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30 of the country's best vocal harmony groups | 0:00:02 | 0:00:04 | |
are preparing for battle. | 0:00:04 | 0:00:06 | |
Different-sized groups with different musical styles, | 0:00:06 | 0:00:09 | |
but united in their love of singing together. | 0:00:09 | 0:00:12 | |
The feeling that you get when you're singing with the group | 0:00:13 | 0:00:15 | |
is absolutely amazing. | 0:00:15 | 0:00:17 | |
So much joy, so much passion. | 0:00:17 | 0:00:19 | |
# Oh-uh-oh, uh-oh, oh-oh... # | 0:00:19 | 0:00:21 | |
Tonight, six groups will compete in a series of | 0:00:21 | 0:00:24 | |
sing-or-be-sung-off vocal challenges | 0:00:24 | 0:00:27 | |
and leading them into battle is Deke Sharon, | 0:00:27 | 0:00:29 | |
the musical genius behind the Pitch Perfect movies. | 0:00:29 | 0:00:33 | |
# Sing it with me | 0:00:33 | 0:00:35 | |
# Sing it for the years | 0:00:35 | 0:00:37 | |
# Sing for the... # | 0:00:37 | 0:00:38 | |
Now, that's what we call a riff off! | 0:00:38 | 0:00:40 | |
# Yeah! # | 0:00:40 | 0:00:42 | |
But who will be music to the ears of our judges? | 0:00:42 | 0:00:45 | |
R&B legend Kelis... | 0:00:45 | 0:00:47 | |
You were so solid. You've nailed it. | 0:00:47 | 0:00:49 | |
..and the nation's favourite choirmaster, Gareth Malone. | 0:00:49 | 0:00:53 | |
It's not until you sit in this chair that you realise how hard it is. | 0:00:53 | 0:00:55 | |
Joining them are our superstar guest judges. | 0:00:55 | 0:00:58 | |
You guys are so warm and so beautiful. | 0:00:58 | 0:01:01 | |
And that's what singing in a choir should be. | 0:01:01 | 0:01:03 | |
This is absolute vocal joy. | 0:01:03 | 0:01:06 | |
SINGING CLIMACTIC NOTE | 0:01:06 | 0:01:08 | |
Prepare for high emotion... | 0:01:08 | 0:01:10 | |
If you see someone giving more, you've got to give them more. | 0:01:10 | 0:01:14 | |
..euphoria... | 0:01:14 | 0:01:15 | |
Yes, yes! | 0:01:15 | 0:01:16 | |
We just love, like, singing together | 0:01:16 | 0:01:18 | |
and these are some of my best friends in the world. | 0:01:18 | 0:01:20 | |
..and perfect harmonies. | 0:01:20 | 0:01:21 | |
This is about ordinary people getting up and singing. | 0:01:21 | 0:01:24 | |
Get off my desk! | 0:01:24 | 0:01:25 | |
HITS VERY HIGH NOTE | 0:01:25 | 0:01:26 | |
Oh, my God! | 0:01:26 | 0:01:29 | |
Ladies and gentlemen, prepare for an outbreak of vocal warfare. | 0:01:29 | 0:01:32 | |
CHEERING | 0:01:34 | 0:01:36 | |
Mic drop. | 0:01:36 | 0:01:38 | |
CHEERING AND APPLAUSE | 0:01:39 | 0:01:42 | |
# Sing it loud | 0:02:01 | 0:02:03 | |
# Boy, you've got to see what tomorrow brings... # | 0:02:03 | 0:02:06 | |
# Shout, shout | 0:02:06 | 0:02:08 | |
# Let it all out | 0:02:08 | 0:02:10 | |
# These are the things I can do without | 0:02:10 | 0:02:13 | |
# So, come on... # | 0:02:13 | 0:02:14 | |
# Sing it for the boys | 0:02:14 | 0:02:16 | |
# Sing it for the girls | 0:02:16 | 0:02:18 | |
# Every time that you lose it, sing it for the world | 0:02:18 | 0:02:21 | |
# These are the things I can do without | 0:02:21 | 0:02:24 | |
# So come on, come o-on! (I'm talking to you. Come on!) | 0:02:24 | 0:02:30 | |
# Sing it for me, sing it for the years | 0:02:30 | 0:02:33 | |
# Sing it for the laughs, and sing it for the tears... # | 0:02:33 | 0:02:36 | |
# We're gonna scream and shout and let it all out | 0:02:36 | 0:02:40 | |
# Scream and shout and let it out... # | 0:02:40 | 0:02:44 | |
# Sing it with me, sing it... # | 0:02:45 | 0:02:48 | |
# Ooh-ee-oh-ee-oh-ee-oh... # | 0:02:48 | 0:02:51 | |
# Ooh-ee-oh... # | 0:02:51 | 0:02:54 | |
# Oh-uh-oh, uh-oh, uh-oh | 0:02:54 | 0:02:57 | |
# Sing! Oh-uh-oh, uh-oh, uh-oh... | 0:02:57 | 0:03:01 | |
# Come on, baby, now | 0:03:01 | 0:03:03 | |
# Come on, baby | 0:03:03 | 0:03:04 | |
# Twist and shout | 0:03:04 | 0:03:06 | |
# Twist and shout, oh! | 0:03:06 | 0:03:09 | |
# Sing! Oh-uh-oh, uh-oh, uh-oh | 0:03:09 | 0:03:12 | |
# Sing! Oh-uh-oh, uh-oh, uh-oh | 0:03:12 | 0:03:16 | |
# Ah, ah, ah, ah... | 0:03:18 | 0:03:24 | |
# Sing it with me, sing for the years | 0:03:24 | 0:03:28 | |
# Sing it for the laughs, and sing it for the tears | 0:03:28 | 0:03:32 | |
# Sing it with me, sing for the years | 0:03:32 | 0:03:36 | |
# Sing it for the laughs, and sing it for the tears | 0:03:36 | 0:03:39 | |
# Sing it with me, sing for the years | 0:03:39 | 0:03:43 | |
# Sing it for the laughs, and sing it for the tears | 0:03:43 | 0:03:47 | |
# Sing it with me, sing for the years | 0:03:47 | 0:03:51 | |
# Sing it for the laughs, and sing it for the tears | 0:03:51 | 0:03:55 | |
# Sing it with me... | 0:03:55 | 0:03:57 | |
# Uh-oh, oh, oh-oh! | 0:03:57 | 0:03:58 | |
# These are the things I could do without | 0:03:58 | 0:04:01 | |
# Uh-ooh, ooh | 0:04:01 | 0:04:03 | |
# Oh-oh! | 0:04:03 | 0:04:05 | |
# I'm talking to you | 0:04:05 | 0:04:06 | |
# Come on! # | 0:04:06 | 0:04:07 | |
CHEERING AND APPLAUSE | 0:04:07 | 0:04:09 | |
CHEERING | 0:04:26 | 0:04:28 | |
Thank you so much to all of tonight's six amazing vocal groups! | 0:04:28 | 0:04:34 | |
CHEERING | 0:04:34 | 0:04:37 | |
And to the pitch-perfect Deke Sharon, | 0:04:37 | 0:04:40 | |
our series musical director, for that brilliant opening. | 0:04:40 | 0:04:44 | |
-Very sharp. -Thank you, Mel. Thank you so much! | 0:04:44 | 0:04:46 | |
CHEERING AND APPLAUSE | 0:04:46 | 0:04:48 | |
You've been working closely with all of our groups. | 0:04:48 | 0:04:51 | |
What delights have they got in store for us this evening? | 0:04:51 | 0:04:53 | |
We've got from barbershop to gospel. | 0:04:53 | 0:04:56 | |
From university a cappella to a group of friends | 0:04:56 | 0:04:59 | |
who travel over 1,000 miles just to get together and rehearse. | 0:04:59 | 0:05:02 | |
From a show choir to a group of gorgeous voices gathered around a piano. | 0:05:02 | 0:05:06 | |
I guarantee tonight you and everyone IN here is going | 0:05:06 | 0:05:10 | |
to fall in love. | 0:05:10 | 0:05:12 | |
ALL: Oh! | 0:05:12 | 0:05:14 | |
WHISTLING | 0:05:14 | 0:05:16 | |
Tonight, six of Britain's best vocal groups and choirs will engage | 0:05:16 | 0:05:20 | |
in some choral combat and battle it out over a series | 0:05:20 | 0:05:22 | |
of sing-or-be-sung-off vocal challenges. | 0:05:22 | 0:05:26 | |
Only one group will make it through to the live final where they'll | 0:05:26 | 0:05:29 | |
be in with a chance of taking home the amazing £50,000 cash prize... | 0:05:29 | 0:05:35 | |
-AUDIENCE: -Ooh! | 0:05:35 | 0:05:36 | |
..and being one step closer to being crowned champions | 0:05:38 | 0:05:41 | |
of Pitch Battle 2017! | 0:05:41 | 0:05:44 | |
CHEERING AND APPLAUSE | 0:05:44 | 0:05:46 | |
Deciding their fate are our musical trio of judges. | 0:05:50 | 0:05:53 | |
She's a Grammy-nominated former choirgirl. | 0:05:53 | 0:05:55 | |
You might be able to trick her once, but certainly never twice. | 0:05:55 | 0:05:59 | |
It's the amazing Kelis. | 0:05:59 | 0:06:02 | |
I am from Harlem, New York, | 0:06:04 | 0:06:06 | |
and I grew up singing in a Pentecostal church choir. | 0:06:06 | 0:06:10 | |
Later on, I started in the Girls Choir Of Harlem and it was | 0:06:10 | 0:06:14 | |
a lot more technical. | 0:06:14 | 0:06:16 | |
-# I hate you so much right now... -# | 0:06:16 | 0:06:18 | |
I've always been the kind of artist that never wanted to be boxed in, | 0:06:18 | 0:06:21 | |
and I never wanted anyone to tell me what it was I had to do. | 0:06:21 | 0:06:24 | |
I want to see these groups step out a little bit | 0:06:24 | 0:06:27 | |
so you can take something that's been done before and make it | 0:06:27 | 0:06:30 | |
into something brand-new. | 0:06:30 | 0:06:31 | |
There's really nothing else like it. | 0:06:31 | 0:06:33 | |
# My milkshake brings all the boys to the yard... # | 0:06:33 | 0:06:37 | |
Please welcome the extraordinary, the fantastic, Kelis! | 0:06:37 | 0:06:41 | |
CHEERING AND APPLAUSE | 0:06:41 | 0:06:44 | |
Wherever there is discord, he brings harmony | 0:06:48 | 0:06:50 | |
Wherever there is silence, he brings song. It can only be Gareth Malone. | 0:06:50 | 0:06:57 | |
# And we danced all night to the best song ever... # | 0:06:57 | 0:07:01 | |
'It's been my mission for the last ten years | 0:07:01 | 0:07:03 | |
'to get more people into choirs. | 0:07:03 | 0:07:05 | |
'To get to the point where this number of vocal groups | 0:07:05 | 0:07:08 | |
'are singing on prime-time BBC television,' | 0:07:08 | 0:07:11 | |
it's really an amazing moment for me. | 0:07:11 | 0:07:13 | |
'This is about finding vocal groups' | 0:07:13 | 0:07:15 | |
that can fill your living room with joy. | 0:07:15 | 0:07:17 | |
'I feel like I'm going to have to be on my mettle with Kelis around. | 0:07:17 | 0:07:21 | |
'She's quite feisty. I hope she doesn't throw things at me.' | 0:07:21 | 0:07:23 | |
Like a milkshake! | 0:07:23 | 0:07:25 | |
# Milkshake brings all the boys... # | 0:07:25 | 0:07:27 | |
Yeah! | 0:07:27 | 0:07:28 | |
Gareth Malone! | 0:07:30 | 0:07:32 | |
CHEERING AND APPLAUSE | 0:07:32 | 0:07:34 | |
Hallelujah! | 0:07:47 | 0:07:49 | |
Each week they'll be joined by a different superstar guest judge. | 0:07:49 | 0:07:53 | |
Tonight, he's got two Brit Awards, four UK number one singles, | 0:07:53 | 0:07:57 | |
four number one albums and has sold eight million records. | 0:07:57 | 0:08:01 | |
He's not leaving right now because he's here. It's Will Young! | 0:08:01 | 0:08:06 | |
# I'm gonna take this moment... # | 0:08:07 | 0:08:09 | |
I was a head chorister at school | 0:08:09 | 0:08:11 | |
and I've sung in a barbershop quartet. | 0:08:11 | 0:08:13 | |
I did learn a lot of my craft by being in a choir. | 0:08:13 | 0:08:18 | |
To be able to harmonise with other people, | 0:08:18 | 0:08:20 | |
you have to be able to be in tune. | 0:08:20 | 0:08:23 | |
To be able to listen to such a variety of singers | 0:08:23 | 0:08:26 | |
in a group that are wonderful and passionate and joyful, | 0:08:26 | 0:08:30 | |
I'm really excited about whether they rise to the challenge | 0:08:30 | 0:08:33 | |
of live performance or whether they don't. | 0:08:33 | 0:08:37 | |
# I think I'd better leave right now... # | 0:08:37 | 0:08:39 | |
I think I'm going to be a kind judge. | 0:08:39 | 0:08:41 | |
Help them rather than just cut them down. | 0:08:41 | 0:08:44 | |
#... Better leave right now. # | 0:08:46 | 0:08:48 | |
It's this week's superstar guest judge, Will Young. | 0:08:48 | 0:08:51 | |
# Ooh, ha-aa! # | 0:09:01 | 0:09:04 | |
The band! A great band. | 0:09:08 | 0:09:11 | |
Ladies and gentlemen, our judges! Our judges. | 0:09:11 | 0:09:15 | |
CHEERING | 0:09:15 | 0:09:16 | |
-Will, I've got to say, I'm obsessed with your outfit tonight. -Thank you. | 0:09:16 | 0:09:21 | |
-On top, we've got sort of geisha. -Yes. -And on the bottom, Quaker! | 0:09:21 | 0:09:26 | |
-Yes, Quaker, culottes, sort of... -How geisha? -A golfer. | 0:09:26 | 0:09:30 | |
I was wrapped up in this shirt. It took about ten minutes. | 0:09:30 | 0:09:33 | |
I can't breathe, but I think it looks good. | 0:09:33 | 0:09:36 | |
You look fantastic. It's so nice to have you here on Pitch Battle. | 0:09:36 | 0:09:41 | |
Now, Gareth, what do our groups tonight need to do to impress you? | 0:09:41 | 0:09:45 | |
It's got to be entertaining, but it also has to be accurate, exciting. | 0:09:45 | 0:09:48 | |
We want everything. We're greedy. | 0:09:48 | 0:09:52 | |
Oh, greedy! Are you feeling greedy tonight, Kelis? | 0:09:52 | 0:09:54 | |
I AM feeling greedy tonight. | 0:09:54 | 0:09:56 | |
I'm excited because we have so many different groups here. | 0:09:56 | 0:09:58 | |
We've got, like, gospel and pop and barbershop. | 0:09:58 | 0:10:01 | |
Yes! | 0:10:01 | 0:10:02 | |
CHEERING | 0:10:02 | 0:10:03 | |
-That must be them. -Hi, ladies. | 0:10:03 | 0:10:05 | |
OK, let this clash of choirs commence. | 0:10:05 | 0:10:09 | |
Our first two groups are about to go head-to-head. | 0:10:09 | 0:10:12 | |
First, they'll perform their showstopper, | 0:10:12 | 0:10:14 | |
the song that they feel really showcases what they're all about | 0:10:14 | 0:10:17 | |
before going into battle in a no holds barred riff-off. | 0:10:17 | 0:10:22 | |
-AUDIENCE: -Whoo! | 0:10:22 | 0:10:25 | |
Our judges will then decide which group packed | 0:10:25 | 0:10:29 | |
the biggest vocal punches and go through to tonight's solo battles. | 0:10:29 | 0:10:32 | |
So, without further ado, let's meet tonight's first two groups. | 0:10:32 | 0:10:36 | |
From Liverpool, it's the LMA Choir. | 0:10:36 | 0:10:38 | |
CHEERING AND APPLAUSE | 0:10:38 | 0:10:40 | |
And from Birmingham, The Uptone Girls. | 0:10:40 | 0:10:44 | |
We are the LMA Choir, | 0:10:48 | 0:10:49 | |
a group of 23 all-singing, all- dancing, Scousers from Liverpool! | 0:10:49 | 0:10:54 | |
CHEERING | 0:10:54 | 0:10:56 | |
Everyone absolutely loves being in the choir. | 0:10:56 | 0:10:59 | |
We have our musical theatre teacher, Stephanie, | 0:10:59 | 0:11:01 | |
and two very special people to thank for bringing us together. | 0:11:01 | 0:11:04 | |
My friend, Carl, asked me to do something for his wife | 0:11:04 | 0:11:07 | |
on their tenth wedding anniversary. | 0:11:07 | 0:11:09 | |
I gathered as many LMA students as I could to put together | 0:11:09 | 0:11:12 | |
a surprise flash mob. | 0:11:12 | 0:11:14 | |
# When I see your face... # | 0:11:14 | 0:11:16 | |
The video went viral overnight. | 0:11:16 | 0:11:18 | |
It was retweeted by Lil Wayne, Ashton Kutcher. | 0:11:18 | 0:11:22 | |
We had over 2 million views. | 0:11:22 | 0:11:25 | |
For at least a week, maybe, we all felt like little celebrities. | 0:11:25 | 0:11:28 | |
LAUGHTER | 0:11:28 | 0:11:30 | |
Our flash mob was meant to be a one-off but because it was | 0:11:30 | 0:11:33 | |
so much of the success, we decided to carry on. | 0:11:33 | 0:11:36 | |
The LMA choir. | 0:11:38 | 0:11:39 | |
Ricky Tomlinson is one of our biggest supporters | 0:11:39 | 0:11:42 | |
and he's actually our patron. | 0:11:42 | 0:11:44 | |
Their showstopper is going to be unbelievable, unmatched! | 0:11:44 | 0:11:48 | |
We've decided to have Stephanie up on the balcony. | 0:11:48 | 0:11:50 | |
We want to sing it to her. | 0:11:50 | 0:11:52 | |
It's emotional because they'll be graduating soon | 0:11:52 | 0:11:56 | |
and everything they've achieved, really, is just...amazing. | 0:11:56 | 0:12:00 | |
I feel like this is the last opportunity we're going to get | 0:12:00 | 0:12:04 | |
to show her how much she means to us. | 0:12:04 | 0:12:06 | |
We are The Uptone Girls. | 0:12:09 | 0:12:11 | |
We're a group of eight friends and | 0:12:11 | 0:12:13 | |
we all met at university in Birmingham. | 0:12:13 | 0:12:15 | |
Traditional a cappella tends to be quite dominated by males | 0:12:15 | 0:12:18 | |
but we're all female, here to shake it up. | 0:12:18 | 0:12:21 | |
We're pushing the boundaries of what it is to be a girl group. | 0:12:21 | 0:12:23 | |
I think I'm going to go like shiny neon. Glitter, sequins. | 0:12:23 | 0:12:27 | |
More is more! | 0:12:27 | 0:12:30 | |
Being in an all-female a cappella group is hard because you don't | 0:12:30 | 0:12:33 | |
usually get the big bass-y sounds. | 0:12:33 | 0:12:35 | |
Luckily, we have a good base, here. | 0:12:35 | 0:12:36 | |
This is the first time we've had proper choreography. | 0:12:39 | 0:12:41 | |
Being an a cappella group, it's hard enough | 0:12:41 | 0:12:43 | |
to stand there and sing, but if we don't push ourselves, | 0:12:43 | 0:12:46 | |
then we can't get on that stage and say we've done everything we can. | 0:12:46 | 0:12:50 | |
We're going to bring some girl power. | 0:12:50 | 0:12:53 | |
First, and hoping to impress our judges with their moving | 0:13:02 | 0:13:04 | |
tribute to their teacher, Steph, singing Just The Way You Are, | 0:13:04 | 0:13:09 | |
it's the LMA Choir. | 0:13:09 | 0:13:10 | |
# Her eyes, her eyes make the stars look like they're not shining | 0:13:17 | 0:13:21 | |
# Her hair, her hair falls perfectly without her trying | 0:13:21 | 0:13:26 | |
# She's so beautiful | 0:13:26 | 0:13:28 | |
-# And I tell her every day -Heh-heh-heh | 0:13:28 | 0:13:32 | |
# When I see your face | 0:13:32 | 0:13:37 | |
# There's not a thing that I would change | 0:13:37 | 0:13:41 | |
# Cos you're amazing | 0:13:41 | 0:13:45 | |
# Just the way you are | 0:13:45 | 0:13:49 | |
# And when you smile | 0:13:50 | 0:13:54 | |
# The whole world stops and stares for a while | 0:13:54 | 0:13:59 | |
# Cos girl you're amazing | 0:13:59 | 0:14:02 | |
# Just the way you are | 0:14:02 | 0:14:06 | |
# The way you are | 0:14:07 | 0:14:12 | |
# The way you are | 0:14:12 | 0:14:16 | |
# Cos girl you're amazing | 0:14:16 | 0:14:19 | |
# Just the way you are | 0:14:19 | 0:14:24 | |
-# And when you smile -When you smile | 0:14:25 | 0:14:29 | |
# The whole world stops and stares for a while | 0:14:29 | 0:14:34 | |
# Cos girl you're amazing | 0:14:34 | 0:14:37 | |
# Just the way you are. # | 0:14:37 | 0:14:42 | |
APPLAUSE AND CHEERING | 0:14:44 | 0:14:47 | |
What a cracking opener. | 0:14:56 | 0:14:58 | |
But before we hear from our judges, here is their competition. | 0:14:58 | 0:15:02 | |
Singing their showstopper, a dance track medley, | 0:15:02 | 0:15:05 | |
it's our university a cappella group, The Uptone Girls. | 0:15:05 | 0:15:09 | |
# Hell down, heaven down Livin' in the same town | 0:15:18 | 0:15:21 | |
# Tryin' a find something new | 0:15:21 | 0:15:23 | |
# This ain't real this ain't cool | 0:15:23 | 0:15:25 | |
# This ain't what I signed up to | 0:15:25 | 0:15:28 | |
# This ain't right it's no good | 0:15:28 | 0:15:31 | |
# No good | 0:15:31 | 0:15:33 | |
# Everything is changing | 0:15:33 | 0:15:36 | |
# And I've been here for too long | 0:15:36 | 0:15:38 | |
# Got to move on | 0:15:38 | 0:15:39 | |
# Say I, I can't do this any more | 0:15:39 | 0:15:44 | |
# If everything is changing | 0:15:44 | 0:15:47 | |
# And I know, yeah | 0:15:47 | 0:15:50 | |
-# I gotta let go -Ooh oh oh | 0:15:50 | 0:15:52 | |
# Ooh oh oh Ready for the | 0:15:52 | 0:15:54 | |
# Ooh oh oh oh | 0:15:54 | 0:15:56 | |
# Even though the dancing's done | 0:15:56 | 0:15:59 | |
# Don't worry cos the night is young | 0:15:59 | 0:16:01 | |
# Who cares where we go | 0:16:03 | 0:16:05 | |
# We're ready for the afterglow | 0:16:05 | 0:16:08 | |
# Someone hold the sunlight back | 0:16:08 | 0:16:13 | |
# Smoke and lasers love and ravers | 0:16:13 | 0:16:19 | |
# Afterglow, we're ready for the afterglow | 0:16:19 | 0:16:23 | |
# I've been waiting all night for you to tell me what you want | 0:16:25 | 0:16:28 | |
# Tell me, tell me that you need me | 0:16:28 | 0:16:30 | |
# I've been waiting all night for you to | 0:16:30 | 0:16:35 | |
# Tell me that you need me | 0:16:35 | 0:16:37 | |
# Tell me what you want me | 0:16:37 | 0:16:40 | |
# Tell me that you need me | 0:16:40 | 0:16:43 | |
# Tell me what you want me | 0:16:43 | 0:16:46 | |
# Ready for the. # | 0:16:46 | 0:16:48 | |
APPLAUSE AND CHEERING | 0:16:49 | 0:16:51 | |
Now, Steph, that was a heck of a great performance. | 0:17:00 | 0:17:03 | |
It was an amazing performance. | 0:17:03 | 0:17:05 | |
It's emotional because I'm so proud of them. They are amazing. | 0:17:05 | 0:17:09 | |
I think there might be somebody in the audience, here, | 0:17:09 | 0:17:12 | |
who's a keen supporter of LMA. | 0:17:12 | 0:17:13 | |
Is that Ricky Tomlinson, there? | 0:17:13 | 0:17:15 | |
Hello, Ricky. Oh, Ricky. | 0:17:15 | 0:17:19 | |
What did you think of LMA, Ricky? | 0:17:19 | 0:17:23 | |
I love them. They're wonderful. | 0:17:23 | 0:17:24 | |
They are wonderful. They're amazing. | 0:17:24 | 0:17:26 | |
APPLAUSE AND CHEERING | 0:17:26 | 0:17:29 | |
Now, this is an incredible array of sequin-age, of bling. | 0:17:29 | 0:17:35 | |
Are you basically going to give The Saturdays, Girls Aloud, | 0:17:35 | 0:17:39 | |
-Spice Girls, a little bit of a run for their money? -Definitely. | 0:17:39 | 0:17:44 | |
We've never, ever danced before this and we love it and we want to | 0:17:44 | 0:17:48 | |
wear sequins all the time now! | 0:17:48 | 0:17:50 | |
They did very good on the old dancing, didn't they? Amazing! | 0:17:50 | 0:17:55 | |
Gareth, two extremely strong groups to kick us off, there. | 0:17:55 | 0:17:59 | |
Yeah, well done. | 0:17:59 | 0:18:01 | |
If I start with LMA, I thought your sense of tone was really good. | 0:18:01 | 0:18:05 | |
You had a good sense of style, used your vibrato well. | 0:18:05 | 0:18:08 | |
What I'd really like to see when you go into the riff-off is | 0:18:08 | 0:18:11 | |
a greater commitment to the text. | 0:18:11 | 0:18:13 | |
I felt like just towards the end, I wasn't seeing 100% commitment | 0:18:13 | 0:18:16 | |
and we've got to have that in the riff-off. | 0:18:16 | 0:18:18 | |
Now, The Uptone Girls, Gareth. | 0:18:18 | 0:18:20 | |
You tried to pull off something very difficult. | 0:18:20 | 0:18:22 | |
Three songs for the price of one. | 0:18:22 | 0:18:24 | |
It worked very well because often the criticism of female-only | 0:18:24 | 0:18:27 | |
-a cappella is that you don't have the low basses. -Erm, Catherine did. | 0:18:27 | 0:18:31 | |
I'm so sorry to step in here but what you heard is | 0:18:31 | 0:18:34 | |
a technique that a cappella groups are now using. | 0:18:34 | 0:18:36 | |
It involves a lip buzz. So their base is buzzing her lip. | 0:18:36 | 0:18:41 | |
Oh, was that a lip drill? Oh, in that case, well done. | 0:18:41 | 0:18:45 | |
CHEERING AND APPLAUSE | 0:18:45 | 0:18:48 | |
Altogether, everybody. | 0:18:48 | 0:18:50 | |
THEY LIP BUZZ | 0:18:50 | 0:18:53 | |
That feels good! | 0:18:53 | 0:18:55 | |
Kelis, we've got quite a big group, here, compared to | 0:18:55 | 0:18:59 | |
a relatively smaller group. Is that going to give issues? | 0:18:59 | 0:19:02 | |
I think sometimes it makes an issue. | 0:19:02 | 0:19:04 | |
There's a lot of energy, obviously, when there's more people. | 0:19:04 | 0:19:07 | |
My notes really would be, going into the riff-off, I would say | 0:19:07 | 0:19:11 | |
just breathe and kind of like take your time, lay back a little bit. | 0:19:11 | 0:19:14 | |
And The Uptone Girls? | 0:19:14 | 0:19:15 | |
For The Uptones, there's moments when I wanted you guys to pull back | 0:19:15 | 0:19:18 | |
so we could really hear whoever was singing the solo, | 0:19:18 | 0:19:21 | |
and it's kind of all one level, but all in all, | 0:19:21 | 0:19:23 | |
I think you guys did something really interesting | 0:19:23 | 0:19:25 | |
and I'm excited to see what you've got for the riff-off. | 0:19:25 | 0:19:27 | |
APPLAUSE | 0:19:27 | 0:19:29 | |
Will, my love. | 0:19:29 | 0:19:30 | |
Have you got any advice or thoughts for both groups before they | 0:19:30 | 0:19:34 | |
-go into this riff-off? -LMA, I would just remember you're a group. | 0:19:34 | 0:19:38 | |
Really enjoy each other because I think that's what's | 0:19:38 | 0:19:43 | |
the essence of you guys, and I want to just feel that even more. | 0:19:43 | 0:19:47 | |
And Uptone Girls, Kelis, I completely agree with you. | 0:19:47 | 0:19:50 | |
I think, just, think about dynamics. | 0:19:50 | 0:19:53 | |
If you had gone down in that middle section, | 0:19:53 | 0:19:55 | |
then the solo would've popped out more | 0:19:55 | 0:19:57 | |
and breathing will really help you, from your diaphragm, | 0:19:57 | 0:20:00 | |
but my gosh, you really did a wonderful performance | 0:20:00 | 0:20:03 | |
and I really applaud both of you | 0:20:03 | 0:20:05 | |
and I'm very excited to hear you sing again. | 0:20:05 | 0:20:08 | |
APPLAUSE | 0:20:08 | 0:20:11 | |
Only one of these groups will go through to the solo battles later tonight. | 0:20:11 | 0:20:15 | |
The other is about to be knocked out. | 0:20:15 | 0:20:17 | |
Deciding their fate is the themed riff-off. | 0:20:17 | 0:20:22 | |
-AUDIENCE: -Oooh! | 0:20:22 | 0:20:24 | |
It is time to reveal the theme. | 0:20:25 | 0:20:29 | |
MUSIC PLAYS | 0:20:29 | 0:20:34 | |
Nice, very nice. | 0:20:39 | 0:20:41 | |
Say HALO to a truly heavenly theme. | 0:20:41 | 0:20:44 | |
Give me the high-five, otherwise I'm going to be hanging. | 0:20:44 | 0:20:48 | |
There we go, Lucy. There's a couple of songs... Good girl. | 0:20:48 | 0:20:52 | |
Very late, but it doesn't matter. | 0:20:52 | 0:20:53 | |
Remember, only one group will go through to the solo battles. | 0:20:55 | 0:20:58 | |
Good luck to every single person on this stage. Good luck. | 0:20:58 | 0:21:03 | |
Singing songs on the theme of angels, | 0:21:07 | 0:21:09 | |
it's the LMA Choir versus The Uptone Girls. | 0:21:09 | 0:21:14 | |
# Heaven must be missing an angel | 0:21:19 | 0:21:25 | |
# Missing one angel child is what he will be right now | 0:21:26 | 0:21:32 | |
# Oh | 0:21:32 | 0:21:34 | |
# Love is heavenly | 0:21:34 | 0:21:38 | |
# Heavenly to me | 0:21:38 | 0:21:40 | |
# Baby | 0:21:40 | 0:21:42 | |
# Oh, heaven, heaven | 0:21:42 | 0:21:46 | |
# Must be missing an angel. # | 0:21:46 | 0:21:52 | |
# I walked into an empty room | 0:21:52 | 0:21:56 | |
# Suddenly my heart goes boom boom boom boom boom | 0:21:56 | 0:22:01 | |
# There's an orchestra of angels | 0:22:01 | 0:22:05 | |
# Playing with your heart, yeah | 0:22:05 | 0:22:09 | |
# Da-da-da-da-da-da-da-da-da-da | 0:22:09 | 0:22:11 | |
# Must be talking to an angel Must be talking to an angel | 0:22:11 | 0:22:16 | |
-# Must be talking to an angel -Da-da-da-da-da-da-da-da-da-da | 0:22:16 | 0:22:20 | |
# Must be talking to an angel Must be talking to an angel. # | 0:22:20 | 0:22:27 | |
# In the arms of the angels | 0:22:32 | 0:22:36 | |
# Fly away from here | 0:22:36 | 0:22:41 | |
# You're in the arms of the angels | 0:22:43 | 0:22:49 | |
# May you find some comfort here | 0:22:49 | 0:22:56 | |
# Everywhere looking out | 0:23:05 | 0:23:07 | |
# I'm surrounded by your embrace | 0:23:08 | 0:23:11 | |
# Baby I can see your halo | 0:23:11 | 0:23:14 | |
# You know you're my saving grace | 0:23:14 | 0:23:15 | |
# See your halo | 0:23:15 | 0:23:17 | |
# Halo I can see your halo | 0:23:17 | 0:23:20 | |
# Halo | 0:23:20 | 0:23:22 | |
# Halo, halo | 0:23:22 | 0:23:23 | |
# Halo, halo, ooh. # | 0:23:25 | 0:23:32 | |
APPLAUSE | 0:23:32 | 0:23:35 | |
# Pretty little, pretty little, pretty little angel | 0:23:35 | 0:23:38 | |
# Ooh | 0:23:38 | 0:23:40 | |
# Pretty little, little, little angel eyes | 0:23:45 | 0:23:47 | |
# Angel eyes you know I love you so | 0:23:47 | 0:23:52 | |
# Angel eyes I'll never let you go | 0:23:52 | 0:23:56 | |
-# Because I love you -Because I love you | 0:23:56 | 0:23:59 | |
# My darling angel eyes | 0:23:59 | 0:24:02 | |
# Oh angel eyes | 0:24:02 | 0:24:05 | |
# Pretty little angel, pretty little angel, pretty little angel eyes | 0:24:05 | 0:24:10 | |
# Hey. # | 0:24:10 | 0:24:12 | |
# When I'm lying in my bed | 0:24:15 | 0:24:19 | |
# Thoughts running through my head | 0:24:19 | 0:24:22 | |
# And I feel that love is dead | 0:24:22 | 0:24:25 | |
# I'm loving angels instead | 0:24:26 | 0:24:31 | |
# And through it all she offers me protection | 0:24:31 | 0:24:37 | |
# A lot of love and affection | 0:24:37 | 0:24:40 | |
# When I come to call | 0:24:40 | 0:24:45 | |
# She won't forsake me | 0:24:45 | 0:24:47 | |
# No, no, no, no | 0:24:47 | 0:24:49 | |
# I'm loving angels instead. # | 0:24:49 | 0:24:54 | |
CHEERING AND APPLAUSE | 0:24:56 | 0:24:59 | |
I love that. | 0:25:04 | 0:25:05 | |
Reminded me so much of the original riff-off in the movie, | 0:25:05 | 0:25:08 | |
Pitch Perfect, where we had a female a cappella group on one side | 0:25:08 | 0:25:11 | |
and a bunch of other university students back and forth. Fantastic. | 0:25:11 | 0:25:14 | |
We had disco angels, we had doo-wop angels, | 0:25:14 | 0:25:18 | |
we had Beyonce angels, Robbie Williams angels. | 0:25:18 | 0:25:20 | |
I just don't know, Mel, which group has the guardian angel | 0:25:20 | 0:25:23 | |
looking over them right now. | 0:25:23 | 0:25:24 | |
Thanks very much, Deke. Now, Steph, how was that? | 0:25:24 | 0:25:29 | |
I felt like we put our heart and souls into that performance | 0:25:29 | 0:25:32 | |
and we really listened to our critique | 0:25:32 | 0:25:35 | |
and I feel like we nailed it. We nailed it. | 0:25:35 | 0:25:37 | |
CHEERING AND APPLAUSE | 0:25:37 | 0:25:40 | |
Well, girls, some big talk from over there. | 0:25:40 | 0:25:44 | |
They think they nailed it. | 0:25:44 | 0:25:45 | |
Uptone Girls, anything to respond to that? | 0:25:45 | 0:25:47 | |
We're a smaller group and maybe not as tight on the choreography, | 0:25:47 | 0:25:50 | |
but I think with the support of the band, we nailed it too. | 0:25:50 | 0:25:53 | |
CHEERING AND APPLAUSE | 0:25:53 | 0:25:55 | |
I'm liking this, I'm liking this. | 0:25:55 | 0:25:58 | |
Kelis, that was quite a riff-off, I think you'll agree. | 0:26:00 | 0:26:03 | |
-Who impressed you? -Connor, in the back, you started off. | 0:26:03 | 0:26:06 | |
What a voice. Amazing. I loved watching you guys come together. | 0:26:06 | 0:26:11 | |
I think the riff-off was really strong. | 0:26:11 | 0:26:14 | |
For The Uptone Girls, Emma, your tone is gorgeous. | 0:26:14 | 0:26:18 | |
It's like an angel, it was literally rolling out of you. I love that. | 0:26:18 | 0:26:21 | |
I think individually you guys are really strong. | 0:26:21 | 0:26:24 | |
I think maybe as a group you need to congeal a little bit more. | 0:26:24 | 0:26:27 | |
Congeal to me sounds a little unpleasant. | 0:26:27 | 0:26:30 | |
LAUGHTER | 0:26:30 | 0:26:32 | |
-I don't know why. -In this situation, it would be ideal. | 0:26:32 | 0:26:35 | |
Now, Gareth, who smashed it out the park for you? | 0:26:35 | 0:26:38 | |
I thought both groups had really great moments. | 0:26:38 | 0:26:41 | |
Particularly enjoyed the Showaddywaddy. | 0:26:41 | 0:26:43 | |
I felt like you came into your own there and that really came alive. | 0:26:43 | 0:26:46 | |
Everything from the low basses to the backing bits and then this | 0:26:46 | 0:26:49 | |
huge energy out front with your solo, Joe, | 0:26:49 | 0:26:50 | |
I thought that was really, really exciting. | 0:26:50 | 0:26:52 | |
Very well done on that. But... | 0:26:52 | 0:26:55 | |
APPLAUSE | 0:26:55 | 0:26:57 | |
..I actually did think that Uptone Girls congealed pretty well. | 0:26:57 | 0:27:01 | |
I thought it was nicely, nicely congealed. | 0:27:01 | 0:27:04 | |
Slotted in well with the band, you had some really good moments. | 0:27:04 | 0:27:07 | |
And I thought Emma's solo at the end, you just had a nice, | 0:27:07 | 0:27:10 | |
quiet confidence during the end | 0:27:10 | 0:27:12 | |
so I thought, some good ensemble moments there from you. Well done. | 0:27:12 | 0:27:15 | |
Thank you very much indeed. | 0:27:15 | 0:27:17 | |
-Will, was it congealed enough for you? -Yes. | 0:27:18 | 0:27:23 | |
I love both of you. | 0:27:23 | 0:27:26 | |
I thought you were so great and, actually, | 0:27:26 | 0:27:28 | |
it was interesting to hear you do different things. | 0:27:28 | 0:27:30 | |
LMA, what I loved about what you guys did, not just the arranging | 0:27:30 | 0:27:34 | |
and the harmonies, which were really clever, and the dynamics, | 0:27:34 | 0:27:37 | |
was your acting and you didn't go into musical theatre because | 0:27:37 | 0:27:40 | |
you're not doing musical theatre, | 0:27:40 | 0:27:42 | |
you're here as a choir and I thought that balance was perfectly struck. | 0:27:42 | 0:27:46 | |
APPLAUSE | 0:27:46 | 0:27:47 | |
Uptone Girls, I have to say you remind me of En Vogue, actually. | 0:27:49 | 0:27:52 | |
Nice! | 0:27:52 | 0:27:54 | |
I'm really excited by you guys because I think you've got something. | 0:27:54 | 0:27:57 | |
Will thinks you've got something, girls. | 0:27:57 | 0:28:01 | |
Now, only one group can go through to tonight's solo battles. | 0:28:01 | 0:28:05 | |
Will, which group would you like to go through to these | 0:28:09 | 0:28:13 | |
solo battles tonight? | 0:28:13 | 0:28:15 | |
Well, the great thing is that I've enjoyed some wonderful | 0:28:15 | 0:28:18 | |
performances, so I thank you both for that. | 0:28:18 | 0:28:21 | |
The choir I'd like to go through is... | 0:28:22 | 0:28:24 | |
..LMA. | 0:28:25 | 0:28:27 | |
CHEERING AND APPLAUSE | 0:28:27 | 0:28:28 | |
Gareth. | 0:28:34 | 0:28:36 | |
Well, taking nothing away from either group, | 0:28:36 | 0:28:38 | |
both very strong in parts, | 0:28:38 | 0:28:40 | |
and I'm a little bit frightened about saying this | 0:28:40 | 0:28:42 | |
because there's a lot of LMA supporters down here | 0:28:42 | 0:28:45 | |
but I'm going with Uptone Girls. | 0:28:45 | 0:28:46 | |
CHEERING AND APPLAUSE | 0:28:46 | 0:28:49 | |
OK, Kelis, the decision lies with you. | 0:28:52 | 0:28:56 | |
Which group, Kelis, would you like to see | 0:28:56 | 0:28:58 | |
go through to the solo battles? | 0:28:58 | 0:29:00 | |
Kind of reiterating what Gareth said before. | 0:29:00 | 0:29:03 | |
I do think there were moments on both where I wanted to see other | 0:29:03 | 0:29:06 | |
things and I agree with Will, I really think there's | 0:29:06 | 0:29:08 | |
something really special about you girls. | 0:29:08 | 0:29:10 | |
But, for me, I just think that LMA was... | 0:29:13 | 0:29:16 | |
CHEERING AND APPLAUSE | 0:29:16 | 0:29:19 | |
It means it is goodbye to the Uptone Girls. | 0:29:26 | 0:29:29 | |
They've been amazing, haven't they? | 0:29:29 | 0:29:30 | |
CHEERING AND APPLAUSE | 0:29:30 | 0:29:34 | |
LMA Choir, we're going to see you later on in the solo battles | 0:29:34 | 0:29:36 | |
but the big question is, who is going to be joining you there? | 0:29:36 | 0:29:40 | |
So, let's meet our next two choral contenders | 0:29:40 | 0:29:43 | |
ready to go head-to-head on Pitch Battle. | 0:29:43 | 0:29:46 | |
It's the Leeds Contemporary Singers... | 0:29:46 | 0:29:48 | |
CHEERING AND APPLAUSE | 0:29:48 | 0:29:51 | |
And it's Vocally Bespoke. | 0:29:53 | 0:29:55 | |
CHEERING AND APPLAUSE | 0:29:55 | 0:29:56 | |
We're the Leeds Contemporary Singers. | 0:29:59 | 0:30:00 | |
We're nine musicians based in Yorkshire. | 0:30:00 | 0:30:03 | |
Everyone in this group is insanely talented. | 0:30:06 | 0:30:08 | |
-I play acoustic guitar. -I've been playing the saxophone for about | 0:30:08 | 0:30:11 | |
-seven-odd years. -Emilia plays the bloomin' harp, so that's cool! | 0:30:11 | 0:30:15 | |
What's great is we take all of these musical tastes and things together | 0:30:19 | 0:30:23 | |
to create an eclectic mix that you won't get anywhere else. | 0:30:23 | 0:30:27 | |
I'd say our sound is very edgy, really cool, unusually amazing. | 0:30:27 | 0:30:32 | |
THEY LAUGH | 0:30:32 | 0:30:34 | |
This is definitely the biggest thing we've ever done. | 0:30:34 | 0:30:36 | |
We're ready for battle. Pitch Battle. | 0:30:36 | 0:30:39 | |
# Sing! # | 0:30:39 | 0:30:40 | |
-We are... -All: Vocally Bespoke! | 0:30:46 | 0:30:49 | |
We come from as far north as Derby | 0:30:49 | 0:30:51 | |
and as far south as Southampton. | 0:30:51 | 0:30:53 | |
We have to meet in this sort of halfway point. | 0:30:53 | 0:30:55 | |
I'm looking forward to seeing everyone. | 0:30:55 | 0:30:57 | |
Because of our love of singing, | 0:30:57 | 0:30:58 | |
we cover more miles than anyone else in the competition. | 0:30:58 | 0:31:01 | |
We car-share to make it more fun. | 0:31:01 | 0:31:04 | |
Morning! | 0:31:04 | 0:31:06 | |
Have you gone the wrong way? | 0:31:06 | 0:31:07 | |
It often turns into a bit of a car-share karaoke. | 0:31:07 | 0:31:10 | |
# Turn it up, it's your favourite song | 0:31:10 | 0:31:12 | |
# Dance, dance, dance to the distortion | 0:31:12 | 0:31:15 | |
# Turn it up, keep it on repeat... # | 0:31:15 | 0:31:17 | |
We have to meet to rehearse at a barn in Bedfordshire. | 0:31:17 | 0:31:20 | |
I think that the car shares have become really close. | 0:31:20 | 0:31:23 | |
It's a good chance to practise on the road, obviously, | 0:31:23 | 0:31:26 | |
but also people have formed stronger bonds. | 0:31:26 | 0:31:28 | |
I have to say, coming to the rehearsals with these guys, | 0:31:28 | 0:31:31 | |
I've definitely got very good friends looking out for me. | 0:31:31 | 0:31:35 | |
Here's to our journey on Pitch Battle. Cheers, everyone! | 0:31:35 | 0:31:38 | |
CHEERING | 0:31:38 | 0:31:41 | |
CHEERING AND APPLAUSE | 0:31:45 | 0:31:48 | |
Up first with their showstopper, | 0:31:48 | 0:31:51 | |
it's our vocal group, the Leeds Contemporary Singers. | 0:31:51 | 0:31:55 | |
CHEERING AND APPLAUSE | 0:31:55 | 0:31:59 | |
# These four lonely walls have changed the way I feel | 0:32:03 | 0:32:09 | |
# The way I feel | 0:32:09 | 0:32:12 | |
# I'm standing still | 0:32:12 | 0:32:16 | |
# If I lose myself, I lose it all | 0:32:16 | 0:32:20 | |
# I've outrun the fears that chased | 0:32:23 | 0:32:27 | |
# They're standing still | 0:32:27 | 0:32:29 | |
# I've outrun the fears, they're standing still | 0:32:29 | 0:32:34 | |
# Oh-oh-oh-oh-oh | 0:32:34 | 0:32:37 | |
# Every voice that cries inside my head, forever drives | 0:32:37 | 0:32:45 | |
# Forever drives | 0:32:45 | 0:32:49 | |
# I've killed the lights, oh | 0:32:49 | 0:32:52 | |
# If I lose myself, I lose it all | 0:32:52 | 0:32:55 | |
# Please don't bury us, I got you | 0:32:55 | 0:33:02 | |
# I got you | 0:33:02 | 0:33:04 | |
# I've got, I've got you | 0:33:04 | 0:33:07 | |
# Runnin', runnin', runnin', runnin' | 0:33:07 | 0:33:10 | |
# Runnin', runnin', runnin' | 0:33:10 | 0:33:12 | |
# Ain't runnin' from myself no more | 0:33:12 | 0:33:16 | |
# I'm ready to face it all | 0:33:16 | 0:33:21 | |
# If I lose myself, I lose it all | 0:33:21 | 0:33:26 | |
# If I, if I | 0:33:26 | 0:33:28 | |
# If I lose myself, I lose it all. # | 0:33:28 | 0:33:35 | |
CHEERING AND APPLAUSE | 0:33:35 | 0:33:38 | |
Oof! That's how they did it in Leeds. | 0:33:46 | 0:33:49 | |
V-dot-strong work there from the West Yorkshire Massive. | 0:33:49 | 0:33:52 | |
Now time to hear from the competition. | 0:33:52 | 0:33:55 | |
Performing their showstopper Hold Back The River, | 0:33:55 | 0:33:58 | |
it's Vocally Bespoke! | 0:33:58 | 0:34:00 | |
CHEERING AND APPLAUSE | 0:34:00 | 0:34:02 | |
# Tried to keep you close to me | 0:34:04 | 0:34:11 | |
# But life got in between | 0:34:11 | 0:34:15 | |
# Tried to square not being there | 0:34:18 | 0:34:25 | |
# But think that I should've been | 0:34:25 | 0:34:30 | |
# Should have been | 0:34:30 | 0:34:32 | |
# Hold back the river, let me look in your eyes | 0:34:32 | 0:34:36 | |
# Hold back the river so I | 0:34:36 | 0:34:39 | |
# Can stop for a minute and see where you hide | 0:34:39 | 0:34:43 | |
# Hold back the river, hold back | 0:34:43 | 0:34:47 | |
# Oh-oh-oh | 0:34:47 | 0:34:50 | |
-# Lonely water -Lonely water | 0:34:50 | 0:34:53 | |
# Lonely water | 0:34:53 | 0:34:56 | |
# Won't you let us wander | 0:34:56 | 0:35:00 | |
# Let us wander | 0:35:00 | 0:35:01 | |
# Let us hold each other | 0:35:01 | 0:35:05 | |
# Hold back the river, let me look in your eyes | 0:35:05 | 0:35:08 | |
# Hold back | 0:35:08 | 0:35:09 | |
-# Hold back the river so I -# Hold back | 0:35:09 | 0:35:12 | |
# Can stop for a minute and see where you hide | 0:35:12 | 0:35:15 | |
# Where you hide | 0:35:15 | 0:35:17 | |
# Hold back the river, hold back | 0:35:17 | 0:35:19 | |
# Tried to square not being there | 0:35:19 | 0:35:26 | |
# But think that I should have been. # | 0:35:26 | 0:35:34 | |
CHEERING AND APPLAUSE | 0:35:37 | 0:35:40 | |
Oh! Guys! | 0:35:48 | 0:35:51 | |
Now, Nathan, I want to talk to you about singing, pitch, music, | 0:35:51 | 0:35:56 | |
everything, your experience - but I'm just going to talk about | 0:35:56 | 0:35:58 | |
your beard. Let's just discuss the beard. | 0:35:58 | 0:36:01 | |
Can I just say, does the... Ooh! That's lovely! | 0:36:01 | 0:36:05 | |
Is it like Sampson, does it give you the sort of vocal strength? | 0:36:05 | 0:36:07 | |
-If I were to shave it off would your strength go? -It's everything and the | 0:36:07 | 0:36:11 | |
reason why it's there is cos beards are awesome. | 0:36:11 | 0:36:14 | |
Your beard certainly is. | 0:36:14 | 0:36:15 | |
Very, very good work, though. Did you feel that went well? | 0:36:15 | 0:36:19 | |
I think it really did. | 0:36:19 | 0:36:21 | |
We've put a lot of time and effort into getting that sound coming | 0:36:21 | 0:36:24 | |
together but it's really, really crazy difficult up against that mob. | 0:36:24 | 0:36:28 | |
CHEERING AND APPLAUSE | 0:36:28 | 0:36:31 | |
Craig, you're going beardless but I'm loving your Gareth Malone look! | 0:36:31 | 0:36:37 | |
LAUGHTER | 0:36:37 | 0:36:39 | |
-Very, very cool. -Thank you very much, Mel. | 0:36:39 | 0:36:43 | |
Kelis, two unforgettable performances. What do you reckon? | 0:36:43 | 0:36:46 | |
I'm going to start with Leeds. | 0:36:46 | 0:36:48 | |
Technically, I think it's gorgeous. | 0:36:48 | 0:36:52 | |
It is so warm and really intricate. | 0:36:52 | 0:36:56 | |
I think my one note for you would be - energy. | 0:36:56 | 0:36:58 | |
You've got all the technique, I just... Like, pull me in. | 0:36:58 | 0:37:03 | |
I want you to grab us. | 0:37:03 | 0:37:05 | |
So for the Riff-Off I think that would be my focus. | 0:37:05 | 0:37:07 | |
And then Vocally Bespoke, focus on your blend. | 0:37:07 | 0:37:11 | |
Just listen to each other, hear each other. Your energy, for me, | 0:37:11 | 0:37:14 | |
was what got me. I think you guys | 0:37:14 | 0:37:15 | |
feel so good and the fact you're travelling for miles upon miles | 0:37:15 | 0:37:19 | |
to see each other, I love that. | 0:37:19 | 0:37:21 | |
APPLAUSE | 0:37:21 | 0:37:23 | |
Now, Will, they held back the river but please don't hold back | 0:37:23 | 0:37:26 | |
your river of thoughts. | 0:37:26 | 0:37:29 | |
-Did you like that, Will? -I love you. | 0:37:29 | 0:37:32 | |
Leeds, I think you look like the Fleetwood Mac of vocal | 0:37:32 | 0:37:36 | |
-harmony groups. -Nice! -I have to say, I really loved your performance. | 0:37:36 | 0:37:40 | |
I believe you guys. You are what I love about a vocal harmony group. | 0:37:40 | 0:37:45 | |
When Kelis was talking about energy, energy for me doesn't have to be | 0:37:45 | 0:37:49 | |
loud, it can be an internal thing, you know? | 0:37:49 | 0:37:53 | |
You guys, you travel all this way to meet. That's what music is about. | 0:37:53 | 0:37:57 | |
It brings people together, it crosses borders, it crosses | 0:37:57 | 0:38:00 | |
everywhere and I can feel that in your performance, | 0:38:00 | 0:38:03 | |
you're friends and there's something really special about you guys. | 0:38:03 | 0:38:06 | |
-Now, Gareth. -Yes. If I start with Leeds - | 0:38:06 | 0:38:09 | |
that's a great sound and it was quite thrilling at the beginning. | 0:38:09 | 0:38:12 | |
It took immense bravery to come out here when all of the other groups | 0:38:12 | 0:38:16 | |
are doing their big showstopper! | 0:38:16 | 0:38:18 | |
And you did something quiet and simple. That's really hard. | 0:38:18 | 0:38:22 | |
So I commend you for that. | 0:38:22 | 0:38:23 | |
But it's not all about bells and whistles but you're on | 0:38:23 | 0:38:26 | |
a big stage here, I need you to up the energy in the Riff-Off. | 0:38:26 | 0:38:30 | |
So if I can talk about Vocally Bespoke. | 0:38:30 | 0:38:33 | |
It felt like you'd taken me to a festival. It was really good. | 0:38:33 | 0:38:37 | |
Well done. | 0:38:37 | 0:38:38 | |
But I need to some fine work in the harmonies, | 0:38:38 | 0:38:42 | |
that's what I'm looking for in the Riff-Off, please - finesse. | 0:38:42 | 0:38:45 | |
One group is about to be knocked out of the competition. | 0:38:45 | 0:38:48 | |
The other will face the choir in tonight's Solo Battles. | 0:38:48 | 0:38:53 | |
Deciding their fate is the oh, so dramatic...Riff-Off. | 0:38:53 | 0:38:58 | |
APPLAUSE | 0:38:58 | 0:39:02 | |
Theme machine, theme machine on the wall, | 0:39:02 | 0:39:05 | |
who is the fairest... | 0:39:05 | 0:39:07 | |
Sorry, wrong rhyme. I mean, just reveal the theme. Reveal the theme. | 0:39:07 | 0:39:12 | |
-AUDIENCE: -Oooh...! | 0:39:12 | 0:39:14 | |
APPLAUSE | 0:39:17 | 0:39:21 | |
Wow. Wow. | 0:39:21 | 0:39:23 | |
Now, yeah, apologies, Sorry. I'm so sorry. | 0:39:23 | 0:39:27 | |
Sorry, that's the actual theme, the theme is Sorry. Listen, good luck. | 0:39:27 | 0:39:31 | |
I'm so sorry. Sorry. | 0:39:31 | 0:39:33 | |
APPLAUSE | 0:39:33 | 0:39:35 | |
In tonight's second Riff-Off it's Vocally Bespoke versus the | 0:39:35 | 0:39:39 | |
Leeds Contemporary Singers! | 0:39:39 | 0:39:41 | |
CHEERING AND APPLAUSE | 0:39:41 | 0:39:44 | |
# Oooh, ooh-ooh-ooh, ooh-ooh-ooh | 0:39:47 | 0:39:51 | |
# Oooh, ooh-ooh-ooh, ooh-ooh-ooh | 0:39:52 | 0:39:55 | |
# Do-do-doot-doot-do-doot-doot | 0:39:55 | 0:39:57 | |
# Is it too late now to say sorry? | 0:39:57 | 0:40:01 | |
# Cos I'm missing more than just your body | 0:40:01 | 0:40:05 | |
# Whoa-oh-oh-oh | 0:40:05 | 0:40:07 | |
# Is it too late now to say sorry? | 0:40:07 | 0:40:11 | |
# Yeah, I know that I let you down | 0:40:11 | 0:40:13 | |
# Is it too late to say I'm sorry now? # | 0:40:13 | 0:40:16 | |
CHEERING AND APPLAUSE | 0:40:16 | 0:40:18 | |
# It's too late to apologise | 0:40:18 | 0:40:21 | |
# I'm sorry | 0:40:21 | 0:40:22 | |
# It's too late | 0:40:22 | 0:40:25 | |
# Got me ten feet off the ground | 0:40:25 | 0:40:27 | |
-# It's too late to apologise -I'm sorry | 0:40:27 | 0:40:30 | |
# It's too late | 0:40:30 | 0:40:32 | |
# But I just can't make a sound | 0:40:32 | 0:40:34 | |
# It's too late to apologise | 0:40:34 | 0:40:38 | |
# Yeah | 0:40:38 | 0:40:42 | |
# I said it's too late to apologise | 0:40:42 | 0:40:46 | |
# Yeah | 0:40:46 | 0:40:49 | |
# Yeah-yeah. # | 0:40:49 | 0:40:51 | |
CHEERING AND APPLAUSE | 0:40:51 | 0:40:54 | |
# Hold me now | 0:40:54 | 0:40:57 | |
# It's hard for me to say I'm sorry | 0:40:57 | 0:41:00 | |
# After all that we've been through | 0:41:00 | 0:41:05 | |
# I will make it up to you | 0:41:05 | 0:41:09 | |
# I promise to | 0:41:09 | 0:41:14 | |
# And after all that's been said and done | 0:41:14 | 0:41:19 | |
# You're just a part of me | 0:41:19 | 0:41:22 | |
# I can't let go. # | 0:41:22 | 0:41:25 | |
CHEERING AND APPLAUSE | 0:41:25 | 0:41:30 | |
# So sad | 0:41:30 | 0:41:33 | |
# So sad | 0:41:33 | 0:41:35 | |
# It's a sad, sad situation | 0:41:35 | 0:41:39 | |
# It's getting more and more absurd | 0:41:39 | 0:41:43 | |
# Ooh-ooh-ooh | 0:41:43 | 0:41:46 | |
-# So sad -Sad | 0:41:46 | 0:41:48 | |
# So sad | 0:41:48 | 0:41:50 | |
# Why can't we talk it over? | 0:41:50 | 0:41:52 | |
# Why can't we talk it over? | 0:41:52 | 0:41:54 | |
# It seems to me | 0:41:54 | 0:41:57 | |
# Sorry seems to be the hardest word | 0:41:57 | 0:42:04 | |
# Sorry. # | 0:42:04 | 0:42:07 | |
CHEERING AND APPLAUSE | 0:42:07 | 0:42:11 | |
# And I shoulda known better | 0:42:11 | 0:42:16 | |
# To lie to one as beautiful as you | 0:42:16 | 0:42:20 | |
# But I thought you'd understand | 0:42:20 | 0:42:24 | |
-# Can you forgive me? -I'm sorry | 0:42:24 | 0:42:28 | |
# I-I-I-I-I | 0:42:28 | 0:42:32 | |
# Shoulda known better | 0:42:32 | 0:42:34 | |
# I-I-I-I-I | 0:42:34 | 0:42:38 | |
# Shoulda known better. # | 0:42:38 | 0:42:42 | |
CHEERING AND APPLAUSE | 0:42:42 | 0:42:45 | |
# Hello from the other side | 0:42:45 | 0:42:48 | |
# The other side | 0:42:48 | 0:42:50 | |
# I must have called a thousand times | 0:42:50 | 0:42:54 | |
# Called a thousand times | 0:42:54 | 0:42:56 | |
# To tell you | 0:42:56 | 0:42:58 | |
# I'm sorry | 0:42:58 | 0:43:00 | |
# For breaking your heart | 0:43:00 | 0:43:02 | |
# But it don't matter | 0:43:02 | 0:43:04 | |
# I'm sorry | 0:43:04 | 0:43:06 | |
# Does it tear you apart? | 0:43:06 | 0:43:07 | |
# Does it tear you apart? | 0:43:07 | 0:43:10 | |
# I'm sorry | 0:43:10 | 0:43:12 | |
# Sorry. # | 0:43:12 | 0:43:15 | |
CHEERING AND APPLAUSE | 0:43:15 | 0:43:18 | |
That RiffOff was deep. Both groups are incredibly musical. | 0:43:23 | 0:43:27 | |
They set aside their instruments and then they wove together rich | 0:43:27 | 0:43:30 | |
tapestries of harmony, two- and three-voice groupings, | 0:43:30 | 0:43:33 | |
moving lines. That was an expert-level Riff-Off that happened. | 0:43:33 | 0:43:37 | |
All I know is both groups have nothing to be sorry about. | 0:43:37 | 0:43:40 | |
CHEERING AND APPLAUSE | 0:43:40 | 0:43:43 | |
Yes, we salute you at all times. | 0:43:45 | 0:43:49 | |
There was some real ruddy attitude in that Riff-Off. | 0:43:49 | 0:43:52 | |
It was great, I felt the crackle, the buzz between the two groups. | 0:43:52 | 0:43:57 | |
Ian, how was it in the land of Riff-Offery for you? | 0:43:57 | 0:44:01 | |
Ooh, it was a lot more fun than it's ever been. | 0:44:01 | 0:44:05 | |
-These guys really brought it. -They did, didn't they? | 0:44:05 | 0:44:09 | |
You were giving it some of this, there was a bit of shoulder, | 0:44:09 | 0:44:12 | |
that dandruff manoeuvre that people do these days. | 0:44:12 | 0:44:16 | |
We tried to give it energy, we tried to give it drive and we tried | 0:44:16 | 0:44:19 | |
to give it the attitude that I think the judges were looking for | 0:44:19 | 0:44:22 | |
-and I hope we achieved that. -Very good. | 0:44:22 | 0:44:24 | |
CHEERING AND APPLAUSE | 0:44:24 | 0:44:26 | |
Do either of the groups have anything to apologise for? | 0:44:26 | 0:44:29 | |
Nothing to be sorry about. If I start with you, Vocally Bespoke. | 0:44:29 | 0:44:32 | |
I loved the little do-do-doot-doot-do-doot-doot | 0:44:32 | 0:44:35 | |
in the Bieber, that was great. Very nice. | 0:44:35 | 0:44:40 | |
But without question, my favourite moment, Chris, your Chicago solo. | 0:44:40 | 0:44:44 | |
I liked that very much, it's very good. | 0:44:44 | 0:44:46 | |
And turning to Leeds Contemporary Singers, I asked for more | 0:44:46 | 0:44:50 | |
energy and you really gave it to me. | 0:44:50 | 0:44:52 | |
Just one or two moments, watch the bass, little bit wayward at times, | 0:44:52 | 0:44:56 | |
but it just felt musical to me. I thought it was very musical. | 0:44:56 | 0:44:59 | |
-I think so. -And that's the highest compliment! | 0:44:59 | 0:45:02 | |
CHEERING AND APPLAUSE Thank you, Gareth. | 0:45:02 | 0:45:05 | |
-Will, it wasn't a sorry state of affairs, was it? -No, it wasn't. | 0:45:05 | 0:45:09 | |
Vocally Bespoke, I feel like you're the choir that's on the streets. | 0:45:09 | 0:45:13 | |
Do you know what I mean? | 0:45:13 | 0:45:15 | |
It's not fully polished - and I actually mean that as a compliment. | 0:45:15 | 0:45:19 | |
I think that is what is really special about you guys. | 0:45:19 | 0:45:22 | |
CHEERING | 0:45:22 | 0:45:28 | |
Leeds, when you first sang, literally, my hairs stood on end. | 0:45:28 | 0:45:33 | |
Your harmonies are just killing me. They're just so beautiful. | 0:45:33 | 0:45:38 | |
You guys are all amazing. Wow. | 0:45:38 | 0:45:41 | |
-Well done. -Now, Kelis, were they evenly matched? | 0:45:41 | 0:45:45 | |
They were. It was literally like, song for song, I was just like, | 0:45:45 | 0:45:49 | |
"Ugh, I don't know!" Yeah, it was really, really, really strong. | 0:45:49 | 0:45:53 | |
Only one of these groups will go through to tonight's Solo Battles. | 0:45:53 | 0:45:56 | |
Gareth, can you tell us which group | 0:45:59 | 0:46:02 | |
you'd like to send through to the Solo Battles and why? | 0:46:02 | 0:46:05 | |
Because of what I thought was an absolutely fantastic tone and | 0:46:05 | 0:46:09 | |
a great arrange of vocal colours, I'm going to go with... | 0:46:09 | 0:46:15 | |
Leeds Contemporary Singers. | 0:46:15 | 0:46:17 | |
CHEERING AND APPLAUSE | 0:46:17 | 0:46:22 | |
Kelis, please tell us who you think deserves to go through to the | 0:46:22 | 0:46:25 | |
Solo Battles. | 0:46:25 | 0:46:27 | |
It was really hard but for me, definitely technique-wise, | 0:46:27 | 0:46:31 | |
you guys are stellar and I want to see more, so...Leeds. | 0:46:31 | 0:46:36 | |
CHEERING AND APPLAUSE | 0:46:36 | 0:46:39 | |
Will, who would you have chosen? | 0:46:44 | 0:46:46 | |
-I would have chosen Leeds as well. -OK. | 0:46:46 | 0:46:50 | |
Bespokes, there's a lot of love in this room for all of you. | 0:46:50 | 0:46:55 | |
Keep doing what you're doing. | 0:46:55 | 0:46:58 | |
Guys, there is only one place left in the Solo Battles. | 0:47:03 | 0:47:06 | |
Let's meet our final two groups ready for combat. | 0:47:06 | 0:47:10 | |
From Surrey, it's Vocal Dimension Chorus. | 0:47:10 | 0:47:13 | |
CHEERING | 0:47:13 | 0:47:15 | |
And from London, it's A Flame. | 0:47:15 | 0:47:18 | |
CHEERING | 0:47:18 | 0:47:21 | |
-We are... -ALL: Vocal Dimension! | 0:47:21 | 0:47:24 | |
# Here come the girls... # | 0:47:24 | 0:47:26 | |
We're an a cappella barbershop chorus. | 0:47:26 | 0:47:28 | |
People think that barbershop is just men in strawboaters and waistcoats | 0:47:28 | 0:47:32 | |
but actually women sing barbershop | 0:47:32 | 0:47:34 | |
as well and we're going to take Pitch Battle by storm. | 0:47:34 | 0:47:37 | |
People might think, bunch of ladies in Surrey, that all we do is go | 0:47:39 | 0:47:43 | |
out and have lunch or do the garden but this is quite a different group. | 0:47:43 | 0:47:47 | |
-I'm a female handyman. -I have a black belt in karate. | 0:47:47 | 0:47:50 | |
Last year we competed in Las Vegas at the | 0:47:52 | 0:47:55 | |
International Women's Barbershop Competition | 0:47:55 | 0:47:57 | |
and we came second in the world. | 0:47:57 | 0:47:59 | |
ALL: # Viva Las Vegas! # | 0:47:59 | 0:48:03 | |
Our showstopper is about strong women | 0:48:03 | 0:48:06 | |
so we're ready to go to battle. | 0:48:06 | 0:48:08 | |
ALL: Yes! | 0:48:08 | 0:48:10 | |
ALL: We're A Flame. | 0:48:14 | 0:48:16 | |
We are a gospel group from a church in East London. | 0:48:16 | 0:48:19 | |
Bishop Wayne Malcolm approached me and said, | 0:48:19 | 0:48:21 | |
"Why don't you put a group together?" And here we are. | 0:48:21 | 0:48:24 | |
I feel like everyone has a personal reason for being in the group. | 0:48:27 | 0:48:30 | |
For me, it is the feeling of family and togetherness. | 0:48:30 | 0:48:33 | |
I really love performing with these guys. | 0:48:33 | 0:48:37 | |
We've got to know each other really closely. | 0:48:37 | 0:48:39 | |
We're like brothers and sisters now. | 0:48:39 | 0:48:41 | |
# 24-carat | 0:48:41 | 0:48:43 | |
# 24-carat magic... # | 0:48:43 | 0:48:45 | |
THEY LAUGH | 0:48:45 | 0:48:47 | |
This is going to be our biggest performance ever. | 0:48:47 | 0:48:49 | |
This is real, it's a competition, | 0:48:49 | 0:48:51 | |
but we're not afraid of any of the other groups. | 0:48:51 | 0:48:53 | |
We're going to bring our A game. | 0:48:53 | 0:48:55 | |
Or even our A Flame! | 0:48:55 | 0:48:57 | |
CHEERING AND APPLAUSE | 0:49:00 | 0:49:03 | |
Up first with their showstopper Sweet Dreams Are Made Of This, | 0:49:06 | 0:49:09 | |
doing it for the girls, it's Vocal Dimension Chorus. | 0:49:09 | 0:49:13 | |
# Boom-boom-boom-boom-boom-boom bara, bara | 0:49:16 | 0:49:20 | |
# Boom-boom-boom-boom-boom-boom, bara, bara | 0:49:20 | 0:49:24 | |
# Sweet dreams are made of this | 0:49:24 | 0:49:27 | |
# Who am I to disagree? | 0:49:27 | 0:49:31 | |
# I travel the world and the seven seas | 0:49:31 | 0:49:35 | |
# Everybody's looking for something | 0:49:35 | 0:49:39 | |
# Some of them want to use you | 0:49:39 | 0:49:42 | |
# Some of them want to get used by you | 0:49:42 | 0:49:46 | |
# Some of them want to abuse you | 0:49:46 | 0:49:50 | |
# Some of them want to be abused | 0:49:50 | 0:49:54 | |
# Ooh-ooh-ooh-ooh | 0:49:57 | 0:50:00 | |
# Oh-oh-oh, oh-oh-oh | 0:50:00 | 0:50:05 | |
# Sweet dreams are made of this | 0:50:05 | 0:50:08 | |
# Who am I to disagree? | 0:50:08 | 0:50:12 | |
# I travel the world and the seven seas | 0:50:12 | 0:50:16 | |
# Everybody's looking for something | 0:50:16 | 0:50:20 | |
-# Hold your head up -Movin' on | 0:50:20 | 0:50:22 | |
-# Keep your head up -Movin' on | 0:50:22 | 0:50:24 | |
-# Hold your head up -Movin' on | 0:50:24 | 0:50:25 | |
-# Keep your head up -Movin' on | 0:50:25 | 0:50:27 | |
-# Hold your head up -Movin' on | 0:50:27 | 0:50:29 | |
-# Keep your head up -Movin' on | 0:50:29 | 0:50:31 | |
-# Hold your head up -Movin' on | 0:50:31 | 0:50:33 | |
# Keep your head up | 0:50:33 | 0:50:34 | |
# Oh, sweet dreams are made of this | 0:50:34 | 0:50:38 | |
# Who am I to disagree? | 0:50:38 | 0:50:42 | |
# I travel the world and the seven seas | 0:50:42 | 0:50:46 | |
# Everybody's looking for something. # | 0:50:46 | 0:50:50 | |
CHEERING AND APPLAUSE | 0:50:50 | 0:50:53 | |
Yeah, that was nice. | 0:50:53 | 0:50:55 | |
Well done, ladies. But your competition are raring to go, too. | 0:51:00 | 0:51:05 | |
Performing their showstopper Unconditionally, | 0:51:05 | 0:51:07 | |
it's our contemporary gospel group, A Flame! | 0:51:07 | 0:51:11 | |
CHEERING AND APPLAUSE | 0:51:11 | 0:51:14 | |
# Oh, no, did I get too close, oh? | 0:51:16 | 0:51:21 | |
# Did I almost see | 0:51:21 | 0:51:24 | |
# What's really on the inside? | 0:51:24 | 0:51:30 | |
# All your insecurities | 0:51:30 | 0:51:35 | |
# All the dirty laundry | 0:51:35 | 0:51:39 | |
# Never made me blink one time | 0:51:39 | 0:51:44 | |
# Unconditional | 0:51:44 | 0:51:48 | |
# Unconditionally | 0:51:48 | 0:51:52 | |
# I will love you | 0:51:52 | 0:51:54 | |
# Unconditionally | 0:51:54 | 0:51:59 | |
# Open up your heart and just let it begin | 0:51:59 | 0:52:03 | |
# Open up your heart and just let it begin | 0:52:03 | 0:52:07 | |
# Open up your heart and just let it begin | 0:52:07 | 0:52:10 | |
# Open up your heart | 0:52:10 | 0:52:14 | |
# Unconditional | 0:52:14 | 0:52:18 | |
# Unconditionally | 0:52:18 | 0:52:22 | |
# I will love you | 0:52:22 | 0:52:24 | |
# Unconditionally | 0:52:24 | 0:52:28 | |
# There is no fear now | 0:52:28 | 0:52:32 | |
# Let go and just be free | 0:52:32 | 0:52:36 | |
# I will love you | 0:52:36 | 0:52:39 | |
# Unconditionally. # | 0:52:39 | 0:52:43 | |
CHEERING AND APPLAUSE | 0:52:43 | 0:52:48 | |
Wowsers. | 0:52:58 | 0:53:00 | |
Now, we saw from the little film earlier that if the going gets | 0:53:00 | 0:53:05 | |
a little bit tough, all they need to do is unleash you because | 0:53:05 | 0:53:08 | |
you've got a black belt in karate! | 0:53:08 | 0:53:11 | |
Is that really true? | 0:53:11 | 0:53:13 | |
Yes, it is true, yes. | 0:53:13 | 0:53:15 | |
Are you sort of in charge? | 0:53:15 | 0:53:17 | |
I am in charge. | 0:53:17 | 0:53:18 | |
LAUGHTER | 0:53:18 | 0:53:20 | |
CHEERING | 0:53:20 | 0:53:24 | |
Cover me. I'm actually slightly scared now. | 0:53:24 | 0:53:29 | |
Now, you're used to performing in church | 0:53:29 | 0:53:32 | |
so how was Saturday night telly for you? | 0:53:32 | 0:53:35 | |
It's been absolutely...amazing! | 0:53:35 | 0:53:39 | |
CHEERING AND APPLAUSE | 0:53:39 | 0:53:41 | |
No, seriously, all we have done is sung in church, | 0:53:41 | 0:53:44 | |
so to be on the big stage in front of | 0:53:44 | 0:53:48 | |
so many people is an absolute fantastic opportunity for us. | 0:53:48 | 0:53:51 | |
Gareth, as we head off into Riff-Off Land, | 0:53:54 | 0:53:57 | |
who are you going to be keeping a close eye on? | 0:53:57 | 0:54:00 | |
I know Valerie's going to be keeping a close eye on you. | 0:54:00 | 0:54:04 | |
I don't think she can leap from there even with a black belt. | 0:54:04 | 0:54:07 | |
I'm safe behind the desk! | 0:54:07 | 0:54:09 | |
I just want to celebrate all of that. | 0:54:09 | 0:54:12 | |
I thought it was really terrific. | 0:54:12 | 0:54:13 | |
I loved when you came out, I know that you're taking a | 0:54:13 | 0:54:17 | |
well-established style and bringing it into a slightly more poppy arena. | 0:54:17 | 0:54:22 | |
Working with the band is not usual for barbershop groups and I | 0:54:22 | 0:54:26 | |
thought you did that well. Just go for it a bit more. | 0:54:26 | 0:54:28 | |
Let's have a little bit more fun from you, please. | 0:54:28 | 0:54:31 | |
And I thought A Flame... | 0:54:31 | 0:54:34 | |
If I'm honest, I just smelt a tiny bit of fear from some of you | 0:54:34 | 0:54:38 | |
and I don't think you need to be afraid at all. | 0:54:38 | 0:54:42 | |
You really deserve to be on that stage cos it's a great sound. | 0:54:42 | 0:54:45 | |
CHEERING AND APPLAUSE | 0:54:45 | 0:54:48 | |
Now, Kelis, two very, very different groups. | 0:54:48 | 0:54:52 | |
I mean, ladies, Vocal Dimension, you guys are fun and I feel like | 0:54:52 | 0:54:56 | |
with these black gowns it was ominous. | 0:54:56 | 0:54:59 | |
It was intense, I loved that. | 0:54:59 | 0:55:00 | |
So I definitely thought it was really fun to watch. | 0:55:00 | 0:55:03 | |
I do want to see you kind of let your hair down | 0:55:03 | 0:55:06 | |
a bit and sort of get into it on the Riff-Off. | 0:55:06 | 0:55:09 | |
A Flame, I think you guys... I agree with Gareth, | 0:55:09 | 0:55:12 | |
there's no reason to be timid or trepidatious at all, just go for it. | 0:55:12 | 0:55:16 | |
You definitely have fantastic harmonies, | 0:55:16 | 0:55:18 | |
you have a beautiful blend. What a great tone, it's gorgeous, | 0:55:18 | 0:55:23 | |
I think you are fantastic... | 0:55:23 | 0:55:25 | |
APPLAUSE | 0:55:25 | 0:55:28 | |
This is going to be a cracker of a Riff-Off. | 0:55:28 | 0:55:31 | |
I'm sensing it in my very bones. | 0:55:31 | 0:55:34 | |
One group is about to be knocked out of tonight's contest. | 0:55:34 | 0:55:37 | |
The other will join the choir and Leeds Contemporary Singers in | 0:55:37 | 0:55:41 | |
the Solo Battles. | 0:55:41 | 0:55:43 | |
The only thing standing in their way is the Riff-Off. | 0:55:43 | 0:55:46 | |
CHEERING AND APPLAUSE | 0:55:46 | 0:55:49 | |
Let's reveal the theme! | 0:55:49 | 0:55:52 | |
-AUDIENCE: -Oooh...! | 0:55:52 | 0:55:56 | |
CHEERING AND APPLAUSE | 0:56:00 | 0:56:02 | |
Well, well. | 0:56:02 | 0:56:04 | |
Love Yourself. | 0:56:05 | 0:56:06 | |
Prepare those pouts, time to fall in love with yourselves in this bit. | 0:56:06 | 0:56:12 | |
Best of luck to everybody on stage. Go for it. | 0:56:12 | 0:56:15 | |
CHEERING AND APPLAUSE | 0:56:15 | 0:56:19 | |
In tonight's final Riff-Off, singing songs on the theme of Love Yourself, | 0:56:20 | 0:56:24 | |
it's Vocal Dimension Chorus versus A Flame! | 0:56:24 | 0:56:28 | |
CHEERING AND APPLAUSE | 0:56:28 | 0:56:31 | |
# I am the one and only | 0:56:33 | 0:56:37 | |
# Oh! | 0:56:37 | 0:56:40 | |
# You try to make me forget | 0:56:40 | 0:56:45 | |
# Who I really am | 0:56:45 | 0:56:48 | |
# Don't tell me I know best | 0:56:48 | 0:56:51 | |
# I'm not the same as all the rest | 0:56:51 | 0:56:54 | |
# I am the one and only | 0:56:54 | 0:56:58 | |
# Nobody I'd rather be | 0:56:58 | 0:57:01 | |
# I am the one and only | 0:57:01 | 0:57:04 | |
# Can't take that away from me. # | 0:57:04 | 0:57:08 | |
CHEERING AND APPLAUSE | 0:57:08 | 0:57:10 | |
# My mama don't like you and she likes everyone | 0:57:10 | 0:57:15 | |
# And I never liked to admit that I was wrong | 0:57:15 | 0:57:19 | |
# I've been so caught up in my job | 0:57:19 | 0:57:22 | |
# Didn't see what's going on | 0:57:22 | 0:57:24 | |
# And now I know | 0:57:24 | 0:57:27 | |
# I'm better sleeping on my own | 0:57:27 | 0:57:29 | |
# Cos if you like the way you look that much | 0:57:29 | 0:57:34 | |
# Oh, baby, you should go and love yourself | 0:57:34 | 0:57:38 | |
# And if you think that I'm still holdin' on to somethin' | 0:57:38 | 0:57:44 | |
# You should go and love yourself. # | 0:57:44 | 0:57:47 | |
CHEERING AND APPLAUSE | 0:57:47 | 0:57:50 | |
# There's nothing wrong with loving who you are, she said | 0:57:50 | 0:57:54 | |
# Cos he made you perfect, babe | 0:57:54 | 0:57:56 | |
# Yeah, yeah, yeah | 0:57:56 | 0:57:58 | |
# I'm beautiful in my way | 0:57:58 | 0:57:59 | |
# Cos God makes no mistakes | 0:57:59 | 0:58:01 | |
# I'm on the right track, baby, I was born this way | 0:58:01 | 0:58:05 | |
# Don't hide yourself in regret | 0:58:05 | 0:58:07 | |
# Just love yourself and you're set | 0:58:07 | 0:58:09 | |
-# I'm on the right track, baby -Right track | 0:58:09 | 0:58:12 | |
# I was born this way | 0:58:12 | 0:58:13 | |
# I was born this wa-ay | 0:58:13 | 0:58:15 | |
# I was born this wa-ay | 0:58:15 | 0:58:17 | |
# I'm on the right track, baby, I was born this wa-ay | 0:58:17 | 0:58:21 | |
# I was born this wa-ay | 0:58:21 | 0:58:23 | |
# I was born this wa-ay | 0:58:23 | 0:58:25 | |
# I'm on the right track, baby, I was born this wa-ay. # | 0:58:25 | 0:58:29 | |
CHEERING AND APPLAUSE | 0:58:29 | 0:58:34 | |
# I am beautiful | 0:58:34 | 0:58:36 | |
# No matter what they say | 0:58:36 | 0:58:39 | |
# Words can't bring me down | 0:58:39 | 0:58:44 | |
# Oh, no | 0:58:44 | 0:58:46 | |
# I am beautiful | 0:58:46 | 0:58:48 | |
# In every single way | 0:58:48 | 0:58:51 | |
# Words can't bring me down | 0:58:51 | 0:58:56 | |
# Oh, no | 0:58:56 | 0:58:57 | |
# So don't you bring me down today. # | 0:58:57 | 0:59:04 | |
CHEERING AND APPLAUSE | 0:59:04 | 0:59:06 | |
# I'm too sexy for this love | 0:59:06 | 0:59:09 | |
# Too sexy for this love, love's going to leave you | 0:59:09 | 0:59:12 | |
# Bum-bum-bum-bum | 0:59:12 | 0:59:14 | |
# I'm a model, you know what I mean | 0:59:14 | 0:59:17 | |
# And I do a little turn on the catwalk | 0:59:17 | 0:59:20 | |
# Yeah, on the catwalk | 0:59:20 | 0:59:23 | |
# Yeah, on the catwalk, yeah | 0:59:23 | 0:59:25 | |
# I shake my little tush on the catwalk | 0:59:25 | 0:59:28 | |
# Bum-bum-bum-bum | 0:59:28 | 0:59:31 | |
# I'm too sexy for this song. # | 0:59:31 | 0:59:34 | |
CHEERING AND APPLAUSE | 0:59:34 | 0:59:36 | |
Oh, yes! | 0:59:36 | 0:59:38 | |
# Don't need anybody else | 0:59:38 | 0:59:40 | |
# Can't help myself, | 0:59:40 | 0:59:42 | |
# No, I don't need anybody else | 0:59:42 | 0:59:43 | |
-# Anybody -Hey | 0:59:43 | 0:59:45 | |
# Can't help myself | 0:59:45 | 0:59:46 | |
# No, I don't need anybody else | 0:59:46 | 0:59:48 | |
# Anytime | 0:59:48 | 0:59:51 | |
# I love me | 0:59:51 | 0:59:52 | |
# Can't help myself | 0:59:52 | 0:59:54 | |
# No, I don't need anybody else | 0:59:54 | 0:59:55 | |
# Anybody else | 0:59:55 | 0:59:57 | |
# Can't help myself | 0:59:57 | 0:59:58 | |
# No, I don't anybody else | 0:59:58 | 0:59:59 | |
# Anybody Hey | 0:59:59 | 1:00:01 | |
# Can't help myself, no, I don't need anybody else | 1:00:01 | 1:00:04 | |
# Any time, day or night | 1:00:04 | 1:00:07 | |
# I love me. # | 1:00:07 | 1:00:09 | |
CHEERING AND APPLAUSE | 1:00:09 | 1:00:13 | |
That was a good performance. | 1:00:13 | 1:00:15 | |
That was really fun, it was so cute. | 1:00:24 | 1:00:26 | |
All three judges are up on their feet for a good reason. | 1:00:26 | 1:00:29 | |
So much love, so much diva, | 1:00:29 | 1:00:32 | |
so much fun, so much passion, | 1:00:32 | 1:00:33 | |
so much energy there. | 1:00:33 | 1:00:35 | |
Vocal Dimension on this side, | 1:00:35 | 1:00:37 | |
they came in hard with Lady Gaga and then they countered with | 1:00:37 | 1:00:40 | |
I'm Too Sexy with the mic drop, | 1:00:40 | 1:00:41 | |
which was probably one of the greatest moments of my life. | 1:00:41 | 1:00:44 | |
And then on the other side we had A Flame tearing it up. | 1:00:44 | 1:00:47 | |
They came out with Christina Aguilera, Beautiful, | 1:00:47 | 1:00:49 | |
Justin Bieber, and then my friend Hailee Steinfeld from Pitch Perfect. | 1:00:49 | 1:00:52 | |
Bottom line, I'm just... I'm feeling so much love. | 1:00:52 | 1:00:56 | |
CHEERING AND APPLAUSE | 1:00:56 | 1:00:59 | |
Did you see the mic drop? | 1:00:59 | 1:01:00 | |
Um... | 1:01:02 | 1:01:03 | |
Leslie! Was that you? | 1:01:05 | 1:01:08 | |
LAUGHTER AND APPLAUSE | 1:01:09 | 1:01:12 | |
WHISPERED: They're expensive, the microphones. Yeah. | 1:01:12 | 1:01:15 | |
You're a bit gangster, aren't you, yeah? | 1:01:15 | 1:01:18 | |
Now, did Leslie's mic drop take you by surprise there, Festus? | 1:01:18 | 1:01:23 | |
I saw Leslie coming out, I wasn't sure quite what to expect. | 1:01:23 | 1:01:26 | |
But when the mic dropped I was quite relieved that | 1:01:26 | 1:01:30 | |
that's actually what happened, so, yeah. | 1:01:30 | 1:01:33 | |
Oh, that was the most enjoyable Riff Off. | 1:01:34 | 1:01:37 | |
Honestly, guys, thank you so much. | 1:01:37 | 1:01:40 | |
CHEERING AND APPLAUSE | 1:01:40 | 1:01:42 | |
-But now, Will... -Oh, my golly. | 1:01:42 | 1:01:45 | |
I mean, honestly, the mic drop was just, I think, one of the best | 1:01:45 | 1:01:49 | |
moments I've ever seen in my life. | 1:01:49 | 1:01:50 | |
That's what music should be and that's what singing | 1:01:53 | 1:01:55 | |
in a choir should be. | 1:01:55 | 1:01:57 | |
You've taken on such a challenge and you really rose to it. | 1:01:57 | 1:02:02 | |
Valerie, is that anything moistening in your eye? | 1:02:02 | 1:02:05 | |
Oh! | 1:02:05 | 1:02:07 | |
This is what we're all about. | 1:02:07 | 1:02:08 | |
You know, this is about people getting up and singing. | 1:02:08 | 1:02:11 | |
Just ordinary people, you know, doing this. | 1:02:11 | 1:02:13 | |
I'm going now, Valerie! | 1:02:13 | 1:02:15 | |
CHEERING AND APPLAUSE | 1:02:16 | 1:02:19 | |
A Flame, I am a huge fan of your harmonies and | 1:02:24 | 1:02:28 | |
I'm a huge fan of what you're doing and your blend. | 1:02:28 | 1:02:31 | |
Two such different acts, wow. | 1:02:31 | 1:02:34 | |
You could only get it on this show. Well done, both of you. | 1:02:34 | 1:02:37 | |
Thank you, Will. | 1:02:37 | 1:02:39 | |
Now, Kelis, we heard Born This Way, but which group were born your way? | 1:02:39 | 1:02:44 | |
I mean, yeah, like Will said, they were so different, but, | 1:02:44 | 1:02:46 | |
ladies, honestly, you guys are so much fun. | 1:02:46 | 1:02:49 | |
I just feel like you're a great group of ladies I just want | 1:02:49 | 1:02:52 | |
to hang out with. I loved, loved, loved that. You guys were fantastic. | 1:02:52 | 1:02:54 | |
The energy was exactly where I wanted it. | 1:02:54 | 1:02:57 | |
It is really what a choir's about, for sure. | 1:02:57 | 1:02:59 | |
And, I mean, A Flame, it's really nice to see solo singers be able | 1:02:59 | 1:03:05 | |
to blend like that - no-one's fighting to get that, like, moment. | 1:03:05 | 1:03:09 | |
Festus, I love how you kind of like let them do what they're doing | 1:03:09 | 1:03:12 | |
and sort of... | 1:03:12 | 1:03:13 | |
Cos it's really warm and it kind of feels not just like there's | 1:03:13 | 1:03:16 | |
a guy in the group but... It's like, these are your ladies | 1:03:16 | 1:03:19 | |
and I love it, it feels fantastic. | 1:03:19 | 1:03:21 | |
-Gareth. -Yes. -I mean... -That was great. | 1:03:21 | 1:03:24 | |
It just seemed quite joyous, it wasn't embarrassing. | 1:03:24 | 1:03:26 | |
-I thought you really... -It was fun, it was genuine fun. | 1:03:26 | 1:03:29 | |
It was fun and you... | 1:03:29 | 1:03:30 | |
I wanted to get up there with you, it was really lovely. | 1:03:30 | 1:03:34 | |
A Flame, I thought you had rhythmic interest, | 1:03:34 | 1:03:37 | |
you had tone and you had intention. | 1:03:37 | 1:03:40 | |
That's what singing is for me, so I can't say much more than that. | 1:03:40 | 1:03:44 | |
It was great. | 1:03:44 | 1:03:45 | |
CHEERING AND APPLAUSE | 1:03:45 | 1:03:48 | |
There is only one spot left in the next round, | 1:03:48 | 1:03:52 | |
so who is going to take it? | 1:03:52 | 1:03:54 | |
Gareth, which group would you like to see going forward | 1:03:58 | 1:04:01 | |
into the Solo Battles? | 1:04:01 | 1:04:03 | |
I... I would like to take you both but I can't, | 1:04:04 | 1:04:07 | |
I have to make a decision. | 1:04:07 | 1:04:09 | |
This is a show about performance but it's also | 1:04:09 | 1:04:11 | |
a show about musical excellence for me and I thought that... | 1:04:11 | 1:04:14 | |
..A Flame, you had it for me. | 1:04:17 | 1:04:19 | |
CHEERING AND APPLAUSE | 1:04:19 | 1:04:22 | |
-Kelis? -Oh, this is stressful. | 1:04:26 | 1:04:29 | |
Uh... | 1:04:31 | 1:04:32 | |
-We need an answer, my love. -Um, OK, uh... | 1:04:34 | 1:04:37 | |
I have to go with A Flame. | 1:04:42 | 1:04:43 | |
CHEERING AND APPLAUSE | 1:04:43 | 1:04:46 | |
We do have a winner on our hands but, Will, | 1:04:49 | 1:04:52 | |
who would you have gone for? | 1:04:52 | 1:04:54 | |
I would have gone for A Flame, but I would like to say that | 1:04:54 | 1:04:58 | |
you really moved me, Vocal Dimension Chorus, and thank you so much. | 1:04:58 | 1:05:02 | |
I feel like I've learnt something today, thank you. | 1:05:02 | 1:05:05 | |
APPLAUSE | 1:05:05 | 1:05:08 | |
We have absolutely loved you from the bottoms of all of our hearts. | 1:05:09 | 1:05:13 | |
Thank you so, so much for coming and entertaining us. | 1:05:13 | 1:05:16 | |
Leslie with the mic drop, Valerie with the karate, all the ladies. | 1:05:16 | 1:05:20 | |
You did yourselves so proud. | 1:05:23 | 1:05:24 | |
The groups through to the solo battle are... | 1:05:26 | 1:05:28 | |
LMA Choir... | 1:05:28 | 1:05:30 | |
I loved watching you guys come together. | 1:05:30 | 1:05:31 | |
I think the Riff Off was really strong. | 1:05:31 | 1:05:33 | |
..Leeds Contemporary Singers... | 1:05:36 | 1:05:37 | |
My hair stood on end. | 1:05:37 | 1:05:39 | |
And I just turned up the notch and we went for it. | 1:05:39 | 1:05:41 | |
..and A Flame. | 1:05:41 | 1:05:43 | |
You had rhythmic interest and you had intention. | 1:05:43 | 1:05:46 | |
-We really brought our A game, didn't we? -We did. | 1:05:46 | 1:05:49 | |
We started with six but now we're down to three | 1:05:50 | 1:05:53 | |
and things are about to get even tougher. | 1:05:53 | 1:05:56 | |
The fate of each group now lies on the shoulders of just one singer | 1:05:56 | 1:05:59 | |
who must take centre stage for their Solo Battle. | 1:05:59 | 1:06:02 | |
Once all three have performed, the judges will decide | 1:06:02 | 1:06:05 | |
which two groups go through to tonight's Final Battle. | 1:06:05 | 1:06:08 | |
Oh, I can smell his cologne. | 1:06:08 | 1:06:10 | |
-Deke. Hello, Deke Sharon. -Hello, Mel. | 1:06:10 | 1:06:12 | |
Now, you are, of course, our series musical director | 1:06:12 | 1:06:15 | |
-and the genius behind the Pitch Perfect movies. -Thank you. | 1:06:15 | 1:06:20 | |
Now, that was extraordinary scenes on the Pitch Battle floor tonight. | 1:06:20 | 1:06:25 | |
-My heart's still beating, right? -I know! -I know, I know! | 1:06:25 | 1:06:28 | |
Now, Deke, what advice, what pearls of Deke wisdom | 1:06:28 | 1:06:32 | |
are you going to give to these three groups now battling in the solos? | 1:06:32 | 1:06:36 | |
Well, I've given all of my wisdom to them already. | 1:06:36 | 1:06:39 | |
-I think they're ready, but I am a little concerned for our judges. -Oh. | 1:06:39 | 1:06:45 | |
Fasten your seat belts, judges, because the next three songs | 1:06:45 | 1:06:48 | |
you're about to hear, you better have your medication ready. | 1:06:48 | 1:06:52 | |
You better be careful. Breathe deep, because it's coming hard and fast. | 1:06:52 | 1:06:57 | |
LAUGHTER | 1:06:57 | 1:06:58 | |
Thank you very, very much. | 1:06:58 | 1:07:00 | |
We've had good fun just DEKE-ing about here on the balcony. | 1:07:00 | 1:07:03 | |
Now, it is time for the Solo Battles. | 1:07:03 | 1:07:08 | |
CHEERING | 1:07:08 | 1:07:11 | |
Up first in the Solo Battles, it's the LMA Choir, | 1:07:13 | 1:07:16 | |
whose chosen soloist has a lot of support in Liverpool and, | 1:07:16 | 1:07:20 | |
as we already know, also has a loyal royal fan base. | 1:07:20 | 1:07:24 | |
Conor will be performing our solo. He's definitely our secret weapon. | 1:07:27 | 1:07:32 | |
THEY CHEER | 1:07:32 | 1:07:34 | |
Singing is everything to me. | 1:07:34 | 1:07:36 | |
I'm singing from the moment that I open my eyes | 1:07:36 | 1:07:38 | |
to the minute that I shut them. | 1:07:38 | 1:07:39 | |
I've actually been performing and gigging around the city | 1:07:39 | 1:07:42 | |
since the age of 16. I'm always gigging in the evenings. | 1:07:42 | 1:07:44 | |
I'm constantly trying to better myself | 1:07:44 | 1:07:46 | |
and work on myself as an artist. | 1:07:46 | 1:07:48 | |
Having the experience that I've gained gigging every weekend, | 1:07:49 | 1:07:52 | |
I want to take everything that I've learnt and I want to put it | 1:07:52 | 1:07:55 | |
-into this performance this evening. -Young Conor is very, very talented. | 1:07:55 | 1:07:58 | |
I know it, LMA know it and soon the nation will know it. | 1:07:58 | 1:08:01 | |
CHEERING AND APPLAUSE | 1:08:06 | 1:08:09 | |
# I never meant to cause you any sorrow | 1:08:13 | 1:08:16 | |
# I never meant to cause you any pain | 1:08:21 | 1:08:24 | |
# Pain | 1:08:24 | 1:08:28 | |
# I only wanted one time to see you laughing | 1:08:28 | 1:08:32 | |
# I only wanted to see you laughing in the purple rain | 1:08:34 | 1:08:41 | |
# And, honey, I know times are changing | 1:08:41 | 1:08:46 | |
# Changing | 1:08:46 | 1:08:48 | |
# It's time to reach out to something new | 1:08:48 | 1:08:51 | |
# Something new | 1:08:51 | 1:08:53 | |
# And I need you too, yeah | 1:08:53 | 1:08:56 | |
# Ooh | 1:08:56 | 1:09:00 | |
# You say you want a leader | 1:09:00 | 1:09:03 | |
# Can't seem to make up your mind | 1:09:03 | 1:09:06 | |
# I think you better close it, yeah | 1:09:06 | 1:09:10 | |
# And let me guide you to the purple rain | 1:09:10 | 1:09:14 | |
# Purple rain, purple rain | 1:09:14 | 1:09:20 | |
# Purple rain, purple rain | 1:09:22 | 1:09:28 | |
# Oh, yeah | 1:09:28 | 1:09:30 | |
-# Purple rain, purple rain -In the purple rain | 1:09:30 | 1:09:37 | |
# I only want to see you laughing in the purple rain. # | 1:09:37 | 1:09:45 | |
CHEERING AND APPLAUSE | 1:09:46 | 1:09:49 | |
-That was amazing. -Oh, wow. | 1:09:54 | 1:09:55 | |
It's George Michael, the second coming. | 1:09:55 | 1:09:57 | |
Whoo! Standing ovation there from the judges. | 1:10:04 | 1:10:06 | |
But up next it's Leeds Contemporary Singers, | 1:10:08 | 1:10:10 | |
so let's find out who's leading them in the Solo Battles. | 1:10:10 | 1:10:14 | |
For our solo battle, we're taking an absolute Whitney Houston classic, | 1:10:14 | 1:10:18 | |
so to cover this song we'll need a diva of our own. | 1:10:18 | 1:10:21 | |
It's Becky. | 1:10:21 | 1:10:22 | |
I started playing the keyboard around nine, | 1:10:22 | 1:10:25 | |
but I desperately wanted to do singing, so I started singing | 1:10:25 | 1:10:28 | |
to my parents and they can vouch for me that I was rubbish, | 1:10:28 | 1:10:33 | |
really bad. So they just were like, | 1:10:33 | 1:10:35 | |
"You need to get lessons if you really want to do this." | 1:10:35 | 1:10:38 | |
That's what I did, practised for years and years and years. | 1:10:38 | 1:10:41 | |
They can now say that I am sort of good. | 1:10:41 | 1:10:44 | |
Just in awe of her when she's actually singing. | 1:10:44 | 1:10:46 | |
Does catch me with a lump in the throat. | 1:10:46 | 1:10:48 | |
It sort of hits me right where it hurts, in a sense. | 1:10:48 | 1:10:50 | |
This opportunity means so much. | 1:10:50 | 1:10:52 | |
Things like this don't come very often. | 1:10:52 | 1:10:54 | |
I'm just going to grab it by the horns and take it. | 1:10:54 | 1:10:56 | |
CHEERING AND APPLAUSE | 1:11:00 | 1:11:02 | |
# Clock strikes upon the hour | 1:11:05 | 1:11:08 | |
# And the sun begins to fade | 1:11:08 | 1:11:12 | |
# Ooh-ah, ooh-oh | 1:11:12 | 1:11:14 | |
# I've done all right up till now | 1:11:14 | 1:11:17 | |
# It's the light of day that shows me how | 1:11:17 | 1:11:22 | |
# When the night falls | 1:11:22 | 1:11:25 | |
# My lonely heart calls | 1:11:25 | 1:11:31 | |
# Oh, I wanna dance with somebody | 1:11:31 | 1:11:34 | |
# With somebody | 1:11:34 | 1:11:36 | |
-# I wanna feel the heat -With somebody | 1:11:36 | 1:11:40 | |
# Yeah, I wanna dance with somebody | 1:11:40 | 1:11:43 | |
# With somebody | 1:11:43 | 1:11:45 | |
# With somebody who loves me | 1:11:45 | 1:11:49 | |
-# Somebody -Who | 1:11:49 | 1:11:50 | |
-# Somebody -Who | 1:11:50 | 1:11:53 | |
# To hold me in his arms, oh | 1:11:53 | 1:11:57 | |
# I need a man who takes a chance | 1:11:57 | 1:12:01 | |
# On a love that burns hot enough to last | 1:12:01 | 1:12:06 | |
# When the night falls | 1:12:06 | 1:12:09 | |
# My loneliness calls | 1:12:09 | 1:12:12 | |
-# Oh, it calls -Oh, it calls | 1:12:12 | 1:12:18 | |
# Don't you wanna dance? | 1:12:18 | 1:12:20 | |
# Say you wanna dance | 1:12:20 | 1:12:21 | |
-# Don't you wanna dance? -With somebody | 1:12:21 | 1:12:24 | |
# With somebody who loves me. # | 1:12:24 | 1:12:31 | |
CHEERING AND APPLAUSE | 1:12:33 | 1:12:37 | |
What about the standard? | 1:12:40 | 1:12:42 | |
The standard! | 1:12:42 | 1:12:43 | |
Our final group are A Flame, who are hoping that their soloist's | 1:12:48 | 1:12:51 | |
previous success in competitions will give them the edge. | 1:12:51 | 1:12:56 | |
The person singing our solo is... | 1:12:56 | 1:12:59 | |
Boma. | 1:12:59 | 1:13:00 | |
I attended a local church and that's where my love for | 1:13:00 | 1:13:05 | |
singing gospel began. I had my son at 18. | 1:13:05 | 1:13:08 | |
I took a break from singing for about 11 years, | 1:13:08 | 1:13:10 | |
spend my time raising my son up, | 1:13:10 | 1:13:13 | |
and in that time I did lose my confidence in my singing ability, | 1:13:13 | 1:13:17 | |
but my sister entered me into Time To Shine. | 1:13:17 | 1:13:20 | |
It's one of the biggest gospel talent shows. | 1:13:20 | 1:13:23 | |
I won that in 2012. | 1:13:23 | 1:13:25 | |
It re-ignited her passion for singing. | 1:13:26 | 1:13:28 | |
One of the prizes was an all-expenses trip to Barbados. | 1:13:28 | 1:13:32 | |
I got the opportunity to record a music video. | 1:13:32 | 1:13:35 | |
I feel appreciated - my mum took time to look after me | 1:13:35 | 1:13:38 | |
and now she has time to pursue her dream. | 1:13:38 | 1:13:40 | |
As much as I'm doing it for myself, I'm doing it for my family, | 1:13:40 | 1:13:43 | |
but most of all I'm doing it for my son. | 1:13:43 | 1:13:45 | |
APPLAUSE | 1:13:47 | 1:13:50 | |
# I stare at my reflection in the mirror | 1:13:55 | 1:13:59 | |
# Why am I doing this to myself? | 1:14:02 | 1:14:06 | |
# To myself | 1:14:06 | 1:14:09 | |
# Losing my mind on a tiny error | 1:14:09 | 1:14:14 | |
# No, no, no | 1:14:14 | 1:14:16 | |
# I nearly left the real me on the shelf | 1:14:16 | 1:14:20 | |
# No, no, no, no, no, no | 1:14:20 | 1:14:23 | |
# Don't lose who you are | 1:14:23 | 1:14:26 | |
# In the blur of the stars | 1:14:26 | 1:14:30 | |
# Seeing is deceiving, dreaming is believing | 1:14:30 | 1:14:34 | |
# It's OK not to be OK | 1:14:34 | 1:14:37 | |
# Sometimes it's hard | 1:14:37 | 1:14:40 | |
# To follow your heart | 1:14:40 | 1:14:44 | |
# Tears don't mean you're losing, everybody's bruising | 1:14:44 | 1:14:48 | |
# Just be true to who you are | 1:14:48 | 1:14:52 | |
# You are, you are, you are | 1:14:52 | 1:14:55 | |
# Just be true to who you are | 1:14:55 | 1:14:59 | |
# You are, you are, you are | 1:14:59 | 1:15:01 | |
# You are, you are | 1:15:01 | 1:15:05 | |
# Sometimes it's hard | 1:15:05 | 1:15:09 | |
# To follow your heart | 1:15:09 | 1:15:12 | |
# Tears don't mean you're losing, everybody's bruising | 1:15:12 | 1:15:17 | |
# Just be true to who you are. # | 1:15:17 | 1:15:23 | |
CHEERING AND APPLAUSE | 1:15:23 | 1:15:26 | |
Ladies and gentlemen, the LMA choir, | 1:15:43 | 1:15:45 | |
Leeds Contemporary Singers and A Flame. | 1:15:45 | 1:15:48 | |
CHEERING | 1:15:48 | 1:15:51 | |
Conor, how was that for you? | 1:15:54 | 1:15:58 | |
It felt absolutely amazing to be on stage with all of these. | 1:15:58 | 1:16:01 | |
We're all family, we all love each other. | 1:16:01 | 1:16:03 | |
To be picked as the soloist to represent the LMA Choir | 1:16:03 | 1:16:06 | |
is such an honour for me. | 1:16:06 | 1:16:07 | |
I'm so happy that I got to share my rendition of that song for you. | 1:16:07 | 1:16:11 | |
We're happy, too. | 1:16:11 | 1:16:13 | |
-Ricky. -Hi, kid. -What did you think of that? | 1:16:15 | 1:16:17 | |
Listen, I've seen them kids coming to the studio, no confidence, | 1:16:17 | 1:16:21 | |
didn't think they could do anything, didn't believe in themselves, | 1:16:21 | 1:16:24 | |
and in, like, 18 months, two years, look at them. | 1:16:24 | 1:16:27 | |
Absolutely amazing. I'm dead proud of them all. Dead proud of them all. | 1:16:27 | 1:16:31 | |
Brilliant, Ricky, thank you. | 1:16:31 | 1:16:33 | |
Why did you choose Becky to be your soloist tonight? | 1:16:36 | 1:16:39 | |
I think we all agreed that Becky had a beautiful voice | 1:16:39 | 1:16:42 | |
and she connected with this song the most, | 1:16:42 | 1:16:44 | |
and we were really happy to support her as friends | 1:16:44 | 1:16:46 | |
as she conveyed the message that we all felt. | 1:16:46 | 1:16:50 | |
APPLAUSE | 1:16:50 | 1:16:52 | |
Very gracious. | 1:16:52 | 1:16:53 | |
Now, Boma, we were talking about confidence in LMA and I know that | 1:16:56 | 1:17:00 | |
a few years ago you lost your confidence a bit, | 1:17:00 | 1:17:03 | |
didn't you, with your singing? You stopped singing. | 1:17:03 | 1:17:05 | |
Well, ladies and gentlemen, what a comeback, eh? | 1:17:05 | 1:17:08 | |
CHEERING AND APPLAUSE | 1:17:08 | 1:17:11 | |
Thank you, everybody. | 1:17:14 | 1:17:16 | |
Now, only two of these groups will go through to the Final Battle, | 1:17:16 | 1:17:19 | |
so... | 1:17:19 | 1:17:20 | |
Oh, I know. Gareth, I feel you, I feel you. | 1:17:22 | 1:17:26 | |
I can't believe that round. That was absolutely astonishing. | 1:17:26 | 1:17:30 | |
Great solos from everyone. It was great. | 1:17:30 | 1:17:34 | |
I felt like George Michael and Prince had | 1:17:37 | 1:17:40 | |
a love child and his name is Conor. | 1:17:40 | 1:17:44 | |
Oh, my God! | 1:17:44 | 1:17:46 | |
Really, you are a star. I really thought it was wonderful. | 1:17:48 | 1:17:52 | |
-CHEERING -Ridiculous. | 1:17:52 | 1:17:54 | |
Let me come to A Flame. What a sound. | 1:17:54 | 1:17:58 | |
It's just a beautiful sound. | 1:17:58 | 1:17:59 | |
Boma, I can't believe you took a break from singing. | 1:17:59 | 1:18:02 | |
What were you thinking? | 1:18:02 | 1:18:03 | |
The world deserves to hear your voice, that is a beautiful voice. | 1:18:03 | 1:18:06 | |
It's something to be shared. | 1:18:06 | 1:18:08 | |
If I... One niggle - | 1:18:08 | 1:18:10 | |
it didn't totally fly at the end and I need... | 1:18:10 | 1:18:13 | |
You know, she was going, I needed everyone to be there and | 1:18:13 | 1:18:16 | |
really deliver that final crescendo towards the end of the song. | 1:18:16 | 1:18:19 | |
So it's a small point, | 1:18:19 | 1:18:21 | |
I think they could have just taken me that extra little mile. | 1:18:21 | 1:18:24 | |
Leeds Contemporary Singers. Becky, great solo. | 1:18:24 | 1:18:28 | |
Lovely and different from Whitney, cos we know that song so well. | 1:18:28 | 1:18:32 | |
This is a nightmare and it's very unfair that you are | 1:18:32 | 1:18:35 | |
all up against each other. | 1:18:35 | 1:18:37 | |
Kelis, three incredible solos. | 1:18:37 | 1:18:39 | |
Gosh, yeah. | 1:18:39 | 1:18:41 | |
I mean, LMA, it was astonishing, it was great. | 1:18:41 | 1:18:45 | |
I love how all of you really kind of lined up behind him | 1:18:45 | 1:18:48 | |
and the support was so in unison and so strong, | 1:18:48 | 1:18:52 | |
and it was just the tone was absolutely perfect, all around. | 1:18:52 | 1:18:54 | |
I think it was absolutely your best performance of the evening. | 1:18:54 | 1:18:57 | |
Like, you guys really nailed it. | 1:18:57 | 1:18:59 | |
It was so sensational. | 1:18:59 | 1:19:02 | |
Becky, you have a maturity in your voice. That's, like, what? | 1:19:05 | 1:19:09 | |
It's shocking! | 1:19:09 | 1:19:10 | |
It comes out and it's just so confident and, like, assured. | 1:19:10 | 1:19:15 | |
Honestly, like, it was absolutely beautiful. I loved it. | 1:19:15 | 1:19:18 | |
And then A Flame. You guys, I think, have something really special. | 1:19:18 | 1:19:21 | |
Boma, I agree, I think you should never stop singing. | 1:19:21 | 1:19:24 | |
I think your voice flows out of you and it's like water. | 1:19:24 | 1:19:28 | |
It literally just trickles out and it's absolutely beautiful. | 1:19:28 | 1:19:31 | |
I loved it, really good. You guys killed it. | 1:19:31 | 1:19:34 | |
-I'm like... -Thank you. | 1:19:34 | 1:19:36 | |
So good. | 1:19:36 | 1:19:38 | |
-Will, I very much enjoyed... -Will's, like, misty-eyed. | 1:19:41 | 1:19:44 | |
I am just like, you know, this is what I love about music. | 1:19:44 | 1:19:48 | |
LMA, it was quite an experience to hear you sing, I have to say. | 1:19:48 | 1:19:51 | |
It's like... | 1:19:51 | 1:19:53 | |
I mean, I'm quite a reserved, you know, | 1:19:53 | 1:19:55 | |
English person and I couldn't help but get up and... | 1:19:55 | 1:19:58 | |
Will, I was watching you, you were like a peacock! | 1:19:58 | 1:20:01 | |
-The chest went first... -Yes! -..the eye was going... -I know! | 1:20:01 | 1:20:05 | |
..like that, and then the cummerbund was on full display! | 1:20:05 | 1:20:08 | |
-You were up on your feet. I watched you! -I know, I was... | 1:20:08 | 1:20:12 | |
I was parading, a parading peacock. That's what you made me do. | 1:20:12 | 1:20:15 | |
Leeds Contemporary Singers, you are really talented at arranging, I just | 1:20:15 | 1:20:19 | |
have to say, and I've met producers that couldn't arrange like that. | 1:20:19 | 1:20:23 | |
They couldn't, could they? | 1:20:23 | 1:20:25 | |
APPLAUSE | 1:20:25 | 1:20:27 | |
Becky, you seem quite a shy person, and yet it's just like, "Whaa!" | 1:20:27 | 1:20:30 | |
Out it comes. I had hairs... | 1:20:30 | 1:20:33 | |
My hairs were standing up again with you guys. I really am a huge fan. | 1:20:33 | 1:20:37 | |
And then, A Flame, Boma, your voice is so wonderful to behold, | 1:20:37 | 1:20:41 | |
it just puts me at ease. | 1:20:41 | 1:20:43 | |
It's three such different groups and it really was just a joy. | 1:20:43 | 1:20:48 | |
Mighty judges, please decide the two groups that you would like | 1:20:53 | 1:20:58 | |
to take into tonight's Final Battle. | 1:20:58 | 1:21:02 | |
THEY CONFER | 1:21:04 | 1:21:06 | |
Yup. Yup. | 1:21:13 | 1:21:14 | |
Gareth, please tell us the first group that you have decided | 1:21:15 | 1:21:19 | |
should go through to the Final Battle. | 1:21:19 | 1:21:22 | |
The first group had us all on our feet. | 1:21:22 | 1:21:25 | |
And that is... | 1:21:25 | 1:21:26 | |
..LMA Choir. | 1:21:29 | 1:21:31 | |
So, LMA Choir, you are through to tonight's Final Battle. | 1:21:42 | 1:21:45 | |
Only one group can join you there. | 1:21:45 | 1:21:49 | |
Will it be the Leeds Contemporary Singers, or A Flame? | 1:21:49 | 1:21:54 | |
Kelis, please, if you will, | 1:21:54 | 1:21:55 | |
tell us the second group going through to tonight's Final Battle. | 1:21:55 | 1:22:00 | |
Well, as you see, it definitely... It took a lot of... | 1:22:00 | 1:22:02 | |
..of talking through. Um... | 1:22:04 | 1:22:06 | |
But without a doubt, | 1:22:08 | 1:22:10 | |
I'm going with Leeds. | 1:22:10 | 1:22:11 | |
Thank you! | 1:22:17 | 1:22:18 | |
That means, A Flame, | 1:22:21 | 1:22:22 | |
we've come to the end of the line for you in this competition. | 1:22:22 | 1:22:26 | |
Ladies and gentlemen, A Flame! | 1:22:26 | 1:22:28 | |
Well, LMA Choir and Leeds Contemporary Singers, | 1:22:35 | 1:22:37 | |
catch your breath, as your fate is about to be decided, | 1:22:37 | 1:22:41 | |
because this is the Final Battle. | 1:22:41 | 1:22:44 | |
You'll share the same song, | 1:22:48 | 1:22:50 | |
taking it in turns to out-sing each other. | 1:22:50 | 1:22:53 | |
While you're performing, | 1:22:53 | 1:22:55 | |
our judges will be deciding who they want to win tonight's show. | 1:22:55 | 1:22:58 | |
Once they've made up their minds, our superstar guest judge, | 1:22:58 | 1:23:01 | |
Will Young, will take to the stage and join in with the group | 1:23:01 | 1:23:04 | |
that our judges want to take through to the live final. | 1:23:04 | 1:23:09 | |
Will, these guys are singing a song that's very close to you, | 1:23:09 | 1:23:14 | |
-it was a winning song for you. -Yeah. | 1:23:14 | 1:23:17 | |
What do they need to do to make it a winning song for them? | 1:23:17 | 1:23:20 | |
Oh, blimey! | 1:23:20 | 1:23:21 | |
Well, just really believe in it. | 1:23:21 | 1:23:23 | |
What you've done so far is fantastic. | 1:23:23 | 1:23:26 | |
For me, you're both wonderful performers, so just enjoy it. | 1:23:26 | 1:23:31 | |
Well, there really is everything to sing for, isn't there? | 1:23:31 | 1:23:33 | |
Fighting for a place in the Grand Final, it's the Final Battle, | 1:23:33 | 1:23:37 | |
with the LMA Choir versus Leeds Contemporary Singers. | 1:23:37 | 1:23:42 | |
MUSIC: Evergreen by Will Young | 1:23:46 | 1:23:49 | |
# Mmm, mm-mm-mm | 1:23:50 | 1:23:54 | |
# Eyes like a sunrise | 1:23:54 | 1:24:00 | |
# Like a rainfall down my soul | 1:24:00 | 1:24:05 | |
# And I wonder, I wonder why you look at me like that | 1:24:07 | 1:24:13 | |
# What you're thinking, what's behind | 1:24:13 | 1:24:18 | |
# Don't tell me, but it feels like love | 1:24:18 | 1:24:25 | |
# I'm gonna take this moment | 1:24:25 | 1:24:29 | |
# And make it last forever | 1:24:29 | 1:24:32 | |
# I'm gonna give my heart away | 1:24:32 | 1:24:36 | |
# And pray we stay together | 1:24:36 | 1:24:39 | |
# Cos you're the one good reason | 1:24:39 | 1:24:42 | |
# You're the only one that I need | 1:24:42 | 1:24:46 | |
# And you're more beautiful than I have ever seen | 1:24:46 | 1:24:51 | |
# Oh, yeah | 1:24:51 | 1:24:53 | |
# I'm gonna take this life and make it evergreen | 1:24:53 | 1:24:58 | |
# Don't tell me, but it feels like love | 1:24:58 | 1:25:07 | |
# Take this moment | 1:25:07 | 1:25:09 | |
# Make it last forever | 1:25:09 | 1:25:12 | |
# I'm gonna give my heart away | 1:25:12 | 1:25:15 | |
# And pray we'll stay together | 1:25:15 | 1:25:19 | |
# Cos you're the one good reason | 1:25:19 | 1:25:23 | |
# You're the only one that I need | 1:25:23 | 1:25:26 | |
# You're more beautiful, yes, you are | 1:25:26 | 1:25:31 | |
# Oh, darling | 1:25:31 | 1:25:33 | |
# Gonna take this life and make it evergreen | 1:25:33 | 1:25:38 | |
SPEECH DROWNED OUT BY MUSIC | 1:25:41 | 1:25:43 | |
SPEECH DROWNED OUT BY MUSIC | 1:25:46 | 1:25:48 | |
CHEERING AND APPLAUSE | 1:25:50 | 1:25:52 | |
# Take this moment | 1:25:54 | 1:25:55 | |
# Take this moment | 1:25:55 | 1:25:57 | |
-# Make it last forever -Make it last forever | 1:25:57 | 1:26:00 | |
# Gonna give my heart away | 1:26:00 | 1:26:03 | |
# And pray we'll stay together | 1:26:03 | 1:26:07 | |
# Cos you're the one good reason | 1:26:07 | 1:26:09 | |
# You're the only one that I need | 1:26:09 | 1:26:14 | |
# Cos you're more beautiful than I have ever seen | 1:26:14 | 1:26:19 | |
# Oh, yeah | 1:26:19 | 1:26:21 | |
# Gonna take this life and make it evergreen. # | 1:26:21 | 1:26:28 | |
Ladies and gentlemen, tonight's winners, | 1:26:48 | 1:26:51 | |
Leeds Contemporary Singers! | 1:26:51 | 1:26:54 | |
Leeds Contemporary Singers... | 1:26:59 | 1:27:01 | |
Oh, look at your little face! | 1:27:02 | 1:27:05 | |
How are you? How are you feeling? | 1:27:05 | 1:27:07 | |
-We don't know what to say! -LAUGHTER | 1:27:07 | 1:27:10 | |
Um, literally... I'm never lost for words, am I? | 1:27:10 | 1:27:12 | |
I'm never lost for words, and I don't know what to say. | 1:27:12 | 1:27:15 | |
I'm just... Thanks to everyone, thanks. | 1:27:15 | 1:27:18 | |
It is so hard to choose between you guys. | 1:27:18 | 1:27:21 | |
But I'm really thrilled. | 1:27:21 | 1:27:22 | |
It was already a pleasure to sing with you for ten seconds, | 1:27:22 | 1:27:25 | |
so for the final, perhaps we can do it again? | 1:27:25 | 1:27:29 | |
-But well done to both of you. -Aww! -Well done. | 1:27:29 | 1:27:33 | |
Now, final words, Gareth and Kelis? | 1:27:33 | 1:27:37 | |
Absolutely fantastic, both of you. | 1:27:37 | 1:27:39 | |
It was a very, very, very good performance tonight. | 1:27:39 | 1:27:42 | |
Really well done. | 1:27:42 | 1:27:44 | |
I'm so excited to see what you guys come up with, and I think it's | 1:27:44 | 1:27:47 | |
such a wonderful pairing, I feel like this is going to be explosive. | 1:27:47 | 1:27:51 | |
LMA, you were just so close! | 1:27:51 | 1:27:53 | |
You were just pipped to the post there, but well done, | 1:27:53 | 1:27:56 | |
and don't forget that all might not be lost. | 1:27:56 | 1:27:59 | |
Remember, the judges will be deciding who the wild card is. | 1:27:59 | 1:28:05 | |
One of the groups who made it through to the Final Battle | 1:28:05 | 1:28:07 | |
across the series will be joining us for our live final, | 1:28:07 | 1:28:10 | |
so just keep that very much in your mind. | 1:28:10 | 1:28:13 | |
Thank you so much to all of tonight's groups for taking part, | 1:28:16 | 1:28:18 | |
to Deke and to all of our judges. | 1:28:18 | 1:28:21 | |
Thank you for watching, we'll see you again next week for more | 1:28:21 | 1:28:26 | |
dramatic action and vocal gymnastics on Pitch Battle. Bye-bye! | 1:28:26 | 1:28:30 |