Browse content similar to Dilwyn Pierce. Check below for episodes and series from the same categories and more!
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-888 | 0:00:21 | 0:00:23 | |
-Hello! | 0:00:34 | 0:00:35 | |
-Hello, are you alright? | 0:00:38 | 0:00:40 | |
-Hello, are you alright? - -Yes! | 0:00:40 | 0:00:41 | |
-Excellent. | 0:00:41 | 0:00:42 | |
-Welcome to NOSON LAWEN, -from the Holywell Leisure Centre... | 0:00:43 | 0:00:47 | |
-..in Flintshire. | 0:00:48 | 0:00:49 | |
-We'll start immediately -with a fine choir from Deganwy. | 0:00:50 | 0:00:55 | |
-With conductor Trystan Lewis, I'm -sure you'll give a warm welcome... | 0:00:55 | 0:00:59 | |
-..to Cor Meibion Maelgwn! | 0:00:59 | 0:01:01 | |
-# Give me that old-time religion, | 0:01:08 | 0:01:12 | |
-# Give me that old-time religion, | 0:01:12 | 0:01:16 | |
-# Give me that old-time religion, | 0:01:17 | 0:01:21 | |
-# It's good enough for me. | 0:01:21 | 0:01:23 | |
-# Give me that old-time religion, | 0:01:25 | 0:01:28 | |
-# Give me that old-time religion, | 0:01:29 | 0:01:32 | |
-# Give me that old-time religion, | 0:01:33 | 0:01:36 | |
-# It's good enough for me. | 0:01:37 | 0:01:39 | |
-# It was the root -of our faith, Israel, | 0:01:41 | 0:01:44 | |
-# It was the root -of our faith, Israel, | 0:01:45 | 0:01:48 | |
-# It was the root -of our faith, Israel, | 0:01:49 | 0:01:52 | |
-# And it's good enough for me. | 0:01:53 | 0:01:55 | |
-# Give me that old-time religion, | 0:01:57 | 0:02:00 | |
-# Give me that old-time religion, | 0:02:01 | 0:02:04 | |
-# Give me that old-time religion, | 0:02:05 | 0:02:09 | |
-# It's good enough for me. | 0:02:09 | 0:02:11 | |
-# It has saved our fathers, | 0:02:13 | 0:02:15 | |
-# It has saved our fathers, | 0:02:17 | 0:02:19 | |
-# It has saved our fathers, | 0:02:21 | 0:02:23 | |
-# And it's good enough for me. | 0:02:25 | 0:02:27 | |
-# Give me that old-time religion, | 0:02:29 | 0:02:32 | |
-# Give me that old-time religion, | 0:02:33 | 0:02:36 | |
-# Give me that old-time religion, | 0:02:37 | 0:02:41 | |
-# It's good enough for me. | 0:02:41 | 0:02:43 | |
-# Give me that old-time religion, | 0:02:47 | 0:02:50 | |
-# Give me that old-time religion, | 0:02:50 | 0:02:54 | |
-# Give me that old-time religion, | 0:02:54 | 0:02:58 | |
-# It's good enough, | 0:02:59 | 0:03:02 | |
-# Good enough, | 0:03:03 | 0:03:05 | |
-# Good enough, | 0:03:07 | 0:03:09 | |
-# For me. # | 0:03:11 | 0:03:14 | |
-Thank you, Cor Meibion Maelgwn! | 0:03:27 | 0:03:29 | |
-Tell me, how many of you -drove here tonight? | 0:03:35 | 0:03:39 | |
-Isn't petrol expensive? | 0:03:42 | 0:03:44 | |
-How much is petrol? 1 per litre? | 0:03:44 | 0:03:47 | |
-Have you noticed the difference -in the way men and women do things? | 0:03:47 | 0:03:52 | |
-Even putting petrol in the car. | 0:03:53 | 0:03:55 | |
-You watch, next time. Here's a -woman, putting petrol in the car. | 0:03:56 | 0:04:00 | |
-She gets out of the car, -shuts the door. | 0:04:00 | 0:04:03 | |
-To the pump... | 0:04:03 | 0:04:05 | |
-..pssss. | 0:04:06 | 0:04:08 | |
-Phut! | 0:04:12 | 0:04:13 | |
-Men, putting petrol in the car. | 0:04:14 | 0:04:16 | |
-Brum, phut, phut. | 0:04:16 | 0:04:18 | |
-PSSSSSSSSSS! | 0:04:19 | 0:04:21 | |
-Driving's dangerous -when the weather suddenly changes. | 0:04:33 | 0:04:36 | |
-I was driving on the A55. -It passes near here, doesn't it? | 0:04:36 | 0:04:40 | |
-There was a terrible fog - -you couldn't see your nose. Serious! | 0:04:41 | 0:04:45 | |
-And you know how it is... | 0:04:45 | 0:04:47 | |
-..you see a red light on the car -in front and you follow it. | 0:04:47 | 0:04:51 | |
-I was right on its bumper -for about six miles. | 0:04:51 | 0:04:55 | |
-The next moment it stopped. Bang! | 0:04:56 | 0:04:59 | |
-I went bang... | 0:04:59 | 0:05:01 | |
-..into its backend. -Well, I was angry! | 0:05:03 | 0:05:06 | |
-I got out and asked, -'What are you doing, you idiot? | 0:05:06 | 0:05:10 | |
-'I've been following you in this -fog. Why did you stop so suddenly?' | 0:05:10 | 0:05:15 | |
-'I had to,' he replied. | 0:05:15 | 0:05:17 | |
-'I'm back home - in my garage.' | 0:05:17 | 0:05:19 | |
-Any doctors here? | 0:05:28 | 0:05:30 | |
-Anyone ill? | 0:05:32 | 0:05:34 | |
-Have you tried getting -a doctor's appointment recently? | 0:05:35 | 0:05:39 | |
-Good heavens! I hope you have better -luck than me, there's a long wait. | 0:05:39 | 0:05:43 | |
-I phoned last week, -feeling poorly with a cold. | 0:05:44 | 0:05:47 | |
-'Can I make an appointment, please?' | 0:05:47 | 0:05:49 | |
-'Yes, three weeks Monday,' she said. | 0:05:50 | 0:05:52 | |
-'What if I die before that?' said I. | 0:05:53 | 0:05:55 | |
-'Get someone to cancel -the appointment,' she said. | 0:05:55 | 0:05:59 | |
-A woman with a baby went in before -me. The baby's nappies were dirty. | 0:06:02 | 0:06:07 | |
-Ugh! | 0:06:08 | 0:06:09 | |
-You know her? | 0:06:10 | 0:06:11 | |
-What a smell. | 0:06:12 | 0:06:13 | |
-The doctor asked her, 'Is the baby -bottle-fed or naturally fed?' | 0:06:14 | 0:06:18 | |
-The woman replied, -'He's fed naturally.' | 0:06:18 | 0:06:22 | |
-The doctor said, -'Maybe that's the problem. | 0:06:22 | 0:06:25 | |
-'Take your shirt off, -I'll have a look.' | 0:06:26 | 0:06:29 | |
-The doctor examined her, -phut, phut, phut! | 0:06:30 | 0:06:34 | |
-For a quarter of an hour! | 0:06:35 | 0:06:38 | |
-He asked, 'Do you feel better now?' | 0:06:39 | 0:06:41 | |
-'Yes, much better,' she replied. -'Only problem is... | 0:06:41 | 0:06:45 | |
-'..this is my daughter's baby.' | 0:06:46 | 0:06:49 | |
-This trio started -to sing together back in 1996. | 0:07:00 | 0:07:04 | |
-After a short break -when they started families... | 0:07:04 | 0:07:09 | |
-..they're back on NOSON LAWEN. | 0:07:09 | 0:07:11 | |
-They all come from this area -originally, but live in Cardiff now. | 0:07:12 | 0:07:17 | |
-Get closer together, -it's time for 'Cwtcho Lan'. | 0:07:17 | 0:07:20 | |
-Give a warm welcome to Eden! | 0:07:20 | 0:07:22 | |
-We're going to dedicate -this song to our husbands. | 0:07:31 | 0:07:35 | |
-It's about south Wales men, -so we'd better mention our husbands. | 0:07:35 | 0:07:40 | |
-We'd better! | 0:07:40 | 0:07:41 | |
-We'd better! - -Yes! | 0:07:41 | 0:07:42 | |
-So we get a 'cwtch' when we go home. | 0:07:42 | 0:07:44 | |
-# Oo, oo, oo, oo, | 0:07:46 | 0:07:48 | |
-# Oooo, | 0:07:51 | 0:07:53 | |
-# There's something about the way, | 0:07:56 | 0:07:59 | |
-# He talks to me, | 0:08:01 | 0:08:04 | |
-# And something about his accent, | 0:08:06 | 0:08:10 | |
-# That makes my heart melt. | 0:08:11 | 0:08:14 | |
-# There's something about -those words, | 0:08:16 | 0:08:21 | |
-# That were unfamiliar once to me. | 0:08:22 | 0:08:25 | |
-# And when he, -the man from the south, asks, | 0:08:27 | 0:08:32 | |
-# He gets everything from me. | 0:08:33 | 0:08:36 | |
-# He asks me to come closer, | 0:08:37 | 0:08:40 | |
-# And I do. | 0:08:41 | 0:08:44 | |
-# He reaches out his hand, | 0:08:46 | 0:08:49 | |
-# Then he says, | 0:08:50 | 0:08:53 | |
-# In his own way, | 0:08:55 | 0:08:58 | |
-# Come cwtch up to me, | 0:08:58 | 0:09:01 | |
-# Come on, we might as well. | 0:09:03 | 0:09:06 | |
-# Come here, hold me tight, | 0:09:08 | 0:09:12 | |
-# Come and love me. | 0:09:14 | 0:09:16 | |
-# Come cwtch up to me, | 0:09:19 | 0:09:22 | |
-# Come on, we might as well. | 0:09:24 | 0:09:27 | |
-# And everything's right, | 0:09:29 | 0:09:32 | |
-# Mmm, | 0:09:33 | 0:09:34 | |
-# Everything's right for us. | 0:09:35 | 0:09:38 | |
-# Sometimes, he calls, | 0:09:41 | 0:09:45 | |
-# And I still can't believe it, | 0:09:47 | 0:09:50 | |
-# That he's the one, | 0:09:52 | 0:09:54 | |
-# And that he, | 0:09:55 | 0:09:57 | |
-# Wants to give me everything. | 0:09:57 | 0:10:01 | |
-# He asks me for a kiss, | 0:10:02 | 0:10:05 | |
-# And I do. | 0:10:07 | 0:10:09 | |
-# And he touches my hand, | 0:10:11 | 0:10:14 | |
-# And then he says, | 0:10:15 | 0:10:18 | |
-# In his own way, | 0:10:20 | 0:10:22 | |
-# Come cwtch up to me, | 0:10:23 | 0:10:26 | |
-# Come on, we might as well. | 0:10:28 | 0:10:31 | |
-# Come here, hold me tight, | 0:10:33 | 0:10:37 | |
-# Come here and love me. | 0:10:39 | 0:10:42 | |
-# Come cwtch up to me, | 0:10:44 | 0:10:47 | |
-# Come on, we might as well. | 0:10:49 | 0:10:52 | |
-# And everything's right, | 0:10:55 | 0:10:57 | |
-# Mmm, | 0:10:58 | 0:10:59 | |
-# Everything's so right for us. | 0:11:00 | 0:11:03 | |
-# Oh, oooo, | 0:11:04 | 0:11:06 | |
-# There's nothing better than this, | 0:11:09 | 0:11:12 | |
-# Oooo, | 0:11:16 | 0:11:18 | |
-# You hold me tight, | 0:11:20 | 0:11:23 | |
-# Like this, | 0:11:25 | 0:11:27 | |
-# Come cwtch up to me, | 0:11:29 | 0:11:32 | |
-# Come on, we might as well. | 0:11:35 | 0:11:38 | |
-# Come here, hold me tight, | 0:11:40 | 0:11:44 | |
-# Come here and love me. | 0:11:45 | 0:11:48 | |
-# Come cwtch up to me, | 0:11:51 | 0:11:54 | |
-# Come on, we might as well. | 0:11:56 | 0:11:59 | |
-# And everything's right, | 0:12:01 | 0:12:04 | |
-# Mmmm, | 0:12:05 | 0:12:06 | |
-# Everything's so right for us, | 0:12:07 | 0:12:10 | |
-# Everything's so right, | 0:12:12 | 0:12:14 | |
-# Mmm, | 0:12:15 | 0:12:17 | |
-# Everything's so right for us, | 0:12:17 | 0:12:21 | |
-# Come cwtch up. | 0:12:22 | 0:12:26 | |
-# Mmmmm. # | 0:12:28 | 0:12:30 | |
-888 | 0:12:48 | 0:12:50 | |
-Welcome back to NOSON LAWEN. | 0:12:55 | 0:12:57 | |
-I've travelled, you know. -I spent ages on an island on my own. | 0:13:00 | 0:13:04 | |
-I was as thin as a rake. | 0:13:05 | 0:13:07 | |
-Long ago! | 0:13:08 | 0:13:09 | |
-Things were starting to get serious. | 0:13:10 | 0:13:13 | |
-But what did I see, -on a nearby island, was a woman. | 0:13:13 | 0:13:18 | |
-I was excited! -I hadn't seen one for ages. | 0:13:19 | 0:13:23 | |
-I swam across. It wasn't very far. | 0:13:23 | 0:13:25 | |
-'How are you?' I asked. 'Hello, -how are you?' she said. 'Not bad!' | 0:13:25 | 0:13:30 | |
-I'd been living on nothing! -She said, 'Come in, for a cuppa.' | 0:13:31 | 0:13:35 | |
-'Goodness!' I said, 'You've got -teabags, cups and a teapot?' | 0:13:35 | 0:13:40 | |
-'Yes,' she replied. -'Would you like some cake?' | 0:13:42 | 0:13:45 | |
-'You don't have cake?!' I said. -'Yes, in the house,' she replied. | 0:13:45 | 0:13:49 | |
-Then, she said, 'I've got -something under my apron... | 0:13:50 | 0:13:54 | |
-'..that you haven't seen for years.' | 0:13:54 | 0:13:56 | |
-'Goodness!' I said... | 0:13:57 | 0:13:58 | |
-'..have you got a frying pan too?' | 0:13:58 | 0:14:00 | |
-You know Thethil? | 0:14:07 | 0:14:08 | |
-Cecil's a friend of mine. -He lisps and he's a bit slow. | 0:14:08 | 0:14:12 | |
-Works for the Counthil! | 0:14:12 | 0:14:14 | |
-Anyone here from the Council? | 0:14:14 | 0:14:16 | |
-Sitting down again! | 0:14:18 | 0:14:20 | |
-Thethil lisps like this. | 0:14:21 | 0:14:23 | |
-He's really daft. Did you -see the Winter Olympics on TV? | 0:14:24 | 0:14:28 | |
-Thethil represented Britain. | 0:14:29 | 0:14:31 | |
-He was in charge -of the bobsleigh team. | 0:14:32 | 0:14:35 | |
-They were at the top, but Cecil -refused to go. 'Stop!' he said. | 0:14:36 | 0:14:41 | |
-'I want a gritter first.' | 0:14:41 | 0:14:43 | |
-Cecil and I tried to join -the police force in Colwyn Bay. | 0:14:48 | 0:14:52 | |
-Only us two had applied. | 0:14:53 | 0:14:55 | |
-We were told to sit -in the Waiting Room. | 0:14:55 | 0:14:59 | |
-I went in first for the interview. | 0:14:59 | 0:15:01 | |
-The Superintendent said, -'You'd like to be a policeman? | 0:15:01 | 0:15:05 | |
-'I've got a few general -knowledge questions to test you. | 0:15:06 | 0:15:10 | |
-'What's 317 plus 317?' | 0:15:10 | 0:15:12 | |
-Good gracious! I used to copy -Cecil in school. I had no idea. | 0:15:13 | 0:15:17 | |
-As I tried to work it out, he said, -'Go back to the Waiting Room... | 0:15:17 | 0:15:21 | |
-'..to work it out and send -your friend in.' So in went Cecil. | 0:15:22 | 0:15:26 | |
-Lisping away, he said, 'How are you? -I'd like a job on the police force.' | 0:15:26 | 0:15:30 | |
-'No problem!' said the bloke. 'Some -general knowledge questions first. | 0:15:30 | 0:15:34 | |
-'Tell me,' -said the sergeant to Cecil... | 0:15:35 | 0:15:39 | |
-'..who killed -Llywelyn Ein Llyw Olaf?' | 0:15:39 | 0:15:42 | |
-'Goodness!' replied Cecil. 'Who -killed Llywelyn? I'm not sure.' | 0:15:43 | 0:15:47 | |
-'Go out, and send your friend -back in,' said the sergeant. | 0:15:47 | 0:15:51 | |
-As we passed each other, I asked -Cecil, 'What's 317 plus 317?' | 0:15:52 | 0:15:57 | |
-'Don't bother me -with maths!' he said. | 0:15:59 | 0:16:02 | |
-'They've just put me -on a murder case.' | 0:16:02 | 0:16:05 | |
-Our next artiste is a mezzo soprano -from Deiniolen, near Caernarfon. | 0:16:15 | 0:16:20 | |
-After a period singing -with opera companies in England... | 0:16:20 | 0:16:24 | |
-..she returned to Wales to live -in Llanwnda, near Caernarfon. | 0:16:25 | 0:16:29 | |
-At the moment, she's -a peripatetic singing teacher... | 0:16:29 | 0:16:32 | |
-..in the schools of Conwy -and she sings professionally too. | 0:16:32 | 0:16:37 | |
-It's a pleasure -to present Sian Wyn Gibson. | 0:16:38 | 0:16:42 | |
-# Near the busy motorway, | 0:17:03 | 0:17:08 | |
-# There was one straggling daffodil. | 0:17:09 | 0:17:14 | |
-# The daffodil, herald of spring, | 0:17:17 | 0:17:22 | |
-# Its stem so straight and smooth. | 0:17:24 | 0:17:29 | |
-# All the speeding cars, | 0:17:36 | 0:17:41 | |
-# Could not douse the flame, | 0:17:42 | 0:17:44 | |
-# Of its enchantment. | 0:17:45 | 0:17:49 | |
-# Smoke twirled about it, | 0:18:03 | 0:18:07 | |
-# And all man's technology. | 0:18:08 | 0:18:10 | |
-# In the pit of our modern world, | 0:18:12 | 0:18:17 | |
-# This was still the same, | 0:18:18 | 0:18:21 | |
-# Yellow daffodil as ever, | 0:18:22 | 0:18:27 | |
-# And its old, old language | 0:18:35 | 0:18:39 | |
-# Older than the trees. | 0:18:39 | 0:18:43 | |
-# When the world -stops driving madly, | 0:18:53 | 0:18:57 | |
-# Down the roads, | 0:18:58 | 0:19:00 | |
-# When smoke stops polluting, | 0:19:00 | 0:19:03 | |
-# It will be forever green, | 0:19:04 | 0:19:09 | |
-# And the challenge of its dance, | 0:19:12 | 0:19:16 | |
-# The journey's flames, | 0:19:17 | 0:19:22 | |
-# And its spring, | 0:19:25 | 0:19:28 | |
-# Will be the smile -of our language. # | 0:19:29 | 0:19:35 | |
-It's a great pleasure -to sing with my little brother. | 0:19:48 | 0:19:52 | |
-When I say that, -people look puzzled! | 0:19:52 | 0:19:55 | |
-I hope it's good for me, -as he's so tall. | 0:19:55 | 0:19:58 | |
-It's nice to sing together. | 0:19:59 | 0:20:00 | |
-It's nice to sing together. - -It is. | 0:20:00 | 0:20:01 | |
-He's very busy. | 0:20:01 | 0:20:02 | |
-Yes. | 0:20:03 | 0:20:04 | |
-I'm looking forward to doing -Series 12 of ROWND A ROWND. | 0:20:04 | 0:20:08 | |
-We're glad to sing together. -We've only just started. | 0:20:09 | 0:20:13 | |
-The big moment. We're going to sing -'Can yn Ofer' by Cleif Harpwood. | 0:20:13 | 0:20:17 | |
-# Why do we always turn our backs, | 0:20:30 | 0:20:34 | |
-# On the despair in the world? | 0:20:36 | 0:20:40 | |
-# Why all the malice and violence? | 0:20:42 | 0:20:47 | |
-# It's time someone -raised their voice. | 0:20:48 | 0:20:53 | |
-# A million here, a million there, | 0:21:04 | 0:21:08 | |
-# Why can't someone -reach out a hand? | 0:21:11 | 0:21:16 | |
-# I see their need for help -that does not arrive. | 0:21:17 | 0:21:22 | |
-# Open your eyes -to their famine and fear. | 0:21:23 | 0:21:28 | |
-# The world still turns, | 0:21:32 | 0:21:36 | |
-# It's futile, trying to flee, | 0:21:39 | 0:21:43 | |
-# The world still turns | 0:21:44 | 0:21:49 | |
-# Turns and turns, | 0:21:51 | 0:21:54 | |
-# Turns and turns. | 0:21:54 | 0:21:58 | |
-# I'm a good citizen, -I pay my taxes, | 0:22:09 | 0:22:13 | |
-# I have a little status, | 0:22:16 | 0:22:20 | |
-# I'm quite reasonable, -I make the right sounds, | 0:22:22 | 0:22:27 | |
-# My purpose in life -is to follow the herd. | 0:22:28 | 0:22:33 | |
-# And the world still turns, | 0:22:37 | 0:22:41 | |
-# It's futile, trying to flee. | 0:22:44 | 0:22:48 | |
-# And the world still turns, | 0:22:49 | 0:22:54 | |
-# Turns and turns, | 0:22:56 | 0:22:59 | |
-# Turns and turns. | 0:22:59 | 0:23:03 | |
-# And the world still turns, | 0:23:08 | 0:23:12 | |
-# It's futile trying to flee. | 0:23:14 | 0:23:19 | |
-# And the world still turns, | 0:23:20 | 0:23:25 | |
-# Turns and turns, | 0:23:27 | 0:23:30 | |
-# Turns and turns. # | 0:23:30 | 0:23:35 | |
-888 | 0:24:10 | 0:24:12 | |
-Welcome back to NOSON LAWEN. | 0:24:15 | 0:24:17 | |
-You've already heard them once. | 0:24:19 | 0:24:21 | |
-Please give a warm welcome back -to the local girls... | 0:24:22 | 0:24:27 | |
-..Eden! | 0:24:27 | 0:24:28 | |
-# The breeze's words reach me, | 0:24:54 | 0:24:58 | |
-# Whispering about your pain. | 0:25:01 | 0:25:05 | |
-# But people's words come and go, | 0:25:07 | 0:25:11 | |
-# Saying that nothing's wrong. | 0:25:12 | 0:25:16 | |
-# They don't open their eyes -and see the truth, | 0:25:20 | 0:25:24 | |
-# They shut their ears -to the muted sighs. | 0:25:26 | 0:25:31 | |
-# You still linger, -since a former life, | 0:25:32 | 0:25:37 | |
-# But the journey draws you forward. | 0:25:38 | 0:25:41 | |
-# And it's a long journey, | 0:25:44 | 0:25:46 | |
-# To a better tomorrow, | 0:25:47 | 0:25:49 | |
-# Oh, oh, oh. | 0:25:50 | 0:25:52 | |
-# Give a few moments of our time, | 0:25:56 | 0:25:59 | |
-# To see your scars, | 0:26:03 | 0:26:06 | |
-# A few moments to hear -The sound of your pain, | 0:26:08 | 0:26:13 | |
-# The pain I caused, | 0:26:15 | 0:26:19 | |
-# To you, | 0:26:22 | 0:26:24 | |
-# To us. | 0:26:25 | 0:26:28 | |
-# Oh, what happened to you? | 0:26:29 | 0:26:33 | |
-# Who was to blame -for destroying what we had? | 0:26:35 | 0:26:40 | |
-# Maybe time will bring -something back, | 0:26:42 | 0:26:46 | |
-# Or are we too late? | 0:26:47 | 0:26:50 | |
-# Give a few moments of our time, | 0:26:55 | 0:26:59 | |
-# To see your scars, | 0:27:03 | 0:27:06 | |
-# One moment to hear -the sound of your pain, | 0:27:08 | 0:27:13 | |
-# The pain I caused, | 0:27:15 | 0:27:18 | |
-# To you, | 0:27:21 | 0:27:23 | |
-# To us. | 0:27:25 | 0:27:28 | |
-# Mmmm. # | 0:27:32 | 0:27:34 | |
-Great! I really enjoyed that. | 0:27:45 | 0:27:47 | |
-It was lovely. | 0:27:47 | 0:27:48 | |
-It was lovely. - -Very nice. | 0:27:48 | 0:27:49 | |
-They were nice. | 0:27:50 | 0:27:50 | |
-They were nice. - -The audience was so cheerful! | 0:27:50 | 0:27:53 | |
-The audience was so cheerful! | 0:27:53 | 0:27:53 | |
-Everyone smiled. | 0:27:54 | 0:27:56 | |
-It was very nice. Thank you! | 0:27:56 | 0:27:57 | |
-It was very nice. Thank you! - -We'll do it again. | 0:27:57 | 0:27:59 | |
-We'll go back to bathing kids now! | 0:27:59 | 0:28:01 | |
-Yes. | 0:28:02 | 0:28:03 | |
-How d'you do? | 0:28:12 | 0:28:13 | |
-Willy's the name. -Or as everyone calls me... | 0:28:14 | 0:28:17 | |
-..Willy Bins. | 0:28:17 | 0:28:18 | |
-Oh, goodness, -I'm busy with the bins. | 0:28:20 | 0:28:23 | |
-I go all around Flintshire. | 0:28:23 | 0:28:25 | |
-Any news here? | 0:28:26 | 0:28:28 | |
-I was listening to the radio in -the lorry. I drive it, Dai can't. | 0:28:28 | 0:28:32 | |
-Not yet. We'll see this afternoon. | 0:28:33 | 0:28:35 | |
-On the radio, they went on -about this bird flu. | 0:28:35 | 0:28:39 | |
-Bird flu's everything. | 0:28:40 | 0:28:42 | |
-They're so worried -in Rhyl about bird flu... | 0:28:43 | 0:28:46 | |
-..that they've banned hen nights. | 0:28:46 | 0:28:50 | |
-Willy, look what I've found! | 0:28:52 | 0:28:55 | |
-What's that, Dai? | 0:28:55 | 0:28:57 | |
-A calendar of naked women. | 0:28:57 | 0:29:00 | |
-Who produced that? | 0:29:00 | 0:29:03 | |
-Who produced that? - -The local Merched y Wawr. | 0:29:03 | 0:29:05 | |
-They've had their picture taken -to raise money for themselves. | 0:29:05 | 0:29:09 | |
-Everyone does that now. | 0:29:09 | 0:29:11 | |
-Even the NOSON LAWEN crew -have produced a calendar. | 0:29:12 | 0:29:16 | |
-Get away! | 0:29:16 | 0:29:17 | |
-Get away! - -Here it is. | 0:29:17 | 0:29:18 | |
-It's a good 'un. Have a look. | 0:29:19 | 0:29:21 | |
-Isn't it good? | 0:29:27 | 0:29:29 | |
-You see, they go naked -and sing a song a month. | 0:29:32 | 0:29:36 | |
-Let's see who's January. | 0:29:38 | 0:29:40 | |
-John and Alun! | 0:29:42 | 0:29:44 | |
-What are they singing? | 0:29:48 | 0:29:50 | |
-'Let me see the sun once more.' | 0:29:50 | 0:29:53 | |
-Let's see who's April. | 0:29:56 | 0:29:59 | |
-Look. | 0:30:00 | 0:30:01 | |
-Goodness, who are they? | 0:30:02 | 0:30:03 | |
-Goodness, who are they? - -Hogia'r Wyddfa. | 0:30:03 | 0:30:05 | |
-What's their song? | 0:30:07 | 0:30:09 | |
-What's their song? - -'I'll get better in spring.' | 0:30:09 | 0:30:11 | |
-And December. | 0:30:15 | 0:30:16 | |
-And December. - -Who is that? | 0:30:16 | 0:30:17 | |
-Dai Jones, Llanilar! | 0:30:17 | 0:30:19 | |
-And what is Dai Jones's song? | 0:30:23 | 0:30:25 | |
-'How big you are.' | 0:30:26 | 0:30:28 | |
-You think we could make a calendar? | 0:30:32 | 0:30:33 | |
-You think we could make a calendar? - -Of course not! | 0:30:33 | 0:30:34 | |
-The bin lads! It'd be a best-seller. | 0:30:35 | 0:30:37 | |
-The bin lads! It'd be a best-seller. - -No. | 0:30:37 | 0:30:38 | |
-We could take a photo -and hold something like this! | 0:30:39 | 0:30:43 | |
-Keep that lid. | 0:30:44 | 0:30:46 | |
-Use this instead. | 0:30:47 | 0:30:48 | |
-Please! | 0:30:54 | 0:30:55 | |
-Please! - -Binmen don't do that. | 0:30:55 | 0:30:56 | |
-You've got more important -things to think about... | 0:30:56 | 0:31:00 | |
-..your driving test - -it's this afternoon. | 0:31:00 | 0:31:04 | |
-It's important to pass, -so I'll give you a bit of practice. | 0:31:04 | 0:31:08 | |
-Right. | 0:31:08 | 0:31:09 | |
-I'm the instructor. | 0:31:10 | 0:31:11 | |
-How are you? | 0:31:12 | 0:31:12 | |
-How are you? - -Don't be so daft! | 0:31:12 | 0:31:14 | |
-Bring those here. | 0:31:17 | 0:31:19 | |
-We'll pretend we're driving -a car. Come on, time's short. | 0:31:19 | 0:31:24 | |
-There are important some things -by your feet. What are they? | 0:31:26 | 0:31:30 | |
-Shoes. | 0:31:31 | 0:31:32 | |
-No! Throttle, clutch, brake. | 0:31:32 | 0:31:35 | |
-Right. | 0:31:35 | 0:31:36 | |
-Some practice now. -We'll try the throttle first. | 0:31:37 | 0:31:41 | |
-The throttle makes you go. Look for -something to use as the throttle. | 0:31:42 | 0:31:46 | |
-A tin of prunes. | 0:31:52 | 0:31:53 | |
-Why a tin of prunes -for the throttle? | 0:31:54 | 0:31:57 | |
-They'll make you go! | 0:31:58 | 0:31:59 | |
-Clutch next. You know -what the purpose of the clutch is? | 0:32:01 | 0:32:05 | |
-The clutch makes you go or stop. | 0:32:05 | 0:32:07 | |
-Of it you're not sure what to do, -press on the clutch, go or stop. | 0:32:08 | 0:32:12 | |
-Get something from the bin. | 0:32:12 | 0:32:14 | |
-Hurry! Something -to make you go, or stop. | 0:32:16 | 0:32:19 | |
-What's this, -a CD by Dafydd Iwan? Why? | 0:32:19 | 0:32:22 | |
-He's not sure -if he wants to carry on or stop. | 0:32:23 | 0:32:26 | |
-The brake now. -Its purpose is to make you stop. | 0:32:31 | 0:32:34 | |
-Anything in that bin that'll do -as a brake to make you stop? | 0:32:34 | 0:32:38 | |
-What's this? A CD by Eden? | 0:32:40 | 0:32:43 | |
-Why? | 0:32:43 | 0:32:44 | |
-I thought they had stopped. | 0:32:45 | 0:32:47 | |
-Right, we're ready to start. -Get into the car. | 0:32:48 | 0:32:52 | |
-What on earth are you doing? | 0:32:54 | 0:32:55 | |
-What on earth are you doing? - -Opening the door. | 0:32:55 | 0:32:57 | |
-Listen, if I shout -'emergency stop', stop quickly. | 0:33:01 | 0:33:05 | |
-Take your foot off the prunes. | 0:33:06 | 0:33:09 | |
-Press on Dafydd Iwan... | 0:33:09 | 0:33:11 | |
-..and squeeze Eden hard, now! | 0:33:12 | 0:33:14 | |
-You're hopeless! -Go on, get yourself ready. | 0:33:17 | 0:33:21 | |
-Now? | 0:33:22 | 0:33:24 | |
-Now? - -Yes, go on, now! | 0:33:24 | 0:33:25 | |
-Good gracious! For your sakes -here in Flintshire... | 0:33:25 | 0:33:29 | |
-..I hope he doesn't pass his test. | 0:33:29 | 0:33:32 | |
-He's getting himself ready. | 0:33:33 | 0:33:35 | |
-Good grief! -What are you doing, you fool? | 0:33:39 | 0:33:42 | |
-I told you to get ready -for the test, not the calendar! | 0:33:42 | 0:33:46 | |
-Go on! | 0:33:46 | 0:33:47 | |
-888 | 0:34:03 | 0:34:05 | |
-The choir was formed in 1963 for -the Llandudno National Eisteddfod. | 0:34:07 | 0:34:11 | |
-In 1970, it became -a Male Voice choir... | 0:34:11 | 0:34:15 | |
-..with the late David Jones -as conductor. | 0:34:15 | 0:34:18 | |
-David was their successful -conductor for 30 years. | 0:34:18 | 0:34:22 | |
-I joined the choir and have -been conductor since 2001. | 0:34:22 | 0:34:26 | |
-The choir is called -Cor Meibion Maelgwn... | 0:34:26 | 0:34:29 | |
-..after the famous -Prince Maelgwn Gwynedd... | 0:34:29 | 0:34:32 | |
-..who had a castle in Deganwy. | 0:34:32 | 0:34:34 | |
-Although the choir's based -in Deganwy and Conwy... | 0:34:34 | 0:34:38 | |
-..members come from quite far - -Llanfairfechan, Penmaenmawr... | 0:34:38 | 0:34:42 | |
-..Llansannan, Llanrwst, -Old Colwyn and Colwyn Bay. | 0:34:42 | 0:34:46 | |
-# On the edge of the Atlantic, | 0:34:56 | 0:35:00 | |
-# The spirit of freedom -is in the wind. | 0:35:03 | 0:35:08 | |
-# Today, we hear new words, | 0:35:09 | 0:35:14 | |
-# On the ancient melodies. | 0:35:17 | 0:35:21 | |
-# All the lands -of Celtia are awakening, | 0:35:23 | 0:35:28 | |
-# Each with its language -and its song. | 0:35:29 | 0:35:34 | |
-# But history welds us together, | 0:35:35 | 0:35:39 | |
-# Like iron in fire. | 0:35:41 | 0:35:45 | |
-# We shall cut oppression's chains, | 0:35:48 | 0:35:52 | |
-# Let us now stand, | 0:35:53 | 0:35:57 | |
-# For culture and for peace, | 0:35:58 | 0:36:02 | |
-# We shall face a new dawn. | 0:36:04 | 0:36:08 | |
-# And in the fervour -of the awakening, | 0:36:19 | 0:36:24 | |
-# Each Celt wants to be free. | 0:36:26 | 0:36:30 | |
-# And in the spirit -of the age of saints, | 0:36:32 | 0:36:37 | |
-# He saw hope, and nurtured faith. | 0:36:39 | 0:36:43 | |
-# Faith to remove all obstacles, | 0:36:45 | 0:36:49 | |
-# And to stand upon his feet, | 0:36:51 | 0:36:55 | |
-# Faith to show his hands' craft, | 0:36:58 | 0:37:02 | |
-# And the old steel in his blood. | 0:37:04 | 0:37:08 | |
-# We shall cut oppression's chains, | 0:37:10 | 0:37:14 | |
-# Let us now stand, | 0:37:16 | 0:37:19 | |
-# For culture and for peace, | 0:37:21 | 0:37:25 | |
-# We shall face a new dawn. | 0:37:27 | 0:37:31 | |
-# We shall cut oppression's chains, | 0:37:34 | 0:37:37 | |
-# Let us now stand, | 0:37:39 | 0:37:42 | |
-# For culture and for peace, | 0:37:44 | 0:37:48 | |
-# We shall face a new dawn. # | 0:37:50 | 0:37:55 | |
-Thank you, Cor Meibion Maelgwn! | 0:38:05 | 0:38:08 | |
-I wonder if there are -any ministers here? | 0:38:12 | 0:38:15 | |
-A minister? | 0:38:16 | 0:38:17 | |
-There's a pub in Henllan, and you -can sit outside to have a drink... | 0:38:18 | 0:38:22 | |
-..when it's fine in summer. | 0:38:22 | 0:38:23 | |
-There I was, with a pint of lager -top. Who passed but the minister. | 0:38:24 | 0:38:29 | |
-He said, 'Intoxicating liquor -isn't good for you.' | 0:38:29 | 0:38:33 | |
-'If you say so,' I replied. | 0:38:34 | 0:38:36 | |
-'But how do you know? Have you tried -it?' 'No!' replied the minister. | 0:38:36 | 0:38:40 | |
-'Try a small vodka,' I said, -'to see if you like it. | 0:38:41 | 0:38:44 | |
-'You can't say it's not good, -if you haven't tried it.' | 0:38:44 | 0:38:48 | |
-He said, 'I can't sit here, with -passers-by seeing me drink vodka.' | 0:38:48 | 0:38:53 | |
-'I'll go in and ask -for a vodka for you,' I said. | 0:38:54 | 0:38:59 | |
-The minister said, 'Ask them -to put the vodka in a cup.' | 0:39:00 | 0:39:04 | |
-In I went and asked the barman -for a pint of lager for me... | 0:39:05 | 0:39:09 | |
-..and a double vodka in a cup. | 0:39:10 | 0:39:12 | |
-'Oh, no!' said the barman. | 0:39:14 | 0:39:16 | |
-'Is that minister back again?' | 0:39:16 | 0:39:19 | |
-We're drawing towards -the end of NOSON LAWEN. | 0:39:27 | 0:39:30 | |
-I'd like to thank you for the -welcome we've had here in Holywell. | 0:39:31 | 0:39:35 | |
-Thanks to all the artistes, -Emyr and Sian Gibson, Eden... | 0:39:35 | 0:39:40 | |
-..Cor Meibion Maelgwn, Eryl Davies, -and the binmen, of course. | 0:39:41 | 0:39:45 | |
-For our finale, a man who's been -entertaining us for over 40 years... | 0:39:46 | 0:39:51 | |
-..with his heartfelt songs. | 0:39:51 | 0:39:53 | |
-I'm sure you'll give a very -warm welcome on NOSON LAWEN... | 0:39:54 | 0:39:58 | |
-..to Dafydd Iwan! | 0:39:58 | 0:40:00 | |
-Thank you. | 0:40:06 | 0:40:07 | |
-Over the centuries, many thousands -of people had to leave Wales... | 0:40:09 | 0:40:13 | |
-..for various reasons. | 0:40:13 | 0:40:15 | |
-At one time, they were deported -from Wales for trivial offences. | 0:40:15 | 0:40:19 | |
-There's a tradition that -one of the Welshmen deported... | 0:40:19 | 0:40:23 | |
-..to distant Australia wrote... | 0:40:23 | 0:40:26 | |
-..'Bydd glaswellt dros fy llwybrau -i gyd, cyn delwyf i Gymru'n ol'. | 0:40:27 | 0:40:31 | |
-The first verse -and chorus are traditional... | 0:40:31 | 0:40:35 | |
-..and Cynan composed -the other verses. | 0:40:35 | 0:40:39 | |
-'Trafaeliais y Byd'. | 0:40:39 | 0:40:41 | |
-Thank you, Annette. | 0:40:42 | 0:40:43 | |
-# I travelled the world, | 0:40:46 | 0:40:48 | |
-# Its length and breadth, | 0:40:49 | 0:40:52 | |
-# When I was young and foolish. | 0:40:53 | 0:40:56 | |
-# Grass will have grown -over all my old paths, | 0:40:57 | 0:41:01 | |
-# Before I return to Wales. | 0:41:03 | 0:41:06 | |
-# Before I return to Wales, -my friends, | 0:41:09 | 0:41:13 | |
-# Before I return to Wales. | 0:41:15 | 0:41:18 | |
-# Grass will have grown -over all my old paths, | 0:41:21 | 0:41:26 | |
-# Before I return to Wales. | 0:41:28 | 0:41:31 | |
-# If I had the wings of dawn, | 0:41:34 | 0:41:38 | |
-# I'd fly over my country's hills, | 0:41:40 | 0:41:43 | |
-# To see the red roses, | 0:41:45 | 0:41:47 | |
-# On my parents' cottage. | 0:41:49 | 0:41:52 | |
-# Before I return to Wales, -my friends, | 0:41:54 | 0:41:58 | |
-# Before I return to Wales, | 0:42:00 | 0:42:03 | |
-# Grass will have grown -over all my old paths, | 0:42:08 | 0:42:13 | |
-# Before I return to Wales. | 0:42:15 | 0:42:18 | |
-# I knew not before, -So heedless I was, | 0:42:22 | 0:42:26 | |
-# That longing could so onerous be. | 0:42:26 | 0:42:29 | |
-# I'd throw this burden -into the waters, | 0:42:31 | 0:42:35 | |
-# From the bridge of my home valley. | 0:42:36 | 0:42:38 | |
-# Before I return to Wales, -my friends, | 0:42:40 | 0:42:44 | |
-# Before I return to Wales, | 0:42:47 | 0:42:50 | |
-# Grass will have grown -Over all my old paths, | 0:42:54 | 0:42:59 | |
-# Before I return to Wales. | 0:43:02 | 0:43:05 | |
-# Farewell my father, -farewell my mother, | 0:43:08 | 0:43:13 | |
-# Tonight, lock your door. | 0:43:15 | 0:43:18 | |
-# And farewell -to the faultless girl, | 0:43:21 | 0:43:25 | |
-# Weeping by the sea shore. | 0:43:26 | 0:43:29 | |
-# Before I return to Wales, -my friends, | 0:43:32 | 0:43:36 | |
-# Before I return to Wales, | 0:43:39 | 0:43:42 | |
-# Grass will have grown -over my old paths, | 0:43:45 | 0:43:50 | |
-# Before I return to Wales. # | 0:43:54 | 0:43:59 | |
-We got tired -of retirement once again! | 0:44:08 | 0:44:12 | |
-The band and I came out of -the hole where we were sleeping... | 0:44:12 | 0:44:16 | |
-..for the winter, -and we've enjoyed the summer. | 0:44:16 | 0:44:20 | |
-It's good to get together from time -to time to remove the cobwebs! | 0:44:22 | 0:44:27 | |
-# Many a tide has ebbed, | 0:44:33 | 0:44:37 | |
-# And flowed over our land. | 0:44:40 | 0:44:44 | |
-# Hopes shattered, | 0:44:48 | 0:44:50 | |
-# Dreams scattered, | 0:44:51 | 0:44:53 | |
-# And lies hid the truth. | 0:44:55 | 0:44:59 | |
-# But the mountains still remain, | 0:45:02 | 0:45:06 | |
-# Witness to former ages, | 0:45:10 | 0:45:13 | |
-# Although scars are deep, | 0:45:17 | 0:45:20 | |
-# We hear voices again, | 0:45:21 | 0:45:24 | |
-# Echoing from the black cliffs. | 0:45:25 | 0:45:28 | |
-# While there's a lark -above the mountain, | 0:45:32 | 0:45:37 | |
-# While waves crash on the sand, | 0:45:39 | 0:45:42 | |
-# While your eyes are so blue, | 0:45:47 | 0:45:50 | |
-# I know that this is our land. | 0:45:55 | 0:45:59 | |
-# The leaves murmur in the wind, | 0:46:02 | 0:46:05 | |
-# And the rushes whisper too, | 0:46:10 | 0:46:13 | |
-# The mountain breeze -is once more awakening, | 0:46:17 | 0:46:22 | |
-# Hope in a weary nation. | 0:46:25 | 0:46:28 | |
-# With the skill -that's deep in our hearts, | 0:46:32 | 0:46:36 | |
-# Let's revive -the old fervour again. | 0:46:39 | 0:46:43 | |
-# Although the scars are deep, | 0:46:47 | 0:46:50 | |
-# We hear the voices again, | 0:46:51 | 0:46:54 | |
-# Singing the old, old song. | 0:46:55 | 0:46:58 | |
-# While there's a lark -above the mountain, | 0:47:01 | 0:47:06 | |
-# While waves crash on the sand, | 0:47:09 | 0:47:13 | |
-# While your eyes are so blue, | 0:47:17 | 0:47:21 | |
-# I know that this is our land. | 0:47:25 | 0:47:29 | |
-# While there's a lark -above the mountain, | 0:47:32 | 0:47:37 | |
-# While waves crash on the sand, | 0:47:40 | 0:47:44 | |
-# While your eyes are so blue, | 0:47:47 | 0:47:51 | |
-# I know that this is our land. # | 0:47:55 | 0:48:00 | |
-This is a first for Holywell. -It's nice to see it! | 0:48:17 | 0:48:21 | |
-They were all good. | 0:48:21 | 0:48:22 | |
-Dafydd Iwan. | 0:48:23 | 0:48:23 | |
-Dafydd Iwan. - -They were all good! | 0:48:23 | 0:48:24 | |
-I liked Eden. | 0:48:25 | 0:48:26 | |
-It's nice to come home - -a great excuse. | 0:48:27 | 0:48:30 | |
-And get pampered by Mam and Dad. | 0:48:30 | 0:48:33 | |
-I liked Dafydd Iwan and the choir. | 0:48:33 | 0:48:35 | |
-Sian and Emyr Gibson. | 0:48:36 | 0:48:38 | |
-Dafydd, I think. He was the cherry -on the pie for me tonight. | 0:48:38 | 0:48:42 | |
-Very good! I was a bit nervous. | 0:48:42 | 0:48:45 | |
-It's my age. | 0:48:45 | 0:48:47 | |
-Dil's good, isn't he? | 0:48:47 | 0:48:50 | |
-Coming to a new place like Holywell -with NOSON LAWEN has worked well. | 0:48:50 | 0:48:54 | |
-The audience laughed -and enjoyed the singing. | 0:48:55 | 0:48:59 | |
-Maybe they'll let us -come back again! | 0:48:59 | 0:49:04 | |
-S4C Subtitles by: GWEAD | 0:49:05 | 0:49:07 | |
-. | 0:49:07 | 0:49:08 |