Browse content similar to New Wave - Hit Me With Your Rhythm Stick. Check below for episodes and series from the same categories and more!
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# Hit me, hit me | 0:00:09 | 0:00:11 | |
# Hit me | 0:00:13 | 0:00:15 | |
# Hit me | 0:00:16 | 0:00:18 | |
# Hit me | 0:00:18 | 0:00:19 | |
# Hit me, hit me | 0:00:20 | 0:00:22 | |
# Hit me! | 0:00:25 | 0:00:26 | |
# Hit me | 0:00:27 | 0:00:28 | |
# Hit me | 0:00:30 | 0:00:31 | |
# Hit me | 0:00:31 | 0:00:34 | |
# Hit me | 0:00:34 | 0:00:36 | |
# Hit me, hit me, hit me! # | 0:00:36 | 0:00:40 | |
Last week on Right On, there was a letter from a young Scottish viewer, | 0:00:43 | 0:00:47 | |
by the name of Fiona, who was complaining about the lack of | 0:00:47 | 0:00:49 | |
holiday programmes for viewers in Scotland. | 0:00:49 | 0:00:52 | |
Well, I've been asked by the BBC children's department | 0:00:52 | 0:00:54 | |
to point out that that really wasn't very fair criticism. | 0:00:54 | 0:00:57 | |
# I was tuning in the shine on the light night dial | 0:01:06 | 0:01:09 | |
# Doing anything my radio advised | 0:01:09 | 0:01:13 | |
# With every one of those late night stations playing songs | 0:01:13 | 0:01:16 | |
# Bringing tears to my eyes | 0:01:16 | 0:01:18 | |
# I was seriously thinking about hiding the receiver | 0:01:18 | 0:01:22 | |
# When the switch broke cos it's old | 0:01:22 | 0:01:25 | |
# They're saying things that I can hardly believe | 0:01:25 | 0:01:28 | |
# They really think we're getting out of control | 0:01:28 | 0:01:31 | |
# Radio is a sound salvation | 0:01:31 | 0:01:33 | |
# Radio is cleaning up the nation | 0:01:33 | 0:01:37 | |
# Listen, listen, listen, listen | 0:01:37 | 0:01:38 | |
# They say you'd better listen to the voice of reason | 0:01:38 | 0:01:41 | |
# Listen, listen, listen, listen, listen, listen | 0:01:41 | 0:01:43 | |
# But they don't give you any choice cos they think that it's treason | 0:01:43 | 0:01:47 | |
# Listen, listen, listen, listen, listen, listen | 0:01:47 | 0:01:49 | |
# So you had better do as you are told | 0:01:49 | 0:01:52 | |
# You'd better listen to the radio | 0:01:52 | 0:01:54 | |
# I wanna bite the hand that feeds me | 0:02:00 | 0:02:03 | |
# I wanna bite that hand so badly | 0:02:03 | 0:02:06 | |
# I wanna make them wish they'd never seen me | 0:02:06 | 0:02:13 | |
# Some of my friends sit around every evening | 0:02:13 | 0:02:16 | |
# And they worry about the times ahead | 0:02:16 | 0:02:19 | |
# But everybody is else is overwhelmed by indifference | 0:02:19 | 0:02:22 | |
# And the promise of an early bed | 0:02:22 | 0:02:25 | |
# You either shut up or get cut out | 0:02:25 | 0:02:27 | |
# They don't wanna hear about it | 0:02:27 | 0:02:28 | |
# It's only inches on the reel-to-reel | 0:02:28 | 0:02:31 | |
# And the radio is in the hands of lots of silly men | 0:02:32 | 0:02:35 | |
# Trying to anaesthetise the way that you feel | 0:02:35 | 0:02:38 | |
# Radio is a sound salvation | 0:02:38 | 0:02:40 | |
# Radio is cleaning up the nation | 0:02:40 | 0:02:44 | |
# Listen, listen, listen, listen | 0:02:44 | 0:02:45 | |
# They say you'd better listen to the voice of reason | 0:02:45 | 0:02:48 | |
# Listen, listen, listen, listen, listen, listen | 0:02:48 | 0:02:50 | |
# But they don't give you any choice cos they think that it's treason | 0:02:50 | 0:02:54 | |
# Listen, listen, listen, listen, listen, listen | 0:02:54 | 0:02:56 | |
# So you had better do as you are told | 0:02:56 | 0:02:59 | |
# You better listen to the radio | 0:02:59 | 0:03:01 | |
# Wonderful radio | 0:03:04 | 0:03:06 | |
# Marvellous radio | 0:03:07 | 0:03:09 | |
# Wonderful radio | 0:03:10 | 0:03:12 | |
# Radio, radio | 0:03:13 | 0:03:16 | |
# Radio, radio | 0:03:16 | 0:03:19 | |
# Radio, radio. # | 0:03:19 | 0:03:22 | |
Where there is discord, may we bring harmony. | 0:03:22 | 0:03:24 | |
Where there is error, may we bring truth. | 0:03:24 | 0:03:27 | |
Where there is doubt, may we bring faith. | 0:03:27 | 0:03:31 | |
And where there is despair, may we bring hope. | 0:03:31 | 0:03:34 | |
# Oh | 0:03:35 | 0:03:37 | |
# Hey | 0:03:37 | 0:03:38 | |
# I said, oh | 0:03:38 | 0:03:40 | |
# Roxanne | 0:03:47 | 0:03:48 | |
# You don't have to put on the red light | 0:03:50 | 0:03:53 | |
# Those days are over | 0:03:55 | 0:03:57 | |
# You don't have to sell your body to the night | 0:03:57 | 0:04:01 | |
# Roxanne | 0:04:01 | 0:04:02 | |
# You don't have to wear that dress tonight | 0:04:04 | 0:04:07 | |
# Walk the streets for money | 0:04:08 | 0:04:11 | |
# You don't care if it's wrong or if it's right | 0:04:11 | 0:04:14 | |
# Roxanne | 0:04:14 | 0:04:15 | |
# You don't have to put on the red light | 0:04:17 | 0:04:20 | |
# Roxanne | 0:04:21 | 0:04:22 | |
# You don't have to put on the red light | 0:04:24 | 0:04:27 | |
# I loved you since I knew you | 0:04:29 | 0:04:31 | |
# I wouldn't talk down to you | 0:04:32 | 0:04:34 | |
# Told you once I won't tell you again | 0:04:35 | 0:04:38 | |
# I won't share you with another man | 0:04:38 | 0:04:41 | |
# You know my mind is made up | 0:04:42 | 0:04:44 | |
# So put away your make-up, yeah | 0:04:45 | 0:04:49 | |
# I told you once I won't tell you again | 0:04:49 | 0:04:51 | |
# I won't share you with another boy | 0:04:51 | 0:04:54 | |
# Roxanne | 0:04:54 | 0:04:56 | |
# You don't have to put on the red light | 0:04:58 | 0:05:00 | |
# Roxanne | 0:05:01 | 0:05:03 | |
# You don't have to put on the red light, come on | 0:05:04 | 0:05:07 | |
# Roxanne | 0:05:08 | 0:05:10 | |
# Roxanne | 0:05:11 | 0:05:13 | |
# Roxanne | 0:05:14 | 0:05:16 | |
# Roxanne | 0:05:17 | 0:05:19 | |
# Roxanne | 0:05:21 | 0:05:23 | |
# Roxanne | 0:05:24 | 0:05:26 | |
# Roxanne | 0:05:27 | 0:05:28 | |
# Roxanne | 0:05:30 | 0:05:32 | |
# Roxanne | 0:05:33 | 0:05:34 | |
# Put on the red light | 0:05:36 | 0:05:39 | |
# Put on the red light | 0:05:40 | 0:05:41 | |
# Put on the red light | 0:05:43 | 0:05:44 | |
# Put on the red light | 0:05:46 | 0:05:48 | |
# Put on the red light | 0:05:49 | 0:05:51 | |
# Put on the red light | 0:05:52 | 0:05:54 | |
# Put on the red light | 0:05:55 | 0:05:57 | |
# Roxanne, here we go | 0:05:58 | 0:05:59 | |
# Roxanne, oh! | 0:06:01 | 0:06:04 | |
# Yeah! | 0:06:04 | 0:06:05 | |
# Roxanne, Roxanne. # | 0:06:05 | 0:06:08 | |
Debbie Harry of the pop group Blondie, | 0:06:12 | 0:06:13 | |
arrives for an autograph session at a record store - | 0:06:13 | 0:06:16 | |
one of the promotional gimmicks | 0:06:16 | 0:06:18 | |
of an industry that grossed nearly £300m last year | 0:06:18 | 0:06:22 | |
out of the record-buying public, the punters. | 0:06:22 | 0:06:24 | |
Over the past two years, groups have emerged to challenge | 0:06:24 | 0:06:27 | |
attitudes to music making and record selling. | 0:06:27 | 0:06:30 | |
How has the new wave coped with a multi-million pound industry? | 0:06:30 | 0:06:33 | |
All right, you monkeys, this next one's called (I'm Always Touched By Your) Presence, Dear. | 0:06:33 | 0:06:36 | |
# Was it destiny? | 0:06:44 | 0:06:45 | |
# I don't know yet | 0:06:45 | 0:06:48 | |
# Was it just by chance? Could this be kismet? | 0:06:50 | 0:06:53 | |
# Something in my consciousness | 0:06:56 | 0:06:59 | |
# Told me you'd appear | 0:06:59 | 0:07:01 | |
# Now I'm always touched by your presence, dear | 0:07:02 | 0:07:06 | |
# When we play at cards you use an extra sense... # | 0:07:08 | 0:07:12 | |
It's really not cheating, you know. | 0:07:12 | 0:07:14 | |
# You can read my head I've got no defence | 0:07:14 | 0:07:18 | |
# When you sent your messages | 0:07:20 | 0:07:23 | |
# Whispered loud and clear | 0:07:23 | 0:07:26 | |
# I am always touched by your presence, dear | 0:07:27 | 0:07:30 | |
# Floating past the evidence of possibility | 0:07:32 | 0:07:37 | |
# We could navigate together | 0:07:38 | 0:07:41 | |
# Psychic frequencies | 0:07:41 | 0:07:44 | |
# Coming into contact with outer entities | 0:08:03 | 0:08:08 | |
# We could entertain each one with our theosophies | 0:08:09 | 0:08:15 | |
# I stay awake at night and count your REMs | 0:08:17 | 0:08:21 | |
# When you're talking with your super friends | 0:08:22 | 0:08:26 | |
# Levitating lovers in the secret stratosphere | 0:08:28 | 0:08:33 | |
# I'm still in touch with your presence, dear | 0:08:33 | 0:08:37 | |
# Dear | 0:08:37 | 0:08:40 | |
# I'm still in touch with your presence, dear | 0:08:40 | 0:08:43 | |
# Dear | 0:08:43 | 0:08:44 | |
# I'm still in touch with your presence, dear | 0:08:45 | 0:08:49 | |
# Dear, dear, dear | 0:08:49 | 0:08:51 | |
# Dear. # | 0:08:51 | 0:08:55 | |
If you have to ask what a rhythm stick is... | 0:08:58 | 0:09:00 | |
..then, er, it may be possible that you will never know the answer. | 0:09:02 | 0:09:05 | |
Ha-ha-ha. | 0:09:05 | 0:09:06 | |
# In the deserts of Sudan | 0:09:06 | 0:09:10 | |
# And the gardens of Japan | 0:09:11 | 0:09:14 | |
# From Milan to Yucatan | 0:09:15 | 0:09:19 | |
# Every woman, every man | 0:09:20 | 0:09:23 | |
# Hit me with your rhythm stick | 0:09:25 | 0:09:27 | |
# Hit me, hit me | 0:09:27 | 0:09:29 | |
# Je t'adore, ich liebe dich | 0:09:29 | 0:09:32 | |
# Hit me, hit me, hit me | 0:09:32 | 0:09:34 | |
# Hit me with your rhythm stick | 0:09:34 | 0:09:36 | |
# Hit me slowly, hit me quick | 0:09:36 | 0:09:39 | |
# Hit me, hit me | 0:09:39 | 0:09:41 | |
# Hit...me | 0:09:41 | 0:09:43 | |
# In the wilds of Borneo | 0:09:52 | 0:09:56 | |
# And the vineyards of Bordeaux | 0:09:57 | 0:10:00 | |
# Eskimo, Arapaho | 0:10:01 | 0:10:04 | |
# Move their body to and fro | 0:10:06 | 0:10:10 | |
# Hit me with your rhythm stick | 0:10:11 | 0:10:13 | |
# Hit me, hit me | 0:10:13 | 0:10:15 | |
# Das ist gut, c'est fantastique | 0:10:15 | 0:10:18 | |
# Hit me, hit me, hit me | 0:10:18 | 0:10:20 | |
# Hit me with your rhythm stick | 0:10:20 | 0:10:22 | |
# It's nice to be a lunatic | 0:10:22 | 0:10:24 | |
# Hit me, hit me, hit me | 0:10:24 | 0:10:28 | |
# Hit me, hit me, hit...me | 0:10:41 | 0:10:45 | |
# In the dock of Tiger Bay | 0:11:12 | 0:11:15 | |
# On the road to Mandalay | 0:11:17 | 0:11:20 | |
# From Bombay to Santa Fe | 0:11:21 | 0:11:25 | |
# O'er the hills and far away | 0:11:26 | 0:11:30 | |
# Hit me with your rhythm stick | 0:11:31 | 0:11:33 | |
# Hit me, hit me | 0:11:33 | 0:11:36 | |
# C'est si bon, mm? Ist es nicht? | 0:11:36 | 0:11:38 | |
# Hit me, hit me, hit me | 0:11:38 | 0:11:40 | |
# Hit me with your rhythm stick | 0:11:40 | 0:11:42 | |
# Two fat persons click, click, click | 0:11:42 | 0:11:45 | |
# Hit me, hit me, hit...me | 0:11:45 | 0:11:49 | |
# Hit me, hit me, hit...me | 0:11:52 | 0:11:55 | |
# Hit me | 0:11:56 | 0:11:58 | |
# Hit me | 0:11:59 | 0:12:00 | |
# Hit me, ow! | 0:12:01 | 0:12:02 | |
# Hit me | 0:12:03 | 0:12:04 | |
# Hit me | 0:12:05 | 0:12:06 | |
# Hit me, hit me, hit me. # | 0:12:08 | 0:12:11 | |
# I never thought it would happen With me and a girl from Clapham | 0:12:38 | 0:12:43 | |
# Out on a windy common That night I ain't forgotten | 0:12:43 | 0:12:47 | |
# When she dealt out the rations With some or other passions | 0:12:47 | 0:12:51 | |
# I said, "You are a lady" | 0:12:51 | 0:12:53 | |
# "Perhaps" she said, "I may be" | 0:12:53 | 0:12:58 | |
# We moved into a basement With thoughts of our engagement | 0:12:58 | 0:13:03 | |
# We stayed in by the telly Although the room was smelly | 0:13:03 | 0:13:07 | |
# We spent our time just kissing The Railway Arms we're missing | 0:13:07 | 0:13:11 | |
# But love had got us hooked up And all our time it took up | 0:13:11 | 0:13:18 | |
# I got a job with Stanley He said I'd come in handy | 0:13:19 | 0:13:23 | |
# And started me on Monday So I had a bath on Sunday | 0:13:23 | 0:13:27 | |
# I worked eleven hours And bought the girl some flowers | 0:13:27 | 0:13:31 | |
# She said she'd seen a doctor And nothing now could stop her | 0:13:31 | 0:13:38 | |
# I worked all through the winter The weather brass and bitter | 0:13:39 | 0:13:43 | |
# I put away a tenner Each week to make her better | 0:13:43 | 0:13:47 | |
# And when the time was ready We had to sell the telly | 0:13:47 | 0:13:51 | |
# Late evenings by the fire And little kicks inside her | 0:13:51 | 0:13:57 | |
# This morning at 4.50 I took her rather nifty | 0:13:58 | 0:14:02 | |
# Down to an incubator Where thirty minutes later | 0:14:02 | 0:14:06 | |
# She gave birth to a daughter Within a year a walker | 0:14:06 | 0:14:10 | |
# She looked just like her mother If there could be another | 0:14:10 | 0:14:16 | |
# And now she's two years older Her mother's with a soldier | 0:14:18 | 0:14:22 | |
# She left me when my drinking Became a proper stinging | 0:14:22 | 0:14:26 | |
# The devil came and took me From bar to street to bookie | 0:14:26 | 0:14:30 | |
# No more nights by the telly No more nights nappies smelling | 0:14:30 | 0:14:36 | |
# Alone here in the kitchen I feel there's something missing | 0:14:38 | 0:14:42 | |
# I'd beg for some forgiveness But begging is not my business | 0:14:42 | 0:14:46 | |
# And she won't write a letter Although I always tell her | 0:14:46 | 0:14:50 | |
# And so it's my assumption I'm really up the junction. # | 0:14:50 | 0:14:56 | |
Within an hour of the walkout on December 18th, | 0:15:02 | 0:15:04 | |
YTV programmes came off the air. | 0:15:04 | 0:15:07 | |
Since then, any of the 5.5 million people in Yorkshire, Humberside | 0:15:07 | 0:15:10 | |
and Lincolnshire wanting to see ITV have simply found an apology card. | 0:15:10 | 0:15:15 | |
# Well, she was an American girl | 0:15:41 | 0:15:45 | |
# Raised on promises | 0:15:46 | 0:15:49 | |
# She couldn't help thinking that there | 0:15:50 | 0:15:53 | |
# Was a little more to life somewhere else | 0:15:53 | 0:15:57 | |
# After all it was a great big world | 0:15:58 | 0:16:02 | |
# With lots of places to run to | 0:16:02 | 0:16:05 | |
# And if she had to die tryin' she | 0:16:06 | 0:16:11 | |
# Had one little promise she was gonna keep | 0:16:11 | 0:16:14 | |
# Oh, yeah | 0:16:16 | 0:16:17 | |
# All right | 0:16:17 | 0:16:19 | |
# Take it easy, baby | 0:16:19 | 0:16:21 | |
# Make it last all night | 0:16:21 | 0:16:23 | |
# She was an American girl | 0:16:24 | 0:16:28 | |
# Well, it was kind of cold that night | 0:16:31 | 0:16:35 | |
# She stood alone on her balcony | 0:16:35 | 0:16:39 | |
# Yeah, she could hear the cars roll by | 0:16:39 | 0:16:43 | |
# Out on 441 like waves crashin' on the beach | 0:16:43 | 0:16:48 | |
# And for one desperate moment | 0:16:48 | 0:16:51 | |
# He crept back in her memory | 0:16:51 | 0:16:55 | |
# God, it's so painful when something that's so close | 0:16:55 | 0:17:01 | |
# Is still so far out of reach | 0:17:01 | 0:17:04 | |
# Oh, yeah | 0:17:04 | 0:17:07 | |
# All right | 0:17:07 | 0:17:08 | |
# Take it easy, baby | 0:17:09 | 0:17:11 | |
# Make it last all night | 0:17:11 | 0:17:13 | |
# She was an American girl | 0:17:13 | 0:17:18 | |
# Oh | 0:17:55 | 0:17:56 | |
# Yeah | 0:18:19 | 0:18:20 | |
# Yeah. # | 0:18:35 | 0:18:36 | |
Mary Johnson... | 0:19:11 | 0:19:13 | |
Trying to put that young girl's eye out, were you? | 0:19:13 | 0:19:16 | |
Were you born stupid? | 0:19:16 | 0:19:18 | |
-Diana Knowles... -I see. | 0:19:18 | 0:19:20 | |
It's something you've developed yourself, is it? | 0:19:20 | 0:19:23 | |
Don't let me ever catch you doing that again, understand? | 0:19:23 | 0:19:28 | |
# Take me now, baby, here as I am | 0:19:35 | 0:19:39 | |
# Pull me close Try and understand | 0:19:39 | 0:19:44 | |
# Desire's hunger is the fire I breathe | 0:19:44 | 0:19:48 | |
# Love is a banquet on which we feed | 0:19:48 | 0:19:52 | |
# Come on now, try and understand | 0:19:53 | 0:19:56 | |
# The way I feel when I'm in your hands | 0:19:56 | 0:20:01 | |
# Take my hand, come undercover | 0:20:01 | 0:20:05 | |
# They can't hurt you now | 0:20:05 | 0:20:07 | |
# Can't hurt you now Can't hurt you now | 0:20:07 | 0:20:13 | |
# Because the night belongs to lovers | 0:20:13 | 0:20:17 | |
# Because the night belongs to love | 0:20:17 | 0:20:21 | |
# Because the night belongs to lovers | 0:20:21 | 0:20:25 | |
# Because the night belongs to love | 0:20:25 | 0:20:29 | |
# Have I doubt when I'm alone | 0:20:29 | 0:20:33 | |
# Love is a ring, the telephone | 0:20:33 | 0:20:37 | |
# Love is an angel disguised as lust | 0:20:37 | 0:20:41 | |
# Here in my bed until the morning comes, pop | 0:20:41 | 0:20:45 | |
# Come on now, try and understand | 0:20:45 | 0:20:49 | |
# The way I feel when I'm in your hands | 0:20:49 | 0:20:53 | |
# Take my hand as the sun descends | 0:20:53 | 0:20:57 | |
# They can't touch you now | 0:20:57 | 0:20:59 | |
# Can't touch you now can't touch you now | 0:20:59 | 0:21:05 | |
# Because the night | 0:21:05 | 0:21:08 | |
# Lovers | 0:21:08 | 0:21:09 | |
# Because the night belongs to love | 0:21:09 | 0:21:13 | |
# Because the night belongs to lovers | 0:21:13 | 0:21:17 | |
# Because the night belongs to love | 0:21:17 | 0:21:21 | |
# With love we sleep | 0:21:36 | 0:21:38 | |
# With doubt the vicious circle burns and turns | 0:21:38 | 0:21:42 | |
# Without you I cannot live, forgive | 0:21:42 | 0:21:46 | |
# The yearning burning I believe it's time | 0:21:46 | 0:21:49 | |
# To heal, reveal | 0:21:49 | 0:21:52 | |
# Touch me now, touch me now touch me now | 0:21:52 | 0:22:00 | |
# Because the night belongs to lovers | 0:22:00 | 0:22:03 | |
# Because the night belongs to love | 0:22:03 | 0:22:07 | |
# Because the night belongs to lovers | 0:22:07 | 0:22:11 | |
# Because the night | 0:22:11 | 0:22:14 | |
# We believe in the night for lovers | 0:22:15 | 0:22:19 | |
# If we believe in the night we trust | 0:22:19 | 0:22:23 | |
# Because the night belongs to lovers | 0:22:23 | 0:22:27 | |
# Because the night belongs to love. # | 0:22:27 | 0:22:35 | |
When the top negotiators from unions and management met, | 0:22:36 | 0:22:39 | |
more than 100 shop stewards demonstrated. | 0:22:39 | 0:22:41 | |
They were demanding the bonus the company say hasn't been earned | 0:22:41 | 0:22:45 | |
by creative productivity. | 0:22:45 | 0:22:47 | |
Banners say, "No money, no cars." | 0:22:47 | 0:22:49 | |
# You're always dancing down the street | 0:22:49 | 0:22:53 | |
# With your suede blue eyes | 0:22:53 | 0:22:55 | |
# Every new boy that you meet | 0:22:57 | 0:23:01 | |
# Doesn't know the real surprise | 0:23:01 | 0:23:04 | |
# Here she comes again | 0:23:04 | 0:23:07 | |
# She's dancing 'neath the starry sky | 0:23:07 | 0:23:10 | |
# Yeah, I think you'll flip | 0:23:11 | 0:23:12 | |
# Here she comes again | 0:23:12 | 0:23:14 | |
# When she's dancing 'neath the starry sky | 0:23:14 | 0:23:17 | |
# I kinda like the way I like the way she dips | 0:23:19 | 0:23:21 | |
# She's my best friend's girl | 0:23:23 | 0:23:26 | |
# She's my best friend's girl | 0:23:27 | 0:23:30 | |
# She used to be mine | 0:23:31 | 0:23:34 | |
# You've got your nuclear boots | 0:23:40 | 0:23:42 | |
# And your drip-dry glove | 0:23:42 | 0:23:45 | |
# When you bite your lip | 0:23:47 | 0:23:49 | |
# It's some reaction to love-o-ove-o-ove, oh | 0:23:49 | 0:23:54 | |
# Here she comes again | 0:23:54 | 0:23:57 | |
# She's dancing 'neath the starry sky | 0:23:57 | 0:24:00 | |
# Yeah, I think you'll flip | 0:24:01 | 0:24:02 | |
# Here she comes again | 0:24:02 | 0:24:05 | |
# And she's dancing 'neath the starry sky | 0:24:05 | 0:24:08 | |
# I kinda like the way I like the way she dips | 0:24:08 | 0:24:11 | |
# She's my best friend's girl | 0:24:13 | 0:24:15 | |
# She's my best friend's girl | 0:24:17 | 0:24:19 | |
# But she used to be mine | 0:24:21 | 0:24:23 | |
# Dancing down the street with your suede blue eyes | 0:24:49 | 0:24:54 | |
# Every new boy that you meet | 0:24:56 | 0:24:59 | |
# Doesn't know the real surprise | 0:24:59 | 0:25:02 | |
# Here she comes again | 0:25:04 | 0:25:06 | |
# She's dancing 'neath the starry sky | 0:25:06 | 0:25:09 | |
# Yeah, I think you'll flip | 0:25:09 | 0:25:11 | |
# Here she comes again | 0:25:11 | 0:25:13 | |
# And she's dancing 'neath the starry sky | 0:25:13 | 0:25:16 | |
# I kinda like the way I like the way she dips | 0:25:17 | 0:25:20 | |
# She's my best friend's girl | 0:25:22 | 0:25:24 | |
# She's my best friend's girl | 0:25:26 | 0:25:28 | |
# But she used to be mine | 0:25:30 | 0:25:32 | |
# And so...fine | 0:25:34 | 0:25:37 | |
# All right, now | 0:25:38 | 0:25:39 | |
# My best friend's girlfriend | 0:25:39 | 0:25:42 | |
# Yeah | 0:25:42 | 0:25:43 | |
# My best friend's girlfriend | 0:25:43 | 0:25:46 | |
# Used to be mine | 0:25:46 | 0:25:47 | |
# My best friend's girlfriend | 0:25:47 | 0:25:50 | |
# Yeah, yeah | 0:25:50 | 0:25:51 | |
# My best friend's girlfriend | 0:25:51 | 0:25:54 | |
# Used to be mine | 0:25:54 | 0:25:55 | |
# My best friend's girlfriend | 0:25:55 | 0:25:57 | |
# Yeah, yeah, yeah | 0:25:57 | 0:25:59 | |
# My best friend's girlfriend | 0:25:59 | 0:26:01 | |
# Used to be mine | 0:26:01 | 0:26:02 | |
# My best friend's girlfriend | 0:26:02 | 0:26:05 | |
# Oh, no | 0:26:05 | 0:26:07 | |
# My best friend's girlfriend | 0:26:07 | 0:26:09 | |
# All right now. # | 0:26:09 | 0:26:10 | |
I've had dogs all my life | 0:26:46 | 0:26:47 | |
and I've always found that they're just as fond of a bit of comfort | 0:26:47 | 0:26:51 | |
and a bit of good grub as I am. | 0:26:51 | 0:26:53 | |
Come on now! | 0:26:53 | 0:26:54 | |
Forever a dog! | 0:26:59 | 0:27:02 | |
# I'm so messed up, I want you here | 0:27:12 | 0:27:15 | |
# In my room, I want you here | 0:27:18 | 0:27:22 | |
# Now we're gonna be face to face | 0:27:26 | 0:27:29 | |
# And I'll lay right down in my favourite place | 0:27:32 | 0:27:37 | |
# Now I wanna be your dog | 0:27:40 | 0:27:43 | |
# Now I wanna be your dog | 0:27:43 | 0:27:47 | |
# Now I wanna be your dog | 0:27:47 | 0:27:50 | |
# Well, come on. # | 0:27:57 | 0:27:58 | |
Subtitles by Red Bee Media Ltd | 0:28:04 | 0:28:06 |