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-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-It really is fate. | 0:00:05 | 0:00:07 | |
-I wasn't looking for a cave. | 0:00:08 | 0:00:11 | |
-I've been here for... | 0:00:11 | 0:00:14 | |
-..I don't know, a year. | 0:00:15 | 0:00:18 | |
-Isn't that right, Apollo. | 0:00:19 | 0:00:21 | |
-Aron Elias from Porthmadog is known -for being the lead singer... | 0:00:30 | 0:00:33 | |
-..of one of Wales' most influential -hip-hop bands, Pep Le Pew. | 0:00:33 | 0:00:37 | |
-For almost two years, Aron has been -living in Granada in southern Spain. | 0:00:37 | 0:00:42 | |
-Granada is known for -its Arabian palace, the Alhambra... | 0:01:00 | 0:01:04 | |
-..and is home -to the flamenco tradition. | 0:01:04 | 0:01:06 | |
-Welcome to Ochr 1 with Aron Elias. | 0:01:07 | 0:01:09 | |
-One Dalmatian. | 0:01:24 | 0:01:26 | |
-The cat has been meowing for days. -It's been eating the same as me. | 0:01:43 | 0:01:48 | |
-I asked for some cat food -but they gave me dog food. | 0:01:48 | 0:01:52 | |
-Anyway, cats will eat anything. | 0:01:52 | 0:01:55 | |
-I'm worried for the cat. | 0:02:15 | 0:02:16 | |
-A year ago, in another cave, -I had been doing a gig. | 0:02:17 | 0:02:20 | |
-I played every Sunday. -I was the house guitarist. | 0:02:20 | 0:02:23 | |
-I found a cat's body -without its head. | 0:02:24 | 0:02:27 | |
-A dog had bitten it off. -It wasn't a nice sight. | 0:02:27 | 0:02:31 | |
-I'm worried for my cat -so I'm teaching it how to fight. | 0:02:31 | 0:02:34 | |
-I scrap with the cat -to toughen it up. | 0:02:34 | 0:02:38 | |
-A Boy Named Sue. | 0:02:38 | 0:02:39 | |
-Like Johnny Cash's song. | 0:02:40 | 0:02:43 | |
-The father called his son Sue. | 0:02:44 | 0:02:49 | |
-Sue becomes hard as nails. | 0:02:50 | 0:02:55 | |
-He finds his father -and says, "Hi, my name is Sue". | 0:02:56 | 0:03:00 | |
-"Hello, how are you?" | 0:03:01 | 0:03:02 | |
-They have a big fight. | 0:03:02 | 0:03:04 | |
-You know the song. | 0:03:04 | 0:03:06 | |
-He explains it in the end -by saying... | 0:03:07 | 0:03:10 | |
-.."Son, listen, this life is tough. | 0:03:11 | 0:03:13 | |
-"You have to be tough -in this world... | 0:03:13 | 0:03:16 | |
-"..and I have to tell you that -was the hardest slap I've ever had. | 0:03:16 | 0:03:20 | |
-"If I hadn't named you Sue, you -wouldn't be half the man you are." | 0:03:20 | 0:03:24 | |
-Or something like that. | 0:03:25 | 0:03:26 | |
-In a cat context, obviously. | 0:03:28 | 0:03:30 | |
-Sacromonte Caves near Granada | 0:03:35 | 0:03:37 | |
-A lot of people come here -to look for a cave. | 0:03:45 | 0:03:48 | |
-I didn't come here -looking for a cave. | 0:03:48 | 0:03:50 | |
-A cave? Why on earth -would I want to live in a cave? | 0:03:51 | 0:03:54 | |
-It just happened one Christmas... | 0:03:55 | 0:03:57 | |
-..after I had been refused -an Arts Council grant. | 0:03:57 | 0:04:01 | |
-I don't give a shit. | 0:04:01 | 0:04:02 | |
-I had no money. | 0:04:03 | 0:04:05 | |
-It's not my cave. I'm not a caveman! | 0:04:07 | 0:04:10 | |
-That's where I live at the moment. | 0:04:14 | 0:04:16 | |
-These sandals cost 2 euros -and are good for nothing. | 0:04:23 | 0:04:26 | |
-There's a hell of a mess here. | 0:04:42 | 0:04:44 | |
-Pep Le Pew were Aron Elias, Dyl Mei, -Ed Holden and Dave Thomas. | 0:04:57 | 0:05:02 | |
-What was the highlight? | 0:05:10 | 0:05:12 | |
-Pep Le Pew, well... | 0:05:14 | 0:05:17 | |
-..I was spoilt. | 0:05:18 | 0:05:19 | |
-We pissed everybody off. | 0:05:20 | 0:05:23 | |
-We were like -the new kids on the block. | 0:05:23 | 0:05:26 | |
-We were an ordinary group of lads. | 0:05:26 | 0:05:28 | |
-I've found Pep Le Pew here. | 0:05:29 | 0:05:31 | |
-They're eager to carry on drinking -and socialising. | 0:05:31 | 0:05:36 | |
-I'm going to be quick. | 0:05:36 | 0:05:37 | |
-How are you, Aron? | 0:05:38 | 0:05:39 | |
-How are you, Aron? - -Not bad. | 0:05:39 | 0:05:40 | |
-Are you enjoying Miri Madog? | 0:05:40 | 0:05:41 | |
-Are you enjoying Miri Madog? - -Yes, I'm keeping it level. | 0:05:41 | 0:05:43 | |
-I'm not going overboard. | 0:05:43 | 0:05:45 | |
-We're pissed off -our names aren't on the T-shirts. | 0:05:45 | 0:05:48 | |
-We're underground. -It's cooler to be underrated. | 0:05:49 | 0:05:52 | |
-I was in my first band at 14. -It was heavy metal. | 0:06:19 | 0:06:22 | |
-We played in Nant Gwynant -at a friend's party in a cowshed. | 0:06:23 | 0:06:29 | |
-There was a rave after. | 0:06:31 | 0:06:32 | |
-The drummer had great rhythm. | 0:06:33 | 0:06:35 | |
-Osian, Dyl Mei's brother, -was on the bass. He couldn't play. | 0:06:37 | 0:06:42 | |
-He'd drank too much -and he was on the floor. | 0:06:44 | 0:06:48 | |
-The drummer was on amphetamines. | 0:06:49 | 0:06:52 | |
-He was just playing on his own. | 0:06:52 | 0:06:53 | |
-I was just playing on my own too. | 0:06:54 | 0:06:56 | |
-It was hopeless. -That was the first band. | 0:06:56 | 0:07:00 | |
-After the rock phase, -I shaved my hair. | 0:07:04 | 0:07:08 | |
-Then it was techno. | 0:07:09 | 0:07:11 | |
-But I still really felt that -I wanted to continue with music. | 0:07:12 | 0:07:16 | |
-What I like is, I'm a bass junky. | 0:07:16 | 0:07:20 | |
-So I learned bass. | 0:07:21 | 0:07:22 | |
-I hitchhiked with a guy -called John to Glastonbury. | 0:07:23 | 0:07:27 | |
-I saw Roni Size and Reprazent -with the double bass. | 0:07:28 | 0:07:32 | |
-They mixed electronic elements with -a drummer, double bass, a rapper... | 0:07:32 | 0:07:38 | |
-..a girl singing and synths -with Roni Size on the decks. | 0:07:38 | 0:07:43 | |
-I thought when I was 17, -"That's what I want to do." | 0:07:43 | 0:07:48 | |
-I want to do that. | 0:07:48 | 0:07:49 | |
-I was a bassist and a guitarist -and a frontman. | 0:08:08 | 0:08:13 | |
-We had a drummer, Dave. | 0:08:14 | 0:08:16 | |
-I had the idea of asking Dyl. | 0:08:17 | 0:08:20 | |
-Dave said, "Ask Dyl? -Bloody hell, yes, of course!" | 0:08:20 | 0:08:25 | |
-Then, "Dyl, fancy doing... | 0:08:26 | 0:08:29 | |
-"Like Roni. You can be Roni Size." | 0:08:29 | 0:08:32 | |
-"You can be Roni Size." | 0:08:33 | 0:08:35 | |
-And then, you know, -there were three of us. | 0:08:35 | 0:08:39 | |
-I liked Busta Rhymes. | 0:08:40 | 0:08:42 | |
-"Wah, do wah!" | 0:08:42 | 0:08:43 | |
-Or ODB. | 0:08:44 | 0:08:46 | |
-Yes, I liked them. | 0:08:48 | 0:08:50 | |
-Everybody thought I was nuts. | 0:08:50 | 0:08:54 | |
-Well, I am! | 0:08:54 | 0:08:56 | |
-We started Pep Le Pew and then it -was like its own little machine. | 0:09:20 | 0:09:26 | |
-It was like an animal or a dragon -with a life of its own. | 0:09:26 | 0:09:30 | |
-I lost my... I'm a rebel. | 0:09:30 | 0:09:32 | |
-"You're a Welsh hip-hop band." -No, we're not. | 0:09:33 | 0:09:37 | |
-I don't like to be labelled. | 0:09:37 | 0:09:40 | |
-We live in a world of labels. | 0:09:40 | 0:09:42 | |
-You're this, you're this. | 0:09:42 | 0:09:44 | |
-I lost heart. | 0:09:45 | 0:09:48 | |
-I got lost in the... -I was the frontman, the face. | 0:09:48 | 0:09:53 | |
-The frontman has to be confident. | 0:09:53 | 0:09:57 | |
-A master of ceremony. | 0:09:58 | 0:09:59 | |
-If not, if you're meek and say... | 0:10:00 | 0:10:02 | |
-.."Alright? -I'm going to play a song"... | 0:10:02 | 0:10:05 | |
-..a thousand people -would tear you to shreds. | 0:10:06 | 0:10:09 | |
-Boof! | 0:10:10 | 0:10:11 | |
-What fucked me up -was I got lost in the character. | 0:10:33 | 0:10:37 | |
-I was Aron Pep Le Pew. -Ra-da-da-da-da! | 0:10:37 | 0:10:40 | |
-That wasn't really me. | 0:10:42 | 0:10:44 | |
-I'm quite quiet really. | 0:10:44 | 0:10:46 | |
-I'm acting like me now -in front of the camera. | 0:10:46 | 0:10:49 | |
-I had a nervous breakdown -when it finished. | 0:10:50 | 0:10:53 | |
-. | 0:11:09 | 0:11:10 | |
-Subtitles | 0:11:12 | 0:11:12 | |
-Subtitles - -Subtitles | 0:11:12 | 0:11:14 | |
-It's really messy. | 0:11:33 | 0:11:34 | |
-Hey! | 0:11:38 | 0:11:40 | |
-HE SPEAKS SPANISH | 0:11:40 | 0:11:43 | |
-I was telling the dog -that I'd got him some food... | 0:11:50 | 0:11:53 | |
-..but that he doesn't know -what 'dog' means. | 0:11:53 | 0:11:57 | |
-It's really messy here! | 0:11:59 | 0:12:01 | |
-I'm just going to feed the cat. | 0:12:14 | 0:12:17 | |
-Mess. | 0:12:23 | 0:12:24 | |
-That'll do for the cat. | 0:12:25 | 0:12:27 | |
-Fucking yuck! | 0:12:30 | 0:12:32 | |
-Yuck! | 0:12:33 | 0:12:34 | |
-What the fuck is this? | 0:12:34 | 0:12:36 | |
-Fucking eat that, you noisy thing. | 0:12:38 | 0:12:42 | |
-A bloke, a gypsy, told me... | 0:12:42 | 0:12:45 | |
-..there are many rules. | 0:12:45 | 0:12:47 | |
-These caves -are for penniless people. | 0:12:47 | 0:12:50 | |
-Compared to some people... | 0:12:52 | 0:12:54 | |
-There are people who have no money. -Nothing at all. | 0:12:54 | 0:12:58 | |
-Sometimes, because of work I've done -in the past, or something... | 0:12:58 | 0:13:03 | |
-..I sometimes have about 50. | 0:13:03 | 0:13:05 | |
-Sometimes. | 0:13:06 | 0:13:07 | |
-But there's the very poor too. -They have nothing. | 0:13:08 | 0:13:11 | |
-It's a choice. | 0:13:12 | 0:13:14 | |
-I could choose to try and get a flat -and a proper job. | 0:13:14 | 0:13:19 | |
-But I like it. | 0:13:20 | 0:13:22 | |
-I appreciate things more. | 0:13:23 | 0:13:25 | |
-I do exercises. | 0:13:28 | 0:13:30 | |
-I don't watch too much... | 0:13:30 | 0:13:32 | |
-I don't watch TV. -There's no electricity. | 0:13:32 | 0:13:35 | |
-I have a cooker. It's disgusting. | 0:13:35 | 0:13:38 | |
-It hasn't been here for long. -It's disgusting. | 0:13:39 | 0:13:42 | |
-I don't want my family to see it. | 0:13:42 | 0:13:44 | |
-It's cool here in the summer... | 0:13:45 | 0:13:47 | |
-..and it's warmer -than the houses in winter. | 0:13:48 | 0:13:51 | |
-It's underground. | 0:13:52 | 0:13:53 | |
-But there's a colony of insects -here. | 0:13:53 | 0:13:56 | |
-That's a good practice -for doing meditation. | 0:13:57 | 0:14:00 | |
-Practising guitar - trying to play -a song, I don't know... | 0:14:00 | 0:14:05 | |
-..a classical song -such as by Agustin Barrios... | 0:14:05 | 0:14:10 | |
-..with about seven insects -attacking you. | 0:14:10 | 0:14:13 | |
-Trying to carry on playing -without doing this. | 0:14:13 | 0:14:17 | |
-It tests your patience. | 0:14:19 | 0:14:21 | |
-I hope there are no cameras here... | 0:14:23 | 0:14:26 | |
-..because I'm like this! | 0:14:26 | 0:14:28 | |
-One evening, -I was waving a stick about. | 0:14:28 | 0:14:31 | |
-Doing all this. | 0:14:31 | 0:14:32 | |
-There's a power... | 0:14:39 | 0:14:40 | |
-..something magnetic here. | 0:14:41 | 0:14:43 | |
-There must be because people -from all cultures have come here. | 0:14:43 | 0:14:49 | |
-We're close -but we all have our quirks. | 0:14:53 | 0:14:59 | |
-It's like a community. | 0:14:59 | 0:15:01 | |
-We're all from different places. -One love. | 0:15:02 | 0:15:06 | |
-Hey! | 0:15:07 | 0:15:08 | |
-He's self-sufficient. | 0:15:10 | 0:15:12 | |
-He's grown all this. | 0:15:12 | 0:15:14 | |
-Plants, vegetables. | 0:15:15 | 0:15:18 | |
-Sergio is the real thing. -He's what I'm aiming to be. | 0:15:19 | 0:15:25 | |
-He's created this. | 0:15:25 | 0:15:27 | |
-A lot of people -have been coming here. | 0:15:54 | 0:15:57 | |
-Lots of artists. | 0:15:57 | 0:15:59 | |
-Lots of poets. | 0:15:59 | 0:16:01 | |
-Everyone here can play guitar. | 0:16:02 | 0:16:04 | |
-Ibrahim. | 0:16:55 | 0:16:56 | |
-One evening, around a year -and a half to two years ago... | 0:16:56 | 0:17:01 | |
-..we met while having a jam -with the lads. | 0:17:02 | 0:17:04 | |
-He had this instrument. | 0:17:05 | 0:17:06 | |
-It looked like a kora. | 0:17:07 | 0:17:08 | |
-I heard it and thought, "Wow!" | 0:17:16 | 0:17:19 | |
-Jimi Hendrix blues -in minor pentatonic! | 0:17:19 | 0:17:23 | |
-It looks like a fruit -crossed with a harp. | 0:17:39 | 0:17:42 | |
-From Mali. The blues. | 0:17:43 | 0:17:45 | |
-It's the blues I fell in love with -first, musically. | 0:17:45 | 0:17:48 | |
-My brother -gave me a Muddy Waters tape. | 0:17:49 | 0:17:52 | |
-Muddy Waters and Johnny Winter. | 0:17:52 | 0:17:54 | |
-Howling Wolf. | 0:17:55 | 0:17:56 | |
-I idolized these African-Americans. | 0:17:56 | 0:18:00 | |
-Then I came here -and met a guy from Mali, Africa... | 0:18:01 | 0:18:05 | |
-..playing the blues, -but the original blues. | 0:18:05 | 0:18:09 | |
-I love listening -to different languages. | 0:18:23 | 0:18:26 | |
-Hearing the sound. | 0:18:26 | 0:18:27 | |
-Even though I don't understand -what he's saying... | 0:18:28 | 0:18:32 | |
-..I do. | 0:18:32 | 0:18:34 | |
-You do. You can feel it. | 0:18:34 | 0:18:36 | |
-I didn't understand what the song -was about until he smiled. | 0:18:36 | 0:18:41 | |
-I learned a lot from him too. | 0:18:43 | 0:18:45 | |
-They celebrate life. | 0:18:45 | 0:18:47 | |
-The gitanos too with flamenco. -Celebrating life. Vamos! | 0:18:47 | 0:18:52 | |
-Ibrahim with Malian music. | 0:18:52 | 0:18:55 | |
-Come on! | 0:18:55 | 0:18:56 | |
-I felt I'd had a shot of adrenalin! | 0:18:57 | 0:19:01 | |
-Boof! | 0:19:03 | 0:19:04 | |
-. | 0:20:33 | 0:20:33 | |
-Subtitles - -Subtitles | 0:20:36 | 0:20:38 | |
-HE SPEAKS SPANISH | 0:21:25 | 0:21:27 | |
-She's a lifesaver. -She's made me coffee. | 0:21:34 | 0:21:37 | |
-She's like the mother figure here. | 0:21:40 | 0:21:43 | |
-You don't fall out with her. | 0:21:44 | 0:21:46 | |
-She makes tea. | 0:21:48 | 0:21:49 | |
-The mint plants -grow wild around here. | 0:21:50 | 0:21:53 | |
-You pick it and break it up. | 0:21:55 | 0:21:58 | |
-Granada is a very cultural city. | 0:22:26 | 0:22:30 | |
-People come here to study -from all over the world. | 0:22:31 | 0:22:35 | |
-People like me -without financial support... | 0:22:35 | 0:22:40 | |
-..so we come here to study. | 0:22:40 | 0:22:42 | |
-I go to the library, Centro de -Documentacion Musical de Andalucia. | 0:22:45 | 0:22:51 | |
-This is like my office -when I'm learning a song. | 0:22:52 | 0:22:56 | |
-It's the hub... | 0:22:57 | 0:22:59 | |
-..for all the scores -of Andalucia's traditional music. | 0:22:59 | 0:23:05 | |
-Centro de Documentacion Musical -de Andalucia. | 0:23:06 | 0:23:12 | |
-Let's go in. | 0:23:13 | 0:23:15 | |
-They've been great. | 0:23:16 | 0:23:18 | |
-They've given me a card despite -my not having a formal address. | 0:23:18 | 0:23:23 | |
-I was very lucky to get a card... | 0:23:27 | 0:23:30 | |
-..because you normally need to give -a phone number and a house number. | 0:23:30 | 0:23:35 | |
-I have neither. | 0:23:35 | 0:23:37 | |
-It's great. The banks -have no idea where to find me. | 0:23:38 | 0:23:41 | |
-They are so good to me. | 0:23:49 | 0:23:51 | |
-I don't have electricity -in the cave so I come here. | 0:23:53 | 0:23:57 | |
-I'm charging things up. | 0:24:00 | 0:24:02 | |
-If I need a score... | 0:24:19 | 0:24:22 | |
-..by Chopin or Angel Barrios... | 0:24:22 | 0:24:28 | |
-..I get to borrow it here. | 0:24:28 | 0:24:34 | |
-I learn slowly -by listening here in the mornings. | 0:24:35 | 0:24:39 | |
-I try to memorize it by -listening to it over and over again. | 0:24:39 | 0:24:43 | |
-Then I go back and read it -and try to remember it in my mind. | 0:24:44 | 0:24:48 | |
-Putting my OCD to good use. | 0:24:49 | 0:24:51 | |
-Making my obsession a positive. | 0:24:51 | 0:24:54 | |
-I learn better by listening -than by reading a score. | 0:24:59 | 0:25:03 | |
-I'm a little illiterate musically. | 0:25:04 | 0:25:06 | |
-It's a lot of work. | 0:25:09 | 0:25:11 | |
-I've been learning -Clair de Lune for five years. | 0:25:11 | 0:25:14 | |
-I still haven't cracked it. | 0:25:14 | 0:25:16 | |
-I tried to play it -on Radio Cymru. Embarrassing. | 0:25:16 | 0:25:19 | |
-This is chromatic. | 0:25:37 | 0:25:39 | |
-It's on bass. | 0:25:41 | 0:25:43 | |
-I'm trying to work it out for -a guitar. It should be possible. | 0:25:43 | 0:25:47 | |
-It's a lot of work. | 0:25:47 | 0:25:49 | |
-There's this film called The Pianist -or Piano Player about a man... | 0:25:49 | 0:25:53 | |
-..having a nervous breakdown -after learning a Tchaikovsky piece! | 0:25:54 | 0:25:58 | |
-It's a true story about this -character that learns a huge piece. | 0:25:58 | 0:26:03 | |
-He has a breakdown after -performing it and getting applauded. | 0:26:03 | 0:26:07 | |
-He had a fit -and ended up in hospital. | 0:26:07 | 0:26:12 | |
-It looks a bit like Bethesda. | 0:26:41 | 0:26:44 | |
-Snowdonia. | 0:26:44 | 0:26:46 | |
-What's great... | 0:26:50 | 0:26:52 | |
-..is one minute you're in a city... | 0:26:52 | 0:26:54 | |
-..and the next minute -the nearest thing to silence. | 0:26:57 | 0:27:03 | |
-There is no silence. | 0:27:07 | 0:27:08 | |
-I can hear a flute. | 0:27:09 | 0:27:10 | |
-Where's the best place? | 0:27:23 | 0:27:25 | |
-I've always been interested. | 0:28:05 | 0:28:08 | |
-I did karate when I was a kid. | 0:28:09 | 0:28:12 | |
-I've researched meditation. | 0:28:13 | 0:28:16 | |
-Zen from Japan. | 0:28:17 | 0:28:19 | |
-Tai chi from China. | 0:28:19 | 0:28:21 | |
-People think it's hippy-dippy. | 0:28:22 | 0:28:25 | |
-Every atom of the body -requires oxygen. | 0:28:25 | 0:28:30 | |
-There's a scientific way -of explaining meditation. | 0:28:31 | 0:28:36 | |
-It's about moving in time -with your breathing. | 0:28:37 | 0:28:42 | |
-Meditation -is about clearing the mind. | 0:29:04 | 0:29:08 | |
-Look at these clouds. | 0:29:10 | 0:29:12 | |
-The clouds are like your worries. | 0:29:12 | 0:29:16 | |
-"Facebook. -What will I eat tomorrow?" | 0:29:16 | 0:29:19 | |
-"I've got a bill to pay, -blah, blah." | 0:29:19 | 0:29:22 | |
-"I'm in love." | 0:29:22 | 0:29:24 | |
-"Everything's a shambles." | 0:29:25 | 0:29:29 | |
-Just let all those things pass -like a cloud in the sky. | 0:29:29 | 0:29:34 | |
-That's the aim with meditation. | 0:29:34 | 0:29:39 | |
-I've always had -a wall of thoughts in my mind. | 0:29:41 | 0:29:46 | |
-When I had a nervous breakdown... | 0:30:00 | 0:30:02 | |
-..I was following it, -not letting it pass. | 0:30:02 | 0:30:05 | |
-"My life is crap -and I've fucked it up." | 0:30:05 | 0:30:09 | |
-I followed that cloud... | 0:30:10 | 0:30:12 | |
-..and all I thought about -that day... | 0:30:12 | 0:30:15 | |
-..stayed in the same tone or chord. | 0:30:15 | 0:30:19 | |
-That's me explaining -the bad thoughts in music terms. | 0:30:19 | 0:30:25 | |
-That's my way of explaining it. | 0:30:25 | 0:30:27 | |
-I'm good at speaking about it -but not at countering it. | 0:30:28 | 0:30:32 | |
-I've been interested in mindfulness -and mental health... | 0:30:36 | 0:30:41 | |
-..all my life. | 0:30:41 | 0:30:44 | |
-There was illness in my family -and I had to learn about it. | 0:30:45 | 0:30:49 | |
-From my experience... | 0:30:49 | 0:30:51 | |
-..of seeing the effects of -pharmaceutical drugs on people... | 0:30:52 | 0:30:57 | |
-..I've concluded they don't work... | 0:30:58 | 0:31:00 | |
-..they just brush -the problems under a mat, or bed. | 0:31:01 | 0:31:07 | |
-The problems increase -and there are after-effects. | 0:31:07 | 0:31:10 | |
-They make people worse. | 0:31:10 | 0:31:13 | |
-In my opinion, -it shouldn't be seen as an illness. | 0:31:15 | 0:31:19 | |
-It's normal after losing a child -or being in an accident... | 0:31:20 | 0:31:26 | |
-..to feel sad or depressed -and be unable to concentrate. | 0:31:26 | 0:31:31 | |
-They call it psychosis because -you focus so much on the problems. | 0:31:31 | 0:31:36 | |
-The trauma. | 0:31:36 | 0:31:37 | |
-It's not madness -to have these feelings... | 0:31:38 | 0:31:42 | |
-..after something awful's happened. | 0:31:43 | 0:31:45 | |
-Tai chi or mindfulness. -There's no right way. | 0:31:46 | 0:31:49 | |
-Meditation is the best way ahead. | 0:31:49 | 0:31:52 | |
-I was on Prozac at 18. | 0:31:56 | 0:31:58 | |
-Fuck! 18! | 0:31:59 | 0:32:01 | |
-Why? | 0:32:02 | 0:32:04 | |
-I was growing and it was normal -for my hormones to be going mad... | 0:32:04 | 0:32:08 | |
-..with complex emotional events -going on in my family. | 0:32:09 | 0:32:14 | |
-It was natural for me -to be a bit fucked up. | 0:32:14 | 0:32:19 | |
-Excuse my language! | 0:32:19 | 0:32:21 | |
-I'm much better. | 0:32:21 | 0:32:24 | |
-I'm coping much better -than even a year ago... | 0:32:24 | 0:32:27 | |
-..since learning how to meditate. | 0:32:28 | 0:32:32 | |
-Meditation just helps. | 0:32:33 | 0:32:35 | |
-But not without the spitting. | 0:32:37 | 0:32:39 | |
-. | 0:34:28 | 0:34:28 | |
-Subtitles - -Subtitles | 0:34:31 | 0:34:33 | |
-Hello? | 0:34:55 | 0:34:56 | |
-KNOCKS ON DOOR | 0:35:07 | 0:35:08 | |
-You've caught me in a crisis. | 0:35:16 | 0:35:18 | |
-I've got no sensible trousers. | 0:35:18 | 0:35:20 | |
-How are you? | 0:35:20 | 0:35:22 | |
-Despite not having a lot of clothes, -I'm still vain. | 0:35:26 | 0:35:29 | |
-I still want to look, not good... | 0:35:29 | 0:35:32 | |
-..I just want to look... | 0:35:32 | 0:35:34 | |
-I've only got half a mirror here. | 0:35:35 | 0:35:37 | |
-I don't like my hair -as it isn't the same colour. | 0:35:38 | 0:35:41 | |
-I haven't got any clothes. | 0:35:52 | 0:35:54 | |
-I haven't had a cup of tea yet. | 0:35:56 | 0:35:58 | |
-I just woke up -and did bits and bobs. | 0:35:58 | 0:36:00 | |
-I sat over there -and stared for a while. | 0:36:00 | 0:36:03 | |
-That was hours ago. | 0:36:03 | 0:36:05 | |
-Bandana or no bandana? | 0:36:07 | 0:36:08 | |
-I'm more worried about what I wear -than clearing this bloody mess. | 0:36:11 | 0:36:15 | |
-I have to keep everything -off the ground because of the mud. | 0:36:15 | 0:36:19 | |
-Clothes and everything. | 0:36:20 | 0:36:22 | |
-It's drier now than it was. | 0:36:22 | 0:36:24 | |
-It's getting hot, isn't it? | 0:36:40 | 0:36:42 | |
-Just think about cold water. | 0:36:43 | 0:36:47 | |
-Just things... | 0:36:47 | 0:36:48 | |
-If you can't get safe water. | 0:36:48 | 0:36:51 | |
-If it's too hot, the water's hot. | 0:36:51 | 0:36:54 | |
-It's great to wash in the day. | 0:36:56 | 0:36:58 | |
-You can wash in the day -with warm water if it's hot. | 0:36:58 | 0:37:03 | |
-You can't have -a glass of cold water, it's warm. | 0:37:04 | 0:37:08 | |
-He's one of my mates, -one of my friends. | 0:37:31 | 0:37:33 | |
-He's my guitar mentor. | 0:37:34 | 0:37:36 | |
-He plays -original gypsy flamenco guitar. | 0:37:36 | 0:37:39 | |
-I fell in love with flamenco, -the style that Salvador plays. | 0:37:47 | 0:37:53 | |
-Sabicas. | 0:37:55 | 0:37:56 | |
-The masters of masters. | 0:37:57 | 0:38:01 | |
-Salvador is up there. | 0:38:02 | 0:38:04 | |
-He's influenced a lot of people. | 0:38:05 | 0:38:07 | |
-I'd always seen Salvador -around on his own playing. | 0:38:20 | 0:38:25 | |
-I never went to speak to him -because I respected him. | 0:38:26 | 0:38:31 | |
-He manages to fill the square -by the cathedral... | 0:38:32 | 0:38:36 | |
-..with an incredible ambience. | 0:38:36 | 0:38:39 | |
-A musician sees another musician -on the street and helps him out. | 0:38:49 | 0:38:53 | |
-A musician won't ask -another one for money. | 0:38:53 | 0:38:56 | |
-There's respect -because we're on the same team. | 0:38:56 | 0:38:59 | |
-We get hassled by the police... | 0:39:00 | 0:39:02 | |
-..we go to the same places -to get papers and do the admin. | 0:39:02 | 0:39:05 | |
-Usually, you have to have a licence -for dangerous things like cars. | 0:39:09 | 0:39:13 | |
-Cars travel at 70mph -and can kill people. | 0:39:13 | 0:39:15 | |
-Guns, obviously. | 0:39:15 | 0:39:17 | |
-Guitars? | 0:39:17 | 0:39:19 | |
-What's the crack there? | 0:39:19 | 0:39:21 | |
-The sadness is a part -of the musician's spirit. | 0:39:30 | 0:39:36 | |
-Salvador plays with passion. | 0:39:37 | 0:39:40 | |
-All I have to do is watch him and I -learn something. I learn by hearing. | 0:39:46 | 0:39:50 | |
-Salvador is just great. | 0:40:11 | 0:40:14 | |
-Five wives, not at the same time. | 0:40:15 | 0:40:18 | |
-He's got children with all of them. | 0:40:19 | 0:40:21 | |
-He has children -in Australia, China... | 0:40:21 | 0:40:24 | |
-I didn't ask -about the other families. | 0:40:24 | 0:40:28 | |
-Maestro de maestros. | 0:40:40 | 0:40:42 | |
-The guy is amazing. | 0:40:45 | 0:40:46 | |
-It's pure flamenco. | 0:40:46 | 0:40:48 | |
-It's pure. | 0:40:48 | 0:40:49 | |
-The history of gypsies... | 0:40:56 | 0:40:59 | |
-..I've always been very interested -in their culture and their freedom. | 0:40:59 | 0:41:05 | |
-I've got a romantic image of gypsies -from my time living in Wales. | 0:41:06 | 0:41:10 | |
-They're nomadic, they travel, -people settle in one place. | 0:41:11 | 0:41:17 | |
-That carries on -one generation after another. | 0:41:17 | 0:41:20 | |
-They're people. -They're great characters. | 0:41:20 | 0:41:23 | |
-They're just natural. | 0:41:24 | 0:41:26 | |
-They've got the soul. | 0:41:27 | 0:41:28 | |
-They've got that special something. -It's in their blood. | 0:41:28 | 0:41:33 | |
-Granada has been -so, so kind with me. | 0:42:48 | 0:42:52 | |
-I'm lucky. Incredibly lucky. | 0:42:53 | 0:42:55 | |
-My brother Dylan -said I was blessed and cursed. | 0:42:56 | 0:43:00 | |
-It's a part of the journey. | 0:43:00 | 0:43:02 | |
-Granada has turned me into -more of a man. | 0:43:03 | 0:43:07 | |
-I think if my normal -was accepted in Wales, I'd return. | 0:44:41 | 0:44:46 | |
-I am scared of people. | 0:44:46 | 0:44:47 | |
-I love Wales. I miss my family. | 0:44:53 | 0:44:57 | |
-There's a lot of pain. | 0:44:57 | 0:44:59 | |
-I'm running away from myself. | 0:45:00 | 0:45:02 | |
-The character -that everyone sees on the outside. | 0:45:03 | 0:45:06 | |
-Yes, but this is why. -It's a new beginning. | 0:45:20 | 0:45:24 | |
-It's a new beginning for me -to be me... | 0:45:24 | 0:45:27 | |
-..not the character -Aron Pep Le Pew... | 0:45:27 | 0:45:30 | |
-..or the character -my parents wanted me to be... | 0:45:30 | 0:45:34 | |
-..or the character my friends -wanted me to be, or the fool. | 0:45:34 | 0:45:38 | |
-This is where I've bettered myself. | 0:45:38 | 0:45:40 | |
-I was confused -and trying to please everyone else. | 0:45:41 | 0:45:45 | |
-"What song would you like? OK." | 0:45:45 | 0:45:47 | |
-Musically, -I always played for other people. | 0:45:47 | 0:45:51 | |
-Here, I play what I feel. | 0:45:51 | 0:45:53 | |
-Wales, I love you, -but I want to be me now. | 0:45:56 | 0:46:01 | |
-S4C Subtitles by Testun Cyf. | 0:47:20 | 0:47:22 | |
-. | 0:47:22 | 0:47:23 |