Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
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Tonight, The Teardrop Explodes, Orange Juice, Robert Wyatt, | 0:00:02 | 0:00:07 | |
Aztec Camera, Billy Bragg, The Fall, The Pogues, | 0:00:07 | 0:00:12 | |
and The Style Council. | 0:00:12 | 0:00:15 | |
Bonjour. | 0:00:46 | 0:00:47 | |
Bonjour. | 0:00:47 | 0:00:48 | |
HE SPEAKS GARBLED FRENCH | 0:00:48 | 0:00:51 | |
# Bless my cotton socks I'm in the news | 0:01:21 | 0:01:25 | |
# The King sits on his face but it's all assumed | 0:01:27 | 0:01:31 | |
# All wrapped up the same | 0:01:33 | 0:01:36 | |
# All wrapped up the same | 0:01:36 | 0:01:38 | |
# They can't have it, you can't have it, I can't have it too | 0:01:38 | 0:01:44 | |
# Until I learn to accept my reward | 0:01:44 | 0:01:48 | |
# Prisoners stand in queues and stand accused | 0:02:00 | 0:02:04 | |
# Live in solitude like Howard Hughes | 0:02:05 | 0:02:09 | |
# All wrapped up the same | 0:02:12 | 0:02:14 | |
# All wrapped up the same | 0:02:14 | 0:02:17 | |
# Silence has it, arrogance has it, I can't have it, oooh, | 0:02:17 | 0:02:22 | |
# Until I learn to accept my reward | 0:02:22 | 0:02:27 | |
# Suddenly it struck me very clear | 0:02:41 | 0:02:45 | |
# Suddenly it struck me very clean | 0:02:47 | 0:02:51 | |
# They're all wrapped up the same | 0:02:53 | 0:02:56 | |
# All wrapped up the same | 0:02:56 | 0:02:59 | |
# They can't have it You can't have it | 0:02:59 | 0:03:02 | |
# I can't have it too | 0:03:02 | 0:03:04 | |
# Until I learn to accept my reward | 0:03:04 | 0:03:09 | |
# Until I learn to accept my reward | 0:03:19 | 0:03:23 | |
# Until I learn to accept my reward | 0:03:28 | 0:03:32 | |
# Until I learn to accept my... | 0:03:33 | 0:03:37 | |
# I learn to accept my... | 0:03:37 | 0:03:39 | |
# I learn to accept my reward. # | 0:03:39 | 0:03:43 | |
Before the next programme, I'll just fill you in on what's happening over the next few weeks. | 0:03:45 | 0:03:52 | |
I'm having a small sherry party on Wednesday. That should be nice. | 0:03:52 | 0:03:57 | |
Laura Ashley curtains are arriving on the 15th. Blue regency stripe. | 0:03:57 | 0:04:03 | |
And at the end of the month I'm being fired. | 0:04:03 | 0:04:06 | |
This is what's coming up for YOU. | 0:04:06 | 0:04:09 | |
Here's another piece of escapist light entertainment: "Shipbuilding". | 0:04:09 | 0:04:14 | |
# Is it worth it? | 0:04:31 | 0:04:34 | |
# A new winter coat and shoes for the wife | 0:04:36 | 0:04:41 | |
# And a bicycle on the boy's birthday | 0:04:43 | 0:04:47 | |
# It's just a rumour that was spread around town | 0:04:47 | 0:04:52 | |
# By the women and children | 0:04:52 | 0:04:55 | |
# Soon we'll be shipbuilding | 0:04:55 | 0:04:59 | |
# Well, I ask you | 0:05:02 | 0:05:05 | |
# The boy said, Dad, they're going to take me to task | 0:05:06 | 0:05:12 | |
# But I'll be back by Christmas | 0:05:14 | 0:05:18 | |
# It's just a rumour that was spread around town | 0:05:18 | 0:05:22 | |
# Somebody said that someone got filled in | 0:05:22 | 0:05:27 | |
# For saying that people get killed in | 0:05:27 | 0:05:32 | |
# The result of the shipbuilding | 0:05:32 | 0:05:37 | |
# With all the will in the world | 0:05:39 | 0:05:44 | |
# Diving for dear life | 0:05:44 | 0:05:47 | |
# When we could be diving for pearls | 0:05:47 | 0:05:55 | |
# It's just a rumour that was spread around town | 0:06:09 | 0:06:14 | |
# A telegram or a picture postcard | 0:06:14 | 0:06:19 | |
# Within weeks they'll be reopening the shipyard | 0:06:19 | 0:06:24 | |
# And notifying the next of kin | 0:06:24 | 0:06:28 | |
# Once again | 0:06:28 | 0:06:31 | |
# It's all we're skilled in | 0:06:31 | 0:06:35 | |
# We will be shipbuilding | 0:06:35 | 0:06:42 | |
# With all the will in the world | 0:06:44 | 0:06:49 | |
# Diving for dear life | 0:06:49 | 0:06:52 | |
# When we could be diving for pearls. # | 0:06:52 | 0:07:00 | |
-It worked on 9 levels. -I spotted 12. | 0:07:03 | 0:07:05 | |
Well... 12 if you include the, er... Let's be condescending about this! | 0:07:05 | 0:07:11 | |
It worked as a simple satire on modern Britain and as a metaphor for redemption. | 0:07:11 | 0:07:17 | |
-The underlying theme? -As when one sleeps with a stranger - I was nervous and it was a disappointment. | 0:07:17 | 0:07:25 | |
# From the mountain tops down to the sunny street | 0:07:49 | 0:07:54 | |
# A different drum is playing a different kind of beat | 0:07:54 | 0:07:58 | |
# It's like a mystery that never ends | 0:07:58 | 0:08:02 | |
# I see you crying and I want to kill your friends | 0:08:02 | 0:08:06 | |
# I hear your footsteps in the street. Won't be long before we meet | 0:08:06 | 0:08:10 | |
# It's obvious | 0:08:11 | 0:08:14 | |
# Just count me in, count me out I'll be waiting for the shout | 0:08:14 | 0:08:19 | |
# Oblivious | 0:08:20 | 0:08:24 | |
# Met Mo and she's OK Said no-one really changed | 0:08:24 | 0:08:28 | |
# Got different badges but they wear them just the same | 0:08:28 | 0:08:32 | |
# Down by the ballroom | 0:08:32 | 0:08:34 | |
# I recognise that flaming fountain in those kindred caring eyes | 0:08:34 | 0:08:40 | |
# I hear your footsteps in the street. Won't be long before we meet | 0:08:40 | 0:08:45 | |
# It's obvious | 0:08:46 | 0:08:48 | |
# Just count me in, count me out | 0:08:48 | 0:08:51 | |
# I'll be waiting for the shout | 0:08:51 | 0:08:54 | |
# Oblivious | 0:08:54 | 0:08:58 | |
# I hope it haunts me till I'm hopeless | 0:08:59 | 0:09:02 | |
# And I hope it hits you when you go | 0:09:02 | 0:09:06 | |
# And sometimes on the edge of sleeping | 0:09:06 | 0:09:11 | |
# It rises up to let me know It's not so deep I'm not so slow | 0:09:11 | 0:09:16 | |
# They're calling all the shots They'll call and say they phoned | 0:09:31 | 0:09:35 | |
# They'll call us lonely when we're really just alone | 0:09:35 | 0:09:39 | |
# And like a funny film it's kinda cute | 0:09:39 | 0:09:43 | |
# They bought the bullets and there's no-one left to shoot | 0:09:43 | 0:09:47 | |
# I hear your footsteps in the street. Won't be long before we meet | 0:09:47 | 0:09:52 | |
# It's obvious | 0:09:53 | 0:09:55 | |
# Just count me in, count me out I'll be waiting for the shout | 0:09:55 | 0:10:00 | |
# Oblivious | 0:10:00 | 0:10:03 | |
# I hear your footsteps in the street. Won't be long before me meet | 0:10:03 | 0:10:08 | |
# It's obvious | 0:10:09 | 0:10:11 | |
# Just count me in, count me out I'll be waiting for the shout | 0:10:11 | 0:10:15 | |
# Oblivious. # | 0:10:17 | 0:10:20 | |
My name is Billy Bragg. I am the Milkman Of Human Kindness. | 0:10:24 | 0:10:29 | |
# If you're lonely | 0:10:44 | 0:10:46 | |
# I will call | 0:10:47 | 0:10:50 | |
# If you're poorly | 0:10:50 | 0:10:53 | |
# I will send poetry | 0:10:54 | 0:10:56 | |
# I love you | 0:10:59 | 0:11:03 | |
# I am the milkman of human kindness | 0:11:03 | 0:11:07 | |
# I will leave an extra pint | 0:11:07 | 0:11:12 | |
# If you're sleeping | 0:11:27 | 0:11:29 | |
# I will wait | 0:11:30 | 0:11:32 | |
# If your bed is wet | 0:11:32 | 0:11:35 | |
# I will dry your tears | 0:11:35 | 0:11:39 | |
# I love you | 0:11:42 | 0:11:45 | |
# I am the milkman of human kindness | 0:11:45 | 0:11:49 | |
# I will leave an extra pint | 0:11:49 | 0:11:54 | |
# Hold my hand for me | 0:11:56 | 0:11:58 | |
# I'm waking up | 0:11:58 | 0:12:02 | |
# Hold my hand for me | 0:12:02 | 0:12:04 | |
# I'm waking up | 0:12:04 | 0:12:08 | |
# Won't you hold my hand? | 0:12:08 | 0:12:10 | |
# I'm making up | 0:12:10 | 0:12:14 | |
# Hold my hand for me | 0:12:14 | 0:12:17 | |
# I'm making up | 0:12:17 | 0:12:26 | |
# If you're falling | 0:12:37 | 0:12:40 | |
# I'll put out my hands | 0:12:40 | 0:12:44 | |
# If you feel bitter | 0:12:44 | 0:12:46 | |
# Understand | 0:12:47 | 0:12:50 | |
# I love you | 0:12:54 | 0:12:57 | |
# I am the milkman of human kindness | 0:12:57 | 0:13:02 | |
# I will leave an extra pint. # | 0:13:02 | 0:13:06 | |
I haven't time to put on a lot of make-up, | 0:13:19 | 0:13:24 | |
but whoever I face in the morning, I won't want to look too awful. | 0:13:24 | 0:13:29 | |
But enough of me. With spring coming we'll be exposing our bodies more. | 0:13:29 | 0:13:34 | |
Here's an idea for summer make-up. | 0:13:34 | 0:13:37 | |
# On the buses some just stare On the buses some pretend to learn | 0:14:00 | 0:14:05 | |
# Where's the lay of the land | 0:14:08 | 0:14:10 | |
# My son? | 0:14:10 | 0:14:13 | |
# Where's the lay of the land, my son? | 0:14:22 | 0:14:24 | |
# What's the lay of the land, my son? | 0:14:24 | 0:14:27 | |
# Saw the last Briton on the street | 0:14:40 | 0:14:43 | |
# He said the radio fuzz was dead, effete | 0:14:43 | 0:14:45 | |
# No longer reflects our daft fate | 0:14:45 | 0:14:50 | |
# I wanna leave this city hit a quick coach | 0:14:52 | 0:14:56 | |
# Pick a town in Surrey. There's nothing here but crooks and death | 0:14:56 | 0:15:00 | |
# And kerb crawlers of the worst order | 0:15:00 | 0:15:04 | |
# Where's the lay of the land, my son? Where's the lay of the land, my son? | 0:15:14 | 0:15:18 | |
# Eldritch house with green moss | 0:15:27 | 0:15:32 | |
# Sound of ordinary on the waves | 0:15:32 | 0:15:36 | |
# Tiles drip from its roof | 0:15:36 | 0:15:40 | |
# The Home Secretary has a weird look. # | 0:15:40 | 0:15:46 | |
Hello, hello, hello, hello! | 0:15:51 | 0:15:54 | |
LAUGHTER | 0:15:54 | 0:15:56 | |
This is the Outer Hebrides Broadcasting Corporation calling civilisation. | 0:16:00 | 0:16:06 | |
More nonsense in a minute, but first it's time for... | 0:16:06 | 0:16:10 | |
One, two, three... | 0:16:10 | 0:16:12 | |
# Last night as I slept I dreamed I met with Behan | 0:16:25 | 0:16:28 | |
# I shook him by the hand and we passed the time of day | 0:16:28 | 0:16:32 | |
# When questioned on his views on the crux of life's philosophies he had these simple words to say: | 0:16:32 | 0:16:38 | |
# I am going, I am going | 0:16:38 | 0:16:41 | |
# Any which way the wind may be blowing | 0:16:41 | 0:16:45 | |
# I am going, I am going | 0:16:45 | 0:16:48 | |
# Where streams of whiskey are flowing | 0:16:48 | 0:16:52 | |
# I have cursed, bled and sworn, jumped bail and landed up in jail | 0:16:52 | 0:16:55 | |
# Life has often tried to stretch me but the rope always was slack | 0:16:55 | 0:16:58 | |
# And now that I've a pile I'll go down to the Chelsea | 0:16:58 | 0:17:02 | |
# I'll walk in on my feet but I'll leave on my back | 0:17:02 | 0:17:05 | |
# I am going, I am going | 0:17:05 | 0:17:08 | |
# Any which way the wind may be blowing | 0:17:08 | 0:17:12 | |
# I am going, I am going | 0:17:12 | 0:17:15 | |
# Where streams of whiskey are flowing | 0:17:15 | 0:17:18 | |
# His words seemed the wisest of philosophies | 0:17:31 | 0:17:35 | |
# There's nothing to be gained by a wet thing called a tear | 0:17:35 | 0:17:38 | |
# When the world is too dark and I need the light inside of me | 0:17:38 | 0:17:42 | |
# I'll go to a bar and drink 15 pints of beer | 0:17:42 | 0:17:45 | |
# I am going, I am going | 0:17:45 | 0:17:48 | |
# Any which way the wind may be blowing | 0:17:48 | 0:17:51 | |
# I am going, I am going | 0:17:51 | 0:17:55 | |
# Where streams of whiskey are flowing | 0:17:55 | 0:17:58 | |
# I am going, I am going | 0:17:58 | 0:18:01 | |
# Any which way the wind may be flowing | 0:18:01 | 0:18:05 | |
# I am going, I am going | 0:18:05 | 0:18:08 | |
# Where streams of whiskey are flowing | 0:18:08 | 0:18:11 | |
# Where streams of whiskey are flowing | 0:18:11 | 0:18:15 | |
# Where the streams of whiskey are flowing. # | 0:18:15 | 0:18:19 | |
A lot of people would like a new system in this country and the western world. | 0:18:34 | 0:18:41 | |
I've got a good opportunity to express my feelings, | 0:18:41 | 0:18:45 | |
and that's what I do. | 0:18:45 | 0:18:47 | |
Like I said, if I was an author, | 0:18:47 | 0:18:49 | |
I wouldn't get questioned about whether politics should be in music. | 0:18:49 | 0:18:54 | |
It's only because I'm in pop music | 0:18:54 | 0:18:57 | |
that people say pop should be about frivolity and the joys of life. | 0:18:57 | 0:19:03 | |
You can only write about what you see. | 0:19:03 | 0:19:06 | |
# You don't have to take this crap | 0:19:07 | 0:19:10 | |
# You don't have to sit back and relax | 0:19:10 | 0:19:13 | |
-# -You can actually try changing it | 0:19:13 | 0:19:18 | |
# I know we've always been taught to rely | 0:19:18 | 0:19:22 | |
# Upon those in authority | 0:19:22 | 0:19:25 | |
# But you never know till you try | 0:19:25 | 0:19:28 | |
# How things just might be | 0:19:28 | 0:19:31 | |
-# -If we came together so strongly, yeah | 0:19:31 | 0:19:36 | |
# Are you gonna try to make this work | 0:19:36 | 0:19:39 | |
# Or spend your days down in the dirt? | 0:19:39 | 0:19:42 | |
# You see, things can change Walls can come tumbling down | 0:19:42 | 0:19:45 | |
-# -Governments crack and systems fall | 0:19:45 | 0:19:48 | |
-# -Cos unity is powerful | 0:19:48 | 0:19:52 | |
# Lights go out Walls come tumbling down | 0:19:52 | 0:19:55 | |
# Yes, they do Yes, they do | 0:19:55 | 0:19:59 | |
# The competition is a colour TV | 0:20:01 | 0:20:04 | |
# We're on a pause with the video machine | 0:20:04 | 0:20:07 | |
-# -That keeps you slaves to the HP, yeah | 0:20:07 | 0:20:12 | |
# Until the unity is threatened by | 0:20:12 | 0:20:15 | |
# Those who have and who have not | 0:20:15 | 0:20:19 | |
# Those who are with and those who are without | 0:20:19 | 0:20:22 | |
# And dangle jobs like a donkey's carrot | 0:20:22 | 0:20:25 | |
-# -Until you don't know where you are | 0:20:25 | 0:20:30 | |
# Are you gonna get to realise | 0:20:30 | 0:20:33 | |
# The class war's real not mythologised? | 0:20:33 | 0:20:36 | |
# And like Jericho walls can come tumbling down | 0:20:36 | 0:20:39 | |
-# -Governments crack and systems fall | 0:20:39 | 0:20:42 | |
-# -Cos unity is powerful | 0:20:42 | 0:20:45 | |
# Lights go out Walls come tumbling | 0:20:45 | 0:20:49 | |
-# -Down | 0:20:49 | 0:20:50 | |
-# Too late to fight it -Down | 0:20:50 | 0:20:53 | |
-# Let us be united -Down | 0:20:53 | 0:20:56 | |
# We're united | 0:20:56 | 0:20:58 | |
-# -Ooo-ooo-oooh | 0:20:58 | 0:21:03 | |
# Are you gonna be threatened by | 0:21:04 | 0:21:07 | |
# The public enemy's number ten? | 0:21:07 | 0:21:10 | |
# Those who play the power game | 0:21:10 | 0:21:13 | |
# They take the profit, you take the blame | 0:21:13 | 0:21:17 | |
-# -When they tell you there's no rise in pay | 0:21:17 | 0:21:22 | |
# Are you gonna try to make this work | 0:21:22 | 0:21:25 | |
# Or spend your days down in the dirt? | 0:21:25 | 0:21:27 | |
# You see, things can change Walls can come tumbling down | 0:21:27 | 0:21:31 | |
-# -Governments crack and systems fall | 0:21:31 | 0:21:34 | |
-# -Cos unity is powerful | 0:21:34 | 0:21:37 | |
# Lights go out Walls come tumbling down | 0:21:37 | 0:21:40 | |
-# -Governments crack and systems fall | 0:21:40 | 0:21:43 | |
-# -Cos unity is powerful | 0:21:43 | 0:21:47 | |
# Lights go out Walls come tumbling down | 0:21:47 | 0:21:50 | |
-# -Governments crack and systems fall | 0:21:50 | 0:21:53 | |
-# -Cos unity is powerful | 0:21:53 | 0:21:56 | |
# Lights go out Walls come tumbling down. # | 0:21:56 | 0:21:59 | |
And so it's goodnight from everyone here at Television Centre. | 0:22:14 | 0:22:19 | |
Don't forget to switch off your set. | 0:22:19 | 0:22:23 | |
HIGH-PITCHED TONE | 0:22:25 | 0:22:27 | |
HOUSEMARTINS: "Happy Hour" | 0:22:40 | 0:22:42 | |
Next week on Sounds Of The '80s, Motorhead, ZZ Top, | 0:23:42 | 0:23:46 | |
U2, Bruce Springsteen, Bon Jovi, | 0:23:46 | 0:23:49 | |
INXS, The Cult and The Mission. | 0:23:49 | 0:23:51 |