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# Catch me if you can | 0:00:21 | 0:00:23 | |
# My name is Dan | 0:00:23 | 0:00:24 | |
# Sure I'm your man. # | 0:00:24 | 0:00:25 | |
THEY SING IN IRISH | 0:00:39 | 0:00:41 | |
# That was once upon a time | 0:00:46 | 0:00:49 | |
# Now we never seem to rock and roll any more. # | 0:00:49 | 0:00:54 | |
# I've a nice little cot and a small bit of land | 0:01:56 | 0:02:00 | |
# In a place by the side of the sea | 0:02:00 | 0:02:03 | |
# And I care about no-one because I believe | 0:02:05 | 0:02:09 | |
# There's nobody cares about me | 0:02:09 | 0:02:13 | |
# My peace is destroyed and I'm fairly annoyed | 0:02:13 | 0:02:17 | |
# By a lassie who works in the town | 0:02:17 | 0:02:22 | |
# She sighs every day as she passes the way | 0:02:22 | 0:02:26 | |
# Do you want your old lobby washed down? | 0:02:26 | 0:02:30 | |
# Do you want your old lobby washed down, Con Shine? | 0:02:30 | 0:02:34 | |
# Do you want your old lobby washed down? | 0:02:34 | 0:02:38 | |
# She sighs every day as she passes the way | 0:02:38 | 0:02:42 | |
# Do you want your old lobby washed down? | 0:02:42 | 0:02:46 | |
# The other day the old landlord came by for his rent | 0:02:47 | 0:02:51 | |
# I told him no money I had | 0:02:51 | 0:02:54 | |
# Besides, t'wasn't fair for to ask me to pay | 0:02:55 | 0:03:00 | |
# The times were so awfully bad | 0:03:00 | 0:03:03 | |
# He felt discontent at not getting his rent | 0:03:04 | 0:03:08 | |
# And he shook his big head with a frown | 0:03:08 | 0:03:11 | |
# Says he, "I'll take half," but says I with a laugh | 0:03:12 | 0:03:16 | |
# Do you want your old lobby washed down? | 0:03:16 | 0:03:20 | |
Who's going to sing? Come on. | 0:03:20 | 0:03:21 | |
# Do you want your old lobby washed down, Con Shine? | 0:03:21 | 0:03:25 | |
# Do you want your old lobby washed down? | 0:03:25 | 0:03:29 | |
# Says he, "I'll take half," but says I with a laugh | 0:03:29 | 0:03:33 | |
# Do you want your old lobby washed down? | 0:03:33 | 0:03:37 | |
# Now the boys look so bashful when they go out courting | 0:03:46 | 0:03:50 | |
# They seem to be so very shy | 0:03:50 | 0:03:53 | |
# As to kiss a young maid | 0:03:55 | 0:03:57 | |
# Sure they seem half afraid | 0:03:57 | 0:03:59 | |
# But they would if they could on the sly | 0:03:59 | 0:04:03 | |
# But me, I do things in a different way | 0:04:03 | 0:04:07 | |
# I don't give a nod or a frown | 0:04:07 | 0:04:10 | |
# When I go to court, I says, "Here goes for sport!" | 0:04:12 | 0:04:15 | |
# Do you want your old lobby washed down? | 0:04:15 | 0:04:19 | |
# Do you want your old lobby washed down, Con Shine? | 0:04:20 | 0:04:24 | |
# Do you want your old lobby washed down? | 0:04:24 | 0:04:27 | |
# When I go to court I says, "Here goes for sport!" | 0:04:29 | 0:04:33 | |
# Do you want your old lobby washed down? | 0:04:33 | 0:04:36 | |
# Do you want your old lobby washed down, Con Shine? | 0:04:37 | 0:04:41 | |
# Do you want your old lobby washed down | 0:04:41 | 0:04:46 | |
# When I go to court I says, "Here goes for sport!" | 0:04:46 | 0:04:50 | |
# Do you want your old lobby washed down, Con Shine? # | 0:04:50 | 0:04:53 | |
CHEERING AND APPLAUSE | 0:04:56 | 0:04:59 | |
It is wonderful to be up here in Newry for Opry an Iuir. | 0:05:05 | 0:05:09 | |
And of course I came up today all the way from County Roscommon | 0:05:09 | 0:05:13 | |
so I'm going to sing you one of my great Roscommon songs. | 0:05:13 | 0:05:16 | |
# Oh, the lambs were playing in the fields | 0:05:22 | 0:05:25 | |
# The tulips were in flower | 0:05:25 | 0:05:28 | |
# When I left the home I love so well | 0:05:28 | 0:05:31 | |
# I ne'er forget the hour | 0:05:31 | 0:05:34 | |
# Before me was the Atlantic waves to a home in Tennessee | 0:05:34 | 0:05:39 | |
# And I left behind me the girl I loved | 0:05:39 | 0:05:42 | |
# She's the rose of Castlerea | 0:05:42 | 0:05:45 | |
# She may not have been a beauty queen | 0:05:45 | 0:05:47 | |
# She might never be a rose | 0:05:47 | 0:05:50 | |
# But to me she is the fairest flower that in the garden grows | 0:05:50 | 0:05:55 | |
# Although I'm in America across the Atlantic Sea | 0:05:56 | 0:06:02 | |
# Sure I'll always love my Roscommon girl | 0:06:02 | 0:06:05 | |
# She's the rose of Castlerea | 0:06:05 | 0:06:07 | |
# It's many the night that I lie in bed | 0:06:07 | 0:06:10 | |
# My thoughts so fondly go | 0:06:10 | 0:06:13 | |
# To the lovely days when I walk my love | 0:06:13 | 0:06:15 | |
# On the road out by Knockroe | 0:06:15 | 0:06:19 | |
# Her smiling face, her shining hair | 0:06:19 | 0:06:21 | |
# Was a joy for all to see | 0:06:21 | 0:06:24 | |
# Was a cruel old day that I went away from you and Castlerea | 0:06:24 | 0:06:30 | |
# She may not have been a beauty queen | 0:06:30 | 0:06:32 | |
# She might never be a rose | 0:06:32 | 0:06:35 | |
# But to me she is the fairest flower that in the garden grows | 0:06:35 | 0:06:40 | |
# Although I'm in America across the Atlantic Sea | 0:06:42 | 0:06:46 | |
# Sure, I'll always love my Roscommon girl | 0:06:46 | 0:06:49 | |
# She's the rose of Castlerea | 0:06:49 | 0:06:52 | |
Hey! | 0:06:52 | 0:06:53 | |
# I opened up the Roscommon Herald | 0:06:59 | 0:07:02 | |
# I'd just received today | 0:07:02 | 0:07:05 | |
# For to read about my native town | 0:07:05 | 0:07:08 | |
# And my friends so far away | 0:07:08 | 0:07:11 | |
# But the tears began to blind me | 0:07:11 | 0:07:13 | |
# As I glanced across page three | 0:07:13 | 0:07:15 | |
# At a picture of her wedding day | 0:07:16 | 0:07:19 | |
# Of the rose of Castlerea | 0:07:19 | 0:07:22 | |
# Farewell to you, Roscommon, from Kilvoy | 0:07:23 | 0:07:27 | |
# To the Shannon shore | 0:07:27 | 0:07:29 | |
# Farewell to Boyle and Frenchpark | 0:07:29 | 0:07:31 | |
# I'll never see you more | 0:07:31 | 0:07:35 | |
# The cotton fields near Memphis must remain a home for me | 0:07:35 | 0:07:40 | |
# But I'll always love my Roscommon girl | 0:07:40 | 0:07:43 | |
# She's the rose of Castlerea | 0:07:43 | 0:07:46 | |
# She may not have been a beauty queen | 0:07:46 | 0:07:48 | |
# She might never be a rose | 0:07:48 | 0:07:51 | |
# But to me she is the fairest flower that in the garden grows | 0:07:51 | 0:07:57 | |
# Although I'm in America | 0:07:58 | 0:08:00 | |
# Across the Atlantic Sea | 0:08:00 | 0:08:03 | |
# Sure, I'll always love my Roscommon girl | 0:08:03 | 0:08:06 | |
# She's the rose of Castlerea | 0:08:06 | 0:08:09 | |
# Sure, I'll always love my Roscommon girl | 0:08:09 | 0:08:12 | |
# She's the rose of Castlerea. # | 0:08:12 | 0:08:14 | |
HE VOCALISES | 0:08:16 | 0:08:19 | |
Brendan Shine, ladies and gentlemen. | 0:08:26 | 0:08:28 | |
How about that? | 0:08:28 | 0:08:31 | |
Fantastic. How about that? | 0:08:31 | 0:08:33 | |
No matter where I go I always feel that I'm an Athlone man | 0:09:11 | 0:09:15 | |
and a South Roscommon man. | 0:09:15 | 0:09:17 | |
I've travelled everywhere but I've always lived here. | 0:09:17 | 0:09:19 | |
And this has always been home to me. | 0:09:19 | 0:09:21 | |
That was a complete ceili. | 0:09:34 | 0:09:37 | |
After being so long in the business like I am it's great to be | 0:09:37 | 0:09:41 | |
recognised in your own land. | 0:09:41 | 0:09:43 | |
# Do you want your old lobby washed down, Con Shine? | 0:09:57 | 0:10:01 | |
# Do you want your old lobby washed down? | 0:10:01 | 0:10:05 | |
When we were very young, Dad was in the charts all the time. | 0:10:05 | 0:10:09 | |
You sat around the radio every Sunday morning after mass. | 0:10:09 | 0:10:13 | |
Do you remember that? You'd be having your sausages | 0:10:13 | 0:10:15 | |
and brown bread. You'd be listening to Larry Gogan to see, | 0:10:15 | 0:10:18 | |
"Is Dad was going to be number one again?" | 0:10:18 | 0:10:20 | |
No Irish artist has ever had 25 hits before. | 0:10:20 | 0:10:23 | |
And it's our great pleasure on Radio 2 to present you with | 0:10:23 | 0:10:26 | |
a silver disk to mark the occasion. | 0:10:26 | 0:10:28 | |
-Congratulations to you. -Thanks very much. | 0:10:28 | 0:10:30 | |
Many more of them. | 0:10:30 | 0:10:31 | |
# Just like a candle blown out in the wind. # | 0:10:42 | 0:10:45 | |
It was very exciting as children. | 0:10:45 | 0:10:48 | |
We got to live in a very adult world. | 0:10:48 | 0:10:51 | |
# Oh, Lord, it's so hard to be humble... # | 0:10:53 | 0:10:57 | |
# Cos you're better looking each day | 0:11:07 | 0:11:10 | |
To know me. | 0:11:10 | 0:11:11 | |
# To know me is to love me. # | 0:11:11 | 0:11:16 | |
It was part of our life, I suppose. | 0:11:16 | 0:11:17 | |
We sat on the side and watched him performing and the cameras | 0:11:17 | 0:11:20 | |
and we knew we had to be on our best behaviour | 0:11:20 | 0:11:23 | |
when the camera light went on. | 0:11:23 | 0:11:24 | |
CHEERING | 0:11:32 | 0:11:35 | |
45 hit singles in 50 years. There's not many singers that can say that. | 0:11:38 | 0:11:43 | |
When you pick your songs, do you use certain writers or how do you | 0:11:43 | 0:11:46 | |
-find the songs? -I was very, very lucky down through the years. | 0:11:46 | 0:11:49 | |
I met some wonderful song writers. | 0:11:49 | 0:11:51 | |
Of course, I'm a farmer and I always have me ear to the ground | 0:11:51 | 0:11:54 | |
and I'm always thinking of what people like | 0:11:54 | 0:11:56 | |
and I did songs like Where the Three Counties Meet about my home place, | 0:11:56 | 0:11:59 | |
Longford-Westmeath and Roscommon. | 0:11:59 | 0:12:01 | |
-I sang songs about spuds and carrots. -You did. -I did. | 0:12:01 | 0:12:04 | |
-So I'm never too far from the ground. -Fantastic. | 0:12:04 | 0:12:07 | |
I suppose when you look at 50 years there are so many highlights. | 0:12:07 | 0:12:11 | |
Hard to pick but could you tell us | 0:12:11 | 0:12:13 | |
a few that have meant something to you? | 0:12:13 | 0:12:15 | |
Well, of course probably my first ever number one in 1971, | 0:12:15 | 0:12:18 | |
O'Brien Has No Place To Go. | 0:12:18 | 0:12:20 | |
1979 was another great mark in my life | 0:12:20 | 0:12:24 | |
when the Pope came to Ireland | 0:12:24 | 0:12:26 | |
and I had Do You Want Your Old Lobby Washed Down | 0:12:26 | 0:12:28 | |
and when he was leaving Shannon Airport the brass band played | 0:12:28 | 0:12:31 | |
when he was going out to the plane they played | 0:12:31 | 0:12:33 | |
Do You Want Your Old Lobby Washed Down. | 0:12:33 | 0:12:35 | |
He looked around and that's the reason he never came back, I'd say. | 0:12:35 | 0:12:40 | |
And recently a young man called Dermot O'Leary who presents | 0:12:40 | 0:12:44 | |
The X Factor came out with his book | 0:12:44 | 0:12:47 | |
and said Catch Me If You Can was one of his great inspirations | 0:12:47 | 0:12:49 | |
and that, to me, was probably one of the greatest accolades of all. | 0:12:49 | 0:12:53 | |
A young man in his position would think that something I did | 0:12:53 | 0:12:56 | |
-along the line was worthwhile. -Absolutely. | 0:12:56 | 0:12:59 | |
When you're not playing the music or doing shows, | 0:12:59 | 0:13:01 | |
-what do you like to do away from the stage? -I'm a farmer. | 0:13:01 | 0:13:05 | |
I've always been a farmer and making the joke about the carrots, | 0:13:05 | 0:13:08 | |
I used to grow carrots. I farm. | 0:13:08 | 0:13:10 | |
We have an Angus farm in South Roscommon. | 0:13:10 | 0:13:12 | |
We produce Angus beef. And the best beef that you can eat is Angus beef. | 0:13:12 | 0:13:17 | |
Especially if it comes from South Roscommon. | 0:13:17 | 0:13:19 | |
There's nothing like a plug for your own. | 0:13:19 | 0:13:22 | |
APPLAUSE | 0:13:22 | 0:13:23 | |
-As we say up at home, every dog barks at its own door. -That's right. | 0:13:23 | 0:13:28 | |
# Now, Dennis O'Brien had three daughters fine | 0:13:38 | 0:13:42 | |
# The fairest young girls on the block | 0:13:42 | 0:13:45 | |
# And between you and me every night after tea | 0:13:46 | 0:13:51 | |
# To O'Brien's the boys they would flock | 0:13:51 | 0:13:54 | |
# When young Mickey Clancy steps in to see Nancy | 0:13:55 | 0:14:00 | |
# Tim McCarthy steps in to see Rose | 0:14:00 | 0:14:02 | |
# And when young Mickey Kelley steps in to see Nell | 0:14:04 | 0:14:08 | |
# With a plea to her father she'd go | 0:14:08 | 0:14:13 | |
# Don't go into the front room, Dad | 0:14:13 | 0:14:18 | |
# Nancy's in there with her caller | 0:14:18 | 0:14:22 | |
# Daddy dear, won't you stay out here | 0:14:22 | 0:14:26 | |
# Rose has her friend in the parlour | 0:14:26 | 0:14:30 | |
# Don't go into the kitchen, Dad | 0:14:31 | 0:14:35 | |
# I'll be out there with my beau | 0:14:35 | 0:14:38 | |
# And since all of these girls have got steady young men | 0:14:39 | 0:14:43 | |
# O'Brien has no place to go | 0:14:43 | 0:14:46 | |
# Last Saturday night O'Brien got tight | 0:14:57 | 0:15:01 | |
# And he said to himself, now we'll see | 0:15:01 | 0:15:05 | |
# And if three young galoots | 0:15:05 | 0:15:07 | |
# Dressed up in new suits | 0:15:07 | 0:15:10 | |
# Make a wandering fool out of me | 0:15:10 | 0:15:13 | |
# Out went McCann on O'Brien's brogue and | 0:15:15 | 0:15:18 | |
# Mickey Kelley and Clancy felt sore | 0:15:18 | 0:15:22 | |
# They went over the stoop like an acrobat's troupe | 0:15:23 | 0:15:27 | |
# So O'Brien will hear this no more | 0:15:27 | 0:15:31 | |
Everybody, now! | 0:15:31 | 0:15:32 | |
# Don't go into the front room, Dad | 0:15:32 | 0:15:36 | |
# Nancy's in there with her caller | 0:15:36 | 0:15:41 | |
# Daddy dear, won't you stay out here | 0:15:41 | 0:15:45 | |
# Rose has her friend in the parlour | 0:15:45 | 0:15:50 | |
# Don't go into the kitchen, Dad | 0:15:50 | 0:15:54 | |
# I'll be out there with my beau | 0:15:54 | 0:15:58 | |
# Now, since all of his girls have got steady young men | 0:15:58 | 0:16:03 | |
# O'Brien has no place to go | 0:16:03 | 0:16:07 | |
# And since all of his girls have got steady young men | 0:16:07 | 0:16:11 | |
# O'Brien has no place to go. # | 0:16:11 | 0:16:15 | |
Hi, Brendan. Mike Denver here. Want to wish you all the best. | 0:16:24 | 0:16:27 | |
Congratulations on your 50 years in the business. | 0:16:27 | 0:16:30 | |
Many great more years. Best of luck to you. | 0:16:30 | 0:16:32 | |
I hope you have a great time and celebrate with the family | 0:16:32 | 0:16:36 | |
and enjoy every aspect of it. Well done. | 0:16:36 | 0:16:39 | |
Hi, Brendan, it's Jim Devine. | 0:16:46 | 0:16:48 | |
Just want to say a big congratulations on 50 years | 0:16:48 | 0:16:50 | |
in the business and here's to 50 more. | 0:16:50 | 0:16:53 | |
# I'm a Potcheen | 0:17:03 | 0:17:05 | |
# From Tullawodgean | 0:17:05 | 0:17:07 | |
# I've got money | 0:17:07 | 0:17:09 | |
# And acres of land | 0:17:10 | 0:17:12 | |
# And I'm looking for a honey | 0:17:12 | 0:17:15 | |
# With a bit of money | 0:17:15 | 0:17:17 | |
# I'd catch me if you can | 0:17:17 | 0:17:19 | |
# My name is Dan | 0:17:19 | 0:17:20 | |
# Sure I'm your man | 0:17:20 | 0:17:21 | |
# I like the ceili | 0:17:22 | 0:17:24 | |
# And the stack of barley | 0:17:24 | 0:17:27 | |
# I like the waltzes | 0:17:27 | 0:17:30 | |
# Them jigs and the reels | 0:17:30 | 0:17:32 | |
# I like swinging | 0:17:32 | 0:17:34 | |
# When big Tom is singing | 0:17:34 | 0:17:37 | |
# Catch me if you can | 0:17:37 | 0:17:38 | |
# My name is Dan | 0:17:38 | 0:17:40 | |
# Sure I'm your man | 0:17:40 | 0:17:41 | |
# And I'm off to Lisdoonvarna | 0:17:43 | 0:17:45 | |
# At the end of the year | 0:17:45 | 0:17:47 | |
# I'm off for a bit of craic | 0:17:47 | 0:17:50 | |
# The woman and the beer | 0:17:50 | 0:17:52 | |
# And I'm awful shifty | 0:17:52 | 0:17:54 | |
# For a man of 50 | 0:17:54 | 0:17:57 | |
# Catch me if you can | 0:17:57 | 0:17:58 | |
# My name is Dan | 0:17:58 | 0:17:59 | |
# Sure I'm your man | 0:17:59 | 0:18:01 | |
Here we go! | 0:18:01 | 0:18:02 | |
# I've got a brother | 0:18:09 | 0:18:11 | |
# He's in the Gardai | 0:18:11 | 0:18:14 | |
# I got an uncle | 0:18:14 | 0:18:16 | |
# He's up there in the Dail | 0:18:16 | 0:18:19 | |
# He's quite a charmer | 0:18:19 | 0:18:21 | |
# He's a mighty farmer | 0:18:21 | 0:18:23 | |
# Catch me if you can | 0:18:24 | 0:18:25 | |
# My name is Dan | 0:18:25 | 0:18:26 | |
# Sure I'm your man | 0:18:26 | 0:18:28 | |
# Now to conclude | 0:18:29 | 0:18:31 | |
# And finish my story | 0:18:31 | 0:18:34 | |
# If there's a young one | 0:18:34 | 0:18:36 | |
# Out looking for a man | 0:18:36 | 0:18:39 | |
# Take the bus from Barna | 0:18:39 | 0:18:41 | |
# Down to Lisdoonvarna | 0:18:41 | 0:18:44 | |
# Catch me if you can | 0:18:44 | 0:18:45 | |
# My name is Dan | 0:18:45 | 0:18:46 | |
# Sure I'm your man | 0:18:46 | 0:18:48 | |
Where we going? Come on. | 0:18:48 | 0:18:49 | |
# And I'm off to Lisdoonvarna | 0:18:49 | 0:18:51 | |
# At the end of the year | 0:18:51 | 0:18:54 | |
# I'm off for a bit of craic | 0:18:54 | 0:18:56 | |
# The woman and the beer | 0:18:56 | 0:18:58 | |
# I'm awful shifty | 0:18:58 | 0:19:00 | |
# For a man of 50 | 0:19:01 | 0:19:04 | |
# Catch me if you can | 0:19:04 | 0:19:05 | |
# My name is Dan | 0:19:05 | 0:19:06 | |
# Sure I'm your man | 0:19:06 | 0:19:08 | |
# I'm awful shifty | 0:19:08 | 0:19:11 | |
# For a man of 50 | 0:19:11 | 0:19:13 | |
# Catch me if you can | 0:19:13 | 0:19:15 | |
# My name is Dan | 0:19:15 | 0:19:16 | |
# Sure I'm your man. # | 0:19:16 | 0:19:17 | |
That's it. Yoo-hoo! | 0:19:17 | 0:19:19 | |
APPLAUSE | 0:19:22 | 0:19:23 | |
SHE SINGS IN IRISH | 0:20:12 | 0:20:14 | |
THEY SING IN IRISH | 0:21:25 | 0:21:28 | |
Brendan Shine, I can't believe you're coming to my house. | 0:21:48 | 0:21:51 | |
This way. Stage left. | 0:21:54 | 0:21:55 | |
It's called Peigin is Peadar. | 0:22:10 | 0:22:12 | |
-Peigin is Peadar. -So it's perfect as a duet. | 0:22:12 | 0:22:15 | |
-Because it's a conversation between... -Two people. -two people. | 0:22:15 | 0:22:18 | |
THEY VOCALISE | 0:22:18 | 0:22:19 | |
-What do you think? -This will be a bit low for me now. -Yeah. | 0:22:25 | 0:22:30 | |
We'll sort it out. We've got the middle of the range between us. | 0:22:30 | 0:22:34 | |
Lift it up. | 0:22:34 | 0:22:36 | |
Let's welcome Treasa Ni Cheannabhain. Here she comes. | 0:22:36 | 0:22:38 | |
HE SINGS IN IRISH | 0:22:52 | 0:22:54 | |
THEY SING IN IRISH | 0:23:03 | 0:23:07 | |
SHE SINGS IN IRISH | 0:28:38 | 0:28:40 | |
APPLAUSE | 0:30:34 | 0:30:35 | |
HE SINGS IN IRISH | 0:31:16 | 0:31:18 | |
APPLAUSE | 0:34:45 | 0:34:46 | |
# It was out in a moonlit garden | 0:35:20 | 0:35:25 | |
# Not far from the ballroom grand | 0:35:25 | 0:35:29 | |
# A young lad and his sweetheart | 0:35:29 | 0:35:33 | |
# Went strolling hand in hand | 0:35:33 | 0:35:37 | |
# Tomorrow the war would call him | 0:35:38 | 0:35:43 | |
# He vowed he would be true | 0:35:43 | 0:35:47 | |
# Then from her dress she gave to him | 0:35:47 | 0:35:52 | |
# A bunch of violets blue | 0:35:52 | 0:35:55 | |
# They were only a bunch of violets | 0:35:56 | 0:36:01 | |
# A bunch of violets blue | 0:36:01 | 0:36:04 | |
# Fresh and fair and fragrant | 0:36:06 | 0:36:10 | |
# Like diamonds on the dew | 0:36:10 | 0:36:14 | |
# Fresh and fair and dainty | 0:36:14 | 0:36:18 | |
# As he pressed them to his heart | 0:36:18 | 0:36:22 | |
# He smiled and said where'er he'd roam | 0:36:23 | 0:36:28 | |
# From them he ne'er would part | 0:36:28 | 0:36:31 | |
# A soldier boy lay dying | 0:36:32 | 0:36:37 | |
# Upon the cold, cold ground | 0:36:37 | 0:36:40 | |
# A bunch of withered violets | 0:36:41 | 0:36:45 | |
# Upon his breast was found | 0:36:46 | 0:36:49 | |
# Turning to his comrades | 0:36:50 | 0:36:53 | |
# In a feeble voice he sighed | 0:36:55 | 0:36:58 | |
# "Take them back and tell her that I wore them till I died" | 0:36:59 | 0:37:07 | |
# They took the withered violets back | 0:37:09 | 0:37:13 | |
# It being on her wedding day | 0:37:13 | 0:37:16 | |
# An old man's gold had won her | 0:37:17 | 0:37:21 | |
# From her soldier far away | 0:37:21 | 0:37:26 | |
# An old man's gold had won her | 0:37:26 | 0:37:31 | |
# From her soldier young and tall | 0:37:31 | 0:37:34 | |
# And this is what she said to him | 0:37:35 | 0:37:40 | |
# That evening at the ball | 0:37:40 | 0:37:43 | |
Everybody. | 0:37:43 | 0:37:45 | |
# They were only a bunch of violets | 0:37:45 | 0:37:49 | |
# A bunch of violets blue | 0:37:49 | 0:37:53 | |
# Fresh and fair and fragrant | 0:37:53 | 0:37:57 | |
# Like diamonds on the dew | 0:37:58 | 0:38:01 | |
# Fresh and fair and dainty | 0:38:02 | 0:38:05 | |
# As he pressed them to his heart | 0:38:06 | 0:38:11 | |
# He smiled and said where'er he'd roam | 0:38:11 | 0:38:16 | |
# From them he ne'er would part. # | 0:38:16 | 0:38:23 | |
CHEERING AND APPLAUSE | 0:38:23 | 0:38:25 | |
Lovely. | 0:38:28 | 0:38:29 | |
Now I'm going to sing a song with my two daughters Emily and Phillipa. | 0:38:31 | 0:38:35 | |
We recorded this song on a CD, I don't know, | 0:38:35 | 0:38:38 | |
about 15 years ago or something like that. | 0:38:38 | 0:38:42 | |
And it's a lovely song called Far, Far Away. | 0:38:42 | 0:38:48 | |
Here we go. | 0:38:48 | 0:38:49 | |
# When night-time is falling | 0:39:05 | 0:39:09 | |
# And dreams they are calling | 0:39:09 | 0:39:12 | |
# Me back to my youth | 0:39:13 | 0:39:17 | |
# The land of my roots | 0:39:17 | 0:39:19 | |
# Where I started scheming | 0:39:20 | 0:39:24 | |
# Some day to be leaving | 0:39:24 | 0:39:28 | |
# But now I am dreaming | 0:39:28 | 0:39:32 | |
# Far, far away | 0:39:32 | 0:39:34 | |
# Far, far away | 0:39:36 | 0:39:39 | |
# My plans, they did take me | 0:39:39 | 0:39:42 | |
# Far, far away | 0:39:44 | 0:39:45 | |
# My land, how could I forsake thee? | 0:39:47 | 0:39:50 | |
# Will I ne'er see thee more? | 0:39:51 | 0:39:55 | |
# You sweet Eireann shore | 0:39:55 | 0:39:58 | |
# Will I ne'er in the comfort of you sleep? | 0:39:58 | 0:40:03 | |
# When morning is breaking and my heart is aching | 0:40:14 | 0:40:20 | |
# With longing to be back across the sea | 0:40:21 | 0:40:28 | |
# Where my thoughts did wander | 0:40:29 | 0:40:33 | |
# But never did wonder | 0:40:33 | 0:40:36 | |
# Just what I might squander | 0:40:36 | 0:40:40 | |
# Being far, far away | 0:40:40 | 0:40:44 | |
# Far, far away | 0:40:44 | 0:40:48 | |
# My plans they did take me | 0:40:48 | 0:40:51 | |
# Far, far away | 0:40:52 | 0:40:54 | |
# My land, how did I forsake thee? | 0:40:55 | 0:40:59 | |
# Will I ne'er see thee more? | 0:40:59 | 0:41:02 | |
# You sweet Eireann shore | 0:41:03 | 0:41:06 | |
# Will I ne'er in the comfort of you sleep? | 0:41:07 | 0:41:11 | |
# Will I ne'er in the comfort of you sleep? # | 0:41:14 | 0:41:19 | |
THEY VOCALISE | 0:41:31 | 0:41:33 | |
Emily and Phillipa Shine. | 0:41:37 | 0:41:39 | |
-Hip-hip! CROWD: -Hooray! | 0:41:40 | 0:41:42 | |
-Hip-hip! -Hooray. | 0:41:42 | 0:41:43 | |
-Hip-hip. -Hooray. | 0:41:43 | 0:41:44 | |
There was loads of dancing | 0:41:49 | 0:41:50 | |
and fun in all those great clubs | 0:41:50 | 0:41:52 | |
around London and all over the world. | 0:41:52 | 0:41:54 | |
So I'm going to do a song from my 50th anniversary. | 0:41:54 | 0:41:57 | |
I picked this song. It's one called There's the Door. | 0:41:57 | 0:42:01 | |
# I wandered in round midnight | 0:42:14 | 0:42:17 | |
# Like I've done so many times | 0:42:17 | 0:42:19 | |
# She was sitting at the table | 0:42:19 | 0:42:22 | |
# There were no tears in her eyes | 0:42:22 | 0:42:25 | |
# It seemed so much unlike her | 0:42:26 | 0:42:30 | |
# To be so much at ease | 0:42:30 | 0:42:32 | |
# She took a sip of coffee | 0:42:33 | 0:42:35 | |
# And softly said to me | 0:42:35 | 0:42:38 | |
# There's the mantle where we keep our wedding pictures | 0:42:40 | 0:42:46 | |
# There's the bedroom where we made both love and war | 0:42:47 | 0:42:53 | |
# And there's the ring that keeps on slipping off your finger | 0:42:53 | 0:42:58 | |
# There's no reason we should go on any more | 0:42:59 | 0:43:06 | |
# And there's the door | 0:43:08 | 0:43:10 | |
# Well, I'm back here on this bar stool | 0:43:18 | 0:43:22 | |
# My whole world's gone to hell | 0:43:22 | 0:43:25 | |
# Behind the bottles there's a mirror | 0:43:25 | 0:43:28 | |
# Where a fool can see himself | 0:43:28 | 0:43:31 | |
# If I was the man I should be | 0:43:31 | 0:43:35 | |
# And not the one I am | 0:43:35 | 0:43:38 | |
# I would go back there this minute | 0:43:38 | 0:43:41 | |
# And beg for one more chance | 0:43:41 | 0:43:44 | |
# There's the jukebox where I've wasted all those quarters | 0:43:46 | 0:43:51 | |
# There's a lady trying to get me out on the floor | 0:43:52 | 0:43:56 | |
# And there's a chance the one I love could still forgive me | 0:43:58 | 0:44:03 | |
# That's a step that I have never took before | 0:44:05 | 0:44:10 | |
# And there's the door | 0:44:14 | 0:44:16 | |
# And there's the door. # | 0:44:21 | 0:44:26 | |
APPLAUSE | 0:44:29 | 0:44:31 | |
Hiya, Brendan, Charlie Landsborough. | 0:44:37 | 0:44:39 | |
The last time we met was in Malaga Airport in Spain. | 0:44:39 | 0:44:42 | |
Always good to see you, mate. And 50 years in the business. | 0:44:42 | 0:44:46 | |
Only the best things last, mate, and you're one of the best things. | 0:44:46 | 0:44:49 | |
Congratulations, Brendan, you're a gem. God bless you, mate. | 0:44:49 | 0:44:52 | |
Hi, Brendan. Congratulations on your 50 years in the music business. | 0:45:02 | 0:45:06 | |
You've had a fantastic career and I wish you many, | 0:45:06 | 0:45:08 | |
many more years to come. And see you soon. | 0:45:08 | 0:45:11 | |
-Aidan? -Lynette? | 0:45:29 | 0:45:30 | |
# Where did you meet her? | 0:46:58 | 0:47:00 | |
# I met her in the Galtymore | 0:47:00 | 0:47:02 | |
# In the Galtymore in Cricklewood | 0:47:02 | 0:47:04 | |
# I asked her for a dance and she said she would | 0:47:04 | 0:47:07 | |
# The band called an oldie called In The Mood | 0:47:07 | 0:47:09 | |
# I met her in the Galtymore. # | 0:47:09 | 0:47:12 | |
-How are you doing? -Nice to meet you again. | 0:47:18 | 0:47:22 | |
You brought the good weather with you anyway. | 0:47:22 | 0:47:25 | |
I brought the good weather with me. The reason why you appeal to me | 0:47:25 | 0:47:28 | |
is because you really seem to be enjoying what you're doing. | 0:47:28 | 0:47:31 | |
Your whole heart is in it. | 0:47:31 | 0:47:34 | |
Well, I'm over 50 years and people say to me, | 0:47:34 | 0:47:38 | |
"Do you ever think or retiring or think of giving it up?" | 0:47:38 | 0:47:42 | |
I never think about that because, you know, | 0:47:42 | 0:47:45 | |
50 years it's been a long, long road but a very short distance. | 0:47:45 | 0:47:50 | |
I can remember when I started as if it was only yesterday. | 0:47:50 | 0:47:54 | |
So, it's been a wonderful life in music. | 0:47:54 | 0:47:57 | |
I've met some wonderful people along the way, like yourself. | 0:47:57 | 0:48:00 | |
And hopefully I'll meet a lot more. | 0:48:00 | 0:48:02 | |
I'd like to dedicate this song to the lovely Aidan Sharkey. | 0:48:02 | 0:48:05 | |
My friend who couldn't be with us tonight. | 0:48:05 | 0:48:08 | |
I want to know if anybody is with your partner down there tonight | 0:48:08 | 0:48:12 | |
I just want you to think of where you met. | 0:48:12 | 0:48:14 | |
It's called Where Did You Meet Her? | 0:48:14 | 0:48:17 | |
# Me name is Matt from Dublin and I'm living in London Town | 0:48:26 | 0:48:31 | |
# I searched all around for a girl of my own | 0:48:31 | 0:48:34 | |
# But there wasn't a one to be found | 0:48:34 | 0:48:36 | |
# Then I went to a dance on a Saturday night | 0:48:36 | 0:48:39 | |
# I had a little drink and I felt just right | 0:48:39 | 0:48:41 | |
# Was my first time there in me whole damn life | 0:48:41 | 0:48:44 | |
# There I met my pretty young wife | 0:48:44 | 0:48:46 | |
# And where did you meet her? | 0:48:46 | 0:48:48 | |
# I met her in the Galtymore | 0:48:48 | 0:48:51 | |
# In the Galtymore in Cricklewood | 0:48:51 | 0:48:53 | |
# I asked her for a dance and she said she would | 0:48:53 | 0:48:56 | |
# The band played an oldie called In The Mood | 0:48:56 | 0:48:59 | |
# I met her in the Galtymore | 0:48:59 | 0:49:01 | |
# Then I walked her up to her own front door | 0:49:05 | 0:49:07 | |
# And I kissed her for the very first time | 0:49:07 | 0:49:10 | |
# I liked it very much so I asked for a date | 0:49:10 | 0:49:12 | |
# Next Saturday at a quarter to nine | 0:49:12 | 0:49:15 | |
# Well, I met her on that Saturday night | 0:49:15 | 0:49:17 | |
# I asked her to marry me She said she might | 0:49:17 | 0:49:20 | |
# We'd a smashing time and we danced till late | 0:49:20 | 0:49:22 | |
# 'Twas my first and very last date | 0:49:22 | 0:49:25 | |
# And where did you meet here? | 0:49:25 | 0:49:27 | |
# I met her in The Galtymore | 0:49:27 | 0:49:29 | |
# In the Galtymore in Cricklewood | 0:49:29 | 0:49:32 | |
# I asked her for a dance and she said she would | 0:49:32 | 0:49:35 | |
# The band played an oldie called In The Mood | 0:49:35 | 0:49:37 | |
# I met her in the Galtymore | 0:49:37 | 0:49:39 | |
# Me name is Matt from Dublin | 0:49:49 | 0:49:50 | |
# And I'm married in London Town | 0:49:50 | 0:49:53 | |
# I've been married to her now for 30 years or more | 0:49:53 | 0:49:55 | |
# And it's going great guns and it's sound | 0:49:55 | 0:49:58 | |
# We've a son of 32 and his name is Matt | 0:49:58 | 0:50:01 | |
# He couldn't find a girl He's shy like that | 0:50:01 | 0:50:03 | |
# He went to a dance on a Saturday night | 0:50:03 | 0:50:05 | |
# There he met his pretty Miss Right | 0:50:05 | 0:50:08 | |
# And I said to him | 0:50:08 | 0:50:09 | |
# Where did you meet her? | 0:50:09 | 0:50:12 | |
# I met her in The Galtymore | 0:50:12 | 0:50:14 | |
# In the Galtymore in Cricklewood | 0:50:14 | 0:50:16 | |
# I asked her for a dance and she said she would | 0:50:16 | 0:50:19 | |
# The band played an oldie called In The Mood | 0:50:19 | 0:50:21 | |
# I met her in the Galtymore | 0:50:21 | 0:50:24 | |
# In the Galtymore in Cricklewood | 0:50:24 | 0:50:26 | |
# I asked her for a dance and she said she would | 0:50:26 | 0:50:29 | |
# The band played an oldie called In The Mood | 0:50:29 | 0:50:31 | |
# I met her in the Galtymore. # | 0:50:31 | 0:50:34 | |
Out on the floor, everybody for a quick seven. | 0:50:34 | 0:50:37 | |
Fantastic. Just fantastic. | 0:51:02 | 0:51:04 | |
# I remember '62 | 0:51:23 | 0:51:27 | |
# I was 16 and so were you | 0:51:27 | 0:51:30 | |
# And we lived next door | 0:51:30 | 0:51:32 | |
# On the avenue | 0:51:34 | 0:51:36 | |
# Jerry Lee was big and Elvis too | 0:51:39 | 0:51:43 | |
# Blue jeans and blue suede shoes | 0:51:43 | 0:51:45 | |
# And we never knew | 0:51:45 | 0:51:47 | |
# What life held in store | 0:51:49 | 0:51:52 | |
# We just wanted to rock and roll forevermore | 0:51:53 | 0:51:59 | |
# We were the rock and roll kids | 0:52:02 | 0:52:06 | |
# Rock and roll was all we did | 0:52:06 | 0:52:09 | |
# Listening to those songs on the radio | 0:52:09 | 0:52:14 | |
# I was yours and you were mine | 0:52:18 | 0:52:20 | |
# But that was once upon a time | 0:52:22 | 0:52:25 | |
# Now we never seem to rock and roll any more | 0:52:25 | 0:52:29 | |
# Johnny's in love with the girl next door | 0:52:33 | 0:52:37 | |
# Mary's down at the record store | 0:52:37 | 0:52:40 | |
# They don't want to be | 0:52:40 | 0:52:43 | |
# Around us no more | 0:52:44 | 0:52:47 | |
# Golden oldies but we hardly speak | 0:52:49 | 0:52:53 | |
# Too busy running to a different beat | 0:52:53 | 0:52:56 | |
# Hard to understand | 0:52:56 | 0:52:59 | |
# We were once like them | 0:52:59 | 0:53:02 | |
# How I wish we could find those rock and roll days again | 0:53:04 | 0:53:08 | |
# We were the rock and roll kids | 0:53:13 | 0:53:16 | |
# Rock and roll was all we did | 0:53:16 | 0:53:20 | |
# Listening to those songs on the radio | 0:53:20 | 0:53:24 | |
# I was yours and you were mine | 0:53:28 | 0:53:31 | |
# But that was once upon a time | 0:53:32 | 0:53:35 | |
# Now we never seem to rock and roll any more | 0:53:35 | 0:53:40 | |
# I was yours and you were mine | 0:53:44 | 0:53:48 | |
# But that was once upon a time | 0:53:48 | 0:53:51 | |
# Now we never seem to rock and roll | 0:53:51 | 0:53:54 | |
# We just never seem to rock and roll | 0:53:59 | 0:54:03 | |
# Any more. # | 0:54:03 | 0:54:07 | |
A pleasure, Brendan. | 0:54:14 | 0:54:17 | |
Oh, fantastic. | 0:54:17 | 0:54:20 | |
CHEERING AND APPLAUSE | 0:54:28 | 0:54:30 | |
Hey, Brendan. Johnny here. Just want to say hello, hope you're well. | 0:54:49 | 0:54:53 | |
Massive congratulations on 50 years. | 0:54:53 | 0:54:55 | |
You're one of the great legends here in Ireland. | 0:54:55 | 0:54:58 | |
It's a pleasure to work with you and it's always a pleasure to see you. | 0:54:58 | 0:55:02 | |
CHEERING AND APPLAUSE | 0:55:17 | 0:55:19 | |
# Ah, the clock on the wall | 0:55:35 | 0:55:37 | |
# Says time to go | 0:55:37 | 0:55:39 | |
# And the tears in your eyes | 0:55:39 | 0:55:42 | |
# Says no, no, no | 0:55:42 | 0:55:44 | |
# And the pain in my heart | 0:55:44 | 0:55:47 | |
# Still grows, grows, grows | 0:55:47 | 0:55:49 | |
# Ah, kiss me, Molly, then | 0:55:49 | 0:55:51 | |
# It will be over | 0:55:51 | 0:55:54 | |
# Before me the ocean | 0:55:56 | 0:55:58 | |
# And dreams of better days | 0:55:58 | 0:56:00 | |
# Beside me the girl I leave behind | 0:56:00 | 0:56:03 | |
# And the ship it lies a waiting | 0:56:05 | 0:56:07 | |
# With so much left to say | 0:56:07 | 0:56:10 | |
# So little time cos I'll be on my way | 0:56:10 | 0:56:13 | |
Everybody. | 0:56:13 | 0:56:15 | |
# Ah, the clock on the wall | 0:56:15 | 0:56:17 | |
# Says time to go | 0:56:17 | 0:56:19 | |
# And the tears in your eyes | 0:56:19 | 0:56:22 | |
# Says no, no, no | 0:56:22 | 0:56:25 | |
# And the pain in my heart | 0:56:25 | 0:56:27 | |
# Still grows, grows, grows | 0:56:27 | 0:56:29 | |
# Ah, kiss me, Molly, then | 0:56:29 | 0:56:31 | |
# It will be over | 0:56:31 | 0:56:33 | |
Here's the bit I want. | 0:56:33 | 0:56:35 | |
# Think of me, Molly | 0:56:56 | 0:56:58 | |
# In every thing you do | 0:56:58 | 0:57:00 | |
# And think of all the good times | 0:57:00 | 0:57:03 | |
# That we knew | 0:57:03 | 0:57:06 | |
# And time will go a rushing past | 0:57:06 | 0:57:08 | |
# And you won't feel so blue | 0:57:08 | 0:57:10 | |
# Till soft wings bring me safely back to you | 0:57:10 | 0:57:13 | |
# Ah, the clock on the wall | 0:57:15 | 0:57:17 | |
# Says time to go | 0:57:17 | 0:57:20 | |
# But the tears in your eyes | 0:57:20 | 0:57:22 | |
# Says no, no, no | 0:57:22 | 0:57:24 | |
# And the pain in my heart | 0:57:24 | 0:57:27 | |
# Still grows, grows, grows | 0:57:27 | 0:57:29 | |
# Ah, kiss me, Molly, then | 0:57:29 | 0:57:31 | |
# It will be over | 0:57:31 | 0:57:34 | |
One last time. | 0:57:34 | 0:57:36 | |
# Ah, the clock on the wall | 0:57:36 | 0:57:38 | |
# Says time to go | 0:57:38 | 0:57:40 | |
# But the tears in your eyes | 0:57:40 | 0:57:42 | |
# Says no, no, no | 0:57:42 | 0:57:45 | |
# And the pain in my heart | 0:57:45 | 0:57:48 | |
# Still grows, grows, grows | 0:57:48 | 0:57:50 | |
# Ah, kiss me, Molly, then | 0:57:50 | 0:57:52 | |
# It will be over | 0:57:52 | 0:57:55 | |
# Ah, kiss me, Molly, then | 0:57:56 | 0:57:58 | |
# It will be over. # | 0:57:58 | 0:58:01 | |
Good night! | 0:58:01 | 0:58:03 | |
CHEERING AND APPLAUSE | 0:58:12 | 0:58:14 | |
Thank you very much. | 0:58:17 | 0:58:18 |