Dewi Pws Noson yng Nghwmni...
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Transcript
| Line | From | To | |
|---|---|---|---|
-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-I went home the other day and -there was a note on the television. | 0:00:17 | 0:00:22 | |
-It was from my wife and it said, -"It's not working. I'm leaving you." | 0:00:22 | 0:00:27 | |
-What did you do? | 0:00:27 | 0:00:28 | |
-What did you do? - -I plugged it in and it worked fine! | 0:00:28 | 0:00:30 | |
-# Should the summer -never arrive in Tresaith | 0:00:32 | 0:00:36 | |
-# And should the spring -stay away too | 0:00:37 | 0:00:40 | |
-# And should no-one else -come down to the beach | 0:00:41 | 0:00:45 | |
-# Our village will be heavenly # | 0:00:45 | 0:00:49 | |
-Down in Tafarn Y Rhos, my friends! | 0:00:50 | 0:00:53 | |
-In Strumping Tavern, -Ffos Y Farton... | 0:00:53 | 0:00:56 | |
-..they sing a song -which has become a bit of an anthem. | 0:00:56 | 0:01:00 | |
-Wimbush My Ferret. | 0:01:00 | 0:01:02 | |
-# Mmm! | 0:01:04 | 0:01:05 | |
-# There's a hole -in Blaenbwrgyn hedgerow | 0:01:06 | 0:01:09 | |
-# And a black hole at that | 0:01:09 | 0:01:11 | |
-# It's a hole for the badger -and a hole for Mot the dog # | 0:01:11 | 0:01:14 | |
-Yes! | 0:01:15 | 0:01:16 | |
-# Rabbits and hares -love to go down the hole | 0:01:17 | 0:01:20 | |
-# But Wimbush the ferret -went down there bottom first | 0:01:20 | 0:01:24 | |
-# Wimbush, Wimbush, -my faithful, silly ferret | 0:01:25 | 0:01:28 | |
-# Wimbush the ferret | 0:01:28 | 0:01:30 | |
-# He got stuck down the hole # | 0:01:30 | 0:01:34 | |
-Old fashioned, Welsh fun. -Isn't that right, lads? | 0:01:35 | 0:01:39 | |
-# Should the summer -never arrive in Tresaith | 0:01:40 | 0:01:44 | |
-# And should the spring -stay away too | 0:01:44 | 0:01:48 | |
-# And should no-one else -come down to the beach | 0:01:49 | 0:01:53 | |
-# Our village will be heavenly # | 0:01:54 | 0:01:56 | |
-I saw you and Yvonne -in town this morning. | 0:01:57 | 0:02:00 | |
-Did you? | 0:02:00 | 0:02:01 | |
-Did you? - -You always hold her hand. | 0:02:01 | 0:02:03 | |
-If I let go, she goes shopping! | 0:02:04 | 0:02:06 | |
-If I let go, she goes shopping! - -Vivian! | 0:02:06 | 0:02:08 | |
-# The bald bobby each summer -comes to the village | 0:02:09 | 0:02:12 | |
-# To book the stupidly-parked cars | 0:02:14 | 0:02:16 | |
-# A ticket for every car -with GB on its rear | 0:02:18 | 0:02:22 | |
-# He calls it a tourist tax | 0:02:23 | 0:02:25 | |
-# Should summer -never dawn in Tresaith | 0:02:28 | 0:02:31 | |
-# And should spring stay away too | 0:02:32 | 0:02:35 | |
-# And should no-one else -come down to the beach | 0:02:36 | 0:02:40 | |
-# Our village will be heavenly # | 0:02:40 | 0:02:44 | |
-Clear orf! | 0:02:45 | 0:02:47 | |
-This was certainly among the -most challenging roles of my career. | 0:02:48 | 0:02:53 | |
-Fortunately, maturity and -a wealth of theatric experience... | 0:02:55 | 0:03:01 | |
-..bolsters one's performance -at times such as these. | 0:03:01 | 0:03:05 | |
-As Gandhi said, -treading the boards is invaluable. | 0:03:07 | 0:03:11 | |
-When all's said and done, -to quote Gandhi... | 0:03:11 | 0:03:14 | |
-..the line is the key. | 0:03:15 | 0:03:16 | |
-That's what -brings the character to life. | 0:03:16 | 0:03:20 | |
-The line came to me -in the dead of night. | 0:03:23 | 0:03:27 | |
-I remember turning to whomever -was sharing my bed that evening... | 0:03:27 | 0:03:32 | |
-..it may possibly -have been my wife... | 0:03:32 | 0:03:34 | |
-..and telling her, "I've got it!" | 0:03:35 | 0:03:37 | |
-That Eureka moment. | 0:03:39 | 0:03:41 | |
-What was that line, William? | 0:03:43 | 0:03:45 | |
-Who fancies a cup of tea? | 0:03:48 | 0:03:50 | |
-66 Chemical Gardens -is the tale of an ordinary family... | 0:03:52 | 0:03:56 | |
-..in an ordinary village -somewhere in the Rhondda Valley. | 0:03:57 | 0:04:01 | |
-Tom Cruise is Joblot, the father. | 0:04:02 | 0:04:05 | |
-Cameron Diaz is Bogel, the mother. | 0:04:06 | 0:04:09 | |
-Maggie Smith is Elsan, the daughter. | 0:04:10 | 0:04:14 | |
-Gareth Lewis is Rhych, the son. | 0:04:15 | 0:04:18 | |
-MALE VOICE CHOIR SINGS CWM RHONDDA | 0:04:20 | 0:04:22 | |
-MALE VOICE CHOIR SINGS CWM RHONDDA - -Shut your cakeholes! | 0:04:22 | 0:04:24 | |
-Bloody static! | 0:04:28 | 0:04:29 | |
-Bloody male voice choirs! | 0:04:30 | 0:04:32 | |
-I wasn't talking to you! | 0:04:34 | 0:04:36 | |
-What? You've stopped my dole? | 0:04:36 | 0:04:39 | |
-You've stopped my bloody dole? | 0:04:40 | 0:04:43 | |
-I'll report you to Nye bloody Bevan! | 0:04:43 | 0:04:46 | |
-And tell that schoolgirl -who stopped my dole... | 0:04:46 | 0:04:50 | |
-..that Lloyd George knew my father, -not bloody Boy George! | 0:04:51 | 0:04:56 | |
-You're ponces and perverts -and I'll kill you all! | 0:04:57 | 0:05:00 | |
-And then, I'll kill the bloody pig! | 0:05:01 | 0:05:03 | |
-(CHOIR) # Feed me now and evermore # | 0:05:04 | 0:05:07 | |
-Oh, come in! | 0:05:10 | 0:05:12 | |
-Hello, father! | 0:05:13 | 0:05:14 | |
-It's me - your dear, -long-lost but perverted son. | 0:05:14 | 0:05:19 | |
-Bloody static! | 0:05:22 | 0:05:24 | |
-Rhych, is that you? | 0:05:24 | 0:05:26 | |
-Rhych, is that you? - -Father. | 0:05:26 | 0:05:27 | |
-Elsan. | 0:05:31 | 0:05:32 | |
-Mummy! | 0:05:36 | 0:05:38 | |
-Who fancies a cup of tea? | 0:05:39 | 0:05:41 | |
-We haven't seen you... | 0:05:47 | 0:05:49 | |
-..since Christmas Day 1904. | 0:05:50 | 0:05:53 | |
-You stuffed me in a sack... | 0:05:54 | 0:05:56 | |
-..and threw me -into the sea that day. | 0:05:56 | 0:05:59 | |
-We did it for your own good, Rhych. | 0:06:00 | 0:06:03 | |
-Why are you here? | 0:06:04 | 0:06:05 | |
-What have you -been doing with yourself? | 0:06:06 | 0:06:08 | |
-I don't do it myself any more, -I have a topless... | 0:06:08 | 0:06:12 | |
-I have a girl from Denmark -to do it for me. | 0:06:17 | 0:06:19 | |
-How do you do? I'm his father -and he calls me Daddy. | 0:06:21 | 0:06:26 | |
-Would you like a nice cup of tea? | 0:06:26 | 0:06:29 | |
-Don't waste your English on her. -She speaks Welsh. | 0:06:30 | 0:06:33 | |
-I haven't seen a Dane since the -Hindenburg flew over the house... | 0:06:34 | 0:06:38 | |
-..in 1943. | 0:06:38 | 0:06:40 | |
-Sit down. | 0:06:42 | 0:06:43 | |
-Sit down. - -Thank you. | 0:06:43 | 0:06:44 | |
-Not you, you pervert! | 0:06:45 | 0:06:46 | |
-Here you are, my love. | 0:06:46 | 0:06:48 | |
-What's your name? | 0:06:50 | 0:06:51 | |
-What part of Denmark are you from? | 0:06:52 | 0:06:55 | |
-I may know your mother. | 0:06:55 | 0:06:57 | |
-Eh? Eh?? Eh??? | 0:06:57 | 0:07:00 | |
-Eh? | 0:07:00 | 0:07:01 | |
-I'm collecting for the WI. | 0:07:02 | 0:07:04 | |
-Pardon? | 0:07:04 | 0:07:05 | |
-Pardon? - -I'm collecting for the WI. | 0:07:05 | 0:07:07 | |
-I can't hear you. | 0:07:08 | 0:07:09 | |
-I'm collecting for the WI, Dai! | 0:07:09 | 0:07:12 | |
-I can't hear a thing. | 0:07:13 | 0:07:15 | |
-Oh, get stuffed! | 0:07:16 | 0:07:17 | |
-The WI can get stuffed too! | 0:07:18 | 0:07:20 | |
-Cue Beti! | 0:07:30 | 0:07:31 | |
-Hello and welcome -to a brand new series. | 0:07:33 | 0:07:36 | |
-It's called Beti A'i Pherson. | 0:07:37 | 0:07:39 | |
-Christmas tape! | 0:07:43 | 0:07:44 | |
-Beti A'i Pherson. | 0:07:46 | 0:07:48 | |
-A series where I, Beti, -will interview a person. | 0:07:48 | 0:07:51 | |
-Today, I'm joined by one of rural -Wales's most colourful characters. | 0:07:52 | 0:07:57 | |
-Yes, it's Ei. | 0:07:57 | 0:07:59 | |
-Good hay to you, Beti! | 0:07:59 | 0:08:01 | |
-Good hay to you too. | 0:08:01 | 0:08:02 | |
-I've seen you on my television. | 0:08:03 | 0:08:04 | |
-I've seen you on my television. - -Yes. | 0:08:04 | 0:08:05 | |
-I've seen you on the internet too. | 0:08:06 | 0:08:08 | |
-S4C.co.uk./clic-tiddly-om-pom. -betiaipherson. | 0:08:08 | 0:08:13 | |
-Do you like the internet? | 0:08:14 | 0:08:16 | |
-Yes. | 0:08:16 | 0:08:18 | |
-I particularly like Skype and Viber. | 0:08:18 | 0:08:20 | |
-Do you use Twitter? Do you tweet? | 0:08:21 | 0:08:24 | |
-No, but I do sing in the bath. | 0:08:25 | 0:08:27 | |
-Where did you learn -to use a computer? | 0:08:28 | 0:08:31 | |
-Laptop. | 0:08:31 | 0:08:33 | |
-I see. Can you use a desktop? -Do you have a tablet? | 0:08:33 | 0:08:37 | |
-No, no! | 0:08:38 | 0:08:39 | |
-Laptop taught me. | 0:08:40 | 0:08:42 | |
-Laptop? | 0:08:43 | 0:08:45 | |
-The village policeman. | 0:08:45 | 0:08:47 | |
-Why do you call him Laptop? | 0:08:48 | 0:08:50 | |
-Why do you call him Laptop? - -He's only five foot three. | 0:08:50 | 0:08:52 | |
-That means he's a small PC! | 0:08:52 | 0:08:54 | |
-Play a record! | 0:08:56 | 0:08:57 | |
-Good hay to you. | 0:08:59 | 0:09:00 | |
-It's me! | 0:09:05 | 0:09:06 | |
-Your dear... | 0:09:06 | 0:09:07 | |
-Your dear... - -BLEEP | 0:09:07 | 0:09:09 | |
-It's not working. | 0:09:10 | 0:09:12 | |
-The television? | 0:09:12 | 0:09:13 | |
-The television? - -No! Shut up! | 0:09:13 | 0:09:14 | |
-Give me a large G and T. | 0:09:15 | 0:09:16 | |
-Good afternoon, Mansell! | 0:09:17 | 0:09:19 | |
-The mouse fell off! | 0:09:19 | 0:09:20 | |
-It's a good job it wasn't a bottle. | 0:09:23 | 0:09:25 | |
-. | 0:09:27 | 0:09:27 | |
-Subtitles | 0:09:31 | 0:09:31 | |
-Subtitles - -Subtitles | 0:09:31 | 0:09:33 | |
-Yes, indeed! In Tafarn Y Rhos. | 0:09:36 | 0:09:38 | |
-The next song is a Welsh classic... | 0:09:38 | 0:09:41 | |
-..which has been in the family -for centuries. | 0:09:41 | 0:09:45 | |
-Aunty Dilda sang it to me -in Ffos Y Dicw when I was a boy. | 0:09:45 | 0:09:49 | |
-# Mm! | 0:09:53 | 0:09:55 | |
-# I was down with Mari -from Derwen Y Stwmp | 0:09:55 | 0:09:59 | |
-# Her cribdle and her mellum -raised my cromp | 0:10:00 | 0:10:03 | |
-# She pressed her fingers -on the feralt of my cromp | 0:10:04 | 0:10:08 | |
-# Mari, Mari, Mari! What a feralt! | 0:10:08 | 0:10:11 | |
-# Hey! | 0:10:12 | 0:10:14 | |
-# Hey! | 0:10:14 | 0:10:16 | |
-# Hey, Mari, Mari, Mari! -My feralt is cromped | 0:10:16 | 0:10:20 | |
-# Don't stop your cribdle! -My ferum is cromped | 0:10:20 | 0:10:23 | |
-# Remember to always -yank your crecks | 0:10:24 | 0:10:27 | |
-# And stroke mell mokers -on the bellun of my trumps # | 0:10:28 | 0:10:32 | |
-Good, natural, Welsh fun! | 0:10:33 | 0:10:35 | |
-On we go to Tafarn Y Rhos! | 0:10:35 | 0:10:37 | |
-Isn't that right, Pussy? | 0:10:37 | 0:10:39 | |
-Pussy? | 0:10:41 | 0:10:42 | |
-Good hay to you! | 0:10:45 | 0:10:46 | |
-I thought I'd lost that! | 0:10:46 | 0:10:48 | |
-I was watching Match Of The Day -the other night. | 0:10:48 | 0:10:52 | |
-Then, in came my wife in a negligee. | 0:10:52 | 0:10:55 | |
-She said, "Do you want to come -upstairs for a bit of howdy-do?" | 0:10:55 | 0:11:00 | |
-Howdy-do? | 0:11:00 | 0:11:01 | |
-What did you say? | 0:11:02 | 0:11:03 | |
-I said, -"I'm watching Match Of The Day." | 0:11:03 | 0:11:06 | |
-She said, "Why don't you record it?" | 0:11:06 | 0:11:09 | |
-What did you say? | 0:11:09 | 0:11:10 | |
-"Get the video camera. I'll be -upstairs straight after the match!" | 0:11:11 | 0:11:15 | |
-Put that one on Twitter! | 0:11:16 | 0:11:17 | |
-Wales is famous for being -the land of poetry and of singers... | 0:11:25 | 0:11:30 | |
-..according to our national anthem. | 0:11:30 | 0:11:33 | |
-But now, thanks to the efforts -of one great man... | 0:11:33 | 0:11:36 | |
-..we can add another description. | 0:11:38 | 0:11:41 | |
-The land of translators -and interpreters of songs. | 0:11:43 | 0:11:48 | |
-This genius has elevated -the art of translation... | 0:11:49 | 0:11:52 | |
-..to what could almost be -an Olympic sport. | 0:11:53 | 0:11:57 | |
-"The truth shines like a beacon -when I listen to my headphones." | 0:11:57 | 0:12:02 | |
-His words, not mine. | 0:12:02 | 0:12:04 | |
-This is the special -Ricky H tribute... | 0:12:06 | 0:12:09 | |
-..to his friends who support -the England rugby team. | 0:12:10 | 0:12:13 | |
-This is Swing Low Sweets Char Yacht. | 0:12:14 | 0:12:17 | |
-He was the creative force behind -the classics Caca Caca Bang Bang... | 0:13:29 | 0:13:34 | |
-..Rudolph Y Coch Nabod Glaw Drud... | 0:13:34 | 0:13:37 | |
-..Gwyrdd Gwyrdd Gwair Ty Ni... | 0:13:37 | 0:13:40 | |
-..and the unforgettable -Rhinestone Buwch Grwt. | 0:13:40 | 0:13:43 | |
-Ricky Hoyw is alive! | 0:13:45 | 0:13:46 | |
-# Swing low sweets char yacht | 0:13:49 | 0:13:55 | |
-# Coming four to curry me home | 0:13:55 | 0:14:01 | |
-# Swing low sweets char yacht | 0:14:02 | 0:14:08 | |
-# Coming four to curry me home | 0:14:09 | 0:14:15 | |
-# Coming four to curry me home # | 0:14:20 | 0:14:28 | |
-The Ricky H album is not available -in any good record shops. | 0:14:33 | 0:14:37 | |
-Look out for details... | 0:14:37 | 0:14:38 | |
-..of how to download -Ricky H - Man Of The Century. | 0:14:39 | 0:14:42 | |
-Vivian! Give me a large G and T! | 0:14:44 | 0:14:47 | |
-Good afternoon, Mansell! | 0:14:47 | 0:14:48 | |
-Good afternoon, Mansell! - -Sorry, Vivian! Good afternoon. | 0:14:48 | 0:14:50 | |
-I was in the hypermarket earlier -but I lost my wife half way around. | 0:14:51 | 0:14:55 | |
-Yvonne? | 0:14:56 | 0:14:57 | |
-Yvonne? - -Yes. The name rings a bell. | 0:14:57 | 0:14:59 | |
-I met man further up the aisle -and he told me he'd lost his wife. | 0:14:59 | 0:15:04 | |
-I told him I'd lost mine too. | 0:15:04 | 0:15:06 | |
-What a coincidence! | 0:15:07 | 0:15:08 | |
-What a coincidence! - -Yes, Mansell. | 0:15:08 | 0:15:10 | |
-I said, "Describe her. -I'll help you look for her." | 0:15:10 | 0:15:13 | |
-He said -"She's tall, blonde, and gorgeous. | 0:15:14 | 0:15:17 | |
-"She has got long legs -and she's wearing short shorts." | 0:15:17 | 0:15:21 | |
-"Describe your wife," he said. | 0:15:21 | 0:15:22 | |
-"Describe your wife," he said. - -What did you say? | 0:15:22 | 0:15:23 | |
-"Forget her. -Let's both look for yours!" | 0:15:24 | 0:15:27 | |
-Vivian! | 0:15:27 | 0:15:28 | |
-Superman wears his suit with pride -As he brushes his enemies aside. | 0:15:30 | 0:15:35 | |
-It's a mystery to me. -How does he pee-pee? | 0:15:35 | 0:15:38 | |
-He wears his pants on the outside! | 0:15:38 | 0:15:40 | |
-Blodeuwedd, Siwan... | 0:15:43 | 0:15:45 | |
-..Esther and Cresyd. | 0:15:45 | 0:15:47 | |
-Those, until now, -were the most challenging roles... | 0:15:47 | 0:15:51 | |
-..for the female actors of Wales. | 0:15:51 | 0:15:54 | |
-There are other roles, of course... | 0:15:54 | 0:15:56 | |
-..but nothing springs to mind -at this precise moment in time. | 0:15:57 | 0:16:01 | |
-When I read the part of Elsan... | 0:16:02 | 0:16:05 | |
-..the layers of the character -resonated with me. | 0:16:07 | 0:16:11 | |
-She crystallizes the experience -of the woman throughout history. | 0:16:12 | 0:16:17 | |
-Her affair with Mr Crawshay -and being the mother of twins. | 0:16:17 | 0:16:22 | |
-She had no option but to -raise them in that tiny house... | 0:16:23 | 0:16:27 | |
-..with her mother, her father -and her perverted, spiteful brother. | 0:16:27 | 0:16:32 | |
-Rhych is not spiteful! | 0:16:32 | 0:16:34 | |
-I'm sorry. | 0:16:34 | 0:16:35 | |
-Rhych is not spiteful. | 0:16:36 | 0:16:37 | |
-Thank you. | 0:16:37 | 0:16:39 | |
-Through it all, -she blossoms and she grows. | 0:16:40 | 0:16:43 | |
-Her personality sparkles. | 0:16:45 | 0:16:47 | |
-Oh, Elsan! | 0:16:50 | 0:16:51 | |
-Elsan. | 0:16:53 | 0:16:54 | |
-Sorry. | 0:16:57 | 0:16:59 | |
-No more. | 0:16:59 | 0:17:00 | |
-AEROPLANE | 0:17:01 | 0:17:03 | |
-Who fancies a cup of tea? | 0:17:06 | 0:17:08 | |
-No! I'm going out the back -to kill the dodo. | 0:17:09 | 0:17:12 | |
-You've already killed all the dodos. | 0:17:14 | 0:17:16 | |
-You've already killed all the dodos. - -D'oh! D'oh! | 0:17:16 | 0:17:18 | |
-Right! -I'm going out to kill the hens. | 0:17:18 | 0:17:21 | |
-No, no, no, no. | 0:17:22 | 0:17:24 | |
-No, no, no, no. - -No? The hamster? | 0:17:24 | 0:17:25 | |
-Koalas? | 0:17:27 | 0:17:28 | |
-Koalas? - -Yes. | 0:17:28 | 0:17:30 | |
-I'm going to kill the koalas. | 0:17:30 | 0:17:32 | |
-I'm going to kill the koalas. - -No! You all have to listen to me. | 0:17:32 | 0:17:35 | |
-I have something to say. | 0:17:36 | 0:17:37 | |
-Yes, sweetheart? | 0:17:38 | 0:17:39 | |
-Yes, sweetheart? - -I'm going to change my name. | 0:17:39 | 0:17:41 | |
-Yes, I'll change my name -from Elsan Crawshay... | 0:17:42 | 0:17:46 | |
-..the twins' mother... | 0:17:47 | 0:17:49 | |
-..to Katherine Jenkins. | 0:17:52 | 0:17:54 | |
-Oh, that's nice! Stop doing that! | 0:17:55 | 0:17:58 | |
-Don't you want to know why? | 0:17:59 | 0:18:01 | |
-Don't you want to know why? - -No. | 0:18:01 | 0:18:02 | |
-I'll tell you anyway. | 0:18:02 | 0:18:04 | |
-I've heard that somebody... | 0:18:04 | 0:18:06 | |
-..put a story on the internet -claiming that I bonked... | 0:18:08 | 0:18:13 | |
-..Hillary and Tenzing just before -they climbed that mountain. | 0:18:15 | 0:18:20 | |
-Everest. | 0:18:21 | 0:18:23 | |
-No, I refuse to let it rest! | 0:18:23 | 0:18:26 | |
-I can't rest until I find out -exactly who... | 0:18:27 | 0:18:30 | |
-..did it. | 0:18:31 | 0:18:33 | |
-TO BE CONTINUED... | 0:18:35 | 0:18:38 | |
-The light, Beti! The light! | 0:18:40 | 0:18:42 | |
-Cue! | 0:18:45 | 0:18:46 | |
-Cue, Beti! | 0:18:46 | 0:18:48 | |
-Hello! I'm Beti and tonight's person -is Deiniol Parry Morris. | 0:18:48 | 0:18:54 | |
-You're known as Handy Deiniol, -of course. | 0:18:55 | 0:18:58 | |
-You're the most famous ventriloquist -in Wales, of course. | 0:19:01 | 0:19:06 | |
-You have two friends with you. | 0:19:07 | 0:19:09 | |
-You have two friends with you. - -Yes, Beti on my right hand... no! | 0:19:09 | 0:19:12 | |
-You have two friends with you. | 0:19:17 | 0:19:18 | |
-You have two friends with you. - -Yes, Beti. | 0:19:18 | 0:19:19 | |
-On my right hand but on your left, -we have Mot the lion. | 0:19:20 | 0:19:23 | |
-ROAR | 0:19:24 | 0:19:25 | |
-A lion? | 0:19:26 | 0:19:27 | |
-A lion? - -Yes. He does lots of impersonations. | 0:19:27 | 0:19:30 | |
-COCK CROWS | 0:19:31 | 0:19:33 | |
-What's on the other side? | 0:19:34 | 0:19:35 | |
-What's on the other side? - -My left hand. | 0:19:35 | 0:19:37 | |
-DONKEY BRAYS | 0:19:37 | 0:19:38 | |
-Your left hand but on the right -for me and the viewers. | 0:19:39 | 0:19:42 | |
-On my left hand, we have... | 0:19:43 | 0:19:45 | |
-Me - Elin Fflur. | 0:19:47 | 0:19:49 | |
-Elin Fflur. | 0:19:49 | 0:19:51 | |
-I heard that! | 0:19:51 | 0:19:53 | |
-Welcome, Elin. | 0:19:53 | 0:19:54 | |
-Welcome, Elin. - -Thank you. It's good to be here. | 0:19:54 | 0:19:57 | |
-I listened to you -interviewing Hilary Clinton. | 0:19:57 | 0:20:00 | |
-Shut up, lion! -Who do you think you are? | 0:20:01 | 0:20:03 | |
-Ouch! Ouch! | 0:20:04 | 0:20:05 | |
-Stop it! | 0:20:12 | 0:20:13 | |
-Stop it! - -Shut up! | 0:20:13 | 0:20:14 | |
-# You are the seagull's cry -as it hitch-hikes on the wind | 0:20:19 | 0:20:25 | |
-# You are the painting from Harrods -which costs 300 | 0:20:27 | 0:20:33 | |
-# You are the silver swallow -which rests on its journey | 0:20:36 | 0:20:44 | |
-# You are the Morris Minor -which Dad drives home from work | 0:20:46 | 0:20:52 | |
-# You're the only one | 0:20:55 | 0:20:57 | |
-# The only one for me | 0:20:59 | 0:21:03 | |
-# You are the prayer before the dawn -and the rhyme in the song | 0:21:05 | 0:21:10 | |
-# You are my first beer of the night -and Welsh cake crumbs | 0:21:13 | 0:21:18 | |
-# You are the autumn leaves -and the rainbow above the mud | 0:21:22 | 0:21:30 | |
-# You are the socks by the fire -to wear on my feet | 0:21:32 | 0:21:39 | |
-# You're the only one | 0:21:41 | 0:21:43 | |
-# The only one for me | 0:21:44 | 0:21:49 | |
-# You are the smell of sunshine -and the tears in the sea | 0:21:51 | 0:21:56 | |
-# You are the polly parrot -which lives with Uncle John | 0:22:00 | 0:22:05 | |
-# You are the beautiful spring -and the mines in the south | 0:22:08 | 0:22:16 | |
-# You are the sweet Pakistani man -who drives the bus to town | 0:22:18 | 0:22:23 | |
-# You're the only one | 0:22:26 | 0:22:29 | |
-# The only one for me # | 0:22:30 | 0:22:34 | |
-His translations -are the stuff of legend. | 0:22:46 | 0:22:49 | |
-He interpreted you as maharen (ewe) -and I as llygad (eye). | 0:22:50 | 0:22:55 | |
-He is the author behind Ricky... | 0:23:02 | 0:23:05 | |
-BLEEP | 0:23:05 | 0:23:07 | |
-Ricky Hoyw. | 0:23:08 | 0:23:09 | |
-LAUGHTER | 0:23:11 | 0:23:13 | |
-# My sweetheart... # | 0:23:15 | 0:23:16 | |
-Oh, I forgot my bloody stick! | 0:23:17 | 0:23:19 | |
-Look at the camera, Wil! | 0:23:29 | 0:23:31 | |
-. | 0:23:33 | 0:23:33 | |
-Subtitles | 0:23:38 | 0:23:38 | |
-Subtitles - -Subtitles | 0:23:38 | 0:23:40 | |
-# Down by the sea. -Down by the sea # | 0:23:43 | 0:23:46 | |
-Hello, Ei. Are you alright? | 0:23:46 | 0:23:48 | |
-Hello, Ei. Are you alright? - -Yes. Alright, Mans? | 0:23:48 | 0:23:49 | |
-I've been reading this book. | 0:23:50 | 0:23:52 | |
-It's called Anti-Gravity. | 0:23:52 | 0:23:54 | |
-Anti-Gravity? | 0:23:54 | 0:23:56 | |
-Anti-Gravity? - -Yes. I can't put it down! | 0:23:56 | 0:23:57 | |
-Deiniol, I understand -you have a party piece. | 0:24:00 | 0:24:04 | |
-Yes, Beti. | 0:24:04 | 0:24:06 | |
-It's a tribute to Richard Burton -in Where Eagles Dare. | 0:24:06 | 0:24:10 | |
-My right hand, on your left, -plays Burton in the snow. | 0:24:11 | 0:24:15 | |
-CHATTERING TEETH | 0:24:16 | 0:24:17 | |
-My left hand, on your right, -plays the top brass back in Britain. | 0:24:17 | 0:24:22 | |
-I'll stay in the middle -to do the sound effects. | 0:24:22 | 0:24:25 | |
-Ready? | 0:24:26 | 0:24:27 | |
-To quote Gandhi, take it away! | 0:24:27 | 0:24:30 | |
-WIRELESS CRACKLES | 0:24:31 | 0:24:32 | |
-Broadsword to Danny Boy. | 0:24:33 | 0:24:35 | |
-Broadsword to Danny Boy. | 0:24:35 | 0:24:40 | |
-Danny Boyle to Broadsword. -We're here. | 0:24:40 | 0:24:43 | |
-It's Danny Boy, not Danny Boyle! | 0:24:43 | 0:24:46 | |
-It's Danny Boy, not Danny Boyle! - -I'll play a record. | 0:24:46 | 0:24:47 | |
-Danny Boyle to Broadsword. -We're here. | 0:24:47 | 0:24:51 | |
-On we go to Tafarn Y Rhos. | 0:24:53 | 0:24:55 | |
-This song has been in my family -for centuries. | 0:24:55 | 0:24:58 | |
-My great-uncle imported fruit -from the Caribbean. | 0:24:58 | 0:25:02 | |
-Good, old-fashioned seaside fun. | 0:25:03 | 0:25:05 | |
-Uncle Dick's Banana. | 0:25:05 | 0:25:07 | |
-# Mm! | 0:25:12 | 0:25:13 | |
-# It was a boonkar dodder morning | 0:25:14 | 0:25:17 | |
-# In the harbour at Crwm Cric | 0:25:18 | 0:25:19 | |
-# When the good ship Mwrcath sailed -with cargo for Uncle Dick | 0:25:20 | 0:25:24 | |
-# Primchards, brickasles, -crumprotters and crics | 0:25:25 | 0:25:28 | |
-# But all everyone wanted -was Uncle Dick's banana | 0:25:28 | 0:25:33 | |
-# Well! | 0:25:34 | 0:25:36 | |
-# Uncle Dick's banana, -Uncle Dick's banana | 0:25:37 | 0:25:40 | |
-# Peel it and swallow it | 0:25:40 | 0:25:43 | |
-# Uncle Dick's banana # | 0:25:44 | 0:25:49 | |
-Good, clean countryside fun. | 0:25:50 | 0:25:52 | |
-On we go to Tafarn Y Rhos. | 0:25:52 | 0:25:54 | |
-A boy from Abercwmgirt -wore stiletto heels and a skirt | 0:25:58 | 0:26:02 | |
-His lips red and spangly, -his earrings all dangly | 0:26:02 | 0:26:05 | |
-In a squeaky voice he did flirt. | 0:26:06 | 0:26:08 | |
-Actually, it may have been a woman! | 0:26:08 | 0:26:10 | |
-I heard the director was casting the -part of Rhych in Chemical Gardens... | 0:26:13 | 0:26:18 | |
-..and I knew -it would shape my future. | 0:26:18 | 0:26:21 | |
-The part was made for me. | 0:26:21 | 0:26:23 | |
-When I saw who else was reading -for the part at the audition... | 0:26:24 | 0:26:28 | |
-..doubts did creep into my mind, -to be candid. | 0:26:28 | 0:26:32 | |
-Ian McKellan - Sir Ian these days. | 0:26:33 | 0:26:35 | |
-Robert Pattinson, -Denzel Washington... | 0:26:35 | 0:26:38 | |
-..and Ieuan Rhys. | 0:26:38 | 0:26:40 | |
-In the end, Sir Ian and I were -called back for a second audition. | 0:26:46 | 0:26:50 | |
-Ian based his performance -on Prospero from The Tempest. | 0:26:51 | 0:26:56 | |
-It was extraordinarily powerful. | 0:26:56 | 0:26:59 | |
-But, Gareth, -you ended up getting the part. | 0:27:00 | 0:27:03 | |
-Why? | 0:27:04 | 0:27:05 | |
-Because he can't speak Welsh. | 0:27:06 | 0:27:08 | |
-Previously, -on 66 Chemical Gardens... | 0:27:09 | 0:27:12 | |
-..Elsan announced -she'd changed her name to... | 0:27:12 | 0:27:15 | |
-..Katherine Jenkins. | 0:27:16 | 0:27:17 | |
-She did it because someone -put a story on the internet... | 0:27:18 | 0:27:22 | |
-..saying she'd slept with -Edmund Hillary. | 0:27:22 | 0:27:25 | |
-And Tenzing! | 0:27:25 | 0:27:27 | |
-Who was responsible? | 0:27:27 | 0:27:29 | |
-You were responsible -weren't you, Rhych? | 0:27:30 | 0:27:33 | |
-He'd never do that, Elsan! | 0:27:34 | 0:27:36 | |
-Katherine! | 0:27:36 | 0:27:38 | |
-Katherine! - -Sorry! | 0:27:38 | 0:27:39 | |
-You'd never ever, ever, -ever do that would you, Rhych? | 0:27:39 | 0:27:43 | |
-Well... | 0:27:43 | 0:27:45 | |
-Well... - -Of course he would! | 0:27:45 | 0:27:47 | |
-It's my turn! | 0:27:48 | 0:27:49 | |
-Of course he did it. | 0:27:50 | 0:27:51 | |
-Have you forgotten the lodger -who lived with us for two years? | 0:27:52 | 0:27:56 | |
-That lovely Mr Zuckenberg -from Silicone Valley. | 0:27:56 | 0:28:00 | |
-How Green Was My Valley! | 0:28:02 | 0:28:03 | |
-Never mind all that. | 0:28:05 | 0:28:06 | |
-Zuckenberg and his mets -corrupted Rhych. | 0:28:07 | 0:28:10 | |
-Mets? | 0:28:13 | 0:28:14 | |
-Mates! Zuckenberg and his mates -corrupted Rhych. | 0:28:16 | 0:28:20 | |
-It's lucky I have -an antivirus... and Uncle Wil! | 0:28:21 | 0:28:24 | |
-Antivirus and Uncle Wil? | 0:28:24 | 0:28:26 | |
-Quiet! Be quiet! | 0:28:27 | 0:28:30 | |
-That's enough! | 0:28:30 | 0:28:32 | |
-AEROPLANE | 0:28:32 | 0:28:34 | |
-Rhych, my perverted, spiteful -and ugly son. | 0:28:36 | 0:28:40 | |
-I'm not spiteful, father! | 0:28:40 | 0:28:43 | |
-He is the author of Rhychileaks. | 0:28:44 | 0:28:47 | |
-He is the author of Rhychileaks. | 0:28:53 | 0:28:57 | |
-Oh, no! Not Rhychileaks! | 0:29:00 | 0:29:03 | |
-Oh, I'm in shock! -Who fancies a cup of tea? | 0:29:03 | 0:29:07 | |
-Tea? | 0:29:09 | 0:29:10 | |
-Tea? I like this bit! | 0:29:11 | 0:29:13 | |
-Come here, you pervert! -I'll teach you a lesson. | 0:29:14 | 0:29:17 | |
-Bloody static! | 0:29:18 | 0:29:20 | |
-I knew it! He works for -Robert Murdoch Jones from next door. | 0:29:21 | 0:29:25 | |
-That lovely man off the TV -who wears a suit and owns Golwg? | 0:29:25 | 0:29:29 | |
-And Sky Sports. | 0:29:30 | 0:29:31 | |
-And Sky Sports. - -And S4-bloody-C! | 0:29:31 | 0:29:33 | |
-TO BE CONTINUED... | 0:29:36 | 0:29:39 | |
-When's the programme on? | 0:29:39 | 0:29:41 | |
-When's the programme on? - -At half-past seven. | 0:29:41 | 0:29:42 | |
-No, the news is on at that time. | 0:29:43 | 0:29:45 | |
-That's why I record it. | 0:29:45 | 0:29:47 | |
-# Sometimes, at night, -you hear their voices | 0:29:52 | 0:29:57 | |
-# Lost friends who come to you -between dusk and dawn | 0:30:01 | 0:30:06 | |
-# Sweet whispers which hark back -to your childhood years | 0:30:09 | 0:30:14 | |
-# Calling you in peace -down from Heaven | 0:30:18 | 0:30:22 | |
-# Spirits on the wind -with lullaby memories | 0:30:26 | 0:30:31 | |
-# Friends who have departed -and gone far from your world | 0:30:34 | 0:30:39 | |
-# Names on the stones -have worn away | 0:30:43 | 0:30:48 | |
-# Faces deep in your memory -which remain with you forever more | 0:30:51 | 0:30:56 | |
-# You are the salt of the earth | 0:31:01 | 0:31:05 | |
-# You are the bread of the world | 0:31:09 | 0:31:13 | |
-# Darkness shall not plague you | 0:31:18 | 0:31:23 | |
-# Your light shines brightly | 0:31:26 | 0:31:31 | |
-# If only I could escape -back to the break of dawn | 0:31:33 | 0:31:39 | |
-# And slip towards the sunset -with you | 0:31:41 | 0:31:46 | |
-# On a cold moonlit night, -somebody calls | 0:31:49 | 0:31:54 | |
-# A distant voice calls your name -and yet it's so clear | 0:31:58 | 0:32:03 | |
-# Fears of the black darkness -just melt away | 0:32:07 | 0:32:11 | |
-# Every star in the sky -shines a candle to the truth | 0:32:15 | 0:32:20 | |
-# You are the salt of the earth | 0:32:25 | 0:32:29 | |
-# You are the bread of the world | 0:32:33 | 0:32:37 | |
-# Darkness shall not plague you | 0:32:42 | 0:32:46 | |
-# Your light shines brightly | 0:32:50 | 0:32:55 | |
-# If only I could escape -back to the break of dawn | 0:32:57 | 0:33:03 | |
-# And slip towards the sunset -with you # | 0:33:05 | 0:33:10 | |
-Guess who's back soon, -with lots of act... oh! | 0:33:13 | 0:33:16 | |
-BLEEP | 0:33:16 | 0:33:18 | |
-# My sweetheart... # | 0:33:19 | 0:33:20 | |
-I'm just going to sing that bit. | 0:33:21 | 0:33:23 | |
-# Down by the sea # | 0:33:25 | 0:33:27 | |
-Have you got a telly, Dai? | 0:33:30 | 0:33:32 | |
-No, or I'd shout all the time. | 0:33:33 | 0:33:35 | |
-You do have a telly! | 0:33:36 | 0:33:39 | |
-. | 0:33:40 | 0:33:40 | |
-Subtitles | 0:33:45 | 0:33:45 | |
-Subtitles - -Subtitles | 0:33:45 | 0:33:47 | |
-On we go to Tafarn Y Rhos! | 0:33:50 | 0:33:52 | |
-My great-grandfather -was a great poacher. | 0:33:52 | 0:33:55 | |
-He poached salmon, trout, rabbit -and he poached a few eggs! | 0:33:55 | 0:34:00 | |
-He also caught foxes, killed them, -ate them and stuffed them. | 0:34:00 | 0:34:04 | |
-Countryside fun! | 0:34:05 | 0:34:06 | |
-His favourite hobby -was catching grey squirrels. | 0:34:07 | 0:34:10 | |
-This song has been in the family -for centuries. | 0:34:10 | 0:34:14 | |
-# Mm! | 0:34:17 | 0:34:19 | |
-# Where is Granddad -on Sunday and Monday nights? | 0:34:20 | 0:34:23 | |
-# There's a crunkod in his poke -and he has a sharp driver | 0:34:24 | 0:34:27 | |
-# River Bwrtbrwmpat -is up to the stump | 0:34:28 | 0:34:31 | |
-# And he stuffs his squirrel -up his crump | 0:34:32 | 0:34:36 | |
-# Hey! Up his crump | 0:34:36 | 0:34:38 | |
-# Up his crump | 0:34:38 | 0:34:40 | |
-# He stuffs his squirrel -up his crump # | 0:34:41 | 0:34:45 | |
-Good, old-fashioned Welsh fun. | 0:34:46 | 0:34:48 | |
-That's how it's always been. | 0:34:48 | 0:34:50 | |
-On we go to Tafarn Y Rhos! | 0:34:50 | 0:34:52 | |
-I saw the doctor this morning. | 0:34:54 | 0:34:56 | |
-He told me -I have three months to live. | 0:34:57 | 0:35:00 | |
-I said, "I can't pay you." | 0:35:01 | 0:35:02 | |
-I said, "I can't pay you." - -What did he do? | 0:35:02 | 0:35:04 | |
-He gave me another three months. | 0:35:04 | 0:35:06 | |
-He gave me another three months. - -Well! | 0:35:06 | 0:35:07 | |
-Who built this set? -My granny could do a better job! | 0:35:08 | 0:35:11 | |
-The light, Beti! The light! | 0:35:12 | 0:35:14 | |
-Cue! Cue! | 0:35:17 | 0:35:18 | |
-Welcome to Beti A'i Pherson. | 0:35:18 | 0:35:20 | |
-We meet a special person -in each programme. | 0:35:21 | 0:35:24 | |
-Someone who makes -a lasting impression on Wales. | 0:35:25 | 0:35:29 | |
-Tonight, we welcome the DIY expert, -Iwan Iwan. | 0:35:29 | 0:35:33 | |
-It's good to be here. | 0:35:33 | 0:35:35 | |
-We know you as a DIY expert -on many popular TV shows... | 0:35:35 | 0:35:39 | |
-..including Sgriwan Gydag Iwan -and Iwan Yn Sgriwan Yn Erbyn Y Cloc. | 0:35:40 | 0:35:45 | |
-What exactly does DIY mean to you? | 0:35:45 | 0:35:48 | |
-DIY means Did Iwan Yawn! | 0:35:49 | 0:35:51 | |
-I'm just kidding. | 0:35:53 | 0:35:55 | |
-It means Do It Yourself. | 0:35:55 | 0:35:57 | |
-I believe -everyone can do it themselves. | 0:35:57 | 0:36:00 | |
-If you need it, get some help from -your wife, your partner or a friend. | 0:36:01 | 0:36:06 | |
-Do it yourself. You can do it. | 0:36:06 | 0:36:08 | |
-Where did your interest in DIY -come from? | 0:36:09 | 0:36:11 | |
-I started by watching Granddad. | 0:36:12 | 0:36:14 | |
-It was like -watching an artist at work. | 0:36:14 | 0:36:17 | |
-I learned the nitty-gritty -by watching Dad. | 0:36:17 | 0:36:20 | |
-Dad was a carpenter -and Mam was a plumber. | 0:36:21 | 0:36:24 | |
-I started with some screwing. | 0:36:24 | 0:36:26 | |
-Then, when Dad said I was ready, -I got into shelving. The big league! | 0:36:26 | 0:36:32 | |
-Where's that statue? | 0:36:32 | 0:36:34 | |
-Do you prefer screwing or shelving? | 0:36:34 | 0:36:37 | |
-Shelving, Beti. Definitely! | 0:36:37 | 0:36:40 | |
-My wife and I were shelving -last night. We love it. | 0:36:42 | 0:36:45 | |
-Is she a plumber? | 0:36:46 | 0:36:47 | |
-Is she a plumber? - -No, she's quite pretty. | 0:36:47 | 0:36:49 | |
-Shelving isn't as easy as it looks -but screwing is straightforward. | 0:36:50 | 0:36:55 | |
-Push the tool in the slot and go. | 0:36:55 | 0:36:57 | |
-Any Tom, Dick or Harry can screw -but shelving demands more finesse. | 0:36:58 | 0:37:03 | |
-Come by, Geronimo! | 0:37:04 | 0:37:05 | |
-Come by! Come by! | 0:37:05 | 0:37:07 | |
-Hello! | 0:37:07 | 0:37:09 | |
-I have a friend. | 0:37:09 | 0:37:11 | |
-I have a friend. - -I can't believe it, Ei! | 0:37:11 | 0:37:12 | |
-He's an addict. | 0:37:12 | 0:37:14 | |
-Is he really? | 0:37:14 | 0:37:15 | |
-Addicted to what? | 0:37:16 | 0:37:17 | |
-Addicted to what? - -Brake fluid. | 0:37:17 | 0:37:18 | |
-Brake fluid? | 0:37:19 | 0:37:20 | |
-Brake fluid? - -Yes. He drinks gallons every day. | 0:37:20 | 0:37:23 | |
-Ooh! Really? | 0:37:23 | 0:37:24 | |
-Yes, but he tells me -he can stop any time he likes. | 0:37:24 | 0:37:28 | |
-Stop! | 0:37:28 | 0:37:29 | |
-I don't get it. | 0:37:30 | 0:37:31 | |
-HEARING AID SQUEAKS | 0:37:32 | 0:37:34 | |
-Do you have a big telly, Dai? | 0:37:35 | 0:37:37 | |
-Yes, but I always wear a truss. | 0:37:38 | 0:37:40 | |
-Length is vital but so is thickness. -People tend to forget that. | 0:37:43 | 0:37:48 | |
-It gives you stability. | 0:37:48 | 0:37:50 | |
-If a job's worth doing, -you need the right tool. | 0:37:50 | 0:37:53 | |
-The right tool? | 0:37:54 | 0:37:56 | |
-The right tool? - -Yes, the right tool for the job. | 0:37:56 | 0:37:58 | |
-If you've got the wrong tool, -you'll make a mess... | 0:37:58 | 0:38:02 | |
-..and leave people unsatisfied. | 0:38:02 | 0:38:04 | |
-You're a multitalented man. | 0:38:05 | 0:38:07 | |
-What else is in your toolbox? | 0:38:09 | 0:38:11 | |
-Do you have a drill? | 0:38:11 | 0:38:13 | |
-Do you have a drill? - -Drill? Yes, I love to drill. | 0:38:13 | 0:38:15 | |
-I could drill all night, Beti. | 0:38:16 | 0:38:18 | |
-When I'm up at night, -I go for a good drilling. | 0:38:19 | 0:38:22 | |
-The important thing about drilling -is you need a steady hand. | 0:38:23 | 0:38:27 | |
-You must be careful -as you go in and out. | 0:38:27 | 0:38:30 | |
-Sometimes, you go too fast -and you make a massive cock-up... | 0:38:30 | 0:38:34 | |
-..and there's -stuff everywhere, Beti. | 0:38:34 | 0:38:37 | |
-Iwan, I've learned a lot tonight. | 0:38:38 | 0:38:41 | |
-Tell me about -the record you've chosen. | 0:38:41 | 0:38:44 | |
-Rhaid Yw Eu Tynnu I Lawr -by Chwyldro. | 0:38:45 | 0:38:48 | |
-Perfect! | 0:38:48 | 0:38:50 | |
-Do you have a cold, Beti? | 0:38:50 | 0:38:52 | |
-Myself and the great director -we had, may he rest in peace... | 0:38:58 | 0:39:02 | |
-..had been searching for actors to -take part in Torri Gwynt for months. | 0:39:03 | 0:39:08 | |
-We found William, Nia and Gareth, -who were all quite experienced. | 0:39:08 | 0:39:13 | |
-William had trodden the boards, -to quote Gandhi... | 0:39:14 | 0:39:18 | |
-..Nia had won awards -and Gareth had some nice jumpers. | 0:39:18 | 0:39:22 | |
-All three had one thing in common. | 0:39:24 | 0:39:26 | |
-They were cheap. | 0:39:30 | 0:39:32 | |
-They were desperate for work -and they did it for peanuts. | 0:39:32 | 0:39:36 | |
-Joblot rigged the pig -like a booby trap... | 0:39:39 | 0:39:41 | |
-..in case the CIA caught him. | 0:39:42 | 0:39:44 | |
-Now, Rhych must defuse the bomb. | 0:39:45 | 0:39:48 | |
-Scalpel! | 0:39:49 | 0:39:50 | |
-Bloody static! | 0:39:52 | 0:39:54 | |
-THE PIG SQUEALS | 0:39:57 | 0:39:58 | |
-Forceps. | 0:39:58 | 0:40:00 | |
-Thank you. | 0:40:04 | 0:40:05 | |
-Tea. | 0:40:10 | 0:40:11 | |
-Tea. - -There you go. | 0:40:11 | 0:40:13 | |
-Thank you. | 0:40:13 | 0:40:14 | |
-The pig's safe now. | 0:40:17 | 0:40:19 | |
-Oh, no! This is terrible! | 0:40:30 | 0:40:32 | |
-Where are the tablecloths? -There are nun on the table! | 0:40:34 | 0:40:38 | |
-CHOIR SINGS CWM RHONDDA | 0:40:41 | 0:40:43 | |
-Here you go, Steff. Thanks, buddy. | 0:40:43 | 0:40:46 | |
-Shut your cakeholes! | 0:40:49 | 0:40:50 | |
-Bloody Morriston Choir! | 0:40:50 | 0:40:52 | |
-Bloody static! | 0:40:54 | 0:40:56 | |
-Give us a song, Katherine. | 0:40:58 | 0:41:00 | |
-Sing something operatic. | 0:41:01 | 0:41:03 | |
-No! I can't sing opera. | 0:41:04 | 0:41:06 | |
-But you're Katherine bloody Jenkins, -so you can sing opera. | 0:41:08 | 0:41:13 | |
-I see. That's how it is, is it? | 0:41:15 | 0:41:17 | |
-I lost my job down the pit -and I lost my dole. | 0:41:17 | 0:41:20 | |
-I have an ugly, perverted, -spiteful son. | 0:41:21 | 0:41:24 | |
-I'm not spiteful. | 0:41:24 | 0:41:26 | |
-My wife dreams about Paul Robeson. | 0:41:26 | 0:41:28 | |
-My wife dreams about Paul Robeson. - -# Old man river, that old man... # | 0:41:28 | 0:41:32 | |
-And my daughter -refuses to sing opera to her father. | 0:41:32 | 0:41:36 | |
-And beyond that, -it's winter in the Rhondda Valley... | 0:41:36 | 0:41:41 | |
-..in 19-bloody-22 bloody! | 0:41:41 | 0:41:43 | |
-Maybe you suffer from SAD, Dad. | 0:41:44 | 0:41:47 | |
-SAD? | 0:41:47 | 0:41:49 | |
-SAD - seasonal affected disorder. | 0:41:50 | 0:41:54 | |
-A lack of sunshine. | 0:41:55 | 0:41:56 | |
-You can't see the light. | 0:41:57 | 0:41:59 | |
-What can I do about it? | 0:42:00 | 0:42:01 | |
-KNOCK ON DOOR | 0:42:02 | 0:42:03 | |
-Oh, come in! | 0:42:05 | 0:42:08 | |
-Who was that? | 0:42:15 | 0:42:16 | |
-Who was that? - -Fed, my ex! | 0:42:16 | 0:42:17 | |
-Package for you, Rhych. | 0:42:18 | 0:42:19 | |
-Oh, thank you. | 0:42:20 | 0:42:21 | |
-This will cure your SAD, Dad. | 0:42:24 | 0:42:26 | |
-I bought this lamp off I Bay. -It's lucky it got here just in time. | 0:42:27 | 0:42:31 | |
-Rhych, my son, -I'll never call you spiteful again. | 0:42:32 | 0:42:37 | |
-And now... | 0:42:38 | 0:42:39 | |
-..I'm going to the shed. | 0:42:42 | 0:42:44 | |
-And now, I'm going to the shed. | 0:42:47 | 0:42:50 | |
-I'm going to record -a Christmas album. | 0:43:01 | 0:43:04 | |
-That's nice! Light opera? Crossover? | 0:43:05 | 0:43:08 | |
-That's nice! Light opera? Crossover? - -Crossover. | 0:43:08 | 0:43:09 | |
-A few songs from the musicals -and a couple of Welsh songs. | 0:43:09 | 0:43:14 | |
-Old Man River? | 0:43:14 | 0:43:16 | |
-Old Man River? - -No. | 0:43:16 | 0:43:17 | |
-I wonder how Father's getting on -with the new lamp. | 0:43:18 | 0:43:22 | |
-What was that? | 0:43:28 | 0:43:29 | |
-Bloody static! | 0:43:30 | 0:43:32 | |
-Ricky H is back! | 0:43:37 | 0:43:39 | |
-This is his tribute -to country and western music. | 0:43:40 | 0:43:43 | |
-Yeehah! | 0:43:43 | 0:43:45 | |
-# Don't tell my hat, -my a key break key hat | 0:45:04 | 0:45:07 | |
-# I just don't think he'd understand | 0:45:07 | 0:45:10 | |
-# And if ewe tell my hat, -my a key break key hat | 0:45:12 | 0:45:15 | |
-# He might blow up -and kill this man, ooh! | 0:45:16 | 0:45:19 | |
-# Don't tell my hat, -my a key break key hat | 0:45:20 | 0:45:23 | |
-# I just don't think he'd understand | 0:45:24 | 0:45:25 | |
-# And if ewe tell my hat, -my a key break key hat | 0:45:27 | 0:45:31 | |
-# He might blow up -and kill this man, ooh! | 0:45:32 | 0:45:35 | |
-# Don't tell my hat, -my a key break key hat | 0:45:35 | 0:45:38 | |
-# I just don't think he'd understand | 0:45:39 | 0:45:42 | |
-# And if ewe tell my hat, -my a key break key hat | 0:45:43 | 0:45:47 | |
-# He might blow up -and kill this man | 0:45:47 | 0:45:50 | |
-# Ooh! # | 0:45:50 | 0:45:52 | |
-APPLAUSE | 0:45:54 | 0:45:55 | |
-I knew it! | 0:46:00 | 0:46:02 | |
-He's working for Rupert Murdoch! | 0:46:02 | 0:46:05 | |
-Look at his face! | 0:46:05 | 0:46:07 | |
-He called the manager -and complained about my wife. | 0:46:07 | 0:46:11 | |
-No, about my brother! | 0:46:11 | 0:46:13 | |
-Absolutely. | 0:46:13 | 0:46:15 | |
-Oh, he's good! Very good! | 0:46:15 | 0:46:17 | |
-I haven't seen a Dane since the -Hindenburg flew over the house... | 0:46:17 | 0:46:22 | |
-..in 1943. | 0:46:22 | 0:46:24 | |
-Sorry! Once again. | 0:46:26 | 0:46:27 | |
-Welcome to Beti A'i Phobol. | 0:46:28 | 0:46:30 | |
-No, no, no, no, no-no, no! | 0:46:34 | 0:46:36 | |
-# Mm! | 0:46:38 | 0:46:40 | |
-# Hei noni noni noni, noni noni no. -Hei noni noni, noni noni no | 0:46:40 | 0:46:44 | |
-# Hei noni noni, noni noni no. -Hei noni noni, noni noni no | 0:46:44 | 0:46:48 | |
-# Hei noni noni noni, noni noni no. -Hei noni noni, noni noni no | 0:46:49 | 0:46:53 | |
-# Hei noni noni, noni noni no. -Hei noni noni, noni noni no | 0:46:53 | 0:46:57 | |
-# Hei noni noni noni, noni noni no. -Hei noni noni, noni noni no | 0:46:57 | 0:47:01 | |
-# Hei noni noni, noni noni no. -Hei noni noni, noni noni no | 0:47:02 | 0:47:06 | |
-# Hei noni noni noni, noni noni no. -Hei noni noni, noni noni no | 0:47:06 | 0:47:10 | |
-# Hei noni noni, noni noni no. -Hei noni noni, noni noni no # | 0:47:11 | 0:47:15 | |
-Another show over. Remove the -make-up and wash the dishes. | 0:47:16 | 0:47:21 | |
-Put the cat out, -though it was never on fire. | 0:47:21 | 0:47:24 | |
-To quote Gandhi, goodnight to you. | 0:47:24 | 0:47:26 | |
-If you're watching a recording -of the show, goodnight. | 0:47:27 | 0:47:30 | |
-This autocue's fast! | 0:47:31 | 0:47:32 | |
-S4C subtitles by Eirlys A Jones | 0:47:33 | 0:47:36 | |
-. | 0:47:36 | 0:47:36 |
