Al Lewis Noson yng Nghwmni...
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Transcript
| Line | From | To | |
|---|---|---|---|
-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-# It's easy to start each day -Full of hope | 0:00:30 | 0:00:34 | |
-# Easier still to open the door -To all those doubts | 0:00:36 | 0:00:40 | |
-# And every one of my intentions -Is very good | 0:00:42 | 0:00:46 | |
-# But soon bad habits -Steal them away | 0:00:47 | 0:00:50 | |
-# Where do I go wrong? | 0:00:53 | 0:00:56 | |
-# It's time to find out what | 0:00:56 | 0:00:58 | |
-# Leads me astray | 0:00:59 | 0:01:03 | |
-# If I could, -I would choose the right path | 0:01:05 | 0:01:09 | |
-# And live every day to the full | 0:01:10 | 0:01:12 | |
-# Yes, if I could | 0:01:13 | 0:01:15 | |
-# I would learn the ability | 0:01:15 | 0:01:17 | |
-# To follow the right path | 0:01:18 | 0:01:20 | |
-# If I could | 0:01:21 | 0:01:22 | |
-# All these strange signs | 0:01:33 | 0:01:36 | |
-# Confuse me | 0:01:36 | 0:01:38 | |
-# But they lead me down -The same old path | 0:01:39 | 0:01:42 | |
-# Who knows if I'll ever learn | 0:01:45 | 0:01:48 | |
-# How to steer clear -Of the foolish path | 0:01:50 | 0:01:54 | |
-# It's futile to ask why | 0:01:56 | 0:01:58 | |
-# I must play my part | 0:01:59 | 0:02:01 | |
-# Before time destroys it | 0:02:02 | 0:02:06 | |
-# If I could, -I would choose the right path | 0:02:08 | 0:02:12 | |
-# And live every day to the full | 0:02:12 | 0:02:14 | |
-# Yes, if I could | 0:02:16 | 0:02:17 | |
-# I would learn the ability | 0:02:18 | 0:02:20 | |
-# To follow the right path | 0:02:21 | 0:02:24 | |
-# Where do I go wrong? | 0:02:37 | 0:02:39 | |
-# It's time to find out what | 0:02:40 | 0:02:42 | |
-# Leads me astray | 0:02:43 | 0:02:47 | |
-# If I could, -I would choose the right path | 0:02:49 | 0:02:52 | |
-# And live every day to the full | 0:02:53 | 0:02:55 | |
-# Yes, if I could | 0:02:56 | 0:02:58 | |
-# I would learn the ability | 0:02:58 | 0:03:01 | |
-# To follow, -To follow the right path # | 0:03:01 | 0:03:04 | |
-APPLAUSE AND CHEERS | 0:03:30 | 0:03:32 | |
-I moved to London in 2006. | 0:03:44 | 0:03:46 | |
-I'd just graduated -from university... | 0:03:46 | 0:03:49 | |
-..and I wondered -what I wanted to do with my life. | 0:03:50 | 0:03:53 | |
-I realized that being a musician -was what I really wanted to do. | 0:03:54 | 0:04:00 | |
-I felt that London was the right -place for me to make that a reality. | 0:04:02 | 0:04:07 | |
-That's what I did. | 0:04:08 | 0:04:09 | |
-I moved here -and I've been a musician since then. | 0:04:10 | 0:04:13 | |
-When I first moved here, -the thing which appealed to me... | 0:04:15 | 0:04:20 | |
-..was the potential -to play a gig almost every night. | 0:04:20 | 0:04:24 | |
-It was a way for me -to improve really quickly. | 0:04:24 | 0:04:28 | |
-I had to learn -to adapt my performances... | 0:04:31 | 0:04:34 | |
-..so that I could make -that connection with audiences. | 0:04:34 | 0:04:38 | |
-It's really important to connect -with people but it isn't easy. | 0:04:38 | 0:04:43 | |
-Living in London gave me -a chance to learn to do it. | 0:04:44 | 0:04:47 | |
-I've lived here for a few years -but I don't play a gig every night! | 0:04:48 | 0:04:53 | |
-I do as much as I can... | 0:04:54 | 0:04:56 | |
-..in venues where I think -I can potentially win new fans. | 0:04:56 | 0:05:00 | |
-That sums up my life at the moment. | 0:05:06 | 0:05:08 | |
-I hone my skills. | 0:05:08 | 0:05:10 | |
-I write songs during the day -and I play gigs at night. | 0:05:10 | 0:05:14 | |
-The next song is off -my 2009 album, Sawl Ffordd Allan. | 0:05:20 | 0:05:25 | |
-Life can be frustrating. | 0:05:26 | 0:05:27 | |
-I'm sure we all feel -that frustration at times. | 0:05:28 | 0:05:31 | |
-This song is about telling yourself -to look on the positive side... | 0:05:32 | 0:05:37 | |
-..and try not to worry too much. | 0:05:38 | 0:05:40 | |
-# There are things in this world -That are sure to bring you down | 0:06:07 | 0:06:11 | |
-# But learning to get back up again -Is part of your fate | 0:06:13 | 0:06:17 | |
-# There are people in this world -Who are sure to make you feel small | 0:06:20 | 0:06:23 | |
-# But don't worry too much -It's not worth the hassle | 0:06:26 | 0:06:30 | |
-# Never doubt this | 0:06:33 | 0:06:35 | |
-# Your time will come | 0:06:36 | 0:06:38 | |
-# Live for the moment | 0:06:39 | 0:06:42 | |
-# Do it from the heart | 0:06:45 | 0:06:48 | |
-# Come what may, -That sweet honey | 0:06:51 | 0:06:56 | |
-# Will wash away your troubles -With a smile | 0:06:57 | 0:07:00 | |
-# Come what may, -That sweet honey | 0:07:03 | 0:07:08 | |
-# Will wash away your troubles -With a smile | 0:07:09 | 0:07:13 | |
-# Sometimes, when the rain clings | 0:07:15 | 0:07:18 | |
-# And you feel cold | 0:07:19 | 0:07:21 | |
-# The voices in your head -Start to make you feel your age | 0:07:21 | 0:07:26 | |
-# Rather than take a step back, -Take a step forward | 0:07:27 | 0:07:33 | |
-# And don't bury your head -In what was in the past | 0:07:34 | 0:07:39 | |
-# Never doubt this | 0:07:41 | 0:07:43 | |
-# Your time will come | 0:07:44 | 0:07:46 | |
-# Live for the moment | 0:07:47 | 0:07:51 | |
-# Do it from the heart | 0:07:53 | 0:07:56 | |
-# Come what may, -That sweet honey | 0:07:59 | 0:08:03 | |
-# Will wash away your troubles -With a smile | 0:08:04 | 0:08:08 | |
-# Come what may, -That sweet honey | 0:08:11 | 0:08:16 | |
-# Washes away your troubles -With a smile | 0:08:17 | 0:08:20 | |
-# Time is getting shorter | 0:08:24 | 0:08:27 | |
-# Oh, give it your best shot | 0:08:28 | 0:08:30 | |
-# Before that door closes | 0:08:31 | 0:08:36 | |
-# Come what may, -That sweet honey | 0:08:39 | 0:08:43 | |
-# Will wash away your troubles -With a smile | 0:08:45 | 0:08:48 | |
-# Come what may, -That sweet honey | 0:08:51 | 0:08:55 | |
-# Will wash away your troubles -With a smile | 0:08:57 | 0:09:03 | |
-# Oh, come what may, -That sweet honey | 0:09:03 | 0:09:08 | |
-# Will wash away your troubles -With a smile # | 0:09:09 | 0:09:14 | |
-APPLAUSE AND CHEERS | 0:09:20 | 0:09:23 | |
-It's time for me -to introduce you to the band. | 0:09:25 | 0:09:29 | |
-Mr CJ Jones on the drums. | 0:09:29 | 0:09:33 | |
-Mr Sion Llwyd on the bass. | 0:09:35 | 0:09:37 | |
-On lead guitar, -someone you may know as Gildas... | 0:09:38 | 0:09:41 | |
-..but I know him as Arwel Lloyd. | 0:09:41 | 0:09:44 | |
-# I feel trapped | 0:10:08 | 0:10:09 | |
-# Things have gone from bad to worse | 0:10:11 | 0:10:15 | |
-# Under a white sheet | 0:10:16 | 0:10:18 | |
-# Oh, open out -Bloom like a flower | 0:10:19 | 0:10:22 | |
-# I push. You pull | 0:10:24 | 0:10:25 | |
-# I stop. You insist | 0:10:27 | 0:10:29 | |
-# The opposite | 0:10:29 | 0:10:31 | |
-# I cry. You smile | 0:10:31 | 0:10:33 | |
-# Oh! | 0:10:34 | 0:10:36 | |
-# You're like a rose -In a hedge of thorns | 0:10:38 | 0:10:42 | |
-# I follow your every step -But where will you lead me? | 0:10:43 | 0:10:47 | |
-# A rose in a hedge of thorns | 0:10:47 | 0:10:50 | |
-# I follow your every step, oh! | 0:10:51 | 0:10:55 | |
-# At the journey's end | 0:11:13 | 0:11:15 | |
-# You still seem to miss that scar | 0:11:16 | 0:11:20 | |
-# Don't slip back | 0:11:21 | 0:11:22 | |
-# Into those old habits -Which comfort your heart | 0:11:23 | 0:11:28 | |
-# I push. You pull | 0:11:28 | 0:11:30 | |
-# I stop. You insist | 0:11:31 | 0:11:34 | |
-# The opposite | 0:11:34 | 0:11:36 | |
-# I cry. You smile | 0:11:36 | 0:11:38 | |
-# Oh! | 0:11:39 | 0:11:40 | |
-# You're like a rose -In a hedge of thorns | 0:11:44 | 0:11:47 | |
-# I follow your every step -But where will you lead me? | 0:11:48 | 0:11:52 | |
-# A rose in a hedge of thorns | 0:11:52 | 0:11:55 | |
-# I follow your every step, oh! | 0:11:56 | 0:12:00 | |
-# I push. You pull | 0:12:17 | 0:12:19 | |
-# I stop. You insist | 0:12:20 | 0:12:22 | |
-# I cry. You smile | 0:12:24 | 0:12:27 | |
-# Oh! | 0:12:29 | 0:12:31 | |
-# You're like a rose -In a hedge of thorns | 0:12:32 | 0:12:36 | |
-# I follow your every step -But where will you lead me? | 0:12:37 | 0:12:41 | |
-# A rose in a hedge of thorns | 0:12:41 | 0:12:44 | |
-# I follow your every step, oh! | 0:12:45 | 0:12:48 | |
-# Where will you lead me? # | 0:12:48 | 0:12:50 | |
-APPLAUSE AND CHEERS | 0:13:12 | 0:13:14 | |
-. | 0:13:15 | 0:13:15 | |
-Subtitles | 0:13:19 | 0:13:19 | |
-Subtitles - -Subtitles | 0:13:19 | 0:13:21 | |
-I started to write music -when I was 16 years old. | 0:13:27 | 0:13:31 | |
-I was in a band with Arwel -when we were at school. | 0:13:32 | 0:13:35 | |
-We only played covers, at first... | 0:13:35 | 0:13:38 | |
-..but we gradually -built up the confidence... | 0:13:39 | 0:13:42 | |
-..to start asking ourselves -if we could write our own songs. | 0:13:43 | 0:13:48 | |
-Once you've grasped the process -of what makes a good song... | 0:14:02 | 0:14:07 | |
-..and you know -what elements you need... | 0:14:07 | 0:14:10 | |
-..the whole thing flows much easier. | 0:14:11 | 0:14:13 | |
-It's just like -anything else in life. | 0:14:13 | 0:14:16 | |
-You have to keep practising... | 0:14:16 | 0:14:18 | |
-..until you come to understand -how to do something properly. | 0:14:19 | 0:14:23 | |
-Writing a song -is no different from that. | 0:14:23 | 0:14:26 | |
-Llosgi is a song which takes me back -right to the beginning. | 0:14:43 | 0:14:47 | |
-We first performed it -in a small pub in Cardiff. | 0:14:50 | 0:14:53 | |
-There was someone in the audience -who worked on Can I Gymru. | 0:14:57 | 0:15:01 | |
-He came up to us -at the end of the gig... | 0:15:01 | 0:15:04 | |
-..and he asked us if we'd already -recorded the song Llosgi. | 0:15:04 | 0:15:08 | |
-We'd literally only written -it a fortnight before that... | 0:15:08 | 0:15:13 | |
-..so we hadn't recorded it. | 0:15:13 | 0:15:15 | |
-We entered it in Can I Gymru... | 0:15:15 | 0:15:17 | |
-..and it's been one of our -most popular songs since then. | 0:15:18 | 0:15:23 | |
-# In the streetlight -There's a house for us both | 0:15:27 | 0:15:31 | |
-# In hectic surroundings -Our world shrinks | 0:15:32 | 0:15:36 | |
-# And in the corner -There's a sofa free for us | 0:15:38 | 0:15:42 | |
-# Where the wine will flow | 0:15:43 | 0:15:46 | |
-# And we're in stitches | 0:15:48 | 0:15:50 | |
-# Are you enjoying yourself? | 0:15:54 | 0:15:58 | |
-# I burn | 0:16:02 | 0:16:06 | |
-# I burn | 0:16:08 | 0:16:12 | |
-# I burn | 0:16:14 | 0:16:18 | |
-# I burn | 0:16:19 | 0:16:23 | |
-# In your company | 0:16:25 | 0:16:30 | |
-# The pain of the past -Is gone with the wind | 0:16:40 | 0:16:44 | |
-# Your dark eyes fill faster | 0:16:46 | 0:16:50 | |
-# No more tears -Farewell to the long hours | 0:16:52 | 0:16:56 | |
-# I'm addicted to your company | 0:16:56 | 0:17:01 | |
-# And we're in stitches | 0:17:02 | 0:17:04 | |
-# Are you enjoying yourself? | 0:17:07 | 0:17:11 | |
-# And we're in stitches -In stitches, in stitches | 0:17:13 | 0:17:17 | |
-# Are you enjoying yourself? | 0:17:19 | 0:17:23 | |
-# I burn | 0:17:28 | 0:17:32 | |
-# I burn | 0:17:33 | 0:17:38 | |
-# I burn | 0:17:39 | 0:17:43 | |
-# I burn | 0:17:45 | 0:17:49 | |
-# In your company # | 0:17:52 | 0:17:56 | |
-The next song -is called Make A Little Room. | 0:18:15 | 0:18:18 | |
-It's an important song for me -in many ways. | 0:18:19 | 0:18:22 | |
-First and foremost, it opened a lot -of doors for me in Wales and beyond. | 0:18:22 | 0:18:27 | |
-It was chosen to be -on the Radio 2 playlist. | 0:18:27 | 0:18:30 | |
-Once it was chosen, -I made a large number of new fans. | 0:18:32 | 0:18:36 | |
-Radio has that power to grab you -when you're in the car... | 0:18:37 | 0:18:41 | |
-..or when you're at home, -in the kitchen. | 0:18:41 | 0:18:44 | |
-There's potential during -those three and a half minutes... | 0:18:48 | 0:18:52 | |
-..to make a fan for life. | 0:18:53 | 0:18:54 | |
-# Well, it's only been a day -And I guess I could say | 0:19:01 | 0:19:05 | |
-# It feels like a week | 0:19:06 | 0:19:08 | |
-# What I thought was wrong -How I miss it now it's gone | 0:19:09 | 0:19:13 | |
-# As I struggle to find my feet | 0:19:13 | 0:19:16 | |
-# Some things are meant together | 0:19:16 | 0:19:19 | |
-# Some things are better apart | 0:19:20 | 0:19:24 | |
-# Some things are easy | 0:19:24 | 0:19:26 | |
-# When other times -They are hard | 0:19:28 | 0:19:31 | |
-# But that doesn't mean what's hard -Isn't what's meant to be | 0:19:31 | 0:19:39 | |
-# So won't you please -Make a little room for | 0:19:40 | 0:19:44 | |
-# Please make a little room for | 0:19:44 | 0:19:47 | |
-# Please make a little room | 0:19:48 | 0:19:51 | |
-# For | 0:19:53 | 0:19:54 | |
-# Me | 0:19:54 | 0:19:56 | |
-# Well, your eyes they convey -What your lips fail to say | 0:20:04 | 0:20:07 | |
-# Suddenly, I'm forced to speak | 0:20:08 | 0:20:10 | |
-# Though I try and try -I keep falling shy | 0:20:11 | 0:20:15 | |
-# As you drift out of reach | 0:20:16 | 0:20:18 | |
-# Some things are meant together | 0:20:18 | 0:20:21 | |
-# Some things are better apart | 0:20:22 | 0:20:26 | |
-# Some things are easy | 0:20:26 | 0:20:28 | |
-# When other times -They are hard | 0:20:30 | 0:20:33 | |
-# But that doesn't mean what's hard -Isn't what's meant to be | 0:20:34 | 0:20:40 | |
-# So won't you please -Make a little room for | 0:20:41 | 0:20:46 | |
-# Please make a little room for | 0:20:46 | 0:20:49 | |
-# Please make a little room | 0:20:50 | 0:20:53 | |
-# For me | 0:20:54 | 0:20:57 | |
-# Those seeds of doubt | 0:20:58 | 0:21:01 | |
-# That were planted in my mind | 0:21:01 | 0:21:04 | |
-# Have grown stronger and stronger -With time | 0:21:05 | 0:21:09 | |
-# Some things are meant together | 0:21:13 | 0:21:15 | |
-# Some things are better apart | 0:21:16 | 0:21:19 | |
-# Some things are easy | 0:21:20 | 0:21:22 | |
-# When other times -They are hard | 0:21:24 | 0:21:27 | |
-# But that doesn't mean what's hard -Isn't what's meant to be | 0:21:27 | 0:21:34 | |
-# So won't you please -Make a little room for | 0:21:35 | 0:21:40 | |
-# Please make a little room for | 0:21:40 | 0:21:43 | |
-# Please make a little room | 0:21:44 | 0:21:47 | |
-# For | 0:21:48 | 0:21:50 | |
-# Please make a little room for | 0:21:51 | 0:21:54 | |
-# Please make a little room for | 0:21:54 | 0:21:58 | |
-# Please make a little room | 0:21:58 | 0:22:02 | |
-# For | 0:22:03 | 0:22:04 | |
-# Me # | 0:22:06 | 0:22:07 | |
-. | 0:22:14 | 0:22:14 | |
-Subtitles | 0:22:17 | 0:22:17 | |
-Subtitles - -Subtitles | 0:22:17 | 0:22:19 | |
-Please welcome Mr Meic Stevens. | 0:22:22 | 0:22:26 | |
-APPLAUSE AND CHEERS | 0:22:26 | 0:22:28 | |
-In 2009, I phoned this gentleman -to ask him... | 0:22:38 | 0:22:42 | |
-..if he'd be kind enough to sing -on one of my tracks... | 0:22:43 | 0:22:48 | |
-..from the album Sawl Ffordd Allan. | 0:22:48 | 0:22:51 | |
-Fortunately for me, and proving -a phone call can lead to anything... | 0:22:51 | 0:22:56 | |
-..Meic agreed to do it. | 0:22:56 | 0:22:59 | |
-Thank you -for being here tonight, Meic. | 0:22:59 | 0:23:02 | |
-This song is called Gwenwyn. | 0:23:02 | 0:23:04 | |
-# Swinging on the stool | 0:23:19 | 0:23:22 | |
-# An empty glass in my hand | 0:23:25 | 0:23:28 | |
-# A sea of foolish faces | 0:23:30 | 0:23:33 | |
-# Denying that morning will come | 0:23:36 | 0:23:38 | |
-# Sharing food freely | 0:23:39 | 0:23:44 | |
-# Bringing comfort and joy | 0:23:45 | 0:23:49 | |
-# This refuge is healing | 0:23:50 | 0:23:55 | |
-# Is this a church or a circus? | 0:23:56 | 0:23:59 | |
-# Though there are several ways out | 0:24:00 | 0:24:04 | |
-# The glass is still in my hand | 0:24:06 | 0:24:09 | |
-# Though there are several ways out | 0:24:10 | 0:24:14 | |
-# The poison calls | 0:24:16 | 0:24:18 | |
-# Yeah, it calls me back | 0:24:19 | 0:24:21 | |
-# Staring through white foam | 0:24:30 | 0:24:33 | |
-# Searching for answers to this | 0:24:35 | 0:24:40 | |
-# In such an unhealthy, happy place | 0:24:41 | 0:24:45 | |
-# Who can make sense -Of a night like this? | 0:24:46 | 0:24:50 | |
-# And before morning breaks | 0:24:50 | 0:24:55 | |
-# Oh, I'd like to know why | 0:24:56 | 0:25:00 | |
-# Such a feeble attraction | 0:25:02 | 0:25:05 | |
-# Has succeeded in pulling me back | 0:25:06 | 0:25:10 | |
-# Though there are several ways out | 0:25:11 | 0:25:15 | |
-# The glass is still in my hand | 0:25:17 | 0:25:20 | |
-# Though there are several ways out | 0:25:21 | 0:25:26 | |
-# The poison calls | 0:25:27 | 0:25:29 | |
-# Yeah, the poison calls me back | 0:25:30 | 0:25:35 | |
-# Yeah, yeah, yeah | 0:25:35 | 0:25:37 | |
-# The poison calls me back | 0:25:40 | 0:25:43 | |
-# Yeah, yeah, yeah, yeah, yeah | 0:25:45 | 0:25:49 | |
-# The poison calls me back | 0:25:49 | 0:25:54 | |
-# Several ways out | 0:25:54 | 0:25:56 | |
-# The glass is still in my hand | 0:25:57 | 0:25:59 | |
-# Though there are several ways out | 0:26:00 | 0:26:05 | |
-# The poison calls | 0:26:07 | 0:26:09 | |
-# Yeah, it calls me back | 0:26:10 | 0:26:14 | |
-# Several ways out, yeah | 0:26:14 | 0:26:16 | |
-# It calls me back, yeah | 0:26:17 | 0:26:22 | |
-# Poison | 0:26:22 | 0:26:25 | |
-# It calls me back # | 0:26:26 | 0:26:31 | |
-APPLAUSE AND CHEERS | 0:26:51 | 0:26:53 | |
-I think any person in any career -must start at the bottom. | 0:27:04 | 0:27:08 | |
-I must earn the right to have people -make time to listen to me. | 0:27:08 | 0:27:14 | |
-I've come a long way since 2007. | 0:27:14 | 0:27:16 | |
-Tickets for the launch for Battles, -my last album... | 0:27:17 | 0:27:20 | |
-..had sold out -the weekend before the gig. | 0:27:21 | 0:27:24 | |
-There were 150 people there. | 0:27:24 | 0:27:27 | |
-Psychologically, when you know -you'll play to a full house... | 0:27:28 | 0:27:33 | |
-..who are there specifically -to listen to you it's a boost. | 0:27:33 | 0:27:37 | |
-Since then, I've done -a series of gigs with Jools Holland. | 0:27:39 | 0:27:43 | |
-I've played to thousands of people. | 0:27:44 | 0:27:46 | |
-Here we are, in Kew Gardens. | 0:27:55 | 0:27:57 | |
-That's the biggest greenhouse -in the world behind me. | 0:27:57 | 0:28:01 | |
-Tonight, it's my great pleasure -to support Jools Holland. | 0:28:03 | 0:28:07 | |
-It feels like a step up. | 0:28:11 | 0:28:13 | |
-Suddenly, it hits me -how many people will be there... | 0:28:14 | 0:28:17 | |
-..and it makes me nervous -but really excited too. | 0:28:18 | 0:28:21 | |
-Sometimes, it can be hard to play -in front of a large audience. | 0:28:24 | 0:28:28 | |
-It isn't easy to make -that connection with the audience. | 0:28:29 | 0:28:33 | |
-You can start worrying and hoping -you don't make a mistake... | 0:28:35 | 0:28:40 | |
-..or you can look at it as a day -to potentially win some new fans. | 0:28:40 | 0:28:45 | |
-Once you make that connection, -it can be magical. | 0:28:47 | 0:28:51 | |
-The feeling that thousands of people -are urging you on is wonderful. | 0:28:52 | 0:28:58 | |
-If the temperature changes, -it could go out of tune. | 0:28:59 | 0:29:02 | |
-I'll bring it and I'll tune. | 0:29:03 | 0:29:05 | |
-It's going to be a great night. | 0:29:05 | 0:29:07 | |
-The stage is set and I can relax, -knowing it'll sound good. | 0:29:08 | 0:29:12 | |
-Here's hoping -it will be a good night. | 0:29:13 | 0:29:16 | |
-When you hear the audience arriving, -it creates a buzz backstage. | 0:29:24 | 0:29:29 | |
-People are getting excited... | 0:29:30 | 0:29:32 | |
-..and I know I must step up -and put on a show. | 0:29:32 | 0:29:35 | |
-Please give a big hand for Al Lewis. | 0:29:36 | 0:29:39 | |
-I think nervous energy -is a good thing. | 0:29:40 | 0:29:43 | |
-# Truth be told -Well, they weigh | 0:29:47 | 0:29:50 | |
-# Heavy on my shoulders | 0:29:51 | 0:29:54 | |
-# These small little things... # | 0:29:54 | 0:29:57 | |
-After a night like this, -the hope is to be invited... | 0:29:57 | 0:30:01 | |
-..to do more shows like this. | 0:30:01 | 0:30:04 | |
-A lot is down to timing -in this business. | 0:30:04 | 0:30:07 | |
-The right person at the right time -must hear you and you need luck. | 0:30:08 | 0:30:12 | |
-A few years ago, I met Ed Sheeran -and we did a lot of gigs together. | 0:30:17 | 0:30:21 | |
-Around six months after that, he was -on the main stage in Glastonbury. | 0:30:22 | 0:30:28 | |
-I see Ed as a shining example... | 0:30:29 | 0:30:32 | |
-..of how you can grow slowly -from gigging a lot. | 0:30:33 | 0:30:38 | |
-Suddenly, it can turn into -international success. | 0:30:39 | 0:30:43 | |
-Thank you very much. -I've been Al Lewis. Nos da. | 0:30:44 | 0:30:47 | |
-I hope to taste a lot of success -in the future. | 0:30:49 | 0:30:52 | |
-I hope things keep on growing -from here. | 0:30:52 | 0:30:55 | |
-Joining me on stage -are Richard Llywellyn... | 0:31:05 | 0:31:08 | |
-..and Sarah Howells. | 0:31:09 | 0:31:10 | |
-They're in a band called Paper -Aeroplanes and we often collaborate. | 0:31:11 | 0:31:16 | |
-Richard has been a member of my band -and I've sung a lot with Sarah. | 0:31:16 | 0:31:21 | |
-It's a pleasure to have them here -to play a song called Darlun. | 0:31:22 | 0:31:27 | |
-# I stare at the photograph | 0:31:45 | 0:31:48 | |
-# A moment gone for good | 0:31:49 | 0:31:51 | |
-# A second from the past | 0:31:57 | 0:32:00 | |
-# Frozen in my hand | 0:32:01 | 0:32:04 | |
-# Oh, for this instant | 0:32:07 | 0:32:10 | |
-# In glorious colour for us | 0:32:12 | 0:32:15 | |
-# Oh, for this instant | 0:32:19 | 0:32:23 | |
-# In glorious colour for us | 0:32:24 | 0:32:27 | |
-# The smiles on every face | 0:32:34 | 0:32:37 | |
-# So vivid in my memory | 0:32:37 | 0:32:40 | |
-# And if I had a chance | 0:32:46 | 0:32:49 | |
-# I would go straight back | 0:32:49 | 0:32:53 | |
-# Oh, for this instant | 0:32:56 | 0:32:59 | |
-# In glorious colour for us | 0:33:00 | 0:33:04 | |
-# Oh, for this instant | 0:33:08 | 0:33:11 | |
-# In glorious colour for us | 0:33:12 | 0:33:16 | |
-# But time just keeps running | 0:33:22 | 0:33:27 | |
-# And soon every photograph | 0:33:28 | 0:33:31 | |
-# Will age too | 0:33:33 | 0:33:36 | |
-# Oh, for this instant | 0:33:47 | 0:33:51 | |
-# In glorious colour for us | 0:33:51 | 0:33:55 | |
-# Oh, for this instant | 0:34:00 | 0:34:03 | |
-# In glorious colour | 0:34:04 | 0:34:06 | |
-# For us | 0:34:07 | 0:34:11 | |
-# Oh, for this instant | 0:34:12 | 0:34:15 | |
-# In glorious colour for us # | 0:34:16 | 0:34:25 | |
-APPLAUSE AND CHEERS | 0:34:29 | 0:34:31 | |
-. | 0:34:38 | 0:34:38 | |
-Subtitles | 0:34:42 | 0:34:42 | |
-Subtitles - -Subtitles | 0:34:42 | 0:34:44 | |
-This song is called -Hanes Yn Y Lluniau. | 0:34:49 | 0:34:52 | |
-It's is the final track -on the album Ar Gof A Chadw... | 0:34:52 | 0:34:55 | |
-..whose themes are belonging, -yearning for the past... | 0:34:56 | 0:35:00 | |
-..and looking back at your life. | 0:35:00 | 0:35:02 | |
-This is Hanes Yn Y Lluniau. | 0:35:03 | 0:35:06 | |
-# Oh, you're 23 | 0:35:25 | 0:35:26 | |
-# Are you going to come home? | 0:35:27 | 0:35:29 | |
-# Home? | 0:35:30 | 0:35:31 | |
-# Since you left -There's too much empty space | 0:35:33 | 0:35:37 | |
-# In our home | 0:35:38 | 0:35:39 | |
-# And you've lived in the city | 0:35:42 | 0:35:45 | |
-# For far too long | 0:35:47 | 0:35:50 | |
-# Your history is in these photos | 0:35:52 | 0:35:55 | |
-# Memories on the walls | 0:35:56 | 0:35:59 | |
-# Is this your home -In your memory? | 0:36:02 | 0:36:05 | |
-# Oh, you're 28 | 0:36:22 | 0:36:23 | |
-# Are you thinking of coming home? | 0:36:24 | 0:36:26 | |
-# Home? | 0:36:26 | 0:36:28 | |
-# You flew the nest 11 years ago | 0:36:29 | 0:36:34 | |
-# Through our tears | 0:36:35 | 0:36:36 | |
-# Your mam and dad miss you | 0:36:38 | 0:36:42 | |
-# So does the whole family | 0:36:44 | 0:36:47 | |
-# Your history is in these photos | 0:36:50 | 0:36:52 | |
-# Memories on the walls | 0:36:53 | 0:36:56 | |
-# Is this your home? | 0:36:58 | 0:37:01 | |
-# Your history is in these photos | 0:37:01 | 0:37:04 | |
-# Memories on the walls | 0:37:05 | 0:37:08 | |
-# Do you think back? | 0:37:08 | 0:37:11 | |
-# Is this your home -In your memory? | 0:37:11 | 0:37:15 | |
-# Ooh-ooh-ooh ooh, ooh | 0:37:17 | 0:37:22 | |
-# Ooh-ooh ooh, ooh | 0:37:25 | 0:37:30 | |
-# Ooh-ooh ooh, ooh | 0:37:33 | 0:37:38 | |
-# Ooh-ooh ooh, ooh | 0:37:41 | 0:37:47 | |
-# Your history is in these photos | 0:37:51 | 0:37:53 | |
-# Memories on the walls | 0:37:55 | 0:37:58 | |
-# Is this your home? | 0:38:00 | 0:38:02 | |
-# Your history is in these photos | 0:38:03 | 0:38:06 | |
-# Memories on the walls | 0:38:07 | 0:38:10 | |
-# Do you think back? | 0:38:10 | 0:38:12 | |
-# Is this your home -In your memory? | 0:38:12 | 0:38:17 | |
-# Oh, you're 35 | 0:38:32 | 0:38:34 | |
-# A wife and children in your home | 0:38:34 | 0:38:37 | |
-# You're home | 0:38:37 | 0:38:39 | |
-# Remember to come and see us | 0:38:40 | 0:38:42 | |
-# And take plenty of photos | 0:38:43 | 0:38:46 | |
-# Photos # | 0:38:46 | 0:38:48 | |
-APPLAUSE AND CHEERS | 0:38:55 | 0:38:57 | |
-# If only I could say | 0:39:26 | 0:39:27 | |
-# The right thing to you | 0:39:29 | 0:39:33 | |
-# If only I could do | 0:39:34 | 0:39:37 | |
-# The right thing for you | 0:39:39 | 0:39:43 | |
-# I wonder what will happen | 0:39:45 | 0:39:48 | |
-# With you nearby | 0:39:50 | 0:39:53 | |
-# But ultimately | 0:39:55 | 0:39:57 | |
-# Time is ticking on | 0:39:58 | 0:40:02 | |
-# And we're afraid of sinking | 0:40:03 | 0:40:07 | |
-# No excuse is good enough | 0:40:08 | 0:40:11 | |
-# Hold on tight and take a chance | 0:40:13 | 0:40:17 | |
-# Hold on tight and take a chance | 0:40:18 | 0:40:22 | |
-# If only I could turn | 0:40:32 | 0:40:34 | |
-# The right way, towards you | 0:40:37 | 0:40:40 | |
-# If only I could escape | 0:40:41 | 0:40:45 | |
-# To the right place, with you | 0:40:46 | 0:40:51 | |
-# I wonder what will happen | 0:40:53 | 0:40:56 | |
-# With you nearby | 0:40:58 | 0:41:01 | |
-# But ultimately | 0:41:02 | 0:41:05 | |
-# Time is ticking on | 0:41:06 | 0:41:10 | |
-# And we're afraid of sinking | 0:41:11 | 0:41:15 | |
-# No excuse is good enough | 0:41:16 | 0:41:19 | |
-# Hold on tight and take a chance | 0:41:21 | 0:41:25 | |
-# Hold on right and take a chance | 0:41:26 | 0:41:30 | |
-# Oh, open out | 0:41:32 | 0:41:34 | |
-# Like clouds in the summer | 0:41:36 | 0:41:39 | |
-# And don't you worry | 0:41:42 | 0:41:44 | |
-# Play the cards in your hand | 0:41:46 | 0:41:50 | |
-# Time is ticking on | 0:41:51 | 0:41:54 | |
-# And we're afraid of sinking | 0:41:55 | 0:41:59 | |
-# No excuse is good enough | 0:42:00 | 0:42:04 | |
-# Hold on tight and take a chance | 0:42:05 | 0:42:09 | |
-# Time is ticking on | 0:42:10 | 0:42:13 | |
-# And we're afraid of sinking | 0:42:15 | 0:42:18 | |
-# No excuse is good enough | 0:42:20 | 0:42:23 | |
-# Hold on tight and take a chance | 0:42:25 | 0:42:28 | |
-# Hold on tight and take a chance | 0:42:30 | 0:42:34 | |
-# Hold on tight | 0:42:34 | 0:42:37 | |
-# And take a chance # | 0:42:37 | 0:42:44 | |
-I'm ambitious and that can -cause difficulties at times. | 0:42:55 | 0:43:00 | |
-I'm never satisfied... | 0:43:01 | 0:43:03 | |
-..but I step back sometimes -and realize things are going well. | 0:43:03 | 0:43:07 | |
-Things take time in life and -sometimes, I'm not happy about it! | 0:43:08 | 0:43:13 | |
-That can be a good thing -and a bad thing. | 0:43:14 | 0:43:17 | |
-I tell myself that I must realize -I'm on the right tracks... | 0:43:18 | 0:43:23 | |
-..and it's a matter of persevering. | 0:43:24 | 0:43:29 | |
-That's not a bad thing. | 0:43:29 | 0:43:31 | |
-# I've seen countless empty faces | 0:43:38 | 0:43:41 | |
-# On the streets | 0:43:41 | 0:43:44 | |
-# The pure anarchy | 0:43:45 | 0:43:47 | |
-# Is a constant pain -Among the thousands | 0:43:48 | 0:43:52 | |
-# And there's no comfort -In the smile of strangers | 0:43:55 | 0:43:59 | |
-# Who are too busy | 0:43:59 | 0:44:00 | |
-# And I know full well | 0:44:03 | 0:44:05 | |
-# That I'm wasting precious time | 0:44:05 | 0:44:09 | |
-# I aim to return | 0:44:12 | 0:44:14 | |
-# To where I want to be | 0:44:16 | 0:44:18 | |
-# I just hope I'm not | 0:44:20 | 0:44:22 | |
-# Far too late | 0:44:25 | 0:44:28 | |
-# Sha-la la-la-la | 0:44:29 | 0:44:32 | |
-# Sha-la la-la-la | 0:44:34 | 0:44:36 | |
-# Sha-la la-la-la | 0:44:38 | 0:44:40 | |
-# Sha-la la-la-la | 0:44:42 | 0:44:44 | |
-# And being back -Is as though the foolish wanderer | 0:44:46 | 0:44:51 | |
-# Had never left | 0:44:51 | 0:44:53 | |
-# And the surprising thing -Is the genuine welcome | 0:44:56 | 0:44:59 | |
-# Grabs me | 0:45:00 | 0:45:01 | |
-# And everyone I want is here -In my company | 0:45:03 | 0:45:08 | |
-# We shall build a home | 0:45:12 | 0:45:14 | |
-# And then enjoy -Each other's company | 0:45:15 | 0:45:18 | |
-# I aim to return | 0:45:22 | 0:45:23 | |
-# To where I want to be | 0:45:26 | 0:45:28 | |
-# I just hope I'm not | 0:45:30 | 0:45:32 | |
-# Far too late | 0:45:34 | 0:45:37 | |
-# Sha-la la-la-la | 0:45:39 | 0:45:41 | |
-# Sha-la la-la-la | 0:45:43 | 0:45:46 | |
-# Sha-la la-la-la | 0:45:47 | 0:45:50 | |
-# Sha-la la-la-la | 0:45:51 | 0:45:54 | |
-# I aim to return | 0:46:14 | 0:46:16 | |
-# To where I want to be | 0:46:19 | 0:46:20 | |
-# I just hope I'm not | 0:46:23 | 0:46:24 | |
-# Far too late | 0:46:27 | 0:46:30 | |
-# Sha-la la-la-la | 0:46:31 | 0:46:34 | |
-# Sha-la la-la-la | 0:46:36 | 0:46:38 | |
-# Sha-la la-la-la | 0:46:40 | 0:46:42 | |
-# Sha-la la-la-la | 0:46:45 | 0:46:47 | |
-# Sha-la la-la-la | 0:46:48 | 0:46:51 | |
-# Sha-la la-la-la | 0:46:53 | 0:46:55 | |
-# Sha-la la-la-la | 0:46:57 | 0:46:59 | |
-# Sha-la la-la-la | 0:47:01 | 0:47:03 | |
-# Sha-la la-la-la | 0:47:06 | 0:47:07 | |
-# Sha-la la-la-la | 0:47:10 | 0:47:12 | |
-# Sha-la la-la-la | 0:47:15 | 0:47:16 | |
-# Sha-la la-la-la # | 0:47:18 | 0:47:21 | |
-Thank you. Goodnight. | 0:47:31 | 0:47:32 | |
-APPLAUSE AND CHEERS | 0:47:33 | 0:47:35 | |
-S4C subtitles by Eirlys A Jones | 0:48:03 | 0:48:06 |