Browse content similar to Pennod 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-Welcome to a special episode -of Y Stiwdio Gefn... | 0:00:09 | 0:00:12 | |
-..where we look back at -highlights of the past series. | 0:00:12 | 0:00:16 | |
-We have a full jukebox -of familiar songs... | 0:00:16 | 0:00:19 | |
-..from Welsh groups and soloists. | 0:00:19 | 0:00:22 | |
-We start with one of the -earliest performances. | 0:00:22 | 0:00:26 | |
-This is Carwyn Ellis and Colorama -with the song, Dere Mewn. | 0:00:26 | 0:00:30 | |
-# Come on in | 0:00:51 | 0:00:53 | |
-# Put your feet up | 0:00:54 | 0:00:57 | |
-# Close the door | 0:00:58 | 0:01:00 | |
-# Turn the heat up | 0:01:01 | 0:01:04 | |
-# What's the use? | 0:01:05 | 0:01:06 | |
-# Tell me why not | 0:01:07 | 0:01:08 | |
-# We're only here once | 0:01:08 | 0:01:13 | |
-# Come on in | 0:01:13 | 0:01:16 | |
-# Take a pew | 0:01:19 | 0:01:21 | |
-# Have a cuppa | 0:01:22 | 0:01:25 | |
-# If you don't want one | 0:01:26 | 0:01:29 | |
-# I'll make something other | 0:01:30 | 0:01:33 | |
-# What's the use? | 0:01:33 | 0:01:35 | |
-# Tell me why not | 0:01:35 | 0:01:37 | |
-# We're only here once | 0:01:37 | 0:01:41 | |
-# Come on in | 0:01:42 | 0:01:45 | |
-# What's the use? | 0:01:57 | 0:01:59 | |
-# Tell me why not | 0:01:59 | 0:02:01 | |
-# We're only here once | 0:02:01 | 0:02:06 | |
-# But never mind - | 0:02:07 | 0:02:11 | |
-# Come on in | 0:02:11 | 0:02:14 | |
-# I'll make some food | 0:02:26 | 0:02:29 | |
-# If you're starving | 0:02:31 | 0:02:34 | |
-# Got fresh bread | 0:02:34 | 0:02:37 | |
-# Butter on it | 0:02:37 | 0:02:40 | |
-# What's the use? | 0:02:41 | 0:02:43 | |
-# Tell me why not | 0:02:43 | 0:02:45 | |
-# We're only here once | 0:02:46 | 0:02:49 | |
-# Come on in # | 0:02:50 | 0:02:53 | |
-APPLAUSE | 0:03:03 | 0:03:05 | |
-Next on the carousel -is modern music enthusiast... | 0:03:06 | 0:03:10 | |
-..Gai Toms with the song, -Stiletos Gwydr. | 0:03:10 | 0:03:13 | |
-# Your head's exploding, -thinking too much | 0:03:29 | 0:03:32 | |
-# About how you can live -a better life | 0:03:32 | 0:03:35 | |
-# Time to open the curtains | 0:03:36 | 0:03:38 | |
-# Open your eyes and see through -the facade that's crumbling | 0:03:38 | 0:03:44 | |
-# Hey, glasses are falling -from the tables | 0:03:44 | 0:03:48 | |
-# Take off your shoes, oh, hey | 0:03:48 | 0:03:51 | |
-# Dance through the night with me | 0:03:51 | 0:03:54 | |
-# Until your feet are bleeding | 0:03:55 | 0:03:58 | |
-# When it comes to deciding, -they make the decisions | 0:04:04 | 0:04:08 | |
-# They take the rewards -and then rock the boat | 0:04:08 | 0:04:12 | |
-# Oh, hey, without the yellow and -black or a beak up your backside | 0:04:13 | 0:04:17 | |
-# So don't pick that skin -under your nostrils | 0:04:17 | 0:04:21 | |
-# Glasses are falling -from the tables | 0:04:21 | 0:04:24 | |
-# Take off your shoes, oh, hey | 0:04:24 | 0:04:27 | |
-# Dance through the night with me | 0:04:27 | 0:04:30 | |
-# Until your feet are bleeding | 0:04:31 | 0:04:33 | |
-# Oh, hey, -glasses are falling from the tables | 0:04:48 | 0:04:51 | |
-# Take off your shoes, oh, hey | 0:04:51 | 0:04:54 | |
-# Dance through the night with me | 0:04:54 | 0:04:57 | |
-# One, two three, yeah! | 0:04:57 | 0:04:59 | |
-INSTRUMENTAL | 0:05:00 | 0:05:02 | |
-# Hey, glasses are falling -from the tables | 0:05:15 | 0:05:18 | |
-# Take your shoes off, oh, hey | 0:05:18 | 0:05:21 | |
-# Dance through the night with me | 0:05:21 | 0:05:24 | |
-# Until your feet are bleeding | 0:05:25 | 0:05:28 | |
-# Hey, glasses falling -from the table, hey | 0:05:28 | 0:05:31 | |
-# Take off your shoes, oh, hey | 0:05:31 | 0:05:34 | |
-# Dance through the night with me | 0:05:34 | 0:05:37 | |
-# Until your feet start bleeding | 0:05:37 | 0:05:40 | |
-INSTRUMENTAL | 0:05:40 | 0:05:42 | |
-# Hey, glasses falling -from the table, hey | 0:06:03 | 0:06:06 | |
-# Take off your shoes, oh, hey | 0:06:07 | 0:06:09 | |
-# Dance through the night with me | 0:06:11 | 0:06:13 | |
-# Until your feet, -until your feet start bleeding # | 0:06:14 | 0:06:19 | |
-APPLAUSE | 0:06:19 | 0:06:21 | |
-INSTRUMENTAL INTRODUCTION | 0:06:27 | 0:06:29 | |
-# Yes, I saw the dawn again | 0:06:42 | 0:06:47 | |
-# Yes, the morning returned | 0:06:47 | 0:06:51 | |
-# And the heart starts beating again | 0:06:55 | 0:07:00 | |
-# But under the shadow -of a faithful fool | 0:07:00 | 0:07:05 | |
-# I can say like O' Hara | 0:07:08 | 0:07:12 | |
-# But in so few words | 0:07:12 | 0:07:18 | |
-# Say what you have to say, -it's in tatters | 0:07:19 | 0:07:24 | |
-# We're both in a heap our ruins | 0:07:24 | 0:07:29 | |
-# Et-ra-i | 0:07:31 | 0:07:39 | |
-# The summer is here again | 0:07:41 | 0:07:44 | |
-# Etrai | 0:07:44 | 0:07:48 | |
-# There's a straight line -between the Earth | 0:07:54 | 0:07:59 | |
-# And a fine line for redemption | 0:07:59 | 0:08:04 | |
-# If you want to save us | 0:08:07 | 0:08:12 | |
-# Press on | 0:08:12 | 0:08:14 | |
-# Take hold, forget your worries | 0:08:19 | 0:08:24 | |
-# You'll find warmth in my arms | 0:08:24 | 0:08:30 | |
-# We'll find a refuge again | 0:08:31 | 0:08:36 | |
-# Tender, fair love | 0:08:36 | 0:08:42 | |
-# Et-ra-i | 0:08:44 | 0:08:52 | |
-# The summer is here again | 0:08:53 | 0:08:57 | |
-# Etrai | 0:08:57 | 0:09:01 | |
-INSTRUMENTAL | 0:09:02 | 0:09:06 | |
-# Et-ra-i | 0:09:28 | 0:09:35 | |
-# The summer is here again | 0:09:37 | 0:09:41 | |
-# Etrai | 0:09:41 | 0:09:45 | |
-# E-tra-i # | 0:09:49 | 0:09:56 | |
-APPLAUSE | 0:10:20 | 0:10:21 | |
-That was Georgia Ruth -with the song, Etrai. | 0:10:22 | 0:10:25 | |
-After the break, we'll have songs -from Ail Symudiad, Lleuwen... | 0:10:26 | 0:10:30 | |
-..and from Y Bandana, -who retired from performing in 2016. | 0:10:30 | 0:10:36 | |
-. | 0:10:40 | 0:10:40 | |
-Subtitles | 0:10:43 | 0:10:43 | |
-Subtitles - -Subtitles | 0:10:43 | 0:10:45 | |
-INSTRUMENTAL INTRODUCTION | 0:10:55 | 0:10:57 | |
-# Listening | 0:11:10 | 0:11:12 | |
-# Listening to the words | 0:11:12 | 0:11:16 | |
-# From the ones we have forgotten | 0:11:17 | 0:11:21 | |
-# The connection's uneasy | 0:11:21 | 0:11:24 | |
-# Talking | 0:11:28 | 0:11:30 | |
-# Talking with enthusiasm | 0:11:30 | 0:11:34 | |
-# For the honour and accolade | 0:11:35 | 0:11:39 | |
-# Words without feeling -are worthless | 0:11:39 | 0:11:42 | |
-# We'll have peace | 0:11:47 | 0:11:50 | |
-# From the uncertain sentences | 0:11:51 | 0:11:54 | |
-# It means nothing to us | 0:11:55 | 0:11:58 | |
-# Fake faithfulness -and second-hand emotion | 0:11:58 | 0:12:02 | |
-INSTRUMENTAL | 0:12:03 | 0:12:05 | |
-# Words | 0:12:20 | 0:12:22 | |
-# Words in the wilderness | 0:12:22 | 0:12:26 | |
-# They're totally irrelevant | 0:12:26 | 0:12:30 | |
-# The circus continues | 0:12:31 | 0:12:33 | |
-# Answers | 0:12:38 | 0:12:39 | |
-# Answers are simple | 0:12:40 | 0:12:42 | |
-# They're answered in detail | 0:12:44 | 0:12:48 | |
-# To hide the lies and deceit | 0:12:48 | 0:12:51 | |
-# We'll have peace | 0:12:55 | 0:12:59 | |
-# From the uncertain sentences | 0:13:01 | 0:13:03 | |
-# It means nothing to us | 0:13:04 | 0:13:07 | |
-# Fake faithfulness -and second-hand emotion | 0:13:07 | 0:13:11 | |
-INSTRUMENTAL | 0:13:12 | 0:13:14 | |
-# We'll find peace | 0:13:30 | 0:13:33 | |
-# From the uncertain sentences | 0:13:34 | 0:13:37 | |
-# It means nothing to us | 0:13:38 | 0:13:41 | |
-# Fake faithfulness -and second-hand emotion # | 0:13:41 | 0:13:45 | |
-APPLAUSE | 0:14:11 | 0:14:13 | |
-That was Ail Symudiad -to open the second part. | 0:14:13 | 0:14:16 | |
-Next, we have performance of -Cawell Fach y Galon by Lleuwen... | 0:14:17 | 0:14:21 | |
-..from one of our earlier episodes. | 0:14:21 | 0:14:24 | |
-MUSICAL INTRODUCTION | 0:14:24 | 0:14:26 | |
-# How do I refuse the little bird -that's in his faithful eyes? | 0:14:37 | 0:14:43 | |
-# Sometimes it glides past -and flies like a wren | 0:14:44 | 0:14:50 | |
-# Straight into my silly soul and -it makes its nest, without a care | 0:14:50 | 0:14:57 | |
-# Without worrying -about the iron bars | 0:14:57 | 0:15:01 | |
-# That surround the cage in my heart | 0:15:01 | 0:15:04 | |
-# Without worrying -about the iron bars | 0:15:05 | 0:15:08 | |
-# That surround the cage in my heart | 0:15:09 | 0:15:11 | |
-INSTRUMENTAL | 0:15:12 | 0:15:13 | |
-# How do I refuse a little bird who -came to me through the fireplace? | 0:15:24 | 0:15:30 | |
-# Searching for a reason -or a companion | 0:15:31 | 0:15:37 | |
-# Come back and say it straight | 0:15:37 | 0:15:40 | |
-# To the man with faithful eyes | 0:15:41 | 0:15:44 | |
-# About the magical iron bars that -surround the cage within my heart | 0:15:44 | 0:15:51 | |
-# About the magical iron bars that -surround the cage within my heart | 0:15:52 | 0:15:58 | |
-INSTRUMENTAL | 0:15:59 | 0:16:01 | |
-# How do I refuse the little bird -in his black eyes? | 0:16:13 | 0:16:19 | |
-# It rests once again -in my feathered bed | 0:16:21 | 0:16:27 | |
-# I have nothing but crumbs, -memories and old stories | 0:16:27 | 0:16:34 | |
-# Safe behind the iron bars -of the cage within my heart | 0:16:34 | 0:16:41 | |
-# Safe behind the iron bars -of the cage within my heart | 0:16:42 | 0:16:49 | |
-# Safe behind the iron bars -of the cage within my heart # | 0:16:49 | 0:16:55 | |
-APPLAUSE | 0:17:14 | 0:17:15 | |
-We close the second part of -our programme with Y Bandana. | 0:17:17 | 0:17:23 | |
-INSTRUMENTAL INTRODUCTION | 0:17:23 | 0:17:26 | |
-# Cathy! | 0:17:33 | 0:17:35 | |
-# Is one hell of a woman | 0:17:35 | 0:17:39 | |
-# Cathy! | 0:17:40 | 0:17:42 | |
-# You're also ditzy | 0:17:42 | 0:17:46 | |
-# Cathy! | 0:17:47 | 0:17:50 | |
-# You wear a nose stud | 0:17:50 | 0:17:53 | |
-# Cathy! | 0:17:55 | 0:17:56 | |
-# You know I want more | 0:17:57 | 0:18:01 | |
-# Eyes like honey | 0:18:02 | 0:18:04 | |
-# With dandelion-coloured hair | 0:18:05 | 0:18:08 | |
-# And long legs | 0:18:08 | 0:18:14 | |
-# Mabli! | 0:18:23 | 0:18:25 | |
-# With your mischievous smile | 0:18:25 | 0:18:29 | |
-# Mabli! | 0:18:30 | 0:18:32 | |
-# With your generous offerings | 0:18:33 | 0:18:36 | |
-# Mabli! | 0:18:38 | 0:18:39 | |
-# With your long legs | 0:18:40 | 0:18:43 | |
-# Mabli! | 0:18:44 | 0:18:47 | |
-# They're the longest in the county | 0:18:47 | 0:18:50 | |
-# Eyes like honey | 0:18:52 | 0:18:55 | |
-# With dandelion-coloured hair | 0:18:56 | 0:18:58 | |
-# That drives me wild! | 0:18:58 | 0:19:04 | |
-# Eyes like honey | 0:19:34 | 0:19:37 | |
-# With dandelion-coloured hair | 0:19:38 | 0:19:41 | |
-# And long legs | 0:19:41 | 0:19:46 | |
-# Eyes like honey | 0:19:46 | 0:19:49 | |
-# With dandelion-coloured hair | 0:19:49 | 0:19:53 | |
-# That drives me wild! # | 0:19:53 | 0:19:59 | |
-APPLAUSE | 0:20:03 | 0:20:07 | |
-After the break... | 0:20:07 | 0:20:08 | |
-..Bryn Fon, Sian James and Jess -will be turning on our jukebox. | 0:20:09 | 0:20:13 | |
-. | 0:20:17 | 0:20:17 | |
-Subtitles | 0:20:20 | 0:20:20 | |
-Subtitles - -Subtitles | 0:20:20 | 0:20:22 | |
-Welcome back to -Jiwcbocs y Stiwdio Gefn. | 0:20:26 | 0:20:30 | |
-Next, we look at three heroes from -the rock, pop and folk scene. | 0:20:30 | 0:20:35 | |
-We begin with Bryn Fon. | 0:20:35 | 0:20:37 | |
-# The port's windows are logging | 0:20:47 | 0:20:51 | |
-# And the wind -is blowing from the sea | 0:20:51 | 0:20:56 | |
-# They say there'll be a high tide | 0:20:56 | 0:21:00 | |
-# But they say this all the time | 0:21:01 | 0:21:06 | |
-# I don't care about them | 0:21:06 | 0:21:10 | |
-# I'm leaving Dyfed and going | 0:21:11 | 0:21:15 | |
-# Back, back to your heart | 0:21:16 | 0:21:20 | |
-# Back, back to you | 0:21:21 | 0:21:25 | |
-# Three o'clock in the morning | 0:21:25 | 0:21:29 | |
-# And I can't sleep a wink | 0:21:30 | 0:21:33 | |
-# Three o'clock in the morning | 0:21:35 | 0:21:39 | |
-# And I need you here | 0:21:39 | 0:21:44 | |
-# I've done my best | 0:21:45 | 0:21:48 | |
-# Oh, let me come back | 0:21:49 | 0:21:54 | |
-# Back, back, back | 0:21:54 | 0:21:58 | |
-# To you | 0:21:58 | 0:22:01 | |
-GUITAR INSTRUMENTAL | 0:22:09 | 0:22:11 | |
-# Three o'clock in the morning | 0:22:46 | 0:22:51 | |
-# And I can't sleep a wink | 0:22:51 | 0:22:55 | |
-# Three o'clock in the morning | 0:22:57 | 0:23:00 | |
-# And I need you here | 0:23:01 | 0:23:05 | |
-# I've done my best | 0:23:06 | 0:23:10 | |
-# Oh, let me come back | 0:23:10 | 0:23:15 | |
-# Back, back, back | 0:23:15 | 0:23:19 | |
-# Back, back, back | 0:23:20 | 0:23:23 | |
-# Back, back, back | 0:23:23 | 0:23:27 | |
-# To you # | 0:23:27 | 0:23:33 | |
-From the king of Welsh rock to the -queen of Welsh folk, Sian James. | 0:23:40 | 0:23:45 | |
-This is Distaw from the album -of the same name, released in 1993. | 0:23:45 | 0:23:50 | |
-INSTRUMENTAL INTRODUCTION | 0:23:52 | 0:23:54 | |
-# Last night's chatter is now silent | 0:24:11 | 0:24:18 | |
-# Silent | 0:24:19 | 0:24:21 | |
-# Darkness returned -after a colourful shooting star | 0:24:27 | 0:24:30 | |
-# Last night's bravado now scares me | 0:24:30 | 0:24:35 | |
-# Witty entertainment, -babbling without stop | 0:24:41 | 0:24:45 | |
-# Everyone laughed, -"What a character!" | 0:24:45 | 0:24:49 | |
-# Last night's chatter is now silent | 0:24:49 | 0:24:55 | |
-# Silent | 0:24:56 | 0:24:59 | |
-# Silent | 0:25:03 | 0:25:06 | |
-# Despite boasting -a full pint glass in my hand | 0:25:11 | 0:25:15 | |
-# And drinking to reach oblivion | 0:25:15 | 0:25:18 | |
-# Last night's bravado now scares me | 0:25:19 | 0:25:24 | |
-# After sheltering from the rain | 0:25:29 | 0:25:33 | |
-# In the arms of my cold reflection | 0:25:33 | 0:25:39 | |
-# Last night's chatter is now silent | 0:25:40 | 0:25:49 | |
-# Silent | 0:25:54 | 0:25:57 | |
-INSTRUMENTAL | 0:26:01 | 0:26:03 | |
-# I'll weep empty-handed -after the thrill | 0:26:45 | 0:26:49 | |
-# In the storm of regret in my head | 0:26:49 | 0:26:55 | |
-# Begging for some -secret tranquillity | 0:26:59 | 0:27:11 | |
-# Last night's chatter is now silent | 0:27:11 | 0:27:20 | |
-# Silent | 0:27:25 | 0:27:29 | |
-# Oh-oh, silent | 0:27:30 | 0:27:35 | |
-# Silent # | 0:27:40 | 0:27:42 | |
-In the final part... | 0:27:53 | 0:27:54 | |
-..we'll have songs from Gildas, Elin -Fflur, The Gentle Good and Candelas. | 0:27:54 | 0:27:59 | |
-To take us into the break... | 0:27:59 | 0:28:01 | |
-..let's hear the 90s hit, -Glaw '91 by Jess. | 0:28:02 | 0:28:06 | |
-APPLAUSE | 0:28:06 | 0:28:07 | |
-# Oh-oh-oh | 0:28:08 | 0:28:14 | |
-# I wake up, -I wake up in the morning | 0:28:21 | 0:28:27 | |
-# Slowly, I wake up alone | 0:28:27 | 0:28:34 | |
-# I remembered in the morning | 0:28:34 | 0:28:37 | |
-# I wake up | 0:28:38 | 0:28:41 | |
-# I remembered in the morning | 0:28:41 | 0:28:44 | |
-# I wake up | 0:28:45 | 0:28:48 | |
-# When the rain is coming down, -faces fall to the floor | 0:28:49 | 0:28:55 | |
-# I'll be at your side -to accept your faith and pure love | 0:28:56 | 0:29:02 | |
-# When the rain is coming down | 0:29:02 | 0:29:07 | |
-# Yeah-eh-eh | 0:29:08 | 0:29:11 | |
-# For too long | 0:29:12 | 0:29:15 | |
-# I have been asleep | 0:29:15 | 0:29:18 | |
-# My memory has been erased | 0:29:19 | 0:29:25 | |
-# I remembered in the morning | 0:29:26 | 0:29:29 | |
-# I wake up | 0:29:29 | 0:29:32 | |
-# I remembered in the morning | 0:29:32 | 0:29:35 | |
-# I wake up | 0:29:36 | 0:29:38 | |
-# When the rain is coming down, -faces fall to the floor | 0:29:40 | 0:29:47 | |
-# I'll be at your side -to accept your faith and pure love | 0:29:47 | 0:29:53 | |
-# When the rain is coming down | 0:29:53 | 0:29:59 | |
-# Ba-ba-ba-ba | 0:29:59 | 0:30:03 | |
-# Ba-ba | 0:30:03 | 0:30:06 | |
-# Ba-ba-ba-ba | 0:30:07 | 0:30:09 | |
-# Oh-oh-oh | 0:30:10 | 0:30:13 | |
-# Oo-oo-oo-oo | 0:30:14 | 0:30:17 | |
-# Oh-oh-oh | 0:30:17 | 0:30:20 | |
-# Oo-oo-oo-oo | 0:30:21 | 0:30:24 | |
-# Hang on, the fog is rising | 0:30:28 | 0:30:31 | |
-# Like a beautiful river | 0:30:35 | 0:30:38 | |
-# I wake up in the morning | 0:30:38 | 0:30:41 | |
-# I wake up in the morning | 0:30:45 | 0:30:48 | |
-# I wake up in the morning | 0:30:52 | 0:30:56 | |
-# I wake up in the morning | 0:30:59 | 0:31:06 | |
-# Ba-ba-ba-ba | 0:31:14 | 0:31:16 | |
-# When the rain is coming down, -faces fall to the floor | 0:31:17 | 0:31:23 | |
-# I'll be at your side -to accept your faith and pure love | 0:31:24 | 0:31:30 | |
-# When the rain is coming down | 0:31:31 | 0:31:36 | |
-# Coming down | 0:31:36 | 0:31:38 | |
-# Coming down | 0:31:39 | 0:31:42 | |
-# Coming down | 0:31:43 | 0:31:45 | |
-# Coming down | 0:31:47 | 0:31:49 | |
-# Coming down | 0:31:50 | 0:31:53 | |
-# Coming down | 0:31:53 | 0:31:56 | |
-# Coming down | 0:31:57 | 0:32:00 | |
-# Yeah! # | 0:32:01 | 0:32:07 | |
-APPLAUSE | 0:32:08 | 0:32:09 | |
-. | 0:32:13 | 0:32:13 | |
-Subtitles | 0:32:16 | 0:32:16 | |
-Subtitles - -Subtitles | 0:32:16 | 0:32:18 | |
-Welcome back to -Jiwcbocs Y Stiwdio Gefn. | 0:32:22 | 0:32:25 | |
-In the final part, we'll hear -four songs from the series. | 0:32:25 | 0:32:29 | |
-We start with -Y Gusan Gyntaf by Gildas. | 0:32:29 | 0:32:32 | |
-INSTRUMENTAL INTRODUCTION | 0:32:33 | 0:32:35 | |
-# On that first morning, -the world opened its eyes | 0:32:51 | 0:32:58 | |
-# Our great Lord -created all the light | 0:32:58 | 0:33:05 | |
-# Then came water and the land | 0:33:06 | 0:33:09 | |
-# And the pretty flowers | 0:33:10 | 0:33:15 | |
-# Next came the stars and the moon -and the planets and sun | 0:33:16 | 0:33:22 | |
-# Little insects and birds -nesting in the leaves | 0:33:24 | 0:33:30 | |
-# Adam came to the garden | 0:33:31 | 0:33:34 | |
-# And was joined by a true beauty | 0:33:35 | 0:33:39 | |
-# On the eighth day | 0:33:41 | 0:33:45 | |
-# They had their first kiss | 0:33:45 | 0:33:49 | |
-# And the animals of the world | 0:33:50 | 0:33:53 | |
-# Slowly fell in love | 0:33:54 | 0:33:58 | |
-# The monkeys from Asia -were swinging in the trees | 0:33:59 | 0:34:05 | |
-# And the bears and their shrubs -shook more than ever | 0:34:07 | 0:34:14 | |
-# And every swan on the lake | 0:34:14 | 0:34:18 | |
-# Came together to lock necks | 0:34:18 | 0:34:23 | |
-# On the eighth day | 0:34:25 | 0:34:28 | |
-# They had their first kiss | 0:34:28 | 0:34:33 | |
-# And the animals of the world | 0:34:33 | 0:34:37 | |
-# Slowly fell in love | 0:34:37 | 0:34:43 | |
-# Oo-oo-oo-oo | 0:34:57 | 0:35:01 | |
-# Oo-oo-oo-oo-oo | 0:35:01 | 0:35:05 | |
-# Oo-oo-oo-oo | 0:35:05 | 0:35:09 | |
-# Oo-oo-oo-oo-oo-oo-oo | 0:35:09 | 0:35:14 | |
-# On the eighth day | 0:35:15 | 0:35:18 | |
-# They had their first kiss | 0:35:18 | 0:35:22 | |
-# And the animals of the world | 0:35:22 | 0:35:26 | |
-# Slowly fell in love | 0:35:26 | 0:35:30 | |
-# On the eighth day | 0:35:31 | 0:35:34 | |
-# They had their first kiss | 0:35:34 | 0:35:38 | |
-# And the animals of the world | 0:35:38 | 0:35:42 | |
-# Slowly fell in love # | 0:35:43 | 0:35:49 | |
-APPLAUSE | 0:35:50 | 0:35:52 | |
-Next, the Welsh princess of pop, -Elin Fflur and the band... | 0:35:55 | 0:36:00 | |
-..performing Disgwyl y Diwedd. | 0:36:01 | 0:36:03 | |
-# The gold will fade | 0:36:07 | 0:36:11 | |
-# As will the cold money | 0:36:12 | 0:36:15 | |
-# And every other cheap treasures -that I have | 0:36:16 | 0:36:21 | |
-# Those em-em-empty words | 0:36:24 | 0:36:27 | |
-# And bare lies | 0:36:28 | 0:36:31 | |
-# I can only lose faith | 0:36:31 | 0:36:37 | |
-# Expect the end of the world | 0:36:37 | 0:36:39 | |
-# Expect the end of the world - -# Woah, oh-oh-oh | 0:36:39 | 0:36:41 | |
-# Return to the depths of the dark | 0:36:41 | 0:36:45 | |
-# Expect the end of the world | 0:36:45 | 0:36:48 | |
-# Expect the end of the world - -# Woah, oh-oh-oh | 0:36:48 | 0:36:49 | |
-# Close the steel curtains -on the darkness | 0:36:50 | 0:36:53 | |
-# Expect the end of the world | 0:36:53 | 0:36:56 | |
-# A hard awakening -for a knotted soul | 0:36:58 | 0:37:01 | |
-# Expect the end of the world | 0:37:01 | 0:37:05 | |
-# Yes, you gave your love | 0:37:08 | 0:37:11 | |
-# And promised the world | 0:37:12 | 0:37:15 | |
-# You put fragile petals -on a muted path | 0:37:15 | 0:37:20 | |
-# But your st-st-storm came | 0:37:24 | 0:37:27 | |
-# And blew free | 0:37:28 | 0:37:31 | |
-# Leaving the dreaded acres for me | 0:37:32 | 0:37:37 | |
-# Expect the end of the world | 0:37:38 | 0:37:39 | |
-# Expect the end of the world - -# Woah, oh-oh-oh | 0:37:39 | 0:37:41 | |
-# Return to the depths of the dark | 0:37:41 | 0:37:45 | |
-# Expect the end of the world | 0:37:46 | 0:37:48 | |
-# Expect the end of the world - -# Woah, oh-oh-oh | 0:37:48 | 0:37:49 | |
-# Close the steel curtains -on the darkness | 0:37:50 | 0:37:53 | |
-# Expect the end of the world | 0:37:53 | 0:37:57 | |
-# A hard awakening -for a knotted soul | 0:37:57 | 0:38:01 | |
-# Expect the end of the world | 0:38:01 | 0:38:07 | |
-# Ahh | 0:38:07 | 0:38:09 | |
-# Expect the end of the world | 0:38:10 | 0:38:13 | |
-# Oh-oh-oh-oh | 0:38:14 | 0:38:16 | |
-# Expect the end of the world | 0:38:18 | 0:38:20 | |
-# Oh-oh-oh | 0:38:20 | 0:38:25 | |
-# Woah, oh-oh-oh-oh | 0:38:25 | 0:38:29 | |
-# The world | 0:38:30 | 0:38:33 | |
-# My blinded heart | 0:38:36 | 0:38:37 | |
-# Is smothered and mute | 0:38:40 | 0:38:43 | |
-# Let me sleep in your shadow | 0:38:44 | 0:38:49 | |
-# Expect the end of the world | 0:38:49 | 0:38:51 | |
-# Expect the end of the world - -# Woah, oh-oh-oh | 0:38:51 | 0:38:53 | |
-# Return to the depths of the dark | 0:38:53 | 0:38:57 | |
-# Expect the end of the world | 0:38:57 | 0:38:58 | |
-# Expect the end of the world - -# Woah, oh-oh-oh | 0:38:58 | 0:39:01 | |
-# Close the steel curtains -on the darkness | 0:39:01 | 0:39:05 | |
-# Expect the end of the world | 0:39:05 | 0:39:07 | |
-# Expect the end of the world - -# Woah, oh-oh-oh | 0:39:07 | 0:39:12 | |
-# Expect the end of the world | 0:39:13 | 0:39:16 | |
-# Expect the end of the world - -# Woah, oh-oh-oh | 0:39:16 | 0:39:21 | |
-# Expect the end of the world | 0:39:21 | 0:39:23 | |
-# Wake from a heavy sleep -with fire in my heart | 0:39:24 | 0:39:27 | |
-# My knotted soul, -expect the end of the world # | 0:39:28 | 0:39:34 | |
-Next, we have the singer songwriter, -Gareth Bonnello or The Gentle Good. | 0:39:36 | 0:39:42 | |
-He's accompanied by Richard James -formerly of Gorky's Zygotic Mynci. | 0:39:42 | 0:39:48 | |
-# The moon -has disappointed the stars | 0:39:48 | 0:39:55 | |
-# That are hiding from the shock | 0:39:56 | 0:40:02 | |
-# And I am under its pure light | 0:40:02 | 0:40:10 | |
-# Drinking with my shadow | 0:40:10 | 0:40:15 | |
-# The cold breeze -of the spring evening | 0:40:21 | 0:40:28 | |
-# Causes the trees -in the orchard to sway | 0:40:28 | 0:40:35 | |
-# I'm sitting with wine nearby | 0:40:35 | 0:40:42 | |
-# Under a rain of silk petals | 0:40:43 | 0:40:48 | |
-# Shining across the dark world | 0:40:54 | 0:41:01 | |
-# The moon never drinks | 0:41:01 | 0:41:07 | |
-# As I raise a hand -to reach for my glass | 0:41:08 | 0:41:15 | |
-# My shadow does the same | 0:41:16 | 0:41:21 | |
-# Before dawn breaks -across the rolling hills | 0:41:26 | 0:41:34 | |
-# We embrace the moonlight | 0:41:34 | 0:41:40 | |
-# And we promise to meet -at the journey's end | 0:41:41 | 0:41:48 | |
-# Where a silver river flows | 0:41:48 | 0:41:54 | |
-# In my drunken stupor, -I hear the trees chattering | 0:41:59 | 0:42:07 | |
-# And the cold voices of the stone | 0:42:07 | 0:42:13 | |
-# The grass with its wet tears -beneath my feet | 0:42:14 | 0:42:22 | |
-# And the song of the lonely moon # | 0:42:22 | 0:42:27 | |
-We've reached the final song. | 0:42:48 | 0:42:50 | |
-I hope you've enjoyed our selection -of music from Y Stiwdio Gefn. | 0:42:51 | 0:42:55 | |
-We close with a favourite -amongst the fans of Candelas. | 0:42:55 | 0:42:59 | |
-This is Brenin Calonnau. | 0:42:59 | 0:43:01 | |
-Until the next time, goodbye. | 0:43:01 | 0:43:03 | |
-# Who am I going -to tell my stories to? | 0:43:19 | 0:43:23 | |
-# Who will hear my short stories? | 0:43:25 | 0:43:30 | |
-# There's only one way up | 0:43:32 | 0:43:35 | |
-# I have to follow his footsteps | 0:43:38 | 0:43:41 | |
-# Doctor, doctor -I have a question to ask | 0:43:44 | 0:43:48 | |
-# Doctor, doctor -I have a question to ask | 0:43:50 | 0:43:54 | |
-# Can you tell me -that you know best? | 0:43:57 | 0:44:00 | |
-# Did you realize -the value of the individual? | 0:44:02 | 0:44:07 | |
-# Did you know the king of hearts? | 0:44:13 | 0:44:16 | |
-# Feeling the heat -from the palms of his hands | 0:44:17 | 0:44:21 | |
-# Don't listen to the shouting | 0:44:22 | 0:44:24 | |
-# The sane people exist quietly | 0:44:25 | 0:44:28 | |
-# Woah! | 0:44:29 | 0:44:30 | |
-INSTRUMENTAL | 0:44:35 | 0:44:38 | |
-# I would exchange every tomorrow | 0:44:48 | 0:44:51 | |
-# To relive a day of the past | 0:44:54 | 0:44:57 | |
-# But Bobby McGee is still singing | 0:45:00 | 0:45:03 | |
-# And so, I won't change the show | 0:45:06 | 0:45:10 | |
-# Did you know the king of hearts? | 0:45:17 | 0:45:20 | |
-# Feeling the heat -from the palms of his hands | 0:45:21 | 0:45:24 | |
-# Don't listen to the shouting | 0:45:25 | 0:45:28 | |
-# The sane people exist quietly | 0:45:28 | 0:45:32 | |
-INSTRUMENTAL | 0:45:35 | 0:45:36 | |
-# Did you know the king of hearts? | 0:45:57 | 0:46:01 | |
-# Feeling the heat -from the palms of his hands | 0:46:01 | 0:46:05 | |
-# Don't listen to the shouting | 0:46:05 | 0:46:09 | |
-# The sane people exist quietly | 0:46:09 | 0:46:12 | |
-# Did you know the king? | 0:46:13 | 0:46:16 | |
-# Feeling the heat -from the palms of his hands | 0:46:17 | 0:46:21 | |
-# Don't listen to the shouting | 0:46:21 | 0:46:24 | |
-# The sane people exist quietly # | 0:46:25 | 0:46:30 | |
-CHEERING AND APPLAUSE | 0:46:34 | 0:46:36 | |
-S4C Subtitles by Tinopolis | 0:46:59 | 0:47:01 | |
-. | 0:47:01 | 0:47:02 |