choir. | 0:31:28 | 0:31:30 | |
-One of the choir -stayed in a caravan. | 0:31:31 | 0:31:34 | |
-There was a sign outside -one morning. | 0:31:35 | 0:31:37 | |
-D'you know what it said? -'If the caravan rocks, don't knock.' | 0:31:38 | 0:31:42 | |
-How are you, Dei? | 0:31:50 | 0:31:51 | |
-How are you, Dei? - -Not bad. | 0:31:51 | 0:31:52 | |
-What's wrong? | 0:31:52 | 0:31:54 | |
-What's wrong? - -The Dating Agency wrote to me. | 0:31:54 | 0:31:56 | |
-Have they found you a woman at last? | 0:31:56 | 0:31:58 | |
-No. D'you want -to know what they said? | 0:31:59 | 0:32:01 | |
-'Dear Dei. | 0:32:02 | 0:32:04 | |
-'As you know, you've been -on our books, and on the Web... | 0:32:04 | 0:32:09 | |
-'..Internet, looking for a woman -for six months, without any luck. | 0:32:10 | 0:32:15 | |
-'Can we remove your photo -from the advertisement?' | 0:32:18 | 0:32:22 | |
-I'd say that's a good idea! Have -you tried the Lonely Hearts' Club? | 0:32:24 | 0:32:28 | |
-Yes, I wrote to them too. | 0:32:29 | 0:32:31 | |
-They replied -saying they weren't that lonely. | 0:32:31 | 0:32:34 | |
-We empty the bins of Welsh celebs. | 0:32:37 | 0:32:40 | |
-All of them. -We're busy, all over Wales. | 0:32:41 | 0:32:43 | |
-You can tell who owns every bin. -Look at this one. | 0:32:43 | 0:32:47 | |
-An empty cider bottle. D'you know -whose bin this is? Linda Healy's. | 0:32:48 | 0:32:52 | |
-'Yesterday's Cider' - -(SONG TITLE) -Look over there. | 0:32:54 | 0:32:57 | |
-What is it? | 0:32:57 | 0:32:59 | |
-A ticket to Dafydd Iwan's farewell -concert - 1990. It's valuable. | 0:33:00 | 0:33:07 | |
-1990?! There's another one here. -Take two! | 0:33:07 | 0:33:11 | |
-Dafydd Iwan's farewell concert, -1992. | 0:33:12 | 0:33:15 | |
-Dafydd Iwan's farewell concert, -1994. | 0:33:17 | 0:33:19 | |
-Keep them. He hasn't said farwell -yet. They're good for nothing. | 0:33:20 | 0:33:24 | |
-This is the best bin. | 0:33:24 | 0:33:26 | |
-Show them, Dei. It's always empty. | 0:33:28 | 0:33:30 | |
-That's a Welsh celeb's bin too. -There's never any rubbish in it. | 0:33:31 | 0:33:35 | |
-D'you know whose it is? -Dai Jones, Llanilar. | 0:33:35 | 0:33:38 | |
-It's empty because he's never home -to fill the blinking thing. | 0:33:40 | 0:33:43 | |
-It's a Thursday. | 0:33:47 | 0:33:48 | |
-D'you know what happens on Thursday? | 0:33:49 | 0:33:50 | |
-D'you know what happens on Thursday? - -Yes. | 0:33:50 | 0:33:51 | |
-The Council has given us half -an hour after lunch to keep fit. | 0:33:52 | 0:33:55 | |
-Must we? | 0:33:56 | 0:33:57 | |
-Did you bring your kit? | 0:33:57 | 0:33:59 | |
-Did you bring your kit? - -Yes. | 0:33:59 | 0:34:00 | |
-Undress, then. | 0:34:01 | 0:34:02 | |
-I hate keeping fit. | 0:34:05 | 0:34:08 | |
-It's County Council policy. | 0:34:08 | 0:34:10 | |
-I hate it. | 0:34:12 | 0:34:13 | |
-Do you like the trousers? | 0:34:22 | 0:34:24 | |
-Lycra. Do you know who wore these? | 0:34:25 | 0:34:27 | |
-The runner, Linford Christie. | 0:34:29 | 0:34:31 | |
-The only difference between -Linford Christie and me is... | 0:34:32 | 0:34:36 | |
-..my lunchbox is here. | 0:34:36 | 0:34:38 | |
-What have you got there, a snack? | 0:34:42 | 0:34:44 | |
-How much do you weigh? | 0:34:48 | 0:34:50 | |
-I weigh 16 stone when I breathe in. | 0:34:51 | 0:34:54 | |
-How much when you breathe out? | 0:34:56 | 0:34:58 | |
-I'm not sure. -I can't see the scales. | 0:34:58 | 0:35:01 | |
-The office showed me -what exercises we're meant to do. | 0:35:04 | 0:35:07 | |
-Copy what I do. | 0:35:07 | 0:35:09 | |
-Must I? | 0:35:11 | 0:35:12 | |
-First, -straighten your arms and legs. | 0:35:13 | 0:35:16 | |
-Bend down -'til you touch your toes. | 0:35:17 | 0:35:20 | |
-And up. | 0:35:22 | 0:35:23 | |
-And again. Down. | 0:35:25 | 0:35:26 | |
-Are you touching -the tips of your toes? | 0:35:28 | 0:35:31 | |
-Yes! | 0:35:31 | 0:35:32 | |
-Come over here -so I can keep an eye on you. | 0:35:38 | 0:35:41 | |
-One more. Spread your legs. | 0:35:41 | 0:35:43 | |
-And again. -Touch the floor with your hands. | 0:35:46 | 0:35:49 | |
-Oh! | 0:35:49 | 0:35:51 | |
-What's wrong? | 0:35:53 | 0:35:54 | |
-Do you feel the muscles stretching? | 0:35:54 | 0:35:56 | |
-Something's stretching, -and it isn't my muscles. | 0:35:57 | 0:36:00 | |
-I'm stuck! | 0:36:02 | 0:36:03 | |
-I know what to do. | 0:36:03 | 0:36:05 | |
-One, two. | 0:36:06 | 0:36:07 | |
-It works every time. | 0:36:09 | 0:36:11 | |
-You're not fit! Do you know what? | 0:36:12 | 0:36:14 | |
-That's the biggest belly in Wales. | 0:36:15 | 0:36:18 | |
-Is there anyone -in Wales with a bigger belly?! | 0:36:18 | 0:36:21 | |
-It's huge! | 0:36:23 | 0:36:24 | |
-Whose belly is bigger than mine? | 0:36:24 | 0:36:26 | |
-Whose belly is bigger than mine? - -Hey, come on, boys! Quick. | 0:36:26 | 0:36:28 | |
-You're just jealous. | 0:36:36 | 0:36:38 | |
-The big fish -are always in deep waters. | 0:36:38 | 0:36:41 | |
-Listen, boys. I've had a guts' full. -We have to carry on. | 0:36:43 | 0:36:46 | |
-Really? You've had your fill? | 0:36:46 | 0:36:48 | |
-You couldn't have filled that! | 0:36:48 | 0:36:50 | |
-888 | 0:37:02 | 0:37:04 | |
-I've travelled a bit -during the past year. | 0:37:06 | 0:37:09 | |
-I went to New Zealand. -It's a wonderful place. | 0:37:09 | 0:37:13 | |
-But nothing gives me more pleasure -than coming to a place like this... | 0:37:13 | 0:37:17 | |
-..to Meifod, -in the old Montgomeryshire. | 0:37:17 | 0:37:20 | |
-I see the colours, and meet -the people, and hear the dialect. | 0:37:20 | 0:37:24 | |
-We've been doing NOSON LAWEN -for years. | 0:37:24 | 0:37:28 | |
-I always say, -'That's it. Finished. I'm too old.' | 0:37:28 | 0:37:31 | |
-But I love coming back... | 0:37:32 | 0:37:34 | |
-..especially with the company -we have here tonight. | 0:37:34 | 0:37:37 | |
-I'm glad to have -the chance to be with them. | 0:37:38 | 0:37:41 | |
-A farmer's daughter -married a vegetarian. | 0:37:42 | 0:37:45 | |
-All he did was run night and day. | 0:37:47 | 0:37:49 | |
-He was forever exercising. | 0:37:50 | 0:37:52 | |
-On their wedding night, -they went to their hotel. | 0:37:53 | 0:37:57 | |
-She ate a hearty supper. | 0:37:58 | 0:38:00 | |
-Welsh Black beef. | 0:38:01 | 0:38:02 | |
-Potatoes, carrots, -gravy and pudding. | 0:38:03 | 0:38:06 | |
-A cuppa and biscuits. Jane was full! | 0:38:08 | 0:38:11 | |
-All he ate was lettuce and tomatoes. | 0:38:12 | 0:38:14 | |
-They went to bed. | 0:38:15 | 0:38:17 | |
-Jane went straight to bed. | 0:38:17 | 0:38:20 | |
-He stared at himself in the mirror. | 0:38:21 | 0:38:23 | |
-He stripped every now and then. | 0:38:29 | 0:38:31 | |
-He turned to her in his Y-fronts, -and said, "Jane. | 0:38:32 | 0:38:37 | |
-"I've got 50lbs of dynamite there. | 0:38:38 | 0:38:41 | |
-"I've got 50lbs of dynamite here. | 0:38:43 | 0:38:45 | |
-"I've got 400lbs -of dynamite in my chest. | 0:38:46 | 0:38:51 | |
-When he rolled down his Y-fronts, -she screamed and ran downstairs. | 0:38:53 | 0:38:57 | |
-The porter said, -"What's wrong, woman?" | 0:38:58 | 0:39:01 | |
-"I was in bed -with 500lbs of dynamite. | 0:39:01 | 0:39:04 | |
-"But the fuse is only that long." | 0:39:05 | 0:39:07 | |
-Thank you! -You've been a wonderful audience. | 0:39:18 | 0:39:20 | |
-We've had a fantastic night. -I'd like to thank the artistes. | 0:39:21 | 0:39:24 | |
-Betsan Llwyd Lewis, Alejandro Jones. | 0:39:25 | 0:39:27 | |
-Ysgol Theatr Maldwyn. | 0:39:28 | 0:39:30 | |
-Plethyn and the Dustbin Men. | 0:39:31 | 0:39:35 | |
-But the night isn't over yet. | 0:39:35 | 0:39:37 | |
-The cream has risen to the top. | 0:39:38 | 0:39:40 | |
-We're off to the Aran mountain, -not far from here. | 0:39:41 | 0:39:45 | |
-It's a beautiful area. -The singer herself is amazing. | 0:39:45 | 0:39:49 | |
-She's appeared on -opera stages all over the world. | 0:39:50 | 0:39:53 | |
-At the moment, -she's in Covent Garden, London. | 0:39:54 | 0:39:57 | |
-But she has -never forgotten Llanuwchllyn. | 0:39:57 | 0:40:01 | |
-A powerful voice, -and a song to match. | 0:40:02 | 0:40:05 | |
-Accompanied by Annette, please -welcome the dear Mary Lloyd Davies. | 0:40:06 | 0:40:12 | |
-FARAWAY ISLAND | 0:40:26 | 0:40:29 | |
-# I know of a faraway island | 0:40:34 | 0:40:39 | |
-# In the middle -of a vast blue sea. | 0:40:43 | 0:40:48 | |
-# Faraway island, | 0:40:52 | 0:40:55 | |
-# Extremely remote, | 0:40:57 | 0:41:00 | |
-# Ships never stop -as they sail past | 0:41:00 | 0:41:06 | |
-# Upon the shores -of the faraway island, | 0:41:09 | 0:41:14 | |
-# In the middle -of the vast blue ocean. | 0:41:19 | 0:41:25 | |
-# There's nothing -but white seagulls, | 0:41:38 | 0:41:44 | |
-# Nesting high on the cliffs. | 0:41:47 | 0:41:51 | |
-# White seagulls, | 0:41:56 | 0:41:58 | |
-# Golden yellow sand, | 0:42:00 | 0:42:03 | |
-# Blue waves crash against the rock. | 0:42:04 | 0:42:10 | |
-# In a deep voice, -the waves whisper to the sand | 0:42:14 | 0:42:20 | |
-# The eternal secret of the sea. | 0:42:24 | 0:42:30 | |
-# My love, can we go there, | 0:42:42 | 0:42:47 | |
-# To live on the faraway island? | 0:42:50 | 0:42:55 | |
-# No-one but the seagull, -my love and me, | 0:43:01 | 0:43:08 | |
-# Living with -the murmur of the waves. | 0:43:10 | 0:43:16 | |
-# We'll turn the faraway island | 0:43:20 | 0:43:26 | |
-# The faraway, lonely island, | 0:43:28 | 0:43:30 | |
-# Into an eternal paradise, | 0:43:31 | 0:43:37 | |
-# A paradise on earth. # | 0:43:44 | 0:43:52 | |
-Thank you. | 0:44:18 | 0:44:19 | |
-Thank you for the welcome. | 0:44:19 | 0:44:21 | |
-My second song comes -from the album, 'Hufen o Gan'. | 0:44:22 | 0:44:26 | |
-The composer is Delyth Rees. | 0:44:27 | 0:44:30 | |
-Eleri Richards wrote the wonderful -lyrics. 'Give Me Tomorrow'. | 0:44:31 | 0:44:35 | |
-# I feel a sad longing -as night closes in, | 0:44:50 | 0:44:54 | |
-# The day is getting further away. | 0:44:55 | 0:44:59 | |
-# The darkness magnifies my fears, | 0:45:02 | 0:45:07 | |
-# They close in on me. | 0:45:08 | 0:45:11 | |
-# Will tomorrow | 0:45:14 | 0:45:19 | |
-# Be a dawn of faith? | 0:45:21 | 0:45:24 | |
-# Will I have a new chance | 0:45:27 | 0:45:30 | |
-# At the break of day? | 0:45:32 | 0:45:36 | |
-# My heart is deeply troubled, | 0:45:39 | 0:45:43 | |
-# My soul pleads to God, | 0:45:45 | 0:45:48 | |
-# Give me tomorrow | 0:45:50 | 0:45:53 | |
-# To sustain the flame | 0:45:54 | 0:45:58 | |
-# For my country. | 0:45:59 | 0:46:03 | |
-# In the twilight hours, -hope is weak, | 0:46:13 | 0:46:18 | |
-# The day is getting further away. | 0:46:19 | 0:46:23 | |
-# The darkness magnifies my fears, | 0:46:26 | 0:46:30 | |
-# My confidence is on trial. | 0:46:32 | 0:46:36 | |
-# Will tomorrow | 0:46:39 | 0:46:43 | |
-# Give me a chance -to live my frail dream? | 0:46:46 | 0:46:50 | |
-# Will there be -a new opportunity to rejoice? | 0:46:52 | 0:47:00 | |
-# My heart is deeply troubled, | 0:47:05 | 0:47:08 | |
-# My soul pleads to God, | 0:47:10 | 0:47:14 | |
-# Give me tomorrow | 0:47:16 | 0:47:19 | |
-# To sustain the flame | 0:47:20 | 0:47:22 | |
-# For my country. | 0:47:24 | 0:47:27 | |
-# The path ahead is clear, | 0:47:31 | 0:47:35 | |
-# There is only one path for me. | 0:47:36 | 0:47:39 | |
-# Fulfilling the promise -I made to my country | 0:47:42 | 0:47:47 | |
-# Is my duty. | 0:47:48 | 0:47:53 | |
-# My heart is deeply troubled, | 0:47:59 | 0:48:03 | |
-# My soul pleads to God, | 0:48:05 | 0:48:08 | |
-# Give me tomorrow | 0:48:11 | 0:48:13 | |
-# To sustain the flame | 0:48:14 | 0:48:16 | |
-# For my country. # | 0:48:19 | 0:48:25 | |
-I don't know what happens, -but NOSON LAWEN gives me a thrill. | 0:48:40 | 0:48:44 | |
-At the end of the night, I'm -always grateful to have been here. | 0:48:44 | 0:48:47 | |
-What other country in the world -could stage a NOSON LAWEN? Superb! | 0:48:48 | 0:48:53 | |
-Dai's an old hand. -He can handle a crowd. | 0:48:54 | 0:48:58 | |
-Theatr Maldwyn choir -was fantastic - and Plethyn. | 0:48:59 | 0:49:02 | |
-I'm not too worried -about the singing. | 0:49:02 | 0:49:04 | |
-But who has the most sequins?! | 0:49:04 | 0:49:07 | |
-We've had a chat. | 0:49:08 | 0:49:10 | |
-We've had a chat. - -We had a meal together. | 0:49:10 | 0:49:11 | |
-The young children were the best. | 0:49:12 | 0:49:14 | |
-The Dustbin Men. | 0:49:14 | 0:49:16 | |
-I'm not fat - it's wind. | 0:49:16 | 0:49:17 | |
-I'm not fat - it's wind. - -Wind?! Look out when it escapes! | 0:49:17 | 0:49:19 | |
-When it escapes, -I hope you're not there! | 0:49:19 | 0:49:22 | |
-S4C Subtitles by GWEAD | 0:49:24 | 0:49:26 |